Podcasts about Chazelle

Damien Chazelle escribió el guion para un corto previo con algunas escenas claves del film. El montaje del es uno de sus puntos fuertes. La entrada del profesor en la sala de ensayo, el silencio reinante ante su llegada a la hora exacta, plano del reloj de pared, los zapatos relucientes y las pisadas en el parqué, trombones, clarinetes, y afinaciones, hasta que la calva de Fletcher brilla y su dedo índice marca el compás. ¡No es mi puto tempo!, este hombre no perdona los errores, y utiliza la presión, el castigo para intentar sacar lo mejor de sus aprendices, la excelencia. ¿Merece la pena esa vejación? El profesor de música (J K Simmons) asegura que “Haz hecho un buen trabajo” es la peor frase de un idioma. Como el buenismo actual en la enseñanza a todos los niveles está titulando a mastuerzos a los que ya la vida pondrá en su sitio. En cualquier caso, tampoco es eso, los métodos del profesor de jazz no son los más ortodoxos, aunque a su alumno en la batería, parece irle la marcha. Una relación perversa entre alumno e instructor, dependencia que no deja al espectador indiferente, con algún exceso que está de más. No era necesario que el chico llegara sangrante, tras un accidente de su coche alquilado, un latigazo cervical, y con las baquetas a cuestas se arrastra hasta el teatro. Demasiado fuerte el Gong. Chazelle busca el impacto visual y emocional, y lo consigue, claro está, a base de llagas, tiritas, y guantazos en la cara. Un film de gestos, trabajo eficiente de los dos actores, Simmons y Miles Teller. Maestro y alumno se retroalimentan, respiran una obsesión mutua, en su reguero de pérdidas y sinsabores dos narcisistas se entienden. Esta noche nos desatamos tras los bombos y los platillos, y tocamos al ritmo de Buddy Rich…Chari Medina, Raúl Gallego, Zacarías Cotán y Salvador Limón

Space Month continues as the boys gear up to go to the Moon. They are joined by their pal Riley to revisit what is perhaps Damien Chazelle's truly most underappreciated film, First Man from 2018. The fellas discuss how this movie fits into Chazelle's filmography, what makes it special, and why it ultimately wasn't a hit.

durée : 00:16:01 - Soyez heureux avec Lili Cros et Thierry Chazelle à Bergerac le 31 ocotbre 2024

Spencer Tweedy returns to Missing Frames to discuss his first ever viewing of Damien Chazelle's WHIPLASH, just in time for the film's 10th anniversary! (2024 also marks the ten-year anniversary of SUKIERAE, the brilliant album Spencer made with his dad, Wilco founder Jeff Tweedy.) As a drummer, Spencer has always wanted to see Whiplash, but has never gotten around to it. Shawn has been a fan of the film since its release, but it's been a minute since he last watched it. In their freewheeling discussion, Shawn and Spencer discuss whether Whiplash lives up to its esteemed reputation and the concept of pain and adversity as a necessity for making great art.Check out Spencer's website at spencertweedy.com, and check out his books Observations: Year Two and Mirror Sound: A Look Into the People and Processes Behind Self-Recorded Music.HOSTSShawn EastridgeSpencer Tweedy

Midway Avenue Productions Presents, The Genre of Your Life Podcast!Episode #59 | In this exciting new episode of The Genre of Your Life, Nick and Doug dive into some intriguing Hollywood rumors that have been making waves. Could Oscar-winning director Damien Chazelle (La La Land, Babylon) be in talks to helm the next James Bond film? Our hosts break down the speculation, discussing what Chazelle's unique cinematic style might bring to the legendary franchise and how this potential collaboration could shake things up for Bond fans.But that's not all—Nick and Doug also tackle two very different films that are grabbing attention this week. First up is The Substance, a wild and bonkers sci-fi thriller that pushes boundaries with its mind-bending plot and unpredictable twists. Is it worth the ride, or does it go too far? Tune in to hear their full take on this intense, genre-bending movie.On the lighter side, the guys also review My Old Ass, a feel-good comedy that's as heartwarming as it is hilarious. With charming performances and a story that will leave you smiling, this film might just be the comfort viewing you need right now.From Bond buzz to unexpected film recommendations, this episode covers it all—don't miss out!Remember to subscribe, leave a rating + review, and share the podcast with your fellow movie enthusiasts. As always, we'll see you at the movies!ABOUT The Genre of Your Life:Ever wondered if your life was a movie or a tv show what genre would it be? Do you have a show or movie that defines who you are? The Genre Of Your Life is a podcast about the movies and shows that define us as individuals! Why do certain movies and shows hit us differently than others? If your life was a library full of movies and shows what would the catalog be? Tune in every week to hear us discuss the genres of our lives!Hosted by:Doug Jones | Producer & EditorNicholas "Nick" Johnson | Executive ProducerMoses Lawi | Executive ProducerJoel Kindelan | Executive ProducerLinks to our Social Media & WebsiteFollow us on Social Media!Instagram: @midwayavenueproductionsTikTok: @midwayavenueproductionsMusic by RODRIGO RK from Pixabay

This episode of Target Audience welcomes writer and podcaster Dancin' Dan Bayer. Dan is targeted by Damien Chazelle's 2016 musical La La Land. Join us as we discuss the film's up-and-down legacy, Stone and Gosling, and Chazelle's musical influences. Dan on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Dan at Next Best Picture Dan's Website Ben on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Ben on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Letterboxd⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Ben on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Ben's Website (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠IceCream4Freaks⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠) Opening/Closing Song - "Pull Me Through" by Royal Blood

