Podcasts about Harold Pinter

  “Subscribe to free weekly news letter HUNGRY FRIDAY FEAST here”  Jeremy King doesn't just talk about restaurants — he talks about change, class, creativity, ego, instinct, death, literature, leadership, and why the best dining rooms become tiny theatres of human behaviour.In this conversation, the legendary restaurateur behind The Ivy, Le Caprice, The Wolseley, Arlington and now Simpson's in the Strand explains why “maintaining standards” is actually the road to bankruptcy, why great restaurants must constantly evolve, and why hospitality is really about love, generosity, observation and care.Jeremy and Dan explore everything from Mick Jagger and Bianca Jagger at Le Caprice, to Lucian Freud, A.A. Gill, Harold Pinter, Graham Norton, Apple, Kodak, IBM, The Beatles, New York brasseries, Parisian cafés, class in Britain, and why every great creative or political movement may have started in a restaurant.  This one is unforgettable.A conversation about restaurants, yes — but really about how to live, lead, notice, change, and leave the world slightly better than you found it.ON THE MENU:00:00:00 Intro00:03:03 Why Restaurants Must Always Change00:05:46 Why Leadership Is A Benign Dictatorship00:07:24 Maintaining Standards Leads To Bankruptcy00:13:47 Why Restaurants Get Defensive00:17:35 Why Enough Is Never Enough00:20:06 Why Altruism Still Matters00:22:13 When Jeremy Refuses A Booking00:26:06 The Silent Couple At Mirabelle00:32:08 Arlington, Soho And Restaurant Design00:35:55 Why Great Restaurants Are Egalitarian00:41:18 Why Money Ruins Taste00:43:49 What Makes The Best Restaurant?00:47:43 Why Restaurants Need Creative People00:49:43 How Le Caprice Changed Service00:55:19 Why Culture Hates Real Change00:59:49 Why Strong Opinions Win01:03:00 How To Prepare For Death01:05:14 Why Jeremy Has Regrets Every Day01:06:16 The Power Of Happy Problems01:08:30 Why Jeremy Finally Wrote A Book01:15:12 Why Restaurant Work Changes Young People01:18:31 How Shyness Became Jeremy's Advantage01:20:17 Can Dogs Sense Us Coming Home?01:24:11 Why We've Lost Our Instinct01:27:14 The Brain's Restaurant Memory Card01:33:09 Why Moneyball Thinking Kills Instinct01:35:12 How Jeremy Feels A Restaurant's Hum01:38:07 Why First Impressions Mislead Us01:41:18 Do All Movements Start In Restaurants?01:44:10 Why Creativity Needs Long Lunches01:48:48 Jeremy's Favourite Books And Writers01:55:31 How Meditation Helped With Lucian Freud01:58:21 How Literature Taught Jeremy Restaurants02:00:01 Jeremy King's Best Life Advice02:03:29 Ruthie Rogers' Eye Contact Lesson02:05:33 Why Questions Beat Statements02:07:33 How Mick Jagger Helped Le Caprice02:11:43 Why Jeremy Prefers Narrowcasting02:13:01 Jeremy King's Rules For Success ============================================== ♨️Still bloody HUNGRY? Course ya are. Each week I spend 15 hours writing my newsletter. It'll take you 5 mins to read. Full of wisdom from the biggest names in food and drink. Subscribe here - https://hungryfeast.beehiiv.com/

Produtora há mais de 20 anos, formada em Comunicação Social e Artes Cênicas, possui MBA em Gestão e Liderança pela Saint Paul/ESMT (Brasil – Alemanha). Como produtora teatral trouxe para o Brasil grandes nomes do teatro inglês como Harold Pinter e Moira Buffini. No audiovisual foi produtora de desenvolvimento de diversos projetos trabalhando para players … Continue lendo "Primeiro Tratamento – Juliana Vedovato – # 373"

Le metteur en scène Ludovic Lagarde met en scène le texte du dramaturge Martin Crimp Des hommes endormis. Une pièce à voir à l'Athénée jusqu'au 24 mai.  Amour, boulot, pouvoir, désir : deux couples tâtonnent, tentent de faire le point, pour se dire… ou ne pas se dire des choses, le temps d'une nuit, une nuit propice à la parole et à la divagation.  Le texte de Crimp est fait de conversations, un peu hachées, un peu fragmentaires, où l'exploration du thème de la violence n'est jamais loin. La pièce démarre à deux heures du matin : Paul, qui crée de la danse, et Julia, critique d'art contemporain. Ce couple de quinquagénaires sans enfants mais qui a réussi socialement s'interroge sur son avenir quand surviennent Joséphine – assistante de Julia – et Tilman, jeune couple, futurs parents, invités par Julia. Invités : Ludovic Lagarde, metteur en scène. Il a mis en scène de nombreux auteurs du répertoire – Shakespeare, Tchékhov, Brecht –, mais aussi des auteurs plus contemporains tels que Samuel Beckett, Harold Pinter, Sarah Kane ou encore Olivier Cadiot avec lequel il a beaucoup collaboré. Il met en scène Des hommes endormis.  Laurent Poitrenaux, comédien. Il travaille avec Ludovic Lagarde depuis près de 40 ans. Il joue le rôle de Paul dans la pièce.  Le texte Des hommes endormis a été écrit par Martin Crimp, un auteur britannnique contemporain né en 1956. Dans ses textes, il aborde, avec un humour grinçant, la question de la violence. Il est l'un des auteurs de théâtre vivants parmi les plus importants. La pièce Des hommes endormis a été créé en 2018 pour la troupe du Deutsche Schauspielhaus à Hambourg. Le texte a été traduit en français par Alice Zeniter, qui a consacré sa thèse à l'auteur britannique et publié aux éditions de l'Arche.  À voir au Théâtre de l'Athénée-Louis Jouvet jusqu'au 24 mai.  Programmation musicale : L'artiste Ofé et son titre Je sais que tu m'aimes.

Le metteur en scène Ludovic Lagarde met en scène le texte du dramaturge Martin Crimp Des hommes endormis. Une pièce à voir à l'Athénée jusqu'au 24 mai.  Amour, boulot, pouvoir, désir : deux couples tâtonnent, tentent de faire le point, pour se dire… ou ne pas se dire des choses, le temps d'une nuit, une nuit propice à la parole et à la divagation.  Le texte de Crimp est fait de conversations, un peu hachées, un peu fragmentaires, où l'exploration du thème de la violence n'est jamais loin. La pièce démarre à deux heures du matin : Paul, qui crée de la danse, et Julia, critique d'art contemporain. Ce couple de quinquagénaires sans enfants mais qui a réussi socialement s'interroge sur son avenir quand surviennent Joséphine – assistante de Julia – et Tilman, jeune couple, futurs parents, invités par Julia. Invités : Ludovic Lagarde, metteur en scène. Il a mis en scène de nombreux auteurs du répertoire – Shakespeare, Tchékhov, Brecht –, mais aussi des auteurs plus contemporains tels que Samuel Beckett, Harold Pinter, Sarah Kane ou encore Olivier Cadiot avec lequel il a beaucoup collaboré. Il met en scène Des hommes endormis.  Laurent Poitrenaux, comédien. Il travaille avec Ludovic Lagarde depuis près de 40 ans. Il joue le rôle de Paul dans la pièce.  Le texte Des hommes endormis a été écrit par Martin Crimp, un auteur britannnique contemporain né en 1956. Dans ses textes, il aborde, avec un humour grinçant, la question de la violence. Il est l'un des auteurs de théâtre vivants parmi les plus importants. La pièce Des hommes endormis a été créé en 2018 pour la troupe du Deutsche Schauspielhaus à Hambourg. Le texte a été traduit en français par Alice Zeniter, qui a consacré sa thèse à l'auteur britannique et publié aux éditions de l'Arche.  À voir au Théâtre de l'Athénée-Louis Jouvet jusqu'au 24 mai.  Programmation musicale : L'artiste Ofé et son titre Je sais que tu m'aimes.

