Podcasts about Los Angeles County Museum

Julie Curtiss was born in 1982 in Paris, France and lives and works in Brooklyn, New York. She studied at the École Nationale Supérieure des Beaux-arts, Paris, during which time she undertook two exchange programmes; one at the Hochschule für Bildende Künste, Dresden and the other at the School of the Art Institute of Chicago. Curtiss graduated in 2006 with a BA and MFA. Recent solo exhibitions include White Cube Hong Kong (2023); Anton Kern Gallery, New York (2022; 2020; 2019); White Cube Mason's Yard, London (2021); Various Small Fires, Los Angeles (2018); and 106 Green, Brooklyn, New York (2017). Group exhibitions include Fondation Carmignac, Porquerolles, France (2024); Dallas Museum of Art, TX (2023); MCA Chicago, IL (2023); Yuz Museum, Shanghai (2023); FLAG Art Foundation, New York (2023); Leeum Museum of Art, Seoul (2022); Biennale des Arts de Nice, France (2022); The Shed, New York (2021); Nassau County Museum of Art, Roslyn, New York (2019); Perrotin, Seoul (2019); Clearing, New York (2019); White Cube Bermondsey, London (2017). She has been the recipient of a number of fellowships and awards, including Youkobo Art Space Returnee Residency Program, Tokyo (2019); Fellow of the Sharpe-Walentas Studio Program, New York (2018); Saltonstall Arts Colony Residency, New York (2017); Contemporary Art Center at Woodside Residency Program, New York (2013); VAN LIER Fellowship, New York (2012); Louis Vuitton Moët Hennessy's Young Artists Award (2004); and Erasmus European Exchange Program Grant, Hochschule für Bildende Künste, Dresden (2003).Curtiss' work is represented in a number of museum collections, among which are Bronx Museum, New York; Columbus Museum of Art, Ohio; High Museum, Atlanta; Los Angeles County Museum of Art; Maki Collection, Japan; Museum of Contemporary Art, Chicago; Walker Art Center, Minneapolis; and Yuz Museum, Shanghai.

We meet Alev Ebüzziya Siesbye (b. 1938, Istanbul, TR) is a ceramic artist known for her refined, monochrome stoneware bowls, which she has been producing for nearly sixty years. Working with the ancient coiling technique and a traditional wooden kick wheel, Ebüzziya Siesbye creates vessels that bear the intimate marks of her hand, balancing density and spaciousness, firmness and fragility. Fired at high temperatures, her bowls possess a stone-like solidity, while their sharp-edged lips and small, recessed bases lend them an impression of levitation. Though often unadorned, some pieces feature delicate horizontal lines along the rim to, as the artist describes, “prevent them from lifting off the ground.”Ebüzziya Siesbye studied sculpture at the Istanbul State Academy of Fine Arts before working at ceramic studios in Höhr-Grenzhausen, DE, and Istanbul. In 1963, she moved to Denmark to join the Royal Copenhagen Porcelain Manufactory, later founding her first independent studio in Copenhagen in 1969. She has lived and worked in Paris since 1987. She has been awarded many honors, including the 2022 Danmarks Nationalbank's Anniversary Foundation Honor Award and the Aydın Doğan Award, and her work has been the subject of retrospective exhibitions at the Museum of Turkish and Islamic Arts, Istanbul (TR), and the Museum of Decorative Arts, Copenhagen (DK).Ebüzziya Siesbye's ceramics are held in numerous museum collections, including the Cooper-Hewitt Museum, New-York (NY); the Victoria and Albert Museum, London (UK); the Los Angeles County Museum of Art (CA); Musée des Arts Décoratifs, Paris (FR); Museum Boijmans Van Beuningen, Rotterdam (NL); the Museum of Decorative Arts, Copenhagen (DK); the Nationalmuseum, Stockholm (SE); the Royal Scottish Museum, Edinburgh, (SCT); and the Museum of Fine Arts, Houston (TX), among others.Follow @Salon94 on Instagram.Alev's current solo show ‘Vibrations' which runs in New York at Salon 94 until 8th August 2025, address 3 East 89th Street: https://salon94.com/exhibitions/alev-ebuzziya-siesbye-vibrations Hosted on Acast. See acast.com/privacy for more information.

Front Row Classics is proud to welcome Russ Tamblyn to the podcast! Brandon and Russ sit down to discuss several of the stories found in Russ' memoir "Dancing on the Edge: A Journey of Living, Loving, and Tumbling Through Hollywood." The two discuss his memories of films like Father of the Bride, Seven Brides for Seven Brothers, West Side Story and The Haunting.  RUSS TAMBLYN, is an Academy Award-nominated actor, dancer, choreographer, director, and artist best known as Riff in the iconic 1961 film West Side Story and Dr. Jacoby in David Lynch's cult-classic television show, Twin Peaks, as well as for his contribution to the art, music, and counterculture movements of the 1960s. His eight-millimeter films and collage-and-assemblage art have appeared in numerous exhibitions, including at the Los Angeles Institute of Contemporary Art, the Los Angeles County Museum of Art, and the Getty. He lives in Los Angeles.

Episode 475 / Banks VioletteBanks Violette is an artist born in Ithaca, NY who lives and works in Ithaca, NY. He recieved his BFA from the School of Visual Arts  and an MFA from Columbia University. He's had numerous solo shows including ones at MoCa, Connecticut, Gladstone Gallery, Blum & Poe, Thaddeus Ropac, Maureen Paley, Team Gallery, Rodolphe Janssen, and the Whitney Museum to name just a few. He's had scores of group shows all over the globe from the Museum of Modern Art to the Warhol Museum and his work is in the collections of The Coppel Foundation, MexicoThe Ellipse Foundation, Portugal, The Centre Pompidou, Paris, France, Frank Cohen Collection, Manchester, England The Jumex Foundation, Mexico, Los Angeles County Museum of Art, Los Angeles, Migros Museum für Gegenwartskunst, Zurich, Switzerland Musée d'Art Moderne et Contemporain, Geneva, Switzerland Museum of Contemporary Art, Los Angeles, Museum of Modern Art, New York, The OverHolland Collection, Amsterdam, The Netherlands The Saatchi Collection, London, UK, The Solomon R. Guggenheim Museum, New York, Frederick R. Weisman Art Foundation, Los Angeles and the Whitney Museum of American Art, New York. 

In this episode, MoCP Executive Director, Natasha Egan, sits down with artist Christina Fernandez. The two discuss Christina's decades-long career in pushing the boundaries of photography, blending her personal history as a Mexican American woman with broader cultural narratives about migration, labor, and gender. Natasha and Christina additionally discuss a piece in the MoCP permanent collection by Sidian Liu. Christina Fernandez has been featured in exhibitions at the Whitney Museum of Art, the San Francisco Museum of Modern Art, the Los Angeles County Museum of Aart, the Getty, and MoMA New York, just to name a few. Ferndandez is a 2021 Latinx Artist Fellowship honoree. She is also an influential educator, currently serving as an associate professor at Cerritos College in Norwalk, California where she has been on faculty since 2001. Fernandez's exhibition Multiple Exposures, is on view at the DePaul Art Museum in Chicago from March 20 - August 3, 2025, and it the first major museum survey of her work and has traveled to institutions across the county for the last three years.

Episode No. 704 features artist Wafaa Bilal. The MCA Chicago is presenting "Wafaa Bilal: Indulge Me," the first major survey of Bilal's work. Across his genres-busting career, the Iraqi-American Bilal has made performances, sculptures and related digital presentations that have interrogated the United States' relationship with and conduct within Iraq, the Middle East, and broader geopolitics. Bilal's work also investigates the notion of cultural cannibalism, the ways in which the culture of one people may be used, disassembled, and consumed by another. "Indulge Me" was curated by Bana Kattan, and is on view in Chicago through October 19. An invaluable catalogue was published by the MCA. Amazon and Bookshop offer it for $20-32. Bilal's work is in the collections of museums as unalike as the Los Angeles County Museum of Art and Mathaf: Arab Museum of Modern Art Qatar. His work has been included in exhibitions at the Sharjah Art Foundation, Sharjah UAE; the Art Gallery at NYU Abu Dhabi; and the 32015 Venice Biennale. Instagram: Wafaa Bilal, Tyler Green.

What if, instead of fixating on what's left on your bucket list, you created an “anti-bucket list” of things you no longer need to do? This perspective-shifting idea comes from award-winning filmmaker Skye Bergman, who has gathered 3,000 years of collective wisdom from adults 75+ on how to live well.As milestone birthdays like 70 approach, many of us wonder if we'll have enough time to accomplish everything we desire. Bergman's documentary Lives Well-Lived and book Lives Well-Lived Generations challenge our youth-obsessed culture by showcasing vibrant, purposeful aging. Her research identifies four essential elements of a well-lived life: purpose, community, resilience, and positivity. Purpose evolves, especially after retirement, when professional identity shifts. The key is finding what truly brings joy—whether it's making mozzarella for your daughter's deli or volunteering to teach English. Bergman challenges ageist limitations with inspiring examples like her grandmother, who started working out at 80, and Ernestine Shepard, who became a champion bodybuilder in her 50s after losing loved ones to diabetes. These stories prove that age doesn't define what's possible.Bergman also highlights the power of intergenerational connections in combating isolation. Her monthly potluck dinners, bringing together women from ages 20 to 90, dissolve ageist divides and create a meaningful community.Ready to embrace aging on your own terms? It's time to create your anti-bucket list—letting go of what no longer serves you while embracing purpose, connection, and joy. Listen now to start redefining what's possible.Bio Sky Bergman is an accomplished, award-winning photographer. "Lives Well Lived" is Sky's directorial debut. The film is based upon her book "Lives Well-Lived Generations".Her fine art work is included in permanent collections at the Los Angeles County Museum of Art, The Brooklyn Museum, the Seattle Art Museum, the Santa Barbara Museum of Art, and the Bibliothèque Nationale de France (National Library of France) in Paris. Her book, The Naked & The Nude: Images from the Sculpture Series, includes an introduction by Hèléne Pinet, curator of photography at the Rodin Museum in Paris. She has shot book covers for Random House and Farrar, Straus & Giroux, Inc., and magazine spreads that appeared in Smithsonian, Arthur Frommer's Budget Travel, Reader's Digest, and Archaeology Odyssey.Sky Bergman is a Professor of Photography and Video at Cal Poly State University in San Luis Obispo, CA.Websitehttps://www.skybergmanproductions.com/InstagramLinked InFacebookWe hope you have enjoyed this episode. Please like, comment, subscribe, and share the podcast.To find out more about Lynnis and what is going on in the V.I.B.E. Living World please go to https://link.tr.ee/LynnisJoin the V.I.B.E. Wellness Woman Network, where active participation fuels the collective journey toward health and vitality. Subscribe, engage, and embark on this adventure toward proactive well-being together. Go to https://www.vibewellnesswomannetwork.com to join. We have wonderful events, courses, challenges, guides, blogs and more all designed for the midlife woman who wants to keep her V.I.B.E. and remain Vibrant, Intuitive, Beautiful, and Empowered after 40+. Interested in an AI platform that meets all your needs? Click here

Judith Fox is an award-winning fine art photographer, poet, public speaker, and business leader. The temporary service she founded in Richmond, Virginia in 1978 was purchased by a NYSE firm in 1996. During her business career, Fox served on many for-profit and non-profit boards, was a public speaker and consultant. After selling her company, Judith devoted herself full-time to photography and writing. Fox's award-winning photographs are in the permanent collections of the Los Angeles County Museum of Art (LACMA), the Virginia Museum of Fine Arts (VMFA), the Museum of Photographic Arts (MoPA), the Southeast Museum of Photography (SMP), the Harry Ransom Center, the Haggerty Museum of Art, and the Harn Museum; her work is in private and corporate collections throughout the world. Fox's photographs have been exhibited in solo and group shows in the United States and Europe. After her book I Still Do: Loving and Living with Alzheimer's was released, Fox became a global advocate for Alzheimer's awareness and education. She's been a speaker and consultant on Alzheimer's and family caregiving for corporations, non-profit associations and universities. I Still Do was named “one of the best photography books of 2009” by Photo-Eye Magazine. Judith Fox lives and works in Southern California and is currently working on a collection of poetry. Find more information at: https://www.judithfox.com/ As always, we'll also include the live Prompt Lines for responses to our weekly prompt. A Zoom link will be provided in the chat window during the show before that segment begins. For links to all the past episodes, visit: https://www.rattle.com/rattlecast/ This Week's Prompt: Write a poem about the happiest place on earth. Next Week's Prompt: Write a poem about a time that you carried more than you ever thought possible, and include a reference to temperature. The Rattlecast livestreams on YouTube, Facebook, and Twitter, then becomes an audio podcast. Find it on iTunes, Spotify, or anywhere else you get your podcasts.

