Podcasts about fiddler

Today's guest is one of the great voices of his generation — the theater kid who auditioned for American Idol with Michael Jackson, watched the judges' faces fall, and demanded a second song because he'd just quit his job and had no health insurance. But his real story isn't the voice. It's the game — the one Freddie Mercury wrote about, the one that picks your singles, writes your headlines, and decides who you are before you do.And The Writer Is... Adam Lambert!In this episode of And The Writer Is, we go deep on:The AMA kiss that blew up a $500,000 single launch — "everyone was going, oh shit"Quitting Wicked — and losing his health insurance — to audition, then refusing the judges' noWhy Kara DioGuardi 'busted his balls all season'What Brian May says "Play the Game" was really aboutSigned before the finale even aired: why losing Idol never matteredand much more.Hit subscribe and turn on notifications. Every week, we go deep with the most interesting creatives in music.Follow us on socials: @andthewriterisA special thank you to our lead sponsor, NMPA — the National Music Publishers' Association. 0:00 Intro1:09 The album is out — why self-titled, "first name basis"2:35 Meeting Pete Nappi through a pandemic song still in the vault3:39 "Am I Okay" — written one week after the breakup6:02 Singles made him "crazy" — the label picks that flopped: "I told you so"7:04 Leaning into what fans expect vs. challenging them8:16 Proud of the flops, indifferent to some hits9:34 Theater kids: every album is a character, every record a world11:28 The dystopian cover — "I want it blasted into the future"13:55 Adam Lambert or Freddie Mercury? "I feel like it's me"15:35 Coffee with Freddie — what Brian says "Play the Game" was really about16:56 "The music industry is a big old game, isn't it?"17:43 A college-DJ dad, a Sly Stone mom, and a kid screaming through the house19:46 The Fiddler note where everybody went "oh, wow"21:03 San Diego to LA at 19 — math knocked him off the college path23:00 Weed, poetry, and GarageBand25:49 Wicked: six months, burnt out, and a new plan29:20 Inside the Idol machine — two camps, two agendas32:49 The Burning Man epiphany that vanquished the fear34:39 No job, no insurance, and judges who didn't get Rock With You35:11 "I didn't really ask" — the second song that changed everything36:22 Why Idol can't break artists anymore38:04 Honey water: the whiskey story behind Kara DioGuardi's grudge41:21 Justin Timberlake tells him to remake A Night at the Opera42:06 Losing the finale — already signed before it aired47:20 The blog photos drop: "Yeah, that's me. Get over it."51:53 The AMA kiss and the $500,000 single53:22 What Do You Want From Me — the P!nk demo56:00 Singing uncredited on Avicii's "Lay Me Down"59:03 "It takes a village — bring them with you"60:26 Max Martin: "When you get on stage, I don't have to worry"61:26 How Queen actually made the call62:07 Trespassing hits #1 — a first he didn't know he'd made62:48 The poster-child years: "the headline is that I'm gay, and no one's talking about the music"66:11 Trespassing, the "bipolar album" — his half vs. the label's half67:20 Two months with the Wolf Cousins — why his songs didn't make the cut70:05 The Ghost Town gamble — "you've got to do something drastic"72:44 Songs with no home — "throwing my ideas into space"76:03 Velvet dies to Covid, two weeks in76:52 A Telefunken, YouTube tutorials, and teaching himself Logic77:51 The secret musical: 20 songs written over Zoom82:45 Identity vs. brand — "the personality precedes the skill"83:35 Songwriters don't get paid for their time — the union conversation87:37 Giving his co-writers master points — "it's just classy, man"88:28 Where the stage presence actually comes from90:13 The hardest part of fame93:06 "I nitpick the negative" — showing the uglier side for the first time96:28 Is Ozempic killing LA nightlife?Credits:Hosted by Ross GolanProduced by Joe London & Jad SaadEdited by Jad Saad Hosted on Acast. See acast.com/privacy for more information.

Don't forget to grab your free scripture journal at ⁠⁠⁠PrayingChristianWomen.com/journal ⁠⁠⁠today!What happens when our prayers become so filtered and "spiritual" that we lose the raw honesty of what we actually desire? In this episode, Jaime and Alana take a 180-degree and head straight to Broadway. They dive into the concept of the musical theater "I want" song, using Tevye's famous track "If I Were a Rich Man" from Fiddler on the Roof as a surprisingly profound template for prayer. They discuss the danger of censoring our conversations with God, the freedom of bringing our most "frivolous" desires to Him, and how peeling back the layers of wanting money or status often reveals a pure, God-given need for security, respect, or peace. Alana highlights how teaching middle schoolers about Disney character motivations led her to realize that every superficial desire has a deeper "prayer behind the prayer." Meanwhile, Jaime gets remarkably candid about a recent camping trip, unpacking her own guilt over wanting to look good in a swimsuit and tracing it down to a beautiful, core desire to remain healthy, strong, and capable of caring for her family. Along the way, they swap practical wisdom on stripping away the "judgy Christian hat" that shames women for wanting a financial cushion, beautiful spaces, or basic human respect. From the reality of a mother's innate drive to provide, to Tevye's ultimate wish for simply having the time to sit and pray, they offer a refreshing perspective on approaching God exactly as you are—without pretending to be someone you aren't. Whether you are stressing over your bank account, feeling guilty for caring about your appearance, or simply longing for a more conversational, authentic relationship with the Lord, we hope this episode encourages you to stop editing your prayers, uncover the true desires of your heart, and confidently bring your uncensored self to the Father. Discover More: Explore additional episodes of Praying Christian Women, Mindful Christian Prayers, and other Christian podcasts at Lifeaudio.com Check out our new podcast, Christian True-Crime Junkies!, on Apple, Spotify, or anywhere you listen to podcasts! Connect with Us: Stay updated and engage with our community: On Substack @PrayingChristianWomen On Facebook @PrayingChristianWomen On Instagram @PrayingChristianWomen On YouTube: @PrayingChristianWomen Discover more Christian podcasts at lifeaudio.com and inquire about advertising opportunities at lifeaudio.com/contact-us.

In this final episode of our 13-part exploration of folk music history we are concluding with Death and Afterlife Songs!We welcome our musical collaborators for the series Ben and Katie to join us for this bumper-length episode, which includes a conversation at the end in which we reflect on the journey we have been on together over the last 15 months.As for the songs, we begin with Death and the Lady, a song that feels like it ought to have Medieval roots and which seems inspired by the Black Death, yet which is only recorded for the first time in the 18th century.Next, we sing and discuss one of the finest English songs of all, The Lyke Wake Dirge, with Martin deploying his shruti box and his snare drum to get the skeleton parade marching along...Lastly, we go out on a very Ben choice with Fiddler's Green, a song which is the 40th we've recorded together.We really hope you enjoy the songs, the conversations about death, the afterlife, reincarnation, and more, and remember, every new person who listens to this episode, or who joins our Patreon, enables us to be more ambitious with our projects and push Three Ravens into new and exciting places.So, thank you very much for listening, we hope to release mastered versions of some of the songs as an album (funds and time willing) and thank you for spreading the word about what we're doing so that this can be how we make our living.We really hope you enjoy the episode, and we will speak to you again on Thursday for our final stories from the Lang Red Fairy Book, featuring The Marvellous Musician and The Story of Sigurd!The Three Ravens is a Myth and Folklore podcast hosted by award-winning writers Martin Vaux and Eleanor Conlon.Released on Mondays, each weekly episode focuses on a historic county, exploring the heritage, folklore and traditions of the area, from ghosts and mermaids to mythical monsters, half-forgotten heroes, bloody legends, and much, much more. Then, and most importantly, the pair take turns to tell a new version of an ancient story from that county - all before discussing what that tale might mean, where it might have come from, and the truths it reveals about England's hidden past...Bonus Episodes are released on Thursdays plus Local Legends episodes on Saturdays - interviews with acclaimed authors, folklorists, podcasters and historians with unique perspectives on that week's county.With a range of exclusive content on Patreon too, including audio ghost tours, the Three Ravens Newsletter, and monthly Three Ravens Film Club episodes about folk horror films from across the decades, why not join us around the campfire and listen in?REGISTER FOR THE TALES OF SOUTHERN ENGLAND TOURVisit our website Join our Patreon Social media channels and sponsors Hosted on Acast. See acast.com/privacy for more information.

We at WKXL's NH Unscripted are always trying to find ways to entice our audience to go out and have dinner and see a show. Today we're going to introduce you (or re-introduce) to the shows and songs that got us all goosebumpily about seeing the shows live. And so we give you: “ The Shows That Got Us Off The Couch And Into The Theater”. First up is the overtures from the Broadway show during the years 1960-1969. Think “Camelot”, “How to Succeed in Business Without Really Trying”, “Fiddler on the Roof”, “My Fair Lady”, etc.(NH Unscripted airs M/W/F @ 9am on 1450AM/103.9FM Concord and 101.9FM Manchester)

We at WKXL's NH Unscripted are always trying to find ways to entice our audience to go out and have dinner and see a show. Today we're going to introduce you (or re-introduce) to the shows and songs that got us all goosebumpily about seeing the shows live. And so we give you: “ The Shows That Got Us Off The Couch And Into The Theater”. First up is the overtures from the Broadway show during the years 1960-1969. Think “Camelot”, “How to Succeed in Business Without Really Trying”, “Fiddler on the Roof”, “My Fair Lady”, etc.

