Podcasts about royal academy

Richard Lucas hosts a compelling discussion with celebrated British entrepreneur and author David Cleevely. In this insightful podcast, Richard and David dive into Cleevely's book, 'Serendipity: It Doesn't Happen by Accident,' exploring how environments can be engineered to foster luck. Richard guides the conversation as David explains the puzzle that inspired the book: why significant entrepreneurial ventures repeatedly emerge from seemingly chance encounters in hubs like Cambridge. They discuss the characteristics, systems, and culture—including the crucial role of values of generosity and kindness—that enhance the likelihood of serendipitous, high-impact collaborations. David Cleevely's book, 'Serendipity: It Doesn't Happen by Accident,' explores the idea that environments can be engineered to foster luck, leading to entrepreneurial success through serendipitous, high-impact collaborations. LinksHis book 'Serendipity: It Doesn't Happen by Accident” is available here and from all major booksellers,David Cleevely CBE FREng, FIET is the Chairman of the Raspberry Pi Foundation. He is the founder of telecoms consultancy Analysys (acquired by Datatec International in 2004). co-founded the web based antibody company Abcam (ABC.L) with Jonathan Milner and was Chairman until November 2009 which was acquired by Danaher for US$5.7 billion in 2023. He has co-founded several other companies and is Chairman of two of them..He has been active in promoting Cambridge. He was a prime mover behind Cambridge Network, co-founder of Cambridge Wireless, co-founder and Chairman of Cambridge Angels, Founding Director of the Centre for Science and Policy at the University of Cambridge and Vice Chair of the Cambridgeshire and Peterborough Independent Economic Commission. Other policy work has included membership of the IET Communications Policy Panel, the Ofcom Spectrum Advisory Board and the Enterprise Committee and the National Engineering Policy Group at the Royal Academy of Engineering. From 2001 to 2008, he was a member of the Ministry of Defence Board overseeing information systems and services (DES-ISS, formerly the Defence Communications Services Agency). In addition to Raspberry Pi, his charitable work includes the Cambridge Science Centre, which he helped set up and fund in 2013 and continues as Chair. Richard Lucas, the host of this NBN channel, is founder of CAMentrepreneurs—a network supporting entrepreneurship globally among Cambridge University Alumni and others through locally led chapters. CAMentrepreneurs - Peter Cowley legacy  Books and articles mentioned in the podcast Connected: The Surprising Power of Our Social Networks and How They Shape Our Lives by James H. Fowler PhD (Author), Nicholas A. Christakis The Strength of Weak Ties Mark S. Granovetter Gov. Pritzker Commencement Address: Kindness is intelligence Cambridge Angels Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Art from the circle of friends, family and teachers of artist Mrinalini Mukherjee is now on show at London's Royal Academy, alongside her giant hemp sculptures. Sheetal Parmar hears about the planning behind transporting such delicate works and about the influences behind the creation of her natural forms. This episode of The Documentary, comes to you from In the Studio, exploring the processes of the world's most creative people.

Louise Jameson is a classically trained actress whose first love is the stage—she spent two years with the Royal Shakespeare Company at the beginning of her career—but she also became known to millions of British television viewers through her roles in such hugely popular television series as Doctor Who, Tenko, Bergerac  and  EastEnders. Her recent theatre credits include Vincent River and directing the UK tour of Revenge. Her audio credits include Doctor Who (Big Finish), writing ATA Girl, about the women of the Air Transport Authority during World War II, and  multiple titles for BBC Audio and Audible. Louise talks with me about her unusually young start at the Royal Academy of Dramatic Art, and how her training continued at the Royal Shakespeare Company, how her Doctor Who character, Leela of the Sevateem, reflected the feminism of the 1970s (and how she didn't), how she started writing, and what she thinks of the opportunities for—and representation of—women in film and TV over the years. If you want to watch this conversation, you can see it here on YouTube!   Episode breakdown: 00:00 Introduction 04:00 Louise describes childhood creativity, daydreaming, and reading early. 08:00 Drama school, age gap with classmates, and strict discipline. 12:00 Acting requires teamwork; Louise reflects on early career. 16:00 Louise's Shakespeare passion, favorite roles and performance experiences. 20:00 Louise talks about landing Leela role in Doctor Who. 24:00 Doctor Who impacts life daily; gratitude for lasting connections. 28:00 Leela's feminist traits and costume choices, fighting stereotypes. 32:00 Leela's intelligence and evolution, relationship with other companions. 36:00 Influence of audio plays; Gallifrey series has strong female fandom. 40:00 Louise discusses writing, self-doubt, and encouragement from collaborators. 44:00 Directing stage, teaching drama; regrets and living in the now. 48:00 Shakespeare's rhythmic influence on Louise's writing and teaching. 52:00 Conversation shifts to social media, attention economy, and technology. 56:00 Louise analyzes Shakespeare's poetic technique and its storytelling power. 01:00 Louise explains collective magic of live theater and storytelling. 01:04 Progress and ongoing challenges for women in TV and film.   Want more? Here are handy playlists with all my previous interviews with guests in writing, theatre, and Doctor Who.   Check out the full show notes (now including transcripts!) at fycuriosity.com, and connect with me and fellow creatives on Substack. Please leave a review for this episode—it's really easy and will only take a minute, and it really helps me reach new listeners. Thanks! If you enjoyed our conversation, I hope you'll share it with a friend.

Olga Roberts is a former professional ballet dancer and Master Pilates Teacher whose career spans Europe, Australia, and the United States. She was accepted into the Birmingham Royal Ballet at the age of 13 and later trained at the Rambert School of Ballet and Contemporary Dance under former principal dancers Margaret Porter, Anya Linden, and Diana Vere, all partners of Rudolf Nureyev. Her contemporary training included techniques developed by Martha Graham, Merce Cunningham, and Gaga, alongside choreography studies under Dr. Ross McKim, former Artistic Director of Rambert School.Olga holds a Foundation/BA (Hons) Degree from Rambert School and a specialist Teaching Diploma in Contemporary Dance from the Laban Centre in London. She began Pilates training at the age of 11 and later completed 2.5 years of Master teaching Pilates training in Body Control Pilates under Master Teacher Jenny Colbourne, a second-generation Pilates educator trained by Joseph Pilates' protégé Jerome Andrews. She also trained with Master Pilates Teacher Dreas Reyneke, who worked with principal dancers of The Royal Ballet.She is the founder of Body Intelligence Pilates, an advanced movement and conditioning method designed for dancers, athletes, and rehabilitation clients. Olga is an active member of the Royal Academy of Dance (RAD), Pilates Alliance Australasia, and the International Association of Dance Medicine (IADM).In this episode, we discuss: Why Intelligence Beats Intensity in MovementDiscipline of Ballet, Wisdom of PilatesThe Real Core: Beyond Six Packs Alignment Isn't Aesthetic - It's Transformational Why the Right Teacher Isn't OptionalWith podcast host Mark SephtonHope you'll enjoy the episode! Hosted on Acast. See acast.com/privacy for more information.

