Podcasts about brahms

German composer and pianist

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Socrates Dergi
Geri Dönüyoruz #89 | Müzik Larousse: Bachoğulları'ndan Borodin'e (Konuk: Memet Ali Alabora)

Socrates Dergi

Play Episode Listen Later Jul 7, 2025 60:18


Geri Dönüyoruz'un 89. bölümünde Mahir Ünsal Eriş ve Töre Sivrioğlu'nun konuğu Memet Ali Alabora. Müzik Larousse serisinin yeni bölümü için bir araya gelen üçlü, Johann Sebastian Bach'ın oğullarından başlayan sohbette, Boccherini, Brahms, Bizet ve Brucker'e uğrayıp Borodin'e kadar ilerliyor.

The Piano Maven with Jed Distler
Kate Liu plays Beethoven and Brahms

The Piano Maven with Jed Distler

Play Episode Listen Later Jul 3, 2025 6:39 Transcription Available


Consider making a donation to The Piano Maven podcast by subscribing to our Substack page (https://jeddistlermusic.substack.com/about), which you also can access by clicking on the "Donate" button here: https://rss.com/podcasts/pianomavenLink to purchase recording - https://www.prestomusic.com/classical/products/9735901--kate-liu-plays-beethoven-brahmsLink to video of Kate Liu playing Brahms' Piano Sonata No. 3 - https://www.youtube.com/watch?v=-OwW0T1PvZMLink to Kate Liu 2022 Van Cliburn International Competition Quarterfinal Recital - https://www.youtube.com/watch?v=nliha96TliY

Introductions | WFMT
Lily Yoshihara, 18, violin

Introductions | WFMT

Play Episode Listen Later Jun 28, 2025 34:14


Today we hear from a CMPI fellow and student at Midwest Conservatory in Schaumburg. Lily plays Brahms, Bach and Wieniawski; plus the Fantasy No. 1 of Japanese composer Ikuma Dan. The post Lily Yoshihara, 18, violin appeared first on WFMT.

Música y Letra
Música y Letra: Sviatoslav Richter IV - Brahms y Debussy

Música y Letra

Play Episode Listen Later Jun 28, 2025 59:54


Andrés Amorós dedica un cuarto programa a este pianista ruso muy respetuoso con la labor de los compositores. Andrés Amorós dedica este programa a las interpretaciones que Sviatoslav Richter realizó de Brahms y Debussy. Se subraya la filosofía del pianista ruso, que se consideraba a sí mismo un mero ejecutor al servicio de la obra, mostrando un respeto absoluto por la partitura y el compositor, por encima de cualquier lucimiento personal. Esta actitud le diferencia de otros virtuosos y define su enfoque artístico. En su acercamiento a Johannes Brahms, Richter exhibía una afinidad particular, prefiriéndolo incluso a Schumann. Su interpretación del Scherzo del Concierto para piano nº 2 es un ejemplo de su fuerza controlada y su renuncia al sentimentalismo. Richter aborda a Brahms con la potencia y la hondura requeridas, pero siempre manteniendo una sobriedad y una fidelidad extremas al texto musical. La selección de Claude Debussy demuestra la enorme versatilidad del pianista. Richter era capaz de adaptarse a estilos muy diferentes, recreando las atmósferas y el color del impresionismo francés. Se escuchan fragmentos de Cloches à travers les feuilles y L'Isle Joyeuse, piezas en las que el pianista logra evocar el misterio y la alegría jubilosa con una claridad y una técnica prodigiosas, sin perder la esencia etérea de la música. Finalmente, se destaca la figura de Richter como un artista único y enigmático, alejado de los circuitos comerciales y de la autopromoción. Su dedicación a la música por encima de todo queda reflejada en anécdotas como la creación de su propio festival en un granero en Francia, buscando la acústica y el ambiente perfectos. Se le recuerda como un intérprete puro más que como una estrella del piano.

Rock N Roll Pantheon
See Hear Podcast Episode 128 - Interview with Francois Girard about "Thirty Two Short Films About Glenn Gould"

Rock N Roll Pantheon

Play Episode Listen Later Jun 23, 2025 66:24


There's a moment in Mel Brooks' “History of the World Part 1” where we're told that shortly after the first artists came the first art critics…..I'll leave you to determine what happens…. The music world is certainly not short of people with opinions in regards to others' ability to perform and provide nuance to the work they present for us as music lovers to listen to. In the classical world, interpretation of the canon of baroque, classical, romantic and modernist music can be a mystery to some of us who are not classically trained musicians.  There's no shortage of classical soloists who've captured the wider public's imagination, yet have their critics as well. Welcome to episode 128 of See Hear Podcast. Glenn Gould is regarded as one of the great pianists of the 20th century, known in particular for his love of and heavy focus on the composition of J.S. Bach. However, he wasn't unanimously revered. Pianist Alfred Brendel was vocally not a fan. Even Leonard Bernstein who did love Gould's approach  covered himself before a TV broadcast of a Brahms piano concerto by saying Gould's approach was not going to be for everybody. Therein lies the heart of the matter – when you depart from an accepted orthodox style of playing of the canon, you're going to upset people. Glenn Gould upset some people. BUT….the reason he is still being talked about was for what he DID, not what he didn't do. He's most famous for his first and last released recordings, Bach's Goldberg Variations (1955 and 1981). Even there his recordings are wildly different, and the latter upset some who championed the earlier recording. He's also remembered for his intellect and could discuss may other issues outside of music – something he did on radio and TV specials. In 1993, film director Francois Girard released a brilliant biopic / documentary called “Thirty Two Short Films About Glenn Gould”. Like its subject, the film takes a wildly different approach from the accepted norm of musician biopic. As the name implies, the film comprises of 32 shorts featuring narratives, interviews, performance and experimentation that provide a strong sense of Gould's character. There is a 3 act structure, but not in the usual way that you get in a conventional musician biography. June 2025 sees the reissue of the film by Criterion, and I was thrilled to welcome Francois to the podcast to talk about this film and Gould in general. Unfortunately, we couldn't coordinate the timing to have Tim or Kerry available, but I still had a fascinating conversation with Francois that I hope you find illuminating. If you've been enjoying the show, please consider giving us a favourable review on iTunes and let your friends know that our show exists. If you don't enjoy the show, tell your adversaries to tune in. We don't care who listens..... See Hear is proudly part of the Pantheon Network of music podcasts. Check out all the other wonderful shows at ⁠http://pantheonpodcasts.com⁠ Send us feedback via email at ⁠seehearpodcast@gmail.com⁠ Join the Facebook group at ⁠http://facebook.com/groups/seehearpodcast ⁠ You can download the show by searching for See Hear on whatever podcast app you favour (except Spotify). Learn more about your ad choices. Visit megaphone.fm/adchoices

