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What if listening deeply could carry us across centuries?In this Speaking of Travel episode, cellist Louise Dubin invites us into a world where travel, music, and historical discovery intertwine, reminding us that the most meaningful journeys reconnect us with voices nearly forgotten. Performing across solo, chamber, orchestral, and Broadway stages, including Radio City, Louise brings audiences beyond the concert hall, uncovering hidden musical treasures and restoring them to life with remarkable care and passion.Her recordings, including The Franchomme Project and Passages, grew from years of research and travel, especially in France, where she followed the footsteps of 19th-century composers whose works had slipped from the repertoire. Through her work, Louise shows us that curiosity is a devotion, honoring the artists who came before us and ensuring their music continues to breathe.“Travel teaches us to listen differently. When we step into the places where music was created, the notes begin to feel less like history and more like conversation.”In our conversation, Louise reflects on falling in love with the cello, the responsibility of recording works never before heard, and the discoveries that shaped her journey abroad. Together, we explore how music becomes a living conversation across time, memory, and human connection.This is a story about listening with the heart and remembering that every rediscovered note brings the past beautifully into the present. Thanks for listening to Speaking of Travel! Visit speakingoftravel.net for travel tips, travel stories, and ways you can become a more savvy traveler.
The term "classical music" includes a wide variety of music and artists. This hour we take a look at what that category really means. We celebrate the form and help you figure out how to start listening to the genre. Plus, how video game music is bringing new listeners to classical music and live orchestras. GUESTS: Matthew Aucoin: American composer, conductor, writer, pianist, and a 2018 MacArthur Fellow. He is author of “The Impossible Art: Adventures in Opera” and is co-founder of the American Modern Opera Company. His opera “Euridyce” was produced by the Metropolitan Opera in 2021, making him the youngest composer in nearly a century to have an opera produced by The Met Arianna Warsaw-Fan Rauch: Author of “Declassified: A Low-Key Guide to the High-Strung World of Classical Music”. She is also a violinist who has performed in venues around the world Carolyn Kuan: Music Director of the Hartford Symphony Orchestra. In 2025, she led the acclaimed world premiere of Huang Ruo’s "The Monkey King" at San Francisco Opera. Her recording of Huang Ruo’s "An American Soldier" with the American Composers Orchestra received a 2026 Grammy nomination J. Aaron Hardwick: An internationally active professional conductor, professor of music at Wake Forest University, and Director of the Wake Forest University Symphony Orchestra, recognized for his work in classical and contemporary repertoire and innovative orchestral programming, including video game music MUSIC FEATURED (in order): Symphony No. 5 I. Trauermarsch – Gustav Mahler, Claudio Abbado, Berlin Philharmonic 21 Hungarian Dances No. 5 – Johannes Brahms, Claudio Abbado, Berlin Philharmonic Revolucion Diamantina Act IV: Speaking the unspeakable – Gabriela Ortiz, Gustavo Dudamel, LA Phil Don’t Look Down I. Hammerspace – Christopher Cerrone, Sandbox Percussion Symphony No. 41 “Jupiter” IV. Molto Allegro – W.A. Mozart, Seiji Ozawa, Mito Chamber Orchestra String Quartet No. 8 II. Allegro molto – Dmitri Shostakovich, Dover Quartet 6 Bagatelles for Wind Quintet III. Allegro grazioso – Gyorgy Ligeti, Claudio Abbado, Chamber Orchestra of Europe Overture to A Midsummer Night’s Dream – Felix Mendelssohn, Seiji Ozawa, Boston Symphony Orchestra An American Soldier Act II Scene 1: Hey Danny – Huang Ruo, Carolyn Kuan, American Composers' Orchestra Hi – Caroline Shaw CUT FOR TIME The Monkey King Act II Scene 3 – Huang Ruo, Carolyn Kuan, San Francisco Opera Tears of the Kingdom Main Theme – Manaka Kataoka Temple of Time Theme Montage – The Legend of Zelda NES (1986) Style – Loeder Music Ocarina of Time (1998) – Koji Kondo Breath of the Wild (2017) – Yasuaki Iwata Planetrise – Inon Zur (Starfield) Lumiere – Lorien Testard (Clair Obscur: Expedition 33) CUT FOR TIME Atsu’s Theme – Toma Otowa (Ghost of Yōtei) CUT FOR TIME The Perfect Wave – Austin Wintory Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.
This is the final episode of a 5-part series going over all the concepts every musician should know about music theory. This episode covers the trends that have developed in what we call classical music since 1900 from chords based on intervals other than 3rds, a wider variety of scales, atonal music, minimalism. and more. Previous Episodes in the Series: Music Theory Overview Music Theory I: Basics and Fundamentals Music Theory II: Harmonic Function and Analysis Music Theory III: Harmonic Construction and Larger Structures Inquire about private lessons on music theory by setting up a free first lesson here For more on bi-tonality and a visual introduction to Hanson Analysis: watch this video here. Let me know your thoughts on this episode as a voice message to possibly share on a future episode at https://www.speakpipe.com/MusicianToolkit If you enjoyed this, please give it a rating and review on the podcast app of your choice. You can find all episodes of this podcast at https://www.davidlanemusic.com/toolkit You can follow David Lane AND the Musician Toolkit podcast on Facebook @DavidMLaneMusic, on Instagram and TikTok @DavidLaneMusic, and on YouTube @davidlanemusic1 This episode is sponsored by Fons, an online platform that helps music teachers with smooth, automated assistance such as securing timely automatic payments and scheduling. Click here for more information or to begin your free trial.
