Podcasts about chicanx

Dr. Boj Lopez is a Maya-K'iche' Assistant Professor of Chicanx and Central American Studies at UCLA. We discuss her academic journey and early interests in the project of ethnic studies, as well as in building Maya community spaces in diaspora. Boj Lopez works in the growing field of Critical Latinx Indigeneity which she approaches as a bridge of conversations between Latino/Chicano Studies and Native American and Indigenous Studies. This approach interrogates the complicated relationships with categories like ‘Latin,' which some refuse. Yet, at the same time also leaves room for Maya diaspora communities who may adopt or use the ‘Latin' category for survival. The book Indigenous Archives recently released and we explore some of its premise which responded to questions of why displaced Maya diaspora communities look for each other and how they find one another. Boj Lopez shares an introduction to her book that confronts the dominant function of archives of upholding hegemonic narratives located in centers of power, and shifts to archives beyond dominant institutions, such as the mobile and living ones found in inter-generational ancestral clothing and textiles.   References: Floridalma Boj Lopez, ‘Naming, A Coming Home: Latinidad and Indigeneity in the Settler Colony', The Funambulist, 41 (2022). Floridalma Boj Lopez, Indigenous Archives: The Maya Diaspora and Mobile Cultural Production (Duke University Press, 2026)   Notes on Terms: Xela/Quetzaltenango (Xela is shortened from Xelajú N'oj, which is an Indigenous Maya name for this place. Whereas Quetzaltenango is the official national place name derived from Nahuatl); Tongva (Indigenous people and place name for Los Angeles, California); Soonkahni (Indigenous place name for the Salt Lake Valley in the Newe/Shoshone/Goshute language); Maya-K'iche' (K'iche' refers to an ethno-linguistic group of diverse Highland Maya peoples and communities, and Maya is a post-colonial term that has been adopted by many, which contemporarily refers to the Mayan culture and people in Mesoamerica); Corte (A skirt that is typically made and worn by Guatemalan Mayan women often featuring ikat or jaspe patterns. Corte is derived from Spanish and it is also known as Uq or Uk in the K'iche' language). Huipil (A generally loose-fitting feminine blouse worn by Indigenous Mesoamerican women, which in Guatemala are often lineage-based and regionally distinct, identified by their unique patterns, colours, and styles; huipil is derived from Nahuatl, but this garment is also known as p'ot in the K'iche' language). Kab'awil (Maya concept for duality or pairing of oppositional or complimentary forces; etymologically it is a compound word expressing the number two and face, which means to see with multiple visions or faces or a double view; philosophically linked with interconnectedness, complexity, and plurality, which is often depicted in textiles as mirrored images such as two exact birds facing different directions).

In this episode of Words on a Wire, host Daniel Chacón speaks with writer, editor, and cultural critic Scótt Russell Dúncan about identity, futurity, and the politics of who gets to imagine the future. Dúncan discusses Chicanx futurism as an act of reclamation—of land, history, and possibility—pushing back against dominant narratives that exclude brown and Indigenous communities from visions of tomorrow. Through examples drawn from science fiction, publishing, and popular culture, he reflects on how mainstream media reinforces colonial power while marginalizing Chicanx voices.The conversation also explores Dúncan's work as an editor and publisher, including his commitment to community-centered storytelling through Mais Poppin Press and the Puertas del Pueblo writing workshops. He speaks candidly about gatekeeping in the publishing industry, the pressure for Chicanx writers to filter their work for white audiences, and the importance of writing to one's community rather than explaining it to outsiders. Grounded, critical, and hopeful, the episode highlights literature and collective imagination as essential tools for cultural survival and self-determination.

Geographies of Relation: Diasporas and Borderlands in the Americas (U Michigan Press, 2024) offers a new lens for examining diaspora and borderlands texts and performances that considers the inseparability of race, ethnicity, and gender in imagining and enacting social change. Theresa Delgadillo crosses interdisciplinary and canonical borders to investigate the interrelationships of African-descended Latinx and mestizx peoples through an analysis of Latin American, Latinx, and African American literature, film, and performance. Not only does Delgadillo offer a rare extended analysis of Black Latinidades in Chicanx literature and theory, but she also considers over a century's worth of literary, cinematic, and performative texts to support her argument about the significance of these cultural sites and overlaps. Chapters illuminate the significance of Toña La Negra in the Golden Age of Mexican cinema, reconsider feminist theorist Gloria Anzaldúa's work in revising exclusionary Latin American ideologies of mestizaje, delve into the racial and gender frameworks Sandra Cisneros attempts to rewrite, unpack encounters between African Americans and Black Puerto Ricans in texts by James Baldwin and Marta Moreno Vega, explore the African diaspora in colonial and contemporary Peru through Daniel Alarcón's literature and the documentary Soy Andina, and revisit the centrality of Black power in ending colonialism in Cuban narratives. Geographies of Relation demonstrates the long histories of networks and exchanges across the Americas as well as the interrelationships among Indigenous, Black, African American, mestizx, Chicanx, and Latinx peoples. It offers a compelling argument that geographies of relation are as significant as national frameworks in structuring cultural formation and change in this hemisphere. Theresa Delgadillo is a Vilas Distinguished Professor of English and Chicanx/e and Latinx/e Studies at the University of Wisconsin-Madison, where she is also Director of the Chicanx/e and Latinx/e Studies Program. She is a founder and editor for the online publication Latinx Talk. Shodona Kettle is a PhD candidate at the Institute of the Americas, University College London. Website here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Geographies of Relation: Diasporas and Borderlands in the Americas (U Michigan Press, 2024) offers a new lens for examining diaspora and borderlands texts and performances that considers the inseparability of race, ethnicity, and gender in imagining and enacting social change. Theresa Delgadillo crosses interdisciplinary and canonical borders to investigate the interrelationships of African-descended Latinx and mestizx peoples through an analysis of Latin American, Latinx, and African American literature, film, and performance. Not only does Delgadillo offer a rare extended analysis of Black Latinidades in Chicanx literature and theory, but she also considers over a century's worth of literary, cinematic, and performative texts to support her argument about the significance of these cultural sites and overlaps. Chapters illuminate the significance of Toña La Negra in the Golden Age of Mexican cinema, reconsider feminist theorist Gloria Anzaldúa's work in revising exclusionary Latin American ideologies of mestizaje, delve into the racial and gender frameworks Sandra Cisneros attempts to rewrite, unpack encounters between African Americans and Black Puerto Ricans in texts by James Baldwin and Marta Moreno Vega, explore the African diaspora in colonial and contemporary Peru through Daniel Alarcón's literature and the documentary Soy Andina, and revisit the centrality of Black power in ending colonialism in Cuban narratives. Geographies of Relation demonstrates the long histories of networks and exchanges across the Americas as well as the interrelationships among Indigenous, Black, African American, mestizx, Chicanx, and Latinx peoples. It offers a compelling argument that geographies of relation are as significant as national frameworks in structuring cultural formation and change in this hemisphere. Theresa Delgadillo is a Vilas Distinguished Professor of English and Chicanx/e and Latinx/e Studies at the University of Wisconsin-Madison, where she is also Director of the Chicanx/e and Latinx/e Studies Program. She is a founder and editor for the online publication Latinx Talk. Shodona Kettle is a PhD candidate at the Institute of the Americas, University College London. Website here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/latino-studies