See Hear Music Film Podcast
See Hear Podcast Episode 128 - Interview with Francois Girard about "Thirty Two Short Films About Glenn Gould"

See Hear Music Film Podcast

Play Episode Listen Later Jun 23, 2025 66:24


There's a moment in Mel Brooks' “History of the World Part 1” where we're told that shortly after the first artists came the first art critics…..I'll leave you to determine what happens…. The music world is certainly not short of people with opinions in regards to others' ability to perform and provide nuance to the work they present for us as music lovers to listen to. In the classical world, interpretation of the canon of baroque, classical, romantic and modernist music can be a mystery to some of us who are not classically trained musicians.  There's no shortage of classical soloists who've captured the wider public's imagination, yet have their critics as well. Welcome to episode 128 of See Hear Podcast. Glenn Gould is regarded as one of the great pianists of the 20th century, known in particular for his love of and heavy focus on the composition of J.S. Bach. However, he wasn't unanimously revered. Pianist Alfred Brendel was vocally not a fan. Even Leonard Bernstein who did love Gould's approach  covered himself before a TV broadcast of a Brahms piano concerto by saying Gould's approach was not going to be for everybody. Therein lies the heart of the matter – when you depart from an accepted orthodox style of playing of the canon, you're going to upset people. Glenn Gould upset some people. BUT….the reason he is still being talked about was for what he DID, not what he didn't do. He's most famous for his first and last released recordings, Bach's Goldberg Variations (1955 and 1981). Even there his recordings are wildly different, and the latter upset some who championed the earlier recording. He's also remembered for his intellect and could discuss may other issues outside of music – something he did on radio and TV specials. In 1993, film director Francois Girard released a brilliant biopic / documentary called “Thirty Two Short Films About Glenn Gould”. Like its subject, the film takes a wildly different approach from the accepted norm of musician biopic. As the name implies, the film comprises of 32 shorts featuring narratives, interviews, performance and experimentation that provide a strong sense of Gould's character. There is a 3 act structure, but not in the usual way that you get in a conventional musician biography. June 2025 sees the reissue of the film by Criterion, and I was thrilled to welcome Francois to the podcast to talk about this film and Gould in general. Unfortunately, we couldn't coordinate the timing to have Tim or Kerry available, but I still had a fascinating conversation with Francois that I hope you find illuminating. If you've been enjoying the show, please consider giving us a favourable review on iTunes and let your friends know that our show exists. If you don't enjoy the show, tell your adversaries to tune in. We don't care who listens..... See Hear is proudly part of the Pantheon Network of music podcasts. Check out all the other wonderful shows at http://pantheonpodcasts.com Send us feedback via email at seehearpodcast@gmail.com Join the Facebook group at http://facebook.com/groups/seehearpodcast You can download the show by searching for See Hear on whatever podcast app you favour (except Spotify). Learn more about your ad choices. Visit megaphone.fm/adchoices

Reportage International
En Autriche, des concerts thérapeutiques pour les personnes atteintes de démence

Reportage International

Play Episode Listen Later Jun 20, 2025 2:37


Dans la prestigieuse salle du Musikverein, à Vienne, en Autriche, temple de la musique classique connu des mélomanes du monde entier, se déroulent des concerts pas comme les autres. Des concerts Souvenir qui s'adressent aux personnes atteintes de démence. Le but est de réveiller leur mémoire, à travers la musique et ses émotions.  Cet après-midi, la magnifique salle Brahms du Musikverein de Vienne, en Autriche, accueille un concert un peu particulier, Souvenir, destiné aux personnes atteintes de démence et leurs accompagnants. Ils sont plusieurs dizaines à s'installer lorsqu'un trio de jeunes musiciens commence à jouer un programme spécialement conçu pour eux. Mélange de classiques et de variétés du 20e siècle. Une animatrice introduit chaque morceau et encourage même les spectateurs à chanter. On voit des mains en attraper d'autres, des têtes qui se posent sur l'épaule du voisin. C'est le but de ces concerts : réveiller les émotions et la mémoire des spectateurs. Pari réussi pour Elfriede, 84 ans, qui a quitté sa maison de retraite avec son accompagnant Walter. « J'ai toujours aimé me rendre à des concerts et celui-ci était beau, magnifique. J'ai aimé toutes les chansons. C'est toujours un plaisir et quelque chose de spécial au Musikverein. Je crois que je pourrais y aller tous les jours », confie-t-elle. « Par la musique, on peut toucher les personnes atteintes de démence au niveau émotionnel. Ces concerts permettent de bien travailler sur leur mémoire, car après, on en reparle. On leur demande de quoi ils se souviennent. Alors, on chante à nouveau ensemble certains morceaux du programme », abonde son accompagnant. Organisés depuis 2022, ces concerts sont bien fréquentés et pas uniquement par des personnes atteintes de démence. Peter, par exemple, accompagne son fils autiste, Alex. « Mon fils écoute des concerts sur YouTube toute la journée. C'est ce qui le calme. Certains autistes ne peuvent pas supporter quand il y a trop de bruit ou trop de personnes dans une salle. C'est pourquoi les gros concerts sont difficiles. Les personnes ayant des besoins particuliers ne sont malheureusement toujours pas intégrés correctement dans la société. Mais ici, on rencontre d'autres familles avec des enfants handicapés et de nombreuses amitiés se sont déjà nouées », témoigne-t-il. Pour les musiciens aussi, cette expérience est remplie d'émotions, comme l'explique le pianiste Shimon Krizek et la violoniste Susanna Budzinski, tous deux polonais : « Je me souviens que lors d'un concert au cours duquel j'ai joué une aria. Un spectateur, probablement un ancien chanteur, a tenu la dernière note aussi longtemps que cela est possible. J'ai donc dû moi-même tenir cette dernière note. Parfois, j'ai l'impression que je vais me mettre à pleurer. C'est vraiment fantastique », explique, ému, le pianiste. « Habituellement, le public reste assis à apprécier la musique, mais ici, certains se mettent à chanter ou à danser. Ils nous envoient une grande énergie. C'est une expérience très enrichissante, non seulement pour les artistes, mais aussi pour le public, car il est scientifiquement prouvé que la musique aide les personnes atteintes de démence », abonde la violoniste. En Autriche, environ 170 000 personnes sont actuellement atteintes de démence. À lire aussi«Expériences vibratoires»: un cycle d'ateliers pour initier les personnes sourdes à la musique

