Podcasts about Chicano

The practice of celebrating dead ancestors started long before Spanish colonizers came to what is now Mexico, but the Aztec and Mayan custom eventually engulfed the entire country, blending Catholic, Spanish, and Indigenous elements into what is now Dia de los Muertos. The festival even spills into parts of the U.S. Some people with Mexican Indigenous ties are working to cut through the contemporary pop culture trappings of the holiday and reconnect with the deeper, more spiritual origins. We'll also hear about Vision Maker Media's expanded push to train and support young filmmakers to tell stories driven by mission. The Native Youth Media Project partners with tribes, organizations, and individuals to develop storytellers at a time when federal support for such projects has disappeared. GUESTS Janet Martinez (Zapotec), executive director of Communidades Indigenas en Liderazgo (CIELO) Kurly Tlapoyawa (Chicano and Nahua), archaeologist and co-host of the “Tales from Aztlantis” podcast Francene Blythe (Diné, Sisseton Wahpeton and Eastern Band of Cherokee), executive director of Vision Maker Media Anita Huízar-Hernández, associate director of the Hispanic Research Center and publisher and managing editor of the Bilingual Press at Arizona State University

The practice of celebrating dead ancestors started long before Spanish colonizers came to what is now Mexico, but the Aztec and Mayan custom eventually engulfed the entire country, blending Catholic, Spanish, and Indigenous elements into what is now Dia de los Muertos. The festival even spills into parts of the U.S. Some people with Mexican Indigenous ties are working to cut through the contemporary pop culture trappings of the holiday and reconnect with the deeper, more spiritual origins. We'll also hear about Vision Maker Media's expanded push to train and support young filmmakers to tell stories driven by mission. The Native Youth Media Project partners with tribes, organizations, and individuals to develop storytellers at a time when federal support for such projects has disappeared. GUESTS Janet Martinez (Zapotec), executive director of Communidades Indigenas en Liderazgo (CIELO) Kurly Tlapoyawa (Chicano and Nahua), archaeologist and co-host of the “Tales from Aztlantis” podcast Francene Blythe (Diné, Sisseton Wahpeton and Eastern Band of Cherokee), executive director of Vision Maker Media Anita Huízar-Hernández, associate director of the Hispanic Research Center and publisher and managing editor of the Bilingual Press at Arizona State University

On this episode of #LatinosOutLoud, #RachelLaLoca is on location at Hulu/Disney+ and chats with comedian Frankie Quiñones. The two chat it up about the industry, their friendship of almost ten years, and of course, Frankie's NEW stand up special DAMN THAT'S CRAZY, which is streaming now on Hulu/Disney+ as of October 10th. In this special, Frankie brings his irreverent humor and personal anecdotes to the stage, using comedy to explore topics such as love, addiction, and even the high-stakes politics that often come up at a classic family carne asada.  “Damn That's Crazy” is directed by Emmy® winner Ali Wong.  About Frankie Quiñones: He is a Mexican-American comedian, actor, and writer who has won audiences over with his unique stand-up style and the creation of beloved, hilarious characters such as Creeper, a “cholo fit” instructor who blends Chicano culture with workout routines, and Juanita Carmelita, a passionate and highly expressive woman. In addition to his live performances, Frankie has been part of numerous television shows and streaming platforms, including This Fool (Hulu). He has also appeared in productions such as Mr. Iglesias (Netflix), The Dress Up Gang, and What We Do in the Shadows, as well as performing on Comedy Central and HBO. Follow Rachel Follow LOL Follow Frankie And follow the yellow brick road while you're at it.... #LatinosOutLoud #Podcast #Comedy #Hulu #Disney #FrankieQuinones #CholoFit #Creeper #DamnThatsCrazy

Professor Tom Alter, a tenured historian at Texas State University, was recently fired for speaking at an online socialism conference. His remarks were secretly recorded and doctored by a self-proclaimed fascist influencer who launched a smear campaign. There was no due process, a blatant violation of his First Amendment and academic freedom rights. The president of Texas State University upheld the firing of Tom Alter after a court ordered his reinstatement. A broad coalition has formed to “Defend Tom Alter.” Tom joins Suzi to describe what happened and why his case has become a flashpoint in the new McCarthyism sweeping US campuses. Then, longtime Chicano activist Bill Gallegos tells the story of how Los Angeles united to defeat Trump's deployment of troops to enforce ICE raids and terrorize immigrant communities. Unions, immigrant organizations, artists, faith leaders, and even business groups built a united front demanding troops out — and they won. Trump's troops were forced to withdraw. LA showed the country what resistance and broad solidarity can achieve: when people organize and stand firm, even a president bent on repression can be pushed back. LA was supposed to be Trump's model for his authoritarian power grab, but instead it was the template for defeating it. Jacobin Radio with Suzi Weissman features conversations with leading thinkers and activists, with a focus on labor, the economy, and protest movements.

