Podcasts about Classical music

Vincent Karamanov is a freelance bassoonist playing with such prestigious ensembles as the Chicago Symphony Orchestra, Lyric Opera, and Joffrey Ballet. In this episode, Vincent reflects on how the onset of dysacusis (auditory distortions) and hyperacusis (decreased sound tolerance) forced him to make significant life changes in his employment, outlook, and relationships. The conversation follows the rollercoaster of his last several years, and brings us full circle in a story which somehow repaints Shostakovich's epic symphonic depiction of war as a message of a peace and recovery. Music heard in this episode features Vincent Karamanov (sometimes credited as Vince Halley) on bassoon, bass, guitar, and voice. You can hear more of the music featured through the following links: Ryan Martinez's album "Ensemble" Murder City Players  The Sallys album "Dog Days Demos" Vince and The Sallys cover of Green Days "Nice Guys Finish Last" The recording of Shostakovich: Symphony No. 11 (‘1905') is from the public domain archive 1958 recording of the Houston Symphony Orchestra conducted by Leopold Stokowski [Seraphim (S-60228)] In this episode, we discuss mental health and significant distress from audiologic conditions. If you are in crisis, please call, text or chat with the Suicide and Crisis Lifeline at 988, or contact the Crisis Text Line by texting TALK to 741741.

Guy Johnston joins Hattie Butterworth to discuss his latest recording of the Arthur Bliss Cello Concerto with Andrew Manze and the Royal Liverpool Philharmonic Orchestra. A technical mine field, the concerto was written for the great cellist Rostropovich and premiered with Benjamin Britten conducting at the 1970 Aldeburgh Festival. Guy also speaks about his dedication to pedagogy and gives details of more upcoming English cello recordings he has in the pipeline.  

How does music, even types you dislike, make wine more enjoyable? Can curated playlists in tasting rooms and wine bars influence how customers drink, eat, and experience wine? What happens when you stop overthinking wine and music and just enjoy? In this episode of the Unreserved Wine Talk podcast, I'm chatting with Susan Lin, a Master of Wine and a Master of Fine Arts in Classical Piano and Musicology. You can find the wines we discussed at https://www.nataliemaclean.com/winepicks   Highlights How does a low-pitched, slow-tempo musical piece impact the perceived fruitiness of wine? What does "timbre" mean in musical terms? How do different musical characteristics influence the perception of wine's effervescence? Did the participants' music preferences correlate with their enjoyment of the wine? What might surprise you about how the wines tasted in silence compared? Why does the influence of sound on our perception tend to go unnoticed? How are some winemakers using music in their wineries? Are there retail applications for Susan's research into the influence of music on the perception of wine? What would be Susan's ideal live concert and wine pairing scenario? What are some of the possibilities in the future for AI-generated music for wine experiences? Is there an interest in similar research on the intersection between dance and wine perception? What future research areas is Susan considering in terms of music and wine perception? What three objects would Susan display in a museum representing her life and passions? If Susan could share a wine with anyone outside the wine industry, who would it be and why? How can you start being more intentional about exploring sensory experiences with wine and music?   Key Takeaways How does music, even types you dislike, make wine more enjoyable? Susan says that in her experiments, the wine that was consistently the worst, least balanced, was the wine tasted without music. Even if somebody said I really didn't like this music, it was a way better wine to them than without music. Even for the wine experts, the wines were much more palatable without music. I think that's why sound can be a very, very powerful thing. Can curated playlists in tasting rooms and wine bars influence how customers drink, eat, and experience wine? Susan has worked with tasting rooms and wine bars to curate their playlists in terms of the experiences that they want their customers to have. You want to have people be a little more relaxed in the morning, but then, you start amping it up for the evening. I put together a complete journey, that sort of sonic seasoning for different expressions of their wines, for big bold red versus for their light, youthful white wines. What happens when you stop overthinking wine and music and just enjoy? Susan says that with the melding of music and wine, there's still so much to learn. Keep trying things. Don't worry about whether it's right or wrong. Just enjoy the experience. Let everything come in sensorially and enjoy that and embrace again the mystery of things. We can't explain everything through data, and that's a good thing.   About Susan R. Lin Susan R. Lin is a Master of Wine and a Master of Fine Arts in Classical Piano and Musicology. Susan's MW research paper ‘Influences of Classical Music on the Sensory Perception of a Brut Non-Vintage Champagne' and subsequent work on the interaction of music and wine have been featured in Decanter, Food & Wine, GuildSomm, and others. Each of Susan's creations is rooted in academic research and inspired by a deep respect for the essence of wine and music.         To learn more, visit https://www.nataliemaclean.com/347.

In his second appearance on Anthony Plog on Music, celebrated biographer and composer Jan Swafford returns for an expansive two-part conversation that dives deep into the very soul of classical music. In his previous interview from 2021, Jan discussed his monumental biographies of Mozart, Beethoven, Brahms, and Ives. But his intellectual and creative output extends far beyond those volumes, and this new set of interviews explores more of his wide-ranging contributions to the world of music.In Part 1, the focus turns to Jan's book Language of the Spirit: An Introduction to Classical Music, a refreshingly vivid and often personal guide to the history of Western music. The discussion begins with a few select quotes that set the tone for Swafford's engaging style—an approach that never shies away from humor, insight, or imagination. Along the way, Tony and Jan take an unexpected detour into a blog post imagining a conversation between Mozart and Picasso's Guernica. As the conversation returns to the content of Language of the Spirit, the two explore key aspects of the Baroque period, including figured bass and the challenges of intonation. The episode concludes with a discussion of three of Jan's own compositions—They That Mourn, Late August, First Snow, and River—offering a glimpse into his creative voice as a composer.Part 2 picks up right where they left off, continuing the discussion of the Baroque with special attention to the genius of Bach and the dramatic flair of Händel. This naturally leads into a thoughtful debate on performance practice, particularly the tension between historically informed performances (HIP) and modern approaches. Jan brings his signature candor and wit to the conversation, questioning what authenticity really means and whether the HIP movement sometimes overreaches. The episode closes on a memorable note, as Jan describes the extraordinary experience of holding the original manuscripts of Mozart's Marriage of Figaro and Brahms's German Requiem in his hands. And in true Swafford fashion, he promises to return again—next time, to tackle the Classical era through to the present day.DoricoProfessional music notation and composition software from Steinberg. Download a free 30-trial today!Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Would you like more inspirational stories, suggestions, insights, and a place to continue the conversations with other listeners? Visit anthonyplog-on-music.supercast.com to learn more! As a Contributing Listener of "Anthony Plog on Music," you'll have access to extra premium content and benefits including: Extra Audio Content: Only available to Contributing Listeners. Podcast Reflections: Tony's written recaps and thoughts on past interviews, including valuable tips and suggestions for students. Ask Me Anything: Both as written messages and occasional member-only Zoom sessions. The Show's Discord Server: Where conversations about interviews, show suggestions, and questions happen. It's a great place to meet other listeners and chat about all things music! Can I just donate instead of subscribing? Absolutely! Cancel at anytime and easily resubscribe when you want all that extra content again. Learn more about becoming a Contributing Listener @ anthonyplog-on-music.supercast.com!