Kultur
Klassesch Musek Open-Air

Kultur

Play Episode Listen Later Jun 20, 2025 6:50


Den 29. Juni spille Museker:inne Wierker vu Brahms, Zemlinsky a Pavel Haas. Deels si manner populär Wierker dobäi, déi een awer haut net vergiesse soll, mengt de Leo Halsdorf am opus 100,7 Interview. Ob Concerte spillen oder programméiere méi ee grousse Challenge ass, och dat verzielt hien am Gespréich mam Lex Kauffmann.

Reportage international
En Autriche, des concerts thérapeutiques pour les personnes atteintes de démence

Reportage international

Play Episode Listen Later Jun 20, 2025 2:37


Dans la prestigieuse salle du Musikverein, à Vienne, en Autriche, temple de la musique classique connu des mélomanes du monde entier, se déroulent des concerts pas comme les autres. Des concerts Souvenir qui s'adressent aux personnes atteintes de démence. Le but est de réveiller leur mémoire, à travers la musique et ses émotions.  Cet après-midi, la magnifique salle Brahms du Musikverein de Vienne, en Autriche, accueille un concert un peu particulier, Souvenir, destiné aux personnes atteintes de démence et leurs accompagnants. Ils sont plusieurs dizaines à s'installer lorsqu'un trio de jeunes musiciens commence à jouer un programme spécialement conçu pour eux. Mélange de classiques et de variétés du 20e siècle. Une animatrice introduit chaque morceau et encourage même les spectateurs à chanter. On voit des mains en attraper d'autres, des têtes qui se posent sur l'épaule du voisin. C'est le but de ces concerts : réveiller les émotions et la mémoire des spectateurs. Pari réussi pour Elfriede, 84 ans, qui a quitté sa maison de retraite avec son accompagnant Walter. « J'ai toujours aimé me rendre à des concerts et celui-ci était beau, magnifique. J'ai aimé toutes les chansons. C'est toujours un plaisir et quelque chose de spécial au Musikverein. Je crois que je pourrais y aller tous les jours », confie-t-elle. « Par la musique, on peut toucher les personnes atteintes de démence au niveau émotionnel. Ces concerts permettent de bien travailler sur leur mémoire, car après, on en reparle. On leur demande de quoi ils se souviennent. Alors, on chante à nouveau ensemble certains morceaux du programme », abonde son accompagnant. Organisés depuis 2022, ces concerts sont bien fréquentés et pas uniquement par des personnes atteintes de démence. Peter, par exemple, accompagne son fils autiste, Alex. « Mon fils écoute des concerts sur YouTube toute la journée. C'est ce qui le calme. Certains autistes ne peuvent pas supporter quand il y a trop de bruit ou trop de personnes dans une salle. C'est pourquoi les gros concerts sont difficiles. Les personnes ayant des besoins particuliers ne sont malheureusement toujours pas intégrés correctement dans la société. Mais ici, on rencontre d'autres familles avec des enfants handicapés et de nombreuses amitiés se sont déjà nouées », témoigne-t-il. Pour les musiciens aussi, cette expérience est remplie d'émotions, comme l'explique le pianiste Shimon Krizek et la violoniste Susanna Budzinski, tous deux polonais : « Je me souviens que lors d'un concert au cours duquel j'ai joué une aria. Un spectateur, probablement un ancien chanteur, a tenu la dernière note aussi longtemps que cela est possible. J'ai donc dû moi-même tenir cette dernière note. Parfois, j'ai l'impression que je vais me mettre à pleurer. C'est vraiment fantastique », explique, ému, le pianiste. « Habituellement, le public reste assis à apprécier la musique, mais ici, certains se mettent à chanter ou à danser. Ils nous envoient une grande énergie. C'est une expérience très enrichissante, non seulement pour les artistes, mais aussi pour le public, car il est scientifiquement prouvé que la musique aide les personnes atteintes de démence », abonde la violoniste. En Autriche, environ 170 000 personnes sont actuellement atteintes de démence. À lire aussi«Expériences vibratoires»: un cycle d'ateliers pour initier les personnes sourdes à la musique

I Notturni di Ameria Radio
I Notturni di Ameria Radio del 19 giugno 2025 - J. Brahms / Trio in si maggiore per archi e pianoforte, op. 8 / Dumay / Wang / Pires

I Notturni di Ameria Radio

Play Episode Listen Later Jun 19, 2025 38:38


Johannes Brahms (1833-1897) - Trio in si maggiore per archi e pianoforte, op. 81.       Allegro con brio 2.       Scherzo. Allegro molto [15:13] 3.       Adagio [21:49]4.       Finale. Allegro [31:03] Augustin Dumay, violinoJian Wang, violoncelloMaria João Pires, pianoforte

Sonata Secrets
Brahms Brilliance in Intermezzo in E major, Op. 116 No. 6

Sonata Secrets

Play Episode Listen Later Jun 16, 2025 21:14


Pianist Henrik Kilhamn goes through Brahms Intermezzo in E major, no. 6 from Op. 116, with discussions of meter dispacement, structural reconfiguration and emotional transformation throughout the piece.Video: https://youtu.be/Xjlvl5b4ayo

Le van Beethoven
Krystian Zimerman, le perfectionnisme et l'audace

Le van Beethoven

Play Episode Listen Later Jun 9, 2025 88:43


durée : 01:28:43 - Krystian Zimerman, le perfectionnisme et l'audace - par : Aurélie Moreau - Le pianiste Krystian Zimerman est pour sa consœur Hélène Grimaud "un architecte des sons, de la forme et des émotions. Un idéal inégalable, l'un des rares génies en exercice." (Le Monde). Aujourd'hui : Brahms, Liszt, Beethoven, Chopin, Rachmaninov…

WDR 3 Meisterstücke
Johannes Brahms: Violinkonzert - Warum Oboisten Brahms lieben

WDR 3 Meisterstücke

Play Episode Listen Later Jun 5, 2025 12:46


Johannes Brahms lässt sich Zeit mit seinem Violinkonzert. Vielleicht, weil er sich mit der Geige als Soloinstrument nur bedingt auskennt. 1878 macht er sich endlich an die Arbeit – und das Ergebnis gefällt nicht jedem Geiger ... Von Christoph Vratz.

