Podcasts about Chicano

Our interview with Willy Chavarria comes with a cheat sheet. Willy—creative director and CEO of the eponymous brand—hopped on the pod to chat his uniform, discovering latino gay porn helped him discover himself, his husband's vest has seen some shit, cock ring bracelets, his viral distressed underwear, how his mission to change the fashion industry is going, learning when and when not to take advice, the dark spirit of capitalism, the cathartic release of a fashion show, he found success at 40 because nobody has a timeline, time served in the Ralph Lauren trenches, dialing in your denim, what makes him a good collaborator, how to walk into a boardroom and sell your vision, everyone needs to stop overdressing, working with your significant other, latin romance, he invented blueberry scones in a dream 20 years ago, all the best Mexican food in NYC, the responsibility of spreading Chicano culture, European racism hits different, marrying a Deadhead, and much more on Willy Chavarria's interview with The Only Podcast That Matters™. Shop at REVOLVE.com/THROWINGFITS and use code THROWINGFITS for 15% off your entire order. #REVOLVEpartner

Celluloid Heroes: Episode 21Film: La Bamba (1987)The landmark summer of 1987 saw such classic films as Predator, Robocop, The Lost Boys, and Lethal Weapon unleashed on the movie-going public. But it was the intimate biopic about a doomed teenage rock and roll star that would become the year's sleeper hit. Journey with us back to the 1950s and the story of a Chicano youth who defined what it is to be an American with Luis Valdez' Ritchie Valens biopic La Bamba.Follow Celluloid Heroes on INSTAGRAM https://www.instagram.com/TheCelluloidHeroesPodFollow Brad Abraham at www.bradabraham.comShare your thoughts with us! Send your comments to contact@longboxcrusade.comThis podcast is a member of the LONGBOX CRUSADE NETWORK:Visit the WEBSITE: https://www.LongboxCrusade.comFollow on TWITTER: https://twitter.com/LongboxCrusadeFollow on INSTAGRAM: https://www.instagram.com/longboxcrusadeLike the FACEBOOK page: https://www.facebook.com/LongboxCrusadeSubscribe to the YOUTUBE Channel: https://goo.gl/4LkhovSubscribe on APPLE PODCASTS at:https://itunes.apple.com/us/podcast/the-longboxcrusade/id1118783510?mt=2Subscribe on SPOTIFY at:https://open.spotify.com/show/3Hl0nrO7z1KYaHSDug9hsg?si=ee431b760c8c4a21Celluloid Heroes SPOTIFY Single Feed at:https://open.spotify.com/show/5G4VxlMzO0yy7Rub7MPUzx?si=389277ae77a84dd0We appreciate you joining us for this episode of Celluloid Heroes and hope you enjoyed listening!#film #cinema #movies #genx #nostalgia #1987 #LaBamba #RitchieValens

Sam introduces the "Que Pasa Raza" show and himself. He talks about his come-up in Bakersfield, how he got involved in the Chicano movement, and finally the future of his show and the movement.

Cheech Marin is widely recognized as a multi-generational comedic icon. His counterculture humor, as part of Cheech & Chong, defined an era. What fewer people know is that Cheech is also a leading collector of Chicano art worldwide. In this episode, Maria Hinojosa speaks with Cheech Marin about his lifelong love of art, how that art highlights the contributions of Mexican Americans in this nation, and why preserving it is a key part of his legacy. His collection is now on view as “We The People: Chicano Art in the U.S.A.,” at The Cheech, part of Riverside Art Museum in California. Latino USA is the longest-running news and culture radio program in the U.S., centering Latino stories and hosted by Pulitzer Prize-winning journalist Maria Hinojosa. Follow the show to get every episode. Want to support our independent journalism? Join Futuro+ for exclusive episodes, sneak peeks and behind-the-scenes chisme on Latino USA and all our podcasts. Follow us on TikTok and YouTube. Subscribe to our newsletter.See omnystudio.com/listener for privacy information.

Grab a beer and join us tonight as we cover Ruben Salazar! He was one of the only Mexican-American journalists working in Los Angeles at the time, a columnist for the LA Times and the news director at KMEX, and he'd spent years writing about how the cops out there treated the Chicano community. On August 29th, 1970, he ducked into a bar called the Silver Dollar to get away from a protest that had turned ugly, and a sheriff's deputy fired a tear gas projectile through the doorway that hit him in the head. So tonight we'll get into who he was, what happened that day, and why a lot of people still don't buy that it was an accident. Learn more about your ad choices. Visit megaphone.fm/adchoices

Send us Fan MailOn this episode of Chino y Chicano, Enrique Cerna talks with Stacey Fitzpatrick, whose husband, Eduardo Aguirre, was arrested by ICE on July 23 while arriving for work at a home in West Seattle.Fitzpatrick says ICE agents did not present a judicial warrant when they arrested her husband, who had been pursuing a green card. Aguirre was quickly removed from Washington and transferred to an immigration detention center in Texas.His arrest has drawn protests from Washington Senator Patty Murray and Congresswoman Pramila Jayapal as ICE arrests and enforcement activity increase across the Seattle area.Stacey Fitzpatrick shares what happened that day, what she has learned about her husband's detention, aggressive ICE tactics in Washington state and across the country as well as her efforts to bring Eduardo Aquirre home.Read: ICE arrests contractor in the middle of West Seattle construction jobSource: The Seattle Timeshttps://share.google/rLKczFNcCPTLxuytnRead: https://southseattleemerald.org/voices/2025/07/22/masked-men-are-detaining-people-when-will-washingtons-leaders-protect-usRead: https://nieman.harvard.edu/mark-trahant-wins-the-2025-i-f-stone-medal-for-journalistic-independence/Read: https://www.24thstreet.org/blog/2025/1/17/letting-goRead:https://www.amazon.com/Harbingers-January-Charlottesville-American-Democracy/dp/1586424017Read: https://www.mapresearch.org/2024-dei-report "Dismantling DEI: A Coordinated Attack on American Values"https://www.forbes.com/sites/conormurray/2025/01/07/these-companies-have-rolled-back-dei-policies-mcdonalds-is-latest-to-abandon-diversity-standards/https://www.chronicle.com/package/the-assault-on-dei  Chronicle of Higher Education https://www.courts.wa.gov/appellate_trial_courts/supreme/bios/?fa=scbios.display_file&fileID=gonzalezRead: https://www.seattletimes.com/seattle-news/obituaries/chinatown-international-district-activist-matt-chan-dead-at-71/Hear Rick Shenkman on the BBC Radio Program Sideways:https://www.bbc.co.uk/programmes/m001xdg0Read: https://www.thedailybeast.com/i-stuck-with-nixon-heres-why-science-said-i-did-itRead: https://www.washcog.org/in-t...

John is back from vacation and he is once again joined by Simon Moya-Smith, an Oglala Lakota and Chicano journalist, and Julie Francella, a mental health professional with deep ties to Indigenous communities. Together, they reflect on the impactful legacy of Dolly Parton, particularly her Imagination Library, which has provided free books to Indigenous children across the United States. They discuss the significance of representation, the importance of education in Indigenous communities, and how Parton's philanthropy has fostered hope and joy among Native youth. Listen in as we explore the intersection of celebrity, culture, and community, and the powerful ways in which individuals can make a difference.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Tony Peralta — WazzyCircus Radio On this episode of **WazzyCircus Radio**, we sit down with **Tony Peralta—a proud Chicano skydiver whose story is built on honesty, accountability, perseverance, and the decision to fight for the life that mattered most.** Tony doesn't hide the difficult chapters. His journey has included substance abuse during his time in the military, incarceration, alcoholism, and the consequences that came with those struggles. But his story is not defined by where he fell—it is defined by what he chose to do next. **He fought for his family. He fought for himself. And year after year, he did the work to become the man he wanted to be.** Today, Tony is a badass **big-way skydiver**, a respected member of the **worldwide big-way skydiving community**, and, most importantly, a husband, father, friend, and human being whose life proves that your past does not have to dictate your future. This episode is about far more than skydiving. It is about redemption, identity, family, brotherhood, and what can happen when a person stops running from their story and starts writing the next chapter. Tony Peralta earned his place in the sky—and the respect of the people fortunate enough to know him. Come hear his story. Step right up—the circus is open! www.sitflyclothingshop.com www.patreon.com/wazzycircusradio   My name is WazzyCircus. I have been blessed with more than 6,000 skydives and over 21 years of experience exploring the world of human flight. WazzyCircus Radio is where I sit down with the extraordinary people I have met throughout more than two decades in the air—skydivers, BASE jumpers, speed flyers, paramotor pilots, airplane pilots, innovators, pioneers, and adventurers who refuse to live with both feet planted firmly on the ground. Together, we share the stories, lessons, risks, triumphs, and unforgettable moments that define the flying community—and explore the deeper question that connects us all: Why do we fly?