Laughter may be one of the most powerful tools we have for navigating stress, burnout, and the weight of modern life. In this conversation, I had the pleasure of sitting down once again with Sir James Gray Robinson to explore why humor, self-awareness, and gratitude matter far more than most of us realize. James and I talk about how easily we lose the ability to laugh at ourselves, how that loss feeds stress and burnout, and why taking life too seriously often does more harm than good. Along the way, we reflect on comedy, culture, trauma, and the simple truth that being able to laugh can shift perspective faster than almost anything else. James also shares what he has learned from years of coaching high-stress professionals, especially lawyers, about how laughter resets the nervous system and opens the door to better problem solving. We talk about gratitude as a powerful antidote to fear and anger, the role artificial intelligence can play as a daily tool for perspective, and how self-reflection helps us separate reality from the stories our minds create. We even explore James's work with an ancient royal order dedicated to service and philanthropy. I believe you will find this conversation thoughtful, grounding, and surprisingly uplifting, because at its core, it reminds us that joy, humor, and connection are not luxuries. They are essential to living an unstoppable life. Highlights: 00:59 – Learn why losing the ability to laugh at yourself creates stress and emotional rigidity.04:26 – Understand the difference between witty humor and humor that harms rather than heals.11:03 – Discover how laughter resets the nervous system and interrupts burnout patterns.15:35 – Learn why gratitude is one of the strongest tools for overcoming fear and anger.16:16 – Hear how artificial intelligence can be used as a daily tool to shift perspective and invite joy.35:19 – Understand how burnout often begins with internal stories that distort reality and fuel stress. About the Guest: Sir James Gray Robinson, Esq. is an award winning third-generation trial attorney who specialized in family law and civil litigation for 27 years in his native North Carolina. Burned out, Sir James quit in 2004 and has spent the next 20 years doing extensive research and innovative training to help others facing burnout and personal crises to heal. He has taught wellness, transformation, and mindfulness internationally to thousands of private clients, businesses, and associations. As a licensed attorney, he is focused on helping lawyers, professionals, entrepreneurs, employers, and parents facing stress, anxiety, addiction, depression, exhaustion, and burnout. Sir James is a highly respected speaker, writer, TV personality, mentor, consultant, mastermind, and spiritual leader/healer who is committed to healing the planet. He possesses over 30 certifications and degrees in law, healing, and coaching, as well as hundreds of hours of post-certification training in the fields of neuroscience, neurobiology, and neuroplasticity, epigenetics, mind-body-spirit medicine, and brain/heart integration. Having experienced multiple near-death experiences has given him a deeper connection with divinity and spiritual energy. Sir James regularly trains professionals, high-level executives, and businesspeople to hack their brains to turn stress into success. He is regularly invited to speak at ABA and state bar events about mental and emotional health. His work is frequently published in legal and personal growth magazines, including the ABA Journal, Attorneys-at-Work Magazine, and the Family Law Journal. Sir James has authored 13 books on personal growth and healing, including three targeting stressed professionals as well as over 100 articles published in national magazines. He has produced several training videos for attorneys, executives, entrepreneurs and high-level professionals. Sir James has generously endowed numerous projects around the world to help children, indigenous natives, orphans and the sick, including clean water projects in the Manu Rain Forest, Orphanages, Schools and Medical Clinics/Ambulances in India, Buddhist monks in Nepal, and schools in Kenya, Ecuador, and Puerto Rico. In addition to his extensive contributions, Sir James produced and starred in three documentaries that will be released in 2024, focusing on healing, mental and emotional health. The first, "Beyond Physical Matter," is available on several streaming platforms, including Amazon Prime. The trailer can be found at www.BeyondPhysicalMatter.com. The second, “Beyond the Mastermind Secret”, is scheduled for release in the fall of 2024. The trailer can be found at https://BeyondMastermindSecrets.com/. The third, “Beyond Physical Life” is scheduled for release at the end of 2024. The trailer can be found at https://beyondphysicallife.com/. He has formed an entertainment media production company known as Beyond Entertainment Global, LLC, and is currently producing feature length films and other media. In recognition of his outstanding work and philanthropy, Sir James was recently knighted by the Royal Order of Constantine the Great and Saint Helen. In addition, Sir James won the prestigious International Impact Book Award for his new book “Thriving in the Legal Arena: The Ultimate Lawyer's Guide for Transforming Stress into Success”. Several of his other books have won international book awards as well. Sir James was recently awarded the President's Lifetime Achievement Award by President Joe Biden for his outstanding service to his community, country and the world. He will be awarded the prestigious International Humanitarian Award known as Men with Hearts, in London, England in the fall of 2024, as well as Man of the Year and Couple of the year with his wife, Linda Giangreco. Sir James has a wide variety of work/life experiences, including restauranteur, cattle rancher, horse trainer, substance abuse counselor, treatment center director, energy healer, bodyguard, legal counselor for several international spiritual organizations, golfer and marathon runner. He graduated from R.J. Reynolds High School in 1971, Davidson College in 1975 and Wake Forest University School of Law in 1978. Ways to connect with Sir James**:** FB - https://www.facebook.com/sirjamesgrayrobinson  IG - https://www.instagram.com/sirjamesgrayrobinson/  TikTok - https://www.tiktok.com/@sirjamesgrayrobinson?_t=8hOuSCTDAw4&_r=1 Youtube - https://www.youtube.com/@JamesGrayRobinson LinkedIn - https://www.linkedin.com/in/gray-robinson-/ About the Host: Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog. Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards. https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/ accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/ https://www.facebook.com/accessibe/ Thanks for listening! Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below! Subscribe to the podcast If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset . Leave us an Apple Podcasts review Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts. Transcription Notes: Michael Hingson  00:00 Access Cast and accessiBe Initiative presents Unstoppable Mindset. The podcast where inclusion, diversity and the unexpected meet. Hi, I'm Michael Hingson, Chief Vision Officer for accessiBe and the author of the number one New York Times bestselling book, Thunder dog, the story of a blind man, his guide dog and the triumph of trust. Thanks for joining me on my podcast as we explore our own blinding fears of inclusion unacceptance and our resistance to change. We will discover the idea that no matter the situation, or the people we encounter, our own fears, and prejudices often are our strongest barriers to moving forward. The unstoppable mindset podcast is sponsored by accessiBe, that's a c c e s s i capital B e. Visit www.accessibe.com to learn how you can make your website accessible for persons with disabilities. And to help make the internet fully inclusive by the year 2025. Glad you dropped by we're happy to meet you and to have you here with us. Michael Hingson  01:17 Well, hi everyone, and welcome to another edition of unstoppable mindset. And we're doing something today we haven't done too often, but we've done it a few times. We are having a second conversation with James Gray Robinson, actually, sir, James Gray Robinson, and we're going to talk about that part of it today we did last time, but I'm going to start actually a little bit different way. You and I were just talking about humor. We were talking about Mel Brooks, because I, when you came into the to the room, I said, What in the wide, wide world of sports is it going on here, which is a very famous line from Blazing Saddles. And you pointed out that that movie probably couldn't be made today, and I agree. But why do you think that is Sir James Gray Robinson, Esq  02:10 I think that we've become so disenchanted with ourselves that everything's offensive now, I think back when we and when I grew up in the 50s and 60s, people had so many really, you know, life threatening things to think about, like atomic war and, you know, it just seems like people have shifted their consciousness away from having a good time to simply having to be right all the time. And so we've lost the ability to laugh at ourselves. I mean, one of my favorite lines is, if you think Talk is cheap, you've never talked to a lawyer. And the thing is, is that I'm a lawyer, and I find that incredibly funny, yeah, because if you can't laugh at yourself, then you really are going to struggle in life, because a lot of times, things don't work out the way that we anticipated or wanted them to. And there's a couple of different ways that we can react to that or respond to that. There's a I found that people are losing the ability to take responsibility for themselves and that they blame everything on everybody else. We're raising a nation of victims, and victims are not going to laugh at anything. So what we, I think, what we have to do is we have to start teaching our children how to have a sense of humor. If something doesn't happen the just the way we want it to, then laugh at it. It doesn't have to, you know, unless it's pain, you know, if it's physically abusive or something, then you know. But the thing is, we're trying to helicopter parent everything, and we all get so upset when somebody says something off the cuff or maybe without fully thinking through what they're saying. So it's, it's just unfortunate that there are many, many things in life I think could be avoided with just a good chuckle and go ahead. Well, I was just going to say, you know, like if somebody said to me, you're. Eyes on wrong I'd laugh because it would what difference does it make? But what my tile looks like? Yeah, and I would just laugh, and I would laugh at me, and I would laugh at them, because somebody thought that there was something wrong with that, yeah. Michael Hingson  05:21 Well, what about people like Don Rickles? You know, who, who was always known for insulting everyone and being an obnoxious character. What do you think about him? Sir James Gray Robinson, Esq  05:36 I you know the thing is, is that he was offensive, but he wasn't, what's the word? I would say he he wasn't profane, because he never cursed at anybody. You know, I've watched a couple of roasts. You know, they call them roast, right? They get a bunch of people together, and they make fun of somebody. And back in the day, when Don Rickles and Johnny Carson, Milton, burl, rich, little even, what couple of committee is, I can't think of, but they were extremely witty, and they were perhaps offensive, but they weren't necessarily insulting to the point where you It's not Funny. And I think we've got and we've gone to the point where we now are seeing these roasts. And I thought I saw Tom Brady's roast. Actually paid to watch it, and it was the most profane, you know, unfunny, hurtful, hour and a half I think I've ever watched, and it just I didn't smile once. I just was wincing the whole way through, wondering why people think that sort of nonsense is funny. Michael Hingson  07:19 Well, I asked about Don Rickles, because I saw an interview with him on the Donahue show, when Phil Donahue had his TV show, one of the things. And after he said this, I thought about it, and of course, never really was able to see in person, but I believed him. Don rickel said, Look, I never pick on someone if I think they're going to be offended. He said, If I see somebody in the audience and start picking on them and it looks like they're taking offense or they're getting angry about it, I won't pick on them anymore. And he said I might even go talk with them later, but he said I won't pick on them anymore. And I thought about that, he said, I will never there are lines I won't cross, which is some of what you just said. But he really was absolutely adamant about the fact that he didn't really want to insult people. He wanted people to have fun, so he always looked for people in the audience who would laugh at what he had to say and how he and how he abused them and so on. He said those are the people that he really liked to to interact with because they weren't taking offense, which I thought was a very intuitive and interesting concept on his part. And if you really want to talk about a comedian who was never profane no matter what he did or happened to him, later, think about Bill Cosby, Sir James Gray Robinson, Esq  08:49 yeah, and or Red Skelton, or Red Skelton, yeah, that was and always, he would always end up with God Bless. And the thing that amazes me about today's comedy is how much violence. There's a subtle undercurrent of violence under all of their humor. And it's, you know, they're kind of like laughing at somebody who is hurt or is not as intelligent as the comedian thinks he is. Or, you know, they're making fun of stuff just to be hurtful. And it's not, you know, they've lost the connection between being taken taking fun, making fun of somebody and being hurtful. And I just amazed when I see a lot of comedians today. I mean, there's lots of very witty, very intelligent, grand guffaw producing comedy out. There. And it's, there's some, they're very, very talented comedians out there, but then there are the other people that want to drag you through the Michael Hingson  10:07 mud, yeah? And it's all shock. It's all shock, yeah, Sir James Gray Robinson, Esq  10:12 and intentionally offend you to, I guess it's some kind of power play, but it's simple. You know, people, I think that people actually are so traumatized that they they think it's funny when somebody traumatizes somebody else. Michael Hingson  10:34 Well, I Oh, Sir James Gray Robinson, Esq  10:35 go on. No, go right ahead. Michael Hingson  10:38 I I never got to see Don Rickles live, although I would have loved to, and I would love to have paid the money to sit in the front row, hopefully, hoping that he would pick on me so I could jump up and say, Yeah, I saw you once on TV. I took one look at you and haven't been able to see since. What do you think about that? Sir James Gray Robinson, Esq  11:02 Never that would be appropriate, yeah? I mean, because he'd love it, you're making fun, yeah, you're making fun of him, and you're making fun of yourself. And that's what I call self depreciating humor. He where the jokes, yeah, the joke really is about you. It's not about him, yeah, and it's in it, so it's people probably wouldn't take offense to that. But when people sit there, you know, start poking fun at how people look or what they their educational level, or their, you know, cultural background is I, I just don't get that. I mean, it's and I grieve that we're turning into bullies. Well, you know, and it's, it's unfortunate you Michael Hingson  11:52 you've dealt a lot, especially over the last 20 years, with burnout and things like that. Do you think that what's happening in in society based on what you're talking about, with the lack of humor, without self deprecating environments and all that. Do you think that's because it's stressful, contributing to burnout? Sir James Gray Robinson, Esq  12:14 Yes, I think, well, we again, we take ourselves way too seriously. The one thing that I've noticed, especially with my clients, is when I can get them to laugh, they start to take a different perspective of their life. But when they think everything that they're what I call they're stuck in Warrior mode. There's, you know, we have a, don't know if we talked about this last time, but we have a nervous system that goes one or two ways. It either goes to fight or flight, called the sympathetic nervous system, where you know you're reacting to everything in a negative way, because it's a matter of survival, or we go to the parasympathetic nervous system, which is the fun part of our psyche, and we can enjoy ourselves, but everybody is so scared of something there that they the body cannot stand That level of stress for years. I mean, that's what burnout is, and it it tears your body apart until it actually turns off. And that's what happens when you burn out. We used to call it nervous breakdown, but, you know now it's burnout. But the point is, is you just wear yourself out because you don't have anything that will break the constant stream of stress, and one of the best ways that you can handle stress is to laugh. Laugh at yourself, laugh at something, a joke, laugh at whatever you find stressful, because it breaks that autonomic nervous system response. And if you can reset yourself every now and then that you know, one of the ways I teach people how to deal with stress is to research jokes. Go buy a good joke book, and you can go and find enough. You know, all you need is a couple of jokes to start the day, and you're going to be in a much better frame of mind going to work or dealing with whatever you have to deal with. If you've laughed at least once before you go to work, because that that engages your parasympathetic. I call it the guru. And you can deal with adversity. You can deal with problems. You can actually problem solve. You. And but when we're stressed out because we're afraid of what's going to happen, we're afraid of making mistakes, and we're afraid of what somebody's going to think of us, then we are just going to end up in a very bad place, mentally and emotionally and physically. So it's, you know, one of the things that you can do, as if you're having to deal with stress on a daily basis, is to just remember how to be grateful. I mean, I think that of all the emotions, gratitude is probably the most powerful one there is because it will overcome fear, it will overcome anger, it will overcome shame, it will overcome guilt, it will overcome envy, all the negative emotions cannot stand up to gratitude. And so if you can learn to be grateful, and especially grateful for the struggle, then you are going to be a happy camper, and you can probably learn to laugh, until you can be grateful though you're going to struggle. And that's we're not designed to do the struggling. We're designed to have fun. I mean, that's people always say, what are my purpose, you know? And why am I doing here? And I said, you only have two purposes in life. One is to breathe, and the other one is to laugh. Everything else is just a complication. So if you just remember that, if you can be grateful and laugh once in a while, you're going to be a lot better off than somebody that takes it too seriously, Michael Hingson  16:44 yeah, well, and you, you must see a lot of it, because I know you, you do a lot of coaching and working with especially lawyers, which is a very stressful situation, especially people who are truly dedicated to the Law and who look at it in the right way, there must be a lot of stress. How do you get them to relax? I like the idea of getting a joke book. I think that's that's cute, and I think that that makes a lot of sense. But in but in general, how do you get people to laugh and to do it as a habit. Sir James Gray Robinson, Esq  17:24 Well, I've been doing this for 20 years, so my answer 20 years ago is probably a little different than the answer I have now. Artificial Intelligence is my friend, because I can, I can do anything with artificial intelligence. And one of the best ways I, you know, I program my artificial intelligence to to respond, to react and to know who I am. I put, I put all of my books onto artificial intelligence. Every time I write an article, I put it in there. I'm always talking to it. I'm always saying, Well, this is the way I feel about this. This is the way I feel about that. This is what this is funny to me. This something happened to me today that is was really funny. And then I tell it what was funny. And I would program this thing. So the next, when I wake up in the morning, I can just ask it tell me something that'll make me laugh, and it always has something that will make me laugh. And so because it can, not only does it know what I fed into it, it knows everything that's on the internet, right? And so you can, you can get a, you know, something funny, something to start your day, make me glad to be alive, you know, tell me something that'll make me grateful. All those things. It'll, just in a millisecond, it'll be on your screen, yeah. And so it's, that's a tool we obviously didn't have even a year ago, but 20 years ago, it was a little bit more depth, a little bit more effort to find these things. But you could, you could do that. I mean, we did have the internet 20 years ago, and so we, we could go looking and go searching for funny stuff. But it's not as easy as is artificial intelligence, so you know. And if you I'll tell you one thing, it's been a real tool that has been very useful for me, because sometimes if I'm not sure what I should say, my old my old motto was, if you don't know what to say, shut up. But now I asked, I asked, and I'm not sure what, how I should respond to this. What do you suggest? And it'll come up with some. Give me five things that I could say. Michael Hingson  19:59 Does it do? Will tell you, does it ever tell you should just shut up? Just checking yes, yes. Sir James Gray Robinson, Esq  20:04 Okay, good, good for you. Don't say any. Don't say anything, you fool. But the point is, is that it's got, you know, every book that's ever been written about psychology in its database, so you can find things that would make you sound wise and profound. And I use it all the time to figure out what to say, or to how a better way to say something is Yeah, and that way I've managed to stay pretty much out of trouble by and, you know, it's like having a friend who you could ask, What should I say? And they would come back with a couple of answers that you know, then you can just decide yourself which one you should use, right? Michael Hingson  20:57 And you may, and you may, in addition, tweak it which which makes sense, because AI is, is a tool, and I, I am not sure that it is going to ever develop truly to the point where it, if you will, wakes up and and becomes its own true intelligence, Skynet Sir James Gray Robinson, Esq  21:24 on all the Terminator series, Michael Hingson  21:27 or or in Robert heinleins, the Moon is a Harsh Mistress. The computer woke up. It helped as a still my favorite science fiction book, and it was, if you've never read it, it's a story about the the moon in 2076 which had been colonized and was being run by the lunar authority back on Earth, it had no clue about anything. And so in 2076 the moon revolted, and the computer and the computer helped. So on July 4, 2076 it was a great movie or a great book. I'd love to see it dramatized. If somebody would do it the right way, I think it'd make a great radio series. But haven't done it yet. Sir James Gray Robinson, Esq  22:14 Well, Robert Highland is a genius. No doubt about that, Stranger in a Strange Land was big in my developmental years, yeah, and Michael Hingson  22:26 that was the book that came out right after the Moon is a Harsh Mistress. I still think the moon and harsh mistress is even a better book than Stranger in a Strange Land. But Stranger in a Strange Land really did catch on and and rightfully so. It was, it was very clever. Sir James Gray Robinson, Esq  22:42 Well, most people, I mean, you know, clean humor is a good place to start, yeah, because I think that all of the profanity that comedians rely on to shock people. And, you know, there are two ways that we have the laugh response one is, is that it shocks you in the sense that it makes you afraid, because it seems like a attack on you. It's a defensive mechanism that we have. It's not even if it's not funny, we will laugh, because that's our body's way of dealing with something that's really traumatic. The other way is when we something strikes us as funny because it's witty or clever, and that is more of a that's a less stressful response. And can we, we can laugh, and it's a more of a genuine response than one where we're basically traumatized, right? And I think that, and with everything else, is who? Who do you hang around? Who is your tribe? Who do you? Somebody was somebody said, some psychologist said, you know, show me 10 of your friends and I'll tell you exactly what your problem is, because the people you hang around will mirror what's going on in your interior landscape. And if you've got friends who are problematic, that means that there's some things on your psyche that you need to take a look at. And you know that, and it's especially people who have been traumatized early in life. Their coping mechanisms and their judgment is not so good, right? So they have to take a step back and look at well, are these people helping me? Are they hurting me? Because if you notice, a lot of traumatized people will surround themselves with traumatized people, and all they do is whip themselves in the lather. Are every day, and they get so melodramatic, and they get so upset about everything that's going on in life, they can't find any sense of humor or any sense of joy, yeah, and it's until they let go of those, those trauma responses they're they're pretty much in a hat, in a self repeating habit that is not going to be healthy. Michael Hingson  25:29 And I think you're absolutely right. It is very much about joy. And we, we should. We should find ways to be joyful and feel joy, and, of course, laugh and not take life so seriously. Unfortunately, there's so much going on today with people who clearly have no sense of humor, or at least they never exhibit it, that it tends to really be a problem. And unfortunately, I think we're all learning some really bad habits, or many of us are learning some very bad habits because of that. And I don't know what's going to break that cycle, but the cycle is going to have to break at some point. Sir James Gray Robinson, Esq  26:14 It will, unfortunately, a lot of times it takes a revolution, yeah, in order to replace old, unhealthy thought patterns with better thought patterns. You know, I'm reminded of the old saying that when an idiot tries to teach another idiot, you end up with two idiots. So you you have to be careful about who you're taking advice from, right? And so if, especially you know my my advice to anybody that's struggling and suffering is turn off your phone and turn off your TV, and if you know how to read, go read a book, because when you can get into a period of calm, quiet reflection, you're going to be able to make More sense out of what's going on in your life, and especially if you're reading a book that will explain to you the best way to deal with challenges, right? But just or just read a funny book, you know, something you know I find sarcasm and cleverness, extremely funny. So I love books like Forrest Gump, who who take extreme examples and turns them into funny scenarios, and they did a good Michael Hingson  28:01 job making that into a movie too. I thought, Sir James Gray Robinson, Esq  28:05 I mean, I tell you, I forget who the director was, but they were brilliant because they were able to spin a story that was honest. But it wasn't offensive, and you could laugh because of all of forests characteristics and everything else, but it was presented in the way that it wasn't, you know? It wasn't being mean, right? And it wasn't, being unkind, and so it was just a story of a man who ended up being a success, and it was more through Providence than anything else. You know, I love the Marx Brothers, oh, sure, because they always had a way of making fun of each other and making fun of other people and making fun of themselves that was truly humorous. And it was more sight gags. It was more, you know, one liners, and it wasn't by being mean to anybody. It was as about being very aware of what was going on. Michael Hingson  29:25 I'm trying to remember which movie it was. I think it was duck soup. Somebody fell into the water and she yelled, throw me a lifesaver. And so somebody threw her a lifesaver. That is a candy. Yeah, it's just so clever. It was clever. But, you know, one of the things that I enjoy is old radio shows, radios from the shows from the 30s, 40s and 50s, and the humor, again, was respectful of. Hmm, and they could pick on people to a degree, but it was never in a in a mean way, but just the humor was always so clever, and so I would, Sir James Gray Robinson, Esq  30:14 I would listen George and Gracie Allen, George, Jack Benny, Michael Hingson  30:19 Phil Harris, Sir James Gray Robinson, Esq  30:21 and you was his name, Jackie Gleason, Michael Hingson  30:29 Amos and Andy. And of course, people today have decided Amos and Andy are offensive because they say it's all about blacks, and you're insulting black people. If anybody would go back and look in history, the reality is that Amos and Andy probably was one of the most well, it was one of the most popular shows on radio to the point where, if you were in a movie theater on Saturday afternoon watching a movie, they would stop it when Amos and Andy came on and play the show, and it didn't matter what the color of your skin was. In fact, I asked an Amos and Andy expert one time, when did they stop referring to themselves as black or dark? And the reason I asked that is because the first time I was exposed to Amos and Andy was actually the Amos and Andy TV shows, and I didn't know they were black, and I learned later that they were taken off the air when people started becoming offended because there were two black people. But I asked this, this lady about Amos and Andy, and when did they stop referring to themselves as black? And she said, Well, probably about the last time that she was aware of where there was a reference to it was 1937 so for many, many years, if you decided that their voices were black people, then, then you did, but they didn't talk about black or white or anything else. And and so it was. It was a very interesting show. And one guy usually was trying to con the other one and the other, well, king fish would con Andy, who usually fell for it. But gee, how many shows with white people do we see the same thing. You know? The reality is that it was a very funny show by any standard. Sir James Gray Robinson, Esq  32:26 Well, Sanford and sons, Sanford, same thing. I mean, that humor was, it was cutting you know, anytime you get on a cutting edge type of program, you know, it's inevitable that somebody's going to take offense. But I always laughed out loud. I watched that show, and it wasn't because they were demeaning anybody. It was just watching people trying to get by and using their wits. And a lot of times it was, it was comical because it wasn't very clever, but it was just they were doing the best they could to make a living. They were doing the best they could to live in their society. And I always admired that. I mean, they never, and they were able to, I guess, touch on the aspect of racial inequality without burning the house down. And it was like always admired them. You know, Sanford and sons, the Jeffersons, all of those shows, how about all the family? If you want to talk all in the family too well they they were just, you could switch one script with the other because it was more about human beings being human than it was about what the color of your skin was, yeah. So, you know, I would invite anybody who is offended by something to really ask yourself, what is it that offends you? Because there's always something in your consciousness that you find offensive. You would never be offended by anything if you unless you found something within yourself that's offensive, whether because and it's called the psychological term is called projection. You're projecting on what you're perceiving, and it's called bias. We all have conclusions. We all have prejudice. We all have judgments. Our brain is built that way to keep us alive, and so we're always interpreting data and perceptions to see if there's any threat out there, and if, when we start taking words as threatening, then we've got a problem. Yep, and. But because things like comedy and humor shouldn't offend anybody, but because you believe in something that makes that offensive, that's why you're offended. And so it's really as useful to people to really think about what is it that I believe that makes that offensive? Because most of the time you will find that whatever it is that you believe may not be true, and it's just something that some kind of conclusion you've drawn because of your experiences, or what you've been taught or what you've witnessed that's given you a wrong idea about something. So I invite anybody who is mad or angry that they look and see what is that belief that is making you angry? Michael Hingson  35:59 Yeah, it gets back to self analysis. It gets back to looking at yourself, which is something that most of us haven't really learned a lot about how to do. How. How did you pick up all these, these kind of nuggets of wisdom and so on. Sir James Gray Robinson, Esq  36:19 Well, when I burn, when I had my nervous breakdown back in 2004 I quit practicing law for a while because I couldn't bear the thought of going into my office and fighting another day of the battles that trial lawyers always fight. Now I won't say that transactional lawyers don't have battles, but Trial Lawyers end up probably picking a few fights on their own that, you know, they didn't really need to go there, but they do because, you know, Trial Lawyers have a, You know, a talent for arguing they have it's exciting to most of them, and they love to fight. And so when? But eventually, if you don't know how to manage it, it will, yes, the key wear you down. Yeah. So I got out of the law business for a while, and instead, I decided I wanted to go find out. Number one, why did I burn out? And number two, how to heal it. And so I went and studied with a number of energy healers who were very, very conscious people. They were very, very aware. You might even say they were enlightened, but it was they were always teaching me and always telling me about whatever I'm experiencing on the outside is just a reflection of what's on the inside. And so it's not so much about somebody being right or somebody being wrong. It's just the world is a mirror to whatever is going on inside between our ears. Yeah, and it's not because it's we're seeing something that's not there, or we're not seeing something that is there. It's just simply, how do we process that information that comes in through our sense organs and goes into our amygdala, then the hippocampus and then to the rest of our brain to try to figure out and but it's well documented that the brain will see whatever the brain wants to See, and a lot of times it's not what the eyes see, because there are lots of experiments you can take with graphics and other things that are illusory. Because, you know, you can see these graphs or prints that look like a spiral that's going around and is moving, but it's actually circles. But the way our brain puts things together, it makes it move. And another way is sounds. If you don't know what a sound is? Your brain is going to make up a story about that sound. And it could be either That's the sound of a frog, or it could be the sound of a somebody getting attacked. It could be the sound of whatever your brain it has to put a label on it, because that's the way the brain has been wired over our couple of hundreds of 1000s of years of evolution. That's how we manage to stay alive, because we make up a story about stuff, and if we're accurate, we live. If we're not accurate, we don't. Yeah, so the a lot of people are very good at making up stories in their head about what they're seeing, hearing, tasting, smelling, whatever, because a lot of lot of smells will have psychological responses in our brain. So you know the smell of baby's milk or the smell of mown grass, or, you know smell of something rank, you always will have an instant story about what you just smell. And so when I would spend long periods of time thinking about these things, contemplating them, trying to figure out, well, what does that mean for me? I mean, how does that? How will it looking at this change my life? And basically, what I learned is is that the more objective you can be, the less you make up stories about stuff, the more successful you can be, and the more happy you'll be. Because, for example, there's a term called Mind reading, where people will be listening to somebody talking, and in the back of their mind, they're making up a story about what that person means, or they're making up a story about, well, where is this guy going with this? And it's, you know, it's, it's the opposite of listening, because when listening, you're focusing on the words you're hearing, yes, and then when it's your turn to talk, you can respond appropriately, but most people are thinking while they're hearing and it totally colors their experience, because if they think that this person doesn't like them, then they're going to interpret whatever is being said a certain way. If they think that person does like them, then they will interpret it a completely different way. So it's fascinating to me how people can get the wrong idea about things, because it just is a story that their mind made up to try to explain to them why they're experiencing what they're experiencing. Michael Hingson  42:25 That's why I like to really say that I've learned so much from dogs, because dogs don't do it that way. And as I tell people, dogs don't trust unconditionally. They love unconditionally, but they don't trust unconditionally, but dogs are open to trust, and they're looking for reasons to trust, and they also, by definition, tend to be more objective, and they react to how we react and how we behave and and I think there's so much to be learned by truly taking the time to observe a dog and how they interact with you and how you interact with them, and that's going to make a big difference in how they behave. Sir James Gray Robinson, Esq  43:11 Well, you could definitely see a difference in the dog's behavior if they've been traumatized. Michael Hingson  43:16 Oh, sure, that's a different story altogether. Sir James Gray Robinson, Esq  43:19 Yeah, I agree that dogs are extremely innocent. You know, they don't have an agenda. They just want to be loved, and they would, they want to love Michael Hingson  43:31 and they want to know the rules, and they then they're looking to us to tell them what we expect. And there are ways to communicate that too, yes. Sir James Gray Robinson, Esq  43:41 And you know you all have to is give as a great example of how we should treat each other. Is all you have to do is, you know, a dog will forgive you eventually. And if you're kind to a dog. A dog will just give his entire being to you. Yeah, and it because they don't have any Guile, they don't have any hidden agendas. They just want to be you know, they want to eat. They want to be warm. They want to have fun. They do want to have fun, and so if you treat them timely, you will have a friend for life. Michael Hingson  44:29 Yep, we adopted a dog. We cared for it for a while. It was a geriatric dog at Guide Dogs for the Blind who had apparently had never worked as a guide dog, and she had been mistreated and then sent back to Guide Dogs for the Blind. She was 12. The school was convinced she was totally deaf because she wouldn't react to anything. They dropped a Webster's Dictionary next to her, and she didn't react. But we took her and we started working with her, and. It took several months before she would even take a walk with Karen, and Karen in her, you know, in Karen's wheelchair, and this wonderful golden retriever walking next to her. But the more we worked with her, the more she came out of her shell. She wasn't deaf. I'm sure she was hard of hearing, but you could drop a dictionary and she'd react to it, and if you called her, she would come. But it is all about developing the relationship and showing that you care and they will react. And so she she lived with us for more than three years before she passed, but was a wonderful creature, and we were, we were blessed to have her. Sir James Gray Robinson, Esq  45:48 Well, go ahead. No, I was just going to comment that I've got three Pomeranians, and they run the place course. You know, it's there. It's amazing how a six pound dog can run your life, but Michael Hingson  46:03 you let them, but you still establish, but you still establish some rules and you know, but that's, that's, yeah, I have a cat who runs the place, but that's okay. Well, we have not talked about, and I do want to talk about it when I first started hearing from you, your emails were all signed, sir, James Gray Robinson, and I always was curious, and you eventually explained it to me. But why don't you tell us all about your title and and all of that? Sir James Gray Robinson, Esq  46:39 Well, since we last talked, I've had a promotion. Now I'm a baron, so it's Baron James Gray Robinson, Scottish, Baron of Cappadocia. But I belong to a royal order that's known as the Royal Order of Constantine, the great in st Helen, and it was established in 312, 312, 12. Ad, when Constantine, who was the emperor of the Eastern Roman Empire, conquered the Western Roman Empire, who it was brother who was the emperor of the Western Roman Empire, and they can then he consolidated the eastern and the western empires. And it was that way until 14 153 when they were defeated by the Solomon Turks. So for 1100 over 1100 years Well, let me back up. The most important battle in that war between the two brothers was the Battle of the Milvian Bridge, which was in Rome and Constantine awarded, rewarded 50 knights, 50 warriors, soldiers who fought on that campaign and carried the day against much superior forces. And he rewarded them by making them knights and giving them land in Turkey, in an area that's known as Cappadocia. And this, if you know anything about Turkey, there's an area which is honeycombed with caves that have been dug out over the millennia, and it's kind of like some body was doing some renovation work, and they broke through the floor, and they went into a cave system that would have been hand dug, and it goes down 17 layers, and it could house 30,000 people. But that was, that was Cappadocia and Constantine the Great charged these warriors with the with the duty to protect the Christian church, because that's because Constantine had converted to Christianity. His mother, Helen, was one of the driving forces in the early Christian church. She's the one that decided to build a cathedral on top of the the nativity, the manger, which is actually a grotto in Bethlehem, I've been there. I spent Christmas Eve there one year. And so the Christianity was just a fledgling religion, and he charged these nights and all successive nights, with the obligation to protect the Christians and to protect the churches. And so a lot of people credit the royal order with advancing the Christian religion. So it's been around since 312 and it's the oldest peerage and a peerage. Is a group of royalty that have knights. They have royalty like Dukes and nobles and that sort of thing. But if you look at other orders that we're aware of, the Knights of Balta didn't get established until about 1200 ad the Knights of the Templar nights, similar thing. They didn't get established till about 1000 years after we did. So it's a very, very ancient, very traditional order that focuses on helping abused women and traffic children. We have, you know, we have a lot of, you know, compassion for those people in the world, and so we are actively supporting those people all over the world. And then on the other side, we have the knights, and we have the women, equivalent of that are called dames, and then we have the nobles who are like barons and other ranks that go all the way up to a prince who is actually related To the King of Spain. So it's been a interesting history, but we can try, we can directly trace our lineage all the way back to 312 and what the you know, we have a couple of reasons for existing, one being the charitable, but also to honor people who have been successful and have accomplished a lot for other people and who care about their fellow man and women, so that we accept Anyone in eight different categories, everywhere from Arts to athletics to entrepreneurship to medicine to heroics. We have a number of veterans that were credible. Have incredible stories. We have a lot of A listers, movie stars, professional athletes, that sort of thing. Also philanthropy. I got in for philanthropy because I've given a lot of money over my life to help people all over the world, and that's one reason why I was awarded the Presidential Lifetime Achievement Award. But we're a group of people. We just today started a Royal Academy of Arts and Sciences because we want to help people all over the world learn things like finances and you arts and crafts and trades and so that people who are oppressed cultures that are in third world countries will be able to learn a good earn a good living, raise their status in life, and then learn how to go on and help other people. So that's very exciting. We've got a lot of things going on with the royal order that are we're growing very rapidly, where somebody said we're 1700 year old startup, but it's, you know, we've gone through some regime changes where people have died and there weren't any heirs, so they've had to go laterally to find somebody to take over. And that's where we are now. You know, interestingly enough, my sons will inherit my title, so it's a true royalty kind of thing, where it passes down by inheritance. But you know, we don't, you know we're, we're hundreds of people in our thing. It's like 300 people in our order right now. We'd like that to be 100,000 times that because we do good work and we foster principles of charity, silvery and honesty, so that we're trying to change the culture around us to where people don't take offense in everything that they're in a society that supports each other and that people can feel safe knowing that there's they have a brother or sister that will support them. Michael Hingson  54:57 Definitely fascinating. I was not familiar with it at all. All until you and I check, yes. Sir James Gray Robinson, Esq  55:03 Well, it's amazing that me. I guess you have to be somewhat of a history buff. Yeah, and there, and there are lots of service organizations like the Masons and the Shriners and every all the animal ones, the Moose Lodge, the beavers and all these people are doing, you know, charitable work. But not not. Many of them have a royal heritage that goes back to 312 right? So, and we do dress up like knights from time to time, and ladies, and we have swords and we have robes, and we have big parties, and we have gala events, and where we induct more people into our order, and it's all great fun, and it's, you know, and we raise money for charity. So it's a win, win situation. Cool, and it doesn't hurt having Baron on your resume. Michael Hingson  56:08 No, I am sure it doesn't well. I want to thank you for explaining that, and I want to thank you for being here again. This has been a lot of fun, and I'm glad that we had a chance to really talk about humor, which, which is more important, I think, than a lot of people realize. And again, if people want to reach out to you, how do they do that? Sir James Gray Robinson, Esq  56:31 My website is James Gray robinson.com Michael Hingson  56:36 There you go. Easy to spell, easy to get to. So I hope people will do that. And again, I hope that you all enjoyed today, and that you will let me know that you enjoyed it. Please feel free to email me at Michael h i at accessibe, A, C, C, E, S, S, i, b, e.com, please give us a five star rating. Go off and read history and learn about the royal order. I think that's probably relevant and important to do as well. And again, if anyone knows anyone who ought to be a guest on the podcast, please let us know. Introduce us. Give us a rating of five stars wherever you're listening. And again, James, I just want to thank you for being here. Excuse me, sir. James. Barron, James, really appreciate you being here, and we'll have to do it again. Sir James Gray Robinson, Esq  57:24 Well, Michael, my hat's off to you. I think you're doing amazing work. I think you're helping a lot of people. You have a great podcast I've gone on your website or your YouTube, and it's a lot of fun. And I think you're doing a great service for people. Michael Hingson  57:45 You have been listening to the Unstoppable Mindset podcast. Thanks for dropping by. I hope that you'll join us again next week, and in future weeks for upcoming episodes. To subscribe to our podcast and to learn about upcoming episodes, please visit www dot Michael hingson.com slash podcast. Michael Hingson is spelled m i c h a e l h i n g s o n. While you're on the site., please use the form there to recommend people who we ought to interview in upcoming editions of the show. And also, we ask you and urge you to invite your friends to join us in the future. If you know of any one or any organization needing a speaker for an event, please email me at speaker at Michael hingson.com. I appreciate it very much. To learn more about the concept of blinded by fear, please visit www dot Michael hingson.com forward slash blinded by fear and while you're there, feel free to pick up a copy of my free eBook entitled blinded by fear. The unstoppable mindset podcast is provided by access cast an initiative of accessiBe and is sponsored by accessiBe. Please visit www.accessibe.com . AccessiBe is spelled a c c e s s i b e. There you can learn all about how you can make your website inclusive for all persons with disabilities and how you can help make the internet fully inclusive by 2025. Thanks again for Listening. Please come back and visit us again next week.