Send us a textIn this month's episode, in the run up to the Three Choirs Festival, Col Andy Taylor and Revd Paul Roberts explore the fascinating and poignant story of brothers Claude and Percy Hull of Hereford.  Claude a member of the Herefordshire Rifle Volunteers served in the Boer War, emigrated to Canada and served during the First World War with Canadian Forces.His brother Percy, sang in Hereford Cathedral Choir where he later became Assistant Organist.  He found himself in Germany at the outbreak of the First World War and was interned along with thousands of other men - musicians, sportsmen, businessmen and merchant seaman among them - at Ruhleben Internment Camp, west of Berlin.  Hear about the fascinating self-governing community at Ruhleben, including the story of professional footballer and coach Stephen Bloomer.After the war Percy became Organist at Hereford Cathedral and was instrumental in restarting the Three Choirs Festival.  He was later knighted for similar efforts restarting this oldest musical festival in the world after the Second World War.Support the showIf you like what you hear, don't forget to like and subscribe to help us reach a wider audience. Visit our website - Herefordshire Light Infantry Museum; follow us on Facebook Herefordshire Regimental Museum | Facebook or visit our Youtube channel Herefordshire Regimental Museum - YouTube.Support the Museum? Become a Patreon supporter or a Become a FriendTheme Tune - The Lincolnshire Poacher, performed by the outstanding Haverhill Silver Band. This podcast generously supported by the Army Museums Ogilby Trust.

As the 2025 BBC Proms season gets underway, Martin Cullingford is joined by Tim Parry and Hattie Butterworth select their top picks. From Rachmaninov with Yunchan Lim and the UK premiere of Anna Thorvaldsdottir's Cello Concerto to a late-night tribute to Arvo Pärt and a rare performance of Delius's A Mass of Life, the team reflects on the Proms's cultural significance, its breadth of programming, and the enduring tradition of live music at the Royal Albert Hall.

The baton has dropped. The overture nears its end, but you still have time to catch the musical magic that is the 39th annual Music in the Mountains Festival through Aug. 3. By Deborah Uroda.Watch this story at www.durangolocal.news/newsstories/music-in-the-mountains-crescendos-toward-aug-3-finaleThis story is sponsored by Durango Motor Company and Dunkin Donuts.Support the show

Measha Brueggergosman-Lee is a professional singer and musician, who in 2024 became the first black recipient and youngest recipient ever of the Lifetime Achievement Award for Classical Music from the Governor General of Canada. She's also the author of her memoir Something Is Always On Fire and is currently writing a sequel entitled Open-Hearted. She is currently in the third year of a Masters in Practical Theology at Acadia Divinity College.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This week, Geoff and Rory are joined by countertenor, arranger of classical music and co-founder of 'Vache Baroque', Jonathan Darbourne, to discuss the storied history of the The Vache - an elegant, privately owned Elizabethan country house nestled in the gently rolling Chiltern Hills - and the Baroque music festival he directs every summer in its grounds.Every year in late August and early September, the discreet and immensely private gardens of The Vache are to be found buzzing with people immersed in music and surrounded by beauty, as Vache Baroque celebrates baroque music in all its splendour. The festival transforms this magical Grade II‑listed country house setting into a vibrant, multi-sensory stage with pop‑up performances, art installations and opera under the trees, all designed to captivate both novice aficionado alike.With a keen vision for community outreach and engaging audiences who aren't usually exposed to baroque (or classical) music, Vache Baroque succeeds both in reaching new audiences with music and championing the history and importance of country houses and their place in our nation's history. Critics have lauded its 'astonishing acoustics' and 'thrilling performance', while audiences delight in the relaxed, picnic‑style ambience as evening opera unfolds beneath the Chiltern sky.Please join us for this fun episode celebrating music, the country house and their enduring relationship with each other. If you like this episode please like it and write us a review. Please also send in questions for our soon-to-be-resurrected Q&A episodes!

Romaine Bostick's path to becoming a journalist started out as a teenager in the basement of a hip hop radio station in Chicago. It turns out that learning from folks like Pink House and JP Chill was the perfect launching pad to becoming one of the most established TV anchors in financial news. On this episode of Press Profiles, the Bloomberg anchor discusses his approach to the craft, his use of data to tell stories, and the CIA techniques he uses to research his guests. We also learn about his locker room encounter with President Obama, his distinctive lapel pins, his plea to be a Jeopardy contestant, and as always, a whole lot more.