Phillip Gainsley's Podcast
Episode 144: Charles Neidich

Phillip Gainsley's Podcast

Play Episode Listen Later Jun 1, 2025 72:31


In the words of The New Yorker, Charles Neidich “is an artist  of  uncommon merit -- a master of his instrument and, beyond that, an  interpreter  who keeps listeners hanging on each phrase.”        Charles is the artistic  director of the Wa Concert Series at  the Tenri Cultural Institute in New  York, which he founded with his wife, clarinetist Ayako Oshima, in September 2017. This concert series is inspired by the  Japanese concept “wa”—  meaning circle, but also harmony and completeness; each  performance is  thus paired with visual arts and offers a variety of culinary delicacies prepared by Ayako Oshima. In recent seasons, Charles has added conducting to his musical accomplishments. He has led the Cobb Symphony Orchestra and Georgia Symphony in performances of the Franck Symphony in D Minor and Mozart's Clarinet Concerto (also playing the solo clarinet part). Charles commands a repertoire of over 200 solo works, including pieces commissioned or inspired by him, as well as his own transcriptions of vocal and instrumental works. With a growing discography to his credit, he can be heard on the Chandos, Sony Classical, Sony Vivarte, Deutsche Grammophon, Musicmasters, Pantheon, and Bridge labels. His recorded repertoire ranges from familiar works by Mozart, Beethoven, Weber, and Brahms, to lesser-known compositions by Danzi, Reicha, Rossini, and Hummel, as well as music by Elliott Carter, Gyorgy Kurtag, and other contemporary masters. Although Charles became quite active in music at an early age, he opted against attending a music conservatory in favor of academic studies at Yale University, where he graduated with a Bachelor of Arts, cum laude, in Anthropology. In 1975 he became the first American to receive a Fulbright grant for study in the former Soviet Union, and he attended the Moscow Conservatory for three years where his teachers were Boris Dikov and Kirill Vinogradov. Charles Neidich has achieved recognition as a teacher in addition to his activities as a performer, and currently is a member of the artist faculties of The Juilliard School, the Manhattan School of Music, the Mannes College of Music. During the 1994-95 academic year he was a Visiting Professor at the Sibelius Academy in Finland where he taught, performed and conducted. Mr. Neidich is a long-time member of the renowned chamber ensemble Orpheus.

CD-Tipp
John Eliot Gardiner dirigiert Brahms

CD-Tipp

Play Episode Listen Later May 31, 2025 3:36


John Eliot Gardiner legt sein erstes Album nach seiner Auszeit vor: die vier Brahms-Symphonien mit dem Concertgebouw Orchestra Amsterdam.In keinem Takt klingt Gardiners Brahms bürgerlich behäbig oder selbstzufrieden. Immer wieder treibt er die Musik unerbittlich nach vorn. Dann ist alles Puls und Drama. Wer Brahms liebt, sollte das hören.

Portraits de famille
Le pianiste américain Julius Katchen (1926-1969)

Portraits de famille

Play Episode Listen Later May 31, 2025 118:49


durée : 01:58:49 - Le pianiste américain Julius Katchen (1926-1969) - par : Philippe Cassard - Où l'on retrouve le célèbre pianiste américain (1926-1969) dans des interprétations “live” de Beethoven et de Brahms, ainsi qu'en duo avec clarinette et violon.  - réalisé par : Philippe Petit

Le Disque classique du jour
La virtuosité à l'honneur

Le Disque classique du jour

Play Episode Listen Later May 30, 2025 88:47


durée : 01:28:47 - En pistes ! du vendredi 30 mai 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Au programme, de grands concertos : au piano avec Ravel ou au violon avec Bruch et Korngold. Nous partirons aussi à la découverte de Brahms et ses contemporains en compagnie de l'ensemble Kaléidoscope Collective, l'occasion d'entendre notamment la musique de Louise Héritte-Viardot...

En pistes ! L'actualité du disque classique
La virtuosité à l'honneur

En pistes ! L'actualité du disque classique

Play Episode Listen Later May 30, 2025 88:47


durée : 01:28:47 - En pistes ! du vendredi 30 mai 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Au programme, de grands concertos : au piano avec Ravel ou au violon avec Bruch et Korngold. Nous partirons aussi à la découverte de Brahms et ses contemporains en compagnie de l'ensemble Kaléidoscope Collective, l'occasion d'entendre notamment la musique de Louise Héritte-Viardot...

Clásica FM Radio - Podcast de Música Clásica
Miniaturas para Piano | Hoy Toca

Clásica FM Radio - Podcast de Música Clásica

Play Episode Listen Later May 28, 2025 47:25


Carlos Iribarren | Hoy nos hemos propuesto hacer un recorrido exprés por una colección de 12 piezas para piano de menos de 2 minutos de duración. Son golosinas musicales que abarcan diferentes épocas y compositores tan variados como los famosísimos Brahms, Beethoven y Granados, frente a otros tan poco habituales como el candiense Clarence Lucas o el croata Blagoje Bersa. Para acompañar a Carlos y Mario, nos acompaña la pianista Alba Ventura, quien tiene la difícil tarea de evaluar las diferentes piezas e incluso competirá contra Mario en el juego que les propone Carlos: “¿De qué año es?” Lo más importante es pasar un buen rato mientras disfrutamos de lo que más nos gusta, la mejor música del mundo: la que suena siempre en Hoy Toca, el programa de Clásica FM que te quiere sorprender

