Podcast appearances and mentions of Anthony Hopkins

Welcome to The B-Side! Here we talk about movie stars! Not the movies that made them famous or kept them famous, but the ones that they made in between.  Today we celebrate one of our great Welshmen: Anthony Hopkins! Our B-Sides include When Eight Bells Toll, Juggernaut, Spotswood, and Instinct. Our guest is the great Brian Raftery, whose new book Hannibal Lecter: A Life “traces the many lives and crimes of Hannibal Lecter: his disturbing debut in Thomas Harris's 1981 novel Red Dragon; his rise to infamy in beloved films like Michael Mann's Manhunter and Jonathan Demme's Academy Award–winning The Silence of the Lambs; and his unexpected comeback in the cult-hit TV series Hannibal.”  We discuss Hopkins' iconic voice, his tumultuous early years and struggle to become a leading man. There's his honest and interesting autobiography, his incredible range, his Wales-connection to the great Richard Burton, and his incredibly practical outlook to the acting profession. Brian, Conor, and I go long on the actors that have played Hannibal, the movie Freejack, Hopkins' directorial efforts August and Slipstream, and that time Hopkins played a working man's James Bond named Phil (When Eight Bells Toll). There's love paid to Bill Forsyth, Jodie Foster, Kate Burton, and The Edge.

Send a textKnights, Nazis, submarines, and a three-headed robo-dragon walk into a Transformers sequel… and somehow the wildest ingredients still feel weightless. We dig into Transformers: The Last Knight to figure out why the VFX slap while the story slips, how the Arthurian hook gets buried under MacGuffins, and where the franchise lost the character charm that made the first film sing. We compare Shia's live-wire energy to Mark Wahlberg's steady center, debate Cogman's C-3PO-adjacent chaos, and explain why Anthony Hopkins turning exposition into mischief nearly steals the movie.From the medieval prologue to a London chase that forgets who's in which car, we track the editing choices that drain tension and the dialogue tics that mistake “joke density” for personality. The TRF heel turn, the Witwiccan lore tangle, and Optimus Prime's mind-controlled pivot to Nemesis Prime get a clear-eyed autopsy. We also spotlight what works: Bumblebee's mid-fight reassembly is kinetic and clever, the robot silhouettes are finally readable, and the sound design keeps even thin scenes feeling huge. When Bumblebee briefly regains his voice, you glimpse the beating heart this franchise can still find—if the script lets it.If you love franchise archaeology, blockbuster craft talk, and a fair share of roast with your reverence, you'll feel at home. We sketch the version that might have landed: fewer MacGuffins, real consequences, a focused treasure trail for Vivian's historian skills, and a talisman that pays off a character arc rather than a single slow-motion block. By the end, we answer the big question: underrated chaos or unwatchable noise?Enjoy the ride, then tell us your pick for the series' last truly good entry. Subscribe, drop a review, and share this one with a friend who still quotes “more than meets the eye.”Written Lovingly by AIBe our friend!Dan: @shakybaconTony: @tonydczechAnd follow the podcast on IG: @hatewatchingDAT

Anthony Hopkins opens up about being estranged from his daughter for 20+ years, calling it his greatest regret. The panel reflects on forgiveness, fatherhood, belief systems, and the five things young boys need: a present father, standards, friction, fun, and the right foundation.

Join hosts Gaius and Jackson on Back To The Blockbuster as we dive deep into the iconic film 'The Silence of the Lambs' on its 35th anniversary and its 2001 sequel, Hannibal, for its 25th anniversary. Explore the psychological thriller's enduring legacy crafted by director Jonathan Demme and screenwriter Ted Tally, based on the gripping novel by Thomas Harris. Delve into the unforgettable performances of Jodie Foster as the determined Clarice Starling and Anthony Hopkins as the chilling Dr. Hannibal Lecter, alongside a stellar cast including Scott Glenn, Anthony Heald, Ted Levine, and Kasi Lemmons. Unpack the film's intricate narrative and haunting atmosphere that continues to captivate audiences decades later. In addition, we reflect on director Ridley Scott's visionary approach with Hannibal and how the source material and screenplay by David Mamet and Steven Zaillian created a much different beast from its predecessor. We revisit the performances of Julianne Moore as Clarice Starling, Gary Oldman as the grotesque Mason Verger, and Ray Liotta as the corrupt Paul Krendler, alongside returning stars Anthony Hopkins and Frankie R. Faison. Explore the darker themes and intricate character dynamics that define a much different chapter in the Hannibal Lecter saga compared to the first movie and how they measure up side by side on their respective milestone anniversaries.Where To Watch The Silence of the LambsWhere To Watch Hannibal

Welcome to another Walker and Olivia Special where we cover The Silence of the Lambs! The 1991 film is celebrating its 35th anniversary this year, and we cannot express how much we love this film. We basically just glaze this movie for an hour and talk about the powerhouse performances from Anthony Hopkins, Jodie Foster, and Ted Levine.

THE SILENCE OF THE LAMBS came to theaters 35 years ago this month, winning the Best Picture Oscar (along with Best Actor, Actress, and Director) a year later. Adam and Josh revisited the film in February 2021, for its 30th anniversary. For full access to the show archive, Filmspotting Discord, monthly bonus episodes, and more, ⁠join the Filmspotting Family⁠⁠. LINKS -"30 years in, The Silence Of The Lambs’ Jame Gumb still deserves better" Harmony Colangelo, A/V Club https://www.avclub.com/30-years-in-the-silence-of-the-lambs-jame-gumb-still-1846252158See omnystudio.com/listener for privacy information.

I have an uncle who used to sing the craziest (and often off-color songs). He was a WWII vet and looked like the Canadian actor Lorne Greene. He would rip out the kinds of songs that sailors sang and I would rush to write down the lyrics so I could learn them. And learn them I did. The hard way. It was irritating and frustrating. Even though they say the hand builds the mind and it wasn’t the end of the world that I spent so much time writing them down and rewriting them, I was still relying on rote learning. If only I knew then what I know today about memory techniques! You see, I now memorize and regularly demonstrate poems I’ve committed to memory almost every month during my live memory training bootcamps. I’ve memorized everything from ancient Sanskrit poems to some of the most inventive contemporary poetry. And today I’m going to share a few case studies and key tips I know you’re going to love. How to Memorize Poetry Fast The fastest way I know to memorize poetry involves a combination of ancient memory techniques. These are: The Memory Palace Technique Alphabetical association Numerical association (where relevant) Spaced repetition based on solid active recall principles Now, I know that weaving together so many memory techniques to memorize poetry or even song lyrics, sounds like a lot. But if you want to memorize poems fast, stick with me. Bringing all of these strategies together is much easier than it might seem at first glance. But first, let me demonstrate that I can actually memorize poetry. I believe proof is important because there are a lot of people out there who talk about skills they cannot do. In the case of mnemonics, there are even entire forums filled with people giving advice about memory techniques when they clearly haven’t lifted a finger to memorize a poem. That, or they’ve used rote memorization and are only pretending they used mnemonics. So with those issues in mind, here are a few examples. Please be sure to watch each example because I will refer back to these recitations to help you rapidly memorize poems of your own. Example One: A Univocalic Poem In this video, you’ll see me at the Memory Palace Bookshop I’m developing practicing the recitation of a univocalic poem by Christian Bök: https://youtube.com/shorts/b6oFIOnAwng?feature=share That’s from a fantastic book of poetry called Eunoia. Example Two: Shakespeare This video not only shows me reciting lines from Titus Andronicus. It includes a very important teaching point. That’s because I also demonstrate reciting the lines forward and backward to help teach you how to more easily commit even the most difficult poem to memory using a process I call Recall Rehearsal: https://youtu.be/nhjIkGu32CA?si=s6gIJz6Poq9Zpo6C&t=1380 Now, I regularly memorize Shakespeare. But in the case of the example shared in the video above, I had a special purpose in mind. I was doing it to reproduce the memory technique Anthony Hopkins describes in his autobiography. Here’s the full case study. Example Three: Song Lyrics In this video, you’ll see and hear me singing a famous song called The Moon Represents My Heart in Chinese: https://youtu.be/dCyPV6qfKkI The entire song took just over forty minutes to commit to long-term memory. Even though it’s been a few years since I sang the whole song, I still remember most of the lyrics to this day. Every once and awhile, I whip it out and it always brings a smile to my wife’s face. The reason this Chinese poem set to music took a bit longer to memorize other poems I’ve memorized is because it’s in a foreign language that I was only just beginning to study at the time. Example Four: Poetry Quoted in a Speech When I wrote my TEDx Talk, I incorporated lines from a Sanskrit piece called the Ribhu Gita. This was an interesting challenge because it called me to recall the speech and the poetry that had already been memorized. https://www.youtube.com/watch?v=kvtYjdriSpM This particular performance was a lot of fun, but also challenging due to the combination of a live audience, cameras and the fact that the world was starting to go into lockdown at the beginning of Covid. I had a lot on my mind, but thanks to the memory techniques you’re about to discover, I still think the talk came off fairly well. It’s been seen over four million times now, so I must have done something right. Example Five: Real-Time Poetry Memorization If you want to see me memorize in real time, check out this discussion with Guru Viking. Steve, the host, throws Shakespeare at me and I memorize a few lines and discuss how I did it in real time: https://www.youtube.com/watch?v=J62IN_ngYH0 Now let’s get into the steps, many of which come directly from my premium course on memorizing poetry. Step one: Use the Memory Palace Technique A Memory Palace is essential for memorizing poetry, or anything verbatim. What is this technique? A Memory Palace is a mental recreation of a familiar location. For example, in the first video example above from the poem Eunoia, I used my mom’s home from where she lived years ago. I moved from the master bedroom to the kitchen and living room, to a few other bedrooms and finally out the door and down the driveway in front of the house. How to Memorize a Poem in an Hour (or Less) Using This Technique Using the method of loci, you place mnemonic images along a mental journey. As I just mentioned, I started in one room, then moved to the kitchen, the living room, and so forth. On each corner and wall, I placed an association. For example, for the line, “Awkward grammar appals a craftsman,” I placed an image of Apollinaire in a state of awe changing into being appalled. Now, what exactly it means to “place” an association along a journey in an imaginary version of a building can feel a bit abstract in the beginning. But basically, you’re taking a corner, a wall or a piece of furniture and elaborating it with strange, exaggerated ideas and feelings that remind you of each word of the poem or song lyric. You can do it in any language and if you look at the Guru Viking video above, you’ll see me demonstrate exactly how and why it works in any language. In that particular example, I use the wall behind me for Shakespeare in the same way I memorize Sanskrit phrases when memorizing ancient mantras. To Speed Up The Process When You’re Just Starting Out, Do This Learning to use the Memory Palace technique can feel challenging in the beginning. To reduce the cognitive load, I suggest making a quick sketch of a familiar location that you will turn into a Memory Palace. You don’t have to be artistic. I don’t try to make fine art of it at all. To wit, here’s a quick sketch of a bookstore in the Zamalek area of Cairo I have used many times to memorize poetry and other types of information: A Memory Palace drawn on an index card to maximize its value as a mnemonic device. This one is based on a bookstore in Zamalek, a part of Cairo. The reason for drawing out the journey is to get it clear in your mind. That way, you can spend more time on the next step. But failing to simply draw a Memory Palace in advance can lead to a lot of unnecessary frustration. That’s because you will ultimately wind up trying to encode the poem while developing the Memory Palace at the same time. To memorize any poem as quickly as possible, you need to separate the two activities. Step Two: Lay Down Your Associations One Word At A Time (Most Of The Time) Shakespeare opens King Henry the Fifth like this: O for a Muse of fire, that would ascend The brightest heaven of invention, A kingdom for a stage, princes to act And monarchs to behold our swelling scene! When I memorized these lines, I started at station one with an image of the constellation Orion over the Statue of Liberty. Using the pegword method, I associated Orion with O. Then, using the general concept of a woman that inspires people, I placed the Statue of Liberty in the Memory Palace. In this case, the Memory Palace was a workplace where I was writing curriculum in Vancouver, B.C., Canada. You might choose a completely different image for the words “muse of fire.” But the technical point is that you want to find a direct sound and spelling correspondence that is: Based on ideas and images already in your memory Makes sense to you Making sure that the associations you choose are personal is part of what scientists call active recall. For me personally, Lady Liberty is an especially apt choice not only because she represents inspiration, as the muses. She’s also holding a torch, which helps me encode the word “fire.” But I also lived in both Manhattan and Brooklyn for awhile and often crossed the Manhattan Bridge. This makes the memory of the Statue of Liberty even stronger for me, and another reason why you need to think about the images that make most sense for you. How to Associate “Little Words” for Rapid Memorization What about a word like “that”? Tricky and abstract, right? Not really. You just need to pick an association that makes sense to you while sounding or seeming as close as possible to the target information as you can get it. In the case of the Henry the Fifth line, I just took “th” and linked it with Thor and then used rhyming to have him put on a hat in a dramatic way. Thor + hat = that. When it comes to the Bök poem, there’s a part of the sequence (full poem here) where I used Thor with his hat again: Awkward grammar appals a craftsman. A Dada bard as daft as Tzara damns stagnant art and scrawls an alpha (a slapdash arc and a backward zag) that mars all stanzas and jams all ballads (what a scandal). For a small word like “all,” I used the Punk Rock band All, but only in part. Drawing upon the mnemonic teaching of people like Peter of Ravenna, Jacobus Publicius and Giordano Bruno, I used the principle of reduction. Rather than imagine the entire band, or even an entire mascot, I just imagined the eyes of the mascot. To memorize at speed, I suggest you practice this principle of reduction. Also develop what I call the Magnetic SRS in my full poetry course in the Magnetic Memory Method Masterclass. By taking an hour or so to assign association to all the pronouns and other “operator” words like “that,” you won’t have to stop and come up with associations ever again. The Magnetic SRS training in my full program goes into further detail. It will help you develop dozens of images for words that seem like they’ll be tricky or repetitive. Done well, they can be used repeatedly, but never cause confusion. Step Three: Memorize Multiple Words When You Can Memorizing more than one word in a poem at a time is called mnemonic compression. This term can mean more than one thing. But in this case, I’ve technically just given you a description of how compression works with the Statue of Liberty example. After Orion for O, she represents five words: “for a Muse of fire.” In this case, it works because I’m familiar with the workings of English grammar. But you can’t always get away with this kind of compression, especially when memorizing poetry in another language. It’s just best to keep an eye out for compression opportunities as much you can. When I memorized my TEDx talk using these techniques for speech memorization, thanks to compression, I loaded one station in my Memory Palace with up to 17 words using just 3-5 images (depending on how you count them). Keep in mind that you don’t have to start with poems with long passages like the ones I included in my TEDx Talk. A lot of people like to start with short Bible verses. I’ve put together a list of Bible verses to memorize that address the theme of memory if you’d like to select a few for practice. Step Four: Use Intelligent, Creative Repetition As I mentioned above, rote learning is a real problem. What you want instead is something called spaced repetition. It provides a simple means of reviewing memorized material on a schedule that keeps it in memory. Different poems and lyrics will require different amounts of repetition, and it’s not easy to predict in advance how much content will require how much repetition. However, there’s something called context-dependent memory. Basically, it gives you a boost when you use a lot of content frequently. Or read continually within particular categories of information. So if you read literature and quote it often, you’ll probably need less repetition than someone who doesn’t. And if you memorize the sonnet form more than free verse, you’ll likely develop a stronger and faster reliability because you’ve internalized its rules. Creative Repetition for Long-Term Maintenance For most of us, poems will fade over time no matter what we do. Fortunately, there are creative repetition strategies that can help make sure you maintain them. One is to follow in the footsteps of geniuses. For example, Anthony Hopkins keep common place books where they store and regularly revisit favorite poems. People like Thomas Jefferson used this strategy too. Another strategy is to use reflective thinking to compare various poems you’ve memorized. You can do this from poem to poem or between poems and your favorite philosophy books, historical events, etc. Finally, look for opportunities to recite the poems. Even if you just quote isolated lines, this smaller recitation will help keep the full poem within your mental reach. 3 Alternative Ways To Memorize Poetry You might be wondering if it’s possible to memorize poetry without using the Memory Palace technique. Indeed, there are. Here are some options. Rote Repetition Although I personally don’t like how rote learning feels, it is an option you can explore. It’s a slower option for most of us. But one simple way to get more mileage out of sheer repetition is to choose the time of day and location where you practice it strategically. You’ll need a lot of focus and concentration on top of sheer will power to keep repeating the same lines without the fun of mnemonics, so make sure you aren’t interrupted. I’d also suggest focusing on shorter poems for use with rote. That way you can memorize more poems in their entirety and enjoy substantial accomplishments more often. Cloze Methods A cloze test involves showing yourself parts of a poem. As you read through the poem, you try and fill in the blanks. This activity can trigger some of the positive benefits of active recall. Here’s an example of how you would apply the cloze test methodology to help yourself remember The Tyger by William Blake: Tyger Tyger, burning _____,  In the _____ of the night;  What immortal ____ or ____,  Could _____ thy ______ ______? Visual Flashcards Finally, if you’re willing to make simple drawings, you can draw on flashcards. This approach is kind of like a visual cloze test. Instead of hiding the word “bright” in the phrase “burning bright,” you would sketch an image that helps trigger the phrase. I’ve done this a fair amount with memorizing the books of the Bible. It’s a fast and easy way to help the mind make connections without having to use a Memory Palace. That said, drawing can take a lot of time. I would save this approach for when you feel like an experimental learning experience. How to Practice Reciting Poetry from Memory There are three key ways that I practice reciting poetry, not only to ensure that they’re locked in long-term memory. The point is also to get the lines as fluid as possible and bring out various parts you want to emphasize. After all, it’s not fun to sound robotic. The point of poetry is to convey meaning and beauty, humor or to stimulate some kind of emotion. One: Write the Poetry from Memory Another aspect of proper active recall practice is to call the information to mind by revisiting your associations in your Memory Palace, then write the words down. When writing out what you’ve committed to memory, don’t worry about mistakes. If you catch yourself making a mistake, just scratch it out. Then, once you’ve written as many lines as you can recall, test them against where the verse is written in a book or online. Here’s an example of a test from another part of Eunoia I recently memorized:   At this point, I hadn’t memorized the entire poem and had to start a new journal. But the important point is to test in this exact manner so that you don’t fall into rote repetition. Two: Recite Verbally As demonstrated in several of the video examples above, I practice recalling the poetry verses from memory out loud. This step is important because it gets the poetry into the muscle memory of the mouth. And this is the best way to practice adding gravitas to your performance. I suggest that you also recite the poetry out of order as you see in the Anthony Hopkins video above. This will give each line primacy and recency using the serial positioning effect, as was codified by Hermann Ebbinghaus. During the learning process, it can also be helpful to make up a little tune to go with the poetry. Even if you don’t sing it later, there’s something to chanting and singsonging that aids memory. This is something Bruno notes in his memory guide, Cantus Circaeus (Song of Circe), available in this English translation. Three: Recite Mentally It’s also valuable to practice reciting what you’ve memorized purely in your mind. You can do this solely by reciting the lines while moving through your Memory Palaces. Or you can do it without thinking of the Memory Palace journey, which is a point you should practice as soon as possible. If you are going to perform the poem live, it’s also helpful to imagine yourself delivering it live on camera or in front of an audience. I’ve done all of these things and it has really helped make sure my performance is fluid. But it also creates that priceless feeling of preparation. Your audience will appreciate your delivery much more as well. Make Poetry Memorization Part of Your Daily Life Finally, I’d like to discuss how to make poetry memorization a daily activity. We’re all different, but I personally prefer to encode new poems during the morning. This is simply because my energy is highest. Then I practice reciting in the evening. You might find that you prefer the opposite pattern. The key is to experiment, all based on having developed your mnemonic tools. Plus, it only makes sense to have a lot of poetry that you like within reach. Along with having the right memory techniques for this kind of verbatim learning task. That’s ultimately the most important tip of all. To get fast with memorizing poetry, you need to have your mnemonics prepped in advance. If you’d like more help on how the Memory Palace technique and related mnemonic strategies will help you memorize poems of any length, please consider signing up for my FREE Memory Improvement Course: It will take you through developing Memory Palaces for memorizing any poem at speed. Those poems can be as short as a simple song or as long as the Bible (which as I discuss in this tutorial, is possible to memorize). Or you can memorize songs from your weird uncle like I often did… even if I can’t always repeat them in polite company. Frankly, I wish I’d known these techniques back when I was young. Not only because I’d remember more of the words to the songs he sang. I’d remember more about him too. And that’s ultimately the greatest thing about memorizing poetry. We’re memorizing the ideas, feelings and images that impacted others, literally integrating ourselves with the stuff of life through memory.