BIO:The Reverend Dr. Starlette Thomas is a poet, practical theologian, and itinerant prophet for a coming undivided “kin-dom.” She is the director of The Raceless Gospel Initiative, named for her work and witness and an associate editor at Good Faith Media. Starlette regularly writes on the sociopolitical construct of race and its longstanding membership in the North American church. Her writings have been featured in Sojourners, Red Letter Christians, Free Black Thought, Word & Way, Plough, Baptist News Global and Nurturing Faith Journal among others. She is a frequent guest on podcasts and has her own. The Raceless Gospel podcast takes her listeners to a virtual church service where she and her guests tackle that taboo trinity— race, religion, and politics. Starlette is also an activist who bears witness against police brutality and most recently the cultural erasure of the Black Lives Matter Plaza in Washington, D.C. It was erected in memory of the 2020 protests that brought the world together through this shared declaration of somebodiness after the gruesome murder of George Perry Floyd, Jr. Her act of resistance caught the attention of the Associated Press. An image of her reclaiming the rubble went viral and in May, she was featured in a CNN article.Starlette has spoken before the World Council of Churches North America and the United Methodist Church's Council of Bishops on the color- coded caste system of race and its abolition. She has also authored and presented papers to the members of the Baptist World Alliance in Zurich, Switzerland and Nassau, Bahamas to this end. She has cast a vision for the future of religion at the National Museum of African American History and Culture's “Forward Conference: Religions Envisioning Change.” Her paper was titled “Press Forward: A Raceless Gospel for Ex- Colored People Who Have Lost Faith in White Supremacy.” She has lectured at The Queen's Foundation in Birmingham, U.K. on a baptismal pedagogy for antiracist theological education, leadership and ministries. Starlette's research interests have been supported by the Louisville Institute and the Lilly Foundation. Examining the work of the Reverend Dr. Clarence Jordan, whose farm turned “demonstration plot” in Americus, Georgia refused to agree to the social arrangements of segregation because of his Christian convictions, Starlette now takes this dirt to the church. Her thesis is titled, “Afraid of Koinonia: How life on this farm reveals the fear of Christian community.” A full circle moment, she was recently invited to write the introduction to Jordan's newest collection of writings, The Inconvenient Gospel: A Southern Prophet Tackles War, Wealth, Race and Religion.Starlette is a member of the Christian Community Development Association, the Peace & Justice Studies Association, and the Koinonia Advisory Council. A womanist in ministry, she has served as a pastor as well as a denominational leader. An unrepentant academician and bibliophile, Starlette holds degrees from Buffalo State College, Colgate Rochester Crozer Divinity School and Wesley Theological Seminary. Last year, she was awarded an honorary doctorate in Sacred Theology for her work and witness as a public theologian from Wayland Baptist Theological Seminary. She is the author of "Take Me to the Water": The Raceless Gospel as Baptismal Pedagogy for a Desegregated Church and a contributing author of the book Faith Forward: A Dialogue on Children, Youth & a New Kind of Christianity.  JennyI was just saying that I've been thinking a lot about the distinction between Christianity and Christian supremacy and Christian nationalism, and I have been researching Christian nationalism for probably about five or six years now. And one of my introductions to the concept of it was a book that's based on a documentary that's based on a book called Constantine Sword. And it talked about how prior to Constantine, Christians had the image of fish and life and fertility, and that is what they lived by. And then Constantine supposedly had this vision of a cross and it said, with this sign, you shall reign. And he married the church and the state. And ever since then, there's been this snowball effect of Christian empire through the Crusades, through manifest destiny, through all of these things that we're seeing play out in the United States now that aren't new. But I think there's something new about how it's playing out right now.Danielle (02:15):I was thinking about the doctrine of discovery and how that was the creation of that legal framework and ideology to justify the seizure of indigenous lands and the subjugation of indigenous peoples. And just how part of that doctrine you have to necessarily make the quote, humans that exist there, you have to make them vacant. Or even though they're a body, you have to see them as internally maybe empty or lacking or less. And that really becomes this frame. Well, a repeated frame.Jenny (03:08):Yep. Yeah. Yeah. And it feels like that's so much source to that when that dehumanization is ordained by God. If God is saying these people who we're not even going to look at as people, we're going to look at as objects, how do we get out of that?Danielle (03:39):I don't know. Well, definitely still in it. You can hear folks like Charlie Kirk talk about it and unabashedly, unashamedly turning point USA talk about doctrine of discovery brings me currently to these fishing boats that have been jetting around Venezuela. And regardless of what they're doing, the idea that you could just kill them regardless of international law, regardless of the United States law, which supposedly we have the right to a process, the right to due process, the right to show up in a court and we're presumed innocent. But this doctrine applies to people manifest destiny, this doctrine of discovery. It applies to others that we don't see as human and therefore can snuff out life. And I think now they're saying on that first boat, I think they've blown up four boats total. And on the first boat, one of the ladies is speaking out, saying they were out fishing and the size of the boat. I think that's where you get into reality. The size of the boat doesn't indicate a large drug seizure anyway. It's outside reality. And again, what do you do if they're smuggling humans? Did you just destroy all that human life? Or maybe they're just fishing. So I guess that doctrine and that destiny, it covers all of these immoral acts, it kind of washes them clean. And I guess that talking about Constantine, it feels like the empire needed a way to do that, to absolve themselves.Danielle (05:40):I know it gives me both comfort and makes me feel depressed when I think about people in 300 ad being, they're freaking throwing people into the lion's den again and people are cheering. And I have to believe that there were humans at that time that saw the barbarism for what it was. And that gives me hope that there have always been a few people in a system of tyranny and oppression that are like, what the heck is going on? And it makes me feel like, ugh. When does that get to be more than just the few people in a society kind of society? Or what does a society need to not need such violence? Because I think it's so baked in now to these white and Christian supremacy, and I don't know, in my mind, I don't think I can separate white supremacy from Christian supremacy because even before White was used as a legal term to own people and be able to vote, the legal term was Christian. And then when enslaved folks started converting to Christianity, they pivoted and said, well, no, not all Christians. It has to be white Christians. And so I think white supremacy was birthed out of a long history of Christian supremacy.Danielle (07:21):Yeah, it's weird. I remember growing up, and maybe you had this experience too, I remember when Schindler's List hit the theaters and you were probably too young, but Schindler's listed the theaters, and I remember sitting in a living room and having to convince my parents of why I wanted to see it. And I think I was 16, I don't remember. I was young and it was rated R and of course that was against our values to see rated R movies. But I really wanted to see this movie. And I talked and talked and talked and got to see this movie if anybody's watched Schindler's List, it's a story of a man who is out to make money, sees this opportunity to get free labor basically as part of the Nazi regime. And so he starts making trades to access free labor, meanwhile, still has women, enjoys a fine life, goes to church, has a pseudo faith, and as time goes along, I'm shortening the story, but he gets this accountant who he discovers he loves because his accountant makes him rich. He makes him rich off the labor. But the accountant is thinking, how do I save more lives and get them into this business with Schindler? Well, eventually they get captured, they get found out. All these things happen, right, that we know. And it becomes clear to Schindler that they're exterminating, they're wiping out an entire population.(09:01):I guess I come to that and just think about, as a young child, I remember watching that thinking, there's no way this would ever happen again because there's film, there's documentation. At the time, there were people alive from the Great war, the greatest generation like my grandfather who fought in World War ii. There were other people, we had the live stories. But now just a decade, 12, 13 years removed, it hasn't actually been that long. And the memory of watching a movie like Schindler's List, the impact of seeing what it costs a soul to take the life of other souls like that, that feels so far removed now. And that's what the malaise of the doctrine of Discovery and manifest destiny, I think have been doing since Constantine and Christianity. They've been able to wipe the memory, the historical memory of the evil done with their blessing.(10:06):And I feel like even this huge thing like the Holocaust, the memories being wiped, you can almost feel it. And in fact, people are saying, I don't know if they actually did that. I don't know if they killed all these Jewish peoples. Now you hear more denial even of the Holocaust now that those storytellers aren't passed on to the next life. So I think we are watching in real time how Christianity and Constantine were able to just wipe use empire to wipe the memory of the people so they can continue to gain riches or continue to commit atrocities without impunity just at any level. I guess that's what comes to mind.Jenny (10:55):Yeah, it makes me think of, I saw this video yesterday and I can't remember what representative it was in a hearing and she had written down a long speech or something that she was going to give, and then she heard during the trial the case what was happening was someone shared that there have been children whose parents have been abducted and disappeared because the children were asked at school, are your parents undocumented? And she said, I can't share what I had prepared because I'm caught with that because my grandfather was killed in the Holocaust because his children were asked at school, are your parents Jewish?(11:53):And my aunt took that guilt with her to her grave. And the amount of intergenerational transgenerational trauma that is happening right now, that never again is now what we are doing to families, what we are doing to people, what we are doing to children, the atrocities that are taking place in our country. Yeah, it's here. And I think it's that malaise has come over not only the past, but even current. I think people don't even know how to sit with the reality of the horror of what's happening. And so they just dissociate and they just check out and they don't engage the substance of what's happening.Danielle (13:08):Yeah. I tell a friend sometimes when I talk to her, I just say, I need you to tap in. Can you just tap in? Can you just carry the conversation or can you just understand? And I don't mean understand, believe a story. I mean feel the story. It's one thing to say the words, but it's another thing to feel them. And I think Constantine is a brilliant guy. He took a peaceful religion. He took a peaceful faith practice, people that literally the prior guy was throwing to the lions for sport. He took a people that had been mocked, a religious group that had been mocked, and he elevated them and then reunified them with that sword that you're talking about. And so what did those Christians have to give up then to marry themselves to empire? I don't know, but it seems like they kind of effed us over for eternity, right?Jenny (14:12):Yeah. Well, and I think that that's part of it. I think part of the malaise is the infatuation with eternity and with heaven. And I know for myself, when I was a missionary for many years, I didn't care about my body because this body, this light and momentary suffering paled in comparison to what was awaiting me. And so no matter what happened, it was a means to an end to spend eternity with Jesus. And so I think of empathy as us being able to feel something of ourselves in someone else. If I don't have grief and joy and sorrow and value for this body, I'm certainly not going to have it for other bodies. And I think the disembodiment of white Christian supremacy is what enables bodies to just tolerate and not consider the brutality of what we're seeing in the United States. What we're seeing in Congo, what we're seeing in Palestine, what we're seeing everywhere is still this sense of, oh, the ends are going to justify the means we're all going to, at least I'll be in heaven and everyone else can kind of figure out what they're going to do.I don't know, man. Yeah, maybe. I guess when you think about Christian nationalism versus maybe a more authentic faith, what separates them for youAbiding by the example that Jesus gave or not. I mean, Jesus was killed by the state because he had some very unpopular things to say about the state and the way in which he lived was very much like, how do I see those who are most oppressed and align myself with them? Whereas Christian nationalism is how do I see those who have the most power and align myselves with them?(16:48):And I think it is a question of alignment and orientation. And at the end of the day, who am I going to stand with even knowing and probably knowing that that may be to the detriment of my own body, but I do that not out of a sense of martyrdom, but out of a sense of integrity. I refuse. I think I really believe Jesus' words when he said, what good is it for a man to gain the world and lose his soul? And at the end of the day, what I'm fighting for is my own soul, and I don't want to give that up.Danielle (17:31):Hey, starlet, we're on to not giving up our souls to power.The Reverend Dr.Rev. Dr. Starlette (17:47):I'm sorry I'm jumping from one call to the next. I do apologize for my tardiness now, where were we?Danielle (17:53):We got on the subject of Constantine and how he married the sword with Christianity when it had been fish and fertile ground and et cetera, et cetera. Yeah, that's where we started. Yeah, that's where we started.Starlette (18:12):I'm going to get in where I fit in. Y'all keep going.Danielle (18:14):You get in. Yeah, you get in. I guess Jenny, for me and for you, starlet, the deep erasure of any sort of resemblance of I have to look back and I have to be willing to interrogate, I think, which is what a lot of people don't want to do. I grew up in a really conservative evangelical family and a household, and I have to interrogate, well, one, why did my mom get into that? Because Mexican, and number two, I watched so slowly as there was a celebration. I think it was after Bill Clinton had this Monica Lewinsky thing and all of this stuff happened. My Latino relatives were like, wait a minute, we don't like that. We don't like that. That doesn't match our values. And I remember this celebration of maybe now they're going to become Christians. I remember thinking that as a child, because for them to be a Democrat in my household and for them to hold different values around social issues meant that they weren't necessarily saved in my house and my way because they hadn't fully bought into empire in the way I know Jenny muted herself.