Podcast appearances and mentions of King Lear

Called “the finest actor of his generation,” Sir Simon Russell Beale has played just about everyone in Shakespeare's canon—Hamlet, Lear, Macbeth, Falstaff, Malvolio, Iago—and most recently, Titus Andronicus, for the Royal Shakespeare Company. In this episode, Beale reflects on the Shakespearean roles that have shaped his career and how his approach to them has evolved over time. He shares what drew him to Titus, and how he found surprising tenderness in Shakespeare's brutal tragedy. The actor revisits past performances, exploring grief in Hamlet, aging and dementia in King Lear, and how time has deepened his connection to the plays and the characters. Beale's memoir, A Piece of Work: Playing Shakespeare & Other Stories, is a moving and often humorous reflection on acting, Shakespeare, and the power of performance to reveal something essential about being human. Sir Simon Russell Beale studied at Cambridge before joining the RSC. Described by the Daily Telegraph as “the finest actor of his generation,” he has been lauded for both his stage and TV work, winning many awards including the Olivier Award for Best Supporting Actor, the Evening Standard Best Actor Award, and the BAFTA Best Actor Award. From the Shakespeare Unlimited podcast. Published June 17, 2025. © Folger Shakespeare Library. All rights reserved. This episode was produced by Matt Frassica. Garland Scott is the executive producer. It was edited by Gail Kern Paster. We had help with web production from Paola García Acuña. Leonor Fernandez edits our transcripts. Final mixing services are provided by Clean Cuts at Three Seas, Inc.

The Hamlet Podcast - a weekly exploration of Shakespeare's King Lear. Act III Scene vi - Lear madly attempts to prosecute his daughters for the way they have treated him. Written and presented by Conor Hanratty

The Tragically Hip Top Forty Countdown: Song 19 – Jeff from BellevilleWelcome back, Hip faithful. This week on the Countdown, I'm joined by one of our most beloved Sunday Evening Jam regulars — the witty, wise, and wonderfully loquacious Jeff from Belleville. You know him. You love him. And if you've ever caught a live stream where he was in the comments, you've probably laughed out loud.But today? Today, we go deeper.Jeff takes us back to his teenage years, up in a century-old Belleville coach house where Road Apples first took hold and never let go. From bootleg tapes and roadside attractions to mosh pits, surprise shows, and backstage encounters — Jeff's Hipstory spans 31 shows and countless life moments tied to the soundtrack of this band.Along the way, we talk memory, meaning, and mortality — including the two cardiac arrests Jeff survived (yes, you read that right), and the unexpected video message he received from Paul Langlois while recovering. This episode reminds us why we do this show in the first place: for the love, for the connection, for the community.We even get a bonus English Lit breakdown of King Lear — and how defiance, irony, and Shakespearean tragedy might be woven into one of the Hip's most poetic tracks. (And yeah, we manage to keep the actual title of that track on the DL. You're welcome.)

The Hamlet Podcast - a weekly exploration of Shakespeare's King Lear. Act III Scene vi - Gloucester brings the others to shelter. Edgar and the Fool vie for Lear's attention. Written and presented by Conor Hanratty

Want to support the podcast? Join our Patreon or buy us a coffee. As an independent podcast, Shakespeare Anyone? is supported by listeners like you. In this bonus episode, we're joined by Dr. Kent Lehnhoff to talk about his new book, Voice and Ethics in Shakespeare's Late Plays. Together, we explore how Shakespeare uses the concept and qualities of human voice in The Tempest, Cymbeline, King Lear, Pericles, and The Winter's Tale, how he writes for and about the voice, and beyond that, how embracing the unique voice of each character (and actor) can create a more ethical, inclusive theatre.  About Kent Lehnhof Kent Lehnhof earned a BA from Brigham Young University and a PhD from Duke University. He is Professor of English at Chapman University, where he specializes in early modern literature and culture, especially the works of William Shakespeare. Dr. Lehnhof has published two dozen scholarly articles, has co-edited two essay collections, and is coming out with a new book in October titled Voice and Ethics in Shakespeare's Late Plays. In this book and in many of his articles, Dr. Lehnhof treats Shakespeare's plays like lively enactments of ethical philosophy. He believes that one of the things that makes Shakespeare's work distinctly Shakespearean is its interest in exploring what it's like to be in relation—what it's like to be tied to other people, some of whom love you, some of whom hate you, and some of whom pay you no mind at all. At present, Dr. Lehnhof is finishing a guidebook for Arden Shakespeare called Understanding Shakespeare's Plays: A Candid Companion to All the Drama. This book goes through all the play, one by one, giving an overview of each and offering insights and analysis as to what it offers. Dr. Lehnhof only has six plays left to do, which means he's getting down to the deep cuts. Timon of Athens, anyone? Shakespeare Anyone? is created and produced by Kourtney Smith and Elyse Sharp. Music is "Neverending Minute" by Sounds Like Sander. For updates: join our email list, follow us on Instagram at @shakespeareanyonepod or visit our website at shakespeareanyone.com You can support the podcast by becoming a patron at patreon.com/shakespeareanyone, buying us coffee, or by shopping our bookshelves at bookshop.org/shop/shakespeareanyonepod (we earn a small commission when you use our link and shop bookshop.org). Find additional links mentioned in the episode in our Linktree.  Works referenced:  Lehnhof, Kent. Voice and Ethics in Shakespeare's Late Plays. Cambridge: Cambridge University Press, 2025. Print.

