Podcasts about Chicano

The FIFA World Cup officially kicks off today with events across LA. LA County Sheriff department is warning World Cup fans to watch out for a range of scams. How Cheech Marin helped the ‘Godfather of West Coast graffiti’ break into the art world. Support The L.A. Report by donating at LAist.com/join and by visiting https://laist.comSupport the show: https://laist.com

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Episode #148 – Rayos MagosRayos Magos grew up on the west side of San Jose, utilizing art as a natural way to navigate the world. He initially studied journalism at SF State before pivoting to earn degrees in psychology and working on the front lines of community mental health. In April 2021, he left his counseling career to pursue art full-time—a psychological lens that remains foundational to his work. Today, his practice has expanded into complex, large-scale mixed-media textiles, canvas manipulation, and embroidery, drawing from family archives to examine identity, contemporary Chicano culture, and Mesoamerican mythology.In parallel with his studio practice, Magos teaches and leads workshops for “Home Is Where the Art Is,” a program developed by housing nonprofit HomeFirst. Working within transitional housing units, Magos uses expressive arts to help residents break through creative baggage. These workshops culminate in a formal gallery exhibition and art auction, with 100% of the proceeds returned directly to the resident creators to build financial autonomy and human connection.In this conversation, Magos traces his journey from childhood sketching and neighborhood graffiti to slinging prints in Mexico City and hustling as an artist, now working between Toronto, Canada, and San Jose.Rayos Magos:Website: rayos-magos.square.siteInstagram: @rayos_magosHomeFirst:Website: homefirstscc.orgInstagram: @homefirstservices_scc

This week, John welcomes back Oglala Lakota and Chicano journalist Simon Moya Smith, along with mental health professional Julie Francella, discuss the ongoing impacts of the Indian Removal Act, signed by Andrew Jackson 193 years ago. They delve into the historical context and modern consequences of Indigenous displacement, the trauma faced by Native communities, and the importance of food sovereignty.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The New York Times‘ obituary (5/18/26) for former LAPD detective Mark Fuhrman quotes him saying that “policemen never get the benefit of the doubt.” The racism of Mark Fuhrman, the Los Angeles police detective whose involvement in the O.J. Simpson murder investigation helped sink the prosecution's case, was so well-known comedian Dana Carvey once mocked him with a Nazi salute, calling him “Mark the Fuhrer-man.” Fuhrman's death this month (New York Times, 5/18/26) took middle-aged and older Americans back to 1995, when the televised trial of Simpson, accused of murdering his ex-wife and her friend, dominated media for much of the year. During the trial, audio recordings and witness testimony revealed Fuhrman's use of the n-word and other racist views, sinking his credibility as the cop responsible for recovering the “bloody glove,” the key piece of evidence tying Simpson to the killings. Because he had previously testified that he never used the word, it opened an opportunity for the defense to suggest he wasn't honest about other things—and had a motivation to frame a Black celebrity. Unrelenting racism In July 2017, CNN‘s Kyra Phillips played new excerpts from the Fuhrman tapes. The tapes portrayed hours of unrelenting racism. “All these n*****s in L.A. city government…all of them should be lined up against a wall and fucking shot,” he said. And often sexism as well: “What if I’ve just been raped by two buck n*****s, and a female shows up?” During the trial, witness Kathleen Bell testified that Fuhrman had said, “If I had my way, all the n*****s would be gathered together and burned.” Bell told the court, “When he sees a Black man with a white woman driving in a car, he pulls them over,” with no traffic violation needed (Washington Post, 9/5/95). Fuhrman became the national representation of the American racist cop. He invoked the Fifth Amendment when questioned about his handling of evidence (LA Times, 9/7/95), offering the shadow of a doubt the jury needed to acquit the former football and movie star. In his fiery closing argument, defense attorney Johnnie Cochran characterized Fuhrman as “this perjurer, this racist, this genocidal racist.” Fuhrman pleaded no contest to a perjury charge a year later (CNN, 10/2/96). But there was something bigger about Fuhrman, and it's something we can deeply feel in the media environment today. ‘Unwitting catalyst’ Mark Fuhrman interviewed in ESPN‘s OJ: Made in America (2016). The legal “dream team” Simpson assembled certainly focused on pushing the jury for an acquittal—that's a defense lawyer's job. But as outlined in both the dramatized The People v. O.J. Simpson: American Crime Story on FX and ESPN's OJ: Made in America, defense lead Cochran also built a larger case for a larger audience. (Side note: FAIR's Janine Jackson briefly appears in the ESPN documentary in a segment about media coverage of the trial.) Nicole Brown Simpson was killed at her Los Angeles home, along with Ron Goldman, on June 12, 1994, just two years after the city was engulfed in racial rioting as a result of an acquittal of police officers who had been videotaped brutally beating a Black man, Rodney King. For much of America, the rioting was a dividing moment. Civil rights activists saw it as the explosion of a powder keg under pressure of decades of tension between LA's Black community and the cops. A great deal of white America saw the rioting as an inexplicable overreaction. Press voices had their doubts too. Newsweek (5/10/92) called the looting “a manic fiesta, a TV game show with every looter a winner.” Cochran set out to change the narrative, to demonstrate to the white public that Black Los Angeles has systemically suffered from racist policing. Ben Ehrenreich (Guardian, 4/22/20): “The thousands of African Americans who migrated to Los Angeles from the Jim Crow south had found similar cruel realities awaiting them.” In Set the Night on Fire, Mike Davis and Jon Weiner outline the ongoing war against the Black community by LA cops in the 1960s, erupting in the 1965 Watts riots. From the Guardian‘s review (4/22/20): LA's police make dramatic appearances in almost every chapter, clubbing peaceful protesters, brutalizing activists and killing so many Black men, and with such absolute impunity, that Davis and Wiener's claim that “the Manson gang were bit players compared to the forces of law and order” ends up feeling more than fair. In the authors' telling, the wanton violence of the police acted as a consistent if unwitting catalyst to historical change: It was the chaos that followed a ferocious LAPD assault on anti-war protesters that added to Lyndon Johnson's decision not to run for re-election in 1968, and the LAPD's murder of a Black Muslim named Ronald Stokes—seven other Muslims were shot in the same incident—that pushed Malcolm X towards a broader vision of Black liberation. The shared experience of LAPD violence, Davis and Wiener write, forged a “common culture of resistance” among Black and Chicano youth, white hipsters and anti-war activists, and the city's gay community. This situation hardly improved with the economic turmoil of the 1970s, or the reactionary retreat of the 1980s. For many Black Angelenos, the 1992 riots weren't about one videotape, but about this entire history. Cochran had an opportunity to reveal the situation in the early ’90s to America. And with Fuhrman, who was called by the prosecution to bring the bloody glove into evidence, Cochran was able to show a feverishly racist man at the center of this investigation. ‘Kill somebody and go have some chicken’ Sean Hannity (Hannity, 1/10/23) interviewing Pam Bondi (then a former Florida attorney general) and Mark Fuhrman. In the end, Simpson was acquitted, and Fuhrman became a symbol of a divided America. It’s quite telling that the disgraced cop later found a landing place on Fox News. The Murdoch media empire created the news network the year after the Simpson trial as the antithesis to what it claimed was a liberal slant in corporate television news. Bringing on Fuhrman as a recurring guest—and, later, giving him his own show on Fox Nation—didn’t just promote his own public rehabilitation, it foretold a shift in “acceptable” discourse on right-wing TV. Fox‘s Greta van Susteren (5/19/05) defended having him on as a frequent guest: Mark happens to be a very, very, very smart detective—one of the best I have ever worked with and I have worked with many. He really thinks about the investigations we book him on the show to discuss. But Fox was attracted to Fuhrman not by his smarts, but by his hate. The racism that spilled out in the Simpson trial—Fuhrman's animosity toward the people who he was sworn to protect and serve—catered directly to the Fox audience. Another Fox star that routinely showcased Fuhrman was Sean Hannity (Extra!, 9/13). On Hannity & Colmes (11/16/06; cited by Media Matters, 11/20/06), Fuhrman asserted that the the type of “people” he “dealt with … for 20 years” will kill somebody and go have some chicken at KFC. You will catch them eating chicken and drinking a beer after they just murdered three people. He added that “these people are out there. They’re all over the place.” In another appearance, Hannity (Hannity, 7/16/13) brought the ex-cop on to speculate on whether Black people would riot if George Zimmerman were found not guilty of murdering an unarmed Trayvon Martin in Florida. “Mark, it seems to me like it's going to be a dangerous scenario for the cities where this is going to occur,” said Hannity. Fuhrman replied, “I think you're right, Sean,” and proceeded to fantasize about protesters “assaulting people, assaulting officers, so when you cross that line, it's pretty obvious, and, you know, this is completely drawn on racial lines now.” ‘They just take more and more’ “You can always find something that doesn’t look like justice was served one way or another,” Mark Fuhrman tells Megyn Kelly (and right-wing novelist Brad Thor) on Fox‘s Kelly File (7/8/16). Fuhrman had nothing but contempt for the Black Lives Matter movement erupting in Ferguson, Missouri. He told Fox News' Megyn Kelly (8/10/15): Stopping traffic is not a lawful demonstration. Stopping pedestrians is not a lawful demonstration.  Stopping regular traffic on sidewalks in front of buildings. That is not lawful demonstrations. And they should enforce it. And you know, when you allow some kind of, you know, leeway, they just take more and more. And now we have people that are not on the city council and they’re not on the police department, no matter how represented the Black community is. They are not there. You’re dealing with gang members and street drug dealers that are just hanging out. They’re armed and they’re taking advantage of a hesitant police department. How did Fuhrman respond to a video of “a white school police officer in a Columbia [South Carolina] classroom grabbing an African-American student by the neck, flipping her backward as she sat at her desk, then dragging and throwing her across the floor” (New York Times, 10/26/15)? He made the officer a saint on Fox. Media Matters (10/27/15) quoted Fuhrman: He requested her. He verbally did that. The next level is he put a hand on her. She escalated it from there. He used soft control. He threw her on the ground, he handcuffed her. He didn’t use mace. He didn’t use a Taser. He didn’t use a stick. He didn’t kick her. He didn’t hit her. He didn’t choke her. He used a minimal amount of force necessary to effect an arrest. In 2019, he attacked Democratic presidential hopefuls for their police reform rhetoric on the Ingraham Angle (8/2/19), saying those politicians were looking to win “that 18-to-25-year-old base that is involved in all these movements—these anti-government, anti-establishment, anti-republic, anti-Trump” movements. He eventually was given his own show on Fox News spinoff Fox Nation, the Fuhrman Diaries, which ran from 2018 to 2022. (Fox promoted him as “America's most controversial detective”—LA Times, 11/29/18.) ‘Total reputational annihilation’ Just because someone lied under oath about using racial slurs dozens of times doesn’t mean they should be canceled (Wall Street Journal, 5/20/26)—and by “canceled,” we mean given their own TV show. People can and do change over time. Fuhrman gave a somewhat nuanced view on Fox News (Ingraham Angle, 5/29/20) about the police killing of George Floyd, which resulted in widespread political unrest. He called Floyd's killing “a slow-motion homicide,” and said the video footage was “a slow and really painful thing to watch of somebody grinding somebody’s face into the pavement until they’re dead.” At the Murdoch-owned Wall Street Journal, columnist Matthew Hennessey (5/20/26) christened Fuhrman a victim of cancel culture, admitting that he was a “bad cop,” but that he was among the first to suffer the total reputational annihilation that has become a hallmark of life in the digital era, where everything you say—or have ever said—will one day be used against you in the court of public opinion. It’s a strange sort of “reputational annihilation” that gets you regularly showcased on a national cable TV network, and then gives you your own show. Fuhrman’s afterlife as a commentator foretold a media conservatism that flips the narrative about racist policing on its head, where prejudice becomes a sign of expertise. It’s a legacy we live with today in MAGA America, even with Fuhrman having departed this world. Research assistance: Priyanka Bansal

In this special collaborative episode with Dance or Die, I'm talking to Derrick Estrada, better known in the worlds of breakcore, hardcore, jungle and sonic synthesis as Baseck. Baseck was raised in Lancaster, California halfway between the Angeles National Forest and the Mojave Desert. As a youth he became intoxicated by car bass test CDs, scratch records, jungle mixtapes, gangster rap, and illegal raves. Put this all in a blender with DIY punk, Chicano subculture and a battle mentality and you get halfway to what Baseck is about. Sometimes Baseck is playing wild shows that combine turntablism, live hardware, modded gameboys and thrash vocals; sometimes he is throwing raves, designing clothes, doing noise shows at the museum, or making synth modules. He's collaborated with Boys Noize, Charli XCX, A.G. Cook and Zach de la Rocha and recorded for too many labels to name. He calls in from his current home in Tulsa, Oklahoma to talk about cutty L.A. raves, Midwest hardcore, sonic transformation and how he became a warrior of the breaks. This is part one of a two part episode, hosted by Vivian Host aka Star Eyes. For more info and extras, visit Ravetothegrave.org or Instagram @ravetothe.grave.