(19:31):They hadn't fully bought into empire. And I slowly watched those family members in California kind of give way to conservatism the things that beckoned it. And honestly, a lot of it was married to religion and to what is going on today and not standing up for justice, not standing up for civil rights. I watched the movement go over, and it feels like at the expense of the memory of my grandfather and my great-grandfather who despised religion in some ways, my grandfather did not like going to church because he thought people were fake. He didn't believe them, and he didn't see what church had to do with being saved anyway. And so I think about him a lot and I think, oh, I got to hold onto that a little bit in the face of empire. But yeah, my mind just went off on that rabbit trail.Starlette (20:38):Oh, it's quite all right. My grandfather had similar convictions. My grandmother took the children to church with her and he stayed back. And after a while, the children were to decide that they didn't want to go anymore. And I remember him saying, that's enough. That's enough. You've done enough. They've heard enough. Don't make them go. But I think he drew some of the same conclusions, and I hold those as well, but I didn't grow up in a household where politics was even discussed. Folks were rapture ready, as they say, because they were kingdom minded is what they say now. And so there was no discussion of what was going on on the ground. They were really out of touch with, I'm sending right now. They were out of touch with reality. I have on pants, I have on full makeup, I have on earrings. I'm not dressed modestly in any way, shape, fashion or form.(21:23):It was a very externalized, visible, able to be observed kind of spirituality. And so I enter the spaces back at home and it's like going into a different world. I had to step back a bit and oftentimes I just don't say anything. I just let the room have it because you can't, in my experience, you can't talk 'em out of it. They have this future orientation where they live with their feet off the ground because Jesus is just around the corner. He's right in that next cloud. He's coming, and so none of this matters. And so that affected their political participation and discussion. There was certainly very minor activism, so I wasn't prepared by family members to show up in the streets like I do now. I feel sincerely called. I feel like it's a work of the spirit that I know where to put my feet at all, but I certainly resonate with what you would call a rant that led you down to a rabbit hole because it led me to a story about my grandfather, so I thank you for that. They were both right by the way,Danielle (22:23):I think so he had it right. He would sit in the very back of church sometimes to please my grandmother and to please my family, and he didn't have a cell phone, but he would sit there and go to sleep. He would take a nap. And I have to think of that now as resistance. And as a kid I was like, why does he do that? But his body didn't want to take it in.Starlette (22:47):That's rest as resistance from the Nat Bishop, Trisha Hersey, rest as act of defiance, rest as reparations and taking back my time that you're stealing from me by having me sit in the service. I see that.Danielle (23:02):I mean, Jenny, it seems like Constantine, he knew what to do. He gets Christians on his side, they knew how to gather organically. He then gets this mass megaphone for whatever he wants, right?Jenny (23:21):Yeah. I think about Adrian Marie Brown talks a lot about fractals and how what happens on a smaller scale is going to be replicated on larger scales. And so even though there's some sense of disjoint with denominations, I think generally in the United States, there is some common threads of that manifest destiny that have still found its way into these places of congregating. And so you're having these training wheels really even within to break it down into the nuclear family that James Dobson wanted everyone to focus on was a very, very narrow white, patriarchal Christian family. And so if you rehearse this on these smaller scales, then you can rehearse it in your community, then you can rehearse it, and it just bubbles and bubbles and balloons out into what we're seeing happen, I think.Yeah, the nuclear family and then the youth movements, let us, give us your youth, give us your kids. Send us your kids and your youth to our camps.Jenny (24:46):Great. I grew up in Colorado and I was probably 10 or 11 when the Columbine shooting happened, and I remember that very viscerally. And the immediate conversation was not how do we protect kids in school? It was glorifying this one girl that maybe or maybe did not say yes when the shooters asked, do you still believe in God? And within a year her mom published a book about it. And that was the thing was let's use this to glorify martyrdom. And I think it is different. These were victims in school and I think any victim of the shooting is horrifying. And I think we're seeing a similar level of that martyrdom frenzy with Charlie Kirk right now. And what we're not talking about is how do we create a safer society? What we're talking about, I'm saying, but I dunno. What I'm hearing of the white Christian communities is how are we glorifying Charlie Kirk as a martyr and what power that wields when we have someone that we can call a martyr?Starlette (26:27):No, I just got triggered as soon as you said his name.(26:31):Just now. I think grieving a white supremacist is terrifying. Normalizing racist rhetoric is horrifying. And so I look online in disbelief. I unfollowed and blocked hundreds of people on social media based on their comments about what I didn't agree with. Everything he said, got a lot of that. I'm just not interested. I think they needed a martyr for the race war that they're amping for, and I would like to be delivered from the delusion that is white body supremacy. It is all exhausting. I don't want to be a part of the racial imagination that he represents. It is not a new narrative. We are not better for it. And he's not a better person because he's died. The great Biggie Smalls has a song that says you're nobody until somebody kills you. And I think it's appropriate. Most people did not know who he was. He was a podcaster. I'm also looking kind of cross-eyed at his wife because that's not, I served as a pastor for more than a decade. This is not an expression of grief. There's nothing like anything I've seen for someone who was assassinated, which I disagree with.(28:00):I've just not seen widows take the helm of organizations and given passion speeches and make veil threats to audiences days before the, as we would say in my community, before the body has cooled before there is a funeral that you'll go down and take pictures. That could be arguably photo ops. It's all very disturbing to me. This is a different measure of grief. I wrote about it. I don't know what, I've never heard of a sixth stage of grief that includes fighting. We're not fighting over anybody's dead body. We're not even supposed to do it with Jesus. And so I just find it all strange that before the man is buried, you've already concocted a story wherein opposing forces are at each other's throats. And it's all this intergalactic battle between good and bad and wrong, up and down, white and black. It's too much.(28:51):I think white body supremacy has gotten out of hand and it's incredibly theatrical. And for persons who have pulled back from who've decent whiteness, who've de racialize themselves, it's foolishness. Just nobody wants to be involved in this. It's a waste of time. White body supremacy and racism are wastes of time. Trying to prove that I'm a human being or you're looking right at is a waste of time. And people just want to do other things, which is why African-Americans have decided to go to sleep, to take a break. We're not getting ready to spin our wheels again, to defend our humanity, to march for rights that are innate, to demand a dignity that comes with being human. It's just asinine.(29:40):I think you would be giving more credence to the statements themselves by responding. And so I'd rather save my breath and do my makeup instead because trying to defend the fact that I'm a glorious human being made in the image of God is a waste of time. Look at me. My face is beat. It testifies for me. Who are you? Just tell me that I don't look good and that God didn't touch me. I'm with the finger of love as the people say, do you see this beat? Let me fall back. So you done got me started and I blame you. It's your fault for the question. So no, that's my response to things like that. African-American people have to insulate themselves with their senses of ness because he didn't have a kind word to say about African-American people, whether a African-American pilot who is racialized as black or an African-American woman calling us ignorance saying, we're incompetence. If there's no way we could have had these positions, when African-American women are the most agreed, we're the most educated, how dare you? And you think, I'm going to prove that I'm going to point to degrees. No, I'll just keep talking. It will make itself obvious and evident.(30:45):Is there a question in that? Just let's get out of that. It triggers me so bad. Like, oh, that he gets a holiday and it took, how many years did it take for Martin Luther King Junior to get a holiday? Oh, okay. So that's what I mean. The absurdity of it all. You're naming streets after him hasn't been dead a year. You have children coloring in sheets, doing reports on him. Hasn't been a few months yet. We couldn't do that for Martin Luther King. We couldn't do that for Rosa Parks. We couldn't do that for any other leader, this one in particular, and right now, find that to beI just think it just takes a whole lot of delusion and pride to keep puffing yourself up and saying, you're better than other people. Shut up, pipe down. Or to assume that everybody wants to look like you or wants to be racialized as white. No, I'm very cool in who I'm, I don't want to change as the people say in every lifetime, and they use these racialized terms, and so I'll use them and every lifetime I want to come back as black. I don't apologize for my existence. I love it here. I don't want to be racialized as white. I'm cool. That's the delusion for me that you think everyone wants to look like. You think I would trade.(32:13):You think I would trade for that, and it looks great on you. I love what it's doing for you. But as for me in my house, we believe in melanin and we keep it real cute over here. I just don't have time. I think African-Americans minoritized and otherwise, communities should invest their time in each other and in ourselves as opposed to wasting our breath, debating people. We can't debate white supremacists. Anyway, I think I've talked about that the arguments are not rooted in reason. It's rooted in your dehumanization and equating you with three fifths of a human being who's in charge of measurements, the demonizing of whiteness. It's deeply problematic for me because it puts them in a space of creator. How can you say how much of a human being that's someone? This stuff is absurd. And so I've refuse to waste my breath, waste my life arguing with somebody who doesn't have the power, the authority.(33:05):You don't have the eyesight to tell me if I'm human or not. This is stupid. We're going to do our work and part of our work is going to sleep. We're taking naps, we're taking breaks, we're putting our feet up. I'm going to take a nap after this conversation. We're giving ourselves a break. We're hitting the snooze button while staying woke. There's a play there. But I think it's important that people who are attacked by white body supremacy, not give it their energy. Don't feed into the madness. Don't feed into the machine because it'll eat you alive. And I didn't get dressed for that. I didn't get on this call. Look at how I look for that. So that's what that brings up. Okay. It brings up the violence of white body supremacy, the absurdity of supremacy at all. The delusion of the racial imagination, reading a 17th century creation onto a 21st century. It's just all absurd to me that anyone would continue to walk around and say, I'm better than you. I'm better than you. And I'll prove it by killing you, lynching you, raping your people, stealing your people, enslaving your people. Oh, aren't you great? That's pretty great,Jenny (34:30):I think. Yeah, I think it is. I had a therapist once tell me, it's like you've had the opposite of a psychotic break because when that is your world and that's all, it's so easy to justify and it makes sense. And then as soon as you step out of it, you're like, what the what? And then it makes it that much harder to understand. And this is my own, we talked about this last week, but processing what is my own path in this of liberation and how do I engage people who are still in that world, who are still related to me, who are, and in a way that isn't exhausting for I'm okay being exhausted if it's going to actually bear something, if it's just me spinning my wheels, I don't actually see value in that. And for me, what began to put cracks in that was people challenging my sense of superiority and my sense of knowing what they should do with their bodies. Because essentially, I think a lot of how I grew up was similar maybe and different from how you were sharing Danielle, where it was like always vote Republican because they're going to be against abortion and they're going to be against gay marriage. And those were the two in my world that were the things that I was supposed to vote for no matter what. And now just seeing how far that no matter what is willing to go is really terrifying.Danielle (36:25):Yeah, I agree. Jenny. I mean, again, I keep talking about him, but he's so important to me. The idea that my great grandfather to escape religious oppression would literally walk 1,950 miles and would leave an oppressive system just in an attempt to get away. That walk has to mean something to me today. You can't forget. All of my family has to remember that he did a walk like that. How many of us have walked that far? I mean, I haven't ever walked that far in just one instance to escape something. And he was poor because he couldn't even pay for his mom's burial at the Catholic church. So he said, let me get out of this. And then of course he landed with the Methodist and he was back in the fire again. But I come back to him, and that's what people will do to get out of religious oppression. They will give it an effort and when they can. And so I think it's important to remember those stories. I'm off on my tangent again now because it feels so important. It's a good one.Starlette (37:42):I think it's important to highlight the walking away from, to putting one foot in front of the other, praying with your feet(37:51):That it's its own. You answer your own prayer by getting away from it. It is to say that he was done with it, and if no one else was going to move, he was going to move himself that he didn't wait for the change in the institution. Let's just change directions and get away from it. And I hate to even imagine what he was faced with and that he had to make that decision. And what propelled him to walk that long with that kind of energy to keep momentum and to create that amount of distance. So for me, it's very telling. I ran away at 12. I had had it, so I get it. This is the last time you're going to hit me.Not going to beat me out of my sleep. I knew that at 12. This is no place for me. So I admire people who get up in the dead of night, get up without a warning, make it up in their mind and said, that's the last time, or This is not what I'm going to do. This is not the way that I want to be, and I'm leaving. I admire him. Sounds like a hero. I think we should have a holiday.Danielle (38:44):And then imagine telling that. Then you're going to tell me that people like my grandfather are just in it. This is where it leaves reality for me and leaves Christianity that he's just in it to steal someone's job. This man worked the lemon fields and then as a side job in his retired years, moved up to Sacramento, took in people off death row at Folsom Prison, took 'em to his home and nursed them until they passed. So this is the kind a person that will walk 1,950 miles. They'll do a lot of good in the world, and we're telling people that they can't come here. That's the kind of people that are walking here. That's the kind of people that are coming here. They're coming here to do whatever they can. And then they're nurturing families. They're actually living out in their families what supposed Christians are saying they want to be. Because people in these two parent households and these white families, they're actually raising the kind of people that will shoot Charlie Kirk. It's not people like my grandfather that walked almost 2000 miles to form a better life and take care of people out of prisons. Those aren't the people forming children that are, you'reStarlette (40:02):Going to email for that. The deacons will you in the parking lot for that one. You you're going to get a nasty tweet for that one. Somebody's going to jump off in the comments and straighten you out at,Danielle (40:17):I can't help it. It's true. That's the reality. Someone that will put their feet and their faith to that kind of practice is not traveling just so they can assault someone or rob someone. I mean, yes, there are people that have done that, but there's so much intentionality about moving so far. It does not carry the weight of, can you imagine? Let me walk 2000 miles to Rob my neighbor. That doesn't make any sense.Starlette (40:46):Sounds like it's own kind of pilgrimage.Jenny (40:59):I have so many thoughts, but I think whiteness has just done such a number on people. And I'm hearing each of you and I'm thinking, I don't know that I could tell one story from any of my grandparents. I think that that is part of whiteness. And it's not that I didn't know them, but it's that the ways in which Transgenerational family lines are passed down are executed for people in considered white bodies where it's like my grandmother, I guess I can't tell some stories, but she went to Polish school and in the States and was part of a Polish community. And then very quickly on polls were grafted into whiteness so that they could partake in the GI Bill. And so that Polish heritage was then lost. And that was not that long ago, but it was a severing that happened. And some of my ancestors from England, that severing happened a long time ago where it's like, we are not going to tell the stories of our ancestors because that would actually reveal that this whole white thing is made up. And we actually have so much more to us than that. And so I feel like the social privilege that has come from that, but also the visceral grief of how I would want to know those stories of my ancestors that aren't there. Because in part of the way that whiteness operates,Starlette (42:59):I'm glad you told that story. Diane de Prima, she tells about that, about her parents giving up their Italian ness, giving up their heritage and being Italian at home and being white in public. So not changing their name, shortening their name, losing their accent, or dropping the accent. I'm glad that you said that. I think that's important. But like you said though, if you tell those stories and it shakes up the power dynamic for whiteness, it's like, oh, but there are books how the Irish became White, the Making of Whiteness working for Whiteness, read all the books by David Broer on Whiteness Studies. But I'm glad that you told us. I think it's important, and I love that you named it as a severing. Why did you choose that word in particular?Jenny (43:55):I had the privilege a few years ago of going to Poland and doing an ancestry trip. And weeks before I went, an extended cousin in the States had gotten connected with our fifth cousin in Poland. We share the fifth grandparents. And this cousin of mine took us around to the church where my fifth great grandparents got married and these just very visceral places. And I had never felt the land that my ancestors know in my body. And there was something really, really powerful of that. And so I think of severing as I have been cut off from that lineage and that heritage because of whiteness. And I feel very, very grateful for the ways in which that is beginning to heal and beginning to mend. And we can tell truer stories of our ancestry and where we come from and the practices of our people. And I think it is important to acknowledge the cost and the privilege that has come from that severing in order to get a job that was not reserved for people that weren't white. My family decided, okay, well we'll just play the part. We will take on that role of whiteness because that will then give us that class privilege and that socioeconomic privilege that reveals how much of a construct whitenessStarlette (45:50):A racial contract is what Charles W. Mills calls it, that there's a deal made in a back room somewhere that you'll trade your sense of self for another. And so that it doesn't, it just unravels all the ways in which white supremacy, white body supremacy, pos itself, oh, that we're better. I think people don't say anything because it unravels those lies, those tongue twisters that persons have spun over the centuries, that it's really just an agreement that we've decided that we'll make ourselves the majority so that we can bully everybody else. And nobody wants to be called that. Nobody wants to be labeled greedy. I'm just trying to provide for my family, but at what expense? At who else's expense. But I like to live in this neighborhood and I don't want to be stopped by police. But you're willing to sacrifice other people. And I think that's why it becomes problematic and troublesome because persons have to look at themselves.(46:41):White body supremacy doesn't offer that reflection. If it did, persons would see how monstrous it is that under the belly of the beast, seeing the underside of that would be my community. We know what it costs for other people to feel really, really important because that's what whiteness demands. In order to look down your nose on somebody, you got to stand on somebody's back. Meanwhile, our communities are teaching each other to stand. We stand on the shoulders of giants. It's very communal. It's a shared identity and way of being. Whereas whiteness demands allegiance by way of violence, violent taking and grabbing it is quite the undoing. We have a lot of work to do. But I am proud of you for telling that story.Danielle (47:30):I wanted to read this quote by Gloria, I don't know if you know her. Do you know her? She writes, the struggle is inner Chicano, Indio, American Indian, Molo, Mexicano, immigrant, Latino, Anglo and power working class Anglo black, Asian. Our psyches resemble the border towns and are populated by the same people. The struggle has always been inner and has played out in outer terrains. Awareness of our situation must come before interchanges and which in turn come before changes in society. Nothing happens in the real world unless it first happens in the images in our heads.(48:16):So Jenny, when you're talking, you had some image in your head before you went to Poland, before it became reality. You had some, it didn't start with just knowing your cousin or whatever it happened before that. Or for me being confronted and having to confront things with my husband about ways we've been complicit or engaged in almost like the word comes gerrymandering our own future. That's kind of how it felt sometimes Luis and I and how to become aware of that and take away those scales off our own eyes and then just sit in the reality, oh no, we're really here and this is where we're really at. And so where are we going to go from here? And starlet, you've talked from your own position. That's just what comes to mind. It's something that happens inside. I mean, she talks about head, I think more in feelings in my chest. That's where it happens for me. But yeah, that's what comes to mind.Starlette (49:48):With. I feel like crying because of what we've done to our bodies and the bodies of other people. And we still can't see ourselves not as fully belonging to each other, not as beloved, not as holy.It's deeply saddening that for all the time that we have here together for all the time that we'll share with each other, we'll spend much of it not seeing each other at all.Danielle (50:57):My mind's going back to, I think I might've shared this right before you joined Starla, where it was like, I really believe the words of Jesus that says, what good is it for someone to gain the world and lose their soul? And that's what I hear. And what I feel is this soul loss. And I don't know how to convince other people. And I don't know if that's the point that their soul is worth it, but I think I've, not that I do it perfectly, but I think I've gotten to the place where I'm like, I believe my interiority is worth more than what it would be traded in for.(51:45):And I think that will be a lifelong journey of trying to figure out how to wrestle with a system. I will always be implicated in because I am talking to you on a device that was made from cobalt, from Congo and wearing clothes that were made in other countries. And there's no way I can make any decision other than to just off myself immediately. And I'm not saying I'm doing that, but I'm saying the part of the wrestle is that this is, everything is unresolved. And how do I, like what you said, Danielle, what did you say? Can you tune into this conversation?Jenny (52:45):Yeah. And how do I keep tapping in even when it means engaging my own implication in this violence? It's easier to be like, oh, those people over there that are doing those things. And it's like, wait, now how do I stay situated and how I'm continually perpetuating it as well, and how do I try to figure out how to untangle myself in that? And I think that will be always I,Danielle (53:29):He says, the US Mexican border as like an open wound where the third world grates against the first and bleeds. And before a scab forms it hemorrhages again, the lifeblood of two worlds. Two worlds merging to form a third country, a border culture. Borders are set up to define the places that are safe and unsafe to distinguish us from them. A border is a dividing line, a narrow strip along a steep edge. A borderland is a vague and undetermined place created by the emotional residue of an unnatural boundary is it is in a constant state of transition. They're prohibited and forbidden arts inhabitants. And I think that as a Latina that really describes and mixed with who my father is and that side that I feel like I live like the border in me, it feels like it grates against me. So I hear you, Jenny, and I feel very like all the resonance, and I hear you star led, and I feel a lot of resonance there too. But to deny either thing would make me less human because I am human with both of those parts of me.(54:45):But also to engage them brings a lot of grief for both parts of me. And how does that mix together? It does feel like it's in a constant state of transition. And that's partly why Latinos, I think particularly Latino men bought into this lie of power and played along. And now they're getting shown that no, that part of you that's European, that part never counted at all. And so there is no way to buy into that racialized system. There's no way to put a down payment in and come out on the other side as human. As soon as we buy into it, we're less human. Yeah. Oh, Jenny has to go in a minute. Me too. But starlet, you're welcome to join us any Thursday. Okay.Speaker 1 (55:51):Afternoon. Bye. Thank you. Bye bye.Kitsap County & Washington State Crisis and Mental Health ResourcesIf you or someone else is in immediate danger, please call 911.This resource list provides crisis and mental health contacts for Kitsap County and across Washington State.Kitsap County / Local ResourcesResourceContact InfoWhat They OfferSalish Regional Crisis Line / Kitsap Mental Health 24/7 Crisis Call LinePhone: 1‑888‑910‑0416Website: https://www.kitsapmentalhealth.org/crisis-24-7-services/24/7 emotional support for suicide or mental health crises; mobile crisis outreach; connection to services.KMHS Youth Mobile Crisis Outreach TeamEmergencies via Salish Crisis Line: 1‑888‑910‑0416Website: https://sync.salishbehavioralhealth.org/youth-mobile-crisis-outreach-team/Crisis outreach for minors and youth experiencing behavioral health emergencies.Kitsap Mental Health Services (KMHS)Main: 360‑373‑5031; Toll‑free: 888‑816‑0488; TDD: 360‑478‑2715Website: https://www.kitsapmentalhealth.org/crisis-24-7-services/Outpatient, inpatient, crisis triage, substance use treatment, stabilization, behavioral health services.Kitsap County Suicide Prevention / “Need Help Now”Call the Salish Regional Crisis Line at 1‑888‑910‑0416Website: https://www.kitsap.gov/hs/Pages/Suicide-Prevention-Website.aspx24/7/365 emotional support; connects people to resources; suicide prevention assistance.Crisis Clinic of the PeninsulasPhone: 360‑479‑3033 or 1‑800‑843‑4793Website: https://www.bainbridgewa.gov/607/Mental-Health-ResourcesLocal crisis intervention services, referrals, and emotional support.NAMI Kitsap CountyWebsite: https://namikitsap.org/Peer support groups, education, and resources for individuals and families affected by mental illness.Statewide & National Crisis ResourcesResourceContact InfoWhat They Offer988 Suicide & Crisis Lifeline (WA‑988)Call or text 988; Website: https://wa988.org/Free, 24/7 support for suicidal thoughts, emotional distress, relationship problems, and substance concerns.Washington Recovery Help Line1‑866‑789‑1511Website: https://doh.wa.gov/you-and-your-family/injury-and-violence-prevention/suicide-prevention/hotline-text-and-chat-resourcesHelp for mental health, substance use, and problem gambling; 24/7 statewide support.WA Warm Line877‑500‑9276Website: https://www.crisisconnections.org/wa-warm-line/Peer-support line for emotional or mental health distress; support outside of crisis moments.Native & Strong Crisis LifelineDial 988 then press 4Website: https://doh.wa.gov/you-and-your-family/injury-and-violence-prevention/suicide-prevention/hotline-text-and-chat-resourcesCulturally relevant crisis counseling by Indigenous counselors.Additional Helpful Tools & Tips• Behavioral Health Services Access: Request assessments and access to outpatient, residential, or inpatient care through the Salish Behavioral Health Organization. Website: https://www.kitsap.gov/hs/Pages/SBHO-Get-Behaviroal-Health-Services.aspx• Deaf / Hard of Hearing: Use your preferred relay service (for example dial 711 then the appropriate number) to access crisis services.• Warning Signs & Risk Factors: If someone is talking about harming themselves, giving away possessions, expressing hopelessness, or showing extreme behavior changes, contact crisis resources immediately.Well, first I guess I would have to believe that there was or is an actual political dialogue taking place that I could potentially be a part of. And honestly, I'm not sure that I believe that. Well, first I guess I would have to believe that there was or is an actual political dialogue taking place that I could potentially be a part of. And honestly, I'm not sure that I believe that.

Brad Zerbo and Jaytriot continue their deep dive into the roots of punk, this time hitting the gritty streets of 1970s Los Angeles. From the raw chaos of the Germs and the infectious rise of the Go-Go's to the Chicano underground and the notorious Fear riot on SNL, this episode captures the energy, rebellion, and wild diversity that defined LA's punk explosion. The hosts trace how venues like The Mask and Elks Lodge became ground zero for punk history, explore the East LA crossover scene, and highlight legends like X, the Weirdos, and Black Flag. It's a wild ride through the sound, sweat, and social revolution that turned Hollywood into a punk battleground.

Comedian/actor Frankie Quiñones (CholoFit, This Fool) pulls up to Whiskey Ginger for a fast, feral hang about turning internet fame into real reps, owning your story, and building his new hour DAMN THAT'S CRAZY — dropping October 10 on Hulu (directed by Ali Wong). We get into Chicano family chaos, love & addiction, carne asada politics, and why telling the truth is the funniest flex. Watch the special on Hulu, then come back and tell us your favorite bit.

Friends, welcome back to the Hardcore Self Help Podcast. This is my first interview back after a bit of a journey. I thought there was no better way to kick off this next phase of the podcast than by introducing you to a friend and brilliant human that I met in the interim. Dr. Amy Andrea Martinez is a professor of sociology with a focus on Chicano gang culture, incarceration, and abolition. She is a total badass, and she gets vulnerable about her experiences in this conversation. We discuss how her younger brother's arrest, the development of her identity as a Xicana woman, her experiences with depression and suicidality, and her decision to build armor around her heart this year before diving back into the heart of academia and book-writing. I really hope you enjoy this one. In this conversation, Dr. Martinez mentions this book: https://www.amazon.com/AM-Club-Morning-Elevate-Life/dp/1443456624 Stay connected: Weekly newsletter: https://robertduff.substack.com  – free tips, Q&A, and community updates. My website: https://duffthepsych.com – articles, resources, and ways to work with me. - Books & guides: https://www.amazon.com/stores/author/B00NDY4THK?ccs_id=5c5cac88-b920-4fc3-809c-f592ad3b55d3 – practical mental-health guides and workbooks. - Instagram: https://instagram.com/duffthepsych – daily insights, behind-the-scenes, and community chats.

In this episode of CAA Conversations, Kimberly Sandoval moderates a discussion on what it means to be a border artist and what separates Border Arte from other aspects of Chicana/o art, featuring Amanda Pardo and Samantha Ceccopieri, as well as Dr. Constance Cortez and Dr. Karen Mary Davalos, creators of Mexican American Art Since 1848. Amanda Pardo was working toward a BA in history with a minor in art from the University of Texas Rio Grande Valley (UTRGV) at the time of recording. Her work and research focus on the history of women, gender, and sexuality. She has given a public talk about her work and research as part of a lecture series and participated in pop-up exhibitions dedicated to the discussion of modernity and the domestic space. Samantha Ceccopieri has a BFA with a K–12 certification from UTRGV. Her work and research focus on the usage of art in mental wellness to reduce anxiety in scholars, both young and old, working with students and educators throughout the Rio Grande Valley. She has shared her research at TAEA and other art education conferences as part of UTRGV's Engaged Scholar Program and School of Art and Design. Constance Cortez is a professor at UTRGV for the School of Art and Design, currently teaching Chicano/a art history as well as special topics courses such as Women in Art History. Dr. Cortez is a prominent figure in Chicano/a scholarship, with works like The New Aztlan: Nepantla (and Other Sites of Transmogrification), published in 2001, and has an extensive background in early Mesoamerican art history. Karen Mary Davalos is a professor at the University of Minnesota Twin Cities, currently teaching topics in Chicano studies and art history as affiliated faculty. Dr. Davalos is also a prominent figure in Chicano/a scholarship with works like Exhibiting Mestizaje: Mexican (American) Museums in the Diaspora, also published in 2001, and recently presented a paper on Nepantla aesthetics at the CAA Annual Conference in 2024. Kimberly Sandoval is an independent scholar, artist, and MFA alumna of UTRGV. Her work speaks to the life and experiences occurring around and within the Brownsville, South Texas, borderlands. She has exhibited her video artwork across the United States and Indonesia. She has also spoken about culturally affirming art pedagogies at art education conferences and chaired a panel discussion on Border Arte at the CAA Annual Conference in 2024 .

Nonprofit leaders, fundraising isn't just about raising dollars—it's about raising power. In this episode, we delve into the often-overlooked role of Latino fundraisers, the gap between boards and development staff, and why genuine sustainability stems from investing in fundraising, rather than galas or gadgets. Episode Highlights 02:22 Armando's Personal Story and Fundraising Philosophy 04:18 Challenges in Fundraising and Nonprofit Sustainability 11:52 Board Education and Fundraising Transparency 16:42 Latino Community and Fundraising 23:55 Critique of Traditional Fundraising Events 24:53 Challenges in Securing Funding 28:22 The Importance of Prospect Research 32:38 Supporting Latino Nonprofits My guest for this episode is Armando Zumaya. Armando Zumaya has been a fundraiser for over 40 years, working on billion-dollar campaigns at Cornell and UC Berkeley, and serving in leadership roles across major gifts, annual funds, and development. He is the founder of Somos El Poder, a national Latinx fundraising institute, and a nationally recognized expert on Latino Major Giving. Armando has raised five, six, and seven-figure gifts from the Latinx community, and is a sought-after speaker and writer whose work has appeared in Stanford Social Innovation Review and The Chronicle of Philanthropy. In 2024, he was named to The Nonprofit Times “Top 50 Leaders of Power and Influence.” He lives in Northern California and is proud of his Chicano heritage. Connect with Armando: www.somoselpoder.org Sponsored Resource Join the Inspired Nonprofit Leadership Newsletter for weekly tips and inspiration for leading your nonprofit! Access it here >> Be sure to subscribe to Inspired Nonprofit Leadership so that you don't miss a single episode, and while you're at it, won't you take a moment to write a short review and rate our show? It would be greatly appreciated! Let us know the topics or questions you would like to hear about in a future episode. You can do that and follow us on LinkedIn.

Los Yesterdays are a California-based band carrying the torch of Chicano soul into a new era. Formed in 2017 by drummer/composer Gabriel Rowland and singer-songwriter Victor “Bad Vic” Benavides, the group began as a studio project rooted in a deep love for vintage East L.A. soul. Their sound—warm, nostalgic, and timeless—draws from Motown, doo-wop, and Latin soul traditions, blending sweet harmonies, textured instrumentation, and heartfelt storytelling. What started as a nod to the past has grown into a vital part of today's “souldies” movement, connecting generations through music that feels both familiar and fresh. Songs like “Nobody's Clown” and “Tell Me I'm Dreaming” showcase their knack for crafting melodies that linger. At the same time, their 2024 release Frozen in Time expands their sonic palette with lush arrangements and an undeniable groove. Los Yesterdays continue to honor tradition while carving out their own soulful lane in modern music. LINKS Los Yesterdays on Band Camp Los Yesterdays on IG Los Yesterdays on Spotify Los Yesterdays on YouTube Souldies Article in NYTimes  

Today on the show: Professor Ron Lopez, Chicano and Latino Studies at Sonoma State University, speaks out about the crushing impact Trump crack downs and ICE sweeps are having on his students: And College Democrats of America and Other Groups Call for Firing UC Berkeley President James B. Milliken, Over “Betrayal” of Academic Freedom The post Professor Ron Lopez Speaks Out On Trump/ICE Raids appeared first on KPFA.

 Joshua Josue was such a pleasure to talk to and to learn about! We chatted about how he was first inspired by the “La Bamba” movie and Los Lobos and knew he wanted to be a musician. We also talked about his new album “Beneath the Sand,” writing in English vs. Spanish, and his dog Bogart.    Recorded in the Mojave Desert, Joshua Josue's “Beneath the Sand” features an all-star lineup of musical guests, including: Roly Salley (GRAMMY-winning writer, The Chris Isaak Band), Mitch Marine (Dwight Yoakam's band), Hershel Yatovitz (Chris Isaak's band), Steve Berlin (LosLobos), Joel Guzmán (Los Super Seven), and Murry Hammond (The Old 97's).Joshua's lyrical journey – written largely on the open road through Mexico andCentral America – is as deeply personal as it is universal. Songs like the title track "Beneath the Sand," born from a year of grief-stricken travels, capture the essence of transformation in vivid, cinematic detail. The album is rich in both English and Spanish, reflecting Joshua's multiculturalupbringing and his artistic fusion of Americana and Chicano influences.With two tracks from the album already under consideration for GRAMMY nominations, Beneath the Sand is poised to make a significant impact.   Be sure to check Joshua out here:  Website: joshuajosuemusic.com  IG: Joshua_josue_music  Facebook: Joshua Josue  

Federico analiza con Rosana Laviada y Silvia Riveiro el pacto de Cerdán con Casado. Gracias a Chicano no se investigó la financiación del PSOE.

Chances are, you've had a Rainey Street era — but exactly which one depends on when you got here. From its origins as a working-class Chicano neighborhood frequently overlooked and underserved; to Craftsman-style homes transformed into bars and restaurants bustling with bodies, especially for Sunday brunch; to unforgettable SXSW experiences; and now the high rise-lined wind tunnel where the sun never shines with one extremely worthwhile and Austin-ey cocktail bar — this street has truly had multiple lives. So what's next for Rainey Street, home of Texas' new tallest tower and a stubborn, debunked rumor about a serial killer? And can it ever be cool again? Host Nikki DaVaughn is joined by Hey Austin newsletter editor Kelsey Bradshaw, and Nikki's friend, local musician Doug Leveton, to discuss.  This episode originally aired on June 17.  Want some more Austin news? Then make sure to sign up for our Hey Austin newsletter.  And don't forget– you can support this show and get great perks by becoming a City Cast Austin Neighbor at membership.citycast.fm  Follow us @citycastaustin You can also text us or leave a voicemail.  Interested in advertising with City Cast? Find more info HERE  Learn more about the sponsors of this September 18th episode: Texas Renaissance Festival The Texas Tribune Festival New Waterloo - Trick Hat Workway

The Sleepy Lagoon case of 1942 became one of the most racially charged trials in U.S. history. Twenty-two Mexican American youths, mostly teenagers, were tried en masse for the death of José Díaz, though no witness placed them at the scene and the cause of death was never established. Denied fair treatment, they faced a biased judge and jury, with twelve sentenced to San Quentin. In this documentary film, UC Santa Cruz's Bob Giges highlights the work of Alice McGrath, who was moved by the injustice and dedicated herself to the defense effort, visiting the imprisoned youths, organizing community support, and coordinating national fundraising. In 1944, the convictions were overturned on appeal, marking a rare victory for the Mexican American community. The case, later dramatized by Luis Valdez in Zoot Suit, is remembered as a turning point in civil rights and Chicano identity. Series: "Arts Channel " [Public Affairs] [Humanities] [Show ID: 40985]

The Sleepy Lagoon case of 1942 became one of the most racially charged trials in U.S. history. Twenty-two Mexican American youths, mostly teenagers, were tried en masse for the death of José Díaz, though no witness placed them at the scene and the cause of death was never established. Denied fair treatment, they faced a biased judge and jury, with twelve sentenced to San Quentin. In this documentary film, UC Santa Cruz's Bob Giges highlights the work of Alice McGrath, who was moved by the injustice and dedicated herself to the defense effort, visiting the imprisoned youths, organizing community support, and coordinating national fundraising. In 1944, the convictions were overturned on appeal, marking a rare victory for the Mexican American community. The case, later dramatized by Luis Valdez in Zoot Suit, is remembered as a turning point in civil rights and Chicano identity. Series: "Arts Channel " [Public Affairs] [Humanities] [Show ID: 40985]

The Sleepy Lagoon case of 1942 became one of the most racially charged trials in U.S. history. Twenty-two Mexican American youths, mostly teenagers, were tried en masse for the death of José Díaz, though no witness placed them at the scene and the cause of death was never established. Denied fair treatment, they faced a biased judge and jury, with twelve sentenced to San Quentin. In this documentary film, UC Santa Cruz's Bob Giges highlights the work of Alice McGrath, who was moved by the injustice and dedicated herself to the defense effort, visiting the imprisoned youths, organizing community support, and coordinating national fundraising. In 1944, the convictions were overturned on appeal, marking a rare victory for the Mexican American community. The case, later dramatized by Luis Valdez in Zoot Suit, is remembered as a turning point in civil rights and Chicano identity. Series: "Arts Channel " [Public Affairs] [Humanities] [Show ID: 40985]

From military invasions, occupations, and annexations of Mexican territories in the 19th century to the post-NAFTA capture of Mexican industries, resources, and labor markets by American companies and investors, US-Mexico relations have always been defined by American imperial domination. “Mexico's economy has been economically dominated and incorporated as a kind of subsidiary or an extension of the US economy,” labor activist and scholar Justin Akers Chacón says, and that relationship of domination “determines the politics of Mexico” to this day. In this episode of Solidarity Without Exception, co-host Blanca Missé speaks with Chacón about the colonial roots of US–Mexico relations, how that relationship has evolved over the past two centuries, and how it continues to shape the politics, economics, and immigration policies of each country today.Guest:Justin Akers Chacón is an activist, labor unionist, and Professor of Chicana/o History at San Diego City College who lives in the San Diego-Tijuana border region. He is the author of The Border Crossed Us: The Case for Opening the US-Mexico Border and Radicals in the Barrio: Magonistas, Socialists, Wobblies, and Communists in the Mexican-American Working Class; he is also the co-author, with Mike Davis, of No One is Illegal: Fighting Racism and State Violence on the U.S.-Mexico Border.Credits:Pre-Production: Blanca MisséAudio Post-Production: Alina NehlichBecome a member and join the Solidarity Without Exception Supporters Club today!Follow Solidarity Without Exception on Spotify or Apple PodcastsSign up for our newsletterFollow us on:Bluesky: @therealnews.comFacebook: The Real News NetworkTwitter: @TheRealNewsYouTube: @therealnewsInstagram: @therealnewsnetwork

Here's my DJ-Set from the ‘Zug der Liebe', a very famous Berlin techno parade that took place last weekend! Thank you so much for all your love and support..... IT WAS A PLEASURE TO BE A PART OF IT! ❤️

Documentary subject and Chicano activist Jerry Ramirez joins moderator Clint Terrell (English, UCSB) for a discussion of the documentary film American Homeboy. They discuss Ramirez's involvement with the film, his relationship to his Chicano identity, and how his experience being incarcerated fueled his activism, particularly in relation to Chicano issues. Ramirez and Terrrell reflect on how the film portrays Chicano history, including how Chicana and Chicano identity has been shaped over time. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40921]

Documentary subject and Chicano activist Jerry Ramirez joins moderator Clint Terrell (English, UCSB) for a discussion of the documentary film American Homeboy. They discuss Ramirez's involvement with the film, his relationship to his Chicano identity, and how his experience being incarcerated fueled his activism, particularly in relation to Chicano issues. Ramirez and Terrrell reflect on how the film portrays Chicano history, including how Chicana and Chicano identity has been shaped over time. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40921]

Documentary subject and Chicano activist Jerry Ramirez joins moderator Clint Terrell (English, UCSB) for a discussion of the documentary film American Homeboy. They discuss Ramirez's involvement with the film, his relationship to his Chicano identity, and how his experience being incarcerated fueled his activism, particularly in relation to Chicano issues. Ramirez and Terrrell reflect on how the film portrays Chicano history, including how Chicana and Chicano identity has been shaped over time. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40921]

Documentary subject and Chicano activist Jerry Ramirez joins moderator Clint Terrell (English, UCSB) for a discussion of the documentary film American Homeboy. They discuss Ramirez's involvement with the film, his relationship to his Chicano identity, and how his experience being incarcerated fueled his activism, particularly in relation to Chicano issues. Ramirez and Terrrell reflect on how the film portrays Chicano history, including how Chicana and Chicano identity has been shaped over time. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40921]

Dean Karayanis, columnist at the New York Sun and Rush Limbaugh Show veteran sits in for Derek. Topics include the left wishing President Trump dead to solve their problems, Senator Dick Durbin imagining crazy motives behind the president cracking down on crime, Mamdani planning to trap more people in the government cage with an untenable rent freeze, and the legendary Ricardo Montalban talking about his confrontation with militant Chicanos who were threatening to kill him over advocating for Mexican actors even though the activism got him blacklisted by Hollywood.

A new congressional map is going before voters this fall, we discuss what change that could bring to San Diego County. Then, a new program is teaching college students about AI and robotics in the construction industry. Next, reports show that veterans struggle financially as they transition out of service, we speak with one veteran about her experience. Finally, a local museum that's commemorating the Chicano moratorium. Lastly, Digital Gym Cinema kicks off its September series of film restorations.

In 1968, as war rages in Vietnam and protests shake the globe, three young men at Harvard with troubled pasts—Jamal, a gifted Black from Memphis; Frank Luis, a Chicano activist from California; and Gordie, the privileged son of a Harvard legacy fight for a seat on the university's Olympic rowing team. When Jamal falls in love with Amy, a white Radcliffe journalist covering the team, their romance becomes a flashpoint in a year already on fire. As the Games near—and the massacre of 300 Mexican students by the Army stuns the world, each rower and Amy must decide whether to continue and what loyalty means—to the team, to their beliefs, and themselves.

listener comments? Feedback? Shoot us a text!Today marks the 55th anniversary of the Chicano Moratorium March, a movement of Chicano anti-war activists that built a broad-based coalition of Mexican-American groups to organize opposition to the Vietnam War. Led by activists from local colleges and members of the Brown Berets, a group with roots in the high school student movement that staged walkouts in 1968, the coalition peaked with an August 29, 1970 march in East Los Angeles that drew 30,000 demonstrators. The march was described by scholar Lorena Oropeza as "one of the largest assemblages of Mexican Americans ever." It was the largest anti-war action taken by any single ethnic group in the USA. It was second in size only to the massive U.S. immigration reform protests of 2006.  Your Hosts:Kurly Tlapoyawa is an archaeologist, ethnohistorian, and filmmaker. His research covers Mesoamerica, the American Southwest, and the historical connections between the two regions. He is the author of numerous books and has presented lectures at the University of New Mexico, Harvard University, Yale University, San Diego State University, and numerous others. He most recently released his documentary short film "Guardians of the Purple Kingdom," and is a cultural consultant for Nickelodeon Animation Studios.@kurlytlapoyawaRuben Arellano Tlakatekatl is a scholar, activist, and professor of history. His research explores Chicana/Chicano indigeneity, Mexican indigenist nationalism, and Coahuiltecan identity resurgence. Other areas of research include Aztlan (US Southwest), Anawak (Mesoamerica), and Native North America. He has presented and published widely on these topics and has taught courses at various institutions. He currently teaches history at Dallas College – Mountain View Campus. Find us: Bluesky Instagram Merch: Shop Aztlantis Book: The Four Disagreements: Letting Go of Magical Thinking

listener comments? Feedback? Shoot us a text!In this special extended throwback episode, we are joined by Chicano author Scott Russell Duncan to talk about his new book "Old California Strikes Back" and the state of Chicano publishing!"Old California Strikes Back is a modern Ramona Diary, the record tourists kept of the sites of Old California and the book Ramona and Hollywood movies that renamed and transformed them. A mix of fantasy and memoir, the author SRD's tour turns surreal as he enters the myths of the Californios with the talking head of the Chicano folk hero Joaquin Murrieta. They race a self-styled Zorro to get the spurious Jewels of Ramona while the media is convinced SRD and Joaquin are the serial killer dubbed Two-Heads. Ultimately, SRD records his truth and recreates a reality where he may exist." Your Hosts:Kurly Tlapoyawa is an archaeologist, ethnohistorian, and filmmaker. His research covers Mesoamerica, the American Southwest, and the historical connections between the two regions. He is the author of numerous books and has presented lectures at the University of New Mexico, Harvard University, Yale University, San Diego State University, and numerous others. He most recently released his documentary short film "Guardians of the Purple Kingdom," and is a cultural consultant for Nickelodeon Animation Studios.@kurlytlapoyawaRuben Arellano Tlakatekatl is a scholar, activist, and professor of history. His research explores Chicana/Chicano indigeneity, Mexican indigenist nationalism, and Coahuiltecan identity resurgence. Other areas of research include Aztlan (US Southwest), Anawak (Mesoamerica), and Native North America. He has presented and published widely on these topics and has taught courses at various institutions. He currently teaches history at Dallas College – Mountain View Campus. Find us: Bluesky Instagram Merch: Shop Aztlantis Book: The Four Disagreements: Letting Go of Magical Thinking

Today on the show: A new groundbreaking report released by the Palestinian Youth Movement, uncovers Oakland's central role in the transportation of military cargo shipments to Israel. Also, remembering the impact of the 1970 Chicano Moratorium and anti-Vietnam war movement, that empowered Chicanos to resist the war and demand an end to discrimination at home: And after a series of successful bay-area peace actions, by the vets for peace boat, the Golden Rule,the vets turn their atttention to speaking out against the Gaza Genocide The post Remembering The Impact of the 1970 Chicano Moratorium & Anti Vietnam War Movement appeared first on KPFA.

John speaks with Julie Francella - a mental health professional with over 30 years experience in handling complex trauma with Indigenous youth and families. She's a member of the Ojibway of Batchewana First Nation Reserve, and teaches Indigenous Studies at Durham College, focusing on the impacts of colonization on First Nations people; and Simon Moya-Smith - an Oglala Lakota and Chicano journalist. He's a contributing writer at NBC News and TheNation.com. He's the author of the forthcoming book, ‘Your Spirit Animal is a Jackass,' and he's an Adjunct Professor of Indigenous Studies at the University of Colorado Denver. This week they discuss Trump expanding 'woke' criticism from the Smithsonian to other museums including the Museum of the American Indian and Tennessee Universities that are no longer allowed to host Native American themed events. They dive into the breaking news of Alligator Alcatraz being shut down by the Miccosukee Nation; unpack the history of where the idea of three meals a day really came from; and took some powerful calls from listeners who brought their own insights to the conversation.Simon Moya-Smith - instagram.com/simonsaidtakeapic threads.com/@simonsaidtakeapicJulie's Substack “The Fire I Keep” https://substack.com/@juliefrancella?r=1u83jb&utm_medium=iosCheck out Julie's artwork on her website - juliefrancella.com See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Dolores Huerta (1930-present) is one of the most influential labor activists of the 20th century and a leader of the Chicano civil rights movement. She helped found the organization now known as United Farm Workers and helped organize the Delano grape strike in 1965. She is credited for coming up with the rallying cry “Sí, se puede,” which means “yes, we can” in Spanish. For Further Reading: Dolores Huerta, renowned American labor leader and civil rights activist who co-founded the United Farm Workers union alongside Cesar Chavez. Dolores Huerta: The Civil Rights Icon Who Showed Farmworkers 'Sí Se Puede' : The Salt : NPR Dolores Huerta’s Story: Community Organizing, the Chicano Movement and Challenging Gender Norms | Reckoning With Our Racial Past UFW Chronology This month, we’re bringing back some of our favorite Womanica episodes you might have missed! We’ll be talking about Pink Collar Workers: women who revolutionized jobs that have traditionally been called "women's work." Through their lives, they created a more just and humane world for us today. History classes can get a bad rap, and sometimes for good reason. When we were students, we couldn’t help wondering... where were all the ladies at? Why were so many incredible stories missing from the typical curriculum? Enter, Womanica. On this Wonder Media Network podcast we explore the lives of inspiring women in history you may not know about, but definitely should. Every weekday, listeners explore the trials, tragedies, and triumphs of groundbreaking women throughout history who have dramatically shaped the world around us. In each 5 minute episode, we’ll dive into the story behind one woman listeners may or may not know–but definitely should. These diverse women from across space and time are grouped into easily accessible and engaging monthly themes like Educators, Villains, Indigenous Storytellers, Activists, and many more. Womanica is hosted by WMN co-founder and award-winning journalist Jenny Kaplan. The bite-sized episodes pack painstakingly researched content into fun, entertaining, and addictive daily adventures. Womanica was created by Liz Kaplan and Jenny Kaplan, executive produced by Jenny Kaplan, and produced by Grace Lynch, Maddy Foley, Brittany Martinez, Edie Allard, Carmen Borca-Carrillo, Taylor Williamson, Sara Schleede, Paloma Moreno Jimenez, Luci Jones, Abbey Delk, Adrien Behn, Alyia Yates, Vanessa Handy, Melia Agudelo, and Joia Putnoi. Special thanks to Shira Atkins. Follow Wonder Media Network: Website Instagram Twitter See omnystudio.com/listener for privacy information.

Hernán Carvente Martinez shares his extraordinary journey from juvenile incarceration to becoming Executive Director of Alianza for Opportunity, a national nonprofit dedicated to building thriving communities for Latino, Afro-Latino, and Indigenous groups. His powerful story reveals how one mentor's belief transformed his life trajectory and instilled in him the courage to never give up despite overwhelming challenges.• Spent four years in juvenile prison at age 16 for attempted murder before finding transformation through a college program• Met mentor James McCain who challenged him to develop writing skills, public speaking abilities, and see a future beyond his past• Transformed after three "quits" when his mentor gave him tough conditions to return, teaching him persistence and accountability• Graduated with 57 college credits while incarcerated but faced significant barriers in employment and education after release• Became an advocate for juvenile justice reform through sharing his story at policy forums and national platforms• Now leads Alianza for Opportunity with a focus on empowering emerging Latino leaders ages 18-25• Embraces his Chicano identity to ensure Latino communities are represented in conversations that affect them• Continues professional development through fellowships with organizations like Just Leadership USA and Forward Promise• Survived mental health struggles to become an advocate for wellness and self-care while doing justice work• Builds community connections as his form of "capital" to create meaningful impact for the next generationConnect with Alianza for Opportunity on social media platforms @AlianzaForOpportunity or visit www.alianzaforopportunity.org to learn more about their work. Email admin@alianzaforopportunity.org to connect directly with the team.Disclaimer: The views shared on Career Cheat Code are those of the guests and don't reflect the host or any affiliated organizations. This podcast is for inspiration and information, highlighting unique career journeys to help you define success and take your next step. If you enjoyed this episode, please like, rate, and subscribe to this podcast on whatever platform you're using, and share this podcast with your friends and your networks. For more #CareerCheatCode, visit linktr.ee/careercheatcode. Host - Radhy Miranda LinkedIn Instagram Producer - Gary Batista LinkedIn Instagram To watch on YouTube Follow us on Instagram Follow us on TikTok Follow us on LinkedIn

Here is a compilation of my set from the ‘We Love Techno' party at the Berlin club ‘Der Weiße Hase' on 19.07.2025. The event was used to raise money for our truck at the Berlin Techno Parade 'Zug der Liebe', which moves through Berlin on 30.08.2025 ♥️ LOVE GOES OUT TO ALL OF YOU!

The guys get together to discuss topics such as The Howard Stern Show to be canceled after 20 years on SiriusXM, Chicano fashion designer Willy Chavarría's Oaxaca-inspired huaraches stoke controversy and Cryptocurrency group takes responsibility for green sex toys thrown at WNBA games and much more on this episode that you do not want to miss and make sure to tune in!

Hello and welcome to our SDCC 2025 panel, Building Authenticity and Changing Culture with Comics. Today's panel brings together creators who are using comics to challenge stereotypes, center marginalized voices, and inspire cultural change. Through personal storytelling, historical narratives, and bold new characters, these panelists show how authenticity on the page can lead to real impact off the page. Join us for a conversation about identity, representation, and the power of comics to transform culture. With us today are: Henry Barajas is an acclaimed writer and storyteller whose work has centered on cultural and political histories. His graphic memoir La Voz de M.A.Y.O. Tata Rambo honors his grandfather's pivotal role in Indigenous activism and community empowerment in Tucson, Arizona. He is also the author of the graphic biography Historias de Resistencia: Dolores Huerta, which brings the legacy of the legendary labor leader to life through a vivid, accessible medium.Henry's other notable work includes Death to Pachuco, a bold exploration of Chicano identity and culture. In 2022, he made history as the first Latino writer of the long-running daily comic strip Gil Thorp, where he brings contemporary social issues and diverse representation to a new generation of readers. Through all his projects, Henry remains committed to telling stories that empower communities and reshape the cultural narrative. @henryjbarajasCecilia Lim is a co-founder of Kwento Comics, the first all-women, all-Filipina comic book company in the United States. Through projects like The Mask of Haliya and other Filipina superhero stories, Cecilia works to center Filipino mythology and cultural heritage within the comic book landscape. Her mission is to amplify Filipina voices and redefine the superhero genre by showcasing powerful, complex Filipina characters that break away from Western norms. Cecilia's work is a celebration of cultural identity and empowerment, expanding representation for Filipino communities both in the U.S. and globally. @kwentocomicsOmar Morales is the creator of Major Thomás, a science fiction comic that blends Latino culture with thrilling genre storytelling. Omar's work uniquely fuses cultural authenticity with expansive worldbuilding, transporting Latino narratives beyond traditional settings and into the realms of space and fantasy. His stories challenge stereotypes by placing Latino identities at the center of high-concept sci-fi adventures. With dynamic art and layered storytelling, Omar invites readers to envision futures where Latino culture thrives and evolves in new, imaginative ways. @omorales81Sonya Saturday is a cartoonist and satirist known for her candid, humorous, and often poignant comics, including The Greatest Thing You've Ever Seen in Your Life. She tackles themes of identity, queerness, subculture, and personal vulnerability with unflinching honesty and sharp wit. Sonya's storytelling blends raw emotional truths with biting humor, creating work that breaks down cultural taboos and reclaims space for messy, imperfect human experiences. Her comics invite readers to embrace complexity and find humor in life's awkward moments. @sonyasaturdayartAsia Simone is an artist who brings vibrant energy and thoughtful representation to beloved franchises like Moon Girl and Devil Dinosaur: Wreck and Roll! and Adventure Time. With a background in both indie and mainstream comics, Asia expertly infuses her own cultural perspective and authentic voice into worlds that fans already love. Her work pushes the boundaries of traditional narratives by creating space for diverse characters and stories, helping to reshape the culture of comics toward greater inclusivity and creative freedom. @asia_simone405

listener comments? Feedback? Shoot us a text!August is Chicano Heritage month! To kick off the holidays, we explore the origin and meaning of the word Chicano. What does it mean to be a Chicano? Do Mexican Americans who hold right-wing views get to call themselves Chicano? Join your hosts as we dig into these topics!End song: Indigena by Aztlan Underground Used with permission (Tlazkamati, Yaotl Mazahua!)https://youtu.be/DZTmWj2pQJE?si=8ZbmUSi5hTM8Dhv9Support the showYour Hosts:Kurly Tlapoyawa is an archaeologist, ethnohistorian, and filmmaker. His research covers Mesoamerica, the American Southwest, and the historical connections between the two regions. He is the author of numerous books and has presented lectures at the University of New Mexico, Harvard University, Yale University, San Diego State University, and numerous others. He most recently released his documentary short film "Guardians of the Purple Kingdom," and is a cultural consultant for Nickelodeon Animation Studios.@kurlytlapoyawaRuben Arellano Tlakatekatl is a scholar, activist, and professor of history. His research explores Chicana/Chicano indigeneity, Mexican indigenist nationalism, and Coahuiltecan identity resurgence. Other areas of research include Aztlan (US Southwest), Anawak (Mesoamerica), and Native North America. He has presented and published widely on these topics and has taught courses at various institutions. He currently teaches history at Dallas College – Mountain View Campus. Find us: Bluesky Instagram Merch: Shop Aztlantis Book: The Four Disagreements: Letting Go of Magical Thinking

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Latino House en la casa. Playlist 1/ Hugel, Brøder & Spijker « Las Avispas » 2/ Peppe Citarella, Kvision & Cavalli (IT) « Cachoeira » 3/ Bad Bunny « Nuevayol »(Nico De Andrea Remix) 4/ Nodus « Famy Aya » 5/ Louis Botella « Vazilando » 6/ Mark Di Meo, Jesus Fernandez, Orito Cantora « La Negra » 7/ Klement Bonelli « Los Chicanos » 8/ Ron Carroll, Crusy & Los Maya « Can't Stop » 9/ Mili « We Outside » 10/ Kill Them With Colour & Daniel Matheus « Besito » 11/ Fanfare Ciocarlia, Arkadyan & Grossomoddo « Iag Bari (Yababa) » 12/ Michel Cleis, Joe Arroyo « La Tortuga » 13/ David Penn & KPD « Jingo » 14/ Maurice Joshua « Celebrate Life » 15/ Gregor Salto, Emmanuella Sabajo « Mi Afro Kon »

Medicaid patients in Colorado cannot go to Planned Parenthood for any type of healthcare under the One Big Beautiful Bill. We talk with the head of the Rocky Mountain region about the impact and what's next. Then, hear from Gov. Jared Polis on the resounding pushback to stop a pedestrian walkway from being built in front of the State Capitol. Also, what's in a name at the Eisenhower-Johnson Memorial Tunnel ? And the 29th annual Chicano Music Festival celebrates identity and culture! 

listener comments? Feedback? Shoot us a text!SummaryIn this episode, we discuss various themes surrounding Chicano and Mesoamerican history, including the impact of ICE raids on communities, the importance of mental health, and the creation of a corrido in memory of Jaime Alaniz. We delve into the mysteries of the Tecaxic Calixtlahuaca head and the Los Lunas Decalogue stone, exploring the myths and realities of ancient artifacts and the need for critical thinking in archaeology. The episode concludes with reflections on creative expression and the significance of supporting meaningful causes. Your Hosts:Kurly Tlapoyawa is an archaeologist, ethnohistorian, and filmmaker. His research covers Mesoamerica, the American Southwest, and the historical connections between the two regions. He is the author of numerous books and has presented lectures at the University of New Mexico, Harvard University, Yale University, San Diego State University, and numerous others. He most recently released his documentary short film "Guardians of the Purple Kingdom," and is a cultural consultant for Nickelodeon Animation Studios.@kurlytlapoyawaRuben Arellano Tlakatekatl is a scholar, activist, and professor of history. His research explores Chicana/Chicano indigeneity, Mexican indigenist nationalism, and Coahuiltecan identity resurgence. Other areas of research include Aztlan (US Southwest), Anawak (Mesoamerica), and Native North America. He has presented and published widely on these topics and has taught courses at various institutions. He currently teaches history at Dallas College – Mountain View Campus. Find us: Bluesky Instagram Merch: Shop Aztlantis Book: The Four Disagreements: Letting Go of Magical Thinking

In this episode, Oden talks to Julia Wallace, member of Left Voice and SEIU 721, and Hector Rivera, a queer, Chicano, socialist educator who writes for Tempest Magazine. They discuss what's going on in Los Angeles, California, which has become a flashpoint in President Trump's war on immigration and attacks on the working class. Hector and Julia also describe the ways that communities have been fighting back, including independent self-organization, and how the struggle against the Far Right is connected to the fight for other democratic rights. The working class, community organizations, the immigrant rights movement, and other social movements can unite their forces and go even further to definitively push federal agents out of the city and win rights for immigrants — in California, and beyond.  Learn More:- Los Angeles Demands: ICE Out of Our Communities!- 2,000 Troops Withdraw from Los Angeles, but the Fight for Immigrant Rights Isn't Over. Fuera ICE!Support Left Voice on Patreon  Follow us on social media! We're on Instagram, Twitter, and TikTok as @left_voice, on Facebook as @leftvoice, and Bluesky at leftvoice.bsky.social. 

In this birthday blowout episode, George Perez and the crew crash the palace of Gabriel “Fluffy” Iglesias to celebrate his 49th birthday in the most G way possible. With Martin Moreno, Polar Bear, and Side Dick Eddie in the house — and Johnny Roque running production — this episode covers:

Get ready for another unfiltered episode of George Perez Stories! This week, George and the crew dive into:

Today on the show: Professor Ron Lopez, Chicano and Latino Studies at Sonoma State University, speaks out against the repression and intimidation now being felt by many of his brown students. Also,  we'll have an extensive update on the expanding US/Israeli Genocide in Gaza, where people are starting to starve to death, as US and Israeli security operatives brandish food as a weapon of war. We all know what the ribs of a starving person look like! The post Professor Ron Lopez on Trump's Repression and Intimidation Tactics appeared first on KPFA.

Federico recuerda con Rosana Laviada y Silvia Riveiro en manos de quién está el Tribunal de Cuentas.

Trifulca Media Presenta:En La Clara Con La Trifulca con Alex Torres, y Omar Vázquez Rivera quienes hablan y analizán todo en WWC. Sigan a Trifulca Media:Facebook - https://ppppppppppppppQ XS www.facebook.com/a TrifulcaMedia?mibextid=LQQJ4d .p opiokcÑInstagram - https://www.instagram.com/latrifulcamedia?igsh=MW1yNGE2NnY0N2pyYw==Threads - https://www.threads.net/@latrifulcamediaYouTube - https://youtube.com/@trifulcamedia?si=Spotify - https://open.spotify.com/show/2Nki4huLPMwYftru08gFYV?si=Z2AMDLjRSiOc2U_LVUXRpwApple Podcast - https://podcasts.apple.com/us/podcast/trifulca-media/id1459553025#enlaclaraconlatrifulca #wwcluchalibre #wwcpr #iwapr #raygonzalez#luchalibrepr #aniversario52#trifulcadeportes #trifulcawrestlingpodcast #trifulcamedia

listener comments? Feedback? Shoot us a text!In this throwback from Season 2 – Episode 35, we discuss the origin and antiquity of the words “Chicana” and “Chicano.” We start by explaining the origin of the episode which began many years earlier as a blog response to a commentary piece by acclaimed author and scholar, Ilan Stavans. We then explore the history of the term, its evolution as an identity for Mexican Americans, and its deep Indigenous Mesoamerican roots. Que viva la Chicana! Support the showYour Hosts:Kurly Tlapoyawa is an archaeologist, ethnohistorian, and filmmaker. His research covers Mesoamerica, the American Southwest, and the historical connections between the two regions. He is the author of numerous books and has presented lectures at the University of New Mexico, Harvard University, Yale University, San Diego State University, and numerous others. He most recently released his documentary short film "Guardians of the Purple Kingdom," and is a cultural consultant for Nickelodeon Animation Studios.@kurlytlapoyawaRuben Arellano Tlakatekatl is a scholar, activist, and professor of history. His research explores Chicana/Chicano indigeneity, Mexican indigenist nationalism, and Coahuiltecan identity resurgence. Other areas of research include Aztlan (US Southwest), Anawak (Mesoamerica), and Native North America. He has presented and published widely on these topics and has taught courses at various institutions. He currently teaches history at Dallas College – Mountain View Campus. Find us: Bluesky Instagram Merch: Shop Aztlantis Book: The Four Disagreements: Letting Go of Magical Thinking

Dolores Huerta (1930-present) is one of the most influential labor activists of the 20th century and a leader of the Chicano civil rights movement. She helped found the organization now known as United Farm Workers and helped organize the Delano grape strike in 1965. She is credited for coming up with the rallying cry “Sí, se puede,” which means “yes, we can” in Spanish. For Further Reading: Dolores Huerta, renowned American labor leader and civil rights activist who co-founded the United Farm Workers union alongside Cesar Chavez. Dolores Huerta: The Civil Rights Icon Who Showed Farmworkers 'Sí Se Puede' : The Salt : NPR Dolores Huerta’s Story: Community Organizing, the Chicano Movement and Challenging Gender Norms | Reckoning With Our Racial Past UFW Chronology This month, we’re talking about Word Weavers — people who coined terms, popularized words, and even created entirely new languages. These activists, writers, artists, and scholars used language to shape ideas and give voice to experiences that once had no name. History classes can get a bad rap, and sometimes for good reason. When we were students, we couldn’t help wondering... where were all the ladies at? Why were so many incredible stories missing from the typical curriculum? Enter, Womanica. On this Wonder Media Network podcast we explore the lives of inspiring women in history you may not know about, but definitely should. Every weekday, listeners explore the trials, tragedies, and triumphs of groundbreaking women throughout history who have dramatically shaped the world around us. In each 5 minute episode, we’ll dive into the story behind one woman listeners may or may not know–but definitely should. These diverse women from across space and time are grouped into easily accessible and engaging monthly themes like Educators, Villains, Indigenous Storytellers, Activists, and many more. Womanica is hosted by WMN co-founder and award-winning journalist Jenny Kaplan. The bite-sized episodes pack painstakingly researched content into fun, entertaining, and addictive daily adventures. Womanica was created by Liz Kaplan and Jenny Kaplan, executive produced by Jenny Kaplan, and produced by Grace Lynch, Maddy Foley, Brittany Martinez, Edie Allard, Carmen Borca-Carrillo, Taylor Williamson, Sara Schleede, Paloma Moreno Jimenez, Luci Jones, Abbey Delk, Adrien Behn, Alyia Yates, Vanessa Handy, Melia Agudelo, and Joia Putnoi. Special thanks to Shira Atkins. Follow Wonder Media Network: Website Instagram Twitter See omnystudio.com/listener for privacy information.

In this engaging conversation, Joe Betance and Roberto Mata explore the cultural nuances of affection within the Chicano community, particularly in the context of drag culture. They analyze the latest episode of a popular drag race show, discussing the performances of various contestants, including Mistress Isabel Brooks and Nicole Page Brooks. The dialogue highlights the differences in humor, persona, and the impact of cultural backgrounds on the contestants' interactions and performances. The hosts reflect on their own experiences and perspectives, providing a rich commentary on the intersection of culture and entertainment. Voicemail: speakpipe.com/afterthoughtmedia Email: dragracerecap@afterthought.media YouTube: youtube.com/dragracerecap Patreon: patreon.com/afterthoughtmedia Learn more about your ad choices. Visit podcastchoices.com/adchoices