Click Here to Text us. Yes really, you totally can.Click Here to Text us. Yes really, you totally can.Mike and Zack are joined by Tim from Against All Oddities and The Woods I Knew! For your listening pleasure, we discuss:Guess What/Even weirderOreo has some new disgusting flavors for their gross, dry cookies!Pringles is trying to improve on the hotdog bun for some reasonJoey Chestnut continues to be a freak of nature!AI Actress Tilly Norwood still exists, unfortunatelyGram Gram sees a bigfoot!Beyond The PaleWe talk about the sad (and extremely badass) history of Jack Fiddler, WENDIGO HUNTER.Source 1Source 2Source 3Whatcha Wanna Talk About?It's time to enter the horrible, horrible world of dating again!Check Out Our Website!Join our Discord!Check out our Merch Store HERE!Follow us @theneatcast on TikTok!Follow us @neatcastpod on BlueskyFollow us @neatcastpod on Twitter!Follow us @neatcastpod on Instagram!Follow us @theneatcast on Facebook!

In 2018, Mariana Ramirez walked into the pit at Once On This Island as a sub and made history. She became the first female Mexican percussionist to ever perform on a Broadway show.Nobody handed her that moment. She built it.I first published this conversation in March of 2022, and it remains one of my favorites. Most of you weren't subscribed back then, so I'm bringing it back — the story is too good to leave in the archive.Who is Mariana Ramirez?Mariana is an NYC-based freelance percussionist who began her music studies at the National Conservatory of Mexico in Mexico City before earning her Bachelor of Music in Percussion at Rutgers University.That first Broadway sub gig at Once On This Island opened doors. She went on to sub Head Over Heels and Ain't Too Proud: The Life and Times of the Temptations, then hit the road holding the drums/percussion chair on the Once On This Island national tour. Off-Broadway, her credits include Merrily We Roll Along and Fiddler on the Roof in Yiddish, among many others. Today, she is one of just two female Mexican drummer/percussionists performing on Broadway.But her career stretches far beyond the pit.She has performed across Europe, Asia, and Mexico with Mexican traditional music bands, symphonic ensembles, chamber orchestras, and pop bands. You may have caught her on The Late Show with Stephen Colbert, in the series Mozart in the Jungle, or at the NBC Universal Upfronts at Radio City Music Hall.She also founded Percussion Quartet Excelsis, which Jonathan Haas, head of the NYU Percussion Department, praised as one of the most innovative and exciting percussion ensembles of this era of chamber music. Excelsis has performed twice on NPR's From the Top, at the Percussive Arts Society New York Weekend of Percussion, Brooklyn Bound with Sō Percussion, Zeltsman Marimba Festival, and Tippet Rise Music Festival in Montana. The group is endorsed by Sabian Cymbals.As a symphonic percussionist, she has performed with the National Symphony of Mexico, Orquesta de Minería, the first all-women orchestra of Mexico, Dartmouth Symphony, South Florida Symphony, New England Ensemble, Fairfield Orchestra, and most recently with The Dessoff Choir, premiering works for choir and orchestra at Alice Tully Hall.Traditional Mexican music. Broadway pits. Symphony halls. Chamber ensembles. Television. That range is not an accident — it's the career.In this conversation, we talk about:* The Santana concert in Mexico City that made an 11-year-old girl decide, on the spot, what she wanted to do with her life* Her path from the National Conservatory of Mexico to Rutgers to New York* What it took to break into Broadway subbing — and what it meant to be the first* How versatility across genres and settings keeps a freelance career aliveAnd when you're done with this one, keep an eye on your inbox. Up next on the podcast: Spencer Inch. You won't want to miss that conversation.For the complete roadmap to building a career in theater, grab Broadway Bound and Beyond at broadwayboundbook.com.Broadway Bound and Beyond isn't theory. It's twenty-six years on Broadway broken down into what actually works: how auditions really get decided, how reputation gets built or destroyed, how money works in this business, why versatility keeps you employed, and what it takes to last decades instead of one season. If you want the full career picture, the hardcover is at broadwayboundbook.com.If subbing is specifically your way in, the book gets you the mindset and the etiquette, but the Broadway Sub Playbook goes further. It's the actual system: the four-week prep formula, the show-day routine, how to take notes that stick, how to handle a pit you've never sat in before. It's built for one job — getting you ready for that call when it comes — and it's the resource a lot of working subs wish they'd had before their first one.Grab both at signaturebrandworks.com.Clayton Craddock is the drummer for Cats: The Jellicle Ball on Broadway at the Broadhurst Theatre. He is also the founder of Broadway Drumming 101 and the author of Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career.His Broadway credits include Memphis, Lady Day at Emerson's Bar and Grill, Ain't Too Proud, and Cats: The Jellicle Ball, with additional credits spanning tick, tick…BOOM!, The Hippest Trip: The Soul Train Musical, and subbing on Rent, Motown, Evita, Avenue Q, and the Hadestown tour.Clayton has appeared on The View, Good Morning America, The Tonight Show Starring Jimmy Fallon, The Today Show, and the Tony Awards. He has performed with artists ranging from Chuck Berry and Ben E. King to Kristin Chenoweth and Norm Lewis.www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

A rock band is only as good as its ability to surprise you, and Anne Harris is built for surprise. She's the fiddle player you hear with Cracker, and we talk about the first night it clicked that turned into an open invitation to sit in and stretch out. Along the way, Anne explains what makes musical chemistry real: shared taste, trust, and the kind of listening that turns solos into a back-and-forth conversation.We get deep into the art of live improvisation and why it keeps a show from getting stale, especially when the set can change on a dime. Anne also tackles the difference between a violinist and a fiddle player, and how style and tradition shape the same instrument.From there, the story widens across projects like Gypsy Blue Review and Halo Rider, and touring with Taj Mahal and Keb Mo as part of TajMo, a gig she describes as a living education in music history.If you care about live music, real human creativity, and the stories behind the songs, listen through and share it with a friend who still believes the stage is sacred.Learn Something New orRemember Something OldPlease like and follow the Music in My Shoes Facebook and Instagram pagesReach out to us at musicinmyshoes@gmail.comSend us a one-way message. We can't answer you back directly, but it could be part of a future Music In My Shoes Mailbag!!!

From Fiddler on the Roof to A Little Night Music at The Marriott Lincolnshire and the journey from the West End to Broadway to Lincolnshire. Alexandra Silber talks to Steve Dale about Stephen Sondheim, her current production, and performing for Chicagoans.

Episode 680 also includes an E.W. Poetic Piece titled, “Hum In The Canyon.” Commercial Free, Small Batch Radio Crafted in the West Mountains of Northeastern Pennsylvania... Heard All Over The World. Tell Your Friends and Neighbors.

Music from: Tartanic, Cheeks and Phoenix, Cheeks and Phoenix, Mc Dades, Jim Hancock, Craig O'Farrington, Jackdaws, Pictus, Brian "Tinker" Leo, Cheeks and Phoenix, Angus McHugh, Scottish Pirate, Blame Not the Bard, Better Than Nun, Cast in Bronze, Fiddler's Tales VISIT OUR SPONSORS Bawdy Podcast Happy To Be Coloring Pages RESCU The Patrons of the Podcast The Ren List SONGS Song 01: Mad Dogs Triple by Tartanic from Universal www.facebook.com/tartanicofficial Song 02: Hellbound Train by Tartanic from Universal www.facebook.com/tartanicofficial Song 03: Nancy Whiskey [06] by Cheeks and Phoenix from Coddiwomple www.cheeksandphoenix.com/ Song 04: Dark Lady [03] by Cheeks and Phoenix from Any Requests www.cheeksandphoenix.com/ Song 05: Miri_s Reel_The Foolie_The Onlies_ Reel by Mc Dades from Thread the Light www.themcdades.com Song 06: Gaelic Waltz Part 1 by Mc Dades from Thread the Light www.themcdades.com Song 07: Gaelic Waltz Part 2 by Mc Dades from Thread the Light www.themcdades.com Song 08: Dance Around the Spinning Wheel by Mc Dades from Thread the Light www.themcdades.com Song 09: Haul Away Joe [09] by Jim Hancock from Rolling Home www.jimhancock.com Song 10: The Magician [01] by Craig o'Farrington from 20 Years of Sweet Delights www.facebook.com/cmbroers Song 11: Waves by Jackdaws from Amuse www.thejackdaws.com/ Song 12: The Green Man by Pictus from Air www.pictusmusic.com Song 13: Whisky, Stout & Beer by Brian "Tinker" Leo from Tinker's Rest www.facebook.com/tinkersings/ Song 14: Riches, Woman, and Beer by Cheeks and Phoenix from Any Requests www.cheeksandphoenix.com/ Song 15: Haul Away Joe [02] by Angus McHugh, Scottish Pirate from Rebels Pirates and Cutthroats www.matthughesmusic.com Song 16: Greenland Whale Fisheries - Whiskey Before Breakfast by Blame Not the Bard from Soundcheck www.blamenotthebard.com/ Song 17: Ding Dong! by Better Than Nun from Devilish www.betterthannun.bandcamp.com/ Song 18: Original Sin II by Better Than Nun from Devilish www.betterthannun.bandcamp.com/ Song 19: Definition 4 Part by Better Than Nun from Our Lady of Immaculate ~Vibes~ www.betterthannun.bandcamp.com/ Song 20: Will ye buy a fine dog by Better Than Nun from Our Lady of Immaculate ~Vibes~ www.betterthannun.bandcamp.com/ Song 21: When Johnny Comes Marching Home by Cast in Bronze from The Voyage www.castinbronze.net/ Song 22: The Terk [01] by Fiddler's Tales from Anatidaephobia UNKNOW WEBSITE Song 23: Spill the Tea by The Harlot Queens from Tea and Strumpets www.theharlotqueens.com Song 24: Dandy Candymaker by The Harlot Queens from Tea and Strumpets www.theharlotqueens.com HOW TO CONTACT US Please post it on Facebook https://www.facebook.com/renfestmusic Please email us at renfestpodcast@gmail.com OTHER CREDITS Thee Bawdy Verson https://renfestbawdypodcast.libsyn.com/ The Minion Song by Fugli www.povera.com Valediction by Marc Gunn https://marcgunn.com/ HOW TO LISTEN Patreon https://www.patreon.com/RenFestPodcast Apple https://podcasts.apple.com/us/podcast/renaissance-festival-podcast/id74073024 Spotify https://open.spotify.com/show/76uzuG0lRulhdjDCeufK15?si=obnUk_sUQnyzvvs3E_MV1g Listennotes http://www.listennotes.com/podcasts/renaissance-festival-podcast-minions-1Xd3YjQ7fWx/

