Podcasts about fiddler

Today we're talking with Pete Peterson, a man who has spent much of his career at the intersection of story, faith, theater, and the arts. Pete is a playwright, publisher, and one of the central figures in The Rabbit Room since its earliest days, working with his brother Andrew Peterson to turn a small online community into a thriving center for books, music, theater, and other arts. The Rabbit Room has grown from a small experiment in creative community into a remarkable organization encompassing books, music, theater, podcasts, conferences, and North Wind Manor. Pete served for seven years as its executive director, helping guide that growth, and today serves as publisher of Rabbit Room Press and artistic director of Rabbit Room Theatre. But Pete is also a storyteller in his own right. Writing under the name A. S. Peterson, he is the author of The Fiddler's Gun and Fiddler's Green, and he has written extensively for the stage. His plays include The Battle of Franklin, a Civil War musical; an acclaimed adaptation of Frankenstein; and The Hiding Place, based on Corrie ten Boom's story. His work as a playwright has earned both critical recognition and awards. Perhaps nowhere, though, has Pete's particular combination of literary taste, artistic ambition, and entrepreneurial nerve been more visible than at Rabbit Room Press. The press has built a reputation for publishing beautiful, distinctive books that don't fit neatly into conventional categories—and in 2026 it struck publishing gold with British poet and priest Malcolm Guite's Galahad and the Grail. The book became Rabbit Room Press's biggest launch ever, reaching the Top 50 of Amazon's overall books chart, selling out at Amazon, and later winning the 2026 Parnassus Prize. So today, we're going to talk about books, publishing, theater, and what it takes to convince modern readers that great literature still matters.

It's the end of summer, and Yonit and Jonathan are taking a break from the news with a nugget of pure Jewish joy. Andy Nyman — the West End actor, writer, director and magician currently starring as Max Bialystock in The Producers, and previously as an acclaimed Tevye in Fiddler on the Roof — joins the show for an Unholy Conversation. Why does Mel Brooks' nearly-60-year-old joke about Hitler still land? What makes Max Bialystock - who could have been Tevye's grandson - so beloved, even in his desperation? And is the Broadway musical, as a form, secretly a Jewish one? Andy answers the question by giving a rare performance of a musical classic — rendered in Yiddish. You won't want to miss it. In this episode: The Genius of Mel Brooks: How The Producers transforms satire into an act of healing and an uncompromising "fuck you" to history. From Tevye to Bialystock: Exploring the thread connecting the working-class milkman of Anatevka to the scheming, desperate, yet deeply human Broadway hustler. Art in Times of Darkness: A rare behind-the-scenes look at performing comedic Jewish art—and deciding to keep a daring scene in the show—in the wake of global tragedy. Exclusive Live Performances: Andy delivers three bespoke, stripped-back performances directly in the studio: "We Can Do It" (The Producers) "If I Were a Rich Man" (Fiddler on the Roof) A haunting, tender Yiddish translation of "Hushabye Mountain" (originally by the Sherman Brothers).   00:06 Introduction to Unholy Conversations 00:09 Introduction to Andy Nyman 01:57 The Enduring Appeal of The Producers 05:50 Mel Brooks and Jewish Healing through Humor 08:29 Defiance in Comedy: Pulling Down Pants 09:59 Exploring Max Bialystok's Character 17:30 Max Bialystok and Tevye: A Generational Connection 18:23 The Complexity of Tevye 22:58 The Essence of Fiddler on the Roof 30:44 The Current Jewish Climate 35:40 The Jewish Influence in Musical Theatre 42:32 A Yiddish Lullaby: Bridging Cultures 44:24 The Importance of Representation 44:25 Personal Connections and Impact  

We're traveling way back in time to 1971 -- when Richard Nixon was president, the Beatles were newly broken up, and Fiddler on the Roof was one of the biggest movies at the box office. Today in this encore episode, we're revisiting a special edition of What's Making Us Happy, recommending pop culture from the 1970s – including Isaac Hayes' Shaft soundtrack, Carol King's Tapestry, Marvin Gaye's What's Going On, and The Monster at the End of This Book.Looking for more pop culture from the past? Check out these episodes:The American dream according to ‘The Wire,' ‘Apollo 13' and more‘Jaws' is still stuck in our teeth, 50 years later'Shrek' – a weird, flatulent and beloved franchise – turns 25Connect with Pop Culture Happy Hour:Letterboxd / FacebookOur weekly newsletterSupport public media with NPR+ and enjoy perks for over 25 podcasts like this one. This show's perks include bonus episodes and sponsor-free listening. Learn more at plus.npr.org.See pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.NPR Privacy Policy