You lived through it. You lost people. And somewhere along the way you decided HIV was somebody else's problem now. It is not. Andrew Spieldenner and Alex Garner from MPact Global Action join Rick for a conversation that does not let the queer community off the hook. MPact works across 60 countries supporting LGBTQ-led organizations fighting HIV stigma, funding cuts, and the political forces making all of it worse. This episode covers where the stigma still lives, why gay men over 50 are among the fastest growing groups of new diagnoses, and why staying sexual, visible, and engaged is still an act of resistance. Key Takeaways: Why HIV stigma has not gone away, it has just gotten quieter and more insidiousHow structural racism and poverty drive HIV transmission more than individual behaviorWhy gay men over 50 are seeing rising new diagnosis rates and what that meansThe dangerous gap between available prevention tools and who actually gets access to them About Andrew Andrew R. Spieldenner, Ph.D. is Executive Director of MPact Global Action, an international gay rights organization in the HIV response, and Professor in the Department of Communication at California State University-San Marcos. Openly living with HIV, Dr. Spieldenner's writing is at the intersection of health and culture, particularly looking at HIV and the LGBTQ community. Dr. Spieldenner's edited books include Intercultural Health Communication, Post-AIDS Discourse in Health Communication, and the award-winning A Pill for Promiscuity. About Alex Alex Garner is a writer, artist, and community advocate dedicated to advancing queer visibility and health equity. He currently serves as Senior Director of Strategic Initiatives & Communications at MPact Global Action and previously led sexual health innovation and global campaigns as Senior Health Innovation Strategist at Hornet. With over 25 years in community organizing and two decades as a writer, Alex uses storytelling, art, and advocacy to humanize queer experiences and destigmatize conversations around sex, HIV, and identity. Born and raised in Southern California, Alex is a proud Chicano, gay/queer, and male-presenting person who embraces fluidity and authenticity. Living openly with HIV for 30 years, he shares his personal journey including his time as a sex worker and performer to challenge stigma and inspire others. Connect With Andrew and Alex Website Facebook Instagram LinkedIn Hey Guys, Don't Forget! Join the 40 Plus: Gay Men Gay Talk, monthly chats. - Learn More! Also, join our Facebook Community - 40 Plus: Gay Men, Gay Talk Community

Sintonía: "Getting It On" - Dennis Coffey 1.- Guitar Big Band 2.- Chicano 3.- Lonely Moon Child 4.- Big City Funk 5.- Garden Of The Moon 6.- Capricorn´s ThingExtraídas de la compilación (1xCD) "Big City Funk-Original Old School Breaks & Heavy Guitar Soul" (Sussex/Westbound 1972-73/Vampisoul 2006 - VAMPI CD 078) del guitarrista estadounidense Dennis Coffey 7.- Ain´t No Sunshine (Bill Withers) 8.- Zambezi 9.- Down Home10.- Shakeero11.- Soul Preachin´Extraídas de la compilación (1xCD) "Soul Preachin´ - Hot Guitar Funk From Detroit" (Sussex 1972/73-Vampisoul 2006 - VAMPI CD 079). La única compilación de este guitarrista estadounidense que aglutina sus dos únicos álbumes publicados ambos en 1972, titulados "Hot Thang" y "Step by Step"Escuchar audio

2025 (ANNUAL DEEP HOUSE SET) I really hope you enjoy my traditional annual deep house set for 2025! In this set, I'm trying to reflect on my past year through music ;) LOVE GOES OUT TO ALL OF YOU ♥️♥️♥️ www.chicano-music.com Follow Chicano: follow → @chicano_music follow → www.instagram.com/chicano_music like → www.facebook.com/chicano.official

Let's take a (low)ride with Assemblymember Mark Gonzalez as he honors the rich Chicano and Latino heritage that has helped define California's culture. Gonzalez has written the Lowrider License Plate Program (AB 2541). This initiative not only recognizes a powerful cultural legacy but also invests back into our communities by supporting arts and cultural programs through the California Arts Council. Jump in and ride along with us as we talk to Assemblymember Gonzalez.

Frank Carbajal grew up the son of Mexican migrant farmworkers in California's Imperial Valley, where summer temperatures hit 115 degrees and his mother worked the fields through her third trimester. Today he's the founder and president of Es Tiempo LLC, a co-author of three books on Latino leadership, founder of the Silicon Valley Latino Leadership Summit at Stanford University, and a former keynote speaker in Ken Blanchard's network. In this conversation with Simma, Frank talks about what it actually means to be Latino in America today — and why that word doesn't fit everyone who could claim it. He breaks down the Bracero Program that brought his parents to the U.S., the "101 Infrastructure Divide" that shows how Latino hands built Silicon Valley while Latino representation in tech sits in the single digits, and why his mother told him being bilingual is a superpower. This is a conversation about immigration, identity, family, and what it takes to move from picking fruit in the fields to standing in front of executive boardrooms — without ever forgetting where you came from. What You'll Learn What the Bracero Program was, and how it shaped Mexican American families in California for generations Why "Latino" is not one identity — and how to talk to people about their background without making assumptions The real numbers behind Latino representation in education, the corporate boardroom, and venture capital How to start a conversation across race and culture without getting yourself into trouble Why being bilingual is a competitive advantage, not something to hide What "the 101 Infrastructure Divide" means and why it matters for anyone working in or with the tech industry How to spot the difference between performative diversity and actual connection Key Takeaways Latinos are not a monolith. There are 20 Latin American countries, multiple generations of Latino Americans, and people who identify as Latino, Latina, Chicano, Mexican American, American, or simply as a leader — and all of those answers are valid. The hands that built Silicon Valley are not the hands sitting in its boardrooms. Latino representation in tech leadership and venture capital is still in the low single digits despite Latinos making up over 40% of California's population. Conversations across race work when you start with what's in front of you — food, art, family, a shared interest — not with politics or assumptions. Bilingualism is a superpower. So is resilience. Frank's parents had third- and fourth-grade educations and built a life for their children through nothing but hard work. Leadership, not identity politics, is the through-line that travels across borders, languages, and generations. Timestamps [00:00] — Simma's opening: why this podcast exists for anyone who wants to talk across race but is afraid of saying the wrong thing [02:30] — Meet Frank Carbajal: Es Tiempo LLC, Silicon Valley Latino Leadership Summit, two published books, and the award he's most proud of (hint: it's not the corporate one) [05:00] —  What legacy means in a Latino family [07:00] — The elephant in the room: why race conversations are crucial conversations, and what "healthy conversation" actually looks like [09:00] — The numbers don't lie: 65 million Latinos in the U.S., but only 1–2% of PhDs, 1.5% of CEOs and board members, and less than 2% of venture capital [11:00] — What is the Latino community, really? Why "Latino" doesn't fit everyone — and why some people say "Just call me a leader" [14:00] — The Bracero Program explained: Frank's parents, migrant farmworkers, and the pathway that shaped a generation of Mexican American families [17:00] — Born on Juneteenth in 115-degree heat: Frank's mother worked the fields through her third trimester and almost died giving birth to him [19:00] — The 101 Infrastructure Divide: how Latino hands built Silicon Valley's buildings by hand — including NVIDIA's $4.9 trillion headquarters — while Latino representation in tech stays in the single digits [22:00] — When Simma brought a Spanish-speaking facilitator to a workshop, and her class hated him. Why language alone is not connection. [25:00] — Frank's mother's wisdom on sangrón: how she could spot arrogance instantly, and why she'd rather work with a humble white person who spoke Spanish than an arrogant Latino with a sense of entitlement [28:00] — Bilingual is a superpower: Frank's parents told him to never be embarrassed, and why he tells his own daughters the same thing [30:00] — "Wow, you speak without an accent" — the microaggression Latino professionals know too well, and how Frank handles it [32:00] — Afro-Latinos, Caribbean Latinos, Mexican Americans, Chicanos, Latinos of European descent: why the Latino community is not a monolith, and the language families use to describe all the shades within it [35:00] — Frank's Brazilian soccer coach who was Afro-Latino, spoke three languages, and taught a 10-year-old Frank what unity actually looks like on a team [37:00] — How to have a conversation across difference without stepping on a landmine: Frank's mentor's advice about reading the room — start with the Frida Kahlo painting on the wall, not politics [40:00] — Simma and Frank agree: food and stories are how you build a bridge. Why curiosity beats tiptoeing every time. Guest Bio Frank Carbajal is the founder and president of Es Tiempo LLC, a leadership development and keynote speaking firm. He is the founder of the Silicon Valley Latino Leadership Summit, held at Stanford University, which brings top Latino thought leaders together from across the country. He is co-author of Building the Latino Future: Success Stories for the Next Generation (with a foreword by management guru Ken Blanchard) and co-author of El Futuro Latino, published in 14 Latin American countries. He was part of Ken Blanchard's keynote speaker network and works with CEOs, executives, managers, and small business owners on leadership development. Frank received the 2013 Father of the Year Award from Building Peaceful Families and the 2013 Portraits of Success Award from the Hispanic Development Corporation. He serves on the advocacy committee for the Silicon Valley Education Foundation. He is the son of Mexican immigrants, the husband of a Salvadoran American wife, and the father of three daughters. Connect with Frank Carbajal Email: frank@estiempo.com LinkedIn: Search Frank Carbajal (C-A-R-B-A-J-A-L) Company: Es Tiempo LLC Click here to DONATE and support our podcast All donations are tax deductible through Fractured Atlas. Simma Lieberman, The Inclusionist, helps leaders create inclusive cultures. She is a consultant, speaker, and facilitator. Simma is the creator and host of the podcast, Everyday Conversations on Race. Contact Simma@SimmaLieberman.com to get more information, book her as a speaker for your next event, help you become a more inclusive leader, or facilitate dialogues across differences. Go to www.simmalieberman.com and www.raceconvo.com for more information Simma is a member of and inspired by the global organization IAC (Inclusion Allies Coalition)  Connect with me: Instagram Facebook YouTube Twitter LinkedIn Tiktok Website Previous Episodes Dr. Gina Paige on African Ancestry: How DNA Reconnects Black Americans to Their African Roots From Black Panther to Corporate America: Elmer Dixon on Race, Revolution, and Why DEI Is Not Dead Why We Can't Stop Talking About Race: A Conversation with Carole Copeland Thomas Loved this episode?  Leave us a review and rating

