Podcasts about D major

The Mid-Texas Symphony presents “Bond and Beyond” on Sunday, March 30, at 4 p.m., in the New Braunfels Civic and Convention Center, 375 S. Castell Ave. in New Braunfels. Enjoy iconic James Bond songs from almost six decades of box office blockbusters with amazing guest singer Morgan James, featuring music from “Goldfinger,” “For Your Eyes Only,” “From Russia with Love,” and more. In addition, virtuoso guitarist Adam Holzman will join the orchestra in a performance of Vivaldi's Concerto for Lute and Strings in D Major. For more information, visit mtsymphony.org/explore wines/.Article Link

“Habemus papam”, fue la frase en latín que precedió a la designación del cardenal argentino Jorge Bergoglio como el nuevo Sumo Pontífice. Fue el 13 de marzo de 2013, tras la renuncia de Benedicto XVI, en el marco del segundo día del cónclave de 115 cardenales electores en la Basílica San Pedro del Vaticano. Aquel día, la fumata blanca de la chimenea anunció la designación de la nueva máxima autoridad de la Iglesia Católica. Bajo el nombre Francisco I, Bergoglio se convirtió en el Papa 266° de la historia, el primero argentino y latinoamericano. “Queridos hermanos y hermanas, les agradezco muchísimo recibirme de esta forma. Ustedes saben que el deber del Cónclave es dar un obispo a Roma. Parece que mis hermanos cardenales han ido a buscarlo casi al fin del mundo”, fueron las primeras palabras de Francisco ante la multitud de casi 100.000 personas que se congregaron a la espera de la designación. La ceremonia formal de asunción fue multitudinaria y se realizó el 19 de marzo de 2013, en la Plaza de San Pedro, donde Francisco recibió el anillo y el palio. Jorge Mario Bergoglio nació el 17 de diciembre de 1936 en una típica familia de clase media baja, en el barrio de Flores de la Ciudad Buenos Aires. Primogénito del matrimonio de los italianos Mario José Francisco Bergoglio y de Regina María Sivori, de niño aprendió a rezar gracias a la enseñanza de su abuela y de las monjas del Jardín de Infantes del Instituto Nuestra Señora de la Misericordia, lugar donde recibió su primera comunión. A los 17 años decidió seguir la vocación sacerdotal y, a los 22, ingresó en el seminario diocesano de Villa Devoto, que era dirigido en ese tiempo por los sacerdotes jesuitas. Luego de un tiempo decidió unirse a la Compañía de Jesús; fue enviado a Chile en 1960 para realizar el Noviciado. Al año siguiente volvió para continuar sus estudios en Humanidades; estudió Filosofía y obtuvo la licenciatura en Teología en el Colegio Máximo de San Miguel. Fue ordenado sacerdote a los 32 años, el 13 de diciembre de 1969, luego de un intenso camino de formación espiritual y en paralelo a un constante desarrollo intelectual y académico. El Papa Juan Pablo II lo nombró Obispo titular de Auca y Auxiliar de Buenos Aires el 20 de mayo de 1992. Su ordenación episcopal fue presidida por Monseñor Antonio Quarracino; luego fue nombrado Vicario Episcopal de Flores y, el 28 de febrero de 1998, asumió la conducción pastoral del Arzobispado. Bergoglio tuvo una gran presencia en la Conferencia Episcopal Argentina, institución que ha presidido durante dos períodos consecutivos, de 2005 a 2011. Recordamos la designación de Bergoglio como Sumo Pontífice a partir de una selección de testimonios conservados en el Archivo Histórico de Radio Nacional. FICHA TÉCNICA Testimonios y música Præludium in D Major, BVN 415 (Rued Langgaard) Dorthe Zielke og Søren Johannsen [2023 del Álbum “Music for Trumpet and Organ”] 2022-07-01 Francisco (Papa) Llorente, Bernarda (Periodista) Entrevista (Vaticano - Télam) 2013-03-17 Marco, Guillermo (Ex-Vocero Jorge Bergoglio) Papa Francisco (LRA1) 2013-03-13 Tauran Jean-Louis (Protodiácono) Anuncio Papa (Radio Vaticano) Aria Detta Balletto para Bandoneón -de Toccate, canzone ... di cembalo et organo N° 26- (Girolamo Frescobaldi) Alejandro Barletta [1987 del Álbum “Concierto para Bandoneón”] 2022-07-01 Francisco (Papa) Llorente, Bernarda (Periodista) Entrevista (Vaticano - Télam) 2013-03-17 Uranga, Washington (Periodista Especialista en Cuestiones Eclesiásticas) Asunción de Bergoglio (LRA1) Contrary Motion (Philip Glass) Donald Joyce [1993 del Álbum “Glass Organ Works”] 2023-03-11 Francisco (Papa) Fontevecchia, Jorge (Periodista) Entrevista (Vaticano – Perfil) 2013-03-16 Francisco (Papa) Una Iglesia pobre y para los pobres (DW) Aria Detta Balletto para Bandoneón -de Toccate, canzone ... di cembalo et organo N° 26- (Girolamo Frescobaldi) Alejandro Barletta [1987 del Álbum “Concierto para Bando...

Dearly beloved, we are gathered here today to celebrate the enemies...turned lovers. In this mini-series, we'll dive into what makes the Enemies to Lovers tag tick. From loathing to lust, literature to fic, this first episode explores the background of what makes feuds change to fondness. Why do we love what we hate?  - Cocktail Pairing: The Lover & The Enemy “My love, your lover, the lover” - 1.75 oz dry gin, 0.5 oz St Germain, 0.5 oz Lillet Blanc, 1 oz grapefruit juice, 0.5 oz grapefruit simple syrup, and 1 dash of bitters "My enemy, your enemy, the enemy" - shot of Angostura bitters - Fine Pairings Podcast - A podcast about fanfiction: Where we pair ships with cocktails and reading with comedy. Got fanfic you'd like to share? Please email us at FinePairingsPodcast@gmail.com Remember to follow us on Tiktok, Tumblr, and Instagram @Finepairingspodcast and X (Twitter) @Finepairingspod - Additional Credits Title: "In Your Arms,” “Canon in D Major," “Ghost Dance,” “Gioachino Rossini: Ranz des Vaches,” “J. S. Bach: Brandenburg Concerto No4-1 BWV1049,” “Nothing Broken,” “Night on the Docks - Sax” Creator: Kevin MacLeod Source: https://incompetech.com/music/royalty-free/index.html?isrc=USUAN1500042 https://freemusicarchive.org/music/Kevin_MacLeod/Classical_Sampler https://freemusicarchive.org/music/Kevin_MacLeod/Oddities/Nothing_Broken/ https://freemusicarchive.org/music/Kevin_MacLeod/Jazz_Sampler/Night_on_the_Docks_-_Sax/ License: CC BY 3.0; https://creativecommons.org/licenses/by/3.0 Title: tabulation I. Creator: oji Source: https://freemusicarchive.org/music/oji/non-edible-sounds/tabulation-i/ License: CC0 1.0 Universal Title: starry night Creator: snoozy beats Source: https://freemusicarchive.org/music/snoozy-beats/single/starry-night/ License: CC BY 4.0; https://creativecommons.org/licenses/by/4.0/ Title: Seikilos Epitaph with the Lyre of Apollo Creator: Lina Palera (Lyre 2.0 Project player) Source: https://freemusicarchive.org/music/The_Music_of_Ancient_Greece/An_Appreciation/01_Seikilos_Epitaph_with_the_Lyre_of_Apollo/ License: CC BY-NC-SA 3.0; https://creativecommons.org/licenses/by-nc-sa/3.0/ Title: “Astroids,” “NPC Theme” Creator: HoliznaCC0 Source: https://freemusicarchive.org/music/holiznacc0/tiny-plastic-video-games-for-long-anxious-space-travel/astroids/ https://freemusicarchive.org/music/holiznacc0/chiptunes/npc-theme/ License: CC0 1.0 Universal Title: Bach - Aria Variata, BVW. 989 - Variation No. 2 Creator: Brendan Kinsella Source: https://freemusicarchive.org/music/Brendan_Kinsella/Bachs_Aria_Variata/Bach_-_Aria_Variata_BVW_989_-_Variation_No_2/ License: CC0 1.0 Public Domain Title: Cinematic Duduk Creator: SamuelFJohanns Source: https://pixabay.com/music/ambient-cinematic-duduk-192901/ License: pixel bay content license; https://pixabay.com/service/license-summary/ LightingMatch2.wav by HerbertBoland Source: https://freesound.org/s/29678/ License: Attribution 4.0 Pouring Glass of Wine from Bottle by nebulousflynn Source: https://freesound.org/s/220303/ License: Attribution 4.0 Pouring_Martini.aif by bhweber Source: https://freesound.org/s/148167/ License: Creative Commons 0 Martini_Shaker.aif by bhweber Source: https://freesound.org/s/148168/ License: Creative Commons 0 Cocktail Sounds.wav by KenRT Source: https://freesound.org/s/319994/ License: Creative Commons 0 Ambiance_Bar_People_Loop_Stereo.wav by Nox_Sound Source: https://freesound.org/s/495522/ License: Creative Commons 0 1600s.mp3 by outerandeventhorizon Source: https://freesound.org/s/488809/ License: Creative Commons 0 Viking Calls by PoundSoundUK Source: https://freesound.org/s/641220/ License: Attribution NonCommercial 4.0 Shakespeare "Lover and His Lass" Lute and Wood Flute by soundsandrebounds Source: https://freesound.org/s/769807/ License: Creative Commons 0 Additional AFX from Freesound.org           Title: "In Your Arms" Creator: Kevin MacLeod Source: Incompetech.com  License: CC BY 3.0; https://creativecommons.org/licenses/by/3.0/ Title: “Newsroom Theme” Creator: FoolBoyMedia Source: Freesound.org  License: CC BY-NC 3.0; https://creativecommons.org/licenses/by-nc/3.0/ Additional AFX from Freesound.org

Title: Handel's Copiest Track: William Babell's Concerto for Recorder, 2 Violins and Basso continuo in D Major, Op. 3 No. 1: I. Allegro Artist: Musica Alta Ripa & Danya Segal Publisher: 1998 Musikproduktion Dabringhaus und Grimm

ReferencesCells. 2020 Sep; 9(9): 2125.Cancer Res (2011) 71 (2): 293–297Sci Adv. 2024 Mar 13;10(11):eadg9278Hunter/Garcia. 1971. "Bertha" Skulls&Roses lp. Grateful Dead.https://open.spotify.com/track/3ZYSrBWQXYgTe4tyKKIZ0D?si=3764c0c011534774Hunter/Garcia.1970. "Ripple" American Beauty lp. Grateful Deadhttps://open.spotify.com/track/4aQ8mFkZU6dmHaZOOKdscc?si=ae193962cea14cb9Beethoven, LV. 1806. Violin Concerto in D Major. Op.61https://open.spotify.com/album/2mGui9Kkdq2lym2QxrdrL3?si=LMVX0n_6SCmnFhagRuMB8A

