Podcasts about Andante

This interview is with Eric Foster. In this interview, Eric talks about his experience working with several different wineries, including Keeler, Duke's, Andante, and Left Coast.Eric shares about his introduction to the wine industry when a friend asked him to join the harvest crew at Keeler in 2017. After this, he worked another harvest at Duke's and at Andante. Around that time, Eric was also attending Oregon State to study earth science and oceanography.Later in the interview, Eric discusses his more recent cellar job at Left Coast and what it was like to work in the cellar full-time rather than just during harvest. He also talks about his passion for the rehabilitation of the oak savannah ecosystem, which Left Coast devotes a portion of their land to.This interview was conducted by Rich Schmidt at Erratic Rock State Park in McMinnville on August 19, 2025.

La unidad de la nación española garantiza la continuidad de España al margen de un Estado de partidos que constantemente intenta integrar masas en este. Fuentes del audio: Radio libertad constituyente: https://go.ivoox.com/rf/25624470 https://go.ivoox.com/rf/21758987 Música: Andante. Allegro. BWV 1052. J.S.Bach. --------- - Vía iVoox: haz clic en APOYAR (botón de color azul). - Vía Paypal: https://www.paypal.com/donate?hosted_button_id=Y4WYL3BBYVVY4 - Vía Patreon: https://www.patreon.com/MCRC_es ------------ mcrc.es diariorc.com yonovoto.info

On Thursday 26 June 2025, Tāmaki Pātaka Kōrero | Central City Library presented The Kotuku Quintet in a special concert: From Mozart to Matariki The programme was based on a Mozart piano concerto and drew on inspiration from the celebration of Matariki in a brand new work by pianist and composer Louise Webster. Piano concerto no. 13 in C, KV 415 W.A. Mozart Allegro ; Andante ; Rondeau: Allegro Mozart's Piano concerto in C KV 415 was written in Vienna in 1782, one of three composed for sale to the Viennese public by advance subscription. A major selling point was that they were composed not only for concert use but also for performance at home, as the wind parts were not structurally important and could easily be dispensed with. The concerto is in three movements. The opening Allegro has a march-like theme, the Andante is lyrical and operatic in character, and the work ends with a Rondeau finale, where jovial sections alternate with a pair of pathos-laden Adagios. Phantasy for Piano Quartet in F# minor Frank Bridge The Phantasy for Piano Quartet was written in 1910, and is one of Bridge s most characterful early works, showing the influence of Brahms and French Romanticisim. All the musical ideas spring from the passionate opening flourish. There are three main sections. The first, Andante con moto , flows with Gallic grace, rather like a Barcarolle. A scherzo, Allegro vivace , follows, with a contrasting song song-like trio section that looks back to the opening ideas. A short recitative recitative-like passage then leads back to a reprise of the opening themes. The music moves into an impassioned climax before dying away to what Benjamin Britten described as a short coda which suggests the deep red afterglow of a sunset Lastly the feature piece - The paths of the sisters (2025) Louise Webster This work was commissioned by Ngā Pātaka Korero o Tamaki Makaurau for the celebration of Matariki. The title of the work 'following the paths of the sisters' refers to the Matariki constellation, welcoming the growth of the year to come. The stars are known as Matariki in Aotearoa and the Pleiades (the seven sisters) in the North. In many cultures the stars are viewed as a group of sisters, often accompanied by other family members. "While writing this work I thought of my for-bears, travelling by sea in 1839 from Caithness in the North of Scotland to Aotearoa, following the Matariki stars which remained a constant while all else changed" Louise Webster - composer. The Kotuku Quintet are: Simon Ansell (violin), John Seager (violin), Judith Gust (viola), Sally-Anne Brown (cello), and Louise Webster (piano).

This Day in Legal History: John Locke BornOn August 29, 1632, John Locke was born in Wrington, England. A foundational figure in political philosophy, Locke's ideas on government, natural rights, and property would come to shape the ideological core of liberal democracies. His “Two Treatises of Government” advanced the notion that legitimate governments are founded on the consent of the governed and exist to protect life, liberty, and property. Locke's theory of property, rooted in the idea that individuals gain ownership by mixing their labor with natural resources, would have lasting effects not only in political theory but also in legal frameworks—particularly intellectual property law.Locke argued that since individuals own their labor, they also own the results of that labor. This labor-based theory of property acquisition later served as a philosophical underpinning for intellectual property rights, especially in Anglo-American legal systems. The notion that creators have a natural right to control and benefit from their intellectual creations echoes Locke's broader views on property. His influence is visible in early American legal thought, including the U.S. Constitution's provision empowering Congress to secure authors' and inventors' exclusive rights.Locke's work also fueled the American Revolution and the drafting of the Declaration of Independence, with Thomas Jefferson borrowing heavily from Locke's formulations on natural rights. Likewise, his theories permeated the French Revolution and the Declaration of the Rights of Man and of the Citizen. Beyond constitutional law, his legacy persists in modern debates about the balance between public access and private rights in intellectual property regimes. Locke's vision of a just legal order grounded in individual rights, voluntary association, and property remains central to contemporary legal theory.A federal judge will hold a hearing on whether to temporarily block President Donald Trump from firing Federal Reserve Governor Lisa Cook, who is challenging her removal in court. Cook argues that Trump lacks legal grounds for firing her, alleging that the justification—claims of past mortgage fraud—is a pretext tied to her refusal to lower interest rates. The Federal Reserve Act permits governors to be removed only “for cause,” though that term is undefined and has never been tested in court. Cook denies the fraud allegations and says even if true, the conduct occurred before she took office and should not qualify as cause for removal.Trump's administration argues that the allegations are sufficient to justify her dismissal and may also claim that legal limits on removing Fed governors infringe on the president's executive authority. The outcome of this case could significantly impact the perceived independence of the Fed and may ultimately be decided by the U.S. Supreme Court. A Biden-appointed judge, Jia Cobb, will first determine if Cook is likely to succeed on the merits and if her removal would cause irreparable harm. The decision could lead to a preliminary injunction, subject to appeal.Trump has already clashed with the Fed, particularly with Chair Jerome Powell, over interest rate policies and management decisions. Removing Cook would allow Trump to install a fourth member on the seven-seat board, potentially shifting its direction.Trump's firing of Fed Governor Cook could be blocked by US judge | ReutersThe national average score on the July 2025 Multistate Bar Exam (MBE) was the highest in over a decade, reaching 142.4—the best performance since 2013, excluding pandemic-altered years. The MBE, which accounts for half of a bar taker's score in most states, is a key component of the U.S. bar exam. The National Conference of Bar Examiners expects the slight uptick in scores to translate into modestly higher pass rates across jurisdictions.This marks the third consecutive year of improvement for July test-takers, in contrast to the February bar exam, which continues to show declining performance. February 2025 saw a record low MBE average of 130.8, partly due to California's decision to use its own bar exam for that session—a move that backfired due to widespread logistical issues. The California Supreme Court has since ordered the state to resume using the MBE starting in July.As states begin releasing July results, optimism is growing among recent law graduates. However, the disparity between February and July results highlights persistent challenges for repeat test-takers and bar exam policy shifts across jurisdictions.US national bar exam scores hit 12-year high | ReutersMajor U.S. law firms saw strong revenue and profit growth in the first half of 2025, fueled by a sharp rise in billing rates—up 9.2% on average. This surge helped offset rapidly increasing expenses, particularly those tied to attorney compensation and the adoption of artificial intelligence tools. Overhead costs excluding lawyer pay rose by 8.6%, while total expenses, including compensation, were up 9.5%. Despite heavy investment in generative AI, firms haven't realized cost savings yet, as they're still maintaining full legal staffing alongside the new technology.Top partners at elite firms, such as Milbank and Quinn Emanuel, are now charging more than $3,000 per hour, with Milbank's Neal Katyal commanding $3,250. Experts note that while AI may one day disrupt the traditional billable hour model, that shift hasn't materialized yet—echoing past predictions during earlier tech changes that never fully played out. Still, some consultants believe AI may eventually push firms toward flat-fee or project-based pricing, especially as AI becomes capable of completing tasks in minutes that previously took hours.Meanwhile, law firm expenses are also climbing due to higher real estate costs and professional liability insurance. The legal talent pipeline remains strong, with law school applicants up 18% year-over-year and recent graduates enjoying a record-high 93.4% employment rate.Law firm rates, revenues soar but costs pile up in AI era | ReutersA federal judge has dismissed University of Pennsylvania law professor Amy Wax's lawsuit claiming racial discrimination in response to university sanctions against her. Wax, who is white, alleged that UPenn treated her unfairly based on race when it suspended her for a year with half pay over a pattern of controversial public comments about minority groups. Judge Timothy Savage ruled that her claims were “implausible,” noting that she failed to show how her race influenced the disciplinary process or the charges brought against her.Wax argued the university disproportionately disciplines white faculty for speech-related conduct while overlooking similar actions by faculty of color. However, the court found her comparisons to other UPenn speakers flawed, as those individuals had not repeatedly made derogatory remarks about minorities. The ruling follows an earlier denial of Wax's request for a preliminary injunction, where the court found she hadn't proven that the suspension would cause her lasting professional harm.Wax has long been a polarizing figure at Penn Law. Her 2017 op-ed favoring Anglo-Protestant cultural norms and later remarks about Black and Asian students drew widespread criticism. In 2018, she was barred from teaching required first-year courses, and in 2022, a faculty complaint sought a major sanction after she suggested the U.S. would be better off with fewer Asian immigrants.Judge tosses law professor Amy Wax's bias lawsuit over UPenn sanctions | ReutersThis week's closing theme is by Wolfgang Amadeus Mozart, a composer of some note.This week's closing theme is Mozart's Piano Sonata No. 11 in A major, K. 331 – I. Andante grazioso, a work that showcases the clarity, grace, and inventiveness that define Mozart's style. Composed around 1783, likely in Vienna or Salzburg, this sonata is one of Mozart's most beloved keyboard pieces, notable for its departure from traditional sonata form. Instead of the expected fast-paced opening movement, Mozart begins with a theme and variations—a gentle, lilting Andante grazioso that unfolds with elegance and wit.Each variation adds a new layer of texture and character, giving performers the opportunity to explore contrasting articulations, ornamentation, and moods. The charm of the movement lies in its simplicity and restraint, traits Mozart uses not as limitations but as a foundation for subtle playfulness and sophistication. The theme itself is dance-like, with a lightly flowing triple meter that invites the listener in rather than demanding attention.While the final movement of this sonata—the famous "Rondo alla Turca"—often steals the spotlight, the opening movement contains just as much ingenuity and expressive depth. It's a window into Mozart's ability to transform formal conventions into personal, lyrical statements. This sonata was likely intended for his students or amateur musicians, yet it retains the masterful balance of accessibility and complexity that only Mozart could achieve.As we close this week, the Andante grazioso reminds us that refinement doesn't require grandeur, and that musical beauty often lies in the quiet unfolding of a well-turned phrase.Without further ado, Mozart's Piano Sonata No. 11 in A major, K. 331 – I. Andante grazioso, enjoy! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.minimumcomp.com/subscribe