Con motivo del centenario del nacimiento de Paco Rabal, recientemente recordado con un emotivo homenaje en la Academia de Cine, recuperamos este programa emitido originalmente el 17 de febrero de 2023.Francisco Rabal Valera llegó al mundo un día de la mujer, el 8 de marzo de 1926, entre minas y sobre el mar de Águilas (Murcia). Su vida fue la pasión por actuar, porque puso todo el corazón en conseguirlo y en llegar a lo más alto. Y ese empeño también le proporcionó una intensa vida de amistad y amor con muchas personas que le dejaron huella. Así le ocurrió con su compañera de vida, la actriz Asunción Balaguer, a la que conoció al incorporarse a la compañía Lope de Vega de José Tamayo y con la que muy pronto se uniría sentimentalmente para toda su vida. De esa unión nacieron sus dos hijos: Teresa y Benito.Rabal se crió en el coto minero murciano de la Cuesta de Gos, dentro de una familia de extracción social muy modesta. Gente de pocas letras, pero de muchas luces; especialmente su padre, Benito Rabal, un minero de bondad e inteligencia innatas. Su hermano mayor, Damián, además de proporcionarle sus primeros libros, fue su referencia ideológica, compañero de futuras juergas y hasta su representante artístico. De niño y adolescente probó como ayudante de alguacil, vendedor ambulante de chucherías y aprendiz de bombonero. Ya de joven, logró entrar de auxiliar electricista en los Estudios Chamartín. Hombre de suerte, estuvo en el lugar oportuno y en el momento preciso cuando el director Rafael Gil hizo una prueba de luz con él sustituyendo a Fernando Rey. Su cara, joven y atractiva, daba juego. Su voz rotunda, su simpatía arrolladora y su insistencia hicieron el resto. Y el resto son varios cientos de películas: de 'Reina santa' (1947), la primera con frase, a 'Divertimento' junto a Federico Luppi, ya en el año de su muerte, 2001. También son numerosísimas las obras de teatro. De 'La muerte de un viajante' o 'Julio César' en los años 50 a 'Viejos tiempos', de Harold Pinter, en 1974. Destaca Rabal entre los cientos de papeles que encarnó los de Juncal, de la serie televisiva homónima; Azarías, de 'Los santos inocentes'; y Goya maduro en 'Goya en Burdeos'.En este documental, con guion de Juan Ballesteros y diseño sonoro de Mayca Aguilera, participan familiares, amigos y compañeros; su hija, la también actriz Teresa Rabal, y Juan Ignacio García Garzón, autor de la biografía 'Paco Rabal. Aquí un amigo'. Del Archivo RTVE se rescatan voces como las del propio Francisco Rabal, junto a personas que marcaron su vida; entre otras, Dámaso Alonso, Rafael Gil, Luis Escobar y, por supuesto, Asunción Balaguer.Escuchar audio

SEASON 2 - EPISODE 188 - Nick Kazan - Writer In this episode of the Team Deakins Podcast, we speak with writer Nick Kazan (BICENTENNIAL MAN, MATILDA, DREAM LOVER). Nick has been writing professionally for decades, and we spend much of our conversation with him discussing what he finds to work and not work in a screenplay. Nick also shares his relationship to a script after it's entered production, and we discuss how changes made during production can enhance a scene. We also learn how he's balanced writing spec scripts with assignments, what his opinion of the three act structure is, what he needs to know before he begins writing, and when he recognizes his writing is working. Nick also shares how a Harold Pinter play inspired him to begin writing in the first place, and we learn how he's been chasing the experience of writing for the very first time ever since. Plus, Nick reveals why he didn't leverage his the reputation of his father (director Elia Kazan) to build his own career, and we ask Nick: "What makes a good writer?" - Recommended Viewing: SHAMPOO - This episode is sponsored by Aputure

Join us on the latests Whisper in the Wings from Stage Whisper as we welcome on the actors Susan Priver and Ron Bottitta. They joined us to talk about their production of Sex, Lies and Harold Pinter. This was such a great work to learn all about, and just like this conversation, should not be missed. So make sure you tune in and turn up for this great show!Sex, Lies, and Harold PinterMarch 20th-April 26th@ Odyssey Theatre (Los Angeles, CA)Tickets and more information are available at odysseytheatre.com And be sure to follow our guests to stay up to date on all their upcoming projects and productions: @ronthebastard@susan_priver

Lady Antonia Fraser, noted writer of English history and biography, discusses her book, “The Six Wives of Henry VIII” with Probabilities hosts Richard Wolinsky and Richard A. Lupoff, recorded November 17,1992 while she was on tour in San Francisco. With the arrest of the former Prince Andrew, we can look back at other scandals in the history of England, such as the story of Henry the Eighth and his six wives, seen through the eyes of the great historian Antonia Fraser. Antonia Fraser, now age 93, is best known for her various biographies and non-fiction works, often focusing on women in history and on various members of the British crown. She is also the author of several mysteries featuring her amateur detective, Jemima Share, published between 1977 and 1995, followed by two omnibus collections. At present, there are 17 works of history, plus three memoirs, one of which, Must You Go: My Life with Harold Pinter, about her life married to the late playwright who died in 2008, was published in 2010. Antonia'Fraser's most recent book, Caroline Lamb: A Free Spirit, was published in 2023. Along with her discussion of English history, she also talks about her work as a mystery writer and her then most recent Jemima Shore novel, The Cavalier Case. The interview ends with a look at her next book, The Gunpowder Plot: Terror and Faith in 1605, which would be published in 1996.. She would return on tour for that book, and the second of two Probabilities/Cover to Cover interviews.   This interview was digitized, remastered and edited by Richard Wolinsky on February 20, 2026. An edited for time version aired in 1992, and the complete version has never seen the light of day until now. The post From the Archive: Antonia Fraser, “The Six Wives of Henry VIII,” 1992 appeared first on KPFA.

Nicoletta Polla Mattiot"Il silenzio è rivoluzione"Ascoltare il suono segreto della vitaEinaudi Editorewww.einaudi.itNell'epoca del rumore onnipresente, riscoprire e coltivare il silenzio è un atto politico, una forma di resistenza: il punto di partenza per una nuova ecologia sociale ed esistenziale. Un libro emozionante, che ci insegna a sentire ciò che non fa rumore.Da sempre il silenzio inquieta. Evoca paura e disagio. È l'ultimo gesto, la fine. La nostra società – iperveloce, perennemente connessa – non tollera l'assenza, la rimuove. Viviamo, senza rendercene conto, in un sottofondo incessante di parole, distrazioni, stimoli. Il rumore, digitale e sociale, sta saturando ogni interstizio dell'esperienza. Parlare è la norma, tacere è sospetto. Eppure, nel flusso di sollecitazioni in cui siamo immersi, la vera rivoluzione è il silenzio, che non è una semplice assenza di suoni, ma un terreno fertile dove possono nascere il pensiero, la creatività, la consapevolezza e l'empatia. Attraverso un percorso che fonde autobiografia, arte, neuroscienze, spiritualità, filosofia e sociologia, questo libro è un appello a riabilitare il silenzio come risorsa vitale, non come vuoto da temere. Dalle pause nel rumore urbano alle camere anecoiche, fino alle strategie di marketing che trasformano la quiete in bene di lusso, ogni pagina ci invita a mettere il silenzio al centro delle nostre vite, e a rivendicarlo in quanto spazio politico e collettivo. Nicoletta Polla-Mattiot ci accompagna cosí in un viaggio rigenerante alla scoperta del silenzio come riserva di senso, che, senza moralismi né nostalgie, ci pone una domanda urgente: possiamo reimparare a tacere per capire meglio chi siamo e ciò che diciamo?Nicoletta Polla-Mattiot, giornalista, studia il silenzio come strumento di comunicazione dal 1988, con attività di ricerca e didattica. Sull'argomento ha scritto libri, articoli, saggi. Fra gli altri, Le funzioni comunicative del silenzio (1990), Harold Pinter, il teatro, il pubblico e il silenzio (2001), Il paradosso del silenzio (2009), Pause (2012), Esplorare il silenzio (2019) e Singolare femminile (2019). Nel 2010, ha fondato con Duccio Demetrio l'Accademia del Silenzio, scuola di pedagogia e comunicazione del silenzio. Dal 2019 insegna Silenzio e Comunicazione all'Università iulm (Facoltà di Comunicazione, Arti e Media). Per Einaudi ha pubblicato Il silenzio è rivoluzione. Ascoltare il suono segreto della vita (2026).Diventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.IL POSTO DELLE PAROLEascoltare fa pensarehttps://ilpostodelleparole.it/

Adeel Akhtar is an award-winning actor whose breakthrough role came in 2010 when he starred in Chris Morris's black comedy Four Lions. He won his first BAFTA for Best Actor in 2017 for his role in the BBC drama Murdered by My Father. His second, for Best Supporting Actor, came in 2023 playing Andy Fisher in the BBC series Sherwood.Adeel was born in Hounslow in West London and grew up in Buckinghamshire. He discovered a love of acting at school when he and a group of friends put on a production of Harold Pinter's play The Homecoming. He read law at university but in 2002 followed his true passion and took a drama course at The Actors Studio in New York.He got his first screen part playing one of the four hijackers of United Airlines Flight 93 in the television docudrama Let's Roll: the Story of Flight 93. He has gone on to stretch his talents playing roles in the television series Fool Me Once, The Night Manager and Killing Eve. More recently he appeared on stage in The Cherry Orchard and a new play called The Empire.Adeel lives in London with his wife, documentary maker Alexis Burke, and their two children.DISC ONE: The Weight - Aretha Franklin DISC TWO: Jamaica Farewell - Harry Belafonte DISC THREE: Danny Nedelko - Idles DISC FOUR: First Big Weekend - Arab Strap DISC FIVE: After Hours - Velvet Underground DISC SIX: Time to Pretend - MGMT DISC SEVEN: People's Faces - Kae Tempest DISC EIGHT: Do You Realize?? - The Flaming Lips BOOK CHOICE: A Swim in the Pond in the Rain by George Saunders LUXURY ITEM: A solar-powered air fryer CASTAWAY'S FAVOURITE: Do You Realize?? - The Flaming Lips Presenter: Lauren Laverne Producer: Paula McGinleyDesert Island Discs has cast many actors away to the island over the years including Cillian Murphy, Stephen Graham, Lesley Manville and Helen McCrory. Adeel's friend Meera Syall is in our archive too. You can hear their programmes if you search through BBC Sounds or our own Desert Island Discs website.

