Podcasts about royal academy

Enjoy this special gift, a recorded meditation by Ruth Phillips:Practice 1: Settlinghttps://drive.google.com/file/d/1PqsA8Epmy_QzyXtuRFJiOaYJfcBfDF_x/view?usp=share_linkAND, sign up for her newsletter to receive Practice 2: Breath https://ruthphillips.com/contact/Alongside her rich and diverse career as a concert cellist and teacher, Ruth is internationally sought after as a performance coach, mentor and meditation teacher, helping people who suffer from tension, stage fright, or lack of focus or self esteem overcome the physical and mental strains of the music profession. Ruth is certified as a Mindfulness Meditation teacher and mentor under Tara Brach and Jack Kornfield, through the MMTCP (Mindfulness Meditation Teacher Certification) and the MMT (Mindfulness Mentor Training) programs. She is also a trained therapist, holding a Masters' degree in Voice Movement Therapy. She has been attending yoga classes with Peter Blackaby for the past 30 years, and has completed three modules of the Non-Violent-Communication training. Her interest in the natural functioning of the body has inspired her to work closely with Alexander Technique, Qi Gong, Body Mapping and Feldenkrais practictioners, and her musical experience includes not only classical music but folk, Indian and African traditions. Over the last ten years Ruth has given Breathing Bow and mindfulness workshops in California, France and the UK, at the Yehudi Menuhin School, the Royal Glasgow Conservatoire, the Royal Northern College of Music and Benslow Music, and for members of the Royal Liverpool Philharmonic Orchestra. She has presented for the European String Teachers' Association International Conference and the London Cello Society. She is regularly invited as a mindfulness coach to the Verbier festival. Ruth taught on the online platform for musicians' well-being, The Exhale, for three years and her clients include students and graduates from Stony Brook University, Julliard School, Royal Academy of Music, Paris Conservatoire, Royal Northern College of Music and the Guildhall School of Music, members of the Marmen quartet, and the Hallé, Oakland Symphony, San Fransisco Opera, Liverpool Philharmonic and Philharmonia Orchestras.Ruth is the author of Beauty at the Edge of Catastrophe – Cultivating Mindful Presence in Musical Performance. Her articles on stage fright, music, mindfulness and yoga have appeared in the Strad, BBC Music Magazine, Classical Music Magazine, Paul Katz' CelloBello blog, The London Cello Society newsletter and the European String Teachers' Association magazine, ARCO. She has appeared on the Music Mind and Movement and the Thoroughly Good Classical Music, Things Musicians Don't Talk About and Your Free Voice podcasts. Her memoir, Cherries from Chauvet's Orchard, was shortlisted for the Guardian Women's Memoir award. https://beautyattheedgeofcatastrophe.com  (Buy the book, then email Ruth at ruth@ruthphillips.com  She'll send you Practices 3 Kindness and 4 Just Like Me as a gift.)https://ruthphillips.com https://www.facebook.com/ruth.phillips.752 https://www.instagram.com/ruthphillipscellohttps://zenezen.net/Your portfolio career is YOURS to design. If you are seeking inspiration, grab the first chapter of my book for FREE at the link below! You are allowed to thrive, and your artistry MATTERS.https://jennetingle.kit.com/c6e4009529Make sure you SUBSCRIBE to Crushing Classical, and maybe even leave a nice review! Thanks for joining me on Crushing Classical! Theme music by DreamVance.I help people to lean into their creative careers and start or grow their income streams. You can read more or hop onto a discovery call from my website.  https://jennetingle.com/work-with-meI'm your host, Jennet Ingle. I love you all. Stay safe out there! 

What happens when the "masterpiece" you expected turns out to be just the beginning of a very different journey?   In this first part of a special release from the archives, I'm sharing the beginning of my landmark conversation with the legendary Paul McGann. Recorded in May 2020 and originally released in August 2020, this was Paul's first-ever podcast interview. While he has hosted many shows since then, this remains the definitive look at the moment he first "went down the rabbit hole" to discuss his life and career with a fan.   To coincide with the 30th anniversary of the 1996 Doctor Who TV movie, Paul shares the story of his childhood Olympic dreams, his "acting family" business, and the "indifference" of show business. We talk about why the fans are the true custodians of the TARDIS and why stories are sometimes the only thing that can save our morale and tip the scales toward kindness.   I'm Nancy Norbeck, and I'm your Messy Muse Mentor. I help people feel alive again through creativity, curiosity, and play.   In this episode, we discuss: The 2020 Perspective: A snapshot of creative survival recorded in May 2020 during the first months of the pandemic. The Failed Athlete: Why Paul's first ambition wasn't the stage, and how he navigated the "brutality" of not making the cut. The RADA Turning Point: How a "confused kid" who nearly joined the Navy found his way to the Royal Academy. The Custodians of History: Why the fans, not the actors, are the ones who truly look after the Doctor's legacy. Ready to send your inner critic to summer camp for an hour and just enjoy some creative company? We get together once a month for a relaxed, co-working-style session where you can work on whatever you want—without any pressure to do it "right." Join the Creativity Circle.   Episode breakdown:   0:00 Introduction 1:26 Paul's first-ever podcast interview (Recorded May 2020) 3:24 The Liverpool "acting family" business 5:20 Childhood Olympic dreams and the "brutality" of sport 10:15 Auditioning for RADA and being a "confused kid" 13:38 Sharing an agent with three brothers 19:46 2020 Lockdown: Sanity, cycling, and simple things 23:02 Rehearsing with the brothers for a West End hit 33:14 Bruce Robinson's advice: "Just take the next thing" 39:05 From convention skeptic to fan family 45:46 The 1996 Pilot and the 5-year Vancouver plan 54:32 The Power of Stories: Fables, mythologies, and morale 58:30 Reclaiming kindness: Lessons from the Doctor 1:13:58 Keeping the secret: The "Night of the Doctor" return   Want more? Here are handy playlists with all my previous interviews with guests in theatre and  Doctor Who. Check out the full show notes at fycuriosity.com, and join us for the Follow Your Curiosity Creativity Circle. Please leave a review for this episode—it's really easy and will only take a minute, and it really helps me reach new listeners. Thanks! If you enjoyed our conversation, I hope you'll share it with a friend.

Music and biology are profoundly entwined. The heart beats, footsteps fall into familiar tempi, and even the movement of our limbs follows a natural rhythmic hierarchy—as if we shape music in our image. The rise and fall of breath, the cadence of laughter, and the wail of a cry all carry musical gestures, woven into our being. Yet our bodies do not just dictate music—they respond to it, from calming stress to thrilling chills. Beyond this, the biological world itself pulses with music: DNA sequences become melody, disease growth swells into an orchestral crescendo, and a hidden music emerges from within us.This lecture was recorded by Milton Mermikides on the 13th May 2026 at LSO St LukesMilton Mermikides is a composer, guitarist, technologist, academic and educator in a wide range of musical styles and has collaborated with artists and scientists as diverse as Evelyn Glennie, Tim Minchin, Pat Martino, Peter Zinovieff, John Williams and Brian Eno. Son of a CERN nuclear physicist, he was raised with an enthusiasm for both the arts and sciences, an eclecticism which has been maintained throughout his teaching, research and creative career. He is a graduate of the London School of Economics (BSc), Berklee College of Music (BMus) and the University of Surrey (PhD). He has lectured, exhibited and given keynote presentations at organisations like the Royal Academy of Music, TEDx, Royal Musical Association, British Library, Smithsonian Institute and The Science Museum and his work has been featured extensively in the press. His music, research and graphic art are published and featured by Oxford University Press, Cambridge University Press, Deutsche Grammophon, Sony and more, and he has won awards, scholarships and commendations for writing, teaching, research and his charity work.      Milton is Professor of Music at the University of Surrey, Professor of Guitar at the Royal College of Music, Deputy Director of the International Guitar Research Centre, an Ableton Certified Trainer, and lives in London with his wife, the guitarist Bridget Mermikides and their daughter Chloe. He is also a Vice-Chair of Governors at Addison Primary School, a state school which foregrounds music education, offering free instrumental lessons for all on Pupil Premium. The transcript of the lecture is available from the Gresham College website: https://www.gresham.ac.uk/watch-now/music-bodyGresham College has offered free public lectures for over 400 years, thanks to the generosity of our supporters. There are currently over 2,500 lectures free to access. We believe that everyone should have the opportunity to learn from some of the greatest minds. To support Gresham College's mission, please consider making a donation: https://www.gresham.ac.uk/get-involved/support-us/make-donation/donate-today Website:  https://gresham.ac.ukX: https://x.com/GreshamCollegeFacebook: https://facebook.com/greshamcollegeInstagram: https://instagram.com/greshamcollegeBluesky: https://bsky.app/profile/greshamcollege.bsky.social TikTok: https://www.tiktok.com/@greshamcollegeSupport Us: https://www.gresham.ac.uk/get-involved/support-us/make-donation/donate-todaySupport the show

We look back on the life of David Hockney - one of the world's most influential modern artists and one of the best-known British contributors to Pop Art. Unlike artists such as Andy Warhol or Roy Lichtenstein, David Hockney's art often focused more on personal experiences, portraits, landscapes and intimate scenes.Also: SpaceX is making its stock market debut in New York, setting Elon Musk on course to be the world's first trillionaire. Iran says major parts of an agreement to end the war with the US have almost been finalised after President Trump claimed a deal was ready to be signed. The UN's top official on HIV and AIDS says massive international aid cuts have left the world's response to the disease "in peril". The number of Palestinians forced from their homes in Occupied East Jerusalem is on the rise. And the American singer Taylor Swift has become the youngest woman ever to be inducted into the prestigious Songwriters Hall of Fame.The Global News Podcast brings you the breaking news you need to hear, as it happens. Listen for the latest headlines and current affairs from around the world. Politics, economics, climate, business, technology, health – we cover it all with expert analysis and insight. Get the news that matters, delivered twice a day on weekdays and daily at weekends, plus special bonus episodes reacting to urgent breaking stories. Follow or subscribe now and never miss a moment. Get in touch: globalpodcast@bbc.co.uk Photo: David Hockney, in front of his own paintings at the Royal Academy's Summer Exhibition in Piccadilly, London in 2004. Credit: Fiona Hanson/PA Wire