Welcome back to the 288th episode of The Cup which is our a weekly (give or take, TBD, these are unprecedented times) performing arts talk show presented by Cup of Hemlock Theatre. With the theatres on a come back we offer a mix of both reviews of live shows we've seen and continued reviews of prophet productions! For our 288th episode we bring you a Duet Review of Fiddler on the Roof in Yiddish, directed by Joel Grey, presented in Toronto by the Harold Green Jewish Theatre Company, starring Steven Skybell as Tevye alongside a heavy-hitting Canadian ensemble. Join Mackenzie Horner and returning guest Lori Ossip, as they revisit Anatevka to discuss not-quite-dead-yet languages, the texture of authenticity, and the reclamation of tradition. Fiddler on the Roof in Yiddish played at the Elgin Theatre (189 Yonge St., Toronto, ON) until June 7th, 2026. Tickets can be purchased from the following link: https://hgjewishtheatre.com/2025-2026-Fiddler-on-the-Roof.html This review contains many SPOILERS for Fiddler on the Roof in Yiddish. It will begin with a general non-spoiler review until the [26:44] mark, followed by a more in-depth/anything goes/spoiler-rich discussion. If you intend to see the production, we recommend you stop watching after that point, or at least proceed at your own risk. Follow our panelists: Lori Ossip – Instagram: @girllikestheatre // Blog: https://girllikestheatre.com/ // Her other article on Yiddish Fiddler: https://www.ottawalife.com/article/in-this-production-of-fiddler-on-the-roof-tevye-speaks-in-yiddish-but-the-warning-is-universal/ Mackenzie Horner (Before the Downbeat: A Musical Podcast) – Instagram/Facebook: BeforetheDownbeatApple Podcasts: https://apple.co/3aYbBeNSpotify: https://spoti.fi/3sAbjAu Follow Cup of Hemlock Theatre on Instagram/Facebook/Twitter: @cohtheatreIf you'd like us to review your upcoming show in Toronto, please send press invites/inquiries to coh.theatre.MM@gmail.com

In our forty‑second deployment of BungleTech, my spheroid co‑host Michael and I are joined by legends of the Inner Sphere: Seth from the Mercenary Star Podcast and Matt the Northman of the Valhalla Club. Together, we dive into what it really means to show up authentically—with your philosophy, your spirituality, your worldview—when you step into the Battletech scene. Wish us luck MechWarriors, chance of turbulent battlefields ahead!Our Honourable Patreon SupportersMechWarriors: Canaan McKenna, Ed Magilton, HeyZeus, Malathis, Phil Raider Roby, Slurski Lispers, Wargaming WanderlustTechnicians: boy_inna_box, Blunderdome, Chris Cannon, DarkTremere, Devon, Dire Situation, Jack Lambert, Klint, Matthew Hopper, Metal Ed, ML8211, Ned McDermott, TheRock3393, ZemerBondspersons: Arbriar, Dave G, Fiddler, Fullmetal Gundam, G, Hilux, Offensive Titan, Steffan Gordan, Sven Bertram, SweetBee, William Becker, WooflerSegment Start TimesExtraordinary Proclamation - 1:25Primary Topic Segment - 7:10BungleTech LinksBungleTech Discord Homebase Under BungleTech -> https://discord.gg/thevalhallaclubBungleTech Email -> BungleTech@outlook.comBungleTech Global Campaign Initiative Document Repository -> ⁠https://www.patreon.com/posts/global-campaign-125155370⁠BungleTech Patreon -> ⁠ https://www.patreon.com/BungleTech⁠BungleTech Podcast Game Mode Collection -> ⁠ https://1drv.ms/f/s!AiU1hP8RhYzUn5FwSg7PaYnHbJvm7Q⁠BungleTech Twitter/X -> BungleTechTweetGuest LinksThe Mercenary Star Podcast (Seth) -> https://www.youtube.com/@mercenarystarpodcastThe Valhalla Club Podcast (Matt) -> https://open.spotify.com/show/1H3rQdsfA55bngu3O6yedK

Great dads from the American musical, wanting the best for their children in their own lifetimes. Songs from The Rothschilds, Fiddler on the Roof, Carousel, Falsettos, and more.

The 2026 Canadian track & field championships are underway from Ottawa and The Shakeout Podcast team brings you all the storylines you need to know heading into a full weekend of action on the track. Host John Gay is joined by Canadian Running's Cameron Ormond and special guest Avery Pearson, fresh off her final collegiate season at The University of Colorado. From a jam packed night of distance action on Thursday, June 18th right through the always-riveting 1500m finals set for Sunday, the team takes a deep dive into the head-to-head battles, superstar showdowns, and dark horse picks you need to keep an eye on this weekend. Plus, Pearson shares from her experience competing in her final season as a collegiate athlete, from the demands of the NCAA racing schedule to making her first senior national team earlier this year and how she plans to carry the momentum from a breakout season into a stacked women's 800m competition this Friday and Saturday in Ottawa. Follow Avery @averyypearson Cover Photo: Lauren Cawley Subscribe to The Shakeout Podcast feed on Apple, Spotify, YouTube or wherever you find your podcasts. [This collaboration is part of an advertising campaign led by the Podpass agency for Altitude Sports] Shop now at Altitude Sports and enjoy up to 20% off your first order with the promo code “SHAKEOUT2026” Click here to order

Can a musical teach Torah? Why is Fiddler on the Roof beloved in Japan? The answers to these questions could have implications for the future of the Jews and their place in the world. Noam sits down with Jennifer Tepper, a theatre historian, and Etai Benson, a Broadway actor, to discuss the art of crafting stories, and the innovative ways in which Judaism has intersected with the stage. If you're interested in bringing Etai's new show, The Book of Steve, to your synagogue or Jewish space, write to MountCarmelProductions@gmail.com Jennifer Tepper's new book, Women Writing Musicals: The Legacy that the History Books Left Out is available here: https://a.co/d/00JNs0AJ Get in touch at WonderingJews@unpacked.media. Follow @wonderingjews on Instagram, and watch and subscribe on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. ------------ This podcast is brought to you by Unpacked, an OpenDor Media brand. Subscribe to the Unpacked newsletter: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://unpacked.bio/22f7b4⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ For other podcasts from Unpacked, check out:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Jewish History Nerds⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Soulful Jewish Living⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Stars of David with Elon Gold ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Unpacking Israeli History⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

