Podcast appearances and mentions of Bob Fosse

The eighth installment of Fresh Immigrants, Rotten Fascists takes us to 1931 Germany, where a whole lot of people keep telling each other the rise of the Nazi party is not a big deal. Yes, old chums, we are going to the cabaret - Bob Fosse's CABARET, specifically. It will be distressing, and eerily familiar, but at least we'll have songs.Thank you for checking this new project out, whether you are a long-time Contrarians fan or someone who's just trying to listen to people talking positively about immigrants and negatively about fascism. If you have any recommendations for future entries in the series, let us know!- Many thanks to the amazing Jordan Cooper for composing our intro and outro. Fantastic collaborator to work with - and he has a They Might Be Giants podcast: DON'T LET'S START. You can also check out Jordan's band TROUBLE'S AFOOT on Bandcamp!- Interested in more Contrarians goodness? Join THE CONTRARIANS SUPPLEMENTS on our Patreon Page! Deleted clips, extended plugs, bonus episodes free from the Tomatometer shackles… It's everything a Contrarians devotee would want!- Our YouTube page is live! Get some visual Contrarians delight with our Contrarians Warm-Ups and other fun videos!- Our buddy Cory Ahre is being kind enough to lend a hand with the editing of some of our videos. If you like his style, wait until you see what he does over on his YouTube Channel.- THE LATE NIGHT GRIN isn't just a show about wrestling: it's a brand, a lifestyle. And they're very supportive of our Contrarian endeavors, so we'd like to return the favor. Check out their YouTube Channel! You might even spot Alex there from time to time.- Hans Rothgiesser, the man behind our logo, can be reached at @mildemoniospe on Instagram or you can email him at mildemonios@hotmail.com in case you ever need a logo (or comics) produced. And you can listen to him talk about economy on his new TV show, VALOR AGREGADO. Aaaaand you can also check out all the stuff he's written on his own website. He has a new book: a sort of Economics For Dummies called MARGINAL. Ask him about it!

A new piece of podcast gear has Marco feeling especially jazzed in this episode of The Insomnia Project — and naturally that excitement leads the conversation in some unexpected directions.What begins as a chat about the podcast's new preamp quickly drifts into the world of jazz hands and legendary choreographer Bob Fosse. Marco confidently recalls details about Fosse's life, only to realize mid-conversation that he may have gotten one key detail wrong… which leads the hosts to rediscover that the answer was, in fact, Anne Reinking.From there the conversation gently wanders, as it often does, into the world of The Insomnia Project itself. Marco mentions that the entire catalogue of episodes is now available on YouTube, which he believes gives the show a bit of a Miami Vice vibe. Amanda isn't entirely convinced and naturally asks the important question: if this podcast were Miami Vice… who would be Crockett and who would be Tubbs?Along the way, the hosts also share their love for two wonderful spots in Ottawa, Ontario — The Scone Witch, known for their legendary scones, and Bar Cosenza, a cozy Italian café that feels like a hidden neighbourhood gem.Even though Amanda was feeling a little under the weather during this recording, the conversation turned into one of those warm, gentle episodes that The Insomnia Project does best — a calm and meandering chat about everyday things that might just help you relax, unwind, and drift toward sleep.You may find yourself nodding off somewhere between podcast gear talk, Broadway trivia, and a craving for a really good scone.If you enjoy relaxing conversations that wander through curious little topics, press play and spend a quiet moment with us. And if the episode helps you unwind or fall asleep, consider sharing The Insomnia Project with a friend who could use a little calm in their day.• Follow The Scone Witch – https://www.instagram.com/sconewitch/• Follow Bar Cosenza – https://www.instagram.com/barcosenza• Add Free episodes available on Supercast – https://theinsomniaproject.supercast.comFollow The Insomnia ProjectYouTube – https://www.youtube.com/@theinsomniaprojectWebsite – https://theinsomniaproject.comLeave a review and help other listeners discover the podcast:https://podcasts.apple.com

"Gina G is a national treasure, a rare kind of legend who's more than an actress and storyteller; she's a rock and roll goddess, proof that grit, glamour, and guts are still stitched into the fabric of fame. Opening up about her times with Prince and wild days in the deep Valley, for fans and friends alike, it's a ride as electric as she is." -Miley CyrusFrom a wayward California girl growing up in the heart of the porn-born San Fernando Valley, Gina Gershon found herself on a journey that has been anything but traditional. Along the way, she had to learn how to spot the toxic types-in both her personal life and her career-and figure out how to dodge, outsmart, or hustle her way through. From the Valley to the slums of Beverly Hills to New York City, she was confronted with shady characters and sketchy situations, all the while fighting to protect her autonomy as a woman and as an actress with a decidedly unconventional path. AlphaPussy is a collection of true stories that explore themes of experience, survival, and the art of figuring it out as you go. They include strange encounters with celebrities and film directors such as Paul Verhoeven, Tom Cruise, Sharon Stone, Prince, Jennifer Tilly, Sylvester Stallone, David Mamet, Bob Fosse, and so many others. Often hilarious, usually cautionary, and almost always wrapped in absurdity, Gershon's tales explore how she found herself through bad decisions, awkward moments, and cringe-worthy encounters that somehow gave rise to survival skills. Gershon stresses that while it can be important to listen to others, it's more important to listen to oneself. To trust your gut. In a world full of bullies, predators, and people trying to tell her who she was, or who she should be, it was crucial for Gershon to become an AlphaPussy: a woman who navigates through this perilous jungle of a world with personal agency and responsibility.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.

360, voilà un terme galvaudé par la start-up nation et aussi parfois par l'industrie de la musique, auquel le chorégraphe Mehdi Kerkouche a décidé de redonner toute sa dimension rassembleuse. 360, c'est un spectacle créé par l'énergique directeur du Centre Chorégraphique National de Créteil dont la musique est signée, Lucie Antunes. Dans le spectacle vivant, on parle souvent de ce 4ème mur entre le plateau et le public : dans 360, il n'en reste plus rien, puisque la scénographie imaginée par Emmanuelle Favre, est une scène centrale surplombée d'un mirador, et le public est debout tout autour comme au concert ou dans une rave. 8 danseurs et danseuses y courent, y sautent, s'y accrochent, s'y battent, s'y enlacent en invitant le public à participer à la performance. Danse hip hop, jazz, contemporaine et clubbing se télescopent sur cette Tour de Babel chorégraphique sur la bande-son résolument techno de l'aguerrie productrice et percussionniste Lucie Antunes. Si le spectacle se nourrit de l'énergie du public, il met en scène les questionnements d'une jeunesse qui cherche à se faire une place. Qu'est-ce que Pina Bausch, Bob Fosse, Madonna et Kamel Ouali ont en commun ? Probablement la vision audacieuse de Mehdi Kerkouche qui s'amuse à mélanger les étiquettes au point qu'on ne sache plus les reconnaitre. La danse, sans doute plus que les autres disciplines, c'est l'art du collectif. Un collectif qui crée, partage et rassemble, son programme à la tête du CCN de Créteil. Lundi, mardi et mercredi, 360 sera pour 3 soirées à l'Élysée Montmartre, avec en prime Lazy Flow aux platines pour poursuivre la fête. Mais ce soir, Mehdi Kerkouche et Lucie Antunes sont au micro de Place des Fêtes.