Charros y Clasicos
From Student to Maestro: The Journey of Moises Llanes

Charros y Clasicos

Play Episode Listen Later May 26, 2025 48:34 Transcription Available


When classical music plays in a baby's nursery, does it really make a difference? For Moises Llanes, those early moments with Beethoven and Brahms symphonies resonating through his crib shaped a lifelong passion that would transform orchestral education in the Rio Grande Valley.This captivating conversation reveals how a businessman father with an eighth-grade education made a pivotal decision to expose his children to classical music and piano lessons, creating the foundation for Moises's remarkable 37-year teaching career. "I just feel at home listening and playing classical music," Llanes shares, reflecting on those formative experiences that gave him both purpose and direction from an astonishingly young age.Llanes takes us through his journey from student violinist to celebrated educator, highlighting a watershed moment when, as a high school student, he recognized a critical gap in orchestral education - the lack of music literacy. This insight became the cornerstone of his teaching philosophy, creating generations of independent musicians who could truly understand music rather than merely memorize finger positions. "You don't have to figure it out, you just have to read it," became his mantra, empowering students to explore music confidently on their own.The conversation delves into Llanes's collegiate years, cultural identity challenges, and the resilience that carried him through financial hardships when his father's business collapsed. Despite briefly retiring in 2022, his passion for music education drew him back to the classroom at Lorenzo de Zavala Middle School, where he continues making an impact. His parting wisdom for aspiring educators resonates powerfully: "If you're not going to do it 110%, especially teaching, don't do it at all."Subscribe now to hear more inspiring stories from the musical community of the Rio Grande Valley, where passion, perseverance, and cultural heritage create a unique symphony of experiences.

Mundofonías
Mundofonías 2025 #40: Sobrevolando las fronteras / Flying over borders

Mundofonías

Play Episode Listen Later May 26, 2025 59:50


Sobrevolamos las fronteras musicales y geográficas, al igual que hacen los artistas que nos presentan hoy sus nuevas propuestas, con aires klezmer, tangueros, árabes, persas, jazzísticos, ibéricos, célticos, quebequeses y muchos más. We fly over musical and geographical borders, just like the artists presenting their new music today, infused with klezmer, tango, Arab, Persian, jazz, Iberian, Celtic, Québécois essences and many others. - Oktopus - Beresh Katz bulgar - Brahms, Balkans & Bagels - Schmaltz and Pepper - Tango schmango - Schmaltz and pepper - Aleph Quintet - Samai - Hiwar - Mohamad Zatari Trio - Desire - Istehlal - Espiral - Muiñeira de O Chamberín - Elas voam, elas dançam - Raúl Sanz - Al acecho / La roca pensante / Ortigas - La espiral del lobo - Grosse Isle - Máire Gaillimhe / The rocky road to Dublin - Homérique - Michel Balatti, Tom Stearn, Tola Custy - The humors of Ballyconnell - The north wind - (Grosse Isle - Gráinne Mhaol aux cheveux de braise - Homérique) 📸 Mohamad Zatari Trio

Le van Beethoven
Leonidas Kavakos, virtuose de l'archet et de la baguette

Le van Beethoven

Play Episode Listen Later May 26, 2025 88:41


durée : 01:28:41 - Leonidas Kavakos, virtuose de l'archet et de la baguette - par : Aurélie Moreau - Leonidas Kavakos, violoniste renommé pour sa technique incomparable, sa musicalité exceptionnelle et l'intégrité de son jeu, s'est aussi forgé une solide réputation de chef d'orchestre. Aujourd'hui : Beethoven, Brahms, Enescu, Sibelius, Mozart…

Introductions | WFMT
Chamber music for strings: Spizella Quartet, Luscinia Trio, Vermilion String Quartet

Introductions | WFMT

Play Episode Listen Later May 24, 2025 52:31


Pieces by Haydn, Beethoven, Mendelssohn, Brahms, Debussy, Dohnányi, Shostakovich & Casarrubios performed by groups from Merit School of Music and the Music Institute of Chicago Academy. The post Chamber music for strings: Spizella Quartet, Luscinia Trio, Vermilion String Quartet appeared first on WFMT.

CD-Tipp
Christian Gerhaher singt Brahms

CD-Tipp

Play Episode Listen Later May 24, 2025 3:21


Kaum ein Sänger-Pianisten-Duo wird so hochgeschätzt wie Christian Gerhaher und Gerold Huber. Nach einem intensiven Schumann-Projekt haben sie sich jetzt den Liedern von Johannes Brahms gewidmet, und speziell dem "Volkston" bei Brahms, der Zeit seines Lebens ein großer Sammler von Volksliedern war. Doch gerade auf diesen - bei Brahms auch immer sehr ungewöhnlichen Volkston - finden Gerhaher und Huber einen beinahe gesellschaftspolitischen Blick.

NDR Kultur - Neue CDs
Neues Album: Christian Gerhaher - Brahms-Lieder

NDR Kultur - Neue CDs

Play Episode Listen Later May 22, 2025 4:45


Ein Album von Christian Gerhaher - vorgestellt auf NDR Kultur.

Three In A Bar
135. Dame Sarah Connolly - Positive thinking, evolving roles, fat suits and every singer's nemesis…the common cold.

Three In A Bar

Play Episode Listen Later May 20, 2025 61:26


Sound the klaxon - it's a national treasure alert!This week we are honoured to be joined by internationally celebrated Mezzo-soprano Dame Sarah Connolly.Dame Sarah has had an incredible career to date with standout performances including Giulio Cesare at Glyndebourne , multiple roles at the Met, the Royal Opera House, La Scala, Paris Opera and, of course Admiral Nelson in full naval regalia at the Last Night of the Proms.Dame Sarah's 24/25 season includes playing Auntie in WNO's new production of Peter Grimes and Dido in Dido and Aeneas at Amsterdam's Concertgebouw.We are hugely grateful to Dan Hartland at the Cheltenham Festival for setting up this chat - Sarah will be performing Brahms' Alto Rhapsody at the festival on 5 July (ticket link below)With such a stellar career and a vast list of honours to her name, Dame Sarah remains incredibly warm and down-to-earth. We chat about controlling performance anxiety, how to avoid being pigeon holed, dealing with colds, auditioning, the power of positive thinking and how to wear a fatsuit…Enjoy! To buy tickets for Dame Sarah's performance at the Cheltenham festival on Saturday 5 July click here; https://www.cheltenhamfestivals.org/events/berlioz-te-deumYou can find us on the socials here;Instagram @threeinabarpodTiktok @threeinabarpodThree In A Bar on YoutubeAnything you'd like to share with us? Any guests you'd love to hear or anything you'd like us to do better? Drop us a line at hello@threeinabar.com Hosted on Acast. See acast.com/privacy for more information.