A teenager discovers his parents were legendary monster hunters—and that their murder was just the beginning of a war between worlds. The complete Zachary Bane story. Zachary Bane Kickstarter! https://www.kickstarter.com/projects/zachbane/zachary-bane-birthing-day Nightmare Machine by Kevin MacLeod Link: https://incompetech.filmmusic.io/song/4133-nightmare-machine License: http://creativecommons.org/licenses/by/4.0/ Music: Drone in D by Kevin MacLeod Free download: https://filmmusic.io/song/3680-drone-in-d Licensed under CC BY 4.0: https://filmmusic.io/standard-license Darkest Child by Kevin MacLeod Link: https://incompetech.filmmusic.io/song/3615-darkest-child License: https://filmmusic.io/standard-license Thunder Dreams by Kevin MacLeod Link: https://incompetech.filmmusic.io/song/4526-thunder-dreams License: http://creativecommons.org/licenses/by/4.0/ Nervous by Kevin MacLeod Link: https://incompetech.filmmusic.io/song/4118-nervous License: https://filmmusic.io/standard-license SCP-x6x (Hopes) by Kevin MacLeod Link: https://incompetech.filmmusic.io/song/6736-scp-x6x-hopes- License: http://creativecommons.org/licenses/by/4.0/ Dark Walk by Kevin MacLeod Link: https://incompetech.filmmusic.io/song/3612-dark-walk License: http://creativecommons.org/licenses/by/4.0/ Our Story Begins by Kevin MacLeod Link: https://incompetech.filmmusic.io/song/4181-our-story-begins License: https://filmmusic.io/standard-license Music: Dawn Of The Apocalypse by Rafael Krux Free download: https://filmmusic.io/song/5627-dawn-of-the-apocalypse License (CC BY 4.0): https://filmmusic.io/standard-license Artist website: https://www.orchestralis.net/ The following music was used for this media project: Music: Ambient Suspenseful Background by MusicLFiles Free download: https://filmmusic.io/song/6597-ambient-suspenseful-background License (CC BY 4.0): https://filmmusic.io/standard-license Artist website: https://cemmusicproject.wixsite.com/musiclibraryfiles The following music was used for this media project: Music: Mysterious Cinematic Foreboding Background by MusicLFiles Free download: https://filmmusic.io/song/7695-mysterious-cinematic-foreboding-background License (CC BY 4.0): https://filmmusic.io/standard-license Artist website: https://cemmusicproject.wixsite.com/musiclibraryfiles The following music was used for this media project: Music: Mysterious Cinematic Foreboding Background by MusicLFiles Free download: https://filmmusic.io/song/7695-mysterious-cinematic-foreboding-background License (CC BY 4.0): https://filmmusic.io/standard-license Artist website: https://cemmusicproject.wixsite.com/musiclibraryfiles Canon in D Major by Kevin MacLeod Link: https://incompetech.filmmusic.io/song/3473-canon-in-d-major License: https://filmmusic.io/standard-license Cryptic Sorrow by Kevin MacLeod Link: https://incompetech.filmmusic.io/song/3568-cryptic-sorrow License: https://filmmusic.io/standard-license Unnatural Situation by Kevin MacLeod Link: https://incompetech.filmmusic.io/song/4567-unnatural-situation License: https://filmmusic.io/standard-license Music: Toccata and Fugue in D Minor by Kevin MacLeod Free download: https://filmmusic.io/song/4533-toccata-and-fugue-in-d-minor Licensed under CC BY 4.0: https://filmmusic.io/standard-license Learn more about your ad choices. Visit megaphone.fm/adchoices

Alex Andreou and Naomi Smith welcome special guest founder of Scientists for EU and chair of European Movement UK, Mike Galsworthy to discuss whether it is better to unite pro-European forces behind one mission or let them be a lively, symbiotic ecosystem. Plus a deepdive into the UK's science and technology strategy. Join the US in deregulating? Or join Europe and actively drain science capacity from it? And of course 'Wokey Dokey' and 'Grin And Share It'. ***SPONSOR US AT KO-FI.COM/QUIETRIOTPOD*** “As a campaigning organisation, you have to go to where people are - the spaces that they occupy, the informational areas that they're in, and in person. You have to meet them where they are both physically and in terms of opinion, whether ministers or voters.” “What we are talking about is not a political party winning, but rather how do you move all of UK society in the same direction. At each and every level [rejoining the EU] has to be made relevant to each and every community - personally, regionally, demographically.” “The gov't knows where the public is. The polling has been very clear for some time. The single most influential group that needs to step up right now is business - every size, every industry, every location. They need to step and push gov't towards EU alignment during this critical period in the run up to the [Starmer - von der Leyen] summit.”  “There is a real opportunity right now, given the way Trump is behaving, for a ‘brain drain' from the States and diversion of talent that would usually flow to the States, especially from Global South countries worried about the racism and the barriers to funding. The UK and Europe should get together to move on this.” “With the falling apart of USAID, the soft power opportunity there, through science and health security, is huge. This is where both the UK and the EU are strong and trusted.” “Population decline is an existential threat to mature Western economies and soon they will find that they are actually in competition for immigration. The first such country to realise this, will reap huge benefits.” CALLS TO ACTION LINKS: Click here to ask your MP to read Best for Britain's Growth Report. Sign up for European Movement here. Support the Open Rights Group here. Grin and Share It about funding underprivileged musicians by selling a stradivarius here. Ida Haendel playing Brahms Violin Concerto in D Major, Op.77 on a rare stradivarius. Full interview with Sir John Curtice on Rejoin prospects for the i here. Mike's Byline Networks is here. Our bookshop featuring many of the books we have featured can be found at uk.bookshop.org/shop/quietriot. Kick your X habit, finally, by using one of three Quiet Riot Bluesky Starter Packs. With one click, it will hook you up with, among many good accounts, Alex, Naomi, and Kenny. ***SPONSOR US AT KO-FI.COM/QUIETRIOTPOD*** With Naomi Smith, Alex Andreou and Kenny Campbell – in cahoots with Sandstone Global. Email us at quietriotpod@gmail.com. Or visit our website www.quietriotpod.com. Learn more about your ad choices. Visit podcastchoices.com/adchoices

References Nat Metab. 2023 Aug 23;5(8):1275–1289. Guerra, DJ. 2025. Lecture material unpublished. Mozart, WA. 1782. Symphony 35 in D Major. K385. Haffner. https://www.youtube.com/watch?v=nz0cbSYrDLk

References Guerra, DJ. 2025. Biochemistry Lectures. Int J Mol Sci. 2023 May 16;24(10):8811. Front Endocrinol (Lausanne). 2020 Dec.3; 11:587189 Berry, Chuck. 1958. "Johnny B Goode". Dead. Winterland 71' https://youtu.be/dWvdY-j0_Kw?si=HhKedcHgHhMOY3Di Brahms, J. 1878. Violin Concerto. D Major. Op 77 https://youtu.be/9L6a-JJCCzw?si=mh8Q_4dKuPWvEfwB

HAPPINESS. El ocaso americano. Como si de una viñeta de cómic underground se tratara, nos movemos de escena en escena siguiendo el ocaso de unos personajes en busca de la felicidad. Todd Solondz nos hace partícipes de una sátira sutil y mordaz sobre la descomposición de la clase media americana, fagocitada por sus propias ansias de aparentar unos estándares sociales que no le corresponden. Atrévete a seguirnos en este periplo de la mano de un invitado muy especial David Guerra, rapero, cantante, locutor de radio, comiquero, dibujante, especialista en cultura pop y actualmente miembro del pódcast "Pasen al fondo". Pasen al Fondo: https://go.ivoox.com/sq/412968 Equipo Maniático: Albert San (Mr. Maniático), Naila Knight, Miguel y Montse Vela. Saludos Maniáticos!!!!!! Intro Musical SINOIA CAVES “1983 Main Titles” Album Beyond the Black Rainbow (2014) Happines score by Music by Robbie Kondor Happiness (1998) - Soundtrack Soave sia il vento from Cosi Fan Tutte by Wolfgang Amadeus Mozart Concerto for Guitar in D Major by Antonio Vivaldi Happiness Performed by Jane Adams Requiem by Wolfgang Amadeus Mozart Piano Concerto by Samuel Barber Mandy by Barry Manilow You Light Up My Life by Anatoly Aleshin You Light Up My Life by Mantovani All Out of Love by Air Supply Eternal Lighthouse by Vladimir Mozenkov Happiness Performed by Michael Stipe with Rain Phoenix Written by Eytan Mirsky

Music correspondent Kirsten Zemke explores how German Baroque composer Johann Pachelbel's Canon in D has been used in modern music. 

Donald Macleod explores Henry Purcell's LondonHenry Purcell was the most important English composer of the era, described as the "Orpheus Britannicus" for his ability to combine Baroque counterpoint with dramatic settings of English words. He composed music for the church, the royal court, the theatre and for England's newly emerging concert scene, with an intelligence and creativity that marked him out as one of the most original composers in all of Europe. More than anything, though, he composed music for London – the city where he lived all of his short life. This week, Donald Macleod explores the city during Purcell's lifetime and London's effect on a man who lays claim to being England's greatest composer. During Purcell's childhood, it was a city reeling from civil war, the disastrous spread of disease, and the destruction wreaked by the Great Fire. We'll explore London's churches, and music Purcell wrote for them, especially Westminster Abbey, where Purcell was organist, the state of London's theatre scene in Purcell's day, and the changing demands for music from the various monarchs of the composer's lifetime. Music featured: Fairest Isle from King Arthur Hail Bright Cecilia (Symphony & Closing Chorus “Hail! Bright Cecilia”) Welcome Song from Swifter, Isis, Swifter Flow, Z 336 What hope for us remains now he is gone?, Z 472 Suite from Abdelazer An Evening Hymn ‘Now that the sun hath veiled his light', Z 193 Voluntary in D minor, Z 719 O God, thou art my God, Z 35 Beati Omnes qui timent Dominum, Z 131 My Beloved Spake Te Deum & Jubilate Cold Song ‘What Power art Thou' (from King Arthur) They that go down to the sea in ships Sighs for our late sovereign Charles the Second, Z 380 ‘If pray'rs and tears' My heart is inditing Sefauchi's Farewell, Z 656 Love's Goddess Sure Was Blind, Z 331 (VI May Her Blessed Example Chase) Come ye sons of art (excerpt) Timon of Athens, . 632 (Curtain Tune on a Ground) Dido and Aeneas, Act II (excerpt) Theodosius, or the Force of Love (Overture; Prepare the Rites Begin) King Arthur (excerpt) The Fairy Queen (excerpt) Indian Queen, Act 4 ‘They tell us that you mighty powers above' When I am laid in earth from Dido and Aeneas Trumpet Sonata in D Major, Z 850 Burial Service, Z 58c ‘From Rosy Bow'rs' from Don Quixote Oedipus: incidental music, Z 583 (No 2, Music for a While (Arr B. Britten)Presented by Donald Macleod Produced by Sam Phillips for BBC Audio Wales & WestFor full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Henry Purcell (1659-1695) https://www.bbc.co.uk/programmes/m0024x77And you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

