Podcasts about Folles

Broadway has body issues. What is a Broadway Body? Broadway has long preserved the ideology of the "Broadway Body": the hyper-fit, exceptionally able, triple-threat performer who represents how Broadway musicals favor certain kinds of bodies. Casting is always a political act, situated within a power structure that gives preference to the Broadway Body. In Broadway Bodies: A Critical History of Conformity (Oxford UP, 2023), author Ryan Donovan explores how ability, sexuality, and size intersect with gender, race, and ethnicity in casting and performance. To understand these intersectional relationships, he poses a series of questions: Why did A Chorus Line, a show that sought to individuate dancers, inevitably make dancers indistinguishable? How does the use of fat suits in musicals like Dreamgirls and Hairspray stigmatize fatness? What were the political implications of casting two straight actors as the gay couple in La Cage aux Folles in 1983? How did deaf actors change the sound of musicals in Deaf West's Broadway revivals? Whose bodies does Broadway cast and whose does it cast aside? In answering these questions, Broadway Bodies tells a history of Broadway's inclusion of various forms of embodied difference while revealing its simultaneous ambivalence toward non-conforming bodies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

Broadway has body issues. What is a Broadway Body? Broadway has long preserved the ideology of the "Broadway Body": the hyper-fit, exceptionally able, triple-threat performer who represents how Broadway musicals favor certain kinds of bodies. Casting is always a political act, situated within a power structure that gives preference to the Broadway Body. In Broadway Bodies: A Critical History of Conformity (Oxford UP, 2023), author Ryan Donovan explores how ability, sexuality, and size intersect with gender, race, and ethnicity in casting and performance. To understand these intersectional relationships, he poses a series of questions: Why did A Chorus Line, a show that sought to individuate dancers, inevitably make dancers indistinguishable? How does the use of fat suits in musicals like Dreamgirls and Hairspray stigmatize fatness? What were the political implications of casting two straight actors as the gay couple in La Cage aux Folles in 1983? How did deaf actors change the sound of musicals in Deaf West's Broadway revivals? Whose bodies does Broadway cast and whose does it cast aside? In answering these questions, Broadway Bodies tells a history of Broadway's inclusion of various forms of embodied difference while revealing its simultaneous ambivalence toward non-conforming bodies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

