Podcasts about fiddler

Through August 17th, Music Theater Works presents ‘Fiddler on the Roof’ in a limited engagement at the North Shore Center for the Performing Arts in Skokie. Experience the humor and the enduring power of tradition in this celebrated story featuring the songs “Sunrise, Sunset,” “Matchmaker,” “If I was a Rich Man,” and others performed by […]

Hernandez Guardado v. Bondi, No. 23-92286 (4th Cir. Aug. 5, 2025) particular social group; women; anti-circularity not determinative; El Salvador  Matter of Akhmedov, 29 I&N Dec. 166 (BIA 2025) bond; flight risk; failure to timely file change of address EOIR-33 Matter of Garcia Martinez, 29 I&N Dec. 169 (BIA 2025) filing fees; fee waiver; presumptions Garcia Pinach v. Bondi, No. 22-6421 (2d Cir. Aug. 4, 2025) misdemeanor sexual contact with a minor; NYPL § 130.60(2); aggravated felony; Loper Bright & star decisis; standard of review for equitable tolling Wassily v. Bondi; Velasquez Arreaga v. Bondi, Nos. 22-6247_23-6289 (2d Cir. Aug. 7, 2025) adjustment of status for asylees; INA § 209; T-C-A-; statutory interpretation; definition of granted & status; termination of asylum status Fiddler v. Bondi, No. 24-2604 (7th Cir. Aug. 7, 2025) CAT purpose; specific intent to torture; mental health; police shootings; Jamaica Cortez, et al. v. Bondi, No. 24-9551 (10th Cir. Aug. 5, 2025)  failure to sign certificate of service; ECAS; BIA rules; form instructions Chavez-Govea v. Bondi, No. 24-9551 (10th Cir. Aug. 5, 2025) IJ asylum filing deadline; continuance; diligence; abuse of discretion; due process; motion to remand Lopez-Martinez v. Bondi, No. 23-10105 (11th Cir. Aug. 6, 2025) substantial evidence and arbitrary and capricious standards of review; exceptional and extremely unusual hardship; Wilkinson; overview of standards of review; ADHD, denial of schooling, and whether medications are reasonably available Click me for psych survey!Sponsors and friends of the podcast!Kurzban Kurzban Tetzeli and Pratt P.A.Immigration, serious injury, and business lawyers serving clients in Florida, California, and all over the world for over 40 years.  Cerenade"Leader in providing smart, secure, and intuitive cloud-based solutions"Demo Link!Click me too!get.eimmigration.com/resources  Stafi"Remote staffing solutions for businesses of all sizes"Promo Code: STAFI2025Click me! Gonzales & Gonzales Immigration BondsP: (833) 409-9200immigrationbond.com  CONTACT INFORMATIONEmail: kgregg@kktplaw.comFacebook: @immigrationreviewInstagram: @immigrationreviewTwitter: @immreview DISCLAIMER & CREDITSSee Eps. 1-200Support the show

In this moving and insightful episode, J.R. sits down with author Tong Ge as part of the Author's Circle series to explore her debut novel The House Fiddler. Born and raised in China, Tong shares the incredible true story that inspired her book—based on her grandmother's harrowing and courageous life spanning war, political upheaval, and bound-foot oppression in early 20th-century China.

Fiddler on the Roof is one of the great classic musicals of all time. The story of Tevye the milkman, his family and his community is a tale of traditions that define his faith and confront the threats of  a modern world that challenge his beloved home town of Anatevka. The stunning aspect is how relevant […]

In our 32 episode of BungleTech my spheroid co-host Michael and I propose some BattleTech cross-overs we would like to see on the table in our Primary Topic segment, in our Extraordinary Proclamation segment we welcome a new member to the clan and give a quick update regarding a change to the Global Campaign initiative, we discuss some rule mistakes related to the Glancing Blow Advanced Rule in our Rule Check Discovery segment, and in our Battlefield Outcome report we relish the powerful impact connecting to satellites had at our table.Our Honourable Patreon SupportersMechWarriors: Canaan McKenna, Ed Magilton, HeyZeus, Lorian Sunrider, Malathis, MetalEd, Phil Raider Roby, Slurski LispersTechnicians: Blunderdome, Chris Cannon, DarkTremere, Dire Situation, Keflyn, Klint, Matthew Hopper, ML8211, Seth WhiteFox, ZemerBondspersons:  Ben Brinkley, Fiddler, Fullmetal Gundam, G, Hilux, Itswhatevan, Offensive Titan, Rob Carpenter, Rob Prescott, William BeckerSegment Start TimesExtraordinary Proclamation - 1:10Podcast Primary Topic - 5:00Rule Check Discovery - 1:12:55Battlefield Outcome Report - 1:25:20BungleTech LinksBungleTech Discord Homebase Under BungleTech -> https://discord.gg/ahe6QdCPfgBungleTech Email -> BungleTech@outlook.comBungleTech Global Campaign Initiative Document Repository - > ⁠https://www.patreon.com/posts/global-campaign-125155370⁠BungleTech Patreon - > ⁠ https://www.patreon.com/BungleTech⁠BungleTech Podcast Game Mode Collection - > ⁠ https://1drv.ms/f/s!AiU1hP8RhYzUn5FwSg7PaYnHbJvm7Q⁠BungleTech Twitter/X -> BungleTechTweet

Jim Shumate was a fiddler who gained his notoriety in the 1940s when he played with some of the great musicians of bluegrass, including Bill Monroe & the Bluegrass Boys, Lester Flatt, and Earl Scruggs. He added his flair to the songs of the time, emphasizing 'long-bow' fiddling, a style which he discovered listening to Arthur Smith from the Grand Ole Opry. John Miller (Shumate's grandson) and Natalyla Weinstein sit down with Laura Boosinger to share some of Jim Shumate's life and musical background. Songs Included in the Episode:"Mean Old Ramblin' Blues", Jim Shumate"Rocky Road Blues", Bill Monroe"We'll Meet Again, Sweetheart", Lester Flatt, Earl Scruggs & The Foggy Mountain Boys"Little Red Shoes", Jim & Don and Sons of the Carolinas"Old Country Baptizing", Zoe & Cloyd Learn more about Jim Shumate through the Blue Ridge National Heritage Area's Traditional Artist Directory. 