This weeks show starts off with music from Taj Weekes & Zion Albert, Bunnington Judah & Don Fe, Misty In Roots, Scepta & Bazil Gayle, The Royal Rasses, Dean Fraser, JoJo Gladstone, Pablo Moses, Barrington Levy & Scientist, Dennis Brown, Anthony Creary, Alrec Forbes, Earl Zero, Burning Spear, Bunny Wailer, Culture, Everton Blender, Cultural Roots, Wayne Smith, Flick Wilson, Hugh Mundell, and Leroy Smart. New music this week comes from Keith & Tex, King Kong with the Roots Radics, Nature Ellis, Blaze Mob, Medisun, Samory I, Honorebel, D Major, The Hempolics, Haile, Zoe Mazah, Shuga, The Inn House Crew featuring Vin Gordon, Roaring Lamb, Peter Hunnigale, Monkey, ZonaSun, Ras Teo, Ras Fraser Jr. & Norrisman, and Abka Kaba.  Enjoy!  Taj Weekes & Zion Albert - I & I Experience - Eyes To See - Skank Records/Jatta Records Bunnington Judah & Don Fe - Jah Children Must Rise/Jah Children Must Dub - Jah Catalyst Misty In Roots - How Long Jah - Roots Controller - Real World Scepta & Bazil Gayle - Mt. Zion Street - Shine Your Light: Various 12 Tribes Of Israel Artisits - Orthodox Muzik The Royal Rasses - Kingston 11 - God Sent 12”  Dean Fraser - Heathen - Dean Plays Bob - Ras Records JoJo Gladstone - Reggae Music - Creation Rebel Sound System Pablo Moses - Reggae Warrior - In The Future & Dub - Tabou1 Barrington Levy - Englishman - Englishman - Greensleeves Scientist - English Dub - Jah Life In Dub - Jah Life/DKR Dennis Brown - Stage Coach - Emmanuel Music Anthony Creary - Land Call Africa - Classic 7” Alrec Forbes - Warn The Nation - Forbes Label 7” African Brothers - Lead Us Father - Ital 7” Earl Zero - City Of The Weakheart/Dub Of The Weakheart - Arab 12” Burning Spear - People Of The World - People Of The World - Slash Bunny Wailer - Dog War - Retrospective - Solomonic/Shanachie  Culture - Revolution - Humble African - VP Records Everton Blender - Create A Sound - Lift Up Your Head - Heartbeat Records Cultural Roots - His Majesty Reign - Running Back To Me - Mango Wayne Smith - Eden Out Deh - Youthman Skanking - VP Records Flick Wilson - Slave Master - School Days - Jah Life Scientist - Slave Master Dub - The Dub Album They Didn't Want You To Hear - Jah Life/DKR Hugh Mundell - Book Of Life - Africa Must Be Free By 1983 - Greensleeves Augustus Pablo - Keep On Dubbing - King Tubby Meets The Rockers Uptown - Shanachie Mighty Diamonds - Jah Jah Bless The Dreadlocks - Pass The Knowledge - VP Records Leroy Smart - Ballistic Affair - The Best Of Leroy Smart - Channel One Leroy Smart - Ballistic Dub - Island Records Presents Dub: 38 Hard & Heavy Dub Cuts - Island Records Keith & Tex w/Inna De Yard - Righteous Man - Rebel Sound Records King Kong w/ The Roots Radics & Irie Ites - Can't Scare We - Cream of The Crop 2024 - Irie Ites Nature Ellis - Check the Facts - Conclusion Riddim - Pure Music Productions Blaze Mob - Rastafari Children - DZL Records Medisun - Discrimination - Hits 38 Production Samory I - Clouds/Clouds (Tippy I Grade Dub) - Strength Deluxe - Overstand Entertainment/Easy Star Records Honorebel - Can't Get Enough - Energy Surge - Phantom Music Group Dennis Brown - Sitting & Watching - Ultimate Collection - Hip O Records Inner Visions - So Nice - Frontline - Blue Bitch D Major w/ Loud City & ZJ Spparks - Not Today - Island Waves Volume 2 - Twelve 9 Records/Loud City Music The Hempolics - This Is The End - Kiss Cuddle Torture 3 - Zee Zee Records The Hempolics - This Is The End (FreQ Nasty) - Kiss Cuddle Torture 3 - Zee Zee Records Haile - Pure Blue - HaiVi/A Seperate Group Zoe Mazah - So Alive - Till Then - Gwari Music Sanchez - Brown Eye Gal - One In A Million: The Best Of Sanchez - VP Records Shuga - Love Doctor - VP Records Cornell Campbell - Boxing Around - I Man A Stal-A-Watt - VP Records Baby Wayne - Bawl - 15 Rounds Of Boxing - Rocky Gibbs Kojak & Liza - Bam Bam - 15 Rounds Of Boxing - Rocky Gibbs Errol Flabba Holt - African Train - Niney The Observer Presents: Dreadlocks Coming To Dinner: The Observer 7” Singles 1973-1975 - Doctor Bird Reggae Crusaders - Bring The Couchie Come - Niney The Observer Presents: Dreadlocks Coming To Dinner: The Observer 7” Singles 1973-1975 - Doctor Bird The Observers - Couchie Dub - Niney The Observer Presents: Dreadlocks Coming To Dinner: The Observer 7” Singles 1973-1975 - Doctor Bird Scientist - Shaolin Dub - Jah Life In Dub - Jah Life/DKR Roger Rivas - Heavier Rock - Happy People Records The Inn House Crew feat. Vin Gordon - Drifting Dub - Dub From The Sky - Room In The Sky The Hempolics feat. Shumba Youth - Rockin N Sway/Rockin N Sway Version - Zee Zee Records Roaring Lamb - Decolonize Everything/Dub Everything - Roaring Lamb Music Dub FX Meets Zion Train - Shine Like A Star/Dub Like A Star - Universal Egg Devon Clarke - Rasta On Top/Rasta On Top Version - Call Me Bobo Saw - Bent Backs Reecords Akae Beka feat. Chronixx - Black Carbon/Black Carbon Dub (I Grade Dub Mix) - I Grade Records Peter Hunnigale - Brainfood Juggling/Brainfood Dub - Vibes Central 7” Monkey - Dub Sound System (Wise Owl Dub) - Barrel Of Dub - Escape Hatch Records Dubkasm & Eek A Mouse - Skateland Rocking/Skateland Rocking Dub - False Idols Judah Eskender Tafari - Great Escape - Daptone Records 7” ZonaSun - Sister Moon - ZonaSun Music Allo & Shanthi w/Michael Exodus - Call It Life/Call It Dub - Radio Fontani Records/Dig This Way Ras Teo - Air Balloon - Up Fi Jah - Forward Bound Records Ras Fraser Jr. & Norrisman - So Hard - I Am Conscious - Wide Awake Music/Rebel Sound Records Abka Kaba - Behold - 360 Riddim - Roots N Creation Records Earl Sixteen & Indica Dubs - Share Some Love/Rebels With Dub - Indica Dubs

Enjoy the chart below, with transcript…Have you ever seen the abbreviation “Sus” in a chart and thought, “What does that actually mean?”  Today we're going to talk about…suspensions with music on the guitar.I encourage you to catch the video version of this article while it's available. This way, you'll see and hear everything demonstrated. You can find the video right here: If you've ever seen a suspenseful movie, or if you've ever had the unfortunate experience of having an account suspended, or your driver's license suspended, you have experienced suspense.But what do all of these scenarios have in common? They are all temporary. A suspenseful movie can't be suspenseful the entire time – it just wouldn't work. A suspended account is usually restored to good standing when the balance is paid, and a suspended driver's license can eventually be reinstated.So, I'm not talking about something being permanently taken away – I'm talking about something being temporarily suspended, and eventually – wait for it – resolved.So, let's take a moment to discuss what suspensions can look and sound like on the guitar, and why they're important.So, when we see the term “sus” in a chart, that's short for a SUSpended chord. First of all, the most common chord we'll find suspensions for is going to be on the Dominant, the V chord in a Major key. And second of all, the most common type of suspension or “sus” chord we're going to experience is the “sus4.” We could go in all sorts of additional directions, but for now, let's keep things pretty simple.So, let's say we're in the key of G Major, a very guitar-friendly key. The Dominant or V chord in G is D.  But today, we're not just going to play it as a D Major chord, we're going to play it as a Dsus4 chord.Now, my background in music began with a classical degree, which included several years of collegiate music theory, so I'm going to offer you an additional level of musicality here. It involves a three-word process.  That process is: “Preparation,” “Suspension,” and “Resolution.”Because, if we think about it, it's nice to be able to prepare ourselves for suspense, so we can anticipate it just a bit. The plot thickens in a movie. We get a warning notice that our account is about to be suspended. The cop car behind us fires up the lights on his roof to let us know we're about to be pulled over, which could lead to a suspended license.So “Preparation” is the first step. The second step is the actual “Suspension.” This is where things are in a temporary state of suspense that is typically not restful. The suspenseful scene happens in the movie, putting us on the edge of our seats. Our account is suspended, so we can't have access to it. Our license is suspended so it's temporarily taken away.So, with this suspension, there's a bit of tension. There's tension, but in this musical scenario, this is a good sort of tension. But as I mentioned, we aren't going to stay in suspense indefinitely. Eventually, we get to the third step, “Resolution,” where the Suspension ends. The suspense in the movie plot winds down, if only temporarily, as it comes to a resting point in the story. The account is restored. The license is reinstated.So, again, think through those three words as we continue - “Preparation,” “Suspension,” and “Resolution.”So here we are in the key of G Major. The I chord in G Major is…G Major, right? The IV chord is C Major, and the V chord is D Major. Now, to bring this right to your fingers in an easy manner, I'll actually use some “color” chords, so the chords will actually be easier to play, and they also won't be pure Major chords, but they'll still totally work for this exercise.The most important note in this suspension exercise is the high G note on the 3rd fret of the 1st string.  I want you to watch this note carefully, because it's going to remain for three chords, but it will have a different identity in each.I'll analyze the first chord as a G5 chord with no 3rd.  So, in the G chord, this high G is the root, right? But then, when we move to a C2 chord for the IV chord, we still keep that G up on the 3rd fret of the 1st string, and now it's the 5th of that chord. It's at this stage that we start to feel the “Preparation.” In other words, we're ramping up to the Suspension.Next up is the V chord, D, but we're going to keep the high G note on that 3rd string, thereby rendering this chord a Dsus4. Why is it a Dsus4? Because the high G is now the 4th degree of the D chord.Now, typically a D Major Chord won't have a G in it, but rather an F#, right? But here, with this chord, the Vsus4 is providing the Suspension we're after. Right now, it's not a Major chord.So now we've been put in suspense. It's not a restful chord. It's a chord where we're temporarily “on edge” just a bit.But what follows a Suspension, ideally? You know it – Resolution.All we need to do is take that high G note that we've had with us all along, and let it resolve down to the F#, thereby establishing the D Major chord, on its way back to…the G chord. See how the Vsus4 chord moves to a Major V chord, and finally back to the I chord?It's actually quite pleasing to the ear. (Catch the video for the demonstration of this.)Is there more? Always. Can we create a Sus2 chord? Yep.Can we create suspensions with 7 chords? Yeah buddy. Can we play suspensions as bar chords? Of course.Can we play a suspension without preparing or resolving it? We're technically not playing them functionally as suspensions, but…sure.Can suspensions resolve to minor chords? Yes, but that tends to sound a little more “Foreign” in some cases (catch the video for my music reference.)As you can see, we can go much further. But it all starts here with this simple process of KNOWING what a suspension is, and then experimenting with the intentional approach of Preparing, Suspending and Resolving. Want to go deeper and transform your guitar journey? Check out what we offer at www.GuitarSuccess4U.com. Keep showing up, and I'll see you next time.Thanks for reading Guitar Serious Fun! Subscribe for free to receive new posts and support my work. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit guitarseriousfun.substack.com