Season 3, Episode 12 August 23, 2026 Low Riders Santa Fe, New Mexico More than just cars, lowriders are moving masterpieces of Mexican-American ingenuity and resilience that transformed custom automotive design into a powerful symbol of Chicano pride, cultural identity, and artistic rebellion on the streets of the Southwest. Flight Museum Washington Soar above the clouds at Seattle's Museum of Flight, the largest independent air and space museum in the world, where you can step inside the original 1909 Boeing "Red Barn" factory and stand among legendary aircraft that trace America's journey from pioneering wooden biplanes to the bleeding edge of global aerospace dominance. Square Books Oxford, MS Journey into the heart of Southern literature in Oxford, Mississippi, where the monumental legacy of Nobel laureate William Faulkner intersects with the legendary Square Books, celebrating an author who profoundly re-engineered the American novel and a legendary independent bookstore that keeps his fearless exploration of the nation's complex past vibrantly alive for modern generations. Pittock Mansion Portland, Oregon Perched high above the city, Portland's Pittock Mansion stands as a spectacular symbol of the American entrepreneurial spirit, showcasing how newspaper tycoon Henry Pittock and his philanthropic wife Georgiana helped transform a rugged frontier outpost into a modern industrial powerhouse.

More than just cars, lowriders are moving masterpieces of Mexican-American ingenuity and resilience that transformed custom automotive design into a powerful symbol of Chicano pride, cultural identity, and artistic rebellion on the streets of the Southwest.

Edward Olmos becomes a dynamic Chicano actor in compelling movies.

In this episode of We're Still Here, John welcomes back the insightful duo of Simon Moya Smith, an Oglala Lakota and Chicano journalist, and Julie Francella, a seasoned mental health professional specializing in Indigenous youth and families. Together, they dive into the recent political triumph of Peggy Flanagan, who has secured the Democratic nomination for U.S. Senate in Minnesota. They discuss the significance of her potential historic win as the first Native woman in the Senate and the broader implications for Indigenous representation in U.S. politics.Simon and Julie reflect on the importance of Indigenous values in governance, emphasizing the need for more Indigenous voices in leadership roles. They explore the ongoing struggles faced by Indigenous communities, particularly in relation to the construction of the border wall by federal contractors on sacred lands. The conversation highlights the tension between tribal sovereignty and federal authority, illustrating how these issues impact Indigenous peoples and their rights to their ancestral lands.As the discussion unfolds, they tackle cultural appropriation in the context of the Miss Universe Canada pageant, where contestant Ashley Colling Bull boldly confronted the pageant officials over inappropriate representations of Indigenous culture. The trio emphasizes the difference between cultural appreciation and appropriation, advocating for respectful representation and the need for Indigenous voices in all narratives surrounding their cultures.Listeners are invited to engage in this enlightening conversation, as John, Simon, and Julie take calls from the audience, addressing everything from Indigenous languages to personal experiences with nature and spirituality. This episode is a powerful reminder of the resilience of Indigenous communities and the importance of representation in all aspects of society.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Baddies.. it has been four score and seven years but ALAS, Wrestling Winedown is back and you know I had to come correct. We are joined by Johnnie Robbie, who has been making waves from West Coast Pro and Pridestyle on the West Coast to CMLL in Mexico. We are spilling the wine on Johnnie's journey in wrestling including how she began watching the sport, her transition from training as a referee to training as a wrestler, some of the individuals who have been crucial in her wrestling career thus far and some of her milestone moments that mean so much to her.We are also chatting another one of my favorite things: fashion! Johnnie is sharing the inspiration behind her ring gear, customizing her hats with her friend to stand out and what it means to have her Chicano roots interlaced into her presentation as a wrestler.Follow Johnnie on Social Media and keep up with her journey in CMLL and on the independents.Twitter: www.twitter.com/wwdcastInstagram: www.instagram.com/wwdcastKeep Up With Wrestling Winedown (merch, upcoming travel, etc.)Twitter: www.twitter.com/wwdcastInstagram: www.instagram.com/wwdcastTik Tok:https://www.tiktok.com/@wwdcastFacebook: https://www.facebook.com/wwdcast/Merch: www.shop.wrestlingwinedownlv.comMusic: Prod. by Jay 808Logo Design: Joy Lin Arness

As the sun slowly rose over the Rio Grande on September 15, 1891, Catarino Erasmo Garza stood on the Texas side of the border holding in his hands two objects that would come to define his life: a Winchester rifle and a revolutionary proclamation. For years Garza had fought the dictatorship of Porfirio Díaz through his many newspapers and publications. Now he announced that he was laying down the pen and taking up arms. In the opening lines of his manifesto, he declared:"The last of the independent journalists today abandons the pen to seize the sword in defense of the people's rights."His proclamation denounced the destruction of the free press, political murder, fraudulent elections, and the concentration of land and power, while calling for constitutional government, free trade, and land reform in Mexico. Nearly twenty years before Francisco Madero launched the movement that became the Mexican Revolution, Garza had already identified the grievances that would eventually bring down the Díaz regime.Today, Garza remains largely absent from popular memory. His name never appears alongside revolutionary icons like Emiliano Zapata, Pancho Villa, or Francisco Madero, despite the fact that he articulated many of the democratic demands later associated with the Mexican Revolution. This is a shame, because Garza was more than a revolutionary soldier. He was an influential journalist, an international activist, and the likely publisher of El Chicano, a Spanish-language newspaper in San Antonio that may represent the earliest known printed use of the word Chicano as a positive political identity. Sources: https://en.wikipedia.org/wiki/Catarino_Garzahttps://filmotropo.wordpress.com/2012/10/29/catarino-erasmo-garza-and-el-chicano/https://en.wikipedia.org/wiki/Garza_Revolutionhttps://www.tshaonline.org/handbook/entries/garza-warhttps://www.theguardian.com/world/article/2024/jul/17/mexico-catarino-erasmo-garza-disappearedhttps://www.tshaonline.org/texas-day-by-day/entry/391listener comments? Feedback? Shoot us a text!This December, I'll be joining Skeptoid Adventures as your guide for The Mysteries of the Maya, where we'll travel through the Yucatán exploring remarkable archaeological sites, uncovering the real history behind the Maya civilization, and separating fact from fiction along the way. To reserve your spot, all you need is a fully refundable $500 deposit. Your deposit is refundable through August 1, so you can reserve your place with confidence. After Au Lignum is a haven for culture, rest, and resistance. We believe in celebrating community and honoring the land that holds us. At our urban “milpa,” we practice indigenous science that respects the natural cycles of the region, and most of our workshops are hosted by indigenous and local experts. Every project we do is grounded in collective memory, creativity, and respect for the land and its people.  Order "NEVER WILL IT BE LOST" and get $5 off!Support Lignum: A Cultural Haven in MéridaYour Hosts:Kurly Tlapoyawa is an archaeologist, ethnohistorian, and filmmaker. His research covers Mesoamerica, the American Southwest, and the historical connections between the two regions. He is the author of numerous books and has presented lectures at the University of New Mexico, Harvard University, Yale University, San Diego State University, and numerous others. He most recently released his documentary short film "Guardians of the Purple Kingdom," and is a cultural consultant for Nickelodeon Animation Studios.@kurlytlapoyawaRuben Arellano Tlakatekatl is a scholar, activist, and professor of history. His research explores Chicana/Chicano indigeneity, Mexican indigenist nationalism, and Coahuiltecan identity resurgence. Other areas of research include Aztlan (US Southwest), Anawak (Mesoamerica), and Native North America. He has presented and published widely on these topics and has taught courses at various institutions. He currently teaches history at Dallas College – Mountain View Campus. Find us: Bluesky...

