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微信公众号：「365读书」（dus365)，有不定期赠书福利；微博：365读书v。主播：潮羽，365天每天更新一期。 文字版已在微信公众号【365读书】发布 。QQ：647519872 背景音乐：1.V.A. - Broken Heart；2.Cusco - Pastorale；3.Franz Schubert,Charles Gounod - Ave Maria in C Major；4.Jan A.P. Kaczmarek - Parker And Hachi；5.English Traditional - Greensleeves；6.Henry Mancini - The Godfather Waltz。
Yonder ( @yonderwizzerd ) returns to jam and helps Kim sing the news. kimcongdon.com for show dates!!!! http://patreon.com/kimcongdon for bonus content Subscribe to Kim Congdon: https://tinyurl.com/rdz2e6fh http://instagram.com/kimcongdon Music: Crack Amico http://instagram.com/@crackamicorap Learn more about your ad choices. Visit megaphone.fm/adchoices
Send us a textWelcome to Guess the Year! This is an interactive, competitive podcast series where you will be able to play along and compete against your fellow listeners. Here is how the scoring works:10 points: Get the year dead on!7 points: 1-2 years off4 points: 3-5 years off1 point: 6-10 years offGuesses can be emailed to drandrewmay@gmail.com or texted using the link at the top of the show notes (please leave your name).I will read your scores out before the next episode, along with the scores of your fellow listeners! Please email your guesses to Andrew no later than 12pm EST on the day the next episode posts if you want them read out on the episode (e.g., if an episode releases on Monday, then I need your guesses by 12pm EST on Wednesday; if an episode releases on Friday, then I need your guesses by 12 pm EST on Monday). Note: If you don't get your scores in on time, they will still be added to the overall scores I am keeping. So they will count for the final scores - in other words, you can catch up if you get behind, you just won't have your scores read out on the released episode. All I need is your guesses (e.g., Song 1 - 19xx, Song 2 - 20xx, Song 3 - 19xx, etc.). Please be honest with your guesses! Best of luck!!The answers to today's ten songs can be found below. If you are playing along, don't scroll down until you have made your guesses. .....Have you made your guesses yet? If so, you can scroll down and look at the answers......Okay, answers coming. Don't peek if you haven't made your guesses yet!.....Intro song: Serenade in C Major, K. 648 "A Very Little Night Music" I: March by Wolfgang Amadeus Mozart, recorded by Gewandhausorchester & Herbert BlomstedtSong 1: Funky Situation by The Commodores (1977)Song 2: You Know You're Right by Nirvana (2002)Song 3: Making Cash Money by Busy Bee (1982)Song 4: Another Day in the Sun by La La Land Cast (2016)Song 5: One by Bee Gees (1989)Song 6: I Miss Those Days by Bleachers (2017)Song 7: Lay It Down by Al Green (2008)Song 8: That Was Then, This is Now by The Monkees (1986)Song 9: Cinnamon Girl by Neil Young & Crazy Horse (1969)Song 10: Shooting Stars by Bag Raiders (2008)
un florilège de surprises ou la surprise en musique classique Mozart – Sonata for piano à quatre mains in C Major, K. 521: III. Allegretto [extrait] Interprété par Arthur SchoonderwoerdMiklós Spányi Beethoven – Piano Sonata No. 21 in C... Continue Reading →
In this interview with Tom Morris, a veteran of orchestra management whose career included leadership roles with the Boston Symphony and the Cleveland Orchestra, conductor Devin Patrick Hughes provides a comprehensive look at the inner workings of orchestral institutions, the evolution of their management, and the crucial role of music in their success. Morris's journey from a percussionist to a top-level administrator offers a unique perspective, and his reflections provide valuable lessons for anyone interested in the performing arts. One of the most compelling aspects of the interview is Morris's discussion of how his musical background shaped his management philosophy. He emphasizes his deep understanding of musicians' lives, having experienced firsthand the challenges and demands of performing in an orchestra. This empathy enabled him to build trust with musicians and approach labor negotiations with a unique perspective. Morris's belief that "ultimately these institutions are about the music" underscores the importance of passion and artistic integrity in organizational leadership. The episode also explores the historical evolution of orchestra management, particularly the Boston Symphony Orchestra. Morris recounts how, before the 1970s, the orchestra relied on simple postcards for subscription renewals. He explains that over the seventies and eighties, the percentage of the budget earned from ticket sales gradually fell. This shift necessitated the development of marketing and fundraising departments, leading to a significant increase in administrative staff. Morris shares fascinating insights about the Boston Pops, emphasizing that it was founded in 1885, before Arthur Fiedler became its 17th conductor in 1929. The Boston Symphony created the Pops to provide more employment for musicians and to perform lighter music for a broader audience. He discusses how the Boston Symphony transformed Symphony Hall into a "beer hall" to accommodate a more informal setting for the Pops concerts. He explains that in the early days the Pops sold blocks of tickets to community groups and did not have to focus on individual ticket sales. He also recounts how the popularity of Arthur Fiedler was enhanced even further by the "Evening at Pops" television series. Morris details the process of selecting John Williams as Fiedler's successor, explaining that Williams was chosen for his musical integrity and knowledge of the symphony orchestra. Furthermore, the interview addresses the crucial dynamic between management, the music director, and the board of directors, which Morris refers to as the "Bermuda Triangle.” Morris suggests that this structure can function perfectly if the right people are in those roles and are bound by a common vision. He also emphasizes that having a collaborative culture is essential, but that collaborative decision-making should be avoided. Morris stresses the importance of clear lines of authority and not settling for "good enough" when hiring. He also shares that when hiring he uses Jim Collins' three C's: competence, character, and chemistry. These points underscore the need for strong leadership and a shared vision in any successful organization. Morris also touches on the importance of thoughtful programming. He humorously mentions his collection of "dumb programs" and emphasizes the importance of carefully considering the combination of pieces in a concert. He contrasts examples of bad programming with one of his favorites, a concert he organized with Christoph von Dohnányi, which combined pieces by Ligeti, Wagner, and Bruckner. This conversation highlights that thoughtful artistic direction is an essential element in the success of an orchestra. Thank you for joining us on One Symphony. Special thanks to Thomas Morris for sharing his life and leadership. You can pick up a copy of Always the Music: How a Lifelong Passion Framed a Future for Orchestras wherever you get your books. For a list of recordings played on today's episode, please check out our show notes. You can always find more info at OneSymphony.podbean.com or DevinPatrickHughes.com, including a virtual tip jar if you'd like to support the show. Please feel free to rate, review, or share the podcast! Until next time, thank you for being part of the music. https://www.alwaysthemusic.com Featured Music All music selections for this episode feature the Boston Pops. Tchaikovsky's Serenade for Strings in C Major, Op. 48: Waltz. Conducted by Arthur Fiedler, from the album Fiedler: Greatest Hits. L'Arlésienne Suite No. 2: Farandole. Composed by Georges Bizet. Conducted by Arthur Fielder, from the album Fiedler: Greatest Hits. “Manhattan Skyline.” From the album Disco Inferno / Manhattan Skyline. Conducted by Arthur Fiedler. “I Got Rhythm, Embraceable You.” From the album Boston Pops Salutes Astaire, Kelly, Garland. Composed by George and Ira Gershwin. Conducted by John Williams. “Flying Theme” from E. T. Composed by John Williams. Performed live by John Williams conducting the Boston Pops in 2002. “America Medley: America.” From the album Salute to America. Composed by Leonard Bernstein. Lyrics by Stephen Sondheim. Conducted by John Williams. “None But The Lonely Heart.” From the album Pops a la Russe. Composed by Pyotr Ilyich Tchaikovsky. Conducted by John Williams. The Snow Maiden - Suite - Danse des Bouffons. Composed by Nikolai Rimsky-Korsakov. From the album Pops a la Russe. Conducted by John Williams. Holst: The Planets, op.32: 3. Mercury, The Winged Messenger. From the album Boston Pops Orchestra: John Williams. Conducted by John Williams. Overture from The Merry Wives of Windsor. From the album Fiedler: Greatest Hits. Conducted by Arthur Fiedler. “Pizzicato Polka.” From the album 100 Fiedler Favorites. Conducted by Arthur Fiedler. “Funeral March of a Marionette.” From the album 100 Fiedler Favorites. Conducted by Arthur Fiedler.