The Hamlet Podcast - a weekly exploration of Shakespeare's King Lear. Act III Scene v - Cornwall appears, with Edmund in tow. Written and presented by Conor Hanratty

This week on Skytalkers, we're talking about all the ways the finale of Andor Season 2 has and hasn't changed our viewing experience of Rogue One! Tune in this week to hear:  Jyn and Cassian as messengers.  What are the comparisons between Luthen and Kleya vs Saw and Jyn?  How has Cassian's character arc in Rogue One shifted with two seasons of Andor? Luthen Rael's last name as anagram for "Lear" – and how that relates to Shakespeare's “King Lear”.  …and so much more!  Join our Patreon community and unlock bonus episodes + more! Our website! Follow us on Twitter/X @skytalkerspod Follow us on TikTok @skytalkers Follow us on Facebook Follow us on Instagram @skytalkerspodcast Follow Charlotte on Twitter/X @crerrity Follow Caitlin on Twitter/X @caitlinplesher Email us! hello@skytalkers.com Learn more about your ad choices. Visit megaphone.fm/adchoices

The Hamlet Podcast - a weekly exploration of Shakespeare's King Lear. Act III Scene iv - The scene comes to an end, not before Lear makes some more fantastical references and Edgar matches him with a famous rhyme. Written and presented by Conor Hanratty

Mac may being going senile, Mother's Day birdfeedery, and we had an earthquake! On Stranger Tides is a better book than movie, King Lear is better than Katherine expected, and we delve back into Captain America Civil War to revel in the archetypes. Our locals page is now accepting subscriptions! Move over from Patreon so more of your tips go to us and not Apple. Books: Read along with Mac - Other great stuff we like: Baritus Catholic Illustrations Pacem in Terris Retreat Center Restoration of Christian Culture from Our Lady of Clear Creek Abbey Restoration of Christian Culture PDF Spiritual Direction.com Fatima Farm liturgical calendar from Sofia Institute Press Gregory the Great's St. Nicholas Guild Total Consecration to Jesus Through Mary Other stuff our family does: Our libsyn page where you can find all our old episodes Sam and Mena's podcast: Engaged at 18 Spoiled! with Mac and Katherine Mac's book! Clueless in Galilee Ben's Photography Business: Red Barron Media Find us on our website Theme song by Mary Bragg.

Nan Z. Da, in her book The Chinese Tragedy of King Lear, finds unsettling parallels between Shakespeare's play and 20th-century China under Mao Zedong. Da, a literature professor at Johns Hopkins University, weaves together personal history and literary analysis to reveal how King Lear reflects—and even anticipates—the emotional and political horrors of authoritarian regimes. From public punishments to desperate displays of flattery, from state paranoia to family betrayal, she shows how Shakespeare's tragedy resonates with the lived experiences of generations shaped by Maoism. She joins us to discuss the story of her family in Mao's China and why Lear may be Shakespeare's most “Chinese” play. Nan Z. Da is an associate professor of English at Johns Hopkins University. Prior to that, she taught for nine years at the University of Notre Dame. She is the author of Intransitive Encounters: Sino-US Literatures and the Limits of Exchange and co-editor of the Thinking Literature series.

The Hamlet Podcast - a weekly exploration of Shakespeare's King Lear. Act III Scene iv - The Walking Fire - and its bearer - arrives. Edgar continues to perform his role as mad Poor Tom. Written and presented by Conor Hanratty

Recorded at the most recent ACTC conference, this episode features Michael McShane—educator, writer, and Shakespearean interlocutor—in a wide-ranging discussion of King Lear with both Greg and Alex. The group examine the play's structural and philosophical dimensions, from the politics of authority and the aesthetics of suffering to questions of justice, recognition, and the limits of language. McShane brings a scholarly yet accessible lens to one of Shakespeare's most harrowing tragedies. Plus: the guys turn it over to the crowd and field a range of questions from the audience!

The Hamlet Podcast - a weekly exploration of Shakespeare's King Lear. Act III Scene iv - Lear is still fascinated by Edgar, while the Fool still watches. Written and presented by Conor Hanratty

Mycket händer, snabbt!

William Shakespeare, often called the Bard of Avon, is the greatest playwright in the English language. Born in 1564 in Stratford-upon-Avon, he married Anne Hathaway at 18 and had three children. He moved to London in the late 1580s to pursue a career in theatre. Over the next two decades, he wrote 39 plays, 154 sonnets, and two long narrative poems. His works explore timeless themes of love, power, jealousy, betrayal, and ambition. Shakespeare's most famous plays include Hamlet, Macbeth, Othello, Romeo and Juliet, and King Lear. He co-owned the Globe Theatre, where many of his plays were performed. His mastery of language enriched English with hundreds of new words and phrases. Shakespeare blended history, tragedy, and comedy in ways that remain unmatched. Despite his fame, much of his personal life remains a mystery. He retired to Stratford around 1613 and died in 1616 at the age of 52. Shakespeare's legacy lives on through endless adaptations on stage and screen. His characters and stories still resonate across cultures and generations. He was as much a keen observer of human nature as a creator of unforgettable drama. This talk show explores the life, love, and literary genius of the immortal William Shakespeare.

The Hamlet Podcast - a weekly exploration of Shakespeare's King Lear. Act III Scene iv - Lear is fascinated by Edgar, while the Fool watches what is happening. Written and presented by Conor Hanratty

Welcome to 'The Avrum Rosensweig Show', and our series, 'PARSHA & PROSE' with RABBI SHLOMO GEMARA, where we dive into the timeless wisdom of the Torah, weaving its teachings with insights from literature, culture, and human experience. In this episode, we explore the Torah portion Tazria-Metzora (Leviticus 12:1–15:33) through the lens of William Shakespeare's King Lear. At first glance, these texts seem worlds apart—one a sacred exploration of ritual purity and affliction, the other a tragic drama of betrayal and redemption. Yet, both grapple with profound questions about human vulnerability, isolation, and the search for meaning amidst suffering. AM YISRAEL CHAI!