August 16, 2016. The Hip arrived in the Hammer, and three fans who were in the building take jD back inside - ten years to the day.Tuesday, August 16, 2016. FirstOntario Centre in Hamilton, four days out from the end of everything, and The Tragically Hip pulled into a city that watched them play to nobody once and never forgot it.Ten years to the day, jD sits down with three fans who were there for that room: Gino from Buffalo, Matt from Buffalo, and John from Mississauga. Two of them had never been on a podcast before in their lives. One of them never made it through the doors.The songs first, because the songs are always first. Gino takes 'Poets', the last one of the main set, the one where Gord stopped and told the room about The Hip's first Hamilton gig - a club, zero people, and an owner who told them nobody gets paid until every song gets sung. So they played another hour to an empty room. Ten years and a lifetime later, Gord looked out at a full arena and, the way Gino heard it, said something close to look at us, look at where we are now. Us, collectively. Hamilton and The Hip.Matt takes 'Scared', and the line it's been a pleasure doing business with you, and the small jump in the video he was shooting - the moment his buddy behind him lost his knees and fell into his back. John takes 'Courage', because of what it took Gord to get in the van at all. A residency somewhere would have been hard enough. He went across the country instead.Then the tickets, and three completely different scrambles. Matt's Buffalo crew split the presale up like a heist - one guy on London, one on each Toronto night, Matt on Hamilton - with orders that whoever got in bought all four. Matt was the only one who got into the queue, and he had four seats about ten minutes in. Gino got shut out in the fifteen minutes it took the show to vanish, then his friend Greg found VIP seats hours later and warned him they'd be expensive. Gino's answer: I don't care. Third row on the floor. If it was within a 500-mile radius, you weren't stopping me.The day itself: a friend on standby in Niagara Falls, U.S., in case one of Matt's four didn't clear the border, a cash-only scalper outside the arena with PDF printouts and a very loose grip on legitimacy, and their buddy Scott laying out most of the money for a pair of those dubious tickets so a friend from Lockport could drive up and slide in during the first song. Gino owns his company, so Gino gave himself the afternoon off, got to Hamilton by mid-afternoon, and ate Portuguese chicken at the Charred Rotisserie House down the road from the barn. We ate like kings. He has been back a few times since.And then there is John, who was downtown at the Toronto Stock Exchange that Tuesday, letting a vendor in to do a routine job. At 2:30 the vendor crashed the system. Eight hours to bring it back. John is standing on a floor you get onto with retina scans and palm prints, he cannot leave the vendor alone, and his company supplies data to the exchange at thousands of dollars an hour. He had a ticket in his pocket and a family carload heading to Hamilton without him. So he stood there and asked himself the only question he had. What would Gord do? What's the Canadian thing to do? He thought about '38 Years Old' - which is the plate on his car - and the father in that song who turns his own son in because it is the right thing. John stayed at his post. He called his sons and told them to give the ticket away. Every August 16th since has been one of the saddest days of his year.Inside the building, the two who made it describe the same night from two heights. The small stage, the band pressed in around each other, a band of brothers making life as easy for Gord as they could. Gord finding faces one at a time, holding them, nodding, gesturing, taking what Gino calls little memory snippets for himself. The monitor on the floor by his feet for the words that wouldn't come. Gino has seen this band more than forty times, and he puts Hamilton at the top for sheer energy. Matt's read is sharper still: the energy was all there, the memory just couldn't always match it.The set list gave Hamilton 'Fifty-Mission Cap', 'Eldorado', and 'At the Hundredth Meridian' early, four from "World Container" as the night's rare record, and the best four of the six "Man Machine Poem" songs that made the tour. 'Poets' to close the main set. 'Gift Shop', 'Don't Wake Daddy', and 'Ahead by a Century' in the first encore. Then 'Fiddler's Green' and 'Twist My Arm' in the second, and a song Gino had never heard live anywhere. Matt has one regret and it is a beer. He went for one during 'Escape Is at Hand for the Travellin' Man', found the concourse narrow and the taps in the basement, and came back up on 'Fireworks' having missed ten minutes he will never get back. So there's that.Gino's detour is worth the price of admission on its own - Highland Bowl in Rochester, a grass amphitheatre, a downpour with thunder and lightning, the band stopping for maybe ten minutes, Gord calling out to the lovers of music who stayed, and grown adults sliding down the wet hill on their bellies toward the stage. Second best night he ever had with this band. Hamilton was first.Then the lights. Gino describes an arena that felt like one family at a memorial service, except it wasn't a somber memorial service - it was everybody holding everybody else up while Gord stood there telling them from the stage that it was going to be okay. Half an hour after the last note the set list was sitting within arm's reach, so Gino took it, and they passed it around for photographs. Nobody wanted to leave. Matt walked over to the King George pub with seven other people and found something else entirely. It almost had the feeling of a wake. Nobody wanted another round. Everybody was thankful. Everybody knew.August 20th finds all three of them in very different rooms. John rigged an aerial in the backyard of his brother's cottage outside Montreal, set both PVRs at home, and asked the local bar in a small French-Canadian town whether they'd be showing it - they had no idea what he was talking about. Don't move that coat hanger outside. Matt spent three hours assembling a children's play kitchen for his two-year-old daughter with the broadcast on, which should have taken one. Gino watched with a dozen guys at a friend's place, where Greg leaned over and said the thing nobody else had thought: doesn't he look nervous? He did. Of course he did.The landing belongs to John, though. There was no goodbye for him that night, so it came slowly, over days and weeks, like a song fading out instead of ending. And it kept going. He has a nine-year-old granddaughter now who knows the words, and he took her to Chudleigh's in Milton to see the Practically Hip so she could dance to them. Another generation, flying the flag.THE PANEL• Gino from Buffalo - forty-plus shows with The Hip, third row on the floor in Hamilton on a VIP ticket his friend Greg found hours after the show sold out, and a plate of Portuguese chicken beforehand he still drives back for. He came home with the set list. He listens to this band every single day.• Matt from Buffalo - second row of section 120, with a photo from that night still hanging behind him on camera. He ran the Buffalo crew's presale plan, got the only four seats any of them landed, filmed 'Scared' through the moment his friend's knees went, and lost ten minutes of the night to a beer line in the basement.• John from Mississauga - the one who didn't get in. A crashed system on the Toronto Stock Exchange floor at 2:30 on show day, a ticket handed off to somebody else, and a decision he made by asking what Gord would do. He watched August 20th through a coat hanger aerial at a cottage. His granddaughter is nine and already knows the words.SOURCESSet list for August 16, 2016 at FirstOntario Centre in Hamilton (now TD Coliseum) - source: setlist.fm.THE GATHERING IN KINGSTONAugust 20 to 23, 2026, alongside Forever Hip - a mixer at the Merchant Pub, Choir! Choir! Choir! in Springer Market Square, a listening party for "The Tragically Hip Live, July 22 - August 20, 2016", a Long Time Running screening, and a farewell brunch at Morrison's. The CBC broadcast re-airs on the 22nd. Email jd@tthpods.com to get on the list. And if you spot a purple shirt or a purple lanyard in Kingston that weekend, that's a safe person to talk to.GEDFEST TORONTOSaturday, October 17, 2026 at the Horseshoe Tavern, with Grace, 2. Raising money for Campfire Circle and the Murphy Family Fund in Precision Medicine in Pancreatic Cancer. Tickets: facebook.com/GEDfestYYZThanks to Gino, Matt, and John, because without them, there's not a show. Next stop: Ottawa.MORE FROM THE TOURWinnipeg: https://redcircle.com/shows/a01e8de3-1a04-4a44-ab9c-8fc6e3cb7474/ep/bf776e9a-c431-41bc-b605-f73fff1155d3Calgary Night 2: https://redcircle.com/shows/a01e8de3-1a04-4a44-ab9c-8fc6e3cb7474/ep/98943c27-bdae-4f56-84d4-a57754be7719SUPPORT THE WORKThe tip jar: buymeacoffee.com/tthtop40Web: home.tthpods.com | Facebook: community.tthpods.com | Instagram: @tthpods | YouTube: youtube.com/@tthpods | Newsletter: subscribe.tthpods.com | Email: jd@tthpods.com#TheTragicallyHip #GordDownie #WorldContainer #RoadApples #HipFans #TTHPodsSupport this podcast at — https://redcircle.com/tthtop40/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Tragically Hip Day in Toronto. 'The Luxury' out of the gate, a tour debut in the encore, and a family of four in seats a text message unlocked.DescriptionAugust 10th, 2016. The Air Canada Centre - the first of three Toronto nights on the Man Machine Poem Tour, and the day Ernie from Denville, New Jersey woke up in his hotel room, flipped on the news, and heard the mayor declare it Tragically Hip Day before he had even gotten out of bed. He had flown up alone for his first-ever Canadian show, eleven club nights deep. The city was already celebrating.Then the lights come up and it is 'The Luxury'. Ernie had waited eleven shows to hear it. Jeff from Vaughan, following this band since 1992, can count the times he has heard it live on one hand. Two songs later comes 'Fiddler's Green', and Scott from Huntsville is looking at grown men crying as far as he can see, understanding exactly how the night is going to go. Third song in. They could do whatever they wanted.The roads in are half the story. Everybody got the same email on the Tuesday morning after the May long weekend - the news of Gord Downie's diagnosis, and a tour nobody knew how to feel about. Scott locked down Kingston hotel rooms before tickets even went on sale, then sweated out the Ticketmaster scramble for four Toronto seats - the morning after watching John Mann and Spirit of the West play a fundraiser at the Horseshoe Tavern, two Canadian heartbreaks stacked onto one walk home. Jeff sent a hockey dad four paragraphs about his life following The Hip, hoping to bring his wife and two kids, and got the answer every fan dreams about: they're yours. Which is how, during 'Fifty-Mission Cap', with Bill Barilko's banner up in the rafters, Jeff came to be filming a verse and then swinging the camera around to catch both his kids singing it back.There is a lot of night in here. 'Nautical Disaster' landing in the first encore as a tour debut (confirmed via setlist.fm, and backed by the notebook Ernie filled out that same evening). The crowd carrying the Toronto line in 'Bobcaygeon', the way Scott remembers it. The “Phantom Power” pair that closed the building down. And then the back half of the conversation jumps ahead to August 20th - Scott behind the stage in Kingston, not breathing until the scanner turned his print-off ticket green, Jeff front row in front of Robby Baker for show number 93, and Ernie back in New Jersey with the Kingston broadcast on the big screen and his son beside him.Somewhere in the middle of it, Scott sums up the entire summer in one sentence: “I've never been so excited for something I didn't want to happen.” So there's that.The panelErnie from Denville, New Jersey - eleven Hip shows in clubs from New York City to Syracuse before this one, his first in Canada and his first in an arena, solo in section 313 and never once feeling alone. His daughter has since become one of The Hip's biggest listeners on Apple Music. He also made a horror movie, We Can't Leave, streaming on Amazon Prime (sequel already in the hopper).Scott from Huntsville - travels to Hip shows with his wife and his oldest concert buddy, and hit Toronto Nights 1 and 3 plus Kingston on the final tour, where his kids texted mid-show to check on him. He chairs the Huntsville Festival of the Arts, a year-round festival bringing Canadian acts to Muskoka - huntsvillefestivalofthearts.com.Jeff from Vaughan - following The Hip since 1992, with Kingston set to be show number 93. He did London, multiple Toronto nights, Hamilton, and Kingston on the final run in a custom “Live Between Us” shirt, and brought his wife and both kids to Toronto Night 1. David Bastedo photographed the four of them in their row and sent it to him after the show.Come say hiThe Gathering in Kingston, August 20th to 23rd - a mixer at the Merchant Pub, Choir! Choir! Choir! in Springer Market Square, a listening party for “The Tragically Hip Live, July 22 - August 20, 2016”, a Long Time Running screening, and a farewell brunch at Morrison's. Email jd@tthpods.com to get on the list.GEDfest Toronto - Saturday, October 17th at the Horseshoe Tavern with Grace, 2, raising money for Campfire Circle and the Murphy Family Fund in Precision Medicine in Pancreatic Cancer. Yes, the same room John Mann played the night before the on-sale. That building keeps showing up. Tickets: facebook.com/GEDfestYYZClosingThanks to Ernie, Scott, and Jeff for bringing August 10th back - the flag, the notebook, the kids checking in on their dads. The Tragically Hip play the same building two nights later. Toronto Night 2, August 12th, brand new panel. We go again.More from the seriesVictoria, where the final tour began: redcircle.com/shows/a01e8de3-1a04-4a44-ab9c-8fc6e3cb7474/ep/99071e40-9d10-48f8-9b5d-f92416e791c3Calgary Night 1, from earlier on the run: redcircle.com/shows/a01e8de3-1a04-4a44-ab9c-8fc6e3cb7474/ep/2937266e-6c5a-4435-87a8-dcc35b478f37CommunityFacebook community: community.tthpods.comInstagram: @tthpodsYouTube: youtube.com/@tthpodsYer Letter: subscribe.tthpods.comEmail: jd@tthpods.comTip jar (tips, never donations): buymeacoffee.com/tthtop40#TheTragicallyHip #GordDownie #ManMachinePoem #DayForNight #PhantomPower #TTHPodsSupport this podcast at — https://redcircle.com/tthtop40/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

O.A.R. is at The Masonic on Wednesday, and John Mellencamp is at Shoreline this week. The Whittlin' Fiddler has passed away at 109 years old. Ariana Grande's album goes #1 - that's 7 in a row. The inaugural LA Jazz Festival was canceled. Who were the top voices of New Wave? Lazy people, rejoice! It's your day. Vinnie is confused by tipping, and so is Shake Shack. Can Sarah and the gang remember how these nursery rhymes end? Let's play!

Hour 1: Sarah tried out a virtual Blockbuster this weekend. Sombr is pretty happy for a sad boy. Benson Boone had to cancel his Sacramento show at the last minute. Jason Sudeikis doesn't know about mail forwarding. Coke is kosher! A little investigation into Liberia. A man in Scotland dresses up as a plant as a way to switch up getting drunk. Have you been spending more or less time outdoors this summer? Hour 2: ‘Michael' is now streaming on Stars. A small update on Perez Hilton. Mark Zuckerberg's mega yacht declined to help a boat in trouble. Mama June has opinions on her daughter's OnlyFans stardom. The Bay Bridge has upcoming closures we should be aware of. A couple found a dress code loophole. The hours it takes to physically feed your family really stack up. Hour 3: Remember Lavender from Harry Potter? Here's what she's up to… on OnlyFans! Can you use ocean water to cook your pasta? Ask Brooklyn Beckham. Kylie Jenner's birthday party looked pink! The NFL is warming up. The world record for the longest hair is WAY longer than you'd guess. Why are our liquids still banned at the airport? It's the summer of purse guys! Hour 4: O.A.R. is at The Masonic on Wednesday, and John Mellencamp is at Shoreline this week. The Whittlin' Fiddler has passed away at 109 years old. Ariana Grande's album goes #1 - that's 7 in a row. The inaugural LA Jazz Festival was canceled. Who were the top voices of New Wave? Lazy people, rejoice! It's your day. Vinnie is confused by tipping, and so is Shake Shack. Can Sarah and the gang remember how these nursery rhymes end? Let's play!

