Podcasts about bartok

Send us a textIn this week's episode, the guys review the 1999 film Bartok the Magnificent.Get more CDD on Patreon!Visit the website!Support the show

durée : 01:28:17 - En pistes ! du mardi 08 avril 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - On écoutera plutôt une Gnossienne pour évoquer l'univers singulier et excentrique d'Erik Satie avec le nouvel album que lui consacre le pianiste Alain Planès. A retrouver également : les duos pour violon de Bartok et Berio en miroir, les oeuvres tardives de Mozart par l'Ensemble Resonanz...

durée : 01:28:17 - En pistes ! du mardi 08 avril 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - On écoutera plutôt une Gnossienne pour évoquer l'univers singulier et excentrique d'Erik Satie avec le nouvel album que lui consacre le pianiste Alain Planès. A retrouver également : les duos pour violon de Bartok et Berio en miroir, les oeuvres tardives de Mozart par l'Ensemble Resonanz...

SynopsisCarlos Salzedo, the most influential harpist of the 20th century, was born in Arcachon, France, on today's date in 1885. Salzedo transformed the harp into a virtuoso instrument, developing new techniques showcased in his own compositions and that others like Stravinsky, Schoenberg, and Britten adopted in theirs.In 1921, Salzedo and Edgard Varese co-founded the International Composers Guild, promoting works by progressive composers like Bartok and Honegger. Salzedo's compositions for harp include both transcriptions as well as original works like Scintillation, probably his most famous piece, and Four Preludes to the Afternoon of a Telephone, based on the phone numbers of four of his students. He taught at the Curtis Institute and the Juilliard School, and offered summer courses in Camden, Maine. Hundreds of Salzedo pupils filled harp positions with major orchestras around the world. Salzedo himself entered the Paris Conservatory at 9 and won the premiere prize in harp and piano when he was 16. He came to America in 1909 at the invitation of Arturo Toscanini, who wanted him as harpist at the Metropolitan Opera, and — curious to note — Salzedo died in the summer of 1961, at 76, while adjudicating Metropolitan Opera regional auditions in Maine.Music Played in Today's ProgramCarlos Salzedo (1885-1961): Scintillation; Carlos Sazledo, harp; Mercury LP MG-80003

LA RESIDENCE 151 ! Nos résidents RYGO, MADS et BARTOK & CANADAS se relaient chaque semaine pour vous distiller un mix d'une heure ! Ce soir, c'est RYGO qui prend le contrôle des platines ! Pour le suivre sur ses réseaux Facebook Instagram Soundcloud Enjoy !

LA RESIDENCE 150 ! Nos résidents RYGO, MADS et BARTOK & CANADAS se relaient chaque semaine pour vous distiller un mix d'une heure ! Ce soir, c'est BARTOK & CANADAS qui prend le contrôle des platines ! Pour les suivre sur leurs réseaux Facebook  Instagram  SoundCloud  Spotify Enjoy !

durée : 00:15:35 - Disques de légende du mercredi 12 mars 2025 - En 1962 paraissait chez Mercury un disque consacré au Château de Barbe-Bleue de Bartok, avec Antal Dorati à la tête de l'orchestre symphonique de Londres.

durée : 00:15:35 - Disques de légende du mercredi 12 mars 2025 - En 1962 paraissait chez Mercury un disque consacré au Château de Barbe-Bleue de Bartok, avec Antal Dorati à la tête de l'orchestre symphonique de Londres.

durée : 00:27:16 - Bruno Mantovani, compositeur, directeur artistique du Printemps des Arts de Monte-Carlo & François-Frédéric Guy, pianiste - En cette année anniversaire, le directeur du Printemps des Arts de Monte-Carlo consacre la 41e édition de son festival à Pierre Boulez et à l'empreinte qu'il laisse dans le monde musical d'aujourd'hui. Le pianiste François-Frédéric Guy y jouera Bartok et Schoenberg.

durée : 02:03:55 - Musique matin du mardi 11 mars 2025 - par : Jean-Baptiste Urbain - En cette année anniversaire, le directeur du Printemps des Arts de Monte-Carlo consacre la 41e édition de son festival à Pierre Boulez et à l'empreinte qu'il laisse dans le monde musical d'aujourd'hui. Le pianiste François-Frédéric Guy y jouera Bartok et Schoenberg. - réalisé par : Yassine Bouzar

