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Wednesday marked 36 years since the infamous art heist at Boston’s Isabella Stewart Gardner Museum. 13 pieces of art worth more than $500 million were stolen from the museum by thieves posing as police. To this day, none of it has been recovered and no one has been arrested. Who stole the art? What was the motive? Anthony Amore, the Director of Security at the Isabella Stewart Gardner Museum, joined us to discuss whether there are any new emerging details in the case and what working theories there are.See omnystudio.com/listener for privacy information.
Retired agent Geoffrey Kelly reviews his 22-year investigation of the Isabella Stewart Gardner Museum heist where 13 masterpieces worth over $500 million were stolen and have never been recovered. He shares his insights and theories about the infamous theft, and his thoughts about armchair detectives and journalists with their own speculations involving international culprits and government conspiracies. Geoff is the author of Thirteen Perfect Fugitives: The True Story of the Mob, Murder, and the World's Largest Art Heist, the behind-the-scenes true story about the case. Geoffrey Kelly served in the FBI for 28 years. Check out episode show notes, photos, and related articles: https://jerriwilliams.com/390-geoffrey-kelly-isabella-stewart-gardner-museum-heist-thirteen-perfect-fugitives/ Join my Reader Team to get the FBI Reading Resource - Books about the FBI, written by FBI agents, the 20 clichés about the FBI Reality Checklist, and keep up to date on the FBI in books, TV, and movies via my monthly email. Join here. http://eepurl.com/dzCCmL Buy me a coffee - https://www.buymeacoffee.com/JerriWilliams Check out my FBI books, non-fiction and crime fiction, available as audiobooks, ebooks and paperbacks wherever books are sold. https://jerriwilliams.com/books/
In this episode of Gangland Wire, I sit down with retired FBI agent Geoff Kelly, a specialist in art theft investigations who inherited one of the most notorious unsolved cases in American history—the 1990 robbery at the Isabella Stewart Gardner Museum. He recently wrote a book about this theft titled 13 Perfect Fugitives: The True Story of Mob, Murder, and the World’s Largest Art Heist. Kelly's law enforcement career began as a New York City transit police officer before transitioning to the FBI. Like many agents, he initially sought violent crime work. Instead, he was assigned to economic crimes before eventually transferring to a violent crime squad. It was there that he encountered the Gardner case—a cold case largely untouched by senior agents at the time. The robbery itself remains extraordinary: two men posing as police officers gained entry to the museum and stole 13 works of art, including masterpieces by Rembrandt. More than three decades later, none of the works have been recovered. Inside the Gardner Heist Geoff explains how art theft is often misunderstood. Popular culture portrays refined, sophisticated criminals orchestrating elaborate capers. The reality, he says, is usually more opportunistic and frequently violent. Art theft often intersects with organized crime, drug trafficking, and even homicide. Massachusetts has a documented history of art-related crimes, and several individuals connected to the Gardner investigation met violent ends. The criminal underworld surrounding stolen art is less about wealthy collectors hiding paintings in private vaults and more about leverage—using artwork as collateral in criminal negotiations. The FBI's Art Crime Evolution Following the 2003 looting of Iraq's National Museum during the Baghdad invasion, the FBI formalized its Art Crime Team. Kelly discusses how intelligence gathering, informants, and international cooperation became central tools in recovering stolen artifacts. He emphasizes that solving art crimes often depends less on forensic breakthroughs and more on human intelligence. Informants remain essential, especially in cases where organized crime overlaps with high-value theft. Kelly also discusses his upcoming book, 13 Perfect Fugitives, which explores the intersections of mobsters, murder, and the illicit art market. Organized Crime and the Reality of Stolen Art Drawing on my own experience working organized crime in Kansas City, I found clear parallels between traditional mob rackets and art theft networks. The same structures—intimidation, secrecy, and violence—apply. Once a painting disappears into criminal circulation, it becomes a liability as much as an asset. Kelly challenges the myth that thieves profit easily from masterpieces. High-profile works are difficult to sell. The black-market art world is volatile and dangerous. In many cases, the artwork becomes bargaining collateral rather than a cash windfall. A Case Still Waiting for Closure More than 30 years later, the Gardner Museum still displays empty frames where the paintings once hung. Kelly remains committed to the idea that public awareness may eventually generate new leads. The Gardner heist stands as both a cultural tragedy and a criminal mystery—one that continues to intersect with organized crime, violence, and international intrigue. Hit me up on Venmo for a cup of coffee or a shot and a beer @ganglandwire Click here to “buy me a cup of coffee” Subscribe to the website for weekly notifications about updates and other Mob information. To go to the store or make a donation or rent Ballot Theft: Burglary, Murder, Coverup, click here To rent ‘Brothers against Brothers’ or ‘Gangland Wire,’ the documentaries click here. To purchase one of my books, click here. Transcript [0:00] Hey, you guys, Gary Jenkins back here in studio Gangland Wire. Y’all know me. I’m a retired Kansas City Police Intelligence Unit detective and now podcaster and documentary filmmaker. I have in the studio today… Jeff Kelly, he’s a now-retired FBI agent. He was an expert in recovering stolen artifacts and art pieces. He was involved. He wasn’t involved in the original theft of the Boston art theft, the Isabella Stewart Gardner Museum, but he ended up inheriting that case. So welcome, Jeff. Hi. Thanks, Gary. Nice to be here. And guys, I need to mention this right off the bat. Jeff has a book, 13 Perfect Fugitives, The True Story of the Mob, Murder, and the World’s Largest Art Heist. Be out on Amazon. I’ll have links down below in the show notes if you want to get that book. I think it would be pretty interesting. I was telling Jeff, I just interviewed Joe Ford, the million-dollar detective, the guy that goes after classic cars, and I read that book. I love these kind of caper kind of books and caper crimes. Those are the ones I like the best is the caper crimes. And Jeff is an expert at working caper crimes. And that’s what these are, capers. So Jeff, how did you get into this? Now you came on the FBI. You were a policeman before, I believe. So tell the guys a little bit about yourself and your FBI career. Yeah, I started out with the Metropolitan Transportation Authority Police in New York City. It was a transit cop. I did that for three years. And then I got into the FBI in October of 95. [1:30] And my goal was always, I wanted to work violent crime. That’s what drew me to law enforcement in the first place, working bank robberies and kidnappings and fugitives. I had to do my five years on working economic crime, telemarketing fraud. It was interesting, but not all that exciting. And finally in 2000, I got my transfer to the violent crime squad. And I loved working it. And I did it for my entire career from then on, right up until my retirement in 2024. But back then, art theft was considered a major theft violation, [2:01] and it was worked by the Violent Crime Squad. And so in 2002… My supervisor dumped this old moribund cold case in my lap. It was the Isabella Stewart Gardner Museum heist. [2:15] Nobody wanted it on the squad, so they figured, let’s give it to the new guy. I was ecstatic to get it because I’d heard about it. I went to school in Boston. I went to Boston University and graduated the year before it happened, but I knew about it. [2:28] That’s how I started working this case, this particular case, and then the following year during the U.S., there was a, the U.S. And coalition forces invaded Baghdad in Iraq. And during a 36-hour period, more than 15,000 objects of very, very important cultural history were looted from the National Museum of Iraq. And it’s really one of the most important museums in the world in terms of our shared history. Kind of the cradle of civilization over there in the Tigers and Euphrates River. Yeah, and that was the time when the FBI kind of belatedly realized that there was no art crime team to investigate this. And of course, FBI agents have been working art theft like any other property crime since the beginning of the FBI’s existence, but there was no codified team. So they did a canvas for the team in 2004 and I applied for it because at this point I’d been working the Gardner case for a couple of years and really was fascinated by it and made the team. And so then over the next 20 years, we continued to expand the team both in size and in scope and in our intelligence base and knowledge base. And when I left the Bureau in 2024, it was and still is a tremendous team with a lot of very dedicated and professional agents and professional support. [3:51] Now, guys, if you don’t know about the Isabella Stewart Gardner case, there was a Netflix documentary on it a few years ago. It was an art museum in Boston. [4:01] Two guys showed up. They had Boston police uniforms on, and they got in. They basically, it was an armed robbery, and they took control of the museum. The guards were in there late at night and took these really valuable paintings out. I believe you told me earlier they were Remington paintings. We’ll get into that. And it was a violent crime. It was an armed robbery of paintings, and you told me about other armed robberies of paintings. I think you got into some other armed robberies of paintings. You always think of, as you mentioned before, the Thomas Crown Affair character that goes out and does these sophisticated art thefts. That’s not always true, is it? It’s never that way, but it doesn’t matter. Don’t let the facts get in the way of a good story. Everybody wants to believe that art thefts are pulled off by the Thomas Crown Affairs and these gentlemen thieves repel in through skylights and do all that fancy stuff, put it in their underground lair. That’s just not the way it works. But if you look to art theft. [4:55] Massachusetts really is a cradle of art theft in this country, and it’s very unique. The first armed robbery of a museum occurred in Boston in 1972. It was committed by a guy named Al Monday, who was a prolific art thief. And they stole four pieces from the Worcester Art Museum in central Massachusetts with a gun. They ended up shooting the guard. And one of the pieces that they stole was a Rembrandt called St. Bartholomew. [5:26] And in keeping with the milieu of true art thieves, the paintings were stored on a pig farm just over the state line in Rhode Island. And when this Connecticut safecracker by the name of Chucky Carlo, who was looking at some serious time in prison for some of the crimes that he committed, when he found out that Al Monday had these paintings, he just simply kidnapped Al Monday and stuck a gun in his ribs and said he would kill him if he didn’t give him the paintings. which is no honor among thieves. And Al turned over the paintings, Chucky returned them, and he got a very significant break on his pending jail sentence. Right here in 1972, Boston thieves see Rembrandt as a valuable get-out-of-jail-free card. [6:09] And then if we jump forward three years to 1975, there was a very skilled art thief, really a master thief by the name of Miles Conner. I interviewed Miles for my book. It was very gracious of him to sit down with me for it. And he had robbed or committed a burglary of the Woolworth estate up in Maine, the family, the five and dime family magnets. And he got caught for it because he tried to sell those paintings to an undercover FBI agent. And so he was looking at 12 years in prison for it. And he was out on bail. And he reached out to a family friend who was a state trooper. And he asked him, how can I get away with this one? How can I get out of this? Because he was in serious trouble. The trooper’s response was meant to be hyperbolic. The trooper said, Miles, it’s going to take you a Rembrandt to get out of this one. [6:57] And so Miles said, okay, I’ll go get a Rembrandt. And he got a crew together and they did a daylight smash and grab at the Museum of Fine Arts in Boston, just across the street from the Gardner. And they stole Rembrandt, the girl in a gold-trimmed cloak. [7:12] And he was able to return that painting. Instead of doing 12 years, he did 28 months. And he even managed to, he told me he even managed to get the $10,000 reward in the process. So you have this atmosphere in Massachusetts that Rembrandts are a valuable commodity, right? They can help you out in a jam. And so I think it’s no coincidence that in 1990, when the Gardner Museum heist came down, the Gardner Museum had this array of motion sensors all throughout the museum. It would alert to wherever you went, every gallery, hallway, whatever. [7:49] And we know from these motion sensors that after, as you said, the two guys went in disguised as cops and bluffed their way into the museum, they made a beeline for the Dutch room, which is the room of all things Rembrandt. They stole three Rembrandts. They stole a fourth piece called Landscape with an Obelisk, which was actually by Govard Flink, but it had been misattributed to Rembrandt until the mid 