On episode 357 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by AwardsWatch contributors Josh Parham and Karen Peterson to go back 55 years and take a look at the 44th Academy Awards, covering the films of 1971. In another Oscar retrospective, the team go back this week to the start of the 1970s, where Hollywood was in a transition period within the films of the past; costume dramas and period pieces, and the films that would dominate the decade; auteur, original filmmaking from new voices in cinema. One of those voices was director William Friedkin, who broke big in 1971 with The French Connection, a neo-noir, action thriller about a narcotics detective trying to take down a big-time, connected drug dealer. The film was a massive success for the director and its star Gene Hackman, with the Academy awarding them Oscar gold. But will the team let Friedkin and company keep their Oscars? The Best Picture winner, alongside A Clockwork Orange, Willy Wonka and the Chocolate Factory, McCabe and Mrs. Miller, The Devils, A New Leaf, Dirty Harry, The Last Picture Show, Nicholas and Alexandra, Fiddler on the Roof, Harold and Maude, and more were mentioned on the show. In their in-depth discussion, the AW team talked about the film year of 1971, briefly discuss talk about The French Connection as a Best Picture winner, and how that speaks to the legacy of their nominates and or wins, do an extensive conversation over the below the line categories and nominees for the year, and then the new version of the AW Shoulda Woulda Coulda game, where instead of individual replacements, they must decide as a group who the nominees and winners should be in the top eight categories. The rules of the game state they can only replace two of the nominees that year from each category, except in Best Picture, where the group could replace up to three films to make up the final set of five nominated films. Like past retrospective episodes, it was a fascinating, fun conversation including spirited debates, alliances, vote swinging, celebrating various movies, performances that aren't normally talked about and more that we all hope you enjoy. You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more. You can also listen on the AW YouTube page. This podcast runs 2h26m. We will be back next week to talk about the latest film from the director David Robert Mitchell, The End of Oak Street. Till then, let's get into it. Music: "Modern Fashion" from AShamaleuvmusic (intro), "B-3" from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

Drex and Alisa welcome Aizlyn Denton and Ben Blanton, two of the featured performers in the Lyric's upcoming production of Puffs. Even though rehearsals are only a few days in, they share their first impressions of the magical mayhem, what it's been like stepping into some of the show's biggest roles, and what they're most excited to discover as rehearsals continue. They also reflect on the hard work that recently helped them advance to the Texas UIL State competition in high school and how that experience has prepared them for the adventure ahead. It's a fun, early look at a production that's already full of laughs, heart, and plenty of wizarding mischief   E.T. The Extra-terrestrial: The Movie Experience Saturday, August 22, 2026 - 7:00 PM CDT Step beyond the screen and into the cinematic world of E.T. as we present E.T. THE EXTRA-TERRESTRIAL: THE MOVIE EXPERIENCE at the Off Center Playhouse! This is not a typical movie night. It is a full experience! Throughout the film, guests will experience a series of interactive surprises inspired by iconic moments from the movie itself — including themed refreshments, specialty cocktails, immersive atmosphere elements, audience activities, photo opportunities, and more. From outrageous laughs to unforgettable moments, every detail is carefully curated to bring the vibrant energy of E.T. THE EXTRA-TERRESTIAL to life around you as the evening unfolds scene by scene. https://lyricperformingartscompany.thundertix.com/events/266912 CABARET - An Evening Honoring Dr. Nancy Jo Humfeld Saturday, August 29, 2026 - 6:00 PM CDT TICKETS: $100 We invite you to celebrate the legacy of Dr. Nancy Jo Humfeld at the Lyric Theatre Cabaret on Saturday, August 29, beginning at 6:00 p.m. The evening opens with hors d'oeuvres, wine, and live music before moving into the Mark Girling Performance Hall for an unforgettable Broadway cabaret featuring beloved selections from The Music Man, Fiddler on the Roof, Guys and Dolls, Chicago, Mamma Mia!, Anything Goes, South Pacific, Brigadoon, and more performed by the outstanding Lyric Players. https://lyricperformingartscompany.thundertix.com/events/269215 Puffs Sep 19, 2026 - Sep 20, 2026 Ever wonder what it was like to be one of the other students at that famous school of witchcraft and wizardry? Puffs is the hilarious parody that flips the story you know on its head—told from the point of view of the loyal, awkward, and under appreciated house that never seems to win the glory. Follow seven years in the lives of the “Puffs,” a group of well-meaning misfits who just want to make it through magic school without getting caught in someone else's epic adventure. Filled with laugh-out-loud humor, heart, and a few spells gone wrong, Puffs is a fast-paced comedy for anyone who's ever felt like a side character—but still believes in friendship, bravery, and finding your place in the story. SPONSORED BY FARMERS INSURANCE - DUSTIN LARREMORE AGENCY! https://lyricperformingartscompany.thundertix.com/events/255979 

On today's show: What is Australia's Most Amazing Wildflower? Head to our voting page to have your say (and Happy National Science Week!)Kings Park's Senior Plant Breeder Digby Growns joins us in-studio to discuss cloning the Queen of Sheba orchid, the Wildflower Festival and National Science Week!Puffer vests: yay or nay? Sab and Amber fight it out. Subscribe to the podcast through ABC Listen, Apple Podcasts or wherever you like to listen.Listen to the program live on Tuesdays at 2:20PM or on Saturdays at 9:00AM on 102.5 ABC Radio Perth. Ask your questions by calling in on 1300 22 1025 or text 0437 22 1025.

While we cling to our personal "Traditions" just as Tevye did in Fiddler on the Roof, Rev. Meredith explains that they can stand in the way of our accepting our need for a Savior.

Earlier this week I brought back the audio of one of my favorite conversations from the vault. Today, the full video version is here.If you missed the audio episode, here's the short version: in 2018, Mariana Ramirez became the first female Mexican percussionist to ever perform on a Broadway show, subbing Once On This Island. A year later she held the percussion chair on that show's national tour. Then came sub work on Head Over Heels (drumset book) and Ain't Too Proud, plus Off-Broadway runs of Merrily We Roll Along and Fiddler on the Roof in Yiddish.Today she holds the percussion chair at the hit Broadway show SIX.But watch this interview and you'll see the chair is just one piece of a much bigger career.Mariana began her studies at the National Conservatory of Music in Mexico City, where she won the percussion position at the Carlos Chávez Youth Orchestra, then earned her Bachelor of Music at the Mason Gross School of the Arts at Rutgers, picking up the Percussive Arts Society Thomas Siwe Scholarship along the way.She founded Percussion Quartet Excelsis — the first multinational all-female percussion quartet in the U.S. — which Jonathan Haas, head of the NYU Percussion Department, called one of the most innovative and exciting ensembles of this era of chamber music. Excelsis has performed twice on NPR's From the Top, at the Zeltsman Marimba Festival, Tippet Rise in Montana, and the Newport Classical Music Festival, and in 2024 the group received Chamber Music America's highest grant.Her recording credits include Platinum Girls and Song of Solomon on Broadway Records, and a concerto for bandoneon and violin with the Orpheus Chamber Orchestra. She has performed with the National Symphony of Mexico, the first all-women orchestra of Mexico, and premiered new works at Alice Tully Hall. She's appeared on The Late Show with Stephen Colbert and in Mozart in the Jungle. She won the FONCA grant for Mexican artists twice in a row, touring an original percussion-and-dance project across five Mexican cities. She teaches. She's endorsed by Sabian, Pearl, and Innovative Percussion.Traditional Mexican music. Symphony halls. Chamber ensembles. Television. Education. And eight shows a week on Broadway.Nobody builds a career like that by waiting for the phone to ring. Watch the conversation and you'll understand exactly how she did it — starting with a Santana concert in Mexico City when she was 11 years old, watching three percussionists light up a stadium and deciding, right there, what her life was going to be.Watch the full interview above.The audio version is available now on Apple Podcasts and Spotify if you'd rather listen on the go.And coming up next on the podcast: Spencer Inch. Stay tuned — that one's going to be worth the wait.For the complete roadmap to building a career in theater, grab Broadway Bound and Beyond at broadwayboundbook.com.Clayton Craddock is the drummer for Cats: The Jellicle Ball on Broadway at the Broadhurst Theatre. He is also the founder of Broadway Drumming 101 and the author of Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career.His Broadway credits include Memphis, Lady Day at Emerson's Bar and Grill, Ain't Too Proud, and Cats: The Jellicle Ball, with additional credits spanning tick, tick…BOOM!, The Hippest Trip: The Soul Train Musical, and subbing on Rent, Motown, Evita, Avenue Q, and the Hadestown tour.Clayton has appeared on The View, Good Morning America, The Tonight Show Starring Jimmy Fallon, The Today Show, and the Tony Awards. He has performed with artists ranging from Chuck Berry and Ben E. King to Kristin Chenoweth and Norm Lewis.www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

Ten years to the day. Three fans who were at Rogers Arena for Vancouver night two tell the story - the tickets, the Fiddler's Green goodbye, and the night a one-year-old slept through history.Episode SummaryUncharted waters - we never do third ones. Vancouver, night two. July 26th, 2016. Rogers Arena, the third stop on the Man Machine Poem Tour, and the night The Tragically Hip opened with Fully Completely - just like the set-list sleuths predicted. Ten years later, Yer Hipstories: Reflections From The Final Tour gathers three fans who were in the building: Craig from Langley, Tina from Prince George, and Jay from BC - currently in Ottawa, so probably working for CSIS. We're careful what we say.The ticket stories run the full range. Craig and three coworkers all hit Ticketmaster at 10 a.m. sharp and every one of them scored - no bots, no drama. Tina borrowed a friend's Amex presale code, landed 13th row at the back, then got a phone call: Ryan was trading her his row seven, side of stage seats, because the bigger fan deserved the better view. Jay missed Victoria for a high school reunion, struck out on Vancouver night one, and was mid-refresh with his whole family when his dad popped up with the last row of the lower bowl - exactly where he likes to sit.Then there's the night itself. Tina brought her daughter - the day before her first birthday - who took in the whole scene, collected high fives across the concourse, and fell asleep against her mom the moment the music started. The panel digs into the songs that hit differently: Craig's 'So Hard Done By' that suddenly wasn't funny, Jay's 'Fifty Mission Cap' with Bill Barilko's ghost and the shiny hats, a 'Music @ Work' section that produced 'Toronto #4' - bonkers - and the 'Fiddler's Green' that became Tina's goodbye moment, her "hey man, thanks" to the band that got her through everything. Plus the 'Grace, Too' moment both nights: three minutes of guitar and an entire building screaming.Ten years on, the reflections go deep - how Long Time Running reframed everyone's memories, the Spirit of the West parallel at the Commodore, and Tina on what Gord's Kingston challenge to Trudeau has meant to the Indigenous community: a legacy that goes beyond the music. The word this panel lands on: gifted.The PanelCraig from Langley - 18 shows deep, first one in 1993 with his buddy Gord. Went to both Vancouver nights, predicted the Fully Completely opener in writing, and reunited with Dan, his old drummer, before the show.Tina from Prince George - Day For Night-era fan with the deep-cut lyric tattoo to prove it. Brought her daughter to the show the day before her first birthday; that kid is now a proud Gord Downie fan.Jay from BC - then working at the BC legislature in Victoria, now in Ottawa (no further questions). Walked out of Rogers Arena and bought Calgary night two, because this couldn't be his last.Timestamps00:00 - Welcome: officially into uncharted waters01:59 - The person you think about: Tina's daughter, one day shy of her first birthday02:47 - Craig reunites with Dan, his old drummer05:30 - Hearing the news: gutted at work, glued to the Sunnybrook press conference06:25 - Craig's on-sale: four coworkers, four wins, zero problems07:44 - Tina's Amex presale and the row-seven trade from Ryan09:57 - Jay: a muted newscast, a missed Victoria date, and dad grabs the last row of the lower bowl15:50 - Songs that hit different: 'Daredevil' both nights, 'So Hard Done By' not funny anymore18:27 - Tina: earmuffs, the crashing-waves interlude, and realizing this is the last time22:45 - Jay: the 'Fiddler's Green' surprise, 'Fifty Mission Cap', and 'Toronto #4'28:36 - The outfits, the set-list formula, and touching all 13 albums30:56 - Gord's memory, the lyric monitors, and showing up how he wanted to show up34:14 - The SNL performance, the Sheldon Cooper theory, and the emoting37:25 - When did it dawn on you? The goodbyes inside the show39:37 - Rowdy going in, stunned coming out: tears and the emptying arena44:05 - The 'Grace, Too' moment: three minutes of screaming48:03 - The one last tour that was actually one last tour49:08 - Ten years later: how Long Time Running rewrote Jay's memory of the night53:28 - Craig: full circle since 1993, and the Spirit of the West parallel56:54 - Tina: Kingston, the challenge to Trudeau, and the Downie Wenjack legacy01:00:08 - Final thoughts and a song from that night on the way outResources & ReferencesSetlist and song-count data: hat tip to setlist.fm - roughly 71 different songs across the tour, touching all 13 albumsThe rehearsal and monitor moments discussed come from Long Time RunningThe first-ever live 'Fiddler's Green': MacEwan Hall Ballroom, Calgary, on the World Container TourLearn more about Gord's Kingston challenge and its legacy at the Gord Downie & Chanie Wenjack FundRelated listening: Yer Hipstories - Victoria, July 22 2016Join InThis series is a living audio time capsule, and it only works if the community brings the goods. Were you at a stop on the Man Machine Poem Tour? Share your Hipstory and be part of the record. Want more from the network between episodes? Subscribe to Yer Letter, the monthly newsletter from jD.ClosingHuge thanks to Craig from Langley, Tina from Prince George, and Jay from BC for taking us back inside Rogers Arena - the trades, the tears, and the toddler who slept through the whole thing. The takeaway this week is Tina's word: gifted. We watched them pull a rabbit out of a hat, and we got to say goodbye. So there's that.Next up: Edmonton Night One, July 28th, 2016, and one last night in the old barn. Get after it.ConnectFacebook group: community.tthpods.com | Instagram: @tthpods | YouTube: youtube.com/@tthpods | Email: jd@tthpods.com#TheTragicallyHip #TheHip #GordDownie #ManMachinePoem #InGordWeTrust #YerFavouritesSupport this podcast at — https://redcircle.com/tthtop40/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