Above Photograph © Claudio Edinger When it comes to photography, Claudio Edinger has a Midas touch. Equally celebrated for his immersive photo series, the intimacy of his portraits, and his aerial views that conjure a sense of the eternal through selective focus, his compulsion for research drives adjustments to his photographic strategy from one project to the next. In today's show, we unpack the many facets of Claudio's storied career, from his arrival in New York and early documentation of Brooklyn's Hasidic community in the late 1970s to the environmental portraits he made inside Manhattan's infamous Chelsea Hotel, and beyond.  Learn the backstory to his fortuitous connection with master portraitist Philippe Halsman, and the influence this had on his photographic vocabulary. We also discuss Claudio's aerial imagery made from helicopters and drones, and debate the slippery slope between noteworthy content, image quality, and resolution. As a longtime disciple of meditation, Claudio's approach to photography is equally influenced by the underlying flow of energy essential to life on this planet, which led him to state, “I'm open to whatever the universe brings my way. But the universe has to conspire in your favor. My whole life has been like that. I've been guided. My intuition brings me to places, and the place drags me into it.” Guest: Claudio Edinger Episode Timeline: 3:03: Claudio's beginnings in photography while studying economics in Sao Paulo, and his first exhibit at the Sao Paulo Museum of Art. 4:55: A move to New York in 1976 and a two-year project on Brooklyn's Hasidic community. 8:42: Connecting with master portrait photographer Philippe Halsman, and how this expanded Claudio's vocabulary as a photographer. 15:35: A move to the Chelsea Hotel and a new photographic strategy to make environmental portraits of the building and its residents. 19:52: The influence of August Sander's work, and Claudio's pursuit of intimacy to create images with universal meaning. 25:22: The organic path of Claudio's photographic approach, and how he developed his selective focus technique.  28:15: Episode Break 29:06: The predictable visual effect of a Hasselblad's square frame, combined with a tripod and flash for portraits of patients in a Brazilian insane asylum. 33:06: Using the same techniques to capture the insanity inside an institution, as well as to photograph the institutionalized insanity of Brazilian Carnival.  37:51: Claudio's assignment work, plus his time as a New York paparazzo and the lessons this taught him.  39:28: Claudio's experience as a war photographer in El Salvador, and the urgency of living connected to war.  43:42: Shifting to a 4x5 Toyo camera to further explore the tilt-shift look of selective focus.   48:57: The shortcomings of large format that forced Claudio to shift to digital and then discover aerial photography.   54:17: Comparing aerial photos from a helicopter with those made from a drone, plus Claudio's thoughts on viewing the world from the point of view of eternity. Guest Bio: Claudio Edinger is one of Brazil's preeminent photographers. After studying economics at Mackenzie University in São Paulo in the early 70s, he turned his attention to photography, and he hasn't stopped since.  Edinger moved to New York City in 1976, and during the 20 years he spent in the US, he completed immersive photo essays about the Hasidic community of Brooklyn, the denizens of Manhattan's Chelsea Hotel, and habitués of LA's Venice Beach. He also freelanced for Brazilian and North American publications such as Veja, Time, Life, Rolling Stone, and The New York Times Magazine, among many others.  The author of more than twenty books, Edinger's photographs have been collected worldwide and exhibited by institutions such as New York's International Center of Photography, the Los Angeles County Museum of Art, the Maison Europeénne de la Photographie in Paris, and the São Paulo Museum of Art, to name but a few. Edinger has received many honors for his work, including the Ernst Haas Award, the Hasselblad Award, the Higashikawa Award, and the Leica Medal of Excellence, which he received twice.  Always seeking new approaches to his work, Edinger has explored a wide range of camera formats and photographic techniques over the course of his career. In 2000, he began working with a large format camera, using selective focus to approximate human vision, and in 2015, he started an exploration of aerial photography—a theme that continues to this day. Stay Connected: Claudio Edinger Website: https://www.claudioedinger.com/ Claudio Edinger Instagram: https://www.instagram.com/claudioedinger/ Claudio Edinger Facebook: https://www.facebook.com/claudio.edinger/ Claudio Edinger Wikipedia page: https://en.wikipedia.org/wiki/Claudio_Edinger Claudio Edinger Chelsea Hotel book: https://www.abbeville.com/collections/just-released/products/the-chelsea-hotel End Credits: Host: Derek Fahsbender Senior Creative Producer: Jill Waterman Senior Technical Producer: Mike Weinstein Executive Producer: Richard Stevens

Today I talked to Kara Cooney about Recycling for Death: Coffin Reuse in Ancient Egypt and the Theban Royal Caches (American U in Cairo Press, 2024). The book is a meticulous study of the social, economic, and religious significance of coffin reuse and development during the Ramesside and early Third Intermediate periods, illustrated with over 900 images.  Funerary datasets are the chief source of social history in Egyptology, and the numerous tombs, coffins, Books of the Dead, and mummies of the Twentieth and Twenty-first Dynasties have not been fully utilized as social documents, mostly because the data of this time period is scattered and difficult to synthesize. This culmination of fifteen years of coffin study analyzes coffins and other funerary equipment of elites from the Nineteenth to the Twenty-second Dynasties to provide essential windows into social strategies and adaptations employed during the Bronze Age collapse and subsequent Iron Age reconsolidation. Many Twentieth to Twenty-second Dynasty coffins show evidence of reuse from other, older coffins, as well as obvious marks where gilding or inlay have been removed. Innovative vignettes painted onto coffin surfaces reflect new religious strategies and coping mechanisms within this time of crisis, while advances in mummification techniques reveal an Egyptian anxiety about long-term burial without coffins as a new style of stuffed and painted mummy was developed for the wealthy. It was in the context of necropolis insecurity, economic crisis, and group burial in reused and unpainted chambers that a complex, polychrome coffin style emerged. The first part of this book focuses on the theory and evidence of coffin reuse, contextualized within the social collapse that characterized the Twentieth and Twenty-first Dynasties. The second part presents photo essays of annotated visual data for over sixty Egyptian coffins from the so-called Royal Caches, most of them from the Egyptian Museum in Cairo. Illustrated throughout with high-quality images, the line drawings and color and black-and-white photographs are ideal for careful study, especially evidenced in the digital edition, where pages can be enlarged for close examination. Kara Cooney is a professor of Egyptology and chair of the Department of Near Eastern Languages and Cultures at UCLA. Specializing in social history, gender studies, and economies in the ancient world, she received her PhD in Egyptology from Johns Hopkins University. In 2005, she was co-curator of Tutankhamun and the Golden Age of the Pharaohs at the Los Angeles County Museum of Art. Her popular books include The Woman Who Would Be King: Hatshepsut's Rise to Power in Ancient Egypt, When Women Ruled the World: Six Queens of Egypt, and The Good Kings: Absolute Power in Ancient Egypt and the Modern World. Her latest academic book is Ancient Egyptian Society: Challenging Assumptions, Exploring Approaches. Lauren Fonto is a Master's student in the program Heritage and Cultural Sciences: Heritage Conservation at the University of Pretoria, South Africa. She is also a collections management intern in the public sector. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Today I talked to Kara Cooney about Recycling for Death: Coffin Reuse in Ancient Egypt and the Theban Royal Caches (American U in Cairo Press, 2024). The book is a meticulous study of the social, economic, and religious significance of coffin reuse and development during the Ramesside and early Third Intermediate periods, illustrated with over 900 images.  Funerary datasets are the chief source of social history in Egyptology, and the numerous tombs, coffins, Books of the Dead, and mummies of the Twentieth and Twenty-first Dynasties have not been fully utilized as social documents, mostly because the data of this time period is scattered and difficult to synthesize. This culmination of fifteen years of coffin study analyzes coffins and other funerary equipment of elites from the Nineteenth to the Twenty-second Dynasties to provide essential windows into social strategies and adaptations employed during the Bronze Age collapse and subsequent Iron Age reconsolidation. Many Twentieth to Twenty-second Dynasty coffins show evidence of reuse from other, older coffins, as well as obvious marks where gilding or inlay have been removed. Innovative vignettes painted onto coffin surfaces reflect new religious strategies and coping mechanisms within this time of crisis, while advances in mummification techniques reveal an Egyptian anxiety about long-term burial without coffins as a new style of stuffed and painted mummy was developed for the wealthy. It was in the context of necropolis insecurity, economic crisis, and group burial in reused and unpainted chambers that a complex, polychrome coffin style emerged. The first part of this book focuses on the theory and evidence of coffin reuse, contextualized within the social collapse that characterized the Twentieth and Twenty-first Dynasties. The second part presents photo essays of annotated visual data for over sixty Egyptian coffins from the so-called Royal Caches, most of them from the Egyptian Museum in Cairo. Illustrated throughout with high-quality images, the line drawings and color and black-and-white photographs are ideal for careful study, especially evidenced in the digital edition, where pages can be enlarged for close examination. Kara Cooney is a professor of Egyptology and chair of the Department of Near Eastern Languages and Cultures at UCLA. Specializing in social history, gender studies, and economies in the ancient world, she received her PhD in Egyptology from Johns Hopkins University. In 2005, she was co-curator of Tutankhamun and the Golden Age of the Pharaohs at the Los Angeles County Museum of Art. Her popular books include The Woman Who Would Be King: Hatshepsut's Rise to Power in Ancient Egypt, When Women Ruled the World: Six Queens of Egypt, and The Good Kings: Absolute Power in Ancient Egypt and the Modern World. Her latest academic book is Ancient Egyptian Society: Challenging Assumptions, Exploring Approaches. Lauren Fonto is a Master's student in the program Heritage and Cultural Sciences: Heritage Conservation at the University of Pretoria, South Africa. She is also a collections management intern in the public sector. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-studies

Today I talked to Kara Cooney about Recycling for Death: Coffin Reuse in Ancient Egypt and the Theban Royal Caches (American U in Cairo Press, 2024). The book is a meticulous study of the social, economic, and religious significance of coffin reuse and development during the Ramesside and early Third Intermediate periods, illustrated with over 900 images.  Funerary datasets are the chief source of social history in Egyptology, and the numerous tombs, coffins, Books of the Dead, and mummies of the Twentieth and Twenty-first Dynasties have not been fully utilized as social documents, mostly because the data of this time period is scattered and difficult to synthesize. This culmination of fifteen years of coffin study analyzes coffins and other funerary equipment of elites from the Nineteenth to the Twenty-second Dynasties to provide essential windows into social strategies and adaptations employed during the Bronze Age collapse and subsequent Iron Age reconsolidation. Many Twentieth to Twenty-second Dynasty coffins show evidence of reuse from other, older coffins, as well as obvious marks where gilding or inlay have been removed. Innovative vignettes painted onto coffin surfaces reflect new religious strategies and coping mechanisms within this time of crisis, while advances in mummification techniques reveal an Egyptian anxiety about long-term burial without coffins as a new style of stuffed and painted mummy was developed for the wealthy. It was in the context of necropolis insecurity, economic crisis, and group burial in reused and unpainted chambers that a complex, polychrome coffin style emerged. The first part of this book focuses on the theory and evidence of coffin reuse, contextualized within the social collapse that characterized the Twentieth and Twenty-first Dynasties. The second part presents photo essays of annotated visual data for over sixty Egyptian coffins from the so-called Royal Caches, most of them from the Egyptian Museum in Cairo. Illustrated throughout with high-quality images, the line drawings and color and black-and-white photographs are ideal for careful study, especially evidenced in the digital edition, where pages can be enlarged for close examination. Kara Cooney is a professor of Egyptology and chair of the Department of Near Eastern Languages and Cultures at UCLA. Specializing in social history, gender studies, and economies in the ancient world, she received her PhD in Egyptology from Johns Hopkins University. In 2005, she was co-curator of Tutankhamun and the Golden Age of the Pharaohs at the Los Angeles County Museum of Art. Her popular books include The Woman Who Would Be King: Hatshepsut's Rise to Power in Ancient Egypt, When Women Ruled the World: Six Queens of Egypt, and The Good Kings: Absolute Power in Ancient Egypt and the Modern World. Her latest academic book is Ancient Egyptian Society: Challenging Assumptions, Exploring Approaches. Lauren Fonto is a Master's student in the program Heritage and Cultural Sciences: Heritage Conservation at the University of Pretoria, South Africa. She is also a collections management intern in the public sector. Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area. Today, Emily chats with Ranu Mukherjee, a painter, textile, and film installation artist, who was recently appointed as Dean of the Film and Video School at CalArts in Los Angeles. Ranu discusses her background, her collaborative work with choreographers, and her latest project designing a curtain for the San Francisco Ballet's 'Cool Britannia'. She shares insights into her inspirations, including forests and their literary forms, and her early experiences that led her to become an artist. The episode concludes with Emily's regular segment, 'Three Questions', discussing influential works and inspiring places.About Artist Ranu Mukherjee:Ranu Mukherjee's work has been the subject of solo exhibitions at the 18th Street Arts Center, Los Angeles (2022-2023) de Young Museum, San Francisco (2018-2019); the Pennsylvania College of Art and Design (2017);  the Asian Art Museum, San Francisco (2016); the Tarble Art Center, Charleston, IL (2016) and the San Jose Museum of Art, CA (2012), among others. Her most recent immersive video installations have been was presented in Natasha, Singapore Biennale 2022-2023, the 2019 Karachi Biennale (2019) and Los Angeles County Museum of Art (2016) as well as in numerous international group exhibitions. Mukherjee has been awarded a 2023 Artadia Award,a Pollock Krasner Grant (2020); a Lucas Visual Arts Fellowship at Montalvo Arts Center, Saratoga, CA (2019-2024); an 18th Street Arts Center Residency, Los Angeles (2022); Facebook Artist in Residence (2020);  de Young Museum Artist Studio Program (2017); the Space 118 Residency, Mumbai (2014); and a Kala Fellowship Award and Residency, Berkeley (2009). Her work is in the permanent collection of the Asian Art Museum, San Francisco; de Young Museum, San Francisco; the Escallete Collection at Chapman University; the JP Morgan Chase Collection, New York; the Kadist Foundation, San Francisco and Paris; the Oakland Museum of California; the San Jose Museum of Art; and the San Francisco International Airport, among others. In 2021 Gallery Wendi Norris released Shadowtime, a major monograph on Mukherjee's work over the past decade featuring a conversation with author and climate activist Amitav Ghosh, and an essay by Jodi Throckmorton, curator of Mukherjee's first solo museum exhibition at the San Jose Museum of Art. Mukherjee co-created Orphan Drift, a London-based cyber-feminist collective and avatar making combined media works since 1994. They have participated in numerous exhibitions and screenings internationally including in London, Oslo, Berlin, Oberhausen, Glasgow, Istanbul, Vancouver, Santiago, Capetown, and the Bay Area.Mukherjee received her B.F.A. in Painting, from the Massachusetts College of Art, Boston, MA in 1988, and her MFA in Painting at the Royal College of Art, London, UK in 1993.  She serves on the Board of Trustees at the San Jose Museum of Art, and the Board of Directors at Bridge Live Arts. She is a Professor and Chair of Film at California College of the Arts, San Francisco. Visit Ranu's Website:  RanuMukherjee.comFollow  on Instagram:  @RanuMukherjeeFor more on 'Cool Britannia' at the San Francisco Ballet - CLICK HERE.For more on Ranu's book, 'Shadowtime' - CLICK HERE--About Podcast Host Emily Wilson:Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco.Follow Emily on Instagram: @PureEWilFollow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast--CREDITS:Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson. Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 LicenseThe Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions. For more info, visit Go-ToProductions.com