El Ciclo Andante de la Orquesta Sinfónica de Navarra inaugura esta semana su nueva edición y visitará diez localidades en su 10º aniversario

We would love to hear from you, wherever you are!Classical Music by Weber, Wagner, Delibes, Verdi.https://www.perfectpitchpod.com/contact/@NickHelyHutchThank you for listening - please do get in touch with any comments!

Wolfgang Amadeus Mozart (1756-1791) - Divertimento n. 1 in re maggiore, K. 136 (K. 125a)1.       Allegro2.       Andante [5:34]3.       Presto [10:44]Kurpfälzisches Kammerorchester Mannheim Florian Heyerick, conductor

[✐2. Andante]〜かたmanner of 〜、how to 〜“Each person has her/his own way of studying.”[00:09]Hello, everyone. Today, we are going to practice “〜kata”. There are many words that can be constructed in this form. It's convenient.Now, make 〜かた as follows.[00:28]For example,1. write > manner of writing, how to writeReady?[00:35]2. read > reading, how to read3. go > direction, how to go4. make > how to make5. buy > how to buy6. drink > how to drink7. eat > how to eat8. look/watch/see/view > how to look/watch/see, way of viewing, viewpoint9. do > approach, the how, manner, way10. do > how to do[01:28]Make a sentence as follows.For example,write, don't know→ I don't know how to write.Ready?[01:40]1. this Kanji, read, don't know→ I don't know how to read this kanji.2. tempura, cook, don't know→ I don't know how to cook tempura.3. ticket, buy, don't know→ I don't know how to buy a ticket.4. car navigation system, use, don't know→ I don't know how to use the car navigation system.(ka-nabi = car navigation system)5. report, write, don't know→ I don't know how to write a report.6. natto, eat, don't know→ I don't know how to eat natto.7. garbage, throw away/dispose, don't know→ I don't know how to put out oversized garbage.(sodai gomi = large-sized garbage)8. books, borrow, don't know→ I don't know how to borrow books.9. work, style/method, don't know→ I don't know how to work.10. open-air hot spring bath,  take (a bath), don't know→ I don't know how to take an open-air hot spring.(rotenburo = open-air/outdoor hot spring bath)Showing on all episodes:=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*「べんきょうのしかたは ひとそれぞれです。」[00:09]みなさん、こんにちは。きょうは｢〜かた｣をれんしゅうします。｢かきます｣は「かきかた=how to write」ですね。このかたちに できることばは たくさんあります。べんりですよ。では、つぎのように、｢〜かた｣にしてください。[00:28]たとえば、1. かきます＞かきかたいいですか。[00:35]2. よみます＞よみかた3. いきます＞いきかた4. つくります＞つくりかた5. かいます＞かいかた6. のみます＞のみかた7. たべます＞たべかた8. みます＞みかた9. やります＞ やりかた10. します＞しかた[01:28]つぎのようにんをつくってください。たとえば、かきます、わかりません、→ かきかたがわかりません。いいですか。[01:40]1. このかんじ、よみます、わかりません→ このかんじのよみかたが わかりません。2. てんぷら、つくります、わかりません→ てんぷらのつくりかたがわかりません。3. きっぷ、かいます、わかりません→ きっぷのかいかたがわかりません。4. カーナビ、つかいます、わかりません→ カーナビのつかいかたが、わかりません。(カーナビ = car navigation system)5. レポート、かきます、わかりません→ レポートのかきかたが わかりません。6. なっとう、たべます、わかりません→ なっとうのたべかたが わかりません。7. そだいごみ、だします(=   すてます)、わかりません→ そだいごみのだしかたが わかりません。8. ほん、かります、わかりません→ ほんのかりかたが、わかりません。9. しごと、やりかた、わかりません→ しごとのやりかたが わかりません。10. ろてんぶろ、はいります、わかりません→ ろてんぶろのはいりかたが わかりません。(ろてんぶろ = open-air/outdoor hot spring bath)Support the show=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=Need more translation & transcript? Become a patron: More episodes with full translation and Japanese transcripts. Members-only podcast feed for your smartphone app. Japanese Swotter on PatreonNote: English translations might sound occasionally unnatural as English, as I try to preserve the structure and essence of the original Japanese.