Broadway has body issues. What is a Broadway Body? Broadway has long preserved the ideology of the "Broadway Body": the hyper-fit, exceptionally able, triple-threat performer who represents how Broadway musicals favor certain kinds of bodies. Casting is always a political act, situated within a power structure that gives preference to the Broadway Body. In Broadway Bodies: A Critical History of Conformity (Oxford UP, 2023), author Ryan Donovan explores how ability, sexuality, and size intersect with gender, race, and ethnicity in casting and performance. To understand these intersectional relationships, he poses a series of questions: Why did A Chorus Line, a show that sought to individuate dancers, inevitably make dancers indistinguishable? How does the use of fat suits in musicals like Dreamgirls and Hairspray stigmatize fatness? What were the political implications of casting two straight actors as the gay couple in La Cage aux Folles in 1983? How did deaf actors change the sound of musicals in Deaf West's Broadway revivals? Whose bodies does Broadway cast and whose does it cast aside? In answering these questions, Broadway Bodies tells a history of Broadway's inclusion of various forms of embodied difference while revealing its simultaneous ambivalence toward non-conforming bodies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Broadway has body issues. What is a Broadway Body? Broadway has long preserved the ideology of the "Broadway Body": the hyper-fit, exceptionally able, triple-threat performer who represents how Broadway musicals favor certain kinds of bodies. Casting is always a political act, situated within a power structure that gives preference to the Broadway Body. In Broadway Bodies: A Critical History of Conformity (Oxford UP, 2023), author Ryan Donovan explores how ability, sexuality, and size intersect with gender, race, and ethnicity in casting and performance. To understand these intersectional relationships, he poses a series of questions: Why did A Chorus Line, a show that sought to individuate dancers, inevitably make dancers indistinguishable? How does the use of fat suits in musicals like Dreamgirls and Hairspray stigmatize fatness? What were the political implications of casting two straight actors as the gay couple in La Cage aux Folles in 1983? How did deaf actors change the sound of musicals in Deaf West's Broadway revivals? Whose bodies does Broadway cast and whose does it cast aside? In answering these questions, Broadway Bodies tells a history of Broadway's inclusion of various forms of embodied difference while revealing its simultaneous ambivalence toward non-conforming bodies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Broadway has body issues. What is a Broadway Body? Broadway has long preserved the ideology of the "Broadway Body": the hyper-fit, exceptionally able, triple-threat performer who represents how Broadway musicals favor certain kinds of bodies. Casting is always a political act, situated within a power structure that gives preference to the Broadway Body. In Broadway Bodies: A Critical History of Conformity (Oxford UP, 2023), author Ryan Donovan explores how ability, sexuality, and size intersect with gender, race, and ethnicity in casting and performance. To understand these intersectional relationships, he poses a series of questions: Why did A Chorus Line, a show that sought to individuate dancers, inevitably make dancers indistinguishable? How does the use of fat suits in musicals like Dreamgirls and Hairspray stigmatize fatness? What were the political implications of casting two straight actors as the gay couple in La Cage aux Folles in 1983? How did deaf actors change the sound of musicals in Deaf West's Broadway revivals? Whose bodies does Broadway cast and whose does it cast aside? In answering these questions, Broadway Bodies tells a history of Broadway's inclusion of various forms of embodied difference while revealing its simultaneous ambivalence toward non-conforming bodies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Broadway has body issues. What is a Broadway Body? Broadway has long preserved the ideology of the "Broadway Body": the hyper-fit, exceptionally able, triple-threat performer who represents how Broadway musicals favor certain kinds of bodies. Casting is always a political act, situated within a power structure that gives preference to the Broadway Body. In Broadway Bodies: A Critical History of Conformity (Oxford UP, 2023), author Ryan Donovan explores how ability, sexuality, and size intersect with gender, race, and ethnicity in casting and performance. To understand these intersectional relationships, he poses a series of questions: Why did A Chorus Line, a show that sought to individuate dancers, inevitably make dancers indistinguishable? How does the use of fat suits in musicals like Dreamgirls and Hairspray stigmatize fatness? What were the political implications of casting two straight actors as the gay couple in La Cage aux Folles in 1983? How did deaf actors change the sound of musicals in Deaf West's Broadway revivals? Whose bodies does Broadway cast and whose does it cast aside? In answering these questions, Broadway Bodies tells a history of Broadway's inclusion of various forms of embodied difference while revealing its simultaneous ambivalence toward non-conforming bodies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Tom Gabbard (blumenthalarts.org)(IG:@tomgabbard) has been CEO of Blumenthal Performing Arts since 2003. The Blumenthal's 110 employees manage six theaters in Charlotte, hosting over 1,000 performances annually, as well as extensive education programs, immersive projects, and the Charlotte International Arts Festival. During his tenure, the Blumenthal became a Top 10 market for touring Broadway shows in North America.   A member of the Board of Governors of the Broadway League, he serves on the Legislative Council and Finance and Intra-Industry Committees. He has been a voter for Broadway's Tony Awards since 1997. In 2022, the League awarded Tom with Lifetime Tony Award Voter status.  In 2012 the League awarded him the Samuel J. L'Hommedieu Award for Outstanding Achievement in Presenter Management.  He serves as co-chair of The Jimmy Awards, the National High School Musical Theatre Awards held annually on Broadway. Tom is a Past President of the Independent Presenters Network (IPN), a consortium of 40 leading touring Broadway presenters in North America, Asia, and the UK. Tony Awards as a co-producer/investor include Monty Python's Spamalot, Thoroughly Modern Millie, La Cage aux Folles, RED, Pippin, Kinky Boots, The Color Purple Revival, Hello Dolly, Dear Evan Hansen, The Band's Visit, Oklahoma!, Hadestown, A Strange Loop, and Lehman Trilogy. Other Broadway, Off-Broadway, national tour and London West End credits include Moulin Rouge, Ain't Too Proud, David Byrne's American Utopia, Death of a Salesman, Tootsie, Legally Blonde, Frost/Nixon, Matilda, Cinderella, Jagged Little Pill, Something Rotten, An American in Paris, Waitress, The Broadway Museum, and Back to the Future. He produced the New York run and the national tour of TRACES, and the national tour of 9 to 5. Tom is a leader in developing partnerships between the UK and US, working on over 25 UK/US transfers and London productions.  He was the Founding Managing Director of Pepperdine University's Center for the Arts in Malibu, the Executive Director of the Arvada Center for the Arts and Humanities in Denver, and the Weidner Center for the Performing Arts in Green Bay. He holds an MBA in Arts Management from Golden Gate University and a BA in Music Performance from Pepperdine University where he also attended Law School.

Tom Gabbard (blumenthalarts.org)(IG:@tomgabbard) has been CEO of Blumenthal Performing Arts since 2003. The Blumenthal's 110 employees manage six theaters in Charlotte, hosting over 1,000 performances annually, as well as extensive education programs, immersive projects, and the Charlotte International Arts Festival. During his tenure, the Blumenthal became a Top 10 market for touring Broadway shows in North America.   A member of the Board of Governors of the Broadway League, he serves on the Legislative Council and Finance and Intra-Industry Committees. He has been a voter for Broadway's Tony Awards since 1997. In 2022, the League awarded Tom with Lifetime Tony Award Voter status.  In 2012 the League awarded him the Samuel J. L'Hommedieu Award for Outstanding Achievement in Presenter Management.  He serves as co-chair of The Jimmy Awards, the National High School Musical Theatre Awards held annually on Broadway. Tom is a Past President of the Independent Presenters Network (IPN), a consortium of 40 leading touring Broadway presenters in North America, Asia, and the UK. Tony Awards as a co-producer/investor include Monty Python's Spamalot, Thoroughly Modern Millie, La Cage aux Folles, RED, Pippin, Kinky Boots, The Color Purple Revival, Hello Dolly, Dear Evan Hansen, The Band's Visit, Oklahoma!, Hadestown, A Strange Loop, and Lehman Trilogy. Other Broadway, Off-Broadway, national tour and London West End credits include Moulin Rouge, Ain't Too Proud, David Byrne's American Utopia, Death of a Salesman, Tootsie, Legally Blonde, Frost/Nixon, Matilda, Cinderella, Jagged Little Pill, Something Rotten, An American in Paris, Waitress, The Broadway Museum, and Back to the Future. He produced the New York run and the national tour of TRACES, and the national tour of 9 to 5. Tom is a leader in developing partnerships between the UK and US, working on over 25 UK/US transfers and London productions.  He was the Founding Managing Director of Pepperdine University's Center for the Arts in Malibu, the Executive Director of the Arvada Center for the Arts and Humanities in Denver, and the Weidner Center for the Performing Arts in Green Bay. He holds an MBA in Arts Management from Golden Gate University and a BA in Music Performance from Pepperdine University where he also attended Law School.