In our 43 deployment of BungleTech, my spheroid co‑host Michael and I debrief our latest on‑the‑table Holy War showdown. We break down the battlefield results from our recent game, then dive into the rule‑mistake discovery segment where we confess every blunder we made along the way.Our Honourable Patreon SupportersMechWarriors: Canaan McKenna, Ed Magilton, HeyZeus, Malathis, Phil Raider Roby, Slurski Lispers, Wargaming WanderlustTechnicians: boy_inna_box, Blunderdome, Chris Cannon, DarkTremere, Devon, Dire Situation, Jack Lambert, Klint, Matthew Hopper, Metal Ed, ML8211, Ned McDermott, TheRock3393, ZemerBondspersons: Arbriar, Fiddler, Fullmetal Gundam, G, Hilux, Offensive Titan, Steffan Gordan, Sven Bertram, SweetBee, William Becker, WooflerSegment Start TimesBattlefield Outcome Report - 0:51Rule Check Discovery - 1:13:08BungleTech LinksBungleTech Discord Homebase Under BungleTech -> https://discord.gg/thevalhallaclubBungleTech Email -> BungleTech@outlook.comBungleTech Global Campaign Initiative Document Repository -> ⁠https://www.patreon.com/posts/global-campaign-125155370⁠BungleTech Patreon -> ⁠ https://www.patreon.com/BungleTech⁠BungleTech Podcast Game Mode Collection -> ⁠https://1drv.ms/f/s!AiU1hP8RhYzUn5FwSg7PaYnHbJvm7Q⁠

We're joined by Tadd Swart and Candace Gary, leads in the show of the upcoming production of Fiddler on the Roof by the Christian Community Theater, talk about their performance and provide details. Alan Migliorato, founder of Adventure Catholic, talks raising teens: why your teen stops talking and how to reconnect. Dr. David Whidden, theology professor at Fran U in Baton Rouge joins us.

It's summer time and that's the time to go to your favorite music festival or better yet, try out a new one. We'll hear classic music from the first Newport Folk Festival in 1959, travel to Galax, Virginia for the Fiddler's Convention and visit Colorado for two of the Centennial State's finest events. Celebrate summer music with us … this week on The Sing Out! Radio MagazinePete Seeger / “If I Had A Hammer”(excerpt) / Songs of Hope and Struggle / Smithsonian FolkwaysBascom Lamar Lunsford / “Rye Straw” / Ballads, Banjo Tunes, and Sacred Songs / Smithsonian FolkwaysBlue Ridge Mountain Ramblers / “Grey Eagle” / In the Field Behind the Stage / Old Blue RecordsRoan Mountain Hilltoppers / “Sally Ann” / In the Field Behind the Stage / Old Blue RecordsKirk Sutphin with the New Ballards Branch Bogtrotters / “Belle of Lexington” / In the Field Behind the Stage / Old Blue Tommy Jarrell / “Sourwood Mountain” / The Brandywine Mountain Music Convention / Chubby DragonSmokey Valley Boys / “Cricket on the Hearth” / The Brandywine Mountain Music Convention / Chubby DragonBarbara Dane with Frank Hamilton & Bill Lee / “Dink's Blues” / The Newport Folk Festival 1959 / Not NowPete Seeger / “The Bells of Rhymney” / The Newport Folk Festival 1959 / Not NowMississippi John Hurt / “Candy Man” / Folk Music at Newport Part.1 / VanguardBascom Lamar Lunsford / “Ten Steps” / Ballads, Banjo Tunes, and Sacred Songs / Smithsonian FolkwaysJohn Gorka / “Love is Our Cross to Bear” / Folks Live / Blue Plate MusicNorman & Nancy Blake / “Battleship of Main” / Folks Live / Blue Plate MusicClaire Lynch and the Front Porch String Band / “It Don't Mean a Thing if it Ain't Got That Swing” / Rockygrass / Blue Plate MusicBill Monroe & Doc Watson / “Watson's Blues” / Off the Record Volume 2 / Smithsonian FolkwaysBill Monroe & Doc Watson / “Paddy on the Turnpike” / Off the Record Volume 2 / Smithsonian FolkwaysBill Dillof / “All I Got's Gone” / Bluff Country Gathering 2000-2004 / JawbonePete Seeger / “If I Had A Hammer”(excerpt) / Songs of Hope and Struggle / Smithsonian Folkways

Music from: Naughty Nymphs, The Jolly Rogers, Other Woman, The Jolly Rogers, Friar Finnegan, Fiddler's Tales, MenageAMoi, Village Idiots VISIT OUR SPONSORS RESCU https://RESCU.org The 23 Patrons of the Podcast https://www.patreon.com/RenFestPodcast SONGS Song 01: Hot Wax & An Amoral Story by Naughty Nymphs from The Naughty Nymphs naughtynymphs.homestead.com/ Song 02: A Port in Every Girl by The Jolly Rogers from Loose Cannons jollyrogerskc.com Song 03: Joy Of Men by Other Woman from I Want You For Fun And Frivolity And Then I'll Give You Back facebook.com/donna.m.morris.75 Song 04: Isle of Brest by The Jolly Rogers from Cutlass Cannon and Curves jollyrogerskc.com Song 05: Nipples [02] by Friar Finnegan from Please Don't Play This For The Kids facebook.com/friarfinnegan Song 06: Johnny [02] by Fiddler's Tales from Duck Feet Waddling Song 07: Menage a Moi by MenageAMoi from 7 Deadly Sins menageamoicomedy.com Song 08: Cockerel Song [02] by Village Idiots from Chamber of Stupidity facebook.com/the.village.idiots/ HOW TO CONTACT US Please post it on Facebook https://www.facebook.com/renfestmusic Please email us at renfestpodcast@gmail.com OTHER CREDITS The Minion Song by Fugli www.povera.com Valediction by Marc Gunn https://marcgunn.com/ HOW TO LISTEN Patreon https://www.patreon.com/RenFestPodcast Apple https://podcasts.apple.com/us/podcast/renaissance-festival-podcast/id74073024 Spotify https://open.spotify.com/show/76uzuG0lRulhdjDCeufK15?si=obnUk_sUQnyzvvs3E_MV1g Listennotes http://www.listennotes.com/podcasts/renaissance-festival-podcast-minions-1Xd3YjQ7fWx/

