Podcasts about fiddler

What a fun episode this is! It's been a massive week in the Kraken sphere, and the Sound Of Hockey Podcast is at Development Camp and ready to bring you up to speed. In addition to covering all the Kraken-related headlines from this week, the guys also give you two fantastic interviews with Kraken prospects Blake Fiddler and Nathan Villeneuve. They also talk through how the week's moves will impact the roster next season and recap the team's draft strategy.SUBSCRIBE! ENJOY! REVIEW!

Wanna hear a Harry Potter inspired cat song? Plus learn some facts about whether you should declaw your cat. Celebrate Irish Drinking Songs for Cat Lovers' 20th anniversary with this special podcast of the new and the old. This is Folk Songs & Stories #304 0:34 - Marc Gunn “Rising of the Moon” from Irish Drinking Songs: The Cat Lover's Companion 2:40 - WELCOME TO FOLK SONGS & STORIES I am Marc Gunn. I'm a Celtic folk musician living in Atlanta, Georgia and host of the Irish & Celtic Music Podcast. I'm also a cat lover as you'll hear later on in the show. If you're new to the show, please subscribe. You can do that PubSong.com or Just send me an email to follow@celtfather. Got a cat picture? Send it to me to post in the podcast. NEWS Poll: What's your favorite song on Irish Drinking Songs for Cat Lovers? Merch: Buy Irish Drinking Songs for Cat Lovers on Patreon or Bandcamp. 3:23 - UPCOMING SHOWS JUL 19: Fiddler's Green Coffeehouse Concert series @ 8 PM, First Existentialist Congregation of Atlanta. 470 Candler Park Dr. NE / Atlanta GA 30307. 404-378-5570. firstexistentialist.org, Presented by Atlanta Area Friends of Folk Music (AAFFM) JUL 31-AUG 3: Gen Con, Indianapolis, IN AUG 28-SEP 1: Dragon Con, Atlanta, GA SEP 24-28: ALEP 6, Harrodsburg, KY OCT 17-19: MultiVerse, Peachtree City, GA NOV 8: IrishFest Atlanta, Roswell, GA with Inara DEC 7: Nerdy Wonderland at The Lost Druid, Avondale Estates, GA @ 12 - 5 PM. 4:16 - Blibbering Humdingers “No Shame in Hufflepuff” from Free Awkward Hugs 8:21 - SUPPORT THE CLUB The show is brought to you by my supporters on Patreon. If you enjoy this podcast or my music, please join the Club. You get something new every week. It could be a blog, an exclusive podcast, downloadable song, printed sheet music, or stories from the road. Plus, you'll get access to all of my Coffee with The Celtfather video concert series. Email follow@celtfather ! If you can't support me financially, just sign up on Patreon for free. Special thanks to our newest and returning patrons: CELTIC INVASION VACATIONS Every year, I lead a small group of people on an exciting adventure to one of the Celtic nations and other exciting locations. In 2026, we're going on a Celtic Invasion of Galicia in Spain. Galicia is indeed one of the more obscure Celtic nations to those of us who are most familiar with Ireland and Scotland. Find out more at CelticInvasion.com. 9:52 - CAT MUSIC LOVERS #6: “HARRY POTTER AND THE RISING OF THE MOON” & DECLAWING CATS FAQ Why you should not declaw your cats, and some great alternatives, plus a cat silliness on the net. Cat Music & News Irish Drinking Songs for Cat Lovers now available The Mows, a daily cat web comic Stuff On My Cat, pictures of cats with things on them. My Cat Hates You.com, Pictures of sneering putty tats House of Dra, designer shirts for Renaissance & Celtic Festivals, Cats I Met on the Road Artemis (She's a tabby colored singularity...) Cassiopeia (Cassie for short, she used to belong to Satan, but he couldn't handle her so he dumped her off at MadLadyRed's house.) The kitties were Cicero (the big gray that tried to conquer my car), Ophelia (the nervous orange one), and Fortuna. Declawing FAQ, Original article was written by Veterinarian, Dr. Christianne Schelling Declawing Alternatives, Another declawing alternative is Soft Paws, or call 1-800-989-2542. Irish Drinking Songs, the Cat Lover's Companion CD Special thanks to these suppporters: Susan Saint-Lockhart, Charles Walker, Scott Robinson, Jennifer L. Sperry, Shelley Oden, Elizabeth Northrup, R N Goddard, Mary Mealiffe, Larry Lochner, Catherine Devine, David & Deborah Kaye Bibb, Kathryn Robinson, Charlotte Straight, Tay Aston, Fred Milano, Sandra Bobleter, Shelley Clifford, Matthew Williams, Dennise D Hunting, Roger Skulsky, Brenda Jarvis, Virginia Page, Kelli McLaughlin, Alan Brown, Steve Shonk, Fireball Express, Sarah leonard & Sarah Gruetz, Rebecca Jordan, Sara Carman, Beth Beal The Cat Lovers Podcast was produced by Marc Gunn. 24:45 - Marc Gunn & The Dubliners' Tabby Cats “Harry Potter and the Rising of the Moon” from Irish Drinking Songs for Cat Lovers harry potter/rising of the moon autoharp, lead vocal: Marc Gunn banjo: franco bordoni fiddle: James "Cedric" Hazlerig dombek: Michelle Hedden bass: Ari Koinuma bgv: Marc Gunn, Ben Hamby, Blake McCaig, Sarah Dinan 27:10 - CREDITS Thanks for listening to Folk Songs & Stories. This episode was edited by Mitchell Petersen. You can follow and listen to the show on my Patreon or wherever you find podcasts. Sign up to my mailing list to learn more about songs featured in this podcast and discover where I'm performing. Remember. Reduce, reuse, recycle, and think about how you can make a positive impact on your environment. Have fun and sing along at www.pubsong.com! #pubstories  

See omnystudio.com/listener for privacy information.

See omnystudio.com/listener for privacy information.

In our thirty first episode of BungleTech I am back in the command seat and accompanied by the effervescent Michael as we go dark and dive as deep as we can into BattleTech Gothic.Our Honourable Patreon SupportersMechWarriors: Canaan McKenna, Ed Magilton, Fiddler, HeyZeus, Lorian Sunrider, Malathis, MetalEd, Phil Raider Roby, Slurski LispersTechnicians: Blunderdome, Chris Cannon, DarkTremere, Dire Situation, Keflyn, Klint, Matthew Hopper, ML8211, Seth WhiteFox, ZemerBondspersons: Fullmetal Gundam, G, Hilux, Itswhatevan, Offensive Titan, Rob Carpenter, Rob Prescott, William BeckerSegment Start TimesExtraordinary Proclamation - 0:56Stories of the Inner Sphere - 3:20Podcast Primary Topic - 33:10 BungleTech LinksBungleTech Discord Homebase Under BungleTech -> https://discord.gg/ahe6QdCPfgBungleTech Email -> BungleTech@outlook.comBungleTech Global Campaign Initiative Document Repository - > ⁠https://www.patreon.com/posts/global-campaign-125155370⁠BungleTech Patreon - > ⁠ https://www.patreon.com/BungleTech⁠BungleTech Podcast Game Mode Collection - > ⁠ https://1drv.ms/f/s!AiU1hP8RhYzUn5FwSg7PaYnHbJvm7Q⁠BungleTech Twitter/X -> BungleTechTweetOther LinksBattleTech Gothic Primer -> https://www.catalystgamelabs.com/news/battletech-gothic-shakes-up-the-inner-sphere

In the second hour of DVD, the guys chatted with former Nashville Predator Vern Fiddler. Vern shared his excitement for his son, Blake. Later in the conversation, Vern went down memory lane, talking about his career in Nashville. Later, to end the hour, the guys answered some calls and texts for Ask DMase!

