Podcasts about leading role

Christian Zyp interviews Nik Sexton (director/writer) and Sean Dalton (actor) about the film SKEET. You can see it at the Metro Cinema Sat April 19th, 2025 at 3:30 pm. Nik Sexton will be in attendance for a Q&A after this screening.SKEET follows Billy Skinner (Sean Dalton) after being recently released from prison. He returns to his transformed low-income neighbourhood and finds that assimilating is more difficult that he thought. BIlly has to negotiate a strained relationship with his mother and a son he left behind. The neighborhood has changed and so has Billy. Struggling to overcome his dark past, Billy forges an unexpected bond with Mo (Jay Abdo), a compassionate Syrian immigrant determined to build a better life for his family. Sean Dalton received a nomination for Performance in a Leading Role, Dram at the 2025 Canadian Screen Awards for his portrayal of Billy Skinner.Facebook @skeet-themovieInstagram @skeet_themovie

Bewerbung zu The Leading Role: https://leading-role.paperform.co/ Du siehst deine Clients in den Calls deiner Mentorin sitzen. Diejenigen, die dir vorher geschrieben haben „zu teuer“ doppelt so viel bei jemand anderem investieren. Und auch, wenn du dir selbst erzählst, dass Platz genug für alle ist, denkst du dir doch „Warum?! Was hat sie, was ich nicht habe?!“ You are competitive. And that's a good thing. Du willst nicht einfach nur weiterhin Kunden gewinnen und 10 Clients in deiner Membership haben. Du willst hunderte. Du willst nicht einfach nur hin und wieder deine High Tickets verkaufen. Du willst, dass sie Schlange für deine Masterminds stehen. Du willst nicht mehr nur einfach Low Ticket Offers verkaufen, wenn du spezifisch af im Thema und deinem Messaging wirst. Du willst, dass sie bei dir buchen wollen - und niemandem sonst. Und dafür braucht es kein virales Reel. Das ist für dich viel zu klein gedacht. You need a stage. The spotlight on you. You are made to be the Main Character. Not only in your own life. But in the life of Premium Clients who love to invest big. You are made for THE LEADING ROLE. Innerhalb der kommenden Monate wirst du von einem Filmteam begleitet, das deine Transformation für AIMING HIGH - The Movie dokumentiert. >> deine gesamte Business Expansion Journey wird dokumentiert >> all eyes on your brand >> You as the celebrity on big screens 12 Monate 1:1 Mentoring mit bi-weekly Calls & Telegram Support in denen wir dein Business so aufsetzen, dass es dieses Wachstum nicht nur tragen kann, sondern verstärkt. >> Sales Highways:trademark: in deine paid world, sodass High Level Clients zielsicher in deine High Ticket Offers strömen >> Passive Sales, eine Eternity Offer Suite:trademark: & Client Experiences, die High Ticket Buyer wieder und wieder buchen lassen >> die Welt um deine Brand, die dich von einer von vielen zu derjenigen macht, die den Maßstab in ihrer Branche setzt All das neben einer zentralen Rolle bei AIMING HIGH Live (it's a surprise, but I guarantee you: it's HUGE). Einem 1:1 Dynasty Day in London, Berlin oder Paris. Wir beide in einer der Metropolen. Strategie Brainstorming. Funnels bauen im 5 Sterne Hotelbett. Luxury Shopping. You shifting into your Millions Identity. You are going to be the Celebrity inside of the AIMING HIGH Community and Movement. In your Community. At AIMING HIGH Live. In the Movie. In the Online Space. You're gonna be seen like never before. Your voice will be heard like never before. You will be booked like never before. THE LEADING ROLE 1 Spot. Hier geht's zur Bewerbung: https://leading-role.paperform.co/ **>> IM PODCAST ERWÄHNT Mehr von AIMING HIGH

Sunday, February 23, 2025  Series: "And the Oscar Goes to…" Title: "Best Actor in a Leading Role (Josiah)" “When Truth Hits You between the Eyes” Scripture: 2 Kings 22:1-2, 3-7, 8-11 & 2 Kings 23: 2-3, 21-23, 25 By: Rev. Steve Price Bulletins 8:00 AM https://trinitygnv.org/s/Sunday-Bulletin-02-23-25-800AM-dwws.pdf 9:30 AM https://trinitygnv.org/s/Sunday-Bulletin-02-23-25-930AM.pdf 11:00 AM https://trinitygnv.org/s/Sunday-Bulletin-02-23-25-1100AM-2pa8.pdf Scripture https://www.biblegateway.com/passage/?search=2%20Kings%2022%3A1-2%2C%203-7%2C%208-11%3B%202%20Kings%2023%3A%202-3%2C%2021-23%2C%2025&version=CEB To support the ongoing ministries of Trinity, consider making a gift here: https://pushpay.com/g/trinitygnv?src=hpp For more information, go to https://trinitygnv.org/ Copyrighted content included in this webcast is used with license under one or more of the following: Christian Copyright Solutions WORSHIP cast Streaming License and PERFORM music License #7840 (to publicly perform and/or web stream any musical composition controlled by ASCAP, BMI and SESAC), CVLI (Christian Video Licensing International) #503915511, CVLI ScreenVue License #502477880, CCLI Church Streaming & Podcast License #CSPL016331, CCLI Church Copyright License #1022361, and/or CCLI Church Rehearsal License #CRL011587.

Sunday, February 16, 2025  Series: “And the Oscar Goes to...” Title: “Best Actress in a Leading Role (Esther)” Scripture: Esther 4:12-14 By: Rev. Marisa Gertz Bulletins 8:00 AM https://trinitygnv.org/s/Sunday-Bulletin-02-16-25-800AM.pdf 9:30 AM https://trinitygnv.org/s/Sunday-Bulletin-02-16-25-930AM.pdf 11:00 AM https://trinitygnv.org/s/Sunday-Bulletin-02-16-25-1100AM-e6e3.pdf Scripture https://www.biblegateway.com/passage/?search=Esther%204%3A12-14&version=CEB To support the ongoing ministries of Trinity, consider making a gift here: https://pushpay.com/g/trinitygnv?src=hpp For more information, go to https://trinitygnv.org/ Copyrighted content included in this webcast is used with license under one or more of the following: Christian Copyright Solutions WORSHIP cast Streaming License and PERFORM music License #7840 (to publicly perform and/or web stream any musical composition controlled by ASCAP, BMI and SESAC), CVLI (Christian Video Licensing International) #503915511, CVLI ScreenVue License #502477880, CCLI Church Streaming & Podcast License #CSPL016331, CCLI Church Copyright License #1022361, and/or CCLI Church Rehearsal License #CRL011587.

Is it strange that Wicked, a film about a marginalized person discovering her magic and rising up to fight against government oppression, has been a box office success under Trump 2.0 – or does the movie's message actually meet the moment? Wicked has been nominated for 10 Oscars, including Best Actress in a Leading Role for Cynthia Erivo, who already has Grammy, Emmy and Tony awards under her belt. This week, Kara talks with Erivo about why, as a queer, Black woman, the role of Elphaba was especially meaningful and how she made it her own; what she thinks about the current attack on diversity programs and the LGBTQ+ community; which projects she wants to lend her voice and other talents to going forward; and what becoming the youngest EGOT winner (if she wins the Oscar) would mean to her. Questions? Comments? Email us at on@voxmedia.com or find us on Instagram and TikTok @onwithkaraswisher Learn more about your ad choices. Visit podcastchoices.com/adchoices