"Gina G is a national treasure, a rare kind of legend who's more than an actress and storyteller; she's a rock and roll goddess, proof that grit, glamour, and guts are still stitched into the fabric of fame. Opening up about her times with Prince and wild days in the deep Valley, for fans and friends alike, it's a ride as electric as she is." -Miley CyrusFrom a wayward California girl growing up in the heart of the porn-born San Fernando Valley, Gina Gershon found herself on a journey that has been anything but traditional. Along the way, she had to learn how to spot the toxic types-in both her personal life and her career-and figure out how to dodge, outsmart, or hustle her way through. From the Valley to the slums of Beverly Hills to New York City, she was confronted with shady characters and sketchy situations, all the while fighting to protect her autonomy as a woman and as an actress with a decidedly unconventional path. AlphaPussy is a collection of true stories that explore themes of experience, survival, and the art of figuring it out as you go. They include strange encounters with celebrities and film directors such as Paul Verhoeven, Tom Cruise, Sharon Stone, Prince, Jennifer Tilly, Sylvester Stallone, David Mamet, Bob Fosse, and so many others. Often hilarious, usually cautionary, and almost always wrapped in absurdity, Gershon's tales explore how she found herself through bad decisions, awkward moments, and cringe-worthy encounters that somehow gave rise to survival skills. Gershon stresses that while it can be important to listen to others, it's more important to listen to oneself. To trust your gut. In a world full of bullies, predators, and people trying to tell her who she was, or who she should be, it was crucial for Gershon to become an AlphaPussy: a woman who navigates through this perilous jungle of a world with personal agency and responsibility.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-like-it-s-live--4113802/support.

Hello everyone and welcome to The Greatest Thing About All That Jazz! Bob Fosse's masterpiece was a first time viewing for Lauren and Ben, and I was happy to get them to watch one of my favorite movies! Come for lots of appreciation, some boredom, and one of the best puns Lauren has ever delivered on the podcast! This release was a holdover from the archives, I hope to start pumping more out! Download. Listen. Enjoy! General Thoughts... (0:01:00) Spoilers for All That Jazz (0:07:00) Star Ratings for All That Jazz (0:28:00) @middleofrow #nothe

Come to the cabaret! For our patron voted episode this month we are heading to 1930s Berlin with Bob Fosse to discuss Cabaret! We discuss the Weimar Republic, Bob Fosse getting mad at Willy Wonka, Liza Minnelli's hair, being scared of Alan Cumming as a child and why we will always be firmly anti-fascist. Also: Seth learns if you can buff someone! Michelle finds a new person she wants to be when she grows up! Being attracted to Kermit! Check it out!  Ad-free versions of all of our episodes are available on our Patreon When you sign up you also get access to our bonus shows, Discord server, shout out on the show AND you get to vote on monthly episodes and themes and a 25% discount in our merch store. That's a lot for only $5 a month! For more info and to sign up visit us on Patreon You can also give a Movie Friends subscription here: Gift a Movie Friends Subscription! Visit our website Check out our merch store Send us an email! Follow us on Twitter and Instagram Fill out our listener survey

durée : 01:28:36 - Sting, "The Last Ship", et les comédies musicales ouvrières - par : Laurent Valière - Sting présente pour la première fois en France sa comédie musicale The Last Ship inspirée de son enfance en Angleterre. Ce n'est pas la première comédie musicale située dans le milieu ouvrier : avant lui, Elton John, Cindy Lauper et Bob Fosse avaient déjà dépeint le milieu populaire. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

It's showtime, folks! We're talking Bob Fosse's strange, wonderful, kind of autobiographical masterpiece, All That Jazz! We discuss Roy Scheider and why Seth has a poster of Joe Gideon on his wall, that bizzare airline number in the middle of the film, why Bob Fosse is a cautionary tale and that incredible final song and dance number. Check it out! Ad-free versions of all of our episodes are available on our Patreon When you sign up you also get access to our bonus shows, Discord server, shout out on the show AND you get to vote on monthly episodes and themes and a 25% discount in our merch store. That's a lot for only $5 a month! For more info and to sign up visit us on Patreon You can also give a Movie Friends subscription here: Gift a Movie Friends Subscription! Visit our website Check out our merch store Send us an email! Follow us on Twitter and Instagram Fill out our listener survey

durée : 01:28:25 - Rencontre exclusive avec le compositeur de "Chicago", "Cabaret" et "New York New York" John Kander, 2e partie : avant et après "Chicago" - par : Laurent Valière - John Kander revient durant cette deuxième émission sur l'échec relatif de Chicago à sa création, l'adaptation de Cabaret au cinéma par Bob Fosse et le Baiser de la Femme Araignée dont le film sort le mois prochain. - réalisé par : Céline Parfenoff Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Graham is at the wheel and taking Joe and Caitlin from the Plug It Up! Horror Podcast on one helluva ride through the mind of musical maniac. That's right, we're talking Bob Fosse's All That Jazz, a film that has enough sweat to make even Joe Spinell nervous. Join us as we dive deep into a film that is as self indulgant as it is bursting at the seams with talent, joy and love for the craft. 

Two movies. Two comedians. Two very big beers. This week on Beer and a Movie, Dave and Joe bring on comedian Uncle Sam to dig deep into comedy on film with Bradley Cooper's newest, Is This Thing On?, and Bob Fosse's 1974 Lenny Bruce biopic, Lenny—two very different looks at life onstage, offstage, and the price of being funny. One film captures the awkward grind and personal fallout of chasing laughs, while the other revisits the myth, brilliance, and self-destruction of a Mt. Rushmore comic who changed the rules by breaking all of them.  On the beer side, things get dangerously boozy. The guys start with Martin House Brewing's Death by Chocolate Cake (a casual 12% ABV) before escalating to the heavyweight main event: Bourbon County Brand Stout 2025, clocking in at a staggering 14.6% ABV. It's a lot of beer, a lot of alcohol, and maybe not the best idea—but definitely the right one. High-proof stouts, iconic comedians, and two comics trying to keep it together long enough to finish the episode. What could possibly go wrong?