We'll look at Beethoven's last two cello sonatas:  Cello sonata No. 4 in C Major, Op. 102, No.1, and Cello Sonata No. 5 in D Major, Op. 102, No. 2. both completed in 1815.

Trumpeter, composer and conductor Stephen Burns is the Founder and Artistic Director of the Fulcrum Point New Music Project in Chicago. He has been acclaimed on four continents for his virtuosity and interpretative depth in recitals, orchestral appearances, chamber music, and multi-media performances.In this interview you'll hear him talk about some of his mentors including Arnold Jacobs, and Pierre Thibaud. Stephen Burns won several important competitions and awards which helped launch his solo career at a young age,  the Maurice André Concours International de Paris, but touring internationally brings challenges which he discussed candidly with me. Stephen has worked closely with Madeline Bruser and is a certified teacher in the Art of Practicing.  We talked about mindfulness, the importance of a  student-centered approach to teaching, the deep connection to your audience, programming innovative programs, and specific advice for not only brass players and musicians, but for all of us. See Timestamps below for the topics covered.  Like all my episodes, you can also watch this on my YouTube channel and I've also linked the transcript to my website: https://www.leahroseman.com/episodes/stephen-burns Stephen Burns Fulcrum Point: https://www.fulcrumpoint.org/founder Episode with Madeline Bruser: https://www.leahroseman.com/episodes/madeline-bruser Telemann: https://www.youtube.com/playlist?list=OLAK5uy_m5b5ZQtTEQjEfrDUAsQv6qjxLVALKEV0E Hindemith: https://www.youtube.com/watch?v=dmHwJbYls5Y&list=OLAK5uy_nUp5ihSm80-NXa1Zk5nGGEqvsh7PvWQ6o&index=5 Original Merch for sale: https://www.leahroseman.com/beautiful-shirts-and-more Can you buy this independent podcaster a coffee? ⁠https://ko-fi.com/leahroseman⁠ Complete Catalog of Episodes: ⁠https://www.leahroseman.com/about⁠ Newsletter sign-up: ⁠https://mailchi.mp/ebed4a237788/podcast-newsletter⁠ Linktree for social media: ⁠https://linktr.ee/leahroseman⁠ photo: Josh R Zepka Timestamps: (00:00) Intro (03:13) Madeline Bruser, The Art of Practicing, Buddhist principles (07:05) Fulcrum Point New Music Project, programming concerts (16:02)  Hindemith Sonata for Trumpet 2nd mvt Maessig bewegt with David Korevaar on piano (18:45) middle school band teacher Dan Riley (26:13) making the decision to pursue music as a career (33:33) moving to New York (35:03) Telemann Concerto in D Major, 1st mvt Adagio (35:18) overcoming injury, Armando Ghitalla, Vince Penzerella (41:44) realistic goals for musicians, finding what makes you happy (44:51) the personal challenges of an international touring career (48:48) moving to Indiana then Chicago (53:33) teaching Mindfulness for Musicians (55:48) other episodes of interest and ways to support this series (56:37) Arnold Jacobs (01:01:26) Telemann's Trumpet concert  in D Major; the  last mvt Allegro (01:01:24) the importance of body awareness, working with dancers Martha Clarke, Ruby Shang, overcoming injuries (01:07:54) advice for brass players, Pierre Thibaud, Madeline Bruser (01:15:44) Stephen's teaching, online challenges (01:18:40) stage fright, performance anxiety, Arnold Jacobs, Brass playing concepts of sound, building trust (01:32:58) a life of travel (01:39:22) the most important aspects of mindset, Bobby Shew, George Zan, Madeline Bruser

DescriptionMind Games: The Psychology Behind a Solo Performance in 60 Seconds. Take a minute to get the scoop!Fun FactOne of the most difficult violin concertos is Niccolò Paganini's Violin Concerto No. 1 in D Major. Known for its technical demands, it features rapid scales, double stops, harmonics, and wide leaps that push the limits of a violinist's dexterity and control. The concerto also requires expressive phrasing while navigating these complexities, blending virtuosity with musicality. Its intense demands on both technique and endurance make it a formidable challenge for even the most skilled violinists.__________________________________________________________________About Steven, HostSteven is a Canadian composer & actor living in Toronto. Through his music, he creates a range of works, with an emphasis on the short-form genre—his muse being to offer the listener both the darker and more satiric shades of human existence. If you're interested, please check out his music website for more. Member of the Canadian League Of Composers.__________________________________________________________________You can FOLLOW ME on Instagram.

Enjoy charts and tables below, with transcript…If you play an A Major chord like most people, you're missing out. I'll show you why, and what to do about it.I encourage you to catch the video version of this article while it's available so you can watch me demonstrate these concepts. You can find the video right here:Chords exist in context. Am I right? We typically won't play a song that consists of a single chord, because that would be…boring.So, if we want to play chords well in context, this begs the question – do guitar chord fingerings really matter? Let's find out.I'm going to list three Major keys that are pretty common with guitar players: the keys of A, E and D Major. Which chord do all of these keys have in common? The A Major chord.In the key of A, the A chord is the Tonic, the I chord.In the key of E, the A chord is the Subdominant, the Major IV chord. And in the key of D, the A chord is the Dominant, the Major V chord.It's a pretty widely-used chord. And yet… a lot of guitar players are really making more work for themselves with the fingering they use.  Now, when we fret a note, it's best to press down as close to the fret as we can, for a clean articulation.Unfortunately, some of the guitar educational materials I've come across teach the A chord with fingers 1, 2, and 3 in a row. Even if we slightly adjust to fingers 2, 3, and 4, the situation is not improved by much, because there's not quite enough room for our adjacent fingers to be well-situated on the second fret in these configurations.So, what do we do?  For almost 30 years, I have taken the approach I'm about to show you, and it is truly a game-changer. And it's actually really simple. Check it out.I use fingers 2, 1 and then 3. A better way to get situated is to place 2 and 3 on the 2nd fret, like you're voicing an open A7 chord and then drop in the 1st finger, wedging it right between those other two fingers.Again, not all three notes will be right up next to the fret, but this is still a vast improvement to what we had before. Remember, even if a finger is not right next to the fret, it can still sound clean; it just needs to press harder, the further it is away from the fret. So now that you've been exposed to this new fingering for the open A Major chord, what can I do to validate its usefulness?That's right – I'm going to place it in context.Remember how we talked about the keys of A, E and D? Let's say I wanted to move from A to E and back, whether that's in the key of A or the key of E. Both scenarios apply here.Watch what happens if I use the “old” way of fretting the A chord.  If I start with the less optimal fingering, I have to lift all three fingers to move to the E chord.  Then when I go back, I again have to lift all three fingers. Doable, but not ideal. (The accompanying video demonstrates this clearly.)What if I tried our new and improved fingering?The first finger stays on the 3rd string and provides an anchor point because although it slides down a single fret, it doesn't have to be lifted from the string. Way better. (Watch the video for the economy of movement.)Ok, how about the transition from A to D and back? Even though I do have something of an anchor note on the 2nd string with my 3rd finger, the other two fingers have to re-locate entirely both ways.It works, but is there a better way? Yep. Our new way.Try it, and then watch with delight as only one finger needs to lift up to relocate as the other two fingers provide anchor points both directions.So, not only is it a cleaner articulation to play A Major this way, we have a much cleaner transition to and from a couple very closely-related chords.  So yes, I believe guitar chord fingerings do matter.This may be significant to you, or it may not.But if we're going to play this chord a few thousand times in our lifetime, wouldn't it be better to play it more effectively? And wouldn't it be nice to gain even more visual independence from this chord in context?Hopefully this gave you a window into my approach to teaching the guitar, and how I like to zoom in for more precision and artistry, which enhances our musicianship and just helps us PLAY better.Side note: here at GuitarSerious Fun, I published an article/video called “Do Guitar Chord Voicings Matter?” I encourage you to check that out as well.You can find us on social media with GuitarSuccess4U on YouTube, Instagram and Facebook. But if you want the real experience, join GuitarSuccess4U. We have a 30-day money-back guarantee.See you there!Thanks for reading Guitar Serious Fun! Subscribe for free to receive new posts and support my work. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit guitarseriousfun.substack.com

Rachel Hurwitz and Christine Meals, violins, Stephen Main, viola and Dorothy Nemeth, violoncello, Piedmont Community Church, Piedmont, California

Songwriting - In this episode Joe plays another popular chord progression used in modern music, all styles "6415".  In the key of D Major =  Bm, G, D & A Major.  This will enable you to practice improvising musical phrases and sentences anytime anywhere. In addition it is recommended to practice chordal ear-training and using your instrument to improvise using the D Major and B minor pentatonic scales.