Tony Nominee Ethan Slater can most recently be seen in the feature film Wicked, where he portrays the role of Boq. The film will be followed up by Wicked: Part 2, where Slater will reprise his role, and will be released by Universal Pictures in November of 2025. In another recent film, Slater also stars in the drama film Lost on a Mountain in Maine, based on the novel. He is currently in production on the indie feature The Designer, alongside Gina Gershon and Katherine Waddell. Slater is best known for his Broadway debut as SpongeBob in SpongeBob SquarePants: The Broadway Musical, for which he was nominated for a Tony Award for Best Performance by an Actor in a Leading Role, and won the Drama Desk, Outer Critics Circle, Theatre World and Broadway Beacon Award. He recently starred in Spamalot on Broadway as The Historian / Not Dead Fred / Prince Herbert. His additional theater credits include an Off-Broadway revival of Assassins, and a Williamstown Theatre Festival performance of Marcel on the Train. In television, Slater has starred in The Marvelous Mrs. Maisel, Law & Order: Special Victims Unit, and as Joel Grey in FX's Fosse/Verdon. Slater's musical achievements include the concept album Edge of the World with Nick Blaemire in 2021, featuring Norbert Leo Butz and Lilli Cooper. He additionally released two EPs “Life is Weird” in 2020, and “Wanderer” in 2019. Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week we're excited to present a conversation from the 62nd New York Film Festival with I'm Still Here director Walter Salles, lead actress Fernanda Torres, and Brazilian journalist & author Marcelo Rubens Paiva. This conversation was moderated by FLC Assistant Programmer Madeline Whittle. An NYFF62 Spotlight selection, I'm Still Here is now nominated for three Academy Awards, including Best Performance by an Actress in a Leading Role, Best International Feature, and Best Picture. One afternoon in 1971, Rubens Paiva, a former congressman and outspoken critic of Brazil's newly instituted military dictatorship, was taken from his home in Rio de Janeiro by government officials, told nothing more than that he must give a “deposition” to authorities, and disappeared. Adapted from his son Marcelo Rubens Paiva's memoir, this overwhelming, richly realized political drama from Walter Salles (The Motorcycle Diaries) stays tightly wedded to the perspective of Rubens's wife, Eunice (a shattering Fernanda Torres), whose indefatigable search for the truth about her husband would stretch out for decades. A devastating true story, I'm Still Here is exhilarating in its portrayal of human tenacity in the face of injustice. Featuring a deeply affecting appearance from Fernanda Montenegro, Oscar nominee for Salles's Central Station. A Sony Pictures Classics release.

Reclaiming the Leading Role in Your Life with Yong PrattEpisode Summary:In this deeply inspiring episode of Unjaded, Vickie Dickson is joined by Yong Pratt, a 4/6 Emotional Projector, for a transformative conversation about embracing Human Design, healing ancestral patterns, and reclaiming the leading role in your life. Yong shares her journey of deconditioning from living as a Generator type, the liberating process of stepping into her true design, and how movement, ancestry, and energy align in her work.Yong reveals how integrating Human Design into her business illuminated her gifts and why she no longer leads with it but instead uses it as a powerful tool alongside her unique modalities. This episode dives into the profound impact of stepping into your power, healing generational wounds, and living in alignment with your purpose.What You'll Learn in This Episode:Yong's journey as an Emotional Projector and the challenges of deconditioning from a Generator lifestyle.How movement and somatic practices help women reconnect with their bodies and step into their power.The transformative role of ancestry and channeling in healing and entrepreneurship.Why leading with your Human Design isn't always the answer, and how to integrate it seamlessly into your offerings.Simple, actionable practices to ground yourself, reconnect with your body, and heal through movement.Key Takeaways:Reclaiming the Leading Role: Yong discusses how societal and familial expectations can condition women to prioritize others, leaving little room for themselves. Her work focuses on helping clients reclaim their lives by aligning with their true selves and purpose.The Power of Movement: Movement is a gateway to deeper self-connection and healing. Yong's cross-body movement exercise is a quick, effective way to reset your nervous system and re-center.Healing Through Ancestry: By recognizing and honoring the dreams and voices of our ancestors, we can heal generational wounds and pave the way for future generations.Embracing Your Unique Gifts: Yong shares her experience of shifting from leading with Human Design to embracing all her gifts, allowing her business to flourish in alignment with her true calling.Practical Exercise:Try Yong's cross-body movement practice to connect both hemispheres of your brain and reset your nervous system:Stand in a big X position, reaching past your limits.Move your arms or legs across your body, mimicking actions like putting on a seatbelt or reaching for a shelf.Repeat for 30 seconds to a few minutes to re-center and energize yourself.Links & Resources:Download Yong's free healing meditation: Reclaim the Leading Role in Your Life here https://iyp.kit.com/27498836d5Connect with Yong on Instagram: https://www.instagram.com/illuminatingyouproductions/Enjoyed this episode? Remember to subscribe, leave a review, and share it with someone who needs inspiration to reclaim their life. Stay connected with Vickie for more transformative conversations on Unjaded and follow along on Instagram @vickie.dickson

Since 1927, the Academy of Motion Picture Arts and Sciences has awarded the Oscar for Best Actor in a Leading Role 97 times, to 86 actors – as of 2024, when we are recording this. The collective winners of the Best Actor Oscar are a Who's Who of Hollywood, legendary performers who have defined what acting and arguably even manhood look like on screen. After debating the Best Film and Best Actress Oscar winners in previous episodes, for this Patreon-sponsored episode, the Great Pop Culture Debate now turns its attention to where the boys are, as we debate the Best Oscar Winners for Best Actor. Performances discussed: Anthony Hopkins in Silence of the Lambs, Dustin Hoffman in Rain Man, Daniel Day-Lewis in There Will Be Blood, Marlon Brando in The Godfather, Gregory Peck in To Kill a Mockingbird, Sean Penn in Milk, Tom Hanks in Forrest Gump, Cillian Murphy in Oppenheimer, Tom Hanks in Philadelphia, F. Murray Abraham in Amadeus, Daniel Day-Lewis in Lincoln, James Stewart in The Philadelphia Story, Philip Seymour Hoffman in Capote, Robert De Niro in Raging Bull, Sidney Poitier in Lilies of the Field, Jack Nicholson in One Flew Over the Cuckoo's Nest. Join host Eric Rezsnyak, Patreon sponsor Stephan Nikoloff, and GPCD panelists Karissa Kloss and Kevin Dillon as they discuss 16 of the most incredible performances in Oscars history. Play along at home by finding the listener bracket here. Make a copy for yourself, fill it out, and see if your picks match up with ours! For more exclusive content, including the warm-up in which we discuss additional Oscar-winning performances we were bummed didn't make the bracket, and an extended version of the episode with 20+ more minutes of film conversation, become a Patreon supporter of the podcast today. Sign up for our weekly newsletter! Subscribe to find out what's new in pop culture each week right in your inbox! Vote in more pop culture polls! Check out our Open Polls. Your votes determine our future debates! Then, vote in our Future Topic Polls to have a say in what episodes we tackle next. Episode Credits Host: Eric Rezsnyak Panel: Karissa Kloss, Kevin Dillon Patreon Sponsor: Stephan Nikoloff Editor: Eric Rezsnyak Theme Music: “Dance to My Tune” by Marc Torch Learn more about your ad choices. Visit megaphone.fm/adchoices

Robert Winfree and Mark Radulich review movies currently on streaming services and in theaters: The Last Showgirl/Anora/Emilia Perez Movie Review! First up is The Last Showgirl (2024). Then we move on to Anora (2024). Finally we review Emilia Perez (2024).The Last Showgirl is a 2024 American drama film directed by Gia Coppola and written by Kate Gersten. It stars Pamela Anderson, Jamie Lee Curtis, Billie Lourd, Dave Bautista, Brenda Song, and Kiernan Shipka. Its plot focuses on a middle-aged Las Vegas showgirl who is faced with an uncertain future after learning that the revue she has performed in for three decades is scheduled to close. The screenplay was adapted by Gersten from her own play, Body of Work, which she based on her visits to the Jubilee! show shortly before its closure in 2016.The film had its world premiere at the Toronto International Film Festival on September 6, 2024, and was released in the United States on January 10, 2025. It received generally positive reviews from critics, with Anderson's performance garnering critical praise. The film received two nominations at the 82nd Golden Globe Awards for Best Actress in a Motion Picture – Drama for Anderson and Best Original Song for "Beautiful That Way". It also received two nominations at the 31st Screen Actors Guild Awards for Outstanding Performance by a Female Actor in a Leading Role for Anderson and Outstanding Performance by a Female Actor in a Supporting Role for Curtis.Anora is a 2024 American comedy-drama film written, directed, and edited by Sean Baker. It follows the beleaguered marriage between Anora (Mikey Madison), a young sex worker, and Vanya Zakharov (Mark Eydelshteyn), the son of a Russian oligarch. The supporting cast includes Yura Borisov, Karren Karagulian, Vache Tovmasyan, and Aleksei Serebryakov.Anora premiered on May 21, 2024, at the 77th Cannes Film Festival, where it won the Palme d'Or and received critical acclaim. It was released theatrically on October 18 by Neon. It was named one of the top 10 films of 2024 by the National Board of Review and the American Film Institute, and received five nominations at the 82nd Golden Globe Awards, including Best Motion Picture – Comedy or Musical, Best Actress for Madison and Best Director. It grossed $32.5 million worldwide on a $6 million budget, becoming Baker's highest-grossing film.Emilia Pérez is a 2024 Spanish-language musical comedy crime film written and directed by Jacques Audiard. A French production adapted from Audiard's opera libretto, which was loosely based on Boris Razon's 2018 novel Écoute, the film stars Zoe Saldaña, Karla Sofía Gascón, Selena Gomez, Adriana Paz, Mark Ivanir, and Édgar Ramírez. The story follows a Mexican cartel leader (Gascón) who enlists a lawyer (Saldaña) to help facilitate their transition into a woman to escape their criminal life. Featuring original songs by Camille, a score by Clément Ducol, and choreography by Damien Jalet, the film was shot in Île-de-France from May to July 2023.Premiering at the 2024 Cannes Film Festival, Emilia Pérez received international acclaim for its lead performances, direction, themes, and musical score, winning the Jury Prize and Best Actress award for its female ensemble. However, the film polarized audiences, with criticism in Mexico for cultural misrepresentation, stereotypes, and poorly executed Spanish dialogue, while some LGBTQ groups objected to its portrayal of gender transition. Despite this, it made history at the Golden Globes, winning four awards, including Best Motion Picture – Musical or Comedy, and earning Karla Sofía Gascón a nomination as the first trans woman in the Best Actress category. Selected as France's submission for Best International Feature Film at the Academy Awards, it was also named one of the American Film Institute's top 10 films of 2024, cementing its status as a groundbreaking yet controversial cinematic work.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59