REFRIED SCENES IS BACK!!! Hosts Carol Cowles and the Mighty Mia Davis have returned to discuss the 1978 La Cage aux Folles and its 1996 remake The Birdcage.

A gay cabaret owner and his drag queen companion agree to put up a false front, so that his son can introduce them to his fiancé's right wing moralistic parents. What's more important, acceptance in society or being yourself? All this can only mean one thing. We're comparing La Cage aux Folles and The Birdcage in this episode of Retro Vs. Remake!

durée : 00:02:41 - Le héros du jour - par : Daniel Morin - Pour ses héros du jour, Daniel a choisi des personnes qu'on peut ranger dans deux catégories… Folles ou courageuses ?

Tous les jours à 5h50, Anthony Morel, expert High-Tech vous fait découvrir les dernières actus techno, dans Charles Matin, sur RMC. De l'info, de l'humour et de la bonne humeur… Cette année, Charles Magnien gagne une demi-heure. Avec Anaïs Castagna, ils accompagnent jusqu'à 6h30 les Français qui se lèvent tôt. Nouveautés cette saison : Arthur Asquin rejoint l'équipe de Charles Matin avec une nouvelle chronique : l'info marquante du jour à ne pas manquer ; et pour ne rien louper de l'actualité sportive, Thibaud Texeire incarnera tous les matins la Story Sport.

Un avant-goût du nouvel épisode qui sort soir à 18h avec Raul MARCHISIO !Pour découvrir l'épisode en entier tapez " Épisode #106 - Raul MARCHISIO " sur votre plateforme d'écoute._________________________________________________________

Raul MARCHISIO que beaucoup d'entre vous surnomme “Le Professeur”, illustre pilote de rallye et maintenant considéré à la fois comme un as de la glisse, mais aussi vendeur et collectionneur des autos les plus exceptionnelles à Monaco.Cet épisode est juste une merveille, tout ce qu'il y raconte, il ne l'a jamais dit publiquement auparavant ! Vous allez voyager dans le monde extraordinaire de Raul avec en bonus son accent italien qui ne donne que plus de charme à ses propos.J'en profite pour saluer Jean RAGNOTTI avec qui j'ai aussi enregistré un podcast (Épisode #51) et Enrico aka Tortetto Monaco (Épisode #67) à qui l'on fait référence durant cet épisode. Sans oublier Ari VATANEN que je devrais rencontrer sous peu…_________________________________________________________

Nouvelle année donc Nouveau Story Shooow !Des histoires et une surprise ! Pour celles et ceux qui souhaitent nous soutenir à travers un petit don, on a ouvert un pot commun. qui permettra peut-être d'améliorer notre matériel

Yvane Jacobv nous raconte l'emblème de la mode des année folles : la garçonne.

Christina revient sur les histoires les plus folles des gagnants du loto ! Retrouvez Bruno sur Fun Radio avec Bruno Guillon, Christina, Pino, Karina, Maurine, et Elliot sur funradio.fr et sur l'application Fun Radio.

Hors Série - 51e émission de P2J 20 octobre 2022 C'est les dernières semaines de P2J alors on est un peu en roue libre. Du coup, on sort des hors-série animé par Kader et avec Olivier du T-Shirt Foot. On parle des dernières folles histoires du football français et on digresse comme d'habitude. Avec le retour du sèche main du Comptoir Malesherbes. Il nous avait vraiment manqué :) Bonne écoute.

Possibilité de VIRER Messi ET Neymar ? La presse espagnole dévoile les folles promesses du PSG à MBAPPÉ, la revue de presse... Le journal du foot et du mercato N°1142 est en ligne ! Abonnez-vous ;)  

durée : 00:52:37 - Grand bien vous fasse ! - par : Ali Rebeihi - Les plaisirs et les modes de vies des Années Folles et de la Belle Epoque avec l'écrivain Benoît Duteurtre. Il sera question d'adultère, d'Art nouveau et d'Art Déco, de Debussy, d'urbanisme, de vaudeville et de bien d'autres choses… - réalisé par : Claire DESTACAMP

Le Moune, Le Katmandou, le Pulp… Gouinement Lundi se plonge dans l'histoire des lieux et soirées parisiennes qui ont fait nos nuits, des années Folles… L'article Les nuits lesbiennes parisiennes, des années folles aux soirées Follefet est apparu en premier sur Gouinement lundi, podcast des lesbiennes, bies et trans, féministes.