Josh and Drusilla finally discuss one of their favorite films, Bram Stoker's Dracula. From wiki: “Bram Stoker's Dracula is a 1992 American Gothic horror film produced and directed by Francis Ford Coppola and written by James V. Hart, based on the eponymous 1897 novel Dracula by Bram Stoker.[4][5][6] The film features an ensemble cast led by Gary Oldman, Winona Ryder, Anthony Hopkins, Keanu Reeves, and introducing Sadie Frost in her film debut as Lucy Westenra.  Its closing credits theme "Love Song for a Vampire" was written and performed by Annie Lennox.”Also discussed: Russ Meyer double feature of Up! And Vixen!, problematic faves, Wuthering Heights (2026), Donkey Skin, The Philosophical Research Society, Porky's, the career of Winona Ryder, and more!NEXT WEEK: Deranged (1974)Bloodhaus:https://www.bloodhauspod.com/https://www.instagram.com/bloodhauspod/https://letterboxd.com/bloodhaus/Drusilla Adeline:https://www.sisterhydedesign.com/https://letterboxd.com/sisterhyde/https://www.instagram.com/sister__hyde/Joshua Conkelhttps://www.joshuaconkel.com/https://www.instagram.com/joshua_conkel/https://letterboxd.com/JoshuaConkel/  

Get Hannibal Lecter - A Life by Brian Raftery here - https://amzn.to/3OemIq5

In honor of the 35th anniversary of The Silence of the Lambs (1991), we're releasing special retro coverage of the film. This commissioned podcast is brought to you by the generosity of one Aaron Spaulding, thank you! Aaron wanted us to check out the 1991 mystery/thriller, "The Silence of the Lambs", directed by Jonathan Demme and starring Anthony Hopkins and Jodie Foster. It's no surprise that we're mesmerized by Hopkin's performance of the chilling yet suave and charming Dr. Hannibal Lecter, and found the film offered some smart commentary on a female breaking into a male dominated space as well. What might be to some surprise is Jim and A.Ron's relative unfamiliarity with the material, which led to some confusion in places. Hope you enjoy the podcast, I hear it pairs well with a nice Chianti. Hey there!  Check out https://support.baldmove.com/ to find out how you can gain access to ALL of our premium content, as well as ad-free versions of the podcasts! Join the Club! Join the discussion:  Email | Discord | Reddit | Forums Follow us: Twitch | YouTube | Twitter  |  Instagram  |  Facebook Leave Us A Review on Apple Podcasts Learn more about your ad choices. Visit megaphone.fm/adchoices

Dirk Benedict joined me to discuss Montana v. Montauk; not having a TV in Montana until 1956 and not watching one until college; lived out in ranch houses; now only watches old movies and English football; Steven Spielberg could not believe the number of movies he hadn't seen; movies are just pictures, not like early dialogue based films; having same acting teacher as Sir Anthony Hopkins; Whitman College; not having a plan; not having a phone in Montana during Battlestar Galactica, agent had to call a bar six miles away to get him; Kate Jackson; wanting to make the film version of A River Runs Through It; house-sitting for Anthony Hopkins in 1971; Aaron Spelling offered him guest spots on Charlies Angels; Diana Rigg wanted all male heterosexual Broadway cast; met friend Keith Michelle, who taught him about macrobiotics; playing Gloria Swanson's blind son in Butterflies are Free; living with her and having dinner with Greta Garbo; learning dirt on Joe Kennedy; befriending Maya Angelou on a set in Sweden; co-starring with Strother Martin in SSSSSST; getting job because of death of Brandon deWilde and producer Richard Zanuck seeing him in a Hawaii 5-O; Jim MacArthur; wore most makeup ever up to that point in SSSSSST; Robert Blake hangs out with him and Strother; Strother and him listen to Mozart; befriending George Roy Hill; playing George's piano; palm reader accurately predicts his life; befriending Fred Astaire; co-starring with Twiggy in W; Chopper One; dating Lucie Arnaz while costarring in Lil Abner; being a conservative in liberal Hollywood; never wanting to be an actor; being dared to try out for school play and getting the lead; stage acting is sex and camera acting in masturbation; his Kamikaze Cowboy Kitchen; his twin granddaughters; living in Europe for 4 years; his macrobiotic book saved lives but were burned on orders from AMA; Marie Osmond's parents put a stop to a potential romance because he wasn't Mormon; diet drugs; impotence; was considered funny after he got out of his house; Markie Post; cast of A-Team were considered misogynists but every female guest stars loved them; NBC hated A-Team; dedicating his book to people who died of cancer; being fat is worse than smoking; people who think others who are successful are just lucky; trying to help Gilda Radner & Jill Ireland beat cancer; no for sugar takes 8 years; Merv Griffin loved him for his honesty

ChatGPT 5.2 says: “LISTEN UP, YOU MAGGOTS! This is Unrelenting Podcast Episode 182, where hosts Darren and Gene spill their guts on everything from ancient iPads crapping out on updates to AI scraping scripts that outsmart moralistic bots like Claude while Grok dives headfirst into piracy tutorials. You think your tech life’s a mess? These guys rip into de-Googled Android phones, kernel recompiles, and the Podfather’s AI-fueled No Agenda broadcasts like it’s boot camp for geeks. If you’re into Russian text-to-speech nightmares, FrontPage HTML horrors from the ’90s, or why Dreamweaver turned web design into a bloated Photoshop nightmare, drop what you’re doing and hit play NOW—before your obsolete gadget laughs in your face! WHAT ARE YOU WAITING FOR, RECRUITS? Darren and Gene don’t hold back on Geek Squad origins, power supply failures, Starlink conquering airplane Wi-Fi at 580 mph, or stacked VPNs like Obscura and Mullvad that flip the bird to trackers. Then they unleash on hyper-realistic XPeng robots that move so human they had to slice one open to prove it’s not a chick in disguise, tying into Westworld rants where Anthony Hopkins crafts killer androids amid feminist plot twists. Resident Alien binges, AI-generated symmetric redheads, OnlyFans stats exploding among young women—it’s a tech apocalypse mixed with cigar weevil disasters ruining $250 Cubans and Tokaji wine grails lost to history. You want SEO gold on AI robots, tech history fails, and podcast donations? This episode’s your drill—listen or regret it forever! ON YOUR FEET, SOLDIERS! They roast 3Com stock meltdowns costing six figures, Taylor Swift’s trucker bonuses, Katy Perry marrying Castro’s kid (yeah, Trudeau), and hydraulic muscle bots bleeding white like Westworld come to life. Quen III voice-cloning glitches, Miley Cyrus’s humble F-150 life, Britney Spears exploitation tales—it’s unrelenting chaos that demands your attention IMMEDIATELY. Search no more for the ultimate AI podcast, robot revolution talk, or pissed-off tech rants; Unrelenting 182 is your mission. Subscribe, boost those Satoshis, and dive in before the weevils eat your motivation alive!” Unrelenting: where discipline means no mercy, no bullshit, and no excuses. Thanks for listening. Please support the show! –>> DONATE NOW