¡El Claquetazo vuelve! Bienvenidos a este octavo episodio del podcast, en el que hablamos sobre la película de Damien Chazelle con más tiktoks de superación… y no es broma, porque Whiplash es toda una película de mensajes fuertes. Chazelle, célebre por otros largometrajes como La La Land o la reciente Babylon, dirigió y escribió Whiplash en los inicios de su carrera; y en este filme muestra los recovecos más cerrados y obsesivos del artista, a la vez que lo libera y engrandece. Ven y disfruta del episodio, que además viene con una sorpresa que esperemos te haga disfrutar aún más de la experiencia. ¡Venga, hablemos de cine! 🎬🎬🎬🎬 Música utilizada para este episodio: • Overture - From "Whiplash" • Whiplash • Caravan • Fletcher's Song In Club Contacta con nosotros: elclaquetazo.podcast@gmail.com Otras plataformas donde también puedes encontrarnos: Instagram: https://www.instagram.com/el.claquetazo/ Twitter: https://twitter.com/ElClaquetazo_ YouTube: https://www.youtube.com/channel/UCNSPBhgnR3f3JMBDxRHV5cg ****************************************************************************** Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

Le nouvel album de Lili Cros et Thierry Chazelle s'intitule «Soyez heureux ». Les deux artistes forment un couple à la ville et un duo à la scène. Ils sont tous les deux auteurs, compositeurs et interprètes. Lili est bassiste. Thierry joue de la guitare, de la mandoline et du banjo. Leur cinquième opus a des sonorités pop et folk. Avec le titre «Les chansons colibris » est évoqué l'importance des chansons qui peuvent changer une vie. «Le Cahier neuf » nous parle de l'écriture qui autorise à être un homme neuf. Je vous signale aussi l'actualité de MC Solaar. Ses concerts à la Salle Pleyel sont déjà complets. Il sera de retour à l'Olympia, du 12 au 15 décembre prochain. Il symbolise un rap aux textes intelligents qui jouent avec les mots. Il défendra aussi sur scène son nouvel album «Triptyque : lueurs célestes ». Une photo Franck Loriou

En ces temps particulièrement moroses, le duo Lili Cros et Thierry Chazelle revient avec un cinquième album intitulé joyeusement : Soyez heureux. Un disque folk, ensoleillé et bucolique qui fait du bien. Sur la pochette de l'album, ils affichent tous les deux des sourires de bon aloi. Chacun d'eux tient une plume de paon, dont l'œil se confond avec le leur. Sur les photos du livret, cette même bienveillance se lit dans leur regard. Une bienveillance, une chaleur humaine que l'on retrouve dans leurs chansons, ciselées, bucoliques, et souvent empreintes de la bruine marine de leur Bretagne d'adoption.Lili Cros et Thierry Chazelle, couple à la ville, et duo sur scène et en studio sont avec nous. Ils viennent nous présenter leur nouvel album, le cinquième. Un disque qui fait du bien, douze titres aux couleurs pop et folk, dont le titre sonne comme un conseil plein de gentillesse. « Soyez heureux » est disponible chez Sofia.Lili Cros et Thierry Chazelle sont les invités de VMDN.Café Polar : Catherine Fruchon-Toussaint a rencontré la romancière Manon Gauthier-Faure pour « Les fantômes du lac » (éditions Marchialy), une enquête de la journaliste française sur le mystère de la mort en 1978 de deux petites filles par noyade dans un village français où elle est allée pour comprendre ce cold-case glaçant.

En ces temps particulièrement moroses, le duo Lili Cros et Thierry Chazelle revient avec un cinquième album intitulé joyeusement : Soyez heureux. Un disque folk, ensoleillé et bucolique qui fait du bien. Sur la pochette de l'album, ils affichent tous les deux des sourires de bon aloi. Chacun d'eux tient une plume de paon, dont l'œil se confond avec le leur. Sur les photos du livret, cette même bienveillance se lit dans leur regard. Une bienveillance, une chaleur humaine que l'on retrouve dans leurs chansons, ciselées, bucoliques, et souvent empreintes de la bruine marine de leur Bretagne d'adoption.Lili Cros et Thierry Chazelle, couple à la ville, et duo sur scène et en studio sont avec nous. Ils viennent nous présenter leur nouvel album, le cinquième. Un disque qui fait du bien, douze titres aux couleurs pop et folk, dont le titre sonne comme un conseil plein de gentillesse. « Soyez heureux » est disponible chez Sofia.Lili Cros et Thierry Chazelle sont les invités de VMDN.Café Polar : Catherine Fruchon-Toussaint a rencontré la romancière Manon Gauthier-Faure pour « Les fantômes du lac » (éditions Marchialy), une enquête de la journaliste française sur le mystère de la mort en 1978 de deux petites filles par noyade dans un village français où elle est allée pour comprendre ce cold-case glaçant.

Odds and Ends: Are theaters actually dying? We provide thorough and very well-thought out opinions on it, and provide recent experiences on opposite ends of the spectrum. Nick's being a bad crowd during I Saw the TV Glow, and T.J.'s being a great crowd (meaning just him) for The Fall Guy. Feature Film: Josh returns yet again to talk about his first official normal guest rec, a lesser known Francis Coppola movie, One from the Heart. A sort-of musical that seems influential despite it's relative obscurity, or at least Chazelle and Villeneuve probably watched it maybe. Next week's movie: Showgirls (1995) and Starship Troopers (1997) You can join the conversation every Wednesday at 7pm EST on Twitch and Youtube! Available in podcast form on all your favorite podcatchers! Our guest // @LearningaboutMovies Substack // https://learningaboutmovies.substack.... Twitch // twitch.tv/ThereWillBeDuds Socials: linktr.ee/ThereWillBeDuds YouTube // There Will Be Duds Twitter // @ThereWillBeDuds Facebook // There Will Be Duds Instagram // ThereWillBeDuds TikTok // @ThereWillBeDuds --- Support this podcast: https://podcasters.spotify.com/pod/show/there-will-be-duds/support