Welcome to 'The Avrum Rosensweig Show', and our series, 'PARSHA & PROSE' with RABBI SHLOMO GEMARA, where we dive into the timeless wisdom of the Torah, weaving its teachings with insights from literature, culture, and human experience. In this episode, we explore the Torah portion Tazria-Metzora (Leviticus 12:1–15:33) through the lens of William Shakespeare's King Lear. At first glance, these texts seem worlds apart—one a sacred exploration of ritual purity and affliction, the other a tragic drama of betrayal and redemption. Yet, both grapple with profound questions about human vulnerability, isolation, and the search for meaning amidst suffering. AM YISRAEL CHAI!

The Hamlet Podcast - a weekly exploration of Shakespeare's King Lear. Act III Scene iv - Edgar appears as Poor Tom, scaring the Fool but fascinating Lear. Written and presented by Conor Hanratty

2000's Born Romantic is a little seen British comedy about dating in the Y2k era.  Chock a block with UK stars including Craig Ferguson, Catherine McCormack, Jimi Mistry, Adrian Lester, Olivia Williams, David Morrissey and Jane Horrocks, the film follows a group of lonely hearts finding love and laughter with a London salsa club as the center of their romantic universe.  Dan and Vicky discuss the rarely seen film and how we find love and romance in the modern world.  They also talk about some recently seen items like The Rule of Jenny Penn, Freaky Tales, Hell of a Summer, The Amateur and MAX's medical drama The Pitt.  Listen for their thoughts on finding community at the movies, remembering 9/11, and King Lear in Delaware! Our socials:  hotdatepod.com FB:  Hot Date Podcast Twitter: @HotDate726 Insta:  hotdatepod

Actor Sir Simon Russell Beale is widely acclaimed as one of the greatest actors of his generation. He has played many leading roles at National Theatre and RSC, including Hamlet, Macbeth and King Lear. He is currently starring in Titus Andronicus at the RSC. His awards include three Olivier Awards, two BAFTAs, and a Tony Award in 2022 for his leading role in The Lehman Trilogy, which had transferred from London. Simon Russell Beale was knighted in 2019 for services to drama. Simon tells John Wilson about his childhood and his visits to his family in the boarding school holidays at their home in Penang and Singapore. Trained as a chorister from an early age, he reveals how J.S. Bach's St Matthew Passion evokes the thrill of singing at his choir school. Simon very nearly embarked on a career in music before switching to drama and tells John about the significance of the Macbeth soliloquy that began a lifetime love of Shakespeare. He also reveals the central role that pubs play in the learning of his lines.Producer: Edwina Pitman

The Hamlet Podcast - a weekly exploration of Shakespeare's King Lear. Act III Scene iv - Kent tries to get Lear to take shelter in the hovel. Lear does some remarkable soul-searching, in his anger and madness. Written and presented by Conor Hanratty

Romola Garai won her first professional acting roles as a teenager, and since then, her career has taken her in a wide range of dramatic directions. Most recently, she won a 2025 Olivier Award for her role in The Years, a sometimes shocking play based on a novel by Nobel Prize winner Annie Ernaux – and she was competing against herself, with a nomination in the same category for her part in Giant, a play about Roald Dahl.Her previous stage work includes playing Cordelia opposite Ian McKellen's King Lear, and her extensive screen credits include the title role in a BBC adaptation of Jane Austen's Emma. She also won acclaim for The Hour, a drama set behind the scenes of a TV current affairs programme in the 1950s. In 2020, she went behind the camera to write and direct a horror film called Amulet. Romola's music choices include John Taverner, Handel and Keith Jarrett.

The decision to cut someone out of your life—whether a parent, a sibling, or a once-close friend—can feel both deeply necessary and impossibly fraught. But why does going no contact inspire so much shame, confusion, and second-guessing, especially when it's often a tool for self-preservation? What does it really mean to choose absence over obligation? In this episode, host Amanda Montell (@amanda_montell) is joined by Jeanette Tran, a professor at Drake University who explores the complexities of estrangement through an unexpected lens: Shakespeare. Drawing from centuries-old drama, Jeanette helps us parse why going no contact still feels so taboo, how literature mirrors (and sometimes distorts) our ideas of family and forgiveness, and why choosing peace can be the most radical act of all. Further reading: Jeanette Tran's essay “As more Americans go ‘no contact' with their parents, they live out a dilemma at the heart of Shakespeare's ‘King Lear'” in The Conversation.   - Join the "Magical Overthinkers Club" by following the pod on Instagram @magicaloverthinkers. - To access early, ad-free episodes and more, subscribe to the Magical Overthinkers Substack. - Pick up a hard copy of Amanda's book The Age of Magical Overthinking: Notes on Modern Irrationality, or listen to the audiobook. Thanks to Our Sponsors: Stop putting off those doctors appointments and go to https://Zocdoc.com/MAGICAL to find and instantly book a top-rated doctor today Sign up for your one-dollar-per-month trial period at https://SHOPIFY.COM/magical Thrive all year with clean, easy meals from Green Chef. Go to https://GreenChef.com/magicalfree and use code magicalfree to get started with FREE Salads for two months plus 50% off your first box. No matter how you say it, don't overpay for it. Shop plans at https://MINTMOBILE.com/magical Learn more about your ad choices. Visit podcastchoices.com/adchoices

