Podcasts about C major

For this week's Scrap Bag, we're going deep with Anna Todd on her 2018 Little Women adaptation, The Spring Girls. Anna is the New York Times best-selling author of several novels. Her After series has been adapted into a trilogy of feature films. (Total box office gross to date, by the way: $150 million.) Together, we get into everything from Meg's sexuality to the military-industrial complex to the many definitions of fanfiction. It's some of the most fun I've ever had making this show, and I can't wait for Anna to drop The Spring Women. Our cover art is by Mattie Lubchansky. It interpolates the cover art for Bethany C. Morrow's book "So Many Beginnings: A Little Women Remix," with permission from Macmillan Children's Publishing Group. It also interpolates the cover art for Hena Khan's book “More to the Story,” with permission from Simon & Schuster. Our theme music is Mozart's Piano Sonata No. 16 in C Major. This episode was edited by Antoinette Smith and transcribed by Lou Balikos. A transcript of this episode is available here. Follow us on Instagram: @josboyspod.

American violinist Stella Chen releases her debut album, Stella x Schubert, with pianist Henry Kramer. Performing on the 1700 ex-Petri Stradivarius violin, Chen garnered worldwide attention with her first-prize win at the 2019 Queen Elizabeth International Violin Competition, followed by the 2020 Avery Fisher Career Grant and 2020 Lincoln Center Emerging Artist Award. Stella x Schubert Tracklist1. Schubert – Rondo in B minor, D.895 [13:54]Schubert – Fantasie in C Major, D. 934     2. I. Andante molto – [3:32]   3. II. Allegretto – [5:14]     4. III. Andantino – [11:31]     5. V. Allegro vivace – [4:45]6. Schubert – Sei mir gegrüsst, D.741 – [3:45]7. Schubert –Ständchen, D. 920 – [3:30]Help support our show by purchasing this album  at:Downloads (classicalmusicdiscoveries.store) Classical Music Discoveries is sponsored by Uber. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#LaMusicaFestival #CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber Please consider supporting our show, thank you!Donate (classicalmusicdiscoveries.store) staff@classicalmusicdiscoveries.com This album is broadcasted with the permission of Katy Salomon representing Primo Artists.

If the Dovecote's a-rockin', don't come a-knockin'! This week, Meg and John Brooke tie the knot, and we bust out the Victorian floral analysis to tell you exactly what her bouquet really means. We also get into Laurie's longing, Jo's spinsterhood, and the presence of a ghost among the celebrants. Joining us for the festivities is Michael Leali, the author of The Civil War of Amos Abernathy. We open the episode by chatting about Amos, the tale of a twelve-year-old boy who's falling in love and learning queer history from his post as a Civil War re-enactor. Did we mention most of the book is narrated via letters to Albert Cashier? Tailor-made for the Jo's Boys crowd. Our cover art is by Mattie Lubchansky. It interpolates the cover art for Bethany C. Morrow's book "So Many Beginnings: A Little Women Remix," with permission from Macmillan Children's Publishing Group. It also interpolates the cover art for Hena Khan's book “More to the Story,” with permission from Simon & Schuster. Our theme music is Mozart's Piano Sonata No. 16 in C Major. This episode was edited by Antoinette Smith and transcribed by Lou Balikos. A transcript of this episode is available here.

Suite No. 1 in C major, BWV 1066 Ouverture Courante  Gavotte I/II Forlane  Menuet I/II Bourrée I/II Passepied I/II Instrumentation: Oboe I/II, bassoon, violin I/II, viola, basso continuoHelp support our show by purchasing this album  at:Downloads (classicalmusicdiscoveries.store) Classical Music Discoveries is sponsored by Uber. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#LaMusicaFestival #CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber Please consider supporting our show, thank you!Donate (classicalmusicdiscoveries.store) staff@classicalmusicdiscoveries.com

This week, we're diving into the first chapter of the oft-maligned second volume of Little Women. The war is over, wedding bells are ringing, and the March girls are growing up -- but at what cost? Our guest this week is the legendary Sarah Schulman. Sarah is a writer, activist, and AIDS historian. She's written dozens of books, plays, and films. Her most recent book, Let the Record Show, won the Lambda Literary Award for LGBTQ Nonfiction. She was an active member of ACT UP and she co-founded the Lesbian Avengers, the direct action group the organized the first Dyke March. She's been named a Guggenheim Fellow in playwriting and a Fulbright Fellow in Judaic Studies. She's on the advisory board of Jewish Voice for Peace and she's an endowed chair in creative writing at Northwestern. Our cover art is by Mattie Lubchansky. It interpolates the cover art for Bethany C. Morrow's book "So Many Beginnings: A Little Women Remix," with permission from Macmillan Children's Publishing Group. It also interpolates the cover art for Hena Khan's book “More to the Story,” with permission from Simon & Schuster. Our theme music is Mozart's Piano Sonata No. 16 in C Major. This episode was edited by Antoinette Smith and transcribed by Lou Balikos. A transcript of this episode is available here.

Recording Wolfgang Amadeus Mozart's piano and violin sonatas is a tour de force. Thirty-six works spanning more than a quarter of a century, from childhood to the last years of the composer´s short life, so long of art, of the great master of Salzburg.Tracklist1. Sonata for Piano and Violin in C Major, K. 296, No. 17: I. Allegro Vivace (09:00)2. Sonata for Piano and Violin In C Major, K. 296, No. 17: II. Andante Sostenuto (06:07)3. Sonata for Piano and Violin In C Major, K. 296, No. 17: III. Rondeau, Allegro (04:57)4. Sonata for Piano and Violin in F Major, K. 376, No. 24: I. Allegro (07:35)5. Sonata for Piano and Violin in F Major, K. 376, No. 24: II. Andante (05:29)6. Sonata for Piano and Violin in F Major, K. 376, No. 24: III. Rondeau, Allegretto Grazioso (06:41)7. Sonata for Piano and Violin in F Major, K. 377, No. 25: I. Allegro (06:07)8. Sonata for Piano and Violin in F Major, K. 377, No. 25: II. Andante (08:52)9. Sonata for Piano and Violin in F Major, K. 377, No. 25: III. Tempo di Menuetto (06:24)10. Sonata for Piano and Violin in B-Flat Major, K. 378, No. 26: I. Allegro Moderato (09:23)11. Sonata for Piano and Violin in B-Flat Major, K. 378, No. 26: II. Andantino Sostenuto e Cantabile (06:23)12. Sonata for Piano and Violin in B-Flat Major, K. 378, No. 26: III. Rondeau, Allegro (04:34)13. Sonata for Piano and Violin in G Major, K. 379, No. 27: I. Adagio-Allegro (12:26)14. Sonata for Piano and Violin in G Major, K. 379, No. 27: II. Tema e Variazioni (10:39)15. Sonata for Piano and Violin in E-Flat Major, K. 380, No. 28: I. Allegro (09:58)16. Sonata for Piano and Violin in E-Flat Major, K. 380, No. 28: II. Andante con Moto (09:16)17. Sonata for Piano and Violin in E-Flat Major, K. 380, No. 28: III. Rondeau (04:35)Help support our show by purchasing this album  at:Downloads (classicalmusicdiscoveries.store) Classical Music Discoveries is sponsored by Uber. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#LaMusicaFestival #CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber Please consider supporting our show, thank you!Donate (classicalmusicdiscoveries.store) staff@classicalmusicdiscoveries.com This album is broadcast with the permission of Bárbara Leu from Azul Music.         

This week, we're diving into the final chapter of Volume 1 of Little Women: Aunt March Settles the Question. What question? A marriage proposal. Oh, god. How is Alcott gonna proto-feminist her way out of this one? Our special guest is Kim Tran, a writer and a consultant on transformative justice, sexual harassment prevention, and unlearning anti-Blackness in non-Black communities, among many other subjects. Her work has been featured in NPR, Slate, and the New York Times. She holds a PhD in Ethnic Studies with a designated emphasis in Women and Gender Studies from UC Berkeley, and she's currently writing a book titled The End of Allyship: A New Era of Solidarity. You can visit Kim online at kimtranphd.com and on her very good Twitter, @but_im_kim_tran. You can also now follow us on Instagram at @josboyspod. We'll be posting news, updates, and Katharine Hepburn thirst traps. Our cover art is by Mattie Lubchansky. It interpolates the cover art for Bethany C. Morrow's book "So Many Beginnings: A Little Women Remix," with permission from Macmillan Children's Publishing Group. It also interpolates the cover art for Hena Khan's book “More to the Story,” with permission from Simon & Schuster. Our theme music is Mozart's Piano Sonata No. 16 in C Major. This episode was edited by Antoinette Smith.