Les histoires personnelles façonnent parfois les aventures entrepreneurialesJe suis ravi d'accueillir Arthur Chazelle, fondateur de Touch2See, une entreprise qui révolutionne l'accessibilité des événements sportifs pour les personnes aveugles et malvoyantes.Arthur se distingue de mes précédents invités. Le plus jeune que j'ai reçu, sans doute aussi celui qui aura pris le plus de chemins détournés pour en arriver là. Voici le programmeUn parcours marqué par l'innovation et l'inclusionDans cet épisode, Arthur Chazelle nous retrace son parcours personnel et entrepreneurial. Il nous confiera ce qui l'a poussé à créer Touch2See et comment il a surmonté ses défis personnels pour mener à bien sa mission. Une histoire très inspirante, assez unique par rapport à mes précédents invitésTouch2See : bien plus qu'une simple tabletteAu cœur de notre discussion, nous découvrons Touch2See, une tablette tactile et audio innovante qui offre une expérience immersive unique aux personnes aveugles et malvoyantes. Arthur nous explique en détail le fonctionnement de cette technologie et son impact positif sur la vie de ses utilisateurs. Il aborde aussi la difficulté de s'attaquer à du Hardware et comment il a bootstratpé ce projetUn message d'inclusionCet épisode sera l'occasion de réfléchir à l'importance de l'inclusion et de l'accessibilité dans notre société. Arthur Chazelle nous partagera sa vision d'un monde où le sport est accessible à tous, quelles que soient leurs capacités. Une histoire qui résonne avec son histoire personnelle. #podcast #inclusion #sport #accessibilité #Touch2See #ArthurChazelleHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

It began six years ago, in the before time, with three film nerds who have been friends for four decades. Through the years, whenever we hung out together, we would inevitably end up talking for hours about film. So, we wondered aloud, why not make it official? Thus was born, in the spring of 2018, Vintage Sand, your film history podcast. One pandemic, one insurrection, a few erasures and rewritings of the film business and several hundred loyal listeners later, we thought it might be appropriate to commemorate our 50th episode by inviting friends and recording said episode live at the 14th Street Y in Manhattan. As you will hear, around 30 people came to support us, to hurl the occasional metaphorical tomato, and to remind us why we love doing this so much, as we recorded our roundup of 2023 in film in an episode we call “Of Bombs and Bombshells”. As with the last few years, this one was difficult to read. We applied our usual measure, wondering which of this year's films, beyond “Barbie”, “Oppenheimer” and Scorsese's epic will folks will still be watching 25 or 50 years from now. Hard to say, but at least it was a year where, with the exception of Aster's “Beau Is Afraid”, we were able to avoid a repeat of 2022, where some of our most interesting filmmakers (Russell, Aronofsky, Chazelle, Iñárritu, Luhrmann, Garland, et al.) released films that were not just bad but disastrous on an epic scale. 2023 was marked by labor strife in Hollywood, huge existential questions about the business as it has been run for over a century, and anxiety over the implications of technologies like AI and streaming. But it was also a year that welcomed a solid return to form of Vintage Sand favorites like Todd Haynes and Alexander Payne, gave us Wes Anderson's first Oscar for his reunion with Roald Dahl, and brought forth astonishing new voices in works as varied as Celine Song's “Past Lives”, Cord Jefferson's “American Fiction”, and Emma Seligman's follow-up to “Shiva Baby”, the wonderful “Bottoms”. It also gave us perhaps the most ambitious American film of the century, Ava Duvernay's stunning imagining of Isabel Wilkerson's “Caste”, in her epic “Origin”, an underseen gem that may in time prove to be the year's greatest film. To top that off, there was the gently surprising return to classic form of the Oscars, featuring first wins for the aforementioned Wes, Christopher Nolan, and Robert Downey, Jr. Emma Stone won for her incredibly complex performance in “Poor Things”, but this Oscars may be remembered as the year Lily Gladstone was robbed for a performance that was much less showy than Stone's but in our opinion, much more powerful. And as for the show itself, Ryan Gosling's performance of “I'm Just Ken” may have been the greatest dance number the Oscars has seen in recent memory, though it only served to remind us how intensely the genius and talent behind “Barbie” were ignored by the Academy. Writing in the “New York Times”, Mark Harris, perhaps our favorite working film writer today, posited that film as the central force in American popular culture may be dying out. But like Harris, we don't necessarily mourn the change; after all, the “death of cinema” has been a hot topic of discussion ever since the talkies arrived 95 years ago. In fact, we agree with Harris that 2024 may be another 1970, a year when out of the rubble of the collapse of the familiar emerged a revolution of unprecedented creativity and innovation. We have no idea what the future of film will bring, but whatever it is, we hope to be there to share our thoughts with you, not as frustrated film critics or experts in any way but as passionate film lovers who want to open as many doors as possible to new films and to new lenses through which to view old ones. To Billie Eilish's eternal question, what were we made for? Hopefully another 50 episodes—at least!

Hasan Cömert ve Kaan Karsan, her Perşembe saat 22.00'de haftanın sinema, televizyon gündemini ve ilgilerini çeken her şeyi konuşuyor.00:00 | Giriş03:15 | Her Hafta 1 Klasik Konuşuyoruz07:20 | Minecraft Oynuyoruz08:48 | Hasan'ın Dune: Part One yorumu 12:44 | Kaan'ın Dune: Part Two yorumu15:00 | Denis Villeneuve'ün Diyalog Açıklaması27:30 | Chazelle'in Büyük Bütçeli Film Endişesi35:50 | Berlinale'de Utanç!  49:50 | Mustafa Uslu Yurtdışına Gidiyor58:30 | Oscar Gecesi Özel Canlı Yayın1:00:02 | Kutlukhan Kutlu ile Canlı Soru-Cevap1:00:38 | Fatih Aksoy'un Açıklamaları1:06:06 | Yeni Yerli Dizi: Bahar1:16:18 | Amazon'un Succession Sansürü1:20:20 | Tom Cruise'un Yeni Projesi1:22:08 | Shogun: İlk İzlenim1:30:24 | The Regime: İlk İzlenim1:33:09 | Kuvvetli Bir Alkış: İlk İzlenim1:46:24 | Şahan Gökbakar Gişede Battı1:50:20 | Alain Delon'un Evinde 72 Silah Bulundu1:51:10 | İskoçya'daki Willy Wonka Experience Olayı1:51:50 | Katıl Üyelikleri Değişiyor1:52:10 | The Watchers'ın fragmanı1:52:57 | I Saw the TV Glow'un Fragmanı1:54:02 | The Crow'dan İlk Görsel1:54:55 | Train to Busan'ın Yönetmeninden Yeni Film1:56:35 | Yeni Canlı Yayın Fikirleri1:56:58 | Haftaya Konuşacağımız Klasik Belli Oldu1:56:58 | Ev Köşesi: Sahip Olmaktan Memnun Olduğumuz Şeyler