LA RESIDENCE 149 ! Nos résidents RYGO, MADS et BARTOK & CANADAS se relaient chaque semaine pour vous distiller un mix d'une heure ! Ce soir, c'est MADS qui prend le contrôle des platines ! Pour le suivre sur ses réseaux : Facebook  Instagram  SoundCloud  Spotify Enjoy !

durée : 01:28:41 - Relax ! du lundi 03 mars 2025 - par : Lionel Esparza - Au programme : Maurice Ravel, Bruno Walter, Pierre Boulez, Marina Viotti, les basses profondes, et le 2nd concerto pour violon de Bartok.

durée : 01:28:41 - Relax ! du lundi 03 mars 2025 - par : Lionel Esparza - Au programme : Maurice Ravel, Bruno Walter, Pierre Boulez, Marina Viotti, les basses profondes, et le 2nd concerto pour violon de Bartok.

After taking the Escape Pod™, Ramos gets the chance to shine as Pratt and Bartok try to make an old timey movie in episode 12 of Legend.

durée : 01:28:39 - Relax ! du lundi 17 février 2025 - par : Lionel Esparza - Le parcours des actualités de Classica : le 150ème anniversaire de la naissance de Maurice Ravel, un entretien avec Justin Taylor, l'écoute du concerto pour alto de Bartok, et un entretien avec Pablo Heras-Casado...

durée : 01:28:39 - Relax ! du lundi 17 février 2025 - par : Lionel Esparza - Le parcours des actualités de Classica : le 150ème anniversaire de la naissance de Maurice Ravel, un entretien avec Justin Taylor, l'écoute du concerto pour alto de Bartok, et un entretien avec Pablo Heras-Casado...

La posibilidad de poder grabar un sonido para escucharlo en otro momento cambia nuestra relación con la sonosfera. A partir de los primeros sistemas de grabación del sonido, el mundo de la tecnología ligado a las grabación del sonido no ha hecho más que crecer hasta los dispositivos sofisticados que tenemos a disposición hoy Ello ha dado lugar a importantes centros de documentación y archivo de sonidos. Escuchamos grabaciones de naturaleza pertenecientes al archivo sonoro de la BBC, sonidos antiguos grabados que custodia la BNE procedentes de discos antiguos de pizarra, grabaciones recogidas por Sima Ahrom en centroafrica y músicas de Bartok y KodalyEscuchar audio

LA RESIDENCE 148 Nos résidents RYGO, MADS et BARTOK & CANADAS se relaient chaque semaine pour vous distiller un mix d'une heure ! Ce soir, c'est RYGO qui prend le contrôle des platines ! Pour le suivre sur ses réseaux : Facebook  Instagram  SoundCloud  Enjoy !

Thu, 30 Jan 2025 19:08:23 +0000 https://aus-liebe-zur-musik.podigee.io/118-new-episode 283d414970e0986f014bbb3fbf420331 ... und die Vorfreude auf eine Tour nach London! Auch heute sitzen Christian und Peter wieder gemeinsam in unserem Podcaststudio und sprechen über alles was unser HiFi-Herz bewegt: Die beiden brechen diese Woche gemeinsam mit Colja auf nach London zur neuen KEF Music Gallery und sind schon ganz gespannt was sie erwartet. Außerdem hat sich Peter gemeinsam mit Janek intensiv mit der Einmessung des Eversolo DMP A10 in Kombination eines hochwertigen Plattenspielers beschäftigt - mit sehr spannendem Ergebnis! Christian hatte derweil eine interessante Vorführung von MBL 116F an MBL Cadenza C41 und C21. Peter berichtet von einem Plattenspielervergleich zwischen dem Technics SL1210GR2 und dem Clearaudio Concept Signature. Zudem haben wir uns jetzt einige Tage mit dem bekannten Streamer DCs Bartok Apex auseinandergesetzt - mit sehr großer Begeisterung. Die Songs: Christian: Carrie Newcomer - Sparrow (The Slender Thread) Peter: Fink - Looking Too Closely (Hard Believer) Hier findet ihr die Playlisten zu unserem Podcast. Immer aktualisiert - einmal auf Qobuz und einmal auf Tidal: Qobuz: https://open.qobuz.com/playlist/13181317 Tidal: https://tidal.com/browse/playlist/794fc949-7d62-44d4-9c8c-3ede893e3a02 full ... und die Vorfreude auf eine Tour nach London! no Schmitz HiFi Video GmbH & C

Guest 승수 (Chris) climbs aboard Bartok's proto-drone as General Custer and Wild Bill Hickock drop by for some alt-history in episodes four & five of Legend.