Today's guest is one of the great voices of his generation — the theater kid who auditioned for American Idol with Michael Jackson, watched the judges' faces fall, and demanded a second song because he'd just quit his job and had no health insurance. But his real story isn't the voice. It's the game — the one Freddie Mercury wrote about, the one that picks your singles, writes your headlines, and decides who you are before you do.And The Writer Is... Adam Lambert!In this episode of And The Writer Is, we go deep on:The AMA kiss that blew up a $500,000 single launch — "everyone was going, oh shit"Quitting Wicked — and losing his health insurance — to audition, then refusing the judges' noWhy Kara DioGuardi 'busted his balls all season'What Brian May says "Play the Game" was really aboutSigned before the finale even aired: why losing Idol never matteredand much more.Hit subscribe and turn on notifications. Every week, we go deep with the most interesting creatives in music.Follow us on socials: @andthewriterisA special thank you to our lead sponsor, NMPA — the National Music Publishers' Association. 0:00 Intro1:09 The album is out — why self-titled, "first name basis"2:35 Meeting Pete Nappi through a pandemic song still in the vault3:39 "Am I Okay" — written one week after the breakup6:02 Singles made him "crazy" — the label picks that flopped: "I told you so"7:04 Leaning into what fans expect vs. challenging them8:16 Proud of the flops, indifferent to some hits9:34 Theater kids: every album is a character, every record a world11:28 The dystopian cover — "I want it blasted into the future"13:55 Adam Lambert or Freddie Mercury? "I feel like it's me"15:35 Coffee with Freddie — what Brian says "Play the Game" was really about16:56 "The music industry is a big old game, isn't it?"17:43 A college-DJ dad, a Sly Stone mom, and a kid screaming through the house19:46 The Fiddler note where everybody went "oh, wow"21:03 San Diego to LA at 19 — math knocked him off the college path23:00 Weed, poetry, and GarageBand25:49 Wicked: six months, burnt out, and a new plan29:20 Inside the Idol machine — two camps, two agendas32:49 The Burning Man epiphany that vanquished the fear34:39 No job, no insurance, and judges who didn't get Rock With You35:11 "I didn't really ask" — the second song that changed everything36:22 Why Idol can't break artists anymore38:04 Honey water: the whiskey story behind Kara DioGuardi's grudge41:21 Justin Timberlake tells him to remake A Night at the Opera42:06 Losing the finale — already signed before it aired47:20 The blog photos drop: "Yeah, that's me. Get over it."51:53 The AMA kiss and the $500,000 single53:22 What Do You Want From Me — the P!nk demo56:00 Singing uncredited on Avicii's "Lay Me Down"59:03 "It takes a village — bring them with you"60:26 Max Martin: "When you get on stage, I don't have to worry"61:26 How Queen actually made the call62:07 Trespassing hits #1 — a first he didn't know he'd made62:48 The poster-child years: "the headline is that I'm gay, and no one's talking about the music"66:11 Trespassing, the "bipolar album" — his half vs. the label's half67:20 Two months with the Wolf Cousins — why his songs didn't make the cut70:05 The Ghost Town gamble — "you've got to do something drastic"72:44 Songs with no home — "throwing my ideas into space"76:03 Velvet dies to Covid, two weeks in76:52 A Telefunken, YouTube tutorials, and teaching himself Logic77:51 The secret musical: 20 songs written over Zoom82:45 Identity vs. brand — "the personality precedes the skill"83:35 Songwriters don't get paid for their time — the union conversation87:37 Giving his co-writers master points — "it's just classy, man"88:28 Where the stage presence actually comes from90:13 The hardest part of fame93:06 "I nitpick the negative" — showing the uglier side for the first time96:28 Is Ozempic killing LA nightlife?Credits:Hosted by Ross GolanProduced by Joe London & Jad SaadEdited by Jad Saad Hosted on Acast. See acast.com/privacy for more information.

Think you know everything about Jewish matchmaking from Fiddler on the Roof? Think again! While the beloved musical frames arranged marriage as "tradition" and romantic love as its modern antidote, scholars argue the reality was far more nuanced — and in some ways, exactly the reverse of what the show depicts. In this episode, guest scholars Naomi Seidman, Elisheva Carlebach, Shulamit Magnus, and Ayala Fader, along with host Jeremy Shere, discuss the history of Jewish matchmaking and matrimony from the early modern period to the present day. Together, they explore how marriage functioned as an economic institution in Ashkenazi Jewish communities, who the matchmakers really were, and the role love played in the process, along with a look at matchmaking in contemporary Hasidic communities, where many of the old traditions live on.

Don't forget to grab your free scripture journal at ⁠⁠⁠PrayingChristianWomen.com/journal ⁠⁠⁠today!What happens when our prayers become so filtered and "spiritual" that we lose the raw honesty of what we actually desire? In this episode, Jaime and Alana take a 180-degree and head straight to Broadway. They dive into the concept of the musical theater "I want" song, using Tevye's famous track "If I Were a Rich Man" from Fiddler on the Roof as a surprisingly profound template for prayer. They discuss the danger of censoring our conversations with God, the freedom of bringing our most "frivolous" desires to Him, and how peeling back the layers of wanting money or status often reveals a pure, God-given need for security, respect, or peace. Alana highlights how teaching middle schoolers about Disney character motivations led her to realize that every superficial desire has a deeper "prayer behind the prayer." Meanwhile, Jaime gets remarkably candid about a recent camping trip, unpacking her own guilt over wanting to look good in a swimsuit and tracing it down to a beautiful, core desire to remain healthy, strong, and capable of caring for her family. Along the way, they swap practical wisdom on stripping away the "judgy Christian hat" that shames women for wanting a financial cushion, beautiful spaces, or basic human respect. From the reality of a mother's innate drive to provide, to Tevye's ultimate wish for simply having the time to sit and pray, they offer a refreshing perspective on approaching God exactly as you are—without pretending to be someone you aren't. Whether you are stressing over your bank account, feeling guilty for caring about your appearance, or simply longing for a more conversational, authentic relationship with the Lord, we hope this episode encourages you to stop editing your prayers, uncover the true desires of your heart, and confidently bring your uncensored self to the Father. Discover More: Explore additional episodes of Praying Christian Women, Mindful Christian Prayers, and other Christian podcasts at Lifeaudio.com Check out our new podcast, Christian True-Crime Junkies!, on Apple, Spotify, or anywhere you listen to podcasts! Connect with Us: Stay updated and engage with our community: On Substack @PrayingChristianWomen On Facebook @PrayingChristianWomen On Instagram @PrayingChristianWomen On YouTube: @PrayingChristianWomen Discover more Christian podcasts at lifeaudio.com and inquire about advertising opportunities at lifeaudio.com/contact-us.

In this final episode of our 13-part exploration of folk music history we are concluding with Death and Afterlife Songs!We welcome our musical collaborators for the series Ben and Katie to join us for this bumper-length episode, which includes a conversation at the end in which we reflect on the journey we have been on together over the last 15 months.As for the songs, we begin with Death and the Lady, a song that feels like it ought to have Medieval roots and which seems inspired by the Black Death, yet which is only recorded for the first time in the 18th century.Next, we sing and discuss one of the finest English songs of all, The Lyke Wake Dirge, with Martin deploying his shruti box and his snare drum to get the skeleton parade marching along...Lastly, we go out on a very Ben choice with Fiddler's Green, a song which is the 40th we've recorded together.We really hope you enjoy the songs, the conversations about death, the afterlife, reincarnation, and more, and remember, every new person who listens to this episode, or who joins our Patreon, enables us to be more ambitious with our projects and push Three Ravens into new and exciting places.So, thank you very much for listening, we hope to release mastered versions of some of the songs as an album (funds and time willing) and thank you for spreading the word about what we're doing so that this can be how we make our living.We really hope you enjoy the episode, and we will speak to you again on Thursday for our final stories from the Lang Red Fairy Book, featuring The Marvellous Musician and The Story of Sigurd!The Three Ravens is a Myth and Folklore podcast hosted by award-winning writers Martin Vaux and Eleanor Conlon.Released on Mondays, each weekly episode focuses on a historic county, exploring the heritage, folklore and traditions of the area, from ghosts and mermaids to mythical monsters, half-forgotten heroes, bloody legends, and much, much more. Then, and most importantly, the pair take turns to tell a new version of an ancient story from that county - all before discussing what that tale might mean, where it might have come from, and the truths it reveals about England's hidden past...Bonus Episodes are released on Thursdays plus Local Legends episodes on Saturdays - interviews with acclaimed authors, folklorists, podcasters and historians with unique perspectives on that week's county.With a range of exclusive content on Patreon too, including audio ghost tours, the Three Ravens Newsletter, and monthly Three Ravens Film Club episodes about folk horror films from across the decades, why not join us around the campfire and listen in?REGISTER FOR THE TALES OF SOUTHERN ENGLAND TOURVisit our website Join our Patreon Social media channels and sponsors Hosted on Acast. See acast.com/privacy for more information.

Fiddler's Green: Land in Sicht Fiddler's Green: My fairy of the West Fury in the Slaughterhouse: Viva La Revolution Fury in the Slaughterhouse: 9 Lives Infamis: Kammerspiel Infamis: Ganz großes Kino Donots: Wake the dogs Donots: Ich mach nicht mehr mit Beatsteaks: Hello Joe Beatsteaks: Milk & Honey Extrabreit: Die Fressen aus dem Pott Extrabreit: Komm nach Hagen Sportfreunde Stiller: Wächter Sportfreunde Stiller: Das Geschenk Sondaschule: Costa liebt dich Sondaschule: Amsterdam

We at WKXL's NH Unscripted are always trying to find ways to entice our audience to go out and have dinner and see a show. Today we're going to introduce you (or re-introduce) to the shows and songs that got us all goosebumpily about seeing the shows live. And so we give you: “ The Shows That Got Us Off The Couch And Into The Theater”. First up is the overtures from the Broadway show during the years 1960-1969. Think “Camelot”, “How to Succeed in Business Without Really Trying”, “Fiddler on the Roof”, “My Fair Lady”, etc.(NH Unscripted airs M/W/F @ 9am on 1450AM/103.9FM Concord and 101.9FM Manchester)

We at WKXL's NH Unscripted are always trying to find ways to entice our audience to go out and have dinner and see a show. Today we're going to introduce you (or re-introduce) to the shows and songs that got us all goosebumpily about seeing the shows live. And so we give you: “ The Shows That Got Us Off The Couch And Into The Theater”. First up is the overtures from the Broadway show during the years 1960-1969. Think “Camelot”, “How to Succeed in Business Without Really Trying”, “Fiddler on the Roof”, “My Fair Lady”, etc.

Click Here to Text us. Yes really, you totally can.Click Here to Text us. Yes really, you totally can.Mike and Zack are joined by Tim from Against All Oddities and The Woods I Knew! For your listening pleasure, we discuss:Guess What/Even weirderOreo has some new disgusting flavors for their gross, dry cookies!Pringles is trying to improve on the hotdog bun for some reasonJoey Chestnut continues to be a freak of nature!AI Actress Tilly Norwood still exists, unfortunatelyGram Gram sees a bigfoot!Beyond The PaleWe talk about the sad (and extremely badass) history of Jack Fiddler, WENDIGO HUNTER.Source 1Source 2Source 3Whatcha Wanna Talk About?It's time to enter the horrible, horrible world of dating again!Check Out Our Website!Join our Discord!Check out our Merch Store HERE!Follow us @theneatcast on TikTok!Follow us @neatcastpod on BlueskyFollow us @neatcastpod on Twitter!Follow us @neatcastpod on Instagram!Follow us @theneatcast on Facebook!