The guys chatted with former Nashville Predator Vern Fiddler. Vern shared his excitement for his son, Blake. Later in the conversation, Vern went down memory lane, talking about his career in Nashville.

Thinking of living and working in Mexico? The country's growing economy and demand for skilled professionals make it a top choice for expats. Read TTEC's report on the job market and get all the tips you'll need to land your ideal role, at https://www.ttecjobs.com/en/how-to-find-jobs-in-mexico-a-2025-guide-for-expats TTEC City: Greenwood Village Address: 6312 S. Fiddler's Green Circle Website: https://www.ttecjobs.com/en

With the 2025 NHL Entry Draft almost here, it's time to do one last Mock and a Detroit Red Wings roundtable featuring Max Bultman of the Athletic Detroit and Prashanth Iyer! Tune in as we start by going through a 5 man, 2025 NHL 1st round mock draft (picks below), including who we would pick if we were Steve Yzerman adding the next prospect to Hockeytown's pipeline: a forward to add to the core of Dylan Larkin, Lucas Raymond, Marco Kasper, Alex DeBrincat, and Patrick Kane? A defenseman to help Moritz Seider, Simon Edvinsson, Axel Sandin Pellikka, and Albert Johansson? (5:00) Plus, our Detroit Red Wings roundtable as we approach NHL Free Agency and a big offseason for Steve Yzerman (55:35), and reactions to surprising NHL trades (including Peterka to the Utah Mammoth, Evander Kane to the Canucks, and Zegras to the Flyers) (1:11:15). All of that & plenty more before we take your questions and comments in our Overtime segment (1:25:10) - enjoy! Head over to wingedwheelpodcast.com to find all the ways to listen, how to support the show, and so much more! Go to KoffeeKult.com and use code WWP for 15% off your order! #ad Support the Jamie Daniels Foundation through Wings Money on the Board: https://www.wingedwheelpodcast.com/wingsmotb Prashanth's Article: https://prashanthiyer.substack.com/p/if-i-were-steve-yzerman-2025-part 1) Schaefer 2) Misa 3) Frondell 4) Desnoyers 5) Hagens 6) Martone 7) Martin 8) O'Brien 9) McQueen 10) Smith 11) Eklund 12) Mrtka 13) Bear 14) Aitcheson 15) Carbonneau 16) Reschny 17) Nesbitt 18) Cootes 19) Reid 20) Lakovic 21) Kindel 22) Hensler 23) Fiddler 24) Spence 25) Horcoff 26) Gastrin 27) Potter 28) Ihs-Wozniak 29) Boumedienne 30) Brzustewicz 31) West 32) Schmidt

In this episode I continue my review of Broadway's Nostalgia Craze of the 1970s and beyond. Many of the musicals that emerged in the late 60s and very early 70s were also influenced by the incipient Nostalgia Craze, even if overall their shows were decidedly modern. HAIR, Jesus Christ Superstar, Godspell, Two Gentlemen of Verona, Applause  all included musical sequences that recalled the Vaudeville era and Silver Age of Broadway. So nostalgia was in the air, and then No, No, Nanette sent it into the stratosphere! And all of this was before the nostalgia craze expanded to include the 1950s. Almost exactly one year after the premiere of Nanette the musical Grease opened on Broadway. It became wildly popular and ran for eight years on Broadway passing Fiddler to become the longest running musical of all time until A Chorus Line passed it. And Grease's enormous success set into motion a 1950s wing of the nostalgia craze by inspiring both the movie American Grafiiti (1973) and the TV show Happy Days (1974). The success of Nanette led directly to a 1973 revival Irene, the smash hit musical that opened in 1919 and became the longest running musical of its day. And Grease led directly to Over Here !, the 1974 musical in which the director, choreographer and producers of Grease attempted to do for the 1940s, what their previous show had done for the 1950s. The two still living Andrews Sisters, Patty and Maxine, where enticed to star in Over Here!, and the Sherman Brothers, of Disney fame, provided a terrific set of brand new very authentic sounding Big Band era style songs for them to swing. Broadway's Nostalgia Craze continued with a hit 1975 revival of the Jerome Kern Princess Theater musical Very Good Eddie, then in 1979 both the 1928 Edie Cantor vehicle Whoopee! and the 1930's style classic Burlesque show, Sugar Babies.  It was inevitable that the movie 42nd Street itself would be transformed into a Broadway stage musical in 1980. That same season there was the Marx Brothers inspired revusical A Day In Hollywood A Night In The Ukraine. 1983 brought a hit revival of Rodgers & Hart's On Your Toes, and over the next decade there would be two Gershwin “revisals”, both of them so heavily reworked that they were given new titles: My One And Only in 1983, and Crazy For You in 1993. In between, came the Broadway debut of a 1937 London hit Me And My Girl in 1986. I would even include the 1980 blockbuster Annie in this category. Although it was, of course, an entirely new musical it certainly played on nostalgia for the comic strip and radio show Little Orphan Annie from the Depression Era, and smartly used that to echo the recession of the 1970's. Some people would say that the Nostalgia Craze never ended, at least as far as Broadway is concerned.  Although, revivals of popular musicals have been part of the Broadway mix throughout most of its 120+ year history, the success of No, No, Nanette and its successors created a pattern and expectation that in every season – there should be at least enough revivals to fill out a Tony Award “Best Revival” category. And you could say that the immense popularity of City Center's Encore Series is an extension of the Nostalgia Craze, as well. I for one hope that we will never tire of rediscovering and reinventing the great musicals of the past. Learn more about your ad choices. Visit megaphone.fm/adchoices