LA RESIDENCE 147 ! Nos résidents RYGO, MADS et BARTOK & CANADAS se relaient chaque semaine pour vous distiller un mix d'une heure ! Ce soir, c'est MADS qui prend le contrôle des platines ! Pour le suivre sur ses réseaux : Facebook  Instagram  SoundCloud  Enjoy !

durée : 00:20:23 - Disques de légende du jeudi 16 janvier 2025 - Le Prince de bois, un ballet composé entre 1914 et 1917, n'est pas l'œuvre la plus jouée de Bartok. Pour un compositeur tout juste trentenaire, cette œuvre est pourtant essentielle. Boulez parvient à en magnifier l'imagination sonore prodigieuse.

durée : 00:20:23 - Disques de légende du jeudi 16 janvier 2025 - Le Prince de bois, un ballet composé entre 1914 et 1917, n'est pas l'œuvre la plus jouée de Bartok. Pour un compositeur tout juste trentenaire, cette œuvre est pourtant essentielle. Boulez parvient à en magnifier l'imagination sonore prodigieuse.

durée : 00:18:28 - Disques de légende du vendredi 10 janvier 2025 - Enregistré à Prague en mars 1963 pour Supraphon, ce Concerto pour orchestre de Bela Bartok par Karel Ancerl témoigne de la collaboration miraculeuse du chef et de l'Orchestre de la Philharmonie tchèque de Prague.

durée : 00:18:28 - Disques de légende du vendredi 10 janvier 2025 - Enregistré à Prague en mars 1963 pour Supraphon, ce Concerto pour orchestre de Bela Bartok par Karel Ancerl témoigne de la collaboration miraculeuse du chef et de l'Orchestre de la Philharmonie tchèque de Prague.

Pratt (and to a lesser extent Bartok) mix it up with a Robin Hood-style bank robber and the 18th president of the United States in episodes 2 & 3 of Legend.

LA RESIDENCE 146 ! Nos résidents RYGO, MADS et BARTOK & CANADAS se relaient chaque semaine pour vous distiller un mix d'une heure ! Ce soir, c'est BARTOK & CANADAS qui prennent le contrôle des platines pendant 1H ! Pour les suivre sur leurs réseaux Facebook  Instagram  SoundCloud  Enjoy !

«Das ist der wahre Piazzolla» - der argentinischen Tangoerneuerer Astor Piazzolla. Irgendwo zwischen Strawinsky und Bartok klangen die ersten Werke des Komponisten und Musikers Astor Piazzolla. Seine Lehrerin in Paris, Nadia Boulanger, spürte ein anderes Potenzial in ihm und forderte ihn auf, sich dem Tango zuzuwenden, denn: «Das ist der wahre Piazzolla». Und so kehrte der Argentinier zu seinen Wurzeln zurück, erneuerte aber den traditionellen Tango, was ihm manche verübelten. In der Diskothek werden einige seiner Hits in verschiedenen Interpretationen und Covers verglichen. Gäste von Annelis Berger sind der Kontrabassist Winfried Holzenkamp und der Bandoneonist Michael Zisman. Erstausstrahlung: 15.03.2021, dort zum 100. Geburtstag von Astor Piazzolla

Vandaag een aflevering in de serie "In Stukken". Het Concert voor orkest van Bela Bartók wordt in stukken geknipt. Aan de hand van de fragmenten in de mooiste opnames wordt het stuk onder de loep genomen. Panelleden: dirigent Jurjen Hempel en altviolist / algemeen en artistiek directeur van het Residentieorkest Sven Arne Tepl.

durée : 00:15:50 - Disques de légende du lundi 18 novembre 2024 - Dans un répertoire inattendu, ces deux artistes athlétiques magnifient le doux Janacek et le farouche Bartok.