In 2018, Mariana Ramirez walked into the pit at Once On This Island as a sub and made history. She became the first female Mexican percussionist to ever perform on a Broadway show.Nobody handed her that moment. She built it.I first published this conversation in March of 2022, and it remains one of my favorites. Most of you weren't subscribed back then, so I'm bringing it back — the story is too good to leave in the archive.Who is Mariana Ramirez?Mariana is an NYC-based freelance percussionist who began her music studies at the National Conservatory of Mexico in Mexico City before earning her Bachelor of Music in Percussion at Rutgers University.That first Broadway sub gig at Once On This Island opened doors. She went on to sub Head Over Heels and Ain't Too Proud: The Life and Times of the Temptations, then hit the road holding the drums/percussion chair on the Once On This Island national tour. Off-Broadway, her credits include Merrily We Roll Along and Fiddler on the Roof in Yiddish, among many others. Today, she is one of just two female Mexican drummer/percussionists performing on Broadway.But her career stretches far beyond the pit.She has performed across Europe, Asia, and Mexico with Mexican traditional music bands, symphonic ensembles, chamber orchestras, and pop bands. You may have caught her on The Late Show with Stephen Colbert, in the series Mozart in the Jungle, or at the NBC Universal Upfronts at Radio City Music Hall.She also founded Percussion Quartet Excelsis, which Jonathan Haas, head of the NYU Percussion Department, praised as one of the most innovative and exciting percussion ensembles of this era of chamber music. Excelsis has performed twice on NPR's From the Top, at the Percussive Arts Society New York Weekend of Percussion, Brooklyn Bound with Sō Percussion, Zeltsman Marimba Festival, and Tippet Rise Music Festival in Montana. The group is endorsed by Sabian Cymbals.As a symphonic percussionist, she has performed with the National Symphony of Mexico, Orquesta de Minería, the first all-women orchestra of Mexico, Dartmouth Symphony, South Florida Symphony, New England Ensemble, Fairfield Orchestra, and most recently with The Dessoff Choir, premiering works for choir and orchestra at Alice Tully Hall.Traditional Mexican music. Broadway pits. Symphony halls. Chamber ensembles. Television. That range is not an accident — it's the career.In this conversation, we talk about:* The Santana concert in Mexico City that made an 11-year-old girl decide, on the spot, what she wanted to do with her life* Her path from the National Conservatory of Mexico to Rutgers to New York* What it took to break into Broadway subbing — and what it meant to be the first* How versatility across genres and settings keeps a freelance career aliveAnd when you're done with this one, keep an eye on your inbox. Up next on the podcast: Spencer Inch. You won't want to miss that conversation.For the complete roadmap to building a career in theater, grab Broadway Bound and Beyond at broadwayboundbook.com.Broadway Bound and Beyond isn't theory. It's twenty-six years on Broadway broken down into what actually works: how auditions really get decided, how reputation gets built or destroyed, how money works in this business, why versatility keeps you employed, and what it takes to last decades instead of one season. If you want the full career picture, the hardcover is at broadwayboundbook.com.If subbing is specifically your way in, the book gets you the mindset and the etiquette, but the Broadway Sub Playbook goes further. It's the actual system: the four-week prep formula, the show-day routine, how to take notes that stick, how to handle a pit you've never sat in before. It's built for one job — getting you ready for that call when it comes — and it's the resource a lot of working subs wish they'd had before their first one.Grab both at signaturebrandworks.com.Clayton Craddock is the drummer for Cats: The Jellicle Ball on Broadway at the Broadhurst Theatre. He is also the founder of Broadway Drumming 101 and the author of Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career.His Broadway credits include Memphis, Lady Day at Emerson's Bar and Grill, Ain't Too Proud, and Cats: The Jellicle Ball, with additional credits spanning tick, tick…BOOM!, The Hippest Trip: The Soul Train Musical, and subbing on Rent, Motown, Evita, Avenue Q, and the Hadestown tour.Clayton has appeared on The View, Good Morning America, The Tonight Show Starring Jimmy Fallon, The Today Show, and the Tony Awards. He has performed with artists ranging from Chuck Berry and Ben E. King to Kristin Chenoweth and Norm Lewis.www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

A rock band is only as good as its ability to surprise you, and Anne Harris is built for surprise. She's the fiddle player you hear with Cracker, and we talk about the first night it clicked that turned into an open invitation to sit in and stretch out. Along the way, Anne explains what makes musical chemistry real: shared taste, trust, and the kind of listening that turns solos into a back-and-forth conversation.We get deep into the art of live improvisation and why it keeps a show from getting stale, especially when the set can change on a dime. Anne also tackles the difference between a violinist and a fiddle player, and how style and tradition shape the same instrument.From there, the story widens across projects like Gypsy Blue Review and Halo Rider, and touring with Taj Mahal and Keb Mo as part of TajMo, a gig she describes as a living education in music history.If you care about live music, real human creativity, and the stories behind the songs, listen through and share it with a friend who still believes the stage is sacred.Learn Something New orRemember Something OldPlease like and follow the Music in My Shoes Facebook and Instagram pagesReach out to us at musicinmyshoes@gmail.comSend us a one-way message. We can't answer you back directly, but it could be part of a future Music In My Shoes Mailbag!!!

From Fiddler on the Roof to A Little Night Music at The Marriott Lincolnshire and the journey from the West End to Broadway to Lincolnshire. Alexandra Silber talks to Steve Dale about Stephen Sondheim, her current production, and performing for Chicagoans.

This episode we are joined by performer Max Chernin! Max is known for his roles in Parade which he performed in on Broadway and on the national tour, Bright Star and Sunday in the Park with George. Other credits include Brooklynite, Passing Through, Elf and Fiddler on the Roof.  Max is currently starring in the new off-Broadway musical A Walk on the Moon playing now until August 22nd.We talk with Max about what got him into performing, tour the country with Parade, working on A Walk on the Moon and much more!

Episode 680 also includes an E.W. Poetic Piece titled, “Hum In The Canyon.” Commercial Free, Small Batch Radio Crafted in the West Mountains of Northeastern Pennsylvania... Heard All Over The World. Tell Your Friends and Neighbors.

Highlights: Our co-host Sholem Beinfeld, who is Professor of History, Emeritus, Washington University, St. Louis, gives a historic, and Jewish, perspective on the United States of America in observance of the upcoming 4th of July, 2026, holiday. Later in the program, we play a series of songs in honor of America written and performed by a variety of performers and songwriters. Our featured guest is Anna Halberstam Rubin, talking about her life, including her youth before and during the Holocaust, which she wrote about in her memoir Just a Little Girl: Despair and Deliverance (1993, 1994, 2018 AHR Books, Palo Alto). Anna was born in Poland but grew up in Slovakia, the daughter of Rav Yechezkel Shraga Halberstam, and the granddaughter of two rabbis, Rav Naftali Rubin of of Nowy Wiśnicz, Poland, and Rabbi Menachem Mendele Halberstam of Stropkov, Slovakia, The Stropkover Rebbe. During the war, Anna comes of age and narrowly escapes death on multiple occasions. Eventually, she makes it out of danger by joining one of the remarkable rescue convoys organized by Rudolf Kastner, escaping from Hungary to Switzerland. Her convoy was separate from the better-known Kastner train, which also brought Jewish refugees to safety, including the Satmarer Rebbe, Rabbi Yoel Teitelbaum. After the war, she eventually moved to the United States and married Israel Rubin, a sociologist, a foremost expert on Hungarian Jewry and author of the book Satmar: An Island in the City. We spoke to Anna at the home of her daughter Haya Rubin in the Lakewood, NJ area in August, 2024. Music Ben Gailing: Star Spangled Banner Mandy Patinkin: Nem Mikh Mit Tsu Dem Balgeym / Got, Bentsh Amerike Steven Skybell, Joel Gray and the cast of Fiddler on the Roof in Yiddish: Got, Bentsh Amerike Daniel Kahn, Sarah Gordon, Lorin Sklamberg, Patrick Farrell, Sveta Kundish, Michael Alpert, Linda Gritz: Dos Land Iz Dayn Land Cantor Leibele Waldman: Ikh Dank Dir Got Far Amerike Mandy Patinkin: American Tune in Yiddish (Words and Music by Paul Simon) The Yiddish Philharmonic Chorus: Neil Diamond’s “America” in Yiddish, in 4-part harmony instrumental music: DEM HELFANDS TANTS, an instrumental track from the CD Jeff Warschauer: The Singing Waltz Air date: July 1, 2026

Music from: Tartanic, Cheeks and Phoenix, Cheeks and Phoenix, Mc Dades, Jim Hancock, Craig O'Farrington, Jackdaws, Pictus, Brian "Tinker" Leo, Cheeks and Phoenix, Angus McHugh, Scottish Pirate, Blame Not the Bard, Better Than Nun, Cast in Bronze, Fiddler's Tales VISIT OUR SPONSORS Bawdy Podcast Happy To Be Coloring Pages RESCU The Patrons of the Podcast The Ren List SONGS Song 01: Mad Dogs Triple by Tartanic from Universal www.facebook.com/tartanicofficial Song 02: Hellbound Train by Tartanic from Universal www.facebook.com/tartanicofficial Song 03: Nancy Whiskey [06] by Cheeks and Phoenix from Coddiwomple www.cheeksandphoenix.com/ Song 04: Dark Lady [03] by Cheeks and Phoenix from Any Requests www.cheeksandphoenix.com/ Song 05: Miri_s Reel_The Foolie_The Onlies_ Reel by Mc Dades from Thread the Light www.themcdades.com Song 06: Gaelic Waltz Part 1 by Mc Dades from Thread the Light www.themcdades.com Song 07: Gaelic Waltz Part 2 by Mc Dades from Thread the Light www.themcdades.com Song 08: Dance Around the Spinning Wheel by Mc Dades from Thread the Light www.themcdades.com Song 09: Haul Away Joe [09] by Jim Hancock from Rolling Home www.jimhancock.com Song 10: The Magician [01] by Craig o'Farrington from 20 Years of Sweet Delights www.facebook.com/cmbroers Song 11: Waves by Jackdaws from Amuse www.thejackdaws.com/ Song 12: The Green Man by Pictus from Air www.pictusmusic.com Song 13: Whisky, Stout & Beer by Brian "Tinker" Leo from Tinker's Rest www.facebook.com/tinkersings/ Song 14: Riches, Woman, and Beer by Cheeks and Phoenix from Any Requests www.cheeksandphoenix.com/ Song 15: Haul Away Joe [02] by Angus McHugh, Scottish Pirate from Rebels Pirates and Cutthroats www.matthughesmusic.com Song 16: Greenland Whale Fisheries - Whiskey Before Breakfast by Blame Not the Bard from Soundcheck www.blamenotthebard.com/ Song 17: Ding Dong! by Better Than Nun from Devilish www.betterthannun.bandcamp.com/ Song 18: Original Sin II by Better Than Nun from Devilish www.betterthannun.bandcamp.com/ Song 19: Definition 4 Part by Better Than Nun from Our Lady of Immaculate ~Vibes~ www.betterthannun.bandcamp.com/ Song 20: Will ye buy a fine dog by Better Than Nun from Our Lady of Immaculate ~Vibes~ www.betterthannun.bandcamp.com/ Song 21: When Johnny Comes Marching Home by Cast in Bronze from The Voyage www.castinbronze.net/ Song 22: The Terk [01] by Fiddler's Tales from Anatidaephobia UNKNOW WEBSITE Song 23: Spill the Tea by The Harlot Queens from Tea and Strumpets www.theharlotqueens.com Song 24: Dandy Candymaker by The Harlot Queens from Tea and Strumpets www.theharlotqueens.com HOW TO CONTACT US Please post it on Facebook https://www.facebook.com/renfestmusic Please email us at renfestpodcast@gmail.com OTHER CREDITS Thee Bawdy Verson https://renfestbawdypodcast.libsyn.com/ The Minion Song by Fugli www.povera.com Valediction by Marc Gunn https://marcgunn.com/ HOW TO LISTEN Patreon https://www.patreon.com/RenFestPodcast Apple https://podcasts.apple.com/us/podcast/renaissance-festival-podcast/id74073024 Spotify https://open.spotify.com/show/76uzuG0lRulhdjDCeufK15?si=obnUk_sUQnyzvvs3E_MV1g Listennotes http://www.listennotes.com/podcasts/renaissance-festival-podcast-minions-1Xd3YjQ7fWx/