It's the final episode of Player 1 vs The World's StrangeCast podcast for 2024, as we sign off the year with a rollercoaster of emotions around Deck Nine Games, Don't Nod Entertainment and Square Enix's Life Is Strange series. Timestamps: 00:00 -- A tribute to our longstanding — and often hidden — co-host

Slovak Oscar nominee for the year 2024 is "The Hungarian dressmaker". At its screening in Hungarian capital Budapest, Martina Šimkovičová Greňová talked to Alexandra Borbély, a Slovak-Hungarian actress in leading role. Regular Thursday culture news have always included tips suitable for all English speakers. Get ready for James Judd inviting to two concerts he is going to conduct at Slovak Philharmonic.

Lux Radio Theatre | Dodsworth (Walter Huston, Nan Sunderland) || Stella Dallas (Barbara Stanwyck, John Boles) || Broadcast: October 4, 1937; October 11, 193700:00 ... Dodsworth -- Dodsworth was a 1936 American drama film directed by William Wyler, and starring Walter Huston, Ruth Chatterton, Paul Lukas, Mary Astor and David Niven. Sidney Howard based the screenplay on his 1934 stage adaptation of the 1929 novel of the same name by Sinclair Lewis. Huston reprised his stage role.56:17 ... Stella Dallas -- was a 1937 American drama film based on Olive Higgins Prouty's 1923 novel of the same name. It was directed by King Vidor and stars Barbara Stanwyck, John Boles, and Anne Shirley. At the 10th Academy Awards, Stanwyck and Shirley were nominated for Best Actress in a Leading Role and Best Actress in a Supporting Role, respectively.: : : : :My other podcast channels include: MYSTERY x SUSPENSE -- SCI FI x HORROR -- COMEDY x FUNNY HA HA -- VARIETY X ARMED FORCES -- THE COMPLETE ORSON WELLESSubscribing is free and you'll receive new post notifications. Also, if you have a moment, please give a 4-5 star rating and/or write a 1-2 sentence positive review on your preferred service -- that would help me a lot.Thank you for your support.https://otr.duane.media | Instagram @duane.otr#dramaclassics #oldtimeradio #otr #radiotheater #radioclassics #luxradio #cecilbdemille #gunsmoke #oldtimeradioclassics #classicradio #crimeclassics #duaneotr:::: :

DescriptionMaestro of the Strings: The Concertmaster's Leading Role in 60 Seconds. Take a minute to get the scoop!Fun FactA famous concerto featuring the concertmaster is Johann Sebastian Bach's Brandenburg Concerto No. 4. In this piece, the concertmaster plays a prominent role as the solo violinist, leading intricate dialogues with two accompanying flutes. The violin part is technically demanding, filled with fast runs and ornate passages. The concertmaster's virtuosic performance is crucial to the concerto's lively character, highlighting the instrument's versatility while blending with the other soloists and the ensemble.__________________________________________________________________About Steven, HostSteven is a Canadian composer & actor living in Toronto. Through his music, he creates a range of works, with an emphasis on the short-form genre—his muse being to offer the listener both the darker and more satiric shades of human existence. If you're interested, please check out his music website for more. Member of the Canadian League Of Composers.__________________________________________________________________You can FOLLOW ME on Instagram.

Sean Comer and Mark Radulich review movies currently on streaming services and in theaters: Stan and Ollie/Chaplin/Judy Movie Review! First up is Stan and Ollie (2018). Then we move on to Chaplin (1992). Finally we review Judy (2019).Stan & Ollie is a 2018 biographical comedy-drama film directed by Jon S. Baird. The script, written by Jeff Pope, was inspired by Laurel and Hardy: The British Tours by A.J. Marriot which chronicled the later years of the comedy double act Laurel and Hardy; the film stars Steve Coogan and John C. Reilly as Stan Laurel and Oliver Hardy. The film focuses on details of the comedy duo's personal relationship while relating how they embarked on a gruelling music hall tour of the United Kingdom and Ireland during 1953 and struggled to get another film made.The film premiered on 21 October 2018 at the closing night gala of the BFI London Film Festival. It was released in the United States on 28 December 2018 and in the United Kingdom on 11 January 2019. At the 76th Golden Globe Awards, Reilly was nominated for Best Actor – Motion Picture Musical or Comedy, and at the 72nd British Academy Film Awards the film earned three nominations, including Best British Film and Best Actor in a Leading Role for Coogan.Chaplin is a 1992 biographical comedy-drama film about the life of English comic actor and filmmaker Charlie Chaplin. It was produced and directed by Richard Attenborough and stars Robert Downey Jr., Marisa Tomei, Dan Aykroyd, Penelope Ann Miller and Kevin Kline. It also features Charlie Chaplin's own daughter, Geraldine Chaplin, in the role of his mother, Hannah Chaplin.The film underperformed at the box office, grossing $12 million against a $31 million budget, and received mixed reviews from critics; Downey's titular performance, however, garnered critical acclaim and won him the BAFTA Award for Best Actor along with nominations for the Academy Award for Best Actor and Golden Globe Award for Best Actor – Motion Picture Drama.Judy is a 2019 biographical drama film based on the life of American entertainer Judy Garland. Directed by Rupert Goold, it is an adaptation of the Olivier- and Tony-nominated West End and Broadway play End of the Rainbow by Peter Quilter. The film stars Renée Zellweger, Jessie Buckley, Finn Wittrock, Rufus Sewell, and Michael Gambon.The film follows Garland's career during the last year of her life, when she relocated her stage career to England, coupled with flashbacks of her childhood, most prominently the shooting of her part as Dorothy Gale in The Wizard of Oz (1939), her most famous film role. After some initial success in a run of sell-out concerts at the Talk of the Town in London, her efforts eventually stop making progress and even start to worsen as her health deteriorates.Judy premiered at the 46th Telluride Film Festival on 30 August 2019, and was released in the United States on 27 September 2019, and in the United Kingdom on 2 October 2019. The film received generally positive reviews, with Zellweger's performance garnering widespread acclaim. For her portrayal of Garland, Zellweger won the Academy Award for Best Actress, as well as the Golden Globe Award, SAG Award, BAFTA Award and Critics' Choice Movie Award.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59