Le Disque classique du jour
Direction Amsterdam pour découvrir une nouvelle intégrale des symphonies de Brahms

Le Disque classique du jour

Play Episode Listen Later May 19, 2025 87:54


durée : 01:27:54 - En pistes ! du lundi 19 mai 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - John-Eliot Gardiner et l'orchestre du Concertgebouw ouvrent cette nouvelle semaine d'En pistes. Au programme, musique romantique mais pas que ! Deux concertos pour violoncelle, une tragédie-lyrique de Philidor et trois cycles de Florent Schmitt inédits au disque...

En pistes ! L'actualité du disque classique
Direction Amsterdam pour découvrir une nouvelle intégrale des symphonies de Brahms

En pistes ! L'actualité du disque classique

Play Episode Listen Later May 19, 2025 87:54


durée : 01:27:54 - En pistes ! du lundi 19 mai 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - John-Eliot Gardiner et l'orchestre du Concertgebouw ouvrent cette nouvelle semaine d'En pistes. Au programme, musique romantique mais pas que ! Deux concertos pour violoncelle, une tragédie-lyrique de Philidor et trois cycles de Florent Schmitt inédits au disque...

Afternoon Drive with John Maytham
Cape Town Philharmonic Orchestra Winter Symphonies At The City Hall

Afternoon Drive with John Maytham

Play Episode Listen Later May 16, 2025 5:30


On The Afternoon Drive with John Maytham, we turn to music, memory, and majesty as John is joined by a guest from the Cape Town Philharmonic Orchestra to preview the upcoming Winter Symphonies at the City Hall, opening on 12 June 2025. The concert features Brahms’ Violin Concerto and Symphony No. 4 in E minor, performed by celebrated violinist Andrey Baranov, winner of the 2012 Queen Elisabeth Violin Competition, with Thomas Sanderling making his CPO debut as conductor after a remarkable 50-year global career. Presenter John Maytham is an actor and author-turned-talk radio veteran and seasoned journalist. His show serves a round-up of local and international news coupled with the latest in business, sport, traffic and weather. The host’s eclectic interests mean the program often surprises the audience with intriguing book reviews and inspiring interviews profiling artists. A daily highlight is Rapid Fire, just after 5:30pm. CapeTalk fans call in, to stump the presenter with their general knowledge questions. Another firm favourite is the humorous Thursday crossing with award-winning journalist Rebecca Davis, called “Plan B”. Thank you for listening to a podcast from Afternoon Drive with John Maytham Listen live on Primedia+ weekdays from 15:00 and 18:00 (SA Time) to Afternoon Drive with John Maytham broadcast on CapeTalk https://buff.ly/NnFM3Nk For more from the show go to https://buff.ly/BSFy4Cn or find all the catch-up podcasts here https://buff.ly/n8nWt4x Subscribe to the CapeTalk Daily and Weekly Newsletters https://buff.ly/sbvVZD5 Follow us on social media: CapeTalk on Facebook: https://www.facebook.com/CapeTalk CapeTalk on TikTok: https://www.tiktok.com/@capetalk CapeTalk on Instagram: https://www.instagram.com/ CapeTalk on X: https://x.com/CapeTalk CapeTalk on YouTube: https://www.youtube.com/@CapeTalk567 See omnystudio.com/listener for privacy information.

The Gramophone podcast
Masaaki and Masato Suzuki on Brahms's Ein deutsches Requiem

The Gramophone podcast

Play Episode Listen Later May 16, 2025 27:38


In this week's episode, Editor Martin Cullingford met with the founder and Music Director of Bach Collegium Japan Masaaki Suzuki, along with the group's Principal Conductor Masato Suzuki, to talk about their new recording of Brahms's Ein deutsches Requiem, available now on BIS – as well as discussing Bach's St John Passion, which they had performed the day prior to the interview. The interview took place last year in, appropriately enough, London's Japan House.

Sticky Notes: The Classical Music Podcast

It's entirely possible that we would not know the name of Johannes Brahms very well if Brahms hadn't met Joseph Joachim as a very young man. Joachim, who was one of the greatest violinists of all time, had already established himself as touring soloist and recitalist, and he happened to know the musical power couple of Robert and Clara Schumann quite well. Joachim encouraged Brahms to go to Dusseldorf to meet the Schumann's, and the rest is history. I've talked about the Brahms-Schumann relationship dozens of times on the show before, but to keep it very brief, Robert Schumann's rhapsodic article Neue Bahnen(new paths) launched Brahms' career, and until Schumann's deterioration from mental illness he acted as a valued friend and mentor for Brahms. Clara Schumann, as a performer, was a powerful advocate for Brahms' music as well as a devoted and loving friend throughout the rest of their lives. Almost constantly present in this relationship was the sound of Joseph Joachim's violin. Brahms did not have a huge circle of friends, but for the often difficult to get along with composer, Joachim was a musical and spiritual companion. Brahms' legendary violin concerto was written for him, and the two collaborated closely for the entire course of their musical lives, except for one significant break. Brahms and Joachim were estranged for 7 years, until Brahms reached out with a remarkable conciliatory gesture: a concerto for Violin and Cello and that would be dedicated to Joachim. Brahms and Joachim(as well as Brahms and Clara Schumann) had often resolved disputes through music, and this was no exception. Clara Schumann gleefully wrote in her diary after Joachim had read through the piece with cellist Robert Hausmann: "This concerto is a work of reconciliation - Joachim and Brahms have spoken to each other again for the first time in years.” One would expect that a work like this would be beloved, but the Double Concerto has had a checkered history, which we'll also get into later. Clara herself wrote that it lacked "the warmth and freshness which are so often found to be in his works,” It would turn out to be Brahms' last work for orchestra, and one of the few in his later style, which makes It fascinating to look at from a compositional perspective. Partly because of the cool reception it got in its first few performances, and the practical challenges of finding two spectacular soloists who can meet its challenges, the piece is not performed all that often, though I have always adored this piece and am very grateful to Avi who sponsored this week's show from my fundraiser last year before the US election. So let's dive into this gorgeous concerto, discussing the reasons for Joachim and Brahms' break, their reconciliation, the reception this piece got, and then of course, the music itself! Join us!