While I'm taking a break, I thought you might enjoy this encore presentation of a popular episode from 2019—the gorgeous Woman Holding a Balance at the National Gallery of Art. If you want to follow along, you can find it at alonglookpodcast.com/vermeer. And make sure to stick around to the end for a special announcement! SHOW NOTES “A Long Look” themes are "Easy" by Ron Gelinas https://youtu.be/2QGe6skVzSs and “At the Cafe with You” by Onion All Stars https://pixabay.com/users/onion_all_stars-33331904/ Episode theme is “Caro Mio Ben in C Major” by Giuseppe Giordani, performed by Joel Meza. https://soundcloud.com/joel-meza-1/caro-mio-ben-in-c-major “Women Holding a Balance” information https://www.nga.gov/collection/art-object-page.1236.html https://www.nga.gov/collection/highlights/vermeer-woman-holding-a-balance.html Vermeer information https://www.nga.gov/collection/artist-info.1951.html “Essential Vermeer” website (extensive amount of info!) https://www.essentialvermeer.com Widener information “Dutch Paintings at the National Gallery of Art: The Untold Stories behind the Acquisitions of the Rembrandts, Vermeers, and Other Treasures in the Collection” (audio) https://www.nga.gov/global-site-search-page.html?searchterm=wheelock+audio RECOMMENDED READING “Vermeer and the Masters of Genre Painting” by Adriaan Waiboer, et al. Dublin, National Gallery of Ireland, 2017. Exhibit brochure https://www.nga.gov/content/dam/ngaweb/exhibitions/pdfs/2017/vermeer-brochurel.pdf “Vermeer: Faith in Art” by Daniel Arasse Transcript available at https://alonglookpodcast.com/encore-woman-balance-vermeer/
References Guerra, DJ 2025 Biochemistry Lectures Front Endocrinol (Lausanne). 2020 Dec3;11:587189. Annual Review of Food Science and Technology.2022. Volume 13:263-286. Journal of Hepatology 2012 56, 704-713. Nature Communications.2024. 15, Article number: 1879 Beethoven, LV. 1803.Triple Concerto in C Major. Op 56 https://youtu.be/pkXGtE8_cig?si=2WMWadCDhvcvfHJa Schubert F. 1824. Quartet #14 in D Minor D.810. https://youtu.be/CSdlrvC08lM?si=lNm3pxWK_hTCTLwa Goffin and King. 1968. "I Wast Born to Follow". Byrds https://youtu.be/PrU9iI2VxPE?si=3IrJ1FByg3Pp6-lh
Donald Macleod explores Vienna in the company of Franz SchubertOf all Europe's major cities, perhaps Vienna is the one with the reputation as the most comfortable, the most sophisticated, and the most musical. In fact, has any other city been home to so many great composers as Vienna? Mozart, Beethoven, Haydn, and Salieri all spent their best years working there. Yet none of those starry names was born in the city, none were true Viennese. This week, Donald Macleod explores Vienna through the lens of arguably the greatest home grown composer the city has ever produced – Franz Schubert – a man whose short life spanned a crucial period in Austrian history, a time of crisis and much change. In his company we'll explore Vienna's churches and theatres, its parks, coffee houses and taverns, and also glimpse the darker side of the city too – the excesses of Europe's aristocracy and the all seeing eyes of Vienna's secret police.Music Featured: “Kupelwieser” Waltz in G flat Major, D Anh I/14 Symphony No 9 in C Major “The Great”, D944 (3rd mvt, Scherzo) String Quintet in C Major, D 956 (2nd mvt, Adagio) Beitrag zur fünfzigjährigen Jubelfeier des Herrn von Salieri, D407 Marches Militaires, D733 (No 1 in D Major) Gretchen am Spinnrade, D118 6 Moment Musicaux, Op 94, D780 (No 3 in F min) Mass No 1 in F Major, D105 (Gloria) Grande Marche Funebre, D859 Symphony No 2 in B flat Major, D125 (4th mvt,Presto) Rosamunde, D797 (No 5 ,Entracte No 3 in B flat Major: Andantino) Licht und Liebe, D352 Quartettsatz Lazarus, Act 2 (unfinished) Schwanengesang, D744 4 Impromptus, D899, Op90 (No 3 in G Flat Major) Symphony No 8 in B minor, D759 “Unfinished” (1st mvt, Allegro moderato) Symphony No 5 in B flat Major, D485 (1st mvt, Allegro) Winterreise, D911 (No 24, Der Leiermann) Der Wanderer, D489 Piano Quintet in A Major, D667 “The Trout” (3rd mvt, Scherzo) 38 Waltzes, D145, Op 18 (Nos 6, 8 & 9 ) An Sylvia, D891, Op 6 (No 4) Fantasy in F minor, D940, Op 103 Ave Maria, D839, Op 52, No 6 Mass No 6 in E Flat Major, D950 (Credo) Rosemunde incidental music, D797 (Nos 7-9) Alfonso and Estrella, D732 (Act I, Aria “Sei mir gegrusst, o Sonne!”) An die MusikPresented by Donald Macleod Produced by Sam Phillips for BBC Audio Wales & WestFor full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Schubert and Vienna https://www.bbc.co.uk/programmes/m0026800 And you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z
Here are two statements by Dmitri Shostakovich about the same piece, the 8th symphony that we are talking about today: Statement No. 1, Shostakovich's published comments about the symphony when it was first performed in 1943: The 8th Symphony reflects my…elevated creative mood, influenced by the joyful news of the Red Army's victories…. "The Eighth Symphony contains tragic and dramatic inner conflicts. But on the whole it is optimistic and life-asserting. The first movement is a long adagio, with a dramatically tense climax. The second movement is a march, with scherzo elements, and the third is a dynamic march. The fourth movement, in spite of its march form, is sad in mood. The fifth and final movement is bright and gay, like a pastoral, with dance elements and folk motifs. "The philosophical conception of my new work can be summed up in these words: life is beautiful. All that is dark and evil rots away, and beauty triumphs." Statement No. 2, from the disputed book Testimony, published in the 1970s: ‘And then the war came and the sorrow became a common one. We could talk about it, we could cry openly, cry for our lost ones. People stopped fearing tears. Before the war there probably wasn't a single family who hadn't lost someone, a father, a brother, or if not a relative, then a close friend. Everyone had someone to cry over, but you had to cry silently, under the blanket, so no one would see. Everyone feared everyone else, and the sorrow oppressed and suffocated us. It suffocated me too. I had to write about it. I had to write a Requiem for all those who died, who had suffered. I had to describe the horrible extermination machine and express protest against it. The Seventh and Eighth Symphonies are my Requiems. I don't know of a more profound example of Shostakovich's doublespeak, or of his ability to make diametrically opposing statements about the meaning behind his music. Shostakovich's 8th symphony premiered at the height of World War II, and it was not a hit, unlike his 7th symphony which had swept the world with its seeming patriotic fervor and its devastating condemnation of the Nazis. Shostakovich's 8th is a very different piece, darker, edgier, less catchy, less simple, and certainly less optimistic. It was panned in the Soviet Union by the official critics and was effectively banned from performance in teh Soviet Union from 1948 until the late 1950s. It was also not particularly popular outside of the Soviet Union, as the 7th's popularity and accessibility dwarfed the 8th, though this equation has now flipped, with the 8th symphony now probably becoming slightly more often played than the 7th. As always with Shostakovich, he mixes tradition with his own Shostakovich-ian innovations. The symphony has a Sonata Form first movement, but that movement is longer than the following three movements combined. It has a darkness to light theme from C Minor to C Major, like in Beethoven's 5th and Mahler's 2nd, but whether the ending is optimistic is subject to furious debate. It has not 1 but 2 scherzos, but they are among the least funny scherzos ever written, and it has a slow movement that is surprisingly un-emotional. The requiem Shostakovich speaks of seems to happen slowly over the course of this 1 hour symphony. It is perhaps Shostakovich's most ambiguous mature symphony, and it is also thought of as one of his greatest masterpieces. Today on this Patreon Sponsored episode, we'll dive into this remarkable work, trying to create a framework to understand this huge and demanding symphony. Join us!
Recommended recordings of Schumann's Fantasy in C Major Op. 17:Sergio Fiorentino - https://open.spotify.com/album/2s19G2wc2xQtyBECvCoFQbWilhelm Backhaus -https://open.spotify.com/track/29T6fqDoyUQve6v6HYnFDoVladimir Horowitz -https://www.youtube.com/watch?v=Wjw6aTXXoZALeif Ove Andsnes -https://www.youtube.com/watch?v=SaA8GDGoPNgMaurizio Pollini - https://www.youtube.com/watch?v=9dYgNt32YXoWilhelm Kempff - https://www.youtube.com/watch?v=TX-NVFOms6sNina Lelchuk - https://www.youtube.com/watch?v=6kQXHJTnQMEFabrizio Chiovetta - https://www.youtube.com/watch?v=lBLCplR58TA&list=OLAK5uy_kgH7bDkviv6g1_aS955H77We7jheMAHoQ
SHOP: http://www.horses.land PATREON: https://www.patreon.com/horsespt Sources: A Mystery of Mysteries: The Death and Life of Edgar Allan Poe, by Mark Dawidziak A Psycho-Analytical Study of Edgar Allan Poe, Lorine Pruette Music Into the Divide - Trevor Kowalski Stepping on Glass - Eneide Distressed - Hanna Ekstrom Into Open Arms - Hanna Ekstrom Dans Les Penses - Franz Gordon String Quartet No. 19 in C Major, K. 465 I. Adagio Allegro Numb3rs - Jay Barton From Dusk - Andres Cantu Dimdans - Franz Gordon Valse Triste Nicoise - Magnus Ludvigsson Learn more about your ad choices. Visit megaphone.fm/adchoices
Enjoy the chart below, with transcript…Have you ever seen the abbreviation “Sus” in a chart and thought, “What does that actually mean?” Today we're going to talk about…suspensions with music on the guitar.I encourage you to catch the video version of this article while it's available. This way, you'll see and hear everything demonstrated. You can find the video right here: If you've ever seen a suspenseful movie, or if you've ever had the unfortunate experience of having an account suspended, or your driver's license suspended, you have experienced suspense.But what do all of these scenarios have in common? They are all temporary. A suspenseful movie can't be suspenseful the entire time – it just wouldn't work. A suspended account is usually restored to good standing when the balance is paid, and a suspended driver's license can eventually be reinstated.So, I'm not talking about something being permanently taken away – I'm talking about something being temporarily suspended, and eventually – wait for it – resolved.So, let's take a moment to discuss what suspensions can look and sound like on the guitar, and why they're important.So, when we see the term “sus” in a chart, that's short for a SUSpended chord. First of all, the most common chord we'll find suspensions for is going to be on the Dominant, the V chord in a Major key. And second of all, the most common type of suspension or “sus” chord we're going to experience is the “sus4.” We could go in all sorts of additional directions, but for now, let's keep things pretty simple.So, let's say we're in the key of G Major, a very guitar-friendly key. The Dominant or V chord in G is D. But today, we're not just going to play it as a D Major chord, we're going to play it as a Dsus4 chord.Now, my background in music began with a classical degree, which included several years