RE-BROADCAST: The Tragedy of King Lear by William Shakespeare w/Libby Unger---Welcome & Introduction - 0:01:35CEOs Building Stronger Companies with Common Touch LeadershipLessons from Shakespeare's King Lear for Modern LeadersNever Forget Your Roots: Lessons in Humility and Servant LeadershipChallenge Assumptions Cultivate Servant LeadershipBuild What Good Looks LikeLeadership Lessons from the Great BooksThe Importance of Truth TellersLessons from the Decline of EmpiresMorality and Leadership from King LearTaking Ruthless InventorySelf-Awareness Can Transform Your LeadershipRhetoric, Positions, and Principles Seek Truth, Act LocallyFalse Promises in Leadership Don't DeliverThe Power and EliteInsights into an Insular Leadership StructureSaying "No" Staying on the Path with King Lear by William Shakespeare---Listen to Libby Unger on Episode #42 - The Road to Serfdom by F.A. Hayek w/Libby Unger ---> https://share.transistor.fm/s/512f183cLibby Unger on LinkedIn - https://www.linkedin.com/in/libbyunger/Libby Unger Email Contact - libby@lumineaula.comLibby Unger's Website - http://lumineaula.com/---Pick up your copy of 12 Rules for Leaders: The Foundation of Intentional Leadership NOW on AMAZON!Check out the 2022 Leadership Lessons From the Great Books podcast reading list!---Check out HSCT Publishing at: https://www.hsctpublishing.com/.Check out LeadingKeys at: https://www.leadingkeys.com/Check out Leadership ToolBox at: https://leadershiptoolbox.us/Contact HSCT for more information at 1-833-216-8296 to schedule a full DEMO of LeadingKeys with one of our team members.---Leadership ToolBox website: https://leadershiptoolbox.us/.Leadership ToolBox LinkedIn: https://www.linkedin.com/company/ldrshptlbx/.Leadership ToolBox YouTube: https://www.youtube.com/channel/UCJvVbIU_bSEflwYpd9lWXuA/.Leadership ToolBox Twitter: https://twitter.com/ldrshptlbx.Leadership ToolBox IG: https://www.instagram.com/leadershiptoolboxus/.Leadership ToolBox FB: https://www.facebook.com/LdrshpTlbx. ★ Support this podcast on Patreon ★

The Hamlet Podcast - a weekly exploration of Shakespeare's King Lear. Act III Scene iIi - Gloucester and Edmund discuss some top-secret news, and the unnatural way Lear's family is treating him. This episode is probably the 400th episode of The Hamlet Podcast! A huge thank you for listening. And do please stay tuned! Written and presented by Conor Hanratty

Rebecca, Tori, and returning guest, Louise, delve into the 2018 production of Shakespeare's King Lear, discussing our personal experiences with the play, character dynamics, and the performances of the cast. We discuss various interpretations that arise from different adaptations and how Eyre's choices of what to cut cause confusion in some of the action. We gush over the performances of (most) of the cast, particularly Thompson, Watson, and Pugh's portrayals of the three sisters.MusicApache Rock Instrumental | by Sound Atelier; licensed from JamendoRemember the Way | by Mid-Air Machine; Free Music ArchiveRecord Scratch: Sound Effect free on PixabayPrint SourceAnderson, John. 2018. 'King Lear' Review: A Timeless Tale with a Modern King; Anthony Hopkins's Lear is a Frightening, Ego-Driven Autocrat in 21st-Century Britain. New York, N.Y.: Dow Jones & Company Inc. https://www.proquest.com/blogs-podcasts-websites/king-lear-review-timeless-tale-with-modern/docview/2112753139/se-2.SourcesKing Lear: a mesmerizing Hopkins in a disappearing script | The Book HavenKing Lear review: Anthony Hopkins stars in a murky adaptation | The Independent | The IndependentKing Lear Amazon Review: Anthony Hopkins and Emma Thompson CaptivateKing Lear Amazon Review: Anthony Hopkins Is DevastatingShakespeare Oxford Fellowship | LearAnthony Hopkins' King Lear, reviewed.

Merriam-Webster's Word of the Day for April 9, 2025 is: vouchsafe • vowch-SAYF • verb Vouchsafe is a formal and old-fashioned word meaning "to give (something) to someone as a promise or a privilege." // He vouchsafed the secret to only a few of his closest allies. See the entry > Examples: "[Arthur] Conan Doyle (1859-1930) wrote several horribly chilling tales of the supernatural, although this might surprise readers who only know his Sherlock Holmes stories. When there are eerie goings-on in the Holmes yarns, a rational explanation is inevitably vouchsafed, à la Scooby-Doo." — Jake Kerridge, The Daily Telegraph (London), 20 Dec. 2023 Did you know? Shakespeare fans are well acquainted with vouchsafe, which in its Middle English form vouchen sauf meant "to grant, consent, or deign." The word, which was borrowed with its present meaning from Anglo-French in the 14th century, pops up fairly frequently in the Bard's work—60 times, to be exact. "Vouchsafe me yet your picture for my love," beseeches Proteus of Silvia in The Two Gentlemen of Verona. "Vouchsafe me raiment, bed, and food," King Lear begs his daughter Regan. But you needn't turn to Shakespeare to find vouchsafe; today's writers still find it to be a perfectly useful word.