Todos los episodios contienen SPOILERS.Esta semana hablamos de una de las películas más nominadas en la historia de los Oscars y que terminaría ganando hasta Mejor Película. Protagonizada por Richard Gere, Renée Zellweger y Catherine Zeta-Jones y basada en el icónico musical del legendario Bob Fosse, esta semana entra a la Colección: CHICAGO¡NO OLVIDES SEGUIRNOS EN REDES SOCIALES!- Instagram: @coleccionablespodcast- Facebook: @coleccionablespodcast- Tiktok: @coleccionablespod

Eric takes us back to the 1970's for the first time in a long while. If you love Bob Fosse, then you're going to dig this episode. It's time to find out if All That Jazz (1979) holds up or not. BUT WAIT, THERE'S MORE! Now that 2025 is at an end, it's time for the fellas to give you their top 5 movies of the year! As always the fellas also offer their latest quarantine viewing picks. Please sub our YouTube where you can watch all of our episodes instead of just listening. We post the video version of each episode over there every week. Also, you can give us a 5 star review on your podcast platform of choice. Do it right now! It takes 30 seconds. Thank you! If anything from this episode strikes you, email the show cinema9pod@gmail.com

Today, I'm thrilled to announce my interview with Broadway veteran Annie McGreevey. Tune in to hear some of the stories of her wonderful career, including a memorable note from Bob Fosse during SWEET CHARITY, standing by for Ethel Merman in CALL ME MADAM, the joy of working with John Kenley, singing for Hal Prince at her COMPANY audition, talking to Stephen Sondheim about “Another Hundred People,” making birthday cakes during ANNIE, why THE MAGIC SHOW was a workout, the surprising fate of THE MOONY SHAPIRO SONGBOOK, crying after A CHORUS LINE, recording demos for FOLLIES, headlining at the Fontainebleau, performing with Carol Burnett in FROM THE TOP!, her journey with dyslexia, learning how to wrestle for BELOW THE BELT, performing a solo piece in I STAND BEFORE YOU NAKED, how Joshua Logan kept her job in RIP VAN WINKLE, performing at the first Kennedy Center Honors, making a cameo in JUNO at Encores!, going on in SWEENEY TODD at the last minute, and so much more. Don't miss this in-depth talk with one of Broadway's best.   In-person and livestream tickets to Backstage Babble Live are available here: https://54below.org/events/charles-kirschs-backstage-babble-live-3/

Musical Month takes a sharp, provocative turn this week on @wedrinkandwewatchthings as we enter the smoky, seedy world of 1931 Berlin in Bob Fosse's masterpiece, "Cabaret (1972)." This isn't your typical "jazz hands" musical; it's a brilliant, disturbing look at a world partying on the edge of a cliff. Grab a stiff drink - maybe a Prairie Oyster - and get ready for a discussion about "divine decadence" in the shadow of a gathering storm.This week, we are immersing ourselves in the legendary performance of Liza Minnelli as the irrepressible Sally Bowles and Joel Grey's haunting, omniscient Emcee. We'll be examining Fosse's revolutionary direction, where the musical numbers stay strictly on the stage of the Kit Kat Klub, acting as a twisted mirror to the grim political reality unfolding outside. We talk through the film's exploration of sexual ambiguity, the chilling "Tomorrow Belongs to Me" sequence, and the heartbreaking realization that while life is a cabaret for some, the real world is becoming a nightmare. It's a conversation about escapism, denial, and how easily a society can lose its way when it's too busy looking at the stage.If you appreciate a musical with a razor-sharp edge, iconic choreography, and themes that feel uncomfortably relevant today, this is an episode you can't miss. We're blending our awe for the film's gritty style with our usual casual banter, making this a truly unforgettable stop on our Musical Month tour. Willkommen, bienvenue, welcome!This episode VIDEO is live on YouTube AND Spotify!Follow us on Instagram and TikTok to get ep sneak peaks and find out what's coming next. DM us what you want to hear about next or email us at wedrinkandwewatchthingspod@gmail.com.

On this episode, I chat with friend of the show and co-host of both Checkout Cinema and Cinematary Grace Winburne about discovering Bob Fosse's masterpiece Cabaret! We discuss our histories with musicals, how and why this one works so well, Liza Minelli's knockout performance, and the state of the modern day musical. Listen to Grace's work on Checkout Cinema and Cinematary. follow and subscribe to the show on your favorite platform via the link below:https://linktr.ee/martynstrangeSupport me on Patreon: https://www.patreon.com/martynstrange Hosted on Acast. See acast.com/privacy for more information.

Joe Chantry, vice president of entertainment for Holland America Line, talks with James Shillinglaw of Insider Travel Report about an original new show the premium cruise line has produced, “Fosse and Verdon, The Duet That Changed Broadway,” which is being staged on Koningsdam. Supported by families of the famed choreographer Bob Fosse and famed dancer Gwen Verdon, the show traces their history as Broadway icons. For more information, visit www.hollandamerica.com. All our Insider Travel Report video interviews are archived and available on our Youtube channel (youtube.com/insidertravelreport), and as podcasts with the same title on: Spotify, Pandora, Stitcher, PlayerFM, Listen Notes, Podchaser, TuneIn + Alexa, Podbean,  iHeartRadio,  Google, Amazon Music/Audible, Deezer, Podcast Addict, and iTunes Apple Podcasts, which supports Overcast, Pocket Cast, Castro and Castbox.

Today, I'm thrilled to announce my interview with Broadway veteran Michael Vita. Tune in to hear some of the stories of his legendary career, including how PROMISES, PROMISES changed Broadway, how summer camp led to BYE BYE BIRDIE, moving to England in 1961, a long preview process for GOLDEN RAINBOW, his memorable audition for BALLROOM, touring America with 42ND STREET, having fun backstage with Gwen Verdon and Jerry Orbach, how A DOLL'S LIFE led to ON YOUR TOES, performing with Natalia Makarova, the genius of Hal Prince, going on at the last minute in JACQUES BREL IS ALIVE AND WELL AND LIVING IN PARIS, working on CYRANO with Christopher Plummer out of town, a mishap during SKYSCRAPER, his opening night gift during CHICAGO, talking about Bob Fosse with Michael Bennett, how he helped found BC/EFA, his second career as an AIDS activist, and so much more. Don't miss this in-depth interview with a true Broadway veteran.