We're revisiting a film that didn't just redefine the psychological thriller—it crawled under our skin and stayed there. The Silence of the Lambs turns 35 this year, and we're looking back at what made it so chilling, so smart, and so enduring. From unforgettable performances to its lasting cultural impact, it's time to open the case file on a true cinematic classic. (May contain some explicit language.) Patreon » patreon.com/genxgrownupDiscord » GenXGrownUp.com/discordFacebook » fb.me/GenXGrownUpTwitter » GenXGrownUp.com/twitterWebsite » GenXGrownUp.comPodcast » GenXGrownUp.com/podMerchandise » GenXGrownUp.com/merchTheme: “Grown Up” by Beefy » beefyness.com Apple » itunes.apple.com/us/podcast/genxgrownup-podcast/id1268365641CastBox » castbox.fm/channel/GenXGrownUp-Podcast-id2943471?country=usPocket Casts » pca.st/8iuLAudible » amz.run/6yhRTuneIn » tunein.com/radio/GenXGrownUp-Podcast-p1020342/Spotify » spoti.fi/2TB4LR7iHeart » www.iheart.com/podcast…Amazon Music » amzn.to/33IKfEK Show Notes 20 spine-chilling (and interesting) facts about The Silence Of The Lambs » bit.ly/4tmvjXE 25 Strange Details Behind The Making Of The Silence Of The Lambs » bit.ly/4at0lV4 ‘Silence of the Lambs': 7 Secrets From Anthony Hopkins & Jodie Foster » bit.ly/3Ocir6m Making of Silence of the Lambs: Inside Secrets » bit.ly/4rKmzJm Understanding Silence of the Lambs' complicated cultural legacy » bit.ly/3MEM8MZ Jodie Foster and Anthony Hopkins on ‘Silence of the Lambs' Legacy » bit.ly/46Cjxi7 How ‘The Silence of the Lambs' Revolutionized Horror Films » bit.ly/46uNYXu Email the show » podcast@genxgrownup.com Visit us on YouTube » GenXGrownUp.com/yt Learn more about your ad choices. Visit megaphone.fm/adchoices

To nie jest "typowy" wpis - chciałem Cię tylko poinformować, że po 9 miesiącach (uffff!) skończyłem pracę nad BYĆ i MIEĆ 2: High Performance. Nie chcę tu go wychwalać albo reklamować, dlatego zrobimy tak: wypiszę to co w BiM 2 omówiłem i to pomoże podjąć Ci decyzję, czy chcesz go kupić czy też nie. W pierwszej kolejności o tym, dla kogo jest BYĆ i MIEĆ 2: dla ludzi w biznesie dla ludzi w korporacjach dla ludzi w polityce dla sportowców dla ludzi w jednostkach specjalnych oraz dla wszystkich tych, których interesuje sięganie po więcej Dla kogo NIE jest BiM2? Bez wątpienia nie jest to program dla początkujących. NIE polecam również zaczynania przygody z ZenJaskiniowca od tego właśnie programu... Najbardziej skorzystają ci, którzy już znają moją twórczość, moje programy, moje podcasty, szczególnie BYĆ i MIEĆ 1. Pomimo tego, że BYĆ i MIEĆ 2 pomyślane jest jako program niezależny. Czyli - dobrze jest mieć bazę i przerobić to co było wcześniej, jeśli jednak tak się nie stało, nie ma szczególnego problemu. Jest to zatem program dla tych, którzy pracowali już z moimi materiałami i dla tych, którzy chcą spojrzeć na siebie, swoje możliwości oraz na świat w inny, lepszy sposób. Wiele w programie tym elementów, z którymi ja się spotkałem po raz pierwszy. WSTĘP - wstępu nie ma, bo od razu przechodzimy do rzeczy. ROZDZIAŁ 1 - Obi Wan Nairobi Czy aby napewno mental jest najważniejszym elementem High Performance? I czy aby na pewno najlepszym sposobem poprawy swojego mentalu jest praca nad nim bezpośrednio? Czym jest model MUSK? Jakie są dwie podstawowe przeszkody na drodze do wyjątkowych osiągnięć? Czego i High Performance uczą nas MrBeast, Matthew McConaughey i Anthony Hopkins? oraz czy skupianie się na detalach ma jakikolwiek sens? ROZDZIAŁ 2 - ALL BLACKS  Czy High Performance polega na połączeniu się pod tradycję czy też na odrzuceniu jej? Dlaczego Juliusz Cezar popłakał się na widok pomnika Aleksandra Wielkiego? Jak pracować nad tym czego nikt nie będzie mógł ci odebrać? TO-DO-LIST vs TO-BE-LIST Jakie jest 5 pytań, które pomogą kształtować twoją nową, lepszą tożsamość? Jakich 3 mantra uczeni się wszyscy zawodnicy All Blacks? Jak postrzegać presję by cię wzmacniała? oraz na czym polega model czerwonej głowy / niebieskiej głowy? Czego tresura psów uczy o High Performance u ludzi? Jak w 3 krokach radzić sobie w sytuacji presji przy bardzo wysokich stawkach? Jakie są pułapki pogoni za większą pewnością siebie oraz do czego prowadzi wygrywanie tylko tego momentu... ROZDZIAŁ 3 - MACHIAVELLI dlaczego silni potrzebują konfliktów i godnego wroga? Czy jest jego prawie nieznana ale absolutnie rewolucyjna koncepcja UNO SOLO (oraz jakie są dalekosiężne jej konsekwencje) Do jakiej pozycji powinien dążyć każdy ambitny człowiek? Czy ekspansja jest dobrym pomysłem - a jeśli tak, to jaka? Jaka była główna - a często jedyna - motywacja wielkich historycznych postaci? (nie, nie chodzi o próżność) W jaki sposób High Performance wiąże się z koniecznością - czyli de facto z brakiem wyboru i wolności Która z konieczności musi być dla Księcia najważniejsza? Co powinno być jedynym hamulcowym pogoni za więcej? Na czym polega myślenie w kategoriach konieczności? i dlaczego starożytni byli silniejszymi ludźmi niż współcześni? Jaki jest jedyny sposób na osiągnięcie nieśmiertelności? Czym dla Machiavellego było "dobre, szczęśliwe życie"? W jaki sposób zrozumieli ludzkiej kondycji prowadzi w logiczny sposób do sięgania po więcej? Czym u Maka było pojęcie prawdy faktycznej (rzeczywistej) i jakie są konsekwencje tego pojęcia? Czy twoja religia aby na pewno cię wzmacnia? Co jest jedynym gwarantem skutecznego działania? Jaką jest "etyka" w wykonaniu Machiavellego? Jaka jest jego psychologia High Performance i czym są LEW, LIS, SPIRITO i AMINO? Dlaczego musisz być bardziej zwierzęciem niż człow...

This week on Dads From the Crypt, we're revisiting Jonathan Demme's landmark psychological horror film The Silence of the Lambs (1991) with special guest Rachel Shatto from Zombie Grrls.We break down what makes The Silence of the Lambs one of the most important films in horror history, from Anthony Hopkins' chilling, Oscar-winning performance as Hannibal Lecter to Jodie Foster's iconic turn as Clarice Starling. The conversation explores how the film blurred the line between horror, thriller, and prestige cinema — and why it remains the only horror film to ever win Best Picture.The Dads and Rachel also dive into the ongoing controversy surrounding the film, discussing its cultural impact, gender dynamics, representation debates, and how audiences interpret it differently today than they did in 1991. We talk influence, legacy, and whether The Silence of the Lambs still holds up more than 30 years later.Follow Dads From the Crypt! Threads: @dadsfromthecryptTikTok: Dads From The Crypt-TokInstagram: @dadsfromthecrypt Patreon: https://www.patreon.com/DadsFromTheCrypt

It's time for some quid pro quo, we tell you things about The Silence of the Lambs, you tell us things about what we think of The Silence of the Lambs. Most people don't realize this film is actually a sequel but we do this professionally so you'll hear what we think this 1991 sequel has to say about gender, a back and forth about the performance of Anthony Hopkins and what in that performance is working for and against the film, and discussions about the direction and editing choices that sets this movie apart from most other sequels. Thanks to our monthly supporters Matt and Vicki S Kate Lampe Daniel Prudhoe Andrew Pangle Steve Weiss Matthew Aldrich Edward Lankford Heather Sahami

When Eight Bells Toll (1971)  Jeff and Cheryl take a deep dive into underwater espionage in When Eight Bells Toll.Screenplay by Alistair MacLean  Produced by Elliott Kastner  Directed by Etienne Perier  Starring:  Anthony Hopkins as Philip Calvert  Nathalie Selon as Charlotte Robert Morley as Uncle Arthur  Jack Hawkins as Sir Anthony Skouras  Corin Redgrave as Hunslett  Derek Bond as Lord Charnley  Ferdy Mayne as Lavorski  Maurice Roëves as Lieutenant Scott Williams, Helicopter Pilot  Leon Collins as Tim Hutchinson  Wendy Allnut as Sue Kirkside  Peter Arne as Imrie  Oliver MacGreevy as Quinn  Jon Croft as Durran  Tom Chatto as Lord Kirkside  Charlie Stewart as Sgt. MacDonald  A Jerry Gershwin-Elliott Kastner Picture  from Cinerama Releasing  View the When Eight Bells Toll trailer here. Stream When Eight Bells Toll on Tubi and Fandango at Home, or rent it on Prime Video or Apple TV+.Visit our website - https://aippod.com/ and follow the American International Podcast on Letterboxd, Instagram and Threads @aip_pod and on Facebook at facebook.com/AmericanInternationalPodcast  Get your American International Podcast merchandise at our store. Our open and close includes clips from the following films/trailers: How to Make a Monster (1958), The Brain That Wouldn't Die (1962), I Was a Teenage Werewolf (1957), High School Hellcats (1958), Beach Blanket Bingo (1965), The Wild Angels (1966), It Conquered the World (1956), The Abominable Dr. Phibes (1971), and Female Jungle (1955) 

Herečka, ktorej sa, ako jednej z mála podarilo presadiť aj na zahraničnej scéne. Tvár Gabriely Marcinkovej dnes pozná na Slovensku azda každý. Z televízie, divadla, z filmov a aj z reklamy... Gabika Marcinková je rodáčka z Košíc, gymnázium navštevovala v Prešove a VŠMU, v Bratislave. Pred kamerami sa po prvý raz objavila v českej rozprávke Sofia a ukradnutý poklad, v čase, keď doma bola ešte neznáma. O niekoľko rokov sa objavila v romantickej dráme 360 po boku svetoznámych hercov akými sú Jude Law či Anthony Hopkins. Prestížny americký web, ktorý viac ako 20 rokov vydáva rebríček najkrajších žien sveta ju zaradil do prvej stovky! Doma hrala vo viacerých divadelných hrách, ale napriek mladému veku má za sebou okolo 20 filmov, a ešte viac účinkovaní v seriáloch. V rokoch 2018 a 2019 získala aj prestížnu cenu Igric, za výkon vo filmovom alebo televíznom diele. Dvojnásobná matka sa kedysi venovala atletike, behu cez prekážky a dokonca získala aj majstrovský titul. V budúcnosti sa chce venovať hereckej pedagogike. Gabiku Marcinkovú v tejto epizóde NP hostí Ľudovít Jakubove – Mravec. | Hostka: Gabika Marcinková (herečka SND). | Moderuje: Ľudovít akubove - Mravec. | Tolkšou Nočná pyramída pripravuje Slovenský rozhlas, Rádio Slovensko, SRo1.

UNEQUAL SEQUEL - BONUS ANNIVERSARY EPISODE - HANNIBAL ~ On this weeks extra episode Dave and Rich try and celebrate the 25th anniversary of Hannibal. Its the sequel to the great The Silence Of The Lambs which starred Anthony Hopkins and Jodie Forstera! This one does have Anthony Hopkins return as Hannibal Lector. We are hopping it would just as good as the original! It was released in the UK on the 6th February 2001. If you like what you hear and want even more of us then check out our subscriber service at ⁠www.anotherslice.com/unequalsequel⁠ it's only £2.99 a month for loads more bonus content.  We'd love it if you could share our little pod with your friends and family. All you need to do is send them a link like one of these...  Spotify - https://open.spotify.com/show/5BRZK1OAklN8AAF0zpAO9L  Apple Podcasts - https://podcasts.apple.com/gb/podcast/unequal-sequel/id1569119013  If you want to get in touch with the show, here's how:  EMAIL: unequalsequel@hotmail.com  INSTAGRAM: @unequalsequel  THREADS: @unequalsequel  TIKTOK: @unequalsequel  We hope you enjoy the pod and don't forget please give us a rate and review (5 stars would be great!) and if you want to hear what other great guests are coming up on the pod then click the subscribe button to always know when the next episode drops Learn more about your ad choices. Visit megaphone.fm/adchoices

UNEQUAL SEQUEL - BONUS ANNIVERSARY EPISODE - HANNIBAL ~ On this weeks extra episode Dave and Rich try and celebrate the 25th anniversary of Hannibal. Its the sequel to the great The Silence Of The Lambs which starred Anthony Hopkins and Jodie Forstera! This one does have Anthony Hopkins return as Hannibal Lector. We are hopping it would just as good as the original! It was released in the UK on the 6th February 2001. If you like what you hear and want even more of us then check out our subscriber service at ⁠www.anotherslice.com/unequalsequel⁠ it's only £2.99 a month for loads more bonus content.  We'd love it if you could share our little pod with your friends and family. All you need to do is send them a link like one of these...  Spotify - https://open.spotify.com/show/5BRZK1OAklN8AAF0zpAO9L  Apple Podcasts - https://podcasts.apple.com/gb/podcast/unequal-sequel/id1569119013  If you want to get in touch with the show, here's how:  EMAIL: unequalsequel@hotmail.com  INSTAGRAM: @unequalsequel  THREADS: @unequalsequel  TIKTOK: @unequalsequel  We hope you enjoy the pod and don't forget please give us a rate and review (5 stars would be great!) and if you want to hear what other great guests are coming up on the pod then click the subscribe button to always know when the next episode drops Learn more about your ad choices. Visit megaphone.fm/adchoices