“Não é que sejam favoritos, são livros que marcaram fases da minha vida.” Que livros são esses, e em que fases? O Filipe foi um convidado generoso: leva-nos da ficção à realidade, do passado ao presente. Mais uma conversa que vale a pena.Os livros que o actor escolheu:Os Maias, Eça de Queiroz;Bruce Chatwin (biografia), Nicholas Shakespeare;Trilogia A Preparação do Actor, Konstantin Stanislavski;Sair da Nossa Impotência Política, Geoffroy de Lagasnerie.Outras referências:Cândido, Voltaire;O Retrato de Dorian Gray, Oscar Wilde;Na Patagónia, Bruce Chatwin;Songs my Mother Taught Me, Marlon Brando;Peças de teatro:Harold Pinter;Tchechov;Colecção Livrinhos de teatro da Companhia Artistas Unidos.Edouard Louis.Livro (e filme) referido:The dancer upstairs (O Dançarino), Nicholas Shakespeare.O que ofereci:O Sr. Wilder e Eu, Jonathan Coe.Podcast: “E tua semana, como correu?”;A peça que estreia no Verão 2026: The Swimming Pool Party.Os livros aqui:www.wook.pt

Was The Quiller Memorandum (1966) a misunderstood spy movie — or a cinematic misfire? In this episode of Spybrary, we go deep into one of the most divisive spy films of the 1960s. From the controversial casting of George Segal as the iconic British spy to Harold Pinter's slow-burning, subtext-heavy script, Quiller has split opinion for decades. But is it time for a reappraisal? Join 4,500+ spy fans talking spy movies and books every day! Welcome to another episode of Section F - our Spy Movie Podcast track on Spybrary. Our Section F handpicked hosts and guests discuss their favourite spy movies both the classics and the hidden gems of spy films. Today Section F delve into The Quiller Memorandum starring George Segal, Senta Berger, Max von Sydow, Alec Guinness and directed by Michael Anderson. Screenplay written by Harold Pinter. The Spybrary Section F discuss the film's pacing, casting controversies (especially George Segal as Quiller), narrative strengths and weaknesses, themes of post‑war Germany and neo‑Nazism, comparisons to other '60s spy films like The Ipcress File, The Spy Who Came In From The Cold and Funeral in Berlin, and the movie's subtle political subtext that resonates even today. Listeners get character insights, historical context, personal reactions, and a range of trench‑coat style ratings.  

Oggi a Cult, il quotidiano culturale di Radio Popolare: Maurizio Schmidt presenta "Sketches and Short PLays" di Harold Pinter al Teatro Out Off e lo spazio di formazione BAS alla Barona; al Teatro alla Scala torna "La bella addormentata" con la storica coreografia di Nuereyev; "A Place of Safety" della compagnia Kepler -452 ha vinto il Premio UBU 2025 come Miglior Spettacolo; la rubrica EXtraCult a cura di Chawki Senouci...

The sixth episode of our season on the awesome movie year of 1971 features the Cannes Film Festival Palme d'Or winner, Joseph Losey's The Go-Between. Directed by Joseph Losey from a screenplay by Harold Pinter and starring Dominic Guard, Julie Christie, Alan Bates, Margaret Leigthon and Edward Fox, The Go-Between is based on the 1953 novel by L.P. Hartley.The contemporary reviews quoted in this episode come from Roger Ebert (https://www.rogerebert.com/reviews/the-go-between-1971), Vincent Canby in The New York Times (https://www.nytimes.com/1971/07/30/archives/views-of-a-freudian-classic-and-an-arctic-venture-julie-christie.html), and Tony Mastroianni in the Cleveland Press (https://www.clevelandmemory.org/mastroianni/tm472.html).Check out more info and the entire archive of past episodes at https://www.awesomemovieyear.com and visit us on Facebook at http://www.facebook.com/awesomemovieyear You can find Jason on Facebook at https://www.facebook.com/JHarrisComedy/, on Instagram at https://www.instagram.com/jasonharriscomedy/ and on Letterboxd at https://letterboxd.com/goforjason/You can find Josh online at http://joshbellhateseverything.com/, on Facebook at https://www.facebook.com/joshbellhateseverything/, on Bluesky at signalbleed.bsky.social and on Letterboxd at https://letterboxd.com/signalbleed/If you're a Letterboxd user and you watch any of the movies we talk about on the show, tag your review “Awesome Movie Year” to share your thoughts.You can find our producer David Rosen and his Piecing It Together Podcast at https://www.piecingpod.com, on Twitter at @piecingpod, on Bluesky at piecingpod.bsky.social and on Letterboxd at https://letterboxd.com/bydavidrosen/ Join the Popcorn & Puzzle Pieces Facebook group at

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Three actors, one enigmatic play, and surprising insights into collaboration, craft, and curiosity What can three actors teach you about memory, silence, and creativity? In this episode of Your Creative Mind, I sit down with Jaqui Shiel, Mark Cosby, and Lori Kee, three accomplished performers who brought Harold Pinter's Old Times to life in a Zoom performance in Karen Kohlhaas' directing class that I took. You'll hear how they build layered characters, balance artistic work with everyday demands, and use pauses and presence to create powerful moments on stage and in life. Their stories offer practical strategies you can apply to your own communication, whether you're leading a team, teaching a class, or crafting your next project. If you want fresh insight into acting craft, collaboration, and the artistry of silence, this conversation will spark new ideas and confidence in your own creative journey. The actors in this project were: Jaqui Shiel as Kate, Mark Cosby as Deeley, and Lori Kee as Anna. See below for their information. If you're a producer or a casting director, book them for shows. They are tremendous at their art and craft. See the production on YouTube.   Jaqui Shiel Jaqui Shiel is an actor, singer and writer. Born and raised in South Africa to Irish parents- she trained as an actor in S.Africa at the TUT School of Drama and in the UK at the Liverpool Institute for Performing Arts.    After a varied theatre career in London playing roles in, amongst other things, The Libertine, Rainshark, Mary Zimmerman's The Arabian Nights, Playboy of the Western World, and A Month in the Country, Jaqui moved to NYC where she has been seen in Elektra at the Baryshnikov Arts Centre and in industry readings for new plays including Craig Lucas's play Change Agent as Jackie Kennedy.   As a writer, Jaqui was the 2023 winner of the Red Bull Theatre short play festival- where her play “Taboo is the Thing” had a one night off-Broadway reading produced by Red Bull. She continues to enjoy the challenge and thrill of playwriting and is currently mentored by Lucy Thurber.  https://www.jaquishiel.com/  https://www.instagram.com/jaquishiel/   Lori Kee Award winning Actress. Upcoming: shooting 2 films-- Everything's Fine Now and  Salting. Favorite roles: Tracey in Sweat by Lynn Nottage, Wife in Wife to the Headless Horsemanby Don Nigro, Woman in Neil Labute's Falling in Like, Emma in Pterodactyls by Nicky Silver, Lola in Lola Lies to Corky. & Linda in According to the Chorus both by Arlene Hutton, Sandwich in Hungry by Matt Crowley, Seagull in Sisters Grimm: Pointy the Starfish by Bricken Sparacino, Saint Birgitta in the TV series Parable, also the beloved authoress Jane Austen in the web series The Jane Games and Susie in Days of Our Lives.. Member: Nylon Fusion, SAG/AFTRA, AEA, SDC.   www.lorikee.com https://www.instagram.com/thelorikee/   Mark Cosby Mark Cosby has performed in over 40 plays in New York City, Los Angeles, and his hometown of Atlanta, which he returned to just last year to be closer to his family and where this Halloween you can catch him in “Wolfman” with the experimental movement theatre company Havoc. Mark's first exposure to Pinter was in a shoestring production of The Lover, put up over summer break with fellow actors of the Atlantic Theater Company Acting School in 2002, where he also first met teacher, Karen Kohlhaas, who shepherded our “Old Times” project.   https://www.instagram.com/markccosby/     Connect with Izolda Get exclusive content and bonus podcast episodes when you join my Patreon. Website: https://IzoldaT.com BlueSky: https://bsky.app/profile/izoldat.bsky.social. Book Your Discovery Call: https://calendly.com/izoldat/discovery-call New Play Exchange: https://newplayexchange.org/users/90481/izolda-trakhtenberg Submit a Play to the Your Creative Table Read Podcast Series https://crossroads.consulting/  This episode is brought to you by Brain.fm. I love and use brain.fm! It combines music and neuroscience to help me focus, meditate, and even sleep! Because you listen to this show, you can get a free trial and 20% off with this exclusive coupon code: innovativemindset. (affiliate link) URL: https://brain.fm/innovativemindset It's also brought to you by my podcast host, Podbean! I love how simple Podbean is to use. If you've been thinking of starting your own podcast, Podbean is the way to go!**   Listen on These Channels Apple Podcasts | Spotify | Stitcher | Podbean | MyTuner | iHeart Radio | TuneIn | Deezer | Overcast | PodChaser | Listen Notes | Player FM | Podcast Addict | Podcast Republic | **Affiliate Link     Some of the topics in this episode touched on suicide. If you need help, please contact the Suicide Hotline: Call 988, or go to: https://988lifeline.org/ 

Vita, opere e teatro di Harold Pinter, drammaturgo, regista, attore, autore per teatro, radio e tv inglese. Ecco le opere principali, temi trattati e personaggi.