Jim Shumate was a fiddler who gained his notoriety in the 1940s when he played with some of the great musicians of bluegrass, including Bill Monroe & the Bluegrass Boys, Lester Flatt, and Earl Scruggs. He added his flair to the songs of the time, emphasizing 'long-bow' fiddling, a style which he discovered listening to Arthur Smith from the Grand Ole Opry. John Miller (Shumate's grandson) and Natalyla Weinstein sit down with Laura Boosinger to share some of Jim Shumate's life and musical background. Songs Included in the Episode:"Mean Old Ramblin' Blues", Jim Shumate"Rocky Road Blues", Bill Monroe"We'll Meet Again, Sweetheart", Lester Flatt, Earl Scruggs & The Foggy Mountain Boys"Little Red Shoes", Jim & Don and Sons of the Carolinas"Old Country Baptizing", Zoe & Cloyd Learn more about Jim Shumate through the Blue Ridge National Heritage Area's Traditional Artist Directory. 

Send us a textGary is back in the bothy after a few weeks on the road - join him for some more top drawer piping from a the airts.PlaylistBreabach with Knees Up from Frenzy of the MeetingSimon Fraser University Pipe Band with The Drunken Landlady, Throw the Beetle At Her, Brendan Murphy's, Suo Gan, Nellie's Strathspey, The Fiddler's Joy, Put Me In the Big Chest, Calum Iain, Little Cascade and The Phantom Phiddler from the Skagit Valley Highland Games, WA, 2025. Matthew Turnbull with Downtown Dog Lounge from Ruffled FeathersEilidh Shaw and Ross Martin with Tune for Keith from Birl-EsqueAngus Nicholson with Lady Madelina Sinclair, Glen Tilt Lodge, O Mhisg a'chuir a Nollaig Oirnn, The Lads of Mull, The Gladstone Reel, Calum Finlay and Cpt Lachlan MacPhail of Tiree from The Raasay, September 2024, recorded by Mike Vass.78th Fraser Highlanders with Journey to Skye from Live in Ireland. Ross Miller with The Dedication Jigs (single 2024)  LinksBreabach Live DateSimon Fraser University Pipe Band on Youtube  EYP at Piping Live event - 78th Fraser Highlanders Live in Ireland Listening PartyRoss Miller Live PerformancesSupport the show

Will Trice is the Executive Director of the Arkansas Repertory Theatre and has been since 2019. He has served as a producer for nearly 30 productions on Broadway, the West End, and National Tours. Trice is a three-time Tony Award winner for All The Way, Who's Afraid of Virginia Woolf?, and Porgy & Bess, though he gives away any credit to the fabulous actors, writers, and production crew. He is a five-time Tony nominee for Fiddler on the Roof, The Royal Shakespeare Company's Wolf Hall, You Can't Take It With You, The Glass Menagerie, and The Best Man. Other credits include: American Son, starring Kerry Washington; The Lifespan of A Fact, starring Daniel Radcliffe; American Buffalo; American Psycho; Lady Day At Emerson's Bar & Grill, starring Audra McDonald (Broadway & West End); The Realistic Joneses, starring Toni Collette, Michael C. Hall, & Marisa Tomei; Blithe Spirit, starring Angela Lansbury (West End & National Tour); The Bridges of Madison County; and Glengarry Glen Ross, starring Al Pacino. Prior to his career in producing, Trice served as a Business Analyst with management consulting firm McKinsey & Company, an Artistic Administration Associate with The Metropolitan Opera, and a Strategic Growth Associate with alternative asset managers D.E. Shaw & Company. He holds degrees from Southern Methodist and Northwestern Universities.

Release Plans Visualized by Jukka NiiranenPowerDocu for Copilot Studio in the works by Rene Modery Copilot Studio: How I Built A Generative Orchestration Agent by Matthew DevanyMichael Keimeyer shared

Each month, RNIB Connect Radio's Allan Russell talks with Anne Hornsby from MindsEye Description to look at some forthcoming events with Audio Description. AD makes television, movies, galleries and other arts events more inclusive, accessible and enjoyable for blind and partially sighted people. This month they discuss Fiddler on the roof, the rocky horror show and The Legend Of Rooney's Ring. If you'd like more information on audio described events, go to www.mindseyedescription.co.uk #RNIBConnect Image Shows Anne Hornsby from MindsEye Description, In The Recording Studio

Harriet Bunton (Romeo & Juliet / Close Up: The Twiggy Musical) co-hosts The West End Frame Show!Andrew and Harriet discuss Four Play (Kings Head Theatre) as well as the latest news about bootlegs, Jesus Christ Superstar, Jon Robyns, Magic At The Musicals, Jack Wolfe, Glorious starring Wendi Peters, Merrily We Roll Along and lots more.Harriet's theatre credits include: ensemble in We Will Rock You (Dominion), Janet in The Rocky Horror Show (European Tour), Lisa in Mamma Mia! (Novello), Hodel in Fiddler on the Roof (Menier Chocolate Factory & Playhouse Theatre) and cover Twiggy in Close Up: The Twiggy Musical (Menier Chocolate Factory). Last year she was a camera operator swing in Jamie Lloyd's production of Romeo & Juliet (Duke of York's Theatre).Harriet has also crossed over to different roles within the industry, working in the worlds of casting, videography and beyond.In this episode, Harriet talks candidly about her journey in theatre, how her outlook has changed and why she wants to talk about it.Follow Harriet on Instagram: @harrietbuntonThis podcast is hosted by Andrew Tomlins. @AndrewTomlins32 Thanks for listening!Email: andrew@westendframe.co.ukVisit westendframe.co.uk for more info about our podcasts. Hosted on Acast. See acast.com/privacy for more information.