Make sure your cat is drinking water. Cats love to pounce. It's another 20th anniversary celebration of Irish Drinking Songs for Cat Lovers as I share the story behind “Lord of the Pounce”. This is Folk Songs & Stories #303 0:29 - Marc Gunn “Lord of the Dance” from Irish Drinking Songs: The Cat Lover's Companion 3:05 - WELCOME TO FOLK SONGS & STORIES I am Marc Gunn. I'm a Celtic folk musician living in Atlanta, Georgia and host of the Irish & Celtic Music Podcast. I'm also a cat lover as you'll hear later on in the show. If you're new to the show, please subscribe. You can do that PubSong.com or Just send me an email to follow@celtfather. Got a cat picture? Send it to me to post in the podcast. NEWS Poll: What's your favorite song on Irish Drinking Songs for Cat Lovers? Merch: Buy Irish Drinking Songs for Cat Lovers on Patreon or Bandcamp. Did you get your Irish Drinking Songs for Cat Lovers album pin? Yes. It is my Celtic Cat Logo 3:51 - UPCOMING SHOWS JUL 19: Fiddler's Green Coffeehouse Concert series @ 8 PM, First Existentialist Congregation of Atlanta. 470 Candler Park Dr. NE / Atlanta GA 30307. 404-378-5570. firstexistentialist.org, Presented by Atlanta Area Friends of Folk Music (AAFFM) JUL 31-AUG 3: Gen Con, Indianapolis, IN AUG 28-SEP 1: Dragon Con, Atlanta, GA SEP 24-28: ALEP 6, Harrodsburg, KY OCT 17-19: MultiVerse, Peachtree City, GA NOV 8: IrishFest Atlanta, Roswell, GA with Inara DEC 7: Nerdy Wonderland at The Lost Druid, Avondale Estates, GA @ 12 - 5 PM. 5:09 - Ruth Keggin & Rachel Hair "Mish as y Keayn" from LOSSAN Hear an interview with them on the Irish & Celtic Music Podcast 9:54 - SUPPORT THE CLUB The show is brought to you by my supporters on Patreon. If you enjoy this podcast or my music, please join the Club. You get something new every week. It could be a blog, an exclusive podcast, downloadable song, printed sheet music, or stories from the road. Plus, you'll get access to all of my Coffee with The Celtfather video concert series. Email follow@celtfather ! If you can't support me financially, just sign up on Patreon for free. Special thanks to our newest and returning patrons: CELTIC INVASION VACATIONS Every year, I lead a small group of people on an exciting adventure to one of the Celtic nations and other exciting locations. In 2026, we're going on a Celtic Invasion of Galicia in Spain. Galicia is indeed one of the more obscure Celtic nations to those of us who are most familiar with Ireland and Scotland. Find out more at CelticInvasion.com. 11:33 - CAT MUSIC LOVERS #5: “LORD OF THE POUNCE” AND CAT VET VISIT TnT's Annual Visit to the Vet, Cat CD House Concerts, Kitten War, Cats need to drink lots of water, “Lord of the Pounce” TnT's Annual Visit to the Vet Cat CD House Concerts Thanks to the Musicians on the CD. Some will be at the Austin Celtic Festival this November, including: Heather Gilmer, Sarah Dinan, Cedric of the Bedlam Bards and Christopher Buckley of Cluan. Kitten War Cats need to drink lots of water I want to offer Special Thanks to these Kind Supporters: Molly McDevitt, Pamela Worsham, Carole Simpsons, Robert Freeborn, Aaron Williams Vote for the Cat Lovers Podcast at Podcast Alley, no longer available. I want to offer Special Thanks to these Kind Supporters: Lanora Davidson of Things Celtic, Ashley Crawford, Kim Lambert, Dorothy Washburn, Holly Hill, Theresa Pittman, John Wohlers, Michele Piantà from Italy, Joshua Summit, Patrick Patterson, Zia King of Fifth House Candles – Cat Candles. 20:46 - Marc Gunn & The Dubliners' Tabby Cats “Lord of the Pounce” from Irish Drinking Songs for Cat Lovers lord of the pounce autoharp, lead vocal: Marc Gunn fiddle: Heather Gilmer bass, guitar: Ari Koinuma bgv: Marc Gunn, Ben Hamby, Blake McCaig, Sarah Dinan CREDITS Thanks for listening to Folk Songs & Stories. This episode was edited by Mitchell Petersen. You can follow and listen to the show on my Patreon or wherever you find podcasts. Sign up to my mailing list to learn more about songs featured in this podcast and discover where I'm performing. Remember. Reduce, reuse, recycle, and think about how you can make a positive impact on your environment. Have fun and sing along at www.pubsong.com! #pubstories  

Is love just a feeling, or is it something you choose and commit to? In this episode of Through a Therapist's Eyes, we dive into the big question: What really is love? From fiery passion to quiet commitment, we explore how love shows up in our lives—romantic, platonic, self-love, and more. Using stories, psychology, and even a little humor (yes, we mention Fiddler on the Roof), we look at what makes love last and why it's more than just butterflies. If you've ever wondered what kind of love you want more of—or how to make it stronger—this one's for you. Tune in to see What is Love Through a Therapist's Eyes.  

Join Opie and the crew for a wild ride at Gebhards Beer Culture, where the conversation veers from crooning about "Blue Christmas" to debating Michael Bublé's lisp and the genius of Brian Wilson's Pet Sounds. The gang dives into pizza controversies, pineapple toppings, and a bizarre beachside Christmas tree fantasy. Things get gritty with Ron's oozing foot reveal—eczema or something worse?—and a heated rant about overblown riots and Broadway musicals (spoiler: Phantom gets no love). From Trump's questionable taste in Les Mis to Fiddler on the Roof sing-alongs, this episode is a chaotic mix of laughs, music trivia, and questionable hygiene. Grab a Miller Lite and tune in for the madness!

Novelist, activist, and journalist Cory Doctorow joins Rachel and David in the cafe to talk about the enshittification of the internet and how we ended up in our current enshittogenic environment. The conversation touches on digital locks, ink that's more expensive than a Kentucky Derby winner's semen, Robert Bork's taste in movies, "Fiddler on the Roof" the documentary, and moving fast and breaking kings. Doctorow's most recent book is Picks & Shovels, and the next one to be released will be Enshittification. For more information: https://craphound.com/, https://pluralistic.net/, and the Electronic Frontier Foundation: https://www.eff.org/ . Find the full audio library of Blue Vote Café episodes at http://bluevotecafe.com. Register and request your ballot every year at votefromabroad.org.

I hope you're ready for a deep dive on Team Music because Manny Schvartzman is here! Manny is the music director, conductor, and keyboard one player on Hamilton's Angelica Tour. In his first episode, Manny walks us through the early stages of his career, which started at around eight years old, when he started teaching himself to play piano and read music with the goal of being a classical pianist. By the time he was a freshman in high school, the word was out in Miami about kid from Buenos Aires who could play piano like nobody's business. Manny was like Schroeder - all about the classical music - and he couldn't be bothered with musicals like Fiddler on the Roof. But once he got a taste of the collaboration and storytelling involved in the theatre world, he never looked back.  Being his high school's music director at 14 years old was a formative experience and then you combine it with Manny's inherent curiosity, kindness, and relentless work ethic? He's unstoppable.  Manny was summoned to New York to work on On Your Feet (with the legendary Gloria Estefan) and was simultaneously making history in 2014 when he was part of the team that brought Cuba its first Broadway musical in 50 years: RENT. Manny on Instagram "Revolution Rent" Documentary directed by Andy Señor, Jr.  /// Gillian's Website The Hamilcast on Twitter The Hamilcast on Instagram Join the Patreon Peeps

This is a free preview of a paid episode. To hear more, visit www.basuandgodin.comOn this episode of the Basu & Godin Notebook ⬇️ ➡️ Slafkovsky named for the Olympics (0:00)➡️ Scott Wheeler in the house! (8:30)➡️ Bear vs Lakovic (18:00)➡️ Justin Carbonneau and the Q (24:00)➡️ The NCAA-CHL issue (38:30)➡️ Reid, Fiddler, Boumedienne and Hensler (1:04:30)➡️ Monday Mailbag (1:12:30)#hockey #canadiensmtl #basuandgodin #thenotebook #habs #…