Episode 460 / Greg Ito Greg Ito (b. 1987, Los Angeles, CA) earned his BFA from San Francisco Art Institute. His work has been exhibited widely in solo and group exhibitions including at Institute of Contemporary Art, San Diego, CA; Long Beach Museum of Art, Long Beach, CA; Maki Gallery, Tokyo, Japan; Anat Ebgi, Los Angeles, CA; SPURS Gallery, Beijing, China; Lyles and King, New York, NY; Jeffrey Deitch, New York; NY and Yerba Buena Center for the Arts (YBCA), San Francisco, CA. Ito's work is included in the permanent collections of public institutions including the Hammer Museum, Los Angeles, CA; Crocker Art Museum, Sacramento, CA; Institute of Contemporary Art Miami (ICA Miami); K11 Art Foundation, Hong Kong; and the Los Angeles County Museum of Art (LACMA). Greg lives and works in Los Angeles, CA. his current show  MOTION PICTURES is at the Long Beach Museum of Art.

KATHARINE ERICKSON is the Museum Manager at the 21c Museum Hotel in Lexington.  She worked previously as an educator at a number of museums including the National Gallery of Art, the Washington Nati0nal Cathedral, the Los Angeles County Museum of Art, and for the majority of her prior career, at the Getty Villa in Los Angeles, where she managed the Gallery Teaching program. She joined 21c in her current role in the fall of 2023.The current temporary exhibition installed in November 2024, is titled:Still, Life!  Meaning and Mending in Contemporary Art.As the punctuation suggests, this is a play on the recognized art form of the "still life" genre - flowers and fruits in various stages of ripeness and decay for example, but also a more subtle reference to the fact there is still life post pandemic albeit still with all its turmoil and controversies.   Isolation fosters loneliness and disconnection, but also generates introspection and reflection and many of the works in this show attempt to capture this swing of thoughts and emotions experienced by many during the pandemic.  But they also bear witness to resilience and hope, as for example Valerie Hegarty's monumental and complex work FRESH START would infer.Katharine discusses this new show, shares her thoughts on several of the works and talks about her first 18 months as Museum Manager at 21c Museum Hotel.For more and to connect with us, visit https://www.artsconnectlex.org/art-throb-podcast.html

World famous documentarian of time periods through the art and expression of hip hop and Ellevan's favourite visual artist since a teenager, we have Justin Bua on the pod! https://justinbua.com Justin Bua is an artist, author, speaker and entrepreneur. He currently lives in Texas and is best known for his lyrical narrative paintings of musicians, DJs and similar characters who help define the urban landscape. Bua's distinctive figurative style combines his classical training with his background in graffiti, breakdancing and experience living in New York City.[3] The subjects of his paintings range from recognizable figures, such as Snoop Dogg and Muhammad Ali, to anonymous people pulled from his memories, including the DJ and guitar player for which he has become best known.[4] Each of Bua's subjects is ennobled within the urban landscape he paints and is often rendered with elongated limbs or hands, emphasizing the rhythm of the scene.[5] Bua exhibits worldwide and was featured in a 2011 event at the Los Angeles County Museum of Art.[6] As an artist "for the people, by the people, of the people," Bua's fan base is diverse and ranges from former presidents, actors, musicians, professional athletes, dancers, to street kids and art connoisseurs Thank you so much for watching/listening to our podcast. We are here to learn and offer valuable information about the cannabis and wellness space! Please like this video and subscribe for weekly podcasts, meditations, and affirmations. Follow us on Instagram: Disciplined Stoners: https://www.instagram.com/disciplinedstoners Winny Clarke: https://www.instagram.com/winnyclarke Ellevan: https://www.instagram.com/ellevanmusic Sign up for Winny's Mailing List here: http://eepurl.com/gCIZg1 Get Ellevan's book: STFU: Thoughts and Feelings shorturl.at/pIS08 Follow us on Spotify: https://open.spotify.com/show/1XDoMv08pT9EfyBaCXNnaj?si=7a557f0e0bf14d4d Follow and Listen to Ellevan on Spotify: https://open.spotify.com/artist/0G1sZ8clT2oSvzQ3IL2ZRd?si=vJVw9FLyS6GtF453Ny21kQ Every episode we travel deeper into unfolding who we believe we are. Through these conversations of self reflection, often comedic, often topical, always grounded, we try to uncover a deeper meaning to this life. Thank you for joining us on this special discovery and we hope to continue to inspire you and the choices you make to better your life. You are loved. You are well. We are growing. Love n Light #podcast #mindfulness #mindfulpodcast #podcasting #comedy #fun #podcasting #wellness #meditation #disciplines #entrepreneur Thank you so much for watching/listening to our podcast. We are here to learn and offer valuable information about the cannabis and wellness space! Please like this video and subscribe for weekly podcasts, meditations, and affirmations. Follow us on Instagram: Disciplined Stoners: https://www.instagram.com/disciplinedstoners Winny Clarke: https://www.instagram.com/winnyclarke Ellevan: https://www.instagram.com/ellevanmusic Sign up for Winny's Mailing List here: http://eepurl.com/gCIZg1 Get Ellevan's book: STFU: Thoughts and Feelings shorturl.at/pIS08 Follow us on Spotify: https://open.spotify.com/show/1XDoMv08pT9EfyBaCXNnaj?si=7a557f0e0bf14d4d Follow and Listen to Ellevan on Spotify: https://open.spotify.com/artist/0G1sZ8clT2oSvzQ3IL2ZRd?si=vJVw9FLyS6GtF453Ny21kQ Every episode we travel deeper into unfolding who we believe we are. Through these conversations of self reflection, often comedic, often topical, always grounded, we try to uncover a deeper meaning to this life. Thank you for joining us on this special discovery and we hope to continue to inspire you and the choices you make to better your life. You are loved. You are well. We are growing. Love n Light #podcast #mindfulness #mindfulpodcast #podcasting #comedy #fun #podcasting #wellness #meditation #disciplines #entrepreneur

On the show this week Jeff and Tricia talk with author, Pepper Stetler about the new book A Measure of Intelligence: One Mother's Reckoning with the IQ Test. Pepper Stetler is a Professor of Art History at Miami University in Oxford, Ohio. She writes extensively on issues facing people with intellectual disabilities and their caregivers. Her writing has appeared in The New York Times, The Atlantic, Slate, The Progressive, the Ploughshares blog and Gulf Coast. Stetler also researches and writes about the art and photography of early twentieth-century Europe and the United States. In 2022, she was awarded an Art Writer's Grant from the Andy Warhol Foundation. She has written catalog essays for exhibitions at the Museum of Modern Art in New York and the Los Angeles County Museum of Art. In 2022, she curated Craft and Camera: The Art of Nancy Ford Cones, the first museum scale retrospective of the Cincinnati-based photographer. Stetler grew up in Kansas City, Missouri. She received her BA from Barnard College, Columbia University and her MA and Ph.D. from the University of Delaware. She lives in Oxford, Ohio with her husband and her daughter, Louisa, whose general awesomeness inspired her to write A Measure of Intelligence. Learn more about the book and connect with our guest. https://www.pepperstetler.com/ Thank you to our show sponsor https://www.neulight.io/?utm_source=shiftingschool&utm_medium=podcast&utm_campaign=fallsponsorship&utm_id=1  

Ep.227 Zohra Opoku examines the politics of personal identity formation through historical, cultural, and socio-economic influences, particularly in the context of contemporary Ghana. Opoku's explorations have primarily been expressed through her photography, which she translates into screen printing. This process has led to a collage art practice that combines hand-stitched embroidery on various pre-dyed natural fabrics. She also incorporates references from West African brass-making traditions into her work, which can be experienced as applications on the textile pieces or as sculptures themselves. While her work relays social commentary and broadly relevant themes around the human experience, each of Zohra's explorations is intimately rooted in personal identity politics. She repeatedly integrates family heirlooms and her own self-image into her visual observations of Ghana's cultural memory. In 2023, she is among the artists exhibited in the 15th edition of Sharjah Biennale ‘Thinking Historically in the Present' (United Arab Emirates), as Black Rock Sénégal Alumni at 14th edition of DAK'ART ‘Forger/Out Of Fire' in 2022 and at 7th Athens Biennale ‘Eclipse'(Greece) 2021. She has exhibited internationally such as the Brooklyn Museum (NYC), The Museum for Photography (Chicago), The Cleveland Museum of Art, High Museum of Art (Atlanta), Kunsthaus Hamburg, Kunstmuseum Wolfsburg, Musée de l'Ethnographie (Bordeaux), Guggenheim Museum (Bilbao), Kunsthal Rotterdam, Archaeological Museum of Mykonos, Southbank Centre / Hayward Gallery (London), TATE London, SAVVY Contemporary (Berlin), Palais Populaire (Berlin), National Museum Nairobi, CCA Lagos, Nubuke Foundation (Accra) and RAW Material Company (Dakar). Her work is collected by renowned institutions such as the Los Angeles County Museum of Art, Los Angeles; CCS Bard College Hessel Museum of Art, Annandale-on-Hudson, NY; The Royal Museum of Ontario Toronto, Ontario; The Faurschou Foundation, Copenhagen, Denmark; TATE Modern, London, United Kingdom; The Onassis Collection, Athens, Greece and The Centre Pompidou, Paris, France. Zohra Opoku is born 1976 in Altdöbern (former GDR/ East Germany), lives and works in Accra/ Ghana and is represented by Mariane Ibrahim Gallery Chicago / Paris / Mexico City. Photo credit Nii Odzenma Artist https://www.zohraopoku.com/ Mariane Ibrahim Gallery https://marianeibrahim.com/artists/33-zohra-opoku/ Berlin Art Institute https://berlinartinstitute.com/visit-to-zohra-opoku-at-suite-berlin-and-mariane-ibrahim/ deCordova Sculpture Park and Museum https://thetrustees.org/exhibit/platform-33-zohra-opoku-self-portraits/ Interior Design https://interiordesign.net/designwire/10-questions-with-textile-artist-zohra-opoku/ Financial Times https://www.ft.com/content/2d916c9b-fafe-457e-8d21-0b6763430668 C& https://contemporaryand.com/magazines/zohra-opoku-empowering-children-of-color-to-love-themselves/ The Art Newspaper https://www.theartnewspaper.com/2024/09/10/four-galleries-and-four-artists-team-up-on-collaborative-project-suite-berlin Aperture https://aperture.org/editorial/zohra-opokus-evocative-reflections-on-mortality-and-resilience/ NYTimes https://www.nytimes.com/2023/07/14/arts/design/african-royalty-tate-modern.html The Guardian https://www.theguardian.com/artanddesign/2021/nov/01/laced-cut-mix-review-new-art-exchange-nottingham Wikipedia https://en.wikipedia.org/wiki/Zohra_Opoku

Lana Z Caplan works across various media – including single-channel films or videos in essay form, interactive installations, video art, and photography. Her recent photographic monograph, Oceano (for seven generations) published by Kehrer Verlag in 2023, contrasts the historic inhabitants of California's Oceano Dunes – the Indigenous Chumash and a colony of depression-era artist and mystic squatters – with the current ATV riding community which is the source of a public health crisis in neighboring communities. Oceano (for seven generations) is in the collection of museums including Los Angeles County Museum of Art, The Getty Museum, Museum of Fine Arts Boston and The Cleveland Museum of Art. Her work has been reviewed and featured in publications such as ARTnews, LA Times, , and The Boston Globe and she has received several grants including from Massachusetts Cultural Council and the Film/Video Studio Program Fellowship at the Wexner Center for the Arts in Columbus, OH. Caplan earned her BA and BS from Boston University, her MFA from Massachusetts College of Art and is currently an Associate Professor of Photography and Video at Cal Poly, San Luis Obispo. Resources Lana Z. Caplan Websites Photo Workshops Tokyo Exploration Workshop with Ibarionex Perello Sponsors Playpodcast Podcast App Charcoal Book Club Chico Review Photobook Retreat Frames Magazine Education Resources: Momenta Photographic Workshops Candid Frame Resources Download the free Candid Frame app for your favorite smart device. Click here to download it for . Click here to download Contribute a one-time donation to the show thru Buy Me a Coffee Support the work at The Candid Frame by contributing to our Patreon effort.  You can do this by visiting or the website and clicking on the Patreon button. You can also provide a one-time donation via . You can follow Ibarionex on and .

