Podcasts about La Cage

Le champion camerounais des arts-martiaux mixtes retrouve la lumière ce samedi. Francis Ngannou est opposé au Brésilien Philipe Lins. Un retour très attendu pour l'ancien champion des poids lourds de l'UFC, après une période de transition marquée par des changements d'organisation, un passage par la boxe anglaise et un drame familial. Avant son nouveau combat, il se confie dans Mondial sports ! Sa dernière joute MMA remonte à octobre 2024. Face à un autre Brésilien, Renan Ferreira, il avait alors disputé et remporté son unique combat pour la PFL (Professional Fighters League), une organisation à laquelle il s'était associé après avoir quitté avec fracas la fédération reine, l'UFC. L'histoire avec la PFL s'étant également terminée, c'est désormais sous l'égide de Jake Paul, célèbre Youtuber devenu boxeur, que Francis Ngannou reprend du service ce samedi, en mondovision sur Netflix ! Un détour par la boxe Un retour dans la cage qui rappelle que, fin 2023 et début 2024, le Camerounais aux 18 victoires pour trois défaites avait également choisi de déserter l'octogone pour monter sur le ring. Lors de deux soirées de gala, le natif de Batié n'avait pas hésité à se frotter à la boxe anglaise en affrontant deux vedettes du noble art, Tyson Fury puis Anthony Joshua, pour deux défaites et quelques interrogations sur la pertinence de sa démarche à l'arrivée. Un drame personnel Les fans de MMA se souviennent surtout des nouvelles épreuves personnelles que Francis Ngannou a dû traverser récemment, et notamment de la perte d'un fils, il y a pratiquement deux ans jour pour jour. Comme un écho aux autres difficultés que le Camerounais a eu à surmonter tout au long de son parcours de champion.  Le retour dans la cage face à Philipe Lins, c'est le retour d'un vrai combattant, dans tous les sens du terme ! Interview exclusive de Francis Ngannou et présentation de son nouveau combat avec : Xavier Foupa-Pokam, ancien champion de MMA et consultant de Mondial sports Guillaume Duseaux, journaliste du média spécialisé La Sueur Baptiste Leduc, journaliste du service des sports de RFI   * Le son sera disponible dans la page à partir de 19h05 ce samedi.

Comédienne de théâtre et de cinéma, Claire Maurier s'est éteinte dimanche 3 mai à l'âge de 97 ans. De ses débuts sur les planches parisiennes dans les années 1950 aux Quatre Cents Coups de Truffaut, de La Cage aux folles de Molinaro au Fabuleux Destin d'Amélie Poulain de Jeunet, elle aura traversé plus de six décennies de cinéma français. Discrète mais marquante, elle restera l'un des grands seconds rôles du cinéma français.

Comédienne de théâtre et de cinéma, Claire Maurier s'est éteinte dimanche 3 mai à l'âge de 97 ans. De ses débuts sur les planches parisiennes dans les années 1950 aux Quatre Cents Coups de Truffaut, de La Cage aux folles de Molinaro au Fabuleux Destin d'Amélie Poulain de Jeunet, elle aura traversé plus de six décennies de cinéma français. Discrète mais marquante, elle restera l'un des grands seconds rôles du cinéma français.

Rejoignez Baptiste, Samira et James dans un samedi pluvieux plein de surprises, où le grenier de papi Ernesto cache bien des mystères

Dans son apéro, JiC nous parle Du match Lightning - Canadiens Des matchs prévus en soirée Félix Séguin et Patrick Lalime mettent la table pour le match #6 entre le Lightning et les CanadiensDave Morissette nous résume la journée du CHDenis Casavant et Alex Picard analysent les autres séries de la LNHTony Marinaro nous donne son opinion sur l'actualité sportiveDany Dubé est l'invité du segment « Les Coachs »On rejoint Kevin Crane-Desmarais au restaurant La Cage de BouchervilleAntoine Roussel et Maxim Lapierre analysent la série Lightning - CanadiensPour de l'information concernant l'utilisation de vos données personnelles - https://omnystudio.com/policies/listener/fr

Dans son apéro, JiC nous parle Des matchs prévus en soirée Des matchs de jeudi soir Du match Lightning - Canadiens Félix Séguin et Patrick Lalime mettent la table pour le match #3 entre le Lightning et les CanadiensRenaud Lavoie nous résume la journée du CHPhil Boucher analyse la série Lightning - CanadiensTony Marinaro nous donne son opinion sur l'actualité sportiveDany Dubé est l'invité du segment « Les Coachs »On rejoint Kevin Crane-Desmarais au restaurant La Cage de BouchervilleAntoine Roussel et Maxim Lapierre analysent la série Lightning - CanadiensPour de l'information concernant l'utilisation de vos données personnelles - https://omnystudio.com/policies/listener/fr

Dans son apéro, JiC nous parle Des matchs prévus en soirée De la série Sénateurs - Hurricanes De la série Flyers - Penguins De la série Ducks - Oilers De la série Wild - Stars Du match Canadiens - Lightning Félix Séguin et Patrick Lalime mettent la table pour le match Canadiens - LightningRenaud Lavoie nous résume la journée du CHDenis Casavant et Alex Picard analysent les autres séries de la LNHTony Marinaro nous donne son opinion sur l'actualité sportiveDany Dubé est l'invité du segment « Les Coachs »On rejoint Kevin Crane-Desmarais au restaurant La Cage de BouchervilleAntoine Roussel et Maxim Lapierre analysent la série Canadiens - LightningPour de l'information concernant l'utilisation de vos données personnelles - https://omnystudio.com/policies/listener/fr

Christine Andreas is a multiple award winning singer, actress and 2x Tony Award nominee. On Broadway she played Eliza Doolittle in the 20th Anniversary production of My Fair Lady for which she received the Theatre World Award. She received a Tony Award nomination for Oklahoma. Other shows include The Scarlet Pimpernel, La Cage Au Folles and The Light in The Piazza. As a singer she has performed at Cafe Carlyle and 54 Below and with major symphonies around the world. Her latest CD is a tribute to Edith Piaf. And on television her credits include Law & Order SVU, The Cosby Show, and playing Ava Gardner in “Mia, Child Of Hollywood”. My featured song is “Ma Petite Fleur” from the album Spring Dance by my band Project Grand Slam. Spotify link. —----------------------------------------------------------- The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries! Click here for All Episodes  Click here for Guest List  Click here for Guest Groupings  Click here for Guest Voices Click here to Subscribe  Click here to receive our Email Updates Click here to Rate and Review the podcast —---------------------------------------- CONNECT WITH CHRISTINE:www.christineandreas.com —--------------------------------------- ROBERT'S NEWEST RELEASE:“MI CACHIMBER ALL STARS” is the new, expanded version of Robert's single, “Mi Cachimber”, which he wrote for his father. Featuring Camila Cortina on Rhodes and Xito Lovell on trombone in addition to Benny Benack III and Dave Smith on flugelhorn, and Project Grand Slam's rhythm section. CLICK HERE FOR OFFICIAL VIDEO CLICK HERE FOR ALL LINKS —-------------------------------------- ROBERT'S RECENT RELEASE: “MA PETITE FLEUR STRING QUARTET” is Robert's recent release. It transforms his jazz ballad into a lush classical string quartet piece. Praised by a host of classical music stars. CLICK HERE FOR YOUTUBE LINK CLICK HERE FOR ALL LINKS —--------------------------------------- Audio production: Jimmy RavenscroftKymera Films   Connect with the Follow Your Dream Podcast: Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com   Follow Robert's band, Project Grand Slam, and his music: Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com    