Director Damien Chazelle ( La La Land, First Man) describes his childhood as a budding filmmaker inspired by Walt Disney, his path to getting his first film made (Whiplash), and how the pandemic impacted casting for his recent epic Babylon. Chazelle surprises – and delights – host Ben Mankiewicz as they discuss his parents' favorite films and which movies always make him cry.   Films Mentioned: La La Land  Whiplash Jurassic Park Guy and Madeline on a Park Bench Annie Hall Speed  Volcano Lethal Weapon Taken The Last Exorcism Part 2 10 Cloverfield Lane Ouija  Paranormal Activity* The Umbrellas of Cherbourg* West Side Story Singin' in the Rain* The Sound of Music An American in Paris First Man Babylon Peter Pan Full Metal Jacket* Paths of Glory City Lights* Make Way For Tomorrow Black and Tan St. Louis Blues The Emperor Jones* Vertigo La Grande Vadrouille The Red Circle The 400 Blows* The 13th Warrior *Available on Max as of 2/27 (Availability of titles subject to change) Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week on ClapperCast, Jak-Luke Sharp joins Carson Timar to deep dive into Damien Chazelle's Babylon and discuss why the film is a special gem within Chazelle's filmography! Subscribe on Patreon for Exclusive Episodes: https://www.patreon.com/clappercastpod Email us at ClapperCast@gmail.com - Social Media Links - Twitter: https://twitter.com/ClapperPodcast Letterboxd: https://letterboxd.com/clappercast/ Carson Timar: https://twitter.com/BP_MovieReviews Jak-Luke Sharp: https://twitter.com/JakLukeSharp Thanks for Watching! --- Send in a voice message: https://podcasters.spotify.com/pod/show/clapperpodcast/message

E makes McGee wade through a debaucherous extravaganza of near biblical proportions. They sing to high heaven the praises of Hurwitz's score & Chazelle's rhythms. Concoct a ménage à trois between Jack, Manny, & Nelly. And wait on pins and needles for a Bell Howell 35mm 2708...or was it a 2709?SHOT4SHOT: Our favorite SHOTS from the film discussed in the episodeCALL SHEET:Written & Directed By: Damien ChazelleCinematography By: Linus SandgrenEdited By: Tom CrossComposed By: Justin HurwitzFollow us on the following platforms:• Patreon• Tiktok• Instagram• Twitter/X• BlueskyPlease email us at makemewatchpodcast(AT)gmail(DOT)comTABLE OF CONTENTS: (Timestamps are approx.)Cold Open/Exit Interview [Non-Spoilers] (00:00-30:00) *Spoilers*Focus Group (30:11)  Under The Lights (01:04:00)Behind the Lens (01:26:00)Coming Soon Reveal (02:05:00)MENTIONED IN EPISODE:Learn How Damien Chazelle Mastered the Extreme Close-UpCREDITS:• Artwork by Supplay Box. Theme song by Soul Spy. Bumper music “George Street Shuffle” by Kevin MacLeod (incompetech.com) CC BY 3.0 • If you'd like to advertise with us or sponsor us, please email makemewatchpodcast(AT)gmail(DOT)com• You can support the podcast by going to patreon.com/makemewatchpodcast or rating & reviewing wherever you get your podcasts.

Today's guest is my kindred spirit, screenwriter, actor, director, producer - and TRUE multi-hyphenate! - Anna Chazelle. We're exploring how she found her way to unexpected genres, skillsets, and art forms that TRULY made her come alive. Anna is a filmmaker, actor, and screenwriter represented by WME, who specializes in horror storytelling. She got started doing theater in New York and has since transitioned into being a multi-hyphenate who specializes in science fiction and the macabre. During the pandemic, Anna leaned into what lit her creative fire (rather than continuing to do what The Industry told her she "should" be doing). She explored her deeper, truer self through writing and directing projects that were on the Macabre side, rather than staying in her "Disney Princess Adjecent" lane. And boy howdy did her career (and mental health!) benefit from that decision. Anna is currently developing a feature that explores the origins of the Greek legend MEDUSA with Fangoria, and is writing an unannounced horror film for Netflix. NOTE: This was recorded before any final resolution or ratification of new SAG contracts on Nov 29th. We do discuss both the writer's strike of earlier this year and the (as of the time of recording) ongoing actor's strike. All opinions shared about both strikes are our own and are not meant to be taken as advice on how to vote. LEGAL STUFF, Y'ALL. IT'S REAL. CONNECT WITH ANNA: https://www.instagram.com/annachazelle/ CONNECT WITH KELSEY: https://www.instagram.com/kelsey.writes/

Damien Chazelle's Babylon has been called a love letter to movies and a suicide note to Hollywood. For this wide-ranging discussion, I'm joined by filmmaker and programmer Sébastien Simon to discuss the film, the evolution of Chazelle's filmmaking, the wild history of the silent film days, Kenneth Anger, Hollywood's working class roots, the rise of institutionalized filmmaking with the emergence of sound, and much, more more.

We just can't get enough of L.A. over here at 1001 by 1, but this week we jumped from the 1980s to the 2010s and started dancing on the hoods of our cars because we are breaking down Damien Chazelle's “La La Land”. The gang breaks it all down here: the chemistry of Ryan Gosling and Emma Stone, the movie musical homages, the alternate timeline for our young lovers, and all things jazz. Also, this week Britt recommends “Starry Eyes” (currently on Tubi) while Joey and Adam keep things Chazelle oriented recommending “Babylon” (currently on Paramount+) & “First Man” (available to rent on most major platforms).   You can listen to us on Apple Podcast, Stitcher, Spotify, & Google Play. You can find us on Twitter, Instagram, & Facebook at facebook.com/1001by1. You can send us an email at 1001by1@gmail.com. Intro/Outro music is “Bouncy Gypsy Beats” by John Bartmann.