of collegiate music theory, so I'm going to offer you an additional level of musicality here. It involves a three-word process. That process is: “Preparation,” “Suspension,” and “Resolution.”Because, if we think about it, it's nice to be able to prepare ourselves for suspense, so we can anticipate it just a bit. The plot thickens in a movie. We get a warning notice that our account is about to be suspended. The cop car behind us fires up the lights on his roof to let us know we're about to be pulled over, which could lead to a suspended license.So “Preparation” is the first step. The second step is the actual “Suspension.” This is where things are in a temporary state of suspense that is typically not restful. The suspenseful scene happens in the movie, putting us on the edge of our seats. Our account is suspended, so we can't have access to it. Our license is suspended so it's temporarily taken away.So, with this suspension, there's a bit of tension. There's tension, but in this musical scenario, this is a good sort of tension. But as I mentioned, we aren't going to stay in suspense indefinitely. Eventually, we get to the third step, “Resolution,” where the Suspension ends. The suspense in the movie plot winds down, if only temporarily, as it comes to a resting point in the story. The account is restored. The license is reinstated.So, again, think through those three words as we continue - “Preparation,” “Suspension,” and “Resolution.”So here we are in the key of G Major. The I chord in G Major is…G Major, right? The IV chord is C Major, and the V chord is D Major. Now, to bring this right to your fingers in an easy manner, I'll actually use some “color” chords, so the chords will actually be easier to play, and they also won't be pure Major chords, but they'll still totally work for this exercise.The most important note in this suspension exercise is the high G note on the 3rd fret of the 1st string. I want you to watch this note carefully, because it's going to remain for three chords, but it will have a different identity in each.I'll analyze the first chord as a G5 chord with no 3rd. So, in the G chord, this high G is the root, right? But then, when we move to a C2 chord for the IV chord, we still keep that G up on the 3rd fret of the 1st string, and now it's the 5th of that chord. It's at this stage that we start to feel the “Preparation.” In other words, we're ramping up to the Suspension.Next up is the V chord, D, but we're going to keep the high G note on that 3rd string, thereby rendering this chord a Dsus4. Why is it a Dsus4? Because the high G is now the 4th degree of the D chord.Now, typically a D Major Chord won't have a G in it, but rather an F#, right? But here, with this chord, the Vsus4 is providing the Suspension we're after. Right now, it's not a Major chord.So now we've been put in suspense. It's not a restful chord. It's a chord where we're temporarily “on edge” just a bit.But what follows a Suspension, ideally? You know it – Resolution.All we need to do is take that high G note that we've had with us all along, and let it resolve down to the F#, thereby establishing the D Major chord, on its way back to…the G chord. See how the Vsus4 chord moves to a Major V chord, and finally back to the I chord?It's actually quite pleasing to the ear. (Catch the video for the demonstration of this.)Is there more? Always. Can we create a Sus2 chord? Yep.Can we create suspensions with 7 chords? Yeah buddy. Can we play suspensions as bar chords? Of course.Can we play a suspension without preparing or resolving it? We're technically not playing them functionally as suspensions, but…sure.Can suspensions resolve to minor chords? Yes, but that tends to sound a little more “Foreign” in some cases (catch the video for my music reference.)As you can see, we can go much further. But it all starts here with this simple process of KNOWING what a suspension is, and then experimenting with the intentional approach of Preparing, Suspending and Resolving. Want to go deeper and transform your guitar journey? Check out what we offer at www.GuitarSuccess4U.com. Keep showing up, and I'll see you next time.Thanks for reading Guitar Serious Fun! Subscribe for free to receive new posts and support my work. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit guitarseriousfun.substack.com
We'll look at Beethoven's last two cello sonatas: Cello sonata No. 4 in C Major, Op. 102, No.1, and Cello Sonata No. 5 in D Major, Op. 102, No. 2. both completed in 1815.
Donald Macleod showcases the life and music of Christoph Willibald Gluck Christoph Willibald Gluck (1714-1787) arguably did more to transform opera than any composer of his generation: thinking deeply about how text and music should work together, and trying to strip away fripperies to ensure it was urgent, powerful and arresting. His radical approaches made him one of the most influential composers in history - and yet today, he's known in the concert hall almost exclusively for one work: his masterpiece “Orpheus and Eurydice”. This week, Donald Macleod puts that right: showcasing Gluck's dazzling and enchanting music from across his life - whilst also showing off his most famous work.Music Featured: Dance of the Blessed Spirits (Orfeo ed Eurydice) Non hai cor per un'impresa (Ipermestra, Wq 7) Sperai vicino il lido (Demofoonte, Wq 3) Se in campo armato (La Sofonisba, Wq 5) Nobil onda (La Sofonisba, Wq 5) Orfeo ed Euridice (excerpts) M'opprime, m'affanna (La Sofonisba, Wq 5) Qual ira intempestiva … Oggi per me non sudi; Oggi per me sudi (La Contesa de'numi, Wq 14) Trio Sonata no I in C Major (1st mvt) Ciascun siegua il suo stile...Maggior follia non v'e (La Semiramide riconosciuta, Wq 13) Misera, dove son…; Ah! non son io (Ezio, Wq 15) Dance of the Furies (Orphee et Eurydice: Act 2, Scene 1) Tremo fra dubbi miei (La Clemenza di Tito, Wq 16) (Act 3) Son lungi e non mi brami (Le Cinesi, Wq 18) Berenice che fai (Antigono, Wq 21) Don Juan (selection) Divinités du Styx (Alceste, Wq 37) O Del Mio Dolce Ardor; Le Belle Immagini (Paride ed Elena, Wq 39) Vous essayez en vain - Par la crainte; Adieu, conservez dans votre âme (Iphigénie en Aulide, Wq 40) Gluck (arr Schubert) Rien de la nature (Echo et Narcisse) Armide (Act 5 opening) Iphigenie en Tauride, Wq 46 (excerpts) De Profundis Orphee et Eurydice (1774 Paris edition): Act 3 (finale)Presented by Donald Macleod Produced by Steven Rajam for BBC Audio Wales & WestFor full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Christoph Willibald Gluck (1714-1787) https://www.bbc.co.uk/programmes/m0022znr And you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z
Dr. Joshua Kreimeyer PhD and Paul Krauss MA LPC discuss Dr. Kreimeyer's work training clinicians and providing EMDR and other trauma-informed therapies in Ukraine, right now, even as the war between Ukraine and Russia rages on. Learn about Dr. Kreimeyer's mission and how he is collaborating with the Ukrainian government and the United Nations to build programs with an outstanding level of care. Dr. Kreimeyer began his career in the military as a cryptologic linguist before transitioning into counseling. He has worked in various settings, including community clinics, private practice, and the VA. He holds a Ph.D. in Counselor Education and Supervision and has taught in graduate programs such as Colorado Christian University. Dr. Kreimeyer has been involved in international work, helping to develop trauma-informed counseling programs in Ukraine and serving as a contractor with the UN. He is a member of the American Counseling Association's International Association for Resilience and Trauma Counseling. The Ukrainе Institute of Traumatherapy, was created to help veterans and their family members to achieve optimal well-being & adjustment as the war continues or after their service has been completed. We are also focused on helping women and children who suffered from war. This includes mental, physical, spiritual, occupational, and social wellness as well as family life. Our mission is also to educate other professionals in the application of cutting-edge approaches and standards of traumatherapy. The war has been continuing for over 10 years and many soldiers, veterans, women, and children are in need of help today. In addition, we need to be ready to help the 3 million veterans returning home after they have completed their service in the future. Also see their other site: The Center of Psychological Counseling & Traumatherapy Open Doors: Providing US Standards of Care in Ukraine. Get involved with the National Violence Prevention Hotline: 501(c)(3) Donate Share with your network Write your congressperson Sign our Petition Preview an Online Video Course for the Parents of Young Adults (Parenting Issues) Unique and low cost learning opportunities through Shion Consulting Paul Krauss MA LPC is the Clinical Director of Health for Life Counseling Grand Rapids, home of The Trauma-Informed Counseling Center of Grand Rapids. Paul is also a Private Practice Psychotherapist, an Approved EMDRIA Consultant , host of the Intentional Clinician podcast, Behavioral Health Consultant, Clinical Trainer, Counseling Supervisor, and Meditation Teacher. Paul is now offering consulting for a few individuals and organizations. Paul is the creator of the National Violence Prevention Hotline as well as the Intentional Clinician Training Program for Counselors. Paul has been quoted in the Washington Post, NBC News, Wired Magazine, and Counseling Today. Questions? Call the office at 616-200-4433. If you are looking for EMDRIA consulting groups, Paul Krauss MA LPC is now hosting a weekly online group. For details, click here. For general behavioral and mental health consulting for you or your organization. Follow Health for Life Counseling- Grand Rapids: Instagram | Facebook | Youtube Original Music: ”Alright" from the forthcoming album Mystic by PAWL (Spotify) "Piano Concerto No. 1 in C Major, Op. 15: III. Allegro" from · Garrick Ohlsson · Sir Donald Runnicles · Grand Teton Music Festival Orchestra by Ludwig van Beethoven (Spotify)
DescriptionThe Unheard Genius: Franz Schubert's Hidden Legacy in 60 Seconds. Take a minute to get the scoop!Fun FactFranz Schubert is most celebrated for his Lieder (art songs), particularly Ave Maria and Erlkönig. His Unfinished Symphony and String Quintet in C Major are also iconic. Schubert's music, characterized by its emotional depth and melodic beauty, captures the essence of the Romantic era. Though he struggled for recognition during his short life, his works are now cherished for their profound expression and have cemented his legacy as a master of song and symphony.__________________________________________________________________About Steven, HostSteven is a Canadian composer & actor living in Toronto. Through his music, he creates a range of works, with an emphasis on the short-form genre—his muse being to offer the listener both the darker and more satiric shades of human existence. If you're interested, please check out his music website for more. Member of the Canadian League Of Composers.__________________________________________________________________You can FOLLOW ME on Instagram.