Harvey Fierstein has won four Tony Awards, for writing and acting in Torch Song Trilogy, for writing La Cage aux Folles, and for acting in Hairspray. He has appeared in Mrs. Doubtfire, Bullets Over Broadway, Independence Day, Death to Smoochy, and more. He has sung to Muppets, he has voiced Disney characters, and he's been in the Macy's Thanksgiving Day Parade. Armistead Maupin has called Fierstein “a true American original who has blazed his own trail through popular culture for half a century.” Harvey Fierstein joins us for the hour. GUEST: Harvey Fierstein: An actor on stage and screen, a playwright, and a screenwriter; he is the author of I Was Better Last Night: A Memoir The Colin McEnroe Show is available as a podcast on Apple Podcasts, Spotify, Google Podcasts, Stitcher, or wherever you get your podcasts. Subscribe and never miss an episode! Join the conversation on Facebook and Twitter. Colin McEnroe, Cat Pastor, and Michael Savitt contributed to this show, which originally aired March 10, 2022.Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.

durée : 00:59:13 - Le Cours de l'histoire - par : Xavier Mauduit - L'histoire s'invite sur scène avec la comédienne et chanteuse Jeanne Balibar. Ancienne étudiante en histoire, devenue ensuite comédienne, l'artiste retrace trois destins féminins grâce aux travaux de trois historiennes et remet au goût du jour les récits du passé… - invités : Jeanne Balibar Comédienne, chanteuse; Charlotte de Castelnau-L'Estoile Historienne, professeure à Sorbonne Université, spécialiste de l'histoire du Brésil colonial et de l'esclavage; Anne-Emmanuelle Demartini Historienne, professeure d'histoire contemporaine à l'Université Paris 1 Panthéon-Sorbonne; Emmanuelle Loyer Historienne, professeure à Sciences Po Paris, spécialiste de l'histoire culturelle des sociétés contemporaines

Bien avant de donner son nom au deuxième plus grand court de Roland-Garros, Suzanne Lenglen fut une immense championne, peut-être la plus importante de l'histoire du sport féminin. Au-delà de son palmarès, la Divine, comme elle était surnommée pour son style de ballerine et ses airs de diva, a révolutionné son époque et son sport, incarnant à la perfection l'énergie sans limite des Années Folles. Son histoire, racontée dans "les Grands Récits". Ecrit par RÉMI BOURRIÈRESRaconté par Florian BAYOUXProduit par BABABAMVous aimez Les Grands Récits ? Abonnez-vous sur Apple Podcasts et soyez alerté lors de la publication des nouveaux épisodes chaque semaine. Ecoutez d'autres épisodes des Grands Récits : Perdu sur les parquets, disparu dans les abysses : la vie et la fin tragiques de Bison DeleKen Norton, l'homme qui a brisé la mâchoire d'AliSurvivant du Titanic et roi de l'US Open, le destin pas commun de Dick WilliamsDaniel Elena, le roi d'à côtéEverton - Liverpool, le faux derby de l'amitié Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

A wild, effervescent, absinthe-soaked novel that tells of the life of the extraordinary artist Chaim SoutineSteve Stern's astonishing new novel The Village Idiot begins on a glorious spring day in Paris 1917. Amid the carnage of World War I, some of the foremost artists of the age have chosen to stage a boat race.  At the head of the regatta is Amedeo Modigliani, seated regally in a bathtub pulled by a flock of canvasback ducks.  But unbeknownst to the competition, he has a secret advantage: his young friend, the immigrant painter Chaim Soutine, is hauling the tub from underwater.  Soutine, an unwashed, misfit artist (who incidentally can't swim) has been persuaded by the Italian to don a ponderous diving suit and trudge along the floor of the river Seine.  Disoriented and confused by the artificial air in his helmet Chaim stumbles through the events of his past and future life. It's quite an extraordinary life.  From his impoverished beginnings in an East European shtetl to his equally destitute days in Paris during the Années Folles, the Crazy Years, from the Cinderella patronage of the American collector Albert Barnes, who raises him from poverty to international attention, to his perilous flight from the Nazi occupation of France, Chaim Soutine remains driven by his unrelenting passion to paint.  To be sure, there are notable distractions, such as his unlikely friendship with Modigliani, who drags him from brothels to midnight felonies to a duel at dawn; there are the romances with remarkable women who compete with and sometimes salvage his obsession. But there is also, always on the horizon, the coming storm that threatens to sweep away Chaim and a generation of gifted Jewish refugees from a tradition that would outlaw their longing to make art. Wildly inventive, as funny as it is heart-breaking, The Village Idiot is a luminous fever-dream of a novel, steeped in the heady atmosphere of a Paris that was the cultural capital of the universe, a place where anything seemed possible.Buy the book from Wellington Square Bookshop - ​https://wellingtonsquarebooks.indiecommerce.com/book/9781612199825

durée : 00:58:47 - Grande Traversée : Joséphine Baker, l'insoumise - par : Mathieu Palain - Après une traversée qui va changer le cours de sa vie, Joséphine Baker arrive en France en 1925. Elle intègre aussitôt la Revue nègre qui fait salle comble tous les soirs. Celle qui s'amuse avec les clichés raciaux fascine. Et invente, au-delà d'une danse acrobatique et provocatrice, un personnage.

