Podcasts about allegretto

Wolfgang Amadeus Mozart (1756 - 1791) - Quintetto per pianoforte e fiati in mi bemolle maggiore, K 4521.       Largo - Allegro moderato2.       Larghetto [10:11]3.       Rondo. Allegretto [19:47] Alfred Brendel, pianoforteHeinz Holliger, oboeEduard Brunner, clarinettoHermann Baumann, cornoKlaus Thunemann, fagotto

[✐4. Allegretto, 5. Allegro]  wakuwaku, sabishii, shock, iraira....“Ah, shock!”[00:07]Hello everyone.We will practice a bit differently today. First, listen to the sentence twice and you repeat. And then, you will do shadowing.[00:20]For example,It's fun to be able to speak Japanese more than before.♫It's fun to be able to speak Japanese more than before.♪→ You repeat[shadowing]It's fun to be able to speak Japanese more than before.[00:42]Ready?There are 15.[00:46]1.  As I am alone tonight, I feel lonely.2.  As I am alone tonight, I feel free.(nobi nobi = feel unconstrained, feel free)3.  I'm nervous because I do alone.4.  I feel comfortable because I do by myself.(ki ga raku = feel less stress, fell better)5.  I'm disappointed to hear that he won't come.[02:23]6.  I'm frustrated because my colleagues are just talking (and not doing anything).(oshaberi bakari = talk and talk)7.  I'm excited to know that my salary will be raised.(shoukyu = pay rise)8.  Thank you for remembering me: I'm honored.(kouei = honor)9.  I'm worried to hear that my friend is ill.10.  I'm surprised to hear that my friend was hospitalised.=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=「あぁ、ショック！」[00:07]みなさん、こんにちは。きょうは いつもと ちょっと ちがいます。まず 、ぶんを 2かい きいてから、リピートしてください。そして、そのあと、こんどは シャドーウィングしましょう。[00:20]たとえば、にほんごが まえより はなせるようになって、たのしいです。♫にほんごが まえより はなせるようになって、たのしいです。♪→ You repeat[shadowing]にほんごが まえより はなせるようになって、たのしいです。[00:42]いいですか。15ばんまであります。[00:46]1.  こんばんは ひとりなので、さびしいです。2.  こんばんは ひとりなので、のびのびです。(のびのび = feel unconstrained, feel free)3.  きょうはひとりで するので、きんちょうします。4.  きょうはひとりで するので、きがらくです。(きがらく = feel less stress, fell better)5.  かれは こないときいて、がっかりです。[02:23]6.  どうりょうは おしゃべりばかりで、いらいらします。(おしゃべりばかり = talk and talk)7.  しょうきゅうするとしって、わくわくします。(しょうきゅう = pay rise)8.  わたしのことを おぼえていてくれて、こうえいです。(こうえい = honor)9.  ともだちが びょうきと きいて、しんぱいです。10.  ともだちが にゅういんしたと きいて、おどろきました。 Support the show=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=Need more translation & transcript? Become a patron: More episodes with full translation and Japanese transcripts. Members-only podcast feed for your smartphone app. Japanese Swotter on PatreonNote: English translations might sound occasionally unnatural as English, as I try to preserve the structure and essence of the original Japanese.

SHOSTAKOVICH: Sinfonía nº 8 en Do menor, Op. 65 (Tercer, cuarto y quinto movimientos: Allegro non troppo, Largo y Allegretto) (30.34). Orq. Royal Philarmonic. Dir.: V. Petrenko. Preludio y fuga nº 16 en Si bemol menor, Op. 87 (11.12). D. Shostakovich (p.).Escuchar audio

SHOSTAKOVICH: Sinfonía nº 8 en Do menor, Op. 65 (Primer y segundo movimientos: Adagio-Allegro non troppo, Allegretto) (31.21). Orq. Royal Philarmonic. Dir.: V. Petrenko. 5 Sátiras, Op. 109 (selec.) (Los descendientes, La Sonata a Kreutzer) (arr. para baj. y orq.) (7.04). S. Leiferkus (baj.), Orq. Fil. de Rusia. Dir.: T. Sanderling.Escuchar audio

Ein Werk - drei Meinungen. Christian Detig präsentiert seinem Klassik-Rateteam verschiedene Interpretationen eines Werkes, ohne zu verraten, wen die drei hören. Das müssen Christine Lemke-Matwey, Kai Luehrs-Kaiser und Andreas Göbel selbst herausfinden. Diesmal: Ludwig van Beethovens Klaviersonate Nr. 14. Gerade mit seinen Klaviersonaten übertritt der Komponist Grenzen und treibt die Individualisierung des Kunstwerkes voran – hier beginnt er die Sonate untypischerweise mit einem langsamen, dafür atmosphärisch umso dichteren Satz, gefolgt vom lebhaften Allegretto. Er schließt die Sonate mit dem hochdramatischen Finale.

SHOSTAKOVICH: Sinfonía nº 7 en Do Mayor, Op. 60 “Leningrado” (Segundo y tercer movimientos: Adagio, Allegretto non troppo) (39.25). Orq. Sinf. de Boston. Dir.: A. Nelsons.Escuchar audio

SHOSTAKOVICH: Sinfonía nº 7 en Do Mayor, Op. 60 “Leningrado” (Primer y segundo movimientos: Allegretto y Moderato – Poco Allegretto) (38.57). Orq. Sinf. de Boston. Dir.: A. Nelsons. Nº 4 La ciudad duerme (3.01) (7 Canciones, Op. 127). C. Montier (vl.), C. Gaugue (vla.), C. Coq (p.).Escuchar audio

Wolfgang Amadeus Mozart (1756 - 1791) – Trio per pianoforte in sol maggiore KV 4961.       Allegro2.       Andante3.       Allegretto, Var. I- Var. II-Var.- III-Var.IV-Var.V: Adagio-Var.VI: tempo primo Maria João Pires, pianoAugustin Dumay, violinJian Wang, cello

Dan Allegretto is back to answer your burning love and sex questions. Subscribe to Dan's podcast here.