Naked Lunch: To all and everyone I love Balbina: Infinity tune The Interlaken: Roter Mond Drangsal: Die satanischen Fersen Kraftclub: Schief in jedem Chor Kalipo: Alles Nina Hagen: Personal Jesus Nina Hagen: All you fascists bound to lose Ideal: Blaue Augen Beatsteaks: Hello Joe Donots: Wake the dogs Fiddler's Green: No Anthem Betontod: Zusammen Benzin: Chor der Kaputten Jupiter Jones: Hey! Menetekel Sondaschule: Costa liebt dich Leichtmatrose: Dalai Lama

What happens when a kitty passes from this life to the next? It's filled with milk and catnip and all the luxuries a cat could possibly enjoy. Hear the story of “Catnipping Green” as we celebrate 20 years of Irish Drinking Songs for Cat Lovers. This is Folk Songs & Stories #302 0:34 - Marc Gunn “Fiddler's Green” from Irish Drinking Songs: The Cat Lover's Companion 4:38 - WELCOME TO FOLK SONGS & STORIES I am Marc Gunn. I'm a Celtic folk musician living in Atlanta, Georgia and host of the Irish & Celtic Music Podcast. I'm also a cat lover as you'll hear later on in the show. This show is for fans of my music. If you're new to the show, please subscribe. You can do that PubSong.com or Just send me an email to follow@celtfather. Got a cat picture? Send it to me to post in the podcast. NEWS Poll: What's your favorite song on Irish Drinking Songs for Cat Lovers? Merch: Buy Irish Drinking Songs for Cat Lovers on Patreon or Bandcamp. 5:20 - UPCOMING SHOWS JUL 19: Fiddler's Green Coffeehouse Concert series @ 8 PM, First Existentialist Congregation of Atlanta. 470 Candler Park Dr. NE / Atlanta GA 30307. 404-378-5570. firstexistentialist.org, Presented by Atlanta Area Friends of Folk Music (AAFFM) JUL 31-AUG 3: Gen Con, Indianapolis, IN AUG 28-SEP 1: Dragon Con, Atlanta, GA SEP 24-28: ALEP 6, Harrodsburg, KY OCT 17-19: MultiVerse, Peachtree City, GA NOV 8: IrishFest Atlanta, Roswell, GA with Inara DEC 7: Nerdy Wonderland at The Lost Druid, Avondale Estates, GA @ 12 - 5 PM. 6:26 - Socks in the Frying Pan "Irelands Struggle" from Waiting for Inspiration 10:49 - SUPPORT THE CLUB The show is brought to you by my supporters on Patreon. If you enjoy this podcast or my music, please join the Club. You get something new every week. It could be a blog, an exclusive podcast, downloadable song, printed sheet music, or stories from the road. Plus, you'll get access to all of my Coffee with The Celtfather video concert series. Email follow@celtfather ! If you can't support me financially, just sign up on Patreon for free. Special thanks to our newest and returning patrons: CELTIC INVASION VACATIONS Every year, I lead a small group of people on an exciting adventure to one of the Celtic nations and other exciting locations. In 2025, we're going on a Celtic Invasion of Galicia in Spain. Galicia is indeed one of the more obscure Celtic nations to those of us who are most familiar with Ireland and Scotland. Find out more at CelticInvasion.com. 12:01 - CAT MUSIC LOVERS #4: “CATNIPPING GREEN” AND BATHING YOUR CAT (REBOOT) The martial art of bathing your cat and cat world domination in action on Cat Drinking Songs. Cat Music & News Irish Drinking Songs for Cat Lovers Cat World Domination in Action Cat Bathing as a Martial Art “Catnipping Green” by The Dubliners' Tabby Cats Vote for the Cat Lovers Podcast at Podcast Alley Cat Lover Websites Alley Cat Allies Cat Fanciers Association The Daily Kitten I want to offer Special Thanks to these Kind Supporters: Lanora Davidson of Things Celtic, Ashley Crawford, Kim Lambert, Dorothy Washburn, Holly Hill, Theresa Pittman, John Wohlers, Michele Piantà from Italy, Joshua Summit, Patrick Patterson, Zia King of Fifth House Candles – Cat Candles. 21:43 - Marc Gunn & The Dubliners' Tabby Cats “Catnipping Green” from Irish Drinking Songs for Cat Lovers autoharp, lead vocal: Marc Gunn penny whistle: April Porter bass, piano, mandolin: Ari Koinuma bgv: Sarah Dinan 26:06 - CREDITS Thanks for listening to Folk Songs & Stories. This episode was edited by Mitchell Petersen. You can follow and listen to the show on my Patreon or wherever you find podcasts. Sign up to my mailing list to learn more about songs featured in this podcast and discover where I'm performing. Remember. Reduce, reuse, recycle, and think about how you can make a positive impact on your environment. Have fun and sing along at www.pubsong.com! #pubstories  

TTEC has released a new guide to jobs in the Philippines for foreigners that covers growth areas, current vacancies and tips on getting noticed.More information is available at https://www.ttecjobs.com/en/jobs-in-the-philippines-for-foreigners-vacancies-and-requirements TTEC City: Greenwood Village Address: 6312 S. Fiddler's Green Circle Website: https://www.ttecjobs.com/en

For job seekers with a passion for the extraordinary, the Philippines is quickly becoming a top destination. Curious to know which sectors are hiring? Find out how to succeed as a foreigner in this beautiful business hub. Learn more from Global BPO TTEC at https://www.ttecjobs.com/en/jobs-in-the-philippines-for-foreigners-vacancies-and-requirements TTEC City: Greenwood Village Address: 6312 S. Fiddler's Green Circle Website: https://www.ttecjobs.com/en

“I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

“I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

“I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

“I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

“I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

“That transformation was key to my next step as an artist, to knowing that's what acting is. It isn't just posing; it isn't just being a version of yourself in a way that was free. Performing wasn't just performing; it was transforming. I think that artists find that in many different ways, and as actors, there are many ways into that.I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

“I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

“I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

“I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

Today on the Mouthful of Graffiti Podcast, we're pulling back the curtain on the world of community theatre with two very special guests. Joining me are veteran performers Eric Bray Jr. and Jess Simonson, artists who've explored the depths of characters from classic musicals like Fiddler on the Roof and Grease, to contemporary hits like SpongeBob The Musical. Their journey through these roles is a testament to finding personal connection in every performance, always leaving a lasting impression. Today, Eric and Jess are here to discuss their highly anticipated roles in the Phoenix Festival Theater's upcoming production of Disney's Newsies. We'll explore the profound themes of individual voice and collective power that resonate so deeply within this beloved story. Please join me in welcoming Eric Bray Jr., starring as Jack Kelly, and Jess Simonson, portraying Katherine Plumber, to the show.Sponsored by the Harford County Cultural Arts Board.