Live from the Grand Teton Music Festival is a series of one-hour podcasts hosted by Music Director Sir Donald Runnicles and GTMF General Manager Jeff Counts. Season Six celebrates the Festival's 2022 season at Walk Festival Hall in Jackson Hole.Garrick Ohlsson, pianoGrand Teton Music Festival OrchestraSir Donald Runnicles, conductor(a preview of the new recording to be released on Reference Recordings)Ludwig van BeethovenConcerto for Piano No. 1 in C Major, Op. 15 – Mvt. IIIConcerto for Piano No. 2 in B-flat Major, Op. 19 – Mvt. IIConcerto for Piano No. 3 in C minor, Op. 37 – Mvt. IConcerto for Piano No. 4 in G Major, Op. 58 – Mvt. IIConcerto for Piano No. 5 in E-flat Major, Op. 73 – Mvt. III

Opening Song: Spirit of God (https://open.spotify.com/track/01xpMogKmr2T7ALu80ZgeE?si=233644c66cd54d3b) by Dave Fournier and George Romanacce Lyrics: The blessing of the Father gift of grace and love The promise of the Savior for power from above Oh wondrous gift that's given For confidence and mission Holy Spirit You make all things new Spirit of God breathe on me now Source of life come revive my weary heart Spirit of God shine on me now Light of life come ignite my longing heart Come and lift the dark clouds of doubt and unbelief Shine upon my soul now for by Your rays I see Clearer closer deeper the love of my Redeemer Holy Spirit You make all things new Where You breathe hope thrives The dead return to life And the dark must flee the breaking day By Your light I see the glory of my King Beholding Him I will be changed Passage: 13 Then Jesus came from Galilee to the Jordan to John, to be baptized by him. 14 John would have prevented him, saying, “I need to be baptized by you, and do you come to me?” 15 But Jesus answered him, “Let it be so now, for thus it is fitting for us to fulfill all righteousness.” Then he consented. 16 And when Jesus was baptized, immediately he went up from the water, and behold, the heavens were opened to him,[a] and he saw the Spirit of God descending like a dove and coming to rest on him; 17 and behold, a voice from heaven said, “This is my beloved Son,[b] with whom I am well pleased.” Musical Reflection: Prelude in C Major, BWV 846 by J.S. Bach Reflection Notes: Bach's well-known prelude spins out a series of modulations, almost imperceptible at first. The new harmonies continually unfold in a way that intrigues but never shocks. Prayer: Eternal Father, at the baptism of Jesus you revealed him to be your Son, and your Holy Spirit descended upon him like a dove: Grant that we, who are born again by water and the Spirit, may be faithful as your adopted children; through Jesus Christ our Lord, who lives and reigns with you and the Holy Spirit, one God, now and for ever. Amen.

This week, we're joined by Camryn Garrett, the acclaimed author of Full Disclosure, Off the Record, and Friday I'm In Love, which just dropped on January 10 — so, like, take your headphones out of your ears, run to your nearest bookstore, and buy it now. In 2019, Camryn was named one of Teen Vogue's 21 Under 21 and one of Glamour's College Women of the Year, and she recently graduated from NYU's Tisch School of the Arts. Together, Camryn and I tackle the scene in which Dad March comes home, at last, from war. (No, he does not actually say, "My little women!" Sorry, Bob Odenkirk fans.) He says his "son Jo" has become a fine young lady - and boy, do Camryn and I have thinky thoughts about that. We also ask why the subject of slavery is so curiously absent in this most Civil War-y of Civil War novels, and Camryn gives me a full recap of Taylor Swift's commencement speech, which she got to see firsthand, as a 2022 Tisch grad. Our cover art is by Mattie Lubchansky. It interpolates the cover art for Bethany C. Morrow's book "So Many Beginnings: A Little Women Remix," with permission from Macmillan Children's Publishing Group. It also interpolates the cover art for Hena Khan's book “More to the Story,” with permission from Simon & Schuster. Our theme music is Mozart's Piano Sonata No. 16 in C Major. This episode was edited by Antoinette Smith and transcribed by Lou Balikos. A transcript of this episode is available here.

Transcript included below…Pro tip: please watch the short video version of this post that I link to here: https://www.guitarsuccess4u.com/closekeys.  It will give you a much clearer grasp of what I'm sharing here.Today, we're going to talk about how to leverage the Circle of Fifths to move seamlessly between keys.Have you ever played several songs in a sequence? I'm quite sure you have, but if you haven't, that time is coming. Maybe you're leading a set of worship songs, performing a concert, or you're thinking about a recording order for an album.There are several factors to consider when we put songs into sets, one of which is the keys the songs are in. In my early years of worship leading from the guitar, I would put together a set of songs that were all in the same key, just to be “on the safe side.” But we shouldn't ever be at the mercy of the key of a song. We should be able to choose the songs based on tempo, groove, and of course, theme.With this in mind, I want to talk briefly about what's involved with accessing closely-related keys.Starting from a Major KeyLet's begin with the commonly-used guitar key of D Major. I've provided what I like to call my Super Spy Decoder for the seven diatonic chords in this key. They are: D Major, E minor, F# minor, G Major, A Major, B minor, and C# diminished.If you've played a song in D Major, you've likely used most of those chords…perhaps not the C# diminished chord as much, because it has such an unstable, dissonant quality to it. You'll see that in my decoder, I've created an orange box with an “X” through that chord. But the other six chords, including the Major I chord, are all a part of the key of D Major.Now, if you're familiar with the Circle of Fifths, you know what a powerful tool it is. If you're not, I'm going to provide a couple little slices of it to illustrate how to access closely-related keys.As you look at my first little six-chord slide of the Circle, you'll find five keys that are “closely-related” to D Major. What do you notice? All the chords in D are here except for the C# diminished chord. These chords are the starting chords of the closely-related keys. Moving counterclockwise from D to G, or clockwise from D to A, we are advancing by 5th along the Circle of 5ths. The relative minor keys for each of these three Major keys are inside the circle. B minor is the relative minor key of D Major. E minor is the relative minor key of G Major. And F# minor is the relative minor key of A Major.So, if I'm leading a song in D Major, and I want to think about other keys I could play in after that song, I now have five immediate options. Why are these keys closely-related? Because they're pleasing to the ear when we move to them. Why are they pleasing to the ear? Because they each start on a chord that is already in the key of D. Those closely-related keys again, in no specific order, are G, A, E minor, B minor and F# minor. So…that's a Major key example.Starting from a Minor KeyLet's say we're starting from the key of E minor. The seven diatonic chords in E natural minor are available here in a new Super Spy Decoder. They are: E minor, F# diminished, G Major, A minor, B minor, C Major, and D Major. At this point, you may know what I'm going to say, even before I say it. The diminished ii° chord (the F# diminished chord) is not going to be as accessible, so it won't remain in the picture, thus my orange box with an “X” through the chord. Look at my second little slice of the Circle, with E minor as the key we're starting from.Again, we have five other keys that are within easy reach of E minor, and they all start on a chord that's diatonic to E minor. These five closely-related keys again, in no specific order, are G, C, D, A minor and B minor. And…that's a minor key example. So as long as we're in close proximity to a key, we have access to any of five keys that share either the same key signature or a key signature that's just one sharp away. Just to illustrate what happens when we don't move to a closely-related key, but instead try to jump to a key on the other side of the Circle of Fifths, we could start from D Major, a key with two sharps, and without warning, we could attempt to play in A flat Major, a key with four flats. Even a non-musician who hears a guitarist jump to a new key like that will have a sense that something isn't quite right.Whether you need to jump across the Circle or not, you can see (and hear) that this is much less of a smooth transition. We of course have the freedom to pause and insert a spoken thought or a prayer to avoid an awkward key jump like this…but not typically on a recorded album.We can also make our way musically to keys that are further away, but this often involves the process of modulation. And of course, there's also transposition.For now, though, remember that if you leverage closely-related keys, you'll play song transitions that are much more pleasing to the ear. In terms of an example of a song order using closely-related keys from today, we could start with a song in D, followed by a song in G, then a song in E minor, another song in D, and end on a song in A. And again, if we have two songs back-to-back that are in the same key, no worries! Taking this Even FurtherAs we wrap up, I want to mention the fact that closely-related keys are accessible around the entire Circle of Fifths, as you might imagine. Any of the 24 keys will have five closely-related keys that can be easily found and accessed using this method.So, put this strategy to use, and watch your options for song sets unfold in wonderful, highly musical ways. And if you want to see the complete picture with my unique approach to discovering – and leveraging – the Circle of Fifths, I encourage you to join GuitarSuccess4U.  This is where knowledge and application converge. Thanks for taking time with me today to explore another topic that can lead to serious fun on the guitar. I hope this was helpful, and I look forward to next time! This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit guitarseriousfun.substack.com

Opening Song: Instrument of Peace (https://open.spotify.com/track/1SGPy5qVkxZZAOFpyAwG0y?si=a924ea5bd1f443da) by Isaac Wardell, Jessica Fox, Liz Vice, Orlando Palmer, and Paul Zach Lyrics: Lord make me An instrument of peace An instrument of peace Where is there hatred let me sow love Where there is darkness let me sow light For in the giving we shall receive And in the dying we're given life Lord make me An instrument of peace An instrument of peace Where there is sorrow let me sow hope Where there is doubt let me sow faith Where is injury your pardon give Your consolation to those in pain Lord make me An instrument of peace An instrument of peace Passage: 1 Give the king your justice, O God, and your righteousness to the royal son! 2 May he judge your people with righteousness, and your poor with justice! 3 Let the mountains bear prosperity for the people, and the hills, in righteousness! 4 May he defend the cause of the poor of the people, give deliverance to the children of the needy, and crush the oppressor! 5 May they fear you while the sun endures, and as long as the moon, throughout all generations! 6 May he be like rain that falls on the mown grass, like showers that water the earth! 7 In his days may the righteous flourish, and peace abound, till the moon be no more! 10 May the kings of Tarshish and of the coastlands render him tribute; may the kings of Sheba and Seba bring gifts! 11 May all kings fall down before him, all nations serve him! 12 For he delivers the needy when he calls, the poor and him who has no helper. 13 He has pity on the weak and the needy, and saves the lives of the needy. 14 From oppression and violence he redeems their life, and precious is their blood in his sight. (Psalm 72:1–7, 10–14 ESV) Musical Reflection: Prelude in C Major, BWV 846 by J.S. Bach Reflection Notes: Bach's well-known prelude spins out a series of modulations, almost imperceptible at first. The new harmonies continually unfold in a way that intrigues but never shocks. Prayer: O God, the King eternal, whose light divides the day from the night and turns the shadow of death into the morning: Drive far from us all wrong desires, incline our hearts to keep your law, and guide our feet into the way of peace; that, having done your will with cheerfulness during the day, we may, when night comes, rejoice to give you thanks; through Jesus Christ our Lord. Amen.