It’s actually a good thing that some books push you to the edge of your ability to understand. But there’s no doubting the fact that dense, abstract and jargon-filled works can push you so far into the fog of frustration that you cannot blame yourself for giving up. But here’s the truth: You don’t have to walk away frustrated and confused. I’m going to share with you a number of practical strategies that will help you fill in the gaps of your reading process. Because that’s usually the real problem: It’s not your intelligence. Nor is it that the world is filled with books “above your level.” I ultimately don’t believe in “levels” as such. But as someone who taught reading courses at Rutgers and Saarland University, I know from experience that many learners need to pick up a few simple steps that will strengthen how they approach reading difficult books. And in this guide, you’ll learn how to read challenging books and remember what they say. I’m going to go beyond generic advice too. That way, you can readily diagnose: Why certain books feel so hard Use pre-reading tactics that prime your brain to deal with difficulties effectively Apply active reading techniques to lock in understanding faster Leverage accelerated learning tools that are quick to learn Use Artificial Intelligence to help convert tough convent into lasting knowledge without worrying about getting duped by AI hallucinations Whether you’re tacking philosophy, science, dense fiction or anything based primarily in words, the reading system you’ll learn today will help you turn confusion into clarity. By the end, even the most intimidating texts will surrender their treasures to your mind. Ready? Let’s break it all down together. https://www.youtube.com/watch?v=y9HLbY4jsFg Why Some Books Feel “Too Hard” (And What That Really Means) You know exactly how it feels and so do I. You sit down with a book that people claim is a classic or super-important. But within a few pages, your brain fogs over and you’re completely lost. More often than not, through glazed eyes, you start to wonder… did this author go out of his or her way to make this difficult? Are they trying to show off with all these literary pyrotechnics? Or is there a deliberate conspiracy to confuse readers like me? Rest assured. These questions are normal and well worth asking. The difficulty you might feel is never arbitrary in my experience. But there’s also no “single origin” explanation for why some books feel easier than others. It’s almost always a combination of factors, from cognitive readiness, lived experience, emotions and your physical condition throughout the day. This means that understanding why individual texts resist your understanding needs to be conducted on a case-by-case basis so you can move towards mastering anything you want to read. Cognitive Load: The Brain’s Processing “Stop Sign” “Cognitive load” probably needs no definition. The words are quite intuitive. You start reading something and it feels like someone is piling heavy bricks directly on top of your brain, squishing everything inside. More specifically, these researchers explain that what’s getting squished is specifically your working memory, which is sometimes called short-term memory. In practical terms, this means that when a book suddenly throws a bunch of unfamiliar terms at you, your working memory has to suddenly deal with abstract concepts, completely new words or non-linear forms of logic. All of this increases your cognitive load, but it’s important to note that there’s no conspiracy. In Just Being Difficult: Academic Writing in the Public Arena, a variety of contributors admit that they often write for other specialists. Although it would be nice to always compose books and articles for general readers, it’s not laziness. They’re following the codes of their discipline, which involves shorthand to save everyone time. Yes, it can also signal group membership and feel like an intellectual wall if you’re new to this style, but it’s simply a “stop sign” for your brain. And wherever there are stop signs, there are also alternative routes. Planning Your Detour “Roadmap” Into Difficult Books Let me share a personal example by way of sharing a powerful technique for making hard books easier to read. A few years ago I decided I was finally going to read Kant. I had the gist of certain aspects of his philosophy, but a few pages in, I encountered so many unfamiliar terms, I knew I had to obey the Cognitive Load Stop Sign and take a step back. To build a roadmap into Kant, I searched Google in a particular way. Rather than a search term like, “Intro to Kant,” I entered this tightened command instead: Filetype:PDF syllabus Kant These days, you can ask an LLM in more open language to simply give you links to the syllabi of the most authoritative professors who teach Kant. I’d still suggest that you cross-reference what you get on Google, however. If you’re hesitant about using either Google or AI, it’s also a great idea to visit a librarian in person to help you. Or, you can read my post about using AI for learning with harming your memory to see if it’s time to update your approach. Narrowing Down Your Options One way or another, the reason to consult the world’s leading professors is that their syllabi will provide you with: Foundational texts Core secondary literature Commentaries from qualified sources Essential historical references Once you’ve looked over a few syllabi, look through the table of contents of a few books on Amazon or Google Books. Then choose: 1-2 foundational texts to read before the challenging target book you want to master 1-2 articles or companion texts to read alongside In this way, you’ve turned difficulty into a path, not an obstacle. Pre-Reading Strategies That Warm Up Your Reading Muscles A lot of the time, the difficulty people feel when reading has nothing to do with the book. It’s just that you’re diving into unfamiliar territory without testing the waters first. Here are some simple ways to make unfamiliar books much easier to get into. Prime Like a Pro To make books easier to read, you can perform what is often called “priming” in the accelerated learning community. It is also sometimes called “pre-reading” and as this research article discusses, its success has been well-demonstrated. The way I typically perform priming is simple. Although some books require a slight change to the pattern, I typically approach each new book by reading: The back cover The index The colophon page The conclusion or afterword The most interesting or relevant chapter The introduction The rest of the book Activate Prior Knowledge Sometimes I will use a skimming and scanning strategy after reading the index to quickly familiarize myself with how an author approaches a topic with which I’m already familiar. This can help raise interest, excitement and tap into the power of context-dependent memory. For example, I recently started reading Doubt: A History by Jennifer Michael Hecht. Since the Renaissance memory master Giordano Bruno comes up multiple times, I was able to draw up a kind of context map of the books themes by quickly going through those passages. Take a Picture Walk Barbara Oakley and Terence Sejnjowski share a fantastic strategy in Learning How to Learn. Before reading, simply go through a book and look at all the illustrations, tables, charts and diagrams. It seems like a small thing. But it gives your brain a “heads up” about upcoming visual information that you may need to process than prose. I used to find visual information like this difficult, but after I started taking picture walks, I’m now excited to read “towards” these elements. If still find them challenging to understand, I apply a tip I learned from Tony Buzan that you might like to try: Rather than struggle to interpret a chart or illustration, reproduce it in your own hand. Here’s an example of how I did this when studying spaced repetition: As a result, I learned the graph and its concepts quickly and have never forgotten it. Build a Pre-Reading Ritual That Fits You There’s no one-sized-fits-all strategy, so you need to experiment with various options. The key is to reduce cognitive load by giving your mind all kinds of ways of understanding what a book contains. If it helps, you can create yourself a checklist that you slip into the challenging books on your list. That way, you’ll have both a bookmark and a protocol as you develop your own pre-reading style. Active Reading Techniques That Boost Comprehension Active reading involves deliberately applying mental activities while reading. These can include writing in the margins of your books, questioning, preparing summaries and even taking well-time breaks between books. Here’s a list of my favorite active reading strategies with ideas on how you can implement them. Using Mnemonics While Reading On the whole, I take notes while reading and then apply a variety of memory techniques after. But to stretch my skills, especially when reading harder books, I start the encoding process earlier. Instead of just taking notes, I’ll start applying mnemonic images. I start early because difficult terms often require a bit more spaced repetition. To do this yourself, the key is to equip yourself with a variety of mnemonic methods, especially: The Memory Palace technique The Pegword Method The Major System The PAO System And in some cases, you may want to develop a symbol system, such as if you’re studying physics or programming. Once you have these mnemonic systems developed, you can apply them in real time. For example, if you come across names and dates, committing them to memory as you read can help you keep track of a book’s historical arc. This approach can be especially helpful when reading difficult books because authors often dump a lot of names and dates. By memorizing them as you go, you reduce the mental load of having to track it all. For even more strategies you can apply while reading, check out my complete Mnemonics Dictionary. Strategic Questioning Whether you take notes or memorize in real-time, asking questions as you go makes a huge difference. Even if you don’t come up with answers, continually interrogating the book will open up your brain. The main kinds of questions are: Evaluative questions (checking that the author uses valid reasoning and address counterarguments) Analytical questions (assessing exactly how the arguments unfold and questioning basic assumptions) Synthetic questions (accessing your previous knowledge and looking for connections with other books and concepts) Intention questions (interrogating the author’s agenda and revealing any manipulative rhetoric) One medieval tool for questioning you can adopt is the memory wheel. Although it’s definitely old-fashioned, you’ll find that it helps you rotate between multiple questions. Even if they are as simple as who, what, where, when, how and why questions, you’ll have a mental mnemonic device that helps ensure you don’t miss any of them. Re-reading Strategies Although these researchers seem to think that re-reading is not an effective strategy, I could not live without it. There are three key kinds of re-reading I recommend. Verbalize Complexity to Tame It The first is to simply go back and read something difficult to understand out loud. You’d be surprised how often it’s not your fault. The author has just worded something in a clunky manner and speaking the phrasing clarifies everything. Verbatim Memorization for Comprehension The second strategy is to memorize the sentence or even an entire passage verbatim. That might seem like a lot of work, but this tutorial on memorizing entire passages will make it easy for you. Even if verbatim memorization takes more work, it allows you to analyze the meaning within your mind. You’re no longer puzzling over it on paper, continuing to stretch your working memory. No, you’ve effectively expanded at least a part of your working memory by bypassing it altogether. You’ve ushered the information into long-term memory. I’m not too shy to admit that I have to do this sometimes to understand everything from the philosophy in Sanskrit phrases to relatively simple passages from Shakespeare. As I shared in my recent discussion of actor Anthony Hopkins’ memory, I couldn’t work out what “them” referred to in a particular Shakespeare play. But after analyzing the passage in memory, it was suddenly quite obvious. Rhythmical Re-reading The third re-reading strategy is something I shared years ago in my post detailing 11 reasons you should re-read at least one book per month. I find this approach incredibly helpful because no matter how good you get at reading and memory methods, even simple books can be vast ecosystems. By revisiting difficult books at regular intervals, you not only get more out of them. You experience them from different perspectives and with the benefit of new contexts you’ve built in your life over time. In other words, treat your reading as an infinite game and never assume that you’ve comprehended everything. There’s always more to be gleaned. Other Benefits of Re-reading You’ll also improve your pattern recognition by re-treading old territory, leading to more rapid recognition of those patterns in new books. Seeing the structures, tropes and other tactics in difficult books opens them up. But without regularly re-reading books, it can be difficult to perceive what these forms are and how authors use them. To give you a simple example of a structure that appears in both fiction and non-fiction, consider in media res, or starting in the middle. When you spot an author using this strategy, it can immediately help you read more patiently. And it places the text in the larger tradition of other authors who use that particular technique. For even more ideas that will keep your mind engaged while tackling tough books, feel free to go through my fuller article on 7 Active Reading Strategies. Category Coloring & Developing Your Own Naming System For Complex Material I don’t know about you, but I do not like opening a book only to find it covered in highlighter marks. I also don’t like highlighting books myself. However, after practicing mind mapping for a few years, I realized that there is a way to combine some of its coloring principles with the general study principles of using Zettelkasten and flashcards. Rather than passively highlighting passages that seem interesting at random, here’s an alternative approach you can take to your next tour through a complicated book. Category Coloring It’s often helpful to read with a goal. For myself, I decided to tackle a hard book called Gödel Escher Bach through the lens of seven categories. I gave each a color: Red = Concept Green = Process Orange = Fact Blue = Historical Context Yellow = Person Purple = School of Thought or Ideology Brown = Specialized Terminology Example Master Card to the Categorial Color Coding Method To emulate this method, create a “key card” or “master card” with your categories on it alongside the chosen color. Use this as a bookmark as you read. Then, before writing down any information from the book, think about the category to which it belongs. Make your card and then apply the relevant color. Obviously, you should come up with your own categories and preferred colors. The point is that you bring the definitions and then apply them consistently as you read and extract notes. This will help bring structure to your mind because you’re creating your own nomenclature or taxonomy of information. You are also using chunking, a specific mnemonic strategy I’ve written about at length in this post on chunking as a memory tool. Once you’re finished a book, you can extract all the concepts and memorize them independently if you like. And if you emulate the strategy seen on the pictured example above, I’ve included the page number on each card. That way, I can place the cards back in the order of the book. Using this approach across multiple books, you will soon spot cross-textual patterns with greater ease. The catch is that you cannot allow this technique to become activity for activity’s sake. You also don’t want to wind up creating a bunch of informational “noise.” Before capturing any individual idea on a card and assigning it to a category, ask yourself: Why is this information helpful, useful or critical to my goal? Will I really use it again? Where does it belong within the categories? If you cannot answers these questions, either move on to the next point. Or reframe the point with some reflective thinking so that you can contextualize it. This warning aside, it’s important not to let perfectionism creep into your life. Knowing what information matters does take some practice. To speed up your skills with identifying critical information, please read my full guide on how to find the main points in books and articles. Although AI can certainly help these days, you’ll still need to do some work on your own. Do Not Let New Vocabulary & Terminology Go Without Memorization One of the biggest mistakes I used to make, even as a fan of memory techniques, slowed me down much more than necessary. I would come across a new term, look it up, and assume I’d remember it. Of course, the next time I came across it, the meaning was still a mystery. But when I got more deliberate, I not only remembered more words, but the knowledge surrounding the unfamiliar terms also stuck with greater specificity. For example, in reading The Wandering Mind by Jamie Kreiner, memorizing the ancient Greek word for will or volition (Prohairesis) pulled many more details about why she was mentioning it. Lo and behold, I started seeing the word in more places and connecting it to other ancient Greek terms. Memorizing those as well started to create a “moat of meaning,” further protecting a wide range of information I’d been battling. Understanding Why Vocabulary Blocks Comprehension The reason why memorizing words as you read is so helpful is that it helps clear out the cognitive load created by pausing frequently to look up words. Even if you don’t stop to learn a new definition, part of your working memory gets consumed by the lack of familiarity. I don’t always stop to learn new definitions while reading, but using the color category index card method you just discovered, it’s easy to organize unfamiliar words while reading. That way they can be tidily memorized later. I have a full tutorial for you on how to memorize vocabulary, but here’s a quick primer. Step One: Use a System for Capturing New Words & Terms Whether you use category coloring, read words into a recording app or email yourself a reminder, the key is to capture as you go. Once your reading session is done, you can now go back to the vocabulary list and start learning it. Step Two: Memorize the Terms I personally prefer the Memory Palace technique. It’s great for memorizing words and definitions. You can use the Pillar Technique with the word at the top and the definition beneath it. Or you can use the corners for the words and the walls for the definitions. Another idea is to photograph the cards you create and important them into a spaced repetition software like Anki. As you’ll discover in my complete guide to Anki, there are several ways you can combine Anki with a variety of memory techniques. Step Three: Use the Terms If you happened to catch an episode of the Magnetic Memory Method Podcast back when I first learned Prohairesis I mentioned it often. This simple habit helps establish long-term recall, reflection and establishes the ground for future recognition and use. Expand Understanding Using Video & Audio Media When I was in university, I often had to ride my bike across Toronto to borrow recorded lectures on cassette. Given the overwhelming tsunamis of complex ideas, jargon and theoretical frameworks I was facing, it was worth it. Especially since I was also dealing with the personal problems I shared with you in The Victorious Mind. Make no mistake: I do not believe there is any replacement for reading the core books, no matter how difficult they might be. But there’s no reason not to leverage the same ideas in multiple formats to help boost your comprehension and long-term retention. Multimedia approaches are not just about knowledge acquisition either. There have been many debates in the magical arts community that card magicians should read and not rely on video. But evidence-based studies like this one show that video instruction combined with reading written instructions is very helpful. The Science Behind Multi-Modal Learning I didn’t know when I was in university, or when I was first starting out with memdeck card magic that dual coding theory existed. This model was proposed by Allan Paivio, who noticed that information is processed both verbally and non-verbally. Since then, many teachers have focused heavily on how to encourage students to find the right combination of reading, visual and auditory instructional material. Here are some ideas that will help you untangle the complexity in your reading. How to Integrate Multimedia Without Overload Forgive me if this is a bit repetitive, but to develop flow with multiple media, you need to prime the brain. As someone who has created multiple YouTube videos, I have been stubborn about almost always including introductions. Why? Go Through the Intros Like a Hawk Because without including a broad overview of the topic, many learners will miss too many details. And I see this in the comments because people ask questions that are answered throughout the content and flagged in the introductions. So the first step is to be patient and go through the introductory material. And cultivate an understanding that it’s not really the material that is boring. It’s the contemporary issues with dopamine spiking that make you feel impatient. The good news is that you can possibly reset your dopamine levels so you’re better able to sit through these “priming” materials. One hack I use is to sit far away from my mouse and keep my notebook in hand. If I catch myself getting antsy, I perform a breathing exercise to restore focus. Turn on Subtitles When you’re watching videos, you can help increase your engagement by turning on the subtitles. This is especially useful in jargon-heavy video lessons. You can pause and still see the information on the screen for easier capture when taking notes. When taking notes, I recommend jotting down the timestamp. This is useful for review, but also for attributing citations later if you have to hand in an assignment. Mentally Reconstruct After watching a video or listening to a podcast on the topic you’re mastering, take a moment to review the key points. Try to go through them in the order they were presented. This helps your brain practice mental organization by building a temporal scaffold. If you’ve taken notes and written down the timestamps, you can easily check your accuracy. Track Your Progress For Growth & Performance One reason some people never feel like they’re getting anywhere is that they have failed to establish any points of reference. Personally, this is easy for me to do. I can look back to my history of writing books and articles or producing videos and be reminded of how far I’ve come at a glance. Not only as a writer, but also as a reader. For those who do not regularly produce content, you don’t have to start a blog or YouTube channel. Just keep a journal and create a few categories of what skills you want to track. These might include: Comprehension Retention Amount of books read Vocabulary growth Critical thinking outcomes Confidence in taking on harder books Increased tolerance with frustration when reading challenges arise You can use the same journal to track how much time you’ve spent reading and capturing quick summaries. Personally, I wish I’d started writing summaries sooner. I really only got started during grad school when during a directed reading course, a professor required that I had in a summary for every book and article I read. I never stopped doing this and just a few simple paragraph summaries has done wonders over the years for my understanding and retention. Tips for Overcoming Frustration While Reading Difficult Books Ever since the idea of “desirable difficulty” emerged, people have sought ways to help learners overcome emotional responses like frustration, anxiety and even shame while tackling tough topics. As this study shows, researchers and teachers have found the challenge difficult despite the abundance of evidence showing that being challenged is a good thing. Here are some strategies you can try if you continue to struggle. Embrace Cognitive Discomfort As we’ve discussed, that crushing feeling in your brain exists for a reason. Personally, I don’t think it ever goes away. I still regularly pick up books that spike it. The difference is that I don’t start up a useless mantra like, “I’m not smart enough for this.” Instead, I recommend you reframe the experience and use the growth mindset studied by Carol Dweck, amongst others. You can state something more positive like, “This book is a bit above my level, but I can use tactics and techniques to master it.” I did that very recently with my reading of The Xenotext, parts of which I still don’t fully understand. It was very rewarding. Use Interleaving to Build Confidence I rotate through draining books all the time using a proven technique called interleaving. Lots of people are surprised when I tell them that I rarely read complex and challenging books for longer than fifteen minutes at a time. But I do it because interleaving works. Which kinds of books can you interleave? You have choices. You can either switch in something completely different, or switch to a commentary. For example, while recently reading some heavy mathematical theories about whether or not “nothing” can exist, I switched to a novel. But back in university, I would often stick within the category while at the library. I’d read a core text by a difficult philosopher, then pick up a Cambridge Companion and read an essay related to the topic. You can also interleave using multimedia sources like videos and podcasts. Interleaving also provides time for doing some journaling, either about the topic at hand or some other aspect of your progress goals. Keep the Big Picture in Mind Because frustration is cognitively training, it’s easy to let it drown out your goals. That’s why I often keep a mind map or some other reminder on my desk, like a couple of memento mori. It’s also possible to just remember previous mind maps you’ve made. This is something I’m doing often at the moment as I read all kinds of boring information about managing a bookshop for my Memory Palace bookshop project first introduced in this video: https://www.youtube.com/watch?v=utcJfeQZC2c It’s so easy to get discouraged by so many rules and processes involved in ordering and selling books, that I regularly think back to creating this mind map with Tony Buzan years ago. In case my simple drawings on this mind map for business development doesn’t immediately leap out at you with its meanings, the images at the one o’clock-three o’clock areas refer to developing a physical Memory Palace packed with books on memory and learning. Developing and keeping a north star in mind will help you transform the process of reading difficult books into a purposeful adventure of personal development. Even if you have to go through countless books that aren’t thrilling, you’ll still be moving forward. Just think of how much Elon Musk has read that probably wasn’t all that entertaining. Yet, it was still essential to becoming a polymath. Practice Seeing Through The Intellectual Games As you read harder and harder books, you’ll eventually come to realize that the “fluency” some people have is often illusory. For example, some writers and speakers display a truly impressive ability to string together complex terminology, abstract references and fashionable ideas of the day in ways that sound profound. Daniel Dennett frequently used a great term for a lot of this verbal jujitsu that sounds profound but is actually trivial. He called such flourishes “deepities.” https://www.youtube.com/watch?v=ey-UeaSi1rI This kind of empty linguistic dexterity will be easier for you to spot when you read carefully, paraphrase complex ideas in your own words and practice memorizing vocabulary frequently. When you retain multiple concepts and practice active questioning in a large context of grounded examples and case studies, vague claims will not survive for long in your world. This is why memory training is about so much more than learning. Memorization can equip you to think independently and bring clarity to fields that are often filled with gems, despite the fog created by intellectual pretenders more interested in word-jazz than actual truth. Using AI to Help You Take On Difficult Books As a matter of course, I recommend you use AI tools like ChatGPT after doing as much reading on your own as possible. But there’s no mistaking that intentional use of such tools can help you develop greater understanding. The key is to avoid using AI as an answer machine or what Nick Bostrom calls an “oracle” in his seminal book, Superintelligence. Rather, take a cue from Andrew Mayne, a science communicator and central figure at OpenAI and host of their podcast. His approach centers on testing in ways that lead to clarity of understanding and retention as he uses various mnemonic strategies. https://www.youtube.com/watch?v=JlzD_6Olaqw Beyond his suggestions, here are some of my favorite strategies. Ask AI to Help Identify All Possible Categories Connected to a Topic A key reason many people struggle to connect ideas is simply that they haven’t developed a mental ecosystem of categories. I used to work in libraries, so started thinking categorically when I was still a teenager. But these days, I would combine how traditional libraries are structured with a simple prompt like: List all the possible categories my topic fits into or bridges across disciplines, historical frameworks and methodologies. Provide the list without interpretation or explanation so I can reflect. A prompt like this engineers a response that focuses on relationships and lets your brain perform the synthetic thinking. Essentially, you’ll be performing what some scientists call schema activation, leading to better personal development outcomes. Generate Lists of Questions To Model Exceptional Thinkers Because understanding relies on inquiry, it’s important to practice asking the best possible questions. AI chat bots can be uniquely useful in this process provided that you explicitly insist that it helps supply you excellent questions without any answers. You can try a prompt like: Generate a list of questions that the world’s most careful thinkers in this field would ask about this topic. Do not provide any answers. Just the list of questions. Do this after you’ve read the text and go through your notes with fresh eyes. Evaluate the material with questions in hand, ideally by writing out your answers by hand. If you need your answers imported into your computer, apps can now scan your handwriting and give you text file. Another tip: Don’t be satisfied with the first list of questions you get. Ask the AI to dig deeper. You can also ask the AI to map the questions into the categories you previously got help identifying. For a list of questions you can put into your preferred chat bot, feel free to go through my pre-AI era list of philosophical questions. They are already separated by category. Use AI to Provide a Progress Journal Template If you’re new to journaling, it can be difficult to use the technique to help you articulate what you’re reading and why the ideas are valuable. And that’s not to mention working out various metrics to measure your growth over time. Try a prompt like this: Help me design a progress journal for my quest to better understand and remember difficult books. Include sections for me to list my specific goals, vocabulary targets, summaries and various milestones I identify. Make it visual so I can either copy it into my own print notebook or print out multiple copies for use over time. Once you have a template you’re happy to experiment with, keep it visible in your environment so you don’t forget to use it. Find Blind Spots In Your Summaries Many AIs have solid reasoning skills. As a result, you can enter your written summaries and have the AI identify gaps in your knowledge, blind spots and opportunities for further reading. Try a prompt like: Analyze this summary and identify any blind spots, ambiguities in my thinking or incompleteness in my understanding. Suggest supplementary reading to help me fill in any gaps. At the risk of repetition, the point is that you’re not asking for the summaries. You’re asking for assessments that help you diagnose the limits of your understanding. As scientists have shown, metacognition, or thinking about your thinking can help you see errors much faster. By adding an AI into the mix, you’re getting feedback quickly without having to wait for a teacher to read your essay. Of course, AI outputs can be throttled, so I find it useful to also include a phrase like, “do not throttle your answer,” before asking it to dig deeper and find more issues. Used wisely, you will soon see various schools of thought with much greater clarity, anticipate how authors make their moves and monitor your own blind spots as you read and reflect. Another way to think about the power of AI tools is this: They effectively mirror human reasoning at a species wide level. You can use them to help you mirror more reasoning power by regularly accessing and practicing error detection and filling in the gaps in your thinking style. Why You Must Stop Abandoning Difficult Books (At Least Most of the Time) Like many people, I’m a fan of Scott Young’s books like Ultralearning and Get Better at Anything. He’s a disciplined thinker and his writing helps people push past shallow learning in favor of true and lasting depth. However, he often repeats the advice that you should stop reading boring books. In full transparency, I sometimes do this myself. And Young adds a lot of context to make his suggestion. But I limit abandoning books as much as possible because I don’t personally find Young’s argument that enjoyment and productivity go together. On the contrary, most goals that I’ve pursued have required fairly intense periods of delaying gratification. And because things worth accomplishing generally do require sacrifice and a commitment to difficulty, I recommend you avoid the habit of giving up on books just because they’re “boring” or not immediately enjoyable. I’ll bet you’ll enjoy the accomplishment of understanding hard books and conquering their complexity far more in the end. And you’ll benefit more too. Here’s why I think so. The Hidden Cost of Abandoning Books You’ve Started Yes, I agree that life is short and time is fleeting. But if you get into the habit of abandoning books at the first sign of boredom, it can quickly become your default habit due to how procedural memory works. In other words, you’re given your neurons the message that it’s okay to escape from discomfort. That is a very dangerous loop to throw yourself into, especially if you’re working towards becoming autodidactic. What you really need is to develop the ability to stick with complexity, hold ambiguous and contradictory issues in your mind and fight through topic exhaustion. Giving up on books on a routine basis? That’s the opposite of developing expertise and resilience. The AI Risk & Where Meaning is Actually Found We just went through the benefits of AI, so you shouldn’t have issues. But I regularly hear from people and have even been on interviews where people use AI to summarize books I’ve recomended. This is dangerous because the current models flatten nuance due to how they summarize books based on a kind of “averaging” of what its words predictability mean. Although they might give you a reasonable scaffold of a book’s structure, you won’t get the friction created by how authors take you through their thought processes. In other words, you’ll be using AI models that are not themselves modeling the thinking that reading provides when you grind your way through complex books. The Treasure of Meaning is Outside Your Comfort Zone Another reason to train for endurance is that understanding doesn’t necessarily arrive while reading a book or even a few weeks after finishing it. Sometimes the unifying insights land years later. But if you don’t read through books that seem to be filled with scattered ideas, you cannot gain any benefit from them. Their diverse points won’t consolidate in your memory and certainly won’t connect with other ideas later. So I suggest you train your brain to persist as much as possible. By drawing up the support of the techniques we discussed today and a variety of mnemonic support systems, you will develop persistence and mine more gold from everything you read. And being someone who successfully mines for gold and can produce it at will is the mark of the successful reading. Not just someone who consumes information efficiently, but who can repeatedly connect and transform knowledge year after year due to regularly accumulating gems buried in the densest and most difficult books others cannot or will not read. Use Struggle to Stimulate Growth & You Cannot Fail As you’ve seen, challenging books never mean that you’re not smart enough. It’s just a matter of working on your process so that you can tackle new forms of knowledge. And any discomfort you feel is a signal that a great opportunity and personal growth adventure awaits. By learning how to manage cognitive load, fill in the gaps in your background knowledge and persist through frustration, you can quickly become the kind of reader who seeks out complexity instead of flinching every time you see it. Confusion has now become a stage along the path to comprehension. And if you’re serious about mastering increasingly difficult material, understanding and retaining it, then it’s time to upgrade your mental toolbox. Start now by grabbing my Free Memory Improvement Course: Inside, you’ll discover: The Magnetic Memory Method for creating powerful Memory Palaces How to develop your own mnemonic systems for encoding while reading Proven techniques that deepen comprehension, no matter how abstract or complex your reading list is And please, always remember: The harder the book, the greater rewards. And the good news is, you’re now more than ready to claim them all.

