Podcasts about brahms

perfection aujourd aur radio france brahms paganini vengerov maxim vengerov

Play Episode Listen Later Jul 3, 2025 88:16

durée : 01:28:16 - Maxim Vengerov, éloquence et perfection instrumentale - par : Aurélie Moreau - Violoniste de légende, Maxim Vengerov est profondément enraciné dans la tradition des écoles de violon franco-belge et russe. La direction d'orchestre lui permet d'élargir ses horizons musicaux. Aujourd'hui : Glazounov, Brahms, Paganini, Mozart… Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Christian Gerhaher und Gerold Huber präsentieren Album mit Brahms-Liedern

SWR2 Treffpunkt Klassik. Musik, Meinung, Perspektiven

Play Episode Listen Later Jul 2, 2025 6:00

Der Bariton Christian Gerhaher und sein langjähriger Begleiter am Klavier, Gerold Huber, präsentieren ein bemerkenswertes Album, das ausschließlich Lieder von Johannes Brahms umfasst. Insgesamt überzeugt das Album durch die gelungene Balance zwischen bekannten und weniger bekannten Brahms-Liedern.

balance begleiter insgesamt lieder brahms klavier liedern johannes brahms christian gerhaher gerold huber

Le Quatuor de Jérusalem, la tradition de l'excellence

excellence tradition aujourd aur schubert moreau radio france schumann brahms haydn debussy dvo quatuor korngold chostakovitch

Play Episode Listen Later Jul 1, 2025 88:53

durée : 01:28:53 - Le Quatuor de Jérusalem, la tradition de l'excellence - par : Aurélie Moreau - 2025 marque les 30 ans du Quatuor de Jérusalem qui a très vite acquis une renommée mondiale, jouant avec passion, précision et chaleur un large répertoire. Aujourd'hui : Chostakovitch, Brahms, Haydn, Dvořák, Schubert, Debussy, Schumann et Korngold. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Lily Yoshihara, 18, violin

Introductions | WFMT

Play Episode Listen Later Jun 28, 2025 34:14

Today we hear from a CMPI fellow and student at Midwest Conservatory in Schaumburg. Lily plays Brahms, Bach and Wieniawski; plus the Fantasy No. 1 of Japanese composer Ikuma Dan. The post Lily Yoshihara, 18, violin appeared first on WFMT.

music young japanese study schools musicians bach classical violin brahms schaumburg wfmt yoshihara wieniawski

Música y Letra: Sviatoslav Richter IV - Brahms y Debussy

Música y Letra

Play Episode Listen Later Jun 28, 2025 59:54

Andrés Amorós dedica un cuarto programa a este pianista ruso muy respetuoso con la labor de los compositores. Andrés Amorós dedica este programa a las interpretaciones que Sviatoslav Richter realizó de Brahms y Debussy. Se subraya la filosofía del pianista ruso, que se consideraba a sí mismo un mero ejecutor al servicio de la obra, mostrando un respeto absoluto por la partitura y el compositor, por encima de cualquier lucimiento personal. Esta actitud le diferencia de otros virtuosos y define su enfoque artístico. En su acercamiento a Johannes Brahms, Richter exhibía una afinidad particular, prefiriéndolo incluso a Schumann. Su interpretación del Scherzo del Concierto para piano nº 2 es un ejemplo de su fuerza controlada y su renuncia al sentimentalismo. Richter aborda a Brahms con la potencia y la hondura requeridas, pero siempre manteniendo una sobriedad y una fidelidad extremas al texto musical. La selección de Claude Debussy demuestra la enorme versatilidad del pianista. Richter era capaz de adaptarse a estilos muy diferentes, recreando las atmósferas y el color del impresionismo francés. Se escuchan fragmentos de Cloches à travers les feuilles y L'Isle Joyeuse, piezas en las que el pianista logra evocar el misterio y la alegría jubilosa con una claridad y una técnica prodigiosas, sin perder la esencia etérea de la música. Finalmente, se destaca la figura de Richter como un artista único y enigmático, alejado de los circuitos comerciales y de la autopromoción. Su dedicación a la música por encima de todo queda reflejada en anécdotas como la creación de su propio festival en un granero en Francia, buscando la acústica y el ambiente perfectos. Se le recuerda como un intérprete puro más que como una estrella del piano.

amor finalmente francia richter concierto schumann brahms letra debussy claude debussy johannes brahms scherzo cloches sviatoslav richter

See Hear Podcast Episode 128 - Interview with Francois Girard about "Thirty Two Short Films About Glenn Gould"