DescriptionBrahms & His Violin Concerto in D major in 60 Seconds. Take a minute to get the scoop!Fun FactJohannes Brahms became a composer through early piano studies and composing in his teens, influenced by Romantic greats like Schumann. Supported by his musician parents, he performed in taverns to help financially. His breakthrough came when Robert Schumann praised his talent, propelling him into the spotlight and cementing his career.__________________________________________________________________About Steven, HostSteven is a Canadian composer & actor living in Toronto. Through his music, he creates a range of works, with an emphasis on the short-form genre—his muse being to offer the listener both the darker and more satiric shades of human existence. If you're interested, please check out his music website for more. Member of the Canadian League Of Composers.__________________________________________________________________You can FOLLOW ME on Instagram.

Donald Macleod shines a light on charming and often enigmatic composer, Thomas Linley JnrEnglish composer, Thomas Linley the Younger was destined to become one of the brightest musical stars of eighteenth century. No less a person than Mozart, who was also a personal friend, hailed him as a ‘true genius'. Even so, Linley's life was troubled. He and his siblings were ruthlessly driven by their ambitious father. He saw his beloved sister become fodder for the celebrity-hungry gossip mongers of the British press and must have wondered if he might be next. He was forced to navigate a dangerous atmosphere of prurience and moral suspicion about the private lives of ‘theatre people' like himself. A cloud of mystery hovers over Tom's shocking and early death at the age of just 22. Donald Macleod is joined by Linley's biographer, Tony Scotland, to shine a light on this charming and often enigmatic composer, alongside music by Tom and his circle.Music Featured: Linley the Younger: Music for The Tempest (No 1, Arise! ye spirits of the storm) Geminiani: Violin Sonata in D Major, Op 5, No 4 (1st & 2nd mvts) Linley the Younger: The Song of Moses (extracts) Boyce: Symphony No 7 in B flat major Nardini: Sonata No 1 for 2 Violins in G Major Linley the Younger: To heal the wound a bee had made Linley the Younger: Sonata in A major Linley the Younger: A Lyric Ode on the Fairies, Aerial Beings and Witches of Shakespeare (excerpt) Linley the Elder(arr. Borutzki): The Lark Sings High in the Cornfield Linley the Younger: Ye nymphs of Albion's beauty-blooming isle (extracts) Linley the Younger: In yonder grove Linley the Younger: Violin Concerto in F major Linley the Younger: Overture to The Duenna Linley the Younger: A Lyric Ode on the Fairies, Aerial Beings and Witches of Shakespeare (extracts from parts 1 & 2) Linley the Younger: Let God arise Linley the Elder: Think not my love, when secret grief Linley the Younger: A Lyric Ode on the Fairies, Aerial Beings and Witches of Shakespeare (Overture) Linley the Younger: Daughter of Heav'n, fair art thou! 'Darthula' William Linley: Down in the gleamy vale Linley the Younger, Music for The Tempest (excerpt)Presented by Donald Macleod Produced by Chris Taylor for BBC Audio Wales & WestFor full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Thomas Linley Jnr (1756-1778) https://www.bbc.co.uk/programmes/m0020pnjAnd you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

Inside The Music presents Ludwig van Beethoven's Opus 10 and 18, Nos. 3 in their entireties. Join Derek Delaney, Artistic Director of Capital Region Classical, for live CRC performances by pianist Yefim Bronfman and the Belcea Quartet.Piano Sonata in D Major, Op. 10, No. 3Yefim Bronfman, piano [11/20/2002 performance]Quartet in D Major, Op. 18, No. 3Belcea Quartet [10/16/2014 performance]Dive deeper into this episode's repertoire by heading to our YouTube channel for a discussion with some of our audience members about the program.Follow us to stay up to date on the latest from Capital Region Classical including concerts, events, and new episodes of Inside the Music:WebsiteFacebookInstagramYouTube© Capital Region Classical

Welcome to Season 03 Episode 19 - the "Bach and Beyond 2024 Part 2" edition - of Notes from the Aisle Seat, the podcast featuring news and information about the arts in northern Chautauqua County NY, sponsored by the 1891 Fredonia Opera House. Your host is Tom Loughlin, SUNY Distinguished Teaching Professor and Chair Emeritus of Theatre and Dance at SUNY Fredonia. Guests on this episode include: Mr. Paul Preston from The Movie Guys, Mr. Alexander Pegis, the 2024 B&B Emerging Young Artist, and Ms. Cheryl Bishkoff, founding oboist of the B&B Festival. Notes from the Aisle Seat is available from most of your favorite podcast sites, as well as on the Opera House YouTube Channel. If you enjoy this podcast, please spread the word through your social media feeds, give us a link on your website, and consider becoming a follower by clicking the "Follow" button in the upper right-hand corner of our home page. If you have an arts event you'd like to publicize, hit us up at operahouse@fredopera.org and let us know what you have! Please give us at least one month's notice to facilitate timely scheduling. Thanks for listening! Time Stamps Paul Preston/Amadeus and Chevalier  02:27 Alexander Pegis  22:33 Arts Calendar  41:35 Cheryl Bishkoff 43:07 Media excerpt from Amadeus; Milos Foreman, director, F. Murray Abraham as Salieri, Orion Pictures 1984 Sinfonia in D Major, "La Veneziana": I. Allegro assai, A. Salieri, composer; performed by Amadeus Chamber Orchestra, YoungHo Choi, conductor, January 2013 Cello Concerto in B minor RV 424; A. Vivaldi, composer; performed by the Berlin Baroque Soloists, Georg Faust, cello, January 2015 Sonata #3 for Two Violins; Joseph Bologne, Chevalier de Saint-Georges, composer; Nathan Cole and Akiko Tarumotu, violins, Nov. 2022  Symphony # 45 in F-sharp minor (Farewell): IV. Finale, Franz Josef Haydn, composer; performed by the New Century Chamber Orchestra, San Francisco Conservatory of Music, May 2013 Artist Links The Movie Guys Paul Preston Alexander Pegis Cheryl Bishkoff   BECOME AN OPERA HOUSE MEMBER!  

50 episodes, who'd have thought?We're back looking into rivalry (should have been plural but time is a cruel mistress).Check out the Character Issues Ranking list over at Characterissues.com.Thanks. Character Issues literature club 50 contains Mozart's Rondo in D Major.www.characterissues.com

«Cuando regreso a mí, a mi sendero, a leer y estudiar, escuchando a los grandes del pasado, me basta una sonata de Corelli para maravillarme de la creación». El 18 de mayo de 2021 moría, a los 76 años, Franco Battiato.  Sonata No. 12 in D minor Follia, Op. 5: I. Tema - Variazione 1 (Adagio) + Sonata Da Chiesa No. 1 in D Major, Op. 5: IV. Adagio + Sonata Da Chiesa No. 5 in G minor, Op.5: III. Adagio de Arcangelo CorelliOttavio Dantone, Stefano Montanari Corelli: Violin Sonatas Op. 5, Nos. 1-12L'Ombra Della Luce Franco Battiato Come Un Cammello In Una Grondaia (2008 Remastered Edition)Torneremo ancora Franco Battiato y Royal Philharmonic Concert Orchestra Torneremo AncoraBayaty + Chant from a Holy Book de G. I. Gurdjieff  Anja Lechner y Vassilis Tsabropoulos Gurdjieff, Tsabropoulos: Chants, Hymns And DancesHaiku Franco Battiato Inneres Auge (Il Tutto E' Più Della Somma Delle Sue Parti)Aria Di Neve Franco Battiato FleursLa Quiete Dopo Un Addio Franco Battiato Inneres Auge (Il Tutto E' Più Della Somma Delle Sue Parti)Secondo Imbrunire Franco Battiato UnprotectedL'animale Franco Battiato Last Summer Dance - LiveI Treni Di Tozeur Franco Battiato y Alice Collezione ItalianaLa Cura Franco Battiato  L'ImboscataEscuchar audio

In 1773, Carl Philipp Emanuel Bach sat down to record his life story. He'd been asked to write it down for a new book on German music and it made him one of the first composers to produce an autobiography. This week, Donald Macleod follows the composer's story, using Bach's own account as his guide. Bach's words provide fascinating insights into the things he considered most important but it's possible that what he chose to leave out is even more revealing.Music Featured: L'Aly Rupalich, Wq 117 No 27 Symphony for Strings and Continuo in G major, Wq 182 No 1 Fantasia for keyboard in C major, Wq 61 No 6 Trio Sonata in B minor, Wq 143 Keyboard Concerto in G major, Wq 3 Symphony in G major, Wq 173 (1st mvt) Trio Sonata in A Minor, Wq 148 Sonata in A minor, Wq 132 (1st mvt) Cello Concerto No 3 in A major, Wq 172 (2nd & 3rd mvts) Sonata in E minor, Wq 49 No 3 Magnificat in D, Wq 215 (1, Magnificat anima mea Dominum; 5, Fecit potentiam; 10. Sicut erat in principio) Keyboard Sonata in E flat major, Wq 52 No 1( 2nd & 3rd mvts) Sonata in C minor ‘Sanguineus and Melancholicus' Wq 161 No 1 Phyllis and Thirsis, Wq 232 (excerpt) Sinfonia in B-Flat Major, Wq 182 No 2 (3rd mvt) 30 Geistliche Gesänge mit Melodien, Book 2, Wq 198: (Nos 2 & 8) Die Israeliten in der Wüste, Wq 238 (extract from Part 1) Symphony in B minor, Wq 182 No 5 Rondo in E Major, Wq 58 No 3 Rondo in F Major, Wq 57 No 5 Sonata in D Minor, Wq 57 No 4 (2nd mvt) Quartet in G Major, Wq 95 (3rd mvt) Heilig, Wq 217 Keyboard Sonatina in D Major, Wq 109 Freye Fantasie in F sharp minor, Wq 80Presented by Donald Macleod Produced by Chris Taylor for BBC Audio Wales and WestFor full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for CPE Bach (1714-1788) https://www.bbc.co.uk/programmes/m001yr0r And you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