80s. And then they took a large Rembrandt oil-on-panel off the wall and it was recovered the next morning leaning against a piece of furniture. We believe they just overlooked it in the dark. So out of the 13 pieces taken, three were Rembrandt, a fourth was misattributed to Rembrandt, and there was going to be a 14th piece taken, which was also Rembrandt. It definitely falls into that theory that this was going to be a hold-on to these pieces for a while and see if you can use them for a break. [8:48] Interesting. Now, back in the 70s, for example, when somebody would work in an art robbery like that or an art theft, you got your tried and true ways of working a crime. You got to have sources, you got to have witnesses, and hopefully you can get a crime like this. You can get a source that says, hey, this guy, we had a guy in Kansas City that he was a fence for these kinds of guys. He had an antique auction and he took all this stuff and got it somewhere else. So at the time, just use your regular police methods. And what changed over the years as you’ve done this? Yeah, certainly we’ve become much more sophisticated with the techniques that we use. But at the end of the day, it’s always still going to be intelligence. But I found from working my entire career in violent crime, virtually my whole career in violent crime, the sources are crucial. Having a good informant can make and break a case. And working art theft investigations, you’re certainly going to have the same types of fences of informants, fences for stolen property and what they’re hearing about what organized crime guys are doing and what drug guys are doing. But it also opened up a whole new avenue of sources for me as working in art investigations, because now you’ve got pawn shops and gallery owners and auction houses, and they’re in a position to know when not only when stolen artwork is coming in, but also fakes and forgeries. We spoke about this, that. [10:16] Somebody comes in with one valuable piece that would be very difficult for somebody in his or her position to come across one piece like this, let alone a dozen of them. That really points to probably a fake. And so that’s really the key to solving these things is just having a good intelligence base who’s going to let us know about when something comes up that’s either stolen or it’s been forged. [10:43] Brings up a question. In my mind, did you ever work a gallery owner or a gallery [10:48] that then would filter in, knowingly filter in some fakes every once in a while? They couldn’t do it 100% of the time, but you could certainly make some extra money by filtering fakes out of it because many people would get it and they’d never know. Nobody would ever know. Listen, it is a really difficult thing when you’re working these types of crimes because unlike bank robber, you go into a bank and you stick them up with a gun and take them on. It’s not up to the government to be able to prove at trial that you knew that the bank was insured by the FDIC. You went in and you robbed it, you committed the offense. When you’re talking about interstate transportation of stolen property or possession of stolen property, there are what’s called specific intent crimes, meaning you have to prove the element of knowledge. You have to be able to prove that the person knew that that item was stolen. Not that it said it was stolen. and you had to show that they knew it. And that’s a really high hurdle to overcome. And typically what we do to try and prove that specific intent is we’re going to go through. [11:53] Recorded statements made to a source or to an undercover or emails or texts or something that we can show that this person knew that item was stolen. And so we would see that a lot in auction houses and galleries. There’s a lot of willful blindness where a lot of gallery owners and auction houses, they’re going to look the other way because it’s too lucrative to pass up. And in fact, in 2015, the art crime team, once we received information that ISIL or ISIS was using looted cultural property from Syria and Iraq as a form, a viable form of terrorism financing. And we put auction houses and gallery owners on notice in 2015, and we basically told them that if you’re selling objects of cultural patrimony or cultural heritage with a dubious provenance, like a wink and a nod, you may be unwittingly or wittingly funding terrorism. While we never charged anybody with it, hopefully it was an eye-opener that when you’re getting into this world, it’s not a victimless crime. There are very real victims involved. [13:07] And that’s one of the things that really is interesting about working our crime investigations. And I used to get ribbed by my friends who were not on the art crime team about [13:18] where like the wine and cheese squad were raised and everything. But our subjects are far from it. We’re dealing with organized crime, gangs, terrorists. This is no joke. These are serious individuals and the stakes are high. And in the Gardner case, three or four people that we believe were involved in the heist were murdered a year after the Gardner case crime occurred. Yeah, I was just going to go back to that a little bit, as we said before, a little bit like the Lufthansa case. All of a sudden, everybody that was involved in the theft. Started dropping like flies. So tell the guys about that. That is really interesting. [14:00] Yeah. So the two individuals that we believe went into the museum dressed as cops, just a week shy of the one-year anniversary, one of the guys was found dead in his apartment of an acute overdose of cocaine, intravenous. And his family admitted that he used Coke, but they said he was terrified of needles. He was scared of needles. So it really looked to be like a hotshot, an intentional overdose of cocaine. Two weeks later, the other guy who we believe went into the museum with him, his wife reported him missing. And a couple of weeks later, his bullet riddled body was recovered in the trunk of his car out by Logan Airport in East Boston. There was another member of that crew. These were all part of the same crew. This Carmelo Merlino, who was a Boston mobster, had an auto shop down in the Dorchester section of Boston. Another member of his crew, a guy named Bobby, six weeks after the heist, he brought in, he visited a jeweler in the downtown crossing jewelry district in Boston. He came in with this object and he unwrapped it. It was an eagle. [15:03] It was the finial from the Napoleonic flag that was stolen in the Gardner heist. And he asked the jeweler, how much is this thing worth? And the jeweler looked at it and he said, it’s worth nothing. Because he immediately recognized it as one of the people that had been stolen six weeks earlier from the Gardner heist. And then a few months later, Bobby was stabbed to death and nearly decapitated on the front porch of his house. And the responding police saw that his house had been broken into and ransacked like his killers had been looking for something. There was a fourth guy, Jimmy, who bragged to his girlfriend a few months after the heist that he had a couple of pieces from the Gardner Museum hidden in his attic. [15:47] And in February of 1990, 11 months after the heist, he was executed on his front porch in what the local police called a mob hit. So, yeah, these are the types of crimes that have a tendency to have a chilling effect on anybody who harbors any aspirations to come forward with information. Yeah, and we talked earlier a little bit about, like, the crime itself, and the statute of limitations is up on that, what you said, and the crime itself, but how we talked a little bit and explained to them about how this could be part of a RICO case. And you’ve got the murders and you’ve got the actual theft and whatever they did with the paintings, then maybe you could get over after a Bob boss as a Rico case. Tell the guys a little bit about doing that. Yeah. [16:32] I’ve heard it so many times in more than two decades that I worked the case and people would say, geez, why don’t people come forward? They’re just paintings. There are so many times they’re just paintings. They’re like, yeah, they are, but there’s two things about that. Number one, there’s some dead bodies on these paintings, three or four, and that there’s no statute of limitations for murder. And so if you implicate yourself in the theft or you implicate yourself in possessing or transporting these paintings at any time, the fear is that you’re then implicating yourself in a homicide. And the other aspect of this, which I think has a chilling effect, is the fact that transportation of stolen property is one of the predicate acts for RICO, racketeering influence corrupt organization case. And RICO is basically, Gary, is basically an entire organization is corrupt. Yeah. There’s no legitimate purpose. It’s what we think about the mob and the [17:27] FBI has taken down the mob in the past. So if you implicate yourself in stolen property and you’re part of organized crime, that’s one of the predicate acts for a RICO. And that’s basically life sentences. And so one of my goals in the years and years that I worked in this case was to try and convince people that you could come forward with information and the U S attorney’s offices, whether it’s up in Boston or new Haven or Philadelphia. [17:58] Would be willing to figure out a way to get the paintings back with immunity from prosecution for a RICO case. Look, that’s a high hurdle. That’s a high hurdle to convince somebody that if you come forward, you’re not going to get charged and you’re eligible for millions of dollars in reward. That’s a tough bill to swallow, but it’s the truth. I’m retired from the FBI now. I can tell you that it was, it’s a, it was, and still is a bona fide offer. And that’s one of the goals that I’ve always tried to impress on anyone is the opportunity to become a millionaire without going to jail. There you go, Jeff. Can you, now you’re not with the Bureau anymore. Can you go out, if you could go out and find them and bring them in, could you collect that reward? I would certainly hope so. [18:48] I can’t tell you how many of my friends thought that I had some of these paintings stashed in my basement. Waiting for retirement to go turn them in the next day. I think half the guys I worked with were expecting to see me pull into the parking lot of the FBI. [19:01] Big package, but no. But yeah, I suppose I could. By this point, I can tell you the amount of my very being that I put into this case over two days. Yeah. I just would love to see these paintings go back just because they need to be back at the museum. That’s where they belong. Now, these crimes, they seem, You said there’s a lot of murders attached to this. They seem a little boring. Did you have any exciting moments trying to pop anybody or do any surveillances? I know we did a big surveillance of a bunch of junkies that were going around stealing from small museums around the Midwest. And we follow them here in Kansas City. And they would have been pretty exciting had we had a confrontation with them. Did you have any exciting moments in this? It actually was a fascinating case. And for the first, there’s the really boring aspects of this job and tedious aspects. And I would say that in my, two decades working this case, I probably did, I don’t know, 50, 60, 70 consent searches, searching in attics and basements and crawling through crawl spaces and just getting sweaty and covered in cobwebs. But the break in the case for me came in 2009 when one of the guys who was part of Merlino’s crew who was deceased, his niece came forward to me and told me that the paintings. Some of them had been hidden up in this guy’s hide at his house up in Maine. I went up to Maine with Anthony Amore, who’s the director of security for the Gardner Museum. We worked on this case together for years. [20:29] And then we found that hide. And then we interviewed, right from there, we went and interviewed Guarenti. That’s the guy, Bobby Guarenti. We interviewed his widow and she broke down and admitted that he once showed her the paintings and she gave them to a guy down in Connecticut. And we identified that guy and we interviewed him. My name is Bobby Gentile. He’s a made member of the Philly Mob. He got straightened out with his crew back in the late 90s. [20:54] And he refused to cooperate. And then that’s where we really just started getting, using a lot of ingenuity to try and break it. And an agent down in the New Haven office, a guy by the name of Jamie Lawton, he joined our team and we started working this case. And he had a source who knew Gentile, Bobby Gentile, and the source started buying drugs from Gentile. Ah, there we go. We ended up arresting Gentile and we did a search warrant at his house. And it was crazy. Like we recovered, I want to say seven handguns, loaded handguns lying all over the place. He had a pump action shotgun hanging by the front door. He had high explosives. We had to evacuate the house and call him the bomb squad. But the interesting thing was he had the March 19th, 1990 edition of the Boston Herald with headlines about the Gardner heist and tucked inside that newspaper was a handwritten list of all the stolen items. With what looked like their black market values. This is in the house of a guy who swore up and down that he’d never heard of the Gardner Museum. And we were able to figure out who wrote the list. It was written by none other than Al Monday, who’s the guy that did the first armed robbery of a museum, of a Rembrandt. And we interviewed him and he told us that he wrote that list for Bobby Gentile and his buddy up in Maine, Bobby Garanti, because they had a buyer for the paintings and they