In a world of hustlers, bustlers and innovators, we all seek balance. Combining classical realism at the urban edge of hip-hop and street art, Justin BUA balances being a forward thinking artist while reinventing the classical brush on canvas medium through original caricatures from his colorful youth, statement pieces of pop-culture icons and his one and only globally top selling posterized painting “the DJ”. Even if you haven't heard of him, you've most likely seen his work as it can be seen at The renowned Los Angeles County Museum of Art, on the TV shows he has hosted, music videos, major brand campaigns and gracing the walls in the homes of Hollywood and NBA royalty. It's my pleasure to speak with the artist, the trailblazer, the OG, Justin BUA. If you enjoy today's episode, please don't forget to hit the subscribe and like buttons, connect with us in the comments and on your favorite platforms to stream audio and video. We've also got a Patreon page, where you can subscribe to, support new creation and receive that very exclusive content and merch. You won't regret it. ------ Welcome back to #UpgradeMe. It's a podcast about the never ending self improvement journey, ideas and life hacks to help you level up and the people who make it happen! Hosted by Dana Leong, a 2x Grammy Winning Musician, a US Music Ambassador and a World Economic Forum Young Global Leader. Support #UpgradeMe: https://www.patreon.com/UpgradeMePod⁠ Join our communities online at: https://www.Instagram.com/UpgradeMePod https://www.TikTok.com/@UpgradeMePod https://www.Facebook.com/UpgradeMePod https://www.Youtube.com/@UpgradeMePod⁠ ⁠https://www.soundcloud.com/UpgradeMePod⁠ ⁠https://x.com/PodUpgrade⁠ ⁠https://www.Linkedin.com/in/DanaLeong Subscribe to Upgrade Me: https://bit.ly/upgradeytsub Upgrade Me is sponsored by https://www.TEKTONIKmusic.org (Harmony Heals)#UpgradeMePod #JustinBua #Painter #AwardWinningArtist #DanaLeong #Grammy #Motivation #Inspiration  @BUATV  #davidavocadowolfe  @thudrumble   @DJMuggsVEVO   @ComedyCentral   @DiCaprioMOVIE  #MichaelRapaport

Two exhibitions have just opened that look at art and tech: in London, Tate Modern's Electric Dreams: Art and Technology Before the Internet celebrates the pioneers of kinetic, programmed and digital art, and offers a kind of origin story of contemporary immersive installation. Ben Luke speaks to Val Ravaglia, the co-curator of the show, amid the blinking lights and bleeping sound. In California, meanwhile, Digital Witness at the Los Angeles County Museum of Art (Lacma) looks at how new software and hardware shaped the worlds of design, photography, and film between the 1980s and now. We speak to the exhibition's curators, Britt Salvesen, the department head and curator of prints and drawings at Lacma, and Staci Steinberger, the curator of decorative arts and design at the museum. And this episode's Work of the Week is the Harmonia Macrocosmica (1661) by Andreas Cellarius, a celestial atlas made in the Netherlands. Rebecca Feakes, the librarian at the Blickling Estate, a 17-century mansion in Norfolk, UK, run by the National Trust, tells our associate digital editor, Alexander Morrison, about the book.Electric Dreams: Art and Technology Before the Internet, Tate Modern, London, until 1 June 2025.Digital Witness: Revolutions in Design, Photography, and Film, Los Angeles County Museum of Art, until 13 July.The Harmonia Macrocosmica is the centrepiece of Journey Through the Stars, Blickling Estate, UK, until 5 January. Hosted on Acast. See acast.com/privacy for more information.

On this episode I'm joined by Jammie Holmes as we discuss his work and practice; the journey that led him into art and the focus of his practice today. His exhibition, Morning Thoughts, at Marianne Boesky Gallery is on view when we sit down to talk about his origin story and some of the ideas he's investigating in his latest body of work.   Incorporating portraiture, symbolism, and written text into his work, Holmes intersperses reflections on social, cultural, and political concerns with deeply felt meditations on notions of family, home, and Blackness. He is a storyteller whose determination to imbue his work with his own subjective, lived experience is itself a subtle, effective political gesture.  His work has been included in numerous group exhibitions, including: Afro-Atlantic Histories, which traveled to the Los Angeles County Museum of Art, CA; the Museum of Fine Arts, Houston, TX; the National Gallery of Art, Washington, D.C.; and the Dallas Museum of Art, TX. 

In this episode of PhotoWork with Sasha Wolf, Sasha engages in an honest and deeply personal conversation with photographer Christian Patterson. They delve into the creation of "Redheaded Peckerwood" (MACK) and his latest book, "Gong Co." (TBW Books & Éditions Images Vevey). Christian offers a thorough description of his intricate process and motivations for these long-term projects, providing nearly step-by-step insights. He also reflects on his years working with William Eggleston and the nuanced ways in which that experience did, and did not,  influence his artistic direction. http://www.christianpatterson.com  |||   https://www.instagram.com/christian.patterson/ CHRISTIAN PATTERSON was born in Fond du Lac, Wisconsin and lives in New York, New York. His visually layered work has been described as novelistic, subjective documentary of the historical past, and often deals with themes of the archive, authorship, memory, place and time. Photographs are the heart of his multidisciplinary work, which includes drawings, paintings, objects, video and sound. Patterson is the author of four books, including Sound Affects (2008), Redheaded Peckerwood (2011, Recontres d'Arles Author Book Award), Bottom of the Lake (2015,Shortlist, Aperture-Paris Photo Book of the Year), and the forthcoming Gong Co. (2024). He is a Guggenheim Fellow (2013), winner of the Grand Prix Images Vevey (2015), a New York Public Library Picture Collection Artist Fellow (2022) and James Castle House Resident (2023). His work is in the collections of the National Gallery of Art, Los Angeles County Museum of Art (LACMA), J. Paul Getty Museum, Milwaukee Art Museum, Nelson-Atkins Museum of Art and Ogden Museum of Southern Art, and his books are in many institutional artist book collections. He has lectured, mentored and taught widely. He is represented by Rose Gallery, Santa Monica, USA and Robert Morat Galerie, Berlin, Germany. This podcast is sponsored by picturehouse + thesmalldarkroom. https://phtsdr.com

Ep.221 Shinique Smith. Known for her monumental fabric sculptures and abstract paintings of calligraphy and collage, Smith's personal histories and belongings intertwine with thoughts of the vast nature of ‘things' that we consume, cherish, gift, and discard and how these objects resonate on intimate and social scales. Over the last twenty years, Smith has gleaned visual poetry from textiles and explored concepts of ritual using breath, bunding and mark-making as tools toward abstraction. Her layered works range from palm-sized bundled microcosms to monolithic bales to massive chaotic paintings that contain vibrant and carefully collected mementos from her life. Smith's practice operates at the convergence of consumption and spiritual sanctuary, balancing forces and revealing connections across space and time, race, gender, and place to suggest the possibility of new worlds. Born in Baltimore, MD, currently residing in Los Angeles, California, Smith has received awards and prizes from Joan Mitchell, the Tiffany Foundation, Anonymous Was a Woman and the American Academy of Arts and Letters among others. Her work has gained attention through her participation in celebrated biennials and group exhibitions including the 13th Bienal de Cuenca and 8th Busan Biennale; Frequency at the Studio Museum in Harlem, 30 Americans organized by the Rubell Family Collection, UnMonumental at the New Museum and Hauser + Wirth LA's Revolution in the Making. Smith's work has also been exhibited and collected by other prestigious institutions such as the Baltimore Museum of Art; Brooklyn Museum of Art; California African American Museum, Denver Art Museum, the Frist, Indianapolis Museum of Art at Newfields, Los Angeles County Museum of Art, Minneapolis Art Institute, MOMA PS1, Museum of Fine Arts, Boston, Musée d'art contemporain de Montréal, Nerman Museum of Contemporary Art, SCAD, the Ringling Museum of Art, the Whitney and the Guggenheim. Photo credit: Courtesy of the artist Artist https://www.shiniquesmith.com/ moniquemeloche https://www.moniquemeloche.com/artists/207-shinique-smith/biography/ https://www.moniquemeloche.com/exhibitions/218-collage-culture/press_release_text/ The Phillips Collection https://www.phillipscollection.org/event/2024-07-06-multiplicity The Ringling Museum https://www.ringling.org/event/shinique-smith-parade/ SRQ https://www.srqmagazine.com/srq-daily/2023-12-01/23073_The-Ringling-Presents-Shinique-Smith-Parade Hyperallergic https://hyperallergic.com/552240/meet-las-art-community-sharing-inspiration-with-people-of-color-has-always-been-a-priority-for-shinique-smith/ Centure for Maine Contemporary Art https://cmcanow.org/event/shinique-smith-continuous-poem/ Newfields https://discovernewfields.org/Shinique-Smith-Torque Guggenheim https://www.guggenheim.org/exhibition/by-way-of-material-and-motion-in-the-guggenheim-collection Kemper Museum of Contemporary Art https://www.kemperart.org/program/artist-talk-shinique-smith Products | For Freedoms https://checkout.forfreedoms.com/products/by-the-light-2024 ICASF https://www.icasf.org/exhibitions/16-the-poetics-of-dimensions See Great Art https://www.seegreatart.art/shinique-smith-artworks-displayed-with-european-masterpieces-at-ringling-museum/ Visit Indy https://www.visitindy.com/event/shinique-smith-torque/158358/ Guild Hall https://www.guildhall.org/events/ring-the-alarm-a-conversation-with-shinique-smith-renee-cox/ AWARE https://awarewomenartists.com/en/artiste/shinique-smith/ Flora Animalia https://floraanimalia.com/blogs/news/shinique-smith?srsltid=AfmBOorqjJTBqroKRSW96gcOjCXK374pQUKNseNnhQ1A0rZNtRrOdoaj

Las Vegas is the largest city in America without an art museum. But in just a few years, that will change. Heather Harmon is the Executive Director of the soon-to-come Las Vegas Museum of Art, coming to Symphony Park in 2028. She joins co-host Sarah Lohman to discuss why the museum is actually happening this time, the partnership with the Los Angeles County Museum of Art (LACMA), and what having this cultural space will mean for our community.  Learn more about the sponsors of this October 28th episode: BetterHelp - get 10% off at betterhelp.com/CITYCAST Want to get in touch? Follow us @CityCastVegas on Instagram, or email us at lasvegas@citycast.fm. You can also call or text us at 702-514-0719. For more Las Vegas news, make sure to sign up for our morning newsletter, Hey Las Vegas. Looking to advertise on City Cast Las Vegas? Check out our options for podcast and newsletter ads at citycast.fm/advertise. Learn more about your ad choices. Visit megaphone.fm/adchoices

Dike Blair (b. 1952, New Castle, Pennsylvania) uses gouache, oil, his own photographs, and strategies appropriated from Postminimalist sculpture to create intimate tableaux that transform quotidian sights and materials into exercises in formalism. A writer and teacher as well as an artist, Blair came up in the downtown scene of 1970s New York among punk rockers and Postmodernists. In the early 1980s, against prevailing art world trends toward Neo-Expressionism, he began rendering scenes from his life in gouache on paper. These ongoing diaristic paintings are devoid of human figures but nonetheless evoke the specter of the artist whose daily life plays out at a remove across their finely-wrought surfaces. Blair lives in New York and Sullivan County. Blair's recent solo exhibitions include Edward Hopper House, Nyack, New York (2024); Karma (Los Angeles, 2023, New York, 2022); Various Small Fires, Seoul (2020); The Modern Institute, Glasgow (2019); Linn Lühn, Düsseldorf (2019); Secession, Vienna (2016); and Jüergen Becker Gallery, Hamburg (2016). In 2022, Karma presented an exhibition of Blair's paintings of Gloucester alongside Edward Hopper's paintings of the same small Massachusetts city. Blair's work is featured in the collections of the Whitney Museum, New York; Brooklyn Museum, New York; The Morgan Library & Museum, New York; Los Angeles County Museum of Art; Dallas Museum of Art; and the Museum of Contemporary Art, Los Angeles, among others. Blair's work is on view in Matinee: Dike Blair at Edward Hopper House, Nyack, New York through October 27, 2024 and at Karma, New York through October 26, 2024. Dike Blair, Untitled, 2024, Gouache, pencil and chalk on paper, 15 x 20 inches, 38.1 x 50.8 cm, 16 5/8 x 21 5/8 inches, 42.23 x 54.93 cm (framed), © Dike Blair. Courtesy the artist and Karma. Dike Blair, Untitled, 2024, Gouache, pencil and chalk on paper, 15 x 20 inches, 38.10 x 50.80 cm, 16 5/8 x 21 5/8 inches, 42.23 x 54.93 cm (framed), © Dike Blair. Courtesy the artist and Karma. Dike Blair, Untitled, 2024, Oil on aluminum panel, 28 1/8 x 21 1/8, 71.44 x 53.66 x 2.54 cm, 28 3/4 x 21 3/4 inches, 73.02 x 55.24 cm (framed), © Dike Blair. Courtesy the artist and Karma.