Rock N Roll Pantheon

Play Episode Listen Later Jun 23, 2025 66:24

There's a moment in Mel Brooks' “History of the World Part 1” where we're told that shortly after the first artists came the first art critics…..I'll leave you to determine what happens…. The music world is certainly not short of people with opinions in regards to others' ability to perform and provide nuance to the work they present for us as music lovers to listen to. In the classical world, interpretation of the canon of baroque, classical, romantic and modernist music can be a mystery to some of us who are not classically trained musicians. There's no shortage of classical soloists who've captured the wider public's imagination, yet have their critics as well. Welcome to episode 128 of See Hear Podcast. Glenn Gould is regarded as one of the great pianists of the 20th century, known in particular for his love of and heavy focus on the composition of J.S. Bach. However, he wasn't unanimously revered. Pianist Alfred Brendel was vocally not a fan. Even Leonard Bernstein who did love Gould's approach covered himself before a TV broadcast of a Brahms piano concerto by saying Gould's approach was not going to be for everybody. Therein lies the heart of the matter – when you depart from an accepted orthodox style of playing of the canon, you're going to upset people. Glenn Gould upset some people. BUT….the reason he is still being talked about was for what he DID, not what he didn't do. He's most famous for his first and last released recordings, Bach's Goldberg Variations (1955 and 1981). Even there his recordings are wildly different, and the latter upset some who championed the earlier recording. He's also remembered for his intellect and could discuss may other issues outside of music – something he did on radio and TV specials. In 1993, film director Francois Girard released a brilliant biopic / documentary called “Thirty Two Short Films About Glenn Gould”. Like its subject, the film takes a wildly different approach from the accepted norm of musician biopic. As the name implies, the film comprises of 32 shorts featuring narratives, interviews, performance and experimentation that provide a strong sense of Gould's character. There is a 3 act structure, but not in the usual way that you get in a conventional musician biography. June 2025 sees the reissue of the film by Criterion, and I was thrilled to welcome Francois to the podcast to talk about this film and Gould in general. Unfortunately, we couldn't coordinate the timing to have Tim or Kerry available, but I still had a fascinating conversation with Francois that I hope you find illuminating. If you've been enjoying the show, please consider giving us a favourable review on iTunes and let your friends know that our show exists. If you don't enjoy the show, tell your adversaries to tune in. We don't care who listens..... See Hear is proudly part of the Pantheon Network of music podcasts. Check out all the other wonderful shows at ⁠http://pantheonpodcasts.com⁠ Send us feedback via email at ⁠seehearpodcast@gmail.com⁠ Join the Facebook group at ⁠http://facebook.com/groups/seehearpodcast ⁠ You can download the show by searching for See Hear on whatever podcast app you favour (except Spotify). Learn more about your ad choices. Visit megaphone.fm/adchoices

tv spotify history bach world part mel brooks short films gould francois girard brahms criterion thirty two glenn gould goldberg variations see hear see hear podcast

See Hear Podcast Episode 128 - Interview with Francois Girard about "Thirty Two Short Films About Glenn Gould"

See Hear Music Film Podcast

Play Episode Listen Later Jun 23, 2025 66:24

There's a moment in Mel Brooks' “History of the World Part 1” where we're told that shortly after the first artists came the first art critics…..I'll leave you to determine what happens…. The music world is certainly not short of people with opinions in regards to others' ability to perform and provide nuance to the work they present for us as music lovers to listen to. In the classical world, interpretation of the canon of baroque, classical, romantic and modernist music can be a mystery to some of us who are not classically trained musicians. There's no shortage of classical soloists who've captured the wider public's imagination, yet have their critics as well. Welcome to episode 128 of See Hear Podcast. Glenn Gould is regarded as one of the great pianists of the 20th century, known in particular for his love of and heavy focus on the composition of J.S. Bach. However, he wasn't unanimously revered. Pianist Alfred Brendel was vocally not a fan. Even Leonard Bernstein who did love Gould's approach covered himself before a TV broadcast of a Brahms piano concerto by saying Gould's approach was not going to be for everybody. Therein lies the heart of the matter – when you depart from an accepted orthodox style of playing of the canon, you're going to upset people. Glenn Gould upset some people. BUT….the reason he is still being talked about was for what he DID, not what he didn't do. He's most famous for his first and last released recordings, Bach's Goldberg Variations (1955 and 1981). Even there his recordings are wildly different, and the latter upset some who championed the earlier recording. He's also remembered for his intellect and could discuss may other issues outside of music – something he did on radio and TV specials. In 1993, film director Francois Girard released a brilliant biopic / documentary called “Thirty Two Short Films About Glenn Gould”. Like its subject, the film takes a wildly different approach from the accepted norm of musician biopic. As the name implies, the film comprises of 32 shorts featuring narratives, interviews, performance and experimentation that provide a strong sense of Gould's character. There is a 3 act structure, but not in the usual way that you get in a conventional musician biography. June 2025 sees the reissue of the film by Criterion, and I was thrilled to welcome Francois to the podcast to talk about this film and Gould in general. Unfortunately, we couldn't coordinate the timing to have Tim or Kerry available, but I still had a fascinating conversation with Francois that I hope you find illuminating. If you've been enjoying the show, please consider giving us a favourable review on iTunes and let your friends know that our show exists. If you don't enjoy the show, tell your adversaries to tune in. We don't care who listens..... See Hear is proudly part of the Pantheon Network of music podcasts. Check out all the other wonderful shows at http://pantheonpodcasts.com Send us feedback via email at seehearpodcast@gmail.com Join the Facebook group at http://facebook.com/groups/seehearpodcast You can download the show by searching for See Hear on whatever podcast app you favour (except Spotify). Learn more about your ad choices. Visit megaphone.fm/adchoices

tv spotify history bach world part mel brooks short films gould francois girard brahms criterion thirty two glenn gould goldberg variations see hear see hear podcast