In this Father's Day episode of The Music in Me, I'm diving into the powerful, emotional, and sometimes unexpected ways musical theater portrays fathers and father figures. After doing a Mother's Day episode celebrating moms in musicals, I knew I wanted to continue the tradition and shine a light on dads this time around. In this episode, I explore songs that show the many sides of fatherhood—fathers dreaming about the future, fathers trying to connect with their children, fathers who aren't perfect, fathers who sacrifice everything, and the quiet beauty of watching children grow up. Some of these songs are longtime favorites of mine, and others were brand new discoveries I found while researching this episode, and I honestly fell in love with them. From classics like Les Misérables and Fiddler on the Roof to modern favorites like Hamilton, Dear Evan Hansen, and Ragtime, each song adds a different layer to what it means to be a father or father figure. This episode is heartfelt, reflective, and deeply personal as I also take a moment to celebrate the important father figures in my own life. Whether you're celebrating, remembering, or simply reflecting this Father's Day, I hope these songs from musical theater resonate with you as much as they did with me.SONGS MENTIONED…·       Soliloquy from Carousel·       Dear Theodosia from Hamilton·       Wheels of a Dream from Ragtime·       To Break in a Glove from Dear Evan Hansen·       Hey Kid from If/Then·       Daddy Knows Best from SpongeBob SquarePants: The Musical·       Not My Father's Son from Kinky Boots·       Like Father, Like Son from Aida·       Dead Man's Boots from The Last Ship·       Bring Him Home from Les Misérables·       You're Daddy's Son from Ragtime·       No Matter What from Beauty and the Beast·       Something Was Missing from Annie·       Sunrise, Sunset from Fiddler on the RoofWhat did you think of this episode? Support the showKeep listening, keep grooving, and let the music in you continue to shine.  Thank you, and see you soon!CONTACT TERI:Instagram: https://www.instagram.com/terirosborg/Facebook: https://www.facebook.com/teri.rosborgYouTube: The Music in MeTikTok: https://www.tiktok.com/@terirosborgPodcast Facebook Page: The Music in Me Podcast Facebook pageTHEME SONG BY:  Hayley GremardINTRODUCTION BY: Gavin Bruno

The boys talk about State Of Origin Game 2 from "The Fiddler" at Rouse Hill, Sydney! Brought to you by Tooheys!!!

Desolation Island opens with bucolic absurdity - we've got Jack Aubrey on ‘Fiddler's Green', Stephen dissecting a fresh cadaver's hands before dinner, a catastrophic get-rich-quick scheme, and Jane Austen-style fibbing from almost everyone. Grab a glass of port and mind your poke—we're getting the band back together.

We add another string to our bow by learning about the fiddler crab. We discuss the arc of history bending towards crab, the MogBot 2000, bad dating advice, non-orientable wormholes, and so much more.  Works Cited: “The Design of a Beautiful Weapon” - John Christy, Smithsonian Museum of Natural History “On the Other Hand: The Myth of Fiddler Crab Claw Reversal” - Judith S. Weis, BioScience, April 2019 “Sexual selection for structure building by courting male fiddler crabs: an experimental study of behavioral mechanisms” - John H. Christy et al., Behavioral Ecology, May 2002 “Synchronous waving in fiddler crabs: a review” - Patricia Ruth Yvonne Backwell, Current Zoology, July 2018 “Robotic crabs reveal that female fiddler crabs are sensitive to changes in male display rate” - Sophie L. Mowles et al., Biology Letters, January 2018 “Not what it looks like: mate-searching behaviour, mate preferences and clutch production in wandering and territory-holding female fiddler crabs” - M. Peso et al., R. Soc Open Sci.. August 2016 “Dishonest signalling of fighting ability and multiple performance traits in the fiddler crab Uca mjoebergi” - Simon P. Lailvaux et al., Functional Ecology, March 2009 “The effects of neighbor familiarity and size on cooperative defense of fiddler crab territories” - Isobel Booksmythe et al., Behavioral ecology, November 2011 “Beyond Abiotic Decay: Fiddler Crabs Accelerate Plastic Fragmentation in Pollution Hotspots” - Jose M. Riascos et al., Global Change Biology, December 2025 Links: For more information about us & our podcast, head over to our website! Follow Just the Zoo of Us on BlueSky, Facebook, Instagram & Discord! Follow Ellen on Instagram or BlueSky!   Help support this show and unlock bonus content! Become a member at https://maximumfun.org/joinjustthezoo

We add another string to our bow by learning about the fiddler crab. We discuss the arc of history bending towards crab, the MogBot 2000, bad dating advice, non-orientable wormholes, and so much more.  Works Cited: “The Design of a Beautiful Weapon” - John Christy, Smithsonian Museum of Natural History “On the Other Hand: The Myth of Fiddler Crab Claw Reversal” - Judith S. Weis, BioScience, April 2019 “Sexual selection for structure building by courting male fiddler crabs: an experimental study of behavioral mechanisms” - John H. Christy et al., Behavioral Ecology, May 2002 “Synchronous waving in fiddler crabs: a review” - Patricia Ruth Yvonne Backwell, Current Zoology, July 2018 “Robotic crabs reveal that female fiddler crabs are sensitive to changes in male display rate” - Sophie L. Mowles et al., Biology Letters, January 2018 “Not what it looks like: mate-searching behaviour, mate preferences and clutch production in wandering and territory-holding female fiddler crabs” - M. Peso et al., R. Soc Open Sci.. August 2016 “Dishonest signalling of fighting ability and multiple performance traits in the fiddler crab Uca mjoebergi” - Simon P. Lailvaux et al., Functional Ecology, March 2009 “The effects of neighbor familiarity and size on cooperative defense of fiddler crab territories” - Isobel Booksmythe et al., Behavioral ecology, November 2011 “Beyond Abiotic Decay: Fiddler Crabs Accelerate Plastic Fragmentation in Pollution Hotspots” - Jose M. Riascos et al., Global Change Biology, December 2025 Links: For more information about us & our podcast, head over to our website! Follow Just the Zoo of Us on BlueSky, Facebook, Instagram & Discord! Follow Ellen on Instagram or BlueSky!   Help support this show and unlock bonus content! Become a member at https://maximumfun.org/joinjustthezoo

If we were to ask of God, "Do You Love Me?" All we need to do is look to the Eucharist for our answer.  (Do You Love Me? from Fiddler on the Roof )The homilies of Msgr. Stephen J. AvilaPastor, St. Joseph, Guardian of the Holy Family Parish, Falmouth, MAThanks for listening! May God's Word find a home in you.

My subconscious melded Fiddler on the Roof with the lecture from a few days earlier, and I ended up writing a chapter about the Jewish farmer Tevye buying a cow, Golde (which he named after his first wife). The post Fiddler on the Roof and Value Investing – Ep 292 appeared first on The Intellectual Investor - Value Investing by Vitaliy Katsenelson.

Elise and Marcelo kick off season three with a Cats Redux. A trip to New York City and Cats: The Jellicle Ball has turned them into full-blown Cats Converts. All hail Old Deuteronomy! Instead of revisiting the nightmarish Cats (2019) movie, on this episode, Elise and Marcelo discuss the seminal documentary Paris is Burning (1990) to prepare for the ball. This fall they'll officially begin season three with Fiddler on the Roof, it's their TRADITION, after all.

The BOB & TOM Show — June 2, 20266:00 AM Hour 6:01 – Best of “Hello Dere” Vol. 2 6:02 – Pat out 6:07 – Tom discusses a dog turning on a faucet and flooding a home 6:08 – Tom talks about being out late the previous night 6:21 – Scott Halprin story 6:22 – Kristi shares a dream about going on a comedy tour 6:22 – Listener letter about being excited by Dr. Buckets 6:24 – Listener letter: Col-Gate story 6:25 – Tom explains why he puts salt in his mouth before eating potato chips 6:27 – Listener letter: “Soup or ball?” discussion 6:31 – Listener letter about Malört and its distinctive taste and smell 6:45 – Listener letter from a forest worker recovering from injuries 6:47 – Listener letter about a woodpecker becoming part of the family 6:49 – Listener letter about online scratcher videos 6:50 – Listener letter about resisting “inner Tom” tendencies 6:52 – Sports update 6:52 – Listener letter about being pulled over for driving with high beams on 7:05 – Jeff joins in studio 7:08 – Listener letter from TRD Lover 7:09 – Toothpaste discussion and follow-up TRD Lover letters with Josh 7:26 – Discussion of a Marilyn Monroe statue with cooling mist features 7:27 – Survey results on takeout orders 7:33 – Discussion of “Big Bad John” 7:35 – Discussion of “Small Sad Sam” 7:37 – Josh talks about wanting to be a puppeteer 8:04 – Audience member plays piano with the band on stage 8:07 – Discussion about Ozzy Osbourne being recreated as an avatar 8:14 – Jeff talks about collecting vintage fast-food ashtrays 8:22 – Discussion about washing a car four times in one day 8:23 – Dr. Buckets joins via video call 8:24 – Dr. Buckets discusses turning down a job with the Washington Generals 8:29 – Video call technical difficulties with Dr. Buckets 8:33 – Fiddler crab discussion 8:46 – Chick says Tom needs a massage 8:47 – Today in History 8:50 – Josh discusses being remembered after death 8:52 – Discussion about what kinds of trees the cast would be 8:57 – Chick jokes about listening to The Strokes 9:06 – Story about a man using an excavator to damage a home during a domestic dispute 9:07 – Discussion of new dating terms 9:24 – Josh says he could fill in for Greg Warren because he knows the act 9:25 – Story about therapy donkeys at a mental health facility in France 9:27 – Discussion about hair salons and therapy-related services 9:28 – Josh jokes about getting a haircut 9:31 – Josh discusses haircut preferences 9:31 – Jeff discusses haircut preferences 9:32 – Chick discusses never having his hair washed before a haircut 9:44 – Josh nearly does a spit take 9:50 – Pierre Wine Cooler discussion 9:51 – Discussion about famous artworks and theft-related replacements 7:00 AM Hour8:00 AM Hour9:00 AM Hour Learn more about your ad choices. Visit podcastchoices.com/adchoices