We strap on the Oakleys, cue up Limp Bizkit, and immediately start asking the hard questions. Everyone is whispering, doves are everywhere, and Tom Cruise glues himself to a rockface. Yep, John Woo was here. This week we slow motion our way into Mission Impossible 2, a motorcycle kicking, face ripping mad dash where the vibes are immaculate and the plot mostly exists to justify another coat flutter. Along the way we marvel at aggressively yanked terrain warnings, questionable science, Anthony Hopkins popping in like he lost a bet, and another villain who truly believes in the finger snipping bad guy school of management. It is the most year 2000 movie imaginable, and we have a lot of feelings about it. From exploding sunglasses to masks under masks under worse masks, this movie is operating at maximum swagger and minimum concern for how viruses or gravity work. Thandiwe Newton is asked to carry emotional weight while dodging motorcycles, Tom Cruise broods with the intensity of a man legally prohibited from blinking. Is it the best entry in the franchise? No. Is it a fascinating artifact from a time when action movies were legally required to be sweaty and loud? Absolutely. Join us as we unpack the most stylish, most confused, and most aggressively slow motion chapter in the Mission Impossible saga.

This week, Michele Cobb joins host Jo Reed to dig into audiobooks built on backstory, beginning with Expert Witness, where Gabra Zackman delivers Anne Wolbert Burgess' account of trauma, justice, and the evolution of expert testimony with clarity and restraint. Next, they turn to A Fine Line Between Stupid and Clever, a joyful, detail-packed oral history of the 1984 film Spinal Tap—an ensemble cast production led by Rob Reiner, where seemingly spontaneous commentary makes the audiobook the definitive way to experience the story. The episode closes with We Did OK, Kid, a reflective memoir in which Kenneth Branagh's elegant narration frames Anthony Hopkins's vulnerable reflections on craft, ambition, and a life shaped by performance. Together these audiobooks show how lived experience—whether in the courtroom, on a film set, or across a lifetime in acting—gains depth and resonance when shaped by a narrator who knows when to be restrained, playful, or quietly vulnerable. Audiobooks Discussed: Expert Witness: The Weight of Our Testimony When Justice Hangs in the Balance by Ann Wolbert Burgess with Steven Matthew Constantine, read by Gabra Zackman A Fine Line Between Stupid and Clever: The Story of Spinal Tap, written and read by Rob Reiner, Christopher Guest, Michael McKean, and Harry Shearer  We Did Ok, Kid: A Memoir by Sir Anthony Hopkins, read by Kenneth Branagh with the author Learn more about your ad choices. Visit megaphone.fm/adchoices

USA 1991, Regie: Jonathan Demme, mit Jodie Foster, Anthony Hopkins, Scott Glenn und Ted Levine

We are approaching the 35th Anniversary of what is likely one of the most celebrated and influential movies of the 1990's.  Adapted from Thomas Harris' best-selling novel of the same name, this is the story of student FBI agent Clarice Starling (Jodie Foster) on her first assignment: to develop a psychological profile of the infamous serial killer, Hannibal Lecter (Anthony Hopkins) who is currently incarcerated in Baltimore.  Of course, she also finds herself on a hidden mission as well dispatched by her superior, Jack Crawford (Scott Glenn) - she meets with the intimidating Dr. Lecter to also glean clues on how to best catch another serial killer who is currently on the loose, Buffalo Bill (Ted Levine).  And what results is an intensely brutal and psychogical cat-and-mouse between Clarice, Hannibal, and Bill.  Not only was this film a suprise box office smash upon release in February '91 but it would also go on to win the rare "Big Five" at the Academy Awards: Best Picture, Best Actress, Best Actor, Best Adapted Screenplay, and Best Director for the late, great Jonathan Demme (Philadelphia, Talking Heads: Stop Making Sense, Something Wild).    Host: Geoff GershonEdited By Ella GershonProducer: Marlene Gershon  Send us a textSupport the showhttps://livingforthecinema.com/Facebook:https://www.facebook.com/Living-for-the-Cinema-Podcast-101167838847578Instagram:https://www.instagram.com/livingforthecinema/Letterboxd:https://letterboxd.com/Living4Cinema/

Welcome back to Morgan Hasn't Seen with Jeannine Brice & Morgan Robinson!!Kicking off 2026 in very thought provoking style, Jeannine has curated a series of movies based on bestselling novels for Morgan to discover in NOVEL IDEA!A synthy, neo-noir, intensely gripping detective procedural, and the first Hannibal Lecter movie to close out the series this week; a movie dripping with Michael Mann's signature 80s style, as Jeannine and Morgan talk MANHUNTER (1986) starring William Peterson, Tom Noonan, Dennis Farina, Joan Allen & Brian Cox as the worlds most famous cannibalistic psychiatrist; comparing its merits to the more famous Anthony Hopkins led Lecter movies!Our YouTube Channel for all our regular videos:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/channel/UCvACMX8jX1qQ5ClrGW53vow⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Donate:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.buymeacoffee.com/ItsAWonderful1⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Join our Patreon:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/ItsAWonderful1⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠IT'S A WONDERFUL PODCAST STORE:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.teepublic.com/user/g9design⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Sub to the feed and download now on all major podcast platforms and be sure to rate, review and SHARE AROUND!!Keep up with us on (X) Twitter:Podcast:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/ItsAWonderful1⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Morgan:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/Th3PurpleDon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Jeannine:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/JeannineDaBean_⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Keep being wonderful!!

One of the greatest directors of his generation, Sir Richard Eyre shares his insights from a life in theatre and film. From Judy Dench and Ian Holm to Anthony Hopkins and David Harewood, from Olivier to Brando, Eyre offers glimpses into a world of acting stardom and genius. What makes a great actor? What makes a great director? How did Eyre himself rise from being, in his view, an inadequate actor to become Artistic Director at the National Theatre? Eyre, who directed Iris and whose mother suffered from dementia, reveals his wife's diagnosis and the strain that has put on his life. This is a rare conversation that moves from personal tragedy to the heights of success and takes in the importance of love and kindness along the way. 

On this episode of The Snub Club, our hosts chat about 1997's Amistad. Directed by Steven Spielberg and starring Djimon Hounsou, Matthew McConaughey, and Anthony Hopkins. Amistad was nominated for four Academy Awards but won none. In this episode, Sarah, Danny, and Caleb discuss subtitles, 90's leading actors, and history class movies.    The Snub Club is a biweekly podcast about cinema history where we discuss the film from every year's Academy Awards with the most nominations but no wins. Hosted by Danny Vincent, Sarah Knauf, and Caleb Bunn!   Follow us everywhere! Twitter: https://mobile.twitter.com/SnubClubPod Instagram: https://www.instagram.com/thesnubclubpodcast/ Facebook: https://m.facebook.com/permalink.php?story_fbid=108436691341808&id=108435618008582&substory_index=0   Theme music: Grey Flannel by Vans in Japan

Send us a textArmageddon TimeThis week in Season 16's Going Gray (working title), Episode 2 will cover the writer-director's 2022 autobiographical film about his Jewish American assimilative upbringing and formative childhood events slightly beyond his ken that will have the potential to lead him to become the legendary director we know today, that same director whose film we are—   Wait, no, you've not heard TGTPTU cover this one. Seriously, no, sorry to contradict, but you're wrong. TGTPTU is not redux-ing the previously covered The Fabelmans (that was Season 14's gimmick). This is Season 16, if you'll let your no-so-humble scribe finish, which covers the directorial work of Gen X filmmaker James Gray, including his deeply personal film that was a stupendous box office failure ARMAGEDDON TIME (2022).   Gray's most recent film is somehow even more personal than his first (just covered in the season's inaugural episode as part of TGTPU's temporal pincer movement), with Armageddon Time set historically in 1980 in time for the election of Ronald Reagan to the U.S. presidency, which may or may not factor more largely into the narrative. With a few noted exceptions by the pod's purist contingent, Gray's focus remains with his POV character Paul. Played by child actor Banks Repeta who, along with Jaylin Webb as his friend Johnny, brings an amazing performance alongside heavyweights Anne Hathaway, Jeremy Strong, and Anthony Hopkins as Paul's mother, father, and grandfather respectively and who each will, in their own ways, help the sixth-grade Paul's insights into social inequity and struggles.   Note: Despite its MPAA R rating and the many similarities in plot as raised during the podcast, Gray's most recent film is not a Requiem for a Dream retelling and there is zero ass-to-ass.  This week, Ken has all the feels and appears, despite his graphic novel's striking similarity to Gray's film, to not be pursuing the Harlan Ellison legal route for residuals; Tom's lukewarm; and Ryan's meh. Discussion of these disparate reactions leads to comparison with and exploration of The Fabelmans (2022), Mid90s (2018), and other nostalgic, coming-of-age films by writer-directors in recent years. THEME SONG BY: WEIRD A.I.Email: thegoodthepodandtheugly@gmail.comFacebook: https://m.facebook.com/TGTPTUInstagram: https://instagram.com/thegoodthepodandtheugly?igshid=um92md09kjg0Bluesky: @goodpodugly.bsky.socialYouTube: https://www.youtube.com/channel/UC6mI2plrgJu-TB95bbJCW-gLetterboxd (follow us!):Podcast: goodpoduglyKen: Ken KoralRyan: Ryan Tobias