Geographies of Relation: Diasporas and Borderlands in the Americas (U Michigan Press, 2024) offers a new lens for examining diaspora and borderlands texts and performances that considers the inseparability of race, ethnicity, and gender in imagining and enacting social change. Theresa Delgadillo crosses interdisciplinary and canonical borders to investigate the interrelationships of African-descended Latinx and mestizx peoples through an analysis of Latin American, Latinx, and African American literature, film, and performance. Not only does Delgadillo offer a rare extended analysis of Black Latinidades in Chicanx literature and theory, but she also considers over a century's worth of literary, cinematic, and performative texts to support her argument about the significance of these cultural sites and overlaps. Chapters illuminate the significance of Toña La Negra in the Golden Age of Mexican cinema, reconsider feminist theorist Gloria Anzaldúa's work in revising exclusionary Latin American ideologies of mestizaje, delve into the racial and gender frameworks Sandra Cisneros attempts to rewrite, unpack encounters between African Americans and Black Puerto Ricans in texts by James Baldwin and Marta Moreno Vega, explore the African diaspora in colonial and contemporary Peru through Daniel Alarcón's literature and the documentary Soy Andina, and revisit the centrality of Black power in ending colonialism in Cuban narratives. Geographies of Relation demonstrates the long histories of networks and exchanges across the Americas as well as the interrelationships among Indigenous, Black, African American, mestizx, Chicanx, and Latinx peoples. It offers a compelling argument that geographies of relation are as significant as national frameworks in structuring cultural formation and change in this hemisphere. Theresa Delgadillo is a Vilas Distinguished Professor of English and Chicanx/e and Latinx/e Studies at the University of Wisconsin-Madison, where she is also Director of the Chicanx/e and Latinx/e Studies Program. She is a founder and editor for the online publication Latinx Talk. Shodona Kettle is a PhD candidate at the Institute of the Americas, University College London. Website here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Geographies of Relation: Diasporas and Borderlands in the Americas (U Michigan Press, 2024) offers a new lens for examining diaspora and borderlands texts and performances that considers the inseparability of race, ethnicity, and gender in imagining and enacting social change. Theresa Delgadillo crosses interdisciplinary and canonical borders to investigate the interrelationships of African-descended Latinx and mestizx peoples through an analysis of Latin American, Latinx, and African American literature, film, and performance. Not only does Delgadillo offer a rare extended analysis of Black Latinidades in Chicanx literature and theory, but she also considers over a century's worth of literary, cinematic, and performative texts to support her argument about the significance of these cultural sites and overlaps. Chapters illuminate the significance of Toña La Negra in the Golden Age of Mexican cinema, reconsider feminist theorist Gloria Anzaldúa's work in revising exclusionary Latin American ideologies of mestizaje, delve into the racial and gender frameworks Sandra Cisneros attempts to rewrite, unpack encounters between African Americans and Black Puerto Ricans in texts by James Baldwin and Marta Moreno Vega, explore the African diaspora in colonial and contemporary Peru through Daniel Alarcón's literature and the documentary Soy Andina, and revisit the centrality of Black power in ending colonialism in Cuban narratives. Geographies of Relation demonstrates the long histories of networks and exchanges across the Americas as well as the interrelationships among Indigenous, Black, African American, mestizx, Chicanx, and Latinx peoples. It offers a compelling argument that geographies of relation are as significant as national frameworks in structuring cultural formation and change in this hemisphere. Theresa Delgadillo is a Vilas Distinguished Professor of English and Chicanx/e and Latinx/e Studies at the University of Wisconsin-Madison, where she is also Director of the Chicanx/e and Latinx/e Studies Program. She is a founder and editor for the online publication Latinx Talk. Shodona Kettle is a PhD candidate at the Institute of the Americas, University College London. Website here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/latin-american-studies

Geographies of Relation: Diasporas and Borderlands in the Americas (U Michigan Press, 2024) offers a new lens for examining diaspora and borderlands texts and performances that considers the inseparability of race, ethnicity, and gender in imagining and enacting social change. Theresa Delgadillo crosses interdisciplinary and canonical borders to investigate the interrelationships of African-descended Latinx and mestizx peoples through an analysis of Latin American, Latinx, and African American literature, film, and performance. Not only does Delgadillo offer a rare extended analysis of Black Latinidades in Chicanx literature and theory, but she also considers over a century's worth of literary, cinematic, and performative texts to support her argument about the significance of these cultural sites and overlaps. Chapters illuminate the significance of Toña La Negra in the Golden Age of Mexican cinema, reconsider feminist theorist Gloria Anzaldúa's work in revising exclusionary Latin American ideologies of mestizaje, delve into the racial and gender frameworks Sandra Cisneros attempts to rewrite, unpack encounters between African Americans and Black Puerto Ricans in texts by James Baldwin and Marta Moreno Vega, explore the African diaspora in colonial and contemporary Peru through Daniel Alarcón's literature and the documentary Soy Andina, and revisit the centrality of Black power in ending colonialism in Cuban narratives. Geographies of Relation demonstrates the long histories of networks and exchanges across the Americas as well as the interrelationships among Indigenous, Black, African American, mestizx, Chicanx, and Latinx peoples. It offers a compelling argument that geographies of relation are as significant as national frameworks in structuring cultural formation and change in this hemisphere. Theresa Delgadillo is a Vilas Distinguished Professor of English and Chicanx/e and Latinx/e Studies at the University of Wisconsin-Madison, where she is also Director of the Chicanx/e and Latinx/e Studies Program. She is a founder and editor for the online publication Latinx Talk. Shodona Kettle is a PhD candidate at the Institute of the Americas, University College London. Website here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology

Victoria Bañales joins the Hive Live! at Bookshop Santa Cruz on Tuesday Feb 10, 2026 at 7pm. Event information here. Join our non-spamming email list here to keep up with Hive events. Victoria (Vicky) Bañales is the 2025-2027 Watsonville Poet Laureate. A Chicanx educator and writer, she is the author of the poetry collection, The Sun Will Not Harm You by Day, Nor the Moon by Night (Jamii Publishing, 2025), and the founder of Journal X, a social justice literary arts magazine, which was awarded the Superior Distinction by the National Council of Teachers of English. Her writing has been supported by Hedgebrook, Storyknife, Macondo, Vermont Studio Center, and other artist residencies. She holds a Ph.D. in Literature and Feminist Studies from UCSC, and teaches composition and creative writing at Cabrillo College, where she also serves as the Faculty Senate President. More at vickybanales.com.