The Hamlet Podcast - a weekly exploration of Shakespeare's King Lear. Act III Scene ii - Lear gives in, and the Fool gives us another song - and a prophecy. Written and presented by Conor Hanratty

This episode dives into the weird and wacky world of Christopher Marlowe---or does it?Actors:James Lucas--Sir Toby Belch, Dogberry, Lear's FoolDoll PIccotto--Maria, Verges, King Lear

The Hamlet Podcast - a weekly exploration of Shakespeare's King Lear. Act III Scene ii - Kent appears, and Lear continues to cry into the storm. Written and presented by Conor Hanratty

It's episode 216 and we are lurching back to the north east, to Zululand. The heat is building up, and the conflicted relationship between King Mpande kaSenzanghakhona and his son, Cetshwayo kaMpande, is growing more complex by the minute. But this being Zululand, that wasn't the only competition in town. There was an older son of Mpande, called Hamu, who was his first-born son by Nozibhuku, who in turn was the daughter of the much respected chief Sothondose of the Nxumalo people. If we turn our thoughts to the succession process of the AmaZulu which has always been a tricky trail, this episode will serve to illuminate the razor-sharp line royal heirs must walk. Sothondose you see was Mbuyazi's brother. And if you recall, Mbuyazi was the man who had been killed along with seven of his brothers and half brothers at the Battle of Nondokasuka by Cetshwayo. King Mpande had publicly referred to Mbuyazi as his heir apparent, and Cetshwayo thought he was a better candidate. The plot thickens. It more than thickens, it congeals like thick red blood, spattered many times this episode. There is a Shakespearian correlation between his epic tales and those of the AmaZulu, where both are interlaced with human truths. This week's tale is a mist-mash of Macbeth, Richard the third, Henry the Sixth Part three. Perhaps you could include others, but let's leave it at that for now. IN Zululand, Mpande was king and he was apt to change his mind about his heir apparent. Cetshwayo had worked himself into the position by dint of killing Mbuyazi, and had begun to refer to Mpande as ixegwana, little-old man. Or Oomie which is why calling some middle-aged men Oomie can get you into trouble. Hamu kaMpande was an insidious man, a persevering leader who wriggled about, an indulgent man according to oral tradition as well as the written descriptions we have of him. Flabby, with the immense thighs of the house of Senzangakhona. Hamu led the Ngenetsheni clan, and had supported Cetshwayo during the recent Civil War, where Mbuyazi had been defeated. That was the case even though his grandfather, Sothondose, was Mbuyazi's brother. In other words Hamu fought against his Great Uncle. Blood, it seems, isn't thicker than water—unless it's pooling in a cauldron of treachery and Macbethian dread. Hamu also resented his bad luck, descended from Nzibe who ranked behind Mpande's other sons. He liked to show off his bling so to speak, and gathered a massive isigodlo of women, 300 in all, and bragged about being quasi-independent of Mpande. Cetshwayo kept a beady eye on these two, and there were confrontations with them, one took place in 1857. But nothing was resolved. Initially, Mbuyazi's remaining brothers turned out to be more of a threat than Hamu and Maphitha, and this is where the Shakespearian blood letting began in earnest. Cetshwayo wanted to kill Mbuyazi's thirteen year old brother Mkhungo. Someone tipped off the teen that the death squad was on its way and he fled to safety in Natal across the Thukela River. Other members of his direct family were already seeling refuge there, his mom Monase and Sikhotha his half-brother. shake

Dan Colley is an Irish theater and film writer and director whose play Lost Lear had its North American premier at Villanova's Mullen Center for Performing Arts in February 2025. While on campus Dan sat down with with Irish Studies and Theater faculty member Bess Rowen, to discuss his career in theater in general and Lost Lear, specifically. Lost Lear is an adaptation of Shakespeare's King Lear, is told from the point of view of Joy, a retired actor with dementia, who is living in an old memory of rehearsing “King Lear.” The staff of the nursing home where Joy lives facilitate her care by acting out her happy memories. Joy's delicately maintained reality is upended by the arrival of her estranged son who, being cast as Cordelia, must find a way to speak his piece from within the limited role he is given. https://www.dancolley.com/theatre/lostlear__________Dan Colley is a theater and film writer and director from Dublin. He specializes in ensemble-devised theater, young audience theater, comedy, community participation and outdoor spectacle. He has been the Artist in Residence in the Riverbank Arts Centre in County Kildare, Ireland since 2019.https://www.dancolley.com/

The Hamlet Podcast - a weekly exploration of Shakespeare's King Lear. Act III Scene i - Still out in the storm, Lear rails at the weather while the Fool attempts to suggest that they go back indoors. Written and presented by Conor Hanratty

If you're enjoying the Hardcore Literature Show, there are two ways you can show your support and ensure it continues: 1. Please leave a quick review on iTunes. 2. Join in the fun over at the Hardcore Literature Book Club: patreon.com/hardcoreliterature Thank you so much. Happy listening and reading! - Benjamin  

The Hamlet Podcast - a weekly exploration of Shakespeare's King Lear. Act III Scene i - Out in the storm, Kent meets the Gentleman and they discuss what's happening with Lear. (With bonus special effects audio from Incheon Airport!) Written and presented by Conor Hanratty

On this day, March 13, 1619, the stage lost one of its greatest stars. Richard Burbage wasn't just an actor—he was Shakespeare's leading man, the original Hamlet, Othello, and King Lear. But his impact went far beyond the stage.   From his early years in London to his legendary performances at The Globe Theatre, Burbage helped shape the golden age of English drama. He was a close friend of Shakespeare, a theatre pioneer, and a performer whose talent left an indelible mark on history.   Join me as we uncover the life, legacy, and lasting influence of Richard Burbage—the man who first brought Shakespeare's greatest characters to life.   If you love Tudor and Elizabethan history, don't forget to subscribe and hit the notification bell for more deep dives into the past!   #shakespeare #theglobe #actors