Antonin Dvoràk (1841 - 1904) - Trio per pianoforte n. 3 in fa minore, op. 65 (B.130)1.       Allegro ma non troppo2.       Allegretto grazioso [14:00]3.       Poco adagio [20:40]4.       Finale: Allegro con brio [30:36] Claremont Piano Trio Emily Bruskin (violin)Julia Bruskin (cello)Donna Kwong (piano) 

Lainey Schooltree is a musician, comedian, streamer, and former half of the musical comedy duo The Steamy Bohemians. She then formed the solo art rock project Schooltree. When the pandemic hit, she began performing on Twitch and found that live-streaming offered the interdisciplinary playground she'd been after. What began as a temporary pivot became a long-term transformation and these days she captains a spaceship on Lainey Schooltree TV - a live show where she’s an “astro-streamer” assigned to deliver packages while improvising music with analog synthesizers, electronic drums, and layered vocals in a show that blends surreal comedy, retro-futurist visuals, and themes of corporate absurdity and creative resistance. SONG 1: Kashmir by Led Zeppelin from their 1975 album Physical Graffiti.https://www.youtube.com/watch?v=tzVJPgCn-Z8 SONG 2: Bartók: Concerto for Orchestra, Sz. 116: IV. Intermezzo interrotto. Allegretto performed by the Chicago Symphony Orchestra in 1993.https://www.youtube.com/watch?v=kUZ83BzCQNM SONG 3: Hammer Horror by Kate Bush off her album Lionheart released in 1978.https://www.youtube.com/watch?v=XR4KnfcgLm0 PARTING TUNE: Cat Centipede by Schooltree from the album Heterotopia released in 2017.https://www.youtube.com/watch?v=PF14v_qeVu8See omnystudio.com/listener for privacy information.

Maurice Ravel (1875 - 1937) - Sonata n. 2 in sol maggiore per violino e pianoforte1.       Allegretto  2.       Blues (Moderato) [10:00]3.       Perpetuum mobile. Allegro [16:42] Oleg Kagan, violinSviatoslav Richter, piano

Jess is joined by friend of the pod Dan Allegretto! Topics: why do bald men wear hats, becoming friends w/ Lena Dunham, boots on the ground w/ Bethenny, how to fix Bravo & Summer House, Carl Radke, Lindsay Hubbard, how The Real L Word & Vanderpump Rules lift the veneer off Los Angeles, the off-Broadway play “Becoming Eve,” Quentin Crisp, the camera work on Queer as Folk, Janeane Garofalo, Daria, the Hudson Valley & more!   IG: @jessxnyc | @dan_allegretto | #DialDan  Finding Fire Island — Jess' docu-series on the history, mystique & lore of Fire Island

SHOSTAKOVICH: Preludio y fuga nº 23 en Fa Mayor, Op. 87 (6.05). D. Shostakovich (p.). Sinfonía nº 4 en Do menor, Op. 43 (Primer movimiento Allegretto poco moderato – Presto) (26.29). Orq. Sinf. de la BBC. Dir.: G. Rohzdestvensky. La ciudad duerme (7 Canciones, Op. 127) (2.57). E. Semenchuk (mez.), C. Montier (vl.), C. Gaugue (vla.), Trio Wanderer.Escuchar audio

Franz Schubert (1797-1828) - Stabat Mater, D.3831.       Chor: "'Jesus Christus schwebt am Kreuzel". Largo [00:00]2.       Arie: "Bei des Mittlers Kreuze standen bang". Andantino [03:31]3.       Chor: "Liebend neiget er sein Antlitz" Andante [06:45]4.       Duett: "Engel freuten sich der Wonne". Allegretto [08:49]5.       Chor: "Wer wird Zähren sanften Mitleids". Larghetto [12:18]6.       Arie: "Ach, was hätten wir empfunden". Adagio [18:40]7.       Chor: "Erben sollen sie am Throne". Allegro maestoso [21:32]8.       Arie: "Sohn des Vaters, aber leiden". Andantino [24:58]9.       Chor: "O du herrlicher, du herrlicher Vollender". Maestoso [29:16]10.   Terzett: "Erdenfreuden und ihr Elend". Allegro moderato [32:26]11.   Terzett mit Chor: "Dass dereinst wir, wenn im Tode". Andante sostenuto [36:00]12.   Chor: "Amen, amen, amen". Allegro maestoso [39:28] Magdaléna Hajóssyová, sopranoRundfunk-Sinfonieorchester LeipzigRundfunkchor LeipzigHerbert Kegel, conductor

Charles Gounod (1818 – 1893) – Sinfonia n. 1 in re maggiore1.       Allegro molto 0:002.       Allegretto moderato 6:153.       Scherzo & Trio. Non troppo presto 12:304.       Finale. Adagio - Allegro vivace 19:50 Orchestra of St. John's John Lubbock, conductor

They say opinions are like A$$holes: everyone has one. Well you're in luck frag hags because this very special Nose Candy Hotline episode has THREE! That's right, this week Maddie and Chloe are joined by artist, writer, sage advisor, and host of the hilarious podcast Dial Dan, Dan Allegretto! These three armchair experts are rolling up their sleeves, spraying down their wrists, and fastening on their thinking caps to answer your burning fragrance questions. That means everything from office scents to potato perfumes and mall goth musks to discontinuation discontent. Do you want to smell like fomo? What about blind buy regret? A locker room lookie-loo? Clock in, hunker down, and listen up because this episode is peppered with opinions that you should NOT take with a grain of salt!Want even more from genius NYC bestie Dan Allegretto? RUN to patreon.com/dial_dan, follow him on insta @dan_allegretto and twitter @dan_allegretto!Fragrances Discussed:Clue With The CandlestickTauer Lonestar MemoriesBurning Barbershop by DS & DurgaDrakkar Noir by Guy LeRocheCoven by Andrea MaackAbercombie FierceComme Des Garcons Man 2Creed Silver Mountain WaterEncre Noire à L'Extreme by LaliqueEncre Noir by LaliqueKerosene Black VinesGuerlain InsolenceComme des Garcons by Comme des GarconsVan Py Rhum by Lorenzo PazzagliaNaked Dance by OddityElizabeth Arden Sunflowers Hosted on Acast. See acast.com/privacy for more information.

Wolfgang Amadeus Mozart (1756 - 1791) - Sinfonia n. 40 in sol minore, K 550Molto allegro (sol minore)Andante (mi bemolle maggiore)Minuetto e trio. Allegretto (sol minore)Allegro assai (sol minore)Boston Symphony OrchestraLeonard Bernstein, conductor