It is the first episode of 2026. So we look ahead at the next 12 months with a guide to big museum openings, biennials and exhibitions. Ben Luke is joined by Jane Morris, editor-at-large at The Art Newspaper and Cultureshock, and Gareth Harris, chief contributing editor at The Art Newspaper, to discuss the key art fairs, major museum building projects and the top biennials of the year, and we pick our exhibition highlights.All of the events discussed and many more are featured in The Art Newspaper's guidebook The Year Ahead 2026, an authoritative look at the year's unmissable art exhibitions, museum openings and significant art events. Visit theartnewspapershop.com. £14.99 or the equivalent in your currency.Events discussed:ART FAIRS: Art Basel Qatar, Doha, Qatar, 5-7 Feb; Frieze Abu Dhabi, 17-22 Nov; MUSEUM OPENINGS: Guggenheim Abu Dhabi, date tbc; V&A East, opens 18 Apr; Los Angeles County Museum of Art (Lacma), opens Apr; Lucas Museum of Narrative Art, opens 22 Sep; Dataland, Los Angeles, opens spring; New Museum, New York, date tbc. BIENNIALS: Venice Biennale, In Minor Keys, 9 May-22 Nov; Arthur Jafa and Richard Prince: Helter Skelter, Fondazione Prada, Venice, 9 May-22 Nov; Marina Abramović: Transforming Energy, Gallerie dell'Accademia, Venice, 6 May-19 Oct; Whitney Biennial, opens 8 Mar; Greater New York 2026, MoMA PS1, 16 Apr-17 Aug; EXHIBITIONS: Gainsborough: The Fashion of Portraiture, Frick Collection, 12 Feb-11 May; Raphael: Sublime Poetry, Metropolitan Museum of Art, New York, 29 Mar-28 Jun; Zurbarán, National Gallery, London, 2 May-23 Aug; Michaelina Wautier, Royal Academy of Arts, 27 Mar-21 Jun; James McNeill Whistler, Tate Britain, 21 May-27 Sep, Van Gogh Museum, Amsterdam, 16 Oct-10 Jan 2027; Seurat and the Sea, Courtauld Gallery, ​​13 Feb-17 May; Peggy Guggenheim in London: The Making of a Collector, Peggy Guggenheim Collection, Venice, 25 Apr-19 Oct; Royal Academy, London, 21 Nov-14 Mar 2027, Cezanne, Fondation Beyeler, Basel, 25 Jan-25 May; Leonor Fini, Schirn Kunsthalle, Frankfurt, 22 Oct-28 Feb 2027; Hilma af Klint, Grand Palais, 6 May-30 Aug, Matisse 1941-1954, Grand Palais, Paris, 24 Mar-26 Jul; Chez Matisse: The Legacy of a New Painting, Caixa Forum, Barcelona, 27 Mar-16 Aug; Fratino and Matisse: To See This Light Again, Baltimore Museum of Art, 11 Mar-6 Sep; Matisse's Femme au Chapeau: A Modern Scandal, SFMOMA, San Francisco, 16 May-7 Sep; Marcel Duchamp, MoMA, New York, 12 Apr-22 Aug; Mary Cassatt: An American in Paris, National Gallery of Art, Washington, DC, 14 Feb-30 Aug; Mary Cassatt: After Impressionism, Art Institute of Chicago, 6 Sep-3 Jan 2027; Modern Iran and the Avant-Gardes, 1948-78, Vancouver Art Gallery, 11 Dec-2 May 2027; Spectrosynthesis Seoul, Art Sonje Center, Seoul, 20 Mar-28 Jun; Carol Bove, Solomon R. Guggenheim Museum, New York, 5 Mar-2 Aug; New Humans: Memories of the Future, New Museum, New York, opens early 2026; Hurvin Anderson, Tate Britain, 26 Mar-23 Aug; Tracey Emin: A Second Life, 26 Feb-31 Aug; Ana Mendieta, Tate Modern, London, 9 Jul-10 Jan 2027. Hosted on Acast. See acast.com/privacy for more information.