Today I sit down with Lil B to trace the global journey, artistic evolution, and mindset shift behind his achievements. From his roots doing graffiti in France and learning fine-line Chicano black-and-gray at the legendary Low Rider Tattoo, to completely reinventing his career in Japan, he shares the grit it takes to start over and establish himself as a respected practitioner of traditional Japanese tattooing and Tebori techniques. In this episode, we dive into: The Pivot to Japanese Style: how he stepped away from fine-line to build a brand-new reputation around bold, classic Japanese.   Perfecting the Craft: The challenge of understanding organic background flow, learning traditional techniques, and drawing inspiration from traditional masters.   Cultural Shifts & Studio Life: Comparing social norms between France and Japan, plus the unique reality of running a private studio in Okinawa.   Hyperproductivity vs. Rest: Unpacking burnout, reducing social media noise, and learning to balance a relentless work ethic with actual life enjoyment.   Follow Lil B on Instagram stefbastian.com @stef_bastian

In this episode of We're Still Here, John talks with Simon Moya-Smith, an Oglala Lakota and Chicano journalist, and Julie Francella, a mental health professional specializing in Indigenous youth. Together, they explore pressing issues surrounding Indigenous identity, surveillance, and the implications of technology within tribal nations. They also discuss the recent partnership between the Navajo Nation and a private surveillance company, raising questions about privacy, safety, and the historical context of surveillance in Indigenous communities.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

En este episodio de En La Clara con La Trifulca, Alex, Gerardo y Omar analizan todo lo que está ocurriendo en la lucha libre puertorriqueña. Hablamos de la cartelera de La Noche Que No Necesita Nombre, el enfrentamiento entre Chicano y Ray González, Orlando Colón, las luchas titulares, el evento Ladies Night Out de Title Match Network y las noticias más importantes del momento. Un episodio lleno de análisis, opinión y debate sobre el presente de la lucha libre en Puerto Rico.https://www.youtube.com/channel/UCVZ0uJt-0skE-PkVGnmyTeASpotifyhttps://open.spotify.com/show/2Nki4huLPMwYftru08gFYV?si=BhUveS5kRvyTJU0ePNO2EwApple Podcasthttps://podcasts.apple.com/us/podcast/trifulca-wrestling-media/id1459553025Anchorhttps://anchor.fm/trifulcawrestling#EnLaClaraConLaTrifulca #TrifulcaWrestling #TrifulcaMedia #LuchaLibre #LuchaLibrePuertorriqueña #PuertoRicoWrestling #WWC #EWA #TitleMatchNetwork #LadiesNightOut #Chicano #RayGonzalez #OrlandoColon #Podcast #WrestlingPodcast #ProWrestling #LuchaLibrePR #WrestlingNews #LuchaBoricuA #YouTubePodcast

In this week's episode, Mala reports on her experience at the premiere of American Pachuco: The Legend of Luis Valdez. Famously known as the father of Chicano cinema, Valdez gave Edward James Olmos, Lou Diamond Phillips, and Esai Morales their start. The story of Valdez is finally getting the documentary treatment it deserves. This episode, we're taking you inside the Sundance-winning documentary. Mala interviews the people who lived Valdez's legacy, like Dolores Huerta, Lou Diamond Phillips, and Esai Morales. She also talks to Eduardo Arenas of Chicano Batman who scored the film, producer Everett Katigbak, and Director David Alvarado. Support the show: https://www.patreon.com/locatora_productionsSee omnystudio.com/listener for privacy information.

Josh T. Franco is an artist and art historian from West Texas who believes that art history is made by hand. Cultured Magazine included this creative powerhouse in their 2026 list of 12 Art-World Tastemakers We're Most Excited About. Franco actually wears four creative hats: artist, art historian, curator and new Exec Dir of US Latinx Art Forum. He grew up immersed in the ever-evolving wonderland his grandfather created in his backyard in Marfa, TX, full of eclectic found objects, sculptures and whimsical installations. Franco's current  exhibition, Where I Learned to Look: Art from the Yard, celebrates the foundational role of yards in shaping contemporary art in America. His forthcoming book, Marfa, Marfa: Rasquachismo and Minimalism in Far West Texas, examines minimalism and the aesthetics that artist Donald Judd brought to Marfa … and how these intersect with "rasquachismo," the sensibility of the oppressed in working class Chicano communities. “I am an artist with an art history PhD. My practice investigates the mechanisms by which knowledge moves intergenerationally,” says. Franco. He's been an art historian with the Smithsonian for over ten years, interacting with some of the most treasured documents ever produced by artists across time. “I believe that every work of art is also a work of art history, because every work of art carries the past.” As the new Executive Director  of US Latinx Art Forum, Franco is committed to celebrating and promoting art by US inhabitants of Latinx descent and their communities to foster equity and growth, and support its practitioners. Have a Swan Dive to share? Text us!We are always looking for Swan Dive Stories to share so hit us up, send an e mail to Ron: Ron@artbikesjax.com or Stu: Stuart@stuartsheldon.com

TODAY ON  THE SHOW: We continue our drumbeat coverage of the violent situation in Haiti, as a result of US destabilization policies. Hundreds of thousands of Haitians on edge, and on the run in the US. Professor Ron Lopez, Chicano and Latino Studies at Sonoma State University, joins us To talk about teaching students at risk for ice harassment and actual deportation. We'll talk some left/right politics with Roots Action co-founder, Norm Solomon. An award winning front-line investigative news magazine focusing on human, civil and workers rights, issues of war and peace, Global Warming, racism and poverty, and other issues. Hosted by Dennis J. Bernstein. The post We Continue Our Drumbeat Coverage of the Violent Situation in Haiti appeared first on KPFA.

Send us Fan MailFREEBIE AND THE BEAN Despite a brief detour off The Odyssey overpass, TGTPTU's back on the case with Season 17's concluding four 1x1's. To kick off this celebration of films we'd otherwise not investigate during another season, the 70's anti-establishment comedy that arguably might have spawned the buddy-cop genre FREEBIE AND THE BEAN (1974).     Made by (un)celebrated creative Richard Rush, the bewildering director of such films as the Academy Award for Best Director-nominated comedy The Stunt Man (1980) starring Peter O'Toole and the Golden Raspberry Worst Film-winning erotic thriller Color of Night (1994) starring Bruce Willis, Freebie and the Bean stars James Caan as the titular Freebie for whom the Intelligence Squad beat is a grift to gain gratis goods and, as his partner, Alan Arkin who despite not being Chicano plays the titular roles' pejorative half as a cop who is closer to by-the-book and who suspects his wife (played by Valerie Harper) of cheating on him. Set in San Franscisco as determined by what could easily be the third character in the movie for as much screentime as the iconic Transamerica Pyramid gets, Freebie and Bean must more-or-less reenact the plot of Bullitt with more car crashes and a less deceased person under protection in this situational comedy occurring the weekend of the Super Bowl with the wild and crazy premise of cops being bad at their jobs.   The film was good enough, or late-70s TV bad enough, to garner a one-season TV series.   This episode, we discover Ryan is an easy laugh, Ryan stumps Thomas who struggles to come up with a 70s comedy he likes, and Ken, whose 1x1 pick this movie was, has advertising trivia deets and clowns on the Temu SouperBolls branding.   THEME SONG BY: WEIRD A.I.Email: thegoodthepodandtheugly@gmail.comFacebook: https://m.facebook.com/TGTPTUInstagram: https://instagram.com/thegoodthepodandtheugly?igshid=um92md09kjg0Bluesky: @goodpodugly.bsky.socialYouTube: https://www.youtube.com/channel/UC6mI2plrgJu-TB95bbJCW-gLetterboxd (follow us!):Podcast: goodpoduglyKen: Ken KoralRyan: Ryan Tobias

First, the city has renewed their contract with Caltrans. Then, as the summer temps climb, so are COVID-19 cases in the county. Next, new murals have popped up that honor African American and Chicano music legends. Also, some weekend events happening around the county that you and yours can take part in.

Pure driving energy and relentless peak time vibes. Built for dark rooms, heavy sound systems, and late-night sweat