Did you know that in addition to saving the free world, Churchill was also an accomplished painter? In this episode of the Anglotopia Podcast, Jonathan Thomas sits down with Dr. Lucy Davis — curator of paintings at the Wallace Collection in London and co-curator of Winston Churchill the Painter, the first major retrospective of Churchill's art in over 60 years and the first substantial UK exhibition devoted to his paintings since his death in 1965. The exhibition brings together nearly 60 works, roughly half from private collections rarely accessible to the public, and traces the full arc of Churchill's artistic life: from the tentative canvases he made during the darkest moment of his World War I career, through the luminous Mediterranean harbors and Moroccan cityscapes of his mature period, to the bold late works of a man who found in painting one of the greatest solaces of his life. Lucy walks Jonathan through the story of how Churchill came to paint, the three major artists who shaped his style — John Lavery, Walter Sickert, and William Nicholson — the single painting he made during World War II, the extraordinary Hallmark Cards world tour, and why the Wallace Collection is the perfect home for this once-in-a-lifetime show. The exhibition runs until November 29, 2026. Book your tickets now. Lucy is very grateful to her colleagues at Hallmark Cards, Inc. for their research into the World Tour of Churchill's paintings, which she has referenced in this podcast. Links The Exhibition Winston Churchill the Painter — Wallace Collection (open until November 29, 2026 — book tickets in advance) The Wallace Collection, London Wallace Collection E-Newsletter (Over 60% of subscribers are US-based — talks and courses available remotely) Wallace Collection Events & Remote Courses The Wallace Collection at War — companion display (open until end of October) Gallery of Some of Churchill's Paintings in the Exhibition Books Painting as a Pastime by Winston Churchill — New Edition with intro by Paul Rafferty Winston Churchill the Painter — Exhibition Catalog, edited by Dr. Lucy Davis (Philip Wilson Publishers) Churchill's Citadel by Katherine Carter — Chartwell and the Wilderness Years Churchill Sites Chartwell, Kent — National Trust Blenheim Palace, Oxfordshire Churchill Archives Centre, Cambridge America's National Churchill Museum, Fulton MO Also Mentioned Darkest Hour (2017) — Gary Oldman as Churchill Friends of Anglotopia Club Takeaways Winston Churchill the Painter at the Wallace Collection is the first major retrospective of Churchill's art in over 60 years — nearly 60 works, roughly half from private collections that are rarely if ever accessible to the public. This is a genuinely once-in-a-lifetime opportunity. Churchill took up painting in 1915 at the lowest point of his life, following the catastrophic failure of the Dardanelles campaign. His wife Clementine later said she thought he would die of grief — and it was painting that gave him back his spark. Churchill was never formally trained, but worked closely with at least three leading professional artists: John Lavery (portraiture and plein air painting), Walter Sickert (modernist techniques and working from photographs), and William Nicholson (still life, tonal restraint, and simplified composition). Churchill's single painting during World War II was a view of Marrakesh, painted the day after he took President Roosevelt to see the sunset over the Atlas Mountains following the Casablanca Conference. He gave it to Roosevelt as a gift — it is in the exhibition, facing the painting he later gave to President Eisenhower. The Wallace Collection's connection to Churchill runs deeper than the exhibition: Odette Pol Roger was born Odette Wallace as great-granddaughter of Sir Richard Wallace, became Churchill's close friend, and reserved an entire vintage of Pol Roger champagne for him. A quarter-bottle believed to be one of the last he drank before his death in 1965 is on display in the exhibition. Churchill's paintings were the subject of a record-breaking world tour of North America, Australia, and New Zealand in 1958, masterminded by President Eisenhower and Joyce C. Hall, founder of Hallmark Cards. Churchill initially refused — until Eisenhower wrote him a personal letter about the wave of goodwill it would create. Churchill submitted paintings to competitions under the pseudonym "David Winter" and was given the title of Honorary Academician Extraordinary by the Royal Academy — only the second person ever to receive this honor, after Edward VII. The goldfish pool at Chartwell — Lucy's personal favorite painting in the exhibition — contains a detail invisible in photography: the ripple created by the fish on the surface, painted in a subtle mauve-grey. Lucy says it perfectly summarizes Churchill's playful, witty personality. Picasso, upon seeing Churchill's painting La Dragonnière, said (paraphrasing) that Churchill would have been a good professional painter if he hadn't had something else to do. The painting is in the exhibition. The new edition of Churchill's own book Painting as a Pastime — with an introduction by Paul Rafferty — has just been published and is the perfect companion to the exhibition. It explains in Churchill's own words why he took up painting and why everyone else should too. Soundbites "Clementine was looking on and she was so relieved to see him engaged in something. He talked about all this unwanted leisure — going from a really high-pressured executive job to suddenly watching the whole tragedy unfold. To see that spark lit up again." — Lucy on Clementine's reaction when Churchill first picked up a paintbrush. "He said painting was a complete distraction. He said: I know nothing which without exhausting the body more entirely absorbs the mind." — Lucy quoting Churchill on why painting worked when nothing else could. "He's painting the headquarters of the battalion as it was progressively being shelled and devastated. One of his young soldiers said he was unusually quiet and withdrawn and asked what was wrong — and he said: I've been really struggling to paint the craters." — Lucy on Churchill painting in the trenches at Plug Street. "He said it should be a joy ride in a paint box. Nobody should feel afraid or daunted by it. We don't have to aspire to masterpieces." — Lucy on Churchill's message to anyone who wants to paint. "A traveling exhibition of your paintings in the United States would not only attract a great deal of attention, but I am certain it would serve in a very definite way to strengthen the friendship between our two countries." — Lucy quoting Eisenhower's letter persuading Churchill to allow the world tour. "He submitted a painting in 1925 to an amateur painting competition and won first prize — although one of the judges wanted to disqualify it because he thought it must be by a professional painter." — Lucy on Churchill exhibiting anonymously under the pseudonym David Winter. "Picasso said — and I'm paraphrasing — that he would have been a good professional painter if he didn't have something else to do." — Lucy on Picasso's verdict on Churchill's painting La Dragonnière. "There's a particular detail that doesn't come out in photography — the ripple created by the fish on the surface that he's painted in this sort of mauve-grey color. It's just such a lovely finishing touch and really summarizes that playful, witty side of his personality." — Lucy on her favorite painting in the exhibition, the goldfish pool at Chartwell. "He made the gardener row back and forth across the moat to create ripples so he could try a different effect in the water." — Lucy on Churchill's obsessive dedication to capturing reflections accurately. "I think he would like to see us leaving the exhibition with smiles on our faces and with an urge to pick up a paintbrush." — Lucy on what Churchill himself would have wanted visitors to take away. Chapters 00:22 Introduction — Jonathan sets up the exhibition and introduces Dr. Lucy Davis 01:59 Lucy's Background — 15 years at the Wallace Collection, the Courtauld, the National Gallery, and Washington DC 03:09 What Is the Wallace Collection? — A world-class art collection in an intimate Marylebone townhouse 04:47 The Wallace Collection's Churchill Connection — The Artists Aid Russia exhibition, Clementine's charity, and the Pol Roger link 06:29 Churchill's Favorite Champagne — And the quarter-bottle of Pol Roger in the exhibition 07:14 How Churchill Came to Paint — Gallipoli, the darkest moment, Ho Farm in Sussex, and Hazel Lavery's advice 09:49 Did He Take to It Naturally? — Total ambition, total audacity, and the self-portrait painted at 40 13:00 Painting in the Trenches at Plug Street — Easels in the First World War and the crater problem solved 14:50 What Painting Gave Churchill That Nothing Else Could — Complete absorption, relief from anxiety, and seeing the world properly for the first time 17:12 Churchill's Message to Everyone — A joy ride in a paint box, and why no one should feel daunted 19:13 500 Canvases Alongside Everything Else — Chancellor, Prime Minister, Nobel laureate: where did he find the time? 21:12 The One WWII Painting — The Casablanca Conference, Roosevelt, the Atlas Mountains, and a gift that symbolized the Special Relationship 23:02 The Marrakesh Painting and the Gift to Eisenhower — Two paintings face to face in the exhibition 23:47 The Hallmark Cards World Tour — Joyce C. Hall, Eisenhower's persuasive letter, and a record-breaking global exhibition 25:49 How Did Brad Pitt End Up Owning the Marrakesh Painting? — Neither host quite knows 26:34 Churchill's Artistic Mentors — John Lavery, Walter Sickert, William Nicholson, and what each one taught him 32:20 Churchill's Influences — Monet, Cézanne, the Impressionists, and the tessellated pavement of dabs and lozenges 32:33 Walking Through the Exhibition — Six galleries from First Attempts to the Royal Academy 34:00 Gallery 1: First Attempts — Lavery, the self-portrait, and the Plug Street paintings 35:00 Gallery 2: Life and Hope — Chartwell in all seasons, Blenheim, and the wilderness years paintings 36:00 Gallery 3: Still Lifes — Nicholson's influence, the Magnolia painting, and thank-you gifts to friends 37:00 Gallery 4: Light, Atmosphere & Reflections — The Riviera, Morocco, La Dragonnière, and making the gardener row 38:19 Morocco — Six visits, the Red City, the Atlas Mountains, and the Eureka Valley picnics 39:30 Gallery 5 & 6: Recognition — The Royal Academy submission under a pseudonym, Honorary Academician Extraordinary 40:06 Chartwell as Inspiration — 50 years, built for the view, goldfish pools, and the changing seasons 41:45 How a Major Exhibition Comes Together — Loan negotiations, private collections, and 20 years in the making 43:34 The Exhibition Catalog — Six essays, new archival research, and what makes it more than a picture book 47:11 The Contributors — Andrew Roberts on soft power, Catherine Carter on Chartwell, Paul Rafferty on the Riviera, Alan Packwood on Churchill as a visual person 48:36 The Churchill Family's Involvement — Support from the very beginning and throughout 49:16 Why Americans Should Get on a Plane — A revelation, a personality revealed, and a zest for life 50:22 Rapid Fire Churchill Round — Favorite book, film, quote, and painting 53:44 Wrap-Up — Exhibition details, tickets, catalog, and Jonathan's August visit Video Version

In this episode Matthew Lloyd Roberts was joined by Hannah Lund, Curator of Exhibitions and Displays at Leighton House and Sambourne House. Leighton House was built in Kensington by the Frederic Leighton, a painter, sculptor and president of the Royal Academy famed during the reign of Queen Victoria who vanished into relative obscurity during the 20th century. His house was an important place to create and exhibit his paintings, with a double height studio lit by north facing windows for the vast canvasses on which he worked. Fascinated by the material culture of the Islamic world, he created his ‘Arab Hall', tiling a domed extension to his house with West Asian ceramics gathered on a trip to Damascus. In this episode we discussed Leighton House, Victorian interest in Arabian culture, and the new curatorial interventions being made this year to mark the centenary of the house as a public museum run by the local authority, with new commissions from artists which query the meaning of such spaces their original context and to us today.The podcast is produced in association with the Architects' Journal, London Society, C20 Society and Save Britain's Heritage. It's recorded and produced at the Open City offices located in Bureau. Subscribe on Spotify, Soundcloud or iTunes and to further support, become an Open City Friend. Hosted on Acast. See acast.com/privacy for more information.

rWotD Episode 3323: Royal Flemish Academy of Belgium for Science and the Arts Welcome to random Wiki of the Day, your journey through Wikipedia's vast and varied content, one random article at a time.The random article for Tuesday, 9 June 2026, is Royal Flemish Academy of Belgium for Science and the Arts.The Royal Flemish Academy of Belgium for Science and the Arts (Dutch: Koninklijke Vlaamse Academie van België voor Wetenschappen en Kunsten, pronounced [ˈkoːnɪŋkləkə ˈvlaːmsə ˌaːkaːˈdeːmi vɑm ˈbɛlɣijə voːr ˈʋeːtənˌsxɑpə(n) ɛn ˈkʏnstə(n)], abbr. KVAB) is an independent learned society of science and arts of the Flemish Community in Belgium. It is one of Belgium's numerous academies and traces its origin to 1772 when the Imperial and Royal Academy of Brussels was founded by empress Maria Theresia.The academy is headquartered in the Academy Palace (Paleis der Academiën), Hertogsstraat 1, 1000 Brussels.This recording reflects the Wikipedia text as of 01:23 UTC on Tuesday, 9 June 2026.For the full current version of the article, see Royal Flemish Academy of Belgium for Science and the Arts on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Bluesky at @wikioftheday.com.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm standard Joey.

David Peck sits down with acclaimed actors Radha Mitchell, Ioan Gruffudd, and Bianca Wallace to discuss the tense new action-thriller Seven Snipers on Face2Face. Together they explore the film's emotional core, the psychology of survival, the lingering effects of trauma, and the complicated relationships that exist beneath the bullets and battlefield tactics. What begins as a gripping sniper thriller quickly reveals itself as a story about family, love, sacrifice, and redemption. The conversation touches on strong female characters, the realities of violence, PTSD, independent filmmaking, and why some films linger long after the credits roll. A compelling look behind the scope of one of this year's most intense action films.Seven Snipers brings together an impressive ensemble led by three accomplished performers whose careers span film, television, and independent cinema.Academy Award-nominated actor Radha Mitchell leads the film as Kris Hendricks, a retired elite sniper whose carefully constructed life is shattered when a ruthless enemy from her past resurfaces. One of Australia's most respected international actors, Mitchell is known for standout performances in Pitch Black, Finding Neverland, Phone Booth, Man on Fire, and Silent Hill. Throughout her career, she has built a reputation for portraying strong, complex, and emotionally layered characters, making her a natural fit for the heart of Seven Snipers.Joining her is acclaimed Welsh actor Ioan Gruffudd, whose extensive screen career includes memorable roles in Titanic, Black Hawk Down, King Arthur, Fantastic Four, Forever, and Harrow. A graduate of the Royal Academy of Dramatic Art (RADA), Gruffudd has earned international recognition for bringing intelligence, warmth, and depth to every role. In Seven Snipers, he plays "Milk," a loyal former member of the sniper team whose courage and humanity become central to the film's emotional core. He is also the recipient of the Welsh BAFTA's Sian Phillips Award for Outstanding Contribution to Film and Television.Rounding out the trio is Australian actor Bianca Wallace, whose work spans feature films, television, voice acting, and producing. Originally from Queensland, Wallace first began performing as a singer before transitioning into acting, earning recognition for her award-winning work in Bloodline and other film projects. In Seven Snipers, she portrays Kaldayev, a skilled member of the elite team brought together to face an increasingly dangerous threat.Together, Mitchell, Gruffudd, and Wallace help elevate Seven Snipers beyond a traditional action thriller, grounding its intense action in themes of loyalty, family, sacrifice, and survival.David Peck is a writer, speaker, and award-winning podcaster who works at the intersection of storytelling, social change, and meaningful dialogue. As the host of Face2Face and former host of Toronto Threads on 640 AM, he has published over 800 in-depth interviews with some of the world's most compelling thinkers, artists and storytellers, including Viggo Mortensen, Sarah Polley, Raoul Peck, Werner Herzog, Chris Hadfield, David Cronenberg, Jason Issacs, Gillian Anderson and Wade Davis. With a background in philosophy and international development, David brings a thoughtful, globally aware perspective to every conversation.He's a published author and experienced keynote speaker, known for creating spaces where complexity is welcomed and ideas come alive. Whether moderating panels, hosting live events, or speaking on issues ranging from ethics to media, David's work is grounded in a deep curiosity about people. At heart, he simply loves good conversation — and believes it's one of the best ways we grow, connect, and make sense of the world.For more information about David Peck's podcasting, writing and public speaking please visit his site here.F2F Music and Image Copyright: David Peck and Face2Face. Used with permission. Hosted on Acast. See acast.com/privacy for more information.