pWotD Episode 2627: Shelley Duvall Welcome to Popular Wiki of the Day, spotlighting Wikipedia's most visited pages, giving you a peek into what the world is curious about today.With 885,844 views on Thursday, 11 July 2024 our article of the day is Shelley Duvall.Shelley Alexis Duvall (July 7, 1949 – July 11, 2024) was an American actress. Known for her collaborations with Robert Altman and for playing eccentric characters, she was the recipient of several accolades including nominations for a British Academy Film Award and two Primetime Emmys.Born in Texas, Duvall was discovered by director Robert Altman, who was impressed with her upbeat presence and cast her in the black comedy film Brewster McCloud (1970). Despite her hesitance towards becoming an actress, she continued to work with him, appearing in McCabe & Mrs. Miller (1971) and Thieves Like Us (1974).Duvall's breakthrough role was in Altman's Nashville (1975), and her leading role in his drama 3 Women (1977) won her the Cannes Film Festival Award for Best Actress and a nomination for the British Academy Film Award for Best Actress in a Leading Role. She followed this with a supporting role in Woody Allen's satirical romantic comedy Annie Hall and hosted Saturday Night Live (both 1977). She became famous for her leading roles across the 1980s, such as Olive Oyl in Altman's live-action feature version of Popeye and Wendy Torrance in Stanley Kubrick's horror film The Shining (both 1980). Through the 1980s, Duvall appeared in Terry Gilliam's fantasy film Time Bandits (1981), the short comedy horror film Frankenweenie (1984), and the comedy Roxanne (1987). She ventured into producing television programming aimed at children and youth in the latter half of the 1980s, creating and hosting the programs Faerie Tale Theatre (1982–1987) and Nightmare Classics (1989), and earning Primetime Emmy Award nominations for creating and hosting Tall Tales & Legends (1985–1987) and Shelley Duvall's Bedtime Stories (1992–1994).Across the 1990s, Duvall acted sporadically, playing supporting roles in Steven Soderbergh's thriller The Underneath (1995) and Jane Campion's drama The Portrait of a Lady (1996). After Manna from Heaven (2002), she left acting until returning for her final role in the horror film The Forest Hills (2023). Her mental health in the interim was covered by various media, briefly turning her private life public.This recording reflects the Wikipedia text as of 02:04 UTC on Friday, 12 July 2024.For the full current version of the article, see Shelley Duvall on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm neural Kimberly.

GUEST 1 OVERVIEW: Dr Nataliya Ilyushina is a Research Fellow (Advanced) at the RMIT Blockchain Innovation Hub. She received her PhD in Economics from RMIT University. Her other qualifications include Master of Economics from Melbourne University, double degree Master of Professional Accounting, Master of Commerce from RMIT University and Bachelor of Economics from Moscow State University. X: @DrIlyushina GUEST 2 OVERVIEW: Steve Bastoni is an Italian-born Australian actor, writer and producer with three Australian Academy Award nominations and over 40 years' experience in all facets of showbiz. He became a household name in Australia for his role as Constable Yannis 'Angel' Angelopoulos in Police Rescue and as Steve Parker in Neighbours. His memorable performance in 15 Amore garnered him a nomination for the AACTA Award for Best Actor in a Leading Role. X: @stevebastoni https://dontdiejuly.com/  

Amal Black recently had a film premiere called Back to Basics, which is a modern-day film with a different world vibe. Amal plays the character of Dr. Devin Davis, an investor in an HBCU. The premiere was a great experience, and seeing himself on the big screen was a surreal moment. Amal balanced his acting career with his regular nine-to-five job, sacrificing sleep to pursue his passion. He learned from his castmates who have families about work-life balance and staying motivated. Amal's love for acting began at a young age and has grown into a fulfilling career. Amal Black discusses his journey in the entertainment industry, from competing in theater competitions in high school to pursuing a career in film and music. He talks about the importance of having a support system and how his family and friends have motivated and pushed him in his pursuits. Amal also shares his experiences working as an extra in TV shows like Lovecraft Country and Thunder Force. He discusses his upcoming music releases and his Make It Lingered Journal. The conversation concludes with well wishes for Amal's future success. --- Send in a voice message: https://podcasters.spotify.com/pod/show/kevin-mumphrey/message Support this podcast: https://podcasters.spotify.com/pod/show/kevin-mumphrey/support

Ten years after its original staging, “Appropriate” has received eight Tony Award nominations. Playwright Branden Jacobs-Jenkins talks about the moments of his life that inspired it.The play tells the story of three siblings reuniting in their family home after the death of their father. Charged with going through his belongings, the children discover troubling relics within the home. They are left to deal with the question of an inheritance, but also this new challenge to their late father's legacy.Jacobs-Jenkins has since staged “Appropriate” several times, been a Pulitzer Prize finalist for two subsequent plays, and been awarded a MacArthur “genius” fellowship. But it wasn't until December 2023 that the playwright made his Broadway debut with “Appropriate,” which is now up for eight Tony Awards, including Best Revival of a Play and Best Performance by an Actress in a Leading Role in a Play for actress Sarah Paulson.Host Kai Wright sits with Brandon Jacobs-Jenkins to discuss the real-life moments that inspired the creation of this show, and the playwright's efforts to understand the complicated inheritances of race in America. Tell us what you think. We're @noteswithkai on Instagram and X (Twitter). Email us at notes@wnyc.org. Send us a voice message by recording yourself on your phone and emailing us, or record one here.Notes from America airs live on Sundays at 6 p.m. ET. The podcast episodes are lightly edited from our live broadcasts.

Join Spencer, Kate, Ashley, and J.T. as they break down the nominations for this year's Tony Awards!Categories Discussed:Tony Honors for Excellence in TheatreBest Performance by an Actress in a Featured Role in a PlayBest Performance by an Actor in a Featured Role in a PlayBest Performance by an Actress in a Leading Role in a PlayBest Performance by an Actor in a Leading Role in a Play

For Tony Award winner Maryann Plunkett, she will always be a shy person. But thanks to theatre she's learned how to enter a room and own it. Currently playing as Older Allie in the Broadway adaptation of "The Notebook," Maryann delves into her approach to embodying the character, the collaborative process with her co-stars and director, and the importance of observing her fellow actors to create a seamless portrayal of Allie across three different ages. With previous experiences on Broadway, she notes that her last starring role in a Broadway musical was in 1987. She reflects on her decision to return to musicals, and how she resonates with “The Notebook”, seeing her role as a way to honor her mother who lived with dementia and showcase the importance of entering the world of those affected rather than dismissing their experiences. Maryann gets more personal as she talks about her family, how she met her husband on an episode of a television show, and their first kiss… which was actually scripted and caught on film. Growing up shy, she opens up about overcoming her struggles through theatre, and “the power and strength in living one's life in a way that one can be proud of.” Maryan Plunkett is a celebrated actress and singer who has captivated audiences on both Broadway and the screen for decades. Her career began on the prestigious stages of New York, most notably with her Broadway debut as Sister Agnes in “Agnes of God”, but it was her portrayal of Sally Smith in “Me and My Girl” that truly launched her into the spotlight and earned her a coveted Tony Award for Best Performance by an Actress in a Leading Role in a Musical in 1987. She has delivered powerful performances in plays, including but not limited to Arthur Miller's “The Crucible”, “Sunday in the Park with George”, replacing Bernadette Peters, “A Little Hotel on the Side”, “The Master Builder”, and “A Man for All Seasons”. She also spent 12 years doing Richard Nelson's “Rhinebeck Panorama”. Her TV and film credits include “Bull”, “Chicago Med”, “Little Women”, “Blue Valentine”, “Dr. Death”, and “Manifest”. She can now be seen as Older Allie in “The Notebook” on Broadway, which just nabbed her another Tony award nomination. Connect with The Theatre Podcast: Support the podcast on Patreon: Patreon.com/TheTheatrePodcast YouTube: YouTube.com/TheTheatrePodcast Threads, Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com My personal Instagram: @alanseales Learn more about your ad choices. Visit megaphone.fm/adchoices

Join Spencer, Kate, and Ashley as they break down the nominations for this year's Tony Awards!Categories Discussed:Isabelle Stevenson Special Tony AwardBest Performance by an Actor in a Featured Role in a MusicalBest Performance by an Actress in a Featured Role in a MusicalBest Performance by an Actor in a Leading Role in a MusicalBest Performance by an Actress in a Leading Role in a Musical

Shiur given by Rabbi Bezalel Rudinsky on Parshas Behar. Shiur recorded in Yeshivas Ohr Reuven, Monsey, NY.