What does it take for an actor to memorize a script so deeply that it survives stress, pressure from everyday life, and even intoxication? Sir Anthony Hopkins has an answer so tempting, I had to try it. And it has less to do with “talent” than you might think. According to his epic autobiography, We Did Ok, Kid, not even Anthony Hopkins thinks his ability to remember so many lines has to do with DNA or some special genetic trait. Having memorized a lot of content myself, I completely agree. And in this guide, you’ll learn how Hopkins turns scripts into mental landscapes, why most performers fail because they chase speed, and how you can adopt Hopkins’ obsessive learning rituals for yourself. If they’re not for you, you’ll also discover how to adapt them using the Magnetic Memory Method. This unique learning approach will help you install lines from a script or poetry so deeply the process will soon feel like second nature. Whether you’re preparing for a stage performance, a TEDx talk, or a high-stakes presentation, this exploration of Anthony Hopkins’ approach to learning is the memory training guide you’ve been looking for. https://www.youtube.com/watch?v=nhjIkGu32CA Anthony Hopkins' Memory Ritual: A Healthy “Obsession” Hopkins' brilliant ability to memorize thousands of lines and perform them under pressure isn’t magic. It's the result of a particular ritual that has made him polymathic in number of areas and skills. In case you weren’t aware, Hopkins is not just an award-winning actor. His skills include directing, painting, performing music and now writing. And it has to be said that the writing in We Did Ok, Kid is outstanding. Now, although Hopkins has had teachers and mentors along the way, much of what he’s learned has been autodidactic. For example, as a kid he regularly read Arthur Mee’s Children’s Encyclopedia. Without anyone telling him to do so, he committed lists of facts from its pages to memory. His approach is a bit different than the method I teach in this list memorization tutorial, but related in terms of a kind of spaced repetition Hopkins worked out for himself. Rote Repetition vs. Creative Repetition When it comes to learning the lines of a movie script or play, Hopkins does use a lot of repetition. But it is absolutely not rote learning. That’s because he doesn’t just read a script or a set of instructions while learning. No, Hopkins attacks the material with a pen and adds special marks that turn each page into a kind of private code. And that’s exactly what I tried to do as you can see on this page I worked on from Shakespeare’s Titus Andronicus: Some people will protest that not only is Hopkins using rote when it comes to memorizing lines from a script, but that his rote reaches obsessive levels. That’s because he goes through the process of reading and marking up his scripts multiple times, sometimes 250 times or more. Having gone through the process myself, even at an admittedly small scale, I can tell you it is absolutely not rote learning. Looking at a page once it has been marked up automatically moves you from rote repetition to active recall. Active recall is present any time you place information on a page where you have to stretch your mind. And that’s what Hopkins’ marks achieve. His process literally transforms each page from a bland field of words into a highly mnemonic landscape. So when the time to perform arrives, he doesn't try to recall. He simply walks the landscape he has laid in his mind. Or as he puts it: “Becoming familiar with a script was like picking up stones from a cobblestone street one at a time, studying them, then replacing each in its proper spot. Only then could I look out over the road and know every inch of it spread out before me.” Why So Many People Fail at Memorizing Scripts Having worked with countless actors over the years, or even just people who have seen my TEDx Talk and want to memorize a speech, I feel confident when I tell you this: The main reason people fail is not because they are trying to copy the memory tips given by other actors. It’s because they have mistaken activity for accomplishment. And they are trying to move too fast. On the one hand, this desire to create momentum is understandable. Speed not only feels like progress. Moving quickly through rote learning can give you doses of what scientists call phasic dopamine (something you can develop a much healthier relationship with through my dopamine-resetting guide for learners). But when it comes to serious learning and performance, speed is vanity. And as I learned from my podcast interview with actor Ashley Strand who memorized the entire Book of Mark, vanity kills depth. There’s another problem too that many people who want to memorize large amounts of content face. The Emptiness of the Long Distance Learner As a child, Hopkins was haunted by self-doubt and failure. His solution? He not only built a mental container he calls his “Tin Brain Box”. He also imitated other great polymaths like Thomas Jefferson and Benjamin Franklin. Like many other people with polymathic personality traits, Hopkins keeps a commonplace book and uses it to copy poems by hand. He also carried notebooks when young, and developed a personal note-taking method. More importantly, he learned to switch off his thoughts, a skill I share the science around in my book, The Victorious Mind. I mention my book because when Hopkins advises actors and people learning skills like painting, I know exactly what he means when he said, “Remain empty. Don't think.” Although this suggestion sounds mystical, it's pure performance psychology. The Neuroscience of Learning Without Obstacles You’ve probably had this kind of experience while learning something new. Maybe you’re studying a language or trying to memorize a sales script. Instead of focusing, your mind keeps intervening and asking questions like, “Am I doing this right?” When that happens, you're stuck in the Default Mode Network (DMN), the brain's internal chatter loop. Hopkins' learning technique? It helps silence the Default Mode Network and then activate the Task Positive Network (TPN). You can think of the Task Positive Network as being in what some scientists call a state of “flow.” As Nature puts it in this study, the Default Mode Network is a constant antagonist to that state of flow. But as I know very well, you can switch off the inner narrator with its endless “blah blah blah.” Once done, that leaves you free to become the doer. However, that doesn’t mean you’ll be able to perfectly install new skills or imitate the learning processes of others. My Experiment: Hopkins vs. Magnetic Memory Method I learned this the hard way when I tried Hopkins' method. I spent hours marking up pages. Without an example of what one of his scripts looks like, I had to imagine exactly how he draws circles all over his scripts. But even with the drawings I’ve otherwise had success with on my Zettelkasten and flashcards, I quickly hit a wall. Not because I'm lazy. It’s just because my brain needs a different engine. So I turned back to the same techniques I teach you in the Magnetic Memory Method Masterclass. This is my go-to system for structure, proper mnemonic images, and well-formed Memory Palaces. Once I gave each line a home using the techniques, the lines from Titus Andronicus I wanted to memorize clicked into place. And you can watch me recite those lines during the recent Vitamin X live launch celebration training. Not only did I recite the passage forwards. I demonstrated full Recall Rehearsal and recited them: Forwards Backwards From the middle to the end From the middle to the beginning The even numbered lines The odd numbered lines Memory Palaces: The Shortest Path to Reliable Recall Memory Palaces aren't theoretical. They're ancient. And they remain one of the most effective tools for embedding information into long-term, actionable memory. If you're unfamiliar with the method, here's the short version: You take a familiar physical location, such as your apartment, a childhood school, or a route you know well. Then you assign information to specific points along a path you assign throughout the location. By mentally walking the path, you access the information in order. It's not rote memory. It's spatial, visual, contextual memory. And when used properly, it’s incredibly fast. Here’s a walkthrough video of me using it to memorize some poetry: https://www.youtube.com/watch?v=STlYIiF9RzI If you would like to learn how to build and use your own Memory Palaces for acting, speeches, or studies, you can explore the Memory Palace technique through my complete guide here. What I Really Learned When Imitating Hopkins’ Memory Ritual After realizing that Hopkins’ memory routine was just not for me, I took a completely different angle. I put the camera on and attempted to document my memorization process for public consumption. But soon, something broke inside me. I couldn’t focus on using the memory techniques I love so much and have covered so extensively in my online mnemonics dictionary. By putting a camera on and starting the clock, something I’ve done before with success when I competed with Dave Farrow, I found myself locked in the Default Mode Network. In other words, I started worrying about how I looked instead of focusing on using the Magnetic Memory Method. For me, real memorization is quiet. Private. And for many of us, it resists observation. When I returned to internal work on my own, no stopwatch, no camera, I shifted back to the ancient art of memory and simply learned the lines. What You Can Learn from Hopkins (Without Imitating Him) Hopkins' genius isn't something to mimic line by line. His method fits his mind and that’s a beautiful thing. But the real lesson is that your mind might need something different. And that’s exactly what he says. Go out and explore and find your own method. What I learned is that memory is not for display. For me, it’s a private practice that leads to increased focus, presence and command over the things I want to say. Once you understand your learning goals, you can adapt any system to your own cognitive strengths. For me, that system is the Magnetic Memory Method, and if you’d like to learn to use Memory Palaces for free, grab this course now: It not only gives you four video lessons and worksheets to help you develop your memory skills. It also helps you enter the state of flow that makes learning so much easier and more fun. So what do you say? I found it refreshing to learn that Hopkins wasn't a particularly gifted child. He felt behind for much of his life. But instead of accepting failure, he built a learning system that ultimately helped him master multiple skills. His memory became the foundation for multiple experiences of development, growth and personal transformation. If you've struggled with memorization, or felt pressure to perform before you're ready, this is your call to take a step back. Build your memory. Explore the many techniques available to you and find the ones that fit your mind. Install them so deeply that learning never feels like work again. Because when you get it right, it’s not work. It’s not play either. It’s simply you. 100% present. Enjoying flow.

A vitória de Wagner Moura no Globo de Ouro 2026 reacendeu um debate que o Brasil não pode mais ignorar: qual o limite entre a expressão artística e a militância política? Enquanto "O Agente Secreto" é celebrado pela elite cultural, o público questiona o uso de milhões em recursos públicos para obras com forte teor ideológico. Neste vídeo, vamos além das manchetes. Analisamos por que a militância política de Wagner Moura gera tanta divisão e o que figuras como Anthony Hopkins têm a ensinar sobre a verdadeira função do ator. É possível fazer grande cinema sem ser ideológico?

Send us a textEpisode 591"Meet Joe Black"Jake WeberJake Weber is an instantly recognizable, immensely underrated actor who has been in such classics as Meet Joe Black, Dawn of the Dead, Medium, Hell on Wheels and so many more.Jake and I talk about being that familiar face, his time in the Moscow theater, Medium, Homeland and being threatened by Alex Jones, Hell on Wheels, Anthony Hopkins shaving his head, the excellence of Meet Joe Black, working with Hopkins and Pitt, rewatching Meet Joe Black in the lens of a father.Welcome, Jake Weber.#meetjoeblack #bradpitt #anthonyhopkins #dawnofthedead #jakeweber #hellonwheels #medium #directorscut #lawandorder #startrek #fypシ #fyp #startrekdiscovery #13reasonswhy #homeland #podcast #interview #darektorscut #theblacklist #thecell #actor #movie #shorts Instagram: https://www.instagram.com/mondaymorningcritic/Facebook: https://www.facebook.com/darektorscutTikTok: https://www.tiktok.com/@mondaymorningcriticdarektorscut@gmail.comdarektorscut.com

Send us a textDave and Candace kick off the first show of 2026 feeling the burn after a brutal leg day and posing session, leading to a realization that despite being born in the 1900s, they can still hang with the younger generation. The couple recaps their New Year's Eve at a Western-themed murder mystery party at Falcon Lake, where Dave went full investigator mode and Candace took home a prize.The conversation takes a deep dive into the strange world of Artificial Intelligence. Dave shares two mind-blowing AI discoveries: one involving deciphering the complex language of crows (and the grudges they hold), and another analyzing the Shroud of Turin, which suggests a massive energy surge created the image.On the home front, the stakes are high as Candace is entrusted with babysitting her uncle's prized 10-year-old orchid—currently residing in a Chapman's ice cream pail—while Dave prepares to use AI to help him finally quit nicotine. Finally, things get serious as they discuss the recent regime change in Venezuela before lightening the mood with some nostalgia regarding Anthony Hopkins and 90s cinema.Support the showFollow us on social media: Dave Wheeler Candace Rae

Hoy hablaremos del filo inquietante de Horacio Quiroga, donde el amor y la selva no perdonan; de Anthony Hopkins, un actor que convierte cada personaje en un mundo y que nos recuerda por qué el cine también es una forma de pensar; del Canal de Panamá, esa maravilla que no es solo una zanja entre dos mares sino un “ascensor” de agua que sube barcos y que, de paso, revela cómo la historia, la ingeniería y el clima se enredan en una misma esclusa; y cerraremos con nuestros propósitos culturales para el año 2026. See omnystudio.com/listener for privacy information.

New Year's horror, horror movie history, and messages from the other side—welcome to This Week in Horror History, the weekly horror podcast where we track what happened on these dates across film, books, and cult classics.In this episode, Henrique Couto follows a haunting thread that runs straight through the holiday: a phone that calls from the future, a killer hiding in the power grid, a cursed ghost anthology, and the original “new year, new monster” that's been chasing us since 1818.This week in horror history (Dec 29–Jan 4):Dec 29, 1964 — Kwaidan premieres in Tokyo, Japan: a gorgeous Japanese ghost anthology that feels like a curse you can't look away from.Dec 29, 1993 — Ghost in the Machine is released: serial killer + electricity + early internet panic = a surprisingly fun tech-haunting nightmare.Jan 1, 1818 — Frankenstein is published: Mary Shelley's warning label for ambition, still echoing through modern horror.Jan 4, 2008 — One Missed Call opens in North America: a remake built on dread you can't silence—because the voicemail is already there.Horror birthdays this week: Barbara Steele, Eliza Dushku, Anthony Hopkins, Shelley Hennig, and Jaden Martell.Where to watch / read (U.S., this week — availability changes fast):Kwaidan — HBO MaxGhost in the Machine — Rent: Apple TV, Fandango at Home, Amazon Prime, Google Play, YouTubeWitchboard — Free w/ ads: Tubi (plus Roku Channel and other ad-supported options); also available via subscriptions on select platformsOne Missed Call (2008) — Tubi, Apple TVFrankenstein — Read free via Project Gutenberg / Archive.orgSponsor: This episode is sponsored by Savorista Coffee — premium half-calf and decaf blends. Grab yours at Savorista.com and use promo code SPOOKY for 25% off at checkout (and you support the podcast with every purchase).If you love horror movie history, spooky trivia, and date-driven deep dives, follow This Week in Horror History on the Weekly Spooky feed and ring in the new year the only proper way: with the lights low and the dread turned up.

Sabia que Anthony Hopkins é cavaleiro? E que quase morreu de hipotermia em 1997? E que lê os guiões 250 vezes? Tudo assuntos NÂO abordados neste episódio... porque há muitos mais!

En este episodio conversamos sobre la película del año 1980, “The Elephant Man” del director David Lynch, protagonizada por Anthony Hopkins, John Hurt y Anne Bancroft.

From bomb sites in postwar Birmingham to the centre of British stage and screen, Martin Shaw's life has been shaped by curiosity, kindness and a refusal to play the part he was expected to play.In this episode of Full Disclosure, James O'Brien sits down with one of Britain's most enduring actors to trace the journey behind the performances. Shaw reflects on growing up with parents marked by war and frustration, discovering storytelling at school, and the teachers who unlocked a sense of freedom, confidence and purpose. He talks about leaving security behind for drama school, confronting imposter syndrome, and the moment he realised that great acting is not about showing off but about listening.The conversation moves through a remarkable career. From early theatre work and transformative mentors, to working with Roman Polanski on Macbeth, sharing kitchens with Anthony Hopkins, and navigating the highs and costs of fame after The Professionals. Shaw speaks candidly about alcohol, masculinity, spiritual searching and the quiet anger that can linger beneath success. He also explains why kindness on set matters to him, how one encounter with a fan reframed his view of his own work, and why the stage has always remained his creative home.