Here's Chicanx poet Lourdes Figueroa reading an excerpt from their untitled poem.

This program is inspired by "So, I told her I was half-Indian" (2025) by Chicanx and Punjabi American weaver Kira Dominguez Hultgren. The piece, multiple looms woven together as a suspended sculpture, is commissioned by IAJS and will be on view at Zhou B Art Center from August 12 to September 12, 2025. Artist Kira Dominguez Hultgren and guitarist and Chicago Immigrant Orchestra co-director Fareed Haque discuss the work's larger themes, including how race plays out across generations, how public memorials help make hushed histories visible, and how new technology reveals outdated stereotypes. Then, a panel moderated by featuring Stanford IAJS faculty co-director Brian Lowery, Yale historian and Pulitzer Prize-winner David W. Blight, historic preservation leader Bonnie McDonald, and creative consultant and fashion designer Siying Qu explores how migrant communities help stitch together our ideas of American life. This is the second program in “What Can Become of Us?”, a collaboration between the Stanford Institute for Advancing Just Societies (IAJS) and Zócalo Public Square, envisioning new perspectives on migration, America's diverse communities, and how people come together across differences. Timestamps: 00:00 - Intros 06:40 - Artist Talk: Kira Dominguez Hultgren, Fareed Haque 27:40 - Panel: Brian Lowery, David W. Blight, Bonnie McDonald, Siying Qu Visit www.zocalopublicsquare.org/ for more programs and essays in the series. Follow Zócalo on X: x.com/thepublicsquare Instagram: www.instagram.com/thepublicsquare/ Facebook: www.facebook.com/zocalopublicsquare LinkedIn: www.linkedin.com/company/z-calo-public-square/

Guest Bryan Yamami is the co-founder and executive director of the acclaimed and award-winning drumming group TAIKOPROJECT (www.taikoproject.org). You'll learn why he was a less than enthusiastic young taiko student, but why he returned to this ancient form of Japanese drumming with fervor while a college student. Notably, Bryan shares why and how he and co-founder Masato Baba felt led to start their own group with the emerging vision to create a uniquely Japanese American version of taiko ensemble performances.  TAIKOPROJECT will be celebratinig its 25th anniversary with a culturally collaborative show featuring Chicanx band Quetzal and Berklee-trained Japanese musician Sumie Kaneko, who will be performing vocals, on koto, and on shamisen. More information about buying tickets can be found at www.taikoproject.org/25th.

Join us today, as we consider the role of imagination in this dark night of the soul. We revisit the Aztec Legend of the Five Suns, as we find ourselves "entangled in myth," in this kairos and opportune moment~ for a change of worldview.  Thanks, as ever, to the Tonantzin Society, for their generous donation, making scholarships available for Chicanx & Latinx communities, and to my producer and editor, Lucas Bakker, the backstage wizard for his original soundtrack and music.

In this episode of The Storykeeper, from Words on a Wire, host Tim Z. Hernandez sits down with author Cristina Herrera to discuss her book Welcome to Oxnard: Race, Place, and Chicana Adolescence in Michelle Serros's Writing. The conversation delves into the legacy of Michelle Serros, an influential writer whose work captured the complexities of growing up in Oxnard, California. They explore themes of belonging, assimilation, and the power of storytelling in shaping cultural narratives.Cristina Herrera was born and raised in Oxnard, California, and is now professor and director of Chicanx/Latinx studies at Portland State University. She is the author of ChicaNerds in Chicana Young Adult Literature: Brown and Nerdy and editor of Nerds, Goths, Geeks, and Freaks: Outsiders in Chicanx and Latinx Young Adult Literature, which won the 2022 Children's Literature Association Edited Book Award.

Pay very close attention to the people who want to strip you of your parental rights. Democrats launch a backdoor attack on the initiative process. Whooooooooo will save the owls? State sued for hiding data on CO2 emissions. DeSantis embraces the Gulf of America.

Chile is more than just spice, writes Pulitzer prize-winning journalist and Cal Poly Ethnic Studies professor Victor Valle in The Poetics of Fire: Metaphors of Chile Eating in the Borderlands (U New Mexico Press, 2023). By tracing the meaning of chile as a plant and chile eating as an act. Valle shows how Indigenous cultivation and culinary practices troubled colonizers, sustained cultures, and fostered exchange. The Poetics of Fire calls for decolonization of chile cultivation and a renewed embrace of Indigenous ideals toward land and nourishment, arguing that chiles serve as a connection point between pre-colonization Indigenous societies and twentieth century (and beyond) Chicanx and Latinx communities. At once food studies, Indigenous studies, and Latinx studies, The Poetics of Fire dispenses with Scoville units and instead thinks about how chile is a window for understanding a decolonized world. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Chile is more than just spice, writes Pulitzer prize-winning journalist and Cal Poly Ethnic Studies professor Victor Valle in The Poetics of Fire: Metaphors of Chile Eating in the Borderlands (U New Mexico Press, 2023). By tracing the meaning of chile as a plant and chile eating as an act. Valle shows how Indigenous cultivation and culinary practices troubled colonizers, sustained cultures, and fostered exchange. The Poetics of Fire calls for decolonization of chile cultivation and a renewed embrace of Indigenous ideals toward land and nourishment, arguing that chiles serve as a connection point between pre-colonization Indigenous societies and twentieth century (and beyond) Chicanx and Latinx communities. At once food studies, Indigenous studies, and Latinx studies, The Poetics of Fire dispenses with Scoville units and instead thinks about how chile is a window for understanding a decolonized world. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Chile is more than just spice, writes Pulitzer prize-winning journalist and Cal Poly Ethnic Studies professor Victor Valle in The Poetics of Fire: Metaphors of Chile Eating in the Borderlands (U New Mexico Press, 2023). By tracing the meaning of chile as a plant and chile eating as an act. Valle shows how Indigenous cultivation and culinary practices troubled colonizers, sustained cultures, and fostered exchange. The Poetics of Fire calls for decolonization of chile cultivation and a renewed embrace of Indigenous ideals toward land and nourishment, arguing that chiles serve as a connection point between pre-colonization Indigenous societies and twentieth century (and beyond) Chicanx and Latinx communities. At once food studies, Indigenous studies, and Latinx studies, The Poetics of Fire dispenses with Scoville units and instead thinks about how chile is a window for understanding a decolonized world. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/latin-american-studies

Chile is more than just spice, writes Pulitzer prize-winning journalist and Cal Poly Ethnic Studies professor Victor Valle in The Poetics of Fire: Metaphors of Chile Eating in the Borderlands (U New Mexico Press, 2023). By tracing the meaning of chile as a plant and chile eating as an act. Valle shows how Indigenous cultivation and culinary practices troubled colonizers, sustained cultures, and fostered exchange. The Poetics of Fire calls for decolonization of chile cultivation and a renewed embrace of Indigenous ideals toward land and nourishment, arguing that chiles serve as a connection point between pre-colonization Indigenous societies and twentieth century (and beyond) Chicanx and Latinx communities. At once food studies, Indigenous studies, and Latinx studies, The Poetics of Fire dispenses with Scoville units and instead thinks about how chile is a window for understanding a decolonized world. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/native-american-studies