Ralph Pierre LaCock (born March 30, 1926), better known by his stage name Peter Marshall, is an American former game show host, television and radio personality, singer, and actor. He was the original host of The Hollywood Squares from 1966 to 1981 and has almost fifty television, movie, and Broadway credits. Peter Marshall hosted a popular mid-day radio show for more than 15 years on the Music of Your Life radio network. Broadway Peter Marshall's Broadway credits include Skyscraper, La Cage aux Folles and The Music Man. West End In London's 1962 West End production, Marshall appeared in the stage musical Bye Bye Birdie, staring the lead character of Albert Peterson. The production ran for 268 performances. Peter also won the Daytime Emmy Award for Outstanding Game Show Host four times. In 2006 he received the annual Bill Cullen Award for Lifetime Achievement, from the non-profit organization, Game Show Congress. On October 13, 2007, Marshall was one of the first inductees into the American TV Game Show Hall of Fame in Las Vegas.  

For Video Edition, Please Click and Subscribe Here: https://youtu.be/m79ArEJpd70 Christine Andreas' shows in NY at 54 Below: Love Is Good, beMused, And So It Goes…, Cafe Society, and most recently PIAF - No Regrets had the NY Times accusing her of “ …electrifying her audiences, transforming them with pure alchemy and delicately killing with the sheer beauty of her voice… ” On Broadway, this multiple-award-winning singer, actress, and two-time Tony nominee starred as Jacqueline in the recent revival of La Cage aux Folles with Kelsey Grammer, and created the role of Marguerite St. Just in The Scarlet Pimpernel. She captured theatergoers' hearts as Eliza Doolittle in the 20th anniversary production of My Fair Lady (Theatre World Award), Oklahoma! (Tony Nomination) and On Your Toes (Tony Nomination). National audiences remember her portrayal of Margaret Johnson in a much-acclaimed national tour of The Light in the Piazza. Concerts include Carnegie Hall, Lincoln Center, Kennedy Center, Café Carlyle & Feinstein's 54 Below, garnering her the prestigious Mabel Mercer award and the 2016 Bistro Award for Ongoing Artistry in Concert and Cabaret. She has also worked with major symphonies nationwide. Television credits include Law & Order: SVU, The Cosby Show, PBS' Musical Comedy Tonight, Taylor Benson in Another World, and Ava Gardner in Fox's mini-series Mia, Child of Hollywood. Collaboration with her husband, Grammy nominated producer & composer Martin Silvestri and writer Joel Higgins led to her West End debut starring in their musical The Fields of Ambrosia, followed by concerts in London, Paris, Rome, Australia and the White House. These concerts were the basis for her award-winning CDs: Love is Good, Here's to the Ladies and The Carlyle Set. 

Join us for the Annees Folles feedback podcast to hear our thoughts on the latest theories and whatever else you want to talk about. Check out https://support.baldmove.com/ to find out how you can gain access to ALL of our premium content, as well as ad-free versions of the podcasts, for just $5 a month! Join the discussion: Email | Discord | Reddit | Forums Follow us: Twitch | YouTube | Twitter | Instagram | Facebook Leave Us A Review on Apple Podcasts Learn more about your ad choices. Visit megaphone.fm/adchoices

Join us for the Annees Folles feedback podcast to hear our thoughts on the latest theories and whatever else you want to talk about. Check out https://support.baldmove.com/ to find out how you can gain access to ALL of our premium content, as well as ad-free versions of the podcasts, for just $5 a month! Join the discussion: Email | Discord | Reddit | Forums Follow us: Twitch | YouTube | Twitter | Instagram | Facebook Leave Us A Review on Apple Podcasts Learn more about your ad choices. Visit megaphone.fm/adchoices

A Weekly discussion of your favorite TV show, Westworld

'Westworld' Season 4, Episode 3 Recap Joanna, David, and Danny break down 'Westworld' Season 4, Episode 3, "Années Folles." First, they briefly recap everything that happened in the episode (2:27) before analyzing each story line— starting with Maeve and Caleb's visit to a new park (17:28). Later, they discuss some theories about what is actually going on with Bernard's story (57:52). If you have any questions or thoughts about 'Westworld,' you can email Joanna, David, and Danny at EdHarrisBodySuit@gmail.com Hosts: Joanna Robinson, David Shoemaker, and Danny Heifetz Associate Producer: Carlos Chiriboga Learn more about your ad choices. Visit podcastchoices.com/adchoices

Westworld feels like it's back to doing what it does best; giving us the answers while we try to figure out which questions we should be asking. Join us for the podcast as we get back to Bernard and find out a whole lot more about Temperance. Check out https://support.baldmove.com/ to find out how you can gain access to ALL of our premium content, as well as ad-free versions of the podcasts, for just $5 a month! Join the discussion: Email | Discord | Reddit | Forums Follow us: Twitch | YouTube | Twitter | Instagram | Facebook Leave Us A Review on Apple Podcasts Learn more about your ad choices. Visit megaphone.fm/adchoices