Ep. 214 Kim Dacres is a first-generation American sculptor of Jamaican descent, who lives in Harlem and practices her studio work in the Bronx. She primarily uses rubber from recycled tires to create sculptures celebrating the influential forces in her life such as family, friends, artists and musicians. Dacres was born in the Bronx and has a Bachelor's degree from Williams College in Political Science, Art, and Africana Studies as well as a Masters in Teaching English as a Second Language from Lehman College City University of New York. She spent over a decade in New York City public and charter schools working as a teacher and middle school principal. Now, in her second full time career as an artist, Kim has had solo exhibitions in New York, Los Angeles, and Palm Beach, FL as well group exhibitions internationally and within the U.S., including Surrealism and Us: Caribbean and African Diasporic Artists Since 1940 at the Modern Art Museum of Fort Worth, Texas; Black American Portraits at Spelman College Museum of Fine Art and the Los Angeles County Museum of Art, Sounds of Blackness at The Metropolitan Museum of Manila in the Philippines, Godhead – Idols in Times of Crisis at Lustwarande in the Netherlands, and Bronx Calling Part I at the Bronx Museum as part of the esteemed AIM – Artist in the Marketplace Program. Kim is the recipient of the Artadia New York Award Grant in 2022 and the Bronx Recognizes Its Own (BRIO) Grant in 2023. Her work is in numerous private and public collections including – The Beth DeWoody Collection, the LACMA collection in Los Angeles, The ICA in Miami, the Nasher Museum at Duke University, and the International African American Museum in South Carolina. Portrait: Max Yawney Kim Dacres https://www.kimdacres.com/ Colossal https://www.thisiscolossal.com/2023/07/kim-dacres-tire-busts/ NYTimes https://www.nytimes.com/interactive/2023/06/22/t-magazine/art/kim-dacres-art-exhibit.html Juxtapoz https://www.juxtapoz.com/news/installation/we-insist-upon-ourselves-in-perpetuity-throughout-the-universe-april-bey-and-kim-dacres-in-atlanta/ Hyperallergic https://hyperallergic.com/871489/bronx-museum-sixth-aim-biennial-is-all-about-knowledge-and-agency/ The Hopper Prize https://hopperprize.org/kim-dacres/ Gavlak Gallery https://www.gavlakgallery.com/artists/kim-dacres Welancora Gallery https://www.welancoragallery.com/artists/86-kim-dacres/works/ The Bronx Museum https://bronxmuseum.org/aim-fellow/kim-dacres/ Observer https://observer.com/2023/06/becoming-an-artist-was-a-dream-deferred-for-sculptor-kim-dacres/ Artadia https://artadia.org/artist/kim-dacres/ Office Magazine https://officemagazine.net/skin-hair-muscles-and-bones-kim-dacres Charles Moffett https://charlesmoffett.com/exhibitions/55-kim-dacres-measure-me-in-rotations/ https://charlesmoffett.com/press/65-on-view-bantu-knots-and-braids-sculpted-from/

This week billionaire philanthropist Nicolas Berggruen and philosopher Dr David Blunt join host Lloyd Vogelman on the couch for an unfiltered conversation that digs into the personal side of the Principle of Charity.BIOSNicolas Berggruen is the Founder and Chairman of the Berggruen Institute and has spearheaded its growth, establishing its presence in Los Angeles, Beijing, and Venice. Focusing on great transformations in the human condition brought on by factors such as climate change, the restructuring of global economics and politics, and advances in science and technology, the Institute seeks to connect and develop ideas in the human sciences to the pursuit of practical improvements in governance across cultures, disciplines, and political boundaries.Committed to visual arts and architecture, Berggruen sits on the boards of the Museum Berggruen, Berlin, and the Los Angeles County Museum of Art. He is a member of the International Councils for Tate, London; the Museum of Modern Art, New York; Fondation Beyeler, Basel; and of the President's International Council for The J. Paul Getty Trust, Los Angeles. Berggruen has also collaborated on projects with renowned architects including David Adjaye and Shigeru Ban.Berggruen is co-author with Nathan Gardels of Renovating Democracy: Governing in the Age of Globalization and Digital Capitalism (University of California Press) and Intelligent Governance for the 21st Century, a Financial Times Book of the Year, and is co-publisher of Noema Magazine. Nicolas Berggruen is Chairman of Berggruen Holdings, the investment vehicle of the Nicolas Berggruen Charitable Trust.Gwilym David Blunt is a writer and commentator on global politics and philosophy.David was born in Toronto, Canada.He has his BA (hons) in Political Science and History from the University of Western Ontario for which he was awarded a university gold medal. He has taken his MPhil in Political Thought and Intellectual History from the University of Cambridge. He was awarded a PhD in Political Science from University College London for his thesis Transnational Justice, Philanthropy, and Domination.He was a Temporary University Lecturer and Leverhulme Early Career Fellow at the University of Cambridge, where he was also a fellow of Corpus Christi College.From 2015-2022 he was a Lecturer and then Senior Lecturer in International Politics at City, University of London.He now lives and works in Sydney, Australia.CREDITSYour hosts are Lloyd Vogelman and Emile Sherman This podcast is proud to partner with The Ethics CentreFind Lloyd @LloydVogelman on Linked inFind Emile @EmileSherman on Linked In and XThis podcast is produced by Jonah Primo and Sabrina OrganoFind Jonah at jonahprimo.com or @JonahPrimo on Instagram Hosted on Acast. See acast.com/privacy for more information.

I visited Mark Alice Durant at his home in Maryland to talk about his book, Summer of the White Fox, and After, published by Saint Lucy Books. We talk about how Mark came to photography and why he started his own publishing imprint. Summer of the White Fox, and After is a memoir and a monograph, with a touch of history and philosophy weaved into the essay. It is a recounting of grief and loss that enveloped Mark and his family through distinct events and all during the pandemic. It is also a story about experiencing love and care in ways that were, perhaps, unforseeable before all of the tragedies struck Mark's family. https://www.saintlucybooks.com/shop/p/summer-of-the-white-fox-and-after | https://www.instagram.com/saint_lucy_books/ This podcast is sponsored by the Charcoal Book Club Begin Building your dream photobook library today at https://charcoalbookclub.com Mark Alice Durant is a photographer whose photographs, installations, and performances have been presented internationally including the Los Angeles County Museum of Art, the Museum of Contemporary Art in Chicago and Artist's Space in New York. In 1991, he co-founded the performance duo ‘men of the world' that for 10 years performed on the streets of Chicago, Toronto, Seattle, New York, Houston, San Francisco, and other cities. He has written extensively on the nexus of photography, performance and cultural phenomena with essays appearing in such journals as Art in America, Art on Paper, ArtUS, Art Journal, Afterimage, Dear Dave, Exposure, New Art Examiner, and PLUK. Durant is the editor of the online journal Saint Lucy which is devoted to writing about photography, contemporary art and the lovely people of Baltimore. He has contributed to numerous catalogs, monographs and anthologies including The Passionate Camera: Photography and Bodies of Desire, The Gothic, Jimmie Durham and Marco Breuer: Early Recordings. He is author of McDermott and McGough: A History of Photography, Robert Heinecken: A Material History and co-author of Vik Muniz: Seeing is Believing and Dressed for Thrills: 100 Years of Halloween Costume and Masquerade. In 2005, Durant co-curated and co-authored Blur of the Otherworldly: Contemporary Art, Technology and the Paranormal. Durant was co-curator of Some Assembly Required: Collage Culture in Post-War America in 2002 and in 2008, he curated Notes on Monumentality at the Baltimore Museum of Art. He has served on the faculties of the School of the Art Institute of Chicago, UCLA, the University of New Mexico, Syracuse University, and the Milton Avery Graduate School for the Arts at Bard College. He has received grants and fellowships from the National Endowment for the Arts, the Fleishhacker Foundation, the Center for Creative Photography, the Illinois Arts Council, and the MacDowell Colony. Professor Durant received his B.F.A. from Massachusetts College of Art and M.F.A. from the San Francisco Art Institute. Support Real Photo Show with Michael Chovan-Dalton by contributing to their tip jar: https://tips.pinecast.com/jar/real-photo-show

Jomo Tariku's life and career have followed a winding path, from his childhood in Ethiopia to a design degree in Kansas and a stint in data visualization at the World Bank. Today, he's internationally recognized as a furniture designer, with pieces in the permanent collection of the Metropolitan Museum of Art, the Los Angeles County Museum of Art and the National Museum of African American History and Culture. Tariku is also the creator of an impactful 2020 study that demonstrated the startling lack of Black furniture designers working with major manufacturers. In this episode of the podcast, Tariku speaks with host Dennis Scully about why data is more powerful than anecdotal evidence, why he's getting into wallpaper and other categories, and what it will take to truly make design a global language.This episode is sponsored by Loloi and Isla PorterLINKSJomo FurnitureJomo TarikuDennis ScullyBusiness of Home

Sky Bergman is an accomplished, award-winning photographer. Her documentary, Lives Well Lived, was Sky's directorial debut. Lives Well Lived celebrates the wit and wisdom of people aged 75-100, who reveal their secrets for living a meaningful life. Encompassing 3,000 years of collective life experience, diverse people share life lessons about perseverance, the human spirit, and staying positive in the midst of life's greatest challenges. Their stories will make you laugh, perhaps cry, but mostly inspire you. Watch the film here or on PBS (This is the 56-minute version. When asked, say that PBS is your local station!). Her fine art work is included in permanent collections at the Los Angeles County Museum of Art, The Brooklyn Museum, the Seattle Art Museum, the Santa Barbara Museum of Art, and the Bibliothèque Nationale de France (National Library of France) in Paris. Her book, The Naked & The Nude: Images from the Sculpture Series, includes an introduction by Hèléne Pinet, curator of photography at the Rodin Museum in Paris. She has shot book covers for Random House and Farrar, Straus & Giroux, Inc., and magazine spreads that appeared in Smithsonian, Arthur Frommer's Budget Travel, Reader's Digest, and Archaeology Odyssey.    Sky Bergman was the former chair of the Art & Design department at Cal Poly State University in San Luis Obispo, CA (2007 – 2013) and is currently a Professor of Photography and Video where she has been teaching since 1995.   SKY'S LINKS: Website Watch the film Facebook Instagram LinkedIn Buy the book   Women Beyond a Certain Age is an award-winning weekly podcast with Denise Vivaldo. She brings her own lively, humorous, and experienced viewpoint to the topics she discusses with her guests. The podcast covers wide-ranging subjects of importance to older women.   SHOW LINKS: Website Join our Facebook group Follow our Facebook page Instagram Episode archive Email us: WomenBeyond@icloud.com Denise Vivaldo is the host of WBACA. Her info lives here More of Denise's info is here

My guest today is the British scriptwriter and librettist for opera, Richard Sparks. In 1978 he wrote a sketch for Rowan Aktinson, the actor who later played Mr Bean, which Atkinson performed in the Secret Policeman's Ball, a series of benefit shows organised by John Cleese to raise funds for Amnesty International. The success of the sketch led my guest to become a writer for BBC2's ‘Not the Nine O'Clock News' comedy show, and a slew of other TV writing gigs followed.In 1992 he moved to Los Angeles where he began to write libretti for the L.A. Opera. In 2016 he directed Stravinsky's The Soldier's Tale for the Los Angeles County Museum of Art, which starred Jack Black in the leading role. Now he has returned to his comedy roots, with the publication of “New Rock New Role”, a fantasy comic novel about a retired teacher who discovers video games while in his sixties. Website: https://richardsparks.com/The School Master Sketch Be attitude for gains. https://plus.acast.com/s/my-perfect-console. Hosted on Acast. See acast.com/privacy for more information.

Tony Marsh is an artist and educator who earned his BFA in Ceramic Art at California State University Long Beach in 1978. After graduating he spent three years in Mashiko, Japan at the workshop of Tatsuzo Shimaoka. Marsh completed his MFA at Alfred University in 1988. He teaches in the Ceramic Arts Program at California State University Long Beach where he was the Program Chair for over 20 years. He is currently the first Director of the Center for Contemporary Ceramics at CSULB. He was named a United States Artists Fellow in 2018, an honor awarded to outstanding contributors in American Arts and Letters. His work is the collections of museums across the globe including the Metropolitan Museum of Art, NY; Museum of Art and Design, NY; Los Angeles County Museum of Art; Oakland Museum of Art; Gardiner Museum of Art, Toronto; Museum of Fine Arts, Houston; San Jose Museum of Art; ASU Art Museum Tempe; the Foshan Museum of Contemporary Art, Foshan, China; and the Orange County Museum of Art.He and Zuckerman discuss being a teacher, making art, making a real impact, doing things with your whole heart, the influence of his mom, living and training in Japan, things that are encoded with success, how simple things are hard to make, marriage vessels, fertility vessels, and appropriate shapes, suspending time, magic, failure, craft, notions of taste, and taking no out of your vocabulary!