Phil Hammond is an Emeritus Professor of Media and Communications in the School of Arts and Creative Industries at London South Bank University, who spent his career examining propaganda, especially in the UK. He edited a tome with Ed Herman (of the Chomsky-Herman propaganda model fame) on the reporting about the war in Kosovi and Metohija: Degraded Capability: The Media and the Kosovo Crisis , which included contributions by Harold Pinter, John Pilger and many other media critics. We spoke about what it was like being a media analyst in a highly moralistic reporting environment, and how propaganda changed in the past 25 years, including the reporting on Israel and Iran. Notes https://researchportal.lsbu.ac.uk/en/persons/philip-hammond https://lat.rt.rs/srbija-i-balkan/82945-relativizacija-ljiljana-smajlovic-filip-hamond/ https://www.dailymotion.com/video/x61dvzb

durée : 01:00:35 - Toute une vie - par : Matthieu Garrigou-Lagrange - Harold Pinter, Liv Ulmann, Nicola Pagett dans "C'était hier", Los Angeles 1985 © Baker street par Matthieu Garrigou Lagrange et Ghislaine David La lecture des pièces de Pinter est une expérience sensorielle. Elle nous fait ressentir ce fluide malsain qui lie entre eux les êtres, et qui est fait de pouvoir : Celui qu'on subit, celui qu'on fait peser sur l'autre. En mettant simplement en présence des personnages sans histoire propre, Pinter déploie, avec la puissance que n'aura jamais la démonstration théorique, une pensée philosophique. Le totalitarisme est pour lui partout, y compris et surtout dans nos sociétés dites démocratiques, et c'est ce qu'il a asséné une fois encore lors de la réception de son prix Nobel de littérature, en 2005. Pinter lui même n'était pas dénué d'ambigüité. Ne jouait-il pas de son pouvoir, lui aussi ? N'était-il pas colérique ? Prêt à faire le coup de poing ? Dans ce numéro d'Une vie, Une Oeuvre qui lui est consacré, nous tâcherons d'en apprendre plus l'homme tout autant que sur sa pensée. Nous donnerons aussi à entendre l'écriture « pinteresque » et apprendrons à écouter ses silences. **Avec ** Jean Rochefort, acteur Claude Régy, metteur en scène Brigitte Gauthier, universitaire, auteur de "Mettre en scène Pinter" éd. L'Entretemps 2010 Roberto Ando, cinéaste Laure de Gramont, amie de Pinter Stuart Seide, metteur en scène Michel Ciment, critique de cinéma pour France Culture et Positif auteur de "Kazan, Losey : entretiens avec Michel Ciment " éd. Stock 2009 **A lire: ** "Vous partez déjà ? Ma vie avec Harold Pinter" d'Antonia Fraser éd. Baker Street, Prix 2010 du Meilleur Livre Etranger Hyatt catégorie Essai La biographie d' Harold Pinter par Michael Billington (en anglais) A consulter: les sites conseillés par les documentalistes de Radio France http://www.theatre-contemporain.net/biographies/Harold-Pinter/Site spécialisé français où l'on retrouve l'actualité d'Harold Pinter, une biographie et une bibliographie http://www.haroldpinter.org/home/index.shtml Site officiel d'Harold Pinter (en anglais) très détaillé évidemment : filmographie, biographie, prises de positions politiques, mises en scène, productions TV, bibliographie, activités autres : son sport favori le cricket…des images… http://fr.wikipedia.org/wiki/Harold_Pinter Une page dédiée à l'auteur http://www.mediapart.fr/club/blog/jamesinparis/271208/goodbye-harold-pinter-ou-le-courage-de-le-dire Blog de Jamesinparis sur le site Mediapart. Hommage à H. Pinter lors de sa mort en décembre 2008.

This week, Louis sits down with Danny Dyer, the Bafta-winning actor and all-round national treasure. The pair discuss Danny's experience battling addiction while performing on stage, their shared fascination with UFOs, and whether Danny would ever do Shakespeare. Plus, Danny reveals what he really thinks about being described as ‘the people's Louis Theroux'.   Links/Attachments:    Via – UK Drug and Alcohol Addiction Charity  https://www.viaorg.uk/     TV Show: ‘Who Do You Think You Are? (2007 – Present) - BBC  https://www.bbc.co.uk/programmes/b007t575     Book: Wolf Hall, Hilary Mantel (2009)  https://www.amazon.co.uk/Wolf-Hall-Shortlisted-Golden-Booker/dp/0007230206      TV Show: ‘Wolf Hall' (2015) - BBC  https://www.bbc.co.uk/iplayer/episode/p02gfy74/wolf-hall-series-1-1-three-card-trick   Loving (1995)  https://tv.apple.com/us/movie/loving/umc.cmc.46n84c1skr7ogikets6qczv2v     Play: Hamlet, William Shakespeare (~1600)  https://www.amazon.co.uk/Hamlet-William-Shakespeare/dp/1853260096     Human Traffic (1999)  https://www.youtube.com/watch?v=HAPK6ZYq_p0      The Football Factory (2004)  https://www.youtube.com/watch?v=kzuEkF1oLVE    Goodbye Charlie Bright (2001)  https://www.imdb.com/title/tt0217824/?ref_=fn_al_tt_1    The Business (2001)  https://www.youtube.com/watch?v=wVZX9I6y97k     Book: The Football Factory, John King (1997)  https://www.amazon.co.uk/Football-Factory-John-King/dp/0099731916     Article in shortlist 2017: https://www.shortlist.com/news/danny-dyers-deadliest-men-louis-theroux-documentary-tv    TV Show: ‘Danny Dyer's Deadliest Men' (2008-2009) - Bravo  https://www.imdb.com/title/tt2288499/     TV Show: ‘Big Brother' (2000 – Present) - ITV  https://www.itv.com/watch/big-brother/10a4928     ‘What a touch! Danny Dyer wins Male Performance in a Comedy for Mr Bigstuff | BAFTA TV Awards'  https://www.youtube.com/watch?v=8XQLYDZeYVg     TV Show: ‘Mr Bigstuff' (2024) - Sky Max  https://www.sky.com/watch/mr-bigstuff     TV Show: ‘Plebs' (2012 – 2019) - ITV  https://www.itv.com/watch/plebs/2a1873     TV Show: ‘Rivals' (2024) - Disney Plus  https://www.disneyplus.com/en-gb/browse/entity-97399b9f-964e-444c-91f3-7db9f11efe5d     I Believe in UFOs: Danny Dyer (2010)  https://www.imdb.com/title/tt7008276/     TV Episode: ‘Louis Theroux's Weird Weekends: UFOs' (1998)  https://www.bbc.co.uk/programmes/p00hf8tg     TV Show: ‘Prime Suspect' (1991 – 2006) - ITV  https://www.itv.com/watch/prime-suspect/1a1685     TV Show: ‘Cracker' (1993 – 1996) - ITV  https://www.itv.com/watch/cracker/1a1918     Three Quick Breaths (upcoming film)  https://www.imdb.com/title/tt35566934/    TV Show: ‘Eastenders' (1985 – Present) - BBC  https://www.bbc.co.uk/iplayer/episodes/b006m86d/eastenders     Podcast: ‘Desert Island Discs: Danny Dyer' - BBC Sounds  https://www.bbc.co.uk/sounds/play/m002c2hw   Play: Celebration, Harold Pinter (2000)  http://www.haroldpinter.org/plays/plays_celebration.shtml     Play: The Dumb Waiter, Harold Pinter (1957)  https://www.amazon.co.uk/Dumb-Waiter-Play-Acting-One/dp/0573042101     Play: The Caretaker, Harold Pinter (1960)  https://www.amazon.co.uk/Caretaker-Play-Harold-Pinter/dp/0573040028     Play: The Birthday Party, Harold Pinter (1958)   https://www.amazon.co.uk/Birthday-Party-Pinter-Plays/dp/0571160786     Play: The Room, Harold Pinter (1957)  https://www.worldofbooks.com/en-gb/products/room-book-harold-pinter-9780573022364       Credits:  Producer: Millie Chu   Assistant Producer: Artemis Irvine  Production Manager: Francesca Bassett   Music: Miguel D'Oliveira   Audio Mixer: Tom Guest  Video Mixer: Scott Edwards   Shownotes compiled by Immie Webb  Executive Producer: Arron Fellows       A Mindhouse Production for Spotify   www.mindhouse.co.uk     Learn more about your ad choices. Visit podcastchoices.com/adchoices