wanted to know what they were worth. [22:24] So yeah, and then Gentile took 30 months. [22:28] He wouldn’t cooperate. And while he was incarcerated, we turned two of his closest friends to becoming sources. And so when he got out of prison in February or April of 2014, they started talking to him and talked about the gardener and they said they might know somebody who’d want to buy him. That’s how we then introduced an undercover agent. Gentile was introduced to Tony, this undercover FBI agent. Over six months, they had long talks about selling the paintings. Unfortunately, before Gentile would sell the paintings, he wanted to do a drug deal first, which we couldn’t allow to happen. We can’t let drugs walk on the street. So we had to take it down. And although we’d seized all these guns from Gentile back in 2012, he told the sources the FBI didn’t get all of his guns. Because of that disturbing comment, one of the sources asked Gentile if he could buy a gun for him. And Gentile sold him a loaded 38. So we arrested him again. And he still refused to cooperate. I don’t respect what he did for a living or a lot of the things that he did, but you do have to respect his adherence to his values. However, misguided they may have been, he took the code of omerta, the code of silence to heart, and he took it to his grave. He died, I think, in 2021 after going to prison a second time. [23:50] While we never got any paintings back, it was a tremendous ride, and I’m confident they will come back. It’s just going to be a question of when. Yeah, that kind of brings up the question that you hear people speculate. Did you ever run across this? Is there actually any rich old guys or an Arab sheik or somebody that buys stuff like this and then really keeps it and never shows it to anybody? Does that unicorn really exist? everybody wants that to be true i know virtually it’s not yeah there’s there’s never been a case of some wealthy what we call the doctor no theory some some reclusive billionaire with his underground lair filled with all the illicit stolen treasures of the world yeah that’s it’s never happened yeah i guess you never say never but but no look the majority statistically about three-quarters of everyone that collects art in this country does it for, and I assume it’s probably worldwide, does it for the investment potential. There’s a lot of money to be made in collecting art. It rarely, if ever, drops in value. So that’s why people collect art. If there’s somebody who has a particular piece that they want so badly that they’re going to commission its theft, it’s more the stuff of Hollywood. It could happen, but we’ve never seen that happen yet. Interesting. [25:14] We did have one case here where we had a medical doctor and he had it on the wall of his house. And it was, I believe it was a Western artist named Remington that these junkies stole out of Omaha. But it was such a minor piece that he could show it to anybody and they wouldn’t. They would say, oh, that’s cool. You got a Remington. [25:30] There’s plenty of those around. And he could afford a real deal Remington anyhow. So it wasn’t that big a deal. And that’s really what it comes down to is that art, high-end art does get stolen. It gets stolen quite often. The art market is about $60 billion, and the FBI, we estimated about $6 to $8 billion of that is illicit, whether it’s theft or fakes and forgeries. It’s a tremendous market, but it’s mostly second and third tier items. [26:02] Really valuable, well-known pieces. They do get stolen, but that’s the easy part. The easy part is stealing it. The hard part is monetizing it. That’s why you very rarely see recidivism among art thieves, high-end art thieves, because you do it once, and now you’re stuck with the thing. It’s easier to steal something else. You got to go out and boost fur coats and stuff to make a living. Exactly. Do a jewelry store robbery down there and make a living. And that’s exactly the point. That’s why you’re seeing a sea change in terms of art thefts, museum thefts. The Louvre was a great example of that. Dresden green vault robbery where 100 million euros in gems were stolen back in 2019 yeah. [26:45] Gems and jewelry, it can be broken down. It’s going to greatly diminish their value, but you can recut a gem. You can melt down the setting. You can monetize it for a greatly diminished value, but at least you can monetize it. You can’t cut up a Rembrandt into smaller pieces. [27:02] It’s only valuable as a whole complete piece. Yeah. I’m just thinking about that. We got a couple of guys, Jerry Scalise and Art Rachel in Chicago, flew to London, robbed a really valuable piece, the Lady Churchill’s diamond or something, I don’t remember, but really valuable piece and mailed it to somebody on their way to the airport and then got caught when they got back to Chicago and brought back to London and did 14 years in England and they never gave up that piece and nobody could, it never appeared anywhere, but it was just cut up and they didn’t make hardly any money off of it. Yeah. Look, there’s a, there’s much more profitable ways to. Yeah. To make an illicit living than stealing high-end artwork, but it does still get stolen. And that’s one of the cruel ironies when you’re talking about art theft is if somebody has a $20,000 piece of jewelry or a very expensive watch, they’re most likely going to lock it up in a safe in their bedroom or something. But you have a $10 million piece of artwork, you probably got it on the mantle. You’ve got it over the fireplace or in the front foyer of your house and probably doesn’t have a passive alarm system protecting it or security screws to keep it from being taken off the wall because people want to show it off. Yeah. It’s way too enticing. [28:24] Really? So, yes, you need to keep the word out there and keep this in people’s minds. And I’m sure the museum tries to do this in some ways in order, hopefully, that maybe somebody will say, oh. Yeah. [28:38] I think I saw that somewhere in this news program or on this podcast. [28:42] I’ll put some pictures on the podcast when I end up editing this. No, please do, Kerry. And that’s the thing. That’s the basis for the title of my book is it really is a fugitive investigation. And that’s how I work this case is fugitives and perfect fugitives because they’re not like their human counterparts. They’re not going to get tripped up on the silly things that we need to do as human beings, getting a driver’s license or whatnot. Yeah. [29:09] And so that’s how I worked the case. The FBI was really, I was always impressed with the FBI’s support that they gave me on this investigation. We did billboard campaigns and social media and a lot of things to get these images out there to the public, hoping it might resonate with somebody. And that’s really my goal for this book. I felt it should be written. I felt it’s an important case. Certainly, it’s something that I wanted to write about. It’s something that’s very important to me. [29:42] But it’s yet another attempt to apprehend these fugitives. And I’m hopeful that somebody, it might resonate with somebody. Somebody’s going to see something. And there’s so much disinformation and misinformation that’s out there in the media about this case. People are endlessly, all these armchair detectives, and I don’t say it in a deprecating way. Good for them. Work as hard as you can. But if you want to work this case from your armchair, great. but you should be going off accurate information because there’s a lot of bad information that’s out there on the internet. And if you want to help out, if you want to collect that $10 million reward, great, but you should be going off the most accurate factual information that’s available. Yeah. And you probably ought to go down to the deep seamy underbelly of Philadelphia or Boston or somewhere and get involved with a mob and then work your way up and make different cocaine deals and everything. And eventually you might be trusted enough that some might say, oh yeah, I’ve got those in this basement. I would suggest there’s better hobbies. [30:47] That could be hazardous to your health. I wouldn’t recommend it. Yes, it could. All right. Jeffrey Kelly, the book is 13 Perfect Tuesdays. Those are the paintings that were stolen that you’ll see on the podcast on the YouTube channel. The true story of the mob, murder, and the world’s largest art heist. Jeffrey, thanks so much for coming on to tell us about this. Thanks, Gary. Thanks for having me.
Julia Cowley is a retired FBI agent/profiler, who hosts The Consult: Real FBI Profilers podcast. The one on the Isabella Stewart Gardner Museum heist was fantastic! Cowley traces her path from chemistry and a forensic science master's to the Tennessee Bureau of Investigation, then the FBI, where she was assigned to bank fraud and later public corruption/civil rights in Boston while serving on the Evidence Response Team, before applying to and joining the Behavioral Analysis Unit during research into high-level white-collar offenders. They found some interesting similarities between serious violent offenders and white-collar criminals. Listen to The Consult: https://www.truecrimeconsult.com/
In 1990, two men disguised as Boston police officers stole 13 priceless works of art from the Isabella Stewart Gardner Museum in what became the largest art heist in history, valued at over $1 billion.FBI Special Agent Geoffrey Kelly spent 28 years as one of the founding members of the FBI Art Crime Team, and in 2002 inherited this cold case.Rather than working it as a standard property crime, Kelly treated the missing paintings as fugitives, enlisting the media and public to help track them down.In his new book, 13 Perfect Fugitives, Kelly pulls back the curtain on the full investigation, separating fact from decades of myth and misinformation surrounding the case.Kelly also served as the real-life inspiration for Jon Hamm's FBI agent character in the film The Town, and currently teaches at Harvard Extension School alongside the Gardner Museum's security director.The paintings remain missing to this day, but Kelly believes they will be found.WEBSITEArgus Cultural Property Consultantshttps://arguscpc.comSOCIAL MEDIALinkedIn (Geoffrey Kelly)https://www.linkedin.com/in/geoffrey-kelly-7a18202b8/LinkedIn (Argus CPC)https://www.linkedin.com/company/argus-cultural-property-consultantsFacebook (Argus CPC)https://www.facebook.com/arguscpcBluesky (Argus CPC)https://bsky.app/profile/arguscpc.bsky.socialX/Twitter (Argus CPC)https://x.com/ArgusCPCBUY THE BOOK: THIRTEEN PERFECT FUGITIVESAmazonhttps://www.amazon.com/exec/obidos/ASIN/B0FDGTZJH9Barnes and Noblehttps://www.barnesandnoble.com/w/thirteen-perfect-fugitives-geoffrey-kelly/1147669547?ean=9798895653173Support The Dark Mind Podcasthttps://www.patreon.com/c/thedarkmindpodcast
In 1990, thieves stole $500 million in rare works of art from the Isabella Stewart Gardner Museum in Boston. The case remains unsolved. I will be talking with Tim Pilleri and Lance Reenstierna from the Crawlspace podcast about the museum heist.
Welcome to Episode 248! This episode is a bit different. We have an Author Spotlight with biographer Natalie Dykstra. If you've been listening to the podcast since this summer, you know that we both read her fascinating biography, CHASING BEAUTY: THE LIFE OF ISABELLA STEWART GARDNER. We also visited the exceptional, impressive, excellent – let's go with indescribable – Isabella Stewart Gardner Museum in Boston. As a result, we had A LOT to talk about with Natalie, and our conversation went long. We greatly appreciated Natalie taking so much time to speak with us, and when it came to editing, well, we didn't know how to cut anything, and, to be honest, we didn't want to cut anything! So, this episode is an extended Author Spotlight with Natalie Dykstra! We hope you enjoy it and that you pick up CHASING BEAUTY. This biography won a New England Society of New York Book Award and the Marfield Prize, the national award for arts writing. We read it in paper, digitally, and can also recommend the audiobook narrated by Maggi-Meg Reed. We'll be back with a “regular” episode in two weeks, when we'll discuss Edith Wharton's “Afterward,” the last story in our year-long reading of THE PENGUIN BOOK OF GHOST STORIES. Thank you to this episode's sponsor: CLOSING COSTS by Janie Steele. Happy Listening and Happy Reading! https://www.bookcougars.com/blog-1/2025/episode248
Episode No. 733 features curators Diana Seave Greenwald and Megan Fontanella. With Christina Michelon, Greenwald is the co-curator of "Allan Rohan Crite: Urban Glory" at the Isabella Stewart Gardner Museum and the Boston Athenaeum. Both presentations are on view through January 19, 2026. (Theodore Landsmark co-curated the ISGM presentation.) The exhibition surveys the career of Boston-based Crite, whose work spotlighted Boston neighborhoods such as Lower Roxbury and the South End, the challenges they faced from gentrification and so-called urban renewal, and Christianity. A fine exhibition catalogue was published by the two institutions. Amazon and Bookshop offer it for $42. Fontanella is the curator of "Gabriele Münter: Contours of a World" at the Solomon R. Guggenheim Museum in New York. Across more than 50 paintings and almost 20 photographs, the exhibition survey's Münter's work and finds that it was involved in avant-garde presentations of landscape, still life, and portraiture. Fontanella curated the photography section of the exhibition with Victoria Horrocks. "Contours of a World" is on view through April 26, 2026. A catalogue was published by the Guggenheim. Amazon and Bookshop offer it for about $55. Instagram: Diana Seave Greenwald, Megan Fontanella, Tyler Green. Air date: November 20, 2025.