Enjoy this week's episode with LA SANTA, head honcho of Redolent Music, along with CHUS, DJ & producer influenced by Classical Music, Jazz, Bossa Nova, Soul, and World Music. This amalgamation of cultures allowed her to blend them into a unique scent. She creates a unique and extraordinary sense of belonging, enhanced through an inner journey. Her DJ sets are filled with sensitivity, harmony, high doses of groove, drums & ethnic roots. She has shared the DJ booth with the best international Electronic djs at the moment such as The Martinez Brothers, Seth Troxler, Blond:ish, CHUS, Dennis Ferrer, Deborah De Luca, Oscar L, Audio Fly or Birds Of Mind to name a few. La Santa expands her energy & grooves all over the world with her continuous plays at Ibiza, Tulum, El Cairo, Guatemala, Panama, Bali, India, Morocco... Her style, influenced by the English, Dutch & American underground sounds, definitely converged into house music inspired by Soul, Tribal, Latin, and World Music. Joeski - Ayé Oyá Mi Madre REDOLENT La Santa, Ivan Romero - Olokun REDOLENT La Santa, Craig Leo - Amohana REDOLENT The Soul Brothers - Manea Cu Voca DJ Chus - That Feeling (Sagan Extended Remix) DJ Chus - That Feeling (Danny Serrano Extended Remix) Roland Clark, 96 Vibe, Nautik (US) - House is Forever Ramon Bedoya - Marimba Claudia León - Op Beni REDOLENT G.Zamora - Satiria La Santa, ADREATENS, Peter Guzman - Mi Vida REDOLENT Arema Arega, PAUZA - Monte (Rizzo (Col) Remix) George Calle, Manybeat, Inaky Garcia - Latinjazzu This show is syndicated & distributed exclusively by Syndicast. If you are a radio station interested in airing the show or would like to distribute your podcast / radio show please register here: https://syndicast.co.uk/distribution/registration
Rob Schwimmer is a dynamic composer-pianist and renowned theremin virtuoso whose performances have captivated audiences worldwide. With accolades from The New York Times for his blend of “virtuosity, magic, and humor,” Rob's diverse talents shine through in his solo CD "Heart of Hearing," which features the theremin, Haken Continuum, and solo piano. He has collaborated with an impressive lineup of artists, including Bobby McFerrin, the New York Philharmonic, and Simon and Garfunkel, showcasing his unique ability to hang in multiple genres.In this episode, Rob shares his insights into the theremin's unique sound and its long-standing connection to sci-fi and other film genres. He recounts memorable performances—including a recent debut with the New York Philharmonic—and discusses the intricate relationship between improvisation and formal music training. Rob also demos some of the nuances of the Haken Continuum and the theremin. He shares several engaging stories about working in a variety of musical settings, from Carnegie Hall to hanging out with Willie Nelson.(Headshot photo by Michael Weintrob)Would you like more inspirational stories, suggestions, insights, and a place to continue the conversations with other listeners? Visit anthonyplog-on-music.supercast.com to learn more! As a Contributing Listener of "Anthony Plog on Music," you'll have access to extra premium content and benefits including: Extra Audio Content: Only available to Contributing Listeners. Podcast Reflections: Tony's written recaps and thoughts on past interviews, including valuable tips and suggestions for students. Ask Me Anything: Both as written messages and occasional member-only Zoom sessions. The Show's Discord Server: Where conversations about interviews, show suggestions, and questions happen. It's a great place to meet other listeners and chat about all things music! Can I just donate instead of subscribing? Absolutely! Cancel at anytime and easily resubscribe when you want all that extra content again. Learn more about becoming a Contributing Listener @ anthonyplog-on-music.supercast.com!
Send us a textFeeling Tired? Need to unwind? Then how about some gentle, soothing piano music? Welcome to Episode 10 in Series 5 of the Relaxing Piano Playlist! in this episode, I play for you music by women composers ranging from Cecile Chaminade, Teresa Carreno, Fanny Hensl and Amy Beach. I finish this episode with undoubtedly an audience favourite of the second movement from Rachmaninoff's Piano Concerto in C minor Op18.
AP correspondent Julie Walker reports Detroit Opera orchestra to set George Clinton, Parliament-Funkadelic hits to classical music.
Ep. 173 Scott Speck: Conducting Energy The Pod goes classical this week as Katie welcomes conductor Scott Speck to talk about life as an orchestra conductor, his philosophy around making classical music accessible, and more. The team talks the business of the orchestral world and how to make attending orchestra concerts comfortable for more people. Scott Speck has conducted all over the world and is currently the Artistic Director for the Chicago Philharmonic and Music Director for the Joffrey Ballet, West Michigan Symphony, and Mobile Symphony (https://www.scottspeck.org/). He is also the co-author of Classical Music for Dummies, Opera for Dummies, and Ballet for Dummies. Follow us on social media and let us know your thoughts and questions - https://linktr.ee/nobusinesslikepod Our theme song is composed by Vic Davi.
In Western music, microtonality usually refers to minute intervals smaller than a semitone and is often seen as a unique and experimental practice. However, in Hindustani classical music, these subtle pitch movements are not rare or unusual; they are part of common musical expression. This talk explores how Hindustani musicians use delicate shifts in notes (Swaras) to bring music to life, make phrases expressive, and create a unique aesthetic atmosphere. Instead of focusing on mathematical calculations or fixed pitch values, which have often been the focus, the lecture approaches microtonality from the viewpoint of musical performance, by keeping the practice of Raags at its centre. Drawing on examples from prominent Raags such as Yaman, Bhairav, Multani, Miyan-ki-Todi, and Marwa, it shows how minor variations, ornamentations, and melodic curves help define a Raag's personality, known as Swarup, or identity. These “in-between notes” are essential: if they are missing or altered, the Raag can lose its character or even resemble another Raag altogether. Intended for a broad, diverse audience, the talk offers an engaging introduction to the character of Hindustani classical music through sound, nuance, and creativity.BioDr Jatin Mohan (he/him) is a musicologist, Hindustani classical vocalist, and Fulbright scholar. Currently serving as an Assistant Professor in the School of Liberal Arts at IILM University. Gurugram. His doctoral research examined the conflict between conceptualisation and practical applicability of intonation in Hindustani and Western classical music through scale theory, ethnomusicology, and music history. His current project examines government music departments in North India, investigating how students' social and cultural influences shape post-colonial, middle-income, and financially conservative societies to revamp music education curricula and enhance students' employability. At IILM, he introduced the Collaborative Online International Learning (COIL) pedagogy, fostering cross-border collaboration and intercultural exchange.
Born in lockdown and watched by millions, the Orchestral Qawwali Project is transforming a 700-year-old sacred tradition for a global stage. Led by singer Abi Sampa and composer Rushil Ranjan, the project fuses the ecstatic poetry and trance-like repetition of Sufi qawwali with the sweeping power of Western orchestral music.