Chile is more than just spice, writes Pulitzer prize-winning journalist and Cal Poly Ethnic Studies professor Victor Valle in The Poetics of Fire: Metaphors of Chile Eating in the Borderlands (U New Mexico Press, 2023). By tracing the meaning of chile as a plant and chile eating as an act. Valle shows how Indigenous cultivation and culinary practices troubled colonizers, sustained cultures, and fostered exchange. The Poetics of Fire calls for decolonization of chile cultivation and a renewed embrace of Indigenous ideals toward land and nourishment, arguing that chiles serve as a connection point between pre-colonization Indigenous societies and twentieth century (and beyond) Chicanx and Latinx communities. At once food studies, Indigenous studies, and Latinx studies, The Poetics of Fire dispenses with Scoville units and instead thinks about how chile is a window for understanding a decolonized world. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/food

Chile is more than just spice, writes Pulitzer prize-winning journalist and Cal Poly Ethnic Studies professor Victor Valle in The Poetics of Fire: Metaphors of Chile Eating in the Borderlands (U New Mexico Press, 2023). By tracing the meaning of chile as a plant and chile eating as an act. Valle shows how Indigenous cultivation and culinary practices troubled colonizers, sustained cultures, and fostered exchange. The Poetics of Fire calls for decolonization of chile cultivation and a renewed embrace of Indigenous ideals toward land and nourishment, arguing that chiles serve as a connection point between pre-colonization Indigenous societies and twentieth century (and beyond) Chicanx and Latinx communities. At once food studies, Indigenous studies, and Latinx studies, The Poetics of Fire dispenses with Scoville units and instead thinks about how chile is a window for understanding a decolonized world. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-west

Chile is more than just spice, writes Pulitzer prize-winning journalist and Cal Poly Ethnic Studies professor Victor Valle in The Poetics of Fire: Metaphors of Chile Eating in the Borderlands (U New Mexico Press, 2023). By tracing the meaning of chile as a plant and chile eating as an act. Valle shows how Indigenous cultivation and culinary practices troubled colonizers, sustained cultures, and fostered exchange. The Poetics of Fire calls for decolonization of chile cultivation and a renewed embrace of Indigenous ideals toward land and nourishment, arguing that chiles serve as a connection point between pre-colonization Indigenous societies and twentieth century (and beyond) Chicanx and Latinx communities. At once food studies, Indigenous studies, and Latinx studies, The Poetics of Fire dispenses with Scoville units and instead thinks about how chile is a window for understanding a decolonized world. Learn more about your ad choices. Visit megaphone.fm/adchoices

he Institute of Chicana and Chicano Psychology and Community is preparing to host a public, online training session next month.The session is aimed at providing participants with a foundational understanding of culturally responsive therapy from a Chicano, Chicana, and Chicanx affirmative approach.The event is designed to explore the unique intersection of culture, identity, and mental health, offering tools to better serve the diverse communities within the Chicano/a/x population.Contributor Bibi Heredia joined News 8 anchor Dakarai Turner to provide deeper insights into this important initiative.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Listen in to 2024 MacArthur Foundation Fellow and former U.S. Poet Laureate Juan Felipe Herrera, interviewed by then Notre Dame MFA candidate in poetry and graduate student Luis Lopez-Maldonado. As a poet, educator, and writer, the John D. and Catherine T. MacArthur Foundation recognizes Herrera for “uplifting Chicanx culture and amplifying shared experiences of solidarity and empowerment.” In this oral history conversation Herrera and Lopez-Maldonado uncover the insight to be gained from playing with language, the value of nurturing one's art accompanied by close friends, and why both individuals and communities should answer the call to write.Thanks for listening! The ThinkND Podcast is brought to you by ThinkND, the University of Notre Dame's online learning community. We connect you with videos, podcasts, articles, courses, and other resources to inspire minds and spark conversations on topics that matter to you — everything from faith and politics, to science, technology, and your career. Learn more about ThinkND and register for upcoming live events at think.nd.edu. Join our LinkedIn community for updates, episode clips, and more.

Host Daniel Chacón travels to Las Cruces, New Mexico to sit with legendary Chicanx writer Denise Chávez. They discuss her career, her Las Cruces bookstore, and her new book, Street of Too Many Stories (Conocimientos Press, 2024).

Celebrate Gil Cuadros with Kevin Martin, Rafael Pérez-Torres, & Amy Scholder. Opening by Greyson Wright & readings by Joseph Cassara & Flavia Elisa Mora. City Lights & the SF LGBT Center celebrate the publication of "My Body Is Paper: Stories and Poems" by Gil Cuadros, edited by Pablo Alvarez, Kevin Martin, Rafael Pérez-Torres, & Terry Wolverton, foreword by Justin Torres. Published by City Lights Books. Purchase "My Body Is Paper" here: https://citylights.com/my-body-is-paper-stories-poems/ Purchase "City of God" here: https://citylights.com/city-lights-published/city-of-god/ Since "City of God" was published by City Lights 30 years ago, it has become an unlikely classic (an “essential book of Los Angeles” according to the LA Times). The book has touched those who find in his work a singular evocation of Chicanx life in Los Angeles around the time of the AIDS epidemic, which took his life in 1996. Little did we know, Cuadros continued writing exuberant works in the period between his one published book & his untimely death at 34. This recently discovered treasure, "My Body Is Paper," is a stunning portrait of sex, family, religion, culture of origin, & the betrayals of the body. Tender & blistering, erotic & spiritual, Cuadros dives into these complexities which we grapple with today, showing us how to survive these times & beyond. Gil Cuadros (1962–1996) was a groundbreaking gay Latino writer whose work explored the intersections of sexuality, race, & spirituality. Diagnosed with HIV in 1987, Cuadros channeled his experiences into "City of God," capturing the raw emotions of living with a life-threatening illness. His lyrical intensity & unflinching honesty shined a light on marginalized communities & familial expectations. "City of God" has gone on to become a classic of Chicanx literature. Kevin J. Martin is the executor of the Estate of Gil Cuadros, & a longtime copyeditor & writer. He serves as Senior Writer & Associate Editor for MagellanTV, where he writes on various topics related to art & culture. Rafael Pérez-Torres is professor of English & Gender Studies at UCLA & author of "Movements in Chicano Poetry and Critical Mestizaje," co-author of "Memories of an East L.A. Outlaw," & co-editor of "The Chicano Studies Reader." Amy Scholder is a literary editor & documentary filmmaker known for amplifying the stories of marginalized artists & activists. Amy began her career as an editor at City Lights. She has since served as US Publisher to Verso Books, later joining 7 Stories Press as Editor & Chief. In 2008, Scholder left 7 Stories to become the executive editor of the Feminist Press at the City University of New York. Scholder was approached by director Pratibha Parmar & producer Shaheen Haq to help finish their hybrid documentary feature, "My Name Is Andrea," about Andrea Dworkin. She became an executive producer of the film, which premiered at the 2022 Tribeca Film Festival. Joseph Cassara is the author of "The House of Impossible Beauties" (Ecco), winner of the 2019 Edmund White Award for Debut Fiction & finalist for the Lambda Literary Award for Gay Fiction. A graduate of Columbia University & the Iowa Writers' Workshop, he currently serves as the George & Judy Marcus Endowed Chair of Creative Writing at San Francisco State University. Flavia Elisa Mora is a queer, Mexican migrant artist, activist, & community organizer raised in occupied Ramaytush Ohlone land, in La Mission. Her main two foci are muralismo & Flor y Canto poesía. Flavia's work delves into the exploration of her identity, relationships, migration story, family & community history. She is a published writer, performs poetry throughout the Bay, & is one of the lead artists for the mural "Alto al Fuego en la Misión," located on 24th and Capp, SF. Event originally broadcast from City Lights' Poetry Room on Thursday, May 30, 2024. Hosted by Peter Maravelis. Made possible by support from the City Lights Foundation. citylights.com/foundation