[✐4.Allegretto, 5.Allegro] おかげさまで thanks to you (+ せいで owing to)“I'm getting by, thank you.”[00:08]Hello everyone.Do you know the expression “okagesama”?  If you are living in Japan, you might have heard this expression.Typical usages are;[00:21]“How are you doing (recently)?”“I'm getting by, thank you.”“How's your family doing? ““We're all fine, thank you.”[00:34]“O kage sama” means “thanks to you” or “thank your help” and is often used to express thanks in our daily conversation.[00:45]Well, we also use for “fortunately“ or “Thank God!”.Note: It doesn't necessarily mean that you thank the person you are talking to.  Often, it's just an additional/decorative word. “Kage” means shadow, implying there is something we can't see but it might have helped our life possible. Although It's a polite expression, it can be understood as sarcastic in some contexts.Repeat after me[00:54]1.  I've already been discharged from the hospital, thank you.2.  I was able to relax, thank you.3.  I'm getting used to work, thank you.4.  That was delicious, thank you.5.  I had a good time, thank you.[01:56]I will ask you the followings.  Please answer with key words [KW].For example,[02:07]I remember, you said you've lost your smartphone?[KW] found it→ I've found it, thank you.Ready?[02:19]1.  I've heard your mother is in hospital.[KW] already, discharged from hospital→ She's already been discharged, thank you.2.  How was your holiday?  It was for 3 weeks, wasn't it?[KW] able to relax→ I was able to relax, thank you.3.  By the way, you've started a new job, have you?[KW] work, get used to→ I'm getting used to work, thank you.=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=「おかげさまで、なんとかやっています」[00:08]みなさん、こんにちは。みなさんは｢おかげさま｣という ひょうげんをしっていますか。にほんに すんでいるひとは みみにしたことがあるとおもいます。よくある つかいかたは；[00:21]｢さいきん、どうですか？｣｢おかげさまで、なんとかやっています。｣｢ごかぞくのみなさんは おげんきですか。｣｢おかげさまで、みんなげんきにやっています。｣[00:34]｢おかげさま｣は ”Thanks to you.” とか、”Thank you for your help.” といういみで、にちじょうかいわでかいしゃのきもちを あらわすために よくつかわれます。[00:45]そうですねぇ、fortunately とかThank God!といういみでもつかいます。Repeat after me[00:54]1.  おかげさまで、もう たんいんしました。2.  おかげさまで、ゆっくり できました。(ゆっくり = here; relax, unwind, chill)3.  おかげさまで、しごとに なれてきました。4.  おかげさまで、おいしく いただきました。5.  おかげさまで、たのしく すごせました。[01:56]では、わたしが みなさんに つぎのようにききますので、Key words [KW]をつかって、こたえてください。たとえば、[02:07]あ、スマホを なくしたっていっていましたね。[KW] みつかりました→ おかげさまで、みつかりました。いいですか。[02:19]1.  おかあさん、にゅういんされて(にゅういんして)いますよね。[KW] もう、たんいんしました→ おかげさまで、もうたんいんしました。2.  きゅうかはどうでしたか。3しゅうかんでしたよね。[KW] ゆっくりできました→ おかげさまで、ゆっくりできました。3.  そういえば、あたらしいしごとをはじめたんですよね。[KW] しごと、なれてきました→ おかげさまで、しごとに なれてきました。Support the show=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=Need more translation & transcript? Become a patron: More episodes with full translation and Japanese transcripts. Members-only podcast feed for your smartphone app. Japanese Swotter on PatreonNote: English translations might sound occasionally unnatural as English, as I try to preserve the structure and essence of the original Japanese.

Gaetano Brunetti (1744-1798) – Sinfonia n. 36 in la maggiore1.       Largo. Allegro di molto (00:00)2.       Andantino (8:48)3.       Quintetto. Allegretto (16:53)4.       Allegro di molto (20:45) Orchestra: Concerto Koln

Johann Christoph Friedrich Bach (1732 - 1795) – Doppio concerto per viola e fortepiano in mi bemolle maggiore 1. Allegro con Brio (0:00)2. Larghetto cantabile (12:39)3. Allegretto (18:05) Reinhard Goebel, viola Robert Hill, fortepiano  Musica Antiqua Köln Reinhard Goebel, conductor 

Alexander von Zemlinsky (1871-1942) – Trio per clarinetto, violoncello e pianoforte in re minore, op. 300:00 - I. Allegro ma non troppo13:07 - II. Andante21:35 - III. Allegro Wolfgang Meyer (Clarinetto)Mischa Meyer (Cello)Markus Hadulla (Piano)  ********26:48Alexander von Zemlinsky (1871-1942) – Quartetto d'archi n. 1, Op.4I. Allegro con fuocoII. Allegretto - etwas schneller als früher (Prestissimo) - Tempo di allegrettoIII. Breit und kräftigIV. Vivace e con fuoco The Zemlinsky Quartet 