Luis Valdez has spent his life unapologetically telling Chicano stories. Born in Delano, he found his footing in the Bay Area and went on to produce “Zoot Suit,” the first Chicano play to make it to Broadway, direct “La Bamba,” one of the most successful Latine films ever. In a new documentary, “American Pachuco: The Legend of Luis Valdez,” director David Alvarado put the camera in front of Valdez to tell his story. Valdez and Alvarado join us to talk about the documentary, the importance of capturing the Chicano experience and the stories they still want to tell.  Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, we welcome Oglala Lakota and Chicano journalist Simon Moya Smith and Indigenous studies professor Julie Francella to discuss the significance of Peggy Flanagan's Senate campaign. They explore the unique Indigenous values that shape leadership and the importance of representation in politics. The conversation touches on matriarchal traditions, environmental stewardship, and the ongoing impacts of colonization on Indigenous communities.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Writer, director, and theater legend Luis Valdez is considered the father of Chicano theater. A new documentary tells his story. Director David Alvarado discusses his film "American Pachuco: The Legend of Luis Valdez," which is playing now at Film Forum. Photo by Elizabeth Sunflower, via Retro Photo Archive Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Another Sacrilegious Sunday goes completely off the rails as Chino, Homeboy, and a severely congested Hate Jones deliver nearly three hours of unfiltered comedy, arguments, military commentary, cultural debates, wedding stories, and extremely questionable science.The crew starts by redesigning marriage as a renewable military contract before diving into Japan's Chicano subculture and debating the difference between cultural appreciation, appropriation, and straight-up Columbus-ing somebody else's culture. Somehow, this leads to *The Last Samurai*, Tom Cruise's intense handshake, the Manila–Acapulco galleon trade, and the historical connection between Mexico and the Philippines.Hate Jones then recaps his wedding, the heroic quantity of homemade alcohol he prepared, the invention of the word “squoze,” and the post-wedding adventure that turned one drink into an all-night discussion about sexuality, attraction, identity, trans dating, threesomes, and whether heterosexuality is actually the rarest kink of them all.The second half gets military-heavy as the crew reacts to a child-abuse confrontation, a dangerously low Blue Angels beach flyover, proposed testosterone screenings, new Army waist-to-height standards, VA dependent-verification disasters, and the Tuskegee Airmen's long-erased victory in America's original Top Gun competition.Finally, the Deadpool returns with aerial accidents, celebrity deaths, irresponsible relationship advice, and an emergency lesson explaining why a magnitude-four earthquake is absolutely not half as powerful as a magnitude eight.This episode contains explicit language, sexual discussions, dark humor, offensive jokes, military stories, and opinions nobody should mistake for professional advice.Like the episode, subscribe to the channel, and tell us in the comments: Is Japan's Chicano culture appreciation, appropriation, or both?0:00 Intro, Illness and Renewable Marriage Contracts11:08 Japanese Chicanos: Appreciation vs. Appropriation24:24 The Last Samurai and Tom Cruise27:26 Mexico, the Philippines and the Galleon Trade29:57 Hate Jones' Wedding and the Invention of “Squoze”51:00 The Post-Wedding Tacos and Bar Adventure1:00:26 Attraction, Sexuality and What “Counts” as Gay1:25:27 Complete Androgen Insensitivity Syndrome1:28:53 Chosen Names and the Chili's Firing Debate1:36:10 Is This Child Abuse?1:41:13 Blue Angels Beach Flyover and Military Safety1:51:23 Testosterone Tests and New Army Body Standards2:13:52 VA Dependent Verification Warning2:20:17 The Tuskegee Airmen's Erased Top Gun Victory2:23:15 Deadpool: Aerial Accidents and Celebrity Deaths2:41:25 Relationship Advice and Earthquake Mathematics#ChinoAndHomeboy #ComedyPodcast #LatinoPodcast #FilipinoPodcast #Looksmaxing #OnlyFans #PodcastClips #DarkComedy #InternetCulture #18PlusComedy #Drake #BadBunny #TaylorSwift #FilipinoCulture #SpiderFighting

RE-BROADCAST JULY 10 2026 Today on the show: We are live from Medicine For Nightmares Book Store in the Heart of San Francisco's legendary Mission District. We'll be joined by Chicano writer/activist Alejandro Murguia: Activist Professor  Lorena Gonzalez, Contra Costa College La Rasa Studies, Professor Ron Lopez , Chicano Studies Sonoma State University. Immigrants rights activist and Flashpoints Resident Troubadour Francisco Herrera and Honorary Mayor of the Mission, and longtime activist, Roberto Hernandez, and Radio Activist/Flashpoints contributor Sara Blanco join us. An award winning front-line investigative news magazine, that focuses on human, civil and workers right, issues of war and peace, Global Warming, racism and poverty, and other issues. Hosted by Dennis J. Bernstein. The post RE-BROADCAST JULY 10 2026 appeared first on KPFA.

This week Diosa and Mala dig into Chicano history and American history: Luis Valdez's groundbreaking play and film Zoot Suit, the 1943 Zoot Suit Riots, and the question at the center: who gets to call themselves American? Together, they trace the Zoot Suit from a cross-cultural fashion statement into a symbol that made Mexican American youth targets of state and mob violence during World War II, and why that's so resonant today. Support the show: https://www.patreon.com/locatora_productionsSee omnystudio.com/listener for privacy information.

Berenice and Ella tackle the tradwife movement head on, breaking down why influencers like Ballerina Farm and Erica Kirk are the wrong messengers for a "stay home and depend on a man" lifestyle when they're running million dollar businesses. The girls get into cultural appropriation in fashion (looking at you, luxury designers profiting off Chicano and Chinese design elements), insider trading among politicians, and why education inequality tied to property taxes is failing kids across the country. They also riff on Depop lowballers, fireworks safety, one hit wonders disappearing from the music industry, and why bravery to change your mind might be the most underrated trait in America right now. Light, funny, and a little bit fired up, this is part two of their "America, the rebrand" series.Follow the girls on social!

Today on the show: We are live from Medicine For Nightmares Book Store in the Heart of San Francisco's legendary Mission District. We'll be joined by Chicano writer/activist Alejandro Murguia: Activist Professor  Lorena Gonzalez, Contra Costa College La Rasa Studies, Professor Ron Lopez , Chicano Studies Sonoma State University. Immigrants rights activist and Flashpoints Resident Troubadour Francisco Herrera and Honorary Mayor of the Mission, and longtime activist, Roberto Hernandez, and Radio Activist/Flashpoints contributor Sara Blanco join us. An award winning front-line investigative news magazine, that focuses on human, civil and workers right, issues of war and peace, Global Warming, racism and poverty, and other issues. Hosted by Dennis J. Bernstein. The post ROUND TABLE IN THE BOOKSTORE appeared first on KPFA.

Local fashion designers took high fashion to the streets last month to showcase clothes characterized as "rasquachic."

In this thought-provoking episode, we engage with Simon Moya-Smith, an Oglala Lakota and Chicano journalist, and Julie Francella, a mental health professional with deep ties to Indigenous communities. Together, they explore the complexities of America's 250th anniversary, emphasizing the need for an honest reckoning with history rather than mere celebration. They discuss the importance of recognizing Indigenous perspectives and the often overlooked contributions of Native nations to the founding of America. Tune in for a powerful conversation that challenges traditional narratives and advocates for a more inclusive understanding of patriotism.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

There's only ONE Hector Saldana. Founding member of The Krayolas. Museum curator at the world class Wittliff Museum at Texas State University in San Marcos, Texas. Hector spent more than two decades telling the stories that many mainstream media outlets overlooked—Tejano musicians, conjunto pioneers, Chicano artists, Texas songwriters, and the cultural movements that shaped South Texas. He earned national journalism awards for his feature writing and coverage of San Antonio's music scene.What makes him Truly Significant is that he evolved from reporter to preservationist. In 2017, he was selected as the first curator of the Texas Music Collection at The Wittliff Collections, where his mission became preserving the stories, photographs, recordings, and artifacts of Texas music for future generations. That is a classic Side Quest story. A young reporter could have spent an entire career covering breaking news. Instead, Saldaña followed his curiosity into music history, Texas culture, and the people behind the songs.Over time, that side interest became a calling. His Side Quest became his significance. Several themes stand out:He Preserved Voices Before They Disappeared.  Saldaña documented legends such as Flaco Jiménez, Augie Meyers, and countless regional artists whose stories might otherwise have been lost. His work often focused on the cultural significance behind the music, not just the performers themselves. He Built Bridges Between Cultures His reporting connected country music, rock and roll, Tejano, conjunto, and Mexican-American traditions. He helped Texans understand that these were not separate stories but chapters of the same Texas story.He Turned Curiosity Into Stewardship Many people collect information. Few become caretakers of an entire cultural legacy. As curator, he moved from reporting history to protecting it. A Truly Significant Reflection        He thought he was covering concerts. He thought he was interviewing musicians. He thought he was writing newspaper stories. But all along, Hector Saldaña was preserving the soundtrack of Texas. And years later, when the songs faded and the musicians passed on, the stories remained. Because one curious journalist decided they mattered. That is significance. Not fame. Not headlines. Not bylines. But becoming the trusted keeper of a culture's memory. And that's why Hector Saldaña belongs as a Truly Significant Texan.Become a supporter of this podcast: https://www.spreaker.com/podcast/success-made-to-last-legends--4302039/support.