In this special bonus episode of the Anglotopia Podcast, Jonathan Thomas launches an experimental new monthly format: a London events guide covering what's actually on in the city this month. June is arguably London's finest month — 16 to 17 hours of daylight, the longest evenings of the year, and an events calendar absolutely bursting at the seams. Jonathan walks through everything worth knowing about June in London: the major royal events including Trooping the Colour and Royal Ascot, the blockbuster summer exhibitions at Tate Modern, Tate Britain, the Royal Academy, the National Portrait Gallery, the V&A, and more, plus what's on in London theater from Shakespeare's Globe to the West End, live music at Wembley and the Roundhouse, and practical tips for surviving — and thriving in — a London heat wave. If this episode proves popular, Jonathan will make it a monthly fixture. Let him know what you think in the comments. Links Royal Events ~Trooping the Colour — Official Info~ ~Royal Ascot~ ~Wimbledon Tickets & Ballot~ ⠀Exhibitions — Book Ahead ~Frida Kahlo at Tate Modern~ ~Royal Academy Summer Exhibition (opens June 16)~ ~Anish Kapoor Retrospective at Hayward Gallery (opens June 16)~ ~Marilyn Monroe at National Portrait Gallery~ ~Barbara Hepworth at the Courtauld Gallery (from June 1)~ ~Schiaparelli: Fashion Becomes Art at the V&A~ ~Wes Anderson Exhibition at the Design Museum~ ~James McNeill Whistler Retrospective at Tate Britain~ ~The Queen's Fashion at The King's Gallery~ (sold out through 2026 — book 2027 dates now) ~Inside Aardman: Wallace & Gromit at Young V&A~ ~Hokusai: 36 Views of Mount Fuji at Dulwich Picture Gallery~ (closes June 30) ⠀Theater ~A Midsummer Night's Dream at Regent's Park Open Air Theatre (from June 20)~ ~Much Ado About Nothing at Shakespeare's Globe (from June 11)~ ~To Kill a Mockingbird — New West End Adaptation (opens June 25)~ ~Cyrano de Bergerac — West End (opens June 13)~ ~Buy West End Tickets via Anglotopia's Link~ (supports Anglotopia) ~TKTS Booth at Leicester Square — Half-Price Day Tickets~ ⠀Long-Running West End Shows The Lion King Hamilton Wicked Les Misérables Matilda Mamma Mia Six Harry Potter and the Cursed Child (almost always sold out — book well ahead) Sinatra — The Musical ⠀Live Music Harry Styles at Wembley Stadium (from June 12) Olivia Dean at the O2 (from June 12) Orville Peck at the Roundhouse, Camden ⠀Practical Resources ~National Gallery Extended Summer Hours (from July 1)~ ~Londontopia London Events Calendar~ ~Argos UK — Buy a Fan on Arrival~ ~Anglotopia June London Events Article~ (link to article) ~Friends of Anglotopia Club~ ⠀ Takeaways June is arguably London's best month to visit — 16 to 17 hours of daylight, reliably pleasant weather, and the richest events calendar of the year, though it is also peak tourist season with hotel prices running 20 to 40 percent above spring rates. Trooping the Colour — the monarch's official birthday parade — is the major royal event of the year in 2026. Even without a ballot ticket to Horse Guards Parade, you can experience the procession on the Mall and the balcony appearance at Buckingham Palace by arriving very early and staking out a good spot. Every major summer blockbuster exhibition in London requires advance booking — some, like The Queen's Fashion at The King's Gallery, are already sold out through 2026. Book tickets as soon as you finish listening, even if your trip dates aren't confirmed yet. The Frida Kahlo survey at Tate Modern, the James McNeill Whistler retrospective at Tate Britain, and the Marilyn Monroe exhibition at the National Portrait Gallery are Jonathan's top three must-book exhibition picks for the month. The Royal Academy Summer Exhibition — the world's largest open submission art show, running since 1769 — is a uniquely chaotic, democratic, and wonderful experience where everything on the walls is for sale and any artist can enter. Shakespeare's Globe is staging Much Ado About Nothing from June 11, and Regent's Park Open Air Theatre opens A Midsummer Night's Dream on June 20 — watching Shakespeare outdoors on a long June evening is one of the quintessential London summer experiences. London generally does not have air conditioning in older buildings, hotel rooms, or most tube lines. The first thing you should do after arriving in summer is buy a fan — Jonathan recommends going straight to Argos, Britain's version of a catalog store, for an affordable one. The tube's older lines (Central, Piccadilly) get brutally hot in summer due to London clay absorbing and retaining heat underground. The Elizabeth line is fully air conditioned and runs east-west across the city — use it as much as possible in a heat wave. The National Gallery is experimenting with extended summer evening hours, staying open until 7 PM most evenings and until 9 PM on Fridays from July 1 — Jonathan's suggestion: have an early dinner, then walk over for a free evening of world-class art. Don't try to pack too much in. Pick three or four things you genuinely care about, build your days around those, and leave time to wander, sit in Green Park with a deck chair, or walk along the Thames in the long evening light. June in London is as much about the atmosphere as the attractions. ⠀ Soundbites "The light is the headline for June. You get sixteen to seventeen hours of daylight. Twilight stretches from around eight PM to nearly ten PM. You can have a full day of exploring, sit down for dinner, and still walk home along the Thames and have some daylight." — Jonathan on why June is London's best month. "If you've ever wondered what the best month to visit London is, a lot of people will quietly tell you it's this one." — Jonathan on June in London. Plan your day around it. Get up stupidly early — three, four, five in the morning — get your spot on the Mall and soak up the atmosphere. It'll be like a party atmosphere." — Jonathan on how to experience Trooping the Colour without a ticket. "The Queen's Fashion at The King's Gallery is sold out for the rest of the year, and I know a lot of people are gonna be really disappointed when they try to get tickets and they simply can't." — Jonathan's warning on the most in-demand exhibition of the summer. "The walls are packed from floor to ceiling and everything is for sale. It's chaotic and wonderful. And it's a great way to see up-and-coming artists and established artists side by side." — Jonathan on the Royal Academy Summer Exhibition. "Shakespeare under the open sky in one of London's loveliest parks on a warm June evening — it doesn't get dark till ten PM anyway. Enjoy some champagne, enjoy some theater out in the green. That's my top theater pick for the month." — Jonathan on Regent's Park Open Air Theatre. "The first thing you should do after you land is go to what the British call an ironmonger — a hardware store — and buy a fan. Don't skimp. It is essential for Americans traveling in Europe." — Jonathan's number one summer travel tip. "The London clay is a heat sink. It absorbs heat and then it doesn't let it back out. So the tube gets really hot in the summer. If you are prone to heat issues, avoid the tube except the Elizabeth line, which is fully air conditioned." — Jonathan on navigating London in a heat wave. "I sat there in the rain in the 40s, got soaking wet. And I — not exaggerating — almost got hypothermia. It was July. I could not warm up when I got back to the hotel because the heating wasn't on and there weren't enough blankets because it was July." — Jonathan's cautionary tale about British summer weather. "Argos is exactly like Service Merchandise — you go in, there's a big catalog, you pick your thing, and it comes out on a conveyor belt. Get a fan. Don't even look at the weather forecast first. Just trust me — you're going to need a fan." — Jonathan's most practical London summer tip. ⠀ Chapters 00:21 Introduction — Jonathan launches the experimental monthly London events format 01:15 The Feel of June in London — Long days, the light, and why June is special 02:20 June Weather — What to expect, heat waves, and the maritime humidity problem 03:45 Peak Tourist Season — Crowds, hotel prices, and why June still beats July 05:00 Trooping the Colour — What it is, how to see it without a ticket, and Jonathan's tips for getting a good spot 08:30 Royal Ascot — Fascinators on the tube, the royal procession, and how to get tickets 10:00 Wimbledon — The ballot, resale tickets, strawberries and cream, and what to do if you can't get in 11:30 How to Book Exhibitions — Why advance booking is non-negotiable and the Queen's Fashion sellout warning 13:00 Frida Kahlo at Tate Modern — Jonathan's pick and why Tate Modern is worth seeing for the building alone 14:30 Royal Academy Summer Exhibition (June 16) — The world's largest open submission art show 15:30 Anish Kapoor at the Hayward Gallery (June 16) — The Cloud Gate connection and why it's worth seeing 16:15 Marilyn Monroe at the National Portrait Gallery — Just opened, book fast 17:00 Barbara Hepworth at the Courtauld Gallery — And why Somerset House is worth a visit anyway 17:45 Schiaparelli at the V&A — Fashion exhibitions and why the V&A excels at them 18:15 Wes Anderson at the Design Museum — A treat for film fans 18:45 James McNeill Whistler at Tate Britain — A sellout show, book immediately 19:30 Wallace & Gromit at Young V&A — The Aardman exhibition Jonathan is hoping to catch in August 20:15 Closing This Month — Mikalojus Čiurlionis at the Royal Academy (closes June 21) and Hokusai at Dulwich (closes June 30) 21:00 Theater — Why June is the best time for London theater 21:30 Regent's Park Open Air Theatre — A Midsummer Night's Dream, Jonathan's top pick of the month 22:00 Shakespeare's Globe — Much Ado About Nothing from June 11 22:30 New West End Openings — To Kill a Mockingbird (June 25) and Cyrano de Bergerac (June 13) 23:00 Long-Running Shows — Lion King, Hamilton, Wicked, Six, Les Mis, and how to get discount tickets 24:00 Live Music — Harry Styles at Wembley, Olivia Dean at the O2, Orville Peck at the Roundhouse 25:00 Practical Tips: Heat — Does London have air conditioning? (Mostly no) 26:30 The Fan Imperative — Buy one at Argos, the British Service Merchandise 28:30 Pack for All Weathers — The July outdoor concert near-hypothermia story 30:00 Humidity and Heat — Why British summer heat hits differently than dry American heat 31:00 Use the Long Days — 17 hours of light, late museum hours, rooftop bars, evening walks 32:00 National Gallery Extended Hours — Stay open till 7 PM, Fridays till 9 PM from July 1 33:00 Don't Overpack Your Itinerary — Pick three or four things, leave time to wander 34:00 Wrap-Up — Londontopia events calendar, listener feedback request, Friends of Anglotopia Video Version

Dekiln, a Frontier IP Group PLC (LSE:FIPP, FRA:8WT) portfolio company, has partnered with Johnson Tiles to scale its bio-based alternative to ceramic tiles — a product CEO Dr Aled Roberts describes to Proactive's Stephen Gunnion as something that "looks, feels, behaves like a ceramic tile" but requires no kiln firing. "What we're offering is an alternative to conventional ceramics that doesn't need to be fired — much lower energy input costs, much lower carbon footprint," Roberts says. The timing is well chosen: rising energy costs have hit the UK ceramics industry hard, making a kiln-free alternative increasingly compelling. A £3 million Royal Academy of Engineering fellowship is backing a pilot plant in Stoke-on-Trent, which will use waste plaster of Paris from the pottery industry as a key raw material. Beyond tiles, Dekiln is also exploring sustainable alternatives to concrete. For more interviews and market insights, visit the Proactive YouTube channel, give this video a like, subscribe to the channel and enable notifications so you never miss future content. #Dekiln #FrontierIP #JohnsonTiles #SustainableTechnology #GreenConstruction #CeramicTiles #CleanTech #Biomimicry #LowCarbon #ManufacturingInnovation #UKIndustry #ClimateTech #ConstructionMaterials #TileIndustry #StokeOnTrent

From Mt Royal Academy, Derek Tremblay is here as we talk about the upcoming end of school activities for the seniors, Derek getting ready for his speech, my wife Christine came in to chat with Derek, she asked some questions on praying to Saints, how to teach love to students, the power of AI, the Pope's comments on AI, and lots more.

On the occasion of the exhibition Vienna–Copenhagen. Den Frie Udstilling 2026 at the artists' association Den Frie in Copenhagen, the co-organisers Sofie Thorsen and Henrik Plenge Jakobsen talk with the art historian and curator Vanessa Joan Müller about, among other things, the model of the artists' association, its historical roots, and the collaborative work and lively exchange leading up to the current exhibition. For the exhibition, the artists' association Den Frie Udstilling invited their colleagues from the sister institution, Vienna Secession, to participate as guest exhibitors. 45 artists from Den Frie Udstilling present their work in dialogue with 125 Austrian artist colleagues from Vienna Secession. Like Den Frie, the Secession was founded in the 1890s, and the two institutions remain among the few exhibition venues in Europe still owned and run by artists. As is the case of Den Frie Udstilling, Vienna Secession also counts some of the country's most prominent artists among its members. More The conversation was recorded on 12 February 2026 at the Secession. Sofie Thorsen was born in Denmark in 1971 and now lives and works in Vienna. Her mostly installation-based work is dedicated to questions of perception, space and the architectural object. She has exhibited her work internationally in numerous group and solo exhibitions, and has produced a number of works for public spaces, as well as publishing artist books and monographs. She is currently an associate professor at the Funen Academy of Fine Arts in Odense, DK. Henrik Plenge Jakobsen's (DK, 1967) artistic work is based on conceptual sculpture, installation, performance and art in public space. He works with universal themes in economics, history and politics as well as basic existential phenomena such as anxiety, alienation and coexistence.  He is educated from the Royal Danish Academy of Fine Arts, Institute des Hautes Etudes en Art Plastique, and Ecole Nationale Supérieure des Beaux Arts, Paris. He was professor at the Royal Institue of Art in Stockholm, Oslo National Academy of the Arts, and the Royal Academy of Art in Copenhagen. Past exhibitions include: Centre Pompidou (Paris), Den Frie (Copenhagen), Arken Museum of Contemporary Art (Ishøj), Kunstverein für die Rheinlande und Westfalen (Düsseldorf), South London Gallery (London), SMK - The National Gallery of Denmark (Copenhagen), Palais de Tokyo (Paris), Portikus (Frankfurt am Main), and Louisiana Museum of Modern Art (Humlebæk, DK) Vanessa Joan Müller, born in Hamburg (GE) in 1968, is an art historian, curator and author. From 2000 to 2005 she worked as a curator at the Frankfurter Kunstverein, from 2006 to 2011 she was Director of the Kunstverein in Düsseldorf, and from 2013 to 2020 she headed the Dramaturgy Department at Kunsthalle Wien. Selected exhibition projects from recent years include: Stephanie Rizaj: Silent Polyglot, National Gallery of Kosova, Pristina (2026); Dorit Margreiter Choy: Passage, Cukrarna, Ljubljana (2025); Willem Oorebeek & Jieun Lim, Curated by, Vienna (2025); to display, to support, to care, Universitätsgalerie der Angewandten im Heiligenkreuzerhof, Vienna (2024); and Unfamiliar Familiars, Leopold Museum, Vienna (2024). Secession Podcast: Members is a series of conversations featuring members of the Secession. The Dorotheum is the exclusive sponsor of the Secession Podcast. Programmed by the board of the Secession. Jingle: Hui Ye with an excerpt from Combat of dreams for string quartet and audio feed (2016, Christine Lavant Quartett) by Alexander J. Eberhard Audio Editor: Paul Macheck Executive Producers: Jeanette Pacher & Bettina Spörr