In 2021, I started this podcast with a clear goal: to give you a behind-the-scenes look at the lives and careers of Broadway drummers. Since then, we've hosted some truly remarkable guests who've shared their unique stories, experiences, and insights.As our audience has grown, we've realized that many of you might have missed out on some of our most inspiring interviews. So, over the next year, we're bringing back some of those classic, condensed episodes. Whether it's your first time hearing them or you're revisiting them, I hope they spark the same sense of inspiration.But don't worry, that's not all—we've got some fresh, exciting episodes in the works and a few surprises along the way. Stay tuned because there's plenty more coming your way!Thanks for reading Broadway Drumming 101! This post is public so feel free to share it.In this podcast, we hear about the career of legendary drummer Matt Vander Ende, who shares his fascinating journey from the West Coast music scene to the bright lights of Broadway. Known for his dynamic playing style, Matt takes us through his transition from rock and metal drumming into musical theater, where he ultimately landed one of Broadway's most demanding drumming roles in Wicked.Throughout the interview, Matt reveals:* His musical upbringing was in Oakland, California, and he had early classical training at the San Francisco Conservatory. he has a diverse performance background spanning from school jazz bands to heavy metal tours with his band, Defiance.* How he developed his versatile style, drawing influence from drumming legends like Steve Gadd, Vinnie Colaiuta, and Metallica's Lars Ulrich, blending classical chops with rock intensity.* His unexpected path into musical theater, starting with a recommendation to try drumming in local theater productions—a choice that paved the way to his long-running career on Broadway.Matt's detailed look at his role as the drummer for Wicked is a highlight of the conversation. He describes the intense demands of this iconic show, which requires the drummer to seamlessly switch between musical genres, from reggae and punk-inspired beats to classical and traditional Broadway rhythms—all while leading a large 23-piece orchestra.Matt shares:* What makes Wicked such a challenging and unique show to play, including the precise, genre-hopping drumming style it requires to drive the music and choreography.* His experience mastering complex segments like the intense “No Good Deed,” which he describes as “Bartok meets Metallica”—an exhilarating, intricate piece that demands both technical precision and a heavy rock feel.* The importance of consistency in Wicked, with Matt highlighting his methods for keeping each performance fresh, despite the rigorous routine, and the ways he managed physical strain and injury during his tenure.Matt also gives valuable advice to aspiring Broadway drummers on the importance of discipline, professionalism, and learning a wide variety of musical styles. He emphasizes the necessity of playing each performance exactly as the regular drummer does, especially for subs, and offers insights on building relationships and working as part of a close-knit Broadway team.For Broadway fans, drummers, and musicians alike, this episode is packed with stories, lessons, and insights from Matt's extraordinary journey. Don't miss his reflections on the highs and challenges of playing one of Broadway's most iconic shows!Tune in for an unforgettable conversation with Matt Vander Ende on Broadway Drumming 101.Clayton Craddock founded Broadway Drumming 101, an in-depth online platform offering specialized mentorship and a carefully curated collection of resources tailored for aspiring and professional musicians.Clayton's Broadway and Off-Broadway credits include tick, tick…BOOM!, Altar Boyz, Memphis The Musical, Lady Day at Emerson's Bar and Grill, Ain't Too Proud – The Life and Times of The Temptations, Cats: The Jellicle Ball, and The Hippest Trip: The Soul Train Musical. As a skilled sub, he's contributed his talents to Motown, Evita, Cats, Avenue Q, The Color Purple, Rent, SpongeBob SquarePants: The Musical, Hadestown (tour), and many more. He has also appeared on major shows, including The View, Good Morning America, Jimmy Fallon, The Today Show, and the TONY Awards, and performed with legends like The Stylistics, The Delfonics, Mario Cantone, Laura Benanti, Kristin Chenoweth, Kerry Butler, Christian Borle, Norm Lewis, Deniece Williams, Chuck Berry, and Ben E. King.Clayton proudly endorses Ahead Drum Cases, Paiste Cymbals, Innovative Percussion drumsticks, and Empire Ears.Learn more about Clayton Craddock here: www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

Send us a textITS FINALLY HALLOWEEN!!!!Today were talking about:Onyx the Fortuitous and the talisman of souls which came out in 2023 where Fledgling occultist Onyx and a group of worshippers attend a once-in-a-lifetime ritual at the mansion of their idol, Bartok the Great.If you guys have any request for future movie request please send us an emailat whowatchesthispodcast@gmail.com - Theme Music -Lee Rosevere - Arcade Montage - Music For Podcast 3https://leerosevere.bandcamp.com/ Join the FB group page:https://www.facebook.com/WhoWatchesThisPodcast/YOUTUBE CHANNEL for commentary on shows and movies:https://www.youtube.com/channel/UCrexJV9qExxnAz45E0AJQMw

Con Teresa Cantalejo | Únicas. ¿Qué son únicas? En este caso vamos a hablar de la única ópera que escribieron algunos compositores que dentro de su repertorio sólo cuentan con una ópera. En algún caso, es muy conocida, pero en otros, apenas se representa, así que está bien que las saquemos un poco del fondo del cajón y escuchemos un fragmento. Beethoven, Schumann, Debussy y Bartok forman parte del grupo de creadores que compusieron una única obra. Sube el volumen y disfruta.