About 12 years ago Gabe Panchero and Sameer Naseem launched their own comedy show, Funhouse Comedy. After a two year run at Passenger Bar, the bar closed and for the past 10 years, it's been running at Pete's Candy Store. At the time of this session, Funhouse has about 2 weeks left at Pete's. Gabe talks about the ideas that formed Funhouse, the prized life experience it's been, and what's in mind next for the show. Stay tuned! I learned a lot from Gabe and how his childhood made him who he is today, a hilarious, thought provoking comedian and a proud bi-lingual Chicano. His father is a social worker, the child of Mexican Migrant workers, his mother a lawyer, working with MALDEF, the Mexican-American Legal Defense Fund. Gabe was taught by monks, which Dr. Lisa feels had a profound affect on his view of life—he's unusually level-headed. He's never been to therapy though he seems to possess robust coping skills. We also explore Gabe's ideas about relationships which is well considered and thought-provoking. Website: https://www.gabepacheco.com/ Bio: Gabe Pacheco, originally from Washington, DC, is an actor, comedian, host, friend, and roving academic. He's an entertainer who inspires you to think, moments after you've already laughed. A bilingual performer with progressive leanings, watching 10 minutes of Gabe on stage  can feel like you've smoked a joint of Ghost Train Haze sativa and mockingly laughed at headlines from the Sunday Times. Animated, literate, and with a touch of sly post-Millennium wit, Gabe shimmies and flickers his way through a set. No one gyrates their hips better to the notion of the world crumbling around us, and no one better evokes the spirit of norteño music with the message of early-80's DC hardcore. It's comedy that is steeped in the present, while hoping for a less ridiculous future. With a decade of experience on the NYC scene under his belt, Gabe has appeared on stages as big as Caroline's, as experimental as The Creek & The Cave, and as buzzed about as the Knitting Factory. He's been accepted into the Asheville Comedy Festival and the Accidental Comedy Festival. He's shared insights on Sirius XM's “Tell Me Everything with John Fugelsang” and “Affirmative Reaction with Xorje Olivares”, while also sitting in as the permanent guest host of the widely popular, left-wing humor and journalism podcast, “The Katie Halper Show”. Gabe has trained at the UCB Theater in NYC and is a veteran in the Story Pirates Acting Company, preparing him for his starring role in the short film “Leaves in Autumn”, which was screened at the Anthology Film Archives (NYC) as part of the New Filmmakers Festival in 2018. Gabe Pacheco is a performer. And a storyteller. And an informed bystander of the seemingly never-ending spectacle of current world affairs and humanity that demand our attention...moments after we've already laughed.  

The FIFA World Cup officially kicks off today with events across LA. LA County Sheriff department is warning World Cup fans to watch out for a range of scams. How Cheech Marin helped the ‘Godfather of West Coast graffiti’ break into the art world. Support The L.A. Report by donating at LAist.com/join and by visiting https://laist.comSupport the show: https://laist.com

Episode #148 – Rayos MagosRayos Magos grew up on the west side of San Jose, utilizing art as a natural way to navigate the world. He initially studied journalism at SF State before pivoting to earn degrees in psychology and working on the front lines of community mental health. In April 2021, he left his counseling career to pursue art full-time—a psychological lens that remains foundational to his work. Today, his practice has expanded into complex, large-scale mixed-media textiles, canvas manipulation, and embroidery, drawing from family archives to examine identity, contemporary Chicano culture, and Mesoamerican mythology.In parallel with his studio practice, Magos teaches and leads workshops for “Home Is Where the Art Is,” a program developed by housing nonprofit HomeFirst. Working within transitional housing units, Magos uses expressive arts to help residents break through creative baggage. These workshops culminate in a formal gallery exhibition and art auction, with 100% of the proceeds returned directly to the resident creators to build financial autonomy and human connection.In this conversation, Magos traces his journey from childhood sketching and neighborhood graffiti to slinging prints in Mexico City and hustling as an artist, now working between Toronto, Canada, and San Jose.Rayos Magos:Website: rayos-magos.square.siteInstagram: @rayos_magosHomeFirst:Website: homefirstscc.orgInstagram: @homefirstservices_scc

This week, John welcomes back Oglala Lakota and Chicano journalist Simon Moya Smith, along with mental health professional Julie Francella, discuss the ongoing impacts of the Indian Removal Act, signed by Andrew Jackson 193 years ago. They delve into the historical context and modern consequences of Indigenous displacement, the trauma faced by Native communities, and the importance of food sovereignty.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The New York Times‘ obituary (5/18/26) for former LAPD detective Mark Fuhrman quotes him saying that “policemen never get the benefit of the doubt.” The racism of Mark Fuhrman, the Los Angeles police detective whose involvement in the O.J. Simpson murder investigation helped sink the prosecution's case, was so well-known comedian Dana Carvey once mocked him with a Nazi salute, calling him “Mark the Fuhrer-man.” Fuhrman's death this month (New York Times, 5/18/26) took middle-aged and older Americans back to 1995, when the televised trial of Simpson, accused of murdering his ex-wife and her friend, dominated media for much of the year. During the trial, audio recordings and witness testimony revealed Fuhrman's use of the n-word and other racist views, sinking his credibility as the cop responsible for recovering the “bloody glove,” the key piece of evidence tying Simpson to the killings. Because he had previously testified that he never used the word, it opened an opportunity for the defense to suggest he wasn't honest about other things—and had a motivation to frame a Black celebrity. Unrelenting racism In July 2017, CNN‘s Kyra Phillips played new excerpts from the Fuhrman tapes. The tapes portrayed hours of unrelenting racism. “All these n*****s in L.A. city government…all of them should be lined up against a wall and fucking shot,” he said. And often sexism as well: “What if I’ve just been raped by two buck n*****s, and a female shows up?” During the trial, witness Kathleen Bell testified that Fuhrman had said, “If I had my way, all the n*****s would be gathered together and burned.” Bell told the court, “When he sees a Black man with a white woman driving in a car, he pulls them over,” with no traffic violation needed (Washington Post, 9/5/95). Fuhrman became the national representation of the American racist cop. He invoked the Fifth Amendment when questioned about his handling of evidence (LA Times, 9/7/95), offering the shadow of a doubt the jury needed to acquit the former football and movie star. In his fiery closing argument, defense attorney Johnnie Cochran characterized Fuhrman as “this perjurer, this racist, this genocidal racist.” Fuhrman pleaded no contest to a perjury charge a year later (CNN, 10/2/96). But there was something bigger about Fuhrman, and it's something we can deeply feel in the media environment today. ‘Unwitting catalyst’ Mark Fuhrman interviewed in ESPN‘s OJ: Made in America (2016). The legal “dream team” Simpson assembled certainly focused on pushing the jury for an acquittal—that's a defense lawyer's job. But as outlined in both the dramatized The People v. O.J. Simpson: American Crime Story on FX and ESPN's OJ: Made in America, defense lead Cochran also built a larger case for a larger audience. (Side note: FAIR's Janine Jackson briefly appears in the ESPN documentary in a segment about media coverage of the trial.) Nicole Brown Simpson was killed at her Los Angeles home, along with Ron Goldman, on June 12, 1994, just two years after the city was engulfed in racial rioting as a result of an acquittal of police officers who had been videotaped brutally beating a Black man, Rodney King. For much of America, the rioting was a dividing moment. Civil rights activists saw it as the explosion of a powder keg under pressure of decades of tension between LA's Black community and the cops. A great deal of white America saw the rioting as an inexplicable overreaction. Press voices had their doubts too. Newsweek (5/10/92) called the looting “a manic fiesta, a TV game show with every looter a winner.” Cochran set out to change the narrative, to demonstrate to the white public that Black Los Angeles has systemically suffered from racist policing. Ben Ehrenreich (Guardian, 4/22/20): “The thousands of African Americans who migrated to Los Angeles from the Jim Crow south had found similar cruel realities awaiting them.” In Set the Night on Fire, Mike Davis and Jon Weiner outline the ongoing war against the Black community by LA cops in the 1960s, erupting in the 1965 Watts riots. From the Guardian‘s review (4/22/20): LA's police make dramatic appearances in almost every chapter, clubbing peaceful protesters, brutalizing activists and killing so many Black men, and with such absolute impunity, that Davis and Wiener's claim that “the Manson gang were bit players compared to the forces of law and order” ends up feeling more than fair. In the authors' telling, the wanton violence of the police acted as a consistent if unwitting catalyst to historical change: It was the chaos that followed a ferocious LAPD assault on anti-war protesters that added to Lyndon Johnson's decision not to run for re-election in 1968, and the LAPD's murder of a Black Muslim named Ronald Stokes—seven other Muslims were shot in the same incident—that pushed Malcolm X towards a broader vision of Black liberation. The shared experience of LAPD violence, Davis and Wiener write, forged a “common culture of resistance” among Black and Chicano youth, white hipsters and anti-war activists, and the city's gay community. This situation hardly improved with the economic turmoil of the 1970s, or the reactionary retreat of the 1980s. For many Black Angelenos, the 1992 riots weren't about one videotape, but about this entire history. Cochran had an opportunity to reveal the situation in the early ’90s to America. And with Fuhrman, who was called by the prosecution to bring the bloody glove into evidence, Cochran was able to show a feverishly racist man at the center of this investigation. ‘Kill somebody and go have some chicken’ Sean Hannity (Hannity, 1/10/23) interviewing Pam Bondi (then a former Florida attorney general) and Mark Fuhrman. In the end, Simpson was acquitted, and Fuhrman became a symbol of a divided America. It’s quite telling that the disgraced cop later found a landing place on Fox News. The Murdoch media empire created the news network the year after the Simpson trial as the antithesis to what it claimed was a liberal slant in corporate television news. Bringing on Fuhrman as a recurring guest—and, later, giving him his own show on Fox Nation—didn’t just promote his own public rehabilitation, it foretold a shift in “acceptable” discourse on right-wing TV. Fox‘s Greta van Susteren (5/19/05) defended having him on as a frequent guest: Mark happens to be a very, very, very smart detective—one of the best I have ever worked with and I have worked with many. He really thinks about the investigations we book him on the show to discuss. But Fox was attracted to Fuhrman not by his smarts, but by his hate. The racism that spilled out in the Simpson trial—Fuhrman's animosity toward the people who he was sworn to protect and serve—catered directly to the Fox audience. Another Fox star that routinely showcased Fuhrman was Sean Hannity (Extra!, 9/13). On Hannity & Colmes (11/16/06; cited by Media Matters, 11/20/06), Fuhrman asserted that the the type of “people” he “dealt with … for 20 years” will kill somebody and go have some chicken at KFC. You will catch them eating chicken and drinking a beer after they just murdered three people. He added that “these people are out there. They’re all over the place.” In another appearance, Hannity (Hannity, 7/16/13) brought the ex-cop on to speculate on whether Black people would riot if George Zimmerman were found not guilty of murdering an unarmed Trayvon Martin in Florida. “Mark, it seems to me like it's going to be a dangerous scenario for the cities where this is going to occur,” said Hannity. Fuhrman replied, “I think you're right, Sean,” and proceeded to fantasize about protesters “assaulting people, assaulting officers, so when you cross that line, it's pretty obvious, and, you know, this is completely drawn on racial lines now.” ‘They just take more and more’ “You can always find something that doesn’t look like justice was served one way or another,” Mark Fuhrman tells Megyn Kelly (and right-wing novelist Brad Thor) on Fox‘s Kelly File (7/8/16). Fuhrman had nothing but contempt for the Black Lives Matter movement erupting in Ferguson, Missouri. He told Fox News' Megyn Kelly (8/10/15): Stopping traffic is not a lawful demonstration. Stopping pedestrians is not a lawful demonstration.  Stopping regular traffic on sidewalks in front of buildings. That is not lawful demonstrations. And they should enforce it. And you know, when you allow some kind of, you know, leeway, they just take more and more. And now we have people that are not on the city council and they’re not on the police department, no matter how represented the Black community is. They are not there. You’re dealing with gang members and street drug dealers that are just hanging out. They’re armed and they’re taking advantage of a hesitant police department. How did Fuhrman respond to a video of “a white school police officer in a Columbia [South Carolina] classroom grabbing an African-American student by the neck, flipping her backward as she sat at her desk, then dragging and throwing her across the floor” (New York Times, 10/26/15)? He made the officer a saint on Fox. Media Matters (10/27/15) quoted Fuhrman: He requested her. He verbally did that. The next level is he put a hand on her. She escalated it from there. He used soft control. He threw her on the ground, he handcuffed her. He didn’t use mace. He didn’t use a Taser. He didn’t use a stick. He didn’t kick her. He didn’t hit her. He didn’t choke her. He used a minimal amount of force necessary to effect an arrest. In 2019, he attacked Democratic presidential hopefuls for their police reform rhetoric on the Ingraham Angle (8/2/19), saying those politicians were looking to win “that 18-to-25-year-old base that is involved in all these movements—these anti-government, anti-establishment, anti-republic, anti-Trump” movements. He eventually was given his own show on Fox News spinoff Fox Nation, the Fuhrman Diaries, which ran from 2018 to 2022. (Fox promoted him as “America's most controversial detective”—LA Times, 11/29/18.) ‘Total reputational annihilation’ Just because someone lied under oath about using racial slurs dozens of times doesn’t mean they should be canceled (Wall Street Journal, 5/20/26)—and by “canceled,” we mean given their own TV show. People can and do change over time. Fuhrman gave a somewhat nuanced view on Fox News (Ingraham Angle, 5/29/20) about the police killing of George Floyd, which resulted in widespread political unrest. He called Floyd's killing “a slow-motion homicide,” and said the video footage was “a slow and really painful thing to watch of somebody grinding somebody’s face into the pavement until they’re dead.” At the Murdoch-owned Wall Street Journal, columnist Matthew Hennessey (5/20/26) christened Fuhrman a victim of cancel culture, admitting that he was a “bad cop,” but that he was among the first to suffer the total reputational annihilation that has become a hallmark of life in the digital era, where everything you say—or have ever said—will one day be used against you in the court of public opinion. It’s a strange sort of “reputational annihilation” that gets you regularly showcased on a national cable TV network, and then gives you your own show. Fuhrman’s afterlife as a commentator foretold a media conservatism that flips the narrative about racist policing on its head, where prejudice becomes a sign of expertise. It’s a legacy we live with today in MAGA America, even with Fuhrman having departed this world. Research assistance: Priyanka Bansal