A meticulous study of the social, economic, and religious significance of coffin reuse and development during the Ramesside and early Third Intermediate periods, illustrated with over 900 imagesFunerary datasets are the chief source of social history in Egyptology, and the numerous tombs, coffins, Books of the Dead, and mummies of the Twentieth and Twenty-first Dynasties have not been fully utilized as social documents, mostly because the data of this time period is scattered and difficult to synthesize. This culmination of fifteen years of coffin study analyzes coffins and other funerary equipment of elites from the Nineteenth to the Twenty-second Dynasties to provide essential windows into social strategies and adaptations employed during the Bronze Age collapse and subsequent Iron Age reconsolidation.Many Twentieth to Twenty-second Dynasty coffins show evidence of reuse from other, older coffins, as well as obvious marks where gilding or inlay have been removed. Innovative vignettes painted onto coffin surfaces reflect new religious strategies and coping mechanisms within this time of crisis, while advances in mummification techniques reveal an Egyptian anxiety about long-term burial without coffins as a new style of stuffed and painted mummy was developed for the wealthy. It was in the context of necropolis insecurity, economic crisis, and group burial in reused and unpainted chambers that a complex, polychrome coffin style emerged.The first part of this book focuses on the theory and evidence of coffin reuse, contextualized within the social collapse that characterized the Twentieth and Twenty-first Dynasties. The second part presents photo essays of annotated visual data for over sixty Egyptian coffins from the so-called Royal Caches, most of them from the Egyptian Museum in Cairo.Illustrated throughout with high-quality images, the line drawings and color and black-and-white photographs are ideal for careful study, especially evidenced in the digital edition, where pages can be enlarged for close examination.Kara Cooney is a professor of Egyptology and chair of the Department of Near Eastern Languages and Cultures at UCLA. Specializing in social history, gender studies, and economies in the ancient world, she received her PhD in Egyptology from Johns Hopkins University. In 2005, she was co-curator of Tutankhamun and the Golden Age of the Pharaohs at the Los Angeles County Museum of Art. Her popular books include The Woman Who Would Be King: Hatshepsut's Rise to Power in Ancient Egypt, When Women Ruled the World: Six Queens of Egypt, and The Good Kings: Absolute Power in Ancient Egypt and the Modern World. Her latest academic book is Ancient Egyptian Society: Challenging Assumptions, Exploring Approaches.https://karacooney.squarespace.com/Become a supporter of this podcast: https://www.spreaker.com/podcast/earth-ancients--2790919/support.

Like many of us, India “fell” into lighting. Except India's interest is in the history of Los Angeles street lighting, from the “moon towers” of the 1880's, to the Golden Age of street lighting in the 40's and 50's to the skyrocketing of street lighting over crime concerns in the 60's. Some of these classic light poles are still in use, but alas, with copper wire theft and some of these cast iron poles being literally ripped out of the ground and taken for scrap metal, we may be losing the beauty of the past. Come on, leave the street lights alone! India Mandelkern was born in Los Angeles, California, received her B.A. from Middlebury College in Middlebury, Vermont, and received her Ph.D. in History from the University of California, Berkeley. After all this school, she made her way back to Los Angeles, where she has worked as a curator, consultant, and critic, writing on art, culture, design, and cities for a variety of publications, both local and national. From 2016-2018 she served as a fellow at the Los Angeles County Museum of Art (LACMA), where she got interested in public art and worked as the speechwriter for the CEO. During her tenure there, she created a 'field guide' to the 16 different 1920s and 1930s streetlight designs included in Chris Burden's famous streetlight sculpture located at LACMA's south entrance, Urban Light. The guide became an overnight hit at the museum, which led her down a rabbit hole, so to speak, and resulted in her latest book, Electric Moons: A Social History of Street Lighting in Los Angeles, published in late 2023 by Hat & Beard Press. In the book, she uses the streetlight as a "flashlight" to reexamine the history of LA, looking at how lighting shaped conversations about civic identity, transportation, policing, and the definition of public space, to name a few. She currently works at the Los Angeles County Metropolitan Transportation Authority (LACMTA) –– a fortuitously "streetlight-adjacent" gig –– where she oversees the agency's blog and writes about Metro construction projects and policies. 

Alia Aljunied, Executive Director of Event Programming at Fortune Media Group joins Amanda Ma, CEO & Founder of Innovate Marketing Group, to discuss the art and science of high-profile event programming. Listen now on EventUp! Alia has worked across many industries from consulting, finance, museums, and media. Ahead of joining Fortune, Alia worked at The Wall Street Journal where she led a programming team and programmed such events as WSJ Tech Live, MarketWatch Best New Ideas in Money Festival, WSJ Women In Forum, and WSJ Future of Everything Festival. Previous to Dow Jones, Alia had held several positions at companies such a GLG, the Los Angeles County Museum of Art, Canyon Capital Advisors and Anchorage Capital Group. Alia is a rare Singaporean American who lives in Brooklyn with her husband.  Fortune Media Group  "EventUp" is brought to you by Innovate Marketing Group. an award-winning corporate event and experiential marketing agency based in Los Angeles, California, serving nationwide, creating immersive event experiences to help brands connect with people. To learn more, click ⁠⁠here⁠⁠. Follow us! Find us on ⁠⁠LinkedIn, ⁠⁠⁠⁠EventUp Podcast LinkedIn⁠⁠ and ⁠⁠Instagram

Lonnie Holley and Aleesa Pitchamarn Alexander in conversation at the Auburn Forum for Southern Art and Culture, a symposium organized by The Jule Collins Smith Museum of Fine Art at Auburn University on February 3, 2024. Dr. Aleesa Pitchamarn Alexander is curator of the exhibition "Black Codes: Art and Post-Civil Rights Alabama" on view January 23 through July 7, 2024 at The Jule Collins Smith Museum of Fine Art at Auburn University, featuring the work of Lonnie Holley alongside work by Thornton Dial (1928 – 2016), Ronald Lockett (1965 – 1998) and Joe Minter (b. 1943). Dr. Alexander is the Halperin Associate Curator of Modern and Contemporary Art and Co-Director of the Asian American Art Initiative at the Cantor Arts Center, Stanford University. Lonnie Holley (b. Birmingham, AL, 1950) lives and works in Atlanta, Georgia. His work is represented in the permanent collections of the Los Angeles County Museum of Art, Los Angeles, CA; Metropolitan Museum of Art, New York, NY; National Gallery of Art, Washington, DC; Smithsonian American Art Museum, Washington, DC; Whitney Museum of American Art, New York, NY; among many others.

Roy Dowell (b. 1951 in Bronxville, NY) received his Master of Fine Arts and his Bachelor of Arts from the California Institute of the Arts, Valencia, CA and studied at the California College of Arts and Crafts, Oakland, CA.  Roy has been the subject of recent solo exhibitions at The Landing, Los Angeles, CA; Miles McEnery Gallery, New York, NY; Bolsky Gallery, Otis College of Art and Design, Los Angeles, CA; as-is.la, Los Angeles, CA; 1969 Gallery, New York, NY; Tif Sigfrids Gallery, Los Angeles, CA; Proxy Paris @Galerie Ygrec, Paris, France; and James Harris Gallery, Seattle, WA.  His work has been included in institutional group exhibitions at the American Academy of Arts and Letters, New York, NY; Aspen Art Museum, Aspen, CO; Centro Cultural del México Contemporáneo, Mexico City, Mexico; Corcoran Gallery of Art, Washington, D.C.; Hammer Museum, Los Angeles, CA; Los Angeles County Museum of Art, Los Angeles, CA; Musée d'art moderne et d'art contemporain, Nice, France; Museum of Contemporary Art, Los Angeles, CA, and elsewhere.  Roy's work may be found in the collections of the Berkeley Art Museum the Hammer Museum, Los Angeles County Museum of Art, the Museum of Contemporary Art, Los Angeles, CA; the Museum of Contemporary Art, San Diego, CA; and the San Francisco Museum of Modern Art among others.  He lives and works in Los Angeles, CA and Mexico City, Mexico.

Principally a sculptor who employs cast glass and drawing as primary methodologies, Clifford Rainey creates work that is interdisciplinary, incorporating a wide spectrum of materials and processes. A passionate traveler, his work is full of references to the things he has seen and experienced. Celtic mythologies, classical Greek architecture, the blue of the Turkish Aegean, globalization and the iconic American Coca-Cola bottle, the red of the African earth, and the human figure combine with cultural diversity to provide sculptural imagery charged with emotion.  A British artist whose work has been exhibited internationally for 50 years, Rainey was born in Whitehead, County Antrim, Northern Ireland, in 1948. He began his career as a linen damask designer and worked in William Ewarts linen manufacturers from 1965 to 1968. Later, the artist studied at Hornsey College of Art, the Walthamstow School of Art, where he specialized in bronze casting, and the Royal College of Art, where he received his MA and specialized in glass. Between 1973 and 1975, Rainey ran his own glass studio in London and won a commission for a small sculpture to commemorate the Silver Jubilee of Elizabeth II. In 1984, the artist moved to New York and established additional studios there. Rainey's sculptural work has been exhibited internationally including: The Ulster Museum in Northern Ireland, The Victoria and Albert Museum in London, The Kunstmuseum in Dusseldorf, Germany, The Millennium Museum in Beijing, China, and the Museo de Arts Contemporaneo in Monterrey, Mexico. His work is in the permanent collections of numerous museums including:  The Irish Museum of Modern Art, Dublin, Ireland, The DeYoung Museum, San Francisco, California, The Los Angeles County Museum of Art, The Museum of Art and Design, New York, The Fine Arts Museum of Boston, and The Montreal Museum of Fine Art, Canada. Rainey has realized a number of public art commissions including: The Lime Street Railway Station in Liverpool, England, the Jeddah Monument in Saudi Arabia, and the 911 Communication Center in San Francisco. He is a recipient of the Virginia A. Groot Foundation Award, Chicago, and the 2009 UrbanGlass Outstanding Achievement Award, New York. Balancing his commitment to studio practice with his desire to share knowledge, Rainey has lectured extensively around the world. He lectured at The Royal College of Art in London for seven years and was a Professor of Fine Art and Chair of the Glass Program at The California College of the Arts from 1991 through 2022.  On October 8, 2017 at 10:30 p.m., Rainey and his partner, Rachel Riser, were awakened by a neighbor's frantic telephone call warning them that a wind-driven wildfire had kicked up and was blazing toward their shared Napa, California, residence. They needed to get out immediately. Far more devastating than the destruction of his home and studio was the complete loss of all the artwork on the property — not only two year's worth of work for an upcoming exhibition, but the artist's archive of drawings of every project he'd ever done, as well as a collection of his strongest work he was planning to donate to a museum.  Rainey still resides in Napa, California, and in March 2024 took time away from rebuilding his studio to participate in an artist residency at the Museum of Glass, Tacoma. There, he advanced ideas and processes originally seen in works he lost to fire.    

Brian Calvin b.1969 Lives and works in Ojai, CA.
Calvin studied at the University of California, Berkeley and at The Art Institute of Chicago. He received the California Arts Council Fellowship and an art residency from Art Production Fund, Giverny, France. Calvin has exhibited at Anton Kern Gallery, New York; Corvi Mora, London; Cabinet, Milan; Almine Rech Gallery, Brussels; Corbett vs. Dempsey, Chicago; Mu.ZEE, Ostend, Belgium; Le Consortium, Dijon, France; Marc Foxx, Los Angeles, CA; and Gallery Side 2, Tokyo. Among his group exhibitions are at Museum of Contemporary Art, Lyon; Astrup Fearnley Museet, Oslo; Samsung Museum of Art, Seoul; Museum of Contemporary Art, Los Angeles, CA; and the Centre Georges Pompidou, Paris, among other places. His work is included in the collections of the Aïshti Foundation, Beirut; DePaul Art Museum, Chicago; Los Angeles County Museum of Art; and Orange County Museum of Art, Newport Beach, CA. He has a show up now at Anton Kern Gallery, check it out!

Ep.193 Helina Metaferia is an interdisciplinary artist working across collage, assemblage, video, performance, and social engagement. Her work integrates archives, somatic studies, and dialogical practices, creating overlooked narratives that amplify BIPOC/femme bodies. Metaferia received her MFA from Tufts University's School of the Museum of Fine Arts and attended the Skowhegan School of Painting and Sculpture. Recent solo exhibitions and projects include RISD Art Museum (2022-2023); Museum of Fine Arts, Boston, MA (2021-2022); New York University's The Gallatin Galleries, New York, NY (2021); Michigan State University's Scene Metrospace Gallery, East Lansing, MI (2019); and Museum of African Diaspora, San Francisco, CA (2017). Metaferia's work was included in the Sharjah Biennial in the United Arab Emirates (2023), the Tennessee Triennial through the Frist Art Museum and Fisk University Art Gallery (2023). Her work is in the permanent collection of institutions including Los Angeles County Museum of Art, Los Angeles, CA; Museum of Fine Arts, Boston, MA; Sharjah Art Foundation, United Arab Emirates; Kadist, San Francisco, CA and Paris, France; and the Schomburg Center for Research in Black Culture, New York, NY. Metaferia's work has been supported by several residencies including MacDowell, Yaddo, Bemis Center for Contemporary Art, and MASS MoCA. She is currently a 2021-2023 artist-in-residence at Silver Art Projects at the World Trade Center in New York City. Her work has been written about in publications including The New York Times, Financial Times, The Washington Post, The Boston Globe, Artnet News, The Art Newspaper, and Hyperallergic. Metaferia is an Assistant Professor at Brown University in the Visual Art department, and lives and works in New York City. Photo credit: Tommie Battle Artist https://www.helinametaferia.com/ NYTimes https://www.nytimes.com/2021/06/24/arts/things-to-do-this-weekend.html Artsy Helina Metaferia Honors the Activist Legacies of Black Women across Collage and Performance | Artsy Artnet News https://news.artnet.com/art-world/how-do-you-judge-the-value-of-social-practice-art-artist-helina-metaferia-developed-metrics-to-determine-if-a-project-is-successful-2181336 Vanity Fair Leisure, Adornment, and Beauty Are Radical Acts in “Resting Our Eyes” | Vanity Fair The Cut ‘Resting Our Eyes': 10 Black Artists at ICA San Francisco (thecut.com) Chicago Tribune 4 female artists mount a Chicago exhibit on climate issues: ‘Activism work is care work' – Chicago Tribune Sugarcane Magazine Ritual and Remembrance in Sharjah Biennial 15 - Sugarcane Magazine ™| Black Art Magazine Interior Design Magazine Artist Helina Metaferia Celebrates Black Women Activists in Two Solo Shows - Interior Design The Art Newspaper https://www.theartnewspaper.com/2021/06/16/black-artists-and-performers-take-over-fort-greene-park-for-juneteenth-jubilee Financial Times ( First) https://www.ft.com/content/9b75fdcd-9f1a-4c3f-ae70-b1140fc9cdad Financial Times (Second) https://www.ft.com/content/e8030f71-2925-4fbb-8e0a-96d6ce1cf774 Contemporary And https://contemporaryand.com/magazines/helina-metaferia-weaving-and-resisting-in-more-than-a-few-ways/

Ep.192 Allison Glenn is a New York-based curator and writer focusing on the intersection of art and public space, through public art and special projects, biennials and major new commissions by a wide range of contemporary artists. She is a Visiting Curator in the Department of Film Studies at the University of Tulsa, organizing the Sovereign Futures convening, and Artistic Director of The Shepherd, a three-and-a-half-acre arts campus part of the newly christened Little Village cultural district in Detroit. Previous roles include Co-Curator of Counterpublic Triennial 2023, Guest Curator at the Speed Art Museum, and Associate Curator of Contemporary Art at Crystal Bridges Museum of American Art. In this role, Glenn shaped how outdoor sculpture activates and engages Crystal Bridges' 120-acre campus through a series of new commissions, touring group exhibitions, and long term loans. She has also acted as the Curatorial Associate + Publications Manager for Prospect New Orleans' international art triennial Prospect.4: The Lotus in Spite of the Swamp. Her writing has been featured in catalogues published by The Los Angeles County Museum of Art, Counterpublic Triennial, Prospect New Orleans triennial, Princeton Architectural Press, Crystal Bridges Museum of American Art, Scottsdale Museum of Contemporary Art, Kemper Museum, Studio Museum in Harlem, and she has contributed to Artforum, ART PAPERS, Brooklyn Rail, Hyperallergic, and ART21 Magazine, amongst others. Glenn sits on the Board of Directors for ARCAthens, a curatorial and artist residency program based in Athens, Greece, New Orleans, LA and The Bronx, New York. She received dual Master's degrees from the School of the Art Institute of Chicago in Modern Art History, Theory and Criticism and Arts Administration and Policy, and a Bachelor of Fine Art Photography with a co-major in Urban Studies from Wayne State University in Detroit. Photograph by Grace Roselli Allison Glenn https://www.allisonglenn.com/ Artnet https://news.artnet.com/art-world/valuations-allison-glenn-2395989 NYTimes https://www.nytimes.com/2023/05/09/arts/design/counterpublic-st-louis-public-art.html ARTnews https://www.artnews.com/art-news/artists/qa-david-adjaye-on-his-first-permanent-sculpture-1234670283/ e-flux https://www.e-flux.com/criticism/537239/counterpublic-2023 NPR https://www.stlpr.org/arts/2023-03-07/massive-public-art-exhibition-will-highlight-historical-injustices-in-st-louis The Architects Newsletter https://www.archpaper.com/2022/04/david-adjayes-first-permanent-public-artwork-among-art-and-architectural-commissions-for-2023-counterpublic-triennial-in-st-louis/ Artnet https://news.artnet.com/art-world/counterpublic-2023-2106157 ARTnews https://www.artnews.com/list/art-news/artists/shaping-art-2022-deciders-1234612406/naomi-beckwith/ NYTimes https://www.nytimes.com/2021/12/07/arts/design/best-art-2021.html Observer https://observer.com/power-series/2021-arts-power-50/ Artforum https://www.artforum.com/features/huey-copeland-and-allison-glenn-on-promise-witness-remembrance-249992/ SAIC https://www.saic.edu/news/alum-allison-glenn-and-the-power-of-listening NYTimes https://www.nytimes.com/2021/03/11/arts/design/speed-museum-breonna-taylor-curator.html Art Newspaper https://www.theartnewspaper.com/2021/02/25/speed-art-museum-will-reflect-on-the-death-of-breonna-taylor-in-an-exhibition Surface https://www.surfacemag.com/articles/breonna-taylor-exhibition-speed-art-museum-other-news/#taylor Culture Type https://www.culturetype.com/2021/02/22/the-week-in-black-art-february-22-28-2021-cameron-shaw-named-executive-director-of-california-african-american-museum-aperture-names-seven-new-trustees/ Artnet https://news.artnet.com/art-world/louisville-speed-art-museum-breonna-taylor-1945823 Observer https://observer.com/2021/02/breonna-taylor-speed-art-museum-louisville/ 88.9 WEKU https://www.weku.org/post/new-speed-exhibition-honor-life-legacy-breonna-taylor#stream/0

In this episode of PhotoWork with Sasha Wolf, Sasha and photographer, Kelli Connell discuss her brand new book, Pictures for Charis, published by Aperture. Kelli talks about her fascination with and subsequent extensive research on Charis Wilson and the eleven year relationship she had with legendary photographer Edward Weston, and how what she learned guided her own exploration of portrait-making and landscape work while collaborating with her wife of fourteen years, Betsy Odom. Sasha and Kelli also discuss Kelli's renowned series, Double Life, which also explores the relationship between photographer and model as well as gender and identity. https://www.kelliconnell.com https://aperture.org/books/kelli-connell-pictures-for-charis/ http://www.decodebooks.com/connell.html Kelli Connell is an artist whose work investigates sexuality, gender, identity and photographer / sitter relationships. Her work is in the collections of the Metropolitan Museum of Art, Los Angeles County Museum of Art, J Paul Getty Museum, Philadelphia Museum of Art, Columbus Museum of Art, Museum of Fine Arts Houston, Dallas Museum of Art, Milwaukee Art Museum, and the Museum of Contemporary Photography, among others. Publications of her work include Kelli Connell: Pictures for Charis (Aperture, March 2024), PhotoWork: Forty Photographers on Process and Practice (Aperture), Photo Art: The New World of Photography (Aperture), and the monograph Kelli Connell: Double Life (DECODE Books). Connell has received fellowships and residencies from The Guggenheim Foundation, MacDowell, PLAYA, Peaked Hill Trust, LATITUDE, Light Work, and The Center for Creative Photography. Connell is an editor at SKYLARK Editions and a professor at Columbia College Chicago. This podcast is sponsored by picturehouse + thesmalldarkroom. https://phtsdr.com

In episode 304 UNP founder and curator Grant Scott is in his shed speaking with master printer Bob Tursack about all aspects of photographic printing including photo books, fine art printing, digital, analogue and lithographic. They also discuss photographer expectations, good practice and the photographer/printer relationship. Bob Tursack, is the CEO of the high-end printing company Brilliant Graphics. He is a third-generation printer who grew up in the Philadelphia suburbs who became interested in photography when he was in junior high. He had his first darkroom in sixth grade and attended the Ansel Adams workshops in Carmel, the Maine Photography Workshops, and other photography courses. Tursack's father founded Tursack Printing, commercial printers, in 1959, and Bob began training on the small press as a teenager. But his real passion was for fine art prints, and he ultimately sold the company in 1998. Tursack started Brilliant Studio in 2000, in his basement, planning to make prints for artists and photographers as a one-man band. But the business quickly grew, and he soon founded Brilliant Graphics, to produce brochures, catalogues, posters, and books. The company now has 72 employees. Tusack has worked with photographers including Sally Mann, Ralph Gibson, George Tice, Steve McCurry, Emmett Gowin, Mark Seliger and institutions including The National Gallery, Washington, DC, Metropolitan Museum of Art, NYC, The Hermitage Museum, Princeton University Art Museum, Los Angeles County Museum of Art, Massachusetts Institute of Technology, University of Pennsylvania Press, Yale University Press, and The Andy Warhol Foundation. https://brilliant-graphics.com Dr.Grant Scott After fifteen years art directing photography books and magazines such as Elle and Tatler, Scott began to work as a photographer for a number of advertising and editorial clients in 2000. Alongside his photographic career Scott has art directed numerous advertising campaigns, worked as a creative director at Sotheby's, art directed foto8magazine, founded his own photographic gallery, edited Professional Photographer magazine and launched his own title for photographers and filmmakers Hungry Eye. He founded the United Nations of Photography in 2012, and is now a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, and a BBC Radio contributor. Scott is the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019), and What Does Photography Mean To You? (Bluecoat Press 2020). His photography has been published in At Home With The Makers of Style (Thames & Hudson 2006) and Crash Happy: A Night at The Bangers (Cafe Royal Books 2012). His film Do Not Bend: The Photographic Life of Bill Jay was premiered in 2018. Scott's next book Inside Vogue House: One building, seven magazines, sixty years of stories, Orphans Publishing, is now on pre-sale. © Grant Scott 2024

Edward Burtynsky is regarded as one of the world's most accomplished contemporary photographers. His remarkable photographic depictions of global industrial landscapes represent over 40 years of his dedication to bearing witness to the impact of human industry on the planet. Edward's photographs are included in the collections of over 80 major museums around the world, including the National Gallery of Canada in Ottawa; the Museum of Modern Art, the Metropolitan Museum of Art, and the Guggenheim Museum in New York; the Reina Sofia Museum in Madrid; the Tate Modern in London, and the Los Angeles County Museum of Art in California.Edward was born in 1955 of Ukrainian heritage in St. Catharines, Ontario. He received his BAA in Photography/Media Studies from Toronto Metropolitan University (formerly Ryerson University) in 1982, and has since received both an Alumni Achievement Award (2004) and an Honorary Doctorate (2007) from his alma mater. He is still actively involved in the university community, and sits on the board of directors for The Image Centre (formerly Ryerson Image Centre).In 1985, Edward founded Toronto Image Works, a darkroom rental facility, custom photo laboratory, digital imaging, and new media computer-training centre catering to all levels of Toronto's art community.Early exposure to the General Motors plant and watching ships go by in the Welland Canal in Edward's hometown helped capture his imagination for the scale of human creation, and to formulate the development of his photographic work. His imagery explores the collective impact we as a species are having on the surface of the planet — an inspection of the human systems we've imposed onto natural landscapes.Exhibitions include: Anthropocene (2018) at the Art Gallery of Ontario and National Gallery of Canada (international touring exhibition); Water (2013) at the New Orleans Museum of Art and Contemporary Art Center in Louisiana (international touring exhibition); Oil (2009) at the Corcoran Gallery of Art in Washington D.C. (five-year international touring show), China (toured internationally from 2005 - 2008); Manufactured Landscapes at the National Gallery of Canada (toured from 2003 - 2005); and Breaking Ground produced by the Canadian Museum of Contemporary Photography (toured from 1988 - 1992). Edward's visually compelling works are currently being exhibited in solo and group exhibitions around the globe, including at London's Saatchi Gallery where his largest solo exhibition to-date, entitled Extraction/Abstraction, is currently on show until 6th May 2024.Edward's distinctions include the inaugural TED Prize (which he shared with Bono and Robert Fischell), the title of Officer of the Order of Canada, and the International Center of Photography's Infinity Award for Art. In 2018 Edward was named Photo London's Master of Photography and the Mosaic Institute's Peace Patron. In 2019 he was the recipient of the Arts & Letters Award at the Canadian Association of New York's annual Maple Leaf Ball and the 2019 Lucie Award for Achievement in Documentary Photography. In 2020 he was awarded a Royal Photographic Society Honorary Fellowship and in 2022 was honoured with the Outstanding Contribution to Photography Award by the World Photography Organization. Most recently he was inducted into the International Photography Hall of Fame and was named the 2022 recipient for the annual Pollution Probe Award. Edward currently holds eight honorary doctorate degrees and is represented by numerous international galleries all over the world. In episode 224, Edward discusses, among other things:His transition from film to digitalStaying positive by ‘moving through grief to land on meaning'Making compelling images and how scale creates ambiguityDefining the over-riding theme of his work early onThe environmental impact of farmingWhether he planned his careerWhy he started a lab to finance his photographyAnd how being an entrepreneur feeds into his work as an artistVertical IntegrationExamples of challenging situations he has facedThe necessity for his work to be commoditisedHis relative hope and optimism for the future through positive technologyThe importance of having a hopeful component to the workHow he offsets his own carbon footprint Referenced:Joel SternfeldEliiot PorterStephen ShoreJennifer BaichwalNicholas de Pencier Website | Instagram“The evocation of the sense of wonder and the sense of the surreal, or the improbable, or ‘what am I looking at?', to me is interesting in a time where images are so consumed; that these are not for quick consumption they're for… slow. And I think that when things reveal themselves slowly and in a more challenging way, they become more interesting as objects to leave in the world. That they don't just reveal themselves immediately, you can't just get it in one quick glance and you're done, no, these things ask you to look at them and spend time with them. And I discover things in them sometimes that I never saw before. They're loaded with information.” Become a full tier 1 member here to access exclusive additional subscriber-only content and the full archive of previous episodes for £5 per month.For the tier 2 archive-only membership, to access the full library of past episodes for £3 per month, go here.