Why might a symphony night pair just as well with your wine as a heavy metal ballad? What is “sonic seasoning” and how can music impact the way we experience the taste of wine? How are sensory experiences like music, taste, and atmosphere all connected? In this episode of the Unreserved Wine Talk podcast, I'm chatting with Susan Lin, a Master of Wine and a Master of Fine Arts in Classical Piano and Musicology. You can find the wines we discussed at https://www.nataliemaclean.com/winepicks   Highlights What did Susan's grandfather teach her about fine beverages and hospitality? How did playing piano in hotels as a child shape Susan's perspective on the holistic nature of our sensory experiences? Is there a connection between Susan's backgrounds in tech, music, and wine? When did Susan decide she wanted to dive deeper into the intersection between music and wine? What makes a wine "musical"? How do cross-modal correspondences impact wine tasting? Why was Brut Non-Vintage Champagne Susan's choice for her research paper? What is "sonic seasoning" in the context of wine and music? What was Susan's most memorable wine and music pairing event? What might surprise you about the intersection between classical music and heavy metal? How did Susan set up her experiment to observe how music affected participants' perceptions of the wine they were tasting?   Key Takeaways Susan says she was always encouraging a Bach goth night at the symphony to bring people together. I like to say, whether my Brahms is your Metallica or vice versa, music can make such a difference in what you're feeling. Hence, if you got a glass of wine, what you're tasting in that glass, right? I've actually done a few experiments with heavy metal. People feel a lot of things, and there are ballads in metal. It's not just your typical really assertive sound all the time. It can be really soulful too and I noticed a lot of use of medieval melodies and folk songs in the ballads that are really nice. So not too far of a distance between Brahms and Metallica in that sense. Susan explains that if you're listening to something that might add a little bit of pizzazz here or there to your wine, like seasoning can do. It's more of a fun term, not a scientific term. All classical composers experienced all the emotions and all the feelings that we all do and it comes through in their music. Maybe they can be feeling joyful or melancholy or longing or frustrated or upset, and everything in between. So the nature of the seasoning is that it can run in many, many different ways. Susan observed during her performances how moods of the guests changed depending on what she played. Everything in the sensory world, all of our experiences, are really taken in holistically, right? It's not like, oh, we're just listening to this one thing and that's isolated. Oh, and we're tasting this one thing, we're smelling this one thing, and we're seeing something. It's all together. I knew that it was something special, and knew that it was something that I wanted to learn more about, or just somehow be a part of. And playing the piano in those situations actually was a great way for me to be a part of it.   About Susan R. Lin Susan R. Lin is a Master of Wine and a Master of Fine Arts in Classical Piano and Musicology.         To learn more, visit https://www.nataliemaclean.com/346. Susan's MW research paper ‘Influences of Classical Music on the Sensory Perception of a Brut Non-Vintage Champagne' and subsequent work on the interaction of music and wine have been featured in Decanter, Food & Wine, GuildSomm, and others. Each of Susan's creations is rooted in academic research and inspired by a deep respect for the essence of wine and music.

Deantha Edmunds is Canada's first Inuk professional opera singer. Last year, she was appointed to the Order of Canada, and earlier this month, she was honoured at the Canada Day ceremony in Ottawa. In this conversation with Tom Power from 2024, Deantha talks about the forgotten classical music tradition of the Labrador Inuit, as well as her own journey in music.

Podience! It is high summer and we are moving around and around. Lots of pieces are getting mixed up and rearranged. Life is one big puzzle when you really think of it, isn't it? In this episode we talk about MOVING in NYC, we give some advice on what to do with your DYNAMICS, we define often occuring phenomenon and we end with an EPIC multi generational ghost of gags past. Thank you for tuning in! 

What does it mean to live a life in tune—with yourself, your passions, and your wellbeing? In this episode of Musings on Wellbeing, host Charlie Bresler and his guest, internationally renowned pianist Milica Jelača Jovanović, explore how the pursuit of excellence can both shape and challenge our inner lives. Raised in a family of classical musicians in Yugoslavia, Milica's journey spans elite music schools, intense conservatory training in post-Soviet Moscow, and a new chapter of life in Michigan. Their conversation touches on the delicate balance between ambition and self-care, artistry and identity. Her story is both deeply personal and universally resonant—a reflection on discipline, resilience, and finding meaning through music. Listeners will hear Milica's candid take on how intensive training has shaped her mental and emotional wellbeing, the role of family in grounding her, and why she prioritizes self-improvement over competition.  She also shares the guiding principles behind her teaching style and gives a sneak peek into exciting musical projects on the horizon.  Links: milicajelacajovanovic.com Milica on YouTube @milicajj Music from this episode: Mozart concerto performance with bellinghamsymphony.org  Musing on Wellbeing is sponsored by EH Walkers. Discover more and join EH Walkers at www.ehwalkers.org. Charlie Bresler is a former business executive, co-founder of the nonprofit The Life You Can Save, and a self-described effective hedonist. As a psychologist, Charlie emphasizes the importance of aligning personal pleasure with doing good, rejecting the notion of self-sacrifice in favor of a fulfilling, values-driven life.  

David Robertson is a rare conductor who unites avant-garde complexity with accessibility. After serving as music director of the Ensemble Intercontemporain, Pierre Boulez's storied contemporary-music ensemble, he went on to rejuvenate the St. Louis Symphony. Robertson combines a fearless approach to challenging scores with a deep empathy for audiences. Tyler and David explore Pierre Boulez's centenary and the emotional depths beneath his reputation for severity, whether Boulez is better understood as a surrealist or a serialist composer, the influence of non-Western music like gamelan on Boulez's compositions, the challenge of memorizing contemporary scores, whether Boulez's music still sounds contemporary after decades, where skeptics should start with Boulez, how conductors connect with players during a performance, the management lessons of conducting, which orchestra sections posed Robertson the greatest challenges, how he and other conductors achieve clarity of sound, what conductors should read beyond music books, what Robertson enjoys in popular music, how national audiences differ from others, how Robertson first discovered classical music, why he insists on conducting the 1911 version of Stravinsky's Petrushka rather than the 1947 revision, and more. Read a full transcript enhanced with helpful links, or watch the full video on the new dedicated Conversations with Tyler channel. Recorded March 12th, 2025. Help keep the show ad free by donating today! Other ways to connect Follow us on X and Instagram Follow Tyler on X Sign up for our newsletter Join our Discord Email us: cowenconvos@mercatus.gmu.edu Learn more about Conversations with Tyler and other Mercatus Center podcasts here. Photo Credit: Chris Lee