We kicked off the program with four news stories and different guests on the stories we think you need to know about!A new study ranks Massachusetts the best place to start a family! Guest: Kelli David - Client Director of Ivy Surrogacy, the company that conducted the study The Invincible Brain: The Clinically Proven Plan to Age-Proof Your Brain and Stay Sharp for Life. Guest: Dr. Majid Fotuhi (Pronounced: MA-JEED - FO-TWO-HEE) - PhD in Neuroscience from Johns Hopkins University in 1992 and his Medical Degree from Harvard Medical School in 1997. Currently serves as an adjunct professor at the Mind/Brain Institute at Johns Hopkins University, while also teaching at George Washington University & Harvard Medical School. Success Is a Numbers Game: Achieve Bigger Goals by Changing the Odds. Guest: Kyle Austin - award-winning strategy consultant, business writer and author - writer for Harvard Business Review, The Boston Globe, CNBC, Psychology Today, Forbes, and Business Insider The Rembrandt Heist: The Story of a Criminal Genius, a Stolen Masterpiece, and an Enigmatic Friendship Guest: Anthony Amore – author & director of security and chief investigator at the Isabella Stewart Gardner Museum in Boston.See omnystudio.com/listener for privacy information.
In the early hours of March 18th, 1990, two men disguised as police officers entered Boston's Isabella Stewart Gardner Museum — and vanished with thirteen irreplaceable works of art worth over half a billion dollars.No alarms. No suspects. No trace.In this episode of Stuttering in Silence, Matt Lepore unravels the haunting timeline of the world's most infamous art theft — from the fog-covered streets of Boston to the tangled web of mob connections, false leads, and unanswered questions that still echo through the museum's empty halls.Because sometimes… what's missing tells the loudest story of all.
Getaway motorbikes, 7 minutes, and a crane positioned to an open balcony of the Louvre. The scene of a carefully orchestrated jewellery heist at the world's most famous museum in France, after a group of thieves stole about $143 million Cdn worth of crown jewels and fled the scene.A pair of suspects have since been arrested, one of them at the Charles de Gaulle Airport as he prepared to allegedly board a flight to Algeria. But millions of dollars worth of France's history, and more suspects remain nowhere to be found, with the country now grappling with an internal blame game.Host Richard Southern speaks to Anthony Amore, an art theft expert and Director of Security at the Isabella Stewart Gardner Museum in Boston to discuss the Hollywood-like heist, and how museums across the world could use the carefully calculated ransack to improve how they protect their valuables. We love feedback at The Big Story, as well as suggestions for future episodes. You can find us:Through email at hello@thebigstorypodcast.ca Or @thebigstoryfpn on Twitter
Welcome to Episode 245! A highlight of this episode, if you want to call it that, is our discussion of Henry James's ghost story, “The Jolly Corner,” from THE PENGUIN BOOK OF GHOST STORIES. Chris also read his novella, “The Turn of the Screw,” so we actually talk about two Henry James stories. We're sorry. Haha. We jest, but in all honesty, we struggled with James's writing style, even if we thought the plots were engaging. If you're a Henry James fan, what are we missing? We'd love to hear from you! The image for this episode is a selfie we took in front of Henry James's portrait at the Isabella Stewart Gardner Museum in Boston earlier this year. It was painted in 1911 by his nephew, William “Billy” James. We had much more fun reading and discussing “The Birds” by Daphne Du Maurier. There's a new collection of Du Maurier's short stories out, AFTER MIDNIGHT: THIRTEEN TALES FOR THE DARK HOURS, which prompted our buddy read of this suspenseful tale of increasing dread. We plan on watching Alfred Hitchcock's adaptation of the same name before the next episode. In our “Just Read” segment, we also talk about: THE LAST RESORT by Erin Entrada Kelly THE DOGS OF VENICE by Steven Rowley AFTERTASTE by Daria LaVelle AGNES GREY by Anne Brontë In Biblio Adventures, we were thrilled to make it to the Yale Repertory Theatre in New Haven, CT, to see SPUNK. Zora Neale Hurston dreamed of seeing her short story, published in 1925, adapted for the stage. It took one hundred years to happen, but her wish has come true. As always, there's more “inside.” Happy Listening and Happy Reading! https://www.bookcougars.com/blog-1/2025/episode245
A pair of landmark exhibitions at the Isabella Stewart Gardner Museum and Boston Athenaeum celebrate Allan Rohan Crite's vivid portrayals of Black life in Boston. Featuring more than 100 works, the retrospectives honor the legacy of a pioneering artist who captured the spirit and daily rhythms of the city's neighborhoods.
Welcome back for the conclusion of my conversation with retired Chief of Police and Author Brian Brady. Brian was born and raised in the San Francisco area and became a police officer in Berkeley, California, in the late sixties. He moved around to four different police departments, eventually attaining the rank of Chief of Police. After decades of serving and protecting, he retired from police work and transitioned to becoming a corporate security executive. This path led him to holding executive positions at prestigious organizations such as NBC Universal and the San Francisco Museum of Modern Art. Brian has published two crime novels and is working on his third. I really enjoyed talking to someone like Brian, who has seen the evolution of police work through the years and worked his way up from police officer to chief. Brain is one of the few police chiefs I have known who didn’t lose their way and bend to politics and ego. He has a good heart, and that is what’s needed if you are going to lead a police force in today’s world of distorted priorities and egos. Please enjoy this informative and wide-ranging conversation with Brian Brady. In today’s episode, we discuss: · How departments are falsifying crime stats. · Why would you want to be a police chief? · Brian being in four different departments and did most jobs within the PD. What were his favorite positions and department? What was his least favorite? · How could the Alec Baldwin situation have happened? · Retired from law enforcement and going to corporate security. How difficult was it for him to transition to that? · The billion-dollar business of fine art security. · Where do art thieves fence priceless pieces of art? · The secret world of fine art forgeries. · Artificial intelligence and writing. · Talking about Harry Bosch and Titus Welliver! · His latest book, Greed. What is it about, and what should we expect? · The Isabella Stewart Gardner Museum heist, which occurred on March 18, 1990, where 500 million in art was stolen. · If your book made it to the big screen, who would you want playing the main role? All of this and more on today’s episode of the Cops and Writers podcast. Check out Brian's website to learn more about him and his books! Check out the new Cops and Writers YouTube channel! Check out my newest book, The Good Collar (Michael Quinn Vigilante Justice Series Book 1)!!!!! Enjoy the Cops and Writers book series. Please visit the Cops and Writers website.
On this week's episode, we welcome back comedian, Josh Gondelman, to chat about his new special (Positive Reinforcement), gundam dogs, news from t-shirts, the Stankus Test, and so much more!Go see Josh in New Orleans (10/24-10/25) and Minneapolis (11/23) and then going on Aimee Mann and Ted Leo's Christmas Show tour the from Thanksgiving weekend through mid-December!Subscribe to Josh's newsletter That's Marvelous.Photo of Josh by Sam Brooks.Jordan and company are going to be at L.A. Comic Con this year, September 26th - 28th at table JO7September 26th - Jordan and Jesse!September 27th - Jordan and Eliza!September 28th - Jordan and Rob!Pre-order Jordan's new Predator comic!Pre-order Jordan's new Venom comic!Donate to Al Otro Lado, any amount helps right now.Buy signed copies of Youth Group and Bubble from Mission: Comics And Art!~ NEW JJGo MERCH ~Be sure to get our new ‘Ack Tuah' shirt in the Max Fun store.Or, grab an ‘Ack Tuah' mug!The Maximum Fun Bookshop!Follow the podcast on Instagram and send us your dank memes!Check out Jesse's thrifted clothing store, Put This On.Follow brand new producer, Steven Ray Morris, on Instagram.Listen to See Jurassic Right!
Welcome to Mysteries to Die For.I am TG Wolff and am here with Jack, my piano player and producer. This is a podcast where we combine storytelling with original music to put you in the heart of a mystery. All stories are structured to challenge you to beat the detective to the solution. Jack and I perform these live, front to back, no breaks, no fakes, no retakes.The rules for law and order create the boundaries for civil co-existence and, ideally, the backdrops for individuals, families, and companies to grow and thrive. Breaking these rules puts civil order at risk. And while murder is the Big Daddy of crimes, codified ordinances across municipal divisions, counties, states, and countries show the nearly endless ways there are to create mayhem. This season, we put our detective skills to the test. This is Season 8, Anything but Murder. This is Episode 17, art theft is the featured crime. This is Was It a Vermeer? by Erica ObeyDELIBERATIONMaggie Fletcher has thieves to the left of her, nuns to the right, and she needs our help to clear this holy rolling path. Who is the thief known as Dismas? Here are the suspects in the order we met them:Dr. Thomas, a canon lawyer who can take on—and take down—any real estate lawyer out there. Mr. Barry Wolf, owner of The Wolf Group, art appraisers and Maggie's boss. Sr. Scholastica, caretaker of the Phelps treasury and seemingly the only member of the mysterious Sodality of St. Dismas. Fr. Hugh Sinclair, investigator for the Vatican Museum—or is he?Mr. Alexi Rublev, main investor in the Wolf group and a real estate developer with his eye on the property owned by Phelps Hall.Here are the facts the way Maggie understands them:When Alexei Rublev cannot reach Barry Wolf, who is returning from an overseas trip, he calls Maggie and orders her to appraise an icon of St. Dismas that was stolen from Phelps Hall, as well as demanding that she send him all the Wolf Group's records about insurance claims involving the Vatican Museum. Rublev justifies his demands by saying if Barry won't pull the trigger, Rublev will pull it for him. Unsure of what Rublev meant by that, Maggie does what Rublev asks, emailing him the records and going to Phelps Hall to conduct the appraisal. When she arrives at Phelps Hall, she finds what seems to be a far more valuable painting than the icon, which no-one knows anything about. For the first time, it occurs to her how odd it is to be asked to appraise an item that isn't there. When Wolf arrives from overseas, he is unfairly furious with Maggie. Wolf gets even more furious when Rublev shows up with a state trooper, claiming that the stolen icon is evidence that Phelps Hall is nothing but a money laundering operation for the Vatican Bank, and demanding that Phelps Hall be shut down. Rublev is accused by Thomas of looking for an excuse to shut down Phelps Hall, so he can buy their land. Maggie remembers Rublev's comment about pulling the trigger and wonders whether he and Barry were colluding in manufacturing evidence, so he can seize Phelps Hall. But there is also a great deal of evidence that in obeying Rublev's order, she has stumbled across a massive money laundering scheme run by a master thief named Dismas, and it may be connected to Phelps Hall. Certainly, no-one at Phelps Hall is exactly what they seem. Who is the thief known as Dismas?ABOUT Art Theft True CrimeFrom Deep Sentinel, a security service company, come the stories of a few famous art thefts. We'll start with Vermeer, since we just got acquainted with him.In March 1990, two thieves posed as police supposedly responding to a disturbance were given entry into museum into Isabella Stewart Gardner Museum, a private home turned museum with an extensive art collection. The...
Welcome to Episode 241! Some highlights of this episode include a discussion of our third quarter readalong, THE UPSTAIRS HOUSE by Julia Fine, and its companion read, Charlotte Perkins Gilman's 1892 short story, THE YELLOW WALLPAPER. Thanks to the readers who joined us for the Zoom conversation and helped deepen our appreciation of both stories. We also discussed “The Monkey's Paw” by W.W.Jacobs from THE PENGUIN BOOK OF GHOST STORIES from Elizabeth Gaskell to Ambrose Bierce, and learned that it has not only been adapted to film, but there's been a play and an opera inspired by this short, tense, and creepy tale. Some other things we've read include WORKING by Robert Caro, UNTIL ALISON by Kate Russo, WRECK by Catherine Newman, and FONSECA by Jessica Francis Kane. In Biblio Adventures, we recap jaunts to exciting places in SIX STATES: Connecticut, of course, and also New York, Massachusetts, Illinois, Tennessee, and Alabama. We got around the past two weeks! Stops included the NYPL, The Drama Book Shop, the Isabella Stewart Gardner Museum, RJ Julia Booksellers, the Piper City Public Library, Parnassus Books, and Huntsville's historic districts. Have you heard that NYC is getting its first Horror Bookstore? The Twisted Spine in Brooklyn is celebrating its grand opening in early September. Happy Listening and Happy Reading! https://www.bookcougars.com/blog-1/2025/episode241
In the first few years after the heist at the Isabella Stewart Gardner Museum, the FBI's investigation follows two parallel tracks. The first to produce possible leads is the Irish Connection as the FBI examines notorious art thief Myles Connor, infamous gangster James “Whitey” Bulger, and local conman Brian McDevitt. A few tantalizing leads develop, but they end in frustration. Join Black Barrel+ for ad-free episodes and bingeable seasons: blackbarrel.supportingcast.fm/join Apple users join Black Barrel+ for ad-free episodes, bingeable seasons and bonus episodes. Click the Black Barrel+ banner on Apple to get started with a 3-day free trial. On YouTube, subscribe to INFAMOUS+ for ad-free episodes and bingeable seasons: hit “Join” on the Legends YouTube homepage. For more details, please visit www.blackbarrelmedia.com. Our social media pages are: @blackbarrelmedia on Facebook and Instagram, and @bbarrelmedia on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices
In this episode, Natalia is asking a wide-open question: where is she to go next? And Yi's answer combines focus with openness: Hexagram 7, the Army, changing at line 2 to Hexagram 2, Earth: changing to (You may notice something different at the beginning and end of this episode. The music is the same - the Allemande from Bach's first suite for 'cello - but since there's some ambiguity about the public domain status of the recording I've been using in previous episodes, I've switched to a lovely, eloquent performance by Colin Carr, published by the Isabella Stewart Gardner Museum, and available here in full under this Creative Commons licence.)
In the early morning hours of March 18, 1990, two thieves, disguised as Boston police officers, gain access to the Isabella Stewart Gardner Museum. They tie up the two security guards and spend 81 minutes stealing 13 items. When the heist is discovered hours later, the FBI begins an investigation which features far more baffling mysteries than clues. Join Black Barrel+ for ad-free episodes and bingeable seasons: blackbarrel.supportingcast.fm/join Apple users join Black Barrel+ for ad-free episodes, bingeable seasons and bonus episodes. Click the Black Barrel+ banner on Apple to get started with a 3-day free trial. On YouTube, subscribe to INFAMOUS+ for ad-free episodes and bingeable seasons: hit “Join” on the Legends YouTube homepage. For more details, please visit www.blackbarrelmedia.com. Our social media pages are: @blackbarrelmedia on Facebook and Instagram, and @bbarrelmedia on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices
In the 1970s and 1980s, Boston and the greater New England region seem plagued by art thieves. Myles Connor becomes the most notorious thief of the era, and he and others notice that the eclectic Isabella Stewart Gardner Museum is a vulnerable target. The FBI likely thwarts an attempted robbery, and, as the 1980s progress, events start to align for the biggest art heist in history. Join Black Barrel+ for ad-free episodes and bingeable seasons: blackbarrel.supportingcast.fm/join Apple users join Black Barrel+ for ad-free episodes, bingeable seasons and bonus episodes. Click the Black Barrel+ banner on Apple to get started with a 3-day free trial. On YouTube, subscribe to INFAMOUS+ for ad-free episodes and bingeable seasons: hit “Join” on the Legends YouTube homepage. For more details, please visit www.blackbarrelmedia.com. Our social media pages are: @blackbarrelmedia on Facebook and Instagram, and @bbarrelmedia on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices
On March 18, 1990, the biggest art heist in world history took place in Boston, Massachusetts. In this mini episode, I'll tell you all about the daring heist, the results of the heist, and even the fascinating origin of the museum that is now famous for all the wrong reasons.SOURCESDabilis, Andy, and John Ellement. “$200m Gardner Museum Art Theft.” The Boston Globe (Boston,Massachusetts), March 19, 1990. www.newspapers.com.Ellement, John. “$200 Million Art Theft in Boston.” The Boston Globe (Boston, Massachusetts),March 19, 1990. www.newspapers.com.“Gardner Museum Theft.” Isabella Stewart Gardner Museum. Accessed February 6, 2025.https://www.gardnermuseum.org/organization/theft. History.com. “$500M ArtHeist STILL Unsolved After Decades | History's Greatest Mysteries.” YouTube. Accessed February 11, 2025.https://www.youtube.com/watch v=HRHR9kytC2Y&t=603s. “Isabella Stewart Gardner Museum Theft.” Wikipedia, February 2, 2025. https://en.wikipedia.org/wiki/Isabella_Stewart_Gardner_Museum_theft. “Isabella Stewart Gardner.” Isabella Stewart Gardner Museum. Accessed February 6, 2025. https://www.gardnermuseum.org/about/isabella-stewart-gardner. “Isabella Stewart Gardner. Wikipedia, January 25, 2025.https://en.wikipedia.org/wiki/Isabella_Stewart_Gardner. “Mrs. Gardner's Will.” Transcript-Telegram (Holyoke, Massachusetts), July 22, 1924. www.newspapers.com.Risen, Clay. “Richard Abath, Guard at Center of Boston Art Museum Heist, Dies at 57.” The New York Times, February 29, 2024. https://www.nytimes.com/2024/02/29/us/richard-abath-dead.html. Taylor, Robert. “Theft at the Gardner Museum.” The Boston Globe (Boston, Massachusetts), March 20, 1990. www.newspapers.com.“The Theft.” Isabella Stewart Gardner Museum. Accessed February 6, 2025.https://www.gardnermuseum.org/about/theft-story. SOUND SOURCESAl Jolson. “I'll Say She Does.” www.pixabay.com/music.Lucille Hegamin and The Dixie Daisies. “Cold Winter Blues.” www.pixabay.com/music.
Attorney General Andrea Campbell joins 11-12 for Ask the AG.GBH executive arts editor Jared Bowen discusses a Ming Fay exhibit at the Isabella Stewart Gardner Museum, the Moonwalkers experience narrated by Tom Hanks and F1 The Movie.Food policy analyst Corby Kummer discusses Zohran Mamdani's idea for municipal-owned grocery stores and the MAHA movement's battle against food dyes.Naturalist Sy Montgomery talks to us about orcas who take lessons from cats and sharing their prey with humans.
This week, Laci welcomes Jake Halpern and Jess McHugh (Deep Cover Podcast) to discuss Boston's 1990 Isabella Stewart Gardner Museum art heist. Several works of art worth half a billion dollars were stolen, making it the biggest property crime in U.S. history, and it's still unsolved, with the art still missing. There's a $10 million reward on the table for any information leading directly to its safe return. Plus, Laci, Jake and Jess dig into Sarah Cavanaugh, who was convicted of wire fraud, aggravated identity theft, forgery, and fraudulent use of military medals, after pretending to be a wounded veteran to steal more than a quarter‑million dollars meant for real veterans. Stay schemin'!Did you miss out on a custom signed Scam Goddess book? Look no more, nab your copy on PODSWAG Keep the scams coming and snitch on your friends by emailing us at ScamGoddessPod@gmail.com.CON-gregation, catch Laci's TV Show Scam Goddess, now on Freeform and Hulu! Follow on Instagram:Scam Goddess Pod: @scamgoddesspodLaci Mosley: @divalaciJake Halpern: @jake.halpern.authorJess McHugh: @jessmchugh3 Research by Kathryn Doyle SOURCEShttps://people.com/gardner-heist-boston-lead-investigator-hopeful-11696747https://www.gardnermuseum.org/organization/thefthttps://www.fbi.gov/history/famous-cases/isabella-stewart-gardner-museum-heisthttps://www.youtube.com/watch?v=sPaAsvFU9IoNetflix: This Is A Robbery docuseries Subscribe to SiriusXM Podcasts+ to listen to new episodes of Scam Goddess ad-free and a whole week early. Start a free trial now on Apple Podcasts or by visiting siriusxm.com/podcastsplus.
Boston based filmmaker and screen writer Eric Aronson joins us to talk about his feature directing debut, a comedy thriller heist film called “Any Day Now.” Billed as a “true-ish” story, the movie is inspired by the actual events of March 18,1990, when $500 million worth of priceless art was stolen from the Isabella Stewart Gardner Museum. The art has never been recovered and there still exists a multi-million dollar reward for its return. Eric is an independent filmmaker with quite the creative spark that extends to how he has been marketing his movie. Get set to go behind-the-scenes with an innovative writer-director!
In 1990, two men entered the Isabella Stewart Gardner Museum in Boston and stole something like $500 million worth of art, in what became the most infamous art heist in U.S. history. Today, we're joined by retired museum professional Frederick J. Fisher, who thinks that the Gardner affair may have been a sequel to an earlier effort to a rob a different institution, the Hyde Collection, located in Glens Falls, New York. Fisher explores the theory in a new book titled The Practice Run, which is out May 15, 2025, so go order a copy! If you'd like to support the show, please consider becoming a patron at www.patreon.com/artofcrimepodcast.
In 1990, two men dressed as police officers pulled off the largest art heist in history. That was when they robbed Boston's Isabella Stewart Gardner Museum of approximately $500 million in priceless art. To this day, the thieves have never been caught. Patreon: https://www.patreon.com/c/theconspiratorspodcast YouTube: https://www.youtube.com/@theconspiratorspodcast Notes: https://www.gardnermuseum.org/ https://www.amazon.com/Gardner-Heist-Worlds-Largest-Unsolved/dp/0061451843 https://www.netflix.com/title/81032570 https://www.wbur.org/news/2025/03/18/gardner-museum-heist-anniversay-empty-frames Learn more about your ad choices. Visit megaphone.fm/adchoices
This week on Sisterhood of Sweat, we're diving into a true crime story turned silver screen thriller. Hollywood veteran Paul Guilfoyle—yes, Captain Jim Brass from CSI—joins us to talk about his latest role in Any Day Now, a gripping new film based on the real-life Isabella Stewart Gardner Museum art heist—still the world's largest unsolved property theft. With a $10 million reward still on the table, the mystery remains very much alive. Guilfoyle stars as Marty Lyons in this Boston-set thriller that captures the chaos, cleverness, and consequences of that fateful St. Patrick's Day in 1990. We also talk legacy, longevity in Hollywood, and what it's like to be part of a film that's got everyone buzzing.
It's deep dive day here at Fated Mates and we're reading an absolute banger of a historical -- Julie Anne Long's fifth Pennyroyal Green book, What I Did for a Duke. We talk about great romance kisses, about age gaps and how they operate in books, about house parties and art and sacrifice and how sexy it is when someone actually sees you for who you are. If you haven't read this one yet, do yourself a favor and do it right now. It's so great.If you want more Fated Mates in your life, please join our Patreon, which comes with an extremely busy and fun Discord community! Join other magnificent firebirds to hang out, talk romance, and be cool together in a private group full of excellent people. Learn more at patreon.com.The BooksWhat I Did for a Duke by Julie Anne Long The Pennyroyal Green SeriesShow NotesThe main building you think of when you think of the New York Public Library with the lions is officially called the Stephen A. Schwarzman Building. From what I can tell, it didn't actually have anything to do with Andrew Carnegie, but he did donate $5 million to ensure that the New York Public Library had branch libraries in communities around the city. He also donated a lot of money to other things, that's a fun thing billionaires used to do. Read more about doing the forbidden kind of “romance stuff” in the library. Jen talked to the New York Public Library's Best New Romance List Committee Co-Chairs Kate Fais and Grace Loiacon back in February.In 2022, we recorded our “Break in case of emergency” episode, and it was in fact two sisters, Cait and Kara who requested the episode. PS: We are in emergency. Feel free to break those out now.Julie Anne Long's The Beast Takes a Bride was on our Best of 2024 episode. What I Did for a Duke is the 5th book in her Pennyroyal Green series. “It must have been a lie,” is what Jen's grandma Betty used to say if you lost your train of thought and couldn't remember what you were saying. This is a good speech from Crash Davis, the pitcher played by Kevin Costner in the 1988 movie Bull Durham (also, Nuke says “what's all that molecule stuff?” which is pretty funny considering the title of this episode).The Isabella Stewart Gardner Museum in Boston had a Titian exhibition back in 2022 called Women, Myth and Power, and it seems like a thing Genevive would have liked it a lot.