JJ and Haz set out their musical resolutions for the new year before enjoying the world of solo Bach violin ahead of Irène Duval's concert. And Haz falls in love, temporarily. Mae JJ a Haz yn creu eu haddunedau cerddorol ar gyfer y flwyddyn newydd, cyn mwynhau byd ffidil unigol Bach cyn cyngerdd Irène Duval. Ac mae Haz yn syrthio mewn cariad, dros dro. Support the showwww.artsactive.org.ukEmail a2@artsactive.org.ukX @artsactiveInstagram artsactivecardiff Facebook artsactive#classicalmusic #artsactive #drjonathanjames #bravingthestave #musicconversations #funfacts #guestspeakers #cardiff #cardiffclassical
Professional violinist Joy Black attributes her career to a "Fateful Dream" at age 13. This vision served as the blueprint for her journey from a bullied teenager to a global performer. On The Ash Said It Show, Joy discusses the surreal experience of "living the vision," emphasizing that her success is a result of radical persistence and manifestation. Joy Black navigates the intersection of R&B, Hip Hop, and Classical genres by treating the violin as a versatile vocal instrument. When collaborating with major artists like Latto, she strategically selects a specific "voice" for the violin—choosing between the grit of electric strings for Hip Hop or the soulful resonance of traditional acoustic for R&B to match the artist's energy. As a composer, Joy Black utilizes a melody-led approach to achieve immense emotive depth. Rather than starting with a pre-defined emotion, she allows the melody to dictate the narrative. This organic process ensures that the music resonates spiritually with the audience, often serving as a catalyst for mental and emotional release. Joy Black is a vocal advocate for representation and shattering barriers in the classical music world. By appearing on global stages as a Black woman with natural hair, she directly challenges traditional stereotypes. She uses her platform to prove that the violin is a universal tool for expression, redefining the "classical" aesthetic for the next generation of musicians. For her "intimate and immersive" Valentine's event in Atlanta, Joy is curating a setlist that balances romantic intimacy with her trademark high-energy style. The performance is designed to be multi-sensory, moving from soft, spiritual compositions to explosive rhythmic arrangements that define her signature sound. Web: https://joyblackviolinist.com/ Joy Black is an award-winning professional violinist specializing in high-energy, genre-bending performances. Known for her "electrifying" presence, she provides a seamless bridge between classical elegance and contemporary flair, making her the premier choice for: * Corporate & Tech Conferences: Dynamic opening/closing keynote entertainment. * Celebrity & Gala Events: Sophisticated, "talk of the town" ambiance. * Sports & Awards Shows: High-impact, anthemic live sets. * Charity & Fundraisers: Emotive performances that drive engagement and connection. Innovative Entertainment: LED Electric Violin Experience For event planners looking to transcend the ordinary, Joy Black offers a specialized LED Electric Violin performance. This "one-of-a-kind" immersive experience combines: * Dynamic Visuals: Custom LED light effects synchronized to the music. * Modern Soundscapes: A high-energy fusion of R&B, Hip Hop, and Cinematic Classical. * Social Media Appeal: Visually stunning content designed to be "posted and shared" by attendees instantly. Cinematic Composition & Sound Design Beyond the stage, Joy Black is a versatile music composer known for her emotive depth. Her studio services include: * Orchestral Scoring: Custom arrangements for live orchestras or studio sessions. * Media & Tech: Soundtracks for video games, mobile apps, and cinematic trailers. * Film & Commercials: Transformative scores that bring visual narratives to life with a "cinematic quality."
The Kedem Ensemble is an experimental early music ensemble whose performances engage audiences and seek to connect the public to early classical music in unexpected ways. Kedem Ensemble vocalist Avishag Haetzni spoke to KAN's Naomi Segal ahead of upcoming concerts in Jerusalem and Haifa. (Photo: Courtesy)See omnystudio.com/listener for privacy information.
What does it really look like to run a focused fundraising SPRINT™ without a gala, a big team, or running yourself into the ground?In this episode, I'm joined by Megan Ihnen, Executive Director of Live Music Project, for an honest conversation about what actually changed when she simplified her approach and trusted momentum over perfection. In just two weeks, Megan raised 108% of her campaign goal, not by doing more, but by doing the right things in the right order. We talk about what happens when you stop overcomplicating fundraising, shorten the timeline, lean into direct, human asks, and activate the network you already have. We also get real about burnout, fear of asking, donor psychology, matching gifts, peer-to-peer fundraising, and why speed and clarity almost always outperform polish. If you're feeling stretched thin, second-guessing your strategy, or stuck repeating tactics that aren't moving the needle, this episode will help you see what's possible when fundraising finally works with you instead of against you.Topics:Why collapsing timelines creates fundraising momentumMoving from burnout to clarity with sprint-style campaignsActivating your personal network without guilt or fearThe power of texting and direct human asksMatching gifts as momentum multipliersBoard and peer-to-peer fundraising done simplyNavigating rejection, silence, and donor non-responseUsing AI as a thought partner, not a replacementStewardship and nurturing after a successful SPRINT™Turning one campaign into a repeatable fundraising systemFor a full list of links and resources mentioned in this episode, click here.Bloomerang is the complete donor, volunteer, and fundraising management solution that helps thousands of nonprofits deliver a better giving experience and create sustainable, thriving organizations. Combining robust, easy-to-use technology with people-powered support and training, Bloomerang empowers nonprofits to work efficiently, improve supporter relationships, and grow their donor and volunteer bases. Learn more here. Live Wed, 1/21 - Sign Up For Free HEREResources: Easy Emails For Impact™: The $5K+ Fundraising Campaign System Purpose & Profit Club® Fundraising + Marketing Accelerator The SPRINT Method™: Your shortcut to 10K fundraisers Instagram, LinkedIn, website , weekly newsletter [FREE] The Brave Fundraiser's Guide: Stop getting ignored. Start raising more. May contain affiliate links
Czech conductor Jakub Hrůša has been named Artist of the Year for 2026 by the International Classical Music Awards, the health risks of tatooing, trip to Brno's Spilberk fortress
The Dean's List with Host Dean Bowen – Classical music is experiencing a surprising resurgence as audiences rediscover its beauty through radio, streaming platforms, and online media. A small college station in Charlotte tops the ratings, while global data shows rising interest in orchestral concerts and classical soundtracks. This cultural shift suggests timeless music is finding new life with modern listeners...