Professional dancer, choreographer, educator, and creative entrepreneur Sharon Kung is redefining what it means to build a sustainable and empowered life in dance. In this episode, Sharon shares her unconventional path through ballet, contemporary dance, higher education, and entrepreneurship, including the experiences that led her to found Ballet Trauma Club.We dive into honest conversations about dancer pay, burnout, artistic freedom, and the realities of building a long-term career in dance, along with how dancers can begin reshaping the industry from the inside out.Key Points in this Episode: Sharon's early relationship with dance and her training in Hong Kong through the Royal Academy of Dance Transitioning to the U.S. dance world and discovering contemporary dance at Juilliard Double majoring in dance performance and economics at UC Irvine and what dancers should consider before taking that path Her first professional contract with Thodos Dance Chicago and navigating cultural shifts in the industry Differences between dance work in the U.S., Europe, and Asia The inspiration behind Ballet Trauma Club and the conversations Sharon hopes to spark around sustainability, trauma, and pay equity in ballet Systems Sharon uses to avoid burnout while building a creative businessConnect with Sharon:Follow Ballet Trauma Club on Instagram: https://www.instagram.com/ballettraumaclub/Shop Ballet Trauma Club's Website: https://ballettraumaclub.com/ (Use code BBBTC15 for 15% off your purchase!)Follow Sharon on Instagram: https://www.instagram.com/its.sharonkung/Sharon's Personal Website: https://sharonkung.com/Links and Resources:Get 20% off your first order of ALOHA protein bars: https://aloha.com/BRAINYBALLERINAComplimentary Career Mentoring Consultation: https://www.thebrainyballerina.com/career-mentoringLet's connect!My WEBSITE: thebrainyballerina.comINSTAGRAM: instagram.com/thebrainyballerinaQuestions/comments? Email me at caitlin@thebrainyballerina.comThis episode was brought to you by the Pivot Ball Change Network.

Day 1,399. Today, President Zelensky has revealed details of the proposed peace plan worked out between US and Ukraine delegations last weekend in Miami, that is due to be put to Russia later today. Plus, since it's Christmas Eve, something a little different: a special look at the Ukrainian art scene, past and present.We begin with the generation of Ukrainian artists at the dawn of the 20th century who helped drive the Modernist movement, breaking with centuries of figurative tradition and pushing art decisively into modernity. We examine how artists are later reclaimed by national narratives – and why – as well as how the full-scale invasion has reshaped the global art market. We then turn to Ukraine's contemporary art scene, focusing on one young, emerging artist and exploring how their generation, and their creativity, is being transformed by the war.CONTENT REFERENCED:In the Eye of the Storm, Modernism in Ukraine, 1900–1930s, Royal Academy of Arts: https://www.royalacademy.org.uk/exhibition/eye-of-the-stormJames Butterwick. Ukrainian and Russian Art Expert: https://www.jamesbutterwick.com/PinchukArtCentre Prize 2025: https://prize.pinchukartcentre.org/enSIGN UP TO THE ‘UKRAINE: THE LATEST' WEEKLY NEWSLETTER:http://telegraph.co.uk/ukrainenewsletter Each week, Dom Nicholls and Francis Dearnley answer your questions, provide recommended reading, and give exclusive analysis and behind-the-scenes insights – plus maps of the frontlines and diagrams of weapons to complement our daily reporting. It's free for everyone, including non-subscribers.Subscribe: telegraph.co.uk/ukrainethelatestEmail: ukrainepod@telegraph.co.uk Hosted on Acast. See acast.com/privacy for more information.

In our final (and seasonal) episode for 2025, Christian and Mark Walker look back on the year's transport highlights [1:58].  Christian explores with Dr Steve Denton FREng, Vice President at the Royal Academy of Engineering, the report 'Reviving Our Aged Infrastructure' published by the National Engineering Policy Centre [16:10].  After a look ahead by our presenters into what 2026 may bring in transport policy and initiatives [35:30], Christian gives a shout out to everyone working to keep our networks functioning over the festive period [45:04].  Merry Christmas and a Happy New Year to all our listeners from the Calling All Stations team!

Dekiln CEO Dr Aled Roberts talked with Proactive's Stephen Gunnion about the company's breakthrough in sustainable ceramic tile production and how £3 million in funding from the Royal Academy of Engineering's Green Future Fellowship program will help scale the technology. Roberts explained that conventional ceramic tiles have a high carbon footprint due to the energy-intensive kiln-firing process. Dekiln has developed an alternative by mimicking natural processes seen in seashells and tooth enamel, creating tiles that function and feel like ceramics without requiring high-temperature firing. “Our materials are made with very high recycled content,” said Roberts. The tiles are manufactured using recycled gypsum, plastics, and calcium sulfate, combined with a bio-based active ingredient. This not only lowers energy input but significantly reduces carbon emissions in the manufacturing process. The funding will support Dekiln's transition from lab-scale production—currently at one square metre of tiles per day—to commercial-scale manufacturing. The company has recently moved into a new facility and upgraded to an entry-level commercial press, representing the first step in its scale-up journey. It now aims to work with a UK-based industrial partner to build a pilot plant. For more insights into Dekiln's progress and the Frontier IP Group, PLC (LSE:FIPP) innovative portfolio, visit Proactive's YouTube channel, and don't forget to like this video, subscribe, and enable notifications for updates on future interviews and company developments. #Dekiln #SustainableMaterials #GreenTechnology #NetZero #RoyalAcademyOfEngineering #ClimateTech #RecycledMaterials #CeramicInnovation #LowCarbon #Cleantech

In this episode of What The Luxe, Anant Sharma speaks with Stacey Langham, Head of Corporate & Luxury Partnerships at the Royal Academy of Arts, about how culture, commerce and philanthropy intersect when relationships are built for the long term. Stacey shares her journey from magazine publishing into the cultural sector, and how that perspective shapes the way she builds partnerships at the RA — not as sponsorships, but as collaborations rooted in shared values, creative ambition and cultural resonance. The conversation explores the Royal Academy's unique model: a fiercely independent institution with no public funding, home to the UK's only tuition-free postgraduate art programme, supported entirely through philanthropy and partnership. Together they discuss how luxury brands act as modern patrons and the responsibility that comes with cultural capital. A thoughtful look at how institutions with deep history can remain relevant — without compromising their values.

Broadway newcomer Wesley Wray, currently starring in Buena Vista Social Club, joins host Joel Crump for a new edition of Broadway Time at Carmine's. About Wesley: Wesley Wray (Young Ibrahim) Broadway debut! BFA Musical Theatre student at the University of Michigan (class of ‘26) and proud native of Miami, Florida. Wesley is a member of the Peter London Global Dance Company, celebrated for its distinctive Afro-Caribbean movement style. Wesley's extensive training includes studying at the Alvin Ailey School, where he honed his skills in Martha Graham, Lester Horton, and ballet techniques. He further developed his classical acting at the Royal Academy of Dramatic Art, where he not only performed as Amiens and Silvius in Shakespeare's As You Like It, but also composed the music for the production. While attending Michigan, Wesley has been seen in A Chorus Line (Mike Costa), Guys and Dolls (Harry the Horse), and most recently in Shaina Taub's Twelfth Night (Duke Orsino). His most notable film credit includes working as a stand-in for Little in the Oscar-winning film Moonlight. Wesley is thrilled to make his Broadway debut, originating a role in such a beautiful, culturally enriching production. He is deeply grateful to his community for supporting him in reaching this dream. IG: @wesleywwray "Broadway Time at Carmine's" features Broadway stars over lunch in engaging conversations at the iconic Carmine's Times Square eatery. For more, visit www.BWayTime.com, and follow:

David Harewood, who turned sixty this week, returns as Othello for the third time on stage. It's a role he first took on in 1997, becoming the first black actor to play the part at London's National Theatre. Growing up in multicultural Birmingham in the sixties and seventies, he was born to immigrants from Barbados. Described as gregarious by his teachers at school, Harewood showed an interest in entertaining from an early age and subsequently trained as an actor at the Royal Academy of the Dramatic Arts. In his early twenties, he had a psychotic breakdown, something he spoke about in a recent documentary. A string of roles in TV and film followed. And then came his breakthrough role as CIA agent David Estes in the acclaimed hit US TV show Homeland.Mark Coles looks back at his career. Contributors: Gary Turner – childhood friend Pete Mortiboys – school physical education teacher Jeremy Harrison – Royal Academy of the Dramatic Arts (RADA) classmate and friend Afua Hirsch – broadcaster, journalist and author of the book Brit(ish): On Race, Identity and Belonging Tom Morris – Theatre director and colleague Toby Jones – Actor and colleague Production team: Presenter: Mark Coles Producers: Ben Carter, Laura Cain Editor: Nick Holland and Justine Lang Sound: Gareth Jones Archive LIST COPYRIGHTED ARCHIVE USED Audio of David Harewood as Othello, 2025, Theatre Royal Haymarket, clean from trailer. David Harewood episode of BBC Radio 4 Desert Island Discs, 2022. David Harewood: Psychosis and Me documentary, 2019, for BBC, production company: Films Of Record Limited.

(posting late)  Derek Tremblay is here form Mt Royal Academy as we talk Thanksgiving, his door project, Hampton Beach renovations & back in the day, and lots more.