How does Shakespeare's King Lear resonate in a world facing climate catastrophe? Novelist Julia Armfield explores this question in Private Rites, a novel set in a near-future London reshaped by rising sea levels. Following three sisters grappling with their father's death, Private Rites weaves together themes of inheritance, power, and familial wounds—echoing Shakespeare's tragic monarch while carving out a distinctly modern, queer perspective. Armfield, author of Our Wives Under the Sea, discusses her fascination with disaster narratives, the inescapable dynamics of sibling relationships, and how Shakespeare's work inspires her storytelling. From the storm in King Lear to the watery depths of her fiction, she reflects on how queerness, horror, and the climate crisis intersect in literature. Julia Armfield is a fiction writer living in London with her wife and cat. Her work has been published in Granta, The White Review, and Best British Short Stories in 2019 and 2021. In 2019, she was shortlisted for the Sunday Times Young Writer of the Year Award. She was longlisted for the Deborah Rogers Award in 2018 and won the White Review Short Story Prize in 2018 and a Pushcart Prize in 2020. She is the author of salt slow, a collection of short stories, which was longlisted for the Polari Prize in 2020 and the Edge Hill Prize in 2020. Her debut novel, Our Wives Under The Sea, was shortlisted for the Foyles Fiction Book of the Year Award in 2022 and won the Polari Prize in 2023. Her second novel, Private Rites, was longlisted for the inaugural Climate Fiction Prize in 2024. From the Shakespeare Unlimited podcast. Published March 11, 2025. © Folger Shakespeare Library. All rights reserved. This episode was produced by Matt Frassica. Garland Scott is the executive producer. It was edited by Gail Kern Paster. We had help with web production from Paola García Acuña. Leonor Fernandez edits our transcripts. Final mixing services are provided by Clean Cuts at Three Seas, Inc.

What happens when history, activism, and theater collide? The producers of The Return of Benjamin Lay break it down. What happens when a story refuses to be forgotten? The Return of Benjamin Lay isn't just a play—it's a powerful lesson in courage, creativity, and using your voice for change. In this episode of Your Creative Mind, I sit down with the producers of the production coming to The Sheen Center this March to talk about bringing this revolutionary abolitionist's story to the stage. You'll hear how bold storytelling can challenge the status quo, why creative work has the power to shift perspectives, and what you can do to make your own impact. If you're a storyteller, entrepreneur, or changemaker, this episode is for you. And if you can, go see the show at The Sheen Center, March 14 – April 6, 2025—it's one you won't forget. JOSEPH W. RODRIGUEZ is an actor, writer, and Producing Artistic Director of Playhouse Creatures (where he has produced over thirty plays). For PCTC: STILL LIFE (with Ancram Opera House), EXECUTION OF JUSTICE, The Two-Character Play ( 2017 New York/ The Duo Theatre), New Orleans (2018 Southern Rep); Mrs. Packard (with Bridge Rep), One Flea Spare, More Stars Then There Are In Heaven, Hunter/ Gatherers, Charlotte The Destroyer, Love Song, 6xTenn, Closer, The Libertine (The Kirk, Theatre Row), and The Libertine (with Bridge Rep – IRNE Nomination, Best Actor). Other NYC: Buffalo Hair with Jeffrey Wright (The Public Theater); The Normal Heart with Bobby Cannavale (The Duo Theatre); Richard III with Austin Pendleton, Macbeth – title role (New Perspectives); Linnehan's Daughter (Naked Angels); Landscape of the Body, Hurlyburly (T. Schreiber Studios); Innocent Erendira – world premiere with Miriam Colon (Repertorio Espanol). Regional: Hamlet with Mark Rylance, King Lear with F. Murray Abraham (A.R.T.); Iphigenia (The Huntington); Children of the Sun (The Kennedy Center); A Streetcar Named Desire, American Buffalo, Safe Sex, A Christmas Carol (The New Ehrlich Boston); Vieux Carre, Breaking the Code – Best Supporting Actor, Boston Herald (The Triangle Theatre); The Boys Next Door with Lance Reddick (Worcester Forum Theatre). TV/ FILM: Glory, The Opposite of Sex, Desolation Angels, Against the Law, Guiding Light, As the World Turns, Another World, the titular character in Sci-Fi Channel's Cameron Grant. He is a proud member of AEA and SAG-AFTRA.    ARSALAN SATTARI PRODUCTIONS: Since 2012 Arsalan Sattari Productions has commissioned, developed, licensed, and produced shows by world-class artists, to critical acclaim and commercial success, within the London fringe, West End, and festivals. They are interested in new writing, UK and European premieres, historical plays and characters rarely portrayed on stage. They are proud to have built a reputation of producing top acclaimed American playwrights in the UK. Arsalan is an Honorary Associate Producer at the multi-award winning Finborough Theatre, London, and Creative Director and CEO of StageBlock, working with some of the most renowned talents and global institutions to bring performing arts into the wider art market.  Learn more and get tickets. https://playhousecreatures.org/events/the-return-of-benjamin-lay/ https://www.sheencenter.org/events/detail/the-return-of-benjamin-lay   Connect with Izolda Website: https://IzoldaT.com BlueSky: https://bsky.app/profile/izoldat.bsky.social. Book Your Discovery Call: https://calendly.com/izoldat/discovery-call New Play Exchange: https://newplayexchange.org/users/90481/izolda-trakhtenberg Submit a Play to the Your Creative Table Read Podcast Series One Minute Movies A Close Shave Career Suicide Diz Wit   Flip Your Inner Script to Stop Negative Thoughts From Ruining Your Day.   This episode is brought to you by Brain.fm. I love and use brain.fm! It combines music and neuroscience to help me focus, meditate, and even sleep! Because you listen to this show, you can get a free trial and 20% off with this exclusive coupon code: innovativemindset. (affiliate link) URL: https://brain.fm/innovativemindset It's also brought to you by my podcast host, Podbean! I love how simple Podbean is to use. If you've been thinking of starting your own podcast, Podbean is the way to go!** Are you getting anything out of the show? I'd love it if you would buy me a coffee.   Listen on These Channels Apple Podcasts | Spotify | Stitcher | Podbean | MyTuner | iHeart Radio | TuneIn | Deezer | Overcast | PodChaser | Listen Notes | Player FM | Podcast Addict | Podcast Republic |