Send us a texthttps://www.arianna-smith.com/https://www.arianna-smith.com/m-sphereSupport the show
Enjoy this week's episode with LA SANTA, head honcho of Redolent Music, along with CHUS, DJ & producer influenced by Classical Music, Jazz, Bossa Nova, Soul, and World Music. This amalgamation of cultures allowed her to blend them into a unique scent. She creates a unique and extraordinary sense of belonging, enhanced through an inner journey. Her DJ sets are filled with sensitivity, harmony, high doses of groove, drums & ethnic roots. She has shared the DJ booth with the best international Electronic djs at the moment such as The Martinez Brothers, Seth Troxler, Blond:ish, CHUS, Dennis Ferrer, Deborah De Luca, Oscar L, Audio Fly or Birds Of Mind to name a few. La Santa expands her energy & grooves all over the world with her continuous plays at Ibiza, Tulum, El Cairo, Guatemala, Panama, Bali, India, Morocco... Her style, influenced by the English, Dutch & American underground sounds, definitely converged into house music inspired by Soul, Tribal, Latin, and World Music. La Santa, Craig Leo - Amohana REDOLENT La Santa, Ivan Romero - Olokun REDOLENT La Santa, Pio de Nicola - Namanga Emmanuel Jal, MoBlack, Wail Bouri - Beledna LENNON (US) - Siren Of The Jungle DJ DALI, Eden Shalev - Shava Kry (IT) - Bongos Dashalc - Haicho Dario D'Attis, Haldo - Naku Eastar, Diephuis - Hoye Mama DJ Wady, Afroloko - Baile Two The Deepshakerz & Lujan Fernandez - Tribal Sun Toto Lagares - Latin Sound Machine Louie Vega, Anané, Tony Touch - Last Night A DJ Saved My Life Feat. Anané & Tony Touch (Louie Vega Remix) This show is syndicated & distributed exclusively by Syndicast. If you are a radio station interested in airing the show or would like to distribute your podcast / radio show please register here: https://syndicast.co.uk/distribution/registration
In this episode of The Bandwich Tapes, I reconnect with conductor and educator Aaron Kula, who shaped my summers in the Chautauqua Youth Orchestra at the Chautauqua Institution in New York in 1994 and 1995. We talk about what it means to trust young musicians with major repertoire, including the time we took on Stravinsky's The Rite of Spring, and what that experience taught me about preparation, accountability, and confidence. Aaron shares his philosophy for building ensemble culture: learning every student's name, holding individuals responsible while serving the collective, and making the rehearsal process both rigorous and engaging. We dig into how his multi-genre musical life, from classical training to folk and ethnic traditions, and his deep connection to Jewish music, shaped the way he hears rhythm, style, and culture inside the orchestra. Aaron also explains how conducting changes when moving from the concert stage to ballet, how tempo becomes a real-time collaboration with dancers, and why a conductor has to know when to lead, when to release, and when to stay out of the players' way. This conversation is equal parts music, mentorship, and reflection, and a reminder that the seeds teachers plant can continue to grow for decades. I'm grateful for the chance to say thank you, and for the lessons from those summers that still guide how I work with students and teams today.To learn more about Aaron, visit his website. Thank you for listening. If you have questions, feedback, or ideas for the show, please email me at brad@thebandwichtapes.com.
Kimberly Bird joins to discuss the controversy surrounding the book "Abortion is Everything". Joan Lewis joins with the latest from the Vatican and Rome. Plus, hear how young people are evangelizing through classical music with Spencer Mcintosh, Jacob Beranek and Christa Dalmazio. Teresa also walks you through Italy in the Shrines and Wonders segment, and gives the Pope's tips for a great Advent!
Listen to some classical music today!: Tuesday, December 16, 2025Do you want to go deeper with me? Book me for a keynote, workshop, or coaching.Subscribe to get my message delivered daily: https://www.michaelallosso.com/goodmorning.html——————May your morning begin shattering expectations right out of the gate. I hope my message brings a smile to your face. May you gain knowledge, become inspired, or collect a trivial fact that you might use in a contest someday.-------For the past 30 years, I've changed my phone message EVERY SINGLE DAY! It's a daily activity, as automatic as brushing my teeth. I actually do 2 unique messages daily: one on my cell phone and one on my landline. The time has come to share them. (Perhaps the time has come to get rid of my landline?
On this week's episode of The Codcast, what it means when political forces come for the arts. CommonWealth Beacon reporter Jennifer Smith talks with Élider DiPaula, the new executive director of Project STEP — a 12-year music program focused on bringing students from underrepresented or marginalized backgrounds into the world of classical string music. The program lost a federal grant this spring, as did hundreds of other Northeast programs considered out of step with President Trump's nationalist priorities for the arts. DiPaula talks about his background as a Brazilian composer and performer, and what classical music sounds like, who it's for, and who created it is both personal and political.
In this special episode, we're joined once again by two extraordinary figures in the world of opera, mezzo-soprano Frederica von Stade, affectionately known as Flicka, and composer Jake Heggie. Flicka has graced the great opera houses and concert halls for over four decades, known for her captivating performances in roles by Rossini and Bellini, as well as her powerful interpretations of modern works like Heggie's own operas, including Dead Man Walking. Jake is renowned for his operas, having created over ten full-length works, including the widely acclaimed Moby-Dick and, of course, Dead Man Walking.In Part 1, we delve into their creative partnership, particularly focusing on their song cycle Paper Wings, inspired by Flicka's children. They share personal stories about the songs that resonate universally, illustrating how specific experiences can lead to broader emotional connections in art. The discussion also touches on the joy of collaborating and the importance of maintaining humor in their performances.[Subscriber Content] In Part 2, Jake and Flicka reveal more about their personal journeys with music and performance, including the importance of pushing through those dreaded "bad days" where things just don't seem to work right. Flicka discusses the emotional depth in her interpretations, while Jake reflects on the significance of trust in music. Their insights provide a deeper understanding of the art of singing, composing, and music in general enriching the listener's appreciation for the nuances of opera and lyrical storytelling. Listen in for a heartwarming conversation filled with memories, laughter, and profound insights into the world of music and creativity.Would you like more inspirational stories, suggestions, insights, and a place to continue the conversations with other listeners? Visit anthonyplog-on-music.supercast.com to learn more! As a Contributing Listener of "Anthony Plog on Music," you'll have access to extra premium content and benefits including: Extra Audio Content: Only available to Contributing Listeners. Podcast Reflections: Tony's written recaps and thoughts on past interviews, including valuable tips and suggestions for students. Ask Me Anything: Both as written messages and occasional member-only Zoom sessions. The Show's Discord Server: Where conversations about interviews, show suggestions, and questions happen. It's a great place to meet other listeners and chat about all things music! Can I just donate instead of subscribing? Absolutely! Cancel at anytime and easily resubscribe when you want all that extra content again. Learn more about becoming a Contributing Listener @ anthonyplog-on-music.supercast.com!