Interview Date: September 21st, 2025Episode Summary:In this inspiring conversation, Menina Fortunato sits down with Julie McDonald, the trailblazing co-founder of MSA Agency and the first dance agent in history. Julie shares her incredible journey from professional dancer to industry visionary—representing some of the biggest names in choreography and performance.She reflects on the evolution of the commercial dance world, the importance of professionalism and preparation, and what truly sets apart dancers who build lasting careers. Julie offers invaluable advice on networking, auditions, and why knowing your dance history—from Bob Fosse to Jerome Robbins—is essential for any serious artist.From agency insight to mentorship, this episode is filled with stories, wisdom, and warmth from a woman who changed the industry for dancers everywhere. Julie also shares exciting news about being honored with the Trailblazer Award at Gala of the Stars—a full-circle moment for one of dance's greatest advocates.This episode is perfect for dancers, teachers, and aspiring professionals who want to understand the business behind dance, the art of longevity, and the power of curiosity and gratitude in shaping a meaningful career.Shownotes:(0:00) – Welcome & intro to Julie McDonald and her legacy (3:15) – Julie's start as a dancer & transition into agency life (7:40) – Founding MSA: creating the first dance agency in the world(12:25) – Representing choreographers, dancers & industry icons(22:10) – What makes a dancer stand out to an agent(35:05) – How the dance industry evolved through the decades (50:12) – Advice: professionalism, mindset, and consistency (1:13:05) – Julie's message: know your dance history & icons (1:16:16) – Gala of the Stars — Julie honored with Trailblazer Award(1:16:57) – Closing: gratitude, selfies, and inspiration for young dancersBiography:Julie McDonald is the visionary co-owner of McDonald Selznick Associates (MSA) and a trailblazer in dance and choreography representation. In 1985, she launched the first talent agency devoted exclusively to dance, setting a new standard for advocacy, professionalism, and artistic excellence in the industry.From the outset, Julie championed fair terms and improved working conditions for dancers and choreographers, tirelessly promoting the visibility and integrity of commercial dance. In 2000, she joined forces with Tony Selznick to found MSA, which today represents a roster of award‑winning talent. Her clients have earned Emmy, Tony, MTV, and MTV Awards—while leading the creative teams behind Broadway hits, Las Vegas spectaculars, high‑profile films, television dramas, sitcoms, and major awards shows (Emmy, Grammy, Oscar).A dedicated collaborator and industry visionary, Julie co‑created the American Choreography Awards (1994–2004), celebrating excellence in dance across media. Her pioneering work has been recognized with Lifetime Achievement Awards from both the Choreographers Carnival and McCallum's Choreography Festival.Through her ongoing projects and continued leadership at MSA, Julie McDonald remains a powerful force in shaping the future of dance, honoring its past, and empowering the artists who bring it to life.Connect on Social Media:Instagram- https://www.instagram.com/juliemcdonaldmsa/

Follow Your Yellow Brick Road to Success….Desmond Richardson: (Ballet) Pointe of View What is your INTENTION?WHY ARE YOU DOING WHAT YOU DO?He says to his dancers be “Inside of the Moment.”He's worked with Aretha Franklin, Michael Jackson, Prince and MadonnaHe's trained and /or danced alongside the greats: Alvin Ailey, William Forsythe, Sylvie Guillem, Sarita Allen, Carmen de Lavallade, Maurice Béjart, Mikhail Baryshnikov, Diana VishnevaKeywordsdance, ballet, artistry, mentorship, performance, intention, Complexions, dance education, global dance, cultural impactSummaryIn this conversation, Michelle Zeitlin and Desmond Richardson explore the intricate world of dance, focusing on the importance of intention, artistry, and mentorship. They discuss the daily life of a ballet company, the significance of authenticity in performance, and the evolution of dance education. The dialogue also highlights the creation of Complexions, a dance company that fuses various styles, and the impact of iconic artists on their journeys. Ultimately, they emphasize the need for dancers to connect with their audience and the cultural relevance of dance in today's society.TakeawaysThe journey of a dancer is about intention and authenticity.Daily life in a ballet company involves nurturing young artists.Artistry in dance requires more than just technical skill.Complexions represents a fusion of diverse dance styles.Mentorship plays a crucial role in shaping a dancer's career.The importance of being present in the moment during performance.Dancers must understand their unique voice and perspective.Dance education is evolving to include a broader range of styles.The global landscape of dance is rich and diverse.Cultural impact of dance is significant and should be celebrated.TitlesPassion and Purpose in DanceThe Daily Life of a Ballet CompanyChaptersUnderstanding Intent in DanceThe Essence of an ArtistComplexions: A Fusion of Dance StylesWorking with Icons: Michael Jackson and PrinceThe Journey of ComplexionsTraining and Technique in DanceThe Influence of European DanceThe Importance of Authenticity in ArtThe Growth of Dance IntensivesDiversity in Dance TrainingThe Role of Mentorship in DanceThe Journey of a DancerCultural Experiences in DanceThe Importance of Audience ConnectionPassion to Power in DanceMichelle Zeitlin is a former ballet dancer with the Joffrey Ballet Concert Group; She worked with the Creator of A Chorus Line and Show Creator of DREAMGIRLS, on the original Broadway Workshop, SCANDAL--Michael Bennett. She has danced on TV, in feature films, commercials, music videos and choreographed and directed hundreds of projects. Her company, More Zap Productions produced turnkey Experiential Events (Industrials) for major brands including NIKE, APPLE, INTEL, and many many others.She has also danced ballets, contemporary choreography and musicals around the globe. So it is with this like minded understanding that she interviews Desmond Richardson, co-founder of COMPLEXIONS, a contemporary ballet company, with Dwight Rhoden.They talk about their mutual work experiences with "folks" like Michael Peters. Michelle met with Bob Fosse at the very young age of seventeen in NY to read for the movie, STAR 80.Desmond danced with Bob Fosse in his world wide hit which was all DANCE. Shirley MacLaine and Cyd Charrise were in that audience, along with MJ, who sent Desmond a fan note backstage!For more on Complexions, see their website https://www.complexionscontemporaryballet.org/For More on Michelle Zeitlin, Host/Producer of More Zap Productions & Management https://www.morezap.com/You can pitch guests to Michelle and her Team at Passion-Power.com on the Contact FormWe are also booking speaking engagements, workshops and coaching clinics for CREATIVES at every stage of their development/career.MoreZAP@gmail.com Thanks for listening! We'd appreciate a 5 star Rating!