El Sonido: Cancioneros viajó a la Ciudad de México para encontrarse con Cypress Hill horas antes de su presentación en Vive Latino. En medio de un momento histórico para la música latina global, el grupo habló sobre representación, identidad bicultural y el significado detrás de Dios Bendiga, su primer álbum completamente en español y su primer disco de larga duración en más de cuatro años que se lanzará oficialmente el 24 de julio de 2026. En este episodio, B-Real, Sen Dog, Eric Bobo y DJ Lord abren su cancionero personal para compartir la música que habita sus auriculares actualmente: desde el rap chicano de Coyote hasta la psicodelia rebajada de Amantes del Futuro, el legado eterno de Chalino Sánchez y la poesía política de Gil Scott-Heron. Nuestro episodio cuatro de nuestra nueva temporada es un retrato íntimo de una banda que sigue entendiendo la música como resistencia cultural y comunidad. Puedes ver el video podcast en el canal de YouTube KEXP Podcasts, con subtítulos en inglés y español. Cancionero curado por Cypress Hill: “Whippin’ Cream” – Coyote, B-Real & Sick Jacken feat. The Psycho Realm “Cultura Sonidera” – Amantes del Futuro “Alma Enamorada” – Chalino Sánchez “The Revolution Will Not Be Televised” – Gil Scott-Heron “Guacha Trucha” – Cypress Hill & Alemán Créditos: Host & Producer: Albina CabreraEditorial Editing: Dusty HenryAudio Mastering: Jackson LongVideographer: Omar Fernando Rios AlanizOriginal Podcast Music: Roberto Carlos Lange (Helado Negro)Support El Sonido: kexp.org/el-sonido El Sonido: Cancioneros traveled to Mexico City to meet Cypress Hill just hours before their performance at Vive Latino. In the middle of a historic moment for global Latino music, the group spoke about representation, bicultural identity, and the meaning behind Dios Bendiga — their first fully Spanish-language album and their first full-length release in more than four years, officially arriving on July 24, 2026. In this episode, B-Real, Sen Dog, Eric Bobo, and DJ Lord open their personal cancionero to share the music currently living in their headphones: from the Chicano rap of Coyote to the slowed-down psychedelic sound of Amantes del Futuro, the timeless legacy of Chalino Sánchez, and the political poetry of Gil Scott-Heron. Episode four of our new season becomes an intimate portrait of a group that continues to understand music as cultural resistance and community. You can watch the full video podcast on the KEXP Podcasts YouTube channel, with subtitles available in English and Spanish. “Whippin’ Cream” – Coyote, B-Real & Sick Jacken feat. The Psycho Realm “Cultura Sonidera” – Amantes del Futuro “Alma Enamorada” – Chalino Sánchez “The Revolution Will Not Be Televised” – Gil Scott-Heron “Guacha Trucha” – Cypress Hill & Alemán Credits Host & Producer: Albina CabreraEditorial Editing: Dusty HenryAudio Mastering: Jackson LongVideographer: Omar Fernando Rios AlanizOriginal Podcast Music: Roberto Carlos Lange (Helado Negro)Support El Sonido: kexp.org/el-sonidoSupport the show: http://kexp.org/elsonidoSee omnystudio.com/listener for privacy information.

Artspeak Radio, Wednesday, May 20, 2026, 9am -10am CST, 90.1fm KKFI Kansas City Community Radio, streaming live audio www.kkfi.org Producer/host Maria Vasquez Boyd welcomes poet/writer Olive Sullivan and Vince Medellin freelance Character Designer/ Comic Artist. OLIVE SULLIVAN- Poet, playwright, and bookbinder--the common denominator is books. Olive L. Sullivan invites you to come celebrate the world of paper and ink with her at her brick-and-mortar bookbinding studio in Pittsburg, Kan. Sullivan Book Arts is celebrating its one-year anniversary on Sunday, June 21, 2026, with a reception on the lawn. The event will feature food, music, an open mic, and crafts for everyone.  Sullivan, from Pittsburg, Kan., is a Kansas Touring Artist through the Kansas Arts Commission. A former teacher, Sullivan has led writing workshops for various groups, including the Tar Creek Conference in Oklahoma, where participants wrote about environmental action. As the recipient of a kidney transplant, cancer survivor, and widow, she writes about place, grief, and surviving hard times. She is the author of two full-length poetry collections, a play, and several poems, short stories, and essays in a variety of journals and anthologies.  She is inspired by the natural world around her. She loves traveling for inspiration, and spends her free time singing to her dog, Balthazar. Visit the website at sullivanbookarts.com or check out Sullivan Book Arts on Facebook and Olive L. Sullivan on Facebook and Instagram. VINCE MEDELLIN- Hola! My name is Vincent Medellin. In this case, when referencing my illustration practice, I prefer my penname, Vinny “Zigzag” Medellin. Why Zigzag? The art style that I have cultivated over the years has incorporated a loose, gestural style. Also, it is fun for kids and the “kids at heart” to say! I work both digitally (using my iPad) and with traditional mediums. The materials I use range from cardboard and grocery bags to masking tape, colored pencils and crayons. The idea is to encourage kids to use materials that are readily available to them. This stems from a cultural motivation for sustainability. A philosophy that can best be described as “rasquache” among Mexican American communities. Essentially, rasquache means, “use what you have.” By referencing this philosophy, I hope that my art can be viewed as unique, welcoming, and approachable. The artwork I create (both in my fine art and illustrative practice) is community focused. I have partnered with organizations such as The Nelson-Atkins Gallery of Art, Mattie Rhodes, and Johnson County Library to reach thepublic. In addition to working as an artist, I have worked in bookstores and libraries. A trend that I have noticed among non-white, underrepresented groups, is an interest in manga storytelling. Watching kids race to these sections, checking out manga in droves, inspired me to look deeper into the intersection between this style of graphic storytelling and the lived experiences of non-white youth in America. Naturally, this led me to analyze my own experience with manga/anime in hopes of developing and publishing, through a major publishing house, a graphic novel inspired by manga styling. I want to tell the stories of my ancestors, and validate the communities who desire to see more of themselves within comic book storytelling. I identify as Chicano and, like most who identify as such, I feel caught between the margins of society. “Chicano” is a term used by Mexican Americans to describe themselves as being, “not from here, not from there.” Representation of Mexicans and/or Mexican Americans was limited in the United States during the 1990s. Mexicans existed in the media, but as a stereotype or a parody conceived by a dominant white class. Even so, I took what I could get. This is why characters such as Speedy Gonzalez, and his cousin, Slowpoke Rodriguez still connect to the roots of millennial Chicano experiences. This was all we had. There was nothing that expressed our lived experiences as Chicano. Nothing that validated our feelings of being marginalized and forced to assimilate. The cartoons we watched told us that Mexicans were a joke. I felt desperate to access the ethnic roots I was being denied. In short, I wanted over the wall that the media had created. Today, I use my artistic practice to not only lift myself above this wall, but to also help empower others to free themselves from the arbitrary parameters developed by colonial conquest.

A Chicano educator from Los Angeles has spent nearly 20 years building the infrastructure that schools won't — the kind that catches students before they fall through the cracks. Hector Flores is the CEO of the Latino Film Institute, home to the Youth Cinema Project, a filmmaking mentorship program now operating in 21 California school districts across 61 classrooms. YCP brings professional filmmakers into English classes to guide students from concept to screen over a full school year. The results — in test scores, reclassification rates, graduation, and lives redirected — are impossible to ignore. Find ALIFI at latinofilm.org. Arts integration in schools has been underfunded, undervalued, and cut first for decades. This episode is the case against that pattern — told through data, two schools that are outperforming their affluent neighbors, and a story about a kid living in a motel who just won Best High School Actor.

Send us Fan MailSeattle artist Erin Shigaki joins Chino y Chicano to discuss her mural Never Again Is Now, created for Bellevue College in 2020. The artwork depicts two Japanese American children in World War II incarceration camps and originally included an informational panel about businessman Miller Freeman and his role in promoting anti-Japanese sentiment in the Pacific Northwest.After the mural's unveiling, Bellevue College removed the reference to Freeman, triggering public backlash and ultimately contributing to the resignations of then-president Jerry Weber and vice president Gayle Colston Barge.Now, as the mural is set for rededication six years later, controversy has resurfaced following a racist voicemail and renewed questions about why the college was slow to publicly address it. In this episode, Shigaki reflects on art, historical memory, institutional accountability, and why these conversations remain urgent today.Read: https://southseattleemerald.org/voices/2025/07/22/masked-men-are-detaining-people-when-will-washingtons-leaders-protect-usRead: https://nieman.harvard.edu/mark-trahant-wins-the-2025-i-f-stone-medal-for-journalistic-independence/Read: https://www.24thstreet.org/blog/2025/1/17/letting-goRead:https://www.amazon.com/Harbingers-January-Charlottesville-American-Democracy/dp/1586424017Read: https://www.mapresearch.org/2024-dei-report "Dismantling DEI: A Coordinated Attack on American Values"https://www.forbes.com/sites/conormurray/2025/01/07/these-companies-have-rolled-back-dei-policies-mcdonalds-is-latest-to-abandon-diversity-standards/https://www.chronicle.com/package/the-assault-on-dei  Chronicle of Higher Education https://www.courts.wa.gov/appellate_trial_courts/supreme/bios/?fa=scbios.display_file&fileID=gonzalezRead: https://www.seattletimes.com/seattle-news/obituaries/chinatown-international-district-activist-matt-chan-dead-at-71/Hear Rick Shenkman on the BBC Radio Program Sideways:https://www.bbc.co.uk/programmes/m001xdg0Read: https://www.thedailybeast.com/i-stuck-with-nixon-heres-why-science-said-i-did-itRead: https://www.washcog.org/in-the-news/your-right-to-knowRead: https://www.seattletimes.com/opinion/the-legislatures-sunshine-committee-has-fallen-into-darkness/Read: https://www.cascadiadaily.com/2024/feb/2...

Former LA Mayor Antonio Villaraigosa joins Mike Madrid and Chuck for a raw, unfiltered conversation about the California Governor's race, the Democratic Party's broken relationship with Latino working-class voters, and what it will take to win them back.Villaraigosa doesn't just take on Trump, he challenges his own party. From ICE raids tearing families apart, to gas prices crushing Latino workers, to Democrats protecting sacred cows instead of their own constituents — this candidate for California Governor pulls no punches.Topics covered:Why Villaraigosa is running for California Governor in 2026How the Democratic Party is losing Latino and working-class voteHis plan to push back on ICE raids and protect immigrant communitiesGrowing up in Boyle Heights and the birth of the Chicano civil rights movementMarching with César Chávez and Dolores Huerta — and his thoughts on the controversy Why being pro-worker AND pro-business is the only path forwardCalifornia's affordability crisis and how it affects Latinos.-Referenced in the episode:Bay Area Council Economic Institute - THE ECONOMIC IMPACT OF MASS DEPORTATION IN CALIFORNIA: https://www.bayareaeconomy.org/files/pdf/Economic%20Impact%20of%20Mass%20Deportation_June%202025.pdfPublic Policy Institute of California - Business Regulation and Business Starts in California: https://www.ppic.org/publication/business-regulation-and-business-starts-in-california/UCLA Latino Policy & Politics Institute - Gasoline Costs and Affordability Pressures in California: Impacts on Latino Households: https://latino.ucla.edu/research/gas-costs-affordability-impacts-on-latino-households-ca/-Recorded, April 24, 2026-Don't forget to like, share, and subscribe for more episodes of The Latino Vote Podcast!Watch our episodes on YouTube: www.youtube.com/@thelatinovotepodcastFind us on Substack: https://substack.com/@thelatinovotepodcastFollow us on X (formerly Twitter): https://twitter.com/TheLatino_VoteVisit our website for the latest Latino Vote news and subscribe to our newsletter: latinos.voteIf you want more of our discussions and behind the scenes please join our Patreon (www.patreon.com/thelatinovote) for exclusive content and opportunities!