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“That transformation was key to my next step as an artist, to knowing that's what acting is. It isn't just posing; it isn't just being a version of yourself in a way that was free. Performing wasn't just performing; it was transforming. I think that artists find that in many different ways, and as actors, there are many ways into that.I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

“That transformation was key to my next step as an artist, to knowing that's what acting is. It isn't just posing; it isn't just being a version of yourself in a way that was free. Performing wasn't just performing; it was transforming. I think that artists find that in many different ways, and as actors, there are many ways into that.I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

“That transformation was key to my next step as an artist, to knowing that's what acting is. It isn't just posing; it isn't just being a version of yourself in a way that was free. Performing wasn't just performing; it was transforming. I think that artists find that in many different ways, and as actors, there are many ways into that.I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

“That transformation was key to my next step as an artist, to knowing that's what acting is. It isn't just posing; it isn't just being a version of yourself in a way that was free. Performing wasn't just performing; it was transforming. I think that artists find that in many different ways, and as actors, there are many ways into that.I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

“That transformation was key to my next step as an artist, to knowing that's what acting is. It isn't just posing; it isn't just being a version of yourself in a way that was free. Performing wasn't just performing; it was transforming. I think that artists find that in many different ways, and as actors, there are many ways into that.I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

Send us a text**From Banking to Beautiful Moments: A Photographer's Journey of Healing**Discover how "The Fiddler of Light," a former banker turned photographer and visual artist, transformed personal struggles into powerful artistic expression. After experiencing burnout, Greg found salvation through his camera lens, evolving from train photography to creating intimate portraits that celebrate human vulnerability and beauty, including the art of nude photography.This episode delves deep into the delicate art of nude photography, exploring how authentic connections and trust create transformative experiences for both photographer and subject, as well as the viewer of the photos. Greg shares compelling insights about cultural differences between European and American approaches to nudity, while emphasizing the crucial distinction between artistic expression and sexuality.Most powerfully, Greg reveals how photography became his healing tool, helping not only himself but also his subjects embrace self-acceptance and recognize their unique beauty. Through his lens, he's helped individuals with personal struggles, including those battling illness and self-image issues, find new perspectives on their bodies and themselves.Ready to explore the intersection of art, healing, and human connection? Listen to this powerful episode about finding light in unexpected places.00:00:00 - Introducing Photographer Greg from Germany00:01:04 - From Banking to Photography Journey, mental health00:03:57 - Journey from Burnout to Photography00:06:36 - Importance of Human Connection in Photography00:08:44 - Rediscovering Self-Confidence Through Photography00:10:55 - Creating Beauty Through Photography00:13:35 - Understanding Nude Photography Motivations00:15:49 - Nudity vs. Sexuality Debate00:16:52 - Photography and Nudity in Different Cultures00:19:22 - Nude Photography and Artistic Boundaries00:23:49 - Capturing Trust and Inspiration in Photography00:26:24 - Embracing Sensuality and Self-Love00:29:29 - Future Aspirations in Photography00:32:40 - Transformative Journey Through Art00:37:25 - Support Through Photography and Art• Greg's transition from an uninteresting, unmotivating banking career to the joys and delights of photography was driven by a personal burnout, illustrating the significant impact of mental health on career choices.  • He emphasizes the critical role of consent and comfort in nude photography, which challenges conventional restrictive views on this artistic genre, and breaks down the taboos of nude pictures while highlighting the artistic beauty and celebratory views of the body as a work of natural art.  • Greg views photography not just as a visual medium, but as a form of communication and connection that promotes self-acceptance and reevaluates societal norms surrounding nudity. Nudity is not always sexual, it can be sensual, and he champions that mantra in his photography work.Find out more about The Fiddler of Light: https://www.fiddler-of-light.de/Summary by Cleanvoice.Support the showSubscribe for exclusives: https://www.buzzsprout.com/1599808/subscribeSign up for Ruan's newsletters: https://subscribepage.io/ruanwillowhttps://linktr.ee/RuanWillowI Dare You book https://books.ruanwillowauthor.com/idareyouthesaturdaysexchallenge NO AI TRAINING

We're celebrating the LGBTQ+ Celtic musicians this Pride Month today on the Irish & Celtic Music Podcast #712 . Subscribe now! Malin Lewis, The Homespun Ceilidh Band, Bua, Callanish, Dancing With Hobbits, Ermagerd the Bard, Alexander James Adams, Seumas Gagne, Melanie Gruben, Ockham's Razor GET CELTIC MUSIC NEWS IN YOUR INBOX The Celtic Music Magazine is a quick and easy way to plug yourself into more great Celtic culture. Enjoy seven weekly news items for Celtic music and culture online. Subscribe now and get 34 Celtic MP3s for Free. VOTE IN THE CELTIC TOP 20 FOR 2025 This is our way of finding the best songs and artists each year. You can vote for as many songs and tunes that inspire you in each episode. Your vote helps me create this year's Best Celtic music of 2025 episode. You have just three weeks to vote this year. Vote Now! You can follow our playlist on YouTube to listen to those top voted tracks as they are added every 2 - 3 weeks. THIS WEEK IN CELTIC MUSIC 0:11 - The Homespun Ceilidh Band "De'il In The Kitchen / The Drunken Piper" from Home With The Homespun Ceilidh Band Daphne Eftychia Arthur (pronounciation eff - ti - HEE - ah) T and L 3:19 - WELCOME 5:26 - Bua "John Joe Hartnett's / Spellan the Fiddler" from Down the Green Fields Brian Ó hAirt: vocals, sean - nós dance, concertina 9:29 - Callanish "The Wind that Shakes the Barley" from Callanish John Adams: Fiddler 12:58 - Dancing With Hobbits "Hobbit Hornpipe" from Dancing With Hobbits Sam Gillogly: Fiddle 15:22 - THANKS 17:44 - INTREVIEW: INTRODUCTION 23:43 - Malin Lewis "Hiraeth" from Halocline 27:59 - INTERVIEW: INSPIRATIONS 35:15 - Malin Lewis "Trans" from Halocline 38:20 - INTERVIEW: RAPID FIRE QUESTIONS 45:08 - Malin Lewis "The Old Inn" from Halocline 48:52 - FEEDBACK 52:55 - Ermagerd the Bard “I Walk Among You” from single 55:31 - Alexander James Adams "Your Coming Spring" from The Blue Rose Rare and Other Faerie Tales 1:01:16 - Seumas Gagne "Tir Nan Og" from Baile Ard 1:06:32 - Melanie Gruben "Water Charges Song" from Like a Tide Upon the Land 1:11:30 - CLOSING 1:12:37 - Ockham's Razor "I'm Coming Home Northumberland (2024)” from Garnet Pride Month with Celtic Music #463 1:18:36 - CREDITS The Irish & Celtic Music Podcast was produced by Marc Gunn, The Celtfather and our Patrons on Patreon. The show was edited by Mitchell Petersen with Graphics by Miranda Nelson Designs. Visit our website to follow the show. You'll find links to all of the artists played in this episode. Todd Wiley is the editor of the Celtic Music Magazine. Subscribe to get 34 Celtic MP3s for Free. Plus, you'll get 7 weekly news items about what's happening with Celtic music and culture online. Best of all, you will connect with your Celtic heritage. Please tell one friend about this podcast. Word of mouth is the absolute best way to support any creative endeavor.