I set a $200K quarter goal on April 2nd, posted about it publicly, and then… did a musical. In this episode I'm breaking down how I hit $99.5K in the first 6 weeks without everything going according to plan, why I literally burned my plan at a mastermind retreat, and what a Fiddler on the Roof rehearsal schedule taught me about loosening my grip on the business. Plus: the messaging pivot that rescued a launch, the high-ticket sales I didn't see coming, and why summer might be the worst time to take your foot off the gas if your competitors already have.   → Main Character Energy Private Podcast: https://meganyelaney.com/main-character-energy → Wildly in Demand (June 23–25): https://meganyelaney.com/wildly-in-demand    → Get the full show notes (with all the links) here: https://meganyelaney.com/2026/06/01/how-i-hit-financial-business-goals-by-burning-the-plan  

Alabama State Representative Jennifer Fiddler joins Jeff Poor to discuss the latest developments in the state's congressional redistricting battle, reaction to recent primary election results across Baldwin County, and upcoming changes within the county's legislative delegation. Fiddler also outlines her plans to reintroduce legislation aimed at expanding insurance coverage for breast reconstruction options available to breast cancer patients and discusses the challenges of growing access to specialized medical procedures in Alabama. 

Learn more about Howard at:  https://howardlanger.com/ Show notes:  Show Notes    ⚖️ [02:22] Reading biographies of famous lawyers as a child

In our forty first deployment of BungleTech my stalwart spheroid partner in tactical misadventure and I break down our latest BattleTech game played in a speed‑BattleTech format. And because reputation demands it, we wrap up by asking the eternal question of all commanding bunglers: “Which rules did we mess up this time?” Our Honourable Patreon SupportersMechWarriors: Canaan McKenna, Ed Magilton, HeyZeus, Malathis, Phil Raider Roby, Slurski Lispers, Wargaming WanderlustTechnicians: boy_inna_box, Blunderdome, Chris Cannon, DarkTremere, Devon, Dire Situation, Jack Lambert, Klint, Matthew Hopper, Metal Ed, ML8211, Ned McDermott, TheRock3393, ZemerBondspersons: Arbriar, Fiddler, Fullmetal Gundam, G, Hilux, Offensive Titan, Steffan Gordan, Sven Bertram, SweetBee, William Becker, WooflerSegment Start TimesExtraordinary Proclamation - 0:58Battlefield Outcome Report - 4:26Rule Check Discovery - 42:37BungleTech LinksBungleTech Discord Homebase Under BungleTech -> https://discord.gg/thevalhallaclubBungleTech Email -> BungleTech@outlook.comBungleTech Global Campaign Initiative Document Repository -> ⁠https://www.patreon.com/posts/global-campaign-125155370⁠BungleTech Patreon -> ⁠ https://www.patreon.com/BungleTech⁠BungleTech Podcast Game Mode Collection -> ⁠ https://1drv.ms/f/s!AiU1hP8RhYzUn5FwSg7PaYnHbJvm7Q⁠BungleTech Twitter/X -> BungleTechTweetUK Games ExpoUK Games Expo Tickets -> https://www.ukgamesexpo.co.uk/events/?query=Battletech&time=0&time=1440&category=12&category=4&category=2&category=21&category=1&category=19&category=7&category=6&category=8&category=3&tickets_remaining=0

The acclaimed off-Broadway production of “Fiddler on the Roof”—in Yiddish, with English and Russian supertitles—opens in Canada this week, during Jewish Heritage Month. This is the stage musical's first international tour since its rousing success in New York under Oscar-winning actor and director Joel Grey. The dialogue showcases the original language in which Sholem Aleichem wrote his stories about the beloved fictional character Tevye the dairyman, whose family faces upheaval and antisemitic persecution in Czarist Russia in 1905. Toronto's Harold Green Jewish Theatre teamed up with the National Yiddish Theatre Folksbiene to bring the show to Canada, with Broadway star Steven Skybell as Tevye, and a supporting cast of major Canadian performers including Theresa Tova, Jamie Elman and Gabi Epstein. The promoters say this production resonates so deeply after Oct. 7. as questions of identity, migration, continuity and Jewish belonging feel newly urgent. On today's episode of The CJN's North Star podcast, reporter Jonathan Rothman joins host Ellin Bessner to discuss why he set out to learn more about this version of the iconic show, and they talk tradition, rehearsals and why attending a performance later today will mark the first time he has actually ever seen any version of Fiddler. (Note: The Harold Green Jewish Theatre is advertising the play on The CJN's website, but they were not involved in this story or our coverage of the play in any way.) Related stories Learn more about the making of the show in The CJN's Jonathan Rothman's feature article in The CJN . Buy tickets for Fiddler's two-week run at The Elgin Theatre in Toronto. The CJN's David Matlow looked at the enduring appeal of Fiddler on the Roof for his “Treasure Trove” column, in 2024 . Credits Host and writer: Ellin Bessner ( @ebessner ) Production team: Zachary Kauffman (senior producer), Izzie Helenchilde (producer), Michael Fraiman (executive producer), Alicia Richler (editorial director) Music: Bret Higgins Support our show Subscribe to The CJN newsletter Donate to The CJN (+ get a charitable tax receipt) Subscribe to North Star (Not sure how? Click here ) Watch our podcasts on YouTube. https://www.youtube.com/@TheCJN Help others find this podcast by leaving us a review for “North Star” on Apple Podcasts via your iPhone or iPad device, or with your Android. (Spotify allows only starred ratings but you can do that, too!)

The Fiddler fiddles his way to Earth-1! Can the Titans thwart the evil schemes of the villainous violinist? And can they solve the mystery of some missing musicians? Find out as David and Peter cover this epic from Teen Titans #46. Email us at theearth2podcast@gmail.com Facebook www.facebook.com/theearth2podcast Instagram www.instagram.com/theearth2podcast Twitter www.twitter.com/podcast_earth2 Leave us a Voicemail at www.speakpipe.com/theearth2podcast And we're now on Bluesky at https://bsky.app/profile/theearth2podcast.bsky.social   #dccomics #dcmultiverse #TeenTitans #Fiddler #WonderGirl #Speedy #Robin #Aqualad #Mal #Hornblower #PaulMcCartney #Wings #Carpenters #TheCarpenters #Beatles #TheBeatles #BobRozakis #IrvNovick

Michael Berresse went straight from high school to performing at Disneyland, then at Walt Disney World, and then Tokyo Disneyland. From there, he moved to New York, where he's appeared in over 7,000 performances of 11 Broadway shows. Michael made his Broadway debut in the 1990 revival of Fiddler on the Roof. He was nominated for a Tony and Olivier Award for Best Featured Actor in a Musical for his work as Bill Calhoun in Kiss Me Kate. He also starred in Chicago (first as Fred Casely and later as Billy Flynn), Guys and Dolls, Carousel, Damn Yankees, The Light in the Piazza, the revival of A Chorus Line as Zach, and The Cher Show where he played the roles of Bob Mackie, Robert Altman, and Artie.Also on Broadway, Michael directed and choreographed the musical, [title of show], for which he was nominated for a Lucille Lortel Award and a recipient of off-Broadway's Obie Award.On film, Michael stalked Russell Crowe in State of Play, rescued Haley Joel Osment in A.I. Artificial Intelligence directed by Steven Spielberg, and offed Albert Finney in The Bourne Legacy. He also appeared as himself in the documentary film Every Little Step, which follows the casting process of the production of A Chorus Line.He's also fallen into the orchestra pit on Broadway…twice…and, of course, Michael and Scott talk about that.Enjoy this interview with the incredible Michael Berresse!Email: TheMouseAndMePodcast@gmail.comSupport: www.patreon.com/themouseandmeFB and Instagram: “The Mouse and Me”Music by Kevin MacLeod from https://incompetech.filmmusic.io