My guest today is Ashley Goodall, a leadership expert who has spent his career exploring large organizations from the inside, most recently as an executive at Cisco. He is the co-author of Nine Lies About Work, which was selected as the best management book of 2019 by Strategy + Business and as one of Amazon's best business and leadership books of 2019. It is an awesome book - highly recommended. If, after listening to this conversation you want to hear more (and I think you will!), take a listen to him and his co-author, Marcus Buckingham, talking on the HBR Idea Cast about lie #5 - the idea that people need feedback - and how most managers think about giving feedback in an utterly wrong way - which is also an idea we dive into later in our conversation today. Prior to Cisco, Ashley spent fourteen years at Deloitte as a consultant and as the Chief Learning Officer for Leadership and Professional development.  His book, "The Problem with Change: and the Essential Nature of Human Performance" is about what we might call lie number 10: the idea that change is good and that leaders must lead change in order to be good leaders. Wholesale belief in this lie has created what Ashley calls  “Life in the Blender” - driven by what I've heard some folks refer to as “The Reorg of the Day”. I love love love the musical analogies Ashley uses to describe leadership - not as the lead guitar or first violin, but as the Ground Bass - the principal structural element of a musical piece. The Leader can help teams navigate change by playing a backbeat of stability and consistency, supporting a range of free expression and variation. Find a link to Pachelbel's Canon here and listen to the Goldberg variations here (which he mentions in the extended version of the analogy, later on in the conversation). What is that Ground Bass? For Ashley it's about helping people feel seen, connected, celebrated and clear on the story of the meaning of their contributions to the work.  This perspective aligns very well with the message Bree Larson offered here some years back. Bree is a Partner at SYPartners and shared her framework around the challenges of designing organizational change - that most change can easily result in one or more of the Six Types of Loss she identified: Loss of Control Loss of Pride Loss of Narrative Loss of Time Loss of Competence Loss of Familiarity  All of which Ashley suggests leaders can deflect or reduce through 9 key leadership skills that he outlines in depth in his book: Make space  Forge undeniable competence  Share secrets  Be predictable  Speak real words  Honor ritual  Focus most on teams Radicalize HR  Pave the way Prior to releasing the book, Ashley wrote a New York Times Op-Ed piece which is a blockbuster and is an even more succinct, poignant and straight-on condemnation of modern corporate leadership - it is also highly worth reading. This book feels a bit like a Burn Book - Ashley is pointing out fundamental misconceptions at the heart of corporate life in a direct and unvarnished manner - in the hope that some leaders will listen and start doing things differently - Leading in a way that takes into account how humans really are and what we really need to thrive at work. Ashley is very clear: companies need to look beyond wellness initiatives and corporate cheerleading and shift their focus to the fundamental environment of daily work. The effects of a corporate life caught in constant change are more than clear to anyone who's been through it: uncertainty, a lack of control, a sense of unbelonging and of displacement, and a loss of meaning As Goodall says, “The ultimate job of leadership is not disruption and it is not to create change; it is to create a platform for human contribution, to create the conditions in which people can do the best work of their lives.” Also - do listen for an extended exchange around minute 40 where we talk about the power of praise and the Paul Hollywood handshake - if you're not a Great British Bake off fan, there's still time to watch a few episodes to get in the mood - or at least witness the effect of the Hollywood Handshake on Friends star David Schwimmer here. Head over to theconversationfactory.com/listen for full episode transcripts, links, show notes and more key quotes and ideas. You can also head over there and become a monthly supporter of the show for as little as $8 a month. You'll get complimentary access to exclusive workshops and resources that I only share with this circle of facilitators and leaders. Links Find a link to Pachelbel's Canon here and listen to the Goldberg variations here. Ashley wrote a New York Times Op-Ed which is a blockbuster Take a listen to Ashley and his co-author, Marcus Buckingham, talking on the HBR Idea Cast about lie #5 - the idea that people need feedback - and how most managers think about giving feedback utterly wrong. Canon in D Major by Kevin MacLeod is licensed under a Creative Commons Attribution license (https://creativecommons.org/licenses/...) Source: http://incompetech.com/music/royalty-... Artist: http://incompetech.com/ Witness the effect of the Hollywood Handshake on Friends star David Schwimmer here.

References Circulation. 2023.Oct 17;148(16):1231-1249. Int J Mol Sci . 2019. Oct 11;20(20):5028. Front Immunol. 2019; 10: 1706 Mastin, T. 1967 "How do you Feel" [Jefferson Airplane]. Surrealistic Pillow.lp. https://youtu.be/iWUa-rKT-oY?si=1M9496MbDUBGuj0A Hunter, Garcia, Kreutzman. 1975. "Franklin's Tower" [ Grateful Dead. Blues for Alah].lp. https://youtu.be/55TOIJxKc74?si=2wiiTKbWjw5LQvxF Haydn, FJ. 1790. String Quartet in D Major, Op. 64 No. 5 https://youtu.be/vNN_Kbuf7_U?si=KSfUc226hIIAmcy- --- Send in a voice message: https://podcasters.spotify.com/pod/show/dr-daniel-j-guerra/message Support this podcast: https://podcasters.spotify.com/pod/show/dr-daniel-j-guerra/support

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Opening Song: King of Love (https://open.spotify.com/track/2VUqTf9xTu9iTcElzOdy1F?si=8a0471e95c144958) by Adam Palmer, Jonathan Smith, Matthew Hein, Stephanie Kulla, and Stuart Garrard Lyrics: The King of Love my Shepherd is Whose goodness faileth never I nothing lack if I am His And He is mine forever And He is mine forever Where streams of living water flow My ransomed soul He leadeth And where the verdant pastures grow With food celestial feedeth Never failing Ruler of my heart Everlasting Lover of my soul On the mountain high or in the valley low The King of Love my Shepherd is The King of Love my Shepherd is Lost and foolish off I strayed But yet in love He sought me And on His shoulder gently laid And home rejoicing brought me In death's dark veil I fear no ill With Thee dear Lord beside me Thy rod and staff my comfort still Thy cross before to guide me Oh Hallelujah Hallelujah Oh Hallelujah Hallelujah And so through all the length of days Thy goodness faileth never Good Shepherd may I sing Your praise Within Your house forever Within Your house forever Passage: The word of the Lord came to me: 2 “Son of man, prophesy against the shepherds of Israel. Prophesy, and say to them, ‘This is what the Lord God says to the shepherds: Woe to the shepherds of Israel, who have been feeding themselves! Shouldn't the shepherds feed their flock? 3 You eat the fat, wear the wool, and butcher the fattened animals, but you do not tend the flock. 4 You have not strengthened the weak, healed the sick, bandaged the injured, brought back the strays, or sought the lost. Instead, you have ruled them with violence and cruelty. 5 They were scattered for lack of a shepherd; they became food for all the wild animals when they were scattered. 6 My flock went astray on all the mountains and every high hill. My flock was scattered over the whole face of the earth, and there was no one searching or seeking for them. 7 “ ‘Therefore, you shepherds, hear the word of the Lord. 8 As I live ​— ​this is the declaration of the Lord God ​— ​because my flock, lacking a shepherd, has become prey and food for every wild animal, and because my shepherds do not search for my flock, and because the shepherds feed themselves rather than my flock, 9 therefore, you shepherds, hear the word of the Lord! 10 “ ‘This is what the Lord God says: Look, I am against the shepherds. I will demand my flock from them and prevent them from shepherding the flock. The shepherds will no longer feed themselves, for I will rescue my flock from their mouths so that they will not be food for them. -- Ezekiel 34:1-10 (CSB) Musical Reflection: “Air on the G String” from Orchestral Suite No. 3 in D Major by J.S. Bach Reflection Notes: The slow, descending bass line creates musical “steps” in an elegant fashion while a suspended melody several octaves above creates a satisfying combination of sound registers. Prayer: This is another day, O Lord. I know not what it will bring forth, but make me ready, Lord, for whatever it may be. If I am to stand up, help me to stand bravely. If I am to sit still, help me to sit quietly. If I am to lie low, help me to do it patiently. And if I am to do nothing, let me do it gallantly. Make these words more than words, and give me the Spirit of Jesus. Amen.

In this episode of One Symphony, host Devin Patrick Hughes sits down with Ralph Patrick, a former pastor and Alzheimer's Association collaborator, to explore the profound impact of music on individuals living with dementia. Patrick shares his personal experiences and insights, discussing how live musical performances can engage, stimulate, and connect with those affected by this challenging disease. Discover the steps musical organizations can take to create dementia-friendly programs and learn about the cognitive benefits of music for individuals with dementia. Don't miss this thought-provoking discussion on the transformative power of music and its ability to reach the deeper, inner self beyond cognition. Ralph Patrick, a former pastor and Alzheimer's Association collaborator is the son of Jean who died of Alzheimer's in 2012.  Her diagnosis in 2001 led him to join the Colorado Chapter of the Alzheimer's Association.  He has presented hundreds of education classes, as well as providing consultationg services for both caregivers and those living with dementia, and has been a collaborator and presenter with Boulder Symphony creating Sensory Friendly concert series, reaching thousands in Colorado and beyond.   00:00 Introduction to the Power of Music in Dementia Care 00:14 Early Experiences and Realizations 01:59 The Impact of Music on Dementia: Recorded vs. Live 04:31 Advancements and Community Engagement in Music Therapy 07:08 Orchestras and Ensembles: Engaging with Dementia Programs 09:56 Tailoring Music Programs for Different Stages of Dementia 16:59 The Therapeutic Benefits of Music for Dementia 18:51 The Role of Orchestras in Supporting Dementia Communities 22:10 The Deep Connection Between Music and Memory 23:28 Preventative and Therapeutic Benefits of Music 25:08 Closing Thoughts and Encouragement Thank you for joining us on One Symphony. Thanks to Ralph Patrick for sharing his expertise and stories. You can find more info at https://www.alz.org or https://bouldersymphony.org/outreach/ or linkedin.com/in/ralph-patrick-69734215 Musical selections on this episode today include  Bach - Air from Orchestral Suite no. 3 in D major BWV 1068 Performed by the Netherlands Bach Society Pyotr Ilyich Tchaikovsky – Symphony No 5 in E minor op. 64 Sergiu Celibidache conducts the Munich Philharmonic Orchestra Mozart Divertimento in D Major, K. 136 "Salzburg Symphony No. 1": II. Andante · Ton Koopman conducts the Amsterdam Baroque Orchestra  The Syncopated Clock · Leroy Anderson, conducted by Leroy Anderson Shostakovich: Jazz Suite No. 2 - VI. Waltz II Riccardo Chailly conducts the Royal Concertgebouw Orchestra  Beethoven: Symphony No. 6 In F, Op. 68 -"Pastoral" – First movement --   Herbert von Karajan  conducts the Berliner Philharmonic  You can always find more info at OneSymphony.org including a virtual tip jar if you'd like to support the show. Please feel free to rate, review, or share the show! Until next time, thank you for being part of the music!  