George Meyer is a Nashville born Bluegrass fiddler and classical violinist and composer. He's equally at home playing classical music and fiddle music. He's toured with Sam Bush. He's performed at the Telluride Bluegrass Festival, the 92nd St. Y and at many other venues. And he's got new music upcoming with the U.S. Army Strings.My featured song is “Five To Six” from the album Prisoners Of Love by The Robert Miller Group. Spotify link.------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!Click here for All Episodes Click here for Guest List Click here for Guest Groupings Click here for Guest TestimonialsClick here to Subscribe Click here to receive our Email UpdatesClick here to Rate and Review the podcast—----------------------------------------CONNECT WITH GEORGE:www.georgemeyermusic.com______________________ROBERT'S RECENT SINGLES:“THE CUT OF THE KNIFE” is Robert's latest single. An homage to jazz legend Dave Brubeck and his hit “Take Five”. It features Guest Artist Kerry Marx, Musical Director of The Grand Ole Opry band, on guitar solo. Called “Elegant”, “Beautiful” and “A Wonder”! CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—----------------------------“DAY AT THE RACES” is Robert's newest single.It captures the thrills, chills and pageantry of horse racing's Triple Crown. Called “Fun, Upbeat, Exciting!”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS___________________“MOON SHOT” reflects my Jazz Rock Fusion roots. The track features Special Guest Mark Lettieri, 5x Grammy winning guitarist who plays with Snarky Puppy and The Fearless Flyers. The track has been called “Firey, Passionate and Smokin!”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS____________________“ROUGH RIDER” has got a Cool, ‘60s, “Spaghetti Western”, Guitar-driven, Tremolo sounding, Ventures/Link Wray kind of vibe!CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—--------------------------------“LOVELY GIRLIE” is a fun, Old School, rock/pop tune with 3-part harmony. It's been called “Supremely excellent!”, “Another Homerun for Robert!”, and “Love that Lovely Girlie!”Click HERE for All Links—----------------------------------“THE RICH ONES ALL STARS” is Robert's single featuring the following 8 World Class musicians: Billy Cobham (Drums), Randy Brecker (Flugelhorn), John Helliwell (Sax), Pat Coil (Piano), Peter Tiehuis (Guitar), Antonio Farao (Keys), Elliott Randall (Guitar) and David Amram (Pennywhistle).Click HERE for the Official VideoClick HERE for All Links—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com 

Dan and Jay are visited by Nikola Tesla and they discuss the best song omitted from the Fiddler on the Roof soundtrack. This week's episode is...

What started as a passion for history and a personal offering to family and guests has expanded into a full-fledged business for Mary Louise Fiddler. Now, visitors and locals alike have the opportunity to take a Colorado Springs Historic Walking Tour around Downtown Colorado Springs. Whether it's a peek into local history or discussion of unconfirmed urban legends, attendees are bound to walk away with new knowledge and appreciation for our city.  Be sure to subscribe so you don't miss our next episode! Send any questions or inquiries to Media@VisitCOS.com.  Episode links:  @COSHistoricWalkingTours ColoradoSpringsHistoricWalkingTours.com VisitCOS.com/passport

What a fun episode this is! It's been a massive week in the Kraken sphere, and the Sound Of Hockey Podcast is at Development Camp and ready to bring you up to speed. In addition to covering all the Kraken-related headlines from this week, the guys also give you two fantastic interviews with Kraken prospects Blake Fiddler and Nathan Villeneuve. They also talk through how the week's moves will impact the roster next season and recap the team's draft strategy.SUBSCRIBE! ENJOY! REVIEW!

Mohali is emerging as one of India's most inclusive job markets, where women are advancing in tech, HR, customer service, and entrepreneurship thanks to strong salaries, workplace support, and mindful policies. Global BPO TTEC explains all in their latest blog post, at https://www.ttecjobs.com/en/top-5-mohali-jobs-with-companies-empowering-women TTEC City: Greenwood Village Address: 6312 S. Fiddler's Green Circle Website: https://www.ttecjobs.com/en

Ever wondered what happens when a golf push cart goes rogue? This episode takes you on a hilarious journey through a week filled with memorable moments and amusing mishaps. From one host's less-than-stellar performance as the matchmaker in "Fiddler on the Roof" to an embarrassing drunk flirtation with a friend's father, the stories keep coming.The hosts share their takes on everything from medical mishaps to movie disappointments, all while maintaining their signature humor and camaraderie.Ready for a dose of real-life comedy and heartwarming friendship? Tune in to this episode that proves sometimes the best stories are the ones that don't go according to plan.