Welcome to another wonderful episode of the best movie review show in the world, Scene In Fifteen! This week, we tackle the drama thriller, Whiplash. Miles Teller and J.K. Simmons....do they have a shot in earning the hallowed "KEEP IT" from Nashon? Will Jabbo actually "SLEEP" a movie anytime soon? You know there is only one way to find out, right? Well, actually we could just TELL ya, but where is the fun in that? It's time to pop some fresh corn, grab a cold drink, and get up on some Scene In Fifteen!

Programón tuvimos el sábado! En el maravilloso mundo de las noticias habló CFK sin definición electoral, hablamos un poco de encuestas, India superó a China en población y mucho más! En Cine estreno hablamos de #babylon, que fue sin dudas la película más polémica del último tiempo, discutieron si Chazelle amaba u odiaba el Cine y su ninguneo en los Oscars levantó polvareda Mati se hinchó las pelotas de que todo se esté yendo tan a la mierda y decidió fingir demencia de acá hasta las elecciones. ¿Se puede vivir así? Lo charlamos. Encontra este y mucho más contenido todos los sábados a las 13hs por www.fm913.com.ar o en Spotify

Fue sin dudas la película más polémica del último tiempo, discutieron si Chazelle amaba u odiaba el Cine y su ninguneo en los Oscars levantó polvareda. Hablamos de #Babylon

A chicken does coke in this movie.In a delayed release of the first episode we ever recorded, Danni and Summer discuss Damien Chazelle's Babylon and the characters that pull it all together. Topics include the 1920s Manic Pixie Dream Girl, an examination of immortality, and a thorough rant about some infuriating queer representation. We're still not sure if Chazelle came out as a hero or a villain in all this, but hey, that amazing party scene will get you through pretty much anything.Content warning for discussions of drug use, racism, and suicide.———Fine us online! https://linktr.ee/bisexuallylit Hosted on Acast. See acast.com/privacy for more information.

This week the #WatchTowerFilmPodcast boys are BACK post Oscars to talk about (what they believe to be) the biggest snub of the year! Tune in as we discuss Damien Chazelle's Hollywood Silent Era Epic, “Babylon”! Join us as we dive into all of the homages someone like Chazelle uses, how he channeled Federico Fellini to depict, accurately, a Hollywood everyone has since forgotten about, and how perfect the casting and music were. This is a BIG one you won't want to miss! #TowerProd #FilmPodcast #IndieCinema #Film #Cinema #Movies #Babylon #damienchazelle Please SUBSCRIBE, LIKE, and SHARE to help us get the word out to fellow film enthusiasts.

Damien Chazelle's "Babylon" was one of 2022's largest and most ambitious films. It's fair to say it split everyone who saw it down the middle with their opinions. But an area most could agree on was the film's technical craft. Two frequent Chazelle collaborators, composer Justin Hurwitz and costume designer Mary Zophres were kind enough to spend some time going in-depth on their work for Chazelle's latest. First up is my interview with Hurwitz, where he breaks down the extensive layering of the score, how the film pushed him out of his comfort zone to try new things, if he's open to working with anyone outside Damien Chazelle, and more. Then we have Zoe Rose Bryant's interview with Mary Zophres, where she breaks down the film's elaborate costumes, working with all the different department heads on this massive project, her reaction to some of the criticisms thrown at the film's anachronisms, and more. You do not want to miss listening to these before the Oscars! Please take a listen to them down below and enjoy. Thank you! Check out more on NextBestPicture.com Please subscribe on... SoundCloud - https://soundcloud.com/nextbestpicturepodcast iTunes Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture

Welcome back to Good Film Hunting! For this week's movie, we recommend and discuss "La La Land", one of our collectively favorite films. If you enjoyed, leave a 5-star rating, share with your friends, and keep up with us on Instagram @goodfilmhuntingpodcast!

In this episode, it's time for another Rapid Review! With the Oscars around the corner, we discuss Best Picture nominees "The Fabelmans" and "Triangle of Sadness", as well as the old-Hollywood epic "Babylon" from director Damien Chazelle. Listen now!

Oscar-winning director Damien Chazelle's new movie, the period epic Babylon—starring Brad Pitt, Margot Robbie, and newcomer Diego Calva—isn't for everyone. And we have contrasting views about it, as well. We discuss Chazelle's bravura filmmaking, and dissect his inner conflict about his chosen profession. We also wonder if the film's disjointed, episodic structure does a disservice to it. Along the way, we talk about the state of the industry, and why it has become difficult for films like this to attract audiences to the cinema. — Hosted by Akhil Arora and Rohan Naahar, The Long Take is fully bootstrapped. Please consider donating if you enjoy our work. The Long Take is available on Spotify, Apple Podcasts, Amazon Music, Gaana, JioSaavn, Overcast, Stitcher, RadioPublic, Google Podcasts, and wherever you get your podcasts. Follow The Long Take on Facebook, Twitter, Instagram, and YouTube. Write to us at thelongtakepod@gmail.com. --- Support this podcast: https://anchor.fm/the-long-take/support

For the first movies podcast of the year, Cas and the team catch up on what's new in 2023, a plethora of Oscar-hopeful movies from the likes of Spielberg, Box Office bombs like Babylon and what went wrong, standout performances from none other than Brendan Fraser, Gerard Butler and David Bautista, and a lead vehicle for Mel Gibson. Plus loads of great TV, but where are all the 4K discs?