Westworld feels like it's back to doing what it does best; giving us the answers while we try to figure out which questions we should be asking. Join us for the podcast as we get back to Bernard and find out a whole lot more about Temperance. Check out https://support.baldmove.com/ to find out how you can gain access to ALL of our premium content, as well as ad-free versions of the podcasts, for just $5 a month! Join the discussion: Email | Discord | Reddit | Forums Follow us: Twitch | YouTube | Twitter | Instagram | Facebook Leave Us A Review on Apple Podcasts Learn more about your ad choices. Visit megaphone.fm/adchoices

Excitement and depth returned to "Westworld" in a big way as our favorite host duo—Stubbs and Bernard—began their quest to save humanity. In this Season 4 Episode 3 Deep Dive, the Shat Crew explores what Bernard saw in his Sublime visions and how that impacts our perception of time. We also rejoin Maeve to explore the new park, ask what makes Caleb so special (again), dissect the science behind the flies and the low-frequency resonance generator, and debate whether we just saw a grown-up Frankie. Listen to more great music from Simon: www.soundcloud.com/simonsteric Westworld Episode 3 Summary:Maeve and Caleb find the Temperance park to follow events similar to Westworld and sneak in among killed hosts to enter the maintenance areas. There, Maeve senses something is still off as Dolores' attack on Westworld is also mimicked, and they find yet another level where it appears human captives are forced to act on sound, killing themselves. Bernard meets Akecheta in the Sublime, who informs him of the infinite possibilities that lead to destruction but one path which doesn't. Bernard wakes, years later in the real world. He and Ashley follow steps that Bernard sees as taking the right path, including meeting up with a human resistance to find a weapon. Uwade and Frankie pack to leave their home with the help of Caleb's friend Carver. Frankie senses something is wrong with Carver and finds the human Carver's dead body. Telling her mom, the two hide from the fake Carver and kill him. Caleb discovers Frankie as one of the test subjects, but Maeve discovers too late there is something off, and Frankie is revealed as a host, exposing Caleb to the droning sound of flies. Subscribe Now Android: https://shatontv.com/westworld-android Apple/iTunes: https://shatontv.com/westworld-itunes Twitch: https://shatontv.com/twitch Help Support the Podcast Support with Paypal – https://shatontv.com/paypal Support With Venmo – https://venmo.com/ShatPodcasts Shop / Merchandise: https://shatontv.com/shop Shop Amazon With Our Affiliate Link – https://www.amazon.com/?tag=shatmovies-20 Sponsor's Listener Survey – https://shatontv.com/survey Leave an iTunes Review –  https://shatontv.com/westworld-review Leave a Voicemail – (914) 719-SHAT – (914) 719-7428 Feeds & Social Media – https://shatontv.com/subscribe-and-follow/ Check out our Movie Podcast – http://shatthemovies.com WebPlayer (All Episodes) – https://shatontv.com/westworld-web-player Theme Song – “The Ecstasy Of Gold” (Hip Hop Instrumental Version)  by Dj 2 Bad Outro Music - By Simon Eric Haywood

Années Folles refers to the crazy years in France during the 20s, or the Roaring 20s aka Golden Age in the US. For Westworld, it could be referring to the newly constructed park emulating that timeframe, or it could be referencing the crazy years Bernard has spent inside the Sublime learning all of the possible scenarios that could eradicate the human species. One of those.  On this episode of the Beyond Westworld podcast, we explore the revelation of this ominous fly conspiracy, and what it all means for Caleb and Maeve as they are now in the belly of the beast with no foreseeable way out. Also, Bernard and Stubbs embark on a side quest to meet with C and J, revolutionaries living on Condemned Lands that might hold a key to the survival of the human race.  Keep Connected Each week Beyond Westworld will take a deep look at both the minor and major plot lines and character elements within the riveting HBO series, Westworld. Be sure to subscribe and review us in your podcast app of choice. A special thanks to RJohn.Draws for creating our podcast cover art. If you love it, be sure to check out the rest of his artwork. Thanks for listening! Be sure to come back next week, when we re-open the park for another vacation...Beyond Westworld. Beyond Westworld on Facebook Beyond Westworld on Twitter Beyond Westworld on Instagram Troy's Twitter Aaron's Twitter Subscribe RSS: https://beyondwestworld.libsyn.com/rss Apple Podcasts:  https://podcasts.apple.com/us/podcast/beyond-westworld-aftershow-companion-to-hbo-series/id1149154896 Google: https://podcasts.google.com/?feed=aHR0cDovL3d3dy5nb2xkZW5zcGlyYWxtZWRpYS5jb20vY2F0ZWdvcnkvd2VzdHdvcmxkL2ZlZWQ Spotify: https://open.spotify.com/show/6yegMD9DyaVjCyOvZUkkv6?si=T42LIU-ySLScjhRcE1NWgw Amazon: https://www.amazon.com/dp/B08JJSM5KW?ref_=cm_sw_r_cp_ud_dp_PKQSXESVATPK25Q6S996 Pandora: https://www.pandora.com/podcast/beyond-westworld/PC:9456?corr=14139456&part=ug Stitcher: https://www.stitcher.com/podcast/fringe-podcast/beyond-westworld-an-aftershow-companion-to-the-hbo-series-westworld iHeart Radio: https://www.iheart.com/podcast/966-beyond-westworld-29246476/ Tune In: https://tunein.com/podcasts/Media--Entertainment-Podcasts/Beyond-Westworld-p920127/