Le Disque classique du jour
Le grand répertoire, entre tubes et chef-d'œuvres

Le Disque classique du jour

Play Episode Listen Later May 14, 2025 89:18


durée : 01:29:18 - En pistes ! du mercredi 14 mai 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Une symphonie de Brahms, le concerto pour clarinette de Mozart, Carmen de Bizet... De nouvelles versions sont à découvrir dans En Pistes aujourd'hui. Plus confidentielle, la musique du compositeur franco-flamand Alexander Agricola est aussi au programme !

En pistes ! L'actualité du disque classique
Le grand répertoire, entre tubes et chef-d'œuvres

En pistes ! L'actualité du disque classique

Play Episode Listen Later May 14, 2025 89:18


durée : 01:29:18 - En pistes ! du mercredi 14 mai 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Une symphonie de Brahms, le concerto pour clarinette de Mozart, Carmen de Bizet... De nouvelles versions sont à découvrir dans En Pistes aujourd'hui. Plus confidentielle, la musique du compositeur franco-flamand Alexander Agricola est aussi au programme !

Le Disque classique du jour
Le Requiem de Brahms tel qu'il fut créé à Brême en 1868

Le Disque classique du jour

Play Episode Listen Later May 9, 2025 87:18


durée : 01:27:18 - En pistes ! du vendredi 09 mai 2025 - par : Emilie Munera - C'est le projet du chef Kent Nagano qui nous fait entendre l'œuvre de Brahms entremêlée de pièces de Bach, Schumann et Haendel. Au programme également, une plongée dans le XXème siècle avec la bande-son des années folles au piano, et des mélodies et chansons de la compositrice Claude Arrieu.

En pistes ! L'actualité du disque classique
Brahms : Un Requiem allemand, version de Brême 1868 sous la direction de Kent Nagano

En pistes ! L'actualité du disque classique

Play Episode Listen Later May 9, 2025 13:36


durée : 00:13:36 - Le Disque classique du jour du vendredi 09 mai 2025 - Enregistrée en août 2022 à l'Elbphilharmonie de Hambourg par le Philharmonisches Staatsorchester Hamburg sous la direction de Kent Nagano, cette version n'est pas celle habituelle en sept mouvements.

En pistes ! L'actualité du disque classique
Le Requiem de Brahms tel qu'il fut créé à Brême en 1868

En pistes ! L'actualité du disque classique

Play Episode Listen Later May 9, 2025 87:18


durée : 01:27:18 - En pistes ! du vendredi 09 mai 2025 - par : Emilie Munera - C'est le projet du chef Kent Nagano qui nous fait entendre l'œuvre de Brahms entremêlée de pièces de Bach, Schumann et Haendel. Au programme également, une plongée dans le XXème siècle avec la bande-son des années folles au piano, et des mélodies et chansons de la compositrice Claude Arrieu.

Le Disque classique du jour
Brahms : Un Requiem allemand, version de Brême 1868 sous la direction de Kent Nagano

Le Disque classique du jour

Play Episode Listen Later May 9, 2025 13:36


durée : 00:13:36 - Le Disque classique du jour du vendredi 09 mai 2025 - Enregistrée en août 2022 à l'Elbphilharmonie de Hambourg par le Philharmonisches Staatsorchester Hamburg sous la direction de Kent Nagano, cette version n'est pas celle habituelle en sept mouvements.

History Goes Bump Podcast
Ep. 585 - S.K. Pierce Mansion

History Goes Bump Podcast

Play Episode Listen Later May 8, 2025 43:38


One can't miss the S.K. Pierce Mansion in Gardner, Massachusetts. This magnificent mansion is a huge Victorian that takes up the whole corner of West Broadway and Union Street. The grand exterior makes it very inviting, but the ghost stories connected to this place might just make you think twice before entering. There are those that claim this home is the second most haunted house in Massachusetts. Some owners have been chased out by spirits. There could be more than a dozen spirits here and one of them may be the furniture magnate for whom the house was built and named: S.K. Pierce. Join us for the history and hauntings of the S.K. Pierce Mansion. The Moment in Oddity features the Bone Collector Caterpillar and This Month in History features Brahms born.  Check out the website: http://historygoesbump.com Show notes can be found here: https://historygoesbump.blogspot.com/2025/05/hgb-ep-585-sk-pierce-mansion.html   Become an Executive Producer: http://patreon.com/historygoesbump Music used in this episode:  Main Theme: Lurking in the Dark by Muse Music with Groove Studios (Moment in Oddity) "Vanishing" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/ (This Month in History) "In Your Arms" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/ Outro Music: Happy Fun Punk by Muse Music with Groove Studios Other music used in this episode: Title: "The End" and "Mortician's Hat Trick" Artist: Tim Kulig (timkulig.com) Licensed under Creative Commons By Attribution 4.0 http://creativecommons.org/licenses/by/4.0/ IMDB: https://www.imdb.com/name/nm0997280/?ref_=fn_al_nm_1

En pistes ! L'actualité du disque classique

durée : 01:28:10 - En pistes ! du mercredi 07 mai 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Programme lyrique aujourd'hui, avec deux opéras : un classique wagnérien et une partition beaucoup plus rare, "Vénus en Afrique" de George Antheil. La musique de chambre sera aussi au rendez-vous, avec Brahms, Mozart et Verdi.

Le Disque classique du jour
Un mercredi à l'opéra

Le Disque classique du jour

Play Episode Listen Later May 7, 2025 88:10


durée : 01:28:10 - En pistes ! du mercredi 07 mai 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Programme lyrique aujourd'hui, avec deux opéras : un classique wagnérien et une partition beaucoup plus rare, "Vénus en Afrique" de George Antheil. La musique de chambre sera aussi au rendez-vous, avec Brahms, Mozart et Verdi.