Tara López's Chuco Punk: Sonic Insurgency in El Paso (University of Texas Press, 2024), is an immersive study of the influential and predominantly Chicanx punk rock scene in El Paso, Texas. Punk rock is known for its daring subversion, and so is the West Texas city of El Paso. In Chuco Punk, Tara López dives into the rebellious sonic history of the city, drawing on more than seventy interviews with punks, as well as unarchived flyers, photos, and other punk memorabilia.  Connecting the scene to El Paso's own history as a borderland, a site of segregation, and a city with a long lineage of cultural and musical resistance, López throws readers into the heat of backyard punx shows, the chaos of riots in derelict mechanic shops, and the thrill of skateboarding on the roofs of local middle schools. She reveals how, in this predominantly Chicanx punk rock scene, women forged their own space, sound, and community. Covering the first roots of Chuco punk in the late 1970s through the early 2000s, López moves beyond the breakout bands to shed light on how the scene influenced not only the contours of sound and El Paso but the entire topography of punk rock. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/latino-studies

Tara López's Chuco Punk: Sonic Insurgency in El Paso (University of Texas Press, 2024), is an immersive study of the influential and predominantly Chicanx punk rock scene in El Paso, Texas. Punk rock is known for its daring subversion, and so is the West Texas city of El Paso. In Chuco Punk, Tara López dives into the rebellious sonic history of the city, drawing on more than seventy interviews with punks, as well as unarchived flyers, photos, and other punk memorabilia.  Connecting the scene to El Paso's own history as a borderland, a site of segregation, and a city with a long lineage of cultural and musical resistance, López throws readers into the heat of backyard punx shows, the chaos of riots in derelict mechanic shops, and the thrill of skateboarding on the roofs of local middle schools. She reveals how, in this predominantly Chicanx punk rock scene, women forged their own space, sound, and community. Covering the first roots of Chuco punk in the late 1970s through the early 2000s, López moves beyond the breakout bands to shed light on how the scene influenced not only the contours of sound and El Paso but the entire topography of punk rock. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Tara López's Chuco Punk: Sonic Insurgency in El Paso (University of Texas Press, 2024), is an immersive study of the influential and predominantly Chicanx punk rock scene in El Paso, Texas. Punk rock is known for its daring subversion, and so is the West Texas city of El Paso. In Chuco Punk, Tara López dives into the rebellious sonic history of the city, drawing on more than seventy interviews with punks, as well as unarchived flyers, photos, and other punk memorabilia.  Connecting the scene to El Paso's own history as a borderland, a site of segregation, and a city with a long lineage of cultural and musical resistance, López throws readers into the heat of backyard punx shows, the chaos of riots in derelict mechanic shops, and the thrill of skateboarding on the roofs of local middle schools. She reveals how, in this predominantly Chicanx punk rock scene, women forged their own space, sound, and community. Covering the first roots of Chuco punk in the late 1970s through the early 2000s, López moves beyond the breakout bands to shed light on how the scene influenced not only the contours of sound and El Paso but the entire topography of punk rock. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Tara López's Chuco Punk: Sonic Insurgency in El Paso (University of Texas Press, 2024), is an immersive study of the influential and predominantly Chicanx punk rock scene in El Paso, Texas. Punk rock is known for its daring subversion, and so is the West Texas city of El Paso. In Chuco Punk, Tara López dives into the rebellious sonic history of the city, drawing on more than seventy interviews with punks, as well as unarchived flyers, photos, and other punk memorabilia.  Connecting the scene to El Paso's own history as a borderland, a site of segregation, and a city with a long lineage of cultural and musical resistance, López throws readers into the heat of backyard punx shows, the chaos of riots in derelict mechanic shops, and the thrill of skateboarding on the roofs of local middle schools. She reveals how, in this predominantly Chicanx punk rock scene, women forged their own space, sound, and community. Covering the first roots of Chuco punk in the late 1970s through the early 2000s, López moves beyond the breakout bands to shed light on how the scene influenced not only the contours of sound and El Paso but the entire topography of punk rock. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Tara López's Chuco Punk: Sonic Insurgency in El Paso (University of Texas Press, 2024), is an immersive study of the influential and predominantly Chicanx punk rock scene in El Paso, Texas. Punk rock is known for its daring subversion, and so is the West Texas city of El Paso. In Chuco Punk, Tara López dives into the rebellious sonic history of the city, drawing on more than seventy interviews with punks, as well as unarchived flyers, photos, and other punk memorabilia.  Connecting the scene to El Paso's own history as a borderland, a site of segregation, and a city with a long lineage of cultural and musical resistance, López throws readers into the heat of backyard punx shows, the chaos of riots in derelict mechanic shops, and the thrill of skateboarding on the roofs of local middle schools. She reveals how, in this predominantly Chicanx punk rock scene, women forged their own space, sound, and community. Covering the first roots of Chuco punk in the late 1970s through the early 2000s, López moves beyond the breakout bands to shed light on how the scene influenced not only the contours of sound and El Paso but the entire topography of punk rock. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Tara López's Chuco Punk: Sonic Insurgency in El Paso (University of Texas Press, 2024), is an immersive study of the influential and predominantly Chicanx punk rock scene in El Paso, Texas. Punk rock is known for its daring subversion, and so is the West Texas city of El Paso. In Chuco Punk, Tara López dives into the rebellious sonic history of the city, drawing on more than seventy interviews with punks, as well as unarchived flyers, photos, and other punk memorabilia.  Connecting the scene to El Paso's own history as a borderland, a site of segregation, and a city with a long lineage of cultural and musical resistance, López throws readers into the heat of backyard punx shows, the chaos of riots in derelict mechanic shops, and the thrill of skateboarding on the roofs of local middle schools. She reveals how, in this predominantly Chicanx punk rock scene, women forged their own space, sound, and community. Covering the first roots of Chuco punk in the late 1970s through the early 2000s, López moves beyond the breakout bands to shed light on how the scene influenced not only the contours of sound and El Paso but the entire topography of punk rock. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Tara López's Chuco Punk: Sonic Insurgency in El Paso (University of Texas Press, 2024), is an immersive study of the influential and predominantly Chicanx punk rock scene in El Paso, Texas. Punk rock is known for its daring subversion, and so is the West Texas city of El Paso. In Chuco Punk, Tara López dives into the rebellious sonic history of the city, drawing on more than seventy interviews with punks, as well as unarchived flyers, photos, and other punk memorabilia.  Connecting the scene to El Paso's own history as a borderland, a site of segregation, and a city with a long lineage of cultural and musical resistance, López throws readers into the heat of backyard punx shows, the chaos of riots in derelict mechanic shops, and the thrill of skateboarding on the roofs of local middle schools. She reveals how, in this predominantly Chicanx punk rock scene, women forged their own space, sound, and community. Covering the first roots of Chuco punk in the late 1970s through the early 2000s, López moves beyond the breakout bands to shed light on how the scene influenced not only the contours of sound and El Paso but the entire topography of punk rock. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-west