Since graduating from WAAPA in 2006, Lucy Maunder has cemented her reputation as one of Australia's musical theatre leading ladies performing in a huge range of roles over the last 17 years.Most recently she appeared as Winifred Banks in the critically acclaimed Cameron Mackintosh/Michael Cassel Group/Disney revival of Mary Poppins. Prior to this Lucy starred in Victorian Opera's production of Kurt Weill's anti-capitalist musical Happy End as Lillian Holiday. The start of 2022 also saw her play the protagonist Alison Bechdel in the acclaimed MTC/STC Australian premiere production of Fun Home (Green Room and Sydney Theatre Award nominations for Best Performer in a Leading Role in a musical). In between seasons of Fun Home, Lucy reprised her role of Mrs Bucket in Charlie and the Chocolate Factory (Crossroads Live) for which she received a Helpmann Award nomination.Following the devastation of the Covid-19 pandemic to the Arts, Lucy was lucky enough to appear in the first main stage commercial musical to return after the shutdown of all theatre as Catherine in Pippin for Crossroads Live. Her other recent career highlights include Cynthia in Beautiful: The Carole King Musical (Michael Cassel Group, Green Room Award nomination), Miss Honey in Matilda: The Musical (Louise Withers/RSC, Helpmann Award nomination), The Spirit of Christmas (QPAC), There's Something About Music (The Little Red Company), Heather Chandler in Heathers (ShowWork Productions), Patty in Tim Finn's Ladies in Black (QTC/MTC), Rizzo in Grease (GFO, Helpmann and Sydney Theatre Award nominations), Cinderella in Into the Woods (Victorian Opera, Helpmann and Green Room Award nominations), Georgia Hendricks in Curtains (The Production Company), Gertrude Lawrence in Noël and Gertie (CDP Theatre Producers, Glug Award for Best Actress in a Musical), Polly Peachum in The Threepenny Opera (STC/Malthouse/Victorian Opera), Janet in The Rocky Horror Show (TML Enterprises), Emma in Jekyll & Hyde (TML Enterprises) and Anne in A Little Night Music (Opera Australia). Lucy also created the role of Lara in the world première of Doctor Zhivago opposite Anthony Warlow (GFO, Helpmann and Sydney Theatre Award nominations).Lucy's film credits include The Eternity Man (Channel 4 UK/ABC) and the lead role in the short film Identical, amongst other commercial and television appearances including the National Anthem at the State of Origin, The Lord Mayor's Christmas Carols (Channel 9) and appearances on The Morning Show (Channel 7) and Today Extra (Channel 9).Lucy's one-woman show Irving Berlin: Songs in the Key of Black toured Australia to rave reviews at venues such as the prestigious Spiegeltent, the Adelaide Cabaret Festival, His Majesty's Theatre Perth and La Salon at Claire's Kitchen. Her album featuring arrangements and musical direction by Daniel Edmonds is available across all streaming platforms.Lucy is over the moon to be starring as Roxie in Chicago, a true bucket list moment.The STAGES podcast is available to access and subscribe from Spotify and Apple podcasts. Or from wherever you access your favourite podcasts. A conversation with creatives about craft and career. Follow socials on instagram (stagespodcast) and facebook (Stages).www.stagespodcast.com.au

Full list of 2024 nominees here: https://www.nytimes.com/2024/04/30/theater/tony-awards-nominations.html Find more of The Theatre Podcast at http://bpn.fm/ttp Best Musical - Hell's Kitchen - Illinoise - The Outsiders - Suffs - Water for Elephants Best Play - Jaja's African Hair Braiding, Author: Jocelyn Bioh - Mary Jane, Author: Amy Herzog - Mother Play, Author: Paula Vogel - Prayer for the French Republic, Author: Joshua Harmon - Stereophonic, Author: David Adjmi Best Performance by an Actor in a Leading Role in a Play - William Jackson Harper, Uncle Vanya - Leslie Odom, Jr., Purlie Victorious: A Non-Confederate Romp Through the Cotton Patch - Liev Schreiber, Doubt: A Parable - Jeremy Strong, An Enemy of the People - Michael Stuhlbarg, Patriots Best Performance by an Actress in a Leading Role in a Play - Betsy Aidem, Prayer for the French Republic - Jessica Lange, Mother Play - Rachel McAdams, Mary Jane - Sarah Paulson, Appropriate - Amy Ryan, Doubt: A Parable Best Performance by an Actor in a Leading Role in a Musical - Brody Grant, The Outsiders - Jonathan Groff, Merrily We Roll Along - Dorian Harewood, The Notebook - Brian d'Arcy James, Days of Wine and Roses - Eddie Redmayne, Cabaret at the Kit Kat Club Best Performance by an Actress in a Leading Role in a Musical - Eden Espinosa, Lempicka - Maleah Joi Moon, Hell's Kitchen - Kelli O'Hara, Days of Wine and Roses - Maryann Plunkett, The Notebook - Gayle Rankin, Cabaret at the Kit Kat Club Best Performance by an Actor in a Featured Role in a Play - Will Brill, Stereophonic - Eli Gelb, Stereophonic - Jim Parsons, Mother Play - Tom Pecinka, Stereophonic - Corey Stoll, Appropriate Best Performance by an Actress in a Featured Role in a Play - Quincy Tyler Bernstine, Doubt: A Parable - Juliana Canfield, Stereophonic - Celia Keenan-Bolger, Mother Play - Sarah Pidgeon, Stereophonic - Kara Young, Purlie Victorious: A Non-Confederate Romp Through the Cotton Patch Best Performance by an Actor in a Featured Role in a Musical - Roger Bart, Back To The Future: The Musical - Joshua Boone, The Outsiders - Brandon Victor Dixon, Hell's Kitchen - Sky Lakota-Lynch, The Outsiders - Daniel Radcliffe, Merrily We Roll Along - Steven Skybell, Cabaret at the Kit Kat Club Best Performance by an Actress in a Featured Role in a Musical - Shoshana Bean, Hell's Kitchen - Amber Iman, Lempicka - Nikki M. James, Suffs - Leslie Rodriguez Kritzer, Monty Python's Spamalot - Kecia Lewis, Hell's Kitchen - Lindsay Mendez, Merrily We Roll Along - Bebe Neuwirth, Cabaret at the Kit Kat Club Connect with The Theatre Podcast: Support the podcast on Patreon: Patreon.com/TheTheatrePodcast YouTube: YouTube.com/TheTheatrePodcast Threads, Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com My personal Instagram: @alanseales Learn more about your ad choices. Visit megaphone.fm/adchoices

Join Spencer, Kate, and Ashley as they break down their predictions for the nominees for this year's Play categories for the Tony Awards!Categories Discussed:Best PlayBest Revival of a PlayBest Performance by an Actor in a Leading Role in a PlayBest Performance by an Actress in a Leading Role in a PlayBest Performance by an Actor in a Featured Role in a PlayBest Performance by an Actress in a Featured Role in a PlayBest Scenic Design of a PlayBest Costume Design of a PlayBest Lighting Design of a PlayBest Sound Design of a PlayBest Direction of a Play*This episode was recorded before the fourth round of Tony Eligibility Rulings were announced, so some information may be incorrect*

Join Spencer, Kate, Ashley, and J.T. as they break down their predictions for the nominees for this year's Musical categories for the Tony Awards!Categories Discussed:Best MusicalBest Book of a MusicalBest Original Score (Music and/or Lyrics) Written for the TheatreBest Performance by an Actor in a Leading Role in a MusicalBest Performance by an Actress in a Leading Role in a MusicalBest Performance by an Actor in a Featured Role in a MusicalBest Performance by an Actress in a Featured Role in a MusicalBest Scenic Design of a MusicalBest Costume Design of a MusicalBest Lighting Design of a MusicalBest Sound Design of a MusicalBest Direction of a MusicalBest ChoreographyBest Revival of a MusicalBest Orchestrations*This episode was recorded before the second round of Tony Eligibility Rulings were announced, so some information may be incorrect*

On today's episode we talked with Eric Scouten, Senior Engineering Manager at Adobe, who has been working for the last four years on solving content authenticity. What does that mean? We'll get into it in the episode, but suffice it to say that it's an effort to bring trust to content online.Was the pope really photographed in that puffy jacket? Was the photo of a war zone really taken this week, or is that from several years ago? And we'll get into how to identify the identity of the individual or business behind the content, in a privacy-preserving way.We talk about adoption of the C2PA standard, how the content authenticity initiative recruited so many of the most influential tech and media platforms, and how Adobe built the conviction to ship the first versions into production despite a cold start problem.We also talk about the user experience of content authenticity, both from the creator side and consumer side, and some thornier issues including potential for censorship and deceit.This is a fascinating episode into an emerging standard that I believe will be an important part of all our lives over the coming years, and example of incredible innovation coming from a large technology company.You can learn more about the Content Authenticity Alliance at https://contentauthenticity.org/ and you can find more about the C2PA standard at https://c2pa.org/Subscribe to our weekly newsletter for more announcements related to the future of identity at trinsic.id/podcastReach out to Riley (@rileyphughes) and Trinsic (@trinsic_id) on Twitter. We'd love to hear from you.