Title: Lady Anne's Ballad Tracks: Dussek: Trio Sonata in C Major, Op 31. Scotch Air “Auld Robin Gray” Artist: Trio 1790 Publisher: 2011 Sono Luminus
Title: Lady Anne's Ballad Tracks: Dussek: Trio Sonata in C Major, Op 31. Scotch Air “Auld Robin Gray” Artist: Trio 1790 Publisher: 2011 Sono Luminus
Donald Macleod explores the life and work of the 18th century composer Joseph BologneDonald Macleod explores the life and work of a musician also remarkable for his sporting prowess. Joseph Bologne's story throws a light on the political turbulence affecting France in the 18th century, and on the legacy of colonialism and slavery.Bologne is celebrated as the first composer of African descent to attain widespread acclaim in Europe.Donald is joined by Olivette Otele, distinguished Professor of the Legacies and Memory of Slavery at SOAS, the School of Oriental and African Studies at the University of London.Music Featured: String Quartet in G minor, Op 1, No 3 (2nd mvt, Rondeau) Symphonie Concertante in A major, Op 10, No 2 Violin Concerto in D major, Op 3, No 1 Symphony in G major, Op 11, No 1 Quartetto concertans No 4 in F major (2nd mvt, Rondeau) String Quartet in D major, Op 1, No 6 Lolli: Violin Concerto No 2 in C major, Op 2 (1st & 3rd mvt) Violin Concerto in A major, Op 5, No 2 (1st mvt, Allegro Moderato) Symphonie Concertante in C major, Op 9, No 1 Violin Concerto in G major, Op 8, No 2 (3rd mvt, Rondeau) Keyboard Sonata No 2 in A major with obbligato violin (1st mvt, Allegro moderato) Ernestine (Scena) Symphonie Concertante in E flat, Op 13, No 1 L'Amant anonyme (excerpt) Quartetto concertans No 3 in C major (2nd mvt, Rondeau: Moderato) Symphonie Concertante, Op 6 No 2 in B-flat major, G 038 Violin Concerto in C major, Op 5 No 1 (2nd & 3rd mvts) Haydn: Symphony No 85 in B-flat major, Hob I:85, "La reine" (The Queen): (1st mvt, Adagio - Vivace) String Quartet in G minor, Op 14 No 6 (1st & 2nd mvts) String Quartet in C minor, Op 1 No 4 (2nd mvt, Rondeau) Concertante Quartet in G minor, Op 15 No 2 Violin Concerto in A major, Op 7 No 1 Symphonie Concertante in F major, Op 10 No 1 String Quartet in C Major, Op 1 No 1 (2nd mvt, Rondeau: Tempo di minuetto; Grazioso)Presented by Donald Macleod Produced by Iain Chambers for BBC Audio Wales & WestFor full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Joseph Bologne, Chevalier de Saint-George (1745-1799) https://www.bbc.co.uk/programmes/m0021jymAnd you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z
Title: Lady Anne's Ballad Track: Dussek: Trio Sonata in C Major, Op 31. Scotch Air “Auld Robin Gray” Artist: Trio 1790 Publisher: 2011 Sono Luminus
Professor Patricia Wiltshire is a forensic ecologist who specialises in palynology – the study of pollen. Her expertise has led her to work with every police force in Britain and helped solve some of the country's most notorious crimes including the Soham murder case in which two young girls were killed by school caretaker Ian Huntley.Patricia was born in Cefn Fforest, a mining village in the Sirhowy Valley, north of Cardiff. She studied botany at King's College London as a mature student and later worked as an environmental archaeologist, helping to reconstruct ancient environments by analysing the pollen and other remains in the soil.In 1994 Hertfordshire police asked her to help them with a murder case. A man had been found dead in a ditch and the police had tyre tracks and a vehicle and they needed to prove that the car in question had made the tracks. Patricia's analysis of the pollen and spores found in the car helped to convict the killers and started her career as a forensic ecologist. Patricia is married to Professor David Hawksworth, a renowned mycologist, and they sometimes work on criminal investigations together. DISC ONE: Nocturnes, Op. 27: No. 2 in D-Flat Major. Composed by Frédéric Chopin and performed by Arthur Rubinstein DISC TWO: My Foolish Heart - Billy Eckstine DISC THREE: Rock Around The Clock - Bill Haley and His Comets DISC FOUR: Brandenburg Concerto No. 4 (Allegro movement) Composed by Johann Sebastian Bach and performed by Orchestra Mozart, conducted by Claudio Abbado DISC FIVE: Myfanwy - The Treorchy Male Voice Choir DISC SIX: Piano Concerto No. 21 in C Major, K. 467 "Elvira Madigan": III. Allegro vivace assai. Composed by Wolfgang Amadeus Mozart and performed by Murray Perahia (piano / conductor) and English Chamber Orchestra DISC SEVEN: And I Love Her - The Beatles DISC EIGHT: Love Will Keep Us Together - Neil Sedaka BOOK CHOICE: Childrens Encyclopedia Volume Set by Arthur Mee LUXURY ITEM: A cooking pot CASTAWAY'S FAVOURITE: Nocturnes, Op. 27: No. 2 in D-Flat Major. Composed by Frédéric Chopin and performed by Arthur RubinsteinPresenter Lauren Laverne Producer Paula McGinley
The South Dakota Symphony performs Vivaldi's Oboe Concerto in C major.
Inside The Music explores further the genius of Ludwig van Beethoven. Join Derek Delaney, Artistic Director of Capital Region Classical, as he explores works of Beethoven with live CRC performances by pianist Emanuel Ax and the Brentano Quartet.Piano Sonata in G Major, Op. 31, No. 1Adagio graziosoEmanuel Ax [4/24/2016 performance]Quartet in C Major, Op. 59, No. 3, RazumovskyAndante con moto – Allegro vivaceAndante con moto quasi allegrettoBrentano Quartet [1/24/2010 performance]Sonata in C Major, Op. 53, WaldsteinIntroduzione: Adagio moltoRondo: Allegretto moderato – PrestissimoEmanuel Ax [5/6/2018 performance]Dive deeper into this episode's repertoire by heading to our YouTube channel for a discussion with some of our audience members about the program.Follow us to stay up to date on the latest from Capital Region Classical including concerts, events, and new episodes of Inside the Music:WebsiteFacebookInstagramYouTube© Capital Region Classical
Do you know how to transpose chord progressions on the guitar? If you don't, please spend a few minutes with me.If you think you've got it figured out, you still might learn something new here.I encourage you to catch the video version of this article while it's available. It goes much deeper than I can with my typed words, and you'll be able to hear the chord progressions too. You can find the video right here: Here are three tips to make transposition smooth and effective.1. We need to know all the diatonic chords in our starting key. Do you know all seven chords in C Major? Wait for it…2. We need to assign numbers to the chords.Now, my background began in classical music, so I trained with Roman numerals. But just as effective is the Nashville Number System.As you'll see from my chart below with chords in C and A Major, there are specific cases and indicators for degrees that the Roman numerals and Nashville Numbers can guide you along with.With Roman numerals, capital numbers are Major, and lower-case numbers are minor. With Nashville Numbers, we just use Arabic numerals, and we indicate the qualities of the chords with just a number to imply a Major chord, and a number followed by a lower case “m” to indicate a minor chord.Using numerals or numbers, we need to be able to identify each chord as a number, but then also to identify each number as a chord. So, for example, in the key of C Major, what is the number for C? What about the number for F? Check the chart above to confirm your answer.Let's go the other way. In the key of C Major, what is the name of the minor vi chord? How about the minor ii chord? Again, you can check your work.So, if I wanted to play the progression I V vi IV (or 1 5 6m 4) in C, what would the chords be? C G Am F. It's a very popular progression. Let's do the reverse process. If I played the progression C Em F G, what would the chordal analysis be in terms of numbers? I iii IV V (or 1 3m 4 5). Another very useful progression. Lastly,3. We need to know the chords and numbers in our destination key.If we have a destination key we want to transpose to, it would be helpful for us to know those diatonic chords, and to be able to familiarize ourselves with them in the same fashion as numbers. For our purposes today, I've chosen the key of A Major (also reflected in the chart I've provided).Now let's put this knowledge to practical use.Let's go back to our first progression of chords in C with C G Am F and let's transpose that progression to the key of A. If we know the corresponding numbers and chords in the key of A, we know that the chords for that progression would be…A E F#m D. Transposition accomplished!Now let's create a new progression in A with I IV ii V (or 1 4 2m 5). Those chords are A D Bm E. Based on how well we know the chords in C, we use numbers and transposition to crank out C F Dm G. Transposition accomplished again! The accompanying video will add much more dimension and understanding to what you're reading here.Now there are a couple subtle ways to check our work. If we know the distance from A to C, which is up a minor 3rd, we can take each chord in the key of A, and move “vertically” to its corresponding chord in the key of C. (The video has more.)Another method is to think “horizontally” from the tonic to the other chords within each key. The tonic is the home I chord, so this would be the A Major chord in the key of A, or the C Major chord in the key of C. (The video again has more.)As you can see, this process is going to help us a lot. It's just a matter of some simple memory work and repetition.Want to go deeper? Please watch the video for a more advanced progression with some borrowed chords.Are you ready for some application to validate these tools? Let me ask some questions, all of which end in a positive answer. Can we transpose from the key of A back to the key of C? Of course!Can we take a progression in a less guitar-friendly key that either requires lots of bar chords or a capo, and transpose it to a guitar-friendly key with fewer bar chords and more open chords? Yeah buddy! Can we transpose from one minor key to another minor key? Yep!Can we transpose from the Dorian mode with one key center to a Dorian mode with another key center? You betcha!As you can see, there are all kinds of possibilities when we know how to transpose. If you have a worship song and you want to transpose it, you can use this method. You can write out the transposition with numbers, or verbally call it out on the fly as you play with your band. There are digital tools that can do this for you, but if you want to grow in your ability to transpose, I encourage you to try some of this mentally and manually.I've transposed more charts than I can count. And if you can analyze and learn a song by number, and you've got a good grasp of several keys, you can quickly transpose that song into any of those keys.Transposition facilitates easier fingerings, preferred chord voicings, better vocal ranges, and more. See the relevance?Want to go deeper? Check out www.GuitarSuccess4U.com.Really serious about next steps? Check out our new free web masterclass at www.GuitarSuccess4U.com/formula.Thanks for checking out today's episode of Guitar Serious Fun!Thanks for reading Guitar Serious Fun! Subscribe for free to receive new posts and support my work. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit guitarseriousfun.substack.com
Podcast Website: http://www.shakedownradio.com Mixcloud: http://www.mixcloud.com/chriscaggs Amazon Music Podcasts: https://bit.ly/3PhNuvZ Apple Podcasts / iTunes: https://apple.co/3tfyyDP Google Podcasts: https://bit.ly/42JlfcL iHeart Radio: https://ihr.fm/3ss7wr2 Tune In App: http://tun.in/pmkVI Castbox: https://bit.ly/3maXTcb You Tube: http://www.YouTube.com/@chriscaggs Please Donate to help with running costs of this podcast on Patreon and buy me a $5 dollars Australian coffee - http://www.patreon.com/ChrisCaggs Or donate via Go Fund Me https://gofund.me/67c7b653 A great event happening at Versus Bar at 118 norton street Leichhardt Sydney on the 15th June 2024 90s Dance & Hi NRG with Nick Skitz feat Kidd Kaos with support by Chris Spiteri aka Dj C Major you can book a table on this number 0431 743 174 With thanks to Global PR Pool, Inflyte App, PLAY MPE & Xelon Entertainment This podcast will be released each week at 8am every Friday Sydney Australia Time. Over the span of 25 Years across 15 Radio Stations - Chris Caggs has been on air at: Groove FM 96.9FM & 94.5FM - Sydney Groove FM 97.3FM - Brisbane DJ-FM 87.6FM - Sydney 2RDJ 88.1FM - Sydney 2NSB 99.3FM - Northside Radio Sydney Pump FM 99.3FM - Sydney 2ICR Radio - Sydney Mix It Up Radio - Brisbane STR8OUT Radio - Melbourne Mixxbosses Radio - Sydney Urban Movement Radio - Brisbane Liquid Radio - Snowy Mountains New South Wales - Dance Starter FM - Sydney - Dance Tune 1 Radio - Perth - Dance 4PLAY Radio - Queensland - Dance V1Radio - Melbourne - Dance Tracklist: 1. Majestic, The Jammin Kid. Celine Dion - Set My Heart On Fire (I'm Alive x The Beat Goes On) (Extended) 2. Jonas Blue - Mountains (Extended Mix) 3. KVISION & Oscar Jamo - Solo (Extended Mix) 4. Roland Clark x Rubber People - Out Of Likes (Original) 5. Romy - Always Forever 6. Sonny Fodera feat Blythe - Mind Still (Tita Lau Extended Remix) 7. NuGroove - Power (Mind Electric Extended Remix) 8. Low Steppa, Jewel Kid - Big Busta (Extended Mix) 9. John Summit & Sub Focus feat Julia Church - Go Back 10. Groove Armada - Free Jam (Extended Mix) 11. Kygo with Ava Max - Whatever (Tiesto Remix)
Podcast Website: http://www.shakedownradio.com Mixcloud: http://www.mixcloud.com/chriscaggs Amazon Music Podcasts: https://bit.ly/3PhNuvZ Apple Podcasts / iTunes: https://apple.co/3tfyyDP Google Podcasts: https://bit.ly/42JlfcL iHeart Radio: https://ihr.fm/3ss7wr2 Tune In App: http://tun.in/pmkVI Castbox: https://bit.ly/3maXTcb You Tube: http://www.YouTube.com/@chriscaggs Please Donate to help with running costs of this podcast on Patreon and buy me a $5 dollars Australian coffee - http://www.patreon.com/ChrisCaggs Or donate via Go Fund Me https://gofund.me/67c7b653 A great event happening at Versus Bar at 118 norton street Leichhardt Sydney on the 15th June 2024 90s Dance & Hi NRG with Nick Skitz feat Kidd Kaos with support by Chris Spiteri aka Dj C Major you can book a table on this number 0431 743 174 With thanks to Global PR Pool, Inflyte App, PLAY MPE & Xelon Entertainment This podcast will be released each week at 8am every Friday Sydney Australia Time. Over the span of 25 Years across 15 Radio Stations - Chris Caggs has been on air at: Groove FM 96.9FM & 94.5FM - Sydney Groove FM 97.3FM - Brisbane DJ-FM 87.6FM - Sydney 2RDJ 88.1FM - Sydney 2NSB 99.3FM - Northside Radio Sydney Pump FM 99.3FM - Sydney 2ICR Radio - Sydney Mix It Up Radio - Brisbane STR8OUT Radio - Melbourne Mixxbosses Radio - Sydney Urban Movement Radio - Brisbane Liquid Radio - Snowy Mountains New South Wales - Dance Starter FM - Sydney - Dance Tune 1 Radio - Perth - Dance 4PLAY Radio - Queensland - Dance V1Radio - Melbourne - Dance Tracklist: 1. Majestic, The Jammin Kid. Celine Dion - Set My Heart On Fire (I'm Alive x The Beat Goes On) (Extended) 2. Jonas Blue - Mountains (Extended Mix) 3. KVISION & Oscar Jamo - Solo (Extended Mix) 4. Roland Clark x Rubber People - Out Of Likes (Original) 5. Romy - Always Forever 6. Sonny Fodera feat Blythe - Mind Still (Tita Lau Extended Remix) 7. NuGroove - Power (Mind Electric Extended Remix) 8. Low Steppa, Jewel Kid - Big Busta (Extended Mix) 9. John Summit & Sub Focus feat Julia Church - Go Back 10. Groove Armada - Free Jam (Extended Mix) 11. Kygo with Ava Max - Whatever (Tiesto Remix)
Podcast Website: http://www.shakedownradio.com Mixcloud: http://www.mixcloud.com/chriscaggs Amazon Music Podcasts: https://bit.ly/3PhNuvZ Apple Podcasts / iTunes: https://apple.co/3tfyyDP Google Podcasts: https://bit.ly/42JlfcL iHeart Radio: https://ihr.fm/3ss7wr2 Tune In App: http://tun.in/pmkVI Castbox: https://bit.ly/3maXTcb You Tube: http://www.YouTube.com/@chriscaggs Please Donate to help with running costs of this podcast on Patreon and buy me a $5 dollars Australian coffee - http://www.patreon.com/ChrisCaggs Or donate via Go Fund Me https://gofund.me/67c7b653 A great event happening at Versus Bar at 118 norton street Leichhardt Sydney on the 15th June 2024 90s Dance & Hi NRG with Nick Skitz feat Kidd Kaos with support by Chris Spiteri aka Dj C Major you can book a table on this number 0431 743 174 With thanks to Global PR Pool, Inflyte App, PLAY MPE & Xelon Entertainment This podcast will be released each week at 8am every Friday Sydney Australia Time. Over the span of 25 Years across 15 Radio Stations - Chris Caggs has been on air at: Groove FM 96.9FM & 94.5FM - Sydney Groove FM 97.3FM - Brisbane DJ-FM 87.6FM - Sydney 2RDJ 88.1FM - Sydney 2NSB 99.3FM - Northside Radio Sydney Pump FM 99.3FM - Sydney 2ICR Radio - Sydney Mix It Up Radio - Brisbane STR8OUT Radio - Melbourne Mixxbosses Radio - Sydney Urban Movement Radio - Brisbane Liquid Radio - Snowy Mountains New South Wales - Dance Starter FM - Sydney - Dance Tune 1 Radio - Perth - Dance 4PLAY Radio - Queensland - Dance V1Radio - Melbourne - Dance Tracklist: 1. Majestic, The Jammin Kid. Celine Dion - Set My Heart On Fire (I'm Alive x The Beat Goes On) (Extended) 2. Jonas Blue - Mountains (Extended Mix) 3. KVISION & Oscar Jamo - Solo (Extended Mix) 4. Roland Clark x Rubber People - Out Of Likes (Original) 5. Romy - Always Forever 6. Sonny Fodera feat Blythe - Mind Still (Tita Lau Extended Remix) 7. NuGroove - Power (Mind Electric Extended Remix) 8. Low Steppa, Jewel Kid - Big Busta (Extended Mix) 9. John Summit & Sub Focus feat Julia Church - Go Back 10. Groove Armada - Free Jam (Extended Mix) 11. Kygo with Ava Max - Whatever (Tiesto Remix)
Podcast Website: http://www.shakedownradio.com Mixcloud: http://www.mixcloud.com/chriscaggs Amazon Music Podcasts: https://bit.ly/3PhNuvZ Apple Podcasts / iTunes: https://apple.co/3tfyyDP Google Podcasts: https://bit.ly/42JlfcL iHeart Radio: https://ihr.fm/3ss7wr2 Tune In App: http://tun.in/pmkVI Castbox: https://bit.ly/3maXTcb You Tube: http://www.YouTube.com/@chriscaggs Please Donate to help with running costs of this podcast on Patreon and buy me a $5 dollars Australian coffee - http://www.patreon.com/ChrisCaggs Or donate via Go Fund Me https://gofund.me/67c7b653 A great event happening at Versus Bar at 118 norton street Leichhardt Sydney on the 15th June 2024 90s Dance & Hi NRG with Nick Skitz feat Kidd Kaos with support by Chris Spiteri aka Dj C Major you can book a table on this number 0431 743 174 With thanks to Global PR Pool, Inflyte App, PLAY MPE & Xelon Entertainment This podcast will be released each week at 8am every Friday Sydney Australia Time. Over the span of 25 Years across 15 Radio Stations - Chris Caggs has been on air at: Groove FM 96.9FM & 94.5FM - Sydney Groove FM 97.3FM - Brisbane DJ-FM 87.6FM - Sydney 2RDJ 88.1FM - Sydney 2NSB 99.3FM - Northside Radio Sydney Pump FM 99.3FM - Sydney 2ICR Radio - Sydney Mix It Up Radio - Brisbane STR8OUT Radio - Melbourne Mixxbosses Radio - Sydney Urban Movement Radio - Brisbane Liquid Radio - Snowy Mountains New South Wales - Dance Starter FM - Sydney - Dance Tune 1 Radio - Perth - Dance 4PLAY Radio - Queensland - Dance V1Radio - Melbourne - Dance Tracklist: 1. Majestic, The Jammin Kid. Celine Dion - Set My Heart On Fire (I'm Alive x The Beat Goes On) (Extended) 2. Jonas Blue - Mountains (Extended Mix) 3. KVISION & Oscar Jamo - Solo (Extended Mix) 4. Roland Clark x Rubber People - Out Of Likes (Original) 5. Romy - Always Forever 6. Sonny Fodera feat Blythe - Mind Still (Tita Lau Extended Remix) 7. NuGroove - Power (Mind Electric Extended Remix) 8. Low Steppa, Jewel Kid - Big Busta (Extended Mix) 9. John Summit & Sub Focus feat Julia Church - Go Back 10. Groove Armada - Free Jam (Extended Mix) 11. Kygo with Ava Max - Whatever (Tiesto Remix)