Join "Dance Talk” ® with Joanne Carey and special guest Janet Eilber this episode of  "Dance Talk” ® with Joanne Carey, host Joanne Carey  speaks with Janet Eilber, the artistic director of the Martha Graham Dance Company. They discuss Janet's early beginnings in dance, her time at the Juilliard School, being a teenager in NYC as well as her experiences with the Martha Graham Technique, and the profound impact of Martha Graham's teachings on her career. Janet shares insights into her roles within the company, the creative process of Martha Graham, and the legacy she aims to uphold as artistic director. They also explore the upcoming celebrations for the 100th anniversary of the company, innovative projects, and the importance of engaging audiences through open rehearsals.Janet Eilber has been Artistic Director of the Martha Graham Center of Contemporary Dance Company since 2005 pioneering new forms of audience access to the Graham legacy. Ms. Eilber is a graduate of the Juilliard School where she was mentored by teachers of the Graham and Limón legacies and directed by José Limón in several of his classics. While still at Juilliard, she was invited to join the Graham Company where she worked closely with Martha Graham for almost a decade. She danced many of Graham's greatest roles, had roles created for her by Graham, and was directed by Graham in most of the major roles of the repertory. She soloed at the White House, was partnered by Rudolf Nureyev, starred in three segments of Dance in America, and worked with Graham's major collaborators such as Isamu Noguchi, Aaron Copland and Halston.  She has since taught, lectured, and directed Graham ballets internationally for companies such as the Dutch National Ballet and the Paris Opera Ballet. Apart from her work with Graham, Ms. Eilber has co-starred in films such as Whose Life is it Anyway? with Richard Dreyfuss, and Romantic Comedy with Dudley Moore.  She was featured in several television series in the 1980s, and danced and acted on and off Broadway directed by such greats as Agnes DeMille and Bob Fosse. For her performance in Stepping Out directed by Tommy Tune, she was nominated for a Drama Desk Award for Featured Actress in a Play. Ms. Eilber received four Lester Horton Awards for her reconstruction and performance of seminal American modern dance. She served as Director of Arts Education for the Dana Foundation, guiding the Foundation's support for Teaching Artist training and contributing regularly to its publications. She is a Trustee Emeritus of the Interlochen Center for the Arts and was recently honored with a Doctorate of Fine Arts from the Juilliard School.At the 2022 celebration of the 50th anniversary of her first performance with the Martha Graham Dance Company, Ms. Eilber received a congratulatory letter from President and First Lady Biden saluting her half-century contribution to the arts in America.  She is married to screenwriter/NYU professor John Warren, with whom she has two daughters, Madeline and Eva.To find out more⁠https://marthagraham.org/company/⁠⁠⁠⁠Follow the company on Instagram@marthagrahamdance⁠“Dance Talk” ® with Joanne Careywherever you listen to your podcasts. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://dancetalkwithjoannecarey.com/⁠⁠⁠⁠⁠⁠Follow Joanne on Instagram @westfieldschoolofdance Tune in. Follow. Like us. And Share. Please leave a review! “Dance Talk” ® with Joanne Carey "Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real."

We talked about the story of Dorothy Stratten's murder as directed by Bob Fosse, Star 80. It's a film with a palpable feeling of evil in every frame, due in large part to Eric Roberts' masterfully sleazy performance. Then, Malcolm regaled us with his stories of European travel. Get the full episode and all bonus content at patreon.com/extended_clip

Eric Roberts is one of the most prolific actors in Hollywood history. The legendary performer, father of Emma Roberts and brother of Julia Roberts, joins Rob Lowe to discuss working with geniuses like Bob Fosse and Christopher Nolan, the joys of becoming a grandfather, joining the Stuntmen's Association for "Star 80," and much more. Make sure to subscribe to the show on YouTube at YouTube.com/@LiterallyWithRobLowe! Got a question for Rob? Call our voicemail at 323-570-4551. Your question could get featured on the show!

Mais uma entrada na série de filmes comentados pelo PFC e desta vez Fred e Alexandre convidaram a ouvinte e cinéfila Renata Teófilo para conversar sobre um dos grandes musicais americanos dirigidos pelo coreógrafo Bob Fosse, o incrível "All That Jazz - O Show Deve Continuar" (All That Jazz, 1979).  Numa interessante autobiografia, recheada de nuances sobre o mundo do show business, detalhes de sua própria carreira e uma inspirada reflexão sobre o destino inevitável de todos nós, Fosse dirige um de seus poucos filmes para o cinema, estabelecendo um marco para os musicais que viriam depois e ainda colecionando algumas indicações ao Oscar, inclusive para o ator que escolheu para representá-lo nas telas: Roy Scheider.-------------------------------LINKS PARA ADQUIRIR O LIVRO DO PFC ("Uma Jornada pelo Cinema - Anos 1950"):UICLAP - ⁠https://loja.uiclap.com/titulo/ua98290/⁠AMAZON - ⁠https://www.amazon.com.br/dp/6501481376⁠E-BOOK AMAZON KINDLE - https://a.co/d/7byWaju-------------------------------Acesse nosso site: ⁠⁠http://www.filmesclassicos.com.br⁠⁠Instagram: @podcastfcProcure "Podcast Filmes Clássicos" no seu aplicativo de podcast do celular, no Spotify, YouTube, Anchor ou iTunes.