Send us Fan MailIn this special episode of The Global Latin Factor Podcast, host Christine Valentine sits down with Claudia Tiffany Rodriguez, also known as Tiffany Folklore, for a powerful conversation on the real Latino roots of hip-hop.Together, they dive into the 4 elements of hip-hop—DJing, MCing, graffiti, and breaking—and unpack how Puerto Rican, Mexican American, and Latino pioneers have been part of the culture since its earliest days. From DJ Kool Herc, DJ Disco Wiz, DJ Charlie Chase, Prince Whipper Whip, Lee Quiñones, Lady Pink, Crazy Legs, Kid Frost, Mellow Man Ace, Cypress Hill, and Disco Al, this episode traces the story from the Bronx origins of hip-hop to Texas, Chicano rap, border identity, and community storytelling.The conversation also explores corridos, cultural pride, protest, social struggle, representation, and the ways Black and Brown communities helped build hip-hop together. This is more than a music conversation—it is a deeper look at history, identity, and the voices that helped shape one of the most influential cultures in the world.If you want a richer understanding of hip-hop history, Latino influence, and the 4 elements of the culture, this episode is for you.Support the showSocial Media:Facebook: https://www.facebook.com/TheGlobalLatinFactorPodcastTwitter: https://twitter.com/thegloballatin1Instagram: https://www.instagram.com/thegloballatinfactorpodcastTiktok: ...

Adrianna O'Donnell, Chief Growth Officer for the Chicano Federation of San Diego County, chats about cultivating opportunities and essential wraparound services for the 53,000 people the Federation serves annually through affordable housing, early childhood education and workforce development. O'Donnell shares how locals can align time, talent and treasure with the annual Unity Luncheon, strategic partnerships and community advocacy. Listen Where You Live!About Spotlight and Cloudcast Media  "Spotlight On The Community" is the longest running community podcast in the country, continuously hosted by Drew Schlosberg for 20 years.  "Spotlight" is part of Cloudcast Media's line-up of powerful local podcasts, telling the stories, highlighting the people, and celebrating the gravitational power of local.   For more information on Cloudcast and its shows and cities served, please visit www.cloudcastmedia.us. Cloudcast Media | the national leader in local podcasting.   About Mission Fed Credit Union  A community champion for over 60 years, Mission Fed Credit Union with over $6 billion in member assets, is the Sponsor of Spotlight On The Community, helping to curate connectivity, collaboration, and catalytic conversations.  For more information on the many services for San Diego residents, be sure to visit them at https://www.missionfed.com/

On May 1st, 2026, the Gavilan College Library in Gilroy hosted a sold-out evening celebrating legendary playwright and filmmaker Luis Valdez. His documentary American Pachuco: The Legend of Luis Valdez had just won the Audience Award for U.S. Documentary at the 2026 Sundance Film Festival. The event was presented in collaboration with the Gavilan College Foundation, the Watsonville Film Festival, and the Poppy Jasper International Film Festival. In this episode, you'll hear conversations recorded live that night. I sat down with Luis Valdez and his wife Lupe Valdez, and spoke with a group of people whose work is deeply rooted in this region's education, arts, and civic life: Mattie Scariot, Festival Director of the Poppy Jasper International Film Festival; Dr. Pedro Avila, President of Gavilan College; Elvira Robinson, attorney and former Gavilan trustee whose decades of advocacy have shaped this college and this county; and Diane Ortiz, co-founder and CEO of Youth Alliance, a nonprofit she has built from a grassroots Hollister organization into a lifeline for thousands of young people and families across the South Valley. We talked about Chicano storytelling, what Luis Valdez's legacy means for communities like ours, and why a room full of South Valley neighbors showing up on a Friday night to celebrate one of their own matters.

Send us Fan MailIn this episode of Chino y Chicano, Enrique Cerna speaks with journalist and founder of the South Seattle Emerald, Marcus Harrison Green, about his recent reporting trip to Minneapolis—a city once again at the center of national attention.What he found was a community shaped by its past and bracing for its future.In early 2026, Minneapolis became a focal point of a nationwide immigration crackdown. That escalation turned deadly, with the fatal shootings of Renee Good and Alex Pretti by federal agents—incidents now at the heart of legal battles and growing demands for accountability.But this is not the first time Minneapolis has faced the weight of national scrutiny. The city's response to the 2020 killing of George Floyd helped forge networks of activism, community defense, and political awareness that continue to shape how residents respond today.Marcus Harrison Green joins us to explore how that history prepared Minneapolis for this moment—and what the rest of the country can learn from a city navigating grief, resistance, and resilience in real time.Read: https://southseattleemerald.org/voices/2025/07/22/masked-men-are-detaining-people-when-will-washingtons-leaders-protect-usRead: https://nieman.harvard.edu/mark-trahant-wins-the-2025-i-f-stone-medal-for-journalistic-independence/Read: https://www.24thstreet.org/blog/2025/1/17/letting-goRead:https://www.amazon.com/Harbingers-January-Charlottesville-American-Democracy/dp/1586424017Read: https://www.mapresearch.org/2024-dei-report "Dismantling DEI: A Coordinated Attack on American Values"https://www.forbes.com/sites/conormurray/2025/01/07/these-companies-have-rolled-back-dei-policies-mcdonalds-is-latest-to-abandon-diversity-standards/https://www.chronicle.com/package/the-assault-on-dei  Chronicle of Higher Education https://www.courts.wa.gov/appellate_trial_courts/supreme/bios/?fa=scbios.display_file&fileID=gonzalezRead: https://www.seattletimes.com/seattle-news/obituaries/chinatown-international-district-activist-matt-chan-dead-at-71/Hear Rick Shenkman on the BBC Radio Program Sideways:https://www.bbc.co.uk/programmes/m001xdg0Read: https://www.thedailybeast.com/i-stuck-with-nixon-heres-why-science-said-i-did-itRead: https://www.washcog.org/in-the-news/your-right-to-knowRead: https://www.seattletimes.com/opinion/the-legislatures-sunshine-committee-has-fallen-into-darkness/Read: https://www.cascadiadaily.com/2024/feb/2...

Episode 88 – From Reconstruction to DEI: The Long Arc of Race Relations in Texas Hello folks, I'm Hank Wilson and welcome to Episode 88 of the Hidden History of Texas. This is Episode 88 - From Reconstruction to DEI: The Long Arc of Race Relations in Texas In this episode I'm going to talk about a subject that a lot of folks like to avoid. That is the subject of race and race relations in Texas History. The story of the struggle that both African Americans and Mexican Americans faced in achieving their civil rights might be something you were unaware of.  While our image travels from reconstruction to today, and that is the title of this episode, the reality is also that our Mexican American citizens have fought to improve their political circumstances ever since the Anglos began showing up in the 1820s and especially after the revolution of 1836.  The struggle African Americans faced started after their emancipation from slavery in 1865. For the most part though organized campaigns for both groups really weren't launched until the early twentieth century. In the years following the Texas Revolution Tejanos were often the focal point of Anglo hatred and mistrust.  In the 1850s, Anglos accused Tejanos in Central Texas of helping slaves escape to Mexico and many of the Tejano families were forced to leave their homes. During the Cart War of 1857 (which I covered in a previous episode) Tejanos around Goliad and San Antonio were attacked by Anglos. Two years later in 1859, Tejano's in South Texas were attacked after Juan N. Cortina's captured Brownsville. And he issued a proclamation demanding the protection of Mexican-American land rights. Needless to say, this caused panic among Anglo residents who thought of him a nothing more than a bandit. This instigated the "First Cortina War" which grew in intensity and eventually required the U.S. Army, including troops under Robert E. Lee and local Texas Rangers, to eventually force him to retreat into Mexico by December 1859.  It was called the First Cortina War because Cortina returned during the Civil War (hence, the Second Cortina War), initially assisting the Union army this time, (after all he recognized that the Confederacy wanted to maintain slavery and continue to take the land held by Tejanos) and he succeed in taking control of steamboats, before being defeated in 1861 by Confederate forces under Santos Benavides. After the Civil War, both the newly freed slaves and Tejanos faced further atrocities. In the 1880s, White men in East Texas used lynching as their preferred method of maintaining political control. It became very common as a method of retaliation for alleged rapes of White women or for other insults or injuries that white people felt had been perpetrated. Mexican Americans of South Texas faced the same problems. The Ku Klux Klan, the White Caps, law officials, and the Texas Rangers, all served as official and unofficial enforcers of White authority, and they regularly terrorized both Mexican and Black Texans. For blacks emancipation eventually proved to be more of a symbolic action than anything else, because while slaves were freed from official bondage, they were still mostly blocked from fully participating in society.  Freedmen often found themselves barred from most public places and schools and often were  forced to live only in certain residential areas of towns. As the calendar changed to the twentieth century and reconstruction was abandoned, white politicians insured that such practices were written into the law. Even though Tejanos were not specifically targeted by these statutes they were still often subjected to them through unwritten social customs.  Through the 1880s and 1890s, both African Americans and Mexican Americans faced organized legal efforts to disfranchise them and if those didn't work, Anglos turned to a variety of informal means to weaken their political strength. The most common method they faced were terrorist tactics, literacy tests, the stuffing of ballot boxes, and accusations of incompetence when they won office. White political bosses in South Texas and other areas with large Mexican-American population such as the El Paso or Rio Grande valley, meantime, dominated their areas by controlling the votes of the poor. Two of the more odorous methods used by the white politicians was the poll-tax law and the other was the white primary passed by Texas Democrats. The poll tax law  was passed in 1902 the legislature passed the poll-tax law which required every person who wanted to vote to “pay from $1.50 to $1.75' for that privilege, which effectively disenfranchised those who were poor. (Poll Taxes for federal elections weren't eliminated until 1964 when the 24th amendment was passed and then in 1966 for state election.) These mechanisms disfranchised Blacks, and Mexican Americans for that matter, for White society did not regard Tejanos as belonging to the "White" race. Progressive reformers of the age viewed both minority groups as having a corrupting influence on politics. By the late 1920s, Texas politicians had effectively immobilized African-Texan voters through court cases that defined political parties as private organizations that could exclude members. Some scholars have estimated that no more than 40,000 of the estimated 160,000 eligible Black voters retained their franchise in the 1920s.  Racial animosity in Texas (and indeed throughout the south) was rampant. White controlled legislatures passed what are known as Jim Crow laws.  These laws greatly increased the segregation of the races, and in the cities, Black migrants from the rural areas were shunted into ghettoes where black citizens were already relegated. Ordinarily the Jim Crow laws did not target Mexicans but, there was an understanding among white people that the laws were to be enforced on the premise that Mexicans were an inferior people.   This meant that Tejanos were, much like black Texans, relegated to separate residential areas or designated public facilities. While the Tejano population was primarily Catholic, remember Texas was originally settled through the use of Missions, they were often made to worship at segregated churches. When it came to education both Blacks and Hispanics attended segregated and inferior "colored" and "Mexican" schools. In the mid-1950s, the state legislature passed segregationist laws directed at Blacks (and by implication to Tejanos), some dealing with education, others with residential areas and public accommodations. Texas governor R. Allan Shivers, who was opposed to integration especially in education and vehemently opposed the 1954 Brown v. Board of Education decision, went so far as to call out the Texas Rangers at Mansfield in 1956 to prevent Black students from entering the public school His successor Marion Price Daniel, Sr., was a little more tolerant, the integration process in Texas was slow and painful. Supreme Court decisions in 1969 and 1971 ordered school districts to increase the number of Black students in White schools through the extremely controversial practice of busing.  As the 1960s started African Americans and Mexican Americans began to participate in both State and national movements that were designed to help bring down racial barriers. Black Texans held demonstrations within the state to protest the long lasting and well entrenched conditions created by segregation. Understanding the power of the dollar individuals began to boycott racist merchants. When the National March on Washington took place  in 1963, approximately 900 protesters marched on the state Capitol in Austin. This was a very diverse group and included Hispanics, Blacks, and Whites, and they directly called out the slow pace of desegregation in the state and Governor John Connally's opposition to the pending civil-rights bill in Washington.  After the passing of the contentious Civil Rights act of 1964, more and more people, especially those people of color began to demand the equality promised in the Constitution. By the latter half of the sixties, some segments of the Black community began to embrace the concept of "Black power" and a minority of them believed violence was the best avenue to achieve social redress. While throughout America riots did take place in major urban areas, the destruction of property and life in Texas in no way compared to that in other states. Likewise,  Tejanos took part in the Chicano movement of the era, and some, especially youths, supported militancy, and denounced "gringos," and spoke of voluntary separatism from American society. The Raza Unida party spearheaded the movement during the 1970s. A political party, Raza Unida offered solutions to inequalities previously addressed by reformist groups such as LULAC and the G.I. Forum. Members used demonstrations and boycotts and confrontational approaches, but violence of significant magnitude seldom materialized. The movement declined by the mid-1970s. During the same period, the federal government tried to implement an agenda designed to achieve racial equality, and Texas Mexicans and Black Texans both profited from this initiative. The Twenty-fourth Amendment, ratified in 1964, barred the poll tax in federal elections. In 1969 Texas repealed its own separatist statutes. The federal Voting Rights Act of 1965 eliminated local restrictions to voting and required that federal marshals monitor election proceedings. Ten years later, another voting-rights act demanded modification or elimination of at-large elections. Much of the activity in civil rights during the last quarter of the twentieth century and the opening decade of the new millennium focused on consolidating the gains of previous decades. For example, African Americans and Mexican Americans registered to vote in unprecedented numbers, and members of both ethnic groups won election to major local, state, and federal offices....