Carlos Juan Finlay was a Cuban doctor who did a lot of work to understand the spread of Yellow Fever. But Walter Reed got most of the credit. Research: American Experience. “Carlos Finlay (1833-1915).” From The Great Fever. PBS. https://www.pbs.org/wgbh/americanexperience/features/fever-carlos-finlay/ Berenbrok, Dorothy E., "Latin Heritage Month. Carlos Juan Finlay: Outrageous, Courageous and Correct" (2015). Posters: Jefferson History. 3. https://jdc.jefferson.edu/jeffhistoryposters/3 "Carlos Juan Finlay." Encyclopedia of World Biography Online, Gale, 1998. Gale In Context: Opposing Viewpoints, link.gale.com/apps/doc/K1631002194/GPS?u=mlin_n_melpub&sid=bookmark-GPS&xid=bfeecc25. Accessed 29 Apr. 2026. Chaves-Carballo, Enrique. “Carlos J. Finlay: The mosquito man.” Hektoen International. 11/2/2020. https://hekint.org/2020/11/02/carlos-j-finlay-the-mosquito-man/ Corbitt, Duvon C. “Carlos J. Finlay, Cuban Physician.” The Hispanic American Historical Review, Vol. 45, No. 3 (Aug., 1965). Via JSTOR. https://www.jstor.org/stable/2511751 Del Regato, Juan A. “Carlos Juan Finlay (1833-1915).” Journal of Public Health Policy , 2001, Vol. 22, No. 1 (2001). Via JSTOR. https://www.jstor.org/stable/3343556 Faerstein, Eduardoa; Winkelstein, Warren Jrb. Carlos Juan Finlay: Rejected, Respected, and Right. Epidemiology 21(1):p 158, January 2010. | DOI: 10.1097/EDE.0b013e3181c308e0 Ferreira Moreno, Víctor Guillermo. “Evocation to the Dr. Carlos J. Finlay Barres on the centennial of his death.” Colombia medica (Cali, Colombia) vol. 47,1 63-6. 30 Mar. 2016 Finlay, Carlos J. “The Mosquito Hypothetically Considered as the Agent of Transmission of Yellow Fever.” Read before the Royal Academy of Medical, Physical and Natural Sciences Session of August 14th, 1881. https://archive.org/details/b33448541/page/590/mode/1up Finlay, Carlos Juan. “Trabajos selectos del Dr. Carlos J. Finlay. Selected papers of Dr. Carlos J. Finlay.” Habana. 1912. https://archive.org/details/trabajosselectos00finl Finlay, Charles. “Inoculations for Yellow Fever by Means of Contaminated Mosquitoes.” Published in The American Journal of the Medical Sciences, n.s. 102: 264-268, 1891. https://archive.org/details/b33445242/page/n4/mode/1up Finlay, Charles. “Yellow Fever: Its ‘Transmission by Means of the Culex Mosquito.” Published in The American Journal of the Medical Sciences, n.s. 92: 395-409, 1886. https://archive.org/details/b33435698/page/613/mode/1up Palmer, Steven. “A Cuban Scientist Between Empires: Peripheral Vision on Race and Tropical Medicine.” Canadian Journal of Latin American and Caribbean Studies / Revue canadienne desétudes latino-américaines et caraïbes, Vol. 35, No. 69, Special Issue: Landscapes of LatinAmerican Health, 1870-1970. Via JSTOR. https://www.jstor.org/stable/41800498 Spears, Ellen Griffith and Rosa López-Oceguera. “Carlos Juan Finlay, William Gorgas, and Walter Reed and the U.S. Army Yellow Fever Controversy: Competing Historical Memories.” Alabama Review The University of Alabama Press. Volume 74, Number 1, January 2021. https://doi.org/10.1353/ala.2021.0011 Stepan, Nancy. “The Interplay between Socio-Economic Factors and Medical Science: Yellow Fever Research, Cuba and the United States.” Social Studies of Science , Nov., 1978, Vol. 8, No. 4 (Nov., 1978). Via JSTOR. http://www.jstor.com/stable/284817 Thomas Jefferson University. “10 Notable Jefferson Alumni of the Past.” https://library.jefferson.edu/archives/exhibits/notable_alumni/juan_carlos_finlay.cfm Tone, John Lawrence. (2002) “How the mosquito (man) liberated Cuba.” History and Technology, 18:4, 277-308, DOI: 10.1080/07341512.2002.11417735 “Carlos J. Finlay.” 5/16/2023. https://www.unesco.org/en/prizes/carlos-j-finlay/about Woodall, Jack. "Yellow Fever." Infectious Diseases: In Context, edited by Brenda Wilmoth Lerner and K. Lee Lerner, vol. 2, Gale, 2008, pp. 925-931. In Context Series. Gale In Context: Opposing Viewpoints, link.gale.com/apps/doc/CX3045200265/GPS?u=mlin_n_melpub&sid=bookmark-GPS&xid=bf646a26. Accessed 29 Apr. 2026. See omnystudio.com/listener for privacy information.

What would it take for Oxford to truly unlock its potential as a global innovation hub and what keeps getting in the way?In this Oxford+ In Brief mini episode, host Susannah de Jager puts four quick-fire questions to Dr Holly Reeve, co-founder and CEO of HydRegen. Holly shares what success looks like if Hydregen reaches commercial scale manufacturing, why Oxford's chemistry department has become a breeding ground for spin-outs, and why she wishes the barriers between universities and startups were far lower than they are today.With a new super cluster board forming across the Oxford–Cambridge arc and initiatives like Equinox and OX Tech Week working to connect the ecosystem, Holly argues the direction of travel is encouraging. But she is clear that the real bottleneck is not facilities or funding structures: it is the failure to invest strategically in the people behind the science. Dr Holly Reeve: Holly Reeve is the co-founder and CEO of HydRegen, an Oxford University spin-out developing bio-based catalysts to replace precious metals in chemical manufacturing. She holds a MChem and DPhil in Inorganic Chemistry from the University of Oxford, where she worked on the HydRegen technologies from inception in Professor Kylie Vincent's research group. Holly has raised over £1.3 million in early-stage funding from Innovate UK and investors, secured a further £2.6 million led by Clean Growth Fund, and grown the company to 15 people. She is a Royal Society of Chemistry Emerging Technology prize winner and a member of the Royal Academy of Engineering Enterprise Hub's Shott Scale Up Accelerator. In June 2025, HydRegen announced a strategic collaboration with James Robinson Speciality Ingredients to implement its Bio2Amine™ biocatalyst technology in commercial manufacturing.Susannah de Jager: Susannah is a seasoned professional with over 15 years of experience in UK asset management. She has worked closely with industry experts, entrepreneurs, and government officials to shape the conversation around domestic scale-up capital.Connect with Susannah on LinkedIn and Subscribe to the Oxford+ Newsletter for Exclusive ContentOxford+ is hosted by Susannah de Jager and supported by Mishcon de Reya, HSBC Innovation Banking, and James Cowper Kreston.Produced and Edited by Story Ninety-Four in Oxford.

In this episode of Ojai Talk of the Town, Bret Bradigan sits down with Richa Badami — actor, director, and founder of the Living Theatre Academy of Dramatic Arts in Ojai — whose journey runs from the intensity of the Indian film and television industry to the intimate, exacting work of training young actors in a small but culturally ambitious town.Badami's career began in India, where she worked in film and television before turning her focus toward directing and teaching. That evolution — shaped by mentors, artistic rigor, and a search for deeper meaning — eventually led her to Ojai, where she has built something rare: not just a youth program, but a working theatre company. At the Living Theatre Academy, young performers are held to professional standards, immersed in ensemble practice, and challenged to engage with material that demands emotional truth and intellectual depth.In this conversation, Badami reflects on the teachers who shaped her, the influence of Jiddu Krishnamurti on her approach to art and education, and the role theatre can play in developing life skills — discipline, empathy, collaboration — that extend far beyond the stage. She also shares candid thoughts on her experiences within the Indian film world, including projects like Rise, Roar & Revolt and Monsoon Wedding, and what it means to navigate identity across the global Indian diaspora.The discussion comes at a moment when her company is mounting an ambitious Spring season featuring The Wolves and The Outsiders — two works that, on the surface, could not be more different, yet converge on a central question: how young people find their place in the world. The Academy's production of The Wolves, a Pulitzer Prize finalist, demands precision, vulnerability, and true ensemble work, while The Outsiders channels the enduring story of Ponyboy and the Greasers with a cast close in age to the characters themselves, bringing unusual immediacy and authenticity to a generational classic. Performances run May 22–24 (The Wolves) and May 29–31 (The Outsiders) at Matilija Auditorium — an opportunity for Ojai audiences to witness the kind of serious, youth-driven theatre typically associated with far larger cities. If you think of student theatre as light fare, think again. What Badami is building is disciplined, emotionally resonant, and unmistakably alive —and for young people in Ojai, it's an extraordinary gift.Go see it.We talked about her membership in the Rotary Club of Ojai, navigating a move from the East Coast to Ojai with teen-aged children, her recent visit to London where her daughter performed with the Royal Academy of the Dramatic Arts. We did not talk about mahseer fishing, Bengal tigers or the films of Alejandro Jodorowsky. For more information, check out https://www.livingtheateracademy.com/

What does it really take to turn a breakthrough in a university lab into a company that could transform how the world makes chemicals?In this episode of Oxford+, host Susannah de Jager speaks with Dr Holly Reeve, co-founder and CEO of HydRegen, an Oxford spin-out replacing precious metals in chemical manufacturing with bio-based enzyme catalysts. Holly shares her journey from a farm in rural England to leading a 15-person deep tech company now preparing for manufacturing and raising a Series A.With the global biocatalysis market projected to more than double to USD 10.2 billion by 2033, Hydregen is positioned at the forefront of a sector gaining serious momentum. Holly discusses how she developed leadership skills during her PhD, why the shift from academic to commercial mindset is so difficult, and how she balances curiosity with execution. She also speaks candidly about the challenges of fundraising as a female founder in a sector where women-led deep tech startups still receive only 15% of seed funding.(00:00) - Welcome to Oxford+ (01:22) - Growing Up Curious on a Farm (02:36) - Finding Chemistry at Oxford (04:17) - Inside Kylie Vincent's Research Group (05:17) - Learning to Lead through Delegation (07:16) - Going beyond the Lab to Find Industry (09:00) - Knowing Your Strengths and Building around Them (12:13) - Building Industry Relationships during a PhD (13:43) - Learning to Listen before You Pitch (18:06) - Founding HydRegen (23:57) - Replacing Precious Metals with Bio-based Catalysts (31:19) - Exploration versus Exploitation in Deep Tech Dr Holly Reeve: Holly Reeve is the co-founder and CEO of Hydregen, an Oxford University spin-out developing bio-based catalysts to replace precious metals in chemical manufacturing. She holds a MChem and DPhil in Inorganic Chemistry from the University of Oxford, where she worked on the HydRegen technologies from inception in Professor Kylie Vincent's research group. Holly has raised over £1.3 million in early-stage funding from Innovate UK and investors, secured a further £2.6 million led by Clean Growth Fund, and grown the company to 15 people. She is a Royal Society of Chemistry Emerging Technology prize winner and a member of the Royal Academy of Engineering Enterprise Hub's Shott Scale Up Accelerator. In June 2025, HydRegen announced a strategic collaboration with James Robinson Speciality Ingredients to implement its Bio2Amine™ biocatalyst technology in commercial manufacturing.Connect with Holly on LinkedInSusannah de Jager: Susannah is a seasoned professional with over 15 years of experience in UK asset management. She has worked closely with industry experts, entrepreneurs, and government officials to shape the conversation around domestic scale-up capital.Connect with Susannah on LinkedIn and Subscribe to the Oxford+ Newsletter for Exclusive ContentOxford+ is hosted by Susannah de Jager and supported by Mishcon de Reya, HSBC Innovation Banking, and James Cowper Kreston.Produced and Edited by Story Ninety-Four in Oxford.

In this episode of the Film Ireland podcast, Gemma Creagh sits down with Dungannon actor Fra Fee to chat about his impressive catalogue of work that spans stage, film & TV, while delving into those key moments that shaped his career.From his breakout screen role as Courfeyrac in Les Misérables to performances in local films including Animals & Boys From County Hell, Fra has built a strong presence on screen, balancing indie projects against large-scale productions like Hawkeye on Disney+ & Zack Snyder's Rebel Moon.Now, Unchosen is available to stream on Netflix, in which he plays the enigmatic & manipulative Sam. Fra discusses his approach to this complex, morally ambiguous role, the contrast in working across different mediums, & how he develops a character from script to performance.This podcast has been made possible with the support of the Fís Éireann/Screen Ireland Stakeholders Fund.Listen now to the podcast on SoundCloud, Apple, Spotify, Acast & Amazon, subscribe to Film Ireland wherever you get your podcasts or watch the original recording back:https://www.filmireland.net/podcast-actor-fra-fee-unchosen-rebel-moon-hawkeyeAbout Fra FeeImmediately after graduating from the Royal Academy of Music, Dungannon actor Fra landed a role in the West End production of Dirty Dancing. Since then, he has worked consistently across stage & screen. Recently, Fra Fee starred in the leading role of Emcee in the Olivier Award-winning production of Cabaret in the West End. Fra also appeared in Jez Butterworth's critically acclaimed run, The Ferryman at the Royal Court Theatre, London's West End & on Broadway. Fra won the 2018 WhatsOnStage Award for Best Supporting Actor in a Play, for his role in the show. Fra's other theatre credits include Translations & As You Like It, both at the National Theatre, the World Premiere of The Wind in the Willows, & the title role in Candide at the Menier Chocolate Factory. On screen, Fra is known for his portrayal of Courfeyrac in Tom Hooper's film adaptation of Les Misérables. In 2021, he appeared as Kazi in the Disney+ series Hawkeye, which is set in the Marvel Cinematic Universe. He worked with director Zack Snyder, starring as Balisarius in Rebel Moon Part 1 & 2. He also had roles in Animals, Boys From County Hell, Pixie & The Laureate.UnchosenAll six episodes are available to stream on Netflix now.Molly Windsor & Asa Butterfield (Sex Education) star alongside Christopher Eccleston, Siobhan Finneran, & Fra in the series from Intergalactic writer/creator Julie Gearey. This psychological thriller takes viewers behind the closed doors of a fictional conservative religious sect.Unchosen follows Rosie, who lives in a cloistered Christian community with her husband, Adam (Butterfield) & their daughter. The fateful arrival of the mysterious Sam, an escaped prisoner, throws into relief the reality & restraints of Rosie's world: Perhaps her hidden religious community doesn't have her best interests at heart. As cracks begin to appear in Rosie & Adam's marriage, Sam presents himself as Rosie's savior. But with his dark criminal past, where does the greatest danger lie - with the cult, or with Sam?Sam is an escaped convict who was arrested as a teen for a deadly crime. He quickly integrates himself into the fellowship & uses his powers of coercion to become a pillar of the community. While balancing an affair with Rosie & flirtation with Adam, Sam lives in fear of being sent back to prison. “He is fiercely intelligent, highly manipulative, & able to get what he wants by abusing other characters' insecurities or their weaknesses,” Fee tells Tudum. “A lot of the time, I don't think it's necessarily premeditated. He's just very reactionary & a real survivor.” Figuring out how to play Sam was a lesson in embracing the grey areas. Because the character's intentions were often murky & complex, Gearey encouraged Fee to never “fully dot the i's or cross the t's” in scenes. “There always had to be room for an alternative intention,” Fee explains. Over the years, the podcast has featured acclaimed guests such as Phyllida Lloyd, Lenny Abrahamson, M. Night Shyamalan, John Boorman, Saoirse Ronan, Colin Farrell, Aisha Tyler, Colm Meaney, Paul Reiser, Niamh Algar, David Freyne, Ciarán Donnelly, Joshua Oppenheimer, John Crowley, Niamh Algar, Gene Stupnitsky, and Terence Davies, alongside many of the most influential voices working in film and television today.So make sure to subscribe and listen back! Hosted on Acast. See acast.com/privacy for more information.

In the wake of the terror attacks in Golders Green, what can Britain do to stop antisemitic violence? With a historic marathon record broken, how did Sabastian Sawe achieve his sub 2-hour time? And as the May elections approach, exactly how bad are Labour's prospects? Giles Whittell is joined by The Observer's Jeevan Vasagar, Jess Hayden and Andrew Rawnsley as they battle it out and pitch the top stories of the day. Live at the Royal Academy!**We want to hear what you think! Email us at: newsmeeting@observer.co.uk Follow us on Social Media: @ObserverUK on X @theobserveruk on Instagram and TikTok@theobserveruk.bsky.social‬ on bluesky Host: Giles WhittellProducer: Ada Barumé Executive Producer: Jasper Corbett To find out more about The Observer:Subscribe to TheObserver+ on Apple Podcasts for early access and ad-free contentHead to our website observer.co.uk Download the Observer app – for a listening experience curated by our journalists Hosted on Acast. See acast.com/privacy for more information.