Today, I'm so excited to announce the 250th episode of Backstage Babble. The mission of the podcast has always been to document Broadway history, and I'm thrilled to welcome a man who has had a profound influence on Broadway history over several eras in his work as a dancer and a choreographer: Wayne Cilento. Tune in to hear some of the stories of his legendary career, including his reflections on the 50th anniversary of A CHORUS LINE, how Michael Bennett kept the show on track, discussing BIG DEAL with Bob Fosse, reinventing DANCIN' for 2023 audiences, creating a movement style for WICKED, collaborating with Des McAnuff on TOMMY and HOW TO SUCCEED, how an Elvis Presley postcard inspired “Pinball Wizard,” how THE ACT led him to become a choreographer, how choreographing commercials helped him hone his skills as a director, the challenges of reviving SWEET CHARITY, making his Broadway debut with BABY, working with Heather Headley on AIDA, coming in on DREAM at the last minute, lending his talents to HIGH SOCIETY and THE MAGIC SHOW, why he turned down SUMMER, choreographing Chita Rivera in JERRY'S GIRLS, choreographing acts for everyone from Carol Channing to Alicia Keys, exploring new forms of dance for HOLLER IF YA HEAR ME, backstage shenanigans at SEESAW, his memories of RACHAEL LILY ROSENBLOOM…, and so much more. Don't miss this in-depth conversation with a seven-time Tony nominee and true Broadway veteran.   Wildcat Tickets: https://54below.org/events/54-sings-wildcat/

Joe, Kyle, and Rick review the musical stage production of Pippin. Directed for the stage by Kathryn Doby and for video by David Sheehan. Music and lyrics are by Stephen Schwartz, with the book by Roger O. Hirson and Bob Fosse. The production stars Ben Vereen, William Katt, Leslie Denniston, Benjamin Rayson, Chita Rivera, and Martha Raye. We ranked the 15 songs from the 1972 Broadway soundtrack and picked our favorite lines, characters, performers, and scenes. Enjoy!

It's time for some Fosse, Fosse, Fosse as we discuss the 1979 musical fantasy film ‘All That Jazz' starring Roy Scheider and Jessica Lange. Directed and co written by the legendary Bob Fosse this semi autobiographical fantasy is based on aspects of his life and career as choreographer, dancer and filmmaker. Tune in and get the jazz hands ready!

Movie reviews #51
seven today so let's go
1. Airport 1970. This one started them all. To me it's just a less funny movie than airplane movie, but still funny. You don't get the icky pedophile jokes, but you do get asshat men who live to cheat and cheat to live, this had a nice rad woman surprise that I am quite grateful for. Airport stars Helen Hayes!!!!
2. Scarecrow 1972. Many many 70's films are based on plays, this one basically just filmed a play. Great Black Metal premise here with a story by Nathaniel Hawthorne, The Scarlet letter guy. Blythe Danner, and Gene Wilder are here, and there's a witch too. 
3. Earthquake 1974. Heston is here, this movie was not great. I had fun with friends, a lot actually. Heston is a shit but the Star Crash guy takes on bullies, and flippin Shaft is a rad stunt cyclist.
4. The Little prince 1974. This one's trippy and fun, and we get our 2nd Gene Wilder appearance in this batch. You also get jazz hands Bob Fosse himself here as the snake. I always get this movie confused with the Gumby episode The Small Planets, and wonder where the screaming clay piano boy is.
5. Girlfriends 1978. Claudia Weill is our director here, in a coming of age film that should be more popular than it is, shrug emoji. We get the sole survivor woman from that trippy movie I love called Sole Survivor. Lots of great actors here including the guy who wrote Stonehenge.
6. Sergeant Matlovich vs. the U.S. AirForce. This gets added to our list of super amazing made for TV movies of the 70's, also Matlovich was real and fierce AF. Brad Dourif plays Leonard Mattlovich, and you can watch him and his mustache in this gem on you tube. A must see for those interested in Queer history.
7. …And your name is Jonah 1979. Intense TV Movie about a misdiagnosed Jonah, he is deaf and the shitty times and an even shittier Teacher and Dad make it flippin hell for this poor kiddo. Important to show where we were and where we should be with this country's Ableism. Sally Struthers is here along with the asshat Dad played by asshat James Woods.Thanks fer listening friends. Please oh please give us stars and a review, thank you.

Luisa Opalesky is our special guest as we talk about how Federico Fellini's "8 1/2" and Bob Fosse's "All That Jazz" embody the spirit of her new book, "Big City Nobody," how the two movies are connected through Italian cinematography, seeing yourself in photographs you take of other people and more!*This episode was a Patreon exclusive*

Every once in a while, you get the honor of doing a podcast with someone who you know is an important part of history. That's what I got to do today with Abe Jacob. Now, Abe is a sound designer. If you don't know what that is, well, I didn't really know either, but he's actually known as "The Godfather of Sound."He's had this remarkable life and career starting with his first gig that he did when he's right out of college at 22 years old in that 1966-1967 timeframe. This job ends up being The Beatles' last live concert. Shortly after he gets a job working with a band called The Mamas and the Papas. He tours with them and Peter, Paul and Mary, even winding up at the Capitol during a huge Vietnam protest concert. His list of accomplishments just goes on and on and on, having worked intimately with Jimi Hendrix until his death.What's so interesting is that Abe works with all of these legends, but he doesn't earn his nickname until he moves to theater. He is critically important to all the major plays of this time, including  Hair, Jesus Christ Superstar, Pippin', and he does A Chorus Line and Chicago at the same time. I mean, he works with legendary choreographer Bob Fosse. He becomes great friends with legendary actress Lauren Bacall. He has had an amazing and very interesting life. You can see why I'm excited having Abe do my podcast. It's exactly what I'm looking to accomplish. To document these important voices in art and Abe is most definitely an artist. Quite frankly, I would pay to interview Abe. He was that good. So I hope you enjoy. This is the Godfather of Sound, Abe Jacob, on Art Dealer Diaries Podcast episode 350.

We welcome veteran TV director of shows including House of the Dragon, Presumed Innocent, Your Friends and Neighbors, Lucky, and the upcoming Spider-Noir, Greg Yaitanes. We tackle Bob Fosse's drug and dance fueled classic starring Roy Scheider, All That Jazz!Chapters Introduction (00:00:00) Hatch News (00:14:00) Greg Yaitanes Interview (00:26:24) All That Jazz Roundtable (00:46:53) Your Letters (01:46:38) Notes and Links Check out Escape Hatch Merch! Our all new collection of swag is available now and every order includes a free Cameo style shoutout from Haitch or Jason. Browse our collection now. Join the Escape Hatch Discord Server! Hang out with Haitch, Jason, and other friends of the pod. Check out the invite here. Escape Hatch is a TAPEDECK Podcasts Jawn! Escape Hatch is a member of TAPEDECK Podcasts, alongside: 70mm (a podcast for film lovers), Bat & Spider (low rent horror and exploitation films), The Letterboxd Show (Official Podcast from Letterboxd), Cinenauts (exploring the Criterion Collection), Lost Light (Transformers, wrestling, and more), and Will Run For (obsessed with running). Check these pods out!. See the movies we've watched and are going to watch on Letterboxd Escape Hatch's Breaking Dune News Twitter list Rate and review the podcast to help others discover it, and let us know what you think of the show at letters@escapehatchpod.com or leave us a voicemail at +1-415-534-5211. Follow @escapehatchpod on Bluesky,Instagram, and TikTok. Music by Scott Fritz and Who'z the Boss Music. Cover art by ctcher. Edited and produced by Haitch. Escape Hatch is a production of Haitch Industries.