Le MMA a offert un week-end totalement fou, marqué par un dénouement spectaculaire à l'UFC 327. Dans une ambiance électrique, Carlos Ulberg a créé la sensation en s'emparant de la ceinture des -93 kg face à un Jiri Prochazka dépassé. Une performance marquante qui redistribue complètement les cartes dans la division. La soirée a aussi été rythmée par les prestations solides de Paulo Costa et Dominick Reyes, chacun confirmant son retour au premier plan. L'émotion était également au rendez-vous avec la retraite du légendaire Cub Swanson, salué comme il se doit après une immense carrière. Enfin, difficile de ne pas mentionner la fight week totalement folle de Josh Hokit, véritable OVNI qui continue de captiver les fans. Entre révélations, confirmations et adieux, le MMA a une nouvelle fois prouvé qu'il reste le sport le plus imprévisible de la planète.

On this episode of The Podcastle's Set-Jetter Saturdays: Whatcha Been Watching?, King on Screen: The Moving Finger (Monsters), filming locations, Outbreak 4K review, upcoming 4K releases, and much more!

Vom 20. bis zum 22. März verwandelt sich das Theater Winterthur in den Nachtclub "La Cage aux Folles". Das Musical, präsentiert vom Landestheater Detmold, ist humorvoll und glamourös, aber spricht auch ernstere Themen rund um Queerness und Diskriminierung an. Noemi Kilchenmann unterhielt sich im Vorfeld zur Show mit Katharina Schellenberg, Dramaturgin am Landestheater Detmold. Bild: zVg

The Nous Foundation is a New Orleans-based nonprofit dedicated to promoting Louisiana's French, Creole and Indigenous cultures and languages. Recently, the organization received a $100,000 grant to launch an archival initiative. Scott Tilton, co-founder of the Nous Foundation, and Dr. Kim Vaz-Deville, leading scholar of African American ceremonial culture in Louisiana, tell us how the grant will allow them to further their research.The Summer Lyric Theatre at Tulane University is gearing up for its 59th season. This year, they'll present three musicals: “Chicago,” “La Cage aux Follies” and “A Little Night Music.” Artistic director C. Leonard Raybon joins us with the details.In the southwestern corner of Louisiana, a massive buildout of liquefied natural gas export terminals is underway. The industry says it's creating jobs and strengthening America's energy dominance.But as the Gulf States Newsroom's Drew Hawkins reports, the multibillion-dollar industry has reshaped the landscape, the economy and the daily lives of the people who have lived here for generations.__Today's episode of Louisiana Considered was hosted by Diane Mack. Our managing producer is Alana Schreiber and our assistant producer is Aubry Procell. Our engineer is Garrett Pittman.You can listen to Louisiana Considered Monday through Friday at noon and 7 p.m. It's available on Spotify, the NPR App, and wherever you get your podcasts. Louisiana Considered wants to hear from you! Please fill out our pitch line to let us know what kinds of story ideas you have for our show. And while you're at it, fill out our listener survey! We want to keep bringing you the kinds of conversations you'd like to listen to.Louisiana Considered is made possible with support from our listeners. Thank you!

Aujourd'hui, c'est le 123ème épisode du podcast… et je crois que celui-ci va vous surprendre !Je reçois Adrien Romanenko. Adrien est marié depuis plus de quinze ans. Il est père de famille. Et il a écrit un livre qui s'intitule La Cage. Un récit intime dans lequel il raconte comment la chasteté masculine contrôlée a sauvé son couple.Dit comme ça, ça peut provoquer des réactions, de la curiosité, du scepticisme ou peut-être un petit malaise.Parce que la chasteté masculine contrôlée, on l'associe vite à quelque chose d'extrême et de fétichiste. Mais dans cet épisode, on fait exactement ce qu'on fait toujours ici : on enlève les étiquettes, et on va voir ce qu'il y a derrière.Avec Adrien, on parle d'un mariage qui s'essouffle. D'une sexualité devenue mécanique. D'un rapport au porno qui prend un peu trop de place. D'un homme qui réalise qu'il a perdu quelque chose en route. Et d'une pratique qui, au départ, ressemblait à un jeu un peu radical… et qui est devenue un outil de communication, de reconnexion, presque de reconstruction. On parle de désir masculin, de frustration, de contrôle, de consentement, de masculinité. d'ego et de pouvoir aussi. Et surtout, de ce que ça change, très concrètement, dans la dynamique d'un couple. Cet épisode n'est pas là pour convaincre qui que ce soit d'essayer quoi que ce soit. Il est là pour comprendre.Pour lever un tabou de plus. Pour écouter un homme qui raconte, sans cynisme et sans posture, comment il a transformé sa sexualité pour sauver son lien. Si le sujet vous intrigue, vous bouscule ou vous questionne… restez.Et comme toujours, écoutez avec bienveillance et accueil.Bonne écoute.

Dans cet épisode #270, nous abordons un thème aussi fréquent que silencieux : le syndrome de la cage dorée.Aux côtés de la thérapeute Violaine Capet, nous explorons cette sensation d'être enfermé·e dans une vie qui, sur le papier, semble « réussie », mais qui ne nous satisfait plus profondément.Pourquoi est-il si difficile de partir quand tout semble aller « bien » ?Qu'est-ce qui nous retient : la peur, la culpabilité, le regard des autres, la sécurité ?Comment reconnaître les signes d'un mal-être invisible et commencer à s'en libérer ?Violaine Capet nous aide à mettre des mots sur ce vécu, à comprendre ses mécanismes et à envisager des pistes pour s'en extraire, en respectant son rythme et ses besoins profonds.