This week, we're joined by Alex Marzano-Lesnevich. Alex is the author of the book slash cultural phenomenon The Fact of a Body: A Murder and a Memoir, which won several awards, including the Lambda Literary Award, and was named one of the best books of the year by Entertainment Weekly, the Times of London, the Guardian, and about a million other places. Alex earned their BA from Columbia, their MFA at Emerson College, and their JD at Harvard Law School. They're now an assistant professor at Bowdoin College, and their next book, Both and Neither, is forthcoming from Doubleday. Together, we dive into this rollercoaster of a chapter: Laurie plays Cupid, makes a mess, and tries to enlist Jo in a plot to run away from home. Jo would, if she were a boy, but as she's a miserable girl... Well, maybe with this haircut... On second thought, yeah; we're running away to India together, and we're doing it as boys. Gender! Can't live with it, can't live without it. Our cover art is by Mattie Lubchansky. It interpolates the cover art for Bethany C. Morrow's book "So Many Beginnings: A Little Women Remix," with permission from Macmillan Children's Publishing Group. It also interpolates the cover art for Hena Khan's book “More to the Story,” with permission from Simon & Schuster. Our theme music is Mozart's Piano Sonata No. 16 in C Major. This episode was edited by Antoinette Smith and transcribed by Lou Balikos. A transcript of this episode is available here.

Synopsis There's an old joke that Schubert wrote two symphonies: one unfinished, and the other endless—the reference being to Schubert's Unfinished Symphony which lasts about 20 minutes, and his Great Symphony in C Major, which can run about an hour in performance. It was Antonio Salieri, one of Schubert's composition teachers in Vienna, who encouraged the young composer to date his manuscripts, so we know that Schubert's Unfinished Symphony was written in 1822. It wasn't performed in public, however, until December 17th, 1865—some 43 years later. The manuscript was known to exist, but no one bothered much about it until Josef von Herbeck tracked it down and conducted its first performance in Vienna. At its premiere, Herbeck added the last movement of Schubert's Third Symphony in D as a kind of makeshift finale. Many others have tried to "finish" the Unfinished Symphony, but more often than not, it is performed as an incomplete, yet oddly satisfying, work. The Icelandic composer Jon Leifs, who died in 1968, apparently worried that he might leave some unfinished orchestral score behind. Therefore, he composed not one but TWO works he titled Finale. These were intended as a kind of "musical insurance policy." To each score, Leifs attached a note suggesting that if he died and left behind any unfinished orchestral projects, either of these two Finales could be used. Music Played in Today's Program Franz Schubert (1797-1828) Symphony No. 9 Berlin Philharmonic; Karl Böhm, cond. DG 419 318 Jón Leifs (1899-1968) Fine I, Op. 55 and Fine II, Op. 56 Iceland Symphony; Petri Sakari, cond. Chandos 9433

This week, we're joined by Ethan Evans, a PhD candidate at Cardiff University, to chat about George Eliot, a contemporary of Lou Alcott, and everything the two authors had in common. Ethan has written extensively on queer masculinity in Eliot's life and work, and his research applies recent developments in queer and trans studies to the lives of Eliot and her partner George Henry Lewes. Our cover art is by Mattie Lubchansky. It interpolates the cover art for Bethany C. Morrow's book "So Many Beginnings: A Little Women Remix," with permission from Macmillan Children's Publishing Group. It also interpolates the cover art for Hena Khan's book “More to the Story,” with permission from Simon & Schuster. Our theme music is Mozart's Piano Sonata No. 16 in C Major. This episode was edited by Antoinette Smith and transcribed by Lou Balikos. A transcript of this episode is available here.

Brussel is in rep en roer vanwege misschien wel het grootste corruptieschandaal in de geschiedenis van de Europese Unie. Europarlementariërs zouden steekpenningen hebben aangenomen van onder andere Qatar, en inmiddels zouden zelfs tassen met cash geld gevonden zijn. Juist op het moment dat alle regeringsleiders bij elkaar komen om hernieuwde steun aan Oekraïne te bespreken, overschaduwt dit schandaal de gehele Europese top. Europacorrespondent Kysia Hekster is net terug uit een Oekraïne dat in grote problemen verkeert qua energievoorziening, en is nu alweer onderweg naar het rumoerige Brussel. Ze vertelt erover in een nieuwe aflevering van Europa Draait Door. Fragmenten en links uit aflevering: - Stem hier op het non-fictie boek van het jaar (https://www.nporadio1.nl/nieuws/cultuur-media/accd5ee4-d230-4482-b912-44de58827744/stem-humberto-beste-non-fictieboek-2022) - De tirade van Jonathan Pie over de Britse regering - De complimenteuze woorden voor Qatar van de inmiddels opgepakte Europarlementariër - Kati Piri in Bureau Buitenland over het corruptieschandaal-    - De reportage van Kysia Hekster - Tim bij NPO Radio 4 - Georg Kallweit - Violin Sonata in C Major, Wq. 73, H. 504: II. Andante

Jiunn, Seth, John and Aaron discuss their review experience with the Crowned Heads Sfumato in C Major https://developingpalates.com/reviews/cigar-reviews/team-cigar-review-crowned-heads-sfumato-in-c-major/

In the late summer or early autumn of 1828, Schubert completed an extraordinary work, his String Quintet in C Major. 6 weeks later, he was dead. Nowadays this piece is considered to be one of the most sublime 50 minutes to an hour that exists in all of music. But when Schubert completed this quintet, he sent a letter to the publisher Heinrich Albert Probst, to ask him to publish it. Schubert wrote: ‘Among other things, I have composed three sonatas for piano solo, which I should like to dedicate to Hummel. I have also set several poems by Heine of Hamburg, which went down extraordinarily well here, and finally have completed a Quintet for 2 violins, 1 viola and 2 violoncellos. I have played the sonatas in several places, to much applause, but the Quintet will only be tried out in the coming days. If any of these compositions are perhaps suitable for you, let me know.'  The quintet was ignored by Probst, and we don't know if Schubert ever heard that rehearsal of his quintet.  When Schubert died, it was utterly forgotten until 1850, over 20 years after Schubert had put these notes down on paper. The well known at the time Hellmesberger quartet discovered the quintet, began performing it, and finally, in 1853, the piece was published for the very first time. Slowly, as so many great works of art do, it caught on, until today it is one of the most beloved works in the entire Western Classical music universe. But it's not an easy piece to talk, or to write, about. Long associated with Schubert's impending death, though we have no evidence that he knew he was dying when he wrote the piece, it is often seen as a work full of shadows and shades, despite its C Major key and often ebullient character. Writers, thinkers, and podcasters I should add, have often found it difficult to put their finger on the fundamental character of this remarkable piece, which I actually find to be an asset, not a problem to be solved. Schubert's music is so beautiful because it speaks to everyone in a different way. Unlike Beethoven, who grabbed you and shook you and told you to listen to what he had to say, Schubert invites us in, has us sit down for while, and lets us take part in his remarkably complex emotional world. Today we'll explore why Schubert wrote a string quintet at all, how he uses that extra cello in such beautiful ways, Schubert's sense of melody, his expansive scope, and so much more. Join us!