ABOUT REINALDO MARCUS GREENReinaldo Marcus Green is a writer, director and producer. He is best known for directing the critically acclaimed Warner Bros. film KING RICHARD starring Will Smith. Green helmed the film, which was named one of the Top 10 Films of the Year by both AFI and the National Board of Review and earned many accolades, including six Academy Awards nominations including Best Picture, four Golden Globes nominations and four BAFTA nominations. The film earned Smith his first Oscar win for Best Performance by an Actor in a Leading Role, in addition to his Golden Globe, BAFTA and SAG wins.His first feature, MONSTERS AND MEN had its world premiere at the 2018 Sundance Film Festival and received a Special Jury Prize for Outstanding First Feature. Green directed and co-executive produced the first three episodes of the Netflix series, TOP BOY. Executive produced by Drake and SpringHill Entertainment, the series became the first ever Netflix title to be inducted into the BFI National Archive. His sophomore feature JOE BELL, starring Mark Wahlberg, premiered at TIFF 2020 and was distributed by Amazon and Roadside Attractions. Green also directed all six episodes of the HBO limited series, WE OWN THIS CITY, written by George Pelecanos and David Simon, which he also served as an executive producer for. ABOUT BOB MARLEY: ONE LOVE, ON DIGITAL MARCH 19th AND ON BLU-RAY MAY 14TH Bob Marley: One Life celebrates the life and music of an icon who inspired generations through his message of love and unity. On the big screen for the first time, discover Bob's powerful story of overcoming adversity and the journey behind his revolutionary music. Produced in partnership with the Marley family and starring Kingsley Ben-Adir as the legendary musician and Lashana Lynch as his wife Rita, BOB MARLEY: ONE LOVE is coming digital March 19th and Blu-ray May 14th, 2024.Directed by Reinaldo Marcus GreenWritten by Terence Winter, Frank E. Flowers, Zach BaylinStarring Kingsley Ben-Adir, Lashana Lynch Here's the trailer: https://www.youtube.com/watch?v=ajw425Kuvtw X, TikTok, Instagram, Facebook: @OneLoveMovie #OneLoveMovie #BobMarleyMovieBecome a supporter of this podcast: https://www.spreaker.com/podcast/i-am-refocused-radio--2671113/support.

Please see this encore presentation of Episode 352: Fire from the Gods How ‘Oppenheimer' Mythologizes Twentieth Century America that we did in August 2023. In March 2024, this film won the following Oscars. Best Picture, Best Director, Actor in a Leading Role, Actor in a Supporting Role, Cinematography, Original Score, and Film Editing.  This Postmodern Realities episode is a conversation with JOURNAL author Cole Burgett about his online article, “Fire from the Gods How Oppenheimer Mythologizes Twentieth Century America.”   **Editor's Note: This article contains spoilers for Oppenheimer **https://www.equip.org/articles/fire-from-the-gods-how-oppenheimer-mythologizes-twentieth-century-america/When you  support the Journal, you join the team of to help provide the resources at equip.org that minister to people worldwide. These resources include our ever growing database of over 1,500 articles, as well as our free Postmodern Realities podcast.Another way you can support our online articles is by leaving us a tip. A tip is just a small amount, like $3, $5, or $10 which is the cost for some of a latte, lunch out, or coffee drink. To leave a tip, click hereOther recent articles and Postmodern Realities podcasts featuring this author:Episode 349: Film Review ‘Indiana Jones and the Dial of Destiny'It's the Mileage: Looking Back on Forty Years with ‘Indiana Jones'-Film Review of ‘Indiana Jones and the Dial of Destiny'Episode 344 Mrs. Davis and the Crisis of Storytelling in the Twenty-First CenturyMrs. Davis TV Series Review andEpisode 340 Finding Family Among the Last of UsFinding Family Among ‘The Last of Us'Episode 335 Let Faith Oust Fact: A Review of The WhaleLet Faith Oust Fact: A Review of The WhaleEpisode 330 Finding Empathy in the Trenches: A Review of Netflix's All Quiet on the Western FrontA Review of the Oscar Winning Netflix's All Quiet on the Western Front-Finding Empathy in the TrenchesEpisode 324 The Way of Family in Avatar: the Way of WaterThe Way of Family in Avatar: the Way of Water

The Poor Things star took home the Oscar for Best Actress in a Leading Role

In this ep, I'll be reviewing Christopher Nolan's magnum-opus Oppenheimer starring Cillian Murphy, Robert Downey Jr., Emily Blunt, Kenneth Branagh, Matt Damon, Florence Pugh and a ton of other talent. And at the time of recording this podcast, this film has been nominated for 13 Oscars including Best Picture, Best Actor, Best Actor In a Leading Role, Best Supporting Actor & Best Supporting Actress. Dunkirk Lack of Diversity - https://www.theguardian.com/commentisfree/2017/aug/01/indian-african-dunkirk-history-whitewash-attitudes Interesting Insight into the Shooting of Oppenheimer's Black & White Portions - https://www.nbc.com/nbc-insider/oppenheimer-in-black-and-white?amp=#amp_ct=1710075197504&_tf=From%20%251%24s&aoh=17100751916941&referrer=https%3A%2F%2Fwww.google.com The New Yorker's 'Radio Hour' Audio Interview/Podcast with Kai Bird, co-author of American Prometheus: The Triumph & Tragedy (on which this movie is based on) - https://youtu.be/WpGiNutOkkk?si=iz1C4nucGXyMN7QB If you like my content, please give this podcast a follow on your preferred podcast platforms & on YouTube to be on top of all the new recos & episodes that come out of this space. Cheers! LinkTree (All Relevant Links) - https://linktr.ee/vocalaboutvisualspodcast?utm_source=linktree_profile_share<sid=1a2e561f-7e29-4f8c-a9a3-c03973d6fd44 You can also directly support through a small tip here. It helps massively

Join us for a little fireside chat about this years Oscar nominations. What did they get right? What did they get wrong? Who missed out? Episode TimeStamps 00:00 – Intro 03:34 – Actor in a Supporting Role 07:04 – Actress in a Supporting Role 12:02 – Actor in a Leading Role 16:44 – Actress in […]

Daniel Monks is an award winning theatre and film actor who hails from Perth, Western Australia. He received an AACTA nomination for Best Actor in a Leading Role for the feature film Pulse, a story about a disabled teen who undergoes radical surgery to turn into a beautiful woman in a bid to be loved and embraced. Daniel wrote the script and worked with his close friend, Stevie Cruz-Martin, as a director. It's a film that helped launch his career as an actor in both Australia and London, where he has performed opposite Emilia Clarke in The Seagull, and where he won the Best Performer in a Play award at The Stage Debut Awards for his turn in Teenage Dick, Michael Lew's darkly comedic retelling of Richard III.When I first watched Pulse, I saw an actor who brought a complicated and conflicted character to life on screen with deep empathy and understanding. We open the discussion by talking about the origins of Pulse, leading Daniel to reflect on the almost ten-year journey between that film being shot and now. In that decade-long career path, Daniel has also starred in Australian films like Sissy, and Timothy Despina Marshall's new film, In the Room Where He Waits.His place in the world of theatre and film as a gay, disabled actor has seen him become a leader in his field, forging a path for his fellow queer and disabled actors. We talk about the weight of responsibility that often comes with the role of being a leader, while also touching on the push for diversity on stage and on screen, and how Daniel navigates that when it's often driven by non-disabled, cisgender, straight, white people.As you'll hear in the following interview, Daniel is a 'bucket list' interview guest I've been eager to talk with for years. I was fortunate to chat with Daniel's mum, Annie Murtagh-Monks, a few years ago about her work as a casting director, so it was quite wonderful to hear about the conversations that she has with Daniel about their work. Daniel also talks about the support that filmmakers like Stevie Cruz-Martin and Hannah Barlow have given him throughout his career.I recorded this ahead of the world premier of In the Room Where He Waits at the QueerScreen Mardi Gras Film Festival, where it received Queer Screen Completion Funding. This stunning drama sees Daniel play the role of Tobin, an actor who slips back home to Australia for his father's funeral. As he waits out his two week quarantine period, he is haunted by the presence of the previous tenant in the room. This riveting film sees Daniel command the screen in a way that will have you leaning on the edge of your seat - not because of how tense the film is, but simply because of how compelling Daniel is to watch. The film will no doubt screen down the line at other festivals, so please keep an eye out for it.This is a long, deep dive discussion which I'm proud to be able to share with you all. Make sure to seek out Pulse, Sissy, In the Room Where He Waits, and visit National Theatre At Home to view The Seagull.Thank you for listening to this episode of The Curb podcast. To help keep the Curb independent, visit patreon.com/thecurbau to show your support from as little as $1 a month. Hosted on Acast. See acast.com/privacy for more information.