Wanna hear a Harry Potter inspired cat song? Plus learn some facts about whether you should declaw your cat. Celebrate Irish Drinking Songs for Cat Lovers' 20th anniversary with this special podcast of the new and the old. This is Folk Songs & Stories #304 0:34 - Marc Gunn “Rising of the Moon” from Irish Drinking Songs: The Cat Lover's Companion 2:40 - WELCOME TO FOLK SONGS & STORIES I am Marc Gunn. I'm a Celtic folk musician living in Atlanta, Georgia and host of the Irish & Celtic Music Podcast. I'm also a cat lover as you'll hear later on in the show. If you're new to the show, please subscribe. You can do that PubSong.com or Just send me an email to follow@celtfather. Got a cat picture? Send it to me to post in the podcast. NEWS Poll: What's your favorite song on Irish Drinking Songs for Cat Lovers? Merch: Buy Irish Drinking Songs for Cat Lovers on Patreon or Bandcamp. 3:23 - UPCOMING SHOWS JUL 19: Fiddler's Green Coffeehouse Concert series @ 8 PM, First Existentialist Congregation of Atlanta. 470 Candler Park Dr. NE / Atlanta GA 30307. 404-378-5570. firstexistentialist.org, Presented by Atlanta Area Friends of Folk Music (AAFFM) JUL 31-AUG 3: Gen Con, Indianapolis, IN AUG 28-SEP 1: Dragon Con, Atlanta, GA SEP 24-28: ALEP 6, Harrodsburg, KY OCT 17-19: MultiVerse, Peachtree City, GA NOV 8: IrishFest Atlanta, Roswell, GA with Inara DEC 7: Nerdy Wonderland at The Lost Druid, Avondale Estates, GA @ 12 - 5 PM. 4:16 - Blibbering Humdingers “No Shame in Hufflepuff” from Free Awkward Hugs 8:21 - SUPPORT THE CLUB The show is brought to you by my supporters on Patreon. If you enjoy this podcast or my music, please join the Club. You get something new every week. It could be a blog, an exclusive podcast, downloadable song, printed sheet music, or stories from the road. Plus, you'll get access to all of my Coffee with The Celtfather video concert series. Email follow@celtfather ! If you can't support me financially, just sign up on Patreon for free. Special thanks to our newest and returning patrons: CELTIC INVASION VACATIONS Every year, I lead a small group of people on an exciting adventure to one of the Celtic nations and other exciting locations. In 2026, we're going on a Celtic Invasion of Galicia in Spain. Galicia is indeed one of the more obscure Celtic nations to those of us who are most familiar with Ireland and Scotland. Find out more at CelticInvasion.com. 9:52 - CAT MUSIC LOVERS #6: “HARRY POTTER AND THE RISING OF THE MOON” & DECLAWING CATS FAQ Why you should not declaw your cats, and some great alternatives, plus a cat silliness on the net. Cat Music & News Irish Drinking Songs for Cat Lovers now available The Mows, a daily cat web comic Stuff On My Cat, pictures of cats with things on them. My Cat Hates You.com, Pictures of sneering putty tats House of Dra, designer shirts for Renaissance & Celtic Festivals, Cats I Met on the Road Artemis (She's a tabby colored singularity...) Cassiopeia (Cassie for short, she used to belong to Satan, but he couldn't handle her so he dumped her off at MadLadyRed's house.) The kitties were Cicero (the big gray that tried to conquer my car), Ophelia (the nervous orange one), and Fortuna. Declawing FAQ, Original article was written by Veterinarian, Dr. Christianne Schelling Declawing Alternatives, Another declawing alternative is Soft Paws, or call 1-800-989-2542. Irish Drinking Songs, the Cat Lover's Companion CD Special thanks to these suppporters: Susan Saint-Lockhart, Charles Walker, Scott Robinson, Jennifer L. Sperry, Shelley Oden, Elizabeth Northrup, R N Goddard, Mary Mealiffe, Larry Lochner, Catherine Devine, David & Deborah Kaye Bibb, Kathryn Robinson, Charlotte Straight, Tay Aston, Fred Milano, Sandra Bobleter, Shelley Clifford, Matthew Williams, Dennise D Hunting, Roger Skulsky, Brenda Jarvis, Virginia Page, Kelli McLaughlin, Alan Brown, Steve Shonk, Fireball Express, Sarah leonard & Sarah Gruetz, Rebecca Jordan, Sara Carman, Beth Beal The Cat Lovers Podcast was produced by Marc Gunn. 24:45 - Marc Gunn & The Dubliners' Tabby Cats “Harry Potter and the Rising of the Moon” from Irish Drinking Songs for Cat Lovers harry potter/rising of the moon autoharp, lead vocal: Marc Gunn banjo: franco bordoni fiddle: James "Cedric" Hazlerig dombek: Michelle Hedden bass: Ari Koinuma bgv: Marc Gunn, Ben Hamby, Blake McCaig, Sarah Dinan 27:10 - CREDITS Thanks for listening to Folk Songs & Stories. This episode was edited by Mitchell Petersen. You can follow and listen to the show on my Patreon or wherever you find podcasts. Sign up to my mailing list to learn more about songs featured in this podcast and discover where I'm performing. Remember. Reduce, reuse, recycle, and think about how you can make a positive impact on your environment. Have fun and sing along at www.pubsong.com! #pubstories  

If you live in Barranquilla, its business scene is changing fast and there is a wealth of new job openings coming up for sales development representatives that can speak English as well as Spanish.More information is available at https://www.ttecjobs.com/en/search-jobs/Barranquilla%2C%20Atl%C3%A1ntico/44028/4/3686110-3689436-3689152-3689147/10x96854/-74x78132/50/0 TTEC City: Greenwood Village Address: 6312 S. Fiddler's Green Circle Website: https://www.ttecjobs.com/en

See omnystudio.com/listener for privacy information.

See omnystudio.com/listener for privacy information.

In our thirty first episode of BungleTech I am back in the command seat and accompanied by the effervescent Michael as we go dark and dive as deep as we can into BattleTech Gothic.Our Honourable Patreon SupportersMechWarriors: Canaan McKenna, Ed Magilton, Fiddler, HeyZeus, Lorian Sunrider, Malathis, MetalEd, Phil Raider Roby, Slurski LispersTechnicians: Blunderdome, Chris Cannon, DarkTremere, Dire Situation, Keflyn, Klint, Matthew Hopper, ML8211, Seth WhiteFox, ZemerBondspersons: Fullmetal Gundam, G, Hilux, Itswhatevan, Offensive Titan, Rob Carpenter, Rob Prescott, William BeckerSegment Start TimesExtraordinary Proclamation - 0:56Stories of the Inner Sphere - 3:20Podcast Primary Topic - 33:10 BungleTech LinksBungleTech Discord Homebase Under BungleTech -> https://discord.gg/ahe6QdCPfgBungleTech Email -> BungleTech@outlook.comBungleTech Global Campaign Initiative Document Repository - > ⁠https://www.patreon.com/posts/global-campaign-125155370⁠BungleTech Patreon - > ⁠ https://www.patreon.com/BungleTech⁠BungleTech Podcast Game Mode Collection - > ⁠ https://1drv.ms/f/s!AiU1hP8RhYzUn5FwSg7PaYnHbJvm7Q⁠BungleTech Twitter/X -> BungleTechTweetOther LinksBattleTech Gothic Primer -> https://www.catalystgamelabs.com/news/battletech-gothic-shakes-up-the-inner-sphere

In the second hour of DVD, the guys chatted with former Nashville Predator Vern Fiddler. Vern shared his excitement for his son, Blake. Later in the conversation, Vern went down memory lane, talking about his career in Nashville. Later, to end the hour, the guys answered some calls and texts for Ask DMase!

The guys chatted with former Nashville Predator Vern Fiddler. Vern shared his excitement for his son, Blake. Later in the conversation, Vern went down memory lane, talking about his career in Nashville.