In this special collaborative episode with Dance or Die, I'm talking to Derrick Estrada, better known in the worlds of breakcore, hardcore, jungle and sonic synthesis as Baseck. Baseck was raised in Lancaster, California halfway between the Angeles National Forest and the Mojave Desert. As a youth he became intoxicated by car bass test CDs, scratch records, jungle mixtapes, gangster rap, and illegal raves. Put this all in a blender with DIY punk, Chicano subculture and a battle mentality and you get halfway to what Baseck is about. Sometimes Baseck is playing wild shows that combine turntablism, live hardware, modded gameboys and thrash vocals; sometimes he is throwing raves, designing clothes, doing noise shows at the museum, or making synth modules. He's collaborated with Boys Noize, Charli XCX, A.G. Cook and Zach de la Rocha and recorded for too many labels to name. He calls in from his current home in Tulsa, Oklahoma to talk about cutty L.A. raves, Midwest hardcore, sonic transformation and how he became a warrior of the breaks. This is part one of a two part episode, hosted by Vivian Host aka Star Eyes. For more info and extras, visit Ravetothegrave.org or Instagram @ravetothe.grave.

You lived through it. You lost people. And somewhere along the way you decided HIV was somebody else's problem now. It is not. Andrew Spieldenner and Alex Garner from MPact Global Action join Rick for a conversation that does not let the queer community off the hook. MPact works across 60 countries supporting LGBTQ-led organizations fighting HIV stigma, funding cuts, and the political forces making all of it worse. This episode covers where the stigma still lives, why gay men over 50 are among the fastest growing groups of new diagnoses, and why staying sexual, visible, and engaged is still an act of resistance. Key Takeaways: Why HIV stigma has not gone away, it has just gotten quieter and more insidiousHow structural racism and poverty drive HIV transmission more than individual behaviorWhy gay men over 50 are seeing rising new diagnosis rates and what that meansThe dangerous gap between available prevention tools and who actually gets access to them About Andrew Andrew R. Spieldenner, Ph.D. is Executive Director of MPact Global Action, an international gay rights organization in the HIV response, and Professor in the Department of Communication at California State University-San Marcos. Openly living with HIV, Dr. Spieldenner's writing is at the intersection of health and culture, particularly looking at HIV and the LGBTQ community. Dr. Spieldenner's edited books include Intercultural Health Communication, Post-AIDS Discourse in Health Communication, and the award-winning A Pill for Promiscuity. About Alex Alex Garner is a writer, artist, and community advocate dedicated to advancing queer visibility and health equity. He currently serves as Senior Director of Strategic Initiatives & Communications at MPact Global Action and previously led sexual health innovation and global campaigns as Senior Health Innovation Strategist at Hornet. With over 25 years in community organizing and two decades as a writer, Alex uses storytelling, art, and advocacy to humanize queer experiences and destigmatize conversations around sex, HIV, and identity. Born and raised in Southern California, Alex is a proud Chicano, gay/queer, and male-presenting person who embraces fluidity and authenticity. Living openly with HIV for 30 years, he shares his personal journey including his time as a sex worker and performer to challenge stigma and inspire others. Connect With Andrew and Alex Website Facebook Instagram LinkedIn Hey Guys, Don't Forget! Join the 40 Plus: Gay Men Gay Talk, monthly chats. - Learn More! Also, join our Facebook Community - 40 Plus: Gay Men, Gay Talk Community

Let's take a (low)ride with Assemblymember Mark Gonzalez as he honors the rich Chicano and Latino heritage that has helped define California's culture. Gonzalez has written the Lowrider License Plate Program (AB 2541). This initiative not only recognizes a powerful cultural legacy but also invests back into our communities by supporting arts and cultural programs through the California Arts Council. Jump in and ride along with us as we talk to Assemblymember Gonzalez.