So just what is "Cooking in Grammi's Kitchen" all about? It's going into Grammi's kitchen and hanging out with Family and Friends. Do we talk about food, yeah but going into your Grandma's or Mom's kitchen was more than just cooking. It was a time where you could talk to them and tap into their knowledge and wisdom. Where you could share some laughs and poke fun at each other and just enjoy the company of Family. That, in a nutshell is what "Cooking in Grammi's Kitchen" is all about!!!! Glad to see everyone join in the fun for a Friday. You all are the BEST!!!! Have a GREAT Weekend, do some fun stuff and enjoy LIFE!!!! We'll be back Monday!! Later Gators!!!   Catch our Re-Play at 11am pst every day on: W-ESN Epic Strategies Network Download their phone app for easy listening or go to their webpage www.epicstrategiesnetwork.com Other Shows from The Old Man Podcast on the W-ESN Epic Strategies Network you may like: “The Old Man's Blues Show” at 1pm pst Monday thru Saturday, “Motown, Soul and R&B” at 11am pst Saturdays and “Classical Music for a Sunday Morning” at 6am pst Sundays. Check them out!!!!   Listen and Download on these platforms: Podbean, Spotify, Stitcher, Podcast Addict, Deezer Podcasts, Tumblr, Linked In, I-Heart Radio, Google Podcasts, Player FM, Listen Notes, Tune-In, Podchaser, Goodpods, PodBay.fm, Amazon Music, Apple Podcasts, Samsung Podcasts and Pandora. Follow us on: Facebook: The Old Man's Podcast @TheOldManOnPodbean Twitter: The Old Man's Podcast. @TheOldMansPodc1 Gettr: TOM-Pod @TOM_Pod Visit our Web Page: www.theoldmanspodcast.com   Contact us with Email at: theoldmanspodcast@gmail.com   Check out Podcast Overlord on Twitter and at https://overlordshop.com/store to see how they can help get your Podcast footprint on twitter to grow.

Norwegian hornist Frøydis Wekre has had a remarkable and influential career as both performer and teacher. She joined the Oslo Philharmonic at the age of 20, at a time when there were only two women in the orchestra, and went on to establish herself as a highly respected chamber musician, soloist, and educator. For many years, she served as a professor at the Norwegian Academy of Music, and her reach has extended far beyond Norway through the countless masterclasses she's given around the world. Widely regarded as one of the leading brass pedagogues of her generation, Frøydis has inspired students and professionals alike with her wisdom, insight, and artistry.In Part 1 of our conversation, we begin by discussing a metaphor from her book Collected Writings, in which she compares two types of teachers to a family doctor and a specialist—one who works with a student long-term, and another who is brought in to address a specific need. It's a concept that resonates deeply in the teaching world, and Frøydis shares how it has shaped her own approach to working with students. We also talk about her experience playing natural horn and explore the different national and cultural styles of horn playing that she has encountered throughout her career. The first part concludes with reflections on her studies with several legendary figures in the brass world: Vitali Bujanovsky, Wilhelm Lanzky-Otto, and James Stamp.[Subscriber Content] In Part 2, Froydis shares her perspective on international competitions, including thoughts on fairness and how such events might be improved. This leads into a broader conversation about women in music and how the landscape has changed—and in some ways, still needs to change—over the course of her career. We wrap up with a few light, miscellaneous questions, giving Frøydis the chance to reflect on her life and work with both humor and depth.It was a privilege to speak with someone who has not only shaped the horn world but continues to influence generations of musicians through her teaching, writing, and example.DoricoProfessional music notation and composition software from Steinberg. Download a free 30-trial today!Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Would you like more inspirational stories, suggestions, insights, and a place to continue the conversations with other listeners? Visit anthonyplog-on-music.supercast.com to learn more! As a Contributing Listener of "Anthony Plog on Music," you'll have access to extra premium content and benefits including: Extra Audio Content: Only available to Contributing Listeners. Podcast Reflections: Tony's written recaps and thoughts on past interviews, including valuable tips and suggestions for students. Ask Me Anything: Both as written messages and occasional member-only Zoom sessions. The Show's Discord Server: Where conversations about interviews, show suggestions, and questions happen. It's a great place to meet other listeners and chat about all things music! Can I just donate instead of subscribing? Absolutely! Cancel at anytime and easily resubscribe when you want all that extra content again. Learn more about becoming a Contributing Listener @ anthonyplog-on-music.supercast.com!

听芥末章鱼想加群插话的朋友请添加微信：hivisme------欢迎听芥末章鱼想插话的朋友来插话群玩儿------放一些最近听的歌，聊一些最近的感受。歌曲：平日快乐 - 孙燕姿 - 孙燕姿No.13作品：跳舞的梵谷Man In The Mirror - Michael Jackson - BadIch Liebe Dich - Dana Winner - Wo Ist Das GefuhlLéocadia, FP 106:Les chemins de l'amour - Sabine Devieilhe - All We Need Is Love (& Classical Music)

What's the first thing that comes to mind when you think of classical music? Maybe you imagine a conductor on a podium in a fancy outfit. Maybe you remember a heart wrenching moment in your favorite movie. Or maybe it's that McDonald's commercial that's been stuck in your head since the 1980s. Whatever your access point is to classical music, there's much to explore and enjoy. On this episode, we're talking with WUOL Program Director Daniel Gilliam about his own love of the genre, and what makes classical music so relevant and vital.