With the 2025 NHL Entry Draft almost here, it's time to do one last Mock and a Detroit Red Wings roundtable featuring Max Bultman of the Athletic Detroit and Prashanth Iyer! Tune in as we start by going through a 5 man, 2025 NHL 1st round mock draft (picks below), including who we would pick if we were Steve Yzerman adding the next prospect to Hockeytown's pipeline: a forward to add to the core of Dylan Larkin, Lucas Raymond, Marco Kasper, Alex DeBrincat, and Patrick Kane? A defenseman to help Moritz Seider, Simon Edvinsson, Axel Sandin Pellikka, and Albert Johansson? (5:00) Plus, our Detroit Red Wings roundtable as we approach NHL Free Agency and a big offseason for Steve Yzerman (55:35), and reactions to surprising NHL trades (including Peterka to the Utah Mammoth, Evander Kane to the Canucks, and Zegras to the Flyers) (1:11:15). All of that & plenty more before we take your questions and comments in our Overtime segment (1:25:10) - enjoy! Head over to wingedwheelpodcast.com to find all the ways to listen, how to support the show, and so much more! Go to KoffeeKult.com and use code WWP for 15% off your order! #ad Support the Jamie Daniels Foundation through Wings Money on the Board: https://www.wingedwheelpodcast.com/wingsmotb Prashanth's Article: https://prashanthiyer.substack.com/p/if-i-were-steve-yzerman-2025-part 1) Schaefer 2) Misa 3) Frondell 4) Desnoyers 5) Hagens 6) Martone 7) Martin 8) O'Brien 9) McQueen 10) Smith 11) Eklund 12) Mrtka 13) Bear 14) Aitcheson 15) Carbonneau 16) Reschny 17) Nesbitt 18) Cootes 19) Reid 20) Lakovic 21) Kindel 22) Hensler 23) Fiddler 24) Spence 25) Horcoff 26) Gastrin 27) Potter 28) Ihs-Wozniak 29) Boumedienne 30) Brzustewicz 31) West 32) Schmidt

In this episode I continue my review of Broadway's Nostalgia Craze of the 1970s and beyond. Many of the musicals that emerged in the late 60s and very early 70s were also influenced by the incipient Nostalgia Craze, even if overall their shows were decidedly modern. HAIR, Jesus Christ Superstar, Godspell, Two Gentlemen of Verona, Applause  all included musical sequences that recalled the Vaudeville era and Silver Age of Broadway. So nostalgia was in the air, and then No, No, Nanette sent it into the stratosphere! And all of this was before the nostalgia craze expanded to include the 1950s. Almost exactly one year after the premiere of Nanette the musical Grease opened on Broadway. It became wildly popular and ran for eight years on Broadway passing Fiddler to become the longest running musical of all time until A Chorus Line passed it. And Grease's enormous success set into motion a 1950s wing of the nostalgia craze by inspiring both the movie American Grafiiti (1973) and the TV show Happy Days (1974). The success of Nanette led directly to a 1973 revival Irene, the smash hit musical that opened in 1919 and became the longest running musical of its day. And Grease led directly to Over Here !, the 1974 musical in which the director, choreographer and producers of Grease attempted to do for the 1940s, what their previous show had done for the 1950s. The two still living Andrews Sisters, Patty and Maxine, where enticed to star in Over Here!, and the Sherman Brothers, of Disney fame, provided a terrific set of brand new very authentic sounding Big Band era style songs for them to swing. Broadway's Nostalgia Craze continued with a hit 1975 revival of the Jerome Kern Princess Theater musical Very Good Eddie, then in 1979 both the 1928 Edie Cantor vehicle Whoopee! and the 1930's style classic Burlesque show, Sugar Babies.  It was inevitable that the movie 42nd Street itself would be transformed into a Broadway stage musical in 1980. That same season there was the Marx Brothers inspired revusical A Day In Hollywood A Night In The Ukraine. 1983 brought a hit revival of Rodgers & Hart's On Your Toes, and over the next decade there would be two Gershwin “revisals”, both of them so heavily reworked that they were given new titles: My One And Only in 1983, and Crazy For You in 1993. In between, came the Broadway debut of a 1937 London hit Me And My Girl in 1986. I would even include the 1980 blockbuster Annie in this category. Although it was, of course, an entirely new musical it certainly played on nostalgia for the comic strip and radio show Little Orphan Annie from the Depression Era, and smartly used that to echo the recession of the 1970's. Some people would say that the Nostalgia Craze never ended, at least as far as Broadway is concerned.  Although, revivals of popular musicals have been part of the Broadway mix throughout most of its 120+ year history, the success of No, No, Nanette and its successors created a pattern and expectation that in every season – there should be at least enough revivals to fill out a Tony Award “Best Revival” category. And you could say that the immense popularity of City Center's Encore Series is an extension of the Nostalgia Craze, as well. I for one hope that we will never tire of rediscovering and reinventing the great musicals of the past. Learn more about your ad choices. Visit megaphone.fm/adchoices

Make sure your cat is drinking water. Cats love to pounce. It's another 20th anniversary celebration of Irish Drinking Songs for Cat Lovers as I share the story behind “Lord of the Pounce”. This is Folk Songs & Stories #303 0:29 - Marc Gunn “Lord of the Dance” from Irish Drinking Songs: The Cat Lover's Companion 3:05 - WELCOME TO FOLK SONGS & STORIES I am Marc Gunn. I'm a Celtic folk musician living in Atlanta, Georgia and host of the Irish & Celtic Music Podcast. I'm also a cat lover as you'll hear later on in the show. If you're new to the show, please subscribe. You can do that PubSong.com or Just send me an email to follow@celtfather. Got a cat picture? Send it to me to post in the podcast. NEWS Poll: What's your favorite song on Irish Drinking Songs for Cat Lovers? Merch: Buy Irish Drinking Songs for Cat Lovers on Patreon or Bandcamp. Did you get your Irish Drinking Songs for Cat Lovers album pin? Yes. It is my Celtic Cat Logo 3:51 - UPCOMING SHOWS JUL 19: Fiddler's Green Coffeehouse Concert series @ 8 PM, First Existentialist Congregation of Atlanta. 470 Candler Park Dr. NE / Atlanta GA 30307. 404-378-5570. firstexistentialist.org, Presented by Atlanta Area Friends of Folk Music (AAFFM) JUL 31-AUG 3: Gen Con, Indianapolis, IN AUG 28-SEP 1: Dragon Con, Atlanta, GA SEP 24-28: ALEP 6, Harrodsburg, KY OCT 17-19: MultiVerse, Peachtree City, GA NOV 8: IrishFest Atlanta, Roswell, GA with Inara DEC 7: Nerdy Wonderland at The Lost Druid, Avondale Estates, GA @ 12 - 5 PM. 5:09 - Ruth Keggin & Rachel Hair "Mish as y Keayn" from LOSSAN Hear an interview with them on the Irish & Celtic Music Podcast 9:54 - SUPPORT THE CLUB The show is brought to you by my supporters on Patreon. If you enjoy this podcast or my music, please join the Club. You get something new every week. It could be a blog, an exclusive podcast, downloadable song, printed sheet music, or stories from the road. Plus, you'll get access to all of my Coffee with The Celtfather video concert series. Email follow@celtfather ! If you can't support me financially, just sign up on Patreon for free. Special thanks to our newest and returning patrons: CELTIC INVASION VACATIONS Every year, I lead a small group of people on an exciting adventure to one of the Celtic nations and other exciting locations. In 2026, we're going on a Celtic Invasion of Galicia in Spain. Galicia is indeed one of the more obscure Celtic nations to those of us who are most familiar with Ireland and Scotland. Find out more at CelticInvasion.com. 11:33 - CAT MUSIC LOVERS #5: “LORD OF THE POUNCE” AND CAT VET VISIT TnT's Annual Visit to the Vet, Cat CD House Concerts, Kitten War, Cats need to drink lots of water, “Lord of the Pounce” TnT's Annual Visit to the Vet Cat CD House Concerts Thanks to the Musicians on the CD. Some will be at the Austin Celtic Festival this November, including: Heather Gilmer, Sarah Dinan, Cedric of the Bedlam Bards and Christopher Buckley of Cluan. Kitten War Cats need to drink lots of water I want to offer Special Thanks to these Kind Supporters: Molly McDevitt, Pamela Worsham, Carole Simpsons, Robert Freeborn, Aaron Williams Vote for the Cat Lovers Podcast at Podcast Alley, no longer available. I want to offer Special Thanks to these Kind Supporters: Lanora Davidson of Things Celtic, Ashley Crawford, Kim Lambert, Dorothy Washburn, Holly Hill, Theresa Pittman, John Wohlers, Michele Piantà from Italy, Joshua Summit, Patrick Patterson, Zia King of Fifth House Candles – Cat Candles. 20:46 - Marc Gunn & The Dubliners' Tabby Cats “Lord of the Pounce” from Irish Drinking Songs for Cat Lovers lord of the pounce autoharp, lead vocal: Marc Gunn fiddle: Heather Gilmer bass, guitar: Ari Koinuma bgv: Marc Gunn, Ben Hamby, Blake McCaig, Sarah Dinan CREDITS Thanks for listening to Folk Songs & Stories. This episode was edited by Mitchell Petersen. You can follow and listen to the show on my Patreon or wherever you find podcasts. Sign up to my mailing list to learn more about songs featured in this podcast and discover where I'm performing. Remember. Reduce, reuse, recycle, and think about how you can make a positive impact on your environment. Have fun and sing along at www.pubsong.com! #pubstories  

Is love just a feeling, or is it something you choose and commit to? In this episode of Through a Therapist's Eyes, we dive into the big question: What really is love? From fiery passion to quiet commitment, we explore how love shows up in our lives—romantic, platonic, self-love, and more. Using stories, psychology, and even a little humor (yes, we mention Fiddler on the Roof), we look at what makes love last and why it's more than just butterflies. If you've ever wondered what kind of love you want more of—or how to make it stronger—this one's for you. Tune in to see What is Love Through a Therapist's Eyes.  

Join Opie and the crew for a wild ride at Gebhards Beer Culture, where the conversation veers from crooning about "Blue Christmas" to debating Michael Bublé's lisp and the genius of Brian Wilson's Pet Sounds. The gang dives into pizza controversies, pineapple toppings, and a bizarre beachside Christmas tree fantasy. Things get gritty with Ron's oozing foot reveal—eczema or something worse?—and a heated rant about overblown riots and Broadway musicals (spoiler: Phantom gets no love). From Trump's questionable taste in Les Mis to Fiddler on the Roof sing-alongs, this episode is a chaotic mix of laughs, music trivia, and questionable hygiene. Grab a Miller Lite and tune in for the madness!

I hope you're ready for a deep dive on Team Music because Manny Schvartzman is here! Manny is the music director, conductor, and keyboard one player on Hamilton's Angelica Tour. In his first episode, Manny walks us through the early stages of his career, which started at around eight years old, when he started teaching himself to play piano and read music with the goal of being a classical pianist. By the time he was a freshman in high school, the word was out in Miami about kid from Buenos Aires who could play piano like nobody's business. Manny was like Schroeder - all about the classical music - and he couldn't be bothered with musicals like Fiddler on the Roof. But once he got a taste of the collaboration and storytelling involved in the theatre world, he never looked back.  Being his high school's music director at 14 years old was a formative experience and then you combine it with Manny's inherent curiosity, kindness, and relentless work ethic? He's unstoppable.  Manny was summoned to New York to work on On Your Feet (with the legendary Gloria Estefan) and was simultaneously making history in 2014 when he was part of the team that brought Cuba its first Broadway musical in 50 years: RENT. Manny on Instagram "Revolution Rent" Documentary directed by Andy Señor, Jr.  /// Gillian's Website The Hamilcast on Twitter The Hamilcast on Instagram Join the Patreon Peeps

This is a free preview of a paid episode. To hear more, visit www.basuandgodin.comOn this episode of the Basu & Godin Notebook ⬇️ ➡️ Slafkovsky named for the Olympics (0:00)➡️ Scott Wheeler in the house! (8:30)➡️ Bear vs Lakovic (18:00)➡️ Justin Carbonneau and the Q (24:00)➡️ The NCAA-CHL issue (38:30)➡️ Reid, Fiddler, Boumedienne and Hensler (1:04:30)➡️ Monday Mailbag (1:12:30)#hockey #canadiensmtl #basuandgodin #thenotebook #habs #…

What happens when a kitty passes from this life to the next? It's filled with milk and catnip and all the luxuries a cat could possibly enjoy. Hear the story of “Catnipping Green” as we celebrate 20 years of Irish Drinking Songs for Cat Lovers. This is Folk Songs & Stories #302 0:34 - Marc Gunn “Fiddler's Green” from Irish Drinking Songs: The Cat Lover's Companion 4:38 - WELCOME TO FOLK SONGS & STORIES I am Marc Gunn. I'm a Celtic folk musician living in Atlanta, Georgia and host of the Irish & Celtic Music Podcast. I'm also a cat lover as you'll hear later on in the show. This show is for fans of my music. If you're new to the show, please subscribe. You can do that PubSong.com or Just send me an email to follow@celtfather. Got a cat picture? Send it to me to post in the podcast. NEWS Poll: What's your favorite song on Irish Drinking Songs for Cat Lovers? Merch: Buy Irish Drinking Songs for Cat Lovers on Patreon or Bandcamp. 5:20 - UPCOMING SHOWS JUL 19: Fiddler's Green Coffeehouse Concert series @ 8 PM, First Existentialist Congregation of Atlanta. 470 Candler Park Dr. NE / Atlanta GA 30307. 404-378-5570. firstexistentialist.org, Presented by Atlanta Area Friends of Folk Music (AAFFM) JUL 31-AUG 3: Gen Con, Indianapolis, IN AUG 28-SEP 1: Dragon Con, Atlanta, GA SEP 24-28: ALEP 6, Harrodsburg, KY OCT 17-19: MultiVerse, Peachtree City, GA NOV 8: IrishFest Atlanta, Roswell, GA with Inara DEC 7: Nerdy Wonderland at The Lost Druid, Avondale Estates, GA @ 12 - 5 PM. 6:26 - Socks in the Frying Pan "Irelands Struggle" from Waiting for Inspiration 10:49 - SUPPORT THE CLUB The show is brought to you by my supporters on Patreon. If you enjoy this podcast or my music, please join the Club. You get something new every week. It could be a blog, an exclusive podcast, downloadable song, printed sheet music, or stories from the road. Plus, you'll get access to all of my Coffee with The Celtfather video concert series. Email follow@celtfather ! If you can't support me financially, just sign up on Patreon for free. Special thanks to our newest and returning patrons: CELTIC INVASION VACATIONS Every year, I lead a small group of people on an exciting adventure to one of the Celtic nations and other exciting locations. In 2025, we're going on a Celtic Invasion of Galicia in Spain. Galicia is indeed one of the more obscure Celtic nations to those of us who are most familiar with Ireland and Scotland. Find out more at CelticInvasion.com. 12:01 - CAT MUSIC LOVERS #4: “CATNIPPING GREEN” AND BATHING YOUR CAT (REBOOT) The martial art of bathing your cat and cat world domination in action on Cat Drinking Songs. Cat Music & News Irish Drinking Songs for Cat Lovers Cat World Domination in Action Cat Bathing as a Martial Art “Catnipping Green” by The Dubliners' Tabby Cats Vote for the Cat Lovers Podcast at Podcast Alley Cat Lover Websites Alley Cat Allies Cat Fanciers Association The Daily Kitten I want to offer Special Thanks to these Kind Supporters: Lanora Davidson of Things Celtic, Ashley Crawford, Kim Lambert, Dorothy Washburn, Holly Hill, Theresa Pittman, John Wohlers, Michele Piantà from Italy, Joshua Summit, Patrick Patterson, Zia King of Fifth House Candles – Cat Candles. 21:43 - Marc Gunn & The Dubliners' Tabby Cats “Catnipping Green” from Irish Drinking Songs for Cat Lovers autoharp, lead vocal: Marc Gunn penny whistle: April Porter bass, piano, mandolin: Ari Koinuma bgv: Sarah Dinan 26:06 - CREDITS Thanks for listening to Folk Songs & Stories. This episode was edited by Mitchell Petersen. You can follow and listen to the show on my Patreon or wherever you find podcasts. Sign up to my mailing list to learn more about songs featured in this podcast and discover where I'm performing. Remember. Reduce, reuse, recycle, and think about how you can make a positive impact on your environment. Have fun and sing along at www.pubsong.com! #pubstories  

“I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

“I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

“I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

“I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

“I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

“That transformation was key to my next step as an artist, to knowing that's what acting is. It isn't just posing; it isn't just being a version of yourself in a way that was free. Performing wasn't just performing; it was transforming. I think that artists find that in many different ways, and as actors, there are many ways into that.I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

“I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

“I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

Today on the Mouthful of Graffiti Podcast, we're pulling back the curtain on the world of community theatre with two very special guests. Joining me are veteran performers Eric Bray Jr. and Jess Simonson, artists who've explored the depths of characters from classic musicals like Fiddler on the Roof and Grease, to contemporary hits like SpongeBob The Musical. Their journey through these roles is a testament to finding personal connection in every performance, always leaving a lasting impression. Today, Eric and Jess are here to discuss their highly anticipated roles in the Phoenix Festival Theater's upcoming production of Disney's Newsies. We'll explore the profound themes of individual voice and collective power that resonate so deeply within this beloved story. Please join me in welcoming Eric Bray Jr., starring as Jack Kelly, and Jess Simonson, portraying Katherine Plumber, to the show.Sponsored by the Harford County Cultural Arts Board.

Guess if the game is a real Mario game or not!  Fact of the Day: When doing a push up a person is pressing between 69-75% of their total body weight. Triple Connections: Snow, Fiddler, Spider THE FIRST TRIVIA QUESTION STARTS AT 01:30 SUPPORT THE SHOW MONTHLY, LISTEN AD-FREE FOR JUST $1 A MONTH: www.Patreon.com/TriviaWithBudds INSTANT DOWNLOAD DIGITAL TRIVIA GAMES ON ETSY, GRAB ONE NOW!  GET A CUSTOM EPISODE FOR YOUR LOVED ONES:  Email ryanbudds@gmail.com Theme song by www.soundcloud.com/Frawsty Bed Music:  "EDM Detection Mode" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/ http://TriviaWithBudds.comhttp://Facebook.com/TriviaWithBudds http://Instagram.com/ryanbudds Book a party, corporate event, or fundraiser anytime by emailing ryanbudds@gmail.com or use the contact form here: https://www.triviawithbudds.com/contact SPECIAL THANKS TO ALL MY AMAZING PATREON SUBSCRIBERS INCLUDING:   Mollie Dominic Vernon Heagy Brian Clough Nathalie Avelar Natasha raina leslie gerhardt Skilletbrew Yves BouyssounouseDiane White Youngblood Evan Lemons Trophy Husband Trivia Robyn Rye Josloff Lynnette Keel Lillian Campbell Jerry Loven Ansley Bennett GeeJamie Greig Jeremy Yoder Adam Jacoby rondell Adam Suzan Chelsea Walker Tiffany Poplin Bill Bavar Sarah Dan  Katelyn Turner Keiva Brannigan Keith Martin Sue First Steve Hoeker Jessica Allen Michael Anthony White Lauren Glassman Brian Williams Henry Wagner Brett Livaudais Linda Elswick Carter A. Fourqurean KC Khoury Tonya Charles  Justly Maya Brandon Lavin Kathy McHale Chuck Nealen Courtney French Nikki Long Mark Zarate Laura Palmer  JT Dean Bratton Kristy Erin Burgess Chris Arneson Trenton Sullivan Jen and Nic Michele Lindemann Ben Stitzel Michael Redman Timothy Heavner Jeff Foust Richard Lefdal Myles Bagby Jenna Leatherman Albert Thomas Kimberly Brown Tracy Oldaker Sara Zimmerman Madeleine Garvey Jenni Yetter JohnB Patrick Leahy Dillon Enderby James Brown Christy Shipley Alexander Calder Ricky Carney Paul McLaughlin Casey OConnor Willy Powell Robert Casey Rich Hyjack Matthew Frost Brian Salyer Greg Bristow Megan Donnelly Jim Fields Mo Martinez Luke Mckay Simon Time Feana Nevel