本期节目是与瑞虹天地「Live in Dreams 美梦成真」双旦活动季联合呈现的“冬日暖心特辑”的第二集，将会听到主播成长过程中被“暖”到的古典名曲，同时也盘点了古典乐历史上与圣诞/新年高度绑定的不朽作品。节目中推荐的往期嘉宾年末公演：12月25日 姜建华 故乡热情 二胡独奏音乐会@东方艺术中心（第30期嘉宾）12月26日 上海ECHO室内合唱团 亚当的诗合唱钢琴音乐会（第67期嘉宾）- 聊天的人 -顾超（微博@天方乐谈超人，公众号“天方乐谈Intermezzo”）- 音乐 -00:37Tchaikovsky - Serenade for String Orchestra in C Major, Op. 48 - 2. Valse[03:27]Deck the Halls[11:01]Leroy Anderson - Sleigh Ride[16:27]Mozart - 3 German Dances, K. 605 No.3 in C Major,Die “Schlittenfahrt”[21:17]Bach - Christmas Oratorio BWV 248 “Jauchzet frohlocket”[25:57]Corelli - Concerto grosso in G minor, Op.6, No.8 “fatto per la notte di Na tale” III[31:29]Handel - Messiah, HWV 56 - Pifa（田园曲）[36:10]Handel - Messiah, HWV 56 - Hallelujah![42:46]Tchaikovsky - The Seasons, Op.37a, No.12 December. Christmas[50:27]Tchaikovsky - Nutcracker Suite, Op.71a: Waltz of the Flowers[1:00:43]Britten - A Ceremony of Carols, Op.28, IX Spring Carol[1:03:04]John Rutter - The Colours Of Christmas[1:10:10]Franz Gruber / Joseph Mohr - Silent Night喜欢并希望打赏本节目的听友，请关注节目的微信公众号并在对应文章下赞赏投喂，加入「天方乐谈」听友群，请添加管理员微信号guchaodemajia。- logo设计 -五颜六色的大亮哥- 收听方式 -推荐您使用「苹果播客」、小宇宙或任意泛用型播客客户端订阅收听《天方乐谈》，也可通过喜马拉雅等app收听。- 互动方式 -节目微信公众号：天方乐谈Intermezzo听友群管理员微信号：guchaodemajia本期节目由顾超与魔都电台联合制作。

This week, we're joined by Jennifer Putzi. Dr. Putzi is a professor at the College of William & Mary, where she teaches English and Gender, Sexuality, and Women's Studies. Among her course offerings, she's taught both Transgender Fictions and a 400-level course called 150 Years of Little Women. She is the author of several books, including Fair Copy: Relational Poetics and Antebellum American Women's Poetry and Identifying Marks: Race, Gender, and the Marked Body in Nineteenth-Century America. Together, we discuss Chapter 20: Confidential, in which Meg and John Brooke's relationship really takes off, much to Jo's consternation. Also, we make an incredible discovery regarding the gender identity of Aunt March's pet parrot. Turns out Polly… is a he? Our cover art is by Mattie Lubchansky. It interpolates the cover art for Bethany C. Morrow's book "So Many Beginnings: A Little Women Remix," with permission from Macmillan Children's Publishing Group. It also interpolates the cover art for Hena Khan's book “More to the Story,” with permission from Simon & Schuster. Our theme music is Mozart's Piano Sonata No. 16 in C Major. This episode was edited by Antoinette Smith and transcribed by Lou Balikos. A transcript of this episode is available here.

We are joined by Ryan Newman, Royale Cigar Lounge, once again in the garage for the show. He brought some goodies with him as usual and we are ready for some new stuff! We are cracking the New Riff 6 Year Malted Rye distilled in Fall 2015 and bottled in Spring of 2022. We also have a limited PCA release from Crowned Heads, the SFUMATO in C Major, to light up and talk about this week. Ask questions on the feed during the show or after if you want to be part of the conversation!   Pour one more...light up another...we'll figure it out together.   Please Drink Responsibly   byjack.com/bourbonandbs to buy some shirts!   Thanks to our sponsors:   All of you that have been supporting us! Join our patrons at patreon.com/bourbonandbspodcast to help support the continuing growth of the show and the community.   Tinder Box at Easton for the weekly featured cigar and check them out for their current featured cigar at eastontinderbox@gmail.com   Altadis USA for the weekly second cigar and the continued support   BS Cigar Company for the continued support! Check them out at bscigarcompany@gmail.com for ordering the BS Gold and BS Silver

 Sony Music Masterworks today releases THE FABELMANS (ORIGINAL MOTION PICTURE SOUNDTRACK) by five-time Academy Award® winner JOHN WILLIAMS. Available everywhere now, the album features an original musical score composed by Williams for director Steven Spielberg's deeply personal cinematic memory of the forces, and family, that shaped his life and career. The soundtrack marks the latest collaboration between Spielberg and Williams, whose longstanding creative partnership spans nearly 50 years and 30 films. From E.T., Jaws, and Jurassic Park to Schindler's List, Lincoln, and Saving Private Ryan, Williams and Spielberg's collaborations have produced some of the most iconic and well-recognized music in film history. THE FABELMANS (ORIGINAL MOTION PICTURE SOUNDTRACK) TRACKLISTING – 1. The Fabelmans 2. Mitzi's Dance 3. Sonatina in A Minor, Op. 88 No. 3: III. Allegro burlesco – Friedrich Kuhlau 4. Midnight Call 5. Reverie 6. Mother and Son 7. Sonatina in C Major, Op. 36 No. 3: Spiritoso – Muzio Clementi 8. Reflections 9. Concerto in D Minor, BWV 974: II. Adagio – Johann Sebastian Bach 10. New House 11. The Letter 12. The Journey Begins (includes excerpt from Joseph Haydn: Sonata No. 48 in C Major, HOB. XVI: 35: I. Allegro con brio)  **All tracks composed by John Williams unless otherwise denoted Purchase the music (without talk) at Itunes or Amazon. Classical Music Discoveries is sponsored by Uber. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#LaMusicaFestival #CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber Please consider supporting our show, thank you!Donate (classicalmusicdiscoveries.store) staff@classicalmusicdiscoveries.com

This week, we're joined by Gregory Eiselein, current president of the Louisa May Alcott Society and Donnelly Professor of English and University Distinguished Teaching Scholar at Kansas State University. We're also joined by Anne Phillips, former president of the Louisa May Alcott Society and Associate Head of the Graduate Faculty of English at Kansas State University. Together, Dr. Eiselein and Dr. Phillips have co-edited four books on Alcott and Little Women. They bring entire lifetimes of expertise and experience to this episode, a deep dive into Chapter 19: Amy's Will, which sees Beth becoming sicker and Amy becoming… a Catholic bio queen? Our cover art is by Mattie Lubchansky. It interpolates the cover art for Bethany C. Morrow's book "So Many Beginnings: A Little Women Remix," with permission from Macmillan Children's Publishing Group. It also interpolates the cover art for Hena Khan's book “More to the Story,” with permission from Simon & Schuster. Our theme music is Mozart's Piano Sonata No. 16 in C Major. This episode was edited by Antoinette Smith and transcribed by Lou Balikos. A transcript of this episode is available at https://docs.google.com/document/d/1Fi-jYI0rV-1dbiqeoOruYn4iKfUkVw4SiAQzpSH_u4Y/edit?usp=sharing.

Opening Song: Tend by Emmy Rose, Jessie Early, and Michaela Gentile Lyrics: In the landscape of my life You don't rush through any season You always take Your time A careful hand a gentle guide You take what's dead away And You prune what's running wild (So) be the gardener of my heart Tend the soil of my soul Break up the fallow ground Cut back the overgrown I won't shy away I will let the branches fall So what You want can stay And what You love can grow Through the winter I'm still alive What You've planted in the dirt Is ever reaching to the light You prepare me for darkened times You'll sustain what You have started And You'll teach me to abide I'll remain in You You'll remain in me And I will trust Your timing I'll remain in You You'll remain in me From the start until the ending 'Cause You will know better Passage: Hear the word of the Lord, you rulers of Sodom! Give ear to the teaching[a] of our God, you people of Gomorrah! 11 “What to me is the multitude of your sacrifices? says the Lord; I have had enough of burnt offerings of rams and the fat of well-fed beasts; I do not delight in the blood of bulls, or of lambs, or of goats. 12 “When you come to appear before me, who has required of you this trampling of my courts? 13 Bring no more vain offerings; incense is an abomination to me. New moon and Sabbath and the calling of convocations— I cannot endure iniquity and solemn assembly. 14 Your new moons and your appointed feasts my soul hates; they have become a burden to me; I am weary of bearing them. 15 When you spread out your hands, I will hide my eyes from you; even though you make many prayers, I will not listen; your hands are full of blood. 16 Wash yourselves; make yourselves clean; remove the evil of your deeds from before my eyes; cease to do evil, 17 learn to do good; seek justice, correct oppression; bring justice to the fatherless, plead the widow's cause. 18 “Come now, let us reason[b] together, says the Lord: though your sins are like scarlet, they shall be as white as snow; though they are red like crimson, they shall become like wool. 19 If you are willing and obedient, you shall eat the good of the land; 20 but if you refuse and rebel, you shall be eaten by the sword; for the mouth of the Lord has spoken.” Musical Reflection: Prelude in C Major, BWV 846 by J.S. Bach Prayer: Father, what we know not, teach us; what we have not, give us; what we are not, make us; for the sake of your Son our Savior. Amen. -Old Anglican Prayer

This week, we're joined by Molly Horan, author of the delightful novel Epically Earnest, which is available now from Harper Collins. She is a professor at New York University, where her course offerings include Reading and Writing LGBT YA Fiction: From Annie On My Mind to They Both Die at the End. She's also edited and written for publications like BuzzFeed, Refinery29, and Bust, and she holds an MFA in writing for children and young adults from the New School. And she co-wrote a stage adaptation of Little Women for Brooklyn's Hedgepig Ensemble in 2019, which makes her very qualified to speak on this bleak chapter, wherein Beth gets sick, Jo gets drunk, and Laurie gets romantically rejected for the first time -- but not the last. You can visit Molly on Twitter at @molly_horan. Our cover art is by Mattie Lubchansky. It interpolates the cover art for Bethany C. Morrow's book "So Many Beginnings: A Little Women Remix," with permission from Macmillan Children's Publishing Group. It also interpolates the cover art for Hena Khan's book “More to the Story,” with permission from Simon & Schuster. Our theme music is Mozart's Piano Sonata No. 16 in C Major. This episode was edited by Antoinette Smith and transcribed by Lou Balikos. A transcript of this episode is available here.