Pianist Yuja Wang is a phenomena in our time. A remarkable artist who is young enough in mind to make shockingly original music on stage, while being experienced enough to navigate the sometimes cut throat world of the classical music industry.  Between the bars host Yannick Dondelinger joins Yuja Wang for a taxi ride to Amsterdam, and an especially informal chat about the genius of Rachmaninov, the joy of China's cuisine, living in the USA, religion, the privacy of Bachs music, performing with the late and great Claudio Abbado, and many many more topics….. enjoy the ride. For a full transcript of the episode, please visit our website.  photo: Yuja Wang © Julia Wesely music excerpts: © Deutsche Grammophon (2011): Yuja Wang/Mahler Chamber Orchestra/Claudio Abbado: Rachmaninov - Paganini Rhapsody 

Enjoy this week's episode with LA SANTA, head honcho of Redolent Music, along with CHUS, DJ & producer influenced by Classical Music, Jazz, Bossa Nova, Soul, and World Music. This amalgamation of cultures allowed her to blend them into a unique scent. She creates a unique and extraordinary sense of belonging, enhanced through an inner journey. Her DJ sets are filled with sensitivity, harmony, high doses of groove, drums & ethnic roots. She has shared the DJ booth with the best international Electronic djs at the moment such as The Martinez Brothers, Seth Troxler, Blond:ish, CHUS, Dennis Ferrer, Deborah De Luca, Oscar L, Audio Fly or Birds Of Mind to name a few. La Santa expands her energy & grooves all over the world with her continuous plays at Ibiza, Tulum, El Cairo, Guatemala, Panama, Bali, India, Morocco... Redolent Music is her most recent project, a new independent boutique record label, event producer, management agency, and lifestyle concept. Daniel Rateuke - Arida (D4NYO Remix) REDOLENT The Deepshakerz - The Beginning Groove PEPPE CITARELLA, CAVALLI, KVISION - CACHOEIRA Sabo, DJ Chus - Afro Chooz (Novalima's Rafael M La Danza Extended Edit) REDOLENT Eran Hersh, ASHER SWISSA - Arak (Extended Mix) La Santa, ANDREATENS, Peter Guzman - Mi Vida REDOLENT Novak - Afro Banga NVRMĪND - Burning Heart Dancing on Lego, La Santa - Play That Fact (Extended Mix) REDOLENT La Santa - Mamba REDOLENT Aura, Emanuele Esposito, Gianni Romano, Trick Beat - Din Daa Daa Crusy, Los Maya - Can't Stop ft Ron Carroll The Deepshakerz - Give It 2 U Dave Anthony, Aleysha Lei, Osunlade - I Feel For You (Yoruba Soul Club Mix) This show is syndicated & distributed exclusively by Syndicast. If you are a radio station interested in airing the show or would like to distribute your podcast / radio show please register here: https://syndicast.co.uk/distribution/registration

This is an Encore Presentation of Robert's January 2025 interview with Classical Music Superstar JoAnn Falletta. For 25 years JoAnn has been the Music Director and Conductor of the Buffalo Philharmonic Orchestra. She was the first female conductor in the United States of a major symphony orchestra. She's a Juilliard graduate. She studied with Leonard Bernstein. She's a 2x Grammy winner. My featured song is “New York City Groove”, from the album Made In New York by my band Project Grand Slam, in honor of the fact that both JoAnn and I grew up in New York City. Spotify link.—--------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!Click here for All Episodes Click here for Guest List Click here for Guest Groupings Click here for Guest TestimonialsClick here to Subscribe Click here to receive our Email UpdatesClick here to Rate and Review the podcast—----------------------------------------CONNECT WITH JOANN:www.joannfalletta.com________________________ROBERT'S RECENT SINGLES:“THE CUT OF THE KNIFE” is Robert's latest single. An homage to jazz legend Dave Brubeck and his hit “Take Five”. It features Guest Artist Kerry Marx, Musical Director of The Grand Ole Opry band, on guitar solo. Called “Elegant”, “Beautiful” and “A Wonder”! CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—----------------------------“DAY AT THE RACES” is Robert's newest single.It captures the thrills, chills and pageantry of horse racing's Triple Crown. Called “Fun, Upbeat, Exciting!”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS___________________“MOON SHOT” reflects my Jazz Rock Fusion roots. The track features Special Guest Mark Lettieri, 5x Grammy winning guitarist who plays with Snarky Puppy and The Fearless Flyers. The track has been called “Firey, Passionate and Smokin!”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS____________________“ROUGH RIDER” has got a Cool, ‘60s, “Spaghetti Western”, Guitar-driven, Tremolo sounding, Ventures/Link Wray kind of vibe!CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—--------------------------------“LOVELY GIRLIE” is a fun, Old School, rock/pop tune with 3-part harmony. It's been called “Supremely excellent!”, “Another Homerun for Robert!”, and “Love that Lovely Girlie!”Click HERE for All Links—----------------------------------“THE RICH ONES ALL STARS” is Robert's single featuring the following 8 World Class musicians: Billy Cobham (Drums), Randy Brecker (Flugelhorn), John Helliwell (Sax), Pat Coil (Piano), Peter Tiehuis (Guitar), Antonio Farao (Keys), Elliott Randall (Guitar) and David Amram (Pennywhistle).Click HERE for the Official VideoClick HERE for All Links—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com 