This Day in Legal History: Brushaber v. Union Pacific Railroad Co.On January 24, 1916, the United States Supreme Court issued a pivotal decision in Brushaber v. Union Pacific Railroad Co. This case arose after Frank Brushaber, a shareholder of Union Pacific Railroad, filed suit against the company to challenge the federal income tax imposed on its earnings. Brushaber argued that the tax violated the Constitution by not being apportioned among the states in accordance with Article I, Section 9. His challenge directly questioned the recently ratified 16th Amendment, which granted Congress the authority to tax incomes without apportionment.In its ruling, the Supreme Court upheld the constitutionality of the federal income tax. Writing for the majority, Chief Justice Edward Douglass White rejected Brushaber's claims, affirming that the 16th Amendment eliminated the requirement for income taxes to be apportioned among the states. The Court emphasized that the amendment did not create a new power of taxation but clarified Congress's authority to levy such taxes directly.This decision was a turning point in U.S. legal and financial history, solidifying the federal government's ability to collect income taxes as a primary source of revenue. It set the stage for the modern tax system and allowed for the growth of federal programs funded through taxation. By resolving disputes surrounding the 16th Amendment, Brushaber helped ensure the stability of income taxation as a legal and constitutional practice.A federal judge in Seattle has temporarily blocked a controversial executive order issued by President Donald Trump seeking to end birthright citizenship, which is guaranteed under the 14th Amendment. The order, titled “Protecting the Meaning and Value of American Citizenship,” denies citizenship to children born in the United States if their parents lack legal status, are in the country temporarily, or if both parents fail to meet citizenship or residency criteria. This policy would leave thousands of American-born children stateless, without access to federal benefits, or documentation like passports, effectively excluding them from many civic rights and responsibilities.Senior U.S. District Judge John Coughenour declared the order "blatantly unconstitutional," citing the clear language of the 14th Amendment and Supreme Court precedent, such as United States v. Wong Kim Ark (1898), which reaffirmed birthright citizenship regardless of parental status. The executive order, effective February 19, 2025, has drawn multiple lawsuits from states and advocacy groups. Washington Attorney General Nick Brown, joined by Oregon, Illinois, and Arizona, among others, emphasized that the order could deprive an estimated 150,000 children nationally of citizenship annually. This includes 4,000 children in Washington state alone.The order also demands that federal agencies refuse to issue documents recognizing citizenship to these individuals, which state officials argue oversteps presidential authority and contradicts constitutional protections. Plaintiffs highlight significant harm to state-funded healthcare, education, and welfare programs, as federal support for these services is tied to recognized citizenship status. The ruling echoes previous legal challenges to Trump-era policies, such as the blocked travel bans, underscoring judicial limits on executive power in shaping immigration and constitutional rights​​.Judge in Seattle blocks Trump order on birthright citizenship nationwideUS judge temporarily blocks Trump's order restricting birthright citizenship | ReutersThe U.S. Supreme Court has allowed the government to enforce the Corporate Transparency Act (CTA), requiring millions of businesses to disclose their beneficial ownership to the Treasury Department's Financial Crimes Enforcement Network (FinCEN). The Court stayed an injunction that had blocked the law's enforcement, enabling the government to proceed while litigation continues in the Fifth Circuit Court of Appeals, with oral arguments scheduled for March 25. However, the January 13 filing deadline remains suspended.Justice Neil Gorsuch supported the stay, suggesting the Court resolve the legality of nationwide injunctions in such cases. Justice Ketanji Brown Jackson dissented, arguing the government hadn't demonstrated urgency for immediate implementation. The CTA mandates most U.S. businesses incorporated before 2024—and approximately five million new annual incorporations—to report ownership details, with noncompliance subject to penalties. FinCEN estimates that 32.6 million entities will need to comply, though 10 million have already submitted information voluntarily.The CTA aims to combat financial crimes by curbing the misuse of anonymous shell companies, a measure supported by transparency advocates. Critics, including businesses and advocacy groups, argue the law infringes on constitutional rights. Texas Top Cop Shop Inc., represented by the Center for Individual Rights, has challenged the law's constitutionality.  The law's enforcement has been turbulent, with multiple court rulings and delayed deadlines. FinCEN has encouraged voluntary reporting during this period, warning of fines of $500 per day for noncompliance if enforcement resumes. Meanwhile, businesses and advisors have been urged to preemptively file to avoid potential technical issues when mandatory compliance takes effect.Supreme Court Allows Corporate Transparency Act Enforcement (1)President Donald Trump signed an executive order on January 23, 2025, creating a cryptocurrency working group tasked with drafting new regulations and exploring the establishment of a national cryptocurrency stockpile. The order aims to overhaul U.S. digital asset policy, a key promise from Trump's campaign. It protects banking services for crypto companies, bans the creation of central bank digital currencies (CBDCs), and pushes for clear regulatory frameworks for digital assets, including stablecoins.The order also directs the U.S. Securities and Exchange Commission (SEC) to rescind guidance that had imposed high costs on companies safeguarding crypto assets, a move welcomed by the industry. Venture capitalist and former PayPal executive David Sacks was named chair of the working group, which includes leaders from the Treasury Department, SEC, and Commodity Futures Trading Commission.This directive marks a shift from the previous administration's stricter stance on cryptocurrencies, which included lawsuits against major exchanges like Coinbase and Binance for alleged violations of U.S. law. Industry leaders and policymakers applauded the move, viewing it as a significant step toward mainstream adoption of digital assets and the development of consistent regulations.  The executive order also mentions evaluating the creation of a digital asset stockpile potentially sourced from cryptocurrencies seized by law enforcement, though details on its implementation remain unclear. Bitcoin's price reached record highs earlier in the week, reflecting investor optimism over Trump's pro-crypto administration.Trump orders crypto working group to draft new regulations, explore national stockpile | ReutersThis week's closing theme is by Johann Christoph Friedrich Bach. Johann Christoph Friedrich Bach (1732–1795), often referred to as the "Bückeburg Bach," was the ninth son of Johann Sebastian Bach and a distinguished composer in his own right. Born in Leipzig, Johann Christoph Friedrich grew up immersed in music under the tutelage of his father, yet he developed a unique style that bridged the Baroque and Classical eras. He spent most of his career at the court of Schaumburg-Lippe in Bückeburg, where he served as Konzertmeister and later as Kapellmeister. His music, characterized by elegance and charm, often reflected the tastes of the emerging Classical period while retaining the counterpoint and depth of his father's influence.Bach composed a variety of works, including symphonies, keyboard pieces, and chamber music, yet his output remains relatively underappreciated compared to his more famous siblings, such as Carl Philipp Emanuel and Wilhelm Friedemann. Johann Christoph Friedrich passed away on January 26, 1795, leaving behind a legacy of compositions that deserve wider recognition.For this week's closing theme, we've chosen his Flute Sonata in D minor, HW VIII/3.1 - I. Allegretto non troppo, arranged for trumpet, cello, and harpsichord. This arrangement brings new energy to Bach's graceful and lyrical lines, blending the interplay of the trumpet's bright tones with the rich warmth of the cello and the intricate textures of the harpsichord. The Allegretto non troppo exemplifies Johann Christoph Friedrich's ability to balance expressive melodies with delicate intricacies, creating music that is both accessible and profound. As we remember his contributions to music on the anniversary of his passing, let this piece inspire reflection on the enduring artistry of the Bach family.Without further ado, Johann Christoph Friedrich Bach's Flute Sonata in D minor, HW VIII/3.1 - I. Allegretto non troppo, enjoy! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.minimumcomp.com/subscribe

Welcome back to the Tahoe TAP! Join hosts Mike Peron and Rob Galloway as they bring you the latest Things, Adventure, and People from around the Tahoe region. This week, we're diving into the world of snow forecasting with none other than Bryan Allegretto—California Snow Forecaster and part owner of OpenSnow, aka Tahoe's snow bible. Bryan, also known as B.A., is a rockstar in the mountain weather community, trusted by skiers and riders across the globe. From his roots in South Jersey chasing storms for surf and snow to becoming a go-to expert with over two decades of forecasting experience, Bryan shares his journey, tools of the trade, and a few of his personal insights on where to ski. Tune in for a fresh round of Tahoe news and an inside look at how the magic of accurate snow forecasting keeps powder chasers on their toes. This is one episode you won't want to miss!