It's showtime, folks! As Alex and Nick break down Bob Fosse's masterpiece, “All That Jazz,” the guys discuss Fosse's career, autobiographical films, accepting death, Roy Scheider, “Fosse/Verdon,” the 1979 Oscars, “Vanilla Sky,” and much more.At the end of the episode (01:33:24), Alex does a solo review of the “Mission: Impossible” film franchise, including spoiler-free thoughts on “Mission: Impossible – The Final Reckoning.”Part 3 of the WAYW New Hollywood Film Project.Follow @WAYW_Podcast on Twitter and Instagram and Letterboxd.Send mailbag questions to whatareyouwatchingpodcast@gmail.com

durée : 00:24:40 - « Chicago », le film oscarisé (2003) - Chicago est un film de Rob Marshall, écrit par Bill Condon. Il s'agit d'une adaptation cinématographique de la comédie musicale du même nom de Bob Fosse, John Kander et Fred Ebb

Believe by Britney Spears (2007) + Britney Spears' Blackout (2007) + Heidi Montag's Superficial (2010) + Christine Fugate's The Girl Next Door (1999) + Bob Fosse's Star 80 (1983) with Jacques Peterson of Unpopular 5/7/25 S7E29 To hear this episode and the complete continuing story of The Perfume Nationalist please subscribe on Patreon. 

hey big spendah"SHOWGAYS: A Cinemusical Podcast" is a podcast in The Ampliverse at theampliverse.com Email us any thoughts and takes and we may read it on the next episode at showgaysmoviemusical@gmail.com Don't forget to check out the Ampliverse Bookshop for further reading!

I interview John Yun, who is currently the music director for the Broadway production of Maybe Happy Ending. We talk about this multi-Tony Award nominated musical. John has served as the associate conductor for the Broadway production of Hell's Kitchen – The Alicia Keys musical, the associate music director for Broadway productions of Bob Fosse's Dancin', as well as Tina: the Tina Turner Musical. 

"Does it really matter so long as you're having fun?"May-Usical Month returns with an all-time great musical about a 19-year-old Cabaret singer in Berlin just before World War II, the original manic pixie dream girl — Fräulein Sally Bowles in CABARET. This week, The Wives Colangelo muse on one of their favorite films of all time and discuss the political commentary embedded in the story, why Bob Fosse's changes from the Broadway show were for the best, and why Liza Minnelli is truly one of the greatest to ever do it. Life is a Cabaret, old chum! Come to the Cabaret!----Become a Patron!https://www.patreon.com/thisendsatprom----MONTHLY SPOTLIGHTMermaids U.K. (https://mermaidsuk.org.uk/)----Follow the Show: @ThisEndsAtPromBJ Colangelo: @BJColangeloHarmony Colangelo: @Veloci_trap_tor / @HarmonyColangelo on Bluesky----------Logo Design: Haley Doodles @HaleyDoodleDoTheme Song: The Sonder Bombs 'Title': https://thesonderbombs.bandcamp.com/

*Patreon Episode Preview* Luisa Opalesky is our special guest as we talk about how Federico Fellini's "8 1/2" and Bob Fosse's "All That Jazz" embody the spirit of her new book, "Big City Nobody," how the two movies are connected through Italian cinematography, seeing yourself in photographs you take of other people and more!

Willkommen, bienvenue... welcome fiends and familiars, ghouls and gals to the third blindspot in Dalton's lineup, Bob Fosse's Cabaret. This musical is set in Berlin in the early 1930s—it was a different time. But the film was developed amidst the Nixon era. So, it has politics and art. Or is that redundant? We look at the rise of Liza Minnelli, the style of Bob Fosse, and the antifascist messaging of Cabaret to see if there are any contemporary concerns to consider. Is it a good night at the club? Or another bust on an amateur stage? Tune in to find out as we discuss Cabaret. 

PIPPIN Music & Lyrics by Stephen Schwartz | Book by Roger O. Hirson | Originally Produced on Broadway by Stuart Ostrow | Directed on the Broadway Stage by Bob Fosse Works Consulted & Reference :Pippin (Original Libretto) by Roger O. Hirson & Stephen SchwartzMagic to Do: Pippin's Fantastic, Fraught Journey to Broadway by Elyssa Gardner Music Credits:"Overture" from Dear World (Original Broadway Cast Recording)  | Music by Jerry Herman | Performed by Dear World Orchestra & Donald Pippin"The Speed Test" from Thoroughly Modern Millie  (Original Broadway Cast Recording) | Music by Jeanine Tesori, Lyrics by Dick Scanlan | Performed by Marc Kudisch, Sutton Foster, Anne L. Nathan & Ensemble"Why God Why" from Miss Saigon: The Definitive Live Recording  (Original Cast Recording  / Deluxe)  | Music by Claude-Michel Schönberg, Lyrics by Alain Boublil & Richard Maltby Jr.  | Performed by Alistair Brammer"Back to Before" from Ragtime: The Musical (Original Broadway Cast Recording)  | Music by Stephen Flaherty, Lyrics by Lynn Ahrens | Performed by Marin Mazzie"Chromolume #7 / Putting It Together" from Sunday in the Park with George (Original Broadway Cast Recording)  | Music & Lyrics by Stephen Sondheim | Performed by Mandy Patinkin, Bernadette Peters, Judith Moore, Cris Groenendaal, Charles Kimbrough, William Parry, Nancy Opel, Robert Westenberg, Dana Ivey, Kurt Knudson, Barbara Bryne"What's Inside" from Waitress (Original Broadway Cast Recording)  | Music & Lyrics by Sara Bareilles | Performed by Jessie Mueller & Ensemble"Corner of the Sky" from  Pippin (Original Broadway Cast Recording)  | Music & Lyrics by Stephen Schwartz | Performed by John Rubinstein"Maria" from The Sound of Music (Original Soundtrack Recording)  | Music by Richard Rodgers, Lyrics by Oscar Hammerstein II | Performed by Evadne Baker, Anna Lee, Portia Nelson, Marni Nixon"My Favorite Things" from The Sound of Music (Original Soundtrack Recording) | Music by Richard Rodgers, Lyrics by Oscar Hammerstein II | Performed by Julie Andrews"Corner of the Sky" from Pippin (New Broadway Cast Recording) | Music & Lyrics by Stephen Schwartz | Performed by Matthew James Thomas“What Comes Next?” from Hamilton (Original Broadway Cast Recording) | Music & Lyrics by Lin-Manuel Miranda | Performed by Jonathan Groff