Damien Chazelle's epic film of Hollywood's transition from silents to talkies, "Babylon," has gone on to become one of the most debated and divisive films of 2022. However, one element that cannot be disputed is its impeccable craft. We were honored to have Oscar-nominated production designer Florencia Martin and Oscar-winning editor Tom Cross ("Whiplash") on the podcast to discuss their work with us on Chazelle's latest. Martin's work, in particular, is up for your consideration for this year's Academy Awards in Best Production Design. We hope you enjoy what went into making one of the most technically dazzling films of the year. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... SoundCloud - https://soundcloud.com/nextbestpicturepodcast iTunes Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture

Babylon is a 2022 American epic period comedy drama film written and directed by Damien Chazelle. It features an ensemble cast including Brad Pitt, Margot Robbie, Diego Calva, Jean Smart, Jovan Adepo and Li Jun Li. It chronicles the rise and fall of multiple characters during Hollywood's transition from silent to sound films in the late 1920s. Chazelle began developing the film in July 2019, with Lionsgate as the frontrunner to acquire the project. It was announced that Paramount Pictures had acquired worldwide rights in November 2019. Much of the main cast joined the project between January 2020 and August 2021, and filming took place in Los Angeles from July to October 2021. Babylon premiered at the Samuel Goldwyn Theater in Los Angeles on November 14, 2022, and was released in the United States on December 23. The film polarized critics, who generally praised its cinematography, score, production design and lead performances, but were sharply divided on its direction, screenplay, graphic content, and runtime. It was a box-office bomb, grossing over $41 million against a production budget of $78–80 million.[6] The film received five nominations at the 80th Golden Globe Awards (including Best Motion Picture – Musical or Comedy, winning Best Original Score), nine nominations at the 28th Critics' Choice Awards (including Best Picture), three nominations at the 76th British Academy Film Awards, and three nominations at the 95th Academy Awards. --- Send in a voice message: https://podcasters.spotify.com/pod/show/popcorn-junkies/message

Kelsi and Trey investigate the criticisms of Damien Chazelle's 'Babylon' and explore what this tragic epic was actually trying to accomplish. We also talk about the incredible performances from Margot Robbie, Brad Pitt, and Diego Calva.Send requests, questions, and thoughts to our email: extracreditspod@gmail.comPlease rate and review us on your podcast platform!Robert Daniels with Slashfilm on BabylonCheck out the ReelBlend podcast for a Damien Chazelle interview (audio with Chazelle used from ReelBlend)Apple PodcastsSpotifyFollow our Tik Tok: The Extra CreditsFollow our Instagram: @extracreditspodFollow our Letterboxd: The Extra CreditsFollow our Twitter: @theextracredits

Oscar-winning film-maker Damien Chazelle talks to John Wilson about his career and cultural influences. As a child, Chazelle first started experimenting with making films using his dad's old camcorder. After studying filmmaking at Harvard, he drew on his own experiences as a skilful jazz drummer to make his debut feature film Whiplash, about a music student and his abusive teacher. His movie La La Land, a musical in which star-crossed lovers sing and dance through the backstreets of LA, won six more Academy Awards. Damien explains how much that film owes to the Jacques Demy and Michel Legrand's 1964 romantic musical The Umbrellas of Cherbourg. He also reveals how the Los Angeles paintings of David Hockney, and in particular his 1967 work A Bigger Splash, inspired the feel and the palate of La La Land. Chazelle's latest movie Babylon explores the birth of the film industry itself and the painful transition from silent movies to the talkies, and is inspired, in part, by the classic musical Singin' in The Rain. He also explains how his love of west coat jazz musicians including Stan Getz and Chet Baker has influenced his creative output. Producer: Edwina Pitman

Hollywood - Spectacle & Sacrifice: Damien Chazelle's Babylon This week, Mr. Chavez & I continue our close out of 2022 (going into this third week of 2023), with a look at one of the most highly-anticipated films of the year (and one of its most polarizing films and biggest box-office disappointments), Damien Chazelle's Babylon. This is certainly a film that defines cinematic ambition, but also thematic and visual excess; A film of grotesque imagery and questionable plot points, Chazelle's love and fascination for the Hollywood's Silent Era and the slow emergence into "Talkies" is divisive at the very least. Rarely does a film emrege that is as beautiful, overblown, and misguided as this three-hour opus. Featuring Hollywood Stars interpreting the lives of early screen stars John Gilbert (Brad Pitt) and Clara Bow (Margot Robbie), and newcomers Diego Calva, Li Jun Li, and Jovan Adepo, as well as Jean Smart, Flea, Lukas Haas, Eric Roberts, Jeff Garlin, and Tobey McGuire. Incredibly problematic, but definitely worth seeing on the big screen, Chazelle's "Love Letter to Cinema and Hate Letter to Los Angeles/Hollywood" is one of the more fascinating spectacles in recent cinema. Take a listen and let us know what you think.  As always, we. dive into all aspects of this film. It is best to have seen the film before listening. You've been warned. Questions, Comments, Complaints, and Suggestions can be directed to gondoramos@yahoo.com Many Thanks. 

We are back with a review of Damien Chazelle's new film, Babylon! The movie stars Margot Robbie, Brad Pitt, and Diego Calva and is about the early days of Hollywood and also the transition from silent films to "talkies". We share what we liked and didn't like about the film, and discuss some of Chazelle's other work as well. We also talk about what was fact vs. fiction in the movie, and before that share with you some recommendations of things we are reading/watching! Follow the show on social media: Facebook: Twitter: Instagram: Follow us on Letterboxd Jared Katie Be sure to rate and review the show wherever you listen! --- Send in a voice message: https://anchor.fm/thesilverscreenpodcast/message

durée : 00:49:03 - Certains l'aiment Fip - Balade dans les B.O du scénariste et réalisateur de "Whiplash" et "La la land" à l'occasion de la sortie de son prochain film "Babylon" sur un Hollywood en mutation dans le Los Angeles des années 20.

In this one the dudes talk about the newest Chazelle flick!