http://www.copperplatemailorder.com                                Copperplate Podcast 319                                presented by Alan O'Leary                                             JULY 2026                             www.copperplatemailorder.com 1. GERRY DVER:  The Bath Set.  Diversions 2. TEADA: Lady Montgomery/Follow Me Down/Give the Girl her 4 Pence/Tie The Bonnet.                Inné Amárach   3. BEN LENNON & TONY O'CONNELL:               Mullingar Races/Boy on the Hilltop. Rossinver Braes 4. DAN BROUDER & ANGELINA CARBERRY:  The Pidgeon on the Gate/The Drawing Room/Touch Her If You Dare.   A Waltz for Joy 5. NORAH RENDELL:  Pretty Susan.   Spinning Yarns6. PATSY MOLONEY & JOHN REGAN:   The Sport of the Chase/The Priest in His Boots.               Over The Bog Road 7. RONAN BROWNE & PETER O'LOUGHLIN                 Táim in Arrears/Hardiman the Fiddler.  Geantrai                                8. DAVE SHERIDAN: Off to the Hunt/The Flying Wheelchair.                    Drivin' Leitrim Timber9. BOBBY CASEY: Tuttle's Reel/Porthole of the Kelp. Maestro 10. TIM DENNEHY:   Farewell to Miltown.  Farewell to Miltown Malbay   11. BOBBY & SEAN CASEY:                   Farewell to Miltown/Star of Munster.  The Spirit of West Clare 12. KEVIN ROWSOME:             The Wet Weather/The Fair Maids of Ireland/Welcome to the Country.                The Musical Pulse of the Pipes13. CIARAN GALVIN/DANU:   Easy & Free.    All Things Considered 14. SORCHA COSTELLO:  Minor Complications/Clancy's Bar.   The Primrose Lass 15. MICK O'BRIEN & CAOIMHIN O'RAGHALLAIGH:                 The Dublin Lads/The Taproom/The Liffey Banks.  Deadly Buzz 16. CAOIMHIN O'FEARGHAILL & PADDY TUTTY:               Tapping Toes/Father Kelly's Farewell.  Flute & Fiddle 17: JOHN & JACINTA McEVOY:         The Journey Home/Paddy Healy's/The Controversal Reel.  The Boyne Mist 18. SÉAMUS ÓROCHÁIN & BRID O'DONOHUE:              We'll Meet in Miltown/The Sloping Meadow/Eillis'.  We'll Meet in Miltown

Welcome back to the 288th episode of The Cup which is our a weekly (give or take, TBD, these are unprecedented times) performing arts talk show presented by Cup of Hemlock Theatre. With the theatres on a come back we offer a mix of both reviews of live shows we've seen and continued reviews of prophet productions! For our 288th episode we bring you a Duet Review of Fiddler on the Roof in Yiddish, directed by Joel Grey, presented in Toronto by the Harold Green Jewish Theatre Company, starring Steven Skybell as Tevye alongside a heavy-hitting Canadian ensemble. Join Mackenzie Horner and returning guest Lori Ossip, as they revisit Anatevka to discuss not-quite-dead-yet languages, the texture of authenticity, and the reclamation of tradition. Fiddler on the Roof in Yiddish played at the Elgin Theatre (189 Yonge St., Toronto, ON) until June 7th, 2026. Tickets can be purchased from the following link: https://hgjewishtheatre.com/2025-2026-Fiddler-on-the-Roof.html This review contains many SPOILERS for Fiddler on the Roof in Yiddish. It will begin with a general non-spoiler review until the [26:44] mark, followed by a more in-depth/anything goes/spoiler-rich discussion. If you intend to see the production, we recommend you stop watching after that point, or at least proceed at your own risk. Follow our panelists: Lori Ossip – Instagram: @girllikestheatre // Blog: https://girllikestheatre.com/ // Her other article on Yiddish Fiddler: https://www.ottawalife.com/article/in-this-production-of-fiddler-on-the-roof-tevye-speaks-in-yiddish-but-the-warning-is-universal/ Mackenzie Horner (Before the Downbeat: A Musical Podcast) – Instagram/Facebook: BeforetheDownbeatApple Podcasts: https://apple.co/3aYbBeNSpotify: https://spoti.fi/3sAbjAu Follow Cup of Hemlock Theatre on Instagram/Facebook/Twitter: @cohtheatreIf you'd like us to review your upcoming show in Toronto, please send press invites/inquiries to coh.theatre.MM@gmail.com

In our forty‑second deployment of BungleTech, my spheroid co‑host Michael and I are joined by legends of the Inner Sphere: Seth from the Mercenary Star Podcast and Matt the Northman of the Valhalla Club. Together, we dive into what it really means to show up authentically—with your philosophy, your spirituality, your worldview—when you step into the Battletech scene. Wish us luck MechWarriors, chance of turbulent battlefields ahead!Our Honourable Patreon SupportersMechWarriors: Canaan McKenna, Ed Magilton, HeyZeus, Malathis, Phil Raider Roby, Slurski Lispers, Wargaming WanderlustTechnicians: boy_inna_box, Blunderdome, Chris Cannon, DarkTremere, Devon, Dire Situation, Jack Lambert, Klint, Matthew Hopper, Metal Ed, ML8211, Ned McDermott, TheRock3393, ZemerBondspersons: Arbriar, Dave G, Fiddler, Fullmetal Gundam, G, Hilux, Offensive Titan, Steffan Gordan, Sven Bertram, SweetBee, William Becker, WooflerSegment Start TimesExtraordinary Proclamation - 1:25Primary Topic Segment - 7:10BungleTech LinksBungleTech Discord Homebase Under BungleTech -> https://discord.gg/thevalhallaclubBungleTech Email -> BungleTech@outlook.comBungleTech Global Campaign Initiative Document Repository -> ⁠https://www.patreon.com/posts/global-campaign-125155370⁠BungleTech Patreon -> ⁠ https://www.patreon.com/BungleTech⁠BungleTech Podcast Game Mode Collection -> ⁠ https://1drv.ms/f/s!AiU1hP8RhYzUn5FwSg7PaYnHbJvm7Q⁠BungleTech Twitter/X -> BungleTechTweetGuest LinksThe Mercenary Star Podcast (Seth) -> https://www.youtube.com/@mercenarystarpodcastThe Valhalla Club Podcast (Matt) -> https://open.spotify.com/show/1H3rQdsfA55bngu3O6yedK

Great dads from the American musical, wanting the best for their children in their own lifetimes. Songs from The Rothschilds, Fiddler on the Roof, Carousel, Falsettos, and more.

The 2026 Canadian track & field championships are underway from Ottawa and The Shakeout Podcast team brings you all the storylines you need to know heading into a full weekend of action on the track. Host John Gay is joined by Canadian Running's Cameron Ormond and special guest Avery Pearson, fresh off her final collegiate season at The University of Colorado. From a jam packed night of distance action on Thursday, June 18th right through the always-riveting 1500m finals set for Sunday, the team takes a deep dive into the head-to-head battles, superstar showdowns, and dark horse picks you need to keep an eye on this weekend. Plus, Pearson shares from her experience competing in her final season as a collegiate athlete, from the demands of the NCAA racing schedule to making her first senior national team earlier this year and how she plans to carry the momentum from a breakout season into a stacked women's 800m competition this Friday and Saturday in Ottawa. Follow Avery @averyypearson Cover Photo: Lauren Cawley Subscribe to The Shakeout Podcast feed on Apple, Spotify, YouTube or wherever you find your podcasts. [This collaboration is part of an advertising campaign led by the Podpass agency for Altitude Sports] Shop now at Altitude Sports and enjoy up to 20% off your first order with the promo code “SHAKEOUT2026” Click here to order

Can a musical teach Torah? Why is Fiddler on the Roof beloved in Japan? The answers to these questions could have implications for the future of the Jews and their place in the world. Noam sits down with Jennifer Tepper, a theatre historian, and Etai Benson, a Broadway actor, to discuss the art of crafting stories, and the innovative ways in which Judaism has intersected with the stage. If you're interested in bringing Etai's new show, The Book of Steve, to your synagogue or Jewish space, write to MountCarmelProductions@gmail.com Jennifer Tepper's new book, Women Writing Musicals: The Legacy that the History Books Left Out is available here: https://a.co/d/00JNs0AJ Get in touch at WonderingJews@unpacked.media. Follow @wonderingjews on Instagram, and watch and subscribe on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. ------------ This podcast is brought to you by Unpacked, an OpenDor Media brand. Subscribe to the Unpacked newsletter: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://unpacked.bio/22f7b4⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ For other podcasts from Unpacked, check out:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Jewish History Nerds⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Soulful Jewish Living⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Stars of David with Elon Gold ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Unpacking Israeli History⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