#AD - Cork Street Galleries special episode!We meet art critic Louisa Buck to explore 100 years of Cork Street!Cork Street Galleries this year celebrates its centenary as a pioneering force in the art world, with 2025 marking 100 years as the iconic London art destination. A specially curated programme honours its rich legacy as the historic and enduring home of modern and contemporary art in London.In tribute to the centennial year, a first-of-its-kind initiative, a group exhibition entitled Fear Gives Wings to Courage was staged across all 15 galleries on Cork Street in the Summer, with each gallery presenting a response to a central theme conceived by Tarini Malik, curator of modern and contemporary Art at the Royal Academy of Arts, London.Fear Gives Wings to Courage has been commissioned in three parts as a response to the curatorial theme conceived by Malik. This is comprised of Fear Gives Wings to Courage Part I; a new edition of the Cork Street Galleries Banners Commission forming an outdoor element of the exhibition on view until the end of 2025; Fear Gives Wings to Courage Part II; a presentation of works within each participating gallery space, on view from 11 to 25 July 2025; and Fear Gives Wings to Courage Part III; CATALOGUE Issue 8:0, guest-edited by Malik, which coincided with Frieze London 2025.Taking its title from Jean Cocteau's seminal 1938 work La peur donnant des ailes au courage(Fear Giving Wings to Courage), the exhibition celebrates 100 years of Cork Street and the transformative potential of artists' voices both within gallery spaces and outside of them. Gesturing to the street's long-established cultural history, the exhibition's theme recalls Cork Street's pioneering role in transforming London into a hub for international art practices in the twentieth century, while also making it one of the key platforms in Europe for the expansion of Surrealist and Dadaist movements.13 years after Freddy Mayor established the first gallery on Cork Street in 1925, Peggy Guggenheim opened her 'Guggenheim Jeune' gallery in 1938. While hosting her first show with the famed polymath Jean Cocteau, the gallery stirred up significant controversy due to his painting La peur donnant des ailes au courage (Fear Giving Wings to Courage), which was confiscated by British customs authorities upon arrival in the United Kingdom. Similarly, this exhibition nods to the necessity of the gallery ecosystem in encouraging, upholding and presenting artists' practices that are assertions of agency in the face of societal and political pressures. The galleries on Cork Street were asked to respond to the theme with artists' work that can be thought of as emblematic of Cocteau's unabashed vigour and Guggenheim's abiding belief in supporting artists. The galleries were also encouraged to profile artists who continue to draw from the legacies of Surrealism, not as a mere style or movement within the Western canon, but rather as a state of mind; a fluid, boundless approach of navigating notions of the self and society that transgress borders and temporalities. Follow @CorkStreetGalleries and Visit http://CorkStGalleries.com to discover more about this history of Cork Street as well as current exhibitions! Follow Louisa Buck on her Instagram @LouBuck01 Hosted on Acast. See acast.com/privacy for more information.

This episode of The Other Side of the Bell, featuring classical trumpeter and soloist Imogen Whitehead, is brought to you by Bob Reeves Brass. This episode also appears as a video episode on our YouTube channel, you can find it here: "Imogen Whitehead trumpet interview"   Find the expanded show notes, transcript and more photos here: https://bobreeves.com/blog/imogen-whitehead-trumpet-interview-the-other-side-of-the-bell-145/   About Imogen Whitehead: British trumpeter Imogen Whitehead is in demand across the UK and internationally, enjoying an increasingly diverse career as a soloist, chamber musician, and orchestral principal. A passionate advocate for new music, Imogen serves on the International Trumpet Guild's 'New Works' committee and has premiered numerous works by composers such as Sally Beamish and Stephen Dodgson. Many of these are featured on her recently released debut solo album, Connection. As a particular champion of the flugelhorn – an instrument often overlooked in the classical sphere – Imogen is dedicated to raising its solo profile through new commissions and arrangements. Her most recent commission, Ennui by Noah Max (for flugelhorn and piano), was supported by the Vaughan Williams Foundation and premiered in June 2025. Recent and upcoming highlights include concerto performances with Britten Sinfonia of Barry Mills' Trumpet Concerto (world premiere, July 2025) and Hummel's Trumpet Concerto (May 2025), the latter also featuring live on BBC Radio 3's In Tune. Imogen launched her solo album at London's iconic St Martin-in-the-Fields (May 2025), with further recitals at Proms at St Jude's (June 2025) and Wimbledon International Music Festival (November 2025). In addition to her position as Principal Trumpet with Britten Sinfonia, Imogen performs regularly as Guest Principal Trumpet with other leading orchestras internationally. In March 2025, she toured Germany and Belgium with Aurora Orchestra and Abel Selaocoe and next season joins the London Symphony Orchestra for a European tour. In recent years, she has performed in London's West End and played on major film soundtracks including Maestro and Saltburn. Imogen is currently Artist-in-Residence with St Martin's Voices and a member of the acclaimed wind and brass collective, Neoteric Ensemble. She is deeply committed to music education, community engagement, and equal opportunity, serving as an Associate and Mentor for GALSI (Gender and the Large and Shiny Instruments), an initiative promoting gender equality in brass and percussion. She is also involved in Britten Sinfonia's pioneering outreach work, has worked with the Royal Philharmonic Orchestra's 'Resound' education and community programme, and regularly leads masterclasses at conservatoires across the UK. Based in South West London, Imogen also volunteers as a befriender through the Wimbledon Guild. An alumna of the Royal Academy of Music, Imogen studied with professors including Mark David and Gareth Small and subsequently studied privately with Norwegian soloist Tine Thing Helseth. In April 2025, Imogen was awarded Associateship of the Royal Academy of Music (ARAM).   Episode Links: imogenwhiteheadtrumpet.com Connection: Imogen's debut solo album GALSI: Gender and the Large and Shiny Instruments (www.largeandshiny.com) Imogen on Instagram (@imogen_trumpet) on YouTube (@imogentrumpet) on TikTok (@imogentrumpet) 'To Stay Open' by Charlotte Harding, outdoor performance on YouTube   Podcast Credits: "A Room with a View" - composed and performed by Howie Shear Podcast Host - John Snell Cover Photo Credit - Matthew Johnson Photographer Audio Engineer - Ted Cragg

This week on the New Music Business podcast, Ari sits down with acclaimed pianist and composer, Chloe Flower. Born in Pennsylvania, Chloe began playing piano at age two, later studying at the Manhattan School of Music Pre-College and London's Royal Academy of Music. A classically trained pianist turned genre-bender, she calls her unique style “popsical” (a fusion of classical, pop, and hip-hop). She has collaborated with major artists like Céline Dion, Babyface, Nas, and Cardi B (whose 2019 Grammy performance she helped elevate). Beyond music, Chloe is a passionate advocate for music education and anti-human trafficking efforts.In this episode, Ari and Chloe dive into her artistic journey. They discuss everything from rigorous classical training to creating a hybrid genre that seemed nonexistent before her. Chloe explains how she navigates the music business, and the lessons she's learned from bridging two very distinct worlds. Ari and Chloe talk about label strategy, collaboration with big-name artists and producers, and maintaining authenticity while scaling. Chloe shares her approach to building a personal brand (both musically and visually), her perspective on empowering women in the industry, and how she sees the future of genre-fluid music and education. https://www.instagram.com/misschloeflower05:00 – The Holiday Album and Women Composers10:30 – Understanding Public Domain and Classical Music Rights15:45 – YouTube Covers, Metadata, and Going Independent19:00 – Meeting Babyface and Blending Genres25:00 – The Viral Grammy Performance with Cardi B29:30 – Evolving Sound and the Role of Collaboration33:00 – Running an Independent Label and Revenue Streams36:00 – Pros and Cons of Major vs. Indie Labels47:00 – Music Education and Inspiring the Next Generation54:00 – Performing with Orchestras and ConductorsEdited and mixed by Peter SchruppMusic by Brassroots DistrictProduced by the team at Ari's TakeOrder the THIRD EDITION of How to Make It in the New Music Business: https://book.aristake.com Hosted on Acast. See acast.com/privacy for more information.

‘So-called turmoil or shortcomings in my life? I turn them into power or energy'Best known for playing the serial killer Dr. Hannibal Lecter in the 1991 thriller ‘The Silence of the Lambs', Sir Anthony's journey to Hollywood stardom started with humble beginnings.Born into a working class family in the Welsh steel town of Port Talbot in 1937, his parents first ran a bakery, and then later a pub. Their strong work ethic was imparted on their son, who, despite struggling socially and educationally in his early years, was determined to make a success of himself. Throwing himself into reading and creative pastimes like music and art, Sir Anthony studied at both the Welsh Royal College of Music and Drama and the Royal Academy for Dramatic Art.His early career saw him working alongside greats including Katharine Hepburn, Lawrence Olivier, Richard Burton and Peter O'Toole across both stage and screen, with his international breakout coming in the 1980 film ‘The Elephant Man', which received multiple Oscar and Golden Globe nominations.It would be another decade before he truly cemented his place as a Hollywood A-lister: playing the infamous serial killer Dr. Hannibal Lecter, regarded by many critics as one of the greatest film villains of all-time. The role won him the first of his two Oscars, with the second coming for his performance in the 2020 film ‘The Father'.But the 87-year-old's long journey to the very top was not only a professional struggle, but at times a personal struggle too, having also battled alcoholism early on in his career - which he says made him a difficult person to work with.Thank you to the Culture team for their help in making this programme. The Interview brings you conversations with people shaping our world, from all over the world. The best interviews from the BBC. You can listen on the BBC World Service on Mondays, Wednesdays and Fridays at 0800 GMT. Or you can listen to The Interview as a podcast, out three times a week on BBC Sounds or wherever you get your podcasts.Presenter: Katie Razzall Producers: Ben Cooper, Roxanne Panthaki and Lucy Sheppard Editor: Justine LangGet in touch with us on email TheInterview@bbc.co.uk and use the hashtag #TheInterviewBBC on social media.(Image: Sir Anthony Hopkins Credit: Darren Arthur/Getty Images for GEA)

Do animals make music? Are the languages of whales and birds truly songs? To answer this, we must first understand what we mean by music as human animals—and how it might emerge across the animal kingdom. From Messiaen's transcriptions of bird calls to the rhythmic gaits of horses echoing in the blues, we'll hear how animal behaviours form an unwitting orchestra and explore whether music is uniquely human or a shared language with our animal cousins.This lecture was recorded by Milton Mermikides on the 29th of October 2025 at LSO St Luke's, LondonMilton Mermikides is a composer, guitarist, technologist, academic and educator in a wide range of musical styles and has collaborated with artists and scientists as diverse as Evelyn Glennie, Tim Minchin, Pat Martino, Peter Zinovieff, John Williams and Brian Eno. Son of a CERN nuclear physicist, he was raised with an enthusiasm for both the arts and sciences, an eclecticism which has been maintained throughout his teaching, research and creative career. He is a graduate of the London School of Economics (BSc), Berklee College of Music (BMus) and the University of Surrey (PhD). He has lectured, exhibited and given keynote presentations at organisations like the Royal Academy of Music, TEDx, Royal Musical Association, British Library, Smithsonian Institute and The Science Museum and his work has been featured extensively in the press. His music, research and graphic art are published and featured by Oxford University Press, Cambridge University Press, Deutsche Grammophon, Sony and more, and he has won awards, scholarships and commendations for writing, teaching, research and his charity work.      Milton is Professor of Music at the University of Surrey, Professor of Guitar at the Royal College of Music, Deputy Director of the International Guitar Research Centre, an Ableton Certified Trainer, and lives in London with his wife, the guitarist Bridget Mermikides and their daughter Chloe. He is also a Vice-Chair of Governors at Addison Primary School, a state school which foregrounds music education, offering free instrumental lessons for all on Pupil Premium. The transcript of the lecture is available from the Gresham College website: https://www.gresham.ac.uk/watch-now/music-animalsGresham College has offered free public lectures for over 400 years, thanks to the generosity of our supporters. There are currently over 2,500 lectures free to access. We believe that everyone should have the opportunity to learn from some of the greatest minds. To support Gresham College's mission, please consider making a donation: https://www.gresham.ac.uk/get-involved/support-us/make-donation/donate-today Website:  https://gresham.ac.ukX: https://x.com/GreshamCollegeFacebook: https://facebook.com/greshamcollegeInstagram: https://instagram.com/greshamcollegeBluesky: https://bsky.app/profile/greshamcollege.bsky.social TikTok: https://www.tiktok.com/@greshamcollegeSupport Us: https://www.gresham.ac.uk/get-involved/support-us/make-donation/donate-todaySupport the show

Presenter and author Alice Loxton discusses how fiction can help us understand the past – particularly when it comes to women's stories; finding humour in classic literature; and her companionship with figures from history. Alice is passionate about bringing history to mainstream, younger audiences, and she has over three million followers on social media, where her videos educate on British history, heritage and art. She has worked with many organisations including 10 Downing Street, The Royal Academy, English Heritage, The National Gallery, Tate, BBC, ITV, and Microsoft, and she writes about history for publications including The Times, Telegraph and Spectator. She's an ambassador for the National Trust, a mentor for The King's Foundation 35 Under 35 Network, and a patron of The British Pilgrimage Trust.  Alice's book Eighteen: A History of Britain in 18 Young Lives was a Sunday Times bestseller and Blackwell's Book of the Year 2024. Her new book, Eleanor: A 200-Mile Walk in Search of England's Lost Queen, sees her follow in the footsteps of Eleanor of Castile's funeral procession, bringing to life the formidable character of this lesser-known royal.   Alice's book choices are: ** Northanger Abbey by Jane Austen ** Secret Voices by Sarah Gristwood ** Through England by Side Saddle by Celia Fiennes ** The Tower by Flora Carr ** Hamnet by Maggie O'Farrell Vick Hope, multi-award winning TV and BBC Radio 1 presenter, author and journalist, is the host of season eight of the Women's Prize's Bookshelfie Podcast. Every week, Vick will be joined by another inspirational woman to discuss the work of incredible female authors. The Women's Prize for Fiction is the biggest celebration of women's creativity in the world and has been running for over 30 years.  Don't want to miss the rest of season eight? Listen and subscribe now! You can buy all books mentioned from our dedicated shelf on Bookshop.org - every purchase supports the work of the Women's Prize Trust and independent bookshops.  This podcast is sponsored by Baileys and produced by Bird Lime Media.

Chinese President Xi Jinping has visited South Korea for the first time in 11 years. He sat down with South Korean President Lee Jae-myung on the sidelines of the APEC summit in Gyeongiu. This came after years of tension after Seoul decided to host the US THAAD missile defense system in 2016. Are we witnessing a reset in China-South Korea relations? What is driving this shift, and could South Korea's approach offer a model for other U.S. allies navigating relations with China? Host Zhao Ying is joined by Rong Ying, Chair Professor at the School of International Studies at Sichuan University; Lee Pei May, Assistant Professor of Political Science at the International Islamic University Malaysia; Digby James Wren, External Relations Advisor to the Royal Academy of Cambodia.

The authenticity of the final self-portrait by Paul Gauguin, made in 1903 and housed in the Kunstmuseum in Basel, was earlier this year called into question. Now, the museum has completed its promised analysis, and confirmed that the painting is not a fake and is by Gauguin. Ben Luke talks to The Art Newspaper's special correspondent, Martin Bailey, about the saga. In recent years, the late Indian sculptor Mrinalini Mukherjee has come to increasing prominence. Now, a show at the Royal Academy of Arts in London, called A Story of South Asian Art: Mrinalini Mukherjee and Her Circle, explores her work in the context of six other artists including her parents, Leela Mukherjee and Benode Behari Mukherjee. The exhibition's curator, Tarini Malik, tells Ben more. And this episode's Work of the Week is Character Head No.25 by Franz Xaver Messerschmidt, the 18th-century sculptor who was born in Germany, and lived in modern-day Austria and Slovakia. The bust features in the exhibition Franz Xaver Messerschmidt: More than Character Heads, at the Belvedere in Vienna, and we talk to the exhibition's curators, Katharina Lovecky and Georg Lechner, about the work.New subscription offer: eight-week free digital trial of The Art Newspaper. Cancel anytime. The subscription auto-renews at full price for your region. www.theartnewspaper.com/subscriptions-8WEEKSOFFERA Story of South Asian Art: Mrinalini Mukherjee and Her Circle, Royal Academy of Arts, London, 31 October-24 February 2026.Franz Xaver Messerschmidt: More Than Character Heads, Belvedere, Vienna, 31 October-6 April 2026. Hosted on Acast. See acast.com/privacy for more information.