Sir Antonio Pappano is one of the world's most acclaimed conductors. He started work at the age of ten as an accompanist for his father, who worked as a singing teacher. After leading orchestras in Brussels and Oslo, Pappano was appointed as musical director of the Royal Opera House in 2002. Stepping down after 22 years leading Covent Garden, he has joined the London Symphony Orchestra as chief conductor. Antonio Pappano was knighted in 2012 and conducted the orchestra at the coronation of King Charles III in 2023. An award winning recording artist, he has conducted on over 70 live and studio albums.Antonio Pappano tells John Wilson about his upbringing in a central London council flat, the son of Italian immigrants, and his love of music from an early age. He recalls the significance of receiving his grade 5 piano examination result by post, "a lightbulb moment” in which he realised what he wanted to do with his life. He also describes his parents' grief after the death of his baby sister, which led to the Pappano family moving to Connecticut, where Antonio continued his musical tuition under a local piano teacher called Norma Verrilli and composer Arnold Franchetti. His professional career was nurtured by conductor and pianist Daniel Barenboim who employed Pappano as his assistant for six years, a period in which he learned the art of conducting. He also looks back at his 22 years leading the Royal Opera at Covent Garden and talks candidly of his concerns about the funding and championing of opera in the UK.Producer: Edwina PitmanMusic and archive:Puccini, Turandot, Act 1 Ah! per l'ultima volta! Liszt, Consolations S.172 for piano no.3 in D flat major; Lento placid Monteverdi, Dolci miei sospiri Gershwin, The Man I love Prokofiev, Symphony No.1 in D Major, Op.25 for two pianos Mozart, Piano Concerto No. 20 in D Minor, K. 466 I. Allegro Wagner, Das Rheingold, Act 1, Rheingold, Rheingold! Wagner, Tristan und Isolde, WWV 90, Act 3 Scene 2 O diese Sonne! Götterdämmerung, Act 3 Siegfrieds Trauermarsch Following Pappano, BBC Radio 4, September 2017 Puccini, La_Boheme, Act 1, Che gelida manina Strauss, Ariadne auf Naxos, Opera Handel, Zadok the Priest, HWV 258 Mozart, Le Nozze di Figaro, Act 3 Sull'aria che soave zeffiretto Vaughan Williams, Fantasia_on_a_Theme_by_Thomas_Tallis Ades, Three-piece Suite from Powder Her Face - Suite No.1

This week is full of beautiful cello headbanging as Grace takes us on another journey to Get Bakedthoven! We have a High Thought about saxopets (or trumpophones?), a messy and thrilling Bong Box on the trials of living in the age of apps, and a discussion of who did or did not influence the character of Lydia Tar. Shoutout to Gretchen Yanover! Roll up, light up, and join us. All audio included in this episode for educational discussion. Watch the full videos here: Calidore String Quartet plays Mendelssohn's Quartet in D major for Strings, Op.44, No.1 Jerusalem Quartet plays Shostakovich String Quartet No. 8 in C Minor, Op.110 The Brentano Quartet plays Schumann String Quartet in A Major, op.41, no.3 Nina Lee: Cellist for Brentano String Quartet interview on I am every GIRL Marin Alsop interview on Wired Marin Alsop conducts National Youth Orchestra playing Mahler's Symphony No.1 in D Major, 'Titan' Gretchen Yanover for Northwest Sinfonietta playing 'Suddenly I Felt Joy' looped live ---- Find us: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.stonerchickspodcast.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Want more Stoner Chicks? Become a Patron! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/stonerchicks⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Grace Penzell, Phoebe Richards (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@27phoebe27⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠), Kayla Teel (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@kayla_teel⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠), and Stephani Thompson (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@fannytragic⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠). Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@stonerchickspodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Facebook: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Stoner Chicks Podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ TikTok: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@broccolibroads⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Email: stonerchickspodcast@gmail.com Snail Mail: PO Box 80586, Seattle, WA 98108 --- Edited by German at YPEditor.com; Theme Song by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Jessica DiMari⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠; Cover Art by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Ben Redder⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠AJ Dent⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, and Kayla Teel

Composer, conductor and bassoonist Leo Geyer, and The Southbank Centre's Gillian Moore, join Jeffrey Boakye and saxophonist Jess Gillam - standing in for Cerys Matthews - as they head from a famous Bach well-tempered classic, via Taiwan, to David Bowie's parting gesture. British-Chinese flautist Daniel Shao explains the intricacies of a traditional Taiwanese flute tune.Producer Jerome Weatherald Presented, with music direction, by Jeffrey Boakye and Jess GillamThe five tracks in this week's playlist:Well-Tempered Clavier: Prelude in C Major by Bach Bad Romance by Lady Gaga A Tayal Folk Song by Ming Flute Ensemble Symphony No.9 in D Major (1st movement) by Gustav Mahler Lazarus by David BowieOther music in this episode:Pull Up To The Bumper by Grace Jones In the Mood by Glenn Miller Ave Maria by Charles Gounod Don't Cry For Me Argentina by Andrew Lloyd-Webber and Tim Rice Fugue No 24 in B Minor by Bach Symphony No.6: 'Pathétique' by Pyotr Ilyich Tchaikovsky

Live from the Grand Teton Music Festival is a series of one-hour podcasts hosted by Music Director Sir Donald Runnicles and GTMF General Manager Jeff Counts. Season Seven celebrates the Festival's 2023 season at Walk Festival Hall in Jackson Hole. Marc-André Hamelin with the Grand Teton Music Festival OrchestraFranz Joseph HaydnSymphony No. 101 in D Major, Hob. I/101, “The Clock”Sir Donald Runnicles, conductorSteven SérpaMountain Fado: Fado da montanha (World Premiere)Holly Mulcahy, violin; Adelle Eslinger Runnicles, pianoMaurice RavelConcerto for Piano in D Major, “Left Hand”Marc-André Hamelin, piano; Stéphane Denève, conductor

Opening Song: What He's Done (https://open.spotify.com/track/2pxyd0ly9E5TEObwOvkedv?si=e3a4786b04684283) by Anna Golden, Jacob Sooter, Kristian Stanfill, and Tasha Cobbs Leonard Lyrics: See on the hill of Calvary My Savior bled for me My Jesus set me free Look at the wounds that give me life Grace flowing from His side No greater sacrifice What He's done What He's done All the glory and the honor to the Son My sins are forgiven My future is Heaven I praise God for what He's done Sing for the freedom He has won Even death is dead and done His life has overcome Speak say the Name above all names Over every broken place He is risen from the grave Now on a throne of majesty The Father's will complete He reigns in victory Sing hallelujah to the King He is worthy to receive All the worship we can bring Passage: After these things God tested Abraham and said to him, “Abraham! ” “Here I am,” he answered. 2 “Take your son,” he said, “your only son Isaac, whom you love, go to the land of Moriah, and offer him there as a burnt offering on one of the mountains I will tell you about.” 3 So Abraham got up early in the morning, saddled his donkey, and took with him two of his young men and his son Isaac. He split wood for a burnt offering and set out to go to the place God had told him about. 4 On the third day Abraham looked up and saw the place in the distance. 5 Then Abraham said to his young men, “Stay here with the donkey. The boy and I will go over there to worship; then we'll come back to you.” 6 Abraham took the wood for the burnt offering and laid it on his son Isaac. In his hand he took the fire and the knife, and the two of them walked on together. 7 Then Isaac spoke to his father Abraham and said, “My father.” And he replied, “Here I am, my son.” Isaac said, “The fire and the wood are here, but where is the lamb for the burnt offering? ” 8 Abraham answered, “God himself will provide the lamb for the burnt offering, my son.” Then the two of them walked on together. 9 When they arrived at the place that God had told him about, Abraham built the altar there and arranged the wood. He bound his son Isaac and placed him on the altar on top of the wood. 10 Then Abraham reached out and took the knife to slaughter his son. 11 But the angel of the Lord called to him from heaven and said, “Abraham, Abraham! ” He replied, “Here I am.” 12 Then he said, “Do not lay a hand on the boy or do anything to him. For now I know that you fear God, since you have not withheld your only son from me.” 13 Abraham looked up and saw a ram caught in the thicket by its horns. So Abraham went and took the ram and offered it as a burnt offering in place of his son. 14 And Abraham named that place The Lord Will Provide, so today it is said, “It will be provided on the Lord's mountain.” -- Genesis 22:1-14 (CSB) Musical Reflection: “Air on the G String” from Orchestral Suite No. 3 in D Major by J.S. Bach Reflection Notes: The slow, descending bass line creates musical “steps” in an elegant fashion while a suspended melody several octaves above creates a satisfying combination of sound registers. Prayer: This is another day, O Lord. I know not what it will bring forth, but make me ready, Lord, for whatever it may be. If I am to stand up, help me to stand bravely. If I am to sit still, help me to sit quietly. If I am to lie low, help me to do it patiently. And if I am to do nothing, let me do it gallantly. Make these words more than words, and give me the Spirit of Jesus. Amen.

References J Biol Chem 2017 292: 20481. Nature Cell Biology 2019. volume 21, pages 338–347 Rossini.G. 1829. William Tell Overture. https://youtu.be/z7Tj2SzToHI?si=QUXkj3NzqF17Zq60 Vivaldi, A. 1712. Concerto in D Major. RV 212. https://youtu.be/l21_9KKy1Pg?si=9HSMxRj7huJF1B8j --- Send in a voice message: https://podcasters.spotify.com/pod/show/dr-daniel-j-guerra/message Support this podcast: https://podcasters.spotify.com/pod/show/dr-daniel-j-guerra/support

Opening Song: O Lord, open our lips and our mouths will declare Your praise. Glory be to the Father, and to the Son, and to the Holy Spirit, As it was in the beginning, is now and ever shall be, world without end, Amen. The Scripture for today is Let's prepare our hearts to hear from God's word as we listen to There Is A King by Brandon Lake, Steven Furtick, and Tiffany Hudson. This arrangement begins with a beautiful oboe solo, accompanied by guitar. The sustained instrumental tones fade away as the vocalist's replace them, singing about the events mentioned in Revelation. The woodwind interlude returns throughout the song, an apt accompaniment for the words “And every tear He'll wipe away…soon we will meet our Savior face to face.” Lyrics: There is a king seated among us Let every heart receive Him now Where there is praise He will inhabit There will be grace and mercy all around Every burden will be lifted in His presence Every trophy will be laid down at His feet There is a name that reigns above all others Jesus Christ the king above all kings Unto the lamb honor and glory Worthy is He who overcame Buried in shame risen in power He is alive the stone is rolled away All our worship will belong to Him forever Death is conquered and our Savior holds the keys There is a name that reigns above all others Jesus Christ the king above all kings It won't be long we will behold Him And every tear He'll wipe away We'll be at home the war will be over Soon we will meet our Savior face to face And all our worship will belong to You forever Holy holy for all eternity Yours is the name that reigns above all others Jesus Christ the king above all kings Jesus Christ the king above all kings Passage: 9 After this I looked, and there was a vast multitude from every nation, tribe, people, and language, which no one could number, standing before the throne and before the Lamb. They were clothed in white robes with palm branches in their hands. 10 And they cried out in a loud voice: Salvation belongs to our God, who is seated on the throne, and to the Lamb! 11 All the angels stood around the throne, and along with the elders and the four living creatures they fell facedown before the throne and worshiped God, 12 saying, Amen! Blessing and glory and wisdom and thanksgiving and honor and power and strength be to our God forever and ever. Amen. 13 Then one of the elders asked me, “Who are these people in white robes, and where did they come from?” 14 I said to him, “Sir, you know.” Then he told me: These are the ones coming out of the great tribulation. They washed their robes and made them white in the blood of the Lamb. 15 For this reason they are before the throne of God, and they serve him day and night in his temple. The one seated on the throne will shelter them: 16 They will no longer hunger; they will no longer thirst; the sun will no longer strike them, nor will any scorching heat. 17 For the Lamb who is at the center of the throne will shepherd them; he will guide them to springs of the waters of life, and God will wipe away every tear from their eyes. (Revelation 7:9-17 CSB) Musical Reflection: “Air on the G String” from Orchestral Suite No. 3 in D Major by J.S. Bach Reflection Notes: The slow, descending bass line creates musical “steps” in an elegant fashion while a suspended melody several octaves above creates a satisfying combination of sound registers. Prayer: To those who rule and lead us on the earth, you, sovereign Master, have given their authority and kingship—so marvelous that power of yours words fail to express—that seeing the glory and honor you have provided for them, we should be subject to their rule, not resisting your will. Grant them, Lord, the health, peace, concord and stability to use rightly the sovereignty you have bestowed on them. For you, King of heaven, you it is that give mortals glory, honor and power over what is on earth. Lord, make their counsels conform to what is good and pleasing to you, that using with reverence, peacefully, gently the power you have given them, they might find favor with you.