Alex and Nick discuss a new film they both love that no one is talking about, Damien Chazelle's big swing, "Babylon." The guys talk Chazelle's career, the culture turning on prestige films, a never-better Margot Robbie, the parallels between "Babylon" and "Irréversible," and much more.In the middle of the episode, Alex invites a lunatic to call into the show and share his opinion on "Babylon." Hold on tight for this one.Follow @WAYW_Podcast on Twitter and Instagram.Watch Alex's films at http://alexwithrow.com/Watch Nick's films at https://www.nicholasdostal.com/Send us mailbag questions at whatareyouwatchingpodcast@gmail.com

We welcome cinematographer Linus Sandgren, ASC, FSC for his third time on the podcast. On his latest film, Babylon, Linus was happy to work with director Damien Chazelle again. The two had previously collaborated on La La Land and First Man. In all of his films, Chazelle thinks musically, and camera movement is essential to his films instead of just relying on editing. Linus liked Babylon's script- though it was long, it had many fast moving pieces, and the story was told in a refreshing, unconventional way. He thought of it as a 2.0 version of La La Land- it expressed Chazelle's love of cinema, and despite some of the dark places the story goes, he felt an affection for the characters in Babylon. Like La La Land, Linus combined long takes with complicated camera moves, while also using handheld verité techniques they developed on First Man. To prep for the film, Linus and Chazelle watched several Los Angeles-period films together, such as Chinatown, There Will Be Blood, and Boogie Nights. The movie combines absolutely maximalist wide shots to intimate closeups and tracking shots on specific characters, in order to keep the film emotional. One of the biggest and most spectacular scenes in Babylon is the 32-minute pre-title opening sequence, depicting a wild Bel Air party complete with revelers, cocaine, and an elephant. They shot it in the lobby of the Theatre at Ace Hotel in Los Angeles, crammed with hundreds of extras. Chazelle wanted a really high angle on the party, but they couldn't fit a crane into the space, so Linus rigged a cable cam corner to corner from above to capture the action. They spent a long time blocking and rehearsing the party sequence, filming the overhead shots, then shot with a Steadicam through the party the second day. Babylon is about the early days of cinema, when the silent movie era is transitioning to sound. The crew had to show the process of shooting film in the first days of “talkies” and the filmmaking equipment of the time had to be historically accurate. Though Linus didn't use vintage film cameras on the movie, the production designer found film cameras to use as props and they were able to use old arclights that were fitted with HMIs so they actually worked on set. Find Linus Sandgren: Instagram @linussandgren_dp Babylon can be seen in theaters nationwide. Sponsored by Hot Rod Cameras: www.hotrodcameras.com The Cinematography Podcast website: www.camnoir.com YouTube: https://www.youtube.com/c/TheCinematographyPodcast Facebook: @cinepod Instagram: @thecinepod Twitter: @ShortEndz

Welcome listeners to SEASON 2 - Episode 139 of The Yonkō Table! Featuring your hosts Super Nova Doctah Reeka and Admiral HooperTv! Join us as we deep dive movies in 2022! How did this year stack up to a solid 2021? Are we fatigued of superhero films? How do we feel about this year's crop of animated features? There were plenty of original films that hit theaters and our living rooms this year. How is streaming and VOD impacting the theater going experience? Where do the most recent releases by big-time directors like Spielberg, Cameron, Peele, Coogler, and Chazelle rank in their filmography overall? This episode isn't just about the themes of the year. We've got favorite and disappointing performances, scenes, and films to discuss too! Who did we think owned the screen this year? What were some groundbreaking or emotionally taxing scenes? Which movies fell short of our hopes? What will make our Top 5 films of the year? This and so much more, so quit swabbing the deck, come have a seat, and get fed with this week's episode of The Yonkō Table! Patreon/Discord: https://tinyurl.com/yzv488vr Twitch: https://www.twitch.tv/drjaceattorney Be sure to follow us on: Twitter: https://tinyurl.com/nxhw66te Spotify: https://tinyurl.com/u2tcbdvx Facebook: facebook.com/yonkotable Youtube: https://tinyurl.com/2mudtdwm Instagram: instagram.com/theyonkotable --- Support this podcast: https://anchor.fm/rocky78/support

Ricky, Jillian, Kenzie and Nicole are joined by Bobbi to discuss Damien Chazelle's Babylon! The film stars Diego Calva and Margot Robbie with an amazing ensemble. Written and directed by Chazelle, the film is set in the late 1920s and follows the film industry in the transition from silent films to talkies. You can find our written review of Babylon by Jillian here.Support this podcast at — https://redcircle.com/oscars-central/exclusive-content

Director Damien Chazelle discusses his new film, Babylon, with fellow director Taylor Hackford in a Q&A at the DGA theater in Los Angeles. In the conversation, Chazelle discusses the real-life figures who inspired the lead characters in the film, capturing the DNA of a "party movie" through the use of music, and crafting an atmosphere on set where life blends with art. The film chronicles the rise and fall, outsized ambition, and outrageous excess of multiple characters during Hollywood's transition from silent to sound films in the late 1920s. Please note: spoilers are included. See photos and a summary of this event below: https://www.dga.org/Events/2023/February2023/1222_QnA_Babylon.aspx

Editor - Tom Cross, ACE BABYLON editor Tom Cross, ACE first really made a name for himself working alongside director Damien Chazelle on their breakout film, WHIPLASH (2014).  Among the many accolades garnered by the film was Cross's Oscar® win for Best Film Editing.  Chazelle and Cross would follow that up with another hit movie, LA LA LAND (2016), for which Cross was again nominated for an Oscar®.  The two would team up yet again for FIRST MAN (2018), a biopic about astronaut Neil Armstrong.  Prior to rejoining Chazelle for BABYLON, Cross collaborated with editor Elliot Graham ACE to cut Daniel Craig's final turn as James Bond in, NO TIME TO DIE (2021). Written and directed by Damien Chazelle, BABYLON features an ensemble cast that includes Brad Pitt, Margot Robbie, Diego Calva, Jean Smart, Jovan Adepo, Tobey Maguire and Li Jun Li. Its plot chronicles the rise and fall of multiple characters during an era of unbridled decadence and depravity in the late 1920's when Hollywood was transitioning from silent films to "talkies". Editing BABYLON In our discussion with BABYLON editor Tom Cross, ACE we talk about: The actual workload of oners The science of silence The tightly integrated process between Tom and composer Justin Hurwitz SuperGroups for mastering musicals Tom's taste in toppings The Credits Visit Extreme Music for all your production audio needs See the latest Special Offers for Avid Media Composer Hear Tom Cross discuss cutting NO TIME TO DIE Check out Tom's Rough Cut interview about Damien Chazelle's FIRST MAN Watch Tom give a guided Timeline Tour of his edit of FIRST MAN Subscribe to The Rough Cut podcast and never miss an episode Visit The Rough Cut on YouTube