Daniel Monks is an award winning theatre and film actor who hails from Perth, Western Australia. He received an AACTA nomination for Best Actor in a Leading Role for the feature film Pulse, a story about a disabled teen who undergoes radical surgery to turn into a beautiful woman in a bid to be loved and embraced. Daniel wrote the script and worked with his close friend, Stevie Cruz-Martin, as a director. It's a film that helped launch his career as an actor in both Australia and London, where he has performed opposite Emilia Clarke in The Seagull, and where he won the Best Performer in a Play award at The Stage Debut Awards for his turn in Teenage Dick, Michael Lew's darkly comedic retelling of Richard III.When I first watched Pulse, I saw an actor who brought a complicated and conflicted character to life on screen with deep empathy and understanding. We open the discussion by talking about the origins of Pulse, leading Daniel to reflect on the almost ten-year journey between that film being shot and now. In that decade-long career path, Daniel has also starred in Australian films like Sissy, and Timothy Despina Marshall's new film, In the Room Where He Waits.His place in the world of theatre and film as a gay, disabled actor has seen him become a leader in his field, forging a path for his fellow queer and disabled actors. We talk about the weight of responsibility that often comes with the role of being a leader, while also touching on the push for diversity on stage and on screen, and how Daniel navigates that when it's often driven by non-disabled, cisgender, straight, white people.As you'll hear in the following interview, Daniel is a 'bucket list' interview guest I've been eager to talk with for years. I was fortunate to chat with Daniel's mum, Annie Murtagh-Monks, a few years ago about her work as a casting director, so it was quite wonderful to hear about the conversations that she has with Daniel about their work. Daniel also talks about the support that filmmakers like Stevie Cruz-Martin and Hannah Barlow have given him throughout his career.I recorded this ahead of the world premier of In the Room Where He Waits at the QueerScreen Mardi Gras Film Festival, where it received Queer Screen Completion Funding. This stunning drama sees Daniel play the role of Tobin, an actor who slips back home to Australia for his father's funeral. As he waits out his two week quarantine period, he is haunted by the presence of the previous tenant in the room. This riveting film sees Daniel command the screen in a way that will have you leaning on the edge of your seat - not because of how tense the film is, but simply because of how compelling Daniel is to watch. The film will no doubt screen down the line at other festivals, so please keep an eye out for it.This is a long, deep dive discussion which I'm proud to be able to share with you all. Make sure to seek out Pulse, Sissy, In the Room Where He Waits, and visit National Theatre At Home to view The Seagull.Thank you for listening to this episode of The Curb podcast. To help keep the Curb independent, visit patreon.com/thecurbau to show your support from as little as $1 a month. Hosted on Acast. See acast.com/privacy for more information.

Lily Gladstone had been in several films, but unknown to most moviegoers, when she got a call for Martin Scorsese's period drama “Killers of a Flower Moon.” The role was challenging. She plays the historical Mollie Burkhart, an Osage woman married to a white man, Ernest (played in the film by Leonardo DiCaprio), who perpetrates a series of murders of Osage people in a scheme to secure lucrative oil rights. Ernest may be poisoning her with a cocktail that includes morphine, and some of the dialogue is in Osage, a language that Gladstone—raised on the Blackfeet reservation in Montana—had to learn. Gladstone is the first Native person nominated for Best Actress in a Leading Role, and is aware of the historical weight the nomination carries.  “We're kicking the door in,” she says. “When you're kicking the door in, you should just kind of put your foot in the door and stand there,” she adds. “Kicking the door and running through it means it's going to shut behind you.” Plus, our film critic Richard Brody returns with his annual movie honors: the Brody Awards. An awards show exclusively for The New Yorker Radio Hour, he'll be handing out imaginary trophies—and trash-talking Oscar favorites like “Oppenheimer”—alongside the staff writer Alexandra Schwartz.

"Oppenheimer" Sweeps Major Film Awards at 30th Annual SAG Awards: Cillian Murphy and Robert Downey Jr. Triumph!"Succession" Faces Unexpected Setbacks at SAGs, But Still Snags Top TV Ensemble Award!Lily Gladstone Shocks Hollywood, Beating Emma Stone and Margot Robbie for Leading Role at SAG Awards!Ryan Gosling to Perform "I'm Just Ken" at Oscars Amid "Barbie" Snubs Controversy!Tyler Perry Pauses $800 Million Studio Expansion Over AI Fears, Predicts Job Losses in Entertainment!J.K. Rowling Dominates Warner Bros. "Ministry of Magic" Meetings, Asserts Control Over Harry Potter's Future!Suzanne Bass Doubts Wendy Williams' TV Return Amid Health Diagnosis, Cites "Huge Void" in Pop Culture!Tom Brady "Adapts" to Gisele Bündchen's Romance with Joaquim Valente, Accepts New Family Dynamic!

Mike Sperrazza is back with another TFG Exclusive Interview, today with reoccurring guest, Sheriff Mark Dannels.  Cochise County, with its extensive land and international border, is significantly impacted by the border crisis, experiencing rampant smuggling, crimes, and high costs due to illegal activities. The county has seen an increase in juvenile involvement in smuggling, with detention costs reaching $9.4 million. Fentanyl trafficking is a major issue, with Arizona leading in seizures nationwide. Despite local efforts, the lack of federal engagement in securing the border hampers the fight against drug trafficking. Sheriff Mark Dannels criticizes the inadequate funding for border security and the political divide over border policies, with Democrats favoring open borders and Republicans advocating for secure ones. He calls for the election of officials who prioritize public safety. Dannels also criticizes the catch and release system for border detainees, arguing it undermines border security and the rule of law. He emphasizes the need to prioritize American borders and address the incentivized nature of illegal immigration. (00:00:54) Cochise County's Struggle with Border Smuggling (00:03:40) Arizona's Leading Role in Fentanyl Trafficking (00:06:32) Underfunding Challenges in Securing the Border (00:09:13) Election of Officials for National Security (00:15:55) Border Security Influence on Partisan Politics (00:18:20) Flawed Border Detention and Release Policies

Tim Castano and Jayme Alfano Mulhern join the show for the tenth year to talk Oscars 2024/96th Academy Awards, including nominees for Best Picture, Director, Actor/Actress in a Leading Role, Actor/Actress in a Supporting Role, and more.  Discussion touches on American Fiction, Anatomy of a Fall, Barbie, The Holdovers, Killers of the Flower Moon, Maestro, Oppenheimer, Past Lives, Poor Things, The Zone of Interest, and more!

German actor Sandra Hüller has the distinct honor of starring in two of this year's Best Picture nominees at the Academy Awards. She is nominated for Best Actress in a Leading Role for her performance as Sandra in "Anatomy of a Fall," which follows a woman accused of murdering her husband. And she stars as the despicable Hedwig Höss in "The Zone of Interest," which follows the Nazi family and their daily lives just outside Auschwitz. Hüller joins us to discuss both films.

This week, we're joined by the dynamic duo, Ilker Çatak & Johannes Duncker from The Teachers' Lounge.  The Teachers' Lounge has garnered accolades and awards since its premiere at the Berlin International Film Festival, including:  5 German Film Awards (Outstanding Feature Film, Best Direction, Best Performance by an Actress in a Leading Role, Best Screenplay and Best Editing)  National Board of Review Award for Top Five International Films 2 European Film Award nominations for European Screenwriter and European Actress Winner of the Label Europa Cinemas and C.I.C.A.E. Award at the Berlin International Film Festival This morning, the film was nominated for the Best International Feature Film at the 96th Academy Awards.

Cillian Murphy has received his first ever Oscar nomination, in the running for Best Actor in a Leading Role. Brian Lloyd joined The Last Word to discuss.Catch the full chat by pressing the 'Play' button on this page.