Frank Carbajal grew up the son of Mexican migrant farmworkers in California's Imperial Valley, where summer temperatures hit 115 degrees and his mother worked the fields through her third trimester. Today he's the founder and president of Es Tiempo LLC, a co-author of three books on Latino leadership, founder of the Silicon Valley Latino Leadership Summit at Stanford University, and a former keynote speaker in Ken Blanchard's network. In this conversation with Simma, Frank talks about what it actually means to be Latino in America today — and why that word doesn't fit everyone who could claim it. He breaks down the Bracero Program that brought his parents to the U.S., the "101 Infrastructure Divide" that shows how Latino hands built Silicon Valley while Latino representation in tech sits in the single digits, and why his mother told him being bilingual is a superpower. This is a conversation about immigration, identity, family, and what it takes to move from picking fruit in the fields to standing in front of executive boardrooms — without ever forgetting where you came from. What You'll Learn What the Bracero Program was, and how it shaped Mexican American families in California for generations Why "Latino" is not one identity — and how to talk to people about their background without making assumptions The real numbers behind Latino representation in education, the corporate boardroom, and venture capital How to start a conversation across race and culture without getting yourself into trouble Why being bilingual is a competitive advantage, not something to hide What "the 101 Infrastructure Divide" means and why it matters for anyone working in or with the tech industry How to spot the difference between performative diversity and actual connection Key Takeaways Latinos are not a monolith. There are 20 Latin American countries, multiple generations of Latino Americans, and people who identify as Latino, Latina, Chicano, Mexican American, American, or simply as a leader — and all of those answers are valid. The hands that built Silicon Valley are not the hands sitting in its boardrooms. Latino representation in tech leadership and venture capital is still in the low single digits despite Latinos making up over 40% of California's population. Conversations across race work when you start with what's in front of you — food, art, family, a shared interest — not with politics or assumptions. Bilingualism is a superpower. So is resilience. Frank's parents had third- and fourth-grade educations and built a life for their children through nothing but hard work. Leadership, not identity politics, is the through-line that travels across borders, languages, and generations. Timestamps [00:00] — Simma's opening: why this podcast exists for anyone who wants to talk across race but is afraid of saying the wrong thing [02:30] — Meet Frank Carbajal: Es Tiempo LLC, Silicon Valley Latino Leadership Summit, two published books, and the award he's most proud of (hint: it's not the corporate one) [05:00] —  What legacy means in a Latino family [07:00] — The elephant in the room: why race conversations are crucial conversations, and what "healthy conversation" actually looks like [09:00] — The numbers don't lie: 65 million Latinos in the U.S., but only 1–2% of PhDs, 1.5% of CEOs and board members, and less than 2% of venture capital [11:00] — What is the Latino community, really? Why "Latino" doesn't fit everyone — and why some people say "Just call me a leader" [14:00] — The Bracero Program explained: Frank's parents, migrant farmworkers, and the pathway that shaped a generation of Mexican American families [17:00] — Born on Juneteenth in 115-degree heat: Frank's mother worked the fields through her third trimester and almost died giving birth to him [19:00] — The 101 Infrastructure Divide: how Latino hands built Silicon Valley's buildings by hand — including NVIDIA's $4.9 trillion headquarters — while Latino representation in tech stays in the single digits [22:00] — When Simma brought a Spanish-speaking facilitator to a workshop, and her class hated him. Why language alone is not connection. [25:00] — Frank's mother's wisdom on sangrón: how she could spot arrogance instantly, and why she'd rather work with a humble white person who spoke Spanish than an arrogant Latino with a sense of entitlement [28:00] — Bilingual is a superpower: Frank's parents told him to never be embarrassed, and why he tells his own daughters the same thing [30:00] — "Wow, you speak without an accent" — the microaggression Latino professionals know too well, and how Frank handles it [32:00] — Afro-Latinos, Caribbean Latinos, Mexican Americans, Chicanos, Latinos of European descent: why the Latino community is not a monolith, and the language families use to describe all the shades within it [35:00] — Frank's Brazilian soccer coach who was Afro-Latino, spoke three languages, and taught a 10-year-old Frank what unity actually looks like on a team [37:00] — How to have a conversation across difference without stepping on a landmine: Frank's mentor's advice about reading the room — start with the Frida Kahlo painting on the wall, not politics [40:00] — Simma and Frank agree: food and stories are how you build a bridge. Why curiosity beats tiptoeing every time. Guest Bio Frank Carbajal is the founder and president of Es Tiempo LLC, a leadership development and keynote speaking firm. He is the founder of the Silicon Valley Latino Leadership Summit, held at Stanford University, which brings top Latino thought leaders together from across the country. He is co-author of Building the Latino Future: Success Stories for the Next Generation (with a foreword by management guru Ken Blanchard) and co-author of El Futuro Latino, published in 14 Latin American countries. He was part of Ken Blanchard's keynote speaker network and works with CEOs, executives, managers, and small business owners on leadership development. Frank received the 2013 Father of the Year Award from Building Peaceful Families and the 2013 Portraits of Success Award from the Hispanic Development Corporation. He serves on the advocacy committee for the Silicon Valley Education Foundation. He is the son of Mexican immigrants, the husband of a Salvadoran American wife, and the father of three daughters. Connect with Frank Carbajal Email: frank@estiempo.com LinkedIn: Search Frank Carbajal (C-A-R-B-A-J-A-L) Company: Es Tiempo LLC Click here to DONATE and support our podcast All donations are tax deductible through Fractured Atlas. Simma Lieberman, The Inclusionist, helps leaders create inclusive cultures. She is a consultant, speaker, and facilitator. Simma is the creator and host of the podcast, Everyday Conversations on Race. Contact Simma@SimmaLieberman.com to get more information, book her as a speaker for your next event, help you become a more inclusive leader, or facilitate dialogues across differences. Go to www.simmalieberman.com and www.raceconvo.com for more information Simma is a member of and inspired by the global organization IAC (Inclusion Allies Coalition)  Connect with me: Instagram Facebook YouTube Twitter LinkedIn Tiktok Website Previous Episodes Dr. Gina Paige on African Ancestry: How DNA Reconnects Black Americans to Their African Roots From Black Panther to Corporate America: Elmer Dixon on Race, Revolution, and Why DEI Is Not Dead Why We Can't Stop Talking About Race: A Conversation with Carole Copeland Thomas Loved this episode?  Leave us a review and rating

El Sonido: Cancioneros viajó a la Ciudad de México para encontrarse con Cypress Hill horas antes de su presentación en Vive Latino. En medio de un momento histórico para la música latina global, el grupo habló sobre representación, identidad bicultural y el significado detrás de Dios Bendiga, su primer álbum completamente en español y su primer disco de larga duración en más de cuatro años que se lanzará oficialmente el 24 de julio de 2026. En este episodio, B-Real, Sen Dog, Eric Bobo y DJ Lord abren su cancionero personal para compartir la música que habita sus auriculares actualmente: desde el rap chicano de Coyote hasta la psicodelia rebajada de Amantes del Futuro, el legado eterno de Chalino Sánchez y la poesía política de Gil Scott-Heron. Nuestro episodio cuatro de nuestra nueva temporada es un retrato íntimo de una banda que sigue entendiendo la música como resistencia cultural y comunidad. Puedes ver el video podcast en el canal de YouTube KEXP Podcasts, con subtítulos en inglés y español. Cancionero curado por Cypress Hill: “Whippin’ Cream” – Coyote, B-Real & Sick Jacken feat. The Psycho Realm “Cultura Sonidera” – Amantes del Futuro “Alma Enamorada” – Chalino Sánchez “The Revolution Will Not Be Televised” – Gil Scott-Heron “Guacha Trucha” – Cypress Hill & Alemán Créditos: Host & Producer: Albina CabreraEditorial Editing: Dusty HenryAudio Mastering: Jackson LongVideographer: Omar Fernando Rios AlanizOriginal Podcast Music: Roberto Carlos Lange (Helado Negro)Support El Sonido: kexp.org/el-sonido El Sonido: Cancioneros traveled to Mexico City to meet Cypress Hill just hours before their performance at Vive Latino. In the middle of a historic moment for global Latino music, the group spoke about representation, bicultural identity, and the meaning behind Dios Bendiga — their first fully Spanish-language album and their first full-length release in more than four years, officially arriving on July 24, 2026. In this episode, B-Real, Sen Dog, Eric Bobo, and DJ Lord open their personal cancionero to share the music currently living in their headphones: from the Chicano rap of Coyote to the slowed-down psychedelic sound of Amantes del Futuro, the timeless legacy of Chalino Sánchez, and the political poetry of Gil Scott-Heron. Episode four of our new season becomes an intimate portrait of a group that continues to understand music as cultural resistance and community. You can watch the full video podcast on the KEXP Podcasts YouTube channel, with subtitles available in English and Spanish. “Whippin’ Cream” – Coyote, B-Real & Sick Jacken feat. The Psycho Realm “Cultura Sonidera” – Amantes del Futuro “Alma Enamorada” – Chalino Sánchez “The Revolution Will Not Be Televised” – Gil Scott-Heron “Guacha Trucha” – Cypress Hill & Alemán Credits Host & Producer: Albina CabreraEditorial Editing: Dusty HenryAudio Mastering: Jackson LongVideographer: Omar Fernando Rios AlanizOriginal Podcast Music: Roberto Carlos Lange (Helado Negro)Support El Sonido: kexp.org/el-sonidoSupport the show: http://kexp.org/elsonidoSee omnystudio.com/listener for privacy information.