微信公众号：「听潮馆」（chaoyudushu)。主播：潮羽，365天每天更新一期。 文字版已在微信公众号【听潮馆】发布 。QQ：647519872 背景音乐：1.黒須克彦,帆足圭吾 - 結衣の決意;2.조한빛 - 난 아직 겨울;3.James Galway - Piano Concerto No.21 in C, K.467 - Arranged by Andreas Tarkmann：2. Andante;4.麻枝准 - 汐。

微信公众号：「听潮馆」（chaoyudushu)。主播：潮羽，365天每天更新一期。 文字版已在微信公众号【听潮馆】发布 。QQ：647519872 背景音乐：1.eufonius - ナルキッソス inst；2.Arthur Rubinstein - Sonata No. 14 in C-Sharp Minor, Op. 27 No. 2 ＂Moonlight＂： I. Adagio sostenuto；3.Clifford Curzon,Benjamin Britten - Sonata for 2 Pianos in D major, K. 448：II. Andante；4.Vladimir Ashkenazy - Beethoven： Piano Sonata No.14 in C sharp minor, Op.27 No.2 -＂Moonlight＂ - 1. Adagio sostenuto；5.Yusuke Tsutsumi - A Little World。

Anton Bruckner (1824-1896) – Quartetto per archi in do minore WAB 1111.       Allegro moderato2.       Andante - 8:223.       Scherzo, Presto - Trio - 14:234.       Rondo. Schnell - 17:35 L'ARCHIBUDELLIVera Beths, violino ILisa Rautenberg, violino IIJürgen Kussmaul, viola Anner Bylsma, violoncello

Sin cambiar el sistema proporcional de listas de partido ni la financiación a los partidos es imposible abrir un período de libertad constituyente y derrocar la oligarquía de partidos estatales. Fuentes del audio: Radio libertad constituyente: https://www.ivoox.com/rlc-2013-31-01-crisis-estado-crisis-la-audios-mp3_rf_1752434_1.html Música: Andante. Allegro. BWV 1052. J.S.Bach. --------- - Vía iVoox: haz clic en APOYAR (botón de color azul). - Vía Paypal: https://www.paypal.com/donate?hosted_button_id=Y4WYL3BBYVVY4 - Vía Patreon: https://www.patreon.com/MCRC_es ------------ mcrc.es diariorc.com yonovoto.info

Sir Gregory Doran is the former artistic director of the Royal Shakespeare Company. He spent a total of thirty five years with the RSC directing fifty productions in the UK and abroad. He's been called “one of the great Shakespeareans of his age” and has won multiple awards for his work.Born in 1958, Greg was brought up near Preston and played a number of female Shakespeare roles when he was a young pupil attending an all-boys secondary school. He went on to study English and Drama at Bristol University followed by a stint studying classical acting at the Bristol Old Vic Theatre School. After a few bit parts in TV sitcoms and a spell at Nottingham Playhouse, Sir Greg decided that he would prefer to carve out a career as a director. He went on to stage some of the most critically acclaimed theatre productions – including an all-black cast of Julius Caesar and took Titus Andronicus to South Africa.More recently, he has been touring the globe on his Shakespeare's First Folio tour to look at as many different copies of the texts as possible. He survives his husband, the actor Sir Anthony Sher whom he met in 1987 whilst they were both part of a production of the Merchant of Venice at the RSC in Stratford. Sir Greg lives in London.DISC ONE: Giulio Cesare in Egitto, HWV 17, Act 1: Duetto. "Son nata a lagrimar" (Cornelia, Sesto) Composed by Georg Friedrich Händel and performed by Nathalie Stutzmann (contralto) Philippe Jaroussky (counter tenor) Oreo 55 (Orchestra) DISC TWO: Sicut cervus – The Choir of Preston Catholic College DISC THREE: Born Free - Matt Monro DISC FOUR: It's Raining Men - The Weather Girls DISC FIVE: Diamonds on the Soles of Her Shoes - Paul Simon DISC SIX: J.S. Bach: Cantata "Ich habe genug" BWV 82: I. "Ich habe genug, ich habe den Heiland". Performed by Thomas Quasthoff (bass-baritone), Berliner Barock Solisten, conducted by Rainer Kussmaul DISC SEVEN: Piano Concerto No. 12 in A, K.414: 2. Andante. Composed by Mozart and performed by Alfred Brendel (piano) and Academy of St Martin in the Fields, conducted by Sir Neville Marriner DISC EIGHT: Where the Bee Sucks - Paul Englishby, Royal Shakespeare Company BOOK CHOICE: A 1609 copy of Shakespeare's Sonnets LUXURY ITEM: A shelf of photo albums CASTAWAY'S FAVOURITE: Piano Concerto No. 12 in A, K.414: 2. Andante. Composed by Mozart and performed by Alfred Brendel (piano) and Academy of St Martin in the Fields, conducted by Sir Neville MarrinerPresenter: Lauren Laverne Producer: Sarah Taylor

El factor de gobierno con el régimen del 78 es la corrupción. España sufre las consecuencias de no haber roto con el franquismo. Fuentes: Radio libertad constituyente: http://www.ivoox.com/rlc-2016-09-28-hoy-pagamos-precio-no-audios-mp3_rf_13092645_1.html Música: Andante. Allegro. BWV 1034. J.S.Bach. --------- - Vía iVoox: haz clic en APOYAR (botón de color azul). - Vía Paypal: https://www.paypal.com/donate?hosted_button_id=Y4WYL3BBYVVY4 - Vía Patreon: https://www.patreon.com/MCRC_es ------------ mcrc.es diariorc.com yonovoto.info

El MCRC tiene como finalidad que el pueblo español descubra y conquiste su propia libertad política colectiva. Fuentes: Radio libertad constituyente: http://www.ivoox.com/rlc-2017-11-30-piensa-veras-audios-mp3_rf_22386747_1.html Música: Andante. BWV 1034. J.S.Bach. --------- - Vía iVoox: haz clic en APOYAR (botón de color azul). - Vía Paypal: https://www.paypal.com/donate?hosted_button_id=Y4WYL3BBYVVY4 - Vía Patreon: https://www.patreon.com/MCRC_es ------------ mcrc.es diariorc.com yonovoto.info

Introducing: the Arn! Esplin discovers his love for method acting. Aldrea asks to speak to the Arn's manager. Was Aldrea the first “unlikable” narrator for many young readers— or at least the first narrator who behaved in such unlikable ways? Is Dak really the first Hork-Bajir to make it through the blue mists of the Arn's Zone, or are the Arn just pushing the others into planet's fiery core? How is the interspecies relationship between Tobias and Rachel similar and different to the relationship between Aldrea and Dak? What does it mean for Ax that he has a full support system during his Andante deprogramming while Aldrea has only Dan? Support the showSupport us on Patreon: https://www.patreon.com/anidorks@anidorkspod on twitter! Send questions to anidorkspod@gmail.comHey! For real though: Leave us a 5 star review and we'll read it on the air! New episodes every Wednesday!!!

Camille Saint-Saëns (1835-1921) - Piano Trio n. 1 in fa maggiore Op. 181.       Allegro vivace 0:002.       Andante 7:453.       Scherzo. Presto 17:054.       Allegro 21:00 Pascal Tortelier, violino Paul Tortelier, violoncelloMaria de la Pau, pianoforte

El alcalde de Monforte de Lemos, José Tomé, nos ha recibido en la Casa Da Cultura de la ciudad y hemos podido charlar con él acerca de los principales temas de actualidad política nacional e internacional.