A TRUE-ISH STORY: On March 18th, 1990 hundreds of millions of dollars worth of art were stolen from Boston's Isabella Stewart Gardner Museum. This is not that story When Marty (Paul Guilfoyne) ropes Steve into a world of oddballs, misfits, and lost souls as dirty as the Charles River, Steve wonders if it's a change for the better or if he's about to make the worst decision of his life. Steve Baker (Taylor Gray) is a night watchman in his early 20s, but his life is already slipping away from him. Here's the trailer: Https://www.youtube.com/watch?v=R3tZL2xVH08 Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.
A TRUE-ISH STORY: On March 18th, 1990 hundreds of millions of dollars worth of art were stolen from Boston's Isabella Stewart Gardner Museum. This is not that story When Marty (Paul Guilfoyne) ropes Steve into a world of oddballs, misfits, and lost souls as dirty as the Charles River, Steve wonders if it's a change for the better or if he's about to make the worst decision of his life. Steve Baker (Taylor Gray) is a night watchman in his early 20s, but his life is already slipping away from him. Here's the trailer: Https://www.youtube.com/watch?v=R3tZL2xVH08 Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-like-it-s-live--4113802/support.
In 1990 thieves disguised as police stole 13 artworks from the Isabella Stewart Gardner Museum. Their empty frames have been restored and remain as stark reminders of the unsolved art heist.
Paul Guilfoyle (Jim Brass on CSI: Crime Scene Investigation) checks in to chat about his new movie Any Day Now, an American crime comedy film, that is a (a semi-fictionalized version) of the true story of the 1990 Isabella Stewart Gardner Museum theft in Boston on March 13th, 1990. It marked one of the greatest unsolved art heists in history when a group of thieves stole 13 paintings worth hundreds of millions of dollars. Guilfoyle also talks of his affection for Philly cheesesteaks and the Eagles! Bret Eckelberry (Parenting & Youth Program Manager with Focus on the Family) joins the program to share about "Christian Movie Madness" created by Focus' "Plugged In" department (Plugged In reviews movies, TV shows, music, games, books and more regarding positive and negative elements and themes from a Christian world view). 64 Christian movies are in the single-elimination tournament. Find out more and get involved with your votes at www.pluggedin.com. Sports Clips:Brandon Graham, Philadelphia Eagles, Defensive End (philadelphiaeagles.com)See omnystudio.com/listener for privacy information.
In 1990, on Saint Patrick's Day, two thieves posing as police officers pulled off the biggest art heist in history, stealing 13 priceless works from the Isabella Stewart Gardner Museum. Decades later, the crime remains unsolved. Who took the art, and where is it now?We're telling this story tonight.
We kicked off the program with four news stories and different guests on the stories we think you need to know about!We discuss the upcoming heist film ANY DAY NOW which explores the true-ish art heist of Boston's Isabella Stewart Gardner Museum – written and directed by Boston native Eric Aronson. Movie Premiere is March 17th at the Somerville Theatre.From Stage Fright to Fearlessness - a Paradigm-Shifting Approach to Public Speaking! With Lee Glickstein, founder of Speaking Circles International.New England Aquarium Creates Retirement Home For Older Penguins with Kristen McMahon-Curator of Pinnipeds and Penguins for the NE Aquarium.Major cities leaning into smart tech to keep celebrations secure, like St. Patrick Day celebrations, etc. How can AI be used for security? With Marc Jaromin, the Director of Public Safety.Listen to WBZ NewsRadio on the NEW iHeart Radio app and be sure to set WBZ NewsRadio as your #1 preset!
Longtime Boston Globe reporter Stephen Kurkjian joins "Mind Over Murder" hosts Bill Thomas and Kristin Dilley to talk about his book, "Master Thieves: The Boston Gangsters Who Pulled Off the World's Greatest Art Heist." This is Part 1 of our discussion with Steve about the 1990 theft of 13 masterworks taken from the Isabella Stewart Gardner Museum, still not recovered after 34 years. This bonus report originally ran on May 2, 2024.Master Thieves The Boston Gangsters Who Pulled Off the World's Greatest Art Heisthttps://www.hachettebookgroup.com/titles/stephen-kurkjian/master-thieves/9781610396325/?lens=publicaffairsWon't you help the Mind Over Murder podcast increase our visibility and shine the spotlight on the "Colonial Parkway Murders" and other unsolved cases? Contribute any amount you can here:https://www.gofundme.com/f/mind-over-murder-podcast-expenses?utm_campaign=p_lico+share-sheet&utm_medium=copy_link&utm_source=customerMaster Thieves: The Boston Gangsters Who Pulled Off the World's Greatest Art Heisthttps://www.amazon.com/Master-Thieves-Gangsters-World%C2%92s-Greatest/dp/1610394232/ref=tmm_hrd_swatch_0?_encoding=UTF8&dib_tag=se&dib=eyJ2IjoiMSJ9.BNHWYmLg3KykJTDhUai9iCN7ujPKVK66cvLTOp8KrPCeP2MeX-9yHsvBvfYsU3F4XB_CXnWVAVRlSeRNoEIvzG8gLXHaRAA_GMs-XwVmJIgG17o0Bp0MzeJBlMDkA4LG.NsYOlLoZ1dGseIZXWxz74bmRLd6B-h7sXKQmjuZ_Gqw&qid=1714350441&sr=8-1WTVR CBS News: Colonial Parkway murders victims' families keep hope cases will be solved:https://www.wtvr.com/news/local-news/colonial-parkway-murders-update-april-19-2024WAVY TV 10 News: New questions raised in Colonial Parkway murders:https://www.wavy.com/news/local-news/new-questions-raised-in-colonial-parkway-murders/WTKR News 3: Colonial Parkway Murders podcast records in Yorktown:https://www.wtkr.com/news/in-the-community/historic-triangle/colonial-parkway-murders-podcast-records-in-yorktownWVEC 13 News Now: Live Podcast to Discuss Colonial Parkway Murders Monday in Yorktownhttps://www.13newsnow.com/article/news/crime/true-crime/live-podcast-to-discuss-colonial-parkway-murders-monday-yorktown/291-601dd2b9-d9f2-4b41-a3e1-44bce6f9f6c6Alan Wade Wilmer Sr. has been named as the killer of Robin Edwards and David Knobling in the Colonial Parkway Murders in September 1987, as well as the murderer of Teresa Howell in June 1989. He has also been linked to the April 1988 disappearance and likely murder of Keith Call and Cassandra Hailey, another pair in the Colonial Parkway Murders.13News Now investigates: A serial killer's DNA will not be entered into CODIS database:https://www.13newsnow.com/video/news/local/13news-now-investigates/291-e82a9e0b-38e3-4f95-982a-40e960a71e49WAVY TV 10 on the Colonial Parkway Murders Announcement with photos:https://www.wavy.com/news/crime/deceased-man-identified-as-suspect-in-decades-old-homicides/WTKR News 3https://www.wtkr.com/news/is-man-linked-to-one-of-the-colonial-parkway-murders-connected-to-the-other-casesVirginian Pilot: Who was Alan Wade Wilmer Sr.? Man suspected in two ‘Colonial Parkway' murders died alone in 2017https://www.pilotonline.com/2024/01/14/who-was-alan-wade-wilmer-sr-man-suspected-in-colonial-parkway-murders-died-alone-in-2017/Colonial Parkway Murders Facebook page with more than 18,000 followers: https://www.facebook.com/ColonialParkwayCaseYou can also participate in an in-depth discussion of the Colonial Parkway Murders here:https://earonsgsk.proboards.com/board/50/colonial-parkway-murdersMind Over Murder is proud to be a Spreaker Prime Podcaster:https://www.spreaker.comJoin the discussion on our Mind Over Murder and Colonial Parkway Murders pages on Facebook.Mind Over Murder on Facebook: https://www.facebook.com/mindoverpodcastYou can also participate in an in-depth discussion of the Colonial Parkway Murders here:https://earonsgsk.proboards.com/board/50/colonial-parkway-murdersFollow Othram's DNA Solves: You can help solve a case. Help fund a case or contribute your DNA. Your support helps solve crimes, enable the identification of John & Jane Does, and bring closure to families. Joining is fast, secure, and easy.https://dnasolves.com/Daily Beast: "Inside the Maddening Search for Virginia's Colonial Parkway Serial Killer" By Justin Rohrlichhttps://www.thedailybeast.com/what-happened-to-cathleen-thomas-and-rebecca-dowski-inside-the-hunt-for-the-colonial-parkway-killerCitizens! Check out our new line of "Mind Over Murder" t-shirts and other good stuff !https://www.teepublic.com/stores/mind-over-murder-podcast?ref_id=23885Washington Post Op-Ed Piece by Deidre Enright of the Innocence Project:"The FBI should use DNA, not posters, to solve a cold-case murder" https://www.washingtonpost.com/opinions/2021/06/25/julie-williams-laura-winans-unsolved-murder-test-dna/Oxygen: "Loni Coombs Feels A Kinship To 'Lovers' Lane' Victim Cathy Thomas"Loni Coombs felt an immediate connection to Cathy Thomas, a groundbreaking gay woman who broke through barriers at the U.S. Naval Academy before she was brutally murdered along the Colonial Parkway in Virginia.https://www.oxygen.com/crime-news/loni-coombs-feels-a-kinship-to-colonial-parkway-victim-cathy-thomasYou can contribute to help "Mind Over Murder" do our important work:https://mindovermurderpodcast.com/supportFour one-hour episodes on the Colonial Parkway Murders are available on Oxygen as "The Lover's Lane Murders." The series is available on the free Oxygen app, Hulu, YouTube, Amazon, and many other platforms. https://www.oxygen.com/lovers-lane-murders Oxygen" "Who Were The Colonial Parkway Murder Victims? 8 Young People All Killed In Virginia Within 4 Years" https://www.oxygen.com/lovers-lane-murders/crime-news/who-were-the-colonial-parkway-murder-victims Washington Post Magazine: "Victims, Families and America's Thirst for True-Crime Stories." "For Bill Thomas, his sister Cathy's murder is a deeply personal tragedy. For millions of true-crime fans, it's entertainment." https://www.washingtonpost.com/news/magazine/wp/2019/07/30/feature/victims-families-and-americas-thirst-for-true-crime-stories/Daily Press excellent series of articles on the Colonial Parkway Murders: "The Parkway" http://digital.dailypress.com/static/parkway_cottage/main/index.htmlColonial Parkway Murders website: https://colonialparkwaymurders.com Mind Over Murder Podcast website: https://mindovermurderpodcast.comPlease subscribe and rate us at your favorite podcast sites. Ratings and reviews are very important. Please share and tell your friends!We launch a new episode of "Mind Over Murder" every Monday morning, and a bonus episode every Thursday morning.Sponsors: Othram and DNAsolves.comContribute Your DNA to help solve cases: https://dnasolves.com/user/registerFollow "Mind Over Murder" on Twitter: https://twitter.com/MurderOverFollow Bill Thomas on Twitter: https://twitter.com/BillThomas56Follow "Colonial Parkway Murders" on Facebook: https://www.facebook.com/ColonialParkwayCase/Follow us on InstaGram:: https://www.instagram.com/colonialparkwaymurders/Check out the entire Crawlspace Media network at http://crawlspace-media.com/All rights reserved. Mind Over Murder, Copyright Bill Thomas and Kristin Dilley, Another Dog Productions/Absolute Zero ProductionsBecome a supporter of this podcast: https://www.spreaker.com/podcast/mind-over-murder--4847179/support.