This episode runs deeper than a conversation, it's about identity, roots, and resilience.In our latest episode, Arturo Meza shares what Chicano Soul truly means, how ancestry, family stories, and lowrider culture shape not just who we are, but how we move through the world. From art and resistance to healing and community, this is a story about carrying generations with you and turning that into purpose.But this chapter hits even harder. Arturo is now on a new journey. One that goes beyond storytelling. He is currently in search of a kidney donor, facing a reality that reminds us how fragile and powerful life really is.This episode is about more than culture-it's about showing up for one another. It's about community in action.Tap in. Listen. Share. And if you can, stand with Arturo.✨If you would be interested in helping Arturo find his Kidney Donor you can check out this link! https://lomalindalivingdonor.org/✨

Ep. 128 - What's the difference between Hispanic and Latino—and do those terms really mean the same thing? In this episode of The Latino Business Report, we sit down with Dr. Maria Del Carmon Unda to explore the origins and evolving meanings of Hispanic, Latino, and Chicano. This conversation goes beyond labels to uncover how identity is shaped—and why how someone chooses to identify is personal and worth respecting. Tune in and discover the deeper story behind the words we use every day. Recommended Reading: Pew Research Center. (2013). Preferences for the terms “Hispanic” and “Latino” [Data Set]. Pew Research Center Survey of Hispanic Adults. https://www.pewresearch.org/hispanic/2013/10/22/three-fourths-of-hispanics-say-their-co mmunity-needs-a-leader/ph-hispanic-leader-10-2013-03-04/   Revilla, A. T. (2000). LatCrit and CRT in the field of education: A theoretical dialogue between two colleagues. Denver University Law Review., 78, 623. https://heinonline.org/HOL/P?h=hein.journals/denlr78&i=634   Perea, J.F. (2003). A brief history of race and the U.S. Mexican Border: Tracing trajectories of conquest. UCLA Law Review, 51, 1213-1258.    Beltran, C. (2010) The trouble with unity: Latino politics and the creation of unity. Oxford University Press.   Cadava, G. (2020). The Hispanic Republican: The shaping of an American political identity, from Nixon to Trump. Harper & Brothers.   Flores, T. (2021). Latinidad is canceled: Confronting an anti-Black construct. Latin American and Latinx Visual Culture, 3(3), 58-71. https://doi.org/10.1525/lavc.2021.3.3.58          

This week, we're sharing two segments: the main feature is an interview with the recently released anarchist organizer and writer Hybachi LeMar; but first up you'll hear Aarohi of the Xinachtli Freedom Campaign about the elder political prisoner's medical condition and the phone zaps to pressure the TDCJ to alleviate his medical neglect Xinachtli Phone Zap [ 00:01:48 ] Xinachtli is an elder, Chicano communist activist and political prisoner 30 years into a 50 year sentence for disarming a sheriff's deputy. Of that 30 years, he's spent 23 in solitary confinement. At age 73, Xinachtli has and continues to face medical neglect at the hands of the Texas prison system, with outside supporters having to apply pressure to get him things like a wheelchair or a proper diet. You'll hear Aarohi of the Xinachtli Freedom Campaign talk about his case and about the phone zaps about Xinachtli's condition as well as how to get in touch with the comrade. Links cashapp: $tierrayliberta venmo: @tierraylibertad newsletter: https://freexinachtli.substack.com/subscribe phone blast: bit.ly/xphoneblast xinachtlifreedomcampaign (at )protonmail( dot)com an older support site for Xinachtli is at FreeAlvaro.Net Past Interviews: Our 2024 interview with  Xinachtli talking about his conditions An audio of Xinachtli telling his story Hybachi LeMar [ 00:17:07 ] Then, an interview that's been a long time in the making. Hybachi LeMar is an anarchist who grew up in Chicago and began considering anarchism thanks to a letter he received from Anthony Rayson of the South Chicago Anarchist Black Cross Zine Distro during over a year in solitary confinement years ago. Since that time, Compa LeMar has been organizing with projects like IWOC, IWW IU613, the self-organized Liberation School in Englewood, food distribution mutual aid, the Chicago local organizing committee of the Black Autonomy Federation and is now the author of three collections of essays (listed at his website) as well as numerous zines. The majority of this chat has difficult audio quality because it was over prison phones. Happily at the end of the chat, we speak with Hybachi following his recent release, having maxed out his sentence and returned to his organizing and life in the streets of Chicago. There is a fundraiser ongoing to support Hybachi in his post-release life. After the interview, stay tuned for a reading of his essay On The Powers of Self-Reflection, produced by Slug. [ 01:02:03 ] There are a few mentions of mental distress and suicide in the chat, just a headsup. Compa LeMar mentions a few names in the episode of people that we've had on the show in the past, and we'll link those episodes where we can (Brianna Peril of IWOC, Sean Swain, Anthony Rayson of South Chicago ABC Zine Distro, True Leap). You can find ways to support Casey Goonan at their support site. Announcements B(A)D News Episode 100! If you're looking for more anarchist news beyond the Channel Zero Network podcasts, check out B(A)D News: Angry Voices from Around The World from the A-Radio Network (of which we are also a member). The March 2026 episode features: FrequenzeA presents an interview about environmental struggles in Russia. A-Radio Berlin presents a satiric piece called "Weird politics" where they talk about German military, AfD, and the wolf. Parias radio-show presents an interview about the repression the Community of Squatted Prosfygıka in Athens. The last contribution is from Radio Ausbruch that was visiting feralcrust, an Eco-anarchist Infoshop and Social Center close to Davao City, Philipines. The first of a series. . ... . .. Featured Track: TFSR by The Willows Whisper

In this powerful episode, we welcome back Simon Moya Smith, an Oglala Lakota and Chicano journalist, and Julie Francella, a mental health professional with extensive experience in Indigenous communities. Together, they delve into the recent Senate vote that threatens the Boundary Waters Wilderness and the sacred lands of Indigenous peoples. With urgent discussions around sovereignty, environmental protection, and the ongoing fight against colonialism, this episode highlights the importance of community action and the need to protect our natural resources. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Today on the show: We celebrate the exalted work of Chicano writer/activist Alejandro Murguia; Also we feature the latest edition of the powerful Electronic Intifada, with Nora Barrows Friedman. An award winning front-line investigative news magazine, that focuses on human, civil and workers right, issues of war and peace, Global Warming, racism and poverty, and other issues. Hosted by Dennis J. Bernstein. The post We Celebrate the Exalted Work of Chicano Writer/Activist Alejandro Murguia appeared first on KPFA.

On this episode of Green Room Radio, Tru, Lil Raych, and guest-host B (filling in for Will) sit down with legendary actor Victor Rivers. With a Hollywood career spanning 40 years, Victor is an author, a national spokesperson for ending domestic violence, and a fan favorite for his iconic role as "Magic Mike" in the 1991 cult-classic film Blood In Blood Out.Victor dives deep into what it was like filming a movie that still resonates with audiences three or four generations later. He shares the unbelievable behind-the-scenes reality of shooting his scenes inside the San Quentin Prison alongside the real prison population. He also discusses his intense preparation as a Cuban-American actor transforming into a Chicano from LA, which included studying Aztec history to understand his character's tattoos.Beyond his legendary acting career, Victor opens up about his powerful personal journey. He talks about his book, A Private Family Matter, and his mission to show others that it is possible to unlearn behavior and break the cycle of domestic violence. Despite his massive onscreen success, Victor explains why being a father is his absolute greatest role in life, proudly sharing his son's journey to Harvard, Georgetown Law, and a top law firm in New York City.And of course, he blesses the mic with his iconic "Magic" voice before signing off!Don't miss this incredible conversation about Hollywood, generational healing, and staying true to yourself.

Comics don't just happen. Artists will them from nothing. As you'll hear from Henry Barajas and Rachel Merrill in this week's podcast, comics arrive at your local comic book shop through tremendous persistence and imagination. The next time you cross your shop's threshold, possibly to grab a copy of Barajas and Merrill's Death to Pachuco, out now in trade paperback from Image Comics, take a moment to thank the makers. Each book on the rack is a tiny miracle. In Death to Pachuco, Barajas and Merrill tap into history, detailing the 1943 Sleepy Lagoon Murder Trial and the Zoot Suit Riots. It's a Chicano noir, heavily inspired by classic Hollywood tales, but springing from a perspective frequently silenced or ignored. Their private eye, Ricardo “Ricky” Tellez, fancies himself a Sherlock Holmes type, complete with a nearly debilitating drug addiction. He's caught in the racial tensions boiling over during wartime Los Angeles, hunting for a killer, while navigating a femme fatale. This week on the podcast, we chat with Barajas and Merrill about balancing fact and fiction, style and reality, and why humanity frequently allows fear steer its actions. We discuss the magnificent amount of will and persistence it took to materialize Death to Pachuco and how it feels to see it collected in trade paperback, finally. Death to Pachuco is written and lettered by Henry Barajas, illustrated by Rachel Merrill, and colored by Lee Loughridge. The book featured several variant covers from folks like Sarah Gordon (see episode art), Tula Lotay, Ben Passmore, David Lapham, and others. Make sure you're following Henry Barajas on BlueSky and Instagram, and Rachel Merrill on BlueSky and Instagram. This Week's Sponsors The Future is Calling! 2000 AD is the Galaxy's Greatest Comic, with new issues published every single week! Every 32-page issue of 2000 AD brings you the best in sci-fi and horror, featuring characters like Judge Dredd, Rogue Trooper, and more. Get a print subscription to 2000 AD and it'll arrive to your mailbox every week - and your first issue is free! Or subscribe digitally, and you can download DRM-free copies of each issue for only $9 a month. That's 128 pages of incredible comics every month for less than $10! Head to 2000AD.com and click on ‘subscribe' now – or download the 2000 AD app and start reading today! Everyone loves to talk and debate about comics, but few people get to see what it's actually like behind the scenes. Now, IDW Publishing is changing that with the launch of IDW Studios. The first monthly show is CreatorxCreator, a free-flowing, fun and honest chat between two comic book creators as they discuss their craft, process, inspiration, and what life is really like as a creative. The second monthly show, Superlatives, brings IDW's knowledgeable and spirited editors head-to-head to debate each of these categories, with another editor stepping in as the moderator to pick the winner once the pros have made their arguments. Other Relevant Links to This Week's Episode: Subscribe to the Comic Book Couples Counseling YouTube Channel Watch The Stacks, Comic Creators Name Their Favorite Comics CBCC on Word Balloon Comic Book Club: Beneath the Trees Where Nobody Sees at Meanwhile...Coffee in Herndon, Virginia, on 5/3 at 3:30 PM Comic Book Film Club: Paying For It on 4/26 at the Alamo Drafthouse in Winchester, Virginia. Final Round of Plugs (PHEW): Support the Podcast by Joining OUR PATREON COMMUNITY. And, of course, follow Comic Book Couples Counseling on Facebook, on Instagram, and on Bluesky @CBCCPodcast, and you can follow hosts Brad Gullickson @MouthDork & Lisa Gullickson @sidewalksiren. Send us your Words of Affirmation by leaving us a 5-star Review on Apple Podcasts. Continue your conversation with CBCC by hopping over to our website, where we have reviews, essays, and numerous interviews with comic book creators. Podcast logo by Jesse Lonergan and Hassan Otsmane-Elhaou.