We'll look at Beethoven's Triple Concerto in C Major (for violin, cello and piano soloists and orchestra), Op. 56.

Opening Song: Goodness of God (https://open.spotify.com/track/17ubWh1ByC0Ocif2mx26fy?si=76532d7805b84044) by Ben Fielding, Brian Johnson, Ed Cash, Jason Ingram, and Jenn Johnson; sung here by Jane Xie Lyrics: I love You Lord Oh Your mercy never fails me All my days I've been held in Your hands From the moment that I wake up Until I lay my head I will sing of the goodness of God All my life You have been faithful All my life You have been so so good With every breath that I am able I will sing of the goodness of God I love Your voice You have led me through the fire In darkest night You are close like no other I've known You as a father I've known You as a friend I have lived in the goodness of God Your goodness is running after It's running after me Your goodness is running after It's running after me With my life laid down I'm surrendered now I give You everything Your goodness is running after It's running after me Passage: And he told them a parable to the effect that they ought always to pray and not lose heart. 2 He said, “In a certain city there was a judge who neither feared God nor respected man. 3 And there was a widow in that city who kept coming to him and saying, ‘Give me justice against my adversary.' 4 For a while he refused, but afterward he said to himself, ‘Though I neither fear God nor respect man, 5 yet because this widow keeps bothering me, I will give her justice, so that she will not beat me down by her continual coming.'” 6 And the Lord said, “Hear what the unrighteous judge says. 7 And will not God give justice to his elect, who cry to him day and night? Will he delay long over them? 8 I tell you, he will give justice to them speedily. Nevertheless, when the Son of Man comes, will he find faith on earth?” Musical Reflection: Prelude in C Major, BWV 846 by J.S. Bach Reflection Notes: Bach's well-known prelude spins out a series of modulations, almost imperceptible at first. The new harmonies continually unfold in a way that intrigues but never shocks. Prayer: Almighty and everlasting God, you govern all things both in heaven and on earth: Mercifully hear the supplications of your people, and in our time grant us your peace; through Jesus Christ our Lord, who lives and reigns with you and the Holy Spirit, one God, for ever and ever. Amen.

This week, we're joined by special guest Tiffany Wayne, a historian and scholar of women, gender, and feminism. Dr. Wayne was an Affiliated Scholar at Stanford University's Clayman Institute and a professor of history at UC Santa Cruz and Cabrillo College. She's edited and authored several books, including Women's Suffrage: The Complete Guide to the Nineteenth Amendment, Women's Rights in the United States, and Feminist Writings from Ancient Times to the Modern World. We're so glad to have Dr. Wayne on hand as Beth returns from the Hummels with bad news and a worse fever. You can visit Dr. Wayne online at womanwriting.com. Our cover art is by Mattie Lubchansky. It interpolates the cover art for Bethany C. Morrow's book "So Many Beginnings: A Little Women Remix," with permission from Macmillan Children's Publishing Group. It also interpolates the cover art for Hena Khan's book "More to the Story," with permission from Simon & Schuster. Our theme music is Mozart's Piano Sonata No. 16 in C Major. This episode was edited by Antoinette Smith and transcribed by Lou Balikos. A transcript of this episode is available here.

Smith says, “When a wave begins, it gathers momentum, so with this collection of music I see a gathering of energy into our modern era. I perceive this momentum in each of these composers' works as propelling the arts forward in their time… And so, we continue today in the wave of momentum which began long ago.”Momentum Track ListSergei Sergeyevich Prokofiev (1891-1953) – Cello Sonata in C Major, Op. 119     1. I. Andante grave [11:59]     2. II. Moderato [5:07]     3. III. Allegro ma non troppo [8:23]Igor Fyodorovich Stravinsky (1882-1971) – Suite Italienne     4. I. Introduzione [2:25]     5. II. Serenata [3:16]     6. III. Aria [5:21]    7. IV. Tarantella [2:20]     8. V. Minuetto e Finale [4:48]Nadia Boulanger (1887-1979) – Trois Pièces pour violoncelle et piano     9. I. Modéré [3:10]     10. II. Sans vitesse et à l'aise [1:49]    11. III. Vite et nerveusement rythmé [2:46]Total Time: 51:24Purchase the music (without talk) at:Momentum (classicalmusicdiscoveries.store)Your purchase helps to support our show! Classical Music Discoveries is sponsored by La Musica International Chamber Music Festival and Uber. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#LaMusicaFestival #CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber Please consider supporting our show, thank you!Donate (classicalmusicdiscoveries.store) staff@classicalmusicdiscoveries.comThis album is broadcasted with the permission of Katy Salomon representing Primo Artists.

This week, we're joined by special guest Eagan Dean, an award-winning Americanist in Rutgers' Department of English. Eagan is currently working toward his PhD in Literatures in English with a certificate in women's, gender, and sexuality studies. Their dissertation, "American Literary Gender (and Its Discontents): The Literary Production and Uses of Hermeneutic Gender in the Long Nineteenth Century in America," makes him the perfect person to break down this chapter of Little Women. With Marmee away in Washington, tending to father, Jo assumes the mantle of man of the house -- and the other March sisters have their own concerns. Our cover art is by Mattie Lubchansky. It interpolates the cover art for Bethany C. Morrow's book "So Many Beginnings: A Little Women Remix," with permission from Macmillan Children's Publishing Group. It also interpolates the cover art for Hena Khan's book "More to the Story," with permission from Simon & Schuster. Our theme music is Mozart's Piano Sonata No. 16 in C Major. This episode was edited by Antoinette Smith and transcribed by Lou Balikos. A transcript of this episode is available here.

Opening Song: Faithful (https://open.spotify.com/track/4UTAp44YL1nFYJaWNckkHv?si=4be476ca8fd74b1e) by Camaryn Avers and Erik Nieder Lyrics: Lord you search me how you know me You perceive my every thought from afar In all my wandering still you love me King of glory you pursue my anxious heart Even when I'm not you're faithful Even when I doubt your truth holds Even when I'm lost you won't let me go When my heart is dry your grace flows No matter where I run I'm not far from home Yea I may be weak but you're able Even when I'm not you're faithful Even when I'm not you're faithful Lord you search me how you know me You perceive my every thought from afar In all my wandering still you love me King of glory you pursue my anxious heart Where can I go from your spirit Where can I hide from your face Where can I flee from your presence Where would I go where would I go If I rise to the heavens you're with me If I fall to the depths of the sea Even there it's your hand that will lead me Wherever I go wherever I go Passage: He also said to the disciples, “There was a rich man who had a manager, and charges were brought to him that this man was wasting his possessions. 2 And he called him and said to him, ‘What is this that I hear about you? Turn in the account of your management, for you can no longer be manager.' 3 And the manager said to himself, ‘What shall I do, since my master is taking the management away from me? I am not strong enough to dig, and I am ashamed to beg. 4 I have decided what to do, so that when I am removed from management, people may receive me into their houses.' 5 So, summoning his master's debtors one by one, he said to the first, ‘How much do you owe my master?' 6 He said, ‘A hundred measures[a] of oil.' He said to him, ‘Take your bill, and sit down quickly and write fifty.' 7 Then he said to another, ‘And how much do you owe?' He said, ‘A hundred measures[b] of wheat.' He said to him, ‘Take your bill, and write eighty.' 8 The master commended the dishonest manager for his shrewdness. For the sons of this world[c] are more shrewd in dealing with their own generation than the sons of light. 9 And I tell you, make friends for yourselves by means of unrighteous wealth,[d] so that when it fails they may receive you into the eternal dwellings. 10 “One who is faithful in a very little is also faithful in much, and one who is dishonest in a very little is also dishonest in much. 11 If then you have not been faithful in the unrighteous wealth, who will entrust to you the true riches? 12 And if you have not been faithful in that which is another's, who will give you that which is your own? 13 No servant can serve two masters, for either he will hate the one and love the other, or he will be devoted to the one and despise the other. You cannot serve God and money.” Musical Reflection: Piano Sonata No. 16 in C Major, K. 545: II. Andante by W. A. Mozart Reflection Notes: In true fashion for Mozart's middle movements, this Andante blooms slowly with gentle and delicate notes; the melody ascends in joyful fashion at the most climactic points before settling back down with the satisfying left hand harmonies. Prayer: O God, forasmuch as without thee we are not able to please thee, mercifully grant that thy Holy Spirit may in all things direct and rule our hearts; through Jesus Christ our Lord. Amen. -The Gelasian Sacramentary