Antonio Vivaldi (1678-1741) – Concerto per viola d'amore, archi e basso continuo in re minore (RV 395)1.       Allegro [0:05]2.       Andante [4:09]3.       Allegro [7:37] Europa Galante Fabio Biondi, viola d'amoreAndrea Rognoni, violinoFiorenza De Donatis, violinoStefano Marcocchi, violaMaurizio Naddeo, violoncello)Patxi Montero, violoneGiangiacomo Pinardi, tiorbaPaola Poncet, clavicembaloFabio Biondi, conductor

George Enescu (1881-1955) - Quartetto per pianoforte, violino, viola e violoncello n. 1 in re maggiore op. 16 1.       Allegro moderato2.       Andante mesto 15:573.       Vivace 30:00 Maria Fotino, Daniel Podlovschi, Alexandru Rădulescu, Ion Fotino

微信公众号：「365读书」（dus365)，有不定期赠书福利；微博：365读书v。主播：潮羽，365天每天更新一期。 文字版已在微信公众号【365读书】发布 。QQ：647519872 背景音乐：1.Chad Lawson - I Know a Love so True and Fair；2.韩国良 - Songs On Fishing Boats At Dusk；3.James Galway - Piano Concerto No.21 in C, K.467 - Arranged by Andreas Tarkmann：2. Andante；4.長谷川智樹,美野春樹,岩永知樹 - Melody；5.조한빛 - 난 아직 겨울；6.饭碗的彼岸 - Say Something（Piano ver.）；7.邓壬鑫 - 夜的钢琴曲三十二。

[✐2. Andante, 3. Moderato] te- & ta-forms “After the water comes to a boil, add the ramen   noodles.”[00:09]Hello,   everyone. First, we start by checking the te-   and ta-forms. After the masu-form, say   the te- and ta-forms.[00:20]For example,go [masu-form] >   [te-form], [ta-form]OK?[00:27]1. buy [masu-form] > [te-form], [ta-form]2. wait [masu-form] > [te-form],   [ta-form]3. use [masu-form] > [te-form],   [ta-form]4. repair/fix [masu-form] > [te-form], [ta-form]5. hurry [masu-form] > [te-form],   [ta-form]6. take a rest [masu-form]   > [te-form], [ta-form]7. go out [masu-form]   > [te-form], [ta-form]8. sleep [masu-form]   > [te-form], [ta-form]9. do [masu-form] >   [te-form], [ta-form]10. come [masu-form]   > [te-form], [ta-form]Repeat after me[02:02]1. Can I borrow this?2. Can I sit here?3. Where can do they sell (can   I find) this?4. Can I close the window?5. How long are you living   here?6. What kind of job do you do?7. May I call you later?8. Can I pay with a credit card?Repeat after me[03:43]1. I have read the book.2. I have stayed at a Japanese   Inn(ryokan).3. I've worked part-time at fast   food (shop).4. I've never been to Okinawa.5. Have you ever climed Mt. Fuji?6. Have you ever dropped your smatphone in the toilett?7. Have you ever won the lottery?(takarakuji wo ateru = win the lottery)8. Have you ever woken up while   laughing in the morning?(warai nagara = with a laugh/while   laughing)=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*= 「(お)ゆが ふっとうしてから、ラーメンのめんをいれます。」[00:09]みなさん、こんにちは。まず、て・フォームとた・フォームのかくにんからはじめます。ますフォームのあと、て・フォームとた・フォームをいってください。[00:20]たとえば、いきます＞いって、いったいいですか。[00:27]1. かいます＞かって、かった2. まちます＞まって、まった3. つかいます＞つかって、つかった4. なおします＞なおして、なおした5. いそぎます＞いそいで、いそいだ6. やすみます＞やすんで、やすんだ7. でかけます＞でかけて、でかけた8. ねます＞ねて、ねた9. します＞して、した10. きます＞きて、きたRepeat after me[02:02]1. これ、かりても いいですか。2. ここに すわっても いいですか。3. これは どこで うっていますか。4. まどをしめても いいですか。5. ここに どのくらい すんでいますか。6. どんなしごとを していますか。7. あとで でんわを しても いいですか。8. カードで はらっても いいですか。Repeat after me[03:43]1. そのほんを よんだことが あります。2. りょかんに とまったことが  あります。3. ファストフード(ショップ)で アルバイトをしたことがあります。4. おきなわに いったことが ありません。5. ふじさんに のぼったことが ありますか。6. スマホを トイレに おとしたことが ありますか。7. たからくじを あてた ことが ありますか。(たからくじをあてる = win the lottery)8. あさ、わらいながら、おきたことがありますか。(わらいながら = with a laugh/while laughing)Support the show=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=Need more translation & transcript? Become a patron: More episodes with full translation and Japanese transcripts. Members-only podcast feed for your smartphone app. Japanese Swotter on PatreonNote: English translations might sound occasionally unnatural as English, as I try to preserve the structure and essence of the original Japanese.

Giuseppe Sammartini (1695 - 1750) - Sonata Prima in Do maggiore per violino e basso continuo1.        Andante  2.       Allegro 3:483.       Adagio 6:464.       Allegro 8:54Ensemble LuciminiaFlavia Succhiarelli, violinoAnaïs Lauwaert, viola da gambaNicola Bisotti, clavicembalo

#herkesesanat Füg, kadans, modalite, tonalite... Geçmişten günümüze çok sesli müzik terminolojisi türkçeye nasıl yerleşti, hangi yollarla çevrildi ve bu terimler bugün nasıl kullanılıyor? Prof.Dr. İlke Boran'la çok sesli Batı müziği ve klasik müzik terminolojisini öğreniyoruz. NEDEN İLKE BORAN? 1972 yılında Roma'da doğdu, 1978'de Paris'te ilkokula başladı. 1991'de Ankara'daki Lycée Charles de Gaulle'den mezun oldu. 1996'da Mimar Sinan Üniversitesi Devlet Konservatuvarı Müzikoloji Bölümü'nden lisans, 1999'da yüksek lisans derecesini aldı. 2000 yılında başladığı doktora programını, “Elektronik Müzik'te Analog Dönem ve Bülent Arel'in Stereo Electronic Music No.1” başlıklı teziyle tamamladı. 1995–2004 arasında Açık Radyo'da, 2017–2018'de Elif Damla Yavuz ile birlikte Müzik Pazarı programını hazırladı ve sundu. Radikal, Milliyet Sanat, Andante ve Sanat Dünyamız gibi yayınlarda yazıları yayımlandı. Çok sayıda sempozyum, panel, tiyatro, sergi ve kısa filmde müzik ve ses tasarımı yaptı. 1998–2013 arasında Prof. Filiz Ali ile Ayvalık Uluslararası Müzik Akademisi'nin kuruluşunda ve etkinliklerinde yer aldı. 1998'den beri Mimar Sinan Güzel Sanatlar Üniversitesi İstanbul Devlet Konservatuvarı'nda öğretim üyesi olarak görev yapıyor. 2011'de Yardımcı Doçent, 2017'de Doçent, 2025'te Profesör unvanını aldı. Ayrıca Sabancı ve Marmara üniversitelerinde ders verdi. NEDEN HERKESE SANAT? Uzak durduğumuz sanat dallarıyla, sanatçı, akademisyen, eleştirmen, sanat tarihçi, kültür-sanat yazarı, küratör ve kıdemli seyirci rehberliğinde tanışıyor, o sanat dalının seyircisi olmayı öğreniyoruz. Çünkü anlamak için tanışmak gerekir. Tanışırsak, anlayabiliriz, sevebiliriz. Nacide Berber her sanat dalını, bilenlere soruyor, prodüktör Cengiz Saral yayına hazırlıyor. Herkese Sanat cumartesi günü saat 12.30'da, tekrarı pazar günü 18.30'da NTVRadyo'da. Programın ses kayıtlarını, radyoda yayınlandıktan sonra, kaçıranlar ve tekrar dinlemek isteyenler için ntvradyo.com.tr adresine ve podcast platformlarına yüklüyoruz. İstediğiniz zaman istediğiniz yerde dinlemeniz için.