What is this episode - Top of Show Introducing “The Duke of Bettingham” David Long! . OSCARS 2023 NOVEMBER GAMBLING PREVIEW: Explaining Odds and Episode Layout - 1:43 . BEST PICTURE: The Fabelmans - 3:48 Babylon - 9:29 Everything, Everywhere - 12:10 Women Talking, Tar, She Said - 15:04 Which Longshot Could Pose The Biggest Threat? - 21:44 The Path To a Maverick Best Picture Win - 29:28 The Super Duper Long Shots - 31:01 . LEAD ACTRESS: Cate Still the Leader - 36:00 Then a Mess of Margot, Michelles, and Others - 38:33 Florence Pugh Puts Forth Fun in The Wonder - 46:39 JLaw, Frances, Hathaway Round Out The Longshots - 48:35 . LEAD ACTOR: Brendan Fraser is Entrenched as a Favorite - 51:43 Who's Actually #2? Is Hugh Jackman Still in the Top 5? - 56:50 Wide Open for Noms, Maybe Not for Winners - 1:00:28 The Tom Cruise of it All - 1:06:19 Possible Impending Backlash for The Whale - 1:10:18 . BEST DIRECTOR: Spielberg, Polley, Chazelle, Daniels, Maria Shraeder Make Top 5 Odds - 1:13:24 David Reviews Bardo - 1:18:22 The Rest of the Field - 1:23:13 Super Long Shots - 1:25:58 . . Where to Find David's Work/Your Homework/LEAVE US 5 STARS! - 1:34:45 Words of Wisdom/What's Coming Next - 1:36:39

What did we learn at the 2022 Emmy Awards? Is there room for improvement with the ceremony itself, or room for another ceremony altogether? We're reviewing the winners and takeaways before diving into our first reactions from two trailers, Steven Spielberg's FABELMANS and Damien Chazelle's BABYLON.

https://discord.gg/qGZn5yECv5 (Join our Discord community) https://www.patreon.com/mfmipodcast (Become a patron and support the show!) https://twitter.com/mfmipodcast (Follow us on Twitter) The Village, The Babadook, and The Mummy. All of this and more on this week's edition of the "My Favorite Movie is..." Bonus Round! Today's guest is director, actress, and screenwriter, Anna Chazelle. https://pod.link/mfmipodcast/ (Listen to our initial conversation with Anna and gain brand new insights into The Sixth Sense you haven't heard anywhere else!) https://www.instagram.com/annachazelle/?hl=en (Follow Anna Chazelle on Instagram) https://www.shortoftheweek.com/2021/09/29/narrow/ (Watch Anna's short film, Narrow, on Short of the Week) https://twitter.com/_heylarry_ (Created, Produced, and Hosted by Larry Fried ) Assistant Direction by Steven Reyes Edited by Fernando Queiroz https://monicasarmiento.com/ (Graphic Design by Monica Sarmiento) https://www.eltongreenfield.com/ (Motion Graphic Design by Elton Greenfield) https://mattgordeuk.com/ (Original Music by Matt Gordeuk)

TW: Child Abuse, Child Neglect https://discord.gg/qGZn5yECv5 (Join our Discord community) https://www.patreon.com/mfmipodcast (Become a patron and support the show!) https://twitter.com/mfmipodcast (Follow us on Twitter) Very few filmmakers can honestly, and accurately, portray the plight of very young children on screen. But one of those filmmakers has always been M. Night Shyamalan. Despite his divisive reputation, he has often featured young characters at the heart of his stories while always maintaining a sensitivity in how he has them interact with the horror and thriller elements of his movies. This all started from the jump with The Sixth Sense, M. Night's directorial debut. His fall from grace has shrouded this movie in the past, but its honest portrayal of childhood, not to mention its iconic twist, keeps it just as memorable as it was over twenty years ago. But how does M. Night place someone so young at the center of something so tragic without turning them into a martyr? Why is he still one of the only filmmakers who can take such a vulnerable age group and treat them with such respect and dignity? To answer this, I brought in a Sixth Sense superfan and a horror lover through and through: Anna Chazelle. She is an incredibly talented triple threat--an actor, writer, and director--whose directorial debut, Narrow, proved that she knows what goes into making an effective psychological horror story. Today, she's going to share with us her insight into how the The Sixth Sense's central relationship, gripping performances, and terrifying ghosts make for one of cinema's most effective stories on childhood trauma. https://www.instagram.com/annachazelle/?hl=en (Follow Anna Chazelle on Instagram) https://www.shortoftheweek.com/2021/09/29/narrow/ (Watch Anna's short film, Narrow, on Short of the Week) https://twitter.com/_heylarry_ (Created, Produced, and Hosted by Larry Fried ) Assistant Direction by Steven Reyes Edited by Fernando Queiroz https://monicasarmiento.com/ (Graphic Design by Monica Sarmiento) https://www.eltongreenfield.com/ (Motion Graphic Design by Elton Greenfield) https://mattgordeuk.com/ (Original Music by Matt Gordeuk) Additional Original Music by Daniel Grunberg

In this episode, Eric Bobo and I talk about Damien Chazelle's "Whiplash" about a college student's dedication of achieving success in his jazz program lead by a perfectionist of a band leader. He gives, blood, sweat, and tears and sometimes that's not enough. Perhaps your dignity? Bobo gives us insight of the road a musician can possibly go journy through and it's never an easy one. This film in particular sheds a lot on the subject of success, respect and dedication for your passion. I admired the film based on the subject and certain edited cuts mimics the intensity of jazz and the sequences the actors give. It's a war of one's self against the war. How will you take it?