Headmaster of Mt Royal Academy, Derek Tremblay, is here as we talk about picking favorite things, Spiritual Gifts, softball, talking to students & giving them advice, spiritual walk, the Mt Royal Academy auction on May 1st, and lots more.

This lecture was recorded by Milton Mermikides on the 15th of April 2026 at LSO, LondonMilton Mermikides is a composer, guitarist, technologist, academic and educator in a wide range of musical styles and has collaborated with artists and scientists as diverse as Evelyn Glennie, Tim Minchin, Pat Martino, Peter Zinovieff, John Williams and Brian Eno. Son of a CERN nuclear physicist, he was raised with an enthusiasm for both the arts and sciences, an eclecticism which has been maintained throughout his teaching, research and creative career. He is a graduate of the London School of Economics (BSc), Berklee College of Music (BMus) and the University of Surrey (PhD). He has lectured, exhibited and given keynote presentations at organisations like the Royal Academy of Music, TEDx, Royal Musical Association, British Library, Smithsonian Institute and The Science Museum and his work has been featured extensively in the press. His music, research and graphic art are published and featured by Oxford University Press, Cambridge University Press, Deutsche Grammophon, Sony and more, and he has won awards, scholarships and commendations for writing, teaching, research and his charity work.      The transcript and downloadable versions of the lecture are available from the Gresham College website: https://www.gresham.ac.uk/watch-now/music-mindGresham College has offered free public lectures for over 400 years, thanks to the generosity of our supporters. There are currently over 2,500 lectures free to access. We believe that everyone should have the opportunity to learn from some of the greatest minds. To support Gresham's mission, please consider making a donation: https://gresham.ac.uk/support/Website:  https://gresham.ac.ukTwitter:  https://twitter.com/greshamcollegeFacebook: https://facebook.com/greshamcollegeInstagram: https://instagram.com/greshamcollegeSupport the show

This special episode of The Other Side of the Bell, featuring the life of trumpet composer, performer and innovator Kenny Wheeler, a conversation with biographers Nick Smart and Brian Shaw, is brought to you by Bob Reeves Brass. This episode also appears as a video episode on our YouTube channel, you can find it here: "Kenny Wheeler Special" And, find the expanded show notes, transcript and more photos here --- Kenny Wheeler has been an inspiration to trumpet players for generations, but in typical Kenny style, we haven't known a lot about his back story, career path and personality.   Until now.   Nick Smart and Brian Shaw, trumpet trailblazers in their own right, have collaborated on a new biography of Kenny Wheeler called Song For Someone: The Musical Life of Kenny Wheeler, which draws from interviews and archival material and research to tell a compelling and touching story.   Kenny went from small town Canada to becoming one of the most influential yet enigmatic jazz musicians in Europe. Along the way, he navigated through all kinds of obstacles, personal and professional, with quiet and understated courage, to truly become a distinct performer. Kenny's solos, improvisation and technical abilities were so unique that he garnered unmatched praise and respect as his career evolved.   And yet, underneath it all were what we would now consider mental health struggles, lack of confidence, imposter syndrome - all things that weren't discussed or acknowledged at the time.   Those who knew Kenny personally were full of universal acclaim for his warmth, kindness and subtle humor. Brian and Nick join John Snell on today's special episode to share some of the stories from their book, which paints a full picture of Kenny Wheeler's life and music.   About Kenny Wheeler: From Song For Someone: The Musical Life of Kenny Wheeler:   Trumpeter and composer Kenny Wheeler (1930–2014) was one of the most enigmatic and influential musicians in recent memory. His instantly recognisable sound was a driving force within every major innovation in modern European jazz during the last half of the 20th century. More importantly, his life provides us with a profound example of the way music can manifest itself in the most unlikely of vessels.   About Nick Smart: Head of Jazz Programmes at the Royal Academy of Music, Nick Smart is an internationally renowned Grammy nominated jazz trumpeter, conductor and educator who has given guest masterclasses and performances around the world.   Nick was a close colleague and friend of the late Kenny Wheeler and has been instrumental in keeping Wheeler's legacy alive. As well as being a member of Kenny's big band, Nick helped manage the latter stages of Kenny's career, secured the Kenny Wheeler Archive into the Royal Academy of Music Collections, and completed a PhD focused on Wheeler's development.   He also led and produced the Grammy nominated album recording, Kenny Wheeler Legacy - Some Days Are Better - released to critical acclaim on the US label Greenleaf Music in January 2025, featuring the Academy Jazz Orchestra in collaboration with the University Miami's Frost Jazz Orchestra.   About Brian Shaw: Brian Shaw is an active performer, arranger, and educator known for his versatility. He is one of the few trumpet players in the world equally comfortable in early music, orchestral, jazz, and commercial settings on modern and period instruments, and enjoys an international performing career as a modern and historical trumpet soloist.   Brian holds principal positions with the Dallas Winds, Santa Fe Pro Musica, Spire Baroque Orchestra. He is also a regular guest instructor of Historical Trumpet at the Eastman School of Music. From 2007-2021, he was Professor of Trumpet and Jazz Studies at Louisiana State University and was Principal Trumpet of the Baton Rouge (Louisiana) Symphony from 2014-2021.    Music Links From This Episode: Some Days Are Better: The Lost Scores (Dave Douglas, Kenny Wheeler Legacy), 2025 Gnu High, 1976 Deer Wan, 1978 Anthony Braxton, New York Fall, 1975 Ralph Towner Old Friends New Friends, 1979 Around Six, 1980 Music for Large and Small Ensembles, 1990   Purchase Song For Someone: The Musical Life of Kenny Wheeler    Bob Reeves Brass Upcoming Events and Appearances: Arkansas Trumpet Day, April 18th, Arkansas State University, Jonesboro, AR Valve alignments: First come, first served! Next Up! Concert Series: Los Angeles Brass Alliance, with special composition by Dan Rosenboom Pasadena Presbyterian Church, May 9, 7:00 pm https://www.labrassalliance.org/events/next-up-2026 Streaming link will appear in advance. William Adam Trumpet Festival July 9-12, Southern Illinois University, Carbondale, Ill. Podcast Credits: "A Room with a View" - composed and performed by Howie Shear Podcast Host - John Snell Cover Photo Credits - Courtesy Nick Smart, Brian Shaw and Equinox Publishing Audio Engineer - Ted Cragg

Horror is having its moment. It's dominating the film industry, with ‘Sinners' recieving a record 16 nominations and four wins at this year's Oscars – Frankenstein and Weapons getting their nods as well. And a man who will forever be synonymous with horror is Robert Englund – the original Freddy Krueger. Even though he's long since hung up his fedora, striped sweater, and razor-fingered gloves, he's still involved in highly influential thriller projects, including Netflix's Stranger Things. “I'm so proud of Sinners for, for kind of being one of the first horror films since ‘Silence of the Lambs', then before that, perhaps ‘Rosemary's Baby', to really kind of be taken seriously at its time by the academy,” he told Jack Tame. “I think Sinners has really begun another kind of renaissance,” Englund said. “I sort of thought for a minute there that maybe all the zombie projects had sort of exhausted the audience, you know, for a while, but you know, Sinners was so fresh and so wonderful.” Some may take a view that horror is a lower form of art, that the actors just turn up and snarl, unaware of the training many horror actors have. Englund for example, was classically trained at the Royal Academy of Dramatic Art. “What it does is it gives you a technique if you need it,” he explained. “I sometimes get parts, I can't believe they want me for these roles ... so then you have this technique to rely on. It's an opening.” Performing for stage is also quite different than performing for screen – on stage you have to exaggerate things, perform to the back of the room, whereas screen acting requires a more naturalistic performance. But for Freddy, he brought those elements of stage acting into his performance. “I didn't worry about my thinning hair, and I didn't worry about my good side or my bad side, and I was able to change my voice and I was able to move differently than Robert Englund would normally move on film because Freddy occupies this sort of surreal imagination,” Englund told Tame. “I don't like to use the word dance, but I was able to physicalize him more, kind of paint him into the frame of the imagination of whoever was having a nightmare about him, and that was really liberating.” “Playing Freddy for all those years was actually a very liberating thing for me, and it kind of gave me a career on the other side that I know I wouldn't normally have had because I had been established as a genre star.” LISTEN ABOVE See omnystudio.com/listener for privacy information.

Derek Tremblay, from Mt Royal Academy, is here as we talk about Palm Sunday, Easter, scientic proof the Bible is true, Mt. Royal getting national recognition, Iran conflict, movies, and more.

I am so excited to say that my guests on the GWA Podcast is the esteemed scholar and curator, Katlijne Van der Stighelen, and Royal Acdemy senior curator, Julien Domercq! Part 1 –  Katlijne Van der Stighelen Part 2 – Julien Domercq A professor at KU Leuven until 2024, who has published books on artist Anna Maria van Schurma, Katlijne is also a curator, having, in 1999, along with Mirjam Westen, curated the first ever exhibition on women artists in Belgium and the Netherlands. She is also the curator of Van Dyck l'Europeo: His Journey from Antwerp to Genoa and London', currently on view at the Palazzo Ducale in Genoa. But, the reason why we are speaking with Katlijne today is because she has, according to some news outlets, made the greatest artistic discovery of the 21st century - and no, we are not talking about Banksy. It was digging around in a museum basement just over 30 years ago that Katlijne stumbled upon the extraordinary work of Michaelina Wautier, then a totally obscure name not even known to 17th century specialists, active in the mid-1600s and at famed for her colossal paintings of mythological scenes, smaller meticulously rendered, almost breathable garlands of dazzling flowers, and portraits of strong female saints and characters, not unlike her Roman contemporary, Artemisia Gentileschi. But clearly something got lost upon the way – because until Katlijne's work, Wautier's name had been merely a footnote in art history. But now, thanks to decades of her tireless work, she is righting that wrong with Wautier's first ever exhibition in the UK - following critically acclaimed shows at the Kunsthistorisches Museum, Vienna, MFA Boston, MAS-Museum in Antwerp, and more. Part one of this podcast will deep dive into this extraordinary artist – and story – and in the second half, we will walk around the exhibition with Royal Academy senior curator Julien Dormecq to transport you to London, and I can't wait to find out more. ––– THIS EPISODE IS GENEROUSLY SUPPORTED BY THE LEVETT COLLECTION: https://www.famm.com/en/ https://www.instagram.com/famm_mougins // https://www.merrellpublishers.com/9781858947037 Follow us: Katy Hessel: @thegreatwomenartists / @katy.hessel Sound editing by Tory Peters Music by Ben Wetherfield

fWotD Episode 3242: Arthur Sullivan Welcome to featured Wiki of the Day, your daily dose of knowledge from Wikipedia's finest articles.The featured article for Saturday, 21 March 2026, is Arthur Sullivan.Sir Arthur Seymour Sullivan (13 May 1842 – 22 November 1900) was an English composer. He is best known for 14 comic opera collaborations with the dramatist W. S. Gilbert, including H. M. S. Pinafore, The Pirates of Penzance and The Mikado. His works include 24 operas, 11 major orchestral works, ten choral works and oratorios, two ballets, incidental music to several plays, and numerous church pieces, songs, and piano and chamber pieces. His hymns and songs include "Onward, Christian Soldiers" and "The Lost Chord".The son of a military bandmaster, Sullivan composed his first anthem at the age of eight and was later a soloist in the boys' choir of the Chapel Royal. In 1856, at 14, he was awarded the first Mendelssohn Scholarship by the Royal Academy of Music, which allowed him to study at the academy and then at the Leipzig Conservatoire in Germany. His graduation piece, incidental music to Shakespeare's The Tempest (1861), was received with acclaim on its first performance in London. Among his early major works were a ballet, L'Île Enchantée (1864), a symphony, a cello concerto (both 1866), and his Overture di Ballo (1870). To supplement the income from his concert works he wrote hymns, parlour ballads and other light pieces, and worked as a church organist and music teacher.In 1866 Sullivan composed a one-act comic opera, Cox and Box, which is still widely performed. He wrote his first opera with W. S. Gilbert, Thespis, in 1871. Four years later, the impresario Richard D'Oyly Carte engaged Gilbert and Sullivan to create a one-act piece, Trial by Jury (1875). Its box-office success led to a series of twelve full-length comic operas by the collaborators. After the extraordinary success of H. M. S. Pinafore (1878) and The Pirates of Penzance (1879), Carte used his profits from the partnership to build the Savoy Theatre in 1881, and their joint works became known as the Savoy operas. Among the best known of the later operas are The Mikado (1885) and The Gondoliers (1889). Gilbert broke from Sullivan and Carte in 1890, after a quarrel over expenses at the Savoy. They reunited in the 1890s for two more operas, but these did not achieve the popularity of their earlier works.Sullivan's infrequent serious pieces during the 1880s included two cantatas, The Martyr of Antioch (1880) and The Golden Legend (1886), his most popular choral work. He also wrote incidental music for West End productions of several Shakespeare plays, and held conducting and academic appointments. Sullivan's only grand opera, Ivanhoe, though initially successful in 1891, has rarely been revived. In his last decade Sullivan continued to compose comic operas with various librettists and wrote other major and minor works. He died at the age of 58, regarded as Britain's foremost composer. His comic opera style served as a model for generations of musical theatre composers that followed, and his music is still frequently performed, recorded and pastiched.This recording reflects the Wikipedia text as of 00:50 UTC on Saturday, 21 March 2026.For the full current version of the article, see Arthur Sullivan on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Bluesky at @wikioftheday.com.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm neural Ruth.