Thursday evening, Good Dog plays the community concert series at South Hill Cider, and Ithakaraoke with a live band at Deep Dive. Friday, Max Childs at South Hill Cider. London McDaniel plays at the Antlers, Pink Martini at the State Theatre, and movie night with the Garfield Movie at the Newfield Public Library. For your Saturday, Cornell hosts Insectapalooza at the Cornell Dairy Bar! Also Treats at the Track at Ringwood Raceway, an Ithaca Generator Makerspace open house at the Makerspace on Cherry Street, and Trunk or Treat and Pumpkinpalooza at the YMCA. Small Kings play an early evening show at Two Goats Brewing. Something Old, Something New with several performers at Valley Folk at the First United Methodist Church in Corning. Bella’s Bartok is at Funk ‘n Waffles in Syracuse. Sunday is the Bound for Glory celebration! Honoring over a half century of live folk music concerts with a free show at the Hangar Theatre from noon-6pm.  The Session with Felix Free at Deep Dive. And there’s Modern Western Square Dancing at the Lansing Community Center. Jazz Mondays at South Hill Cider Monday at 5:30 features MAQ. Tuesday, a Doug’s Fish Fry fundraiser for Newfield Old Home Days at [...]

Un saludo queridos amigos y oyentes. Terminamos con Gentile y su reinterpretación de Hegel, una interesante alternativa al materialismo de la época. 📗ÍNDICE 0. Resúmenes. 1. VIDA Y OBRA. 2. LA REFORMA GENTILIANA DE HEGEL. 3. EL SUJETO COMO ÚNICO CONCEPTO. escucha aquí la primera parte >>> https://go.ivoox.com/rf/133816130 4. EL MAL Y EL ERROR. 5. LA NATURALEXZA COMO OBJETO. 6. LOS 3 MOMENTOS DE AUTOCONCEPTO. 7. NATURALEZA DEL ACTUALISMO. AQUÍ https://go.ivoox.com/rf/52688948 puedes escuchar una introducción general al pensamiento de Hegel. 🎼Música de la época: 📀 TEMA: Sonata para violin de Bartok, estrenada en NY en noviembre de 1944. 🎨Imagen: Giovanni Gentile (Castelvetrano, 30 de mayo de 1875- Florencia, 15 de abril de 1944) fue un filósofo idealista neohegeliano, educador y político fascista italiano. 👍Pulsen un Me Gusta y colaboren a partir de 2,99 €/mes si se lo pueden permitir para asegurar la permanencia del programa ¡Muchas gracias a todos!

durée : 01:27:56 - Relax ! du vendredi 20 septembre 2024 - par : Lionel Esparza - Nous sommes en 1944, les pays commencent à sortir doucement d'un conflit des plus meurtriers. Cette année-là fleurissent des œuvres majeures de toute part, de Chostakovitch à Bernstein en passant par Bartok et bien d'autres.

Un saludo queridos amigos y oyentes. Hoy nos salimos de las corrientes materialistas y cientifistas que ya en el siglo XX son mayoritarias y nos adentramos en el pensamiento y doctrina del que fue referente del fascismo italiano: Giovanni Gentile. Como no podía ser de otra manera Gentile se basa en el Idealimo Absoluto de Hegel puesto al día. 📗ÍNDICE 0. Resúmenes. 1. VIDA Y OBRA. 2. LA REFORMA GENTILIANA DE HEGEL. 3. EL SUJETO COMO ÚNICO CONCEPTO. 🎼Música de la época: 📀 TEMA: Sonata para violin de Bartok, estrenada en NY en noviembre de 1944. 🎨Imagen: Giovanni Gentile (Castelvetrano, 30 de mayo de 1875- Florencia, 15 de abril de 1944) fue un filósofo idealista neohegeliano, educador y político fascista italiano. 👍Pulsen un Me Gusta y colaboren a partir de 2,99 €/mes si se lo pueden permitir para asegurar la permanencia del programa ¡Muchas gracias a todos!