NDR Kultur - Neue CDs
Album der Woche: Bach Collegium Japan - Brahms: "Ein Deutsches Requiem"

NDR Kultur - Neue CDs

Play Episode Listen Later May 4, 2025 4:51


Das Bach Collegium Japan unter Masaaki Suzuki haben eine überzeugende Neueinspielung von "Ein Deutsches Requiem" vorgelegt.

Das starke Stück - Musiker erklären Meisterwerke
#01 Brahms – Liebesliederwalzer

Das starke Stück - Musiker erklären Meisterwerke

Play Episode Listen Later May 3, 2025 6:18


Johannes Brahms spielte gerne Walzer am Klavier und ließ sich dazu immer wieder neu inspirieren - vor allem, wenn er wieder einmal in Wien war, in der großen Walzermetropole. BR-KLASSIK stellt seine Liebesliederwalzer mit Brigitte Fassbaender vor.

Fully Scored
Fully Scored | Ep. 67 (Mark Hamilton & Simon Morton)

Fully Scored

Play Episode Listen Later May 2, 2025 74:40


Episode 67 was truly a global experience! Matthew started in Melbourne, chatting to another new Staff Bandmaster. Bandmaster Mark Hamilton gives us an insight into his life, his work, his faith and his hopes for the future of the Melbourne Staff Band. As with any Fully Scored guest from Australia, you can expect a barrage of bonza stereotypical Quirky Quickfire Questions!From Melbourne to New York… Simon Morton, a Bass player in the New York Staff Band shares his insights into Eric Ball's beautiful meditation ‘Serenity'.From New York to Tokyo to catch up with the world-renowned Tenor Horn virtuoso Owen Farr. Owen is this month's inhabitant of the Arid Island, but what album will he decide to take with him? Vivaldi, Guns N' Roses or Brahms?Sparsely Scored, Fully Scored News and Bandmastermind complete another episode. Hosted on Acast. See acast.com/privacy for more information.

En pistes ! L'actualité du disque classique
Pressentiment : Janáček, Schumann, Schoenberg, Brahms, par Claire Désert

En pistes ! L'actualité du disque classique

Play Episode Listen Later May 2, 2025 14:30


durée : 00:14:30 - Le Disque classique du jour du vendredi 02 mai 2025 - Les œuvres réunies ici explorent un état affectif mystérieux et singulier pour composer un kaléidoscope sonore propre à faire éprouver, dans le moment de l'écoute, le temps suspendu et angoissé du pressentiment.

Le Disque classique du jour
Pressentiment : Janáček, Schumann, Schoenberg, Brahms, par Claire Désert

Le Disque classique du jour

Play Episode Listen Later May 2, 2025 14:30


durée : 00:14:30 - Le Disque classique du jour du vendredi 02 mai 2025 - Les œuvres réunies ici explorent un état affectif mystérieux et singulier pour composer un kaléidoscope sonore propre à faire éprouver, dans le moment de l'écoute, le temps suspendu et angoissé du pressentiment.

CSO Audio Program Notes
CSO Program Notes: Mäkelä & Trifonov

CSO Audio Program Notes

Play Episode Listen Later Apr 24, 2025 14:58


CSO Artist-in-Residence Daniil Trifonov, “without question the most astounding pianist of our age” (The Times of London), takes on Brahms' Second Piano Concerto, as remarkable for its rich orchestral writing as for its simultaneously glittering and muscular piano part. Dvořák's turbulent Seventh Symphony is both an expression of the composer's personal crises and a lyrical tribute to the Czech spirit. Learn more: cso.org/performances/24-25/cso-classical/makela-and-trifonov

The Writer's Almanac
The sweet day draws near

The Writer's Almanac

Play Episode Listen Later Apr 12, 2025 7:01


And now I worry, as old people do, about the kids I see who are growing up in the dreadful clutter of American life, the gizmos and social media bullying, and can they find delight as I did in skating on the frozen Mississippi and discovering Liebling and Jenny found listening to Prokofiev and Brahms. I pray for our kids to be lighthearted. The darkness is out there, and Christmas becomes utterly beautiful, the circle of love and friendship, the lighted candles, the anticipation of the child, the radiant beams, the redeeming grace. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit garrisonkeillor.substack.com/subscribe

New Classical Tracks with Julie Amacher
Aryeh Nussbaum Cohen goes where no countertenor has gone before

New Classical Tracks with Julie Amacher

Play Episode Listen Later Apr 9, 2025 50:52


On the latest episode of ‘New Classical Tracks,' countertenor Aryeh Nussbaum Cohen and pianist John Churchwell present music by Korngold, Brahms, and Clara and Robert Schumann, as heard on their most recent recording. Listen now with host Julie Amacher!

Countermelody
Episode 348. Rescue Mission II

Countermelody

Play Episode Listen Later Apr 8, 2025 106:26


After I post a Countermelody episode on a cherished singer, my relationship with these artists continues: one of those manifestataions is that I never stop seeking out rare and unusual recordings featuring those singers. This results in a grab-bag of fascinating and often obscure material that is simply too good not to share with my listeners. Today I present you with the second episode of such genre, which I have collectively dubbed “Rescue Mission.” On this episode I feature singers you've heard on the podcast over the course of the past several weeks and months, including, among many others, Janet Baker, Oralia Domínguez, Eugene Holmes, Ellabelle Davis, Gilda Cruz-Romo, Benjamin Luxon, Mara Coleva, Hugo Hasslo, Margaret Marshall, Gloria Davy, and Mady Mesplé, performing work by Handel, Verdi, Weill, Bach, Brahms, Boito, and Mozart. The episode concludes with Eleanor Steber (because, as I affirmed laast week, you can never have enough of her), in a 1949 performance of “Ah, Perfido!” that will have you picking your dislocated jaw up off the floor. Also expect shout-outs to friends of the podcast, old and new, as well as a certain amount of political snippiness! Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.

New Classical Tracks with Julie Amacher
Orion Weiss concludes his 'Arc' trilogy with music of joy, youth and rebirth

New Classical Tracks with Julie Amacher

Play Episode Listen Later Apr 2, 2025 27:40


On the latest episode of ‘New Classical Tracks,' pianist Orion Weiss concludes a trilogy 11 years in the making with an album featuring the music of Brahms, Schubert, Dohnanyi, Ligeti and more. Listen now!