Podcast Website: http://www.shakedownradio.com Mixcloud: http://www.mixcloud.com/chriscaggs Amazon Music Podcasts: https://bit.ly/3PhNuvZ Apple Podcasts / iTunes: https://apple.co/3tfyyDP Google Podcasts: https://bit.ly/42JlfcL iHeart Radio: https://ihr.fm/3ss7wr2 Tune In App: http://tun.in/pmkVI Castbox: https://bit.ly/3maXTcb You Tube: http://www.YouTube.com/@chriscaggs Please Donate to help with running costs of this podcast on Patreon and buy me a $5 dollars Australian coffee - http://www.patreon.com/ChrisCaggs Or donate via Go Fund Me https://gofund.me/67c7b653 A great event happening at Versus Bar at 118 norton street Leichhardt Sydney on the 15th June 2024 90s Dance & Hi NRG with Nick Skitz feat Kidd Kaos with support by Chris Spiteri aka Dj C Major you can book a table on this number 0431 743 174 With thanks to Global PR Pool, Inflyte App, PLAY MPE & Xelon Entertainment This podcast will be released each week at 8am every Friday Sydney Australia Time. Over the span of 25 Years across 15 Radio Stations - Chris Caggs has been on air at: Groove FM 96.9FM & 94.5FM - Sydney Groove FM 97.3FM - Brisbane DJ-FM 87.6FM - Sydney 2RDJ 88.1FM - Sydney 2NSB 99.3FM - Northside Radio Sydney Pump FM 99.3FM - Sydney 2ICR Radio - Sydney Mix It Up Radio - Brisbane STR8OUT Radio - Melbourne Mixxbosses Radio - Sydney Urban Movement Radio - Brisbane Liquid Radio - Snowy Mountains New South Wales - Dance Starter FM - Sydney - Dance Tune 1 Radio - Perth - Dance 4PLAY Radio - Queensland - Dance V1Radio - Melbourne - Dance Tracklist: 1. Majestic, The Jammin Kid. Celine Dion - Set My Heart On Fire (I'm Alive x The Beat Goes On) (Extended) 2. Jonas Blue - Mountains (Extended Mix) 3. KVISION & Oscar Jamo - Solo (Extended Mix) 4. Roland Clark x Rubber People - Out Of Likes (Original) 5. Romy - Always Forever 6. Sonny Fodera feat Blythe - Mind Still (Tita Lau Extended Remix) 7. NuGroove - Power (Mind Electric Extended Remix) 8. Low Steppa, Jewel Kid - Big Busta (Extended Mix) 9. John Summit & Sub Focus feat Julia Church - Go Back 10. Groove Armada - Free Jam (Extended Mix) 11. Kygo with Ava Max - Whatever (Tiesto Remix)
Podcast Website: http://www.shakedownradio.com Mixcloud: http://www.mixcloud.com/chriscaggs Amazon Music Podcasts: https://bit.ly/3PhNuvZ Apple Podcasts / iTunes: https://apple.co/3tfyyDP Google Podcasts: https://bit.ly/42JlfcL iHeart Radio: https://ihr.fm/3ss7wr2 Tune In App: http://tun.in/pmkVI Castbox: https://bit.ly/3maXTcb You Tube: http://www.YouTube.com/@chriscaggs Please Donate to help with running costs of this podcast on Patreon and buy me a $5 dollars Australian coffee - http://www.patreon.com/ChrisCaggs Or donate via Go Fund Me https://gofund.me/67c7b653 A great event happening at Versus Bar at 118 norton street Leichhardt Sydney on the 15th June 2024 90s Dance & Hi NRG with Nick Skitz feat Kidd Kaos with support by Chris Spiteri aka Dj C Major you can book a table on this number 0431 743 174 With thanks to Global PR Pool, Inflyte App, PLAY MPE & Xelon Entertainment This podcast will be released each week at 8am every Friday Sydney Australia Time. Over the span of 25 Years across 15 Radio Stations - Chris Caggs has been on air at: Groove FM 96.9FM & 94.5FM - Sydney Groove FM 97.3FM - Brisbane DJ-FM 87.6FM - Sydney 2RDJ 88.1FM - Sydney 2NSB 99.3FM - Northside Radio Sydney Pump FM 99.3FM - Sydney 2ICR Radio - Sydney Mix It Up Radio - Brisbane STR8OUT Radio - Melbourne Mixxbosses Radio - Sydney Urban Movement Radio - Brisbane Liquid Radio - Snowy Mountains New South Wales - Dance Starter FM - Sydney - Dance Tune 1 Radio - Perth - Dance 4PLAY Radio - Queensland - Dance V1Radio - Melbourne - Dance Tracklist: 1. Majestic, The Jammin Kid. Celine Dion - Set My Heart On Fire (I'm Alive x The Beat Goes On) (Extended) 2. Jonas Blue - Mountains (Extended Mix) 3. KVISION & Oscar Jamo - Solo (Extended Mix) 4. Roland Clark x Rubber People - Out Of Likes (Original) 5. Romy - Always Forever 6. Sonny Fodera feat Blythe - Mind Still (Tita Lau Extended Remix) 7. NuGroove - Power (Mind Electric Extended Remix) 8. Low Steppa, Jewel Kid - Big Busta (Extended Mix) 9. John Summit & Sub Focus feat Julia Church - Go Back 10. Groove Armada - Free Jam (Extended Mix) 11. Kygo with Ava Max - Whatever (Tiesto Remix)
This week's Gramophone Podcast sees pianist Can Çakmur join Editor Martin Cullingford to talk about the latest album in his series for the BIS label in which he pairs works by Schubert with music by composers inspired by him - in this instance Ernst Krenek. As well as introducing Krenek's Second Sonata, he also talks about the composer's completion of Schubert's Piano Sonata in C Major, D 840.
Opening Song: Come, Lord Jesus (https://open.spotify.com/track/1P6V1z8UegyquVHW5LOBa3?si=9e0171fa637247f0) by Dustin Kensrue Lyrics: Come Lord Jesus come Come Lord Jesus come Come Lord Jesus come Come Lord Jesus come Come again to claim Your own Come to reap what You have sown All creation weeps and groans for You It's to You that we belong It's to You we lift our song How our spirits look and long for You Like a thief in dead of night Come our everlasting light Let Your brilliance shame the brightest day With Your voice like endless seas Wielding swords and stars and keys Bring the nations to their knees we pray For though fitful is our flame You're from age to age the same Jesus faithful is Your name and true So until the sun does rise Till Your trumpets rend the skies Help us keep our restless eyes on You Passage: 6 Jesus Christ — he is the one who came by water and blood, not by water only, but by water and by blood. And the Spirit is the one who testifies, because the Spirit is the truth. 7 For there are three that testify: 8 the Spirit, the water, and the blood — and these three are in agreement. 9 If we accept human testimony, God's testimony is greater, because it is God's testimony that he has given about his Son. 10 The one who believes in the Son of God has this testimony within himself. The one who does not believe God has made him a liar, because he has not believed in the testimony God has given about his Son. 11 And this is the testimony: God has given us eternal life, and this life is in his Son. 12 The one who has the Son has life. The one who does not have the Son of God does not have life. 13 I have written these things to you who believe in the name of the Son of God so that you may know that you have eternal life. 14 This is the confidence we have before him: If we ask anything according to his will, he hears us. 15 And if we know that he hears whatever we ask, we know that we have what we have asked of him. -- 1 John 5:6-15 (CSB) Musical Reflection: Prelude in C Major, BWV 846 by J.S. Bach Reflection Notes: Bach's well-known prelude spins out a series of modulations, almost imperceptible at first. The new harmonies continually unfold in a way that intrigues but never shocks. Prayer:
Opening Song: Teach Us Your Ways (https://open.spotify.com/track/2HjPIga7SuDZlUZm5wQW1C?si=1c3f230dd7dd468f) by Isaac Wardell, Leslie Jordan, Orlando Palmer, and Paul Zach Passage: 7 Dear friends, let us love one another, because love is from God, and everyone who loves has been born of God and knows God. 8 The one who does not love does not know God, because God is love. 9 God's love was revealed among us in this way: God sent his one and only Son into the world so that we might live through him. 10 Love consists in this: not that we loved God, but that he loved us and sent his Son to be the atoning sacrifice for our sins. 11 Dear friends, if God loved us in this way, we also must love one another. 12 No one has ever seen God. If we love one another, God remains in us and his love is made complete in us. 13 This is how we know that we remain in him and he in us: He has given us of his Spirit. 14 And we have seen and we testify that the Father has sent his Son as the world's Savior. 15 Whoever confesses that Jesus is the Son of God — God remains in him and he in God. 16 And we have come to know and to believe the love that God has for us. God is love, and the one who remains in love remains in God, and God remains in him. 17 In this, love is made complete with us so that we may have confidence in the day of judgment, because as he is, so also are we in this world. 18 There is no fear in love; instead, perfect love drives out fear, because fear involves punishment. So the one who fears is not complete in love. 19 We love because he first loved us. 20 If anyone says, “I love God,” and yet hates his brother or sister, he is a liar. For the person who does not love his brother or sister whom he has seen cannot love God whom he has not seen. 21 And we have this command from him: The one who loves God must also love his brother and sister. -- 1 John 4:7-21 (CSB) Musical Reflection: Piano Sonata No. 16 in C Major, K. 545: II. Andante by W. A. Mozart Reflection Notes: In true fashion for Mozart's middle movements, this Andante blooms slowly with gentle and delicate notes; the melody ascends in joyful fashion at the most climactic points before settling back down with the satisfying left hand harmonies. Prayer: O God, you have prepared for those who love you such good things as surpass our understanding: Pour into our hearts such love towards you, that we, loving you in all things and above all things, may obtain your promises, which exceed all that we can desire; through Jesus Christ our Lord, who lives and reigns with you and the Holy Spirit, one God, for ever and ever. Amen.