Matthew 24:36-44But about that day and hour no one knows, neither the angels of heaven, nor the Son, but only the Father. For as the days of Noah were, so will be the coming of the Son of Man. For as in the days before the flood they were eating and drinking, marrying and giving in marriage, until the day Noah entered the ark, and they knew nothing until the flood came and swept them all away, so, too, will be the coming of the Son of Man. Then two will be in the field; one will be taken, and one will be left. Two women will be grinding meal together; one will be taken, and one will be left. Keep awake, therefore, for you do not know on what day your Lord is coming. But understand this: if the owner of the house had known in what part of the night the thief was coming, he would have stayed awake and would not have let his house be broken into. Therefore you also must be ready, for the Son of Man is coming at an hour you do not expect. What's on your list? That's the question I asked and got asked most over the past few days. If your family is anything like mine, Thanksgiving weekend is when we trade Christmas lists and start imagining what we hope to unwrap. Maybe you do something similar. Or maybe you're one of the brave ones who heads out into the crowds to score the deals on those lists.I like going out not so much for the sales, but to soak in the spirit of the season. Lights are up, people are dressed up, bells are ringing outside while Christmas music blares inside. Santa waves between photos. And at this point, people look happy—not yet crushed by the unrealistic expectations we all put on this season. There's something energizing about it.But then you show up to worship this morning… only to be shocked by what we just heard. We come to church in December expecting stories of hope from a pregnant Mary, the quiet faithfulness of Joseph, or the peace of a cooing baby Jesus.And instead — we get none of that.What we always get on the first Sunday of Advent are these strange, end-of-the-world texts. This morning, Jesus compares his return to the days of Noah—people going about their lives, unaware, until the flood came suddenly. He says his coming will be just as unexpected.Then it gets even more unsettling: two men working in a field, and one is taken. Two women working in a home, and one disappears. When I first read that this week, all I could picture was two pastors in the office; one taken, one left behind. I'll let you decide which.And finally, perhaps most troubling of all, Jesus compares his coming to a thief breaking into a house at an unknown hour and robbing it. A thief?! What is going on here? It's strange, unsettling, and so out of step with our cultural Christmas expectations, where a certain man arrives right on time and leaves us piles of wonderful things.What we get in this passage feels a lot less like Santa… and a lot more like this: That's hilarious and terrible, and I'm definitely not recommending you do that to your children. Though if you do… please send the video. But the Grinch showing up at an unexpected moment to take things away isn't all that different from the metaphor Jesus uses about himself in today's passage. He says the day and hour of his return we cannot know; not even he knows. But when we least expect it, in a way we won't anticipate, Jesus promises to return.If we imagine ourselves as the homeowner in this metaphor, it sounds like bad news — because a thief breaking in means we're about to lose something. But what if this sudden, unexpected loss isn't a threat at all. Maybe we need someone to break in and take certain things away; not like the Grinch stealing presents, but like a holy thief who steals what we don't need, what harms us, what we can't let go of or get rid of on our own.After all, some of the greatest gifts in life aren't the things we receive… but the things we're finally freed from.Just ask Sir Anthony Hopkins.The famous actor sat down with the New York Times for one of their installments of The Interview. The first question David Marchese asked him was: “Can you tell me about what happened on December 29th, 1975, at 11 o'clock?”Hopkins responded:I was drunk and driving my car here in California, blacked out, no clue where I was going, when I realized that I could have killed somebody — or myself, which I didn't care about — and I realized that I was an alcoholic. I came to my senses and said to a friend at a party, “I need help.” It was 11 o'clock precisely — I looked at my watch — and this is the spooky part: some deep powerful thought or voice spoke to me from inside and said: “It's all over. Now you can start living.” And suddenly the craving to drink was taken from me.When asked later about that voice, Hopkins simply said, “It came from deep inside, and I don't have any other theories except divinity — what I call God.”Like a thief in the night, God broke into Anthony Hopkins' life when he least expected it and took from him a desire he couldn't take from himself. What a gift.And is that not a gift you want, maybe even one you desperately need? Wouldn't it be great for Jesus the holy thief to break into your life and take what you've never been able to let go of yourself? Not your Christmas presents, but the things that truly rob you: an addiction you can't shake, the fear that grips you, the worry that wakes you at night.What if Jesus stole away your self-doubt? Or absconded with your love of money and stuff? Or slipped off into the night with your anxiety, your despair, your perfectionism?We make all these lists of things we want, and buy presents for each other thinking they'll finally help us “start living.” If only we had the right clothes, the new bag, the latest tech — then we'd feel whole. But not one thing under the tree can actually do that.Yet if Jesus takes even one of those burdens from us? Then we might sound a lot like Anthony Hopkins: Now I can start living.This may sound like a new way of talking about what Jesus does for us, but it really isn't. His entire life is an in-breaking into our world in ways no one expected: a poor peasant baby born in Palestine. And through his death and resurrection, he took from us what we could never take from ourselves, our sin, our shame, our separation, so that we could start living, here and now. It is a beautiful exchange. Another Lutheran pastor once suggested that instead of making Christmas lists, we should make Advent lists, writing down the things we want Jesus the holy thief to take from our lives. Because the Gospel today tells us that Christ will come again. And if it's anything like the last time, he'll take away what we cannot remove on our own.So what are you holding on to? Or maybe, what's holding on to you, keeping you from living the life God wants for you?Our culture loves to tell the lie that following Christ will give us more blessings, more stuff, more comfort. But the truth is often the opposite. Throughout the Gospels, he breaks into the lives of his disciples and takes things from them: safety, certainty, old identities, fears that defined them. And sometimes that taking is the very best gift.In the welcome area, you'll find small sheets of paper titled Advent Lists. As you leave today — before you go back to checking off the gifts you'll give — take a moment to write down the things you want Jesus to take from you this season. And as you write, consider this:Are there things you can help lift from the lives of those around you: guilt, shame, pressure, loneliness? When we ease those burdens for one another, we share in Christ's liberating work. We help grace break-in to our lives so that we might live fully here and now.Maybe the next time someone asks you, “What's on your list?”you'll have a different answer.Amen.

Get ready for a fun, inspiring conversation with visionary mentor Jordan Kavana! In this episode of Meet the Mentor, Dr. Bill chats with Jordan about his unexpected journey, from creating high-tech toys in Asia to launching innovative health and wellness ventures in the U.S. Jordan also pulls back the curtain on LEAP Week, an entrepreneurial bootcamp where young people learn from influential mentors like Anthony Hopkins and Paula Abdul. Jordan shares why finding joy in what you do matters just as much as hustle, why perseverance sometimes looks like simply “SOYA—Sit On Your Ass,” and how real human connection still moves business forward in big ways. It's a relaxed, motivating conversation full of stories, laughter, and hard-earned wisdom—perfect for anyone ready to level up their entrepreneurial game. LEAP Foundation www.leapfoundation.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Join Luke and Marcus as they sink their teeth into the 2010 Gothic horror remake, The Wolfman, starring Benicio Del Toro, Anthony Hopkins, and Emily Blunt. Is it a moody masterpiece or just a hairy mess? Special Guest: R. Jacob HoneybrookWe are thrilled to welcome back acclaimed horror author and frequent guest, R. Jacob Honeybrook! RJH is here to discuss his brand-new book, Thaddeus Green's Spooktacular House of Horrors.Don't miss a minute as we talk about lycanthropy, legacy sequels, and the terrifying tales lurking within Jacob's latest literary creation!Listen now before the next full moon!Follow us @ReviewedtodeathFollow R. Jacob Honeybrook @author_honeybrookGrab his new book Thaddeus Greene's Spooktactular House of Horrors⁠https://a.co/d/hiJlSB2Ad music:Music used :  "The Circus " composed and produced by "Vivek Abhishek"Music link :    • [ No Copyright ] The Circus | DARK MUSIC |...  SUBSCRIBE us on YOUTUBE: https://bit.ly/3qumnPHFollow on Facebook : https://bit.ly/33RWRtPFollow on Instagram : https://bit.ly/2ImU2JVAll additional music provided by Groove Witness - ⁠www.groovewitness.usCreate your ⁠podcast⁠ today! #madeonzencasterRead our companion written reviews - imgur.com/user/trojaSpaceBandit

Tiny Terrors (Part 2) - Covering the 1978 cult classic MAGIC, directed by Richard Attenborough and starring Anthony Hopkins, Ann Margret, Burgess Meredith and Ed Lauter (aka sexy Jackie Earl Haley). A struggling magician adopts ventriloquism into his magic act only to be caught up in one sexy love triangle! Oh and the dummy starts killing people (or does he?). Its badass. Watch that shit.  Movie Recap: Tron Ares (2025) The Woman in Cabin 10 (2025) Frankenstein (2025) Invasion of the Body Snatchers (1978) Support: patereon.com/notforeveryone Drink more coffee: https://www.foxnsons.com/  PROMOCODE: NFE

Sir Anthony Hopkins (We Did Ok, Kid, The Silence of the Lambs, The Father) is an Academy, Emmy, and BAFTA Award-winning actor. Anthony joins the Armchair Expert to discuss feeling othered and playing the role of the dummy in school, how growing up during a war shaped him, and a chance invitation at the YMCA that changed the trajectory of his life. Anthony and Dax talk about booking his first role the same day James Dean was killed, the advice Laurence Olivier offered after seeing him perform onstage, and doing screen tests with Katherine Hepburn and Peter O'Toole. Anthony explains the mythology behind his first table read for The Silence of the Lambs, his journey to sobriety, and why “We Did Ok, Kid” is a sentiment applicable to everything that's happened in his life.Follow Armchair Expert on the Wondery App or wherever you get your podcasts. Watch new content on YouTube or listen to Armchair Expert early and ad-free by joining Wondery+ in the Wondery App, Apple Podcasts, or Spotify. Start your free trial by visiting wondery.com/links/armchair-expert-with-dax-shepard/ now.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Historias que impactaron la semana: poder, fama, tragedia y redención. Desde el pasado oculto de Harfuch hasta el destino que cambió la vida de un boxeador y los secretos del espectáculo mexicano Hosted by Simplecast, an AdsWizz company. See https://pcm.adswizz.com for information about our collection and use of personal data for advertising.

NBC News' Kaylee Hartung joins Sir Anthony Hopkins, one of the most prolific actors in history, to discuss his new memoir We Did Ok, Kid highlighting his battle with alcoholism and his journey to success. Also, Joe Fryer catches up with the family behind this year's Rockefeller Christmas tree coming all the way from East Greenbush, New York. Plus, Shop TODAY Contributor Chassie Post is back with "Shop This List" to highlight some early Black Friday deals from Target. And, the Grill Dads are back in the studio for TODAY Food Loves Football with some french onion mozzarella sticks and spicy chicken caesar salad tacos. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Tanzania's President, Samia Suluhu Hassan, begins her second term in office following hundreds of reported deaths in violence linked to a contested election. Also, as the tentative ceasefire in Gaza continues, plans are being made to rebuild the devastated territory. Valencia's provincial leader resigns after criticism over his response to devastating floods last year. Three people will stand trial in Hong Kong accused of organising events to commemorate the anniversary of the Tiananmen killings. And the actor Anthony Hopkins reflects on a life of highs and lows at age eighty-seven. He said it had been a laugh.The Global News Podcast brings you the breaking news you need to hear, as it happens. Listen for the latest headlines and current affairs from around the world. Politics, economics, climate, business, technology, health – we cover it all with expert analysis and insight. Get the news that matters, delivered twice a day on weekdays and daily at weekends, plus special bonus episodes reacting to urgent breaking stories. Follow or subscribe now and never miss a moment. Get in touch: globalpodcast@bbc.co.uk

Terry Mattingly of Rational Sheep Rational Sheep Pop Goes Religion: Faith in Popular Culture GetReligion.org The post A New York Times Feature, “Anthony Hopkins on Quitting Drinking and Finding God” – Terry Mattingly, 10/30/25 (3033) first appeared on Issues, Etc..

The legendary actor, 87, is looking back with tears in his eyes.Thoughts? Email us at theinterview@nytimes.comWatch our show on YouTube: youtube.com/@TheInterviewPodcastFor transcripts and more, visit: nytimes.com/theinterview Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app.

Hwæt a Movie is back! This time we dive deep into the uncanny valley epic Beowulf from 2007. Released at the height of Robert Zemeckis's motion-capture mania, this version of our favorite Old English classic promised to bring the poem to life like never before. It was slated to be an event like no other, at least for John and Andy. In this star-studded and CG-saturated film, Ray Winstone voices a Beowulf who looks suspiciously like an action figure and swaggers like he just killed nine nicors. He's accompanied by the ageless Wiglaf, played by Brendan Gleeson. The great Anthony Hopkins plays a jovial but somewhat mad King Hrothgar, Robin Wright plays the deeply troubled Queen Wealhtheow, and John Malkovich does his best John Malkovich as Unferth. But if we're honest, this is the Grendel family's movie from start to finish. Crispin Glover turns in a unforgettable performance as a Grendel who swells with anger and shrinks with vulnerability. Grendel's mother is a gold-dipped, shape-shifting femme fatale with stiletto feet. She's also very much Angelina Jolie. And then there's Grendel's little half-brother dragon. That's right, the dragon is part of the family! Is this adaptation a clever deconstruction of heroism and myth-making? Or just an excuse to get Beowulf naked on an animated dragon? Zemeckis, Gaiman, and Avary take some bold liberties with the source material in this one, and we're here to guide you through it all from the perspective of two curmudgeonly middle-aged medievalists. As always, this episode of Hwæt a Movie includes a thorough summary and discussion of the film, a brief Q&A, and our final ratings: how well the film handles Beowulf, Grendel, and Grendel's mother, plus our ever-important scores for faithfulness to the source and overall entertainment value. Beowulf (2007) was a wild ride to discuss, and we hope you enjoy it half as much as Beowulf enjoys shouting his own name. Or at least as much as Zemeckis likes cleverly blocking Beowulf's bare bits from view with conveniently placed objects. Once you've listened, let us know your thoughts. Is this the definitive Beowulf for the 21st century? Or just a fever dream in a damp cave? And do you forgive us for being grumpy when it comes to Beowulf movies? Reach out on social media and join the discussion: Sagathingpodcast on Facebook Sagathingpodcast on Instagram Sagathingpodcast on Bluesky Or join others like you on Saga Thing's unofficial official Discord All music taken from the film for this episode is written and produced by Glen Ballard and Alan Silvestri.

In 2010 Universal took another step towards rebooting the Dark Universe with a straight shot at a remake of the 1941 classic The Wolf Man starring Lon Chaney Jr. This time starring Benecio del Toro, Anthony Hopkins, Emily Blunt and Hugo Weaving and with the late addition direction of Joe Johnston it does manage to capture some of the magic of a classic monster movie. But also it's not that good even though Mason liked it. Thanks for watching our Caravan Of Garbage review!SUBSCRIBE HERE ►► http://goo.gl/pQ39jNHelp support the show and get early episodes ► https://bigsandwich.co/Patreon ► https://patreon.com/mrsundaymoviesJames' Twitter ► http://twitter.com/mrsundaymoviesMaso's Twitter ► http://twitter.com/wikipediabrownPatreon ► https://patreon.com/mrsundaymoviesT-Shirts/Merch ► https://www.teepublic.com/stores/mr-sunday-movies The Weekly Planet iTunes ► https://itunes.apple.com/us/podcast/the-weekly-planet/id718158767?mt=2&ign-mpt=uo%3D4 The Weekly Planet Direct Download ► https://play.acast.com/s/theweeklyplanetAmazon Affiliate Link ► https://amzn.to/2nc12P4 Hosted on Acast. See acast.com/privacy for more information.