微信公众号：「365读书」（dus365)，有不定期赠书福利；微博：365读书v。主播：潮羽，365天每天更新一期。 文字版已在微信公众号【365读书】发布 。QQ：647519872 背景音乐：1.赵成宇 - April Snow (With 눈 녹은 길 II - 대사5) (1)；2.James Galway - Piano Concerto No.21 in C, K.467 - Arranged by Andreas Tarkmann：2. Andante；3.渡辺俊幸 - 母の想い；4.水月陵 - Harmony with Sorrow；5.麗美 - i left you ~ not sure if i did；6.赖英里 - 夜景 Nocturne；7.陈占美 - 顺流逆流；8.高木正勝 - そらつつみ；9.灵空GTech - 雨幕；10.水月陵 - 蝉声とともに；王黎光 - 心语1。

If Elvis, Sherlock Holmes, and Will Shortz walked into a mystery -- well, we'd definitely watch that, just like we devoured LUDWIG! We paused viewing only long enough to record this episode and have a simmering feud over what, exactly, the criteria are for a locked-room mystery. Jacob's still not convinced Join us on the Cluedunnit Patreon (patreon.com/cluedunnitpodcast) and brag about how long your Wordle winning streak is or how fast you can do the NY Times Saturday crossword. (Yeah, we said Saturday. IYKYK.) We watched LUDWIG, series 1, episode 5. (There's no title given for the episode! Quick, let's name it for them! Andante con moto! Scherzo allegro! Nerds rule, jocks drool! Put your suggestion in the comments!) Follow us on the socials and let us know what you think!  Facebook: @cluedunnitpodcast   Instagram: @cluedunnitpodcast And don't forget to discover even more mysteries and community with us on Patreon!  You can find us on Apple podcasts: https://podcasts.apple.com/us/podcast/cluedunnit/id1582713330 Spotify: https://open.spotify.com/show/1PLXRlrkJFBTE6eE97YPwQ Overcast: You'll need to login with your Overcast account, but once you do, we're at https://overcast.fm/itunes1582713330/cluedunnit YouTube: https://www.youtube.com/@cluedunnitpodcast  

微信公众号：「365读书」（dus365)，有不定期赠书福利；微博：365读书v。主播：潮羽，365天每天更新一期。 文字版已在微信公众号【365读书】发布 。QQ：647519872 背景音乐： 1.Xeuphoria - But You're Already Gone；2.John Lenehan - Dolce Droga；3.Karl Leister,Ferenc Bognár,Johannes Brahms - Sonata No. 2 for Clarinet and Piano in E-Flat Major, Op. 120, No. 2 III. Andante con moto - Allegro；4.V.A. - ロマンス ト長調；5.Arthur Rubinstein,Frédéric François Chopin - Nocturne No. 19 in E Minor, Op. 72, No. 1。

En 1969, Juan Manuel Bellón fue bautizado como el nuevo Arturo Pomar. Cinco veces campeón nacional, es hoy el decano de los grandes maestros españoles, alguien que puede presumir de haberse enfrentado a casi todos los campeones mundiales del tablero. Hoy, en ‘Cuentos, jaques y leyendas’, Roberto López y Manuel Azuaga rinden tributo en vida a uno de los personajes más queridos por la familia del ajedrez, Juan Manuel Bellón López, el único ajedrecista español que, junto a Ruy López de Seguro, ha puesto su nombre a una apertura teórica, el gambito Bellón. En cierta ocasión, le preguntaron a Míjail Tal, el mago de Riga, por cuál era el jugador que más se le parecía en el tablero. Tal respondió: «Viktor Kupreichik y Juan Manuel Bellón». En ‘Enroque corto’, tiene voz Ignasi Vidal, director de cine y teatro, actor y, en sus ratos libres, apasionado ajedrecista. En ‘La biblioteca de Caissa’, el maestro Luisón nos recomienda dos nuevos títulos. Y, en ‘La gran diagonal’, recibimos el saludo y la pregunta del maestro FIDE Jorge Ramírez. Escucha todos nuestros podcast aquí.

In this second part of our Hear the Dance journey into Jerome Robbins' A Suite of Dances, Cellist Hannah Holman joins host Silas Farley to provide a deep-dive introduction to the Bach Cello Suites that provide the ballet's exquisite score. As Holman explains, the music is a seminal work for every cellist, with complex challenges and varied delights throughout—all of which are complicated and enriched when performed onstage with the work's solo dancer. (42:48) Written by Silas Farley  Edited by Emilie Silvestri Music: Concerto for Violin and Orchestra in D major (1931) by Igor Stravinsky 6 Suites for Solo Cello: Prelude & Gigue from Suite 1 in G major, BMV 1007 Sarabande from Suite V in C minor, BMV 1011 Prelude from VI in D major, BMV 1012 by Johann Sebastian Bach Symphony No.4 in E Minor, op.98 (I. Allegro non troppo, II.Andante moderato, III. Allegro giocoso, IV. Allegro energico e passionato) by Johann Sebastian Bach All music performed by the New York City Ballet Orchestra, Yo-Yo Ma and Herbert von Karajan Reading List:  Somewhere: The Life of Jerome Robbins by Amanda Vaill Jerome Robbins, By Himself: Selections from His Letters, Journals, Drawings, Photographs, and an Unfinished Memoir Edited and with Commentary by Amanda Vaill Misha: The Mikhail Baryshnikov Story by Barbara Aria Illusions of Camelot: A Memoir by Peter Boal Bach: Music in the Castle of Heaven by John Eliot Gardiner

微信公众号：「365读书」（dus365)，有不定期赠书福利；微博：365读书v。主播：潮羽，365天每天更新一期。 文字版已在微信公众号【365读书】发布 。QQ：647519872 背景音乐：1.奥术大师陆陆吾 - 坂本龍一-L_Merry Christmas Mr.Lawrence（奥术大师陆陆吾 remix）；2.加賀谷玲 - 12月 花の祈り；3.James Galway - Piano Concerto No.21 in C, K.467 - Arranged by Andreas Tarkmann：2. Andante。