Anthony Jimenez is a Bay Area–based muralist, educator, and self-described “artivist” whose work centers community, identity, and social justice. Born in Morgan Hill and raised in California's South Bay, Jimenez draws deeply from his Mexican and Chicano roots, using art to explore cultural belonging and the lived experiences of working-class families. His practice is rooted in mentorship and public engagement, often collaborating with youth and community members to create murals that reflect collective histories and struggles. Known for his striking portraiture, Jimenez intentionally uplifts those often overlooked — friends, family, and neighbors — rendering them as powerful, large-scale subjects worthy of visibility and honor. His work frequently highlights matriarchs, everyday people, and victims of state violence, transforming public spaces into sites of remembrance and resistance. Influenced by his role as a father, his recent work embraces intimate, unfiltered depictions of family life. Through art, Jimenez aims to build connection, preserve culture, and inspire collective empowerment.  Connect with Anthony via his Instagram — https://www.instagram.com/anthonyisjim?utm_source=ig_web_button_share_sheet&igsh=ZDNlZDc0MzIxNw== — Subscribe to this podcast: https://plinkhq.com/i/1637968343?to=page Get in touch: lawanddisorder@kpfa.org Follow us on socials @LawAndDis: threads.com@lawanddis ; https://www.instagram.com/lawanddis/ The post Resistance in Residence: Anthony Jimenez, Muralist and Educator appeared first on KPFA.

In this enlightening episode, we welcome Simon Moya Smith, an Oglala Lakota and Chicano journalist, and Julie Francella, a seasoned mental health professional specializing in Indigenous youth. They discuss a groundbreaking agreement between the U.S. Forest Service and the Great Sioux Nation regarding the Black Elk Wilderness, exploring its significance and implications for Indigenous sovereignty. The conversation also delves into the cultural importance of the moon in Indigenous cosmology, the role of music in healing, and the ongoing struggles surrounding sacred lands like Chaco Canyon. Join us for a thought-provoking dialogue that highlights the intersection of culture, history, and justice.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Episode No. 753 features artist Delilah Montoya and author Mario T. García. Montoya's work is featured in three major exhibitions around the US this season. The Albuquerque Museum is featuring "Delilah Montoya: Activating Chicana Resistance," the first retrospective of Montoya's forty-year career. The exhibition, which was curated by Josie Lopez, is on view through May 3. A valuable catalogue was published by University of New Mexico Press and the Albuquerque Museum. Amazon and Bookshop offer it for about $32. Two significant historical group shows also foreground Montoya's work. At the Sheldon Museum of Art, University of Nebraska, Lincoln, Montoya is featured in "Hyphen American: Intersections of Identity." The exhibition, which pointedly rejects increasing right-wing claims that the US is, or should be an ethnostate, presents the many ways identity is presented and interrogated in our art. The excellent exhibition catalogue, which was published in the four languages most commonly spoken in Lincoln (English, Spanish, Vietnamese, and Arabic), was published by the museum. "Hyphen American" was curated by Christian Wurst and is on view through July 5. Artists in the exhibition who have been guests on The Modern Art Notes Podcast include Radcliffe Bailey, Binh Danh, Catherine Opie, Alec Soth, and Renée Stout. The Riverside (Calif.) Art Museum and The Cheech Marin Center for Chicano Art & Culture are showing Montoya in "Chicano Camera Culture: A Photographic History, 1966–2026." The exhibition shows how 45 artists have used their camera as a tool of representation, empowerment, and change over the past 60 years. It is the first major survey of Chicano/a/x lens-based image making. "Chicano Camera Culture" was curated by Elizabeth Ferrer. It's on view at the Riverside Art Museum through July 5, and at The Cheech through September 6. The excellent catalogue was published by The Cheech and is distributed by University of Washington Press. It is available from Amazon for $44. Artists in the exhibition who have been guests on The Modern Art Notes Podcast include Christina Fernandez and Ken Gonzales-Day. Montoya is one of the major figures in the development of Chicana art in the United States. Her community-oriented work addresses colonialism, identity, land, feminine power, and justice. It is held by museums such as the Smithsonian American Art Museum, the Museum of Fine Arts Houston, the Los Angeles County Museum of Art, and the New Mexico Museum of Art. García is the author of "Rupert García: The Making of an American Artist, a Testimonio," which was just published by Rutgers University Press. It is the first biography of the Chicano artist Rupert García. The book, which is informed by 50 hours of interviews conducted over 30 years, is illustrated by 80 artworks. It is immediately the major volume on García's career. Amazon and Bookshop offer it for about $31-33. Instagram: Delilah Montoya, Tyler Green. Air date: April 9, 2026.

In this episode we explore the origin and meaning of the word Chicano. What does it mean to be a Chicano? Do Mexican Americans who hold right-wing views get to call themselves Chicano? Join your hosts as we dig into these topics!End song: Indigena by Aztlan Underground Used with permission (Tlazkamati, Yaotl Mazahua!)https://youtu.be/DZTmWj2pQJE?si=8ZbmUSi5hTM8Dhv9listener comments? Feedback? Shoot us a text! Support the showOrder "NEVER WILL IT BE LOST" and get $5 off!Your Hosts:Kurly Tlapoyawa is an archaeologist, ethnohistorian, and filmmaker. His research covers Mesoamerica, the American Southwest, and the historical connections between the two regions. He is the author of numerous books and has presented lectures at the University of New Mexico, Harvard University, Yale University, San Diego State University, and numerous others. He most recently released his documentary short film "Guardians of the Purple Kingdom," and is a cultural consultant for Nickelodeon Animation Studios.@kurlytlapoyawaRuben Arellano Tlakatekatl is a scholar, activist, and professor of history. His research explores Chicana/Chicano indigeneity, Mexican indigenist nationalism, and Coahuiltecan identity resurgence. Other areas of research include Aztlan (US Southwest), Anawak (Mesoamerica), and Native North America. He has presented and published widely on these topics and has taught courses at various institutions. He currently teaches history at Dallas College – Mountain View Campus. Find us: BlueskyInstagramMerch: Shop Aztlantis Book:...

Lowriders have long turned city streets into moving works of art. Now, a new exhibit at the Smithsonian Institution is tracing the history of lowriding from its roots in Chicano communities to its influence on art and activism. Anthea Hartig, director of the National Museum of American History, talks about perhaps the most famous lowrider of all time, "Gypsy Rose." Then, in 1939, a Black aviator named Chauncey Spencer flew in a fragile biplane from Chicago to Washington, D.C., to advocate for Black representation among military pilots. Smithsonian curator Joseph Abel tells the story of that journey and the impact it made.See pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.NPR Privacy Policy

We're wrapping up March with a very special episode. Xolo's dad, Omar G. Ramirez, joins us to discuss what it means to be Chicano and to encourage his children to pursue careers in the arts. Xolo candidly asks his dad questions about his life. Omar gives his perspective on Xolo's mischievous activities as a youth. Listen to this week's bonus, where we answer your questions and producer Jordan gives us a major update on Unreal Poke Free Discord Access: https://discord.gg/KnDhbnBMCjJoin Supercast Today for the full episode: https://lonelobos.supercast.com/Follow Lone Lobos on Instagram: https://www.instagram.com/lonelobosFollow Xolo Maridueña on Instagram: https://www.instagram.com/xolo_mariduenaFollow Jacob Bertrand on Instagram: https://www.instagram.com/thejacobbertrandFollow Jordan on Instagram: https://www.instagram.com/jmkm808Follow Monica on Instagram: https://www.instagram.com/officialmonicat_We want your feedback! Please fill out the survey to help us improve our podcast https://tinyurl.com/LLPodcastFeedbackhttp://www.heyxolo.com/Jacobs Channel:  @ThreeFloating  

First, we spoke with leaders in the Chicano community about how their community is processing the rape allegations against César Chávez. As well as, how one city in Imperial County is confronting those same allegations. Then, an audit on fire-rescue response times and whether the department is meeting its goals. And, a new exhibit at the USS Midway Museum looks to highlight prisoners of war.

March 31 is officially Farmworkers Day in California.Gov. Gavin Newsom signed a bill last week to rename the holiday from César Chávez Day, following allegations of rape and sexual abuse by the late labor leader.Here in San Diego, where Chicanos have fought for civil rights and representation, many are grappling with the allegations against Chávez.We hear from KPBS reporters to learn how people have been processing the allegations against an icon of civil rights and workers' rights.Guests:Katie Hyson, racial justice and social equity reporter, KPBSKori Suzuki, South Bay and Imperial Valley reporter, KPBSVerónica Martínez-Matsuda, associate professor of history, UC San Diego

It's been less than a week since the New York Times reported on allegations of sexual assault against labor movement icon César Chávez, and the City of Denver is already moving to rename the holiday, park, and federal building that carries his name. But what's next? And what can labor organizers and activists learn from the story of Dolores Huerta? Former City Council president Ramona Martinez and our green chile correspondent Justine Sandoval join host Bree Davies to discuss the JBS strike, the role of Chicano and Latino women in these movements, and their advice for people holding on to open secrets.  What do you think Denver should rename the park on Tennyson? We want to hear from you! Text or leave us a voicemail with your name and neighborhood, and you might hear it on the show: 720-500-5418 For even more news from around the city, subscribe to our morning newsletter at denver.citycast.fm. Follow us on Instagram: @citycastdenver Chat with other listeners on reddit: r/CityCastDenver Support City Cast Denver by becoming a member: membership.citycast.fm Learn more about the sponsors of this March 23rd episode: Arvada Center Looking to advertise on City Cast Denver? Check out our options for podcast and newsletter ads at citycast.fm/advertise

TODAY ON  THE SHOW:: Professor Ron Lopez, Chicano and Latino Studies at Sonoma State University, joins us to talk about Yesterday's student walk-out at Sonoma State University in Northern California: Also we'll be joined by our Special Contributor, Renee Saucedo who speaks out about the crushing impact of Trump crack downs and ICE sweeps are having on undocumented working families, particularly women: And Norm Solomon, co-founder of Roots Action, talks about purging a few key rightwing Democrats such a Chuck Schumer. An award winning front-line investigative news magazine, that focuses on human, civil and workers right, issues of war and peace, Global Warming, racism and poverty, and other issues. Hosted by Dennis J. Bernstein. The post Professor Ron Lopez, Chicano and Latino Studies at Sonoma State University, Joins Us to Talk about Yesterday's Student Walk-Out at Sonoma State University appeared first on KPFA.