En Autriche, des concerts thérapeutiques pour les personnes atteintes de démence

Reportage International

Play Episode Listen Later Jun 20, 2025 2:37

Dans la prestigieuse salle du Musikverein, à Vienne, en Autriche, temple de la musique classique connu des mélomanes du monde entier, se déroulent des concerts pas comme les autres. Des concerts Souvenir qui s'adressent aux personnes atteintes de démence. Le but est de réveiller leur mémoire, à travers la musique et ses émotions. Cet après-midi, la magnifique salle Brahms du Musikverein de Vienne, en Autriche, accueille un concert un peu particulier, Souvenir, destiné aux personnes atteintes de démence et leurs accompagnants. Ils sont plusieurs dizaines à s'installer lorsqu'un trio de jeunes musiciens commence à jouer un programme spécialement conçu pour eux. Mélange de classiques et de variétés du 20e siècle. Une animatrice introduit chaque morceau et encourage même les spectateurs à chanter. On voit des mains en attraper d'autres, des têtes qui se posent sur l'épaule du voisin. C'est le but de ces concerts : réveiller les émotions et la mémoire des spectateurs. Pari réussi pour Elfriede, 84 ans, qui a quitté sa maison de retraite avec son accompagnant Walter. « J'ai toujours aimé me rendre à des concerts et celui-ci était beau, magnifique. J'ai aimé toutes les chansons. C'est toujours un plaisir et quelque chose de spécial au Musikverein. Je crois que je pourrais y aller tous les jours », confie-t-elle. « Par la musique, on peut toucher les personnes atteintes de démence au niveau émotionnel. Ces concerts permettent de bien travailler sur leur mémoire, car après, on en reparle. On leur demande de quoi ils se souviennent. Alors, on chante à nouveau ensemble certains morceaux du programme », abonde son accompagnant. Organisés depuis 2022, ces concerts sont bien fréquentés et pas uniquement par des personnes atteintes de démence. Peter, par exemple, accompagne son fils autiste, Alex. « Mon fils écoute des concerts sur YouTube toute la journée. C'est ce qui le calme. Certains autistes ne peuvent pas supporter quand il y a trop de bruit ou trop de personnes dans une salle. C'est pourquoi les gros concerts sont difficiles. Les personnes ayant des besoins particuliers ne sont malheureusement toujours pas intégrés correctement dans la société. Mais ici, on rencontre d'autres familles avec des enfants handicapés et de nombreuses amitiés se sont déjà nouées », témoigne-t-il. Pour les musiciens aussi, cette expérience est remplie d'émotions, comme l'explique le pianiste Shimon Krizek et la violoniste Susanna Budzinski, tous deux polonais : « Je me souviens que lors d'un concert au cours duquel j'ai joué une aria. Un spectateur, probablement un ancien chanteur, a tenu la dernière note aussi longtemps que cela est possible. J'ai donc dû moi-même tenir cette dernière note. Parfois, j'ai l'impression que je vais me mettre à pleurer. C'est vraiment fantastique », explique, ému, le pianiste. « Habituellement, le public reste assis à apprécier la musique, mais ici, certains se mettent à chanter ou à danser. Ils nous envoient une grande énergie. C'est une expérience très enrichissante, non seulement pour les artistes, mais aussi pour le public, car il est scientifiquement prouvé que la musique aide les personnes atteintes de démence », abonde la violoniste. En Autriche, environ 170 000 personnes sont actuellement atteintes de démence. À lire aussi«Expériences vibratoires»: un cycle d'ateliers pour initier les personnes sourdes à la musique

En Autriche, des concerts thérapeutiques pour les personnes atteintes de démence

Reportage international

Play Episode Listen Later Jun 20, 2025 2:37

Dans la prestigieuse salle du Musikverein, à Vienne, en Autriche, temple de la musique classique connu des mélomanes du monde entier, se déroulent des concerts pas comme les autres. Des concerts Souvenir qui s'adressent aux personnes atteintes de démence. Le but est de réveiller leur mémoire, à travers la musique et ses émotions. Cet après-midi, la magnifique salle Brahms du Musikverein de Vienne, en Autriche, accueille un concert un peu particulier, Souvenir, destiné aux personnes atteintes de démence et leurs accompagnants. Ils sont plusieurs dizaines à s'installer lorsqu'un trio de jeunes musiciens commence à jouer un programme spécialement conçu pour eux. Mélange de classiques et de variétés du 20e siècle. Une animatrice introduit chaque morceau et encourage même les spectateurs à chanter. On voit des mains en attraper d'autres, des têtes qui se posent sur l'épaule du voisin. C'est le but de ces concerts : réveiller les émotions et la mémoire des spectateurs. Pari réussi pour Elfriede, 84 ans, qui a quitté sa maison de retraite avec son accompagnant Walter. « J'ai toujours aimé me rendre à des concerts et celui-ci était beau, magnifique. J'ai aimé toutes les chansons. C'est toujours un plaisir et quelque chose de spécial au Musikverein. Je crois que je pourrais y aller tous les jours », confie-t-elle. « Par la musique, on peut toucher les personnes atteintes de démence au niveau émotionnel. Ces concerts permettent de bien travailler sur leur mémoire, car après, on en reparle. On leur demande de quoi ils se souviennent. Alors, on chante à nouveau ensemble certains morceaux du programme », abonde son accompagnant. Organisés depuis 2022, ces concerts sont bien fréquentés et pas uniquement par des personnes atteintes de démence. Peter, par exemple, accompagne son fils autiste, Alex. « Mon fils écoute des concerts sur YouTube toute la journée. C'est ce qui le calme. Certains autistes ne peuvent pas supporter quand il y a trop de bruit ou trop de personnes dans une salle. C'est pourquoi les gros concerts sont difficiles. Les personnes ayant des besoins particuliers ne sont malheureusement toujours pas intégrés correctement dans la société. Mais ici, on rencontre d'autres familles avec des enfants handicapés et de nombreuses amitiés se sont déjà nouées », témoigne-t-il. Pour les musiciens aussi, cette expérience est remplie d'émotions, comme l'explique le pianiste Shimon Krizek et la violoniste Susanna Budzinski, tous deux polonais : « Je me souviens que lors d'un concert au cours duquel j'ai joué une aria. Un spectateur, probablement un ancien chanteur, a tenu la dernière note aussi longtemps que cela est possible. J'ai donc dû moi-même tenir cette dernière note. Parfois, j'ai l'impression que je vais me mettre à pleurer. C'est vraiment fantastique », explique, ému, le pianiste. « Habituellement, le public reste assis à apprécier la musique, mais ici, certains se mettent à chanter ou à danser. Ils nous envoient une grande énergie. C'est une expérience très enrichissante, non seulement pour les artistes, mais aussi pour le public, car il est scientifiquement prouvé que la musique aide les personnes atteintes de démence », abonde la violoniste. En Autriche, environ 170 000 personnes sont actuellement atteintes de démence. À lire aussi«Expériences vibratoires»: un cycle d'ateliers pour initier les personnes sourdes à la musique