Actor Danny Dyer became a household name when he joined the cast of EastEnders as Mick Carter, landlord of the Queen Victoria pub. He recently stole the show from some stiff competition playing Freddie Jones in the television adaptation of Jilly Cooper's novel Rivals which won him a Royal Television Society Award for Best Supporting Actor.Danny was born in Custom House, East London in 1977. He loved drama at school and, with his teacher's encouragement, he signed up for after-school classes in north London which were run by a charity called Wac Arts. When he was 14 he was cast in the television drama Prime Suspect 3 alongside Helen Mirren and David Thewlis. He went on to star in a series of films including Human Traffic and Football Factory. In 2000 he played the waiter in Harold Pinter's new play Celebration and went on to appear in two other productions by the playwright - No Man's Land and The Homecoming.In 2013 he took over the Queen Vic and his performances earned him three National Television Awards. He appeared on the BBC genealogy programme Who Do you think you Are? in 2016 and discovered he was descended from King Edward III and related to Thomas Cromwell. Danny lives in Essex with his wife Jo. They have three children and three grandchildren.DISC ONE: Slave to Love - Bryan Ferry DISC TWO: Rebel Yell - Billy Idol DISC THREE: Move Closer - Phyllis Nelson DISC FOUR: Wish You Were Here - Pink Floyd DISC FIVE: Playing with Knives - Bizarre Inc DISC SIX: Columbia - Oasis DISC SEVEN: Nebraska - Lucy Rose DISC EIGHT: Wicked Game - Chris Isaak BOOK CHOICE: Ray Mears Essential Bushcraft: A Handbook of Survival LUXURY ITEM: A Lego Star Wars Millennium Falcon CASTAWAY'S FAVOURITE: Playing with Knives - Bizarre Inc Presenter Lauren Laverne Producer Paula McGinley

Nobel Prize-winning dramatist Harold Pinter's London premiere of his debut, ‘The Birthday Play' was detested by most critics - on 19th May, 1958. Set in a mundane seaside boarding house, the play initially lures audiences in with a naturalistic facade, before plunging them into a perplexing, uncomfortable narrative. Critics lambasted the production for its nonsensical dialogue and lack of clarity; lines of attack which were not eased by Pinter's lifelong refusal to offer explanations. The sole exception was a positive review from The Sunday Times's Harold Hobson - but this was printed after the show had already been pulled. In this episode, The Retrospectors explain how Pinter's play nonetheless left a lasting impact on British theatre; reveal who ‘Betrayal' was REALLY about; and attempt to quantify the value of the Pinteresque pause... Further Reading: • ‘Hated by critics, the new boy Harold Pinter' (Sunday Times, 1958): https://www.thetimes.co.uk/article/from-the-archive-hated-by-critics-the-new-boy-harold-pinter-wjj2mssv8vp • ‘Fighting talk' (The Guardian, 2008): https://www.theguardian.com/books/2008/may/03/theatre.stage • ‘The Birthday Party, By Harold Pinter' (BBC, 1987): https://www.youtube.com/watch?v=0vbXyXeEDhU&t=64s Love the show? Support us!  Join 

In this week's episode, Patrick and Tommie discuss how not to lose one's dog, herd reindeer with the Finnish Lapphund, celebrate the birthdays of the world's greatest playwright and one of the worst U.S. Presidents not named Donald, mark the passing of Pope Francis and review his record on LGBTQIA issues, watch the first YouTube video, rock with the Ramones, Tommie finds a way to make sense of Harold Pinter but can't make sense of the U.S. Supreme Court, Patrick describes how we now live under a fascist government, Tommie spills the tea on the latest winner of RuPaul's Drag Race, Patrick reviews the films Heretic and September 5, they chat on Signal about Stupid Person Pete Hegseth, and name their favorite Shakespeare plays.

#623 Harold Pinter will never be dead ... I'll tell you what I mean.

La memoria y la indeterminación, dos de los pilares del teatro de Harold Pinter, llegan a la escena madrileña con Viejos tiempos, dirigida por Beatriz Argüello en el Teatro de la Abadía. Ernesto Alterio (Deeley), Marta Belenguer (Anna) y Mélida Molina (Kate) interpretan esta historia en la que el pasado y el presente se entrelazan de manera ambigua, cuestionando la fiabilidad de los recuerdos y la naturaleza de las relaciones humanas.Desde Madrid viajamos a Toronto con Laura Fernández para descubrir a la escritora Rivka Galchen, una autora imprescindible cuya obra mezcla el humor y la reflexión. También analizamos la serie Adolescence, el nuevo estreno de Netflix que explora la complejidad de crecer en la era digital.En el ámbito de la fotografía, Joan Fontcuberta presenta en Tabakalera, Donosti, la exposición Monstrorum historia, donde reúne cuatro proyectos que exploran la relación entre imagen, tecnología y verdad. En esta muestra, se combinan creaciones con inteligencia artificial y obras de su etapa predigital, en una reflexión sobre los límites de lo real.El arte barroco tiene un lugar especial en el Museo Nacional de Catalunya con una gran exposición sobre Francisco de Zurbarán y su legado en el arte contemporáneo. La muestra reúne por primera vez las tres versiones de San Francisco de Asís según la visión del papa Nicolás V, una obra cumbre del pintor sevillano, gracias a la colaboración de tres importantes pinacotecas europeas.Escuchar audio

We have actor, presenter, and national treasure Danny Dyer round for lunch this week. Mum wondered who would out swear each other over the meal, but we were both on our best behaviour! We learned about his close relationship with playwright Harold Pinter, his love of his mum's shepherds pie, his thoughts on being related to the royals, his plans to open a Kent caravan park with his daughter Dani, and we discover his starter of choice for a burger is… another burger! We can't wait to pop down to the caravan park for a holiday, save a spot for us Dyers! Danny's new film ‘Marching Powder' is in cinemas now. Hosted on Acast. See acast.com/privacy for more information.

This week on Screentime John Fardy talks to the one and only Danny Dyer about his new movie ‘Marching Powder' as well as his love of Harold Pinter, the need for men to talk and what Eastenders thought him about the business. Plus, Ciara Treacy reports on the fallout from this week's Oscars.

Margaret Atwood via Harold Pinter? Volker Schlöndorff's 1990 adaptation of what's become a feminist classic promises “a haunting tale of sexuality in a country gone wrong”. So there's that for starters. Will Mick, Hannah and Jen get onboard with Schlöndorff's vision of Gilead and what happens to the women living in it, or will they, like Pinter, find it all very tiring? Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome back to Morgan Hasn't Seen with Jeannine Brice & Morgan Robinson!!Step into springtime and revel in the Regency era this March on Morgan Hasn't Seen as Jeannine is introducing Morgan to the world of Jane Austen adaptations!They kick the series off this week with a seemingly rather controversial adaptation of perhaps Jane Austen most controversial, and autobiographical novel, MANSFIELD PARK (1999) starring Frances O'Conner, Jonny Lee Miller, Embeth Davitz, Alessandro Nivola & Harold Pinter!Bold, outspoken Fanny Price is sent to live with wealthy cousins and learns the importance of true honesty, integrity, and natural love, while battling for her viewpoints to be heard!Our YouTube Channel for all our regular videos:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/channel/UCvACMX8jX1qQ5ClrGW53vow⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Donate:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.buymeacoffee.com/ItsAWonderful1⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Join our Patreon:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/ItsAWonderful1⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠IT'S A WONDERFUL PODCAST STORE:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.teepublic.com/user/g9design⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Sub to the feed and download now on all major podcast platforms and be sure to rate, review and SHARE AROUND!!Keep up with us on (X) Twitter:Podcast:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/ItsAWonderful1⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Morgan:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/Th3PurpleDon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Jeannine:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/JeannineDaBean_⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Keep being wonderful!!

Anjli Mohindra is a brilliant actor, not only Martin's wife in The Fear (coming to screens soon), but she tried to resuscitate him in Vigil, stormed it in The Lazarus Project and is currently on stage at the Harold Pinter in Annie Ernaux's The Years. Anjli talks about meeting Martin on the set of Vigil, the challenges of quirky cars, intimate scenes, her brave and brilliant role in The Years, giving a stunt driver a hernia, and the belief in destiny.Make sure you subscribe and leave a 5 star review! If you'd like to share the times you've been a resourceful rascal, or want to get in touch, send an email to Hello@RestlessNativesPodcast.comPlease review Global's Privacy Policy: https://global.com/legal/privacy-policy