David Gonzales is an artist from Richmond, California who grew up in his local lowrider and Chicano arts scene. Starting with his own t-shirts and comic strips, he created the Homies characters that became a worldwide phenomenon. After selling millions of toys, David had to start from square one after the vending machine industry collapses. He's continued to push his own art and even started putting out new lines of Homies toys and merchandise that continue to this day - check David out at https://www.dgatees.com/--History of the Bay x Mojo Labs snapbacks on sale 3/15, sign up to the VIP list for early access: https://mojo-labs.comJoin the Patreon: https://www.patreon.com/dregsoneSubscribe to our clips channel: https://youtube.com/@UCYR1ormrdd-9gFSUoZgv3wA --For promo opportunities on the podcast, e-mail: info@historyofthebay.com--History of the Bay Spotify Playlist: https://open.spotify.com/playlist/3ZUM4rCv6xfNbvB4r8TVWU?si=9218659b5f4b43aaOnline Store: https://dregsone.myshopify.com Follow Dregs One:Spotify: https://open.spotify.com/artist/1UNuCcJlRb8ImMc5haZHXF?si=poJT0BYUS-qCfpEzAX7mlAInstagram: https://instagram.com/dregs_oneTikTok: https://tiktok.com/@dregs_oneTwitter: https://twitter.com/dregs_oneFacebook: https://facebook.com/dregsone41500:00 Starting Homies in the Bay05:54 Growing up in Richmond19:01 Inspiration for characters24:45 Learning to draw28:11 Lowrider and biker art36:25 Post office art40:41 Sports t-shirts48:47 Homies t-shirts53:27 First toys & gang controversy 1:00:34 Homies TV show??1:04:04 Vending machine toys1:12:04 Back to hustling art1:16:45 New Homies toys1:20:23 Learning the business1:23:40 Art & community1:28:27 Current projects

Forging a Mexican People: Collective Subjectivities in Postrevolutionary Print Culture, 1917–1968 (University of Arizona Press, 2026) shows how illustrated print culture helped to construct and deconstruct versions of “a people” in postrevolutionary Mexico. Through meticulous research, Dr. Pablo Zavala uncovers the ways photographers, graphic artists, writers, and activists used print culture to challenge hegemonic conceptions of state-guided narratives and forge alternative collective subjectivities. This book offers a fresh perspective on the sociopolitical landscape of postrevolutionary Mexico, revealing how cultural artifacts simultaneously crafted and reflected the people vis-à-vis different political and social categories. By examining print culture, editorial practices, and related processes such as the creation, consumption, and distribution of said culture, Dr. Zavala's research contributes to scholarship that has recently reexamined the construction of nationalism by moving away from the focus on state formation and addressing the horizontal and aesthetic dimensions in products by cultural producers from nonstate and grassroots political sectors. Dr. Zavala examines the conceptual parameters of el pueblo by analyzing El Universal Ilustrado, El Machete, the Taller de Gráfica Popular, the protest graphic art used in Mexico City's 1968 popular student movement, and graphic art used in California's Chicano farmworkers' struggle. Based on in-depth archival research, the work includes primary sources that have never been digitized, offering readers unique insights into the visual manifestations of Mexico's postrevolutionary identity and their enduring significance. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/latino-studies

Forging a Mexican People: Collective Subjectivities in Postrevolutionary Print Culture, 1917–1968 (University of Arizona Press, 2026) shows how illustrated print culture helped to construct and deconstruct versions of “a people” in postrevolutionary Mexico. Through meticulous research, Dr. Pablo Zavala uncovers the ways photographers, graphic artists, writers, and activists used print culture to challenge hegemonic conceptions of state-guided narratives and forge alternative collective subjectivities. This book offers a fresh perspective on the sociopolitical landscape of postrevolutionary Mexico, revealing how cultural artifacts simultaneously crafted and reflected the people vis-à-vis different political and social categories. By examining print culture, editorial practices, and related processes such as the creation, consumption, and distribution of said culture, Dr. Zavala's research contributes to scholarship that has recently reexamined the construction of nationalism by moving away from the focus on state formation and addressing the horizontal and aesthetic dimensions in products by cultural producers from nonstate and grassroots political sectors. Dr. Zavala examines the conceptual parameters of el pueblo by analyzing El Universal Ilustrado, El Machete, the Taller de Gráfica Popular, the protest graphic art used in Mexico City's 1968 popular student movement, and graphic art used in California's Chicano farmworkers' struggle. Based on in-depth archival research, the work includes primary sources that have never been digitized, offering readers unique insights into the visual manifestations of Mexico's postrevolutionary identity and their enduring significance. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Forging a Mexican People: Collective Subjectivities in Postrevolutionary Print Culture, 1917–1968 (University of Arizona Press, 2026) shows how illustrated print culture helped to construct and deconstruct versions of “a people” in postrevolutionary Mexico. Through meticulous research, Dr. Pablo Zavala uncovers the ways photographers, graphic artists, writers, and activists used print culture to challenge hegemonic conceptions of state-guided narratives and forge alternative collective subjectivities. This book offers a fresh perspective on the sociopolitical landscape of postrevolutionary Mexico, revealing how cultural artifacts simultaneously crafted and reflected the people vis-à-vis different political and social categories. By examining print culture, editorial practices, and related processes such as the creation, consumption, and distribution of said culture, Dr. Zavala's research contributes to scholarship that has recently reexamined the construction of nationalism by moving away from the focus on state formation and addressing the horizontal and aesthetic dimensions in products by cultural producers from nonstate and grassroots political sectors. Dr. Zavala examines the conceptual parameters of el pueblo by analyzing El Universal Ilustrado, El Machete, the Taller de Gráfica Popular, the protest graphic art used in Mexico City's 1968 popular student movement, and graphic art used in California's Chicano farmworkers' struggle. Based on in-depth archival research, the work includes primary sources that have never been digitized, offering readers unique insights into the visual manifestations of Mexico's postrevolutionary identity and their enduring significance. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/latin-american-studies

Notes and Links to Adolfo Guzman Lopez's Work   Adolfo Guzman-Lopez has been a reporter at LAist 89.3, the Los Angeles NPR affiliate since 2000. He reported and hosted Imperfect Paradise: The Forgotten Revolutionary, a true crime podcast looking into the death in 1994 of Chicano college activist Oscar Gomez. He has reported on L.A. politics, education, art, museums and other topics. His stories have also aired and published nationally on NPR, The Washington Post, and other media. His awards include the LA Press Club's “Radio Journalist of the Year.” He was born in Mexico City, grew up in Tijuana and San Diego, and lives in Long Beach. Buy California Southern: writing from the road, 1992-2025   Listen to Adolfo's “The Forgotten Revolutionary” Podcast Series   KPCC/LAist Article about Adolfo's Visit to Pete's Classroom, 2012   KPCC/Laist OnRamp Article about Adolfo being referenced on The Simpsons At about 2:20, Pete and Adolfo talk about the wonderful experience Adolfo provided for Pete's students during a 2012 class visit At about 5:15, Adolfo recounts great stories and lessons learned (especially “collective voice”) from time with The Taco Shop Poets At about 9:00, Adolfo gives background on growing up in San Diego and Tijuana, "bicultural and bilingual” At about 11:30, Pete and Adolfo reflect on the book as “a road trip book” At about 13:30, Adolfo discusses what he recently learned about earlier family immigrants to the US At about 15:40, the two discuss of National City and San Diego in discussing the wonderful “binaries” that Mike Sonksen compliments in blurbs for the book At about 20:50, Adolfo describes the “sadness” in the writing of Jack Kerouac and connections to ideas of “home” for himself and Kerouac At about 23:10, Pete and Adolfo shout out Tim Hernández and his great work with Mañana Means Heaven At about 24:00, “The Spine of Califas,” the book's first poem, is discussed, and Adolfo discusses the “personification” of the border At about 27:50, Pete highlights the POV and “myriad stories” in a poem about  At about 28:40, Adolfo responds to Pete's questions about poems that focus on the border crossing and questions from immigration authorities  At about 29:40, Adolfo explains a dynamic phrase he uses-”milquetoast bilingualism" and how he played with language, especially with regards to “proper” Spanish and English At about 34:55, Adolfo reads some of his work, meditating on ideas of possessions, tangible and not At about 38:00, The two discuss “SanDiegotijuana” and its “negative definitions” and Adolfo reflects on the “set of feelings” that differ depending on where he is At about 41:00, Adolfo reflects on his “footprints still [being] wet” in San Diego and its implications  At about 43:40, Pete compliments Adolfo's work in tracing the histories, military and not, of San Diego and LA At about 47:00, Adolfo responds to Pete's asking about his poem(s) about Pacific Beach Junior High School  At about 48:55, Adolfo expands on his word play, especially using various permutations of “Sal” and talks about adopting Jewish religious practices and writing about a meaningful story from the Torah At about 53:25, Adolfo responds to Pete's questions about “The Words I've Lost” and ideas of remembered and forgotten language At about 55:45, The two discuss gentrification as a topic in the poetry collections, particularly in San Diego At about 1:00:25, Adolfo recounts the story behind his poem on the opening of the National City Library  At about 1:03:40, ideas of “passing the baton” and transitions between immigrant communities and migrant communities are discussed  At about 1:06:20, Adolfo reads the poem “Prudence” At about 1:07:45, Adolfo talks about writing in response/in honor of Ginsberg and Chicano/a history  At about 1:10:35, Adolfo talks about the Chicano Student Movement, which he covered for his podcast, “The Forgotten Revolutionary” At about 1:11:50, Adolfo talks about continuing various movements, and how he has written a “sequel(s) for “The Movement” poem At about 1:14:00, Adolfo responds to Pete's questions about the term Chicano and its changing meanings At about 1:18:00, Adolfo reflects At about 1:20:30, Adolfo reflects on continuing activism and misogyny within activist circles  At about 1:24:10, Adolfo expands on writing and a changed viewpoint on life after a horrible injury caused by police at a protest At about 1:26:40, Pete shouts out “Those Winter Sundays” in highlighting Adolfo's strong ending with a question At about 1:27:40, Adolfo expands on a poem that highlights the building of the LA Philharmonic  At about 1:31: 30, Pete highlights a favorite poem in the collection, “Trucks” and shares a little Italian bone to pick with Adolfo At about 1:35:15, Pete compares Adolfo's “Trucks” and love for home to Hemingway's “Old Man at the Bridge” At about 1:37:30, Shifra Goldman and her mentorship and activism are referenced, as well as the “Tercera Caida”   At about 1:39:00, Adolfo reflects on dreams and their impact on writing and learning  At about 1:41:10, Adolfo reflects on how he was cognizant of tone at the end of the collection, and he reads “The Treaty” At about 1:43:00, Adolfo shares how he ended “The Treaty” with a reference to the Treaty of Guadalupe Hidalgo      You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow Pete on IG, where he is @chillsatwillpodcast, or on Twitter, where he is @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both the YouTube Channel and the podcast while you're checking out this episode.       Pete is very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. His conversation with Jeff Pearlman, a recent guest, is up now at Chicago Review.     Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl      Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting Pete's one-man show, DIY podcast and extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content!    This month's Patreon bonus episode features an exploration of formative and transformative writing for children, as Pete surveys wonderful writers on their own influences.    Pete has added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show.     This is a passion project, a DIY operation, and Pete would love for your help in promoting what he's convinced is a unique and spirited look at an often-ignored art form.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.     Please tune in for Episode 328 with Tom Junod, ESPN senior writer who has written some of the most enduring and widely read longform journalism of the last 30 years.    He joined ESPN in 2016 and has specialized in deeply reported stories on subjects ranging from Muhammad Ali's funeral to Tom Brady's desire to play forever. He has been nominated for an Emmy for his work on “The Hero of Goodall Park,” an E60 program on the ancient secrets that were revealed when a car drove on a baseball field in Maine during a Babe Ruth League game in 2018.     In a 2022 piece, “Untold,” he and ESPN investigative reporter Paula Lavigne spent nearly two years uncovering the horrific crimes of Todd Hodne, a  Penn State football player who in the late 1970's terrorized State College PA, and Long Island, NY, as a serial sexual predator.    Before coming to ESPN, Junod wrote for GQ and Esquire, where he won two National Magazine Awards and was a finalist for the award a record 11 times. For Esquire's 75th Anniversary, the editors of the magazine selected his 9/11 story “The Falling Man' as one of the seven top stories in Esquire's history. In 2019, his story on beloved children's TV host Fred Rogers, “Can You Say…Hero?,” served as the basis for the movie “A Beautiful Day in The Neighborhood,” starring Tom Hanks and Matthew Rhys.    His work has been widely anthologized in collections including The Best American Magazine Writing, the Best American Sports Writing, the Best American Political Writing, the Best American Crime Writing, and the Best American Food Writing.    The episode airs on March 10 or thereabouts, Pub Day for In the Days of My Youth I Was Told What It Means to Be a Man: A Memoir.    Please go to ceasefiretoday.org, and/or https://act.uscpr.org/a/letaidin to call your congresspeople and demand an end to the forced famine and destruction of Gaza and the Gazan people.