A Chicano educator from Los Angeles has spent nearly 20 years building the infrastructure that schools won't — the kind that catches students before they fall through the cracks. Hector Flores is the CEO of the Latino Film Institute, home to the Youth Cinema Project, a filmmaking mentorship program now operating in 21 California school districts across 61 classrooms. YCP brings professional filmmakers into English classes to guide students from concept to screen over a full school year. The results — in test scores, reclassification rates, graduation, and lives redirected — are impossible to ignore. Find ALIFI at latinofilm.org. Arts integration in schools has been underfunded, undervalued, and cut first for decades. This episode is the case against that pattern — told through data, two schools that are outperforming their affluent neighbors, and a story about a kid living in a motel who just won Best High School Actor.

In this powerful episode, we welcome back Simon Moya Smith, an Oglala Lakota and Chicano journalist, and Julie Francella, a mental health professional with extensive experience in Indigenous communities. Together, they delve into the recent Senate vote that threatens the Boundary Waters Wilderness and the sacred lands of Indigenous peoples. With urgent discussions around sovereignty, environmental protection, and the ongoing fight against colonialism, this episode highlights the importance of community action and the need to protect our natural resources. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Comics don't just happen. Artists will them from nothing. As you'll hear from Henry Barajas and Rachel Merrill in this week's podcast, comics arrive at your local comic book shop through tremendous persistence and imagination. The next time you cross your shop's threshold, possibly to grab a copy of Barajas and Merrill's Death to Pachuco, out now in trade paperback from Image Comics, take a moment to thank the makers. Each book on the rack is a tiny miracle. In Death to Pachuco, Barajas and Merrill tap into history, detailing the 1943 Sleepy Lagoon Murder Trial and the Zoot Suit Riots. It's a Chicano noir, heavily inspired by classic Hollywood tales, but springing from a perspective frequently silenced or ignored. Their private eye, Ricardo “Ricky” Tellez, fancies himself a Sherlock Holmes type, complete with a nearly debilitating drug addiction. He's caught in the racial tensions boiling over during wartime Los Angeles, hunting for a killer, while navigating a femme fatale. This week on the podcast, we chat with Barajas and Merrill about balancing fact and fiction, style and reality, and why humanity frequently allows fear steer its actions. We discuss the magnificent amount of will and persistence it took to materialize Death to Pachuco and how it feels to see it collected in trade paperback, finally. Death to Pachuco is written and lettered by Henry Barajas, illustrated by Rachel Merrill, and colored by Lee Loughridge. The book featured several variant covers from folks like Sarah Gordon (see episode art), Tula Lotay, Ben Passmore, David Lapham, and others. Make sure you're following Henry Barajas on BlueSky and Instagram, and Rachel Merrill on BlueSky and Instagram. This Week's Sponsors The Future is Calling! 2000 AD is the Galaxy's Greatest Comic, with new issues published every single week! Every 32-page issue of 2000 AD brings you the best in sci-fi and horror, featuring characters like Judge Dredd, Rogue Trooper, and more. Get a print subscription to 2000 AD and it'll arrive to your mailbox every week - and your first issue is free! Or subscribe digitally, and you can download DRM-free copies of each issue for only $9 a month. That's 128 pages of incredible comics every month for less than $10! Head to 2000AD.com and click on ‘subscribe' now – or download the 2000 AD app and start reading today! Everyone loves to talk and debate about comics, but few people get to see what it's actually like behind the scenes. Now, IDW Publishing is changing that with the launch of IDW Studios. The first monthly show is CreatorxCreator, a free-flowing, fun and honest chat between two comic book creators as they discuss their craft, process, inspiration, and what life is really like as a creative. The second monthly show, Superlatives, brings IDW's knowledgeable and spirited editors head-to-head to debate each of these categories, with another editor stepping in as the moderator to pick the winner once the pros have made their arguments. Other Relevant Links to This Week's Episode: Subscribe to the Comic Book Couples Counseling YouTube Channel Watch The Stacks, Comic Creators Name Their Favorite Comics CBCC on Word Balloon Comic Book Club: Beneath the Trees Where Nobody Sees at Meanwhile...Coffee in Herndon, Virginia, on 5/3 at 3:30 PM Comic Book Film Club: Paying For It on 4/26 at the Alamo Drafthouse in Winchester, Virginia. Final Round of Plugs (PHEW): Support the Podcast by Joining OUR PATREON COMMUNITY. And, of course, follow Comic Book Couples Counseling on Facebook, on Instagram, and on Bluesky @CBCCPodcast, and you can follow hosts Brad Gullickson @MouthDork & Lisa Gullickson @sidewalksiren. Send us your Words of Affirmation by leaving us a 5-star Review on Apple Podcasts. Continue your conversation with CBCC by hopping over to our website, where we have reviews, essays, and numerous interviews with comic book creators. Podcast logo by Jesse Lonergan and Hassan Otsmane-Elhaou.

In this enlightening episode, we welcome Simon Moya Smith, an Oglala Lakota and Chicano journalist, and Julie Francella, a seasoned mental health professional specializing in Indigenous youth. They discuss a groundbreaking agreement between the U.S. Forest Service and the Great Sioux Nation regarding the Black Elk Wilderness, exploring its significance and implications for Indigenous sovereignty. The conversation also delves into the cultural importance of the moon in Indigenous cosmology, the role of music in healing, and the ongoing struggles surrounding sacred lands like Chaco Canyon. Join us for a thought-provoking dialogue that highlights the intersection of culture, history, and justice.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

We're wrapping up March with a very special episode. Xolo's dad, Omar G. Ramirez, joins us to discuss what it means to be Chicano and to encourage his children to pursue careers in the arts. Xolo candidly asks his dad questions about his life. Omar gives his perspective on Xolo's mischievous activities as a youth. Listen to this week's bonus, where we answer your questions and producer Jordan gives us a major update on Unreal Poke Free Discord Access: https://discord.gg/KnDhbnBMCjJoin Supercast Today for the full episode: https://lonelobos.supercast.com/Follow Lone Lobos on Instagram: https://www.instagram.com/lonelobosFollow Xolo Maridueña on Instagram: https://www.instagram.com/xolo_mariduenaFollow Jacob Bertrand on Instagram: https://www.instagram.com/thejacobbertrandFollow Jordan on Instagram: https://www.instagram.com/jmkm808Follow Monica on Instagram: https://www.instagram.com/officialmonicat_We want your feedback! Please fill out the survey to help us improve our podcast https://tinyurl.com/LLPodcastFeedbackhttp://www.heyxolo.com/Jacobs Channel:  @ThreeFloating  

How Bad Bunny became the global voice of a generation in crisis — and what it means when resistance becomes profitable.Guests:Carina Del Valle Schorske, writer, translator and wannabe backup dancer. She wrote a New York Times Magazine profile about Bad Bunny you can read here. Vanessa Díaz, professor of Chicano/a and Latino/a Studies at Loyola Marymount University. She's been teaching a Bad Bunny college course 2023 and is the co-creator of the Bad Bunny Syllabus Project. She is also the co-author of P FKN R: How Bad Bunny Became the Voice of Puerto Rican Resistance. Jorell Meléndez-Badillo, professor of Puerto Rican, Caribbean and Latin American History at University of Wisconsin, Madison. He's the author of Puerto Rico: A National History. He is also the author of  the history visualizers for Bad Bunny's DTMF album.To access bonus episodes and listen to Throughline sponsor-free, subscribe to Throughline+ via Apple Podcasts or at plus.npr.org/throughline.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy