German composer and pianist
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durée : 01:28:43 - Krystian Zimerman, le perfectionnisme et l'audace - par : Aurélie Moreau - Le pianiste Krystian Zimerman est pour sa consœur Hélène Grimaud "un architecte des sons, de la forme et des émotions. Un idéal inégalable, l'un des rares génies en exercice." (Le Monde). Aujourd'hui : Brahms, Liszt, Beethoven, Chopin, Rachmaninov…
Johannes Brahms lässt sich Zeit mit seinem Violinkonzert. Vielleicht, weil er sich mit der Geige als Soloinstrument nur bedingt auskennt. 1878 macht er sich endlich an die Arbeit – und das Ergebnis gefällt nicht jedem Geiger ... Von Christoph Vratz.
La Symphonie No1 (1876) du compositeur allemand Brahms a au moins deux points communs avec le style disco : un grand orchestre et surtout le rythme " Four on the Floor ", cʹest-à-dire le fait de marquer les quatre temps de la mesure avec la grosse caisse (ou une timbale). De Sylvester à Patrick Juvet, petite recette musicale pour faire un bon vieux tube disco avec de la musique symphonique. Une chronique de Pierre-Do Bourgknecht.
In the words of The New Yorker, Charles Neidich “is an artist of uncommon merit -- a master of his instrument and, beyond that, an interpreter who keeps listeners hanging on each phrase.” Charles is the artistic director of the Wa Concert Series at the Tenri Cultural Institute in New York, which he founded with his wife, clarinetist Ayako Oshima, in September 2017. This concert series is inspired by the Japanese concept “wa”— meaning circle, but also harmony and completeness; each performance is thus paired with visual arts and offers a variety of culinary delicacies prepared by Ayako Oshima. In recent seasons, Charles has added conducting to his musical accomplishments. He has led the Cobb Symphony Orchestra and Georgia Symphony in performances of the Franck Symphony in D Minor and Mozart's Clarinet Concerto (also playing the solo clarinet part). Charles commands a repertoire of over 200 solo works, including pieces commissioned or inspired by him, as well as his own transcriptions of vocal and instrumental works. With a growing discography to his credit, he can be heard on the Chandos, Sony Classical, Sony Vivarte, Deutsche Grammophon, Musicmasters, Pantheon, and Bridge labels. His recorded repertoire ranges from familiar works by Mozart, Beethoven, Weber, and Brahms, to lesser-known compositions by Danzi, Reicha, Rossini, and Hummel, as well as music by Elliott Carter, Gyorgy Kurtag, and other contemporary masters. Although Charles became quite active in music at an early age, he opted against attending a music conservatory in favor of academic studies at Yale University, where he graduated with a Bachelor of Arts, cum laude, in Anthropology. In 1975 he became the first American to receive a Fulbright grant for study in the former Soviet Union, and he attended the Moscow Conservatory for three years where his teachers were Boris Dikov and Kirill Vinogradov. Charles Neidich has achieved recognition as a teacher in addition to his activities as a performer, and currently is a member of the artist faculties of The Juilliard School, the Manhattan School of Music, the Mannes College of Music. During the 1994-95 academic year he was a Visiting Professor at the Sibelius Academy in Finland where he taught, performed and conducted. Mr. Neidich is a long-time member of the renowned chamber ensemble Orpheus.
John Eliot Gardiner legt sein erstes Album nach seiner Auszeit vor: die vier Brahms-Symphonien mit dem Concertgebouw Orchestra Amsterdam.In keinem Takt klingt Gardiners Brahms bürgerlich behäbig oder selbstzufrieden. Immer wieder treibt er die Musik unerbittlich nach vorn. Dann ist alles Puls und Drama. Wer Brahms liebt, sollte das hören.
durée : 01:58:49 - Le pianiste américain Julius Katchen (1926-1969) - par : Philippe Cassard - Où l'on retrouve le célèbre pianiste américain (1926-1969) dans des interprétations “live” de Beethoven et de Brahms, ainsi qu'en duo avec clarinette et violon. - réalisé par : Philippe Petit
durée : 01:28:47 - En pistes ! du vendredi 30 mai 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Au programme, de grands concertos : au piano avec Ravel ou au violon avec Bruch et Korngold. Nous partirons aussi à la découverte de Brahms et ses contemporains en compagnie de l'ensemble Kaléidoscope Collective, l'occasion d'entendre notamment la musique de Louise Héritte-Viardot...