Reed Luplau is in the studio for this mid-month episode! He's a dancer, choreographer, and performer and has built such a multifaceted and versatile career in the performing arts. He trained at the Australian Ballet School and performed with Sydney Dance Company, and he's appeared in the original Broadway casts of Moulin Rouge! The Musical, Natasha, Pierre & The Great Comet of 1812, and the 2015 revival of Fiddler on the Roof. As a choreographer, his work has spanned Broadway, opera, concert dance, large-scale live events, and festivals across the United States and Australia.Now, he's bringing his own work to the stage with the world premiere of How Will I Remember This, a new dance narrative presented by Reed Luplau Works in association with the Institute for American Musical Theatre. This piece is inspired by the history of Eldorado — the legendary queer cabaret nightclub in Weimar, Berlin, shut down by the nazis in 1933. The piece explores memory, identity, loss, and erasure through movement, music, and theatrical storytelling. The production will play for three performances only on May 22, 23, and 24, 2026, at the IAMT Theater in New York City. The link to purchase tickets is below!In this conversation, we talk about Reed's path from ballet to Broadway, the artistic transitions that shaped his career, and why dance became the medium through which he wanted to tell this story. We also talk about starting ballet late, mentorship and accessibility in the performing arts, and the importance of creating more inclusive dance spaces. Check out our conversation!Purchase tickets for How Will I Remember This: https://prezlymail.com/c/93902432-7c6f-4912-b47b-a3f290239ad3/a11eb31f/https%3A%2F%2Fwww.simpletix.com%2Fe%2Fhow-will-i-remember-this-tickets-264925Learn more about Reed and his work: http://www.reedluplau.com/Follow Reed on Instagram: https://www.instagram.com/reedluplau/Check out the Netflix documentary about Eldorado: https://www.netflix.com/title/81331646Subscribe to The Adult Ballet Studio on YouTube: @adultballetstudioMusic in this episode:Waltz of the Flowers - TchaikovskyBarroom Ballet - Silent Film Light - Kevin MacLeodBarroom Ballet - Silent Film Light by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/Source: http://incompetech.com/music/royalty-free/index.html?isrc=USUAN1100310Artist: http://incompetech.com/@eblosfield | theadultballetstudio@gmail.comSupport this podcast on Patreon! https://patreon.com/TheAdultBalletStudio?utm_medium=clipboard_copy&utm_source=copyLink&utm_campaign=creatorshare_creator&utm_content=join_link Hosted on Acast. See acast.com/privacy for more information.

Continuing Epic Month we watched the 1971 musical drama Fiddler on the Roof. Directed by Norman Jewison, the film centers on Tevye, a poor Jewish milkman, who is faced with the challenge of marrying off his five daughters amidst the growing tension in his shtetl. It stars Chaim Topol, Norma Crane, Leonard Frey, Molly Picon, Paul Mann, Rosalind Harris, Michèle Marsh, Neva Small and Paul Michael Glaser. Come join us!! Website : https://tortelliniatnoon.com/ Instagram: https://www.instagram.com/tortelliniatnoonpodcast/ Facebook: https://www.facebook.com/TortelliniAtNoon Twitter: https://twitter.com/PastaMoviePod

This episode originally aired on September 25th, 2020. This week, stories of parenting and being parented. This episode was hosted by the director of MothWorks at The Moth, Kate Tellers, featuring two special surprise guests. Storytellers: Caroline Connolly's realize they've forgotten their theater tickets... about 100 miles into the drive to New York City. Christopher Moncayo-Torres tries to connect with his dad through their shared love of Fiddler on the Roof. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

J&J are joined by Samantha Wynn Greenstone and Jacob Hoff, the married couple behind the “I Married A Gay Man” podcast, to unpack the relationship dynamic that has the internet completely fascinated! They tell their story of meeting during a Fiddler on the Roof audition, becoming inseparable best friends, and the text message that changed everything after an energy healer told Samantha they shared a “spiritual umbilical cord.” Jacob opens up about identifying as gay while being deeply in love, monogamous, and raising a baby with Samantha, while the group dives into why labels, attraction, and soulmate connections don't always fit into neat boxes. Learn more about your ad choices. Visit megaphone.fm/adchoices

podList 7: The Classics - ShownotespodList 7: The Classics - 18 Hip Covers from 1987 Through "Day for Night"podList 7 is here. 18 tribute artists tackle The Tragically Hip's earliest era - from the 1987 EP through "Day for Night."Summary:The seventh installment of podList drops with a focus on the foundational years of The Tragically Hip's catalogue - the 1987 self-titled EP through 1994's "Day for Night." 18 tribute acts and solo artists from across the Hip cover community contributed tracks, spanning deep cuts and signature songs alike.The lineup includes Jay Hubbard on 'Little Bones,' Duxoop Douglas on 'Courage,' The Gracefully Hip on 'Grace, Too,' Forever Hip on '38 Years Old,' and Tragically Al closing things out with 'Opiated.' Two tracks each appear for 'Nautical Disaster' and 'Fiddler's Green' - a happy accident of the open submission format that lets listeners hear how different artists approach the same source material.podList exists because tribute bands and solo Hip interpreters keep the catalogue alive in rooms across Canada and beyond. This volume zeroes in on the classics - the era that built the foundation everything else stands on.Track Listing:Jay Hubbard - 'Little Bones'Duxoop Douglas - 'Courage'The Gracefully Hip - 'Grace, Too'Forever Hip - '38 Years Old'Urban Hip - 'Fiddler's Green'Little Bones - 'Scared'Shaun Robertson - 'Nautical Disaster'Trickle Down - 'Twist My Arm'Thomas De Bock - 'Cordelia'Gift Shop - 'Pigeon Camera'50 Mission - 'Fully, Completely'Evil Tom Bosely - 'Long Time Running'Nautical Disaster - 'Blow At High Dough'Hip Check - 'On The Verge'The Fabulously Rich - 'Looking For A Place To Happen'Tim Clark & Ben Wallace - 'Nautical Disaster'Christian White - 'Fiddler's Green'Tragically Al - 'Opiated'Guest Info:18 contributing artists: Jay Hubbard, Duxoop Douglas, The Gracefully Hip, Forever Hip, Urban Hip, Little Bones, Shaun Robertson, Trickle Down, Thomas De Bock, Gift Shop, 50 Mission, Evil Tom Bosely, Nautical Disaster, Hip Check, The Fabulously Rich, Tim Clark & Ben Wallace, Christian White, and Tragically Al.Resources:The Hip Compendium: compendium.tthpods.compodList submissions: podlist.tthpods.comThe Tragically Hip Podcast Series: tthpods.comLinks - Tribute Bands:Forever Hip (Toronto, ON): foreverhip.caThe Gracefully Hip (Quebec City, QC): sites.google.com/view/thegracefullyhip | facebook.com/thegracefullyhipUrban Hip (Thunder Bay, ON): urbanhip.ca | facebook.com/p/Urban-Hip-100063907241104Little Bones (Ottawa, ON): sites.google.com/view/littlebones-ca/home | facebook.com/littlebonesottawaTrickle Down (Calgary, AB): trickledownband.comGift Shop (Vancouver, BC): giftshophipband.ca | facebook.com/giftshophipband50 Mission (Southern Ontario): 50missionband.com | facebook.com/50mission | instagram.com/50missionhipNautical Disaster (Victoria, BC): nauticaldisaster.com | facebook.com/NauticalDisasterbandHip Check (Ontario): hipcheck.bandThe Fabulously Rich (Charlottetown, PE): thefabulouslyrich.com | instagram.com/thefabrichClose:podList 7 is a celebration of the artists who keep "The Tragically Hip," "Up to Here," "Road Apples," "Fully Completely," and "Day for Night" alive through their own interpretations. Eighteen takes on the classics. One catalogue. The fans always show up.Crosslinks:Fully & Completely: track-by-track album walkthroughs of the same era covered hereThe Tragically Hip On Shuffle: weekly live stream covering the full catalogueA Forest Of Whispering Speakers: now airing weekly through June 8Socials: Follow The Tragically Hip Podcast Series across all platforms.#TheTragicallyHip #TTHPods #podList #HipTribute #CanadianMusic #FullyCompletelyAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Daniel Krikler is starring as Richard in the world premiere of Redcliffe at the Southwark Playhouse.Written by Jordan Luke Gage, this new musical is based on the true story of William Critchard and Richard Arnold in 18th-century Bristol. It follows the dangerous, forbidden passion between a man of humble beginnings and a visiting sailor as they navigate a world of intense persecution.Daniel's early credits include Charlie in Loserville (Garrick Theatre & West Yorkshire Playhouse), Rory in Bare: A Pop Opera (Union Theatre), Eddie in Mamma Mia! (Novello Theatre) and Jersey Boys (UK Tour). He then returned to drama school to do an MA at Central School of Speech and Drama, and forged a hugely diverse career with his credits including: Arthur in Pink Mist (Bristol Old Vic/UK Tour), Dan in Homos, Or Everyone In America (Finborough Theatre), Keith Douglas in Unicorns, Almost (Bristol Old Vic), Understudy: Joe, Roland & Fred in Present Laughter (The Old Vic), Malcolm/Witch in Macbeth (Guildford Shakespeare Company), Understudy: Leo in 4000 Miles (The Old Vic), Charlemagne in Pippin (Charing Cross Theatre), Ensemble in The Normal Heart (National Theatre), Martin McGough in Fighting Irish (Belgrade Theatre), Caliban in The Tempest (Guildford Shakespeare Company), Mr Lacy in The Secret Life of Bees (Almeida Theatre), Max Vandenberg in The Book Thief (Leicester Curve) and Dillon Evans in The Motive and The Cue (National Theatre Productions).Daniel's most recent work includes: Fedya Dolokhov in Natatsha, Pierre & The Great Comet (Donmar Warehouse), Martin in Austenland (Savoy Theatre), Perchik in Fiddler on the Roof (Regents Park Open Air / Barbican), Peter Pan in Wendy and Peter Pan (Barbican / RSC) and Man in All Is But Fantasy (RSC).Redcliffe runs at the Southwark Playhouse Borough 22nd May – 4th July. Visit www.southwarkplayhouse.co.uk for info and tickets. This podcast is hosted by Andrew Tomlins @AndrewTomlins32 Thanks for listening! Email: andrew@westendframe.co.uk Visit westendframe.co.uk for more info about our podcasts. Hosted on Acast. See acast.com/privacy for more information.