Klassesch Musek Open-Air

Kultur

Play Episode Listen Later Jun 20, 2025 6:50

Den 29. Juni spille Museker:inne Wierker vu Brahms, Zemlinsky a Pavel Haas. Deels si manner populär Wierker dobäi, déi een awer haut net vergiesse soll, mengt de Leo Halsdorf am opus 100,7 Interview. Ob Concerte spillen oder programméiere méi ee grousse Challenge ass, och dat verzielt hien am Gespréich mam Lex Kauffmann.

interview brahms open air deels zemlinsky musek

I Notturni di Ameria Radio del 19 giugno 2025 - J. Brahms / Trio in si maggiore per archi e pianoforte, op. 8 / Dumay / Wang / Pires

I Notturni di Ameria Radio

Play Episode Listen Later Jun 19, 2025 38:38

Johannes Brahms (1833-1897) - Trio in si maggiore per archi e pianoforte, op. 81. Allegro con brio 2. Scherzo. Allegro molto [15:13] 3. Adagio [21:49]4. Finale. Allegro [31:03] Augustin Dumay, violinoJian Wang, violoncelloMaria João Pires, pianoforte

finale trio wang pires brahms allegro giugno adagio johannes brahms scherzo maggiore archi pianoforte notturni ameria dumay augustin dumay

Brahms Brilliance in Intermezzo in E major, Op. 116 No. 6

Sonata Secrets

Play Episode Listen Later Jun 16, 2025 21:14

Pianist Henrik Kilhamn goes through Brahms Intermezzo in E major, no. 6 from Op. 116, with discussions of meter dispacement, structural reconfiguration and emotional transformation throughout the piece.Video: https://youtu.be/Xjlvl5b4ayo

video brilliance brahms intermezzo e major major op

Krystian Zimerman, le perfectionnisme et l'audace

aujourd ludwig van beethoven aur chopin brahms liszt rachmaninov perfectionnisme krystian grimaud zimerman krystian zimerman

Play Episode Listen Later Jun 9, 2025 88:43

durée : 01:28:43 - Krystian Zimerman, le perfectionnisme et l'audace - par : Aurélie Moreau - Le pianiste Krystian Zimerman est pour sa consœur Hélène Grimaud "un architecte des sons, de la forme et des émotions. Un idéal inégalable, l'un des rares génies en exercice." (Le Monde). Aujourd'hui : Brahms, Liszt, Beethoven, Chopin, Rachmaninov…

Johannes Brahms: Violinkonzert - Warum Oboisten Brahms lieben

WDR 3 Meisterstücke

Play Episode Listen Later Jun 5, 2025 12:46

Johannes Brahms lässt sich Zeit mit seinem Violinkonzert. Vielleicht, weil er sich mit der Geige als Soloinstrument nur bedingt auskennt. 1878 macht er sich endlich an die Arbeit – und das Ergebnis gefällt nicht jedem Geiger ... Von Christoph Vratz.

arbeit vielleicht ergebnis lieben geiger brahms geige johannes brahms gewandhaus joseph joachim francoise sagan christoph vratz michael lohse

Episode 144: Charles Neidich

Phillip Gainsley's Podcast

Play Episode Listen Later Jun 1, 2025 72:31

In the words of The New Yorker, Charles Neidich “is an artist of uncommon merit -- a master of his instrument and, beyond that, an interpreter who keeps listeners hanging on each phrase.” Charles is the artistic director of the Wa Concert Series at the Tenri Cultural Institute in New York, which he founded with his wife, clarinetist Ayako Oshima, in September 2017. This concert series is inspired by the Japanese concept “wa”— meaning circle, but also harmony and completeness; each performance is thus paired with visual arts and offers a variety of culinary delicacies prepared by Ayako Oshima. In recent seasons, Charles has added conducting to his musical accomplishments. He has led the Cobb Symphony Orchestra and Georgia Symphony in performances of the Franck Symphony in D Minor and Mozart's Clarinet Concerto (also playing the solo clarinet part). Charles commands a repertoire of over 200 solo works, including pieces commissioned or inspired by him, as well as his own transcriptions of vocal and instrumental works. With a growing discography to his credit, he can be heard on the Chandos, Sony Classical, Sony Vivarte, Deutsche Grammophon, Musicmasters, Pantheon, and Bridge labels. His recorded repertoire ranges from familiar works by Mozart, Beethoven, Weber, and Brahms, to lesser-known compositions by Danzi, Reicha, Rossini, and Hummel, as well as music by Elliott Carter, Gyorgy Kurtag, and other contemporary masters. Although Charles became quite active in music at an early age, he opted against attending a music conservatory in favor of academic studies at Yale University, where he graduated with a Bachelor of Arts, cum laude, in Anthropology. In 1975 he became the first American to receive a Fulbright grant for study in the former Soviet Union, and he attended the Moscow Conservatory for three years where his teachers were Boris Dikov and Kirill Vinogradov. Charles Neidich has achieved recognition as a teacher in addition to his activities as a performer, and currently is a member of the artist faculties of The Juilliard School, the Manhattan School of Music, the Mannes College of Music. During the 1994-95 academic year he was a Visiting Professor at the Sibelius Academy in Finland where he taught, performed and conducted. Mr. Neidich is a long-time member of the renowned chamber ensemble Orpheus.