Donald Macleod explores Carl Maria von Weber's city lives and those dramas and scandals survived throughout. Weber's relationship with European cities mirrored his life and work, from the restless wandering of his earlier years, to the way his life changed after the success of his opera Der Freischütz. And in his final months he travelled to London to compose and produce another major opera, Oberon, but would die after giving its first performances. The young Weber had an unerring ability to cause offence. He got involved in multiple love affairs that caused him problems. He was also very good at racking up debts. These traits unfold as we follow Weber's picaresque journeys around Europe, flitting from city to city: sometimes chasing opportunities, sometimes in disgrace, at other times escorted away under armed guard. Music Featured: Grande polonaise in E-Flat major, Op 21, J. 59 Der Beherrscher der Geister (Ruler of Spirits), J. 122 Clarinet Quintet in B-Flat major, Op 34, J. 182 (1st mvt) Symphony No. 1 in C Major, Op 19, J. 50 (1st and 2nd mvt) Das Hifthorn schallt, ‘Huntsmen's Chorus' (Silvana, Act 1) Momento capriccioso, Op 12, J.56 Piano Concerto No 1 in C major, Op 11, J. 98 Clarinet Concertino in C minor / E-Flat major, Op 26, J. 109 Abu Hassan, J. 106 (Overture) Piano Concerto No 2 in E-Flat major, Op 32, J. 155 (2nd and 3rd mvt) 9 Variations on a Russian Theme, "Schöne Minka", Op 40, J. 179 Missa sancta No 1, Op 75, J. 224 (Kyrie and Gloria) Aufforderung zum Tanze, Op 65, J. 260 Der Freischütz, J. 277 (Act 3: Finale) Oberon, J. 306 (Overture) O Araby dear (Oberon, J. 306, Act 3) Piano Sonata No 4 in E minor, Op 70, J. 287 (3rd mvt) Presented by Donald Macleod Produced by Iain Chambers For full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Carl Maria von Weber (1786-1826) https://www.bbc.co.uk/programmes/m001cckh And you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

Synopsis On this date in 1828, Franz Schubert attended a party at the Vienna home of one of his admirers and played some of his new piano sonata in B-flat, which he had completed only the previous day. That same month, Schubert composed one of his greatest works, the String Quintet in C Major. Tragically, in less than two months, Schubert would be dead, an apparent victim of tertiary syphilis, the most dreaded sexually-transmitted disease of Schubert's day. In our time, antibiotics can treat this once fatal disease, but in the early 1980s, its place was taken by the AIDS epidemic, which, before effective treatments were discovered, shortened the lives of many contemporary artists. One of these was the American composer Kevin Oldham, born in 1960 in Kansas City. His piano concerto was premiered to critical acclaim and a standing ovation by the Kansas City Symphony conducted by Bill McLaughlin in 1993. At that time, Oldham was seriously ill in a New York hospital and weighed only 135 pounds. Nevertheless he checked himself out, flew to his home town to solo in his concerto, then returned to the hospital the following day. He died six weeks later at age 32. When Schubert died, he was only 31. Music Played in Today's Program Franz Schubert (1797-1828): Piano Sonata in Bb, D. 960 –Alfred Brendel, piano (Philips 456 573) Kevin Oldham (1960-1993): Concerto for Piano, Op. 14 –Ian Hobson, piano; Kansas City Symphony; Bill McGlaughlin, cond. (BMG/Catalyst 61979)

Bienvenido mi gente! to Season 2 of Siempre Pa'lante! Always Forward. I'm your host, Giraldo Luis Alvaré. Gracias for listening. In this episode, our guest has dedicated his life to music for more than 50 years. He is a self-taught musician who has earned every accolade that has come his way. From El Barrio in Nueva York to entertaining millions of fans around the world, Please welcome, the King of Latin Soul, Joe Bataan. Gracias for listening. Don't forget to rate, review, follow, subscribe, like and share. Check out my Linktree for more info. Aguacate! https://linktr.ee/sp.alwaysforward SPECIAL GUEST Joe Bataan Musician, Band Leader, Singer & Songwriter Joe Bataan site | Facebook | Instagram | Twitter | Youtube Joe Bataan site - https://www.joebataanmusic.com/ FB - https://www.facebook.com/joe.bataan IG - https://www.instagram.com/therealjoebataan/?hl=en Twitter - https://twitter.com/JOE_BATAAN YouTube - https://www.youtube.com/channel/UC3hEeXdGmXCK19HNso5epoA/featured NOTABLE MENTIONS El Barrio, New York, Nueva York, Streetology, Afro-Filipino, Puerto Ricans, Portoros, Spofford, Bridges Detention Center, Spirit, Health, Knowledge, Three notches above the rest, The Godfather, Machiavelli Theory, Latin Soul, Cinderella Story, Peace, Joe Cuba, Shaft, Isaac Hayes, La Lupe, Tito Puente, Triad, C Major, D Minor, E Minor, Ralfi Pagan, Saint Cecilia's Church, Saint Cecilia, Patron Saint of Music, Our Father, Lord's Prayer, Shanghai, Australia, Japan, France, Germany, Mother's Day, Marshall & Wendell Piano, West Coast, La Raza, Ballads, Uptempo, Davinci Code, James Brown, Smokey Robinson, Frankie Lymon, George Gershwin, Cole Porter, Judy Garland, Frank Sinatra, Perry Como, Nat King Cole, Sammy Davis Jr., George Washington, Roosevelt, Pedro Albizu Campus, Cha-Cha-Cha, Mary Wells, Hector Rivera, Johnny Colon, Boogaloo, Ordinary Guy, Ricardo Ray, Chicago, R&B, Ghetto Records, Drug Story, Gypsy Women, Cotique Records, Morris Levy, Jerry Masucci, Boricua Theatre, Dick (Ricardo) Sugar, Johnny Pacheco, Red Garter, Marvin Gaye, Our Latin Thing, Fania, Sweet Soul, St. Latin's Day Massacre, Shea Stadium, Yankee Stadium, SalSoul, Rap-O-Clap-O, RCA Records, Larry Levan, Paradise Garage, El Avion, The Riot, Grace, Mercy, Peace --- Support this podcast: https://anchor.fm/spalwaysforward/support

Tim speaks to wunder cellist Sheku Kanneh-Mason about sibling dynamics, touring in the States and his new album Song. But before all that, Sam gets stuck in a Groundhog Day-inspired time loop while trying to analyse one of the pieces from Sheku's album: the 12 Variations on 'Ein Mädchen oder Weibchen‘ by Ludwig van Beethoven.You can find links to Sheku's album Song here: https://sheku.lnk.to/SongSo …Music ReferencedBeethoven‘s 12 Variations on 'Ein Mädchen oder Weibchen'‘Ein Mädchen oder Weibchen' from Mozart's The Magic FluteABBA: ‘Gimme! Gimme! Gimme! (A Man After Midnight)'Beethoven‘s Vestas Feuer‘Notte e giorno faticar' from Mozart's Don GiovanniBeethoven's Diabelli Variations in C Major, Op. 120: Variation 22Alien Ant Farm: ‘Smooth Criminal'… Buy us a coffee innit: https://ko-fi.com/classicalpod … Follow us here: instagram.com/classicalpod/ twitter.com/ClassicalPod facebook.com/ClassicalPod/

This week, we're joined by special guest Vicki Johnson. Vicki is a former White House staffer and the author of the forthcoming picture book Molly's Tuxedo, due out in June 2023 from Little Bee Books. She's a 2022 Lambda Literary Fellow, a graduate of Smith College, and an MFA candidate at the Vermont College of Fine Arts. You can visit her online at vickijohnsonwrites.com, on Twitter at @vickijohnson, and on Instagram at @vickijohnsonwrites. Together, Vicki and I dive into Chapter 15: A Telegram, in which a telegram arrives, all hell breaks loose, and Jo gets the most famous literary haircut of all time. We do spend most of the episode talking about that haircut. Civil War? Never heard of her! Our cover art is by Mattie Lubchansky. It interpolates the cover art for Bethany C. Morrow's book "So Many Beginnings: A Little Women Remix," with permission from Macmillan Children's Publishing Group. It also interpolates the cover art for Hena Khan's book "More to the Story," with permission from Simon & Schuster. Our theme music is Mozart's Piano Sonata No. 16 in C Major. This episode was edited by Antoinette Smith and transcribed by Lou Balikos. A transcription of this episode is available here.