“That transformation was key to my next step as an artist, to knowing that's what acting is. It isn't just posing; it isn't just being a version of yourself in a way that was free. Performing wasn't just performing; it was transforming. I think that artists find that in many different ways, and as actors, there are many ways into that.I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

“That transformation was key to my next step as an artist, to knowing that's what acting is. It isn't just posing; it isn't just being a version of yourself in a way that was free. Performing wasn't just performing; it was transforming. I think that artists find that in many different ways, and as actors, there are many ways into that.I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

“That transformation was key to my next step as an artist, to knowing that's what acting is. It isn't just posing; it isn't just being a version of yourself in a way that was free. Performing wasn't just performing; it was transforming. I think that artists find that in many different ways, and as actors, there are many ways into that.I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

“That transformation was key to my next step as an artist, to knowing that's what acting is. It isn't just posing; it isn't just being a version of yourself in a way that was free. Performing wasn't just performing; it was transforming. I think that artists find that in many different ways, and as actors, there are many ways into that.I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

“That transformation was key to my next step as an artist, to knowing that's what acting is. It isn't just posing; it isn't just being a version of yourself in a way that was free. Performing wasn't just performing; it was transforming. I think that artists find that in many different ways, and as actors, there are many ways into that.I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

We're celebrating the LGBTQ+ Celtic musicians this Pride Month today on the Irish & Celtic Music Podcast #712 . Subscribe now! Malin Lewis, The Homespun Ceilidh Band, Bua, Callanish, Dancing With Hobbits, Ermagerd the Bard, Alexander James Adams, Seumas Gagne, Melanie Gruben, Ockham's Razor GET CELTIC MUSIC NEWS IN YOUR INBOX The Celtic Music Magazine is a quick and easy way to plug yourself into more great Celtic culture. Enjoy seven weekly news items for Celtic music and culture online. Subscribe now and get 34 Celtic MP3s for Free. VOTE IN THE CELTIC TOP 20 FOR 2025 This is our way of finding the best songs and artists each year. You can vote for as many songs and tunes that inspire you in each episode. Your vote helps me create this year's Best Celtic music of 2025 episode. You have just three weeks to vote this year. Vote Now! You can follow our playlist on YouTube to listen to those top voted tracks as they are added every 2 - 3 weeks. THIS WEEK IN CELTIC MUSIC 0:11 - The Homespun Ceilidh Band "De'il In The Kitchen / The Drunken Piper" from Home With The Homespun Ceilidh Band Daphne Eftychia Arthur (pronounciation eff - ti - HEE - ah) T and L 3:19 - WELCOME 5:26 - Bua "John Joe Hartnett's / Spellan the Fiddler" from Down the Green Fields Brian Ó hAirt: vocals, sean - nós dance, concertina 9:29 - Callanish "The Wind that Shakes the Barley" from Callanish John Adams: Fiddler 12:58 - Dancing With Hobbits "Hobbit Hornpipe" from Dancing With Hobbits Sam Gillogly: Fiddle 15:22 - THANKS 17:44 - INTREVIEW: INTRODUCTION 23:43 - Malin Lewis "Hiraeth" from Halocline 27:59 - INTERVIEW: INSPIRATIONS 35:15 - Malin Lewis "Trans" from Halocline 38:20 - INTERVIEW: RAPID FIRE QUESTIONS 45:08 - Malin Lewis "The Old Inn" from Halocline 48:52 - FEEDBACK 52:55 - Ermagerd the Bard “I Walk Among You” from single 55:31 - Alexander James Adams "Your Coming Spring" from The Blue Rose Rare and Other Faerie Tales 1:01:16 - Seumas Gagne "Tir Nan Og" from Baile Ard 1:06:32 - Melanie Gruben "Water Charges Song" from Like a Tide Upon the Land 1:11:30 - CLOSING 1:12:37 - Ockham's Razor "I'm Coming Home Northumberland (2024)” from Garnet Pride Month with Celtic Music #463 1:18:36 - CREDITS The Irish & Celtic Music Podcast was produced by Marc Gunn, The Celtfather and our Patrons on Patreon. The show was edited by Mitchell Petersen with Graphics by Miranda Nelson Designs. Visit our website to follow the show. You'll find links to all of the artists played in this episode. Todd Wiley is the editor of the Celtic Music Magazine. Subscribe to get 34 Celtic MP3s for Free. Plus, you'll get 7 weekly news items about what's happening with Celtic music and culture online. Best of all, you will connect with your Celtic heritage. Please tell one friend about this podcast. Word of mouth is the absolute best way to support any creative endeavor.

Is John the Fiddler attracted to Dunk? Also, why are modern weddings still so medieval? Steve and Anthony discuss. Theme song: Game of Thrones (80's TV Theme) by Highway Superstar Hey there!  Check out https://support.baldmove.com/ to find out how you can gain access to ALL of our premium content, as well as ad-free versions of the podcasts! Join the Club! Join the discussion:  book@baldmove.com  | Discord | Reddit | Forums Leave Us A Review on Apple Podcasts Learn more about your ad choices. Visit megaphone.fm/adchoices