This episode of The Other Side of the Bell, featuring trumpet performer, producer and creator Louis Dowdeswell, is brought to you by Bob Reeves Brass. This episode also appears as a video episode on our YouTube channel, you can find it here: "Louis Dowdeswell Trumpet Interview" And, find the expanded show notes, transcript and more photos here   Louis Dowdeswell has an invitation for you, especially if you're embarking on a career as a professional musician:   Find your Why.   It may not be as obvious as you think!   It'll take time, hard work and introspection. But you're a trumpet player: you already know what that's like!   Louis joins us today for what evolves into a deep conversation with tremendous insight. This episode creeps up on you. As Louis' stories and perspectives sink in, it'll get you thinking.   He's a YouTube star, founder of a successful trumpet academy, and a productive working musician. But Louis has been through his share of doubts, challenges and uncertainties - he almost gave the trumpet up in 2023.   If though you've ever needed inspiration to do something, to just start, and ignore what anyone might say or think about it: listen to this episode. Louis' endearingly positive and thoughtful personality will help you along your way.   In the words of Tim McGraw: "When you get where you're going, turn back around and take a look. Help the next one in line. Always be humble and kind."   About Louis Dowdeswell: Louis Dowdeswell is one of the most in-demand trumpeters of his generation, known for his powerful lead playing, versatility, and distinctive sound. A graduate of the Royal Academy of Music and later awarded Associate of the Royal Academy of Music (ARAM), he has built a career that bridges jazz, classical, pop, and film.   Louis performed lead trumpet on Michael Bublé's Grammy Award-winning track Higher and has played for King Charles at Buckingham Palace. His Louis Dowdeswell Big Band has attracted millions of listeners worldwide, with over 30 million views online.   As a performer, Louis has appeared with the London Symphony Orchestra, London Philharmonic Orchestra, Royal Philharmonic Concert Orchestra, and the BBC Concert Orchestra, and has played in numerous West End productions, including Wicked, Book of Mormon, Dreamgirls, and MJ the Musical. He has also shared the stage with artists such as Robbie Williams, Michael Bublé, Katherine Jenkins, Brian May, Teddy Swims, and Franz Ferdinand.   On the recording front, Louis has worked with Paul McCartney, Taylor Swift, Billie Eilish, Robbie Williams, Gary Barlow, Celeste, Seal, Michael Ball & Alfie Boe, and more. His trumpet can be heard on blockbuster films including James Bond – No Time To Die, Barbie, Aladdin, Cats, and Don't Look Up, where he was the featured soloist.   Louis is an International Conn Selmer / Vincent Bach Artist and the founder of Louis' Trumpet Academy, a global education platform awarded the Skool Games Q1 Prize for innovation in 2025.   He lives with his wife, Milly, an opera singer, and their two boys, Reggie and Stanley, grounding his busy career in faith and family.   Episode Links: www.louisdowdeswell.com www.worldoftrumpet.com YouTube Instagram Spotify  Bob Reeves Brass Upcoming Events and Appearances: National Trumpet Festival, March 20-22, University of Iowa, Iowa City, IA https://trumpetmouthpiece.com/products/national-trumpet-competition-valve-alignment-special Metropolitan Music, April 10-11, Kirkland, WA https://calendly.com/bobreevesbrass/metropolitan-music-valve-alignment-appointment  Arkansas Trumpet Day, April 18th, Arkansas State University, Jonesboro, AR   Podcast Credits: "A Room with a View" - composed and performed by Howie Shear Podcast Host - John Snell Cover Photo Credit - Courtesy Louis Dowdeswell Audio Engineer - Ted Cragg

The impulse to be creative is ingrained in the human spirit.   We often turn to art not only to capture the beauty of the world, but also to manage its complexities. In an age where art is often devalued in favour of creating capital, will a new generation of artists be able to maintain their creative output? To answer this question, we will be joined by John Studzinski, philanthropist and Genesis Foundation founder, for a special conversation about his lifetime support of artists and cultural organisations and on what he has learned about the role creativity plays in mental health, recovery and collective life. The event forms part of the Genesis Foundation's Genesis Conversationsseries and also marks the 25th anniversary of the Genesis Foundation. The evening will begin with a preview screening of a new opera Angels on the Underground, composed by Will Todd, and a libretto by Sally Gardner. After the screening there will be a panel conversation and a Q&A session. Speakers: John Studzinski CBE, Philanthropist and Genesis Foundation Founder Will Todd, Musician and Composer Rebecca Salter, President, Royal Academy of Arts Bobby Palmer, Author and Journalist Chair: Jennifer Johnston FRSA, Opera Singer and Cultural Strategy Consultant In partnership with: Genesis Foundation Please be aware that this event contains subject matter that listeners might find upsetting or triggering.  Listener discretion is advised. Donate to the RSA: https://thersa.co/3ZyPOEa Become an RSA Events sponsor: https://utm.guru/ueemb Follow RSA on Instagram: https://www.instagram.com/thersaorg/ Like RSA on Facebook: https://www.facebook.com/theRSAorg/ Listen to RSA Events podcasts: https://bit.ly/35EyQYU Join our Fellowship: https://www.thersa.org/fellowship/join  

Matters Microbial #125: Antibiotics, Streptomyces and Evolution March 15, 2026 Today Professor Paul Hoskisson, Royal Academy of Engineering Research Chair in Engineering Biology at the University of Strathclyde joins the Quality Quorum to discuss his research group's adventures studying how the bacterium Streptomyces develops, produces antibiotics, and evolves! Host: Mark O. Martin Guest: Paul Hoskisson Subscribe: Apple Podcasts, Spotify Become a patron of Matters Microbial! Links for this episode Here is a biographical sketch of the impact of Carl Woese on microbiology. Here is a fine (if dated) video describing Woese's impact and work.  It's truly wonderful to hear Woese himself discuss his work and challenges. Yours truly wrote an essay on Carl Woese and undergraduate education. An article on geosmin and actinobacteria.  It may smell like soil, but it has other functions, like attracting springtails! An overview of the genus Streptomyces. A video showing the beauty of the life cycle of Streptomyces and various interactions. Linear genomes in bacteria. An overview of antibiotics. Selman Waksman and early antibiotics.  And a Nobel Prize! The remarkable Julian Davies and antibiotic function. Davies' concept of small molecules with functions:  the parvome. A wonderful collection of articles in honor of Julian Davies. The antibiotic resistance crisis that we all face.   Rapamycin and the organism that synthesizes that compound, which is an immunosuppressant helpful in organ transplantation. The concept of Biosynthetic Gene Clusters (BGC). Rich Lenski and the LTEE program to study evolution in bacteria. A wonderful video of Dr. Lenski discussing that program. The use of "evolution in the lab" with bacteria to develop new functions and activities. Possibility of "evolution proof" antibiotics. Work discussed during this podcast from Dr. Hoskisson's laboratory group exploring experimental evolution in Streptomyces. Work discussed during this podcast from Dr. Hoskisson's laboratory group investigating the evolution of natural product synthesis.  Work discussed during this podcast from Dr. Hoskisson's laboratory group investigating the known and unknown genes involved with secondary metabolite production.  Dr. Hoskisson's laboratory group website. Dr. Hoskisson's faculty website. Intro music is by Reber Clark Send your questions and comments to mattersmicrobial@gmail.com

Desmonda Cathabel has just finished her run as Eurydice in the West End production of Hadestown.She's now in rehearsals to star as Lily Turner in Rosie: A New Musical. The show will be performed as a one-night-only semi-staged gala at the Adelphi Theatre on Tuesday 17th March.Rosie tells the true story of Miss Rosie Boote, who was raised in a convent in Ireland and dreamt of becoming a star on the West End stage in Edwardian London. The show has book, music and lyrics by Chris Broom.Desmonda is from Indonesia and came to the UK to train at the Royal Academy of Music. She won the Stephen Sondheim Society Student Performer of the Year in 2022.Desmonda was a quarter finalist in the ITV casting show Mamma Mia! I Have A Dream. Her theatre credits include alternate Kim in Miss Saigon (Sheffield Crucible), Princess Jasmine in Disney's Aladdin (UK & Ireland Tour) and From Here To Eternity (Charing Cross Theatre). Desmonda performed in Maria Friedman's solo show at Crazy Coqs and the Menier Chocolate Factory, and was later directed by Maria in the star-studded Stephen Sondheim's Old Friends concert.Recorded the morning after her final performance in Hadestown, in this episode Desmonda discusses what it was like to say goodbye to the show and what playing Eurydice meant to her.She also delves into how she came to be involved with Rosie and why she loves new work, plus her path through the industry so far, Asian representation in theatre, reflections on Mamma Mia! I Have A Dream and lots more.Rosie plays the Adelphi Theatre on Tuesday 17th March. Visit www.rosiethemusical.com for info and tickets.This podcast is hosted by Andrew Tomlins @AndrewTomlins32 Thanks for listening! Email: andrew@westendframe.co.uk Visit westendframe.co.uk for more info about our podcasts. Hosted on Acast. See acast.com/privacy for more information.

STEM study and research are responsible for much of humanity's most transformative knowledge and technology. Discoveries and products that emerge from STEM will continue to define how we live now and in the future. So, it should concern everyone that STEM fields are still overwhelmingly male dominated. And it's not just women who are underrepresented, this also applies to minority ethnic groups. Women make up just 16.9 per cent of the 6.4 million people working in engineering and technology in the UK - compared to 56 per cent in other occupations. While minority ethnic groups make up just 14 per cent of the workforce, according to EngineeringUK's 2025 workforce report. On this week's podcast, in homage to International Woman's Day, we speak to an academic who has built a successful career as a woman in the male dominated field of chemical engineering, to find out how being an outlier shaped her approach to her career and what she thinks needs to change to diversify her discipline. Raffaella Ocone became the first female professor of chemical engineering in Scotland – second in the UK – when she was appointed to the post at Heriot-Watt University in 1999. She is currently serving as president of the Institute of Chemical Engineering, marking the organisation's first female president and CEO partnership. She is also a fellow of the Royal Academy of Engineering, the Royal Society of Edinburgh, the Institution of Chemical Engineers, and the Royal Society of Chemistry. In 2007 she was appointed Cavaliere of the Italian Republic and in 2019 in the Queen's New Year Honours she was appointed Officer of the British Empire (OBE) for services to engineering. But it all started for Raffaella in a small village, Morcone, in the hills of Campania in Southern Italy where, as she explains, few people backed her chances of becoming a professional engineer. Listen on to hear how she proved them wrong.

What happens when a student leaves your studio and goes on to headline a Cirque du Soleil show in Las Vegas? For Vancouver Academy of Dance founder Anabel Ho, that question has a real answer -- and it traces back to Accelerate 2017. Anabel Ho joins us to talk about what the acro community has meant to her studio, the student whose discipline turned an impossible goal into a standing ovation on a world stage, and why the work you're putting in matters more than you think. About Anabel's Documentary Annabelle's family story is featured in Spring After Spring, a film by Knowledge Network that had its world premiere at the Vancouver Asian Film Festival. It's a beautiful look at her mother's legacy and how dance has shaped their family for generations. Watch the trailer: www.vimeo.com/922149759 Learn more: www.springafterspring.com Vancouver Asian Film Festival: www.2025festival.vaff.org/events/springforspring/ About Anabel Ho Ms. Ho has taught and choreographed for the past 36 years. Her training spans the globe and covers the full spectrum of dance styles with an emphasis on classical ballet and Chinese dance. Ms. Ho has trained with internationally noted artists in North America and abroad. 
She is widely recognized for her many achievements around the world. Anabel has performed, taught, and choreographed throughout Canada and other regions, including the U.S.A., China, the United Kingdom, France, Germany, Greece, Netherlands, Poland, and Taiwan. 
Ms. Ho's credentials include Royal Academy of Dance International Examiner, Associate and Advanced Executant of the Royal Academy of Dance, Fully Registered Teacher of the Royal Academy of Dance, Associate of the Imperial Society Teachers of Dance (London, England), Acrobatic Arts Certified Teacher, Progressive Ballet Technique Certified and Gravity Yoga Certified. 
Ms. Ho has presented command performances for her Majesty the Queen, Governor General, and Prime Minister of Canada, as well as Royalties and Heads of State of many countries. She has been invited to adjudicate dance competitions throughout North America and has been commissioned to choreograph for several productions, including Rick Hansen's 100th Anniversary CBC TV Special, Nissan Go 2000 Dealership Convention, APEC Conference, International Dragon Boat Festival, Chinese Cultural Centre's Millennium Project "Gold, Maple, Dreams" Dance Production, C.B.C.'s Gung Haggis Fat Choy, and various other large events. 
Anabel has also acted as a choreography consultant for National Ice Dancing Champions Meaghan Wing and Erin Lowe. Ms. Ho produced dance performances for the movie "Deep Risings" and Buena Vista's Vancouver promotions of the Disney movie "Mulan". Ms. Ho was invited to choreograph for the Queen's Royal Visit to B.C., the 2010 Sea to Sky Bid for the International Olympic Committee, the United Nations World Urban Forum Closing Ceremonies, CCTV's New Year Special "The Same Song", and all the Premiers of Canada for the launch of the Canadian Pavilion at the Beijing Olympics. Ms. Ho was honoured to be an advisor to the Opening Ceremonies of the Vancouver 2010 Olympics and Paralympics Games. She directed and choreographed works presented to the International Olympic Committee, Governor General Michelle Jean and Premier Gordon Campbell. Her award-winning piece "Red Lanterns" was presented to Prime Minister Stephen Harper, celebrating Lunar New Year 2010. Ms. Ho takes pride in all her students and finds great reward in witnessing their growth – as dancers and as beautiful, unique individuals with a strong sense of self. A full transcript of the podcast is available here: https://www.acrobaticarts.com/blog/ep-130-what-acro-makes-possible-with-anabel-ho If you'd like more amazing content more tips and ideas check out our Acrobatic Arts Channel on YouTube. Subscribe Now! Connect with Acrobatic Arts on your favourite social media platform: Instagram: https://www.instagram.com/acrobaticarts/ Facebook: https://www.facebook.com/Acroarts Twitter: https://twitter.com/acrobatic_arts/ Learn more and register for our programs at AcrobaticArts.com

Adélaïde Labille-Guiard was a painter in 18th century France, when women were barely recognized, and for the most part, not welcomed as such. Despite this, she ended up being amongst the first, and very FEW women to be admitted to the Royal Academy of Painting and Sculpture. David Fleming speaks with Janell Strube, author of Adelaide: Painter of the Revolution. This work of historical fiction takes place leading up to the French Revolution... though the prologue begins at the absolute HEIGHT... and in the heart... of one of the major revolts in 1793, much like an action movie drawing you right in!

How should musicians actually practice to improve faster? In this conversation with researcher and trumpet professor Micah Killion, we explore what expert musicians do differently in the practice room and what research reveals about effective practice.Micah Killion is Assistant Professor of Trumpet and Brass Coordinator at Montclair State University and former principal trumpet of the United States Air Force Band in Washington, D.C. A Yamaha Performing Artist with degrees from Juilliard, Teachers College–Columbia, and UT Austin, his research on expert practice and music learning has been presented at leading institutions including Juilliard, Eastman, and the Royal Academy of Music.In this episode, Micah shares what he discovered after closely analyzing how elite performers actually practice - and why their approach looks very different from the way most musicians were taught. We explore the decision-making process behind effective practice, the surprising role of mistakes in learning, and a simple strategy that can help musicians practice more efficiently, musically, and consistently.Get all the nerdy details right here:Micah Killion: The One Thing Artist-Level Musicians Do Differently in the Practice RoomMore from The Bulletproof MusicianGet the free weekly newsletter, for more nerdy details and bonus subscriber-only content.Pressure Proof: A free 7-day performance practice crash course that will help you shrink the gap between the practice room and the stage.Learning Lab: A continuing education community where musicians and learners are putting research into practice.Live and self-paced coursesMore from The Bulletproof Musician Get the free weekly newsletter, for more nerdy details and bonus subscriber-only content. Pressure Proof: A free 7-day performance practice crash course that will help you shrink the gap between the practice room and the stage. Learning Lab: A continuing education community where musicians and learners are putting research into practice. Live and self-paced courses

We use the phrase “action star” to describe the massive talent at the center of this episode, but Michelle Yeoh has demonstrated over the course of her remarkable career that she's so much more than that.In fact, her career as a performer didn't start with scripts or stunts. She was more focused on pirouettes and pliés as a classically trained ballet dancer, getting all the way to London's Royal Academy of Dance before a spinal injury set her on a path to the big screen (but not before becoming a literal beauty queen).Dori and Kpolly get into Yeoh's off-screen activities — even touching on her humanitarian work and activism — as they give her the star treatment for this episode. It's a well-deserved spotlight considering everything Yeoh has accomplished across her 40-year career, from performing her own stunts despite zero marital-arts training to winning Best Actress for Everything Everywhere All at Once at the 2023 Academy Awards.That's just one of the Yeoh-centric movies you can check out at the Oriental Theatre throughout March as Milwaukee Film presents its irresistibly titled “Just Say Yeoh” series. You'll hear our dynamic duo discuss all four movies in the series, a handful of her other memorable roles and the other releases you should catch at the Oriental this week.#####Cinebuds is sponsored by Joe Wilde Garage Door Company.

Today on the show I speak with Emmy award nominated British composer/musician - Ruth Barrett.Ruth is currently one of worlds most sought-after film and television composers with just some of her work appearing in projects like The Terminal List: Dark Wolf, The Girlfriend, PBS's Victoria, NBC's Law & Order: Organized Crime, Big Beasts, Bloodlands, Collateral, The Old Guard 2, (co-scored with Steffen Thum) and Harry Brown, (co-scored with Martin Phipps) - to name but only a few…I had such a fun conversation with Ruth where amongst many topics we talk about A.I, creating ‘buckets of noise' while creating, networking, general inspiration and even her experience attending facilities like The Royal Academy of Music and Cambridge University.For more information on Ruth Barrett or her work, please visit - www.ruthbarrettmusic.comFor further information on Travis Marc or 'Musicians-Mentor' website, please visit www.musicians-mentor.com As usual, thanks for checking out the channel and if you're getting anything useful from my content, please feel free to comment, like, share and subscribe, thank you. Additionally, for those interested - you can support this channel by - 'Buying Us Coffee'. https://buymeacoffee.com/musiciansmentor Or visiting our affiliate page with the lovely folks over at - 'Soundbrenner'. https://www.soundbrenner.com/pages/affiliate-travis-marc?srsltid=AfmBOopHlrWNB7C5ZBQz--Z0rVf789RfGQS1cEUxZjy9aBABp6FVZv6-

From Mt Royal Academy, Derek Tremblay is here as we talk about Lent, the snow, does the NH State Constitution mandated funding of schools in the state? Plus lots of random other stuff.  

Niklas Lukassen is a German bassist, composer, and doctoral researcher splitting his time between London and Berlin. His bandleader debut album Still Waters releases February 20th on Kurt Rosenwinkel's Heartcore Records with liner notes by Ron Carter. The quartet features Ben Van Gelder on saxophone, Kit Downes on piano, and Francesco Ciniglio on drums, with guest appearances from Rosenwinkel, Wanja Slavin, and Geoffroy De Masure. Niklas is also exploring the bass cello—a unique hybrid instrument—in his trio with Gwilym Simcock and James Maddren, while pursuing doctoral research at the Royal Academy of Music on the reciprocal effects of bass doubling. In this conversation, we explore Niklas's musical journey from a tiny village in Germany's Black Forest to studying at Manhattan School of Music with Ron Carter, his forced exit from New York during the pandemic, and how he rebuilt his career between London and Berlin. We discuss the different scenes and aesthetics of these global jazz cities, his approach to playing upright bass, electric bass, bass guitar, and the bass cello, and how working with different instruments sparks new improvisational ideas. Niklas shares insights on collaboration, giving space in the music, and the challenges and gifts of constantly adapting to new instruments and environments. Enjoy, and connect with Niklas at his website and Instagram!   Connect with DBHQ Join Our Newsletter Double Bass Resources Double Bass Sheet Music Double Bass Merch Gear used to record this podcast Zoom H6 studio 8-Track 32-Bit Float Handy Recorder Rode Podmic Sony Alpha 7 IV Full-frame Mirrorless Interchangeable Lens Camera Sony FE 16-35mm F2.8 GM Lens Sony FE 24-70mm F2.8 GM Lens   When you buy a product using a link on this page, we may receive a commission at no additional cost to you. Thank you for supporting DBHQ.   Theme music by Eric Hochberg

This week, we revisit our interview with John Milad. John has 25 years of experience as a start-up executive, venture investor, and banker specializing in healthcare innovation across the UK, Europe, and the US. He had 10 years of life sciences venture experience at a family office, Atlas Venture, NBGI Venture and Downing. Notable exits include Symetis, ACT/EPIX, BoneSupport and Medcast/WebMD. John is a Co-founder of Quanta Dialysis Technologies, which I led as CEO for 8 years. Notable outcomes include creating an award-winning, disruptive portable dialysis system; raising nearly $400m in funding; commercially launching in UK and US; and establishing trans-Atlantic commercial operations. For another 2 years, he served as an executive at Nitec Pharma, which was ultimately sold to Horizon Therapeutics. John has held multiple board positions across the sector. He has been an advisor to NIIR/I4i programme, mentor at the Enterprise Hub of the Royal Academy of Engineering. He has been recognized in the Sunday Times Maserati List of the UK's Top 100 "Game Changing Innovators and Entrepreneurs"; Winner of the 2022 MacRobert Award from the Royal Academy of Engineering for outstanding engineering innovation.

Maya Jade Frank joins the podcast to share the fascinating journey of a career that began with a serendipitous audition for her sister's project and led her to the Broadway stages of Evita and Mary Poppins. She opens up about the unique experience of growing up on the road with the 25th Anniversary National Tour of Les Misérables, where she balanced three hours of daily schooling with visits to historical monuments and backstage "Docu-drama" marathons. Maya discusses the transition from being a child actor in New York to a Disney Channel star in Los Angeles, reflecting on how her supportive, non-theatre parents helped her stay grounded while she pursued a "normal" college experience at USC. The conversation dives deep into Maya's impressive ability to merge her creative passions with a sharp business mind. Beyond her current starring role as Zoe Murphy in the South Florida premiere of Dear Evan Hansen, she reveals the inner workings of her digital media company, Mangoes and Bubblegum, and her work as a global Pilates instructor. From her "morning jump around" ritual to early 2000s pop punk to her dreams of performing Shakespeare at the Globe, Maya exemplifies a modern multi-hyphenate artist who prioritizes physical health and analytical data just as much as her vocal warm-ups. Maya Jade Frank is a New York City native whose extensive credits include the Broadway revival of Evita, the final Broadway cast of Mary Poppins, and the 25th Anniversary National Tour of Les Misérables. She received a Daytime Emmy nomination for her work on Nickelodeon's History and Heritage and appeared on Disney Channel's Bizaardvark. A graduate of the University of Southern California and the Royal Academy of Music in London, her recent stage work includes Next to Normal and the UK revival of Be More Chill. She is currently appearing in Dear Evan Hansen at the Actors' Playhouse in Coral Gables. Connect with Maya: Instagram: @mayajadefrank Connect with The Theatre Podcast: Support the podcast on Patreon and watch video versions of the episodes: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patreon.com/TheTheatrePodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@theatre_podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook.com/OfficialTheatrePodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TheTheatrePodcast.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Alan's personal Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@alanseales⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Email me at feedback@thetheatrepodcast.com. I want to know what you think. Learn more about your ad choices. Visit megaphone.fm/adchoices

“What most people want to get out of choir is to feel a progression, that they slowly master the craft of choral music. For every warm-up, I boil it down to make it simple but also find the sweet spot where I can challenge the singers to get out of their comfort zone or dare to fail. The bravery to fail is crucial to the music making we'll be doing after the warm-up. Exercises that are on the brink of what is doable will have them on the edge of their seat in a playful spirit. It's always with a smile, always fun. If you make a mistake, no one will judge you. We can't grow if we don't make mistakes.”Jonas Rasmussen (b. 1992) is a Danish conductor, composer, content creator and educator who has quickly established himself as one of the most distinctive choral voices of his generation. Known for his ability to combine artistic ambition with playfulness and accessibility, he is the Artistic Director of Ensemble Novum, Academic Choir Aarhus and Youth Choir Aarhus U, and teaches classical choral conducting at the Royal Academy of Music, Aarhus.Jonas' ensembles have won some of the most prestigious international choral prizes, including the World Choral Championship in Tokyo (2019), the Grand Prix at the Rimini International Choral Competition (2018), the European Broadcasting Union's competition Let the Peoples Sing in Barcelona (2019), and the World Choral Cup in Barcelona (2022). In 2023 and again in 2025, he brought home multiple gold medals at the European Choir Games, Europe's biggest choral competition. Both his ensembles choirs are now ranked in the top 10 on INTERKULTUR's official top 1000 list of choirs from all around the world – with Youth Choir Aarhus U as #2 and Academic Choir Aarhus as #8.Education and mentorship are central to Jonas' work. In 2025, he started to post content online for a wider international audience and the response has been remarkable. In the first 10 months, Jonas has achieved just short of 350.000 followers across platforms and that number is quickly growing. He is frequently invited as a workshop leader for choral organizations in Denmark and abroad where his engaging style and ability to connect with singers of all levels are widely appreciated. Jonas' vision is to position choral music as a living, evolving art form – not a museum piece, but something that constantly redefines itself through collaboration, innovation, and community. Whether on the concert stage, in a classroom, or online, his work is driven by the belief that choir singing is one of the most powerful ways to create meaning and connection between people.To get in touch with Jonas, you can find him on Instagram (@choirconductor).Email choirfampodcast@gmail.com to contact our hosts.Podcast music from Podcast.coPhoto in episode artwork by Trace Hudson

durée : 00:11:56 - Le Disque classique du jour du mercredi 18 février 2026 - En 2018, quatre amies étudiant à la Royal Academy of Music de Londres décident de former l'ensemble Théodora. Mariamielle Lamagat (soprano), Louise Ayrton (violon baroque), Lucie Chabard (clavecin) et Alice Trocellier (viole de gambe) explorent la musique baroque française et ses ramifications. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:11:56 - Le Disque classique du jour du mercredi 18 février 2026 - En 2018, quatre amies étudiant à la Royal Academy of Music de Londres décident de former l'ensemble Théodora. Mariamielle Lamagat (soprano), Louise Ayrton (violon baroque), Lucie Chabard (clavecin) et Alice Trocellier (viole de gambe) explorent la musique baroque française et ses ramifications. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Richard Lucas hosts a compelling discussion with celebrated British entrepreneur and author David Cleevely. In this insightful podcast, Richard and David dive into Cleevely's book, 'Serendipity: It Doesn't Happen by Accident,' exploring how environments can be engineered to foster luck. Richard guides the conversation as David explains the puzzle that inspired the book: why significant entrepreneurial ventures repeatedly emerge from seemingly chance encounters in hubs like Cambridge. They discuss the characteristics, systems, and culture—including the crucial role of values of generosity and kindness—that enhance the likelihood of serendipitous, high-impact collaborations. David Cleevely's book, 'Serendipity: It Doesn't Happen by Accident,' explores the idea that environments can be engineered to foster luck, leading to entrepreneurial success through serendipitous, high-impact collaborations. LinksHis book 'Serendipity: It Doesn't Happen by Accident” is available here and from all major booksellers,David Cleevely CBE FREng, FIET is the Chairman of the Raspberry Pi Foundation. He is the founder of telecoms consultancy Analysys (acquired by Datatec International in 2004). co-founded the web based antibody company Abcam (ABC.L) with Jonathan Milner and was Chairman until November 2009 which was acquired by Danaher for US$5.7 billion in 2023. He has co-founded several other companies and is Chairman of two of them..He has been active in promoting Cambridge. He was a prime mover behind Cambridge Network, co-founder of Cambridge Wireless, co-founder and Chairman of Cambridge Angels, Founding Director of the Centre for Science and Policy at the University of Cambridge and Vice Chair of the Cambridgeshire and Peterborough Independent Economic Commission. Other policy work has included membership of the IET Communications Policy Panel, the Ofcom Spectrum Advisory Board and the Enterprise Committee and the National Engineering Policy Group at the Royal Academy of Engineering. From 2001 to 2008, he was a member of the Ministry of Defence Board overseeing information systems and services (DES-ISS, formerly the Defence Communications Services Agency). In addition to Raspberry Pi, his charitable work includes the Cambridge Science Centre, which he helped set up and fund in 2013 and continues as Chair. Richard Lucas, the host of this NBN channel, is founder of CAMentrepreneurs—a network supporting entrepreneurship globally among Cambridge University Alumni and others through locally led chapters. CAMentrepreneurs - Peter Cowley legacy  Books and articles mentioned in the podcast Connected: The Surprising Power of Our Social Networks and How They Shape Our Lives by James H. Fowler PhD (Author), Nicholas A. Christakis The Strength of Weak Ties Mark S. Granovetter Gov. Pritzker Commencement Address: Kindness is intelligence Cambridge Angels Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Art from the circle of friends, family and teachers of artist Mrinalini Mukherjee is now on show at London's Royal Academy, alongside her giant hemp sculptures. Sheetal Parmar hears about the planning behind transporting such delicate works and about the influences behind the creation of her natural forms. This episode of The Documentary, comes to you from In the Studio, exploring the processes of the world's most creative people.