For those looking for an example of a life lived with both artistic excellence and personal richness, oboist Christoph Hartmann is an inspiring model. A member of the Berlin Philharmonic since 1992, Christoph is not only a world-class orchestral musician but also a sought-after soloist and chamber player. He teaches at the Freiburg Musikhochschule, where he now lives, regularly commuting to Berlin for performances with the Philharmonic.Outside of his musical career, Christoph is deeply involved in endurance sports—he has run around 40 marathons and is an avid cyclist. His passion for biking even led him to create his own line of bicycles, Pasulli bikes, as well as open a bike shop. With a schedule this full and diverse, Tony was eager to learn how Christoph balances it all—and that's exactly what this wide-ranging conversation explores.In Part 1, Christoph reflects on his time with the Berlin Philharmonic, sharing how the orchestra has evolved over the decades and offering insight into the leadership and influence of conductors Claudio Abbado, Simon Rattle, and Kirill Petrenko. He also talks about the experience of performing for the Philharmonic's Digital Concert Hall and whether those streamed performances come with added pressure. The conversation turns to the ever-present topic of reeds and their impact on oboe playing, as well as how he manages his time between teaching in Freiburg and performing in Berlin. Christoph also shares how his interest in long-distance running and biking fits into his musical life, and we wrap up the first part with a look at the Mozart Oboe Concerto video he recorded for the YouTube Symphony.[Subscriber Content] Part 2 begins with a thoughtful discussion about Christoph's personal motto—“live your dreams”—and how he balances that ideal with the practical demands of his life. Given how many passions he juggles, Tony asks how he determines his priorities and maintains focus. Christoph also offers his perspective on the differences between German and American styles of oboe playing. The conversation then travels back to his early days on the instrument, culminating in the story of his audition for the Berlin Philharmonic. The episode concludes with his reflections on why the Mozart Oboe Concerto continues to be an ideal first-round audition piece for aspiring orchestral players.DoricoProfessional music notation and composition software from Steinberg. Download a free 30-trial today!Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Would you like more inspirational stories, suggestions, insights, and a place to continue the conversations with other listeners? Visit anthonyplog-on-music.supercast.com to learn more! As a Contributing Listener of "Anthony Plog on Music," you'll have access to extra premium content and benefits including: Extra Audio Content: Only available to Contributing Listeners. Podcast Reflections: Tony's written recaps and thoughts on past interviews, including valuable tips and suggestions for students. Ask Me Anything: Both as written messages and occasional member-only Zoom sessions. The Show's Discord Server: Where conversations about interviews, show suggestions, and questions happen. It's a great place to meet other listeners and chat about all things music! Can I just donate instead of subscribing? Absolutely! Cancel at anytime and easily resubscribe when you want all that extra content again. Learn more about becoming a Contributing Listener @ anthonyplog-on-music.supercast.com!

Send us a textFeeling tired? Need to unwind? Then how about some gentle, soothing piano music? Welcome to the Episode 7 of the Fifth Series in the Relaxing Piano Playlist! In this episode, I perform for you music by Chopin, Gabriel Dupont, MacDowell, Scriabin and Debussy,

(Editor's Note: Welcome to our Reissue series! For the next several weeks, Basic Folk is digging back into the archives and reposting some of our favorite episodes alongside new introductions commenting on what it's like to listen back. Enjoy!This episode featuring Cindy Howes interviewing Chris Thile was originally posted on September 9, 2021 after Chris released his solo album, 'Laysongs.')Chris Thile (Nickel Creek, Punch Brothers) has been making music nonstop since he was 5 years old. His musical parents found him a mandolin and he started taking lessons and jamming at nearby Southern California pizza shops. He met Sara and Sean Watkins when he was 12 and they started Nickel Creek. In the meantime, Chris' parents moved the family from California to Murray, Kentucky and really started getting serious about evangelical Christianity. This would have a huge impact on Chris; his record, 'Laysongs,' asks a lot of questions surrounding his experience with religion as a young kid. He talks about the transition from being a family with no religion in their routine to being enveloped so intensely in faith.Another important aspect that comes along on the album is Chris' striking love for classical music. His grandparents gave him some pieces by Bach and set him up for a lifetime of studying and playing classical. Elsewhere in our Basic Folk conversation he also gets into what it was like to grow up alongside Sara and Sean as bandmates, friends, and fellow Christians. One of the themes of the new album is about community, namely, engaging in a community that you love. Chris recognized that he dissented from Christian community in his young adult life where everyone was thinking the same way – Chris felt excluded, so he left. Now, in music, he's found a new community where everyone thinks the same, so still certain people are excluded. He talks about how the pandemic helped further shape those feelings about exclusionary community. We also get into a riveting conversation about Chris' thoughts on writing simple pop music and one of his deepest passions: wine.Follow Basic Folk on social media: https://basicfolk.bio.link/Sign up for Basic Folk's newsletter: https://bit.ly/basicfolknewsHelp produce Basic Folk by contributing: https://basicfolk.com/donate/Interested in sponsoring us? Contact BGS: https://bit.ly/sponsorBGSpodsAdvertising Inquiries: https://redcircle.com/brands

Hi Podience! We have YET ANOTHER PIANIST on the pod. Ding ding ding! You heard it right! It's pianist/composer/conductor Mikael Darmanie, the gendre defying piano-core-space-hop artist whose AI biography we have debunked on the pod. Get to know him real time with us and hear our collective ghosts of gags past, listen to us improvise a new music hit and join in our niche classical music sh*t talking. Thanks for tuning in! 

Our friends over at YourClassical have been celebrating Pride Month with a new series called “Classical Queery” that explores the intersection of classical music and LGBTQ+ identities. YourClassical fellow Mya Temanson takes the mic for the Song of the Day and then joins MPR News host Nina Moini to share more about the series.