Composer Jessie Montgomery joins us as we continue our celebration of Black From the Top alumni and their contributions to classical music. Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy
Deep diving for the gems in the midst of awards season...On this special episode we going looking for some Canadian gold which has been turning up at theatres all across the country (and our own TIFF Lightbox) for a screening last night. It's time for 'Measures of a Funeral'.A young academic pursues acclaimed early 20th-century Canadian violinist Kathleen Parlow while escaping her failed musician mother's shadow in this poignant character study.It's a haunting character study about the obsession for perfection and we had a great talk with writer/director Sofia Bohdanowicz about her continuing collaboration with star Deragh Campbell, the films exceptional use of music and so very much more....Look for 'Measures of a Funeral' at a theatre near you!
Possibly the most important philosophical divide in music education, and we rarely discuss it outside of echo chambers. A deep dive into the claim that Classical Music is “hegemonic” or dominant. Some music academics operate as if “classical music” sits at the center of cultural power, imposing itself on everyone else in an oppressive way … Continue reading "Episode 269: “Classical” Music: An Endangered Species"
Send us a textFeeling tired? Need to unwind? Then how about some gentle, soothing piano music? Welcome to the Episode 9 of the Fourth Series in the Relaxing Piano Playlist! In this themed episode, I perform for you a number of piano arrangements from original works by composers including Bach, Schubert, Mendelssohn, Rachmaninoff, and Amy Woodforde-Finden.
Earlier this year, violin virtuoso Joshua Bell gave a TED Talk asking the question, do we still need classical music? Joshua is performing in Canada this year and next as the Toronto Symphony Orchestra's Spotlight Artist. On a rare day off in his schedule, he sits down with Tom Power to make the case for why we need classical music in our lives now more than ever. He also explains why his Stradivarius violin is so special to play, aside from the multi-million dollar price tag.
Guest Host Alex Laing joins for a celebration of Black artists in classical music. We're catching up with From the Top alumni who are making waves in the field.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy
Welcome to Part 1 of a two-part Special Episode introducing my new release, “MA PETITE FLEUR STRING QUARTET”. This work transforms my jazz ballad into a lush classical string quartet piece. I'm pleased to say that the work has been praised by all of the Classical Music Stars listed below. In Part 1 today we're going to listen to this new work. In Part 2 tomorrow we're going to introduce the incredible musicians who brought this piece to life.But first, here's the back story.Last year, following my podcast interview with Michael Abene, Grammy award winning big band arranger, I asked him if he would create a new arrangement of my jazz ballad, “The Gift”. Michael agreed and transformed my song into an extraordinary big band Samba. My band mates and I were the rhythm section on the recording. Spotify link.I then got the idea to take another of my jazz ballads and have it arranged into a classical string quartet piece. I was introduced to David Shenton, a genius arranger, who took my song, “Ma Petite Fleur” - my little flower - and arranged it as a classical string quartet piece inspired by my song. He then brought in four world class musicians to record the work.With this as the back story, please listen now to “MA PETITE FLEUR STRING QUARTET”.CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS--------------------------------------------------------Praised by:Steven Beck - Concert PianistJeffrey Biegel - Concert PianistMarina Chiche - Classical ViolinistJoAnn Falletta - Conductor, Buffalo PhilharmonicYolanda Kondonassis - Concert HarpistShawn Okpebholo - ComposerAmit Peled - Concert CellistLucas Richman - Conductor, Bangor SymphonyLlewellyn Sanchez-Werner - Concert PianistJason Vieaux - Classical Guitarist—-----------------------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!Click here for All Episodes Click here for Guest List Click here for Guest Groupings Click here for Guest TestimonialsClick here to Subscribe Click here to receive our Email UpdatesClick here to Rate and Review the podcastClick here for Robert's “Dream Inspire” App—----------------------------------------ROBERT'S NEW “DREAM INSPIRE” APPYour personalized Coach to Motivate, Pursue and Succeed at Your DreamCLICK HERE—----------------------------------------ROBERT'S LATEST SINGLE:“MI CACHIMBER” is Robert's latest single. It's Robert's tribute to his father who played the trumpet and loved Latin music.. Featuring world class guest artists Benny Benack III and Dave Smith on flugelhornCLICK HERE FOR YOUTUBE LINKCLICK HERE FOR ALL LINKS—--------------------------------------ROBERT'S LATEST ALBUM:“WHAT'S UP!” is Robert's latest compilation album. Featuring 10 of his recent singles including all the ones listed below. Instrumentals and vocals. Jazz, Rock, Pop and Fusion. “My best work so far. (Robert)”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com
In this episode, I get to sit down with Peter Martin of Third Coast Percussion, an ensemble I have admired for years. Peter and I dive into the inner world of a percussion quartet that tours the globe, creates new music, commissions major composers, collaborates with artists across genres, and somehow still manages to pack an unbelievable amount of gear into checked luggage.Peter had just returned from Paris, where the ensemble performed Philip Glass's August Amazonia Suite alongside a live painter, something they had never done before. From there, we talk about what it truly takes to tour as a percussion group, how they travel with twelve checked bags of instruments, how backlining works, what happens when a vibraphone arrives broken, and why they think about portability and footprint even before a new piece is written.Peter shares his personal journey from military-kid piano lessons to discovering the drum set, jazz vibraphone, and eventually falling in love with the marimba. We talk about his time studying with Michael Burritt at Northwestern, crossing paths with Brett Dietz and William James, and the surreal experience of watching his classmates become lifelong colleagues in orchestras, universities, and ensembles across the world.We also talk about the remarkable story of Third Coast Percussion itself, from its beginnings in the Civic Orchestra of Chicago to becoming a full-time, artist-run organization. Peter explains what it really means to run a chamber group from the ground up, how he unexpectedly became the ensemble's finance director, and why having control of the administrative side gives them total artistic freedom.Then we dig into the ensemble's Grammy win for their Steve Reich album, including the thrill of performing on the telecast and the artistic decisions behind putting their own interpretive stamp on such iconic repertoire. Peter describes what it was like working with producer Jesse Lewis and why that collaboration changed how they approached recording forever.Peter also talks about the emotional experience of recording Murmurs in Time with the legendary Zakir Hussain, who passed away shortly after the sessions. Hearing Peter reflect on Zakir's musicianship, generosity, and spirit is profoundly moving.We wrap with a look at what lies ahead for Third Coast Percussion, from new commissions to international touring to upcoming collaborations, including the premiere of a new work with Jlin. As Peter says, there is never a month when the ensemble is not creating something new, and their passion for pushing percussion forward is unmistakable.It was an honor to talk with Peter and get an inside look at the ensemble's artistry, work ethic, creativity, and humanity. Third Coast Percussion continues to redefine what chamber music can be, and I am grateful to share their story with you.To learn more about Third Coast Percussion, visit their website. Music from the Episode:Philip GlassAguas da Amazonia- Japurá River (Third Coast Percussion feat. Constance Volk)Steve Reich: Sextet- V: Fast (Third Coast Percussion)Zakir Hussain: Murmurs in Time: II: - (Third Coast Percussion with Zakir Hussain)Thank you for listening. If you have questions, feedback, or ideas for the show, please email me at brad@thebandwichtapes.com.