During Bartok's life, the violin concerto we now know as Violin Concerto No. 2 was simply known as Bartok's only violin concerto. The reason? His first concerto, written when he was a much younger man, had never been performed or published. This was a deeply painful memory for Bartok, who had written the concerto for a woman he was in love with, Stefi Geyer, but Geyer refused both Bartok's advances and the concerto itself, and so it remained unperformed and unpublished until after Bartok's death. Bartok had written other works for violin and orchestra, including a rhapsody written for his friend and recital partner Zoltan Szekely. Szekely continuously asked Bartok to write him a full blown concerto, but Bartok refused again and again, until finally in 1936 Bartok agreed. But even then, Bartok wasn't so easy to pin down. Bartok resisted the idea of a full scale concerto, saying to Szekely that he wanted to write a theme and variations for violin and orchestra, but Szekely refused, and demanded a 3 movement standard concerto. Bartok finally agreed, but as you'll see later, he found a way to get his theme and variations in anyway! The concerto took two years to write, partly due to Bartok being busy with some of his greatest large scale works, but also because of Bartok's acute stress due to the rise of fascism across Europe. He was constantly thinking of emigrating from his native Hungary, and finally in 1938 he left. As he wrote to his friend: “What is most appalling is the imminent danger that Hungary too will surrender to this system of robbers and murderers..." All of these competing impulses - Bartok's bitter memories of his first concerto, the turbulent political siutation, and his seeming lack of confidence in writing a full scale concerto, contributed to the delay, but finally in 1938 the piece was finished and was triumphantly premiered on April 24, 1939 in Amsterdam. This concerto is one of the greatest 20th century violin concertos, and is full of a massive amount of brilliant detail as well as an urgently emotional and passionate character. It is a gigantic, nearly 40 minute long piece, and its difficulties for both the violinist and the orchestra are immense. Today we'll talk about all of the ins and outs of this remarkable concerto, including its challenges, its beauties, its emotional scope, and its brilliant combination of tonality and 12 tone music. Join us! Recording: Danish Radio Symphony, Augustin Hadelich, Violin, Vasily Petrenko Cond.

HUNTING... for the ideal presidential candidate... for sanity in Washington... for fair elections... and other elusive matters. We do touch on the actual sport of hunting toward the end of the episode; our own experiences as well as Bartok the Cat's. Zero in on the conversation and get ready for another adrenaline pumping No Jokin' Experience! Do you have a question you'd like asked and answered on a future episode? Do you have a topic you'd like us to cover? Email us at nojokinexp@gmail.com.

Danish jazz pianist Morten Schantz is talking about his love of Bartok string quartet, Radiohead and other influences. Also touching base on the subject how to get a bigger sound with synths and how to play the bass riff while soloing with the right hand. #jazzpiano #synthesizer #jazztalk #jazzpodcast #danishjazz #belabartok #jazzkamikaze

The Texas Music Festival Orchestra performs works by Nielsen, Britten, and Bartók.

Called "one of the biggest talents of his generation," Elias David Moncado, at a very young age, has already had an exceptional career. After winning his first competition at the age of 6, then his first international competition at the age of 8, he went on to win four major competitions after that (the Sendai Violin Competition in 2019, the International Karol Lipinski Violin Competition in 2019 (first grand prize and ten special prizes), the Valesia Musica Competition in 2021, and the Vladimir Spivakov Competition in 2021). His debut album was released in 2022 with works by Hindemith, Poulenc, and Bartok. Equally involved in different types of chamber music, he is a well-established international artist who is still just at the beginning of his career.We begin with my asking Elias about his very early beginnings as a violinist, his early studies with Professor Latica Honda-Rosenberg, and then his phenomenal success at international competitions. I asked about his mental outlook during those competitions, and his answer was both a surprise and revealing to me. We then speak about interpretation and memorization (and how he is able to memorize so many major concerti), and his thoughts about concentration.(Part 2 for Subscribers): During Covid, when he had no in-person performance opportunities, Elias learned the fiendishly difficult Bartok solo sonata as a way of using his free time to challenge himself. In 2022 he released his first solo album, and we talk about why he didn't record standard repertoire for his first recording. Because Elias is also deeply involved in playing chamber music, we talk about time management, and managing a career... "you need to create a full package as an artist." I then ask about the two 18th-century violins he plays, and we end with Elias talking about his special musical relationship with Anne Sophie Mutter.Would you like more inspirational stories, suggestions, insights, and a place to continue the conversations with other listeners? Visit anthonyplog-on-music.supercast.com to learn more! As a Contributing Listener of "Anthony Plog on Music," you'll have access to extra premium content and benefits including: Extra Audio Content: Only available to Contributing Listeners. Podcast Reflections: Tony's written recaps and thoughts on past interviews, including valuable tips and suggestions for students. Ask Me Anything: Both as written messages and occasional member-only Zoom sessions. The Show's Discord Server: Where conversations about interviews, show suggestions, and questions happen. It's a great place to meet other listeners and chat about all things music! Can I just donate instead of subscribing? Absolutely! Cancel at anytime and easily resubscribe when you want all that extra content again. Learn more about becoming a Contributing Listener @ anthonyplog-on-music.supercast.com!

