Podcast appearances and mentions of Luis C Garza

In this special episode of the MUSED: LA 2 HOU podcast, host and producer Melissa Richardson Banks interviews photographer Luis C. Garza with Charlene Villaseñor Black, Ph.D. who is Chair and Professor of Art History in UCLA's César E. Chávez Department of Chicana/o and Central American Studies, the editor of "Aztlán: A Journal of Chicano Studies" and the founding editor-in-chief of "Latin American and Latinx Visual Culture" (LALVC, UC Press). She publishes topics related to Chicanx studies, contemporary Latinx art, and the early modern Iberian world. What is decolonial love? Villaseñor Black shares that "decolonial love is a love for community and for ourselves that breaks free from coloniality, that is, the ways in which European social order, racial hierarchies, and imposed ways of knowing live on and structure our world today."Villaseñor Black states that "decolonial love manifested in Garza's photographs and, indeed, in the work of other Chicana/o/x artists and cultural workers from the beginning of the movement to the present day. By documenting the Mexican American experience of the civil rights struggles of the 1960s and 1970s, Garza's images fought against biased media representation and oppressive policing tactics. By presenting the truth of the Chicano experience and by his dignified representations of our community, Garza's photographs articulated decolonial love as they helped us visualize more just futures. This commitment to future action is central to activism and activist art."Some of Garza's most famous photographs documented activism during the Chicano movement. However, for the exhibition, curator Armando Durón strategically paired Garza's photographs to encourage viewers to make new connections with his more well-known images. While his couplings were often formal in nature, they fostered comparisons across differing subject matter. Scenes of protests, taking place in various locales -- from Los Angeles to New York to Uzbekistan and Budapest -- made clear the global nature of political unrest in the early 1970sWhile the interview was recorded on January 21, 2023, it is a timeless conversation about Garza and the images that he took while documenting the Chicano civil rights movement, the World Peace Conference in Hungary, and the women's movement in New York during the late 1960s and early 1970s."The Other Side of Memory: Photographs by Luis C. Garza" is now touring nationally:Loveland Museum, Colorado Jun 22–Sep 1, 2024Walter N. Marks Center for the Arts at College of the Desert, Apr–May 3, 2023Riverside Art Museum, Oct 22, 2022–Mar 19, 2023BUY THE EXHIBIT CATALOG HERE!Check out more in-depth articles, stories, and photographs by Melissa Richardson Banks at www.melissarichardsonbanks.com. Learn more about CauseConnect at www.causeconnect.net.Follow Melissa Richardson Banks on Instagram as @DowntownMuse; @MUSEDhouston, and @causeconnect.Subscribe and listen to the MUSED: LA 2 HOU podcast on your favorite streaming platforms, including Spotify, iHeart, Apple Podcasts, and more!

Luis C. Garza began his artistic career as a photojournalist recording the tumultuous social events of the 1960s and 1970s for La Raza magazine—the journalistic voice of the Chicano movement in Los Angeles. During that time, he was a film and theater arts student at UCLA whose images captured the attention of television executives, leading to his new career as a producer-director for the Emmy-award series Reflecciones/Reflections, and over 50 documentary projects and primetime shows for Los Angeles affiliates of ABC and NBC, including a one-hour special for the exhibition Treasures of Mexico from the Mexican National Museums, which was broadcast live from the Los Angeles County Museum of Art (LACMA) in 1978.

In this special episode of the MUSED: LA 2 HOU podcast, photographer Luis C. Garza talks with collector and curator Armando Durón, museum director Megan Callewaert McAdow, and arts marketing specialist Melissa Richardson Banks.This conversation was first presented as an online public program to coincide with the exhibition “Time Refocused: Photographs by Luis C. Garza" on view at the Marshall M. Fredericks Sculpture Museum in University City, Michigan (September 11, 2021 to January 15, 2022). Check out the virtual tour of this exhibition at https://www.marshallfredericks.net/luisgarza.html.While recorded on October 9, 2021, this timeless conversation shares much of the backstory of Garza's work of how he became a photographer and the inspiration for many of the images that he took while documenting his view of the Chicano civil rights movement, the World Peace Conference in Hungary, and even the women's movement in New York during the late 1960s and early 1970s.Garza's latest exhibition "The Other Side of Memory: Photographs by Luis C. Garza" is on view at Riverside Art Museum in California through Sunday, March 19, 2023. Details at https://riversideartmuseum.org/exhibits/the-other-side-of-memory-luis-garza/Check out more in-depth articles, stories, and photographs by Melissa Richardson Banks at www.melissarichardsonbanks.com. Learn more about CauseConnect at www.causeconnect.net.Follow Melissa Richardson Banks on Instagram as @DowntownMuse; @MUSEDla2hou, and @causeconnect.Subscribe and listen to the MUSED: LA 2 HOU podcast on your favorite streaming platforms, including Spotify, iHeart, Apple Podcasts, and more!

CSU Bakersfield's Latina/o Faculty & Staff Association (LFSA) host Luis C. Garza, La Raza Magazine photographer and curator, to reflect on 50 years of the Chicano Moratorium. Garza shares his experience as a photojournalist who has covered historical civil rights movements of the past and provides insight to their parallels of today. Video also available @: https://youtu.be/1e7cvZF2TI8 #CSUB #CSUBakersfield #RunnerStream #CMedia ✔️Subscribe to Runner Stream on YouTube ✔️Subscribe to Runner Stream on Apple ✔️Subscribe to Runner Stream on Spotify Runner Stream on Social Media: ► Follow on Instagram --- Send in a voice message: https://anchor.fm/runner-stream/message

David Alfaro Siquieros is known as one of “Los Tres Grandes” the three major Mexican muralists who depicted and helped define national and international images of post-revolutionary Mexico. In 1932, after having served prison time for his political views, Siquieros came to Los Angeles to work. The artist had mastered an outdoor mural technique with a workers’ rights painting at the Choinard Art School. That piece, called “Street Meeting” was painted over, white washed for its socialist content. Shortly thereafter, Siquieros was commissioned by patron of the arts F.K Firenz and wealthy city booster Christine Sterling to paint a mural on a beer garden wall above the Italian Hall at Olvera Street. That mural -titled America Tropical- figures prominently in Los Angeles art history, in no small part because it was whitewashed shortly after it was completed. America Tropical sits at the center of an exhibition currently on display at the Autry Musuem called Siquieros in Los Angeles: Censorship Defied. Hear in the City host, Sara Harris took a tour with the curators of the show, Lynn Labate and Luis C. Garza to talk about the circumstances around the creating and subsequent covering up of that mural. (c) Hear In The City. 2011 . www.hearinthecity.org Airs Mondays on KPFK 90.7FM in Los Angeles at 2:00pm or www.kpfk.org