Fluent Fiction - Swedish: A Winter's Symphony: Love Unfolds at a Stockholm Café Find the full episode transcript, vocabulary words, and more:fluentfiction.com/sv/episode/2025-11-30-08-38-20-sv Story Transcript:Sv: Det var en klar och kall vintermorgon i Stockholm.En: It was a clear and cold winter morning in Stockholm.Sv: Snön täckte gatorna som ett vitt, mjukt täcke.En: The snow covered the streets like a white, soft blanket.Sv: I den livliga företagsdistriktet mitt i stan, där folk skyndade fram med bestämda steg, låg ett litet mysigt kafé.En: In the bustling business district in the middle of town, where people hurried along with determined steps, lay a small cozy café.Sv: Ljusslingor prydde fönstren, och doften av nybakade saffransbullar fyllde luften.En: Strings of lights adorned the windows, and the scent of freshly baked saffron buns filled the air.Sv: Inne på kaféet satt Johan ensam vid ett hörnbord, hans näsa djupt begraven i en bok.En: Inside the café sat Johan alone at a corner table, his nose deeply buried in a book.Sv: Johan jobbade som marknadsanalytiker.En: Johan worked as a marketing analyst.Sv: Han trivdes för det mesta med sitt eget sällskap, men bakom hans bok var hans blick ibland vilsen och en aning ensam.En: He mostly enjoyed his own company, but behind his book, his gaze was sometimes lost and slightly lonely.Sv: Vid ett bord intill satt Astrid, en projektledare med ett alltid glatt sinne.En: At a nearby table sat Astrid, a project manager with an always cheerful disposition.Sv: Astrid såg livet som fullt av möjligheter och letade efter någon som delade hennes intresse för de små glädjeämnena i livet, som klassisk musik.En: Astrid saw life as full of opportunities and was looking for someone who shared her interest in the small joys of life, like classical music.Sv: Astrid lade märke till den tyste mannen med boken flera gånger tidigare.En: Astrid had noticed the quiet man with the book several times before.Sv: "Hej," sa hon en dag med ett varmt leende när deras blickar möttes.En: "Hello," she said one day with a warm smile when their eyes met.Sv: Johan tittade upp, något förvånad.En: Johan looked up, somewhat surprised.Sv: "Hej," svarade han blygt.En: "Hello," he replied shyly.Sv: De började prata, först om arbetet men snart om musik.En: They began to talk, first about work but soon about music.Sv: Båda var oförklarligt dragna till den tidlösa skönheten av klassisk musik.En: Both were inexplicably drawn to the timeless beauty of classical music.Sv: Johan kände hur hans reserverade fasad började smälta när Astrid pratade om sin senaste upplevelse på en konsert.En: Johan felt how his reserved facade started to melt as Astrid talked about her latest experience at a concert.Sv: Hennes entusiasm var smittsam.En: Her enthusiasm was contagious.Sv: Dagarna gick, och varje gång Johan såg Astrid på kaféet kände han en starkare dragning till henne.En: Days went by, and every time Johan saw Astrid at the café, he felt a stronger attraction to her.Sv: Men han var rädd för att släppa någon så nära inpå, rädd för att bli sårad igen.En: But he was afraid to let someone so close, afraid of getting hurt again.Sv: En dag, under en paus, bestämde sig Johan för att ta ett första modigt steg.En: One day, during a break, Johan decided to take a first brave step.Sv: Han stirrade ner i sin kopp, samlade modet och sa, "Vill du... följa med mig till en klassisk musikkonsert?"En: He stared down into his cup, gathered his courage, and said, "Would you like to... join me for a classical music concert?"Sv: Astrids ögon lyste upp.En: Astrid's eyes lit up.Sv: "Ja, gärna!"En: "Yes, I'd love to!"Sv: svarade hon utan tvekan och med ett varmt leende som lyste upp hela rummet.En: she responded without hesitation and with a warm smile that lit up the entire room.Sv: Vid konserten satt de sida vid sida i den stämningsfulla salongen.En: At the concert, they sat side by side in the atmospheric auditorium.Sv: Ljuset dämpades, och orkestern började spela.En: The lights dimmed, and the orchestra began to play.Sv: Johan kände hur all osäkerhet sakta försvann.En: Johan felt all his insecurities slowly fade away.Sv: Mitt under den rörande symfonin vände han sig mot Astrid och log ett genuint, varmt leende.En: In the midst of the moving symphony, he turned to Astrid and gave her a genuine, warm smile.Sv: De höll varandras händer, och i det ögonblicket kändes världen mindre ensam.En: They held each other's hands, and in that moment, the world felt less lonely.Sv: När konserten var slut och de gick ut på de snöiga gatorna, hand i hand, visste Johan att något väsentligt hade förändrats inom honom.En: When the concert ended and they walked out onto the snowy streets, hand in hand, Johan knew that something fundamental had changed within him.Sv: Han hade vågat vara sårbar och i gengäld hade han fått en äkta och lovande koppling.En: He had dared to be vulnerable, and in return, he had gained a genuine and promising connection.Sv: Johan och Astrid lämnade konserten med en gemensam förståelse.En: Johan and Astrid left the concert with a mutual understanding.Sv: De skulle utforska detta band de delade, en anteckning i livet faktiskt värd att uppleva.En: They would explore this bond they shared, a note in life truly worth experiencing.Sv: Och så, medan Stockholm förberedde sig för jul ibland gnistrande snöflingorna, började deras gemensamma berättelse, som ett mjukt pianostycke med en hoppfull melodi.En: And so, as Stockholm prepared for Christmas amidst the sparkling snowflakes, their shared story began, like a gentle piano piece with a hopeful melody. Vocabulary Words:blanket: täckebustling: livligadetermined: bestämdacozy: mysigtadorned: pryddescent: doftenburied: begravnaanalyst: analytikergaze: blickcheerful: glattdisposition: sinneopportunities: möjlighetertimeless: tidlösafacade: fasadentusiasm: entusiasmcontagious: smittsaminexplicably: oförklarligtreserved: reserveradeattraction: dragningvulnerable: sårbarmutual: gemensampromising: lovandebond: bandatmospheric: stämningsfullaauditorium: salonginsecurities: osäkerhetsymphony: symfonigenuine: genuintfundamental: väsentligtsparkling: gnistrande