How is throwing soup at a painting going to help when doing nothing also doesn't help? BONUS EPISODES available on Patreon (https://www.patreon.com/deniersplaybook) SOCIALS & MORE (https://linktr.ee/deniersplaybook) WANT TO ADVERTISE WITH US? Please contact sponsors@multitude.productions DISCLAIMER: Some media clips have been edited for length and clarity. CREDITS Created by: Rollie Williams, Nicole Conlan & Ben BoultHosts: Rollie Williams & Nicole ConlanExecutive Producer: Ben Boult Editor: Laura ConteProducers: Daniella Philipson, Irene PlagianosArchival Producer: Margaux SaxAdditional Research and Fact Checking: Carly Rizzuto & Canute HaroldsonMusic: Tony Domenick Art: Jordan Doll Special Thanks: The Civil Liberties Defense CenterSOURCESDon Vidrine and Bob Kaluza: What Happened to the BP Executives? Aahana Swrup. (2024, April 7). The Cinemaholic.Stop the Church. ACT UP Oral History Project. (n.d.). Retrieved October 28, 2025.In Memory of Jesse Helms, and The Condom On His House [VIDEOS] - POZ. Peter Staley. (2008, July 8). POZ. Panel Discussion: Protest Art and the Art of Protest. Art For Tomorrow. (2023, May 8).Here Is Every Artwork Attacked by Climate Activists This Year, From the “Mona Lisa” to “Girl With a Pearl Earring.” Benzine, V. (2022, October 31). Artnet News.Taraji Shouts Out Keith Lee & Halle, Urges Us To Research Project 2025 & GO VOTE | BET Awards '24. BETNetworks. (2024, July 1).“Deeds not words”: Suffragettes and the Summer Exhibition. Bonett, H. (2018, June 18). Royal Academy of Arts.A Timeline of Colin Kaepernick's Protests against Police Brutality. Boren, C. (2020, August 26). Washington Post.CNN Tonight : CNNW : October 25, 2022. CNN. (2022, October 25). Internet Archive.Even Though He Is Revered Today, MLK Was Widely Disliked by the American Public When He Was Killed. Cobb, J. (2018, April 4). Smithsonian.Climate Activists Get Prison Time for Throwing Soup at Van Gogh Painting. Dobkin, R. (2024, September 27). Newsweek.Why Did Suffragettes Attack Works of Art?. Fowler, R. (1991). Journal of Women's History, 2(3), 109–125.Outnumbered : FOXNEWSW : October 14, 2022. Fox News. (2022, October 14). Internet Archive.Stories - FAM. L. D. | This Is Loyal. (n.d.). Retrieved October 28, 2025.Running Aground in a Sea of Complex Litigation: A Case Comment on the Exxon Valdez Litigation. Jenkins, R. E., & Kastner, J. W. (1999). UCLA Journal of Environmental Law and Policy, 18(1).Climate activists throw mashed potatoes at Monet work in Germany. Jones, S. (2022, October 23). The Guardian.“Guernica” Survives a Spray‐Paint Attack by Vandal. Kaufman, M. T. (1974, March 1). The New York Times.When, where, and which climate activists have vandalized museums. Kinyon, L., Dolšak, N., & Prakash, A. (2023). NPJ Climate Action, 2(1), 1–4.5 Times The Mona Lisa Has Been Vandalised Throughout History. Maher, D. (2022, May 31). Harper's Bazaar Australia.The climate protesters who threw soup at a van Gogh painting. (And why they won't stop.). Mathiesen, K. (2024, October 2). POLITICO.How AIDS Activists Used “Die-Ins” to Demand Attention to the Growing Epidemic. Montalvo, D. (2021, June 2). HISTORY.Two demonstrators killed amid anti-mining protests in Panama. Oppmann, P. (2023, November 9). CNN.“Why We Threw Soup At Van Gogh.”. Owen Jones. (2022, October 17). YouTube.Five legal missteps in Judge Hehir's sentencing of Plummer and Holland – Just Stop Oil. Press, J. (2024, October 16).Here's the Story Behind the St. Patrick's Cathedral Action Depicted in “Pose.”. Rodriguez, M. (2019, June 12). TheBody.com.Rosa Parks & The Montgomery Bus Boycott: Catalysts of the Civil Rights Movement. (2025). SocialStudiesHelp.com.Radical Flanks of Social Movements Can Increase Support for Moderate Factions. Simpson, B., Willer, R., & Feinberg, M. (2022). PNAS Nexus, 1(3), 1–11.Deeds Not Words: Slashing the Rokeby Venus. Walker, E. (2024, May 9). History Today.Joe Rogan Experience #2061 - Whitney Cummings. YouTube. (2025).See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Michael Sheen is an award-winning actor.After finding his love for the stage with the West Glamorgan Youth theatre as a teenager, he studied at the Royal Academy of Dramatic Art in London. He spent the 1990s making a name for himself as a stage actor, shining in the classics from Romeo and Juliet to Peer Gynt as well as in 20th century masterpieces such as Look Back in Anger and Amadeus, receiving several Olivier Award nominations along the way.A relocation to the US in the early 2000s with his then partner, the actress Kate Beckinsale, and their young daughter Lily prompted a move into films. His breakthrough came in 2003 when he portrayed Tony Blair in a Stephen Frears film called The Deal. It was the beginning of what became an unlikely specialism: morphing into real people from recent history: Kenneth Williams, David Frost, Brian Clough, Chris Tarrant, and Prince Andrew – with two more outings as Tony Blair thrown in for good measure.Michael was born in Newport, South Wales, in February 1969, the eldest of two children to Meyrick and Irene. He grew up in Port Talbot from the age of eight and considers it his hometown. His first love was football, and he was spotted as youngster by an Arsenal talent scout to play for their youth team. His parents decided against moving the family to London and he turned to acting instead and graduated from RADA in 1991.Alongside the classic dramas, his range extends to appearing in fantasy and science fiction films such as The Twilight Saga and Tron: Legacy. Michael has said that the most meaningful project to him was a modern restaging of the passion play in Port Talbot in 2011, which involved the participation of a thousand local people, because it opened his eyes to the difficulties many of them were experiencing. He has since used his own money to fund the 2019 Homeless World Cup in Cardiff and set up an organisation which supports community groups. Michael lives in Wales with his partner, the actress Anna Lundberg, and their two young daughters. DISC ONE: Vienna - Ultravox DISC TWO: The Ecstasy Of Gold - Ennio Morricone DISC THREE: Desire - Talk Talk DISC FOUR: Gimme Shelter - The Rolling Stones DISC FIVE: Ready for Drowning - Manic Street Preachers DISC SIX: Passion - Peter Gabriel DISC SEVEN: Dark Secret - Lau DISC EIGHT: Oh Yeah - Yello BOOK CHOICE: The Hero with a Thousand Faces by Joseph Campbell LUXURY ITEM: A football CASTAWAY'S FAVOURITE: Vienna - Ultravox Presenter: Lauren Laverne Producer: Sarah TaylorThere are more than 2000 programmes in our archive available for you to listen to. We have cast away other notable actors including Sir Anthony Hopkins and some of the people Michael has played including Kenneth Williams, Chris Tarrant and Tony Blair. You can find all those episodes and more by searching BBC Sounds.

From Mt Royal Academy, Derek Tremblay and Annie Hamilton are here as we talk about the theater production at the Newport Opera House with the Knights, as they perform Little Women.  We talk about Annie's history in theater, how she and Derek had a similar path in college, picking the plays, and lots more.

Rhys Coren was born in Plymouth (UK) in 1983, and completed a Foundation at Plymouth College of Art and Design (2001-2002), followed by a BA (Hons) at UWE, Bristol (2002-2006), then the Royal Academy (2013-2016)Rhys has a studio practice that consists of painting and animation, supplemented with sound and writing and collage. Hes work with Cristea Roberts Gallery in London and makes furniture in collaboration with Peter Noyce.Rhys has also just recently completed a residency in Kentish Town at The Fores Project, which is where our conversation took place.Rhys recently had a solo exhibition in New York at Foreign & Domestic gallery, consisting of 9 new paintings created using marquetry. Alongside that, F&D published a book of writing - the compilation of 10 years worth of sketchbook annotations.Rhys is currently working on two concurrent public works; one a commission through Hospital Rooms for a children's psychiatric hospital in Birmingham that involves workshops and contributions from the young patients, the other a 60metre-long marble and granite floor for a public walkway next to Liverpool Street station, managed by Contemporary Art Society. Recent notable achievements include curating FORMES, a group exhibition in Paris last year, the completion of a 9metre long public work behind Bond Street Crossrail station in 2022, and Love Motion, a courtyard commission for the Royal Academy in 2018. 

Ready to untie the red thread holding the New Age, Gnostic Christianity, and the antichrist together? Join me in an episode explaining and exposing the fabrics of Kabbalah, also known as Jewish mysticism.  Learn how it's woven itself into the biggest psychological operation to exist, Lucifer's lie sewn into the Garden of Eden.In this episode I discuss what tempted Eve, Lucifer's fall, how everything stems from Kabbalah, the meaning of 6,000,000, Saturn worship and the hexagram, the New Age and Kabbalah, how all paths do not lead to God, how Gnostic Christianity grew from the roots of Kabballah, the keys to understanding Kabballah, the Protestant Reformation, quantum physics, the Big Bang and Catholicism, ecumenism, Seraphim Rose and his book "Orthodoxy and the Religion of the Future," the Noahide Laws, the Royal Academy, cabals, and so much more!Want more? Let's be friends. Join the Friendship Membership.Want to read my memoir, Here Comes Trouble? It's available now. Order your copy.

En Ouganda, une jeune ingénieure s'attaque à un fléau silencieux : la mort de nouveau-nés faute d'équipements adaptés dans les zones rurales. Vivian Arinaitwe a mis au point un couffin chauffant, fabriqué à partir de matériaux recyclés, pour transporter les bébés prématurés en toute sécurité vers les hôpitaux. Son invention, baptisée NeoNest, vient d'être distinguée par l'Académie royale d'ingénierie au Royaume-Uni.  Vivian Arinaitwe a 24 ans. Diplômée en ingénierie biomédicale, elle a grandi dans un village à l'ouest de l'Ouganda, loin de tout hôpital. C'est là qu'est née l'idée de NeoNest : « Quand on était enfant, on entendait ces histoires, nos parents disaient : "Oh le bébé de cette femme est mort parce qu'il était bleu"… » Dans de nombreux centres de santé du pays, il n'existe pas d'équipement pour stabiliser les bébés prématurés. Ils doivent être transférés vers des hôpitaux mieux équipés, parfois à plusieurs heures de route. « La plupart de ces bébés sont prématurés ou ont besoin de soins urgents, donc il faut les amener rapidement vers une unité de soins intensifs, parfois à six, huit ou dix heures du village. Actuellement, il n'y a pas de moyen de les transporter en sécurité, on les emmaillote juste dans des draps. » Un nid chauffant pour un transport en toute sécurité C'est pour ces trajets souvent périlleux que Vivian a imaginé NeoNest : un petit nid de transport chauffant, simple d'usage et pensé pour les zones rurales. La priorité : maintenir le nouveau-né à la bonne température, autour de 37 degrés, pendant tout le trajet. Sa batterie tient plus de six heures, et le système envoie une alerte en cas de baisse de chaleur. « Ça, vous voyez, c'est le capteur de température sur le bébé qui nous donne sa température en temps réel », explique-t-elle.  À l'intérieur, le couffin est ajusté pour absorber les secousses des routes en terre et protéger les bébés. « Le bébé doit être transporté de manière à ce qu'il ne remue pas, donc on peut vraiment ajuster le nid à la taille du bébé, et on a aussi des lanières, parce que NeoNest n'est pas conçu seulement pour les ambulances, mais aussi pour les motos, les vélos, ou même à pied », détaille Vivian Arinaitwe. Une invention saluée par la Royal Academy of Engineering Un dispositif fabriqué localement, à partir de plastique recyclé de bidons d'eau. Cette année, NeoNest a valu à Vivian d'être finaliste du Prix africain d'ingénierie décerné par la Royal Academy of Engineering. Le jury, présidé par l'entrepreneure camerounaise Rebecca Enonchong, a salué le potentiel de ce projet pour sauver des milliers de vies : « Il y a d'autres zones, on peut parler d'Asie, on peut parler d'autres zones en voie de développement qui pourraient bénéficier de cette technologie. Non seulement ça, mais l'innovation créée peut être appliquée différemment, c'est-à-dire comment utiliser moins de ressources. » Au-delà de l'invention, Vivian veut un modèle durable : chaque unité revient à environ 115 euros, pour un prix de vente d'un peu plus de 280. Son objectif : qu'au moins un NeoNest soit disponible dans chaque centre de santé du pays.

218 -Cory Marks in episode 218 of “Have Guitar Will Travel” presented by Vintage Guitar Magazine, host James Patrick Regan speaks with Canadian singer and guitarist Cory Marks. In their conversation Cory talks about his home in upper Ontario and his 3 and half hour drive to Toronto. Cory tells us about his career path as a singer after growing up playing hockey and going to the Royal Academy to become a fighter pilot. Cory describes starting on drums and moving to guitar playing clubs at a young age and he tells us about his love of hard rock and his love of country which is apparent on his new album “Sorry For Nothing Volume 2” produced by Kevin Churko Cory tells us about his guitars: Stonebridge acoustic and a Gretsch and Godin electrics through an strymon iridium pedal. Cory describes having both a U.S. and a Canadian based band and his tour schedule including coming up supporting Sevendust just him and an acoustic guitar. Finally Cory talks about getting engaged his love of flying and hockey and his love of fellow Canadian Brian Adams. To find out more about Cory you can go to his website: CoryMarks.com Please subscribe, like, comment, share and review this podcast! #VintageGuitarMagazine #CoryMarks #SorryforNothing #StonebridgeAcousticGuitars #JamesPatrickRegan #GretschGuitars #BrianAdams #KevinChurko #GodinGuitars #theDeadlies #Ontario#haveguitarwilltravelpodcast #HGWT #Toronto #tourlife Please like, comment, and share this podcast! Download Link

In this episode I'm going to explore modern society's car culture. We all know that the energy use that supports cars is a huge contributor to the greenhouse effect and climate change. We know that the resources society devotes to transportation are significant, and yet they are also the lifeblood of commerce. They represent freedom. The automobile manufacturing industry directly employs and sustains hundreds of thousands of people, and the surrounding industries like rest stops, motels, highway building and maintenance, towing, paramedics, speed cameras manufacturers, traffic light installers, and mortuaries are all dependent on them.  Modern vehicles are the culmination of decades of development. Can we imagine a world without them? My guests today have done just that. Henrietta L. Moore is the founder and director of the Institute for Global Prosperity at University College London. Arthur Kay is an urban designer, advisor and a board member of Transport for London and the Royal Academy of Engineering. They are co-authors of Roadkill, a new book about the costs of car dependency. Let me know what you think about this episode at The Rational View Facebook group!