Longtime Boston Globe reporter Stephen Kurkjian joins "Mind Over Murder" hosts Bill Thomas and Kristin Dilley to talk about his book, "Master Thieves: The Boston Gangsters Who Pulled Off the World's Greatest Art Heist." This is Part 1 of our discussion with Steve about the 1990 theft of 13 masterworks taken from the Isabella Stewart Gardner Museum, still not recovered after 34 years. This bonus report originally ran on April 29, 2024.Master Thieves The Boston Gangsters Who Pulled Off the World's Greatest Art Heisthttps://www.hachettebookgroup.com/titles/stephen-kurkjian/master-thieves/9781610396325/?lens=publicaffairsWon't you help the Mind Over Murder podcast increase our visibility and shine the spotlight on the "Colonial Parkway Murders" and other unsolved cases? Contribute any amount you can here:https://www.gofundme.com/f/mind-over-murder-podcast-expenses?utm_campaign=p_lico+share-sheet&utm_medium=copy_link&utm_source=customerMaster Thieves: The Boston Gangsters Who Pulled Off the World's Greatest Art Heisthttps://www.amazon.com/Master-Thieves-Gangsters-World%C2%92s-Greatest/dp/1610394232/ref=tmm_hrd_swatch_0?_encoding=UTF8&dib_tag=se&dib=eyJ2IjoiMSJ9.BNHWYmLg3KykJTDhUai9iCN7ujPKVK66cvLTOp8KrPCeP2MeX-9yHsvBvfYsU3F4XB_CXnWVAVRlSeRNoEIvzG8gLXHaRAA_GMs-XwVmJIgG17o0Bp0MzeJBlMDkA4LG.NsYOlLoZ1dGseIZXWxz74bmRLd6B-h7sXKQmjuZ_Gqw&qid=1714350441&sr=8-1WTVR CBS News: Colonial Parkway murders victims' families keep hope cases will be solved:https://www.wtvr.com/news/local-news/colonial-parkway-murders-update-april-19-2024WAVY TV 10 News: New questions raised in Colonial Parkway murders:https://www.wavy.com/news/local-news/new-questions-raised-in-colonial-parkway-murders/WTKR News 3: Colonial Parkway Murders podcast records in Yorktown:https://www.wtkr.com/news/in-the-community/historic-triangle/colonial-parkway-murders-podcast-records-in-yorktownWVEC 13 News Now: Live Podcast to Discuss Colonial Parkway Murders Monday in Yorktownhttps://www.13newsnow.com/article/news/crime/true-crime/live-podcast-to-discuss-colonial-parkway-murders-monday-yorktown/291-601dd2b9-d9f2-4b41-a3e1-44bce6f9f6c6Alan Wade Wilmer Sr. has been named as the killer of Robin Edwards and David Knobling in the Colonial Parkway Murders in September 1987, as well as the murderer of Teresa Howell in June 1989. He has also been linked to the April 1988 disappearance and likely murder of Keith Call and Cassandra Hailey, another pair in the Colonial Parkway Murders.13News Now investigates: A serial killer's DNA will not be entered into CODIS database:https://www.13newsnow.com/video/news/local/13news-now-investigates/291-e82a9e0b-38e3-4f95-982a-40e960a71e49WAVY TV 10 on the Colonial Parkway Murders Announcement with photos:https://www.wavy.com/news/crime/deceased-man-identified-as-suspect-in-decades-old-homicides/WTKR News 3https://www.wtkr.com/news/is-man-linked-to-one-of-the-colonial-parkway-murders-connected-to-the-other-casesVirginian Pilot: Who was Alan Wade Wilmer Sr.? Man suspected in two ‘Colonial Parkway' murders died alone in 2017https://www.pilotonline.com/2024/01/14/who-was-alan-wade-wilmer-sr-man-suspected-in-colonial-parkway-murders-died-alone-in-2017/Colonial Parkway Murders Facebook page with more than 18,000 followers: https://www.facebook.com/ColonialParkwayCaseYou can also participate in an in-depth discussion of the Colonial Parkway Murders here:https://earonsgsk.proboards.com/board/50/colonial-parkway-murdersMind Over Murder is proud to be a Spreaker Prime Podcaster:https://www.spreaker.comJoin the discussion on our Mind Over Murder and Colonial Parkway Murders pages on Facebook.Mind Over Murder on Facebook: https://www.facebook.com/mindoverpodcastYou can also participate in an in-depth discussion of the Colonial Parkway Murders here:https://earonsgsk.proboards.com/board/50/colonial-parkway-murdersFollow Othram's DNA Solves: You can help solve a case. Help fund a case or contribute your DNA. Your support helps solve crimes, enable the identification of John & Jane Does, and bring closure to families. Joining is fast, secure, and easy.https://dnasolves.com/Daily Beast: "Inside the Maddening Search for Virginia's Colonial Parkway Serial Killer" By Justin Rohrlichhttps://www.thedailybeast.com/what-happened-to-cathleen-thomas-and-rebecca-dowski-inside-the-hunt-for-the-colonial-parkway-killerCitizens! Check out our new line of "Mind Over Murder" t-shirts and other good stuff !https://www.teepublic.com/stores/mind-over-murder-podcast?ref_id=23885Washington Post Op-Ed Piece by Deidre Enright of the Innocence Project:"The FBI should use DNA, not posters, to solve a cold-case murder" https://www.washingtonpost.com/opinions/2021/06/25/julie-williams-laura-winans-unsolved-murder-test-dna/Oxygen: "Loni Coombs Feels A Kinship To 'Lovers' Lane' Victim Cathy Thomas"Loni Coombs felt an immediate connection to Cathy Thomas, a groundbreaking gay woman who broke through barriers at the U.S. Naval Academy before she was brutally murdered along the Colonial Parkway in Virginia.https://www.oxygen.com/crime-news/loni-coombs-feels-a-kinship-to-colonial-parkway-victim-cathy-thomasYou can contribute to help "Mind Over Murder" do our important work:https://mindovermurderpodcast.com/supportFour one-hour episodes on the Colonial Parkway Murders are available on Oxygen as "The Lover's Lane Murders." The series is available on the free Oxygen app, Hulu, YouTube, Amazon, and many other platforms. https://www.oxygen.com/lovers-lane-murders Oxygen" "Who Were The Colonial Parkway Murder Victims? 8 Young People All Killed In Virginia Within 4 Years" https://www.oxygen.com/lovers-lane-murders/crime-news/who-were-the-colonial-parkway-murder-victims Washington Post Magazine: "Victims, Families and America's Thirst for True-Crime Stories." "For Bill Thomas, his sister Cathy's murder is a deeply personal tragedy. For millions of true-crime fans, it's entertainment." https://www.washingtonpost.com/news/magazine/wp/2019/07/30/feature/victims-families-and-americas-thirst-for-true-crime-stories/Daily Press excellent series of articles on the Colonial Parkway Murders: "The Parkway" http://digital.dailypress.com/static/parkway_cottage/main/index.htmlColonial Parkway Murders website: https://colonialparkwaymurders.com Mind Over Murder Podcast website: https://mindovermurderpodcast.comPlease subscribe and rate us at your favorite podcast sites. Ratings and reviews are very important. Please share and tell your friends!We launch a new episode of "Mind Over Murder" every Monday morning, and a bonus episode every Thursday morning.Sponsors: Othram and DNAsolves.comContribute Your DNA to help solve cases: https://dnasolves.com/user/registerFollow "Mind Over Murder" on Twitter: https://twitter.com/MurderOverFollow Bill Thomas on Twitter: https://twitter.com/BillThomas56Follow "Colonial Parkway Murders" on Facebook: https://www.facebook.com/ColonialParkwayCase/Follow us on InstaGram:: https://www.instagram.com/colonialparkwaymurders/Check out the entire Crawlspace Media network at http://crawlspace-media.com/All rights reserved. Mind Over Murder, Copyright Bill Thomas and Kristin Dilley, Another Dog Productions/Absolute Zero ProductionsBecome a supporter of this podcast: https://www.spreaker.com/podcast/mind-over-murder--4847179/support.
Nancy Slonim Aronie has been a commentator for National Public Radio's All Things Considered. She was a Visiting Writer at Trinity College in Hartford, CT, wrote a monthly column in McCall's magazine and was the recipient of the Eye of The Beholder Artist in Residence award at the Isabella Stewart Gardner Museum in Boston. Nancy won teacher of the year award for all three years she taught at Harvard University for Robert Coles.
On March 18, 1990, the Isabella Stewart Gardner Museum in Boston suffered one of the greatest art thefts in history. Even though only 13 pieces of art were stolen, the combined value was worth over $500 million….practically priceless. One was a Rembrandt seascape known as The Storm Over the Sea of Galilee, oh its just the ONLY SEASCAPE REMBRANDT EVER DID! Sorry for yelling... they also took another piece called The Concert , by Vermeer. It's the only missing Vermeer in the world. The Rembrandt and the Vermeer alone were valued at the time at over $200 million....basically what we're saying is this was a big heist; the largest personal property heist in the world....so far ;) Check out our other shows!: Cryptic Soup w/ Thena & Kylee Strange & Unexplained True Crime Guys YouTube EVERYTHING TRUE CRIME GUYS: https://linktr.ee/Truecrimeguysproductions True Crime Guys Music: True Crime Guys Music on Spotify OhMyGaia.com Code: Creepvan Patreon.com/truecrimeguys Patreon.com/sandupodcast Merch: truecrimeguys.threadless.com Sources: New England's Unsolved: The Gardner heist 30 years later $500M Art Heist STILL Unsolved After Decades | History's Greatest Mysteries (Season 4) https://www.youtube.com/watch?v=mkxQXxKSWKQ
[REKLAM] Köp vår bok härDet är söndag morgon, den 18 mars 1990 i Boston, USA, när en anställd kommer till jobbet på Isabella Stewart Gardner Muséet, för att avlösa nattens två vakter. Vad som skulle ha varit en lugn morgon blir något helt annat när hon märker att något är väldigt fel. Övervakningskamerorna har riktats om, dörren till kontoret är uppbruten, och en tom ram hänger där ett mästerverk borde vara. Lastad med de 200.000 dollar han nyss tagit emot tittar mannen ut i den kolsvarta natten. Vinden sliter i hans byxor och regnet piskar mot ansiktet när han handlöst slänger sig ut från planet. Iklädd enbart en kostym och med en fallskärm på ryggen störtar D.B. Cooper mot marken, för att aldrig någonsin ses igen.Fall: Konststölden på Isabella Stewart Gardner Museum & D.B. Cooper[REKLAM] Länk Patreon: https://www.patreon.com/spoktimmen Källor: https://www.spoktimmen.se/195 KontaktInstagram: @spoktimmen@linnek@jennyborg91 Facebook: Spöktimmen Mail: spoktimmenpodcast@gmail.com Hosted on Acast. See acast.com/privacy for more information.