Karl Schagerl is a leading figure in the world of instrument making since he joined his family's business in 1976. Based in Mank, Austria, Karl has worked and collaborated with a long list of world-class artists, a few of which include Hans and Thomas Gansch, James Morrison, Gabor Tarkovi, and Selina Ott.Dr. Jack Burt, is a distinguished professor of trumpet and performing artist who has contributed extensively to the trumpet community, both as an educator and a performer. Jack's connection to Karl began with a chance introduction through mutual musical interests, leading to a lasting collaboration.In this conversation, we'll explore the fascinating story of how Karl and Jack first connected, sparked by a shared love for Austrian folk flugelhorn duets and a chance recommendation from jazz legend Peter Erskine. Jack talks about how he first reached out to Karl for some music and CDs, which eventually led to their meeting at a brass concert years later. Karl shares how this initial interaction grew into a professional friendship with plenty of stories and impactful insights along the way.[Subscriber Content] In the remainder of the discussion, Karl reveals more about the business side of Schagerl Instruments, discussing their global outreach and how they've continued to innovate in response to evolving musical demands.Would you like more inspirational stories, suggestions, insights, and a place to continue the conversations with other listeners? Visit anthonyplog-on-music.supercast.com to learn more! As a Contributing Listener of "Anthony Plog on Music," you'll have access to extra premium content and benefits including: Extra Audio Content: Only available to Contributing Listeners. Podcast Reflections: Tony's written recaps and thoughts on past interviews, including valuable tips and suggestions for students. Ask Me Anything: Both as written messages and occasional member-only Zoom sessions. The Show's Discord Server: Where conversations about interviews, show suggestions, and questions happen. It's a great place to meet other listeners and chat about all things music! Can I just donate instead of subscribing? Absolutely! Cancel at anytime and easily resubscribe when you want all that extra content again. Learn more about becoming a Contributing Listener @ anthonyplog-on-music.supercast.com!
Enjoy this week's episode with LA SANTA, head honcho of Redolent Music, along with CHUS, DJ & producer influenced by Classical Music, Jazz, Bossa Nova, Soul, and World Music. This amalgamation of cultures allowed her to blend them into a unique scent. She creates a unique and extraordinary sense of belonging, enhanced through an inner journey. Her DJ sets are filled with sensitivity, harmony, high doses of groove, drums & ethnic roots. She has shared the DJ booth with the best international Electronic djs at the moment such as The Martinez Brothers, Seth Troxler, Blond:ish, CHUS, Dennis Ferrer, Deborah De Luca, Oscar L, Audio Fly or Birds Of Mind to name a few. La Santa expands her energy & grooves all over the world with her continuous plays at Ibiza, Tulum, El Cairo, Guatemala, Panama, Bali, India, Morocco... La Santa & Chus recently launched Slave To The Rhythm, an event curated by Stereo Productions & Redolent debuting on the Island of Gods, Bali and have been already in Miami... La Santa, Pio de Nicola - Namanga Masaki Morii - The Beginning of the Matsuri House Of TUNEMAN, Bid On Us - Lagos Allan Nunez - Tambora REDOLENT Ali Coleman - Shamanic Vibration Genairo Nvilla - Aries (Extended Mix) Bontan - La Candelaria Hyenah, Mr. V - 3rd Eye (Raw Beat Edit) Dennis Cruz - El Sueño (Mon Amour Remix) DJ DALI, Eden Shalev - Shava (Extended Mix) Pablo Fierro - Disco Copa Emmanuel Jal, MoBlack, Wail Bouri - Beledna (Extended Mix) Fiona Kraft, Angelos, Robert Owens - Soul Free This show is syndicated & distributed exclusively by Syndicast. If you are a radio station interested in airing the show or would like to distribute your podcast / radio show please register here: https://syndicast.co.uk/distribution/registration
For decades, Tom Allen has been boosting the nation's knowledge of classical music. He's the host of the CBC music show “About Time,” as well as a musician and concert host. But now, Tom has turned his attention to a new format: the almanac. His book “Tom Allen's Classical Musick Almynack” takes a look at classical music over the course of a calendar year, including key dates, facts and stories for each month, along with recipes, quizzes and musical activities. Tom sits down with Tom Power to tell us why he wanted to embrace this old calendar form, and why he's so keen to spread the word when it comes to classical music.