This is a real showstopper of a piano piece, composed by a young and ambitious Schubert in 1822. The seed of much of the work's material comes from the song "The Wanderer" he had written earlier; he used a melody for variations in the slow second movement and kept the same rhythm for the other fast movements too! Maybe there it feels more like running than wandering, but it's really a fantastic work full of energy and sparkling melodies. With pianist Henrik Kilhamn. Video: https://youtu.be/jTE569yQ9EM
References Guerra, D. 2024 Previous Mosaic III lectures and content. https://podcasts.apple.com/us/podcast/authentic-biochemistry/id1454408625 Hayward, J. 1969. "Never Comes the Day" from Moody Blues lp. Threshold of a Dream. https://youtu.be/8u1zH11yqFQ?si=xtXp1SWm8rF1RdFS Mozart, WA.1785. String Quartet No. 19 in C Major, K. 465 https://youtu.be/f3oK4XVMARs?si=FMypvP8O_WCII7vR Page, J.1972. "The Rain Song" Led Zeppelin Houses of the Holy lp. https://youtu.be/g8VduT7aR2c?si=zB2oS2kCV2t4WtEb --- Send in a voice message: https://podcasters.spotify.com/pod/show/dr-daniel-j-guerra/message Support this podcast: https://podcasters.spotify.com/pod/show/dr-daniel-j-guerra/support
Donald Macleod follows Mozart and his family on an ambitious European adventure.When Wolfgang Amadeus Mozart was just seven years old, he and his family set out on an epic journey. Their goal: to travel through Europe and become famous; bringing their awesomely talented children to concert halls, homes and royal palaces across Germany, Belgium, France, Britain, the Netherlands and Switzerland. At the start of their trip, young Wolfgang could already perform and improvise better than most adults. By the time they returned home, three and a half years later, he'd grown into a fully-fledged composer of sonatas, symphonies and arias. This week, Donald Macleod accompanies the Mozart family on their musical marathon and invites us to follow their many scrapes and adventures.Music Featured:Allegro in F major, K 1c Exsultate, jubilate, K 165, 1. Exsultate, jubilate Quartet for Oboe, Violin, Viola and Cello in F Major, K 370 Misericordias Domini in D Minor, K 222 Violin Concerto No 4 in D major, K 218 Symphony in C, K 208/102, (1st mvt) Allegro in C Major, K 6 Piano Concerto No 17 in G major, K 453 (2nd mvt) Mass in C, K 317 'Coronation Mass' (Credo & Agnus Dei) Violin Sonata No 1 in C Major, K 6 Sonata No 14, K 29 (1st mvt) Divertimento in F, K 138 Va, dal furor portata, K 21 Symphony No 1 in E flat major, K 16 Flute Sonata in C major, K 14 Violin Sonata No 8 in F major, K 13 (1st mvt) String Quartet No. 3 in G major, K 156 (2nd mvt) Sonata for Piano duet in C major, K 521 (2nd & 3rd mvts) Symphony No 4 in D major, K 19 Mass in C minor, K 427 'Great': (VI Qui tollis; VII Quoniam; VIII Jesu Christe) Symphony No 7a in G, K Anh 221 (K45a) 'Alte Lambacher': (3rd mvt) Gallimathias musicum K 32 (excerpts) Piano Sonata No 16 in C, K 545 Violin Sonata in C, K 28 Symphony No 5 in B flat, K 22 Clarinet Concerto in A, K 622 (2nd & 3rd mvts)Presented by Donald Macleod Produced by Chris Taylor for BBC Audio Wales and WestFor full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Mozart's Grand Tour https://www.bbc.co.uk/programmes/m001xmlrAnd you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z
Opening Song: High Priest (https://open.spotify.com/track/25JJeqqlvMy0HPj6G46fDF?si=c2c5d1a804924839) by Alisha Powell, Cassie Campbell, and Jon Thurlow Lyrics: I stand before the throne and boldly I approach Not by my own righteousness I stand Behold there is a Lamb standing as though slain His blood was spilled He made a way for me I have a High Priest Who has passed through the heavens I have a High Priest Who has made intercession I have a High Priest Through His body He made a way I enter in by faith before the throne of grace Into that holy place with confidence I enter in Behold there is a Man Whose hands still bear the scars And through His death He tore the veil for me Thank You for the wound in Your side You made a way for me You made a way for me Passage: For every high priest taken from among men is appointed in matters pertaining to God for the people, to offer both gifts and sacrifices for sins. 2 He is able to deal gently with those who are ignorant and are going astray, since he is also clothed with weakness. 3 Because of this, he must make an offering for his own sins as well as for the people. 4 No one takes this honor on himself; instead, a person is called by God, just as Aaron was. 5 In the same way, Christ did not exalt himself to become a high priest, but God who said to him, You are my Son; today I have become your Father, 6 also says in another place, You are a priest forever according to the order of Melchizedek. 7 During his earthly life, he offered prayers and appeals with loud cries and tears to the one who was able to save him from death, and he was heard because of his reverence. 8 Although he was the Son, he learned obedience from what he suffered. 9 After he was perfected, he became the source of eternal salvation for all who obey him, 10 and he was declared by God a high priest according to the order of Melchizedek. -- Hebrews 5:1-10 (CSB) Musical Reflection: Prelude in C Major, BWV 846 by J.S. Bach Reflection Notes: Bach's well-known prelude spins out a series of modulations, almost imperceptible at first. The new harmonies continually unfold in a way that intrigues but never shocks. Prayer: Almighty and everlasting God, in Christ you have revealed your glory among the nations: Preserve the works of your mercy, that your Church throughout the world may persevere with steadfast faith in the confession of your Name; through Jesus Christ our Lord, who lives and reigns with you and the Holy Spirit, one God, for ever and ever. Amen.
Opening Song: Because of Christ (https://open.spotify.com/track/0Ml9ylGvOxwu9e0Yiu1AaD?si=f25f64e8e9ae4519) by Andrew Holt, Chris Clayton, and Mitch Wong Lyrics: On a hill in Israel Mercy spoke for me Mercy spoke for me Mercy spoke for me It was on Golgotha's tree His death brought liberty His death brought liberty His death brought liberty May I never boast in anything Except the cross of Jesus Christ May I not forget the blood He shed It is by His death I am alive Because of Christ I am alive What a humble sacrifice Love that washed me clean Love that washed me clean Love that washed me clean What a blessed mystery His punishment my peace His punishment my peace His punishment my peace Hallelujah hallelujah Praise the One who set me free Death has lost its grip on me Hallelujah hallelujah Jesus rose in victory He's alive alive in me Passage: And you were dead in your trespasses and sins 2 in which you previously walked according to the ways of this world, according to the ruler of the power of the air, the spirit now working in the disobedient. 3 We too all previously lived among them in our fleshly desires, carrying out the inclinations of our flesh and thoughts, and we were by nature children under wrath as the others were also. 4 But God, who is rich in mercy, because of his great love that he had for us, 5 made us alive with Christ even though we were dead in trespasses. You are saved by grace! 6 He also raised us up with him and seated us with him in the heavens in Christ Jesus, 7 so that in the coming ages he might display the immeasurable riches of his grace through his kindness to us in Christ Jesus. 8 For you are saved by grace through faith, and this is not from yourselves; it is God's gift — 9 not from works, so that no one can boast. 10 For we are his workmanship, created in Christ Jesus for good works, which God prepared ahead of time for us to do. -- Ephesians 2:1-10 (CSB) Musical Reflection: Piano Sonata No. 16 in C Major, K. 545: II. Andante by W. A. Mozart Reflection Notes: In true fashion for Mozart's middle movements, this Andante blooms slowly with gentle and delicate notes; the melody ascends in joyful fashion at the most climactic points before settling back down with the satisfying left hand harmonies. Prayer: We give you thanks, yes, more than thanks, O Lord our God, for all your goodness at all times and in all places, because you have shielded, rescued, helped and led us all the days of our life, and brought us unto this hour. Amen -The Liturgy of St. Mark
References Dr Guerra-Graduate lipid biochemistry lectures Biochem J. 2022 Sep 30; 479(18): 1917–1940 Front Cell Dev Biol. 2022; 10: 946393. Nat Commun. 2019; 10: 97. Lennon-McCartney 1965. "Ive Just Seen a Face" https://youtu.be/m8LbJfC0SYM?si=gl_URu_yPTn9iZSd McShee, J./Traditional/Pentangle.1969 "Light Flight" https://youtu.be/2tyVezuUtCA?si=THxBJ0reUETkwDLa Mozart, WA. 1785.Piano Concerto No. 21 in C Major, K. 467 https://youtu.be/whTEVQ2OizI?si=YDMhOhlwmpKYqK-t --- Send in a voice message: https://podcasters.spotify.com/pod/show/dr-daniel-j-guerra/message Support this podcast: https://podcasters.spotify.com/pod/show/dr-daniel-j-guerra/support
Composer, conductor and bassoonist Leo Geyer, and The Southbank Centre's Gillian Moore, join Jeffrey Boakye and saxophonist Jess Gillam - standing in for Cerys Matthews - as they head from a famous Bach well-tempered classic, via Taiwan, to David Bowie's parting gesture. British-Chinese flautist Daniel Shao explains the intricacies of a traditional Taiwanese flute tune.Producer Jerome Weatherald Presented, with music direction, by Jeffrey Boakye and Jess GillamThe five tracks in this week's playlist:Well-Tempered Clavier: Prelude in C Major by Bach Bad Romance by Lady Gaga A Tayal Folk Song by Ming Flute Ensemble Symphony No.9 in D Major (1st movement) by Gustav Mahler Lazarus by David BowieOther music in this episode:Pull Up To The Bumper by Grace Jones In the Mood by Glenn Miller Ave Maria by Charles Gounod Don't Cry For Me Argentina by Andrew Lloyd-Webber and Tim Rice Fugue No 24 in B Minor by Bach Symphony No.6: 'Pathétique' by Pyotr Ilyich Tchaikovsky