We're back with part 2 of our look into the Isabella Stewart Gardner Museum Heist! In this episode, we follow the twists and turns of the investigation and discuss why someone would want to steal art in the first place. There is a never ending list of suspects, each one as promising as the last, so join us to see if we can solve the mystery. Sponsors: Quince Go to quince.com/creepers for free shipping and 365-day returns! Hello Fresh Get 10 FREE meals at Hellofresh.com/creepers!! Applied across 7 boxes, new subscribers only, varies by plan. Alloy Health Go to Myalloy.com to start your consult with a menopause trained expert today! Use Promo Code CREEPERS to get $20 off your first order!! Pretty Litter Go to prettylitter.com/Creepers to save 20% on your first order and get a free cat toy!! Silver Linings Handbook - subscribe wherever you listen to podcasts! Sources: Gardner Museum Theft Remains Art World's Biggest Mystery | Bloomberg Surveillance video raises questions — and possible clues — in 25-year-old museum mystery - The Washington Post Isabella Stewart Gardner Heist: 25 Years of Theories - The New York Times Help solve the mystery of the Gardner art heist – Boston Herald Episode 2: 'Inside Job?' | Last Seen Episode 3: 'Not A Bunch Of Jamokes' | Last Seen Episode 4: 'Two Bad Men' | Last Seen Episode 5: 'The Bobbys' | Last Seen Episode 6: 'Befriend And Betray' | Last Seen Episode 7: 'I Was The One' | Last Seen F.B.I. Releases Sketches Of Art Thieves in Boston - The New York Times Isabella Stewart Gardner art heist happened 34 years ago, FBI still receiving tips - CBS Boston Was anyone watching the Gardner Museum watchman? Passing on the parade? Here are 4 other ways to celebrate St. Patrick's Day in Greater Boston | WBUR News Isabella Stewart Gardner Museum theft - Wikipedia The Theft | Isabella Stewart Gardner Museum Evidence in Gardner Museum thefts that might bear DNA is missing Richard Abath, security guard tied up during Gardner Museum art heist, dies at 57 - CBS Boston Netflix: This is a Robbery Book: Master Thieves: The Boston Gangsters Who Pulled Off the World's Greatest Art Heist by Stephen Kurkjian Learn more about your ad choices. Visit megaphone.fm/adchoices
The Isabella Stewart Gardner Museum heist is one of the most baffling art thefts in history! In the early hours of March 18, 1990, two men dressed as cops waltzed into Boston's famous museum, tied up the guards, and made off with 13 pieces of priceless art. Decades later, the frames still hang empty, waiting for the masterpieces to return. The case has never been solved and the missing works—worth over half a billion dollars—are still out there somewhere. Sponsors: Quince Go to quince.com/creepers for free shipping and 365-day returns! Hello Fresh Get 10 FREE meals at Hellofresh.com/creepers!! Applied across 7 boxes, new subscribers only, varies by plan. Alloy Health Go to Myalloy.com to start your consult with a menopause trained expert today! Use Promo Code CREEPERS to get $20 off your first order!! Pretty Litter Go to prettylitter.com/Creepers to save 20% on your first order and get a free cat toy!! Silver Linings Handbook - subscribe wherever you listen to podcasts! Sources: Gardner Museum Theft Remains Art World's Biggest Mystery | Bloomberg Surveillance video raises questions — and possible clues — in 25-year-old museum mystery - The Washington Post Isabella Stewart Gardner Heist: 25 Years of Theories - The New York Times Help solve the mystery of the Gardner art heist – Boston Herald Episode 2: 'Inside Job?' | Last Seen Episode 3: 'Not A Bunch Of Jamokes' | Last Seen Episode 4: 'Two Bad Men' | Last Seen Episode 5: 'The Bobbys' | Last Seen Episode 6: 'Befriend And Betray' | Last Seen Episode 7: 'I Was The One' | Last Seen F.B.I. Releases Sketches Of Art Thieves in Boston - The New York Times Isabella Stewart Gardner art heist happened 34 years ago, FBI still receiving tips - CBS Boston Was anyone watching the Gardner Museum watchman? Passing on the parade? Here are 4 other ways to celebrate St. Patrick's Day in Greater Boston | WBUR News Isabella Stewart Gardner Museum theft - Wikipedia The Theft | Isabella Stewart Gardner Museum Evidence in Gardner Museum thefts that might bear DNA is missing Richard Abath, security guard tied up during Gardner Museum art heist, dies at 57 - CBS Boston Netflix: This is a Robbery Book: Master Thieves: The Boston Gangsters Who Pulled Off the World's Greatest Art Heist by Stephen Kurkjian Learn more about your ad choices. Visit megaphone.fm/adchoices
For the 31st episode of "Reading the Art World," host Megan Fox Kelly speaks with Diana Seave Greenwald, curator of the exhibition “Manet: A Model Family” at the Isabella Stewart Gardner Museum and editor of the associated catalogue, published by Princeton University Press.The exhibition and book offer a fascinating look at the personal life and family relationships that shaped one of art history's most influential painters. Greenwald, Curator of the Collection at the Isabella Stewart Gardner Museum, reveals how Édouard Manet's complex family dynamics — including his relationship with his mother, his marriage to his brothers' piano teacher, and his role as godfather to her son — influenced his artistic development and provided him with willing models for his groundbreaking works.Through contributions from multiple scholars, the book challenges traditional narratives about the artist, exploring how family support, both emotional and financial, enabled his artistic innovations. This thoughtful conversation coincides with the Gardner Museum's exhibition of the same name, offering listeners insight into how biographical research can deepen our understanding of great artists and their work. Whether you're an art history enthusiast or simply curious about the intersection of family life and artistic creation, this episode provides a fresh perspective on one of modernism's pivotal figures.“Manet: A Model Family” is on view at the Isabella Stewart Gardner Museum through January 20, 2025. Learn more here: https://www.gardnermuseum.org/calendar/manet-model-family.ABOUT DIANA SEAVE GREENWALDDiana Seave Greenwald is an art historian and economic historian. An expert in 19th century American and French art, she is currently William & Lia Poorvu curator of the collection of the Isabella Stewart Gardner Museum in Boston. Prior to joining the Gardner, Diana was an Andrew W. Mellon Postdoctoral Curatorial Fellow at the National Gallery of Art in Washington, D.C., working in the departments of American and British Paintings and Modern Prints and Drawings. She received a D.Phil. in History from the University of Oxford. Before doctoral study, Diana earned an M.Phil. in Economic and Social History from Oxford and a Bachelor's degree in Art History from Columbia University.PURCHASE THE BOOK:https://press.princeton.edu/books/hardcover/9780691260662/manetSUBSCRIBE, FOLLOW AND HEAR INTERVIEWS:For more information, visit meganfoxkelly.com, hear our past interviews, and subscribe at the bottom of our Of Interest page for new posts.Follow us on Instagram: @meganfoxkellyMusic by Bob Golden
The Isabella Stewart Gardner Museum heist, one of the most audacious art thefts in history, took place on March 18, 1990, when two men disguised as Boston police officers gained entry to the museum, subdued the guards, and stole 13 priceless works of art worth an estimated $500 million. Among the stolen pieces were masterpieces by Rembrandt, Vermeer, and Degas. Despite decades of investigation, including links to organized crime and several tantalizing leads, the stolen art remains missing, and the identities of the thieves—who were eventually named by the FBI—are now believed to be deceased. The case, still active, continues to captivate the art world as investigators pursue new leads, offering hope that the missing works may one day be recovered.(commercial at 7:36)to contact me:bobbycapucci@protonmail.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-epstein-chronicles--5003294/support.
In the early morning hours of March 18, 1990, as several Bostonians were still celebrating St. Patrick's Day, two men easily conned their way into the Isabella Steward Gardner Museum, and proceeded to steal 13 priceless works of art. This week, Hannah tells Katy about the infamous (unsolved) Gardner Museum Heist, the stolen works, and the authorities' fruitless search for the thieves. The girls talk a little art history, organized crime, overcoming grief, black market art sales, and more! The pictures of the art alone are reason enough to listen, but we think you'll also enjoy the twists and turns of this modern heist that stumped the FBI.So pour your drinks, and join us for this Unsolved Mystery!And be sure to check out some of the modern artists we mention: @egbertmodderman, @kehindewiley, and @stevelove.studiosSources: https://www.bostonmagazine.com/wp-content/uploads/sites/2/2013/03/0211Boston-Heist-FINAL-2.jpghttps://en.wikipedia.org/wiki/Isabella_Stewart_Gardner_Museum_theft#Robberyhttps://www.vanityfair.com/culture/1998/03/biggest-art-heist-us-historyhttps://www.gardnermuseum.org/about/thefthttps://www.cnn.com/2024/05/19/style/isabella-gardner-heist-facts/index.htmlSupport the Show.Follow us @thetaleswetellpodcast on Facebook and Instagram, or thetaleswetellpodcast.comSupport us on Patreon: https://www.patreon.com/join/thetaleswetellpodcast?Click here for merch!
In 1990, the Isabella Stewart Gardner Museum in Boston was the site of a major art heist, where two thieves disguised as police officers gained entry and stole 13 pieces of art valued at around $500 million. Among the stolen works was "The Concert" by Vermeer, one of only 34 known paintings by the artist. Despite extensive investigations and multiple theories, the stolen artworks, including "The Concert," remain missing to this day. The heist is considered one of the largest and most infamous art thefts in history. Learn more about your ad choices. Visit megaphone.fm/adchoices
March 18, 1990. Boston, Massachusetts. In the early morning hours of March 18, 1990, a security guard at the Isabella Stewart Gardner Museum buzzed in two men dressed as police officers. Those two men revealed themselves to be thieves, who quickly tied up both of the guards. They stole 13 pieces of art including works by Rembrandt, Degas, and Vermeer. Despite a large reward offer from the museum and over 30 years of investigation by the FBI, none of the artwork has been recovered. How were these men able to pull off the largest art heist in the world?Get TONS of bonus content from Generation Why at: patreon.com/generationwhyListen ad free with Wondery+. Join Wondery+ for exclusives, binges, early access, and ad free listening. Available in the Wondery App. https://wondery.app.link/generationwhy.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Howie welcomes the Isabella Stewart Gardner Museum's head of security, Anthony Amore, to the show to discuss the ongoing search for the paintings that disappeared in a suspected heist in 1990. The hunt is not over, and there is quite the reward being offered for the tip that will lead to the paintings.
This week, Sara is joined by writer and comedian Josh Gondelman to cover a story from his hometown of Boston: the still-unsolved Isabella Stewart Gardner Museum heist. In 1990, two thieves dressed as policemen walked into the museum in the middle of the night, and carried out the single largest property theft in the world, stealing 13 paintings valued at $500 million. Despite having several mob-affiliated suspects, the pieces were never recovered, and the case went cold. SOURCES: https://www.gardnermuseum.org/organization/theft https://www.smithsonianmag.com/smart-news/a-new-clue-emerges-in-the-gardner-museum-art-heist-saga-180979651/ https://www.smithsonianmag.com/smart-news/five-things-know-about-isabella-stewart-gardner-art-heist-180977448/ https://www.bostonglobe.com/2022/02/28/metro/whodunit-gardner-museum-heist-remains-unsolved-decades-later-with-long-list-suspects-most-them-dead/ Learn more about your ad choices. Visit megaphone.fm/adchoices
My Favorite Murder with Karen Kilgariff and Georgia Hardstark
This week, Karen and Georgia cover the murder of Vincent Chin and the mysterious 1990 Isabella Stewart Gardner Museum art heist.For our sources and show notes, visit www.myfavoritemurder.com/episodes.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.