music american new york japanese arts bachelor bridge finland new yorker soviet union yale university ludwig van beethoven mozart weber anthropology fulbright pantheon visiting professor brahms orpheus hummel rossini juilliard school d minor manhattan school deutsche grammophon sony classical chandos clarinet concerto elliott carter mannes college moscow conservatory sibelius academy musicmasters

John Eliot Gardiner dirigiert Brahms

CD-Tipp

Play Episode Listen Later May 31, 2025 3:36

John Eliot Gardiner legt sein erstes Album nach seiner Auszeit vor: die vier Brahms-Symphonien mit dem Concertgebouw Orchestra Amsterdam.In keinem Takt klingt Gardiners Brahms bürgerlich behäbig oder selbstzufrieden. Immer wieder treibt er die Musik unerbittlich nach vorn. Dann ist alles Puls und Drama. Wer Brahms liebt, sollte das hören.

drama musik immer auszeit puls brahms takt john eliot gardiner

Le pianiste américain Julius Katchen (1926-1969)

Portraits de famille

Play Episode Listen Later May 31, 2025 118:49

durée : 01:58:49 - Le pianiste américain Julius Katchen (1926-1969) - par : Philippe Cassard - Où l'on retrouve le célèbre pianiste américain (1926-1969) dans des interprétations “live” de Beethoven et de Brahms, ainsi qu'en duo avec clarinette et violon. - réalisé par : Philippe Petit

ludwig van beethoven brahms pianiste philippe petit julius katchen

La virtuosité à l'honneur

Play Episode Listen Later May 30, 2025 88:47

durée : 01:28:47 - En pistes ! du vendredi 30 mai 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Au programme, de grands concertos : au piano avec Ravel ou au violon avec Bruch et Korngold. Nous partirons aussi à la découverte de Brahms et ses contemporains en compagnie de l'ensemble Kaléidoscope Collective, l'occasion d'entendre notamment la musique de Louise Héritte-Viardot...

collective kal brahms bruch ravel korngold virtuosit louise h viardot

La virtuosité à l'honneur

Clásica FM Radio - Podcast de Música Clásica

Play Episode Listen Later May 30, 2025 88:47

durée : 01:28:47 - En pistes ! du vendredi 30 mai 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Au programme, de grands concertos : au piano avec Ravel ou au violon avec Bruch et Korngold. Nous partirons aussi à la découverte de Brahms et ses contemporains en compagnie de l'ensemble Kaléidoscope Collective, l'occasion d'entendre notamment la musique de Louise Héritte-Viardot...

collective kal brahms bruch ravel korngold virtuosit louise h viardot

Miniaturas para Piano | Hoy Toca

Play Episode Listen Later May 28, 2025 47:25

Carlos Iribarren | Hoy nos hemos propuesto hacer un recorrido exprés por una colección de 12 piezas para piano de menos de 2 minutos de duración. Son golosinas musicales que abarcan diferentes épocas y compositores tan variados como los famosísimos Brahms, Beethoven y Granados, frente a otros tan poco habituales como el candiense Clarence Lucas o el croata Blagoje Bersa. Para acompañar a Carlos y Mario, nos acompaña la pianista Alba Ventura, quien tiene la difícil tarea de evaluar las diferentes piezas e incluso competirá contra Mario en el juego que les propone Carlos: “¿De qué año es?” Lo más importante es pasar un buen rato mientras disfrutamos de lo que más nos gusta, la mejor música del mundo: la que suena siempre en Hoy Toca, el programa de Clásica FM que te quiere sorprender

piano ludwig van beethoven toca brahms granados carlos de miniaturas

From Student to Maestro: The Journey of Moises Llanes

Charros y Clasicos

Play Episode Listen Later May 26, 2025 48:34 Transcription Available

When classical music plays in a baby's nursery, does it really make a difference? For Moises Llanes, those early moments with Beethoven and Brahms symphonies resonating through his crib shaped a lifelong passion that would transform orchestral education in the Rio Grande Valley.This captivating conversation reveals how a businessman father with an eighth-grade education made a pivotal decision to expose his children to classical music and piano lessons, creating the foundation for Moises's remarkable 37-year teaching career. "I just feel at home listening and playing classical music," Llanes shares, reflecting on those formative experiences that gave him both purpose and direction from an astonishingly young age.Llanes takes us through his journey from student violinist to celebrated educator, highlighting a watershed moment when, as a high school student, he recognized a critical gap in orchestral education - the lack of music literacy. This insight became the cornerstone of his teaching philosophy, creating generations of independent musicians who could truly understand music rather than merely memorize finger positions. "You don't have to figure it out, you just have to read it," became his mantra, empowering students to explore music confidently on their own.The conversation delves into Llanes's collegiate years, cultural identity challenges, and the resilience that carried him through financial hardships when his father's business collapsed. Despite briefly retiring in 2022, his passion for music education drew him back to the classroom at Lorenzo de Zavala Middle School, where he continues making an impact. His parting wisdom for aspiring educators resonates powerfully: "If you're not going to do it 110%, especially teaching, don't do it at all."Subscribe now to hear more inspiring stories from the musical community of the Rio Grande Valley, where passion, perseverance, and cultural heritage create a unique symphony of experiences.