In this Father's Day episode of The Music in Me, I'm diving into the powerful, emotional, and sometimes unexpected ways musical theater portrays fathers and father figures. After doing a Mother's Day episode celebrating moms in musicals, I knew I wanted to continue the tradition and shine a light on dads this time around. In this episode, I explore songs that show the many sides of fatherhood—fathers dreaming about the future, fathers trying to connect with their children, fathers who aren't perfect, fathers who sacrifice everything, and the quiet beauty of watching children grow up. Some of these songs are longtime favorites of mine, and others were brand new discoveries I found while researching this episode, and I honestly fell in love with them. From classics like Les Misérables and Fiddler on the Roof to modern favorites like Hamilton, Dear Evan Hansen, and Ragtime, each song adds a different layer to what it means to be a father or father figure. This episode is heartfelt, reflective, and deeply personal as I also take a moment to celebrate the important father figures in my own life. Whether you're celebrating, remembering, or simply reflecting this Father's Day, I hope these songs from musical theater resonate with you as much as they did with me.SONGS MENTIONED…·       Soliloquy from Carousel·       Dear Theodosia from Hamilton·       Wheels of a Dream from Ragtime·       To Break in a Glove from Dear Evan Hansen·       Hey Kid from If/Then·       Daddy Knows Best from SpongeBob SquarePants: The Musical·       Not My Father's Son from Kinky Boots·       Like Father, Like Son from Aida·       Dead Man's Boots from The Last Ship·       Bring Him Home from Les Misérables·       You're Daddy's Son from Ragtime·       No Matter What from Beauty and the Beast·       Something Was Missing from Annie·       Sunrise, Sunset from Fiddler on the RoofWhat did you think of this episode? Support the showKeep listening, keep grooving, and let the music in you continue to shine.  Thank you, and see you soon!CONTACT TERI:Instagram: https://www.instagram.com/terirosborg/Facebook: https://www.facebook.com/teri.rosborgYouTube: The Music in MeTikTok: https://www.tiktok.com/@terirosborgPodcast Facebook Page: The Music in Me Podcast Facebook pageTHEME SONG BY:  Hayley GremardINTRODUCTION BY: Gavin Bruno

Desolation Island opens with bucolic absurdity - we've got Jack Aubrey on ‘Fiddler's Green', Stephen dissecting a fresh cadaver's hands before dinner, a catastrophic get-rich-quick scheme, and Jane Austen-style fibbing from almost everyone. Grab a glass of port and mind your poke—we're getting the band back together.

We add another string to our bow by learning about the fiddler crab. We discuss the arc of history bending towards crab, the MogBot 2000, bad dating advice, non-orientable wormholes, and so much more.  Works Cited: “The Design of a Beautiful Weapon” - John Christy, Smithsonian Museum of Natural History “On the Other Hand: The Myth of Fiddler Crab Claw Reversal” - Judith S. Weis, BioScience, April 2019 “Sexual selection for structure building by courting male fiddler crabs: an experimental study of behavioral mechanisms” - John H. Christy et al., Behavioral Ecology, May 2002 “Synchronous waving in fiddler crabs: a review” - Patricia Ruth Yvonne Backwell, Current Zoology, July 2018 “Robotic crabs reveal that female fiddler crabs are sensitive to changes in male display rate” - Sophie L. Mowles et al., Biology Letters, January 2018 “Not what it looks like: mate-searching behaviour, mate preferences and clutch production in wandering and territory-holding female fiddler crabs” - M. Peso et al., R. Soc Open Sci.. August 2016 “Dishonest signalling of fighting ability and multiple performance traits in the fiddler crab Uca mjoebergi” - Simon P. Lailvaux et al., Functional Ecology, March 2009 “The effects of neighbor familiarity and size on cooperative defense of fiddler crab territories” - Isobel Booksmythe et al., Behavioral ecology, November 2011 “Beyond Abiotic Decay: Fiddler Crabs Accelerate Plastic Fragmentation in Pollution Hotspots” - Jose M. Riascos et al., Global Change Biology, December 2025 Links: For more information about us & our podcast, head over to our website! Follow Just the Zoo of Us on BlueSky, Facebook, Instagram & Discord! Follow Ellen on Instagram or BlueSky!   Help support this show and unlock bonus content! Become a member at https://maximumfun.org/joinjustthezoo

My subconscious melded Fiddler on the Roof with the lecture from a few days earlier, and I ended up writing a chapter about the Jewish farmer Tevye buying a cow, Golde (which he named after his first wife). The post Fiddler on the Roof and Value Investing – Ep 292 appeared first on The Intellectual Investor - Value Investing by Vitaliy Katsenelson.

Elise and Marcelo kick off season three with a Cats Redux. A trip to New York City and Cats: The Jellicle Ball has turned them into full-blown Cats Converts. All hail Old Deuteronomy! Instead of revisiting the nightmarish Cats (2019) movie, on this episode, Elise and Marcelo discuss the seminal documentary Paris is Burning (1990) to prepare for the ball. This fall they'll officially begin season three with Fiddler on the Roof, it's their TRADITION, after all.

The BOB & TOM Show — June 2, 20266:00 AM Hour 6:01 – Best of “Hello Dere” Vol. 2 6:02 – Pat out 6:07 – Tom discusses a dog turning on a faucet and flooding a home 6:08 – Tom talks about being out late the previous night 6:21 – Scott Halprin story 6:22 – Kristi shares a dream about going on a comedy tour 6:22 – Listener letter about being excited by Dr. Buckets 6:24 – Listener letter: Col-Gate story 6:25 – Tom explains why he puts salt in his mouth before eating potato chips 6:27 – Listener letter: “Soup or ball?” discussion 6:31 – Listener letter about Malört and its distinctive taste and smell 6:45 – Listener letter from a forest worker recovering from injuries 6:47 – Listener letter about a woodpecker becoming part of the family 6:49 – Listener letter about online scratcher videos 6:50 – Listener letter about resisting “inner Tom” tendencies 6:52 – Sports update 6:52 – Listener letter about being pulled over for driving with high beams on 7:05 – Jeff joins in studio 7:08 – Listener letter from TRD Lover 7:09 – Toothpaste discussion and follow-up TRD Lover letters with Josh 7:26 – Discussion of a Marilyn Monroe statue with cooling mist features 7:27 – Survey results on takeout orders 7:33 – Discussion of “Big Bad John” 7:35 – Discussion of “Small Sad Sam” 7:37 – Josh talks about wanting to be a puppeteer 8:04 – Audience member plays piano with the band on stage 8:07 – Discussion about Ozzy Osbourne being recreated as an avatar 8:14 – Jeff talks about collecting vintage fast-food ashtrays 8:22 – Discussion about washing a car four times in one day 8:23 – Dr. Buckets joins via video call 8:24 – Dr. Buckets discusses turning down a job with the Washington Generals 8:29 – Video call technical difficulties with Dr. Buckets 8:33 – Fiddler crab discussion 8:46 – Chick says Tom needs a massage 8:47 – Today in History 8:50 – Josh discusses being remembered after death 8:52 – Discussion about what kinds of trees the cast would be 8:57 – Chick jokes about listening to The Strokes 9:06 – Story about a man using an excavator to damage a home during a domestic dispute 9:07 – Discussion of new dating terms 9:24 – Josh says he could fill in for Greg Warren because he knows the act 9:25 – Story about therapy donkeys at a mental health facility in France 9:27 – Discussion about hair salons and therapy-related services 9:28 – Josh jokes about getting a haircut 9:31 – Josh discusses haircut preferences 9:31 – Jeff discusses haircut preferences 9:32 – Chick discusses never having his hair washed before a haircut 9:44 – Josh nearly does a spit take 9:50 – Pierre Wine Cooler discussion 9:51 – Discussion about famous artworks and theft-related replacements 7:00 AM Hour8:00 AM Hour9:00 AM Hour Learn more about your ad choices. Visit podcastchoices.com/adchoices

I set a $200K quarter goal on April 2nd, posted about it publicly, and then… did a musical. In this episode I'm breaking down how I hit $99.5K in the first 6 weeks without everything going according to plan, why I literally burned my plan at a mastermind retreat, and what a Fiddler on the Roof rehearsal schedule taught me about loosening my grip on the business. Plus: the messaging pivot that rescued a launch, the high-ticket sales I didn't see coming, and why summer might be the worst time to take your foot off the gas if your competitors already have.   → Main Character Energy Private Podcast: https://meganyelaney.com/main-character-energy → Wildly in Demand (June 23–25): https://meganyelaney.com/wildly-in-demand    → Get the full show notes (with all the links) here: https://meganyelaney.com/2026/06/01/how-i-hit-financial-business-goals-by-burning-the-plan  

Learn more about Howard at:  https://howardlanger.com/ Show notes:  Show Notes    ⚖️ [02:22] Reading biographies of famous lawyers as a child

This episode originally aired on September 25th, 2020. This week, stories of parenting and being parented. This episode was hosted by the director of MothWorks at The Moth, Kate Tellers, featuring two special surprise guests. Storytellers: Caroline Connolly's realize they've forgotten their theater tickets... about 100 miles into the drive to New York City. Christopher Moncayo-Torres tries to connect with his dad through their shared love of Fiddler on the Roof. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

J&J are joined by Samantha Wynn Greenstone and Jacob Hoff, the married couple behind the “I Married A Gay Man” podcast, to unpack the relationship dynamic that has the internet completely fascinated! They tell their story of meeting during a Fiddler on the Roof audition, becoming inseparable best friends, and the text message that changed everything after an energy healer told Samantha they shared a “spiritual umbilical cord.” Jacob opens up about identifying as gay while being deeply in love, monogamous, and raising a baby with Samantha, while the group dives into why labels, attraction, and soulmate connections don't always fit into neat boxes. Learn more about your ad choices. Visit megaphone.fm/adchoices

1. Netflix Source Says They've "Sealed the Deal" on a Return for 'The Crown' — But It's Not What Fans Might Expect (Marie Claire) (34:41) 2. Pete Davidson and Elsie Hewitt ‘Working Through' Relationship ‘Issues': Their Daughter Is ‘Top Priority,' Source Says (PEOPLE) (44:29) 3. Brooks Nader and Taron Egerton take a dip during romantic Australia beach date (Page Six) (47:49) 4. Taylor Swift's website briefly displays 'Toy Story'-style countdown (USA Today) (50:50) 5. Emily Blunt sparks backlash for ‘awful career advice': ‘Out of touch with reality' (Page Six) (57:30) - Real Housewives of Beverly Hills Reunion Recap (1:03:35) The Toast with Jackie (@JackieOshry) and Claudia Oshry (@girlwithnojob) ⁠⁠⁠⁠⁠The Toast Patreon ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Toast Merch ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Girl With No Job by Claudia Oshry ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠The Camper & The Counselor⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Lean In⁠⁠⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices