Podcasts about mozart string quintet no

和阿裤聊了一下她最近回国的生活，跟妈妈的相处，和初恋的重逢op: 战台风ed: Mozart - String Quintet No. 3 in C Major, K. 515:II. Andante

The ANAM experience is one like no other. Hear first-year violinist Mia Stanton, Head of Cello Howard Penny, and ANAM alumnus Jonathan Bekes share insights into what it’s like to be a musician at the Australian National Academy of Music (ANAM). Written and produced by Madi Chwasta. Music, all performed by ANAM musicians: Mozart - String Quintet No.4 in G minor Glinka - Overture Rusian and Lyudmila Beethoven - Wind Octet in E Flat Mendelssohn - Piano Trio No.2 in C minor Schumann - Symphony No. 3 in E flat major Martinu - Oboe concerto Grainger - Random round Wagner - Reitermarsch from Lohengrin Rachmaninoff - Cello sonata in G minor *ANAM international partnerships include the Berlin Philharmonic Orchestra Academy (Karajan Academy), Mahler Chamber Orchestra Academy and Bavarian State Opera Academy (referred to by Howard as Munich Opera).

Mozart - String Quintet No. 2 in C minor, K. 406 Bridge - Fantasy Piano Trio in C minor Brahms - Piano Quartet No. 3 in C minor, Op. 60 Purchase the music (without talk) at: http://www.classicalsavings.com/store/p1205/La_Musica_60.html Your purchase helps to support our show! Classical Music Discoveries is sponsored by La Musica International Chamber Music Festival and Uber. @khedgecock #ClassicalMusicDiscoveries #KeepClassicalMusicAlive #LaMusicaFestival #CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans #CMDGermanOperaCompanyofBerlin #CMDGrandOperaCompanyofBarcelonaSpain #ClassicalMusicLivesOn #Uber Please consider supporting our show, thank you! http://www.classicalsavings.com/donate.html staff@classicalmusicdiscoveries.com

La Musica International Chamber Music Festival performs: Mozart: String Quintet No. 6, K. 614 Beethoven: Piano Trio in E-flat Major, Op. 70, No. 2 For more information, please visit: www.LaMusicaFestival.org

Beethoven: Allegretto in B-flat Major, WoO. 39 (September 10, 2006)Mozart: String Quintet No. 4 in G minor, K. 516 (October 15, 2006)This week, some music of contrast. Beethoven wrote the single movement “Allegretto” piano trio for a ten year old girl from Vienna. He wrote in the dedication that he hoped the piece would bring “encouragement in pianoforte playing.” The simple but showy piano part was probably written by Beethoven to allow the young player to shine. The allegretto will be followed by Mozart’s G minor string quintet. As we heard a few weeks ago, Mozart’s choice to add an extra viola perhaps came from his personal love of viola playing. This quintet was written along with the C Major quintet, in a few weeks’ time, and the two were probably written as a complementary pair. The G minor quintet on this program is the darker and more dramatic of the two, written to follow the beautifully simple last movement of the C Major quintet. In a similar vein to Mozart’s intended pairing, we’ll begin this week with Beethoven’s Allegretto for piano trio.

Beethoven: Sonata No.14 in C-sharp minor, Op. 27, No. 2 (“Moonlight”) (October 8, 2006)Mozart: String Quintet No. 5 in D Major, K. 593 (October 15, 2006)Generations of writing teachers have passed down the familiar edict: write what you know. In this week’s episode of the concert we’ll hear two composers who heeded that advice. Beethoven made his recital debut as a pianist at just eight years old, and he studied and played the instrument all his life. Being a baroque keyboard player was a bit like being a modern jazz pianist today; you were expected to have a strong foundation in harmony, so that you could improvise variations or play in ensembles, where the keyboardist created his part from a harmonic score a lot like a jazz lead sheet, rather than having a completely notated part. And it can’t be coincidence that in this famous piece, the Moonlight Sonata, the emphasis is on harmony. It’s the beautiful, undulating harmonies underneath the melody that we remember. Mozart also played both violin and keyboard, but when playing chamber music with his friends the instrument he favored was the viola. And in the Mozart piece on this program the instrument he adds to the standard string quartet is an extra viola. This added richness in the middle range, combined with a string player’s ear for long, singing melodic lines, show Mozart’s inner violist.