student maestro ludwig van beethoven brahms rio grande valley llanes

Mundofonías 2025 #40: Sobrevolando las fronteras / Flying over borders

Mundofonías

Play Episode Listen Later May 26, 2025 59:50

Sobrevolamos las fronteras musicales y geográficas, al igual que hacen los artistas que nos presentan hoy sus nuevas propuestas, con aires klezmer, tangueros, árabes, persas, jazzísticos, ibéricos, célticos, quebequeses y muchos más. We fly over musical and geographical borders, just like the artists presenting their new music today, infused with klezmer, tango, Arab, Persian, jazz, Iberian, Celtic, Québécois essences and many others. - Oktopus - Beresh Katz bulgar - Brahms, Balkans & Bagels - Schmaltz and Pepper - Tango schmango - Schmaltz and pepper - Aleph Quintet - Samai - Hiwar - Mohamad Zatari Trio - Desire - Istehlal - Espiral - Muiñeira de O Chamberín - Elas voam, elas dançam - Raúl Sanz - Al acecho / La roca pensante / Ortigas - La espiral del lobo - Grosse Isle - Máire Gaillimhe / The rocky road to Dublin - Homérique - Michel Balatti, Tom Stearn, Tola Custy - The humors of Ballyconnell - The north wind - (Grosse Isle - Gráinne Mhaol aux cheveux de braise - Homérique) 📸 Mohamad Zatari Trio

flying ra celtic arab borders persian balkans elas brahms hom fronteras iberian schmaltz

Leonidas Kavakos, virtuose de l'archet et de la baguette

lieder brahms neues album ein album christian gerhaher

Play Episode Listen Later May 26, 2025 88:41

durée : 01:28:41 - Leonidas Kavakos, virtuose de l'archet et de la baguette - par : Aurélie Moreau - Leonidas Kavakos, violoniste renommé pour sa technique incomparable, sa musicalité exceptionnelle et l'intégrité de son jeu, s'est aussi forgé une solide réputation de chef d'orchestre. Aujourd'hui : Beethoven, Brahms, Enescu, Sibelius, Mozart…

aujourd ludwig van beethoven mozart aur brahms baguette sibelius virtuose enescu leonidas kavakos

Chamber music for strings: Spizella Quartet, Luscinia Trio, Vermilion String Quartet

Introductions | WFMT

Play Episode Listen Later May 24, 2025 52:31

Pieces by Haydn, Beethoven, Mendelssohn, Brahms, Debussy, Dohnányi, Shostakovich & Casarrubios performed by groups from Merit School of Music and the Music Institute of Chicago Academy. The post Chamber music for strings: Spizella Quartet, Luscinia Trio, Vermilion String Quartet appeared first on WFMT.

Christian Gerhaher singt Brahms

CD-Tipp

Play Episode Listen Later May 24, 2025 3:21

Kaum ein Sänger-Pianisten-Duo wird so hochgeschätzt wie Christian Gerhaher und Gerold Huber. Nach einem intensiven Schumann-Projekt haben sie sich jetzt den Liedern von Johannes Brahms gewidmet, und speziell dem "Volkston" bei Brahms, der Zeit seines Lebens ein großer Sammler von Volksliedern war. Doch gerade auf diesen - bei Brahms auch immer sehr ungewöhnlichen Volkston - finden Gerhaher und Huber einen beinahe gesellschaftspolitischen Blick.

blick lebens kaum huber brahms sammler liedern johannes brahms singt volksliedern christian gerhaher gerold huber

Neues Album: Christian Gerhaher - Brahms-Lieder

NDR Kultur - Neue CDs

Play Episode Listen Later May 22, 2025 4:45

Ein Album von Christian Gerhaher - vorgestellt auf NDR Kultur.

135. Dame Sarah Connolly - Positive thinking, evolving roles, fat suits and every singer's nemesis…the common cold.

Three In A Bar

Play Episode Listen Later May 20, 2025 61:26

Sound the klaxon - it's a national treasure alert!This week we are honoured to be joined by internationally celebrated Mezzo-soprano Dame Sarah Connolly.Dame Sarah has had an incredible career to date with standout performances including Giulio Cesare at Glyndebourne , multiple roles at the Met, the Royal Opera House, La Scala, Paris Opera and, of course Admiral Nelson in full naval regalia at the Last Night of the Proms.Dame Sarah's 24/25 season includes playing Auntie in WNO's new production of Peter Grimes and Dido in Dido and Aeneas at Amsterdam's Concertgebouw.We are hugely grateful to Dan Hartland at the Cheltenham Festival for setting up this chat - Sarah will be performing Brahms' Alto Rhapsody at the festival on 5 July (ticket link below)With such a stellar career and a vast list of honours to her name, Dame Sarah remains incredibly warm and down-to-earth. We chat about controlling performance anxiety, how to avoid being pigeon holed, dealing with colds, auditioning, the power of positive thinking and how to wear a fatsuit…Enjoy! To buy tickets for Dame Sarah's performance at the Cheltenham festival on Saturday 5 July click here; https://www.cheltenhamfestivals.org/events/berlioz-te-deumYou can find us on the socials here;Instagram @threeinabarpodTiktok @threeinabarpodThree In A Bar on YoutubeAnything you'd like to share with us? Any guests you'd love to hear or anything you'd like us to do better? Drop us a line at hello@threeinabar.com Hosted on Acast. See acast.com/privacy for more information.