Full Episode 5-13-24 - In this episode, we talk more with students currently holding down the Palestine solidarity encampement at Sonoma State University. We talk about their demands, their feelings moving forward, the movement in general, and we talk with a Chicanx student about the similarities between the experience of colonization on this continent and Palestine.

Caleb from Elevate El Paso stops by to talk about the past, present and future of Elevate El Paso, his project with El Paso legend Hal Marcus, Freemasonry, Luciferianism and online haters who don't like his hair. Mel and Jesus talk about a strange yet funny interaction with another couple at a bar, Mel's love for rice cookers and much more!

This Throwback Thursday we revisit Episode 16 of the podcast, where we talk about the various attacks on Chicano Indigeneity, and ways we can counter them!Chicano Indigeneity Sadly, the latest online trend within the “woke” and “Latinx” crowd is to relentlessly attack Chicanas and Chicanos who identify as Indigenous. Given the fact that being Indigenous is a cornerstone of Chicana-Chicano identity (and is manifested in our culture, language, traditions, ancestry, systems of kinship, and our connections to the land), I find such attacks…curious to say the least.The basic argument goes something like this: Chicanas, Chicanos, and Chicanx folks did not grow up in traditional Indigenous communities, and therefore can only call themselves “Indigenous descendants” and not actual “Indigenous people.” Apparently, there is only one “authentic” Indigenous lived experience, regardless of how history has played out for the Mesoamerican diaspora. This bizarre bit of wordplay ignores the entirety of Chicana-Chicano history and reeks of identity policing at its worst. Interestingly, this assault on Chicana-Chicano Indigenous identity is practically identical to right-wing talking points that seek to deny Chicana-Chicanos our Indigenous cultural inheritance.It is certainly unfortunate that a handful of “latinxers” and Indigenous gatekeepers have taken it upon themselves to police Indigenous identity as it relates to the Chicano communityt. In doing so, they are sowing deep divisions among people who should be working together. And quite frankly, I think their argument just isn't very well thought out.In this episode we defend Chicano Indigeneity from such attacks.Your Hosts:Kurly Tlapoyawa is an archaeologist, ethnohistorian, and filmmaker. His research covers Mesoamerica, the American Southwest, and the historical connections between the two regions. He is the author of numerous books and has presented lectures at the University of New Mexico, Yale University, San Diego State University, and numerous others. He is currently a professor of Chicano Studies at the Colegio Chicano del Pueblo, a free online educational institution.@kurlytlapoyawaRuben Arellano Tlakatekatl is a scholar, activist, and professor of history. His research explores Chicana/Chicano indigeneity, Mexican indigenist nationalism, and Coahuiltecan identity resurgence. Other areas of research include Aztlan (US Southwest), Anawak (Mesoamerica), and Native North America. He has presented and published widely on these topics and has taught courses at various institutions. He currently teaches history at Dallas College – Mountain View Campus.  Support the Show.Find us: https://www.facebook.com/TalesFromAztlantis Merch: https://chimalli.storenvy.com/ Book: The Four Disagreements: Letting Go of Magical Thinking (Amazon)

Latinx and Chicanx student organizations are more than just clubs. They provide ways to find your cultural compass, foster lifelong friendships, and amplify your voice in a supportive, empowering space. These organizations explore traditions, navigate challenges, and help students flourish both socially and academically. Hear how these organizations host events, discussions, and gatherings where diversity is embraced, ideas spark, and unity thrives. Series: "Education Channel" [Education] [Show ID: 39346]

An ethnographic study based on decades of field research, Pilgrimage to Broken Mountain: Nahua Sacred Journeys in Mexico's Huasteca Veracruzana (UP of Colorado, 2023) explores five sacred journeys to the peaks of venerated mountains undertaken by Nahua people living in northern Veracruz, Mexico. Punctuated with elaborate ritual offerings dedicated to the forces responsible for rain, seeds, crop fertility, and the well-being of all people, these pilgrimages are the highest and most elaborate form of Nahua devotion and reveal a sophisticated religious philosophy that places human beings in intimate contact with what Westerners call the forces of nature. Alan and Pamela Sandstrom document them for the younger Nahua generation, who live in a world where many are lured away from their communities by wage labor in urban Mexico and the United States. Pilgrimage to Broken Mountain contains richly detailed descriptions and analyses of ritual procedures as well as translations from the Nahuatl of core myths, chants performed before decorated altars, and statements from participants. Particular emphasis is placed on analyzing the role of sacred paper figures that are produced by the thousands for each pilgrimage. The work contains drawings of these cuttings of spirit entities along with hundreds of color photographs illustrating how they are used throughout the pilgrimages. The analysis reveals the monist philosophy that underlies Nahua religious practice in which altars, dancing, chanting, and the paper figures themselves provide direct access to the sacred. In the context of their pilgrimage traditions, the ritual practices of Nahua religion show one way that people interact effectively with the forces responsible for not only their own prosperity but also the very survival of humanity. A magnum opus with respect to Nahua religion and religious practice, Pilgrimage to Broken Mountain is a significant contribution to several fields, including but not limited to Indigenous literatures of Mesoamerica, Nahuatl studies, Latinx and Chicanx studies, and religious studies. Learn more about your ad choices. Visit podcastchoices.com/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