This Day in Legal History: 13th Amendment RatifiedOn December 6, 1865, the United States formally abolished slavery with the ratification of the 13th Amendment to the Constitution. This historic amendment declared that "neither slavery nor involuntary servitude, except as a punishment for crime whereof the party shall have been duly convicted, shall exist within the United States, or any place subject to their jurisdiction." Its passage marked the culmination of decades of abolitionist struggle and the bloody Civil War, which had torn the nation apart over the issue of human bondage. The amendment was first passed by Congress on January 31, 1865, but required ratification by three-fourths of the states to become law. This final step was achieved when Georgia, the 27th state needed for approval, ratified it. Although President Abraham Lincoln had issued the Emancipation Proclamation in 1863, freeing slaves in Confederate-held territories, the 13th Amendment went further by permanently outlawing slavery throughout the entire country, including states loyal to the Union.The amendment also laid the groundwork for subsequent constitutional changes aimed at achieving racial equality, including the 14th and 15th Amendments. However, it was not the end of systemic racial oppression. In the years that followed, practices like sharecropping and the rise of "Black Codes" sought to perpetuate the subjugation of African Americans. The amendment's exception clause—allowing involuntary servitude as punishment for crimes—also became a basis for exploitative practices in the penal system, with effects still debated today.Nevertheless, the ratification of the 13th Amendment remains a cornerstone of American history, symbolizing the nation's legal commitment to freedom and human dignity. It was a monumental step in the ongoing journey toward civil rights and justice in the United States.The U.S. Supreme Court is examining United States v. Miller, a case involving the IRS and a bankruptcy trustee, which centers on whether sovereign immunity allows the IRS to keep payments made by a company before bankruptcy. The dispute arose from All Resort Group Inc.'s payment of $145,000 to cover its directors' personal tax debts three years prior to its bankruptcy filing. The trustee argues these payments were fraudulent transfers since the company was insolvent at the time, and the IRS should return the funds like any other creditor.Justices across ideological lines expressed skepticism of the IRS's claim that state fraudulent transfer laws and extended lookback periods, typically used by bankruptcy trustees, are inapplicable due to sovereign immunity. Justice Kavanaugh warned that reversing lower court rulings in favor of the trustee could enable fraud by allowing debtors to misuse company funds while shielding the IRS from clawback actions.The IRS maintains that the trustee's actions exceed the two-year lookback period allowed under bankruptcy law and that sovereign immunity blocks state law-based extensions. Critics argue that siding with the IRS could undermine bankruptcy trustees' avoidance powers, giving the government an unfair advantage over other creditors.Justices, including Barrett, Kagan, and Jackson, questioned the IRS's reasoning, suggesting it contradicts bankruptcy law's intent to treat the government like other creditors in such cases. Legal experts noted that Utah's fraudulent transfer laws, used to extend the recovery period, align with federal principles, challenging the IRS's "peculiar" stance.IRS Climbing a Steep Hill in Bankruptcy Trustee Clawback DisputeOpenAI plans to request the centralization of eight copyright and Digital Millennium Copyright Act (DMCA) lawsuits into a multidistrict litigation (MDL) in New York and California, according to statements made to a federal judge. These lawsuits allege that OpenAI infringed on copyrights during the training of its large language models. Plaintiffs include prominent names like The New York Times, comedian Sarah Silverman, and author Ta-Nehisi Coates. OpenAI assured the court it will continue participating in discovery while the request is reviewed by the Judicial Panel on Multidistrict Litigation. Notably, one DMCA claim by Intercept Media Inc., alleging OpenAI removed copyright management information from its content, recently survived a motion to dismiss. However, OpenAI successfully defended against a similar suit from Raw Story Media Inc. and Alternet Media Inc.The company has also sought to merge suits filed by The New York Times and Daily News LP. OpenAI is represented by Morrison & Foerster LLP, Latham & Watkins LLP, and Keker Van Nest & Peters LLP, while the authors are represented by the Joseph Saveri Law Firm LLP and Cafferty Clobes Meriwether & Sprengel LLP. The case underlines ongoing legal challenges for AI companies related to copyright and content use.OpenAI to Seek to Centralize Eight Copyright Lawsuits Against ItHouse Democrats are divided on a Senate-passed bill to add 66 judgeships to federal district courts, with some wary of granting Donald Trump the opportunity to appoint new judges during his presidency. The JUDGES Act, which aims to address judicial shortages in heavily burdened districts, represents the first major expansion of the federal judiciary since 1990. While some Democrats, such as Reps. Doris Matsui and Eric Swalwell, emphasize the urgent need for additional judges in their states, others, like Rep. Jerrold Nadler, oppose the timing, accusing Republicans of strategically advancing the bill after Trump's election win.The legislation proposes phasing in new judgeships over the next three presidential terms, beginning with 11 appointments in 2025 and another 11 in 2027. Courts in states with Democratic senators would receive 37 permanent seats, while those in Republican states would gain 26 permanent and three temporary positions. Supporters argue that the measure addresses pressing judicial workloads, such as in California's Eastern District, where judges face one of the nation's highest case-to-population ratios. However, critics suspect political maneuvering, with Rep. Zoe Lofgren questioning why Republicans waited until after Trump's victory to advance the bill. House Judiciary Chairman Jim Jordan hopes to pass the measure quickly, and experts note Republicans may secure enough Democratic support despite objections. The judiciary's policymaking body and federal judges back the bill, though its timing and implications for Trump's influence over the judiciary remain contentious.House Democrats Split on Bill to Add Judges After Trump Win (1)Donald Trump announced David Sacks, venture capitalist and co-founder of Craft Ventures, as his pick for the newly created position of AI and Crypto Czar. This role will oversee federal policy on artificial intelligence and cryptocurrency, with a focus on boosting U.S. leadership in these sectors. Sacks, a prominent Trump supporter and Silicon Valley figure, has ties to Elon Musk and was a key fundraiser for Trump's campaign. He is also set to lead the Presidential Council of Advisors for Science and Technology.Sacks' responsibilities will include crafting a legal framework to provide clarity for the crypto industry, a sector Trump has pledged to support after previously criticizing it. He will also influence the regulation and adoption of AI, countering Biden-era executive orders on AI oversight, which Trump has criticized as stifling innovation. Despite holding investments in crypto and enterprise software, Sacks will not be required to divest his assets, though conflict-of-interest rules will limit his involvement in specific decisions. Known for advocating free speech and opposing "Big Tech bias," Sacks aligns with Trump's broader deregulatory agenda. His appointment, alongside crypto advocate Paul Atkins to lead the SEC, signals a strong focus on deregulation for digital assets and tech industries.Trump Names David Sacks as White House AI and Crypto Czar (2)This week's closing theme is by Ludwig van Beethoven – a composer of some note.Ludwig van Beethoven, one of the towering figures of classical music, revolutionized the art form with his innovative compositions and bold vision. Born in Bonn in 1770, Beethoven's life spanned the Classical and Romantic eras, and his works embodied the bridge between these two periods. Despite his struggles with hearing loss, he composed some of the most enduring and transformative music ever written. Among his celebrated symphonies, the Symphony No. 7 in A Major, Op. 92, stands out for its infectious energy, rhythmic innovation, and emotional depth. Premiered in 1813, the symphony's exuberance earned it a special place in audiences' hearts, with the second movement, Allegretto, becoming an instant favorite.This week, we spotlight Franz Liszt's masterful piano transcription of Beethoven's Symphony No. 7. Liszt, a virtuoso pianist and composer of the Romantic era, was renowned for his transcriptions, which brought orchestral works to the solo piano repertoire, allowing a wider audience to experience their brilliance. His transcription of the Seventh Symphony captures not only the rhythmic vitality and dramatic contrasts of Beethoven's original but also its delicate nuances and grandeur.The second movement, in particular, shines in Liszt's version, with its solemn, almost hymn-like theme resonating deeply on the piano. Its hypnotic pulse and poignant melody reveal the emotional core of Beethoven's vision, even in a solo performance. This piece embodies the interplay of intensity and elegance that defines Beethoven's work and showcases Liszt's genius as both interpreter and innovator.Without further ado, Ludwig van Beethoven's Symphony No. 7 in A Major, Op. 92. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.minimumcomp.com/subscribe