Bernard is back and it turns out all that dust that gathered on his head was just Rehoboam spice. Join us for the instant take / talk podcast where we give our first impressions of the episode and then answer listener questions from chat. If you were a Bald Move Club member, you'd see a video and a link to the live chat on this page. Check out https://support.baldmove.com/ to find out how you can gain access to ALL of our premium content, as well as ad-free versions of the podcasts, for just $5 a month! Join the discussion: Email | Discord | Reddit | Forums Follow us: Twitch | YouTube | Twitter | Instagram | Facebook Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of Decoding Westworld, David Chen and Siddhant Adlakha recap season 4 episode 3 of Westworld, "Années Folles." You can always email this podcast at decodingwestworld(AT)gmail(DOT)comSupport this podcast via David Chen's Patreon pageShownotes:Thor's Journey to the Big ScreenSubscribe to the Culturally Relevant podcastFollow Siddhant on TwitterFollow David on TwitterSubscribe to David's other podcasts: Culturally Relevant and The Filmcast

In this podcast, Jo Garfein and Mike Bloom recap the third episode of season 4 of "Westworld," titled "Annees Folles." The post Westworld Season 4 Episode 3 Recap, ‘Annees Folles' appeared first on PostShowRecaps.com.

Bernard is back and it turns out all that dust that gathered on his head was just Rehoboam spice. Join us for the instant take / talk podcast where we give our first impressions of the episode and then answer listener questions from chat. If you were a Bald Move Club member, you'd see a video and a link to the live chat on this page. Check out https://support.baldmove.com/ to find out how you can gain access to ALL of our premium content, as well as ad-free versions of the podcasts, for just $5 a month! Join the discussion: Email | Discord | Reddit | Forums Follow us: Twitch | YouTube | Twitter | Instagram | Facebook Learn more about your ad choices. Visit megaphone.fm/adchoices

In this podcast, Jo Garfein and Mike Bloom recap the third episode of season 4 of "Westworld," titled "Annees Folles." The post Westworld Season 4 Episode 3 Recap, ‘Annees Folles' appeared first on PostShowRecaps.com.

Jared, Ross, and Serena break down and digest Westworld Season 4, Episode 3: Années Folles, a WILD episode that saw us reunite with some old friends, explore a new Delos theme park, and get simultaneously more and less confused about what's going on this season. EXCLUSIVE DEALS BetterHelp: BetterHelp.com/FAMF (10% off your first month of online therapy) Felix Gray Glasses: FelixGrayGlasses.com/FAMF (FREE shipping, returns, & exchanges) Every episode of Freeze All Motor Functions is also available to watch on YouTube: www.youtube.com/channel/UChNkr0jkzzCfLukiC5Joc5w Follow us on… Instagram: www.instagram.com/freezeallmotorfunctions Twitter: twitter.com/freezeallmotor TikTok: tiktok.com/@freezeallmotor

In this podcast, Jo Garfein and Mike Bloom recap the third episode of season 4 of "Westworld," titled "Annees Folles." The post Westworld Season 4 Episode 3 Recap, ‘Annees Folles' appeared first on PostShowRecaps.com.

No better way to celebrate Pride Month with the movie club than to talk about the colorful and energetic classic “The Birdcage.” Joining Matt to explore this flamboyant 90s feel good film is comedy duo Aaron Jackson and Josh Sharp. The remake of the French film "La Cage aux Folles" presents a challenge to family values for South Beach drag club owner Armand (Robin Williams) and his life partner, Albert (Nathan Lane). The couple is determined to appear straight for their son and his conservative father-in-law-to-be, which proves to be nothing short of a production. With equal parts levity and homage, this week's movie club meeting understands the insanity of this film in queer culture cannon.  Don't forget to submit your hot takes for our next movie club meeting on the new “Father of the Bride” with #maxmovieclub to @hbomaxmovies on Twitter and Instagram!  Watch on HBO via HBO Max: “The Birdcage” until July 31st, 2022 See omnystudio.com/listener for privacy information.