Thu, 17 Apr 2025 23:00:00 +0000 https://seesee.podigee.io/s3e18-andrei-ionita 8b306c6e95ffcb5e607b501afe394bac In this episode, we have an in-depth conversation with Andrei Ioniță, the prodigious Romanian cellist and winner of the 2015 International Tchaikovsky Competition. We explore the emotional profundities and rich spectrum of colors that the cello can evoke, and how it reflects the subtleties of human emotion. Andrei shares his thoughts on playing Bach, discussing the personal connection he has with his instrument and his journey as a musician. He also reflects on the nuances of gut strings, the importance of good posture for a cellist, the physical sensation of the cello resting against his body, and how this intimate embrace influences emotional expression and depth of sound, particularly in the intense, low register passages. In this episode dedicated to music, Andrei also discusses his Romanian heritage and how the voice of Romania speaks through his bow, offering a personal insight into his cultural identity. In this episode, he takes us inside his experience during the 15th Tchaikovsky Competition and talks about his most difficult decisions as a musician. Most powerfully, Andrei opens up about how he conveys his whole soul through his music, sharing the courage it takes to be vulnerable and break through at the highest emotional peaks, only to let go and invite the listener into a shared human experience through his playing. This episode is a real treat for the ears and the heart! Andrei Ioniță's carrier it's a journey of emotional reflection and artistic courage – You'll understand what it is meant to “play from the gut”. Website: https://www.andreiionitacellist.com https://www.haefligerproduction.com/andrei-ionita https://www.symphonikerhamburg.de/laeiszhalle-orchester-symphoniker-hamburg/andrei-ionita-135 Instagram: ionita_andrei94 Facebook: Andrei Ioniță - Cellist This episode's Playlist and Playlist's credits: · Papandopulo, Boris. Rhapsodia Concertante: I. Introduzione Tempo Libero. Performed by Oliver Triendl and Andrei Ioniță. On Boris Papandopulo: Works for Piano & Strings, CPO-555106-2, 2021.CD · Tchaikovsky, Pyotr Ilyich. Variations on a Rococo Theme, Op. 33 (var. VII e Coda : Allegro vivo). Performed by Cellist Andrei Ioniță and the Münchener Philharmoniker conducted by Valery Gergiev recorded at the Philharmonie im Gasteig (Munich, Germany), on May 12, 2017 20:00 © A Coproduction by Munich Philharmonic Orchestra & Telmondis // In Association with medici.tv & Takt1 https://www.youtube.com/watch?v=-6dyn2LRxVo · Brett, Dean. 11 Oblique Strategies No. 1. Listen to the Quiet Voice. Performed by Andrei Ioniță. On Oblique Strategies. Orchid Classics ORC100096, 2019. CD. · Brett, Dean. 11 Oblique Strategies No. 5. What are the Sections Sections of? Performed by Andrei Ioniță. On Oblique Strategies. Orchid Classics ORC100096, 2019. CD. · Brahms, Johannes. Cello Suite No. 1 G Major, BWV 1007: I. Prelude. Performed byAndrei Ioniță. On Oblique Strategies. Orchid Classics ORC100096, 2019. CD. · Brahms, Johannes. Cello Suite No. 1 in G Major BWV 1007: III. Courante. Performed by Andrei Ioniță. On Oblique Strategies. Orchid Classics ORC100096, 2019. CD. · Brahms, Johannes. Clarinet Trio in A Minor, Op. 114: I. Allegro. Performed by Pablo Barragán, Andrei Ioniță, and Juan Pérez Floristán. On Brahms: Complete Clarinet Sonatas & Trio. IBS Classical, 2018. CD. · Papandopulo, Boris. Concertino in modo antico, OP.56 II Aria. Performed by Oliver Triendl, Amaury Coeytaux, Vanessa Szgeti, and Andrei Ioniță. On Boris Papandopulo:Works for Piano & Strings, CPO-555106-2, 2021.CD · Dmitri, Shostakovich. Sonata for Cello and Piano in D Minor, Op.40. The XV International Tchaikovsky Competition. Performed by Andrei Ioniţă: Cellist and Seong-Jin Cho: Pianist. Concert recorded at the Salle des Combins (Verbier, Switzerland), on July 25, 2018. © Idéale Audience with the participation of medici.tv https://www.youtube.com/watch?v=iHPd1dN89bM · Dmitri, Shostakovich. Cello Concerto No. 1 in E-flat major, Op. 107 4. Allegro con moto. Performed by Andrei Ionuț Ioniță with the Mariinsky Theatre Symphony Orchestra conducted by Valery Gergiev. The XV International Tchaikovsky Competition's Winners' Concert. Recorded at the Great Hall of the Moscow Conservatory, on July 2, 2015. © MUSEEC/medici.tv https://www.youtube.com/watch?v=zzaCNTlJciI · Dmitri Shostakovich. Cello Concerto No. 1 in E-flat major, Op. 107 with the Draft. Performed by Andrei Ionuț Ioniță Orchestra of the Shostakovich State Academic Saint Petersburg Philharmonic conducted by Nikolai Alexeev. Cello: Final Round - Candidate #2 - First Prize - Recorded at the Grand Hall of the Saint Petersburg Philharmonia, on June 28, 2015, 7:45 p.m. https://www.youtube.com/watch?v=QfkQt0gSiJI · Henryson, Svante. Black Run. Performed by Andrei Ioniță. On Oblique Strategies. Orchid Classics ORC100096, 2019. CD. · Enescu, George: Piano Quartet No. 1 in D Major, Op. 16: II Andante mesto. Performed by Catalin Serban, Andrei Ioniță, Karolina Errera, Suyeon Kang. On Mélodies Infinies: Fauré & Enescu Piano Quartets. Naxos 8.551477, 2024. CD · Papandopulo, Boris. Rapsodia Concertante: I. Introduziene. Tempo libero. Performed by Oliver Triendl, Amaury Coeytaux, Vanessa Szgeti, and Andrei Ioniță. On Boris Papandopulo: Works for Piano & Strings, CPO-555106-2, 2021.CD · Rachmaninoff, Sergei: Sonata -Moll OP 19. Lento- Allegro moderato. 2. Allegro scherzando. 3 Andante. 4 Allegro mosso. Performed by Andrei Ioniță and Andrei Ioniță (Violoncello), Catalin Serban (Piano). Kammermusik am Max-Planck-Institut für Bildungsforschung in Zusammenarbeit mit Konzertleben e.V. January 17th, 2024. https://www.youtube.com/watch?v=QqpFqwfoBDg · Saint-Saëns, Camille. Concerto No.1 in A minor for Cello and Orchestra Op. 33. Performed by Solist Andrei Ioniță and the Filarmonica George Enescu conducted by Stefan Ausbury Opening Concert October 7th, 2020, at the Romanian Athenaeum lived-streamed on the Institutions Website and YouTube Channel. https://www.youtube.com/watch?v=ktTHMbFcyp4 · Papandopulo, Boris. Rapsodia Concertante: I. Introduziene. Tempo libero. Performed by Oliver Triendl, Amaury Coeytaux, Vanessa Szgeti, and Andrei Ioniță. On Boris Papandopulo: Works for Piano & Strings, CPO-555106-2, 2021.CD · Rachmaninoff, Sergei: Sonata -Moll OP 19. Lento- Allegro moderato. 2. Allegro scherzando. 3 Andante. 4 Allegro mosso. Performed by Andrei Ioniță and Andrei Ioniță (Violoncello), Catalin Serban (Piano). Kammermusik am Max-Planck-Institut für Bildungsforschung in Zusammenarbeit mit Konzertleben e.V. January 17th, 2024. https://www.youtube.com/watch?v=QqpFqwfoBDg · Fauré, Gabriel: Piano Quartet No. 1 in C Minor, Op. 15: III Adagio. Performed by Catalin Serban, Andrei Ioniță, Karolina Errera, Suyeon Kang. On Mélodies Infinies: Fauré & Enescu Piano Quartets. Naxos 8.551477, 2024. CD https://www.youtube.com/watch?v=ktTHMbFcyp4 · Saint-Saëns, Camille. Concerto No.1 in A minor for Cello and Orchestra Op. 33. Performed by Solist Andrei Ioniță and the Filarmonica George Enescu conducted by Stefan Ausbury Opening Concert October 7th, 2020, at the Romanian Athenaeum lived-streamed on the Institutions Website and YouTube Channel. https://www.youtube.com/watch?v=ktTHMbFcyp4 · Brahms, Johannes. Clarinet Trio in A Minor, Op. 114: I. Allegro. Performed by Pablo Barragán, Andrei Ioniță, and Juan Pérez Floristán. On Brahms: Complete Clarinet Sonatas & Trio. IBS Classical, 2018. CD. · Papandopulo, Boris. Rhapsodia Concertante: III. Danza. Allegro. Performed by Oliver Triendl and Andrei Ioniță. On Boris Papandopulo: Works for Piano & Strings, CPO-555106-2, 2021.CD Albums: Available in all Platforms https://open.spotify.com/intl-de/album/3Cqhwf6m3Gl8i0HfDTzln1 https://www.naxos.com/CatalogueDetail/?id=C5463 https://open.spotify.com/intl-de/artist/4ITCrIEQbzQVUO8CPHhdLP 3 18 full no Cellist,World famous orchestras,world famous conductors,Tchaikovsky Competition,Bach,Shostakovich,Enescu,Fauré,Gut strings,Posture Dr. Cecilia Ponce Rivera

Musik ist da, wenn Worte nicht mehr weiterkommen und berührt, was wir kaum greifen können. Sie trägt uns fort von kreisenden Gedanken und fördert Tränen, die vielleicht schon lange warten. In dieser Woche hat Philipp unter anderem wunderbare Tracks von Taylor Swift und Gracie Abrams im Gepäck: Diese Musikstücke hast Du in der Folge gehört: The National feat. Taylor Swift - "The Alcott" // Edward Elgar – "The Prince of Sleep" // Florian Christl – "C'est la vie" // Gracie Abrams – "I Miss You, I´m Sorry" // Baldassare Galuppi – "Klaviersonate d-moll, Andante" // Den ARD Podcast "Gold & Asche: Projekt Versicherungen" findest Du hier: https://www.ardaudiothek.de/sendung/gold-und-asche-projekt-versicherungen/13625063/ Wenn Du eine Idee oder einen Wunsch zu einem musikalischen Thema hast, dann schreib ihm eine Mail: playlist@ndr.de