Gemälde, ausgestopfte Tiere oder prunkvolle Vasen – Du entscheidest ganz allein, was Du Dir wo und wie lange anschaust. Geschichte, die atmet und Schatten, die flüstern. In der großen Halle gibt es nur Dich und die Musik für eine herrliche Gedankenreise. Du möchtest Philipps Playlist live im Planetarium Wolfsburg erleben? Dann klicke auf diesen Link – dort findest Du alle Infos, die Du brauchst: https://www.ndr.de/kultur/musik/Sternensound-Philipps-Playlist-im-Planetarium-Wolfsburg,planetariumwolfsburg100.html Diese Musikstücke hörst Du in dieser Folge: Quincy Jones - "Ironside" // Alphonse Hasselmans - "La source, Etude für Harfe solo, op. 44" // Martin Böttcher - "Pater Brown" // Karl Jenkins - Palladio (Suite) - "Allegretto (1. Satz)" // Peter Thomas - "Evening Air A" // Den ARD Podcast "Die Rea Garvey Show – The songs you picked for me" findest Du hier: https://www.ardaudiothek.de/sendung/die-rea-garvey-show-the-songs-you-picked-for-me/13745795/ Wenn Du eine Idee oder einen Wunsch zu einem musikalischen Thema hast, dann schreib mir eine Mail: playlist@ndr.de

[✐4.Allegretto] 〜やすい、〜にくい easy or difficult to carry out the action indicatedShadowing [09:55]“Automatic (transmission) cars are easy to drive.”[00:08]Hello everyone. Let's get started.Make a sentence with “〜yasui” as follows.[00: 13]For example,this book, read→ This book is easy to read.Ready?[00:26]1.  this dictionary,→ This dictionary is easy to understand.2.  computer's large screen, see→ The computer's large screen is easy to see.3.  automatic (transmission) car, drive→ Automatic cars are easy to drive.4.  thin glass vase, fragile→ Thin glass vase is fragile.5.  hot day, food, become rotten/perishable→ Food is perishable on hot days.[02:16]Food goes bad quickly in the hot season.Repeat after me[02:25]1.  The new bicycle is easy to ride.2.  Rubber sandals are easy to walk.3.  This cocktail is sweet and easy to drink.4.  That novel was easy to read.5.  Old phones were simple and easy to use.[03:42]Next is “〜nikui”.[03:46]For example,Bitter medicine, take→ Bitter medicine is not easy to take.Ready?[03:56]1.  In front of the station, cannot park a car→ It's difficult to park a car in front of the station.2.  hard bed, cannot sleep→ The bed is hard and I cannot sleep.3.  Very humid, doesn't dry easily→ Washing doesn't dry easily as it's very humid.4.  this trash bag, durable, hard to tear→ This trash bag is durable and hard to tear.5.  The glasses, light, don't feel tired (from wearing them)→ These glasses are light and don't feel tired.=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=「オートマのくるまは うんてんしやすいです。」[00:08]みなさん、こんにちは。では、さっそく、はじめますよ。つぎのように｢〜やすい｣をつくってください。[00: 13]たとえば、このほん、よみます→このほんは よみ やすいですいいですか。[00:26]1.  このじしょ、わかります→このじしょは わかりやすいです。2.  コンピューターのおおきい がめん、みます→コンピューターのおおきいがめんは みやすいです。3.  オートマのくるま、うんてんします→オートマのくるまは うんてんしやすいです。(オートマ = automatic transmission(AT))4.  うすいガラスのかびん、われます→うすいガラスのかびんは われやすいです。5.  あついひ、たべもの,くさります→ あついひは、たべものがくさりやすいです。[02:16]あついきせつは、たべものがすぐわるくなりますね。Repeat after me[02:25]1.  あたらしいじてんしゃはのりやすいです。2.  ゴムのサンダルはあるきやすいです。3.  このカクテルは あまくて のみやすいです。4.  あのしょうせつはよみやすかったです。5.  むかしのでん わはシ ンプルでつかいやすかったです。[03:42]つぎは、〜にくいです。[03:46]たとえば、にがいくすり、のめません→ にがいくすりは のみにくいです。いいですか。[03:56]1.  えきのまえ、くるまをとめられません→えきのまえは くるまを とめにくいです。2.  ベッドがかたい、ねられません→ベッドがかたくて ねにくいです。3.  しっけがおおい、せんたくものがかわきません→しっけがおおくて、せんたくものが かわきにくいです。(しっけがおおい =  very humid)4.  このごみぶくろ、じょうぶ、やぶれません→ このごみぶくろは、じょうぶで やぶれ にくいです。5.  このメガネ、かるい、つかれません→このメガネはかるくて、つかれにくい です。Support the show=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=Need more translation & transcript? Become a patron: More episodes with full translation and Japanese transcripts. Members-only podcast feed for your smartphone app. Japanese Swotter on PatreonNote: English translations might sound occasionally unnatural as English, as I try to preserve the structure and essence of the original Japanese.

THE PRIME DIRECTIVE Living a Missional Lifestyle   “Listen, oh Israel, the Lord, our God is the one and only Lord. and you must love the Lord your God with all of your heart, all of your soul, all of your mind, and all of your strength. The second is like it, love your neighbor as yourself. There is no other commandment greater than these.” Mark 12: 29–31 NLT “You shall love the Lord your God with all your heart and with all your soul and with all your might.” Deuteronomy 6:5 NASB 1. Love God with all of our hearts. “For the eyes of the Lord range throughout the whole earth to strengthen those whose heart is fully committed to him.“ 2 Chronicles 16:9 2. Love God with our whole soul. “Bless the Lord, O my soul, And all that is within me, bless His holy name.” Psalms 103:1 NASB1995 “God is spirit, and those who worship Him must worship in spirit and truth.”” John 4:24 3. Love God with all of our minds. Romans 12: 2 says, “Do not be conformed to the patterns of this world, but be transformed by the renewing of your mind then you will be able to test and approve what God‘s will is, his good pleasing and perfect will.” 4. Love God with all of our strength. “In his grace, God has given us different gifts for doing certain things well. So if God has given you the ability to prophesy, speak out with as much faith as God has given you. If your gift is serving others, serve them well. If you are a teacher, teach well. If your gift is to encourage others, be encouraging. If it is giving, give generously. If God has given you leadership ability, take the responsibility seriously. And if you have a gift for showing kindness to others, do it gladly.” Romans 12:6-8 The Second Commandment In Mark 12:31, Jesus states to, “Love our neighbor as ourselves.” Play video here, please: https://youtu.be/ZDOwQULyp9k?feature=shared “For the entire law is fulfilled in keeping this one command: “Love your neighbor as yourself.”” Galatians 5:14 NIV “Dear friends, let us love one another, for love comes from God. Everyone who loves has been born of God and knows God. But anyone who does not love does not know God, for God is love.” 1 John 4:7-8 NIV 1. Can we recommit ourselves first and foremost, to loving God with all of our hearts, souls, minds, and strength? 2. Can we commit ourselves to loving each other as we love ourselves? 3. Can we commit ourselves as we follow this commandment from Jesus, to sharing this wonderful love that we have been blessed with our world?