durée : 01:28:47 - En pistes ! du vendredi 30 mai 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Au programme, de grands concertos : au piano avec Ravel ou au violon avec Bruch et Korngold. Nous partirons aussi à la découverte de Brahms et ses contemporains en compagnie de l'ensemble Kaléidoscope Collective, l'occasion d'entendre notamment la musique de Louise Héritte-Viardot...
Jaume Segalés y su equipo hablan de cine clásico y de conciertos franciscanos. Hoy en Km0, tras repasar la actualidad informativa y deportiva, profundizamos en los siguientes asuntos: Ciclo gratuito de conciertos franciscanos Serie de 6 conciertos organizados por la Familia Franciscana de España, programados durante mayo y junio en diversas iglesias y espacios relacionados con la espiritualidad de esta orden religiosa. Se realizan en conmemoración del 8º centenario del Cántico de las Criaturas compuesto por San Francisco de Asís el siglo XIII y también como anticipo del 8º centenario de su fallecimiento que tendrá lugar en 2026. Estos recitales proponen un diálogo entre lo artístico, lo sacro y lo profano a cargo de intérpretes de primer nivel internacional, combinando tradición y modernidad. La entrada a todos los conciertos es gratuita hasta completar aforo. Y la próxima cita va a tener lugar este sábado 31 de mayo en la Parroquia de Nuestra Señora del Rosario (Plaza de los Franciscanos, 3) a las 20:15, con Alexandre Da Costa en el violín y Josu Okiñena en el piano interpretando obras de Vitali, Ravel, Tchaikovsky, Aita Donostia, Brahms, Bock y Leonard Cohen. Entrevistamos al pianista y organizador musical del ciclo, Josu Okiñena. Sección de cine clásico "Es sesión continua" Antolín de la Torre hoy nos habla sobre Casanova Brown. Comedia romántica y de enredo estadounidense de 1944 dirigida por Sam Wood y protagonizada por Gary Cooper, Teresa Wright, Frank Morgan, Anita Louise, Edmund Breon y Patricia Collinge, entre otros. Cass Brown (Gary Cooper) es un profesor que va a casarse con Madge. Un día recibe noticias de Isabel, su anterior esposa, diciéndole que es padre de un niño. Mr. Ferris, el padre de Madge se entera de los hechos.
Carlos Iribarren | Hoy nos hemos propuesto hacer un recorrido exprés por una colección de 12 piezas para piano de menos de 2 minutos de duración. Son golosinas musicales que abarcan diferentes épocas y compositores tan variados como los famosísimos Brahms, Beethoven y Granados, frente a otros tan poco habituales como el candiense Clarence Lucas o el croata Blagoje Bersa. Para acompañar a Carlos y Mario, nos acompaña la pianista Alba Ventura, quien tiene la difícil tarea de evaluar las diferentes piezas e incluso competirá contra Mario en el juego que les propone Carlos: “¿De qué año es?” Lo más importante es pasar un buen rato mientras disfrutamos de lo que más nos gusta, la mejor música del mundo: la que suena siempre en Hoy Toca, el programa de Clásica FM que te quiere sorprender
Johannes Brahms (1833-1897) - Sestetto n. 1 in si bemolle maggiore per archi, op. 181. Allegro ma non troppo2. Andante ma moderato 11:383. Scherzo: Allegro molto 20:384. Rondo: Poco allegretto e grazioso 23:44Amadeus String QuartetCecil Aronowitz, 2a violaWilliam Pleeth, 2o cello
When classical music plays in a baby's nursery, does it really make a difference? For Moises Llanes, those early moments with Beethoven and Brahms symphonies resonating through his crib shaped a lifelong passion that would transform orchestral education in the Rio Grande Valley.This captivating conversation reveals how a businessman father with an eighth-grade education made a pivotal decision to expose his children to classical music and piano lessons, creating the foundation for Moises's remarkable 37-year teaching career. "I just feel at home listening and playing classical music," Llanes shares, reflecting on those formative experiences that gave him both purpose and direction from an astonishingly young age.Llanes takes us through his journey from student violinist to celebrated educator, highlighting a watershed moment when, as a high school student, he recognized a critical gap in orchestral education - the lack of music literacy. This insight became the cornerstone of his teaching philosophy, creating generations of independent musicians who could truly understand music rather than merely memorize finger positions. "You don't have to figure it out, you just have to read it," became his mantra, empowering students to explore music confidently on their own.The conversation delves into Llanes's collegiate years, cultural identity challenges, and the resilience that carried him through financial hardships when his father's business collapsed. Despite briefly retiring in 2022, his passion for music education drew him back to the classroom at Lorenzo de Zavala Middle School, where he continues making an impact. His parting wisdom for aspiring educators resonates powerfully: "If you're not going to do it 110%, especially teaching, don't do it at all."Subscribe now to hear more inspiring stories from the musical community of the Rio Grande Valley, where passion, perseverance, and cultural heritage create a unique symphony of experiences.
Sobrevolamos las fronteras musicales y geográficas, al igual que hacen los artistas que nos presentan hoy sus nuevas propuestas, con aires klezmer, tangueros, árabes, persas, jazzísticos, ibéricos, célticos, quebequeses y muchos más. We fly over musical and geographical borders, just like the artists presenting their new music today, infused with klezmer, tango, Arab, Persian, jazz, Iberian, Celtic, Québécois essences and many others. - Oktopus - Beresh Katz bulgar - Brahms, Balkans & Bagels - Schmaltz and Pepper - Tango schmango - Schmaltz and pepper - Aleph Quintet - Samai - Hiwar - Mohamad Zatari Trio - Desire - Istehlal - Espiral - Muiñeira de O Chamberín - Elas voam, elas dançam - Raúl Sanz - Al acecho / La roca pensante / Ortigas - La espiral del lobo - Grosse Isle - Máire Gaillimhe / The rocky road to Dublin - Homérique - Michel Balatti, Tom Stearn, Tola Custy - The humors of Ballyconnell - The north wind - (Grosse Isle - Gráinne Mhaol aux cheveux de braise - Homérique) 📸 Mohamad Zatari Trio
durée : 01:28:41 - Leonidas Kavakos, virtuose de l'archet et de la baguette - par : Aurélie Moreau - Leonidas Kavakos, violoniste renommé pour sa technique incomparable, sa musicalité exceptionnelle et l'intégrité de son jeu, s'est aussi forgé une solide réputation de chef d'orchestre. Aujourd'hui : Beethoven, Brahms, Enescu, Sibelius, Mozart…
Pieces by Haydn, Beethoven, Mendelssohn, Brahms, Debussy, Dohnányi, Shostakovich & Casarrubios performed by groups from Merit School of Music and the Music Institute of Chicago Academy. The post Chamber music for strings: Spizella Quartet, Luscinia Trio, Vermilion String Quartet appeared first on WFMT.
Kaum ein Sänger-Pianisten-Duo wird so hochgeschätzt wie Christian Gerhaher und Gerold Huber. Nach einem intensiven Schumann-Projekt haben sie sich jetzt den Liedern von Johannes Brahms gewidmet, und speziell dem "Volkston" bei Brahms, der Zeit seines Lebens ein großer Sammler von Volksliedern war. Doch gerade auf diesen - bei Brahms auch immer sehr ungewöhnlichen Volkston - finden Gerhaher und Huber einen beinahe gesellschaftspolitischen Blick.
Ein Album von Christian Gerhaher - vorgestellt auf NDR Kultur.
Sound the klaxon - it's a national treasure alert!This week we are honoured to be joined by internationally celebrated Mezzo-soprano Dame Sarah Connolly.Dame Sarah has had an incredible career to date with standout performances including Giulio Cesare at Glyndebourne , multiple roles at the Met, the Royal Opera House, La Scala, Paris Opera and, of course Admiral Nelson in full naval regalia at the Last Night of the Proms.Dame Sarah's 24/25 season includes playing Auntie in WNO's new production of Peter Grimes and Dido in Dido and Aeneas at Amsterdam's Concertgebouw.We are hugely grateful to Dan Hartland at the Cheltenham Festival for setting up this chat - Sarah will be performing Brahms' Alto Rhapsody at the festival on 5 July (ticket link below)With such a stellar career and a vast list of honours to her name, Dame Sarah remains incredibly warm and down-to-earth. We chat about controlling performance anxiety, how to avoid being pigeon holed, dealing with colds, auditioning, the power of positive thinking and how to wear a fatsuit…Enjoy! To buy tickets for Dame Sarah's performance at the Cheltenham festival on Saturday 5 July click here; https://www.cheltenhamfestivals.org/events/berlioz-te-deumYou can find us on the socials here;Instagram @threeinabarpodTiktok @threeinabarpodThree In A Bar on YoutubeAnything you'd like to share with us? Any guests you'd love to hear or anything you'd like us to do better? Drop us a line at hello@threeinabar.com Hosted on Acast. See acast.com/privacy for more information.
durée : 01:27:54 - En pistes ! du lundi 19 mai 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - John-Eliot Gardiner et l'orchestre du Concertgebouw ouvrent cette nouvelle semaine d'En pistes. Au programme, musique romantique mais pas que ! Deux concertos pour violoncelle, une tragédie-lyrique de Philidor et trois cycles de Florent Schmitt inédits au disque...
durée : 01:27:54 - En pistes ! du lundi 19 mai 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - John-Eliot Gardiner et l'orchestre du Concertgebouw ouvrent cette nouvelle semaine d'En pistes. Au programme, musique romantique mais pas que ! Deux concertos pour violoncelle, une tragédie-lyrique de Philidor et trois cycles de Florent Schmitt inédits au disque...
On The Afternoon Drive with John Maytham, we turn to music, memory, and majesty as John is joined by a guest from the Cape Town Philharmonic Orchestra to preview the upcoming Winter Symphonies at the City Hall, opening on 12 June 2025. The concert features Brahms’ Violin Concerto and Symphony No. 4 in E minor, performed by celebrated violinist Andrey Baranov, winner of the 2012 Queen Elisabeth Violin Competition, with Thomas Sanderling making his CPO debut as conductor after a remarkable 50-year global career. Presenter John Maytham is an actor and author-turned-talk radio veteran and seasoned journalist. His show serves a round-up of local and international news coupled with the latest in business, sport, traffic and weather. The host’s eclectic interests mean the program often surprises the audience with intriguing book reviews and inspiring interviews profiling artists. A daily highlight is Rapid Fire, just after 5:30pm. CapeTalk fans call in, to stump the presenter with their general knowledge questions. Another firm favourite is the humorous Thursday crossing with award-winning journalist Rebecca Davis, called “Plan B”. Thank you for listening to a podcast from Afternoon Drive with John Maytham Listen live on Primedia+ weekdays from 15:00 and 18:00 (SA Time) to Afternoon Drive with John Maytham broadcast on CapeTalk https://buff.ly/NnFM3Nk For more from the show go to https://buff.ly/BSFy4Cn or find all the catch-up podcasts here https://buff.ly/n8nWt4x Subscribe to the CapeTalk Daily and Weekly Newsletters https://buff.ly/sbvVZD5 Follow us on social media: CapeTalk on Facebook: https://www.facebook.com/CapeTalk CapeTalk on TikTok: https://www.tiktok.com/@capetalk CapeTalk on Instagram: https://www.instagram.com/ CapeTalk on X: https://x.com/CapeTalk CapeTalk on YouTube: https://www.youtube.com/@CapeTalk567 See omnystudio.com/listener for privacy information.
In this week's episode, Editor Martin Cullingford met with the founder and Music Director of Bach Collegium Japan Masaaki Suzuki, along with the group's Principal Conductor Masato Suzuki, to talk about their new recording of Brahms's Ein deutsches Requiem, available now on BIS – as well as discussing Bach's St John Passion, which they had performed the day prior to the interview. The interview took place last year in, appropriately enough, London's Japan House.
It's entirely possible that we would not know the name of Johannes Brahms very well if Brahms hadn't met Joseph Joachim as a very young man. Joachim, who was one of the greatest violinists of all time, had already established himself as touring soloist and recitalist, and he happened to know the musical power couple of Robert and Clara Schumann quite well. Joachim encouraged Brahms to go to Dusseldorf to meet the Schumann's, and the rest is history. I've talked about the Brahms-Schumann relationship dozens of times on the show before, but to keep it very brief, Robert Schumann's rhapsodic article Neue Bahnen(new paths) launched Brahms' career, and until Schumann's deterioration from mental illness he acted as a valued friend and mentor for Brahms. Clara Schumann, as a performer, was a powerful advocate for Brahms' music as well as a devoted and loving friend throughout the rest of their lives. Almost constantly present in this relationship was the sound of Joseph Joachim's violin. Brahms did not have a huge circle of friends, but for the often difficult to get along with composer, Joachim was a musical and spiritual companion. Brahms' legendary violin concerto was written for him, and the two collaborated closely for the entire course of their musical lives, except for one significant break. Brahms and Joachim were estranged for 7 years, until Brahms reached out with a remarkable conciliatory gesture: a concerto for Violin and Cello and that would be dedicated to Joachim. Brahms and Joachim(as well as Brahms and Clara Schumann) had often resolved disputes through music, and this was no exception. Clara Schumann gleefully wrote in her diary after Joachim had read through the piece with cellist Robert Hausmann: "This concerto is a work of reconciliation - Joachim and Brahms have spoken to each other again for the first time in years.” One would expect that a work like this would be beloved, but the Double Concerto has had a checkered history, which we'll also get into later. Clara herself wrote that it lacked "the warmth and freshness which are so often found to be in his works,” It would turn out to be Brahms' last work for orchestra, and one of the few in his later style, which makes It fascinating to look at from a compositional perspective. Partly because of the cool reception it got in its first few performances, and the practical challenges of finding two spectacular soloists who can meet its challenges, the piece is not performed all that often, though I have always adored this piece and am very grateful to Avi who sponsored this week's show from my fundraiser last year before the US election. So let's dive into this gorgeous concerto, discussing the reasons for Joachim and Brahms' break, their reconciliation, the reception this piece got, and then of course, the music itself! Join us!
durée : 01:29:18 - En pistes ! du mercredi 14 mai 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Une symphonie de Brahms, le concerto pour clarinette de Mozart, Carmen de Bizet... De nouvelles versions sont à découvrir dans En Pistes aujourd'hui. Plus confidentielle, la musique du compositeur franco-flamand Alexander Agricola est aussi au programme !
durée : 01:29:18 - En pistes ! du mercredi 14 mai 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Une symphonie de Brahms, le concerto pour clarinette de Mozart, Carmen de Bizet... De nouvelles versions sont à découvrir dans En Pistes aujourd'hui. Plus confidentielle, la musique du compositeur franco-flamand Alexander Agricola est aussi au programme !
On today's Artful Living, we highlight 4 classical composers born in the month of May. We will enjoy the musical giants Monteverdi, Horowitz, Brahms, and Faure. You are invited to join us!
durée : 00:13:36 - Le Disque classique du jour du vendredi 09 mai 2025 - Enregistrée en août 2022 à l'Elbphilharmonie de Hambourg par le Philharmonisches Staatsorchester Hamburg sous la direction de Kent Nagano, cette version n'est pas celle habituelle en sept mouvements.
durée : 00:13:36 - Le Disque classique du jour du vendredi 09 mai 2025 - Enregistrée en août 2022 à l'Elbphilharmonie de Hambourg par le Philharmonisches Staatsorchester Hamburg sous la direction de Kent Nagano, cette version n'est pas celle habituelle en sept mouvements.
durée : 01:27:18 - En pistes ! du vendredi 09 mai 2025 - par : Emilie Munera - C'est le projet du chef Kent Nagano qui nous fait entendre l'œuvre de Brahms entremêlée de pièces de Bach, Schumann et Haendel. Au programme également, une plongée dans le XXème siècle avec la bande-son des années folles au piano, et des mélodies et chansons de la compositrice Claude Arrieu.
durée : 01:27:18 - En pistes ! du vendredi 09 mai 2025 - par : Emilie Munera - C'est le projet du chef Kent Nagano qui nous fait entendre l'œuvre de Brahms entremêlée de pièces de Bach, Schumann et Haendel. Au programme également, une plongée dans le XXème siècle avec la bande-son des années folles au piano, et des mélodies et chansons de la compositrice Claude Arrieu.
One can't miss the S.K. Pierce Mansion in Gardner, Massachusetts. This magnificent mansion is a huge Victorian that takes up the whole corner of West Broadway and Union Street. The grand exterior makes it very inviting, but the ghost stories connected to this place might just make you think twice before entering. There are those that claim this home is the second most haunted house in Massachusetts. Some owners have been chased out by spirits. There could be more than a dozen spirits here and one of them may be the furniture magnate for whom the house was built and named: S.K. Pierce. Join us for the history and hauntings of the S.K. Pierce Mansion. The Moment in Oddity features the Bone Collector Caterpillar and This Month in History features Brahms born. Check out the website: http://historygoesbump.com Show notes can be found here: https://historygoesbump.blogspot.com/2025/05/hgb-ep-585-sk-pierce-mansion.html Become an Executive Producer: http://patreon.com/historygoesbump Music used in this episode: Main Theme: Lurking in the Dark by Muse Music with Groove Studios (Moment in Oddity) "Vanishing" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/ (This Month in History) "In Your Arms" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/ Outro Music: Happy Fun Punk by Muse Music with Groove Studios Other music used in this episode: Title: "The End" and "Mortician's Hat Trick" Artist: Tim Kulig (timkulig.com) Licensed under Creative Commons By Attribution 4.0 http://creativecommons.org/licenses/by/4.0/ IMDB: https://www.imdb.com/name/nm0997280/?ref_=fn_al_nm_1
durée : 01:28:10 - En pistes ! du mercredi 07 mai 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Programme lyrique aujourd'hui, avec deux opéras : un classique wagnérien et une partition beaucoup plus rare, "Vénus en Afrique" de George Antheil. La musique de chambre sera aussi au rendez-vous, avec Brahms, Mozart et Verdi.
durée : 01:28:10 - En pistes ! du mercredi 07 mai 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Programme lyrique aujourd'hui, avec deux opéras : un classique wagnérien et une partition beaucoup plus rare, "Vénus en Afrique" de George Antheil. La musique de chambre sera aussi au rendez-vous, avec Brahms, Mozart et Verdi.
durée : 01:28:27 - Andreas Ottensamer, une sonorité poétique et chaleureuse - par : Aurélie Moreau - Andreas Ottensamer a conquis le public et la critique grâce à ses talents remarquables de clarinettiste et chef d'orchestre. Au programme aujourd'hui, des œuvres avec clarinette de Beethoven, Danzi, Mendelssohn, Weber, Spohr, J. Stamitz et Brahms.
Das Bach Collegium Japan unter Masaaki Suzuki haben eine überzeugende Neueinspielung von "Ein Deutsches Requiem" vorgelegt.
Johannes Brahms spielte gerne Walzer am Klavier und ließ sich dazu immer wieder neu inspirieren - vor allem, wenn er wieder einmal in Wien war, in der großen Walzermetropole. BR-KLASSIK stellt seine Liebesliederwalzer mit Brigitte Fassbaender vor.
Episode 67 was truly a global experience! Matthew started in Melbourne, chatting to another new Staff Bandmaster. Bandmaster Mark Hamilton gives us an insight into his life, his work, his faith and his hopes for the future of the Melbourne Staff Band. As with any Fully Scored guest from Australia, you can expect a barrage of bonza stereotypical Quirky Quickfire Questions!From Melbourne to New York… Simon Morton, a Bass player in the New York Staff Band shares his insights into Eric Ball's beautiful meditation ‘Serenity'.From New York to Tokyo to catch up with the world-renowned Tenor Horn virtuoso Owen Farr. Owen is this month's inhabitant of the Arid Island, but what album will he decide to take with him? Vivaldi, Guns N' Roses or Brahms?Sparsely Scored, Fully Scored News and Bandmastermind complete another episode. Hosted on Acast. See acast.com/privacy for more information.
durée : 00:14:30 - Le Disque classique du jour du vendredi 02 mai 2025 - Les œuvres réunies ici explorent un état affectif mystérieux et singulier pour composer un kaléidoscope sonore propre à faire éprouver, dans le moment de l'écoute, le temps suspendu et angoissé du pressentiment.
durée : 00:14:30 - Le Disque classique du jour du vendredi 02 mai 2025 - Les œuvres réunies ici explorent un état affectif mystérieux et singulier pour composer un kaléidoscope sonore propre à faire éprouver, dans le moment de l'écoute, le temps suspendu et angoissé du pressentiment.
durée : 01:27:30 - En pistes ! du lundi 28 avril 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Direction Versailles avec une nouvelle production d'Alceste de Lully qui réunit Véronique Gens, Cyril Auvity et Claire Lefilliatre. Le plus célèbre des mouvements lents des symphonies mahlériennes et le piano romantique de Brahms sont à retrouver également dans En Pistes aujourd'hui !
durée : 01:27:30 - En pistes ! du lundi 28 avril 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Direction Versailles avec une nouvelle production d'Alceste de Lully qui réunit Véronique Gens, Cyril Auvity et Claire Lefilliatre. Le plus célèbre des mouvements lents des symphonies mahlériennes et le piano romantique de Brahms sont à retrouver également dans En Pistes aujourd'hui !
Robert Knöll ist Kunsthistoriker und Bilderrahmer. In seinem Atelier, das die grösste Sammlung barocker Bilderrahmen beherbergt, setzt er Kunstwerke gekonnt in Szene. Kunstsammler, Museen und Galerien vertrauen ihm, wenn es darum geht, berühmte Werke in den passenden Rahmen zu setzen. Ein Handwerk, das in seiner Familie eine lange Tradition hat: Schon sein Vater war ein leidenschaftlicher Sammler und Bilderrahmer. Nach dessen Tod übernahm Robert Knöll den Familienbetrieb, doch für ihn war dieser Schritt weit mehr als nur berufliche Verantwortung – er war eine Bestimmung. «Die Beschäftigung mit Bilderrahmen ist nicht nur mein Beruf, es ist meine Passion», sagt Robert Knöll, und es ist spürbar, dass diese Leidenschaft weit über den Arbeitsalltag hinausgeht. In seinen Träumen erscheinen Bilderrahmen, die ihn in seiner Freizeit genauso begleiten wie im Beruf. Wenn es darum geht, ein berühmtes Kunstwerk neu zu rahmen, reist er zu Museen in ganz Europa, um die perfekte Wahl zu treffen. Es fasziniert ihn immer wieder, wie die Wirkung eines Bildes sich verändert, je nachdem, wie es gerahmt wird. Bereits als Kind war Robert Knöll von Archäologie begeistert – der Blick hinter die oberste Schicht, das Entdecken von Geschichte und Kultur. Diese Faszination für Details und den Kontext von Kunstwerken zieht sich durch sein gesamtes Leben und wirkt sich auf seine Arbeit aus. In «Musik für einen Gast» bei Eva Oertle spricht Robert Knöll über seine Faszination für alte Rahmen und erklärt, warum sie oft im Schatten der eigentlichen Kunstwerke stehen. Er erzählt von einem besonderen Stück aus seiner Kindheit – einem echten Donatello, der über seinem Bett hing und heute einen Platz in einem Museum hat. Und er spricht über seine Liebe zum Cello und der Musik von Brahms. Die Musiktitel: 1. Johannes Brahms Cello Sonate No. 1 in E Moll, 1. Satz Pieter Wispelway, Cello / Dejan Lazić, Piano 2. Talking Heads - Sugar on My Tongue 3. Johann Sebastian Bach – Toccata und Fuge für Orgel d-Moll, BWV 565 Hannes Kästner, Orgel 4. Pippi Langstrumpf, Original TV Serie – Seeräuber-Opa Fabian Eva Mattes, Gesang / Georg Riedel, Komponist 5. Franz Schubert – 7. Ständchen aus dem Schwanengesang, Bearbeitung für Klavier von Franz Liszt Vladimir Horowitz, Klavier
The writer Colum McCann isn't afraid to take on big subjects – and his ambition has delivered a shelf full of awards, from both sides of the Atlantic. He grew up in Dublin but moved to the United States in the mid-1980s and now lives in New York. That city is the setting for his international bestseller Let the Great World Spin, in which Philippe Petit's tightrope walk between the Twin Towers in 1974 plays a key role. He's also written a novel about both sides of the conflict between Israel and the Palestinian people, from the perspectives of two fathers.He collaborated with Diane Foley, whose son James was executed by Islamic State militants, to create a memoir, American Mother, which was published last year. Most recently his novel Twist focuses on the vulnerability of the undersea cables carrying the world's internet data. Colum's music includes Gorecki, Prokofiev, Brahms and Haydn.