The Little Prince has been enchanting readers of all ages since 1943, when French aviator Antoine de Saint-Exupéry first introduced the boy from a distant planet. Inspired by his own life and a desert crash landing, this poetic tale has become one of the most translated and best-selling books in the world. In this episode, we begin a two-part look at The Little Prince on stage and screen—both versions produced by Joseph Tandet. There's the ambitious 1982 Broadway-bound musical starring Michael York and a young Anthony Rapp, which never made it past previews. And before that, the 1974 movie musical directed by Stanley Donen and featuring Lerner and Loewe's final collaboration—complete with Bob Fosse, Gene Wilder, and a surprisingly rocky production history. Theme Music created by Blake Stadnik. Click here for a transcript and list of all resources used. Produced by Patrick Oliver Jones and WINMI Media with Dan Delgado as co-producer. Learn more about your ad choices. Visit megaphone.fm/adchoices

Iconic triple-threat, choreographer, and film star, Ann Reinking, speaks with Michael Riedel about choreographing and starring in the 1996 smash hit Chicago revival. That year, Ann Reinking won the Tony Award for Best Choreography, and the show has since gone on to become the longest running revival on Broadway. Ann shares her stories about her relationship with Bob Fosse during the original 1975 production and how she eventually replaced Gwen Verdon in the show. Years later, Ann was approached to choreograph Chicago for Encores and ended up starring as Roxie herself!  This episode features never-before-heard excerpts from the interviews Michael Riedel recorded while writing his 2020 best-selling book Singular Sensation: The Triumph of Broadway. Learn more about your ad choices. Visit megaphone.fm/adchoices

In another lifetime, Dr Glenn Berger found himself working at A&R studios in New York, along such music legends as Paul Simon, James Brown, Phoebe Snow and Bob Fosse.In his memoir, Never Say No to a Rock Star, Glenn recounts some of the most memorable moments in a career filled with them, at a time when musicians ruled the earth.

The gang joins up with friend and fellow-podcaster Catrin Lowe so they can head into the place where erotic thriller crosses over with true crime as they look at Bob Fosse's grim and sweaty Star 80.   Follow Catrin on Twitter or Bluesky. Follow Don't You Want Me? on Apple Podcasts Read Teresa Carpenter's orginal Village Voice article: Death of a Playmate Listen to The Video Archives Podcast episode on Star 80.     Night on the Docks - Sax Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/

Put on your dancing shoes, because Alicia's taking us to the Caberet! It's Liza (with a z!) time - the ups and downs of Liza Minnelli's four marriages and divorces, plus a few extra bits about Liza and Bob Fosse, and the dish on the abandoned Beverly Hills Mansion at 812 N. Crescent, 90210.Want early, ad-free episodes, regular Dumpster Dives, bonus divorces, limited series, Zoom hangouts, and more? Join us at patreon.com/trashydivorces!Want a personalized message for someone in your life? Check us out on Cameo!To advertise on our podcast, please reach out to info@amplitudemediapartners.com.SponsorsAcorns. Head to acorns.com/trashy or download the Acorns app to start saving and investing for your future today! Learn more about your ad choices. Visit megaphone.fm/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Put on your dancing shoes, because Alicia's taking us to the Caberet! It's Liza (with a z!) time - the ups and downs of Liza Minnelli's four marriages and divorces, plus a few extra bits about Liza and Bob Fosse, and the dish on the abandoned Beverly Hills Mansion at 812 N. Crescent, 90210. Want early, ad-free episodes, regular Dumpster Dives, bonus divorces, limited series, Zoom hangouts, and more? Join us at patreon.com/trashydivorces! Want a personalized message for someone in your life? Check us out on Cameo! To advertise on our podcast, please reach out to info@amplitudemediapartners.com. Sponsors Acorns. Head to acorns.com/trashy or download the Acorns app to start saving and investing for your future today! Learn more about your ad choices. Visit megaphone.fm/adchoices

Director Parker Finn discusses his new film, Smile 2, with fellow Director Mike Flanagan in a Q&A at the DGA theater in Los Angeles. In the conversation, he discusses how he returned to the idea to explore the same concept through a vastly different lens, working with Actor Naomi Scott to bring the duality of her character's public persona and isolation to life, and choreographing color-laden horror scenes for his pop star character in what he describes as “inspired by Wes Craven as it is Bob Fosse”. The film tells the story of Skye Riley, a pop star about to embark on a world tour when she begins to experience increasingly terrifying and inexplicable events. Overwhelmed by escalating horrors and the pressures of fame, she is forced to face her past. See photos and a summary of this event below: https://dga.org/en/Events/2024/Dec2024/Smile2_QnA_1024

It's Showtime, Folks! Returning Movie Club champions Gala Avary (The Gala Show, Video Archives Podcast) & Erik Clapp (the mighty Cinema Force & EC Films) join me to talk all things ALL THAT JAZZ, Bob Fosse's groundbreaking autobiographical masterpiece.  Roy Scheider is Joe Gideon (AKA Bob Fosse) who can't get a handle on his all-consuming workaholism, brutal perfectionism, constant philandering, incessant smoking, daily drinking and hourly pill-popping. He's also working all day on a new musical and late into each night on a new film. What could go wrong? Stay tuned for Part 2, coming your way on the next Movie Club Monday For More Gala: The Gala Show Video Archives Podcast With Quentin Tarantino & Roger Avary Now Totally Independent & On Patreon! Instagram For More Erik: Cinema Force on YouTube Cinema Force on Instagram EC Films Craig And Friends Patreon

Bob Fosse and Gwen Verdon are the co-creators of the dance performance “Sweet Gwen Suite,” which will be performed at Hubbard Street Dance Company Nov. 15-24. The return of Fosse's work to Chicago isn't just noteworthy because Fosse is legendary and a Chicago native. Hubbard Street Dance Company is the only company in the world authorized to add Fosse's works to its repertory. Reset sits down with Cassie Walker Burke, WBEZ senior editor for arts and culture, to talk about who Fosse was, and what makes his work and this particular dance special. For a full archive of Reset interviews, head over to wbez.org/reset.