A Forest Of Whispering Speakers - The BookTwo writers. Ten years of trust. One Tragically Hip catalogue. Episode two is the story of how the book got written without flattening the band.Episode SummaryA Forest Of Whispering Speakers is the oral history of the Theatre Aquarius world premiere of It's a Good Life If You Don't Weaken, the new musical built on the music of The Tragically Hip. Act II: The Book is the writers' room episode — how an exile's journey gets shaped into a story, and how Hip songs become the emotional grammar of that story without ever turning it into a band biography or a jukebox musical.Host jD sits down with co-writers Ahmed Moneka and Jesse LaVercombe, with producer Michael Rubinoff and Tragically Hip manager Jake Gold stepping in to frame the bigger picture. The episode opens at a campfire in Prince Edward County in 2015, traces the ten-year partnership that built King Gilgamesh and the Man of the Wild at Soulpepper, and lands on the two different doors each writer walked through to find The Hip — one across a bridge in Bobcaygeon, the other watching Gord say goodbye from south of the border.Inside the episode: the load-bearing wall of a decade-long friendship, the yin-yang of Ahmed's exile and Jesse's grief, a Thornton Wilder quote about platitudes, and a working theory that 700 people in a theatre cannot lie to you at once.Guest InfoAhmed Moneka (Toronto, via Baghdad) — Co-writer of It's a Good Life If You Don't Weaken. Iraqi-Canadian actor, singer, and writer. Co-creator of King Gilgamesh and the Man of the Wild.Jesse LaVercombe (Toronto, via the United States) — Co-writer of It's a Good Life If You Don't Weaken. Writer and performer. Co-creator of King Gilgamesh and the Man of the Wild.Michael Rubinoff — Producer, It's a Good Life If You Don't Weaken. Originating producer of Come From Away.Jake Gold — Manager, The Tragically Hip.Resources & LinksTheatre Aquarius — It's a Good Life If You Don't WeakenKing Gilgamesh and the Man of the Wild — Soulpepper TheatreDriftwood Theatre — Shakespeare in the Park, Southern OntarioThe Hip Compendium - compendium.tthpods.comHipbaseHipMuseumThis Is Our LifeThe Tragically Hip ArchiveCalls to ActionSee the show. It's a Good Life If You Don't Weaken runs at Theatre Aquarius in Hamilton through May 16, 2026. Tickets at tickets.tthpods.com.Explore The Hip Compendium — 1,358 mapped live shows, full discography, On This Day, and more at compendium.tthpods.com.Closing ParagraphThanks to Ahmed Moneka and Jesse LaVercombe for the time, the candour, and the campfire story. Thanks to Michael Rubinoff and Jake Gold for the framing. Act II is the writers' room. Act III: The Craft drops Monday, May 18 — the design team, the orchestrator, the choreographer, and the people who turn the page into a stage. So there's that.Promos & CrosslinkspodList 7 - "the classics" drops Friday, May 15. Eighteen tracks of 1987–1995 era covers, including intentional duplicate covers of 'Nautical Disaster' and 'Fiddler's Green'.Previous episode: A Forest Of Whispering Speakers - Act I: The IdeaCompanion listening: The Tragically Hip On Shuffle - Live Stream, Wednesdays 8 PM ETSocials & CommunityFacebook group: community.tthpods.comInstagram: @tthpodsYouTube: youtube.com/@tthpodsEmail: jd@tthpods.com #TheTragicallyHip #TheHip #ItsAGoodLifeIfYouDontWeaken #TheatreAquarius #AhmedMoneka #JesseLaVercombeAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The conventional wisdom is that history doesn't repeat, it rhymes. With that in mind, we'll revisit two programs from an earlier time of uncertainty, when traveling was difficult amid world and family situations. We can become armchair travelers, and enjoy a grand variety of World music from all corners of the globe. In the first installment, we'll hear from the Finnish band Frigg, The Russian group The Terem Quartet, The Battlefield Band from Scotland, Itzhak Perlman and the Andy Statman Klezmer Orchestra and many more. Find a comfy chair and travel the world with some great music … this week on The Sing Out! Radio Magazine.Pete Seeger / “If I Had A Hammer”(excerpt) / Songs of Hope and Struggle / Smithsonian FolkwaysFrigg / “Juhlamarssi” / X X / Self-producedViguele / “Rosario por Malaguenas” / Tempermento-Traditional Music from Spain / ARCThe Terem Quartet / “The Legend of the Old Mountain Man” / Terem / RealworldLakou Mizik / “Wa Di Yo” / Wa Di Yo / CumbanchaGeoffrey Oryema / “Land of Anaka” / Realworld 25 / Realworld Debashish Bhattacharya / “Amrit Anand” / Calcutta Chronicles / RiverboatAlasdair Fraser / “Dawn Dance” / Dawn Dance / CulburnieFrigg / “Early Bird” / X X / Self-producedAldeia dos Anjos / “Mal-me-quer” / Discover Music from Brazil / ARCIyatra Quartet / “Chandra” / Break the Dawn / PRS FoundationKamakahi-Kuo-Pahinui Hawaiian Slack Key Band / “Monterey Sunrise” / Hui Aloha / Dancing CatBattlefield Band / “Seven Braw Gowns” / The Producer's Choice / TempleItzhak Perlman w/ The Andy Statman Klezmer Orchestra / “Shalom Aleykhem” / In the Fiddler's House / AngelPete Seeger / “If I Had A Hammer”(excerpt) / Songs of Hope and Struggle / Smithsonian Folkways

Tradition. Family. Chaos. Love. Fiddler on the Roof has been connecting with audiences for generations, and now two of the stars bringing this production to life join Stage Door Podcast to talk about the show everyone will be talking about this summer.Steve Smithberger, one of the two actors playing Tevye, and Lydia Schafer, starring as Golde, discuss the pressure and excitement of stepping into these legendary roles, what makes this story still resonate today, and why audiences continue to fall in love with Fiddler on the Roof year after year.From unforgettable music to deeply human moments, this production promises laughter, emotion, and a story that feels just as relevant today as ever.Fiddler on the Roof runs June 5–21.

How do we know what has gone before in music and folklore? Musical explorers with reel-to-reel recorders and notebooks went out and found music, recording musicians and singers and storytellers to make sure the music kept going. For the record this week, we'll listen to field recordings from years past, including the Doc Watson Family, Sara and Maybelle Carter (as recorded by Mike Seeger) and Pink Anderson, among many others. Music collected in the field … this week on The Sing Out! Radio Magazine.Pete Seeger / “If I Had A Hammer”(excerpt) / Songs of Hope and Struggle / Smithsonian FolkwaysThe Doc Watson Family / “Tucker's Barn” / Tradition / RounderJames “Son Ford” Thomas / “44 Blues” / Voices of Mississippi / Dust to DigitalWill Shade, Charlie Burse and Gus Cannon / “Take Your Fingers Off It” / Classic Harmonica Blues / Smithsonian FolkwaysPink Anderson / “Talking Blues” / Classic African American Songsters / Smithsonian FolkwaysPeg Leg Sam / “Froggy Went A-Courting” / Classic African American Songsters / Smithsonian FolkwaysE.C. Ball / “The Farmer's Curst Wife” / Sounds of the South / AtlanticMaybelle Carter and Sara Carter Bayes / “I'm Leaving You this Lonesome Song” / Classic Old-Time Music / Smithsonian FolkwaysDoug Wallin / “Naomi Wise” / Classic American Ballads / Smithsonian FolkwaysBurl Hammons / “The Big Scioty” / The Hammons Family / RounderThe Doc Watson Family / “Give the Fiddler a Dram” / Tradition / RounderThe Southland Hummingbirds / “You Don't Know Like I Know” / Voices of Mississippi / Dust to DigitalIndian Bottom Association Old Regular Baptists / “Guide Me O Though Great Jehovah” / Songs of the Old Regular Baptists / Smithsonian FolkwaysBozie Sturdivant / “Ain't No Grave Can Hold My Body Down” / A Treasury of Library of Congress Field Recordings / RounderJames “Son Ford” Thomas / “I Know It's Wrong to be Playin' the Blues” / Voices of Mississippi / Dust to DigitalLead Belly / “Cow Cow Yicky Yicky Yea” / Cowboy Songs on Folkways / Smithsonian FolkwaysElizabeth Cotten / “In the Sweet Bye and Bye” / Close To Home / Smithsonian FolkwaysW.H. Stepp / “Bonaparte's Retreat” / A Treasury of Library of Congress Field Recordings / RounderPete Seeger / “If I Had A Hammer”(excerpt) / Songs of Hope and Struggle / Smithsonian Folkways

WTF News The Morning Shag with Shags and Trevor 5:30am to 10:00am on 96.7 KCMQ Classic Rock in Mid-Missouri