La série canadienne "Heated Rivalry" connaît un succès phénoménal depuis sa sortie, et s'importe désormais dans l'Hexagone. Dans la bande-annonce, on retrouve les deux personnages principaux, interprétés par Michel Serrault et Jean Poiret. Un remake de "La Cage aux folles" sur glace... Tous les jours, retrouvez le meilleur de Laurent Gerra en podcast sur RTL.fr, l'application et toutes vos plateformes.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Pour cet épisode de Sous Écoute, Mike reçoit Alex Perron et Rainbow Drag pour parler de La Cage aux Folles et de Michèle Richard.---------Pour vous procurer la Ward Vodka - http://wardvodka.ca/ et la Ward Diet Cola  - http://wardcola.ca/Pour vous procurer des billets du spectacle Modeste - https://mikeward.ca/fr--------Patreon - http://Patreon.com/sousecouteTwitter - http://twitter.com/sousecouteFacebook - https://www.facebook.com/sousecoute/instagram - https://www.instagram.com/sousecouteTwitch - https://www.twitch.tv/sousecouteDiscord - https://discord.gg/6yE63Uk ★ Support this podcast on Patreon ★

Broadway has body issues. What is a Broadway Body? Broadway has long preserved the ideology of the "Broadway Body": the hyper-fit, exceptionally able, triple-threat performer who represents how Broadway musicals favor certain kinds of bodies. Casting is always a political act, situated within a power structure that gives preference to the Broadway Body. In Broadway Bodies: A Critical History of Conformity (Oxford UP, 2023), author Ryan Donovan explores how ability, sexuality, and size intersect with gender, race, and ethnicity in casting and performance. To understand these intersectional relationships, he poses a series of questions: Why did A Chorus Line, a show that sought to individuate dancers, inevitably make dancers indistinguishable? How does the use of fat suits in musicals like Dreamgirls and Hairspray stigmatize fatness? What were the political implications of casting two straight actors as the gay couple in La Cage aux Folles in 1983? How did deaf actors change the sound of musicals in Deaf West's Broadway revivals? Whose bodies does Broadway cast and whose does it cast aside? In answering these questions, Broadway Bodies tells a history of Broadway's inclusion of various forms of embodied difference while revealing its simultaneous ambivalence toward non-conforming bodies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

Broadway has body issues. What is a Broadway Body? Broadway has long preserved the ideology of the "Broadway Body": the hyper-fit, exceptionally able, triple-threat performer who represents how Broadway musicals favor certain kinds of bodies. Casting is always a political act, situated within a power structure that gives preference to the Broadway Body. In Broadway Bodies: A Critical History of Conformity (Oxford UP, 2023), author Ryan Donovan explores how ability, sexuality, and size intersect with gender, race, and ethnicity in casting and performance. To understand these intersectional relationships, he poses a series of questions: Why did A Chorus Line, a show that sought to individuate dancers, inevitably make dancers indistinguishable? How does the use of fat suits in musicals like Dreamgirls and Hairspray stigmatize fatness? What were the political implications of casting two straight actors as the gay couple in La Cage aux Folles in 1983? How did deaf actors change the sound of musicals in Deaf West's Broadway revivals? Whose bodies does Broadway cast and whose does it cast aside? In answering these questions, Broadway Bodies tells a history of Broadway's inclusion of various forms of embodied difference while revealing its simultaneous ambivalence toward non-conforming bodies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Broadway has body issues. What is a Broadway Body? Broadway has long preserved the ideology of the "Broadway Body": the hyper-fit, exceptionally able, triple-threat performer who represents how Broadway musicals favor certain kinds of bodies. Casting is always a political act, situated within a power structure that gives preference to the Broadway Body. In Broadway Bodies: A Critical History of Conformity (Oxford UP, 2023), author Ryan Donovan explores how ability, sexuality, and size intersect with gender, race, and ethnicity in casting and performance. To understand these intersectional relationships, he poses a series of questions: Why did A Chorus Line, a show that sought to individuate dancers, inevitably make dancers indistinguishable? How does the use of fat suits in musicals like Dreamgirls and Hairspray stigmatize fatness? What were the political implications of casting two straight actors as the gay couple in La Cage aux Folles in 1983? How did deaf actors change the sound of musicals in Deaf West's Broadway revivals? Whose bodies does Broadway cast and whose does it cast aside? In answering these questions, Broadway Bodies tells a history of Broadway's inclusion of various forms of embodied difference while revealing its simultaneous ambivalence toward non-conforming bodies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

Broadway has body issues. What is a Broadway Body? Broadway has long preserved the ideology of the "Broadway Body": the hyper-fit, exceptionally able, triple-threat performer who represents how Broadway musicals favor certain kinds of bodies. Casting is always a political act, situated within a power structure that gives preference to the Broadway Body. In Broadway Bodies: A Critical History of Conformity (Oxford UP, 2023), author Ryan Donovan explores how ability, sexuality, and size intersect with gender, race, and ethnicity in casting and performance. To understand these intersectional relationships, he poses a series of questions: Why did A Chorus Line, a show that sought to individuate dancers, inevitably make dancers indistinguishable? How does the use of fat suits in musicals like Dreamgirls and Hairspray stigmatize fatness? What were the political implications of casting two straight actors as the gay couple in La Cage aux Folles in 1983? How did deaf actors change the sound of musicals in Deaf West's Broadway revivals? Whose bodies does Broadway cast and whose does it cast aside? In answering these questions, Broadway Bodies tells a history of Broadway's inclusion of various forms of embodied difference while revealing its simultaneous ambivalence toward non-conforming bodies.

Enjeux de 2026. Les valeurs de l'IA en bourse continuent de monter, en même temps que le débat sur la constitution d'une bulle spéculative. Dans «La Story», le podcast d'actualité des «Echos», Pierrick Fay et ses invités s'interrogent sur la poursuite de l'emballement autour des géants de l'IA.« La Story » est un podcast des « Echos » présenté par Pierrick Fay. Cet épisode a été enregistré en janvier 2026. Rédaction en chef : Clémence Lemaistre. Invités : Corentin Chappron (journaliste au service marchés des «Echos») et Axelle Arquié (économiste au centre de recherche du CEPII). Réalisation : Willy Ganne. Chargée de production et d'édition : Clara Grouzis. Musique : Théo Boulenger. Identité graphique : Upian. Photo : AFP. Sons : Extraits de «La Cage aux folles», «La Haine», «Le Magnifique» et BFM.Retrouvez l'essentiel de l'actualité économique grâce à notre offre d'abonnement Access : abonnement.lesechos.fr/lastory Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

durée : 01:28:40 - Harvey Fierstein, un iconoclaste à Broadway, entretien exclusif (deuxième partie) : de "Torch Song Trilogy" à "Hairspray" et "Kinky Boots" - par : Laurent Valière - Après "La Cage aux Folles" à Broadway, Harvey Fierstein reçoit un nouveau Tony Award pour le rôle d'Edna dans l'adaptation du film "Hairspray". Il a reçu cette année un Tony Award pour l'ensemble de sa carrière, dont il raconte en exclusivité à Laurent Valière les autres grandes comédies musicales. - réalisé par : Céline Parfenoff Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Au Théâtre du Châtelet, Olivier Py ressuscite la version musicale de Broadway de La Cage aux folles. Celle qu'on ne connaissait pas en France. Avec Laurent Lafitte en travesti, vedette d'un cabaret tropézien. Un spectacle flamboyant qui conjugue paillettes et politique.