Direction Amsterdam pour découvrir une nouvelle intégrale des symphonies de Brahms

Play Episode Listen Later May 19, 2025 87:54

durée : 01:27:54 - En pistes ! du lundi 19 mai 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - John-Eliot Gardiner et l'orchestre du Concertgebouw ouvrent cette nouvelle semaine d'En pistes. Au programme, musique romantique mais pas que ! Deux concertos pour violoncelle, une tragédie-lyrique de Philidor et trois cycles de Florent Schmitt inédits au disque...

amsterdam direction nouvelle brahms couvrir symphonies concertgebouw philidor

Direction Amsterdam pour découvrir une nouvelle intégrale des symphonies de Brahms

Afternoon Drive with John Maytham

Play Episode Listen Later May 19, 2025 87:54

durée : 01:27:54 - En pistes ! du lundi 19 mai 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - John-Eliot Gardiner et l'orchestre du Concertgebouw ouvrent cette nouvelle semaine d'En pistes. Au programme, musique romantique mais pas que ! Deux concertos pour violoncelle, une tragédie-lyrique de Philidor et trois cycles de Florent Schmitt inédits au disque...

amsterdam direction nouvelle brahms couvrir symphonies concertgebouw philidor

Cape Town Philharmonic Orchestra Winter Symphonies At The City Hall

Play Episode Listen Later May 16, 2025 5:30

On The Afternoon Drive with John Maytham, we turn to music, memory, and majesty as John is joined by a guest from the Cape Town Philharmonic Orchestra to preview the upcoming Winter Symphonies at the City Hall, opening on 12 June 2025. The concert features Brahms’ Violin Concerto and Symphony No. 4 in E minor, performed by celebrated violinist Andrey Baranov, winner of the 2012 Queen Elisabeth Violin Competition, with Thomas Sanderling making his CPO debut as conductor after a remarkable 50-year global career. Presenter John Maytham is an actor and author-turned-talk radio veteran and seasoned journalist. His show serves a round-up of local and international news coupled with the latest in business, sport, traffic and weather. The host’s eclectic interests mean the program often surprises the audience with intriguing book reviews and inspiring interviews profiling artists. A daily highlight is Rapid Fire, just after 5:30pm. CapeTalk fans call in, to stump the presenter with their general knowledge questions. Another firm favourite is the humorous Thursday crossing with award-winning journalist Rebecca Davis, called “Plan B”. Thank you for listening to a podcast from Afternoon Drive with John Maytham Listen live on Primedia+ weekdays from 15:00 and 18:00 (SA Time) to Afternoon Drive with John Maytham broadcast on CapeTalk https://buff.ly/NnFM3Nk For more from the show go to https://buff.ly/BSFy4Cn or find all the catch-up podcasts here https://buff.ly/n8nWt4x Subscribe to the CapeTalk Daily and Weekly Newsletters https://buff.ly/sbvVZD5 Follow us on social media: CapeTalk on Facebook: https://www.facebook.com/CapeTalk CapeTalk on TikTok: https://www.tiktok.com/@capetalk CapeTalk on Instagram: https://www.instagram.com/ CapeTalk on X: https://x.com/CapeTalk CapeTalk on YouTube: https://www.youtube.com/@CapeTalk567 See omnystudio.com/listener for privacy information.

Masaaki and Masato Suzuki on Brahms's Ein deutsches Requiem

The Gramophone podcast

Play Episode Listen Later May 16, 2025 27:38

In this week's episode, Editor Martin Cullingford met with the founder and Music Director of Bach Collegium Japan Masaaki Suzuki, along with the group's Principal Conductor Masato Suzuki, to talk about their new recording of Brahms's Ein deutsches Requiem, available now on BIS – as well as discussing Bach's St John Passion, which they had performed the day prior to the interview. The interview took place last year in, appropriately enough, London's Japan House.

bis bach requiem suzuki music directors brahms deutsches masato japan house masaaki st john passion

Brahms Double Concerto

Sticky Notes: The Classical Music Podcast

Play Episode Listen Later May 15, 2025 58:17

It's entirely possible that we would not know the name of Johannes Brahms very well if Brahms hadn't met Joseph Joachim as a very young man. Joachim, who was one of the greatest violinists of all time, had already established himself as touring soloist and recitalist, and he happened to know the musical power couple of Robert and Clara Schumann quite well. Joachim encouraged Brahms to go to Dusseldorf to meet the Schumann's, and the rest is history. I've talked about the Brahms-Schumann relationship dozens of times on the show before, but to keep it very brief, Robert Schumann's rhapsodic article Neue Bahnen(new paths) launched Brahms' career, and until Schumann's deterioration from mental illness he acted as a valued friend and mentor for Brahms. Clara Schumann, as a performer, was a powerful advocate for Brahms' music as well as a devoted and loving friend throughout the rest of their lives. Almost constantly present in this relationship was the sound of Joseph Joachim's violin. Brahms did not have a huge circle of friends, but for the often difficult to get along with composer, Joachim was a musical and spiritual companion. Brahms' legendary violin concerto was written for him, and the two collaborated closely for the entire course of their musical lives, except for one significant break. Brahms and Joachim were estranged for 7 years, until Brahms reached out with a remarkable conciliatory gesture: a concerto for Violin and Cello and that would be dedicated to Joachim. Brahms and Joachim(as well as Brahms and Clara Schumann) had often resolved disputes through music, and this was no exception. Clara Schumann gleefully wrote in her diary after Joachim had read through the piece with cellist Robert Hausmann: "This concerto is a work of reconciliation - Joachim and Brahms have spoken to each other again for the first time in years.” One would expect that a work like this would be beloved, but the Double Concerto has had a checkered history, which we'll also get into later. Clara herself wrote that it lacked "the warmth and freshness which are so often found to be in his works,” It would turn out to be Brahms' last work for orchestra, and one of the few in his later style, which makes It fascinating to look at from a compositional perspective. Partly because of the cool reception it got in its first few performances, and the practical challenges of finding two spectacular soloists who can meet its challenges, the piece is not performed all that often, though I have always adored this piece and am very grateful to Avi who sponsored this week's show from my fundraiser last year before the US election. So let's dive into this gorgeous concerto, discussing the reasons for Joachim and Brahms' break, their reconciliation, the reception this piece got, and then of course, the music itself! Join us!