Can cats become zombies, outside of Stephen King's Pet Sematary? Apparently, it happens in songs too. I'll share the story behind “Furagone's Wake” and another Cat Lovers Podcast episode. We're celebrating the 20 year anniversary of Irish Drinking Songs for Cat Lovers. This is Folk Songs & Stories #301 0:34 - Marc Gunn “Finnegan's Wake” from Irish Drinking Songs: The Cat Lover's Companion 3:16 - WELCOME TO FOLK SONGS & STORIES I am Marc Gunn. I'm a Celtic folk musician living in Atlanta, Georgia and host of the Irish & Celtic Music Podcast. I'm also a cat lover as you'll hear later on in the show. If you're new to the show, please subscribe. You can do that PubSong.com or Just send me an email to follow@celtfather. NEWS Poll: What's your favorite song on Irish Drinking Songs for Cat Lovers? Merch: Buy Irish Drinking Songs for Cat Lovers on Patreon or Bandcamp. 3:48 - UPCOMING SHOWS JUL 19: Fiddler's Green Coffeehouse Concert series @ 8 PM, First Existentialist Congregation of Atlanta. 470 Candler Park Dr. NE / Atlanta GA 30307. 404-378-5570. firstexistentialist.org, Presented by Atlanta Area Friends of Folk Music (AAFFM) JUL 31-AUG 3: Gen Con, Indianapolis, IN AUG 28-SEP 1: Dragon Con, Atlanta, GA SEP 24-28: ALEP 6, Harrodsburg, KY OCT 17-19: MultiVerse, Peachtree City, GA NOV 8: IrishFest Atlanta, Roswell, GA with Inara DEC 7: Nerdy Wonderland at The Lost Druid, Avondale Estates, GA @ 12 - 5 PM. 4:35 - Kinnfolk “Byker Hill” from Kinnfolk 6:26 - SUPPORT THE CLUB The show is brought to you by my supporters on Patreon. If you enjoy this podcast or my music, please join the Club. You get something new every week. It could be a blog, an exclusive podcast, downloadable song, printed sheet music, or stories from the road. Plus, you'll get access to all of my Coffee with The Celtfather video concert series. Email follow@celtfather ! If you can't support me financially, just sign up on Patreon for free. Special thanks to our newest and returning patrons: CELTIC INVASION VACATIONS Every year, I lead a small group of people on an exciting adventure to one of the Celtic nations and other exciting locations. In 2025, we're going on a Celtic Invasion of Galicia in Spain. Galicia is indeed one of the more obscure Celtic nations to those of us who are most familiar with Ireland and Scotland. Find out more at CelticInvasion.com. 7:12 - CAT MUSIC LOVERS #3: “ FURAGONE'S WAKE”, CATNIP FAQ (REBOOT) How to know if your cat is plotting world domination and a funny story about fresh catnip on Cat Music Lovers Podcast. Cat Music & News Cat Medical News – Catnip FAQ Pet Product Could Harm Your Cat The 16 Signs Your Cat Is Plotting World Domination Irish Drinking Song for Cat Lovers News 21:14 - Marc Gunn & The Dubliners' Tabby Cats “Furagone's Wake” from Irish Drinking Songs for Cat Lovers Based on the Irish folk song, “Finnegan's Wake“, this cat song tells the story of a Sphynx Cat who loses his ninth life. His fellow cats gather for a wake that turns into one big cat fight. Look for it on my Irish Drinking Songs for Cat Lovers CD. furagone's wake autoharp, lead vocal: Marc Gunn mandola: James "Cedric" Hazlerig bass, mandolin, maracas: Ari Koinuma bgv: Marc Gunn, Ben Hamby, Ari Koinuma comments & sound effects: Marc Gunn, Ben Hamby 24:00 - CREDITS Thanks for listening to Folk Songs & Stories. This episode was edited by Mitchell Petersen. You can follow and listen to the show on my Patreon or wherever you find podcasts. Sign up to my mailing list to learn more about songs featured in this podcast and discover where I'm performing. Remember. Reduce, reuse, recycle, and think about how you can make a positive impact on your environment. Have fun and sing along at www.pubsong.com! #pubstories  

Samira discusses the Olivier award-winning production of Fiddler on the Roof with its star Adam Dannheisser and director Jordan Fein.Sarah Dunant talks about the women in the Renaissance who became art patrons, as she publishes her novel The Marchesa, about Isabella d'Este of Mantua. Screenwriter Frederic Raphael, whose films include Far From the Madding Crowd, Darling and Eyes Wide Shut, on the art of writing film scripts. Producer: Harry Graham Presenter: Samira Ahmed

“L'Chaim!” is the Hebrew toast “To Life!” It's also the name of a WCAP radio show where I engage in a friendly but fiery debate with host Jim Shainker on Israel vs. Palestine, Hamas vs. the Netanyahu/Ben Gvir Regime, the Zionist Colonial Project vs. the American Colonial Project, the Right to Exist vs. the Right to Bomb, & War for Profit vs. the Bonobo Way of PEACE through Pleasure… Warning: Explicit Conversation About Politics & Culture!  At first, Jim & I bond over our fondness for "Fiddler on the Roof," Free Speech & the late Rabbi Gerald Wolpe, though soon enough, we are arguing over the Holy Lands.Thus the title: “L'Chaim! 2 Jews with Opposing Views.”  Is Israel's slaughter of innocent Palestinians a "shonda" (shame) for the Jews? What is the meaning of "Never Again"? It's Mast0rbation Month (though I don't say that – not wanting to be censored for sex on a show about Palestine), but I do say, “Happy M Month! Give yourself a hand... And stop stealing land!” Jim, predictably, argues that Israeli settlers are *not* stealing land, but we see them stealing land - and lingerie - all over the Internet. Don't miss this great debate: L'Chaim!  Need to talk privately? Call Our Therapists Without Borders anytime: 213.291.9497. We're here for YOU.