Große Musik für ein großes Thema. Verfluchen oder verzeihen? Das ist oftmals gar nicht so einfach. Löse die Schatten aus dem Herzen und lass Raum für Leichtigkeit entstehen. Diese Musikstücke hast Du in der Folge gehört: Eric Bibb – "Forgiveness Is Gold" // Barbra Streisand – "Sweet Forgiveness" // W.A. Mozart – "Klavierkonzert 15 (Andante)" // Tuck & Patti – "Forgiveness" // Poor Clares Of Arundel – "Forgiveness and Peace" // Thomas D. – "Vergebung hier ist sie" // Den Podcast "Telephobia - Dieser eine Anruf" findest du hier: https://www.ardaudiothek.de/sendung/telephobia-dieser-eine-anruf/12641441/ Wenn Du eine Idee oder einen Wunsch zu einem musikalischen Thema hast, dann schreib ihm eine Mail: playlist@ndr.de

[✐1. Adagio, 2. Andante]  V(ます)+たくないです don't want to ....“I don't want to do anything.”[00:07]Hello everyone.  How are you doing? I don't feel like doing anything today. Don't you have such a day?[00:17]Let's practice “〜takunaidesu(don't want to)”.Repeat after me[00:23]1.  go [Masu form] – ikitakunaidesu2.  buy [Masu form] – kaitakunaidesu3.  eat [Masu form] – tabetakunaidesu4.  see/watch [Masu form] – mitakunaidesu5.  do [Masu form] – shitakunaidesu[01:03]So far so good?Repeat after me[01:07]1.  I don't want to get out of the bed.2.  I don't want to wash my face.3.  I don't want to brush my teeth.4.  I don't want to shave.5.  I don't want to take off my pyjamas.6.  I don't want to eat breakfast.[02:08]Ah, even so, I'd love to have a cup of coffee.Repeat after me[02:16]1.  I don't want to clean the room.2.  I don't want to do the laundry.3.  I don't want to mow the grass.4.  I don't want to replace the light bulb.5.  I don't want to cook.[03:12]Now, make a sentence with the opposite meaning.For example,[03:18]I want to drink coffee.→ I don't want to drink coffee.OK?=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=「なにも したくないです。」[00:07]みなさん、こんにちは。おげんきですか。わたしは、きょうは、なにもしたくないです。みなさんにも そういう ひ が ありませんか。[00:17]では、｢〜たくないです｣を れんしゅうしましょう。Repeat after me[00:23]1.  いきます- いきたくないです2.  かいます- かいたくないです3.  たべます - たべたくないです4.  みます – みたくないです5.  します – したくないです[01:03]ここまでOKですね。Repeat after me[01:07]1.  ベッドから でたくないです。2.  かおを あらいたくないです。3.  はを みがきたくないです。4.  ひげを そりたくないです。(ひげをそる = shave)5.  パジャマを ぬぎたくないです。6.  ちょうしょくを たべたくないです。[02:08]あ、でもコーヒーは のみたいです。Repeat after me[02:16]1.  へやの そうじを したくないです。2.  せんたくを したくないです。3.  くさかりを したくないです。4.  でんきゅうを とりかえたくないです。5.  りょうりを したくないです。[03:12]では、つぎのように はんたいの いみの ぶんをつくります。たとえば、[03:18]コーヒーを のみたいです→ コーヒーを のみたくないです。いいですか。Support the show=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=Need more translation & transcript? Become a patron: More episodes with full translation and Japanese transcripts. Members-only podcast feed for your smartphone app. Japanese Swotter on PatreonNote: English translations might sound occasionally unnatural as English, as I try to preserve the structure and essence of the original Japanese.

Sergei Rachmaninoff - Cello Sonata: AndanteJonah Kim, cello Sean Kennard, pianoMore info about today's track: Delos DE3574Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

[1.Adagio, 2.Andante] for one's health : けんこうのために“Do you do (are you doing) something for your health?”[00:09]Hello, everyone. Today's theme is “health”.Repeat after me[00:14]1.  For my health, I exercise a lot.2.  For my health, I jog.3.  For my health, I eat well-balanced.4.  For my health, I don't drink alcohol.5.  For my health, I don't smoke.6.  For my health, I use the stairs.7.  What do you do (= are you doing) healthwise?8.  Do you do (= are you doing) something healthwise?NOTE: shiteimasu < shimasu ＜ suru : て-Form/Present progressive;  implying  continuing state / what you do regularly.[01:58]Now, make a sentence as follows.For example,Do you do (= are you doing) something healthwise?Yoga→ I do Yoga (regularly).Ready?[02:11]1.  What do you do for your health?every morning, stretching exercise→ Every morning, I do stretch excercise.2.  Do you do something healthwise?in the morning and evening, take a walk→ I take a walk 40 minutes (each) in the morning and evening.3.  Do you do something healthwise?everyday, about 10,000 steps, walk→  I walk about 10,000 steps every day.[03:30]4.  What do you do for your health?twice a week, attend Zumba class→ I attend Zumba classes twice a week.5.  What do you do for your health?mustle training, at home→ I do mustle training at home.6.  Do you do something healthwise?nothing in particular→ I don't do anything in particular.=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*= 「けんこうのために なにかしていますか。」[00:09]みなさん、こんにちは。きょうのテーマはけんこうです。Repeat after me[00:14]1.  けんこうのために、よくうんどうします。2.  けんこうのために、ジョギングします。3.  けんこうのために、バランスよくたべます。(バランスよく= well-balanced)4.  けんこうのために、おさけをのみません。5.  けんこうのために、たばこをすいません。6.  けんこうのために、かいだんをつかいます。7.  けんこうのために、なにをしていますか。8.  けんこうのために、なにかしていますか。NOTE: (しています ←します・Vて-Form/Present progressive: implying continuing state /what you do regularly.[01:58]では、つぎにようにぶんをつくります。たとえば、けんこうのために、なにかしていますか。ヨガ→ ヨガをしています。いいですか。[02:11]1.  けんこうのために、なにをしていますか。まいあさ、ストレッチ→ まいあさ、ストレッチをしています。2.  けんこうのために、なにかしていますか。あさばん、40ぷん、さんぽ→ あさばん、40ぷん、さんぽをしています。3.  けんこうのために、なにかしていますか。まいにち  10,000ぼ(いちまんぼ)、あるきます→ まいにち10,000ぼ、あるいています。[03:30]4.  けんこうのために、なにをしていますか。しゅうに２かい、ズンバのクラスにかよいます→ しゅうに２かい、ズンバのクラスにかよっています。5.  けんこうのために、なにをしていますか。うちで きんトレをします→うちで きんトレをしています。(きんトレ= きんにくトレーニング = mustle/strength training =  work out)6.  けんこうのために、なにかしていますか。とくになにも→ とくになにもしていません。Support the show=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=Need more translation & transcript? Become a patron: More episodes with full translation and Japanese transcripts. Members-only podcast feed for your smartphone app. Japanese Swotter on PatreonNote: English translations might sound occasionally unnatural as English, as I try to preserve the structure and essence of the original Japanese.

Kris Palmer, flute, Stephen Main, harp, Piedmont Community Church, Piedmont, California

"Get ready. Get set. Get out!" Cast Gloria - Siouxsie Suarez Caspar - Joe Fisher Ava - Finlay Stevenson Zebulon Mucklewain - Neal Starbird Effie Mucklewain - Julie Cowden-Starbird David - Quintin Jones, Jr. Leif - Tom Moorman Kazi - Jessica Morris Teta - Aubrey Ferguson Libuza - Shelly Darrington Fiona - Tess Segal Feudalism Guy, Announcer, Waiter - Dr. Punt Gusher Betty, Edith - Dr. Lattice the Talking Doll Sunny the Stagg - Jessica Mudd Written and Directed by Joe Fisher Produced by Joe Fisher and Finlay Stevenson Episode art by Existentially Exhausted Bean Music: Hip Hop Rock Song - Def Lev Majestica - Edgar Hopp Eye of the Newscaster - Out to the World Titans - Dream Cave Final Discoveries - Jon Sumner Stand for Truth - Reynard Seidel Mover - Carvings Home Straight - Jon Bjork String Quartet No. 2 In D Major, K. 155_ I. Allegro - W. A. Mozart Symphony No.5 in E minor Op.64 - IV. Andante maestoso - P.I. Tchaikovsky Learn more about your ad choices. Visit megaphone.fm/adchoices

