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Bridges of Madison County began life as a novel, then became a film and is now a musical. Opening at London's Menier Chocolate Factory, it stars Jenna Russell in the lead role. How does it work on the stage? Thai film Die Tomorrow sounds like it might be a Bond movie but is a thoughtful look at death and mortality; mixing different formats: documentary, drama, interview, but never showing any death Fosse/Verdon begins soon on BBC2. It's an American drama which tells the story of the astonishingly talented choreographer and film director Bob Fosse (played by Sam Rockwell) and his personal and creative relationship with his wife; the dancer Gwen Verdon Last Supper In Pompeii is a new exhibition at The Ashmolean Museum in Oxford. It looks at the Roman city which was buried under lava in 79AD, through the prism of food and drink David Constantine's new collection of short stories is The Dressing-Up Box, full of darkness and unsettling worlds Ayesha Hazarika's guests are Deborah Moggach, Bridget Minamore and Michael Arditti. The producer is Oliver Jones Podcast Extra recommendations: Deborah - Crossbones Graveyard in Southwark Michael - Tim Parks' Destiny Bridget - The Mercury Prize nominees and Barbershop Chronicles Ayesha - Love Island
We had the pleasure of sitting down with Andy Nyman (Tevye) before a show at London's Menier Chocolate Factory to talk about his journey to Anatevka, the setting of Fiddler on the Roof, the importance of the story (and not just to the Jewish population) and his personal emotional investment into this production. We were also joined by Paul Bogaev, the Emmy and Grammy winning musical director of Fiddler, who just happened to be walking through the foyer.
Douglas Hodge, who appears as Albin in the current Broadway revival of the musical "La Cage aux Folles", explains what appealed to him about the story and character, which he did not know, when he was first approached to play it at London's Menier Chocolate Factory, and how the show has changed around him as it progressed from that small venue to a West End house to Broadway, notably the impact of his "trois Georges": Philip Quast, Denis Lawson and Kelsey Grammer. He also discusses his earliest days with England's National Youth Theatre; his first failed attempts to enter drama school and his successful efforts just a year later; why he left the Royal Academy of Dramatic Arts before completing their program; his early work in regional theatres -- as well as his early London roles as "Coriolanus" for director Deborah Warner at the Almeida and Edmund opposite Anthony Hopkins in "King Lear" at the National; how he found himself acting opposite Harold Pinter in the noted playwright's "No Man's Land" and the professional relationship and personal friendship that led to him appearing in and directing numerous Pinter plays; how as a noted Pinter interpreter he suddenly became a musical comedy star in a "Guys and Dolls" revival opposite Jane Krakowski; and what it was like to play "Titus Andronicus" at London's Globe Theatre -- including how many people fainted from the gore at every show. Original air date - June 9, 2010.
Douglas Hodge, who appears as Albin in the current Broadway revival of the musical “La Cage aux Folles” (for which he won the Tony Award in 2010 for Best Performance by an Actor in a Leading Role in a Musical), explains what appealed to him about the story and character, which he did not know, when he was first approached to play it at London's Menier Chocolate Factory, and how the show has changed around him as it progressed from that small venue to a West End house to Broadway, notably the impact of his "trois Georges": Philip Quast, Denis Lawson and Kelsey Grammer. He also discusses his earliest days with England's National Youth Theatre; his first failed attempts to enter drama school and his successful efforts just a year later; why he left the Royal Academy of Dramatic Arts before completing their program; his early work in regional theatres -- as well as his early London roles as Coriolanus for director Deborah Warner at the Almeida and Edmund opposite Anthony Hopkins in “King Lear” at the National; how he found himself acting opposite Harold Pinter in the noted playwright's “No Man's Land” and the professional relationship and personal friendship that led to him appearing in and directing numerous Pinter plays; how as a noted Pinter interpreter he suddenly became a musical comedy star in a “Guys and Dolls” revival opposite Jane Krakowski; and what it was like to play Titus Andronicus at London's Globe Theatre -- including how many people fainted from the gore at every show.
Douglas Hodge, who appears as Albin in the current Broadway revival of the musical "La Cage aux Folles", explains what appealed to him about the story and character, which he did not know, when he was first approached to play it at London's Menier Chocolate Factory, and how the show has changed around him as it progressed from that small venue to a West End house to Broadway, notably the impact of his "trois Georges": Philip Quast, Denis Lawson and Kelsey Grammer. He also discusses his earliest days with England's National Youth Theatre; his first failed attempts to enter drama school and his successful efforts just a year later; why he left the Royal Academy of Dramatic Arts before completing their program; his early work in regional theatres -- as well as his early London roles as "Coriolanus" for director Deborah Warner at the Almeida and Edmund opposite Anthony Hopkins in "King Lear" at the National; how he found himself acting opposite Harold Pinter in the noted playwright's "No Man's Land" and the professional relationship and personal friendship that led to him appearing in and directing numerous Pinter plays; how as a noted Pinter interpreter he suddenly became a musical comedy star in a "Guys and Dolls" revival opposite Jane Krakowski; and what it was like to play "Titus Andronicus" at London's Globe Theatre -- including how many people fainted from the gore at every show. Original air date - June 9, 2010.