American artist Rodney McMillian's paintings, sculptures, videos, and performances address the African-American experience while examining race, gender, and class in a broader political context. Aspects of his work negotiates between the body of a political nature and the politic of a bodily nature. McMillian modifies familiar and found objects into new – he offers an alternative reality that reveals how past ideas relate to the present. He is now a professor of sculpture at the School of Arts and Architecture at UCLA. McMillian's work can be found in the permanent collections of the Los Angeles County Museum of Art, UCLA Hammer Museum, and the Museum of Contemporary Art Los Angeles, The Orange County Museum of Art, among others.He and Zuckerman discuss the role of chance in his paintings, intimacy and residue, what landscape can mean, issues of class and taste, retitling, existing within uncomfortable contexts, “hitting it on the one,” napping, the physicality of making art, the present moment, working with a voice coach, and the thrill of accomplishing hard things!

Ep.186 Loie Hollowell was born in 1983 and raised in Woodland, California. She currently lives and works in New York City. She received a BFA at University of California Santa Barbara in 2005 and an MFA inpainting from Virginia Commonwealth University in 2012. Her work has been exhibited at museums and galleries worldwide including Jan Shrem and Maria Manetti Shrem Museum of Art, University of California, Davis; Pace Gallery; Long Museum West Bund, Shanghai; Feuer/Mesler, New York; White Cube Gallery, Paris; Hirshhorn Museum and Sculpture Garden, Washington, D.C.; Los Angeles County Museum of Art, Los Angeles; The Flag Art Foundation, New York; Crystal Bridges Museum of American Art, Bentonville, Arkansas; Victoria Miro, London; and Ballroom Marfa, Texas. Her work is in public collections including the Albertina Museum, Vienna; Centre Pompidou, Paris; Crystal Bridges Museum of American Art, Bentonville; Hirshhorn Museum and Sculpture Garden, Washington, D.C.; ICA, Miami; Long Museum, Shanghai; Los Angeles County Museum of Art, Los Angeles; M+Museum, Hong Kong; Stedjelijk Museum, Amsterdam; and Zentrum Paul Klee, Switzerland.  Her work has been exhibited at museums and galleries worldwide including Pace Gallery, The Aldrich Contemporary Art Museum, Ridgefield, CT; Jessica Silverman, San Francisco, CA.  Photo by Melissa Goodwin Artist https://www.loiehollowell.com/ Pace Gallery https://www.pacegallery.com/online-exhibitions/loie-hollowell/ The Aldrich Contemporary Art Museum  https://thealdrich.org/exhibitions/loie-hollowell-a-survey Jessica Silverman https://jessicasilvermangallery.com/online-shows/loie-hollowell-in-transition/- Urist, Jac. Loie Hollowell Abstracts the Female Body, W Magazine / January 18, 2024- Dafoe, Taylor. Loie Hollowell's New Move From Abstraction to Realism Is Not a One-Way Journey, Artnet / January 19, 2024 Thornton, Sarah. Loie Hollowell on Frottage, Fantasy and Feminist Erotica, Interview Magazine / January 23, 2024 Greenberger, Alex. 33 Must-See Exhibitions to Visit This Winter, ARTnews / December 3, 2023 Knupp, Kristen. Loie Hollowell: The Third Stage, Art Vista / September 4, 2023 Woodcock, Victoria. The Cosmic Heirs of Hilma af Klint, Financial Times / May 26, 2023 Lesser, Casey. Loie Hollowell on Abstraction, Making the Grotesque Beautiful, and Her Latest Work, Artsy / March 14, 2023 Gómez-Upegui, Salomé. The New Generation of Transcendental Painters, Artsy / February 28, 2023 Belcove, Julie. How a New Generation of Women Painters Is Creating Dreamy Kaleidoscopic Works, Robb Report / February 26, 2023 Compton, Nick. Generative art: the creatives powering the AI art boom  Wallpaper* / December 12, 2022 Binlot, Ann. At the Aldrich, Revisiting a Groundbreaking Show forFeminist Art, New YorkMagazine's The Cut / June 7, 2022 Yerebakan, Osman Can. Loie Hollowell on Painting, Pain, and her Second Birth,  Artforum / May 26, 2021 Wilco, Hutch. Loie Hollowell's Shanghai Recalibration, Ocula / May 26, 2021 New York Up Close. Loie Hollowell's Transcendent Bodies, Video by Art21 / April 14, 2021 Giles, Oliver. Artist Loie Hollowell On How Motherhood Inspired Her Paintings, Tatler Asia /April 11, 2021 Donoghue, Katy. Art Mamas: Loie Hollowell on ‘Going Soft', Whitewall / July 17, 2020 The A-List: The Best Culture To Catch From Home This Week, Vanity Fair / July 5, 2020 Urist, Jacoba. Artists Share the Most Inspiring Books They're Reading Right Now, Galerie Magazine/ March 30, 2020

In the first episode of 2024 we look ahead to the next 12 months. The Art Newspaper's acting art market editor Tim Schneider peers into his crystal ball to tell us what we might expect from the coming 12 months in the art market. Then, Jane Morris, editor-at-large, Gareth Harris, chief contributing editor, and host Ben Luke select the biennials and exhibitions they are most looking forward to in 2024.Events discussed:60th Venice Biennale: Foreigners Everywhere, 20 April-24 November; Pierre Huyghe, Punta Della Dogana, Venice, 17 March-24 November; Julie Mehretu, Palazzo Grassi, Venice, 17 March-6 January; Willem de Kooning, Gallerie dell'Accademia, Venice, 16 April–15 September; Jean Cocteau, Peggy Guggenheim Collection, Venice, 13 April-16 September; Whitney Biennial: Whitney Museum of American Art, opens 20 March; PST Art: Art & Science Collide, 14 September-16 February; Istanbul Biennial, 14 September-17 November; Diriyah Contemporary Art Biennale 2024, Saudi Arabia, 20 February-24 May; Desert X 2024 AlUla, Saudi Arabia, 9 February-30 April; Frick Collection, New York, reopening late 2024; Grand Egyptian Museum, Giza, Egypt, dates tbc; IMAGINE!: 100 Years of International Surrealism, The Royal Museums of Fine Arts of Belgium, 21 February-21 July; Centre Pompidou, Paris, 4 September-6 January (travels to Hamburger Kunsthalle, Germany, Fundación Mapfré, Madrid, Philadelphia Museum of Art, US); Paris 1874: Inventing impressionism, Musée d'Orsay, 26 March-14 July; National Gallery of Art, Washington DC, 8 September-19 January; Van Gogh, National Gallery, London, 14 September-19 January; Matthew Wong, Vincent van Gogh, Van Gogh Museum, Amsterdam, 1 March-1 September; Caspar David Friedrich, Kunsthalle, Hamburg, Germany, until 1 April; Caspar David Friedrich, Alte Nationalgalerie, Berlin, 19 April-4 August; Caspar David Friedrich, Albertinum and Kupferstich-Kabinett, Dresden, Germany, 24 August-5 January; Arte Povera, Bourse de Commerce, Paris, 9 October-24 March; Brancusi, Centre Pompidou, Paris, 27 March-1 July; Comics, Centre Pompidou, Paris, 29 May-4 November; Yoko Ono, Tate Modern, London, 15 February-1 September 2024; Angelica Kauffman, Royal Academy, London, 1 March-30 June; Women Artists in Britain, Tate Britain, London, 16 May-13 October; Judy Chicago, Serpentine North, London, 22 May-1 September; Vanessa Bell, Courtauld Gallery, London, 25 May-6 October; Woven Histories: Textiles and Modern Abstraction, Los Angeles County Museum of Art, US, until 21 January; National Gallery of Art, Washington DC, 17 March-28 July; National Gallery of Canada, Ottawa, 25 October-2 March; The Museum of Modern Art, New York, dates tbc; Unravel: The Power and Politics of Textiles in Art, Barbican, London, 13 February-26 May 2024, Stedelijk Museum, Amsterdam, 14 September-5 January; The Harlem Renaissance, Metropolitan Museum of Art, New York, 25 February-28 July; Siena: the Rise of Painting, 1300-50, Metropolitan Museum, 13 October-26 January; Museum of Modern Art, New York, shows: Joan Jonas, 17 March-6 July, LaToya Ruby Frazier, 12 May-7 September, Käthe Kollwitz, 31 March-20 July; Kollwitz, Städel Museum, Frankfurt, Germany, 20 March-9 June; Käthe Kollwitz, SMK-National Gallery of Denmark, Copenhagen, 7 November-25 February; The Anxious Eye: German Expressionism and Its Legacy, National Gallery of Art, Washington DC, 11 February-27 May; Expressionists, Tate Modern, London, 25 April-20 October; Gabriele Münter: the Great Expressionist Woman Painter, Thyssen Bornemisza, Madrid, 12 November-9 February Hosted on Acast. See acast.com/privacy for more information.

In this episode of PhotoWork with Sasha Wolf, Sasha and photographer, Jim Goldberg discuss his new book, Coming and Going, published by MACK, which is a very personal story but also a book about storytelling itself. Jim talks about his lifelong interest in social justice and Sasha and Jim connect Jim's work to both Jazz and Punk music. Sasha also announces the first ever participants in the PhotoWork Foundation Fellowship. https://jimgoldberg.com/ https://www.mackbooks.us/collections/frontpage/products/coming-and-going-br-jim-goldberg Jim Goldberg's innovative and multidisciplinary approach to documentary makes him a landmark photographer and social practitioner of our times. His work often examines the lives of neglected, ignored, or otherwise outside-the-mainstream populations through long-term, in depth collaborations which investigate the nature of American myths about class, power, and happiness. A prolific and influential bookmaker, Goldberg's recent books include Ruby Every Fall, Nazraeli Press (2014); The Last Son, Super Labo (2016); Raised By Wolves Bootleg (2016), Candy, Yale University Press (2017), Darrell & Patricia, Pier 24 Photography (2018) and Gene (2018). Goldberg has exhibited widely, including shows at the Museum of Modern Art, New York; SFMOMA; the Museum of Fine Arts, Boston; the Corcoran Gallery of Art; the Los Angeles County Museum of Art; and the Yale University Art Gallery. His work is also regularly featured in group exhibitions around the world. Public collections including MoMA, SFMOMA, the Whitney Museum of American Art, the Getty, the National Gallery, LACMA, MFA Boston, The High Museum, Nelson-Atkins Museum of Art, Library of Congress, MFA Houston, National Museum of American Art, and the Art Institute of Chicago. Goldberg has received three National Endowment of the Arts Fellowships in Photography, a Guggenheim Fellowship, the Henri Cartier-Bresson Award, and the Deutsche Börse Photography Prize, among many other honors and grants. Goldberg is Professor Emeritus at the California College of the Arts. He is represented by Casemore Kirkeby Gallery in San Francisco. Goldberg joined Magnum Photos in 2002. This podcast is sponsored by picturehouse + thesmalldarkroom. https://phtsdr.com

Episode No. 629 features artist Alexandro Segade of My Barbarian, and a re-air of a 2013 conversation with artist Eleanor Antin. The Museum of Contemporary Art San Diego is presenting "Eleanor Antin and My Barbarian," a fiftieth anniversary celebration of Antin's landmark 100 Boots (1973). The exhibition also includes work featuring Antin's alter ego, the King of Solana Beach, and My Barbarian's Universal Declaration of Infantile Anxiety Situations Reflected in the Creative Impulse (2013), a feminist performance work that centers matrilineal creative inheritance. The work's title references the Universal Declaration of Human Rights, which was co-authored by Eleanor Roosevelt in 1948, and Melanie Klein's 1929 essay "Infantile Anxiety Situations Reflected in a Work of Art and the Creative Impulse." Performers include Segade and his My Barbarian mates Malik Gaines and Jade Gordon, as well as artists Mary Kelly and Antin. "Eleanor Antin and My Barbarian is on view through February 18, 2024. My Barbarian's work has been presented at museums such as the Los Angeles County Museum of Art, the Hammer Museum, and the Museum of Modern Art, New York, and in a 2021-22 survey at the Whitney Museum of American Art, New York. This Bomb magazine interview between My Barbarian and Andrea Fraser was referenced on the program.  For Antin images, see Episode No. 104.