durée : 00:29:00 - Les Midis de Culture - par : Marie Labory - Pénétrer les portes de "La Cage aux folles" adaptée sur la scène du Châtelet par Olivier Py, c'est entrer dans un monde haut en paillettes, porté par Laurent Lafitte dans le personnage de Zaza, toute de plumes vêtue. - réalisation : Laurence Malonda - invités : Olivier Py Metteur en scène, Directeur du Théâtre du Châtelet

Today is World AIDS Day, if anyone needed to be reminded. Though I considered doing a compendium episode of broad scope commemorating a handful of the thousands upon thousands of musicians that succumbed to AIDS, I decided instead to focus on one, Broadway icon Larry Kert, who created the role of Tony in West Side Story and was subsequently an early Robert in Sondheim's Company, for which he was nominated for a Tony Award. On December 5, we observe his 95th birthday. In between these career highs, he was involved in a number of notorious Broadway flops (Breakfast at Tiffany's, La Strada, and Rags) from each of which we hear rare recordings. And yet during his life, superstardom eluded him. It's quite likely that some of this had to do with him having lived his life openly and unapologetically as a gay man in a time when most comparable figures were deeply in the closet. But Larry was also a familiar figure on television of that era, appearing as a guest star on popular series, on game shows, on commercials, and as a particular favorite of Johnny Carson on The Tonight Show, in which he made 29 guest appearances. He also was often seen as a replacement in and on tours of popular musicals such as Cabaret, Two Gentlemen of Verona, I Can Get It for You Wholesale, and, finally, La Cage aux Folles, to name just a few. In that last show, his frail health meant that he had to miss significant numbers of performances, though he continued to make important appearances on stage and on recordings until just shortly before his death on June 5, 1991 at the age of 60. On the episode, we hear him with such legendary co-stars as Teresa Stratas, Liza Minnelli, Chita Rivera, Madeline Kahn, Maureen McGovern, Mimi Hines, and Harvey Evans, as well as his WSS co-star Carol Lawrence. We also trace the support and influence he received over the course of his career from his trusted friend Martin Charnin, who played a sometimes surprising role in Kert's career. Though Larry Kert felt that he never received the recognition he deserved, this episode demonstrates how he stood at the forefront of all Broadway tenors of his generation, as well as past and future ones. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and author yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.

durée : 00:59:49 - Allons-y voir ! - par : Patrick Boucheron - Quelle marche a raté le graveur néerlandais M.C Escher pour que ses œuvres peuplent à ce point nos imaginaires sans se faire une place dans l'histoire de l'art ? Pièges à regard, les escaliers impossibles de ce maître de l'illusion mettent nos esprits sens dessus dessous. - réalisation : Laurence Millet - invités : Jean-Hubert Martin Historien de l'art, conservateur, directeur d'institution et commissaire d'expositions; Sébastien Rongier écrivain, philosophe et théoricien du cinéma; Sophie Cras Maître de conférences en histoire de l'art contemporain à l'université Panthéon-Sorbonne (Paris 1); Mathieu Potte-Bonneville Philosophe et directeur du département Culture et création du Centre Pompidou

durée : 01:29:10 - Cabaret 42e Rue : Laurent Laffite et la troupe de " La Cage Aux Folles " - par : Laurent Valière - Laurent Lafitte incarnera Albin et Zaza, rôle créé par Michel Serrault, dans l'adaptation française de "La Cage aux Folles" au théâtre du Châtelet en décembre, mise en scène par Olivier Py. Aux côtés de la troupe, il nous présente en avant première une sélection d'extraits en version acoustique. - réalisé par : Céline Parfenoff Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Sometimes Criterion shows us a single film from a director we'd never seen before and leaves us wanting for the rest of our project, so often actually that we call them "one and dones". But then sometimes Criterion shows us a movie by Edouard Molinaro and it's fine that they aren't going to show us another. La Cage aux Folles (1978) is a funny movie, and is also a film that wants to show a very normal family that happens to be LGBTQ. It even may succeed, despite the fact that nearly everyone involved in writing, directing, and performing seems to be a straight guy who holds the material in some amount of disdain, though a disdain that doesn't necessarily shine through in performance. There is heart here, despite everything, but it's mostly a "both sides" farce. Still Criterion takes the opportunity to include an interview with Laurence Senelick, author of The Changing Room: Sex, Drag and Theatre, who gives a very interesting history of drag and gender-nonconformity that helps contextualize La Cage in its time, even if it doesn't quell our troubles with the film's politics.

Prochainement à l'affiche de "T'as pas changé" et "La femme la plus riche du monde" au cinéma, Laurent Lafitte sera également bientôt de retour sur scène dans "La Cage aux folles", en version comédie musicale. Il s'est confié à Stéphane Boudsocq Le personnage de la littérature Jeunesse Zélie la Pirate prend vie dans un spectacle à découvrir en famille à Paris au théâtre du Grand Point-Virgule. Laurent Marsick a rencontré sa créatrice, Aurélie Cabrel, la fille aînée d'un certain. Les chanteurs Amir et Mika sont de retour. Ils nous présentent leurs nouvelles chansons au micro de Marie Gicquel. Isabelle Morini-Bosc a testé "Ma Super Ligue 1" sur Gulli et "The Cerveau" sur W9. Ecoutez Laissez-vous tenter avec Anthony Martin du 02 novembre 2025.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