Paul McVeigh - King Lear at The Gate - Album reviews

Much as I would love not to have to keep talking about Trump, it's inevitable that I cover the extraordinary events of this week: Trump as King Lear, demanding obsequious flattery, Zelensky perhaps ought not to have made the trip to DC. So where now?And in the second half, the Russian police in crisis, demoralised, under-strength and with corruption again on the rise. Another very real success story of early Putinism, police reform, being devoured by the war and late Putinism.The video of the Global Strategy Forum event I mentioned is here, the Sunday Times article (paywalled) is here.The podcast's corporate partner and sponsor is Conducttr, which provides software for innovative and immersive crisis exercises in hybrid warfare, counter-terrorism, civil affairs and similar situations.You can also follow my blog, In Moscow's Shadows, and become one of the podcast's supporting Patrons and gain question-asking rights and access to exclusive extra materials including the (almost-) weekly Govorit Moskva news briefing right here. Support the show

Joanna Robinson and Rob Mahoney respond to some email theories (3:23) before analyzing the Ratliff family identity (17:13), a connection from Walton Goggins's character to ‘King Lear' (23:29), and the cracks beginning to show in the blond friend group (30:58). Plus, discussing a potential Russian connection to the hotel robbery (44:37), keeping an eye on the nice guy character, Gaitok (48:25), and talking about the strong incest vibes coming from the Ratliff kids (54:11). Email us! prestigetv@spotify.com Subscribe to the Ringer TV YouTube channel here for full episodes of ‘The Prestige TV Podcast' and so much more! Try Coffee mate Creamers Now: http://coffeemate.com Hosts: Joanna Robinson and Rob Mahoney Producers: Kai Grady and Donnie Beacham Jr. Video Supervision: John Richter Additional Production Support: Justin Sayles Learn more about your ad choices. Visit podcastchoices.com/adchoices

Visit our Substack for bonus content and more: https://designbetterpodcast.com/p/gareth-hinds Graphic novels are experiencing something of a renaissance recently. As the medium has gained popularity, notable thinkers like Sapiens author Yuval Noah Harari and the late John Lewis have brought their stories to life beautifully in graphic novel form. Gareth Hinds has played a big role in shaping the medium. His graphic novel adaptations of The Iliad, The Odyssey, Macbeth, Beowulf, and King Lear have brought new readers and new perspectives to these classic tales. Count us in that group of his readers looking at these ancient stories differently. We speak with Gareth about his creative and editorial workflow, and how he turns challenging works from Shakespeare, Homer, and others into a graphic novel. We also talk about how his background in video game design influences his work, and how he chooses stories that lend themselves well to his style of illustration. Bio Gareth Hinds is the creator of critically-acclaimed graphic novels based on literary classics, including Beowulf (which Publisher's Weekly called a “mixed-media gem”), King Lear (which Booklist named one of the top 10 graphic novels for teens), The Merchant of Venice (which Kirkus called “the standard that all others will strive to meet” for Shakespeare adaptation), The Odyssey (which garnered four starred reviews and a spot on ten “best of 2010” lists), Romeo and Juliet (which Kirkus called “spellbinding”), and Macbeth (which the New York Times called “stellar” and “a remarkably faithful rendering”). Gareth is a recipient of the Boston Public Library's “Literary Lights for Children” award. His books can be found in bookstores and English classrooms across the country, and his illustrations have appeared in such diverse venues as the Society of Illustrators, the New York Historical Society, and over a dozen published video games. *** Premium Episodes on Design Better This ad-supported episode is available to everyone. If you'd like to hear it ad-free, upgrade to our premium subscription, where you'll get an additional 2 ad-free episodes per month (4 total). Premium subscribers also get access to the documentary Design Disruptors and our growing library of books, as well as our monthly AMAs with former guests, ad-free episodes, discounts and early access to workshops, and our monthly newsletter The Brief that compiles salient insights, quotes, readings, and creative processes uncovered in the show. Upgrade to paid *** Visiting the links below is one of the best ways to support our show: Masterclass: MasterClass is the only streaming platform where you can learn and grow with over 200+ of the world's best. People like Steph Curry, Paul Krugman, Malcolm Gladwell, Dianne Von Furstenberg, Margaret Atwood, Lavar Burton and so many more inspiring thinkers share their wisdom in a format that is easy to follow and can be streamed anywhere on a smartphone, computer, smart TV, or even in audio mode. MasterClass always has great offers during the holidays, sometimes up to as much as 50% off. Head over to http://masterclass.com/designbetter for the current offer. *** If you're interested in sponsoring the show, please contact us at: sponsors@thecuriositydepartment.com If you'd like to submit a guest idea, please contact us at: contact@thecuriositydepartment.com