durée : 00:25:02 - Paul Sacher, mécène bâlois - par : Anne-Charlotte Rémond - Il a commandé des oeuvres à Stravinsky, Bartok, Rostropovitch, Honegger, Frank Martin... Sa Fondation demeure un haut-lieu musical. Aujourd'hui, Musicopolis dresse un portrait de Paul Sacher (1906-1999), figure incontournable de la création musicale et dont la vie est intimement liée à Bâle. - réalisé par : Philippe Petit

THE RUSSIAN FOLK LEGEND COMES TO LIFE!! Visit https://www.asteproallergy.com/ to Save on Allergy Relief! Anastasia Full Movie Reaction Watch Along:  https://www.patreon.com/thereelrejects Mondays are for Musicals & Animation and we got us a heaping helping of BOTH as Tara Erickson & Aaron Alexander give their first time Reaction, Commentary, Breakdown, and Spoiler Review for the Fox Animation feature based on the Russian Legend & Directed by Gary Goldman & the legendary Don Bluth (The Secret of NIMH, An American Tail, All Dogs go to Heaven, Titan A.E.)! The film features the voices of Meg Ryan (You've Got Mail, Sleepless in Seattle, When Harry Met Sally...) as Anastasia, John Cusack (High Fidelity, Say Anything, Gross Pointe Blank) as Dimitri, & Christopher Lloyd (Back to the Future, The Addams Family, Who Framed Roger Rabbit) as Rasputin along with Hank Azaria (The Simpsons, Mystery Men, Godzilla) as Bartok, Angela Lansbury (Murder, She Wrote, Beauty and the Beast) as Dowager Empress Marie, Kelsey Grammer (Cheers, Frasier, X-Men: The Last Stand), Bernadette Peters (Annie, Pennies from Heaven, Into the Woods), Kirsten Dunst (Civil War, Spider-Man, Interview with the Vampire), Andrea Martin (My Big Fat Greek Wedding, Black Christmas) & MORE! Tara & Aaron React to all the Best Scenes & Musical Numbers including the Opening Scene, Once Upon a December, In the Dark of the Night, Anastasia Dances with Dimitri, Peppermint, Paris Welcomes Anastasia, Anastasia Destroys Rasputin / "Rasputin Death", "I Remember!", and Beyond! Follow Tara Erickson: Youtube: https://www.youtube.com/@TaraErickson Instagram:  https://www.instagram.com/taraerickson/ Twitter:  https://twitter.com/thetaraerickson Follow Aaron On Instagram: https://www.instagram.com/therealaaronalexander/?hl=en Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Music Used In Manscaped Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  https://www.facebook.com/TheReelRejects/ INSTAGRAM:  https://www.instagram.com/reelrejects/ TWITTER:  https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  https://www.instagram.com/thegregalba/ TWITTER:  https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices

durée : 00:24:52 - Bartok, Concerto pour piano n°3 - par : Anne-Charlotte Rémond - Voici quatre mois et demi que le compositeur s'est éteint dans une chambre du West Side Hospital de New York. Jusqu'au bout, il avait travaillé sur son Troisième Concerto pour piano. Un oeuvre crépusculaire comme un hymne au printemps où résonne le chant des oiseaux... - réalisé par : Philippe Petit

This week we bring on Dustin and Ruby Bartok, a duo our listeners will enjoy. Ruby is a phenomenal softball player with a bright future. Dustin, on the other hand, well, join in to get a glimpse of the man himself.