joachim violin cello partly schumann brahms dusseldorf robert schumann johannes brahms clara schumann joseph joachim double concerto

Le grand répertoire, entre tubes et chef-d'œuvres

Play Episode Listen Later May 14, 2025 89:18

durée : 01:29:18 - En pistes ! du mercredi 14 mai 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Une symphonie de Brahms, le concerto pour clarinette de Mozart, Carmen de Bizet... De nouvelles versions sont à découvrir dans En Pistes aujourd'hui. Plus confidentielle, la musique du compositeur franco-flamand Alexander Agricola est aussi au programme !

chefs mozart legrand tubes brahms bizet grand r

Le grand répertoire, entre tubes et chef-d'œuvres

Play Episode Listen Later May 14, 2025 89:18

durée : 01:29:18 - En pistes ! du mercredi 14 mai 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Une symphonie de Brahms, le concerto pour clarinette de Mozart, Carmen de Bizet... De nouvelles versions sont à découvrir dans En Pistes aujourd'hui. Plus confidentielle, la musique du compositeur franco-flamand Alexander Agricola est aussi au programme !

chefs mozart legrand tubes brahms bizet grand r

Brahms : Un Requiem allemand, version de Brême 1868 sous la direction de Kent Nagano

Play Episode Listen Later May 9, 2025 13:36

durée : 00:13:36 - Le Disque classique du jour du vendredi 09 mai 2025 - Enregistrée en août 2022 à l'Elbphilharmonie de Hambourg par le Philharmonisches Staatsorchester Hamburg sous la direction de Kent Nagano, cette version n'est pas celle habituelle en sept mouvements.

direction kent sous requiem brahms enregistr allemand nagano hambourg kent nagano 1868

Le Requiem de Brahms tel qu'il fut créé à Brême en 1868

Play Episode Listen Later May 9, 2025 87:18

durée : 01:27:18 - En pistes ! du vendredi 09 mai 2025 - par : Emilie Munera - C'est le projet du chef Kent Nagano qui nous fait entendre l'œuvre de Brahms entremêlée de pièces de Bach, Schumann et Haendel. Au programme également, une plongée dans le XXème siècle avec la bande-son des années folles au piano, et des mélodies et chansons de la compositrice Claude Arrieu.

xx bach requiem tel schumann brahms fut haendel kent nagano 1868

Le Requiem de Brahms tel qu'il fut créé à Brême en 1868

Play Episode Listen Later May 9, 2025 87:18

durée : 01:27:18 - En pistes ! du vendredi 09 mai 2025 - par : Emilie Munera - C'est le projet du chef Kent Nagano qui nous fait entendre l'œuvre de Brahms entremêlée de pièces de Bach, Schumann et Haendel. Au programme également, une plongée dans le XXème siècle avec la bande-son des années folles au piano, et des mélodies et chansons de la compositrice Claude Arrieu.

xx bach requiem tel schumann brahms fut haendel kent nagano 1868

Brahms : Un Requiem allemand, version de Brême 1868 sous la direction de Kent Nagano

History Goes Bump Podcast

Play Episode Listen Later May 9, 2025 13:36

durée : 00:13:36 - Le Disque classique du jour du vendredi 09 mai 2025 - Enregistrée en août 2022 à l'Elbphilharmonie de Hambourg par le Philharmonisches Staatsorchester Hamburg sous la direction de Kent Nagano, cette version n'est pas celle habituelle en sept mouvements.

direction kent sous requiem brahms enregistr allemand nagano hambourg kent nagano 1868

Ep. 585 - S.K. Pierce Mansion

Play Episode Listen Later May 8, 2025 43:38

One can't miss the S.K. Pierce Mansion in Gardner, Massachusetts. This magnificent mansion is a huge Victorian that takes up the whole corner of West Broadway and Union Street. The grand exterior makes it very inviting, but the ghost stories connected to this place might just make you think twice before entering. There are those that claim this home is the second most haunted house in Massachusetts. Some owners have been chased out by spirits. There could be more than a dozen spirits here and one of them may be the furniture magnate for whom the house was built and named: S.K. Pierce. Join us for the history and hauntings of the S.K. Pierce Mansion. The Moment in Oddity features the Bone Collector Caterpillar and This Month in History features Brahms born. Check out the website: http://historygoesbump.com Show notes can be found here: https://historygoesbump.blogspot.com/2025/05/hgb-ep-585-sk-pierce-mansion.html Become an Executive Producer: http://patreon.com/historygoesbump Music used in this episode: Main Theme: Lurking in the Dark by Muse Music with Groove Studios (Moment in Oddity) "Vanishing" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/ (This Month in History) "In Your Arms" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/ Outro Music: Happy Fun Punk by Muse Music with Groove Studios Other music used in this episode: Title: "The End" and "Mortician's Hat Trick" Artist: Tim Kulig (timkulig.com) Licensed under Creative Commons By Attribution 4.0 http://creativecommons.org/licenses/by/4.0/ IMDB: https://www.imdb.com/name/nm0997280/?ref_=fn_al_nm_1

music history ghosts massachusetts dark paranormal victorian executive producer imdb gardner mansion brahms oddity mortician union street west broadway

Un mercredi à l'opéra

mozart afrique verdi mercredi brahms george antheil

Play Episode Listen Later May 7, 2025 88:10

durée : 01:28:10 - En pistes ! du mercredi 07 mai 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Programme lyrique aujourd'hui, avec deux opéras : un classique wagnérien et une partition beaucoup plus rare, "Vénus en Afrique" de George Antheil. La musique de chambre sera aussi au rendez-vous, avec Brahms, Mozart et Verdi.

Un mercredi à l'opéra