This week, we're joined by special guest Erin Thomas, the author of more than half a dozen books for young people, including Forcing the Ace, Wolves at the Gate, and Overboard. She teaches creative writing to people of all ages, from Toronto schoolchildren to residents of the Oshawa Senior Citizens' Centre. She's a member of CANSCAIP, the Writers' Community of Durham Region, and the Canadian Children's Book Centre. Together, Erin and I dive into Chapter 14: Secrets, in which Jo publishes her very first story and enters into a footrace with Laurie, one with staggering Greek-mythic implications. You can visit Erin online at erinthomas.ca. Our cover art is by Mattie Lubchansky. It interpolates the cover art for Bethany C. Morrow's book "So Many Beginnings: A Little Women Remix," with permission from Macmillan Children's Publishing Group. It also interpolates the cover art for Hena Khan's book "More to the Story," with permission from Simon & Schuster. Our theme music is Mozart's Piano Sonata No. 16 in C Major. This episode was edited by Antoinette Smith.

‘Literatura del holocausto'. Un especial de Patricia del Río, en Letras en el tiempo, de una de las etapas más tristes y dolorosas de la historia de la humanidad en el siglo XX. Historias conmovedoras que nos trasladan al horror de la Segunda Guerra Mundial y que han quedado registradas en la literatura universal. Fred Stefan Reich reconstruye en su libro, ‘From Ashes to Naches', la historia de su familia en los campos de concentración nazi, y cómo unos cuántos pudieron sobrevivir para dar testimonio del holocausto que exterminó a casi todos sus parientes y a más de dos millones y medio de hombres, mujeres y niños judíos. Además del libro, Fred ha producido y realizado una película del mismo nombre donde relata la biografía de su abuelo Kurt Reich, que puede ser encontrado en la plataforma de Youtube (From Ashes to Naches (Kurt Reich"s Biography) - https://www.youtube.com/watch?v=Aujvlq4Q4WI El periodista Diego Pajares nos cuenta otro modo de conocer estas historias en las películas "Bastardos sin gloria", de Quentin Tarantino, y "El hombre en el castillo", serie de Philip K. Dick. Por su parte, Julio Zavala, crítico literario y gerente de la librería Escena libre, recomienda una variedad de libros imprescindibles de reciente publicación: "El rincón más oscuro del cielo", de Mayte Mujica; "Entre luces y tinieblas", de Jorge Juan Llerena, y "Antiguos y nuevos animales literarios", de Alonso Rabí do Carmo. Las canciones, cuyas historias y contenidos recrean el programa, son: ‘Lullaby, arreglos para viola y harpa', de Gideon Klein; ‘Nocturno No. 20 in C Major', de Chopin; ‘Zog nit keyn mol', de Maria Ka; ‘Presto in C Major', de Arnold Schoenberg; ‘Dance me to the end of love', por Jorge Drexler; y ‘Börgermoorlied', por la Orchestra Musica Concentrationaria. Conducción: Patricia del Río ||| Producción: Amelia Villanueva ||| Edición de audio: Andrés Rodríguez ||| Episodio 33 – Tercera temporada.

We'll look at the famous Waldstein Sonata in C Major, Op. 53 and the Sonata No. 22 in F Major, Op. 54.  

This week, we're hosting the world premiere of RXK Nephew's new song "Saoirse Ronan." RXK Nephew is a rapper based in Rochester, New York. He's been profiled in Rolling Stone and the Washington Post, and his song "American tterroristt" came in at #44 on Pitchfork's list of the best 100 songs of 2021. Pitchfork also published a list of the best 100 RXK Nephew songs of 2021; Neph was the only artist to get his own list. I asked him to watch Greta Gerwig's Little Women and report back in a song. Here it is. Not safe for work. Do not listen if you have kids around or if you are my dad. Our cover art is by Mattie Lubchansky. It interpolates the cover art for Bethany C. Morrow's book "So Many Beginnings: A Little Women Remix," with permission from Macmillan Children's Publishing Group. It also interpolates the cover art for Hena Khan's book "More to the Story," with permission from Simon & Schuster. Our theme music is Mozart's Piano Sonata No. 16 in C Major.

In this podcast (actually #37--ignore the fact that I said Podcast #36), we compare six preludes in three keys:  C Major, A Minor, and G Major.  I begin the podcast, though, by telling you what's happening in the wonderful world of chocolate.  The exciting news is that David is going to Paris to be part of the Ivoirian booth!  And I'm going to Paris to see him and to talk to others in the Ivoirian booth as well as other chocolate makers from around the world.  The second news is that we need to raise money to buy SOCOPLAN which David is the CEO of a new melangeur, as the old one which we bought 2 years ago needs some new parts.  But we can't be content to sit still.  David is becoming known throughout Côte d'Ivoire for his chocolate.  And the nice thing is I taught him how to make chocolate back in 2013.  So in 9 years, he's become known in his own country and we are making real progress toward making cocoa farmers expert chocolate makers.  This reverses the colonial trend of treating Africans like victims, supplying raw product and depriving them of the knowledge with which they can pull themselves out of the commodity trap.  Please consider donating to help us buy a new machine.  We can either buy another one of similar size, which requires $11,000 or we can quadruple production for $22,000.  So, we quadruple for double the price.  Not a bad deal.You can donate by sending a check to:DONATIONS, PH&F1298 Warren road93428 Cambria, CA United StatesOr go to www.projecthopeandfairness.org, pull down to Donate, and click on the second Donate button (General Funds)Enjoy the music!  Tom Neuhaus, CEO, Project Hope and Fairness

Synopsis On today's date, Wolfgang Mozart completed two of his most famous works: on August 10th, 1787, the Serenade known as "Eine kleine Nachtmusik," and, on the same day exactly one year later, the "Jupiter Symphony" – Mozart's Symphony No. 41 in C Major. Despite the fame of "Eine kleine Nachtmusik" – which translates as "A Little Night Music" – nothing is known for certain about the circumstances of its composition. Since a Serenade is a suite of orchestral movements normally written as background music for some rich patron's patio party, we can assume "Eine kleine" filled such a function some pleasant evening in Vienna. We can only hope the patrons appreciated what they got for their money. Hardly any more is known about the composition of Mozart's final symphony, the "Jupiter," as no relevant letters or documents survive from this period of his life. The "Jupiter" nickname appears to have originated years later in London. In Germany it was just called "the symphony with the fugal finale." There's a classic recording of Mozart's symphony favorites featuring the Marlboro Festival Orchestra with Pablo Casals conducting. The Marlboro Festival is held each summer for seven weeks in a cluster of old farm buildings on a hilltop in the Green Mountains of Vermont. Talented young professional musicians from all over the country gather here, principally to study, secondly to perform, for audiences eager to hear both the emerging and established Marlboro musicians. Music Played in Today's Program Wolfgang Amadeus Mozart (1756-1791) –Eine Kleine Nachtmusik (Academy of St. Martin-in-the-Fields; Sir Neville Marriner, cond.) EMI Classics 65690 Wolfgang Amadeus Mozart (1756-1791) –Symphony No. 41 in C (Jupiter) (Marlboro Festival Orchestra; Pablo Casals, cond.) CBS/Sony 47294

Donald Macleod explores Beethoven's life as a set of themes and variations, beginning with his very first musical excursions in the form in the early 1790s. Ludwig van Beethoven (1770-1827) composed piano music in the form of themes and variations across his entire career - from his earliest published work to his late, titanic “Diabelli Variations”, lasting nearly an hour. And Beethoven's life can itself be seen as a set of variations on a theme: recurring episodes of unrequited love, artistic anguish, angry fallings-out and constant striving for the highest pinnacle of musical achievement. Yet Beethoven's piano variations often lie in the shadow of his 32 great sonatas for the instrument. This week, Donald Macleod puts that right - shining a light on this remarkable corpus of work, as well another often-overlooked genre: his piano bagatelles. Diabelli Variations (Theme and 1st variation) Variations in C Minor on a theme of Ernst Christoph Dressler, WoO 63 Variations in G on “Quant'e piu bello”, WoO 69 Piano Trio no 2 in G, Opus 1 No 2 (2nd mvt) Piano Concerto no 2 in B Flat, Op 19 (3rd mvt) Six Bagatelles, Op 126 Variations in D on “Rule Britannia!”, WoO 79 Variations in F, Op 34 Christ On The Mount Of Olives, Op 85 (excerpt) Seven Bagatelles, Op 33 Bagatelle in C Major, Woo 54 “Lustig-Traurig” Clarinet Trio, Op 38 (5th mvt) An die Hoffnung, Op 32 Eroica Variations, Op 35 Triple Concerto in C Major, Op 56 (2nd and 3rd mvts) Tarnopolsky: Echoes Of The Passing Day Bagatelle in A Minor (“Für Elise”), WoO 59 Variations in C Minor, WoO 80 Mass in C Major: Credo Variations on an original theme (March from the “Ruins of Athens”), Op 76 Eleven Bagatelles, Op 119 Diabelli Variations, Op 120: Theme Diabelli Variations, Op 120: Variations 1-10 Diabelli Variations, Op 120: Variations 11-14 Franz Liszt: Variation 24 for Diabelli's Waltz F.X. Mozart: Variation 28 for Diabelli's Waltz Schubert: Variation 38 for Diabelli's Waltz Diabelli Variations, Op 120: Variations 15-18 Diabelli Variations, Op 120: Variations 25-33 Presented by Donald Macleod Produced by Steven Rajam For full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Ludwig van Beethoven (1770-1827) https://www.bbc.co.uk/programmes/m0019c66 And you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

The third finale movement of Mozart's 16th piano sonata. C Major, the key of children playing tag. Twitter: @PianoRhapsody Email: pianorhapsodypodcast@gmail.com Find PianoRhapsody on SoundCloud for this recording and more!