I've mentioned Ethel Smyth a few times in the past on this show. This is partly because of her music, and partly because she remains one of the most interesting people who ever lived. She was a composer of course, but she was also a conductor and an author, as well as a political activist. Specifically, she was a suffragette, fiercely advocating for the rights of women to vote in her home country of the UK. As a composer Smyth wrote dozens of works, all of which are starting to become better known as performers and administrators look to bring more music by female composers onto concert stages around the world. Smyth did not have it easy, constantly fighting for her place, battling conductors, other composers, and even her own father, all for the right to be a composer.  Today, after I introduce you to a bit more of Smyth's amazing biography, we're going to focus on her first orchestral work, her Serenade in D Major. This is a piece that certainly doesn't sound like a first orchestral piece, and it is full of all of the qualities that make Smyth's music so enjoyable to listen to - lush warmth, humor, raucous intensity, and the quiet passion that runs through the music of so many great British composers. Smyth's Serenade in D is starting to be performed more, and I'm really proud to be using my own recording of the piece for the show today, which I made with the Lausanne Chamber Orchestra in 2021. It is only the second professional recording of the piece, and the recording has just been released on Claves Records. So today, we're going to go through this wonderful piece and also spend some more time in the wild and unpredictable world of Dame Ethel Smyth. Join us!

Linton Stephens tries out a classical playlist on his music-loving guest. This week, Linton is joined by Downton Abbey stars turned music duo Michelle Dockery and Michael Fox.Michelle and Michael's playlist:Qunihico Hashimoto - Symphony No. 1 in D Major (3rd movement) Ghislaine Reece-Trapp - In Paradisum Camille Saint-Saens - Danse macabre Dobrinka Tabakova - Desert Swimmers Franz Schubert - Piano Trio No. 2 E-Flat Major (2nd movement) Anne Boyd - The Beginning of the DayClassical Fix is a podcast aimed at opening up the world of classical music to anyone who fancies giving it a go. Each week, Linton mixes a bespoke playlist for his guest, who then joins him to share their impressions of their new classical discoveries. Linton Stephens is a bassoonist with the Chineke! Orchestra and has also performed with the BBC Philharmonic, Halle Orchestra and Opera North, amongst many others.

SOMM RECORDINGS announces the first volume of Prokofiev Milestones, featuring three characterful sonatas and a sparkling arrangement of music from Romeo and Juliet performed by violinist Lana Trotovšek and flutist Boris Bizjak accompanied by Maria Canyigueral on piano.Prokofiev Milestones revealingly turns the focus away from the prolific composer's famed orchestral works and celebrated ballets to his rich and varied chamber music.First performed in 1943, the Sonata for Flute and Piano (Op.94) is, as Robert Matthew-Walker comments in his notes, “music not of war, but of peace”; a pastoral escape laced with wit and mischief vouchsafed within a pristine neo-classical frame.It is heard again, transformed, in Prokofiev's transcription for Violin and Piano (Op.94a). Composed soon after, it lays claim to being “one of the finest 20th-century works in the genre and a genuine masterpiece”.The Sonata for Two Violins (Op.56) is heard in a new arrangement by Boris Bizjak that eloquently makes much of its sentimentality, drama, and vitality.A characterful suite drawn from Romeo and Juliet, and arranged for violin and piano by Lidia Baich and Matthias Fletzberger, revels in Shakespeare's great romance and Prokofiev's ardent response to it.TracksSonata for Flute and Piano in D Major, Op. 94 (24:15) I. Moderato (8:06) II. Scherzo: Presto (5:09) III. Andante (3:49) IV. Allegro con brio (7:10) Sonata for Two Violins in C Major, Op. 56 (arr. Boris Bizjak for flute and violin) (14:40) I. Andante cantabile (2:22) II. Allegro (3:15) III. Commodo (quasi allegro) (3:32) IV. Allegro con brio (5:29) Suite from Romeo and Juliet (arr. Lidia Baich and Matthias Fletzberger for violin and piano) (15:45) I. Introduction (1:29) II. Juliet (1:31) III. Dance of the Knights (3:03) IV. Balcony Scene (4:47) V. Dance of the Couples (1:27) VI. Mercutio – Fight – Tybalt's Death (3:25) Sonata No. 2 for Violin and Piano in D Major, Op. 94a (24:35)* I. Moderato (7:52) II. Scherzo: Presto (5:13) III. Andante (4:14) IV. Allegro con brio (7:14) Help support our show by purchasing this album  at:Downloads (classicalmusicdiscoveries.store) Classical Music Discoveries is sponsored by Uber. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber#AppleClassical Please consider supporting our show, thank you!Donate (classicalmusicdiscoveries.store) staff@classicalmusicdiscoveries.com This album is broadcast with the permission of Sean Dacy from Rosebrook Media.

Opening Song: To the Cross I Cling (https://open.spotify.com/track/4dDaRw02WdySqYTjSw8ky8?si=1f48ce0be291488f) by Isaac Wimberley, Matt Bosswell, and Michael Bleecker Lyrics: No day of my life has passed that has not proved Me guilty in Your sight The best I have to offer are these filthy rags Yet You love me All things in me call for my rejection All things in You plead my acceptance I am guilty but pardoned By grace I've been set free I am ransomed through the blood You shed for me I was dead in my transgressions But life You brought to me I am reconciled through mercy To the cross I cling To the cross I cling No more am I A slave to sin but bought with a price Redemption that was purchased Through the blessed cross That You bore for me You bore for me Passage: 9 Don't you know that the unrighteous will not inherit God's kingdom? Do not be deceived: No sexually immoral people, idolaters, adulterers, or males who have sex with males, 10 no thieves, greedy people, drunkards, verbally abusive people, or swindlers will inherit God's kingdom. 11 And some of you used to be like this. But you were washed, you were sanctified, you were justified in the name of the Lord Jesus Christ and by the Spirit of our God. 12“Everything is permissible for me,” but not everything is beneficial. “Everything is permissible for me,” but I will not be mastered by anything. 13“Food is for the stomach and the stomach for food,” and God will do away with both of them. However, the body is not for sexual immorality but for the Lord, and the Lord for the body. 14 God raised up the Lord and will also raise us up by his power. 15 Don't you know that your bodies are a part of Christ's body? So should I take a part of Christ's body and make it part of a prostitute? Absolutely not! 16 Don't you know that anyone joined to a prostitute is one body with her? For Scripture says, The two will become one flesh. 17 But anyone joined to the Lord is one spirit with him. 18 Flee sexual immorality! Every other sin a person commits is outside the body, but the person who is sexually immoral sins against his own body. 19 Don't you know that your body is a temple of the Holy Spirit who is in you, whom you have from God? You are not your own, 20 for you were bought at a price. So glorify God with your body. -- 1 Corinthians 6:9-20 (CSB) Musical Reflection: “Air on the G String” from Orchestral Suite No. 3 in D Major by J.S. Bach Reflection Notes: The slow, descending bass line creates musical “steps” in an elegant fashion while a suspended melody several octaves above creates a satisfying combination of sound registers. Prayer: Almighty God, whose Son our Savior Jesus Christ is the light of the world: Grant that your people, illumined by your Word and Sacraments, may shine with the radiance of Christ's glory, that he may be known, worshiped, and obeyed to the ends of the earth; through Jesus Christ our Lord, who with you and the Holy Spirit lives and reigns, one God, now and for ever. Amen.

In 1902, a Swedish-American pastor named Henning Jacobson refused to get the smallpox vaccine. This launched a chain of events leading to two landmark Supreme Court cases, in which the Court considered the balancing act between individual liberty over our bodies and the collective good. A version of this story originally ran on The Experiment on March 21, 2021. Voices in the episode include: • Rev. Robin Lutjohann — pastor of Faith Lutheran Church in Cambridge, Massachusetts • Michael Willrich — Brandeis University history professor • Wendy Parmet — Northeastern University School of Law professor Learn more: • 1905: Jacobson v. Massachusetts • 1927: Buck v. Bell • 2022: National Federation of Independent Business v. Department of Labor, Occupational Safety and Health Administration • 2022: Biden v. Missouri • "Pox: An American History" by Michael Willrich • "Constitutional Contagion: COVID, the Courts, and Public Health" by Wendy Parmet   Music by Ob (“Wold”), Parish Council (“Leaving the TV on at Night,” “Museum Weather,” “P Lachaise”), Alecs Pierce (“Harbour Music, Parts I & II”), Laundry (“Lawn Feeling”), water feature (“richard iii (duke of gloucester)”), Keyboard (“Mu”), and naran ratan (“Forevertime Journeys”), provided by Tasty Morsels. Additional music by Dieterich Buxtehude (“Prelude and Fugue in D Major”), Johannes Brahms (“Quintet for Clarinet, Two Violins, Viola, and Cello in B Minor”), and Andrew Eric Halford and Aidan Mark Laverty (“Edge of a Dream”).  Shadow dockets, term limits, amicus briefs — what puzzles you about the Supreme Court? What stories are you curious about? We want to answer your questions in our next season. Click here to leave us a voice memo. Supreme Court archival audio comes from Oyez®, a free law project by Justia and the Legal Information Institute of Cornell Law School. Support for More Perfect is provided in part by The Smart Family Fund. Follow us on Instagram, Threads and Facebook @moreperfectpodcast, and X (Twitter) @moreperfect.