An ethnographic study based on decades of field research, Pilgrimage to Broken Mountain: Nahua Sacred Journeys in Mexico's Huasteca Veracruzana (UP of Colorado, 2023) explores five sacred journeys to the peaks of venerated mountains undertaken by Nahua people living in northern Veracruz, Mexico. Punctuated with elaborate ritual offerings dedicated to the forces responsible for rain, seeds, crop fertility, and the well-being of all people, these pilgrimages are the highest and most elaborate form of Nahua devotion and reveal a sophisticated religious philosophy that places human beings in intimate contact with what Westerners call the forces of nature. Alan and Pamela Sandstrom document them for the younger Nahua generation, who live in a world where many are lured away from their communities by wage labor in urban Mexico and the United States. Pilgrimage to Broken Mountain contains richly detailed descriptions and analyses of ritual procedures as well as translations from the Nahuatl of core myths, chants performed before decorated altars, and statements from participants. Particular emphasis is placed on analyzing the role of sacred paper figures that are produced by the thousands for each pilgrimage. The work contains drawings of these cuttings of spirit entities along with hundreds of color photographs illustrating how they are used throughout the pilgrimages. The analysis reveals the monist philosophy that underlies Nahua religious practice in which altars, dancing, chanting, and the paper figures themselves provide direct access to the sacred. In the context of their pilgrimage traditions, the ritual practices of Nahua religion show one way that people interact effectively with the forces responsible for not only their own prosperity but also the very survival of humanity. A magnum opus with respect to Nahua religion and religious practice, Pilgrimage to Broken Mountain is a significant contribution to several fields, including but not limited to Indigenous literatures of Mesoamerica, Nahuatl studies, Latinx and Chicanx studies, and religious studies. Learn more about your ad choices. Visit podcastchoices.com/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/native-american-studies

An ethnographic study based on decades of field research, Pilgrimage to Broken Mountain: Nahua Sacred Journeys in Mexico's Huasteca Veracruzana (UP of Colorado, 2023) explores five sacred journeys to the peaks of venerated mountains undertaken by Nahua people living in northern Veracruz, Mexico. Punctuated with elaborate ritual offerings dedicated to the forces responsible for rain, seeds, crop fertility, and the well-being of all people, these pilgrimages are the highest and most elaborate form of Nahua devotion and reveal a sophisticated religious philosophy that places human beings in intimate contact with what Westerners call the forces of nature. Alan and Pamela Sandstrom document them for the younger Nahua generation, who live in a world where many are lured away from their communities by wage labor in urban Mexico and the United States. Pilgrimage to Broken Mountain contains richly detailed descriptions and analyses of ritual procedures as well as translations from the Nahuatl of core myths, chants performed before decorated altars, and statements from participants. Particular emphasis is placed on analyzing the role of sacred paper figures that are produced by the thousands for each pilgrimage. The work contains drawings of these cuttings of spirit entities along with hundreds of color photographs illustrating how they are used throughout the pilgrimages. The analysis reveals the monist philosophy that underlies Nahua religious practice in which altars, dancing, chanting, and the paper figures themselves provide direct access to the sacred. In the context of their pilgrimage traditions, the ritual practices of Nahua religion show one way that people interact effectively with the forces responsible for not only their own prosperity but also the very survival of humanity. A magnum opus with respect to Nahua religion and religious practice, Pilgrimage to Broken Mountain is a significant contribution to several fields, including but not limited to Indigenous literatures of Mesoamerica, Nahuatl studies, Latinx and Chicanx studies, and religious studies. Learn more about your ad choices. Visit podcastchoices.com/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/latin-american-studies

In Season 5, Episode 14, Daniel and Javi had the privilege of hosting Dr. Eulalia Gallegos Buitron, a dedicated postdoctoral fellow at the University of Idaho, specializing in Chicano History. The conversation focuses on her remarkable journey, her profound interest in the field, the valuable lessons she's gathered, the challenges she's encountered, and her advice for those aspiring to tread a similar path. The hosts speak from a Latinx and Indigenous perspective. Make sure to follow the Brown Sound Podcast on Instagramhttps://www.instagram.com/brownsoundpodcastThis podcast is locally produced on the Nez Perce Reservation in Idaho.

Luz Elena Mendoza Ramos is a Chicanx artist and musician who has been playing under the name Y La Bamba for nearly 20 years. As the child of immigrant parents, Luz Elena struggled to feel seen in the music industry, but as they've continued making music, they have grown into their identity as an artist. Last year, Luz Elena moved back to Mexico City to explore where they come from. That search also led to the publication of their seventh studio album — “Lucha” — and to Y La Bamba playing their first show ever in Mexico City. In this episode, Luz Elena shares why playing that show was so important to them and reflects on their path toward becoming more themselves.

In this episode, Ayden is joined by good time ghouls Leah & Bethany from Paranormal Putas! Listen in on the wicked sisters' personal encounters with the supernatural and their take on why your toilet is actually haunted! Want to share your own creepy story, picture, or recording? Leave a 5 star review with your story attached, email Ayden at sustopodcast@gmail.com, or DM on social media to be shared on the show!Become a Patron here!Support the show

“[W]hat is our relationship to the Korean War and to the affinities” of different institutions that produce knowledge about the Korean War? (130) In her book, Warring Genealogies: Race, Kinship, and the Korean War (Temple UP, 2022), Joo Ok Kim “conceptualizes racialized formations of kinship emerging from the Korean War as a problem of knowledge” (4). Through a close reading of Chicanx and Asian American cultural productions as well as archives produced by white penitentiary prisoners and the United Daughters of the Confederacy, Joo Ok considers how Chicanx and Korean diasporic works critique white supremacist expressions of kinship that emerge from the official memorialization about the war. Further critiquing the division in disciplines and periodization in academia that forecloses discussions about colonialism spanning multiple geographic locations and temporalities, Joo Ok examines how queer hermeneutic helps us to reconsider “minor” and humble instances of kinships between Asian-Latino cultural productions. This book will be a wonderful addition to any interdisciplinary scholarship that critically thinks about US militarism, knowledge production, and the Korean War, as well as anyone who is interested in learning more about the Korean War.  Joo Ok Kim is an assistant professor of cultural studies at UCSD, and her research and teaching interests include transpacific critique, literatures and cultures of the Korean War, and United States multiethnic literature and culture. Her selected publications include Warring Genealogies: Race, Kinship, and the Korean War (Temple University Press, 2022), which is part of Critical Race, Indigeneity, and Relationality Series, and contributions to “Keywords for Comics Studies” (2021), a special issue of Verge: Studies in Global Asias, and a special issue of MELUS: Multi-Ethnic Literature of the United States (2020). Da In Ann Choi is a PhD student at UCLA in the Gender Studies department. Her research interests include care labor and migration, reproductive justice, social movement, citizenship theory, and critical empire studies. She can be reached at dainachoi@g.ucla.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/latino-studies