The war that we now call the American Revolution was not only fought in the colonies with muskets and bayonets. On both sides of the Atlantic, artists armed with paint, canvas, and wax played an integral role in forging revolutionary ideals. In The Painter's Fire: A Forgotten History of the Artists Who Championed the American Revolution (Harvard UP, 2025), Dr. Zara Anishanslin charts the intertwined lives of three such figures who dared to defy the British monarchy: Robert Edge Pine, Prince Demah, and Patience Wright. From London to Boston, from Jamaica to Paris, from Bath to Philadelphia, these largely forgotten patriots boldly risked their reputations and their lives to declare independence. Mostly excluded from formal political or military power, these artists and their circles fired salvos against the king on the walls of the Royal Academy as well as on the battlefields of North America. They used their talents to inspire rebellion, define American patriotism, and fashion a new political culture, often alongside more familiar revolutionary figures such as Benjamin Franklin and Phillis Wheatley. Pine, an award-winning British artist rumored to be of African descent, infused massive history paintings with politics and eventually emigrated to the young United States. Demah, the first identifiable enslaved portrait painter in America, was Pine's pupil in London before self-emancipating and enlisting to fight for the Patriot cause. And Wright, a Long Island–born wax sculptor who became a sensation in London, loudly advocated for revolution while acting as an informal patriot spy. Illuminating a transatlantic and cosmopolitan world of revolutionary fervor, The Painter's Fire reveals an extraordinary cohort whose experiences testify to both the promise and the limits of liberty in the founding era. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

The war that we now call the American Revolution was not only fought in the colonies with muskets and bayonets. On both sides of the Atlantic, artists armed with paint, canvas, and wax played an integral role in forging revolutionary ideals. In The Painter's Fire: A Forgotten History of the Artists Who Championed the American Revolution (Harvard UP, 2025), Dr. Zara Anishanslin charts the intertwined lives of three such figures who dared to defy the British monarchy: Robert Edge Pine, Prince Demah, and Patience Wright. From London to Boston, from Jamaica to Paris, from Bath to Philadelphia, these largely forgotten patriots boldly risked their reputations and their lives to declare independence. Mostly excluded from formal political or military power, these artists and their circles fired salvos against the king on the walls of the Royal Academy as well as on the battlefields of North America. They used their talents to inspire rebellion, define American patriotism, and fashion a new political culture, often alongside more familiar revolutionary figures such as Benjamin Franklin and Phillis Wheatley. Pine, an award-winning British artist rumored to be of African descent, infused massive history paintings with politics and eventually emigrated to the young United States. Demah, the first identifiable enslaved portrait painter in America, was Pine's pupil in London before self-emancipating and enlisting to fight for the Patriot cause. And Wright, a Long Island–born wax sculptor who became a sensation in London, loudly advocated for revolution while acting as an informal patriot spy. Illuminating a transatlantic and cosmopolitan world of revolutionary fervor, The Painter's Fire reveals an extraordinary cohort whose experiences testify to both the promise and the limits of liberty in the founding era. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The war that we now call the American Revolution was not only fought in the colonies with muskets and bayonets. On both sides of the Atlantic, artists armed with paint, canvas, and wax played an integral role in forging revolutionary ideals. In The Painter's Fire: A Forgotten History of the Artists Who Championed the American Revolution (Harvard UP, 2025), Dr. Zara Anishanslin charts the intertwined lives of three such figures who dared to defy the British monarchy: Robert Edge Pine, Prince Demah, and Patience Wright. From London to Boston, from Jamaica to Paris, from Bath to Philadelphia, these largely forgotten patriots boldly risked their reputations and their lives to declare independence. Mostly excluded from formal political or military power, these artists and their circles fired salvos against the king on the walls of the Royal Academy as well as on the battlefields of North America. They used their talents to inspire rebellion, define American patriotism, and fashion a new political culture, often alongside more familiar revolutionary figures such as Benjamin Franklin and Phillis Wheatley. Pine, an award-winning British artist rumored to be of African descent, infused massive history paintings with politics and eventually emigrated to the young United States. Demah, the first identifiable enslaved portrait painter in America, was Pine's pupil in London before self-emancipating and enlisting to fight for the Patriot cause. And Wright, a Long Island–born wax sculptor who became a sensation in London, loudly advocated for revolution while acting as an informal patriot spy. Illuminating a transatlantic and cosmopolitan world of revolutionary fervor, The Painter's Fire reveals an extraordinary cohort whose experiences testify to both the promise and the limits of liberty in the founding era. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

The war that we now call the American Revolution was not only fought in the colonies with muskets and bayonets. On both sides of the Atlantic, artists armed with paint, canvas, and wax played an integral role in forging revolutionary ideals. In The Painter's Fire: A Forgotten History of the Artists Who Championed the American Revolution (Harvard UP, 2025), Dr. Zara Anishanslin charts the intertwined lives of three such figures who dared to defy the British monarchy: Robert Edge Pine, Prince Demah, and Patience Wright. From London to Boston, from Jamaica to Paris, from Bath to Philadelphia, these largely forgotten patriots boldly risked their reputations and their lives to declare independence. Mostly excluded from formal political or military power, these artists and their circles fired salvos against the king on the walls of the Royal Academy as well as on the battlefields of North America. They used their talents to inspire rebellion, define American patriotism, and fashion a new political culture, often alongside more familiar revolutionary figures such as Benjamin Franklin and Phillis Wheatley. Pine, an award-winning British artist rumored to be of African descent, infused massive history paintings with politics and eventually emigrated to the young United States. Demah, the first identifiable enslaved portrait painter in America, was Pine's pupil in London before self-emancipating and enlisting to fight for the Patriot cause. And Wright, a Long Island–born wax sculptor who became a sensation in London, loudly advocated for revolution while acting as an informal patriot spy. Illuminating a transatlantic and cosmopolitan world of revolutionary fervor, The Painter's Fire reveals an extraordinary cohort whose experiences testify to both the promise and the limits of liberty in the founding era. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

The war that we now call the American Revolution was not only fought in the colonies with muskets and bayonets. On both sides of the Atlantic, artists armed with paint, canvas, and wax played an integral role in forging revolutionary ideals. In The Painter's Fire: A Forgotten History of the Artists Who Championed the American Revolution (Harvard UP, 2025), Dr. Zara Anishanslin charts the intertwined lives of three such figures who dared to defy the British monarchy: Robert Edge Pine, Prince Demah, and Patience Wright. From London to Boston, from Jamaica to Paris, from Bath to Philadelphia, these largely forgotten patriots boldly risked their reputations and their lives to declare independence. Mostly excluded from formal political or military power, these artists and their circles fired salvos against the king on the walls of the Royal Academy as well as on the battlefields of North America. They used their talents to inspire rebellion, define American patriotism, and fashion a new political culture, often alongside more familiar revolutionary figures such as Benjamin Franklin and Phillis Wheatley. Pine, an award-winning British artist rumored to be of African descent, infused massive history paintings with politics and eventually emigrated to the young United States. Demah, the first identifiable enslaved portrait painter in America, was Pine's pupil in London before self-emancipating and enlisting to fight for the Patriot cause. And Wright, a Long Island–born wax sculptor who became a sensation in London, loudly advocated for revolution while acting as an informal patriot spy. Illuminating a transatlantic and cosmopolitan world of revolutionary fervor, The Painter's Fire reveals an extraordinary cohort whose experiences testify to both the promise and the limits of liberty in the founding era. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

A new exhibition at the Fitzwilliam Museum in Cambridge, UK, called Made in Ancient Egypt, reveals untold stories of the people behind a host of remarkable objects, and the technology and techniques they used. The Art Newspaper's digital editor, Alexander Morrison visits the museum to take a tour with the curator, Helen Strudwick. One of the great revelations of the past two decades in scholarship about women artists is Michaelina Wautier, the Baroque painter active in what is now Belgium in the middle of the 17th century. The largest ever exhibition of Wautier's work opened this week at the Kunsthistorisches Museum in Vienna, and travels to the Royal Academy of Arts in London next year. Ben Luke speaks to the art historian who rediscovered this extraordinary painter, Katlijne Van der Stighelen, who has also co-edited the catalogue of the Vienna show. And this episode's Work of the Week is Robert Rauschenberg's Bed (1955), one of the most important works of US art of the post-war period. It features in the exhibition Five Friends: John Cage, Merce Cunningham, Jasper Johns, Robert Rauschenberg, Cy Twombly, which this week arrives at the Museum Ludwig in Cologne. We speak to Yilmaz Dziewior, the co-curator of the exhibition.Made in Ancient Egypt, Fitzwilliam Museum, Cambridge, UK, 3 October-2 April 2026Michaelina Wautier, Painter, Kunsthistorisches Museum, Vienna30 September-22 February 2026; Royal Academy of Arts, London27 March – 21 June 2026.Five Friends: John Cage, Merce Cunningham, Jasper Johns, Robert Rauschenberg, Cy Twombly, Museum Ludwig, Cologne, Germany,3 October-11 January 2026Student subscription offer: stay connected to the art world from your first lecture to your final dissertation with a three-year student subscription to The Art Newspaper for just £99/$112/€105. Gift, quarterly and annual subscriptions are also available.https://www.theartnewspaper.com/subscriptions-student?offer=4c1120ea-bc15-4cb3-97bc-178560692a9c Hosted on Acast. See acast.com/privacy for more information.

In this episode, Professor Brian Launder (Professor at the University of Manchester and Fellow of the Royal Society and Royal Academy of Engineers) shares his remarkable journey through academia, detailing his early fascination with heat transfer, his transition to MIT, and his significant contributions to turbulence modeling and computational fluid dynamics (CFD). We touch upon the key role that Professor Brian Spalding had on his career as well as work that led to the breakthrough k-epilson turbulence model as well as the pioneering work on second-moment closure model. Prof Launder highlights the key role of collaborators and ex students such as Professors Hector Iacovides, Tim Craft, Bill Jones, Kemal Hanjalić and many more. He ends with advice for early-stage researchers and reflections on more than 50 years worth of academic research.Chapters00:30 Introduction05:00 Early Academic Journey10:06 Transition to MIT and Research Focus16:21 Return to Imperial College and Early Career21:06 Research Projects and PhD Students27:46 Development of the k-epilson model33:18 CHAM and Career Changes36:24 Move to UC Davis and New Research Directions44:05 Challenges and Opportunities in Research47:07 The Interview Experience51:14 Transition to Manchester University52:23 Research Innovations in Turbulence Modeling57:45 The Development of the TCL Model01:03:15 Nonlinear Eddy Viscosity Models01:05:58 Advanced Wall Functions and Their Applications01:10:09 Reflections on Career and Contributions01:15:49 Legacy and Impact on Turbulence ModelingTop Turbulence Modelling contributions (https://scholar.google.com/citations?user=Y3JbAK8AAAAJ&hl=en) 

World leaders are gathering in New York for the 80th session of the United Nations General Assembly. As the organization marks its 80th anniversary, the mood is anything but celebratory. With wars raging in Gaza and Ukraine, the world body is struggling to promote peace as its founders envisioned eight decades ago. At the same time, the organization faces deep funding cuts, largely from the United States, and mounting doubts about its relevance. So today we ask: Eighty years on, has the United Nations lived up to its founding vision? Is it still essential in today's world? And what must it do to stay relevant and rebuild confidence in multilateralism? Host Zhao Ying is joined by Han Hua, Co-founder and Secretary General of Beijing Club for International Dialogue; Qin Qian, Casual Academic, UNSW Sydney; Digby James Wren, External Relations Advisor to the Royal Academy of Cambodia.

American artist Kerry James Marshall is one of the world's most important living painters. Marshall has been making his large-scale, vividly colourful evocations of African-American life for over 40 years. His figurative paintings are rich with symbolism, metaphor and visual references to both social history and his favourite artists from the past. A 1997 painting called Past Times, which evokes works by Seurat and Manet, sold at auction in 2018 for $21m, setting a world record for a work by a living African-American artist. In the autumn of 2025 a retrospective of his paintings opened at London's Royal Academy, his largest exhibition outside of the US.Producer: Edwina Pitman

In this REWIND episode Gary Mansfield speaks to Mat Collishaw (recorded: Nov 2018). Mat Collishaw was a key figure in Damien Hirst's legendary Freeze exhibition, as well as Charles Saatchi's controversial [at the time] Sensations exhibition at the Royal Academy. Mat has used the latest VR technology to recreate William Henry Fox Talbot's 1839 photography exhibition, even including the Chartist's prodest. In his 2018 work, Mask of Youth, Mat collaborated with cutting-edge special effect designers to create a 'truer' interpretation of what Queen Elizabeth I may have looked like around the time her Armada Portrait was painted (the two works sit opposite each-other at The Queens House, Greenwich, London). To Support this podcast from as little as £3 per month: www.patreon/ministryofarts For full line up of confirmed artists go to https://www.ministryofarts.co.ukEmail: ministryofartsorg@gmail.comSocial Media: @ministryofartsorg Hosted on Acast. See acast.com/privacy for more information.