Louise Jameson is a classically trained actress whose first love is the stage—she spent two years with the Royal Shakespeare Company at the beginning of her career—but she also became known to millions of British television viewers through her roles in such hugely popular television series as Doctor Who, Tenko, Bergerac  and  EastEnders. Her recent theatre credits include Vincent River and directing the UK tour of Revenge. Her audio credits include Doctor Who (Big Finish), writing ATA Girl, about the women of the Air Transport Authority during World War II, and  multiple titles for BBC Audio and Audible. Louise talks with me about her unusually young start at the Royal Academy of Dramatic Art, and how her training continued at the Royal Shakespeare Company, how her Doctor Who character, Leela of the Sevateem, reflected the feminism of the 1970s (and how she didn't), how she started writing, and what she thinks of the opportunities for—and representation of—women in film and TV over the years. If you want to watch this conversation, you can see it here on YouTube!   Episode breakdown: 00:00 Introduction 04:00 Louise describes childhood creativity, daydreaming, and reading early. 08:00 Drama school, age gap with classmates, and strict discipline. 12:00 Acting requires teamwork; Louise reflects on early career. 16:00 Louise's Shakespeare passion, favorite roles and performance experiences. 20:00 Louise talks about landing Leela role in Doctor Who. 24:00 Doctor Who impacts life daily; gratitude for lasting connections. 28:00 Leela's feminist traits and costume choices, fighting stereotypes. 32:00 Leela's intelligence and evolution, relationship with other companions. 36:00 Influence of audio plays; Gallifrey series has strong female fandom. 40:00 Louise discusses writing, self-doubt, and encouragement from collaborators. 44:00 Directing stage, teaching drama; regrets and living in the now. 48:00 Shakespeare's rhythmic influence on Louise's writing and teaching. 52:00 Conversation shifts to social media, attention economy, and technology. 56:00 Louise analyzes Shakespeare's poetic technique and its storytelling power. 01:00 Louise explains collective magic of live theater and storytelling. 01:04 Progress and ongoing challenges for women in TV and film.   Want more? Here are handy playlists with all my previous interviews with guests in writing, theatre, and Doctor Who.   Check out the full show notes (now including transcripts!) at fycuriosity.com, and connect with me and fellow creatives on Substack. Please leave a review for this episode—it's really easy and will only take a minute, and it really helps me reach new listeners. Thanks! If you enjoyed our conversation, I hope you'll share it with a friend.

Olga Roberts is a former professional ballet dancer and Master Pilates Teacher whose career spans Europe, Australia, and the United States. She was accepted into the Birmingham Royal Ballet at the age of 13 and later trained at the Rambert School of Ballet and Contemporary Dance under former principal dancers Margaret Porter, Anya Linden, and Diana Vere, all partners of Rudolf Nureyev. Her contemporary training included techniques developed by Martha Graham, Merce Cunningham, and Gaga, alongside choreography studies under Dr. Ross McKim, former Artistic Director of Rambert School.Olga holds a Foundation/BA (Hons) Degree from Rambert School and a specialist Teaching Diploma in Contemporary Dance from the Laban Centre in London. She began Pilates training at the age of 11 and later completed 2.5 years of Master teaching Pilates training in Body Control Pilates under Master Teacher Jenny Colbourne, a second-generation Pilates educator trained by Joseph Pilates' protégé Jerome Andrews. She also trained with Master Pilates Teacher Dreas Reyneke, who worked with principal dancers of The Royal Ballet.She is the founder of Body Intelligence Pilates, an advanced movement and conditioning method designed for dancers, athletes, and rehabilitation clients. Olga is an active member of the Royal Academy of Dance (RAD), Pilates Alliance Australasia, and the International Association of Dance Medicine (IADM).In this episode, we discuss: Why Intelligence Beats Intensity in MovementDiscipline of Ballet, Wisdom of PilatesThe Real Core: Beyond Six Packs Alignment Isn't Aesthetic - It's Transformational Why the Right Teacher Isn't OptionalWith podcast host Mark SephtonHope you'll enjoy the episode! Hosted on Acast. See acast.com/privacy for more information.

It is the first episode of 2026. So we look ahead at the next 12 months with a guide to big museum openings, biennials and exhibitions. Ben Luke is joined by Jane Morris, editor-at-large at The Art Newspaper and Cultureshock, and Gareth Harris, chief contributing editor at The Art Newspaper, to discuss the key art fairs, major museum building projects and the top biennials of the year, and we pick our exhibition highlights.All of the events discussed and many more are featured in The Art Newspaper's guidebook The Year Ahead 2026, an authoritative look at the year's unmissable art exhibitions, museum openings and significant art events. Visit theartnewspapershop.com. £14.99 or the equivalent in your currency.Events discussed:ART FAIRS: Art Basel Qatar, Doha, Qatar, 5-7 Feb; Frieze Abu Dhabi, 17-22 Nov; MUSEUM OPENINGS: Guggenheim Abu Dhabi, date tbc; V&A East, opens 18 Apr; Los Angeles County Museum of Art (Lacma), opens Apr; Lucas Museum of Narrative Art, opens 22 Sep; Dataland, Los Angeles, opens spring; New Museum, New York, date tbc. BIENNIALS: Venice Biennale, In Minor Keys, 9 May-22 Nov; Arthur Jafa and Richard Prince: Helter Skelter, Fondazione Prada, Venice, 9 May-22 Nov; Marina Abramović: Transforming Energy, Gallerie dell'Accademia, Venice, 6 May-19 Oct; Whitney Biennial, opens 8 Mar; Greater New York 2026, MoMA PS1, 16 Apr-17 Aug; EXHIBITIONS: Gainsborough: The Fashion of Portraiture, Frick Collection, 12 Feb-11 May; Raphael: Sublime Poetry, Metropolitan Museum of Art, New York, 29 Mar-28 Jun; Zurbarán, National Gallery, London, 2 May-23 Aug; Michaelina Wautier, Royal Academy of Arts, 27 Mar-21 Jun; James McNeill Whistler, Tate Britain, 21 May-27 Sep, Van Gogh Museum, Amsterdam, 16 Oct-10 Jan 2027; Seurat and the Sea, Courtauld Gallery, ​​13 Feb-17 May; Peggy Guggenheim in London: The Making of a Collector, Peggy Guggenheim Collection, Venice, 25 Apr-19 Oct; Royal Academy, London, 21 Nov-14 Mar 2027, Cezanne, Fondation Beyeler, Basel, 25 Jan-25 May; Leonor Fini, Schirn Kunsthalle, Frankfurt, 22 Oct-28 Feb 2027; Hilma af Klint, Grand Palais, 6 May-30 Aug, Matisse 1941-1954, Grand Palais, Paris, 24 Mar-26 Jul; Chez Matisse: The Legacy of a New Painting, Caixa Forum, Barcelona, 27 Mar-16 Aug; Fratino and Matisse: To See This Light Again, Baltimore Museum of Art, 11 Mar-6 Sep; Matisse's Femme au Chapeau: A Modern Scandal, SFMOMA, San Francisco, 16 May-7 Sep; Marcel Duchamp, MoMA, New York, 12 Apr-22 Aug; Mary Cassatt: An American in Paris, National Gallery of Art, Washington, DC, 14 Feb-30 Aug; Mary Cassatt: After Impressionism, Art Institute of Chicago, 6 Sep-3 Jan 2027; Modern Iran and the Avant-Gardes, 1948-78, Vancouver Art Gallery, 11 Dec-2 May 2027; Spectrosynthesis Seoul, Art Sonje Center, Seoul, 20 Mar-28 Jun; Carol Bove, Solomon R. Guggenheim Museum, New York, 5 Mar-2 Aug; New Humans: Memories of the Future, New Museum, New York, opens early 2026; Hurvin Anderson, Tate Britain, 26 Mar-23 Aug; Tracey Emin: A Second Life, 26 Feb-31 Aug; Ana Mendieta, Tate Modern, London, 9 Jul-10 Jan 2027. Hosted on Acast. See acast.com/privacy for more information.

Day 1,399. Today, President Zelensky has revealed details of the proposed peace plan worked out between US and Ukraine delegations last weekend in Miami, that is due to be put to Russia later today. Plus, since it's Christmas Eve, something a little different: a special look at the Ukrainian art scene, past and present.We begin with the generation of Ukrainian artists at the dawn of the 20th century who helped drive the Modernist movement, breaking with centuries of figurative tradition and pushing art decisively into modernity. We examine how artists are later reclaimed by national narratives – and why – as well as how the full-scale invasion has reshaped the global art market. We then turn to Ukraine's contemporary art scene, focusing on one young, emerging artist and exploring how their generation, and their creativity, is being transformed by the war.CONTENT REFERENCED:In the Eye of the Storm, Modernism in Ukraine, 1900–1930s, Royal Academy of Arts: https://www.royalacademy.org.uk/exhibition/eye-of-the-stormJames Butterwick. Ukrainian and Russian Art Expert: https://www.jamesbutterwick.com/PinchukArtCentre Prize 2025: https://prize.pinchukartcentre.org/enSIGN UP TO THE ‘UKRAINE: THE LATEST' WEEKLY NEWSLETTER:http://telegraph.co.uk/ukrainenewsletter Each week, Dom Nicholls and Francis Dearnley answer your questions, provide recommended reading, and give exclusive analysis and behind-the-scenes insights – plus maps of the frontlines and diagrams of weapons to complement our daily reporting. It's free for everyone, including non-subscribers.Subscribe: telegraph.co.uk/ukrainethelatestEmail: ukrainepod@telegraph.co.uk Hosted on Acast. See acast.com/privacy for more information.

#AD - Cork Street Galleries special episode!We meet art critic Louisa Buck to explore 100 years of Cork Street!Cork Street Galleries this year celebrates its centenary as a pioneering force in the art world, with 2025 marking 100 years as the iconic London art destination. A specially curated programme honours its rich legacy as the historic and enduring home of modern and contemporary art in London.In tribute to the centennial year, a first-of-its-kind initiative, a group exhibition entitled Fear Gives Wings to Courage was staged across all 15 galleries on Cork Street in the Summer, with each gallery presenting a response to a central theme conceived by Tarini Malik, curator of modern and contemporary Art at the Royal Academy of Arts, London.Fear Gives Wings to Courage has been commissioned in three parts as a response to the curatorial theme conceived by Malik. This is comprised of Fear Gives Wings to Courage Part I; a new edition of the Cork Street Galleries Banners Commission forming an outdoor element of the exhibition on view until the end of 2025; Fear Gives Wings to Courage Part II; a presentation of works within each participating gallery space, on view from 11 to 25 July 2025; and Fear Gives Wings to Courage Part III; CATALOGUE Issue 8:0, guest-edited by Malik, which coincided with Frieze London 2025.Taking its title from Jean Cocteau's seminal 1938 work La peur donnant des ailes au courage(Fear Giving Wings to Courage), the exhibition celebrates 100 years of Cork Street and the transformative potential of artists' voices both within gallery spaces and outside of them. Gesturing to the street's long-established cultural history, the exhibition's theme recalls Cork Street's pioneering role in transforming London into a hub for international art practices in the twentieth century, while also making it one of the key platforms in Europe for the expansion of Surrealist and Dadaist movements.13 years after Freddy Mayor established the first gallery on Cork Street in 1925, Peggy Guggenheim opened her 'Guggenheim Jeune' gallery in 1938. While hosting her first show with the famed polymath Jean Cocteau, the gallery stirred up significant controversy due to his painting La peur donnant des ailes au courage (Fear Giving Wings to Courage), which was confiscated by British customs authorities upon arrival in the United Kingdom. Similarly, this exhibition nods to the necessity of the gallery ecosystem in encouraging, upholding and presenting artists' practices that are assertions of agency in the face of societal and political pressures. The galleries on Cork Street were asked to respond to the theme with artists' work that can be thought of as emblematic of Cocteau's unabashed vigour and Guggenheim's abiding belief in supporting artists. The galleries were also encouraged to profile artists who continue to draw from the legacies of Surrealism, not as a mere style or movement within the Western canon, but rather as a state of mind; a fluid, boundless approach of navigating notions of the self and society that transgress borders and temporalities. Follow @CorkStreetGalleries and Visit http://CorkStGalleries.com to discover more about this history of Cork Street as well as current exhibitions! Follow Louisa Buck on her Instagram @LouBuck01 Hosted on Acast. See acast.com/privacy for more information.

Michael Sheen is an award-winning actor.After finding his love for the stage with the West Glamorgan Youth theatre as a teenager, he studied at the Royal Academy of Dramatic Art in London. He spent the 1990s making a name for himself as a stage actor, shining in the classics from Romeo and Juliet to Peer Gynt as well as in 20th century masterpieces such as Look Back in Anger and Amadeus, receiving several Olivier Award nominations along the way.A relocation to the US in the early 2000s with his then partner, the actress Kate Beckinsale, and their young daughter Lily prompted a move into films. His breakthrough came in 2003 when he portrayed Tony Blair in a Stephen Frears film called The Deal. It was the beginning of what became an unlikely specialism: morphing into real people from recent history: Kenneth Williams, David Frost, Brian Clough, Chris Tarrant, and Prince Andrew – with two more outings as Tony Blair thrown in for good measure.Michael was born in Newport, South Wales, in February 1969, the eldest of two children to Meyrick and Irene. He grew up in Port Talbot from the age of eight and considers it his hometown. His first love was football, and he was spotted as youngster by an Arsenal talent scout to play for their youth team. His parents decided against moving the family to London and he turned to acting instead and graduated from RADA in 1991.Alongside the classic dramas, his range extends to appearing in fantasy and science fiction films such as The Twilight Saga and Tron: Legacy. Michael has said that the most meaningful project to him was a modern restaging of the passion play in Port Talbot in 2011, which involved the participation of a thousand local people, because it opened his eyes to the difficulties many of them were experiencing. He has since used his own money to fund the 2019 Homeless World Cup in Cardiff and set up an organisation which supports community groups. Michael lives in Wales with his partner, the actress Anna Lundberg, and their two young daughters. DISC ONE: Vienna - Ultravox DISC TWO: The Ecstasy Of Gold - Ennio Morricone DISC THREE: Desire - Talk Talk DISC FOUR: Gimme Shelter - The Rolling Stones DISC FIVE: Ready for Drowning - Manic Street Preachers DISC SIX: Passion - Peter Gabriel DISC SEVEN: Dark Secret - Lau DISC EIGHT: Oh Yeah - Yello BOOK CHOICE: The Hero with a Thousand Faces by Joseph Campbell LUXURY ITEM: A football CASTAWAY'S FAVOURITE: Vienna - Ultravox Presenter: Lauren Laverne Producer: Sarah TaylorThere are more than 2000 programmes in our archive available for you to listen to. We have cast away other notable actors including Sir Anthony Hopkins and some of the people Michael has played including Kenneth Williams, Chris Tarrant and Tony Blair. You can find all those episodes and more by searching BBC Sounds.