“[W]hat is our relationship to the Korean War and to the affinities” of different institutions that produce knowledge about the Korean War? (130) In her book, Warring Genealogies: Race, Kinship, and the Korean War (Temple UP, 2022), Joo Ok Kim “conceptualizes racialized formations of kinship emerging from the Korean War as a problem of knowledge” (4). Through a close reading of Chicanx and Asian American cultural productions as well as archives produced by white penitentiary prisoners and the United Daughters of the Confederacy, Joo Ok considers how Chicanx and Korean diasporic works critique white supremacist expressions of kinship that emerge from the official memorialization about the war. Further critiquing the division in disciplines and periodization in academia that forecloses discussions about colonialism spanning multiple geographic locations and temporalities, Joo Ok examines how queer hermeneutic helps us to reconsider “minor” and humble instances of kinships between Asian-Latino cultural productions. This book will be a wonderful addition to any interdisciplinary scholarship that critically thinks about US militarism, knowledge production, and the Korean War, as well as anyone who is interested in learning more about the Korean War.  Joo Ok Kim is an assistant professor of cultural studies at UCSD, and her research and teaching interests include transpacific critique, literatures and cultures of the Korean War, and United States multiethnic literature and culture. Her selected publications include Warring Genealogies: Race, Kinship, and the Korean War (Temple University Press, 2022), which is part of Critical Race, Indigeneity, and Relationality Series, and contributions to “Keywords for Comics Studies” (2021), a special issue of Verge: Studies in Global Asias, and a special issue of MELUS: Multi-Ethnic Literature of the United States (2020). Da In Ann Choi is a PhD student at UCLA in the Gender Studies department. Her research interests include care labor and migration, reproductive justice, social movement, citizenship theory, and critical empire studies. She can be reached at dainachoi@g.ucla.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

“[W]hat is our relationship to the Korean War and to the affinities” of different institutions that produce knowledge about the Korean War? (130) In her book, Warring Genealogies: Race, Kinship, and the Korean War (Temple UP, 2022), Joo Ok Kim “conceptualizes racialized formations of kinship emerging from the Korean War as a problem of knowledge” (4). Through a close reading of Chicanx and Asian American cultural productions as well as archives produced by white penitentiary prisoners and the United Daughters of the Confederacy, Joo Ok considers how Chicanx and Korean diasporic works critique white supremacist expressions of kinship that emerge from the official memorialization about the war. Further critiquing the division in disciplines and periodization in academia that forecloses discussions about colonialism spanning multiple geographic locations and temporalities, Joo Ok examines how queer hermeneutic helps us to reconsider “minor” and humble instances of kinships between Asian-Latino cultural productions. This book will be a wonderful addition to any interdisciplinary scholarship that critically thinks about US militarism, knowledge production, and the Korean War, as well as anyone who is interested in learning more about the Korean War.  Joo Ok Kim is an assistant professor of cultural studies at UCSD, and her research and teaching interests include transpacific critique, literatures and cultures of the Korean War, and United States multiethnic literature and culture. Her selected publications include Warring Genealogies: Race, Kinship, and the Korean War (Temple University Press, 2022), which is part of Critical Race, Indigeneity, and Relationality Series, and contributions to “Keywords for Comics Studies” (2021), a special issue of Verge: Studies in Global Asias, and a special issue of MELUS: Multi-Ethnic Literature of the United States (2020). Da In Ann Choi is a PhD student at UCLA in the Gender Studies department. Her research interests include care labor and migration, reproductive justice, social movement, citizenship theory, and critical empire studies. She can be reached at dainachoi@g.ucla.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-american-studies

“[W]hat is our relationship to the Korean War and to the affinities” of different institutions that produce knowledge about the Korean War? (130) In her book, Warring Genealogies: Race, Kinship, and the Korean War (Temple UP, 2022), Joo Ok Kim “conceptualizes racialized formations of kinship emerging from the Korean War as a problem of knowledge” (4). Through a close reading of Chicanx and Asian American cultural productions as well as archives produced by white penitentiary prisoners and the United Daughters of the Confederacy, Joo Ok considers how Chicanx and Korean diasporic works critique white supremacist expressions of kinship that emerge from the official memorialization about the war. Further critiquing the division in disciplines and periodization in academia that forecloses discussions about colonialism spanning multiple geographic locations and temporalities, Joo Ok examines how queer hermeneutic helps us to reconsider “minor” and humble instances of kinships between Asian-Latino cultural productions. This book will be a wonderful addition to any interdisciplinary scholarship that critically thinks about US militarism, knowledge production, and the Korean War, as well as anyone who is interested in learning more about the Korean War.  Joo Ok Kim is an assistant professor of cultural studies at UCSD, and her research and teaching interests include transpacific critique, literatures and cultures of the Korean War, and United States multiethnic literature and culture. Her selected publications include Warring Genealogies: Race, Kinship, and the Korean War (Temple University Press, 2022), which is part of Critical Race, Indigeneity, and Relationality Series, and contributions to “Keywords for Comics Studies” (2021), a special issue of Verge: Studies in Global Asias, and a special issue of MELUS: Multi-Ethnic Literature of the United States (2020). Da In Ann Choi is a PhD student at UCLA in the Gender Studies department. Her research interests include care labor and migration, reproductive justice, social movement, citizenship theory, and critical empire studies. She can be reached at dainachoi@g.ucla.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/military-history

La historia de dos mujeres creativas que expresan sus identidades chicanas a través del arte y el sabor. ¿Te interesa saber cuál es tu nivel de inglés? ¡El Duolingo English Test es una forma conveniente, rápida y accesible de descubrirlo! Haz el examen de prueba gratis y revisa tu resultado en go.duolingo.com/relatosenglishtest. La transcripción de este episodio la puedes encontrar en podcast.duolingo.com.

La historia de dos mujeres creativas que expresan sus identidades chicanas a través del arte y el sabor. ¿Te interesa saber cuál es tu nivel de inglés? ¡El Duolingo English Test es una forma conveniente, rápida y accesible de descubrirlo! Haz el examen de prueba gratis y revisa tu resultado en go.duolingo.com/relatosenglishtest. La transcripción de este episodio la puedes encontrar en podcast.duolingo.com.

In this rebroadcast episode from 2021, Maria welcomes Marinah Valenzuela Farrell, a Chicanx midwife and director of the Changing Woman Initiative, and Dr. Rachel Hardeman, a reproductive health equity researcher and associate professor at the University of Minnesota, for a conversation about inequities in birthing healthcare. They discuss how to ground our ideas of parenthood in inclusive frameworks and the path towards reproductive justice. ITT Staff Picks: Elizabeth Weller's pregnancy turned into a medical nightmare under Texas' anti-abortion law which went into effect in September 2021. Carrie Feibel talks with Elizabeth about how the law impacted her medical care in this piece for NPR.  “Each year, thousands of people experience unexpected pregnancy complications — cardiovascular issues, hypertension, diabetes — and about 700 die, making pregnancy and childbirth among the leading causes of death for all teenage girls and women 15 to 44 years old,” writes Akilah Johnson in this piece for the Washington Post. “If no abortions were to occur nation-wide maternal mortality rates would increase by 24 percent overall and a staggering 39 percent for Black women,” writes Jessica Washington in this piece for The Root. Photo credit: AP Photo/Darren Hauck This episode originally aired in May 2021.