HARVEY FIERSTEIN wrote the books ( or adapted the books ) for the Broadway musicals Funny Girl, Kinky Boots. Newsies as well as Torch Song Trilogy (Tony®, Drama Desk, and OBIE Awards), La Cage aux Folles (Tony® and Drama Desk Awards), The Sissy Duckling (Humanitas Award), A Catered Affair (12 Drama Desk nominations), Safe Sex (Ace Award), Legs Diamond, Spookhouse, Flatbush Tosca, Common Ground, and more. His political editorials have been published in The New York Times, TV Guide, The Huffington Post, and broadcast on PBS's “In the Life”. His children's book, The Sissy Duckling, is now in its fifth printing. As an actor, Mr. Fierstein is known worldwide for his performances in films like Mrs. Doubtfire and Independence Day, and on stage in Hairspray (Tony Award®), Fiddler on the Roof, La Cage aux Folles, Torch Song Trilogy (Tony Award®), and TV shows such as “Smash,” “How I Met Your Mother,” “The Good Wife,” “Cheers” (Emmy nomination), “The Simpsons,” and “Nurse Jackie.” Acclaimed originally for his groundbreaking writing and performance in his 1981 Torch Song Trilogy, Harvey Fierstein has refined and redefined the persona of the drag queen in the theater. Two years later, Fierstein brought that insight and humor into his book for the musical adaptation of La Cage aux Folles. As Frank Rich wrote in the New York Times, this “is the first Broadway musical ever to give center stage to a homosexual love affair – but don't go expecting an earthquake. The show at the Palace is the schmaltziest, most old-fashioned major musical Broadway has seen since ‘Annie,' and it's likely to be just as popular with children of all ages.”  Fierstein subsequently wrote the book for Legs Diamond (1988) with music and lyrics by Peter Allen, who also starred in the show. He did not return to Broadway until 2002, when he took on the role of Edna Turnblad in the musical adaptation of Hairspray (book by Mark O'Donnell and Thomas Meehan; music by Marc Shaiman; lyrics by Scott Wittman and Marc Shaiman). According to Ben Brantley, Fierstein's performance as Edna “is not just a cross-dressing sight gag. She's every forgotten housewife, recreated in monumental proportions and waiting for something to tap her hidden magnificence.”  After playing Tevye in the 2004 revival of Fiddler on the Roof, Harvey Fierstein wrote the book and starred in the 2008 musical, A Catered Affair. As a writer and actor, Fierstein has won three Drama Desk Awards and four Tonys®, most recently for his portrayal of Edna in Hairspray. His most recent memoir is called I Was Better Last Night. Learn more about your ad choices. Visit podcastchoices.com/adchoices

When Tony Award-winning actor and playwright Harvey Fierstein was growing up in New York City in the 60s, he was surrounded by the beginnings of the gay rights movement, and protest art and avant-garde theater was the norm. "I didn't know that being gay was sad until I got out into the world and they told me that," he said in our interview. "All the gay people I know are really kind of happy." And writing from that lens has informed his work ever since. In his new memoir, I Was Better Last Night, Harvey shares the six year journey to get his breakthrough play, Torch Song Trilogy, on Broadway, and shares other behind the scenes stories from hit Broadway plays like Hairspray, Fiddler on the Roof, and La Cage aux Folles. He also told me about his relationship with his younger brother turned business manager, why he's happily single and sober, and how he thinks he'll be remembered.

Trivia We are so excited to have such incredible talented guests on this episode. Kat Gotsick and Annie Flora are team Kannie as they go up against David. How would you hold up against them with questions like: What architect designed Falling Waters, a house perched on a waterfall, in Mill Run Pennsylvania? The aubergine, a plant in the nightshade family, is commonly known as what in the US? Mary Shields was the first woman to finish what famous Alaskan race in 1974? What is the aesthetic or imagery inspired by an old-fashioned, rural lifestyle, characterized by rustic décor and fashion, sometimes including a revival of traditional handicrafts? In 1999, Lenny Kravitz scored a hit with his cover version of the classic rock song, “American Woman”. What Canadian band originally recorded this song in 1969? Partially funded by the U.S. government, Washington D.C. is home to the world's largest research and museum complex. What is this educational foundation? What 1992 comedy film, based on an SNL skit series, brought us the annoying catchphrase ‘a sphincter says what?' Kentucky was admitted into the Union as the 15th state on June 1, 1792, splitting from what other U.S. state in the process? Originally associated with the traditional battle preparations of Maori warriors, what is the ceremonial dance often performed by the All Blacks Rugby Team before a match? Flatbreads such as naan and roti, are cooked in what Indian oven? Astraphobia is the fear of what? Who released the song “Footloose” in 1984, the lead single from the hit film of the same name? What 1996 comedy was the movie remake of La Cage aux Folles? If you liked this episode, listen to the first match between Millenium vs Willenium episode. Music Hot Swing, Fast Talkin, Bass Walker, Dances and Dames, Ambush by Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0/ Don't forget to follow us on social media: Patreon - patreon.com/quizbang - Please consider supporting us on Patreon. Check out our fun extras for patrons and help us keep this podcast going. We appreciate any level of support! Website - quizbangpod.com Check out our website, it will have all the links for social media that you need and while you're there, why not go to the contact us page and submit a question! Facebook - @quizbangpodcast - we post episode links and silly lego pictures to go with our trivia questions. Enjoy the silly picture and give your best guess, we will respond to your answer the next day to give everyone a chance to guess. We will also post old videos of us with Katy Colloton. Instagram - Quiz Quiz Bang Bang (quizquizbangbang), we post silly lego pictures to go with our trivia questions. Enjoy the silly picture and give your best guess, we will respond to your answer the next day to give everyone a chance to guess. Twitter - @quizbangpod We want to start a fun community for our fellow trivia lovers. If you hear/think of a fun or challenging trivia question, post it to our twitter feed and we will repost it so everyone can take a stab it. Come for the trivia - stay for the trivia. Ko-Fi - ko-fi.com/quizbangpod - Keep that sweet caffeine running through our body with a Ko-Fi, power us through a late night of fact checking and editing!