Season 8, Episode 10 features Meridian-based street artist and muralist Bobby Gaytan, whose work blends graffiti culture with his Chicano roots and migrant farmworker story. From drawing as a kid in migrant communities to painting murals across Idaho, Bobby shares how art, culture, and community shaped his journey and why telling farmworker stories through public art matters.Follow the Brown Sound on Instagramhttps://www.instagram.com/brownsoundpodcastFor more info on Bobby Gaytanhttps://www.instagram.com/bobbygaytanOriginal music brought to you by Lobo Lara y Chilli Willy https://www.instagram.com/lobolara208https://www.instagram.com/el_chilli_willy_Stream their music on all major streaming platforms!

Notes and Links to Yiming Ma's Work      Born in Shanghai, Yiming Ma spent a decade in tech and finance before writing the dystopian novel These Memories Do Not Belong to Us, named a Spotify Editors' Pick, longlisted for the Goodreads Choice Award, and featured on Best Book of 2025 lists by Electric Literature, Debutiful, PEN America,and elsewhere.    Yiming attended Stanford for his MBA, and Warren Wilson for his MFA. His stories and essays appear in the New York Times, The Guardian, The Globe and Mail, Florida Review, and elsewhere. His story “Swimmer of Yangtze” won the 2018 Guardian 4th Estate Story Prize. Buy These Memories Do Not Belong to Us   Locus Magazine Review of These Memories Don't Belong to Us     Yiming Ma's Website   Interview with Michael Zapata for Chicago Review of Books: “Mirrors, Memories, Rebellions: An Interview with Yiming Ma” At about 2:10, Yiming shares the feedback he's gotten and the ways in which These Memories Do Not Belong to Us has “resonated” with readers At about 4:20, Yiming talks about his relationship with “home” and reading as a kid At about 5:15, Ishiguro's Never Let Me Go is highlighted as a formative and transformative read for Yiming At about 8:15, Yiming expands on how his immigrant background informed his career choices, agency, and adaptive skills and outlook on capitalism-he connects these to his book's plot and themes  At about 10:25, Pete reflects on the book as science fiction/speculative fiction At about 11:25, Yiming responds to Pete's question about contemporary books that “flipped the switch” At about 12:50, Yiming reflects on the dearth of fiction read by people in his former work life, as well as ideas of empathy and the changing landscape of diversity in authorship At about 15:00, Yiming talks about AI and men reading (or not reading) fiction, and differences between his writer friends and tech friends  At about 18:00, Yiming describes the structure of the book in conjunction with seeds for the book, largely coming from the pandemic and ideas of what is remembered and not remembered and how At about 21:55, Yiming explains how his award-winning story “Swimmer of Yangtze” and the idea of “constellation writing” At about 23:00, Yiming lays out the book's opening/exposition  At about 24:40, Yiming responds to Pete's questions about early connections and memories between Jill and Hao At about 28:00, Yiming recalls the early question about seeds for the book in reflecting on the motif of watches in the novel  At about 30:15, the two discuss “Easter eggs” in the book regarding “Ri-Ben” (China in Japanese), and Pete reflects on geopolitical tragedies that frame the “constellation writing”  At about 32:10, Pete asks Yiming about the book's “Memory Epics” and ideas of art vs. commercialism and censorship in connection to today's similarities  At about 36:40, Yiming expands on the story “Chankonabe” and its connections to real-life and its fit in the novel's “constellation” At about 37:35, Yiming talks about the importance of mantras in his book as guides for his storytelling At about 40:00, Yiming talks about research on sumo wrestling and the resulting questions and reflection that brought out some profound scenes  At about 43:15, The two discuss the book's first-person accounts from the main narrator, and Yiming expands upon ideas of agency and resistance against systems  At about 45:30, Yiming reflects on connections between the Chrysanthemum Virus and the coronavirus At about 51:00, The two discuss the story “Swimmer of Yangtze” At about 52:10, Yiming tells of the beautiful homage to his grandmother in the book At about 53:10, Yiming turns the tables and asks Pete probing questions about the ever-encroaching AI At about 56:40, Yiming talks about the “incredible” students he's spoken with and reflects on a “biased sample” and the “paradigm shift” between disparate groups he speaks with regarding AI and its implementation  At about 1:01:00, Yiming reflects on the “worry” he has over critical thinking skills and employment in a future focused on AI At about 1:02:20, Pete asks about “+86 Shanghai” and its immigration stories  At about 1:03:20, The two discuss the balance between changing the system and ideas of assimilation and Yiming talks about personal connections to “mining [his] own immigration story” and changing immigration narratives At about 1:07:50, The two reflect on Kaveh Akbar's brilliant work that Yiming riffs off in the book; Pete shares a story about Kaveh's profundity in action, and Yiming talks about censorship and the timing of the release of his book      You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow Pete on IG, where he is @chillsatwillpodcast, or on Twitter, where he is @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both the YouTube Channel and the podcast while you're checking out this episode.       Pete is very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. His conversation with Jeff Pearlman, a recent guest, is up at Chicago Review.     Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl      Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting Pete's one-man show, DIY podcast and extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content!    This month's Patreon bonus episode features an exploration of formative and transformative writing for children, as Pete surveys wonderful writers on their own influences.    Pete has added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show.     This is a passion project, a DIY operation, and Pete would love for your help in promoting what he's convinced is a unique and spirited look at an often-ignored art form.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.     Please tune in for Episode 327 with Adolfo Guzman-Lopez. Adolfo Guzman-Lopez has been a reporter at LAist 89.3, the Los Angeles NPR affiliate since 2000. He reported and hosted Imperfect Paradise: The Forgotten Revolutionary, a true crime podcast looking into the death in 1994 of Chicano college activist Oscar Gomez. He has reported on L.A. politics, education, art, museums and other topics. His stories have also aired and published nationally on NPR, The Washington Post, and other media, and his poetry, especially from time with the Taco Shop Poets, has been awarded and anthologized.     The episode airs later today, March 3.      Please go to ceasefiretoday.org, and/or https://act.uscpr.org/a/letaidin to call your congresspeople and demand an end to the forced famine and destruction of Gaza and the Gazan people.       You can also donate at chuffed.org, World Central Kitchen, and so many more, and/or you can contact writer friend Ursula Villarreal-Moura directly or through Pete, as she has direct links with friends in Gaza.

John talks with Simon Moya-Smith who's an Oglala Lakota and Chicano journalist. He's a contributing writer at NBC News and TheNation.com. He's the author of the forthcoming book, ‘Your Spirit Animal is a Jackass,' and he is an Adjunct Professor of Indigenous Studies at the University of Colorado Denver. John also talks with Julie Francella who's a mental health professional experienced in handling complex trauma with Indigenous youth and families. She's also an enrolled member of the Ojibway of Batchewana First Nation Reserve, and teaches Indigenous Studies at Durham College, focusing on the impacts of colonization on First Nations people. They discuss TIME magazine featuring Jordan Harmon and Mackenzie Roberts, two citizens of the Muscogee (Creek) Nation, on the cover of its issue titled “The People vs. AI,” highlighting a growing grassroots pushback against the unchecked expansion of artificial intelligence infrastructure across the United States. They also talk about the state of New Mexico finally investigating the forced sterilization of native women and in Sant Fe there's a big fight over a monument honoring calvary soldiers which native protesters toppled in 2020. Sant Fe residents are claiming the monument represented generations of genocide against Native Americans.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This week on Alt.Latino, it's another new music episode with a global panorama: Canary Islands merengue, Chicano soul, Afro-Brazilian roots and more. Plus, a percussion supergroup that Felix could listen to for hours.Featured artists and albums:(00:00) Introduction(01:05) Quevedo, 'NI BORRACHO'(05:12) Joey Quiñones, 'In a Soul Situation'(12:34) Carolina Mama, 'Amina'(15:41) Elipsis, 'Elipsis'(19:32) Da Cruz, 'Som Sistema'(23:56) Sofía Rei, 'Antónima'This podcast episode was produced by Noah Caldwell. Suraya Mohamed is the executive producer of NPR Music.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

This week on Alt.Latino, it's another new music episode with a global panorama: Canary Islands merengue, Chicano soul, Afro-Brazilian roots and more. Plus, a percussion supergroup that Felix could listen to for hours.Featured artists and albums:(00:00) Introduction(00:55) Quevedo, 'NI BORRACHO'(05:02) Joey Quiñones, 'In a Soul Situation'(12:24) Carolina Mama, 'Amina'(15:31) Elipsis, 'Elipsis'(19:22) Da Cruz, 'Som Sistema'(23:46) Sofía Rei, 'Antónima'This podcast episode was produced by Noah Caldwell. Suraya Mohamed is the executive producer of NPR Music.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

How Bad Bunny became the global voice of a generation in crisis — and what it means when resistance becomes profitable.Guests:Carina Del Valle Schorske, writer, translator and wannabe backup dancer. She wrote a New York Times Magazine profile about Bad Bunny you can read here. Vanessa Díaz, professor of Chicano/a and Latino/a Studies at Loyola Marymount University. She's been teaching a Bad Bunny college course 2023 and is the co-creator of the Bad Bunny Syllabus Project. She is also the co-author of P FKN R: How Bad Bunny Became the Voice of Puerto Rican Resistance. Jorell Meléndez-Badillo, professor of Puerto Rican, Caribbean and Latin American History at University of Wisconsin, Madison. He's the author of Puerto Rico: A National History. He is also the author of  the history visualizers for Bad Bunny's DTMF album.To access bonus episodes and listen to Throughline sponsor-free, subscribe to Throughline+ via Apple Podcasts or at plus.npr.org/throughline.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

In this episode of We're Still Here - Simon Moya Smith, an Oglala Lakota and Chicano journalist, and Julie Francella, a mental health professional with deep roots in Indigenous communities, join John Fugelsang to discuss the recent cultural moments that highlight Indigenous voices, including Billie Eilish's Grammy speech and the backlash surrounding it. Then, their conversation delves into the significance of recognizing stolen land, the complexities of tribal sovereignty, and the impact of climate change on Indigenous populations. Listen in for an enlightening discussion that challenges mainstream narratives and advocates for a deeper understanding of Indigenous rights and history.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.