Today we're honoured to be joined by a Chef who's worked for the greats, a TV star who's created 9 TV series of his own, an author who's written 5 award wining cookbooks - but most importantly he's Ben's Hero - in the gloriously charming - Valentine Warner! We discuss his crazy upbringing which often saw him sat round the table debating with Harold Pinter whilst sampling his mums genius culinary creations, his tough years at school where he was bullied and called 'Fat Val' which led him to skip sports in the afternoons and instead steal the local trout farmers fish before he was whipped within an inch of his life, his career as a chef working for Alistair Little and getting brutally rejected by Rick Stein, setting up his catering company which became famous in London and catered all the high end fashion parties of the 90s including an infamous incident with Kate Moss one evening at a Rimmel party, ruining a member of the royal families birthday with the worst cake ever invented, illegal fishing trips to India, his regrets on not making more of his 9 TV series, his amazing new spirits company 'Hepple', his new project 'Kitchen In The Wild' where you escape on a luxury week away into Kenya to be cooked food by Jackson Boxer and much much more........ ------- Please leave us a great rating and a comment and share it with your friends - it really helps us grow as a show.  If you're in the industry and are looking for the greatest POS system in the world than look no further as Blinq are tearing up the rulebook—no long-term contracts, no hidden fees, and no per-device charges. Just £49 a month for unlimited devices and 24/7 UK-based support that's always there, in person when you need it. Built for hospitality, by hospitality, blinq is the fastest, easiest POS system on the market—so intuitive, anyone can use it. And while others take weeks to get you up and running, with blinq, you're live in just 2 hours. Join the hospitality revolution today & use the code GOTOBLINQ to get your first month free - https://blinqme.com/ @valentinewarner49 @kitchenitw www.kichenithewild.org @hepple_spirits Www.hepplespirits.com Valentine Warner Food YouTube

We're honoured to have the great Dame Penelope Wilton as our very special guest on Rosebud today, in a rare podcast interview for this distinguished and well-loved actress. Penelope talks to Gyles about her happy childhood, in and around Knightsbridge and Kensington in London - we find out about her interesting neighbours, Mr Onion and the one-armed colonel. She tells Gyles about her mother's illness and her unhappy time at boarding school. She talks about her drama school days, and her breakthrough role in Harold Pinter's classic play Betrayal at the National Theatre. She talks about the roles on TV which made her a household name: Ever Decreasing Circles and, more recently, Afterlife. We're delighted to give Rosebud listeners the chance to spend time with this delightful, talented performer. Enjoy this. Learn more about your ad choices. Visit podcastchoices.com/adchoices Hosted on Acast. See acast.com/privacy for more information.

We're honoured to have the great Dame Penelope Wilton as our very special guest on Rosebud today, in a rare podcast interview for this distinguished and well-loved actress. Penelope talks to Gyles about her happy childhood, in and around Knightsbridge and Kensington in London - we find out about her interesting neighbours, Mr Onion and the one-armed colonel. She tells Gyles about her mother's illness and her unhappy time at boarding school. She talks about her drama school days, and her breakthrough role in Harold Pinter's classic play Betrayal at the National Theatre. She talks about the roles on TV which made her a household name: Ever Decreasing Circles and, more recently, Afterlife. We're delighted to give Rosebud listeners the chance to spend time with this delightful, talented performer. Enjoy this. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Participants: John Steppling, Shaenah Batterson, Lex Steppling, Hiroyuki Hamada, Max Parry, and Dennis Riches. Final podcast of 2024. Topics covered: The “canon” of television serials: The Sopranos, Breaking Bad, Mad Men, The Wire, Six Feet Under, Deadwood, Lost. Also mentioned: Blood in, Blood Out, Snowfall, Homicide--Life in the Street, Quarry. Related works in film and theater: The Caretaker (play by Harold Pinter), The Godfather, Goodfellas, The Mission, Stalker (directed by Andrei Tarkovsky). Music track: “Every Day I Have the Blues” by Count Basie (public domain).

On this Giving Tuesday, donate what you can to a theatre in need, wild project! Ani Mari de Quesada chats with Sarah about the importance of local theatre on the Lower East Side.  Ana Mari has been the producing Artistic Director at wild project since its opening in July 2007. As Producing Artistic Director Ana Mari has formed creative partnerships with the Current Sessions, Poetic Theater Productions, Contemporary Performance, New York No Limits, International Human Rights Art Festival, Angela DiCarlo, Jill Pangallo, Heather Litteer & Amber Martin. She has also helped develop the East Village Queer Film Festival as part of wild project's Queer Initiative. Previously, Ana Mari was the Studio Administrator at The Actors Studio from 2013-2016. Ana Mari has worked as a Production Manager & Production Stage Manager on countless New York theatrical productions such as The Actors Studio productions of The Danube byMaria Irene Fornes, Mud by Maria Irene Fornes , The Last Days of Judas Iscariot by Stephen Adly Guirgis (La MaMa), First Born by Lyle Kessler , and Old Times by Harold Pinter. Ana Mari has also worked as a Production Manager for Rattlestick Playwrights Theater productions of my Lingerie Play by Diana Oh, Until The Flood byDael Orlandersmith, Draw The Circle by Mashuq Deen. & The Enclave by Arthur Laurent. She has also toured with Big Art Group as their Assistant Technical Director and Production Manager on North America & European tours of House of No More, Dead Set, S.O.S., The People and Cinema Fury from 2005-2012. Ana Mari is also the Repertory Season Academic Manager at The Actors Studio Drama School MFA Program, Sands College of Performing Arts, Pace University. Since 2007, wild project has presented and produced theater that enriches, educates, and unifies its East Village community in an environmentally responsible green space. We proudly devote specific initiatives toward female, LGBTQIA+ and BIPOC projects and the work of local East Village artists, to ensure nonprofit theater sustains its roots in the community. wild project places the utmost importance on engendering a climate that supports emerging artists and cultivates artistic excellence, enriching the community and promoting social equity. Our staff takes pride in nurturing new and exciting work with a personal and intimate approach to theater. DONATE TODAY TO HELP WILD PROJECT www.thewildproject.org Connect with GOOD SHOW! Instagram: @goodshowpodcast  Tik Tok: @goodshowpodcast   Learn more about your ad choices. Visit megaphone.fm/adchoices

Elegant. That was the adjective used by Team Vintage Sand's own Michael Edmund to describe why the films of Joseph Losey are so important to him, and why he has been such a huge fan of Losey's for nearly all of his film-going life. Losey's was a name that seemed to keep popping up in a wide variety of contexts over the course of the podcast, so, after many delays, we are proud to present Episode 54—Director's Cut: Joseph Losey. Losey's is a unique career in the sense that it really was two distinct careers. After growing up in a life of privilege in Wisconsin (where he was a high school classmate of another pretty good director, Nicholas Ray) and an education at Harvard and Dartmouth, Losey made his way to Hollywood and directed a couple of interesting, low-budget films. Among these were the stilted but prescient "The Boy with Green Hair" (1948), and the rather senseless remake of Lang's "M" (1951), the latter replete with awful soundtrack music and LA sunshine. One possible reason that Losey might have gotten involved with this misguided effort might have been to give actors (Luther Adler, Martin Gabel) and other creatives (screenwriter Waldo Salt), who had been or were about to be blacklisted, a shot at getting some work. Losey himself, an unapologetic member of the Communist Party and an important creative associate of Bertolt Brecht, knew that when Brecht was called before HUAC, it was only a matter of time before he would meet the same fate. So before he could be summoned, he fled to London, and never again worked in the United States for the remaining three decades of his life. He began his English period with some low budget films, some of which, like 1954's "The Sleeping Tiger", still hold some interest. It was during this period, however, that he met two men who were going to help him create the reputation that he still carries to this day, that of a director of great style whose films, not surprisingly given his own life experience, were always political without ever dealing directly with politics: the actor Dirk Bogarde, and the legendary playwright Harold Pinter. Their first work together, 1963's "The Servant", is generally regarded as Losey's masterpiece. It is an absolute evisceration of a rotting class system that has yet to realize its time has passed and that the empire on which it was founded has disintegrated. The complex, ever-changing relationship between upper class twit Tony (the wonderful James Fox) and Barrett, the manservant Tony hires (Bogarde), is cold, chilling and surprising right to the very end. Losey continued his obsession with social class in the World War I drama "King and Country" (1964), a film with a setup similar to "Paths of Glory" that in some ways is an even more powerful anti-war statement than Kubrick's film. Losey teamed up again, somewhat less successfully, with Pinter and Bogarde for 1967's "Accident", and with Pinter for one more masterpiece, 1971's "The Go-Between", a gorgeous period piece featuring pitch-perfect performances by Alan Bates, Margaret Leighton, newcomer Dominic Guard as the titular young man, and especially by the never-more-luminous Julie Christie. There are no easy answers when it comes to Losey, but two things come to mind. As John notes in the episode, had Losey not fled persecution and stayed in America, he probably would have been nothing more than a more-talented-than-average studio hack. Exile turned out to be the best thing that could have happened to him, and it may be a direct result of his outsider status that Losey was able to cast an even sharper eye on the follies and perils of the dying English class system more effectively even than the great native British directors of the 1960's. Whatever your thoughts on his work, in the end, it is that aforementioned elegance and intelligence that make Losey's best films worth watching today.

On this episode, we were joined by the iconic actor, writer, and filmmaker Richard Ayoade to discuss his latest comic novel, The Unfinished Harauld Hughes, a fictional accounting of his quest to canonise the most significant British playwright of the 20th century (who also happens to be entirely made up). Richard spoke to us about the figures that influenced the invention of Hughes–among them Harold Pinter and Orson Welles–and the ill-fated film Hughes authored, "O Bedlam, O Bedlam", which stopped the prolific playwright from ever writing again. He expressed scepticism about the myths and exaggerations that create "great lost works" and literary recluses and discussed why it is important to approach comic writing from the inside out rather than trying to make fun of your characters. For good measure, we also discuss his deep love of "Spinal Tap", Joan Didion, and the time he spent acting in Wes Anderson's "The Wonderful Story of Henry Sugar." 