Lords: * Megan * Lexi Topics: * Erik Satie's performance indications * https://www.ilxor.com/ILX/ThreadSelectedControllerServlet?boardid=60&threadid=4497 * Instant food from other cultures (why isn't everyone eating maggi noodles??) * Seasonal decorations * Delhi Metro * https://docs.google.com/document/d/17k75ftxEn2xR-tJkLSV4H8st5BFAxPNxE3BNCXDI6Go/edit * Becoming Immortal by being predictable * Living in different climates (e.g. my experiences with the harsh winters of Chicago vs sweltering Austin TX summers) Microtopics: * Music implementation for The Lamplighters League. * Watching a streamer play games and asking them for a turn at the controls. * How to pronounce "Erik Satie." * How to pronounce "Gymnopedies." * Finding 100 umbrellas in your dead friend's apartment. * A list of Satie's performance indications. * Grandly forgetting the present. * With your bones dry and distant. * Playing music with your forehead. * Doing something to a piano. * Your boss sending a memo asking you to work with a shy piety. * Pizzicato vs. Bartok pizzicato. * Adding the hamburger so it's not just Helper. * What instant foods are missing from your food vocabulary. * Adding heavy cream to ramen broth. * Getting an apron so you can have a little costume when you cook. * Realizing that when you wear the apron you don't get food on your shirt. * A big bib for Big Jim. * Normalizing scoop bibs. * Kraft Dinner. * Halal certified instant stir fry noodles. * Ramen in a cup or ramen where you provide your own container. * Insurance Mac. * Canned cheeseburgers. * A boring house with nothing on it. * Movable feasts. * Keeping those 12-foot skeletons in your yard and decorating it seasonally. * The beetles that clean bones for you. * Recreational Explosives Day. * A Zachtronics programming puzzle for every holiday. * A movable feast where you don't eat. * Decorating your house to celebrate Toyotathon. * Falling for strangers and their blue hair. * A poem that is long if you read it but short if you recite it. * Taking public transit as an act of defiance. * A gift that is impossible to give yourself on purpose. * Inventing a shower proof phone so nobody ever has shower thoughts again. * Putting your phone in a Ziploc bag and watching movies underwater. * Sitting down at your computer and getting stuck. * Hacking your executive function by adding friction in the right places. * Whether Wellbutrin gives everyone tinnitus or just you. * Death hacks for staying mentally connected to your dead relatives. * A service that puts your podcast on vinyl. * Using CRISPR to infect the cockroach population with 229 episodes of Topic Lords. * Moving to a land where your snot doesn't freeze. * Not trusting your own weather opinions. * Surprising yourself by enjoying seasons. * Driving in icy conditions. * Standing under the heated lamps like a lizard. * Waiting for the bus in the dark. * Learning to drive after you move to a city with public transit. * Not driving with kids. * Getting rid of all the bots. * Sgt. Pepper Bot.

Throughout the history of Western Classical Music, folk music has imprinted itself as an invaluable resource for composers from all over the world. In fact, it's easier to make a list of composers who never used folk music in their compositions than it is to make a list of the composers who did! This tradition began long before the 20th century, but the work of composers like Bartok and a resurgence in the influence of nationalist music sparked a massive increase in composers using folk music throughout the 20th century and into the 21st. Bartok is thought of as the king of using folk music, as he was essentially the worlds first ethnomusicologist. But Stravinsky, who used dozens of uncredited folk tunes in his Rite of Spring, as well as Bernstein, Copland, Gershwin, Grainger, Vaughan Williams, Szymanowski, Dvorak, and so many others embraced folk music as an integral source for their music. This was in stark contrast to the second Viennese school composers like Schoenberg, Berg and Webern, and post World War II composers like Stockhausen, Boulez, and others who deliberately turned their backs on folk music. One composer who straddled both worlds during their lifetime was the Polish composer Witold Lutoslawski, a brilliant composer whose career started out in the folk music realm, though not entirely by choice, and ended up in music of aleatory, a kind of controlled chaos! One of his first major works, the Concerto for Orchestra is the topic for today's show, and it is heavily influenced by folk music from start to finish. It is a piece also inspired and might even be a bit of an homage to the great Bela Bartok and his own Concerto for Orchestra, which was written just ten years earlier. Lutoslawski, if you're not familiar with him, is one of those composers that once you learn about him, you can't get enough of him. I'll take you through this brilliant and utterly unique piece today from start to finish. Join us!