In this special episode of Health Matters, we talk to Dr. Peter Liou, a transplant surgeon at NewYork-Presbyterian and Columbia, whose passion outside of work is playing the piano. He shares how the lessons he's learned in music — and the discipline it takes to master a song —  translates to the work he does in the operating room.Dr. Liou was recently part of the surgical team at NewYork-Presbyterian/Weill Cornell Medical Center that performed the first fully robotic liver transplant in New York. He shares what it was like to be part of the pioneering procedure and describes how surgery, like playing music, is an art. He also talks about how music taught him about both failure and resilience — and how his childhood piano teacher, Miss Olga, remains one of the most influential mentors in his life.___Dr. Peter Liou is also an Assistant Professor of Surgery at Columbia University Vagelos College of Physicians and Surgeons. He is board-certified in general surgery and received specialty training in abdominal transplant and hepatobiliary surgery. Dr. Liou received his Bachelor of Arts degree in Biochemistry and Music from Columbia College, and subsequently attended medical school at Columbia.___Health Matters is your weekly dose of health and wellness information, from the leading experts. Join host Courtney Allison to get news you can use in your own life. New episodes drop each Wednesday.If you are looking for practical health tips and trustworthy information from world-class doctors and medical experts you will enjoy listening to Health Matters. Health Matters was created to share stories of science, care, and wellness that are happening every day at NewYork-Presbyterian, one of the nation's most comprehensive, integrated academic healthcare systems. In keeping with NewYork-Presbyterian's long legacy of medical breakthroughs and innovation, Health Matters features the latest news, insights, and health tips from our trusted experts; inspiring first-hand accounts from patients and caregivers; and updates on the latest research and innovations in patient care, all in collaboration with our renowned medical schools, Columbia and Weill Cornell Medicine.To learn more visit: https://healthmatters.nyp.org

Charles Burrell, the first African American to join a major U.S. symphony orchestra and a celebrated jazz musician, has died at 104. Known as the “Jackie Robinson of classical music,” Burrell left a legacy of excellence, resilience, and cultural bridge-building. Subscribe to our newsletter to stay informed with the latest news from a leading Black-owned & controlled media company: https://aurn.com/newsletter Learn more about your ad choices. Visit megaphone.fm/adchoices

Julien Beurms, classical pianist and Executive Director of Jeunesses Musicales Wallonie-Bruxelles, joins us for a conversation that explores the evolving landscape of classical music. With a strong background in both performance and cultural leadership, Julien shares insights into the 85-year legacy of the Jeunesses Musicales movement, the launch of the JMI Unity 80 Orchestra, and the importance of supporting emerging talent. He also emphasizes the need for entrepreneurial thinking within the classical music sphere, offering a forward-looking perspective on how tradition and innovation can work together. This episode is essential for anyone interested in the future of classical music and the role of international networks like JMI in shaping it.ℹ️ JMI is a global network of NGOs that empowers young people through music across all boundaries. For more info go to https://jmi.net or check out all the amazing opportunities for musicians on Mubazar (https://mubazar.com/en).

This week Newport Classical is the subject of the program with Trevor Neal, Artistic Director. We talk about their upcoming Annual Music Festival that will run at many locations in the Newport area and listen to music that relates to those performances. For more information you can go to https://www.newportclassical.org/

Music at the Anthology (MATA) was founded in 1996 and has become the world's most sought-after performance opportunity for adventurous emerging music artists experimenting with composition, multimedia, and collaborative performance art. Loki chats with MATA's Executive Director, Pauline Kim Harris, about the festival, her life, and shifting status quo in the field. Loki shares notes from his upcoming address at the League of American Orchestras Conference.Pauline Kim HarrisMATA Festival"Metamorphosis 2" by Philip Glass"Ambient Chaconne" by Pauline Kim HarrisLeague of American Orchestras Panel: Follow the Music for Systemic Change ★ Support this podcast ★

Much like Schroeder pulls great art from a little toy piano, 142 pulls a dandy episode from my meager talent. We've got This Month in Peanuts History, a look at an episode of "Peanuts by Schulz" called "Even the Score", and we take a look at the greatest pianist since Rachmaninov as Schroeder gets his own Character Study. What's he like? Why is he like that? What's his role in the strip? Why piano and not the pan flute? So many questions. And we address them all in 142! Thanks to Kevin McLeod at Incompetech.com for creative commons use of his songs "Mining by Moonlight", "Bass Walker" and "Hidden Agenda".   Thanks to Sean Courtney for the "This Month in Peanuts History" theme. Thanks to Nick Jones for the use of his song "25% Off". Thanks to Henry Pope for the use of his "Linus & Lucy Remix".  patreon.com Carnival of Glee Creations  

Amanda DeBoer Bartlett has reached beyond her training in opera to write and produce music from her own aesthetic experiences. Loki and Amanda chat about her upbringing in "classical", the notion of genre, and her new album, "Braided Together". Loki reflects on his time at the American Composers Orchestra as he begins his new journey with the American Composers Forum. Amanda DeBoer Bartlett/'Braided Together""Braided Together" (track)"Cherry Blossom"American Composers Forum ★ Support this podcast ★

DescriptionPuff, Play, Breathe: The Oboe's Magic Trick in 60 Seconds. Take a minute to get the scoop!Fun FactSome oboists have used circular breathing to play continuous notes for over 45 minutes—long enough to make a sandwich between breaths!__________________________________________________________________About Steven, HostSteven is a Canadian composer & actor living in Toronto. Through his music, he creates a range of works, with an emphasis on the short-form genre—his muse being to offer the listener both the darker and more satiric shades of human existence. If you're interested, please check out his music website for more. Member of the Canadian League Of Composers.__________________________________________________________________You can FOLLOW ME on Instagram.

Today's episode is a special one. Erin Hall joined me on the show for a wonderful conversation. We talked about having classical music backgrounds, being multi-genre artists, recording in the studio, spending time in nature for inspiration, and much more. Erin also shared details about her album, Great Blue, and her new single in honor of her dad, “Lullaby of 55.” It was a joy having Erin on the show, so I hope you love listening to our conversation.Are you enjoying Write on Track? Do you have a topic suggestion for an episode? Would you like to be a guest? Email me at writeontrackpodcast@gmail.com. Also, I'd love to connect with you. My official website is http://demimschwartz.com, and you can find me on Twitter at http://twitter.com/demimschwartz, Instagram at http://instagram.com/demimschwartz, and Facebook at http://facebook.com/demimschwartz.Thank you so much for listening. Until next time, stay “write on track!”