This week on The Commentary Booth Jamie is joined by a very special guest, this person is an instantly recognisable Australian television and film actress. This person was the first Aboriginal actress to win the Australian Film Institute Award for Best Actress in a Leading Role, & has gone on to win four more AFI Awards across television and film. She is best known for roles in Rabbit-Proof Fence, Bran Nue Dae, The Sapphires & now the ABC drama series Total Control.Before we throw it over to our interview with Deborah Mailman, let me first take this time to describe the show we're here to discuss today, Total Control.Total Control is an ABC political drama series that follows Alex Irving (played by Deborah Mailman), an Indigenous woman who gets pulled into the high-stakes world of Australian politics.Season 3 returns two years after the explosive events of the second season, with outsider turned kingmaker, Alex Irving, feeling completely at home in the nation's capital. But what she's about to discover will test her like never before. Can Alex achieve the change she's been fighting for or will it cost her everything?Starring two titans of Australian screen Deborah Mailman & Rachel Griffiths, ABC's prestigious and razor-sharp political drama Total Control makes its final return with more powerplays, betrayals and soul-searching from Sunday, January 14 at 8.30 pm on ABC TV and ABC iview.Check out more great content from Pario Magazine on our website: www.pariomagazine.com.au-------------------------------------------------------------SUPPORT PARIO MAGAZINE & THE COMMENTARY BOOTH - PATREON- BUY MERCH- AMAZON PRIME VIDEO- Subscribe to AEW Plus using my code (q0yydoz) to earn $10 in FITE credit MY EQUIPMENT - Elgato Facecam- Rode PodMic- Elgato Wave Mic Arm LP - Riverside.fm FOLLOW JAMIE ON SOCIAL MEDIA - Twitter- Facebook- Instagram- TikTokFOLLOW PARIO MAGAZINE ON SOCIAL MEDIA - Twitter- Facebook - Instagram

[ For full episode catalogue please subscribe to our Patreon at Patreon.com/BestActress ] The year is 2023 and the nominees are: 1. Michelle Yeoh - Everything Everywhere All at Once 2. Cate Blanchett - Tár 3. Ana de Armas - Blonde 4. Andrea Riseborough 5. Michelle Williams - The Fabelmans - In 2023 Michelle Yeoh became the second woman of colour in the 95 year history of the Oscars to win Best Actress in a Leading Role for the critical smash hit, Everything Everywhere All at Once. This was one of the most exciting Best Actress Oscar races in recent memory. In my opinion it really came down to Yeoh, Blanchett, and Riseborough (the dark horse nominee of the century). I think a lot of people were expecting Riseborough to be the upset since her nomination shocked everyone, including the Academy, and called for a recount and investigation, which turned out to be above board. Blanchett as Tár is arguably one of Blanchett's greatest performances on screen. Yeoh was utilizing all her skills in this powerhouse performance in EEAAO. It was a real nail biter! I think the correct winner was Yeoh however when it comes down to personal taste, I have my opinions. I'm sorry to say I don't think Williams or de Armas had a real shot at this trophy. Not this year. Who do you think should have won? Join host Kyle Brownrigg with guest host Cathryn Nailer as they discuss.

Hey guys!! In this episode, Lead Actress Tanisha Spring discusses her journey to London's Moulin Rouge in the West End, the trials and tribulations of being a Black woman in the music industry, what a typical day in the life looks like starring in the West End, her favourite films/TV shows, and much more! Find Tanisha here: https://www.instagram.com/tanishalspring/ Check out tickets for Moulin Rouge here: https://moulinrougemusical.co.uk Vote for Tanisha in the What's On Stage awards here: https://awards.whatsonstage.com Follow us everywhere @assceneinpodcast for daily content, and tune in for new full episodes every Monday! 00:00 - Intro 01:05 - Tanisha's Journey To Musical Theatre 07:33 - Diversity In Theatre & The West End 13:32 - Typical Day In The Life & Prepping For The West End 20:44 - BTS Of Recording A Musical Soundtrack 25:00 - BTS Of Moulin Rouge On The West End 26:32 - Tanisha's Big 5: Fave Films, TV Etc. 43:24 - Outro: Follow & Vote For Tanisha Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to another Cinema Sounds & Secrets Tribute episode! Today's tribute is for Glenda Jackson: She won the Academy Award for Best Actress twice, for the romance films Women in Love (1970) and A Touch of Class (1973). She also won the BAFTA Award for Best Actress in a Leading Role for Sunday Bloody Sunday (1971). English actress and politician, she was one of the few performers to achieve the American Triple Crown of Acting, having won two Academy Awards, three Emmy Awards, and a Tony Award. She was appointed CBE by Queen Elizabeth II in 1978. To learn more about this episode and others, visit the Official Cinema Sounds & Secrets website! Also visit our Instagram, @cinemasoundspod. 

Karima K. Jeffrey-Legette's book Speculative Film and Moving Images by or about Black Women and Girls (Lexington Books, 2022) examines depictions of African-descended women and girls in twentieth and twenty-first century filmmaking. Topics include a discursive analysis of stereotypes; roles garnered by Halle Berry, the only Black woman to receive an Oscar for Best Actress in a Leading Role; the promise of characters, relationships, and scripts found in works ranging from Altered Carbon, Lovecraft Country, and HBO's Watchmen series; and a closing chapter that considers the legacy of Black women in horror. Jeffrey-Legette illustrates the ways in which recent texts explore the trauma endured by people of African descent in the United States of America in evocative ways. In doing so, she provides a compelling interpretation of prevalent, well-received, and recurring images of Black women and girls in American popular culture. Katrina Anderson is a doctoral candidate at the University of Delaware. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Karima K. Jeffrey-Legette's book Speculative Film and Moving Images by or about Black Women and Girls (Lexington Books, 2022) examines depictions of African-descended women and girls in twentieth and twenty-first century filmmaking. Topics include a discursive analysis of stereotypes; roles garnered by Halle Berry, the only Black woman to receive an Oscar for Best Actress in a Leading Role; the promise of characters, relationships, and scripts found in works ranging from Altered Carbon, Lovecraft Country, and HBO's Watchmen series; and a closing chapter that considers the legacy of Black women in horror. Jeffrey-Legette illustrates the ways in which recent texts explore the trauma endured by people of African descent in the United States of America in evocative ways. In doing so, she provides a compelling interpretation of prevalent, well-received, and recurring images of Black women and girls in American popular culture. Katrina Anderson is a doctoral candidate at the University of Delaware. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Movie and TV star Romina D'Ugo shares what life is like for a woman in Hollywood. She also shares a deeply personal story of how a nude scene was sprung on her without her consent.   Society often paints people who identify as feminists as frigid or man hating. But, is that truly what the term means or has it been hijacked? Join us as Romina shares why feminism became important to her. To learn more -- or read the transcript -- visit the official episode page. CSA Best Actress nominee Romina D'Ugo is a first-generation Canadian and proud daughter to Italian immigrant parents. Originally from Toronto, Romina grew up dancing and trained since the age of 9 at one of the most competitive dance schools in the country. Performing has been a natural extension of Romina's being since a young age but her career began when she landed a supporting role in the Universal Pictures film “How She Move.” Romina became a household name when she earned a spot as one of the Top 20 dancers on season 1 of the hugely popular series “So You Think You Can Dance.” She went on to star opposite Justin Chatwin in the feature film, “Funkytown.” In 2010, Romina also starred in MTV's original movie “Turn The Beat Around,” for which she was nominated for Best Actress in a Leading Role at the Canadian Screen Awards. Romina has appeared in a plethora of TV series including “Godfather of Harlem” (EPIX), “Coyote” (Paramount), “Designated Survivor” (NBC/Netflix), “12 Monkeys” (SYFY/NBC), “Rookie Blue” (ABC/Global), “Nikita” (CW), and “Nurses” (NBC/Global). Romina also choreographed for Margot Robbie and Cara Delevingne in the DC Comics film “Suicide Squad.” Most recently, she starred in the coming-of-age dramatic comedy “I Like Movies,” making its world premiere at the 2022 Toronto International Film Festival. The film is currently making the festival rounds and will be released in select theatres in Canada in March. Passionate about artistry in all its forms, Romina is also the designer and creator of the eco-conscious jewelry line, WILYMI Jewelry Co. WILYMI stands for "Wear It Like You Mean It” and was created as a way of imbuing her life lessons into wearable art. Each piece holds a unique and purposeful intention and is an expression of this intimate process. Romina spends hours dreaming up designs, and relishes in the journey of sourcing materials to bring her visions to reality, meticulously handpicking stones and crafting each luxe, limited edition piece. A champion of women's empowerment movements, a portion of the proceeds go to the GIRLS INC charity, which equips girls to navigate gender, economic, and social barriers, and advocates for legislation and policies to increase opportunities and rights for all girls. Our host, Gabe Howard is an award-winning writer and speaker who lives with bipolar disorder. He is the author of the popular book, "Mental Illness is an Asshole and other Observations," available from Amazon; signed copies are also available directly from the author. Gabe makes his home in the suburbs of Columbus, Ohio. He lives with his supportive wife, Kendall, and a Miniature Schnauzer dog that he never wanted, but now can't imagine life without. To book Gabe for your next event or learn more about him, please visit gabehoward.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

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