Join me and friend Dan Allegretto while we talk about robo ripping, squirrels, hard kombucha, Cheesecake factory and so much more!

✐4.Allegretto, 5.Allegro]  (You can try "shadowing" from 07:55.)  “It seems so.”[00:07]Hello everyone. Today, we practice 〜rashii (it seems… apparently).Note 1: “〜rashii” and “you(na)” are often interchangeable, but technically 〜rashii conveys hearsay or presumption based on an indirect information. With “〜you(na)”, it can be based on either direct or indirect information and sounds a bit more certain.Note 2:  〜rashii also expresses typical properties; “はるらしいてんきですね” means “ it's a typical spring weather, isn't it?“.[00:13]There are rumors in the office as follows.Repeat after me[00:18]1.  Higashi san seems to be leaving the company.2.  It seems that Minami san also want to quit the company.3.  The manager doesn't seem to know that yet.4.  There seems to be a drinking party on Friday.5.  Apparently the manager will also come to the drinking party.6.  It seems that the two will talk to the manager there.[01:36]Now, make a sentence as follows.For example,[01:40]Suzuki san,  car, bought with a loan→ Suzuki san seem to have bought a car with a loan.Ready?[01:53]1.  → It seems that the department store in Shinjuku is on sale now.2.  → That road seems to be closed due to a typhoon.3.  → The Shinkansen seems to have stopped due to the earthquake.4.  → Apparently the concert tickets aren't selling very well.5.  → It seems that valuables were placed here.6.  → It seems that yesterday's test wasn't too difficult.=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*= [00:07]みなさん、こんにちは。きょうは｢〜らしい｣をれんしゅうします。[00:13]オフィスにはつぎのような うわさが あります。Repeat after me[00:18]1.  ひがしさんは かいしゃを やめるらしい。2.  みなみさんも かいしゃを やめたいらしい。3.  ぶちょうは そのことを まだ しらないらしい。4.  きんようびに のみかいが あるらしい。5.  のみかいに ぶちょうも くるらしい。6.  そこで ふたりは ぶちょうとはなすらしい。[01:36]では、つぎのようにぶんをつくってください。たとえば、[01:40]すずきさん、くるま、ローンでかいました→ すずきさんは くるまをローンで かったらしいです。いいですか。[01:53]1.  しんじゅくのデパート、いま、セールちゅう→ しんじゅくのデパートは いまセールちゅうらしいです。2.  あのみち、たいふう、つうこうどめ→ あのみちは、たいふうで つうこうどめらしいです。3.  しんかんせん、じしん、 とまっている→ しんかんせんは じしんで とまっているらしいです。4.  コンサートのチケット、あまりうれていない→ コンサートのチケットは、あまり うれていない らしいです。5.  きちょうひん、ここにおいておいた→ きちょうひんは ここにおいておいたらしいです。6.  きのうのテスト、それほど むずかしくなかった→ きのうのテストは それほど むずかしくなかったらしいです。[04:46]では、つぎのように、すべて、｢そうらしいです(ね)｣または｢そうらしいね｣で こたえてください。[04:54]たとえば、あのレストラン、すごくたかいそうですね。→ そうらしいですね。いいですか。Support the Show.=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=Need more translation & transcript? Become a patron: More episodes with full translation and Japanese transcripts. Members-only podcast feed for your smartphone app. Japanese Swotter on PatreonNote: English translations might sound occasionally unnatural as English, as I try to preserve the structure and essence of the original Japanese.

We would love to hear from you, wherever you are!https://www.perfectpitchpod.com/contact/@NickHelyHutchThank you for listening - please do get in touch with any comments!

In this episode of the Finding Frequency Podcast, we continue our exploration of Allegretto Vineyard Resort with its visionary creator, Douglas Ayres. In Part 1, Doug shared his journey and the inspiration behind this unique sanctuary of peace and celebration.  Now, in Part 2, we delve deeper into the Allegretto experience itself. Doug reveals how every detail at Allegretto is crafted to enhance well-being and foster deep connections. This episode highlights how Allegretto Vineyard Resort embodies Frequency's vision of creating environments where people can thrive, connect, and celebrate the abundance of life. In this episode, you will hear: Allegretto's design process based on sacred principles and cosmic alignment for harmonious energy How the Abbey at Allegretto was inspired by small European chapels and its impact on guests' spiritual experiences Integrating natural elements and ancient wisdom in modern hospitality spaces Using basalt rebar and curating interior objects to create a musical symphony of joy Creating joyful environments and its contagious effect on both guests and staff Stories of transformative guest experiences and life-altering moments in the Abbey Practical steps to shift towards creating "temples of joy" in your designs Resources from this Episode To learn more about Allegretto Vineyard Resort:  https://www.allegrettovineyardresort.com/ Reach out directly to Doug at doug@ayresgroup.net   Find out more about Frequency: https://frequencyspaces.com/  Subscribe to the Frequency Newsletter:  https://frequencyspaces.com/subscribe  Podcast Disclosure:  https://frequencyspaces.com/podcast-disclosure  Follow and Review: We'd love for you to follow us if you haven't yet. Click that purple '+' in the top right corner of your Apple Podcasts app. We'd love it even more if you could drop a review or 5-star rating over on Apple Podcasts. Simply select “Ratings and Reviews” and “Write a Review” then a quick line with your favorite part of the episode. It only takes a second and it helps spread the word about the podcast. Episode Credits If you like this podcast and are thinking of creating your own, consider talking to my producer, Emerald City Productions. They helped me grow and produce the podcast you are listening to right now. Find out more at https://emeraldcitypro.com Let them know we sent you.