We're celebrating the 20 year anniversary of Irish Drinking Songs for Cat Lovers. I'll share a story about “When Kitty Eyes Are Smiling”. You'll find out how about how my first Kickstarter did 4 years before Kickstarter existed. Plus, you'll enjoy rockin 'traditional music from High Octane out of France. This is Folk Songs & Stories #300 0:45 - Marc Gunn “When Irish Eyes Are Smiling” from Irish Drinking Songs: The Cat Lover's Companion 2:37 - WELCOME TO FOLK SONGS & STORIES I am Marc Gunn. I'm a Celtic folk musician living in Atlanta, Georgia and host of the Irish & Celtic Music Podcast. I'm also a cat lover as you'll hear later on in the show. This show is for fans of my music. If you're new to the show, please subscribe. You can do that PubSong.com or Just send me an email to follow@celtfather. 3:00 - NEWS Poll: What's your favorite song on Irish Drinking Songs for Cat Lovers? Merch: Buy Irish Drinking Songs for Cat Lovers on Patreon or Bandcamp. 3:13 - UPCOMING SHOWS JUL 19: Fiddler's Green Coffeehouse Concert series @ 8 PM, First Existentialist Congregation of Atlanta. 470 Candler Park Dr. NE / Atlanta GA 30307. 404-378-5570. firstexistentialist.org, Presented by Atlanta Area Friends of Folk Music (AAFFM) JUL 31-AUG 3: Gen Con, Indianapolis, IN AUG 28-SEP 1: Dragon Con, Atlanta, GA SEP 24-28: ALEP 6, Harrodsburg, KY OCT 17-19: MultiVerse, Peachtree City, GA NOV 8: IrishFest Atlanta, Roswell, GA with Inara DEC 7: Nerdy Wonderland at The Lost Druid, Avondale Estates, GA @ 12 - 5 PM. 4:02 - High Octane “Eastern Vagrant” from High Octane 9:55 - SUPPORT THE CLUB The show is brought to you by my supporters on Patreon. If you enjoy this podcast or my music, please join the Club. You get something new every week. It could be a blog, an exclusive podcast, downloadable song, printed sheet music, or stories from the road. Plus, you'll get access to all of my Coffee with The Celtfather video concert series. Email follow@celtfather ! If you can't support me financially, just sign up on Patreon for free. Special thanks to our newest and returning patrons: --CELTIC INVASION VACATIONS Every year, I lead a small group of people on an exciting adventure to one of the Celtic nations and other exciting locations. In 2025, we're going on a Celtic Invasion of Galicia in Spain. Galicia is indeed one of the more obscure Celtic nations to those of us who are most familiar with Ireland and Scotland. Find out more at CelticInvasion.com. 11:43 - IRISH DRINKING SONGS FOR CAT LOVERS KICKSTARTER In 2005, I decided to fund my second solo album, Irish Drinking Songs for Cat Lovers, with a Kickstarter. Well, officially Kickstarter hadn't started yet. It would be another four years before that happened. However, I ran the Kickstarter in a very similar way. I set different levels and ended up raising over $10,000 to fund the album. Admittedly, that was not all profit. In fact, I had far higher expenses back then because I didn't know how to run a fundraising campaign back then. Nevertheless, it was a huge success and I was able to order 1000 copies of this CD. I think I've printed over 3000 copies of this CD since it was released. But of course, now it is no longer available on CD with me at least. It's only available as a digital download or on an album pin. On June 6, 2005, I released the second episode of the Cat Lovers Podcast to fund this album. Here's a re-release of that podcast episode. 11:56 - CAT MUSIC LOVERS #2: “WHEN KITTY EYES ARE SMILING”, CATS STUCK IN DRAWERS (REBOOT) A tabby cat stuck in the dresser drawers A letter to Torre from Anthony Creech of Celtic Radio Keeping cats indoors Cat Galaxy, All Cats! All the Time! 24:25 - Marc Gunn & The Dubliners' Tabby Cats “When Kitty Eyes Are Smiling” from Irish Drinking Songs for Cat Lovers “When Kitty Eyes Are Smiling” is a parody of the song “When Irish Eyes Are Smiling”. The lyrics to When Irish Eyes Are Smiling were written by Chauncey Olcott and George Graff, Jr. and set to the music of Enerst Ball for Olcott's production of The Isle O' Dreams. The music was published in 1912. when kitty eyes are smiling autoharp, lead vocal: Marc Gunn flute: Hannah Gunn bass, piano: Ari Koinuma Did you find this episode entertaining? Share it with a friend. 27:12 - CREDITS Thanks for listening to Folk Songs & Stories. This episode was edited by Mitchell Petersen. You can follow and listen to the show on my Patreon or wherever you find podcasts. Sign up to my mailing list to learn more about songs featured in this podcast and discover where I'm performing. Remember. Reduce, reuse, recycle, and think about how you can make a positive impact on your environment. Have fun and sing along at www.pubsong.com! #pubstories  

Is John the Fiddler attracted to Dunk? Also, why are modern weddings still so medieval? Steve and Anthony discuss. Theme song: Game of Thrones (80's TV Theme) by Highway Superstar Hey there!  Check out https://support.baldmove.com/ to find out how you can gain access to ALL of our premium content, as well as ad-free versions of the podcasts! Join the Club! Join the discussion:  book@baldmove.com  | Discord | Reddit | Forums Leave Us A Review on Apple Podcasts Learn more about your ad choices. Visit megaphone.fm/adchoices

2025 is the 20 year anniversary of the release of Irish Drinking Songs for Cat Lovers. We're resharing the Cat Lovers Podcast along with stories about the song that launched that album, “Wild Kitty”. You'll also enjoy the music of Jesse Ferguson in this week's show. This is Folk Songs & Stories #299 WELCOME TO FOLK SONGS & STORIES 0:35 - Marc Gunn “Wild Rover” from Irish Drinking Songs: The Cat Lover's Companion I am Marc Gunn. I'm a Celtic folk musician and podcaster living in Atlanta, Georgia. I'm also a cat lover as you'll hear later on in the show. This show is for fans of my music. But it's also for people who attend Celtic festivals, Renaissance festivals, and science fiction conventions. If you're new to the show, please subscribe. You can do that PubSong.com or Just send me an email to follow@celtfather. Here's a weird request. I would like you to think of the first song that comes to your mind. Next, take a picture. Not one but three. Three pictures to tell a story. Perhaps you have a story to tell as well take some pictures and send them to me. 3:08 - NEWS Poll: What's your favorite song on Irish Drinking Songs for Cat Lovers? Merch: Buy Irish Drinking Songs for Cat Lovers on Patreon or Bandcamp. 4:20 - UPCOMING SHOWS JUL 19: Fiddler's Green Coffeehouse Concert series @ 8 PM, First Existentialist Congregation of Atlanta. 470 Candler Park Dr. NE / Atlanta GA 30307. 404-378-5570. firstexistentialist.org, Presented by Atlanta Area Friends of Folk Music (AAFFM) JUL 31-AUG 3: Gen Con, Indianapolis, IN AUG 28-SEP 1: Dragon Con, Atlanta, GA SEP 24-28: ALEP 6, Harrodsburg, KY OCT 17-19: MultiVerse, Peachtree City, GA NOV 8: IrishFest Atlanta, Roswell, GA with Inara DEC 7: Nerdy Wonderland at The Lost Druid, Avondale Estates, GA @ 12 - 5 PM. 5:02 - Jesse Ferguson "Bonnie Dundee" from Ten 8:45 - SUPPORT THE CLUB The show is brought to you by my supporters on Patreon. If you enjoy this podcast or my music, please join the Club. You get something new every week. It could be a blog, an exclusive podcast, downloadable song, printed sheet music, or stories from the road. Plus, you'll get access to all of my Coffee with The Celtfather video concert series. Email follow@celtfather ! If you can't support me financially, just sign up on Patreon for free. Special thanks to our newest and returning patrons: 9:33 - CELTIC INVASION VACATIONS Every year, I lead a small group of people on an exciting adventure to one of the Celtic nations and other exciting locations. In 2025, we're going on a Celtic Invasion of Galicia in Spain. Galicia is indeed one of the more obscure Celtic nations to those of us who are most familiar with Ireland and Scotland. Find out more at CelticInvasion.com. 9:43 - IRISH DRINKING SONGS FOR CAT LOVERS In 2003, I was back from Dragon Con chatting with a friend on the phone. The Irish song “Wild Rover” was stuck in my head as we started talking about cats. The chorus came around and I started meowing. An idea started growing in my head. What if I parodied a bunch of traditional Irish drinking songs with lyrics all about cats. I wrote my first three songs before the end of October. I then found Ari Koinuma in Austin to help me produce the single. I set up a website at CatDrinkingSongs.com. In December, someone posted the idea to Fark. I had 20,000 website hits in one day and hundreds of comments. I knew this was a great idea. In May of 2005, I launched a podcast to help raise money for a CD of Irish Drinking Songs for Cat Lovers. Thus was born the Cat Lovers Podcast. 10:54 - CAT MUSIC LOVERS #1: “WILD KITTY” AND CATS IN PHYSICS (REBOOT) In honor of the 20 year anniversary of my first cat CD, Irish Drinking Songs for Cat Lovers, I am re-releasing the Cat Lovers Podcast on this feed. I'll also share new stories about the inspiration behind the album creation, including the liner notes from the album. Cats in the News Irish Drinking Songs for Cat Lovers Cats in Physics Deer hunting kitties 23:52 - Marc Gunn & The Dubliners' Tabby Cats “Wild Kitty” from Irish Drinking Songs for Cat Lovers “Wild Kitty” is a parody of the traditional Irish song “Wild Rover”. autoharp, lead vocal: Marc Gunn fiddle: James "Cedric" Hazlerig bass, maracas: Ari Koinuma bgv: Marc Gunn, Ben Hamby, Blake McCaig, Ari Koinuma meows: Marc Gunn, April Porter, Ben Hamby, Blake McCaig, 26:41 - CREDITS Thanks for listening to Pub Songs & Stories. This episode was edited by Mitchell Petersen. You can follow and listen to the show on my Patreon or wherever you find podcasts. Sign up to my mailing list to learn more about songs featured in this podcast and discover where I'm performing. Remember. Reduce, reuse, recycle, and think about how you can make a positive impact on your environment. Have fun and sing along at www.pubsong.com! #pubstories  