Carol Baum has produced thirty-four movies, seventeen of them independently. Before becoming an independent producer, Baum was co-president of Sandollar Productions, Dolly Parton and Sandy Gallin's production company, for ten years, where she produced such hits as Father of the Bride; the Academy Award-winning HBO documentary Common Threads: Stories from the Quilt; Tidy Endings; I.Q.; Jacknife; True Identity; Buffy the Vampire Slayer; Gross Anatomy; Shining Through; Straight Talk; and Kicking and Screaming. As an indie producer, Baum made, among other movies, The Good Girl; My First Mister; $5 A Day; You Kill Me; and Boychoir. She has produced five television movies for Hallmark and several documentaries.  Baum currently teaches producing in the Film and Television Production Division at USC's School of Cinematic Arts. She is also a mentor for the Peter Stark Producing Program at USC. In this episode, we talk about: • The lesson she learned working at her first job at Bantam Books which led to the purchase and development of the autobiography of Malcolm X • Being an advocate for the material and develop your taste • Getting pregnant and working freelance for awhile • Her 5 years at Palomar Pictures working on projects like The Stepford Wives and then moving to LA with her husband and becoming the studio VP at Lorimar • Becoming known for developing “The Shining” at the Producer's Circle • Being a VP at 20th Century Fox and what she sees as the difference between a producer and an Executive • Working at Dolly Parton's company Sandollar • How The Fountainhead made her love the business and why she thinks its important for young producers to watch movies from the 40s and 50s • Meeting a hero, playwright Harold Pinter, and what it taught her to avoid in meetings with writers • The story of developing with Father of the Bride and getting the rights from Ted Turner, the invention of Martin Short's character, and how Jack Nicholson was thrown as a possibility for Steve Martin's role • Developing multiple projects as a producer and how it's all about timing. She said that if David Cronenberg hadn't had success with The Fly, he wouldn't have been able to do Dead Ringers. • Her recommendations for writers on what is commercially viable right now • Carol's explanation for spec scripts for films • Her recommendation for writers on how to get an agent Guest: IMDb Wikipedia Website Buy her book! Host: Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@MentorsontheMic⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@MichelleSimoneMiller⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Twitter: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@MentorsontheMic⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@MichelleSimoneM⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Facebook page:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ https://www.facebook.com/mentorsonthemic⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Website:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ www.michellesimonemiller.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠⁠⁠⁠⁠www.mentorsonthemic.com⁠⁠⁠⁠⁠⁠⁠⁠⁠ Youtube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/user/24mmichelle⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ If you like this episode, check out ⁠⁠⁠⁠Excerpt from ⁠⁠⁠Creative Producing: a Pitch-to-Picture Guide to Movie Development⁠⁠⁠⁠ by Carol Baum The Do's and Don'ts of PITCHING YOUR FILM with Hollywood Producer Carol Baum --- Support this podcast: https://podcasters.spotify.com/pod/show/michelle-miller4/support

The Prime Minister's chief of staff Sue Gray has left her post and has been replaced by Morgan McSweeney. It's led some papers to claim "the lads have won this round". To discuss, Nuala McGovern is joined by Caroline Slocock, former civil servant and author of Margaret Thatcher and Me, which reflects on women and power. Actor Cush Jumbo has reprised the role of Lady Macbeth alongside David Tennant in Macbeth which has just transferred to the Harold Pinter theatre in London. She joins Nuala to discuss how she is approaching one of Shakespeare's most famous female characters. A recent government survey showed a sharp decline in the number of female-led businesses. Last year, only 15% of businesses employing fewer than 250 people were owned or led by women, down from 18% in 2022. Debbie Wosskow, serial entrepreneur and co-chair of the Invest in Women Taskforce, joins Nuala. Kate Mosse is soon to release The Map of Bones, the fourth and final instalment in her series of novels The Joubert Family Chronicles, which begin in 1562 and follow a persecuted Huguenot family, charting generations of courageous and resilient women. Adventurer Elise Wortley is following in the footsteps of forgotten female explorers… all whilst wearing the same, historically accurate clothing. She joins Nuala to tell her more about her mission. Presenter: Nuala McGovern Producer: Emma Pearce

Seinfeld: "The Betrayal" In one of the most famous sitcom episodes of all time, Seinfeld tells the story of a wedding in India, spraypainted Timberlands, peach schnapps, an evil birthday wish, and of course, many many betrayals... all in reverse order! We talk about this episode's roots in Harold Pinter's play of the same name, along with the complexity--and money--only a popular show in its final season could pull off. Plus, we dig into the bad (the unsurprisingly rough humor around India) and the good (Julia Louis-Dreyfus's drunk acting, Jason Alexander in a t-shirt on a cold set, etc.) A proud part of ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠The Glitterjaw Queer Podcast Collective⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tip us on Ko-Fi⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Gimmicks Website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Email: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠gimmickspodcast@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ | Twitter: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@gimmickspod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ | Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@gimmickspod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Theme song:⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠"Disco Tears" by Raven⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Creative Commons Attribution 3.0⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Sources: ⁠Cracked's Oral History on "The Betrayal"⁠ David Lynch Cigarette Commercial Harold Pinter and Charlie Rose Interview

If it wasn't for The Stage, there's every chance that Britain and, indeed, the world may have been deprived of such great names as Kenneth Brannagh, Harold Pinter, Michael Caine, Sharon D Clarke, Idris Elba, The Spice Girls and Steps.Listen to Country Life podcast on Apple PodcastsListen to Country Life podcast on SpotifyListen to Country Life podcast on AudibleIt goes to show the importance of trade publications, especially those that work in the Arts. I was very lucky to be joined this week on the Country Life by The Stage's editor Alistair Smith to talk about all things theatre and the performing arts, as well as the Edinburgh Fringe. Full disclosure, he is also my friend and neighbour, and sometimes he feeds my cat while I'm on holiday.Nevertheless, he is an expert in his field, having started working at the newspaper 20 years ago on work experience, before rising through the ranks to the top job. Over the years, he's seen it all, from mime shows to the Kit Kat club to a Fringe performance that took place entirely in a lift.We talked about The Fringe, the state of the Arts in the UK and what can be done to help them, his work for the charity Get Into Theatre, how he got his big break in journalism thanks to a juggler and how to get Ian McKellen to take your picture.As always, it's a supremely engaging listen and you can download it wherever you get your podcasts.Episode creditsHost: James FisherGuest: Alistair SmithEditor and producer: Toby KeelMusic: JuliusH via PixabaySpecial Thanks: Adam Wilbourn Hosted on Acast. See acast.com/privacy for more information.

Tom Schulman graduated from Vanderbilt University with a B.A. in Philosophy. He studied at USC Graduate School of Cinema, with Jack Garfein at the Actors and Directors Lab, Los Angeles, and with director Joan Darling. He directed the Actors' Studio first west coast production, Harold Pinter's The Caretaker.Tom wrote Dead Poets Society for which he received an Academy Award for best original screenplay. He also wrote What About Bob?, Honey, I Shrunk the Kids, Medicine Man, and Holy Man. He wrote and directed Eight Heads in a Duffel Bag He was an executive producer on Indecent Proposal and Me, Myself and Irene. He was the writer/producer of Welcome to Mooseport. He co-wrote and co-produced with Rafael Yglesias and J.J. Abrams, The Anatomy of Hope, a pilot for HBO. He recently wrote, with Callie Khouri, Trae Crowder, and T Bone Burnett, a pilot for Amazon.He recently wrote and directed Double Down South, an indie feature that will be released in April. Tom served on the board of directors and then as vice president of the Writers Guild of America, West. Tom was the president of the Writers Guild Foundation and serves on its board. He serves on the advisory board of the Science and Entertainment Exchange.Please enjoy my conversation with Tom Schulman.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

http://www.adamehrlichsachs.com Buy GRETEL AND THE GREAT WAR from https://us.macmillan.com/books/9780374614249/gretelandthegreatwar Gateway books - The Giving Tree - Shel Silverstein - Pale Fire - Nabokov - Rings Of Saturn - Sebald - Cat's Cradle - Vonnegut - Borges - The Prime of Miss Jean Brodie - Muriel Spark Current reads - Harold Pinter (plays) - Confessions of an English Opium Eater - Thomas De Quincey - Hiromi Kawakami - The Executioners Song - Mailer - The Material - Camille Bordas - The Most- Jessica Anthony - American Abductions - Mauro Javier Cárdenas Desert Island Books - Heinrich von Kleist - Collected short Stories - Kafka - Collected Stories - Pale Fire - Nabokov - Correction - Thomas Bernhard - Beckett - Trilogy or Novellas