In this episode of the Finding Frequency Podcast, we embark on a journey into the world of Allegretto Vineyard Resort with its visionary creator, Douglas Ayres. Imagine a place where the tempo of life is set to a cheerful rhythm, where joy, intention, and harmony prevail. Doug, a fourth-generation hotelier, takes us behind the scenes, sharing the inspiration behind Allegretto—a sanctuary of peace, proportion, and celebration.  Rooted in Doug's lifetime of exploring global cultures and landscapes, Allegretto Vineyard Resort stands as his most personal project. Its 20 magnificent acres in East Paso Robles, adorned with art and artifacts from South America, Asia, Europe, and beyond, narrate a story of joy through time. This is a place where connection to a deeper source is expressed through environment, food, song, dance, and celebration. We'll explore how the ethos and spirit of Allegretto align with Frequency's vision of creating environments where people can thrive, connect, and celebrate the abundance of life. In this episode, you will hear: Doug's artistic upbringing influenced by the Hollywood Bowl and his family's hotel development legacy The impact of his son's passing on his spiritual awakening Retreats into solitude and monastic life in New Mexico and the Himalayas, seeking solace and deeper spiritual understanding Integration of sacred geometry and biogeometry in real estate development to create harmonic and spiritually resonant spaces The creation of the Allegretto Vineyard Resort, blending art, spirituality, and cross-cultural influences into a sanctuary of joy and connection The influence of ancient practices on his approach to building environments that foster well-being Resources from this Episode To learn more about Allegretto Vineyard Resort: https://www.allegrettovineyardresort.com/ Reach out directly to Doug at doug@ayresgroup.net  Find out more about Frequency: https://frequencyspaces.com/  Subscribe to the Frequency Newsletter: https://frequencyspaces.com/subscribe  Podcast Disclosure: https://frequencyspaces.com/podcast-disclosure  Follow and Review: We'd love for you to follow us if you haven't yet. Click that purple '+' in the top right corner of your Apple Podcasts app. We'd love it even more if you could drop a review or 5-star rating over on Apple Podcasts. Simply select “Ratings and Reviews” and “Write a Review” then a quick line with your favorite part of the episode. It only takes a second and it helps spread the word about the podcast. Episode Credits If you like this podcast and are thinking of creating your own, consider talking to my producer, Emerald City Productions. They helped me grow and produce the podcast you are listening to right now. Find out more at https://emeraldcitypro.com Let them know we sent you.

Kunst und Wissenschaft faszinieren Kamilla Schatz seit jeher. Diese Leidenschaft an Kinder zu vermitteln, ist ihr ein grosses Anliegen. Seit 2017 organisiert sie die Pestalozzi Schulcamps: Projektwochen, in denen Primarschulklassen ausserhalb der normalen Unterrichtsstruktur eintauchen können in die Welt der Wissenschaften, der Musik und des Tanzes. Musikerin in ihrem ersten Beruf, war Kamilla Schatz früher als Geigerin und Kammermusikerin unterwegs, zudem ist sie seit 20 Jahren künstlerische Leiterin des Resonanzen Festivals im Engadin. Wie es kam, dass sie mit 48 Jahren die Geige weglegte und sich beruflich neu orientierte, was sie an ihrer neuen Aufgabe fasziniert und was sie mit der Musik von Nikolaj Roslavez verbindet, erzählt Kamilla Schatz in MfeG bei Eva Oertle. Die Musiktitel - Kamilla Schatz, Oliver Triendl - «1. Andante» und «2. Allegretto» aus den 24 Präludien für Violine und Klavier - Benjamin Engeli - «2. Andante non troppo e con molto espressione» aus den 3 Intermezzi für Klavier, Op. 117 - Pink Floyd - Another Brick In The Wall (Part 1) - Johann Sebastian Bach - «1. Allegro» aus dem Violinkonzert E Dur, BWV 1042 Isabelle Faust / Akademie für Alte Musik Berlin / Bernhard Forck - Ann Malcolm - Evening (Beau Soir) Erstsendung: 17.09.2023

Antonin Dvorak - Bagatelles: Allegretto Scherzando Oliver Triendl, harmoniumVogler String QuartetMore info about today's track: CPO 777624-2Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Stephan Krehl - Clarinet Quintet: AllegrettoWonkak Kim, clarinet Larchmere String QuartetMore info about today's track: Naxos 9.70173Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Brahms pt. 15b: we detail the course of the Brahms-Joachim relationship as they return to something like their former friendly relations and see how is other friendships and partnerships evolve, disolve, change and mature as we reach the year 1887.  Works heard in this episode in order (all by Brahms): Tafellied op. 93b Der Tod, das ist die kühle Nacht op. 96 no. 1 Wir wandelten op. 96 no. 2 Nachtigall op. 97 no. 1 arr. for viola and piano by...me (viola) Symphony no. 4 in E minor, mvt. 1 Allegro non troppo Sonata for Violin and Piano in A major, op. 100,  Allegro amabile Allegretto grazioso Double Concerto for Violin, Cello, and Orchestra op. 102, mvt. 3 Vivace non troppo   ----------------- Subscribe on iTunes and give us a 5-star review! Share with your friends! download our app! Visit and like our Facebook page! https://www.facebook.com/thegreatcomposerspodcast/?ref=bookmarks

Dan Allegretto returns to discuss plastic surgery, 1000-lb Sisters, Southern Charm, The Traitors, Farrah Abraham's OnlyFans, HBO's The Curse, The Prison Confessions of Gypsy Rose, the viral twink terrorist Houthi pirate, MacBooks, the perils of international shipping, Liquid Death, bullying, Raya and more. For more content, subscribe to Unpopular on Patreon! You get access to bonus episodes and get to help keep Unpopular's lights on. https://www.patreon.com/unpopularjp Please support the show by leaving a five star review on Apple or Spotify, or by joining Patreon or donating to Buy Me a Coffee.FOLLOW UNPOPULAR:https://www.instagram.com/unpopularjp/https://twitter.com/unpopularjp FOLLOW DIAL DAN:https://dialdanshoppe.com/ https://www.instagram.com/dan_allegretto/ https://youtu.be/TXu9T9ZkhOo See omnystudio.com/listener for privacy information.

Dan Allegretto returns to talk Paris In Love season 2, Phoenix Hilton's huge head, UFOs and government cover ups, Netflix's Leave The World Behind, the current state of X, kill switches in cars, the New York migrant crisis, Tokyo Toni memes and more. For more content, subscribe to Unpopular on Patreon! You get access to bonus episodes and get to help keep Unpopular's lights on. https://www.patreon.com/unpopularjp Please support the show by leaving a five star review on Apple or Spotify, or by joining Patreon or donating to Buy Me a Coffee.FOLLOW UNPOPULAR:https://www.instagram.com/unpopularjp/https://twitter.com/unpopularjp FOLLOW DIAL DAN:https://dialdanshoppe.com/ https://www.instagram.com/dan_allegretto/ https://youtu.be/TXu9T9ZkhOo See omnystudio.com/listener for privacy information.