This is the second part of my conversation with author Rob Schneider, who returns to tell us more about his new book, Queer Musicals — Boy Meets Boy to Jagged Little Pill. On this episode, Falsettos, Hedwig And the Angry Inch, BARE, and Kinky Boots. Robert W. Schneider is a historian, director, producer, author, educator, and podcast host, and the Artistic Director of the J2 Spotlight Musical Theater Company in New York. And since working as an original programming producer at 54 Below, Rob has directed and produced over 100 concerts for the venue. His first book, 50 Key Stage Musicals, was published in 2022. On this first episode in this series, we discuss the musicals Boy Meets Boy, La Cage aux Folles, and The Knife. Become A PATRON of Broadway Nation! This episode is made possible in part through the generous support of our Patron Club Members. If you are a fan of Broadway Nation, I invite you to become a PATRON! For as little as $7.00 a month, you can receive exclusive access to never-before-heard, unedited versions of many of the discussions that I have with my guests — in fact, I often record nearly twice as much conversation as ends up in the edited versions. You will also have access to additional, in-depth conversations with my frequent co-host, Albert Evans, that have not been featured on the podcast. And all patrons receive special “on-air” shout-outs and acknowledgement of your vital support of this podcast. And if you are very enthusiastic about Broadway Nation, there are additional PATRON levels that come with even more benefits. If you would like to support the work of Broadway Nation and receive these exclusive member benefits, please click on this link: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://broadwaynationpodcast.supercast.tech/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Thank you in advance for your support! Learn more about your ad choices. Visit megaphone.fm/adchoices

 On this episode my guest is Rob Schneider, who returns to the podcast to talk about his new book, Queer Musicals — Boy Meets Boy to Jagged Little Pill. Robert W. Schneider is a historian, director, producer, author, educator, and podcast host, and the Artistic Director of the J2 Spotlight Musical Theater Company in New York. And since working as an original programming producer at 54 Below, Rob has directed and produced over 100 concerts for the venue. His first book, 50 Key Stage Musicals, was published in 2022. On this first episode in this series, we discuss the musicals Boy Meets Boy, La Cage aux Folles, and The Knife. Learn more about your ad choices. Visit megaphone.fm/adchoices

Hello, Booty Gang! Welcome back to another episode of BUTT HONESTLY—your weekly reminder that butts are never off-topic.This week, the guys serve up some GIMME HEADlines, dive into a spicy round of Hit It & Quit It, and unpack a scandalous little tale from the UK involving a cheeky four-way in a bathroom. (Because nothing says "proper British etiquette" like group sex in a loo.)BUTT FIRST… get ready for a guest who needs no introduction but is going to get one anyway: she's unapologetically loud, proudly Latina, and the queen who turned Season 15 of RuPaul's Drag Raceinto her own personal telenovela. From theater stints in Priscilla, Queen of the Desert and La Cage aux Folles, to music videos like BOOTZ and PAPI that gagged the internet—she's the ESfierce, ESfilthy, and ESfabulous force of nature: Salina EsTitties!Expect drama. Expect laughter. Expect titties (lots of them). And of course, expect the guys to finish the episode the only way they know how—with their Love Languages of the Week, because even messy bottoms deserve a little love.So loosen your belts, tighten your tuck, and press play—because this one is as over-the-top as Salina herself.GIMME HEAD…LINESBREAKING: Austin Wolf sentenced in child sex abuse materials casehttps://www.pride.com/culture/breaking-austin-wolf-sentenced-in-child-sex-abuse-materials-caseNew York City police arrest nearly 200 men in undercover gay cruising crackdown at Penn Station Amtrak confirmed to Attitude that nearly 200 arrests have been made since June 1, a move they say has "[curbed] disruptive activity across the station"https://www.attitude.co.uk/news/new-york-city-police-gay-cruising-crackdown-penn-station-497008/?utm_campaign=feed&utm_medium=referral&utm_source=later-linkinbioAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

"Il va falloir que tu apprennes à tenir ton pistolet comme un mâle". On a imaginé une version revisitée du célèbre cow-boy, jouée par le duo Poiret-Serrault de "La Cage aux folles". Tous les jours, retrouvez le meilleur de Laurent Gerra en podcast sur RTL.fr, l'application et toutes vos plateformes.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

C'est quoi être hétérosexuel ? Pour les chercheuses et les chercheurs de l'Inserm et de son agence autonome, l'ANRS Maladies infectieuses émergentes, qui ont travaillé sur l'enquête sociologique « Contexte des sexualités en France », l'orientation sexuelle ne dépend pas seulement du genre ou du sexe des partenaires. Alors ils et elles ont aussi demandé aux personnes interrogées comment elles la définissaient et par qui elles étaient attirées. Le résultat est frappant : plus de 40 % des femmes de moins de 30 ans ne sont pas « strictement hétérosexuelles ».Que cela signifie-t-il exactement et comment l'explique-t-on ? Réponses dans ce hors-série de « L'Heure du Monde ».Ce feuilleton sexo en cinq épisodes explore les résultats de l'enquête sociologique « Contexte des sexualités ». Elle sonde l'évolution de nos intimités ces vingt dernières années et ce qu'elle révèle des mutations de notre société.Un épisode écrit et présenté par Adélaïde Tenaglia. Réalisation et musiques : Amandine Robillard. Suivi éditorial et rédaction en chef : Adèle Ponticelli. Stagiaire : Orianne Gendreau. Dans cet épisode, extrait du journal de 20 heures de France 2 du 10 octobre 2019, extrait du journal de France 3 du 23 avril 2013, extrait des chansons I'm coming out de Diana Ross, Lunch de Billie Eilish, Ta reine de Angèle, Les Filles, les meufs de Marguerite, extrait des séries Heartstopper, Buffy contre les vampires, Master of None, Sex Education et Brooklyn Nine-Nine, extrait des films Les Crevettes pailletées, La Cage aux folles.Cet épisode a été diffusé le 29 juillet 2025.---Pour soutenir "L'Heure du Monde" et notre rédaction, abonnez-vous sur abopodcast.lemonde.fr Hébergé par Audion. Visitez https://www.audion.fm/fr/privacy-policy pour plus d'informations.

Les 15 questions de la liberté.Pour rejoindre : https://firefrance.substack.com/p/46-devenir-riche-en-2025Cet épisode est sponsorisé par Monsieur Hugo, logiciel de gestion locative. Il te permet entre autre de faire des prélèvements de loyers, d'économiser des frais de gestions, d'avoir accès à un service juridique. Tu peux le tester gratuitement: https://www.monsieurhugo.com/?utm_source=fire&utm_medium=victor&utm_campaign=loraMa newsletter:https://firefrance.substack.com/Tu veux en savoir plus sur notre coaching immobilier:https://www.fireclub.training/startTu veux en savoir plus sur notre coaching rachat d'entreprise:https://www.fireclub.training/masterclass-reprendreuneentrepriseTu veux en savoir plus sur notre coaching solopreneur:https://www.fireclub.training/freelancesolopreneurHébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Taylor Bradshaw is in the ensemble of the London revival of Brigadoon by Frederick Loewe and Alan Jay Lerner. Directed and choreographed by Drew McOnie, the show opens next month at Regent's Park Open Air Theatre where Taylor previously performed in La Cage aux Folles.Taylor made his West End debut in Mamma Mia! (Novello Theatre). His other theatre credits include: How To Succeed in Business Without Really Trying (Southwark Playhouse), 42nd Street (Théâtre du Châtelet, Paris), Spring Awakening (Almeida Theatre) and South Pacific (Chichester Festival Theatre). He was also in the Barbie movie (Mattel Films/Warner Bros).Most recently Taylor was in the original cast of the UK & Ireland tour of Hamilton. Recorded during a break from rehearsals, in this episode Taylor discusses when he fell in love with Brigadoon, why he's over the moon to be working with Drew McOnie and how his Scottish accent is coming along. Taylor also talks about the path of his career, what has surprised him along the way and why he unapologetically LOVES musical theatre.Brigadoon runs at Regent's Park Open Air Theatre 2nd August – 20th September. Visit www.openairtheatre.com for info and tickets.This podcast is hosted by Andrew Tomlins @AndrewTomlins32 Thanks for listening! Email: andrew@westendframe.co.uk Visit westendframe.co.uk for more info about our podcasts. Hosted on Acast. See acast.com/privacy for more information.