durée : 01:28:28 - En pistes ! du vendredi 25 avril 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - D'une part Le clavier bien tempéré de Bach et d'autre part, le Requiem Allemand de Brahms. Et on restera du côté du répertoire sacré avec une Messe de l'autrichien Franz Josef Aumann et les Psaumes de pénitence du franco-flamand Roland de Lassus... - réalisé par : Antoine Courtin
durée : 01:28:28 - En pistes ! du vendredi 25 avril 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - D'une part Le clavier bien tempéré de Bach et d'autre part, le Requiem Allemand de Brahms. Et on restera du côté du répertoire sacré avec une Messe de l'autrichien Franz Josef Aumann et les Psaumes de pénitence du franco-flamand Roland de Lassus... - réalisé par : Antoine Courtin
CSO Artist-in-Residence Daniil Trifonov, “without question the most astounding pianist of our age” (The Times of London), takes on Brahms' Second Piano Concerto, as remarkable for its rich orchestral writing as for its simultaneously glittering and muscular piano part. Dvořák's turbulent Seventh Symphony is both an expression of the composer's personal crises and a lyrical tribute to the Czech spirit. Learn more: cso.org/performances/24-25/cso-classical/makela-and-trifonov
And now I worry, as old people do, about the kids I see who are growing up in the dreadful clutter of American life, the gizmos and social media bullying, and can they find delight as I did in skating on the frozen Mississippi and discovering Liebling and Jenny found listening to Prokofiev and Brahms. I pray for our kids to be lighthearted. The darkness is out there, and Christmas becomes utterly beautiful, the circle of love and friendship, the lighted candles, the anticipation of the child, the radiant beams, the redeeming grace. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit garrisonkeillor.substack.com/subscribe
On the latest episode of ‘New Classical Tracks,' countertenor Aryeh Nussbaum Cohen and pianist John Churchwell present music by Korngold, Brahms, and Clara and Robert Schumann, as heard on their most recent recording. Listen now with host Julie Amacher!
After I post a Countermelody episode on a cherished singer, my relationship with these artists continues: one of those manifestataions is that I never stop seeking out rare and unusual recordings featuring those singers. This results in a grab-bag of fascinating and often obscure material that is simply too good not to share with my listeners. Today I present you with the second episode of such genre, which I have collectively dubbed “Rescue Mission.” On this episode I feature singers you've heard on the podcast over the course of the past several weeks and months, including, among many others, Janet Baker, Oralia Domínguez, Eugene Holmes, Ellabelle Davis, Gilda Cruz-Romo, Benjamin Luxon, Mara Coleva, Hugo Hasslo, Margaret Marshall, Gloria Davy, and Mady Mesplé, performing work by Handel, Verdi, Weill, Bach, Brahms, Boito, and Mozart. The episode concludes with Eleanor Steber (because, as I affirmed laast week, you can never have enough of her), in a 1949 performance of “Ah, Perfido!” that will have you picking your dislocated jaw up off the floor. Also expect shout-outs to friends of the podcast, old and new, as well as a certain amount of political snippiness! Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.
On the latest episode of ‘New Classical Tracks,' pianist Orion Weiss concludes a trilogy 11 years in the making with an album featuring the music of Brahms, Schubert, Dohnanyi, Ligeti and more. Listen now!
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