In this episode of The Bandwich Tapes, I sit down with percussionist Chris DeChiara, whose musical journey spans from teenage rock bands to drum corps, classical training, and ultimately, more than two decades with the U.S. Navy Band in Washington, D.C. I first discovered Chris after hearing him on a Classical Breakdown episode, and I was blown away by his playing, his sound, and the way he talked about percussion. I reached out immediately, and I'm so glad he agreed to come on the show.Chris and I discuss how he found his way into classical music later than most, and how that discovery completely altered the direction of his life. We explore how drum corps shaped his sense of time and listening, as well as the pressure of performing high-level percussion parts night after night. He recounts the story of joining the Navy Band just before 9/11, and we discuss the weight and responsibility of performing military funerals and ceremonial duties at Arlington.We also delve into his book on Stravinsky's Rite of Spring, which originated from a graduate school paper and evolved into a comprehensive research project during the pandemic. Hearing how he approached the timpani part, the historical context, and the self-publishing process was fascinating. From there, we discuss what it truly takes to balance drum set and orchestral percussion, the challenge of leading time within a large ensemble, and the mindset shift required to blend, anticipate, and adapt depending on one's position on stage.Chris and I share a love of the Beatles, so of course, we dive into why those songs are so deceptively complex. Chris also fills me in on what his life looks like now: performing with the Alexandria Symphony, gigging with his long-running band Dr. Fu, playing in tribute acts (including an Iron Maiden tribute), teaching at Catholic University, and tackling a Britney Spears musical mainly played on a sample pad.This is a rich and wide-ranging conversation filled with great stories, thoughtful musical insight, and an inside look at a fascinating career in percussion. I had a great time talking with Chris, and I think you're going to enjoy this one.Thank you for listening. If you have questions, feedback, or ideas for the show, please email me at brad@thebandwichtapes.com.Theme music: "Playcation" by Mark Mundy
In episode number one of SEASON 6 (!), we are joined by two remarkable figures in the world of music and cherished in the brass community: Chris Gekker and Eric Ewazen. Chris is a celebrated trumpet professor at the University of Maryland and has performed as a soloist at prestigious venues like Carnegie Hall. His rich career includes collaborations with many composers, showcasing his dedication to both performance and new works. Eric, a prolific composer and educator, has a long history of writing for brass instruments, with works performed worldwide. He has taught at Juilliard and has garnered numerous awards for his compositions.In this first part of our conversation, Chris and Eric share their memorable experiences from their time at the Eastman School of Music, where they first crossed paths. They discuss their early influences, the importance of collaboration, and the creative processes that shape their work. As Chris reflects about Eric's writing, "When he writes a piece, he creates a dialogue, and it's a very creative process."[Subscriber Content] In the second part, we dive deeper into their collaboration on various pieces, including the intricacies of composing and performing. They'll share insights about their teachers, including a few key lessons learned from significant figures in their musical journeys. Eric's experience with writer's block and their approach to revising works are enlightening. Chris notes concerning writing specifically for trumpet, "We're not babies. We can handle difficult music, but you need to give us a break," emphasizing the unique physical challenges trumpet players face. Stay tuned for their engaging discussions about the future of their collaborations and how their friendship continues to flourish through music.Would you like more inspirational stories, suggestions, insights, and a place to continue the conversations with other listeners? Visit anthonyplog-on-music.supercast.com to learn more! As a Contributing Listener of "Anthony Plog on Music," you'll have access to extra premium content and benefits including: Extra Audio Content: Only available to Contributing Listeners. Podcast Reflections: Tony's written recaps and thoughts on past interviews, including valuable tips and suggestions for students. Ask Me Anything: Both as written messages and occasional member-only Zoom sessions. The Show's Discord Server: Where conversations about interviews, show suggestions, and questions happen. It's a great place to meet other listeners and chat about all things music! Can I just donate instead of subscribing? Absolutely! Cancel at anytime and easily resubscribe when you want all that extra content again. Learn more about becoming a Contributing Listener @ anthonyplog-on-music.supercast.com!
Crossing Borders Music has been using Western classical instruments to highlight human rights abuses. The group is highlighting federal immigration enforcement in the Chicago area with the hope that folks being detained inside the Broadview ICE processing facility hear the music and know that they are not alone. In the Loop talks with cellist and co-founder Tom Clowes and violist Wilfred Farquharson. For a full archive of In the Loop interviews, head over to wbez.org/intheloop.
The Piano Pod Live in Concert: A Bold New Chapter in Classical Music marked the first-ever live event for the award-winning podcast and YouTube show The Piano Pod, conceived and hosted by Executive Producer Yukimi Song. Presented in collaboration with Mannes Prep, a pre-college music program offering comprehensive and nurturing pre-professional training at The New School, this milestone concert brought the show's signature format — music performance, interview, and panel discussion — from the digital space to the stage.
Even if you are not a fan, you are likely familiar with classical music to some extent. You've heard it in movies, television commercials, and sometimes in concerts. It has been around for centuries and can still be heard today, but it has been surpassed in popularity by many different types of music. However, many people are intimidated by it because it is so different from the music they are used to. If that is you, fear not. I am here to help. Learn more about classical music and the basics you need to know to appreciate it on this episode of Everything Everywhere Daily. Sponsors Quince Go to quince.com/daily for 365-day returns, plus free shipping on your order! Mint Mobile Get your 3-month Unlimited wireless plan for just 15 bucks a month at mintmobile.com/eed Stash Go to get.stash.com/EVERYTHING to see how you can receive $25 towards your first stock purchase. ExpressVPN Go to expressvpn.com/EED to get an extra four months of ExpressVPN for free!w Subscribe to the podcast! https://everything-everywhere.com/everything-everywhere-daily-podcast/ -------------------------------- Executive Producer: Charles Daniel Associate Producers: Austin Oetken & Cameron Kieffer Become a supporter on Patreon: https://www.patreon.com/everythingeverywhere Discord Server: https://discord.gg/UkRUJFh Instagram: https://www.instagram.com/everythingeverywhere/ Facebook Group: https://www.facebook.com/groups/everythingeverywheredaily Twitter: https://twitter.com/everywheretrip Website: https://everything-everywhere.com/ Disce aliquid novi cotidie Learn more about your ad choices. Visit megaphone.fm/adchoices
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