Albin has left the stage, and the Dondins are on their way!! What can Georges and Jean-Michel do to patch this up and get Anne's family to love them? Well, a lot of shenanigans and the realization Jean-Michel is a terrible person. We're finishing up La Cage! Strap on your highest heels and join us! We are what we are!!

This week on Peanuts and Popcorn, we begin with the peanuts as Pope Leo has a message for White Sox fans, we'll discuss the Tigers and Cubs and who merit selection as All-stars, then we pivot to the popcorn for a lively discussion on two movies, the 1946 William Wyler classic, The Best Years of Our Lives, and the Mike Nichols "La Cage aux Folles" remake, Birdcage. Next Show's Films:Leo's Pick: Fitzcarraldo (1982)Tom's Pick:  After Dark, My Sweet (1990)

Lane, Dawn, and Johnny — three phenomenal cast members from the Croswell Opera House's upcoming production of La Cage aux Folles — stopped by to record a new episode on Stage Door! We talked all things glitter, drag, found family, and why this musical still resonates today. Show Dates: June 13–22Get your tickets here: https://croswell.org/lacageauxfolles/ (https://croswell.org/lacageauxfolles/)La Cage aux Folles is a Tony-winning Broadway classic about a gay couple who run a drag club — and the chaos that unfolds when they have to “play it straight” to impress their son's conservative future in-laws. Premiered in 1983, it was a game-changer in musical theatre for its heart, humor, and groundbreaking representation.Don't miss this beautiful, bold production at the Croswell! #LaCageAuxFolles #StageDoorPodcast #CroswellOperaHouse #BroadwayClassic #LGBTQTheatre ##ComingSoon #SupportLocalTheatre #CroswellOperaHouse

‘Smash’ to close next week; Encores announces ‘Bat Boy,’ ‘La Cage,’ more; Tonys hit 6-year ratings high Since 2016, “Today on Broadway” has been the first and only daily podcast recapping the top theatre headlines every Monday through Friday. Any and all feedback is appreciated:Grace Aki: grace@broadwayradio.com | @ItsGraceAkiMatt Tamanini: matt@broadwayradio.com | @BroadwayRadio Patreon: read more The post Today on Broadway: Wednesday, June 11, 2025 appeared first on BroadwayRadio.

It's the 300th episode and Tony winner Jerry Mitchell is back In The Frame!Jerry has worked extensively as a director and choreographer in both the West End and on Broadway.He is currently nominated for Best Choreography at this year's Tony Awards for his production of BOOP! The Betty Boop Musical - with music by David Foster - which is running to acclaim on Broadway. Meanwhile in London Jerry's production of The Devil Wears Prada - with music by Elton John - is playing the Dominion Theatre and last year his production of Becoming Nancy had a regional run at the Birmingham Rep.Jerry is one of the producers for the upcoming off-West End run of the brand-new musical King of Pangea which opens at the King's Head Theatre in June. Written by Martin Storrow and directed by Richard Israel, King of Pangea follows Sam Crow following the loss of his relentlessly hopeful mother as he escapes to the imaginary island of his childhood. As a director and choreographer, some more of Jerry's shows have included Legally Blonde, Kinky Boots, Dirty Rotten Scoundrels and Pretty Woman. He directed On Your Feet and choreographed Hairspray.Jerry has won the Tony Award for Best Choreography twice for his work on La Cage aux Folles and Kinky Boots. Additionally he received the Isabelle Stevenson Tony Award in 2023 in recognition of his support of Broadway Cares/Equity Fights AIDS (largely through creating Broadway Bares).Jerry was last In The Frame five years ago and is back for our special 300th episode!Jerry kicks off the episode with a discussion about why he's producing King Of Pangea and the challenges of bringing new musicals to the stage in 2025.Jerry also talks all-things BOOP!, including the development of the show and casting Jasmine Amy Rogers. He reflects on how he approached The Devil Wears Prada, after he took the helm following the show's original staging in the US. Jerry also chats about Becoming Nancy's journey and whether we can expect future life for the show. Plus lots more pops up along the way!King Of Pangea runs at the King's Head Theatre 7th June - 6th July. BOOP! The Betty Boop Musical runs on Broadway at the Broadhurst Theatre whilst The Devil Wears Prada runs in the West End at the Dominion Theatre. This podcast is hosted by Andrew Tomlins @AndrewTomlins32 Thanks for listening to 300 episodes of In The Frame!Email: andrew@westendframe.co.uk Visit westendframe.co.uk for more info about our podcasts. Hosted on Acast. See acast.com/privacy for more information.

This one originally dropped in September 2021 in two parts—but if you missed it back then, don't worry. I'm bringing it back as part of the Broadway Drumming 101 Classic Interview Series.Ray Marchica is one of those drummers whose name has been floating around the NYC scene for decades—and for good reason. He's done it all: gold records, TV house band gigs, iconic Broadway runs, off-Broadway, jazz big bands, the works. From James Brown's "Living in America" to The Rosie O'Donnell Show to Mamma Mia!—Ray's been laying it down with feel, power, and style.In this episode, Ray shares stories about:* Growing up in Brooklyn and learning drums from his uncle in the basement* Studying classical percussion at Brooklyn College with the legendary Morris Lang* Landing his first major gig on the A Chorus Line tour in the ‘70s* Navigating the world of jingle sessions, Radio Registry (yes, that was a thing for you young folk), and Broadway subs* Getting the gig with Dan Hartman and playing on hit records* What it was like playing for La Cage aux Folles, Starlight Express, Will Rogers Follies, and other major shows* His time in the pit for Miss Saigon, the long run with Mamma Mia!, and his approach to training subs* Real talk about the rise of drum machines, the shift in Broadway orchestra pits, and how he's stayed versatile through it allWhether you're a drummer, a fan of Broadway, or just someone who loves hearing stories from the road, the pit, and the studio, you'll dig this.Hit play. Subscribe if you haven't. And check out more at BroadwayDrumming101.com.If you loved this episode, check out some of the other powerful resources we've created for musicians looking to bridge the gap between the classroom and the Broadway pit:*