Opening Song: Covenant (https://open.spotify.com/track/3mjwpnJt0lCMg0RVQSmaDC?si=5530db26e3fc40b0) by Andy and Rachel Graham Lyrics: A solemn oath from God to man, For the seed of Abraham. Wrought in fire and sealed with blood, Ratified by God the Son. The righteous seed, the chosen one, Remembrance of God's mercy come. Quick to rescue, strong to save, God in flesh, in blood, in bone. You are God to us, You are God to us You are God to us, You keep your covenant This covenant at Calvary Hangs upon a sinner's tree. Death and grave could not contain. Raised to life, he overcame! You are God to us, You are God to us You are God to us, You keep your covenant We call on the name of the Lord, YHWH We call on the name of the Lord. We call on the name of the Lord, YHWH, YHWH We call on the name of the Lord, YHWH We call on the name of the Lord. We call on the name of the Lord, YHWH, YHWH Filled with power from on high. Holy Spirit, God divine. In my life your will be done. Father let your kingdom come. Passage: 8 Then God said to Noah and his sons with him, 9 “Understand that I am establishing my covenant with you and your descendants after you, 10 and with every living creature that is with you — birds, livestock, and all wildlife of the earth that are with you — all the animals of the earth that came out of the ark. 11 I establish my covenant with you that never again will every creature be wiped out by floodwaters; there will never again be a flood to destroy the earth.” 12 And God said, “This is the sign of the covenant I am making between me and you and every living creature with you, a covenant for all future generations: 13 I have placed my bow in the clouds, and it will be a sign of the covenant between me and the earth. 14 Whenever I form clouds over the earth and the bow appears in the clouds, 15 I will remember my covenant between me and you and all the living creatures: water will never again become a flood to destroy every creature. 16 The bow will be in the clouds, and I will look at it and remember the permanent covenant between God and all the living creatures on earth.” 17 God said to Noah, “This is the sign of the covenant that I have established between me and every creature on earth.” -- Genesis 9:8-17 (CSB) Musical Reflection: Piano Sonata No. 16 in C Major, K. 545: II. Andante by W. A. Mozart Reflection Notes: In true fashion for Mozart's middle movements, this Andante blooms slowly with gentle and delicate notes; the melody ascends in joyful fashion at the most climactic points before settling back down with the satisfying left hand harmonies. Prayer: This is another day, O Lord. I know not what it will bring forth, but make me ready, Lord, for whatever it may be. If I am to stand up, help me to stand bravely. If I am to sit still, help me to sit quietly. If I am to lie low, help me to do it patiently. And if I am to do nothing, let me do it gallantly. Make these words more than words, and give me the Spirit of Jesus. Amen.
SOMM RECORDINGS announces the first volume of Prokofiev Milestones, featuring three characterful sonatas and a sparkling arrangement of music from Romeo and Juliet performed by violinist Lana Trotovšek and flutist Boris Bizjak accompanied by Maria Canyigueral on piano.Prokofiev Milestones revealingly turns the focus away from the prolific composer's famed orchestral works and celebrated ballets to his rich and varied chamber music.First performed in 1943, the Sonata for Flute and Piano (Op.94) is, as Robert Matthew-Walker comments in his notes, “music not of war, but of peace”; a pastoral escape laced with wit and mischief vouchsafed within a pristine neo-classical frame.It is heard again, transformed, in Prokofiev's transcription for Violin and Piano (Op.94a). Composed soon after, it lays claim to being “one of the finest 20th-century works in the genre and a genuine masterpiece”.The Sonata for Two Violins (Op.56) is heard in a new arrangement by Boris Bizjak that eloquently makes much of its sentimentality, drama, and vitality.A characterful suite drawn from Romeo and Juliet, and arranged for violin and piano by Lidia Baich and Matthias Fletzberger, revels in Shakespeare's great romance and Prokofiev's ardent response to it.TracksSonata for Flute and Piano in D Major, Op. 94 (24:15) I. Moderato (8:06) II. Scherzo: Presto (5:09) III. Andante (3:49) IV. Allegro con brio (7:10) Sonata for Two Violins in C Major, Op. 56 (arr. Boris Bizjak for flute and violin) (14:40) I. Andante cantabile (2:22) II. Allegro (3:15) III. Commodo (quasi allegro) (3:32) IV. Allegro con brio (5:29) Suite from Romeo and Juliet (arr. Lidia Baich and Matthias Fletzberger for violin and piano) (15:45) I. Introduction (1:29) II. Juliet (1:31) III. Dance of the Knights (3:03) IV. Balcony Scene (4:47) V. Dance of the Couples (1:27) VI. Mercutio – Fight – Tybalt's Death (3:25) Sonata No. 2 for Violin and Piano in D Major, Op. 94a (24:35)* I. Moderato (7:52) II. Scherzo: Presto (5:13) III. Andante (4:14) IV. Allegro con brio (7:14) Help support our show by purchasing this album at:Downloads (classicalmusicdiscoveries.store) Classical Music Discoveries is sponsored by Uber. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber#AppleClassical Please consider supporting our show, thank you!Donate (classicalmusicdiscoveries.store) staff@classicalmusicdiscoveries.com This album is broadcast with the permission of Sean Dacy from Rosebrook Media.
Marina Abramović is an artist renowned for performances and feats of endurance, in which her body is pushed to its limits. She has moved, scandalised and delighted audiences for half a century, and is now celebrated by world-leading galleries and institutions. Marina was born in Belgrade in 1946. Her parents were honoured as war heroes for their work for the Partisan resistance movement, and both took up senior roles in the post-war Yugoslav government. Marina became interested in painting during her childhood, and went on to study art. She first made her name as a performance artist in her 20s, creating events which often shocked viewers – and were equally traumatic for her. In 1974 she placed 72 objects, including sharp tools, a whip and a loaded pistol, on a table and invited gallery goers to use them on her, however they wished. She was attacked and left scarred, and part of her hair went white. For many years she led a nomadic existence, creating works with her partner, the German artist Ulay. In 1997, in response to the war in Bosnia, she created a prize-winning work for the Venice Biennale, in which for four days she attempted to scrub the blood from a vast pile of cow bones. In 2010 her exhibition at the Museum of Modern Art in New York attracted almost a million people, many queuing for hours for a chance to sit opposite her in silence as part of her marathon performance The Artist is Present. More recently her work has been celebrated in a major retrospective exhibition at the Royal Academy in London, along with performances at English National Opera, marking the centenary of Maria Callas. DISC ONE: Aria from The Goldberg Variations. Composed by Johann Sebastian Bach German composer and musician, performed by Igor Levit DISC TWO: Norma, Act 1: "Casta diva". Composed by Vincenzo Bellini, performed by Maria Callas (soprano) and Coro del Teatro alla Scala di Milano DISC THREE: 4 Degrees - Anohni DISC FOUR: Paloma Negra - Chavela Vargas DISC FIVE: Private Dancer - Tina Turner DISC SIX: Sherab Nyingpo Mantra (The Heart Sutra) - Tashi Lhumpo Monks DISC SEVEN: Piano Concerto No. 21 in C Major, K. 467 - 2. Andante. Composed by Mozart and performed by Mitsuko Uchida (piano), with the English Chamber Orchestra, conducted by Jeffrey Tate DISC EIGHT: Rum And Coca-Cola - The Andrews Sisters BOOK CHOICE: In Search of the Miraculous by Peter D Ouspensky LUXURY ITEM: A cashmere blanket CASTAWAY'S FAVOURITE: Sherab Nyingpo Mantra (The Heart Sutra) - Tashi Lhunpo MonksPresenter Lauren Laverne Producer Sarah Taylor
Stanley Tucci is an actor, director and writer who is known for his roles in a broad range of feature films including the Devil Wears Prada, Julie and Julia and the Hunger Games. More recently he has whetted the appetites of television viewers with his food and travel series Searching for Italy. Stanley's grandparents left Calabria in southern Italy for a new life in America, where his parents were born. Stanley himself was born in Peekskill, New York, and grew up in the nearby hamlet of Katonah. He studied drama at the State University of New York and in 1985 made his debut in John Huston's film Prizzi's Honour. In 1996 he co-wrote, co-directed and starred in Big Night about two brothers who run a struggling Italian restaurant. The film was nominated for the Grand Jury Prize at the Sundance film Festival. In 2002 he starred in Sam Mendes's Road to Perdition and he played a serial killer in Peter Jackson's film the Lovely Bones. He published his first cookbook in 2012. Stanley lives in London with his wife, the literary agent Felicity Blunt, and their family. DISC ONE: Let It Be - The Beatles DISC TWO: Compared to What (Live at the Montreux Jazz Festival) - Les McCann & Eddie Harris DISC THREE: Mozart: Clarinet Concerto in A Major, K. 622 - II. Adagio. Performed by Karl Leister (clarinet) and Academy of St Martin in the Fields, conducted by Sir Neville Marriner DISC FOUR: The Weakness in Me - Joan Armatrading DISC FIVE: What a Wonderful World - Louis Armstrong DISC SIX: Tchaikovsky: Serenade for String Orchestra in C Major, Op. 48, TH 48 - I. Pezzo in forma di sonatina: Andante non troppo - Allegro moderato. Performed by Berliner Philharmoniker and conducted by Herbert von Karajan DISC SEVEN: A Foggy Day (In London Town) - Frank Sinatra DISC EIGHT: Not Dark Yet - Bob Dylan BOOK CHOICE: Westward Ha! by S J Perelman LUXURY ITEM: Art supplies CASTAWAY'S FAVOURITE: What a Wonderful World - Louis Armstrong Presenter Lauren Laverne Producer Paula McGinley
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