In our thirtieth deployment of BungleTech, my spheroid self Michael will be running the show because my clanner co-host Nathan is away this month. But fortunately I am joined by our friend and frequent opponent Paul! A talented and well-traveled demo-agent who knows a thing or two about what it's like bringing new players into the game, and more importantly what kinds of bungles they make! Paul also shares with us a story of extremely rapid immolation on the battlefield and I will read a clip of the coolest ‘Mech jockey in the Old West. So strap yourself in and brace against the bulkheads MechWarriors as I stumble through commanding my very own deployment of BungleTech!Our Honourable Patreon SupportersLoremasters: RetroLazerMechWarriors: Canaan McKenna, Ed Magilton, Fiddler, HeyZeus, Lorian Sunrider, Malathis, MetalEd, Phil Raider Roby, Slurski LispersTechnicians: Blunderdome, Chris Cannon, DarkTremere, Dire Situation, Keflyn, Klint, Matthew Hopper, ML8211, Seth WhiteFoxBondspersons: Fullmetal Gundam, G, Hilux, Itswhatevan, Offensive Titan, Rob Carpenter, Rob Prescott, William BeckerSegment Start TimesExtraordinary Proclamation - 01:08Podcast Primary Topic - 03:06Battlefield Outcome Report - 50:37Rule Check Discovery - 55:38Stories of the Inner Sphere - 1:13:58BungleTech LinksBungleTech PatreonBungleTech Twitter -> BungleTechTweetBungleTech Email -> BungleTech@outlook.comBungleTech Discord Homebase -> Under BungleTechBungleTech Podcast Game Mode CollectionBungleTech Global Campaign Initiative Documents

We're BACK BABY. 2025 Tour opener starts tonight for the Dave Matthew's Band, and Goose kicks off soon, so we thought what better a time to recap where we've recently been, check in with the MERCH game from a few new bands we've recently had the pleasure to go to see (Billy Strings, Pearl Jam to name a few).We chat free-flowing about our impressions from a collectors perspective, and what we're really excited about seeing on the road in 2025. Mike is beyond thrilled with the new @rockswell_ design for DMB tour 2025 shirt, and Erica is ready for more poster game fodder and fan made merch on the road.The Pod will be out starting 6/3 in Las Vegas, NV to see @goosetheband and then 6/6-7 in Denver, CO at the famous Fiddler's Green Amphitheater. 6/17 in Wilmington, NC and then to see @davematthewsband in Charleston, SC on 6/20-21.We hope to see you on the road! Who are you excited to see in 2025?

Kate Molleson explores the maverick spirit, fierce passions and phenomenal twilight years of Leoš JanáčekLeoš Janáček was a true Czech original. He heard music in the way people talk on the streets, loved the local and made it universal - pouring his “speech melodies” into pioneering, devastating operas, and writing some of the most intimate confessionals in instrumental music. His life also came with a major plot twist – after years of toiling away unappreciated, he suddenly found fame in his 60s. Instead of winding down, Janáček revved up. This week, Kate Molleson explores his maverick spirit, his fierce passions, and the phenomenal flood of inspiration of his twilight years.Music Featured:Sinfonietta (Fanfare) The Wild Duck In the Mists (2nd mvt, Molto adagio) The Fiddler's Child Songs of Hradčany (The Weeping Fountain) Jenůfa, Act II (Jenůfa's Prayer) Moravian Folk Poetry in Song, JW V/2 (No 2, Constancy) On the Overgrown Path (Our Evenings; A Blown Away Leaf) Diary of One Who Disappeared (Nos 19-22) Katya Kabanova: Act II Scene 2 "Jste to vy, Katěrino Petrovno?"…."Choď si, dívka, do času" The Cunning Little Vixen Act II “Fox Goldenstripe…..That's how it is!” Quartet No 1 ‘Kreutzer Sonata' (1st & 2nd mvts) March of the Blue Birds Říkadla - Nursery Rhymes (excerpt) Lachian Dances (Nos 3-6) Mládí On the Overgrown Path (No 9, In Tears) Pohádka – Fairytale Glagolitic Mass (Intrada) The Excursions of Mr Broucek Suite (The Moon Waltz) 1905 Sonata Capriccio (2nd & 3rd mvt) Glagolitic Mass (excerpt) Moravian Love Songs (No 10 ‘Love') Intimate Sketches (Waiting for You!) From the House of the Dead Suite (3rd mvt, Holiday is Coming) Quartet No 2 ‘Intimate Letters' On the Overgrown Path (No 7, Good Night)Presented by Kate Molleson Produced by Amelia Parker for BBC Audio Wales & WestFor full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Leos Janacek (1854-1928) https://www.bbc.co.uk/programmes/m002c0h9And you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

Until we dismount at Fiddler's Green . . .

On this episode we're sipping on ASW's Fiddler Toasted Rye Lakeland Whiskey Society Barrel Pick while talking about the guy that's seen Bruce Lee movies, stepping up to throw down, the rare two cups in a day, all the nerdy stuff, enthusiasts and connoisseurs, an Offerman esque diatribe, a grand slam, what is small talk, are we good at small talk, small talk opens up avenues, requesting a price at a liquor store, not schmoozing anyone, transactional nature of conversation, Kalamazoo Wisconsin, skills of small talk, importance of small talk, building community, questions to generate better conversation, being genuine and recognizing that people don't want that, and why we don't want to talk to our neighbors.    Support Us On Patreon: https://www.patreon.com/DrepandStone We'd love to hear from you! https://linktr.ee/DrepandStone Don't forget to subscribe! Music by @joakimkarudmusic Episode #295