In the world of arts administration, few careers can rival the breadth and impact of Deborah Rutter's. Her journey began with an early role working under the legendary Ernest Fleischmann at the Los Angeles Philharmonic and evolved into a series of leadership positions at some of the most prominent institutions in the United States. She has served as executive director of the Los Angeles Chamber Orchestra, the Seattle Symphony, the Chicago Symphony Orchestra, and, most recently, as president of the Kennedy Center. Her influence has reached far beyond the walls of any one organization, shaping the national conversation around the arts and the role of cultural institutions in American life.In Part 1 of our conversation, Deborah reflects on her lifelong connection to music, which began in the third grade when she picked up the violin. We follow her path through her youth, her studies at Stanford, and a formative year in Vienna. She shares insights from her early years at the Los Angeles Philharmonic and walks us through her progression into major leadership roles across the country. Along the way, we explore what it takes to guide large arts organizations—everything from working with music directors and guest artists to day-to-day responsibilities, strategic planning, and the ongoing challenges of funding and development.[Subscriber Content] In Part 2, we turn our focus to Deborah's time at the Kennedy Center. She discusses the complexities of overseeing high-profile initiatives like the Kennedy Center Honors, leading the institution through the challenges of the COVID-19 pandemic (during which she took a 95% pay cut), launching the REACH expansion program, and bringing hip-hop into the Center's programming. We also touch on the events of February 2025, when she was dismissed from her role by President Donald Trump, and hear her candid reflections on the future of the Kennedy Center. We close with a powerful quote that captures the heart of her life's work: “Quite simply, the artist holds a mirror to who we are as a people and nation and compels us to be better.”DoricoProfessional music notation and composition software from Steinberg. Download a free 30-trial today!Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Would you like more inspirational stories, suggestions, insights, and a place to continue the conversations with other listeners? Visit anthonyplog-on-music.supercast.com to learn more! As a Contributing Listener of "Anthony Plog on Music," you'll have access to extra premium content and benefits including: Extra Audio Content: Only available to Contributing Listeners. Podcast Reflections: Tony's written recaps and thoughts on past interviews, including valuable tips and suggestions for students. Ask Me Anything: Both as written messages and occasional member-only Zoom sessions. The Show's Discord Server: Where conversations about interviews, show suggestions, and questions happen. It's a great place to meet other listeners and chat about all things music! Can I just donate instead of subscribing? Absolutely! Cancel at anytime and easily resubscribe when you want all that extra content again. Learn more about becoming a Contributing Listener @ anthonyplog-on-music.supercast.com!

The 9-year-old Las Vegas music organization celebrates its leader on June 8 with a special program.

Kadiatu Kanneh-Mason on what it takes to keep up with her seven children — all of them gifted classical musicians (R).Kadiatu is a former English academic and the mother of seven extraordinary children.All of them are gifted classical musicians.Her eldest daughter, Isata wrote and performed her first piano concerto at the age of eleven.Her son Sheku mastered the cello and performed at the royal wedding of Harry and Megan Markle.Every day the seven Kanneh-Masons, who range from early teens to the mid-twenties, fill the family home with glorious, sometimes chaotic, music.This episode of Conversations explores music education, classical music, accessibility to music, Isata, Braimah, Sheku, Konya, Jeneba, Aminata, Mariatu, piano, violin, cello, orchestra, state school, public education, big families, motherhood, fatherhood, prejudice, mixed race families, music is for everyone, how to learn the violin, gifted children, raising gifted children, gifted and talented.Further informationHouse of Music: Raising the Kanneh-Masons is published by Oneworld.Kadiatu's newest book, also published by Oneworld, is called To Be Young Gifted And Black.

Three of our favorite segments from the week, in case you missed them.100 Years of 100 Things: New York Films  (First) | 100 Years of 100 Things: Best Sellers (Starts at 17:31) | Summer Culture Calendar: Classical Music (Starts at 31:42)If you don't subscribe to the Brian Lehrer Show on iTunes, you can do that here.

On Friday's show: This coming Sunday will mark five years since the murder of George Floyd sparked demonstrations, calls for a racial reckoning in the United States, and continued demands for police reform. We reflect on the life of the Houston native and what his death brought about -- and what activists believe still needs to be done.Also this hour: The International Space Station is already facing a $1 billion budget shortfall, and the Trump administration plans to cut even more. We learn how NASA is handling the situation and how it could affect both astronauts and those working on the ground here in Houston with Andrea Leinfelder, who covers space for the Houston Chronicle.Then, from a building in the Third Ward and the George Floyd/Black Lives Matter mural on it being demolished the week of the fifth anniversary of Floyd's murder, to a Houston man suing Whataburger because a store allegedly left onions on his hamburger, we break down The Good, The Bad, and The Ugly of the week.And we preview a concert tonight celebrating the 10th anniversary of the local the string orchestra Kinetic. The program includes a premiere work by a Sugar Land native.

Matt Crawford speaks with author David Singer about his book, From Cab Driver to Carnegie Hall. David and I talk about his eclectic careers and how he managed to end up playing Clarinet for two U.S Presidents; one the same day as he was driving a cab. Resilience and gratitude is the overarching message of this book and everyone can take something from this story.

Catch up with the summer cultural calendar with this pledge-drive miniseries. Today, Elliott Forrest, midday host of WQXR, reviews some of the classical music highlights of the summer season.

Historic recordings of classical music dances.  Music by Johannes Brahams, William Gluck, Manuel De Fall, George Bizet, Frederic Chopin and Pytor Tchaikovsky.              

Dr. Mia Chung joins us for Part 2 of the conversation about the power of classical music to help with human flourishing. Today we explore the decline of musical education and its repercussions on holistic child development. Our discussion emphasizes how early training in music can prime the brain for better cognitive and social skills, addressing issues like executive function and intuitive learning. Today we also talk about links musical experience to spiritual growth, highlighting the harmonic similarity between music and language, and the deep emotional resonance music can bring.Find out more about Dr. Mia Chung HEREDiscover more about the Octet Collaborative HEREFollow the Octet Collaborative and their podcast through their Instagram HEREContact Cyndi Parker through Narrative of Place.Join Cyndi Parker's  Patreon Team!