We bonded over swearing. And, although I'm not one to brag: Danny Dyer said it suits me. DANNY F***ING DYER! I mean. I know this is a podcast about failure, but surely that's a major life achievement? Anyway, I digress… Today's guest was born in East London and had a challenging childhood - his parents split when he was nine after his mother discovered Danny's father had a secret family. Acting was, in many ways, his escape from everyday life. He started in his teens, and was soon acting alongside luminaries such as Helen Mirren, Mark Rylance, Daniel Craig and Derek Jacobi. In his 20s, his mentor was the playwright Harold Pinter - someone Danny considers a father figure in his life, and who he has as the screensaver on his phone. We talk about what he learned from his drug addiction and his subsequent rehab, including one panic-inducing story about being on stage and forgetting his lines after spending the night before smoking crack in New York. It's an extraordinary tale of resilience and self-growth and I really appreciate Danny's honesty in telling it. We also talk about what psychics say to him, his concerns over his daughter becoming famous, his royal heritage and why he might have got the wrong dog. Danny's show Mr Bigstuff is out on Sky - Wednesday 17th July How to Fail is going on a live tour in Spring 2025, presented by Hayu! Tickets go on general sale Friday July 12th at 10am here: www.fane.co.uk/how-to-fail And if you are a subscriber to the How To Fail podcast you can get free access to 24 hour priority booking! Sign up to Failing with Friends now and find out how. Have something to share of your own? I'd love to hear from you! Click here to get in touch: howtofailpod.com Production & Post Production Manager: Lily Hambly Studio and Mix Engineer: Josh Gibbs Senior Producer: Selina Ream Executive Producer: Carly Maile Head of Marketing: Kieran Lancini How to Fail is an Elizabeth Day and Sony Music Entertainment Production. Find more great podcasts from Sony Music Entertainment at sonymusic.com/podcasts To bring your brand to life in this podcast, email podcastadsales@sonymusic.com Learn more about your ad choices. Visit podcastchoices.com/adchoices Learn more about your ad choices. Visit podcastchoices.com/adchoices

Episode 083: The Caretaker by Harold Pinter Host: Douglas Schatz Guest: Justin Audibert Welcome to The Play Podcast where we explore the greatest new and classic plays. Each episode we choose a single play to talk about in depth with our expert guest. We'll discuss the play's origins, its themes, characters, structure and impact. For us the play is the thing. When it premiered in London's West End in 1960, The Caretaker catapulted its author to fame and fortune. The play is set entirely in a single room in a dilapidated house, and presents the territorial battle between three men living on the margins of society. The pschological manoeuvrings of the men are dramatised in what we now recognise as Pinter's cryptic mix of comedy and menace, along with his characteristic relish in the precision and panache of language. As we record this episode a new production of the play is playing in the Minerva theatre in Chichester, and I am delighted to welcome its director, Justin Audibert, to the podcast to help us explore Pinter's enigmatic work.

No, you haven't fallen asleep in a Venice alleyway - it's really the podcast! Today we're wandering La Serenissima and monologuing about our fathers as we discuss Paul Schrader's dreamy 1990 literary adaptation THE COMFORT OF STRANGERS with filmmakers and To The White Sea cohosts Jordan Fish and Ray Tintori! And yes, we do figure out which of us is which character from the film. We talk Ian McEwan, Harold Pinter, Gen X masculinity, befriending weirdos, dad stuff, vampires, and much more. Please, listen to our podcast - we insist. Further Reading: The Comfort of Strangers by Ian McEwan "What's Left of Generation X" by Kim Phillips-Fein "Ian McEwan: 'I had the time of my life'" by Rachel Cooke "Pinter's weasels" by David Edgar   Further Viewing: DON'T LOOK NOW (Roeg, 1973) DEATH IN VENICE (Visconti, 1971)   Follow Jordan and Ray: https://x.com/jwordfish https://x.com/raytintori https://linktr.ee/tothewhitesea   https://www.podcastyforme.com/ Follow Pod Casty For Me: https://twitter.com/podcastyforme https://www.instagram.com/podcastyforme/ https://www.youtube.com/@podcastyforme Support us on Patreon: https://www.patreon.com/PodCastyForMe Artwork by Jeremy Allison: https://www.instagram.com/jeremyallisonart  

We did it eggs to apples, everybody! This week, we over-discuss: Real time googling (including a new song!) Savage beasts and breasts (and gardens) Restaurant seating logistics Slumber party planning Super violent psalms The first fast one BRAD! Making it a bigger deal by not saying it Sherry 1.0 Everybody's weird in this episode Max and Sherry aren't the same Busy raising an actual child Life advice for 16 year old Poptarts Say it to a therapist Paul Anka origin story Rory as a public speaker Even the teachers know We need to know who Harold Pinter is Eggs is not soup And it's a question-heavy ep: Have you ever said "music has charms to soothe the savage beast?' Who says that? What are the power seats in a restaurant? Twilight Zone or The Outer Limits? Do you know Psalm 79? Have you had any dairy in the last 48 hours? Paris wants Rory to talk faster? Really, is she? What is the motivation behind that? Which one is it? Is that quick? Who brings apple juice when you're expecting water? What did you do? Do you ever end a meal with nuts? And we have some Christopher-specific questions: Do you? Are they talking? Are they involved? Is he around? Are they? Why? Do they? What the heck? Send us your thoughts or just say hi (good vibes only!) at gilmoredpodcast@gmail.com or follow us on Insta @gilmoredpod. You can also join our Facebook group Poptarts! --- Send in a voice message: https://podcasters.spotify.com/pod/show/gilmored/message

Audrey Brehm (Radio Free Tote Bag) joins us for the first time to discuss how she got blocked after a Facebook comments exchange with an EDM DJ about wage inequality. 2012 was simply a different time. We have hell of a time on this episode though, as we discuss our grandparents, working retail, our tortured fandom for the Leafs and Canucks, and Star Wars miniature tournaments. Plus, we talk about c*nty outfits, Michael Cohen talks that talk in court, and former NBA player Glen "Big Baby" Davis waxes poetic on being sentenced to 40 months in prison. If you don't want to go to prison, then you must donate to support the Blocked Boys at patreon.com/blockedparty, where $5/month gets you THREE bonus episodes every single month. Last week, Mark Chavez returned to the show to help guide us through a Harold Pinter script in the latest edition of Actor Party. And this week, Danielle Florence returns to answer YOUR questions in the mailbag. We also have ad-free episodes, video episodes, merch discounts, and more! Audrey Brehm is the co-host of Radio Free Tote Bag, an advice podcast, and it's available wherever you get your pods. You can follow her on Twitter at @rftbaudrey. This episode is also available in video format on our YouTube. Learn more about your ad choices. Visit megaphone.fm/adchoices

Myles Anderson (comedian) returns to the show after a 5-year layoff (our fault) to show us what happens when you talk about Tony Robbins on your YouTube channel that analyzes stand-up comedians. Hint: it's not good! We get into a lot of knife talk on the pod, as Myles gets stopped by airport security and we remember some our fondest memories with knives. We also discuss some of our favorite early Flash games, Leisure Suit Larry, BMX XXX, Dan introduces us to Stroker for the Commodore 64, and we check in on the new menu at our ol' top Wisconsin haunt, Every Buddy's Bar and Grill. Plus, Myles fights with a Norwegian, the Edmonton Oilers release a heinous playoff rap, and IMC loves what Grok AI has to offer him with regards to the Drake/Kendrick beef. If you don't want to have a beef with us, support the show by heading on over to our Patreon at patreon.com/blockedparty, where $5/month gets you access to THREE bonus episodes every single month. This week, Actor Party triumphantly returns, as Mark Chavez runs the Blocked Boys through a Harold Pinter script, complete with British accents. That goes as well as you think. We also have ad-free episodes, merch discounts, and more, so check it out! Myles Anderson is a comedian whose new special, Myles Per Hour, is out this week through 800 Pound Gorilla Records. You can also watch his breakdowns of stand-up comedy specials at the Bachelors of Music YouTube page, and you can find his tour dates and other stuff by following him on Instagram at @myles.banderson. This show is also available in video format on our YouTube. Learn more about your ad choices. Visit megaphone.fm/adchoices

In a rare turn of events, we encounter an actually good movie—not just a good Eurospy movie, but just a flat-out banger of a movie—very late in the season and after we've become expert witnesses on just how bad and formulaic pretty much every Eurospy movie is. That's right, we're reviewing the 1966 film THE QUILLER MEMORANDUM featuring some cast you might have heard of, such as: Alec Guiness, Max von Sydow, George Segal, with a screenplay by... Harold Pinter? And it's good. It's great! What the hell is going on? ----- FREE PALESTINE Hey, Devon here. Give money to people crowdfunding for passage out of Rafah first and foremost, then purchase ESIMs, then donate to this link if you feel you need a big name attached to the fund to trust it. Please don't only donate money. You have to do other things now. https://www.map.org.uk/donate/donate ----- A New place to listen! Our entire backlog has been ported over to youtube, and can be found here! ----- Consider supporting us on our reasonably-priced patreon! https://www.patreon.com/killjamesbond ------ WEB DESIGN ALERT  Tom Allen is a friend of the show (and the designer behind our website). If you need web design help, reach out to him here:  https://www.tomallen.media/   Kill James Bond is hosted by November Kelly, Abigail Thorn, and Devon. You can find us at https://killjamesbond.com