The second movement of the Facile Sonata in Rondo form of ABACA. Twitter: @PianoRhapsody Email: pianorhapsodypodcast@gmail.com Find PianoRhapsody on SoundCloud for this recording and more!

While it may not be the hit single off of Mozart's famous Sonata in C Major, this is still a worthy track to learn and holds the emotional centerpiece for the work. We discuss workplace toxicity, pop music, and kicking arse. Twitter: @PianoRhapsody Email: pianorhapsodypodcast@gmail.com Find PianoRhapsody on SoundCloud for this recording and more!

The "Secrets" theme can be easy to miss, but not in minutes 101-105 of Solo: A Star Wars Story! The veil of secrecy is lifted as the "Secrets" motif cycles through a progression of revelatory chords leading to Crimson Dawn. This is one of Xanthe's favorite musical moments in the film. Alex Cunningham returns to the show to nerd out about it! Discussion Guide: 00:00 - Hello there! 03:14 - Visual preview of these minutes. 11:33 - What makes the buildup to the Crimson Dawn reveal so interesting? 14:56 - Same pitch collection as Enfys Nest theme. 17:29 - Is the instrumentation gendered? 20:57 - How the harmony contributes to the buildup and reveal (plus some sweet, sweet Major 7th action). 30:12 - Timbral interaction between bass singers and bass flute. 32:06 - Addressing the whole Augie's Municipal Band and Emperor's Theme thingy. 36:26 - Does Frank Lehman have a list of how many variants of a theme are present in each movie? 45:32 - The chords matter in the "Secrets" theme. Otherwise, it's just 3 notes that arguably sound like Jurassic Park. 51:09 - Brief "March of the Resistance" cameo. 54:45 - Enfys Nest's accent, British accents in Star Wars for women, especially women of color. 1:02:01 - Alden Ehrenreich's performance. 1:07:02 - "Secrets" theme 7x: Cycling through the chord progression. (C Major, A half diminished 7, E minor, C minor, A7, Eb Major, C Major) 1:17:00 - Kurosawa-esque sound design on Savareen. 1:27:03 - Qi'ra's intuition about Han + the classic moviemaking time trick. 1:30:24 - Different interpretations of the harp during Beckett's goodbye. 1:33:56 - A critique about the Millennium Falcon takeoff sound. 1:43:05 - SWMM Questionnaire Things to Check Out: SWMM Solo 17: Adagio for L3 (minutes 81-85 with Lacey Gilleran) - https://youtu.be/cV9LHk05w20 All the ways to Power-up the Millennium Falcon (Supercut) (Bruce Kenobi) - https://www.youtube.com/watch?v=OQyRLge-_-U Akira Kurosawa - Composing Movement (Every Frame a Painting) - https://youtu.be/doaQC-S8de8 Doctor Eleven from STATION ELEVEN (composed by Dan Romer) - https://www.youtube.com/watch?v=Lj9-hx4Pgzg Theme to GIRLS5EVA - https://youtu.be/baaSjb-Cihs Combat Archery (Wayward Wolf) - https://youtu.be/MkAYRh0tuKc?t=273 Complete Catalogue of the Musical Themes of Star Wars (by Frank Lehman): https://franklehman.com/starwars/. Musical Themes: 2. Rebel Fanfare 7a. Enfys Nest 1 48a. March of the Resistance (A Section) 3. Secrets 1. Young Han Solo (Heroic, comp. JW) 5. The Gang Where are we in the soundtrack(s)?: "Savareen Stand-Off" & "Enfys' Stand-Off (6M35)" "Qi'Ra Knows a Bit More Than Han (6M36-37-38)" --------------- STAR WARS MUSIC MINUTE QUESTIONNAIRE: 1. In exactly 3 words, what does Star Wars sound like? Previous answer: John. Ben. James. New answer: John. Ben. James. 2. What's something related to Star Wars music or sound that you want to learn more about? Previous answer: What other sound designers does Ben Burtt admire? New answer: Who is on the foley team, and how do they think and talk about foley? Do they see themselves as sound designers, how do they approach their creative work? 3. What's a score or soundtrack you're fond of besides anything Star Wars? Previous answer: Akira (composed by Geinoh Yamashirogumi), The Harder They Come (primarily featuring Jimmy Cliff) New answer: Station Eleven (composed by Dan Romer) --------------- Guest: Alex Cunningham Previous SWMM episode: ANH 21: Backstage Jitters (minutes 101-105) - https://youtu.be/95tApsOGqP8 Instagram: https://www.instagram.com/muay_tie_fighter/ ------------------ If you want to support the show and join the Discord server, consider becoming a patron!  https://patreon.com/chrysanthetan Leave a voice message, and I might play it on the show...   https://starwarsmusicminute.com/comlink Where else to find SWMM: Twitter: https://twitter.com/StarWarsMusMin Spotify: https://smarturl.it/swmm-spotify Apple Podcasts: https://smarturl.it/swmm-apple YouTube: https://youtube.com/starwarsmusicminute TikTok: https://www.tiktok.com/@starwarsmusicminute? Instagram: https://instagram.com/starwarsmusicminute Email: podcast@starwarsmusicminute.com Buy Me A Coffee: https://buymeacoffee.com/starwarsmusmin

One of the most famous melodies in the world of classical music from Mozart's "Facile Sonata." Twitter: @PianoRhapsody Email: pianorhapsodypodcast@gmail.com Find PianoRhapsody on SoundCloud for this recording and more!

Over the last 50 years, little has changed for the pharmaceutical management of mental illness. This is troublesome, but not unsolvable, according to The New York Times writer and author, Daniel Bergner. We talked with him about his most recent book, The Mind and the Moon: My Brother's Story, the Science of Our Brains, and the Search for Our Psyches, and some of the key themes he discovered along his personal journey with a mentally challenged family member and other people he came to know well. We discussed the shortcomings of our current mental healthcare systems and processes, the benefits of non-traditional mental health therapies, the ancient myth about the Turkey Prince, and how we might be able to get immediate relief by reframing the conversation about pain management and pain suppression. The book features stories about his brother and a few other people that are told in remarkable detail over a long period of time. The gripping and beautifully-told narrative will open your eyes to some of the challenges that mental illness brings to life. Our conversation with Daniel explored these stories and areas of mental health that are too often overlooked - and we are grateful we get to share that conversation with you. If you are a regular listener to Behavioral Grooves, please consider contributing to our work through Patreon. Writing a podcast review or giving us a quick rating also helps others find our show. Weird, isn't it? But, yeah, it's true. We would appreciate any help you can offer. Most importantly, if you or someone you know needs help, please seek help. The Mental Health Guide is a global resource with phone numbers and websites in dozens of countries: https://www.helpguide.org/find-help.htm. Topics (2:45) Welcome and speed round. (5:23) What the book The Mind and The Moon is about. (7:18) Progress in mental health treatment and with society in the last 50 years. (10:00) The 3 stories that illustrate mental health in the book. (15:50) The effect of psilocybin. (18:15) What a turkey under a table can teach us about managing mental illness. (21:09) What are the next steps in mental health? (22:51) Daniel's personal journey. (26:23) Writing the book in the context of the Trump election and George Floyd. (29:15) This is not an anti-pharmaceutical book. (35:18) Was it deliberate that music was a big part of the book?  (41:42) Grooving Session with Kurt and Tim discussing mental health.   © 2022 Behavioral Grooves   Links Mental Health Guide with global phone numbers and websites: https://www.helpguide.org/find-help.htm  Daniel Bergner's book, “The Mind and The Moon: My Brother's Story, the Science of Our Brains, and the Search for Our Psyches”: https://amzn.to/3aka5pU  Psilocybin:  https://en.wikipedia.org/wiki/Psilocybin Steven Hyman: shorturl.at/lty19  Episode 274, Paul Bloom, “Why Finding Pleasure in Life is a Painful Journey”: https://behavioralgrooves.com/episode/pleasure-is-a-painful-journey/  Episode 255, Daniel Almeida “The 5 Healthy Brain Habits Of A Neuroscientist”: https://behavioralgrooves.com/episode/healthy-brain-habits-neuroscience/  Behavioral Grooves Patreon page: https://www.patreon.com/behavioralgrooves Musical Links Stanley Brothers “The Darkest Hour Is Just Before Dawn”: https://www.youtube.com/watch?v=rmiYKpVNOVg  Marty Robbins “Red River Valley”: https://www.youtube.com/watch?v=ezJkRDQmL2Y  Simon & Garfunkel “The Sound of Silence”: https://www.youtube.com/watch?v=NAEppFUWLfc  Wolfgang Mozart “Symphony No. 36 in C Major, K. 425 ‘Linz' - I. Adagio - Allegro spiritoso”: https://www.youtube.com/watch?v=FMloPIwd_FM  Antonio Vivaldi “Four Seasons - Spring”: https://www.youtube.com/watch?v=6LAPFM3dgag