An episode that's Much Ado About Autism!Here's what's in store for today's episode: * Today, Matt and Angela welcome special guest and Shakespeare expert Dr. Sonya Freeman Loftis to explore how the Bard's works connect with autistic culture.* Sonya shares how she began studying Shakespeare through a disability lens and explores how some of his characters embody neurodivergent traits.* We discuss how the Globe Theatre is highly accommodating of disabilities and how Shakespeare's works are often featured in “relaxed performances” or autism-friendly showings.* Additionally, we explore the existence of Shakespeare therapy and how his works bring comfort in settings ranging from prisons to assisted living facilities.* Because of its complex language, Shakespeare's work requires a lot of bottom-up processing—something that comes naturally to us autistic folks.* We also talk about how Hamlet's deep melancholy and introspection can easily be understood through a neurodivergent lens.* "To be or not to be" is honestly the most famous autistic inertia quote of all time.* Our hosts and Sonya also dive into the character of Coriolanus, exploring how his lack of social interest and strong sense of justice make him an inherently autistic character.* Tragic heroes often embody neurodivergent experiences—whether it's Macbeth, King Lear, Othello, or Hamlet, each character reflects traits that resonate with the neurodivergent journey.* We discuss the ableism faced by Othello due to his epilepsy and how his character highlights the broader theme of otherness in Shakespeare's works—showing that understanding Shakespeare means understanding the experience of being viewed as different.* The emotional intensity of Shakespeare's plays can be deeply cathartic for the autistic reader, offering a powerful release through the raw, unfiltered emotions of his characters.* In Shakespeare's works, due to the time period, neurodivergent traits are often used for comic relief or are punished in some way, reflecting the societal attitudes of his era towards difference.* It's hard to say whether Shakespeare himself was autistic, as little is known about him biographically, but it's fascinating to see the ways disabled people have claimed his work and found resonance in his characters and themes.* However, Shakespeare could have been neurodivergent simply due to the sheer volume of writing he produced and the vast amount of knowledge he seemed to hold, which could suggest a unique cognitive perspective.* Shakespeare's work continues to be adapted and reclaimed to this day—like Baz Luhrmann's iconic Romeo + Juliet—as well as through neurodivergent Shakespeare meetups, where his plays are reinterpreted and embraced by new audiences.* Finally, we discuss the non-reciprocal, autistic language in Hamlet and how Shakespearean theater often breaks away from the rules and conventions of neurotypical performances, making it easier for neurodivergent audiences to have their needs met.“As a person with a disability, I felt frustrated sometimes when I would go to Shakespeare conferences and find that most of the focus was only on characters. And I thought, ‘okay, but what about the real people with disabilities who read Shakespeare and perform in Shakespeare plays and go to Shakespeare theaters?' And, you know, why isn't anyone writing anything about them?” - Dr. Sonya Freeman Loftis“One of the things that makes [Shakespeare] autistic culture representative is that because it is not in vernacular English, you have to bottom-up process. You need a dramaturg. You have to break down every single thing.” - Angela“Growing up as an autistic person, I never understood all of the conversation around me. I could understand some of it, but I never understood all of it. Neurotypical people use so many words and there was so much conversation. And I feel like that acceptance of not understanding it all has helped me to be a better reader of Shakespeare.” - Dr. Sonya Freeman Loftis“Average people throughout history did not make history. The average person lived and died largely forgotten living an average life. If you do something that is divergent, like making a whole bunch of plays that live on for centuries after your death, that is indicative of neurodivergence. Average people live average lives. And if you want to be outstanding, you got to be standing out.” - MattDid you enjoy this episode? All the world's a stage, but Shakespeare's works might just be the most autistic of them all. We dive into the deeply neurodivergent themes, characters, and language that make the Bard's plays resonate with the autistic experience. Let us know your thoughts in the comments, and use #AutisticCultureCatch to share your favorite autistic Shakespeare moments!Show Notes:https://morehouse.academia.edu/SonyaLoftishttps://www.researchgate.net/publication/374910377_William_Shakespeare_was_on_the_Autism_Spectrum_Asperger%27s_Syndrome_First_DraftReady for a paradigm shift that empowers Autistics? Help spread the news!Follow us on InstagramFind us on Apple Podcasts and SpotifyLearn more about Matt at Matt Lowry, LPPJoin Matt's Autistic Connections Facebook GroupLearn more about Angela at AngelaKingdon.com Angela's social media: Twitter and TikTokOur Autism-affirming merch shop This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.autisticculturepodcast.com/subscribe

Can't sleep? Quiet your mind with stories by Shakespeare adapted by Edith Nesbit. Access our first listener survey at https://justsleeppodcast.com/surveySupport the podcast and enjoy ad-free and bonus episodes. Try FREE for 7 days on Apple Podcasts. For other podcast platforms go to https://justsleeppodcast.com/supportOr, you can support with a one time donation at buymeacoffee.com/justsleeppodIf you like this episode, please remember to follow on Spotify, Apple Podcasts, or your favourite podcast app. Also, share with any family or friends that might have trouble drifting off.Goodnight! Hosted on Acast. See acast.com/privacy for more information.

The Hamlet Podcast - a weekly exploration of Shakespeare's King Lear. Act II Scene ii - With Lear gone, Regan and Goneril head indoors out of the storm - despite Gloucester's reservations. Written and presented by Conor Hanratty

In this intimate question and answer session, conducted in March 2024 with the students enrolled in Ralston College's MA in the Humanities, the world-renowned psychiatrist, philosopher, and literary scholar Iain McGilchrist explores topics that animate the collective intellectual life of Ralston's student body.  Answering questions that range from the metaphysical heights of theology, liturgy, and religious life to the tangible depths of scientific inquiry and medical progress, Dr McGhilchrist challenges his interlocutors to think deeper about the relationship between mind and matter, science and religion, and, ultimately, humanity and the divine.  Authors, Artists, and Works Mentioned in this Episode: Iain McGilchrist, The Matter with Things Albert Einstein Aristotle Johann Wolfgang von Goethe Meister Eckhart John Donne George Herbert Thomas Traherne Rumi Henry Moore Blaise Pascal St. Augustine William Shakespeare, King Lear; The Merchant of Venice; Hamlet; The Tempest Metrodorus of Lampsacus  Friedrich Wilhelm Joseph Schelling G.W.F. Hegel Alwyn Lishman St. Francis of Assisi  Plotinus Thomas Edison St. Gregory of Nyssa Carl Jung Glenn Gould  

The Hamlet Podcast - a weekly exploration of Shakespeare's King Lear. Act II Scene ii - Lear rages against his daughters. Written and presented by Conor Hanratty