Movie of the Year: 1996The Birdcage (feat. Andrea Thompson from A Reel Of One's Own!)The Movie of the Year podcast takes a deep dive into The Birdcage (1996), a groundbreaking comedy that blends family dynamics, farce, and fearless LGBTQ+ representation. In this episode, the hosts explore how The Birdcage helped shift mainstream perceptions of queerness in the '90s, all while delivering standout performances from Robin Williams, Nathan Lane, and showcasing the directorial mastery of Mike Nichols. Whether you're watching the film for the first time or revisiting it, this episode offers a thoughtful and engaging look at why The Birdcage continues to matter.Listen to the episode now:[Podcast Player Embed Here]Gender, Sexuality, and Queer Representation in The BirdcageThe podcast opens with an in-depth discussion of how The Birdcage portrays gender and sexuality with both humor and dignity. At a time when LGBTQ+ characters were often relegated to the margins of pop culture, The Birdcage celebrated queer life, drag culture, and same-sex relationships. The hosts explore the film's role in pushing boundaries and normalizing visibility, particularly in a cultural moment still defined by Don't Ask, Don't Tell and lingering AIDS-era stigma.Robin Williams in One of His Most Subtle, Heartfelt RolesKnown for his exuberant performances, Robin Williams delivers one of his most emotionally restrained roles as Armand Goldman. The podcast explores how Williams balances warmth, wit, and gravitas, crafting a character who is both deeply human and quietly revolutionary. The hosts compare this performance to Williams' other work from the '90s and consider how his presence lends the film emotional credibility and depth.Mike Nichols' Directing BrillianceDirector Mike Nichols adapts the French farce La Cage aux Folles into a uniquely American satire, using timing, character dynamics, and visual composition to heighten both comedy and emotional impact. The hosts break down Nichols' directing choices, from rapid-fire dialogue to carefully choreographed scenes, showing how his vision shapes the film's tone and political commentary.Is The Birdcage Greater Than the Sum of Its Parts?One of the most spirited conversations in the episode centers on whether The Birdcage works because of its individual elements—such as the writing, performances, and production design—or because those elements merge into something greater. The hosts highlight iconic scenes like the chaotic dinner party and the nightclub sequences to show how the film achieves synergy between script, performance, and direction.Identity and the Meaning of LifeBeyond its sharp humor, The Birdcage asks deep questions about identity, authenticity, and acceptance. The hosts analyze the tension between performance and reality, especially in the context of Armand and Val's relationship, and explore how characters navigate the pressures of conformity and family expectations. This section connects the film to broader philosophical ideas about the meaning of life, love, and self-expression.Special Guest: Andrea Thompson from A Reel Of Our OwnJoining the discussion is film critic Andrea Thompson, founder of A Reel Of Our Own, a platform dedicated to amplifying marginalized voices in film. Andrea brings a fresh critical perspective to the episode, exploring how The Birdcage portrays queer identity with compassion, nuance, and humor. She also discusses the film's lasting influence on LGBTQ+ media and its place in queer film history.How The Birdcage Holds Up in 2024The podcast team revisits The Birdcage...

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durée : 00:25:49 - "La Cage aux folles", adaptation à succès à Broadway de la pièce de Jean Poiret (1983) - La Cage aux folles est une comédie musicale dont le livret a été écrit par Harvey Fierstein et les paroles et musique de Jerry Herman. Elle est adaptée de la pièce de théâtre française La Cage aux folles, écrite par Jean Poiret.

Today we have a very special guest. From the stages of off-Broadway to the bright lights of Broadway, from his unmistakable voice to his performances in 30+ movies, Harvey Fierstein has spent a lifetime telling stories that matter. With four Tony Awards to his name—two for writing, two for acting—his work in Torch Song Trilogy, La Cage aux Folles, and Hairspray has redefined representation on stage. But beyond the accolades, there's the man: a Brooklyn-born artist whose journey has been shaped by family, resilience, and an unyielding belief in telling the truth. Harvey also has a deep love for sewing and costume design. Before becoming famous Fierstein studied art at the Pratt Institute in Brooklyn, New York and worked as a costume designer in the off-off-Broadway world. He has spoken about his passion for sewing in interviews, reminiscing about how he used to design and create costumes for drag performers and theater productions which helped shape his deep understanding of theatrical presentation and character development. His early work in costume design was part of his immersion in the vibrant New York theater community of the 1970s, where he collaborated with experimental and LGBTQ+ artists.Even as his career in theater took off with Torch Song Trilogy and Hairspray, sewing remained a part of his life. He has mentioned that working with fabric and creating garments is a meditative and creative outlet for him. His appreciation for costume design also extends to his theatrical work, where he often acknowledges the impact of great costume designers in bringing characters to life.So today we go beyond the footlights to explore the moments that made him—his early days, the influence of his parents, why Ridgefield, Connecticut became his adopted hometown and, why sewing has been an anchoring thread in his life. (2:15) We welcome the inimitable Harvey Fierstein! He shares how he first picked up sewing—starting with an industrial machine in his father's handkerchief factory—before setting his sights on becoming a Disney animator. But, things changed for him and as Harvey puts it, “Life only changes when you're brave enough to say yes.”(5:27) A deep dive into Harvey's quilting journey, from discovering HGTV and Alex Anderson to creating story-driven quilts today. His first quilt? Alex Anderson's Strips that Sizzle!(9:25) Growing up in a conservative Jewish household, Harvey learned the power of storytelling from his family. Education, art, music, and Broadway were all part of his upbringing, shaping the creative force he became.(11:45) Family isn't just who you're born to—it's also who you find. Harvey talks about his “found family” in the theatre, the people who call him “mama” and “papa,” and what it means to always be true to yourself.(13:32) Ever wonder what a Harvey Fierstein Stitch & Bitch session looks like? He spills all about his quilting experiments and creative process.(16:03) From bold colors to playful designs, Harvey shares his favorite fabrics and how he keeps things fresh alternating between challenging and just plain silly projects.(20:15) Picking a favorite quilt is like picking a favorite child—but Harvey gives it a shot!(23:20) The costumes that left a mark: Harvey reflects on the magic of theatrical costumes, the collaborative art of design, and why theatre itself is an act of faith.(27:07) Favorite roles—on stage, in film, and yes, even Death to Smoochy!(30:30) Writing his memoir I Was Better Last Night was a journey in itself. Harvey shares what inspired him to put his life on paper.(31:20) When did he finally feel accepted? And what really led him to move Torch Song Trilogy to Broadway? It's not the story you think!(32:31) A mother always knows! The moment Harvey's mom saw her own earrings on him during Torch Song Trilogy—and her priceless reaction.(34:00) What's the secret to his success? According to Harvey, it's all about taking that unexpected fork in the road.(38:38) The quilting class that changed everything: What Harvey learned from Kaffe Fassett, Brandon Mably and Liza Lucy.(39:10) Quilting vs. theatre—two creative worlds, two very different communities. Harvey compares the two.(40:54) The key to keeping every performance fresh? Harvey reveals how he does it.(43:06) Why Bridgefield, CT has been home for 40 years—and how Harvey's house reflects is unique perspective on life and art.(46:00) “As much as it hurts, tell the truth.” Harvey explains how this philosophy, shaped by his father, has guided his life and career.(47:25) What's next—what's left on Harvey's bucket list?(52:18) Want to connect with Harvey? Find him on Facebook and Instagram! Subscribe & Listen: Don't miss future episodes! Follow Sew & So Podcast wherever you listen to podcasts. Be sure to subscribe to, review and rate this podcast on your favorite platform…and visit our website sewandsopodcast.com for more information about today's and all of our Guests.

Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema's greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you've got yourself a podcast we truly hope you love. On episode 87 of the Director Watch Podcast, the boys are joined by our Editor-In-Chief Erik Anderson to discuss the next film in their Mike Nichols series, The Birdcage (1996). For the better part of two decades, Mike Nichols was chasing the idea of directing some version of the iconic play, La Cage aux Folles. Nichols called the play “one of the greatest comedy structures” of all time, and knew he to be involved with it somehow. So in the mid-1990s, he was able to convince the studios and producers to let him make an American remake of the play and have his longtime, iconic stage collaborator, Elaine May, to write the script; and thus The Birdcage was born. Centering around a gay Miami couple whose son is set to marry the daughter of a conservative U.S. senator, The Birdcage is a groundbreaking, iconic comedy that remains hilarious and timely to this day thanks to the incredible ensemble cast, May's sharp script, and Nichols steady direction bringing it all together. Ryan, Jay, and Erik discuss their thoughts on the film, what their favorite performance is in the movie, how Nichols was able to wrangle Robin Williams' persona in, the dozens of iconic lines, the entire third act of the film, and tangents, tangents, tangents. You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more. This podcast runs 1h55m. The guys will be back next week to continue their series on the films of Mike Nichols with a review of his next film, Primary Colors. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let's get into it. Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

It's the day after Turkey Day and Alaska and Willam dive deep into this week's goss! From Pasadena Playhouse's production of ‘La Cage au Folles,” to Wicked, to an evidence based conversation about the Nicole Sherzingberger scandal. Plus they absolutely “Go Off” about Brooke Lynn Hytes and Canada's Drag Race promo, celebrate Bob Mackie's new documentary, and answer your cock-filled DM's about sucking Santas and how to meet guys off the apps. Donate to Impact Lounge in Toronto Listen to Race Chaser Ad-Free on MOM Plus Follow us on IG at @racechaserpod and click the link in bio for a list of organizations you can donate to in support of Black Lives Matter Rainbow Spotlight: Comedown by BABY / FACE FOLLOW ALASKA https://twitter.com/Alaska5000 https://www.instagram.com/theonlyalaska5000 https://www.facebook.com/AlaskaThunder https://www.youtube.com/channel/UC9vnKqhNky1BcWqXbDs0NAQ FOLLOW WILLAM https://twitter.com/willam https://www.instagram.com/willam https://www.facebook.com/willam https://www.youtube.com/channel/UCrO9hj5VqGJufBlVJy-8D1g RACE CHASER IS A FOREVER DOG PODCAST Learn more about your ad choices. Visit megaphone.fm/adchoices

It's the day after Turkey Day and Alaska and Willam dive deep into this week's goss! From Pasadena Playhouse's production of ‘La Cage au Folles,” to Wicked, to an evidence based conversation about the Nicole Sherzingberger scandal. Plus they absolutely “Go Off” about Brooke Lynn Hytes and Canada's Drag Race promo, celebrate Bob Mackie's new documentary, and answer your cock-filled DM's about sucking Santas and how to meet guys off the apps.Donate to Impact Lounge in TorontoListen to Race Chaser Ad-Free on MOM PlusFollow us on IG at @racechaserpod and click the link in bio for a list of organizations you can donate to in support of Black Lives MatterRainbow Spotlight: Comedown by BABY / FACEFOLLOW ALASKAhttps://twitter.com/Alaska5000https://www.instagram.com/theonlyalaska5000https://www.facebook.com/AlaskaThunderhttps://www.youtube.com/channel/UC9vnKqhNky1BcWqXbDs0NAQFOLLOW WILLAMhttps://twitter.com/willamhttps://www.instagram.com/willamhttps://www.facebook.com/willamhttps://www.youtube.com/channel/UCrO9hj5VqGJufBlVJy-8D1gRACE CHASER IS A FOREVER DOG PODCAST Learn more about your ad choices. Visit megaphone.fm/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Buckle up for a deep dive into Cheyenne's journey from humble beginnings in Washington State to becoming a Broadway star, TV favorite, and proud father. From his breakout role in All Shook Up to his stints on 30 Rock and American Horror Story, Cheyenne reflects on the unexpected twists that shaped his career, like a chance encounter with Tina Fey that landed him a role on 30 Rock. He shares candidly about the challenges of growing up in a religious, conservative environment and coming to terms with his identity, along with his battles with sobriety. Throughout the conversation, Cheyenne reveals his love for storytelling, opening up about tough career choices, including the emotional trade-offs between stage and screen work. With humor and heart, he talks about the joys and demands of being a father to twins, balancing an eight-show week, and why his children still don't quite understand his fame. Wrapping up, he shares advice for aspiring performers: follow your dreams only if it's the first and last thing on your mind every day. Cheyenne Jackson is a multi-talented performer known for his roles across Broadway, film, and TV. His Broadway highlights include All Shook Up, Xanadu, and Into the Woods, while TV fans know him from Glee, 30 Rock, and American Horror Story. Offstage, Cheyenne is a passionate advocate for LGBTQ+ rights and a devoted father. He is currently starring in La Cage aux Folles at Pasadena Playhouse. Social Media Accounts: Instagram: @MrCheyenneJackson Connect with The Theatre Podcast: Support the podcast on Patreon: Patreon.com/TheTheatrePodcast YouTube: YouTube.com/TheTheatrePodcast Threads, Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com My personal Instagram: @alanseales Learn more about your ad choices. Visit megaphone.fm/adchoices