1. Netflix Source Says They've "Sealed the Deal" on a Return for 'The Crown' — But It's Not What Fans Might Expect (Marie Claire) (34:41) 2. Pete Davidson and Elsie Hewitt ‘Working Through' Relationship ‘Issues': Their Daughter Is ‘Top Priority,' Source Says (PEOPLE) (44:29) 3. Brooks Nader and Taron Egerton take a dip during romantic Australia beach date (Page Six) (47:49) 4. Taylor Swift's website briefly displays 'Toy Story'-style countdown (USA Today) (50:50) 5. Emily Blunt sparks backlash for ‘awful career advice': ‘Out of touch with reality' (Page Six) (57:30) - Real Housewives of Beverly Hills Reunion Recap (1:03:35) The Toast with Jackie (@JackieOshry) and Claudia Oshry (@girlwithnojob) ⁠⁠⁠⁠⁠The Toast Patreon ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Toast Merch ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Girl With No Job by Claudia Oshry ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠The Camper & The Counselor⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Lean In⁠⁠⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

The 1960s would eventually completely revolutionize huge swaths of the American cultural landcape, including Broadway. But as is often the case, the early part of the decade looks a lot like the decade before: talented young writers, composers, directors, and producers pushing at the boundaries of what Rodgers & Hammerstein had done. It was the Golden Age of the Broadway Musical, and its last masterpiece was Bock and Harnick's Fiddler on the Roof from 1964. Produced by Hal Prince, directed by Jerome Robbins, and starring the indomitable Zero Mostel, the show was an absolute smash, and is one of the last of its kind. Join us as we talk Fiddler, Zero, HUAC, and "If I Were a Rich Man."   All clips are from the 1964 cast album of Fiddler on the Roof featuring Zero Mostel and are protected by the Fair Use guidelines of Section 107 of the Copyright Act for criticism and commentary. All rights reserved to the copyright owners. Listen to the SMSTS playlist on Spotify! Follow SMSTS on Instagram: @somuchstufftosing Email the show: somuchstufftosing@gmail.com Recommended Reading/Viewing: The transcript of Zero Mostel's testimony before HUAC Ethan Mordden, Anything Goes: A History of American Musical Theater (Mordden's other volumes are also excellent resources for more in-depth discussion) Broadway: The American Musical

This magical arranger turned his genius to the Broadway canon with timeless results. Listen to Sinatra, Jobim, Sammy Davis, Jr., DianA Krall, Streisand and more in thrilling versions of songs from Fiddler on the Roof, Kismet, Zorba, My Fair Lady and more.

Music from: Haggis Rampant, Rusty Mudd, Blackjacks n' Blarney, Phoenyx, Thyme Awaye, Bocca Musica, Rovers Way, Saxon Moon, Whiskey Bards, Celtica Fae, Empty Hats, Wolgemut, Chuckawalla Rhythm Kings, Merry Mischief, Stary Olsa, Jack Salt and the Captain's Daughter, Waking Guild, Celtic Stone, Dragon of Wortley, Vicki Swan & Jonny Dyer, The Pride of Ireland, Pat Razket VISIT OUR SPONSORS Bawdy Podcast Happy To Be Coloring Pages RESCU The 27 Patrons of the Podcast The Ren List SONGS Song 01: High Road to Gairloch,Brown Haired Maiden by Haggis Rampant from Trì www.haggisrampant.com Song 02: Johnny Jump Up [35] by Rusty Mudd from The Darkling Road www.facebook.com/rusty.mudd.1 Song 03: Hills of Connemara [01] by Blackjacks n' Blarney from Bite Size www.twitter.com/bnbpyrates Song 04: Cat and the Fiddle by Phoenyx from Keepers of the Flame https://www.prometheus-music.com/product/keepers/ Song 05: Highland Harry by Thyme Awaye from Thyme Awaye Song 06: Mingulay Boat Song [03] by Bocca Musica from Finally Legal (Live) www.boccamusica.com Song 07: Best Damn Life by Rovers Way from The Journey www.roverswaystudios.com/ Song 08: Celebration Of Kings by Saxon Moon from Forged www.facebook.com/saxonmoonmusic/ Song 09: Land Of The Sun by Whiskey Bards from Women, Whiskey & War www.facebook.com/whiskeybards/ Song 10: Galway Girl [02] by Celtica Fae from Debut Album www.facebook.com/CelticaFae/ Song 11: Scattery Island Slide, Jig Of Slurs by Empty Hats from 5 [Five] www.emptyhats.com Song 12: Csm 166 by Wolgemut from Momento www.wolgemut.net Song 13: Men Of Worth by Chuckawalla Rhythm Kings from No Bedrolls Or Backpacks www.chuckawallark.com Song 14: Black Fox [02] by Merry Mischief from Heroes & Rogues www.merrymischief.net Song 15: Hrunvaldskaja Bitva (Grunwald Battle of 1410) by Stary Olsa from Kola Rycerska www.staryolsa.com/en/home.html Song 16: Jackets Green by Jack Salt and the Captain's Daughter from Bring Us a Barrel www.jacksalt.bandcamp.com Song 17: Fireside by Waking Guild from In the House of the Goat Song 18: John Barleycorn [01] by Celtic Stone from Celtic Stone UNKNOW WEBSITE Song 19: Jilli Barleycorn by Dragon of Wortley from Silver in the Coffer www.facebook.com/Dragon-of-Wortley-1461861304050060 Song 20: Medieval Contra by Vicki Swan & Jonny Dyer from Sleep Deprivation http://swan-dyer.co.uk Song 21: The Bodhran Song [02] by The Pride of Ireland from Water, Hops, and Grains www.theprideofireland.com/ Song 22: Night of O'Malley by Pat Razket from Hymns from the Abyss https://patrazket.se/ Song 23: Wild Mountain Thyme [26] by Luku the Mad Skald from Pissed Drunk and Pissed Off www.lukuthemad.com Song 24: Parting Glass [22] by Fiddler's Tales from Waddles From The Sea HOW TO CONTACT US Please post it on Facebook https://www.facebook.com/renfestmusic Please email us at renfestpodcast@gmail.com OTHER CREDITS Thee Bawdy Verson https://renfestbawdypodcast.libsyn.com/ The Minion Song by Fugli www.povera.com Valediction by Marc Gunn https://marcgunn.com/ HOW TO LISTEN Patreon https://www.patreon.com/RenFestPodcast Apple https://podcasts.apple.com/us/podcast/renaissance-festival-podcast/id74073024 Spotify https://open.spotify.com/show/76uzuG0lRulhdjDCeufK15?si=obnUk_sUQnyzvvs3E_MV1g Listennotes http://www.listennotes.com/podcasts/renaissance-festival-podcast-minions-1Xd3YjQ7fWx/

In our fortieth deployment of BungleTech, Michael and I take a trip to Japan as we dive into a brian cache of Japanese BattleTech releases recently unearthed by members of the community in our primary topic segment and ask ourselves the question: is this even BattleTech or have we wandered into some Tetatae adjacent alternative BattleTech timeline? Strap in as we tour a place where familiar 'Mechs sport unfamiliar silhouettes. Just like a Marauder II crashing its way through a densely packed residential block, It's a journey of equal parts discovery and destruction. Get ready for those knowledge check PSRs MechWarriors!Our Honourable Patreon SupportersLoremasters: Emilio EspinozaMechWarriors: Canaan McKenna, Ed Magilton, HeyZeus, Malathis, Phil Raider Roby, Slurski Lispers, Wargaming WanderlustTechnicians: boy_inna_box, Blunderdome, Chris Cannon, DarkTremere, Devon, Dire Situation, Jack Lambert, Klint, Matthew Hopper, Metal Ed, ML8211, Ned McDermott, TheRock3393, ZemerBondspersons: Arbriar, Fiddler, Fullmetal Gundam, G, Hilux, Offensive Titan, Steffan Gordan, Sven Bertram, SweetBee, William Becker, WooflerSegment Start TimesExtraordinary Proclamation - 1:18Podcast Primary Topic - 8:07BungleTech LinksBungleTech Discord Homebase Under BungleTech -> https://discord.gg/thevalhallaclubBungleTech Email -> BungleTech@outlook.comBungleTech Global Campaign Initiative Document Repository -> ⁠https://www.patreon.com/posts/global-campaign-125155370⁠BungleTech Patreon -> ⁠ https://www.patreon.com/BungleTech⁠BungleTech Podcast Game Mode Collection -> ⁠ https://1drv.ms/f/s!AiU1hP8RhYzUn5FwSg7PaYnHbJvm7Q⁠Episode Specific Linksバトルテック 'Mech Quiz -> https://forms.cloud.microsoft/r/TCrkQ7fTtCSOBSCON 2026 Registration -> https://torchlightgh.com/products/sobsconjune27282026

On today’s episode, Matt Tamanini is in conversation with one of theatre’s most talented multihyphenates, Lauren Molina. She is currently preparing to begin performances in a new actor-musician production of “Fiddler on the Roof” as Tevye’s long-suffering wife Golde at Asolo Rep in Sarasota, Florida. From her Broadway debut in read more