On this episode of SHE MD, hosts Mary Alice Haney and Dr. Thaïs Aliabadi welcome Grey's Anatomy stars Jessica Capshaw and Camilla Luddington. The actresses discuss their friendship, motherhood, and mental health experiences. They also share insights from their popular podcast "Call It What It Is" and offer advice on relationships and personal growth.Access more information about the podcast and additional expert health tips by visiting SHE MD Podcast and Ovii. Sponsors: Cymbiotika: Go to Cymbiotika.com/Shemd for 20% off plus free shippingOpill: Opill is birth control in your control, and you can use code SHEMD for twenty five percent off your first month of Opill at Opill.com.Nutrafol: Nutrafol is offering our listeners ten dollars off your first month's subscription and free shipping when you go to Nutrafol.com and enter promo code SHEMD. Arrae: Go to arrae.com and use code 'SHEMD' at checkout to receive 15% off your first purchase or autoship order.1MD: Visit 1MD.org, use code SHEMD, and enjoy 15% off your first order.Merit: It's time to simplify your morning. Head to meritbeauty.com and get their Signature Makeup Bag free with your first order. Jessica Capshaw & Camilla Luddington's Key Takeaways:Laugh Together: Make laughter a priority in your relationship to navigate life's challenges.Learn to Fight Fair: Develop healthy arguing skills, avoiding low blows and learning to apologize.Find Your Foundation: Trust in your ability to rebuild and grow, even after significant loss.Embrace Strategy: View being strategic and ambitious as positive traits that can lead to success.Balance Push and Pull: Calibrate when to challenge yourself and when to be gentle for optimal growth.Reframe Obstacles: Approach challenges with a "how can I not?" mindset instead of doubting yourself.Build a Support Network: Seek out individuals who can assist you in areas where you need guidance.In This Episode: (00:00) Introduction(01:06) Mary Alice introduces Jessica and Camilla(05:03) Importance of authentic women's friendships(08:09) Origins and goals of their podcast, Call It What It Is(12:27) Discussing pregnancy loss and mental health(20:00) Camilla's experience with postpartum anxiety(25:00) Dealing with tinnitus and anxiety(28:40) Balancing motherhood and acting careers(34:00) Redefining “Success”(41:40) Lessons for their younger selves(43:48) Camilla on rebuilding after losing her mother(47:00) Closing thoughts on ambition and inspirationRESOURCES:JESSICA CAPSHAWS INSTAGRAMCAMILLA LUDDINGTON'S INSTAGRAMCALL IT WHAT IT IS INSTAGRAMCALL IT WHAT IT IS TIKTOKGUEST BIOGRAPHIES:Camilla LuddingtonCurrently starring on ABC's hit medical drama series Grey's Anatomy, Camilla Luddington has the gift of portraying characters with both strength and vulnerability, and her Dr. Jo Wilson displays plenty of both as she finds her way through complicated storylines of love and career.The sci-fi/fantasy world has come to love her too for her embodiment of Lara Croft, a different kind of heroine, in the video game Tomb Raider. When the game was released in 2013,critics praised Luddington for giving the classic icon a much-needed reboot. In 2015, Camilla reprised her role as Lara in the video game Rise of the Tomb Raider, and continued her work as this character in the anticipated video game Shadow of the Tomb Raider.Californication, she portrayed Lizzie, the seemingly sweet English nanny who would do whatever it took to make it in L.A.Jessica CapshawJessica Capshaw is best known for her role as “Dr. Arizona Robbins” in the long-running TV series Grey's Anatomy.Capshaw can most recently be seen opposite Grace Van Patten in the hit Hulu series“Tell me Lies,” which is based on the best-selling novel by Carola. Capshaw earned her Bachelor of Arts degree in English literature at Brown University. In addition to this, she also attended the Royal Academy of Dramatic Arts during her summer breaks, where she starred as “Puck” in a production of “A Midsummer Night's Dream.”Capshaw is based in New York.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Kerry James Marshall: The Histories at the Royal Academy of Arts in London is the largest ever European retrospective of the work of the US artist and has been greeted with universal critical acclaim. Ben Luke takes a tour of the exhibition with Mark Godfrey, its curator, and visits a related exhibition of Marshall's graphic novel project, Rythm Mastr, at The Tabernacle in Notting Hill, London, with the co-curator of that show with Godfrey, Nikita Sena Quarshie. Last week, the National Gallery in London announced that it will build a major new extension, at a cost around £400m, of which £375m has already been raised. Project Domani, as it is called, is billed by the National as the largest transformation since it was founded, 200 years ago. The National will also expand its collecting boundary beyond 1900 in a major shift in the division of UK national collections. The Art Newspaper's digital editor, Alexander Morrison, talks to the director of the National Gallery, Gabriele Finaldi. And this episode's Work of the Week is The Three Dancers by Pablo Picasso, one of the greatest of all the many thousands of works by the Spanish artist. The painting was made in 1925 and Tate Modern is celebrating its centenary with an exhibition, Theatre Picasso, in which The Three Dancers is the centrepiece. Ben talks to Natalia Sidlina, co-curator of the exhibition, and to Enrique Fuenteblanca who, with the artist Wu Tsang, has designed the radical staging of the exhibition.Kerry James Marshall: The Histories, Royal Academy of Arts, London, 20 September-18 January 2026; Kunsthaus Zürich, 27 February-16 August 2026; Musée d'Art Moderne de Paris, 18 September 2026-24 January 2027; Rythm Mastr: The Chronicles, The Tabernacle, London, until 14 December.Theatre Picasso, Tate Modern, London, until 12 April 2026.Student subscription offer: stay connected to the art world from your first lecture to your final dissertation with a three-year student subscription to The Art Newspaper for just £99/$112/€105. Gift, quarterly and annual subscriptions are also available. https://www.theartnewspaper.com/subscriptions-student?offer=4c1120ea-bc15-4cb3-97bc-178560692a9c Hosted on Acast. See acast.com/privacy for more information.

Guillaume Le Gentil spent more than 11 years away from his native France just to witness two brief astronomical events. Along the way, he had to survive war, a hurricane, disease, and grumpy officials. When he got home, he’d lost his job and been declared dead. But the real hardship? He missed both events. Le Gentil was born 300 years ago this week. He studied theology, but decided on astronomy as a career. He became a member of the Royal Academy of Science at age 28. Le Gentil and other astronomers hoped to measure a 1761 transit of Venus across the Sun from many locations on Earth. The details would reveal the Sun’s distance – the basic “yardstick” for the entire solar system. Le Gentil planned to watch from India. He headed out in March of 1760. War with England complicated the trip, and his ship was blown off course. On the day of the transit he was still at sea, where it was impossible to make observations. The next transit was just eight years away, so Le Gentil decided to hang around. He planned to watch from the Philippines. But he got a chilly reception, so he returned to India. He set up an observatory and waited. But the day of the transit was cloudy – until shortly after it was over. Heartbroken, Le Gentil headed home. It took two hard years to get there – only to encounter even more problems. But he worked things out, and published two volumes about his travels in the name of science. Script by Damond Benningfield

Will your car be driving you by 2050?Greg Foot, host of the BBC Radio 4 show Sliced Bread, now brings you Dough.Each episode explores future wonder products that might rise to success and redefine our lives.Experts and entrepreneurs discuss the trends shaping what today's everyday technology may look like tomorrow, before a leading futurist offers their predictions on what life might be like within five, ten and fifty years.The series kicks off with a look at the future of cars.Will new battery technology transform the range and price of electric cars? Why are fully autonomous vehicles still not yet allowed on the UK's public roads? Which self-driving vehicles are we most likely to see first? Will we really let our cars do the driving for us anyway? Could vehicles communicating with streetlights make journeys quicker for select motorists?Alongside Greg in the passenger seat is the futurist Tom Cheesewright and expert guests including:-Phil Blythe CBE - a former Chief Scientific Adviser to the UK's Department for Transport and Professor of Intelligent Transport Systems at Newcastle University -Paul Shearing - Director of the Zero Institute at Oxford University and the Royal Academy of Engineering Chair in Emerging Battery Technologies -Paul Newman - Co-founder and Chief Technology Officer at Oxa, a UK-based company developing software for self-driving vehiclesProduced by Jon Douglas. Dough is a BBC Audio North Production for BBC Radio 4 and BBC Sounds.

Will your car be driving you by 2050?Greg Foot, host of the BBC Radio 4 show Sliced Bread, now brings you Dough.Each episode explores future wonder products that might rise to success and redefine our lives.Experts and entrepreneurs discuss the trends shaping what today's everyday technology may look like tomorrow, before a leading futurist offers their predictions on what life might be like within five, ten and fifty years.The series kicks off with a look at the future of cars.Will new battery technology transform the range and price of electric cars? Why are fully autonomous vehicles still not yet allowed on the UK's public roads? Which self-driving vehicles are we most likely to see first? Will we really let our cars do the driving for us anyway? Could vehicles communicating with streetlights make journeys quicker for select motorists?Alongside Greg in the passenger seat is the futurist Tom Cheesewright and expert guests including:-Phil Blythe CBE - a former Chief Scientific Adviser to the UK's Department for Transport and Professor of Intelligent Transport Systems at Newcastle University -Paul Shearing - Director of the Zero Institute at Oxford University and the Royal Academy of Engineering Chair in Emerging Battery Technologies -Paul Newman - Co-founder and Chief Technology Officer at Oxa, a UK-based company developing software for self-driving vehiclesProduced by Jon Douglas. Dough is a BBC Audio North Production for BBC Radio 4 and BBC Sounds.

This episode, we are thrilled to be joined by the artist William Kentridge. Born in 1955 in Johannesburg, South Africa - a city where he also now lives and works - William grew up under the pall of Apartheid. This experience deeply informs his practice, which frequently questions the historical record and examines the inequities and absurdities of our world.Working across multiple media, he combines drawing, writing, film, performance, and other collaborative practices to create works of art that are grounded in history, yet maintain a space for contradiction and uncertainty.In one of his now-signature techniques, William photographs his charcoal drawings and paper collages over time, recording scenes as they evolve. Working without a script or storyboard, he plots out each animated film, preserving every addition and erasure. This is visible, for instance, in the series Self Portrait as a Coffee Pot, which William launched on the online streaming service MUBI last year. In this nine-part series, he opens the doors to his Johannesburg studio to lay bare his creative process, reflecting on culture, history, and political memory as he does so.William's genre defying talents have also led him to create operas and theatrical productions since the 1990s. Of his many productions, we've been lucky to see a few, including his 2010 production for the Metropolitan Opera of Shostakovich's The Nose, as well as his 2023 production in Paris of "Waiting for the Sibyl."William's work has been exhibited in museums around the world, including the MoMA in New York, the Albertina in Vienna, the Louvre in Paris, and the Royal Academy of Arts in London, among many others. He is also, of course, in the collections of major museums across the globe. Most recently, here in New York, William presented a solo exhibition at Hauser and Wirth titled, “A Natural History of the Studio.”William is represented by Hauser and Wirth and Goodman Galleryhttps://www.hauserwirth.com/artists/william-kentridge/https://goodman-gallery.com/artists/william-kentridgeFollow us on Instagram for episode updates and exclusive behind the scenes content https://www.instagram.com/artfromtheoutsidepodcastSome artists discussed in this episodeHenri MatisseAlberto GiacomettiJackson PollockJacques Lecoq

What do theater, Disney, and corporate IT have in common? For Carl, the answer is everything. In this inspiring episode, Carl takes us on his unconventional journey from training at the Royal Academy of Dramatic Art to leading in the world of tech. He opens up about the power of authenticity, the impact of mentorship, and how his grandfather's encouragement fueled a path rooted in passion—not just profession. Dive into Carl's unique approach to personality and purpose through his consulting work, the importance of honest communication in leadership, and why following your interests might just be the smartest career move you make. Carl Walsh is our guest this week for the series It's Raining Men - What do they really think?

Why do so many brilliant, intuitive, powerful women keep ending up in the same relationship dynamics or repeating the same painful dating patterns? Why do we keep attracting the same patterns, partners, or situations, even after doing so much inner work?In this soulful conversation, Kate is joined by her dear soul sister Marianna Clark— an intuitive guide, spiritual coach, and radical truth-teller — to unpack the real reason women stay stuck in painful relational loops.Together they explore:The core wound that keeps women repeating the same storyWhy shifting your mindset isn't enough without embodied integrationHow to finally shift the energy that attracts the same pattern over and overThe liberating power of presence, truth, and choosing differentlyThis episode is a transmission. And a loving reminder that freedom is always available — when you're willing to look in the mirror and take responsibility for your part.Resources & Next Steps:FREE Discover Your Saboteur Mini Course: https://www.theunscriptdwoman.com/discover-your-saboteurSubscribe to The New Truth & leave a review if this episode resonates deeplyExplore The Immersion with Kate: https://www.theunscriptdwoman.com/the-immersionTo book a Free Call to explore working with Kate - click the link below: https://calendly.com/expanded-love/exploration-call-cloneAbout the Guest: Founder and Director of 'Travel Within Retreats', Marianna has been a self-development practitioner for more than 20 years offering women one-to-one coaching and group retreats.Travel Within Retreats evolved from her love and passion for personal growth and wellness, travel, and cultural exploration, giving birth to the notion of travelling 'within' and exploring oneself whilst being in peaceful and nurturing environment.She is certified in Life and Leadership Coaching, CBT, Ashtanga and Vinyasa Yoga, and is a member of the Institute of Leadership and Management (ILM). With a Masters Degree from the Royal Academy of Dramatic Art (RADA) in London, she has developed a unique method that employs writing and physical theatre in combination with metaphysics, psychophysics, and quantum energy healing to help people identify and move through unconscious blocks and connect them to their untapped potential in life, relationships, and career.Marianna has been a consultant for people from all walks of life including executives in the media industry, high-net-worth business individuals, performing artists, and anyone simply desiring to transform day-to-day obstacles or pain into a life of joy, success, and true fulfilment. Website: https://travelwithinretreats.com/Instagram: https://www.instagram.com/travelwithin.retreats/About the Host:Kate Harlow is the founder of The Unscriptd Woman, the creator of The Expanded Love Coaching Method, and host of The New Truth podcast - ranked in the top 1.5% globally. With over 15 years of experience teaching, coaching and facilitating transformational retreats worldwide, Kate has helped hundreds of thousands of women break free from outdated relational patterns, old patriarchal ways of thinking and unspoken rules to live...

Is the hysteria around digital I.D. cards justified? Or should we simply realise this is the future and get on with it? Plus, how deep is the UK university crisis? Professor Glen O'Hara is a voice at the forefront of this issue and joins us to shed some light on the dire situation. And in the Extra Bit for Subscribers, the Channel 4 documentary 1000 Men and Me: The Bonnie Blue Story has created a media storm about sex, morality and censorship. Why have one woman's actions caused such angst? Escape Routes: • Rachel went to A Midsummer Night's Dream at Bridge Theatre  • Glen watched The Fantastic Four: First Steps (other cinemas are available) • Jonn went to the Royal Academy's Summer Exhibition  • Dorian watched Mix Tape on iPlayer www.patreon.com/ohgodwhatnow • Get our exclusive NordVPN deal ⁠here⁠. It's risk-free with Nord's 30-day money back guarantee!  https://nordvpn.com/ohgodwhatnow • Advertisers! Want to reach smart, engaged, influential people with money to spend? (Yes, they do exist). Some 3.5 MILLION people download and watch our podcasts every month – and they love our shows. Why not get YOUR brand in front of our influential listeners with podcast advertising? Contact ads@podmasters.co.uk to find out more Presented by Dorian Lynskey, Jonn Elledge and Rachel Cunliffe. Audio Production by Robin Leeburn. Group Editor: Andrew Harrison. Managing Editor: Jacob Jarvis. OH GOD, WHAT NOW? is a Podmasters production. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Adrian Reynard's motor racing outfit were one of the best in the world during the 1980s and '90s – winning multiple championships across Formula 3000, F3 and IndyCar. Reynard Racing Cars also held an impressive record of winning the first race of every major single-seater competition they entered.  But when Adrian helped create the British American Racing F1 team in 1999, expectations were high and that previous success didn't quite translate in the pinnacle of motorsport. Speaking to Tom Clarkson, Adrian tells the fascinating story of BAR - how the team was formed with 1997 World Champion Jacques Villeneuve, why a big falling out with Team Principal Craig Pollock led to Adrian resigning, and how he helped lay the foundations for that team to later become World Champions as Brawn GP and then Mercedes. Adrian reflects on his F1 ventures before BAR as well - including a failed attempt to create his own team in 1990, despite selling his house to fund it, and his experiences with March F1 as a 29-year-old Technical Director in the 1980s. And Adrian also talks about inspiring legendary engineers like Rory Byrne and Pat Symonds, why he had an up-and-down relationship with the late Eddie Jordan, and the small part he played in the car that Michael Schumacher won his first F1 race in.    DIVERSITY AND INCLUSION CHARTER To find out more about the Diversity and Inclusion charter agreed by all 10 F1 teams, Formula 1 and the FIA, with support from the Royal Academy of Engineering and Sir Lewis Hamilton's foundation, Mission 44, click here It's All To Drive For in 2025. Be there! Book your seat for a Grand Prix this season at tickets.formula1.com Listen to more official F1 podcasts Every race analysed on F1 Nation Expert answers to your questions on F1 Explains THIS EPISODE IS SPONSORED BY: Babbel: F1 Beyond The Grid listeners get 55% off subscriptions at babbel.com/grid Vanta: visit vanta.com/grid to sign up for a free demo today