微信公众号：「365读书」（dus365)，有不定期赠书福利；微博：365读书v。主播：潮羽，365天每天更新一期。 文字版已在微信公众号【365读书】发布 。QQ：647519872 背景音乐：1.麗美 - still... ~ instrumental；2.James Galway - Piano Concerto No.21 in C, K.467 - Arranged by Andreas Tarkmann：2. Andante；3.髙見優 - 五年前；4.黒須克彦,帆足圭吾 - 繋ぎとめた世界；5.马常胜 - 空中楼阁：平沙落雁；6.骆集益 - 月意。

This Day in Legal History: Law of BurgosOn December 27, 1512, the Spanish Crown enacted the Laws of Burgos, marking one of the earliest attempts in European colonial history to regulate interactions between colonizers and indigenous peoples. These laws were implemented primarily in the Caribbean and aimed to address the mistreatment of indigenous populations following the Spanish conquests. They formalized the encomienda system, under which Spanish settlers were granted the right to indigenous labor in exchange for providing religious instruction and protection. The laws also sought to prevent outright abuse by prohibiting physical mistreatment and ensuring that indigenous people received basic sustenance and housing.The Laws of Burgos represented an acknowledgment of the moral and ethical issues raised by colonial expansion, partly influenced by the advocacy of figures like Dominican friar Antonio de Montesinos. However, their practical effectiveness was minimal. Enforcement mechanisms were weak, and colonial administrators often disregarded the rules. The encomienda system itself perpetuated exploitation, as it enabled settlers to maintain control over indigenous labor with little oversight.The laws mandated the conversion of indigenous peoples to Christianity, critics argue that this often served to further entrench colonial domination rather than protect cultural or spiritual rights. Over time, the failure of the Laws of Burgos to alleviate suffering led to further reforms, including the New Laws of 1542, which aimed to abolish the encomienda system altogether. The Laws of Burgos remain a significant moment in legal history for their attempt—however flawed—to impose moral constraints on imperial expansion.The Fifth Circuit Court of Appeals has reinstated a nationwide injunction against enforcing the Corporate Transparency Act (CTA), reversing a decision by a different panel of the same court just days earlier. The CTA, intended to combat money laundering, requires U.S. businesses formed before 2024 to disclose their beneficial owners by January 1, 2025. The law was challenged by Texas Top Cop Shop Inc., a firearms retailer, with representation from the Center for Individual Rights. A district court issued an injunction halting enforcement of the CTA on December 3.However, on December 23, the court's motions panel lifted the injunction, citing the government's strong likelihood of proving the CTA constitutional. This decision was overturned by a separate panel handling the case's merits, which reinstated the injunction to maintain the constitutional status quo until the appeal is fully resolved. The case, titled Texas Top Cop Shop v. Garland, underscores ongoing legal disputes over the balance between regulatory compliance and constitutional protections.If ever allowed to come into law, the CTA would mandate most U.S. entities, including corporations, LLCs, and similar structures, to report their beneficial owners—individuals who exercise substantial control or own at least 25% of the entity—to the Financial Crimes Enforcement Network (FinCEN). Exemptions apply to certain entities, such as large, publicly traded companies and those already subject to substantial federal oversight. The CTA's reporting requirements are designed to create a centralized registry of beneficial ownership information, accessible to law enforcement and regulatory agencies for investigative purposes. By implementing these measures, the CTA seeks to close gaps in corporate opacity and align U.S. practices with global anti-money laundering standards.Corporate Transparency Act Blocked by US Appeals Court AgainUS appeals court halts enforcement of anti-money laundering law | ReutersJudge Pauline Newman, the oldest active federal judge in the U.S., has accused the Federal Circuit of withholding documents related to her suspension to control the media narrative. In a filing with the U.S. Court of Appeals for the D.C. Circuit, Newman sought to unseal four documents she says highlight Chief Judge Kimberly Moore's and the Judicial Council's evolving demands for her medical records during their investigation into her fitness to serve. Newman argues that the documents, which include a gag order, do not contain sensitive information warranting secrecy and are critical to her due process claims. The Federal Circuit contends that sealing the documents is necessary to preserve fairness and protect broader procedural integrity, asserting that they will be released in due course. Newman, however, criticized the delays as unjustified, claiming they serve only to control public perception. She also alleged selective disclosures by the Judicial Council to favorably shape media coverage during the investigation. Represented by the New Civil Liberties Alliance, Newman continues to challenge her suspension, arguing that the D.C. Circuit has the authority to unseal the contested documents. The case underscores tensions over judicial transparency and due process rights.Newman Accuses Fed. Cir. of Concealing Files to Control MediaBioNTech has reached settlement agreements with the U.S. National Institutes of Health (NIH) and the University of Pennsylvania (Penn) over COVID-19 vaccine royalty disputes. The German company, partnered with Pfizer for vaccine production, will pay $791.5 million to the NIH and $467 million to Penn. Penn will dismiss its lawsuit, which alleged that BioNTech underpaid royalties for using mRNA technology developed by Nobel laureates at the university. Pfizer will reimburse BioNTech for portions of the payments: up to $170 million for Penn and $364.5 million for the NIH. The settlements include amendments to BioNTech's licensing agreements with both entities, committing to ongoing royalty payments as a low single-digit percentage of vaccine net sales. Additionally, they establish a framework for licensing the use of NIH and Penn patents in combination products. BioNTech stated that these settlements do not constitute an admission of liability.BioNTech enters settlement with US agency, UPenn over COVID vaccine royalties | ReutersThis week's closing theme is by Wolfgang Amadeus Mozart, one of the most celebrated composers of the Classical era, was a musical prodigy whose works remain timeless. Born in Salzburg in 1756, Mozart composed over 600 pieces, including symphonies, operas, chamber music, and sonatas, showcasing his unparalleled melodic genius and structural clarity. His works are renowned for their emotional depth and technical mastery, often blending elegance with playful innovation.Among his many compositions, the Piano Sonata No. 11 in A major, K. 331, holds a special place for its lyrical beauty. The first movement, Andante grazioso, is a theme with six variations that exemplifies Mozart's ingenuity in transforming a simple, graceful melody into a vibrant exploration of texture and expression. The movement's flowing lines and delicate ornamentation reflect Mozart's flair for creating music that is both technically demanding and deeply emotive.This sonata, likely composed around 1783, radiates a sense of intimacy and charm, making it a favorite in the piano repertoire. The Andante grazioso invites the listener into a world of serene elegance, embodying the Classical ideal of balance and refinement while hinting at the playful brilliance that defines much of Mozart's work. This week's closing theme reminds us of the enduring power of music to evoke beauty and joy through simplicity and artistry.Without further ado, Wolfgang Amadeus Mozart's Piano Sonata No. 11 in A major, K. 331, enjoy.  This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.minimumcomp.com/subscribe

As Jay explains in his introduction, he has done many Christmas podcasts. And Fourth of July podcasts. And an Easter podcast or two. And Halloween podcasts. But not until now a Thanksgiving podcast. So, here are songs of gratitude and other items appropriate to the holiday. A little feast on its own, filling but not fattening. Handel or Ochs, “Dank sei Dir, Herr” Berlin, “I've Got Plenty to Be Thankful For” Strauss, “Zueignung” Chabrier, “Ballade des gros dindons” ?, “The Turkey of 29 Pounds” Valerius-Paulus, “We Gather Together” Brahe, “Bless This House” Beethoven, Andante from String Quartet No. 15 in A minor, Op. 132

微信公众号：「365读书」（dus365)，有不定期赠书福利；微博：365读书v。主播：潮羽，365天每天更新一期。 文字版已在微信公众号【365读书】发布 。QQ：647519872 背景音乐：1.林有三 - やわらかな時間；2.杨瑾 - 小月儿高；3.Arthur Rubinstein,Frédéric François Chopin - Nocturne No. 3 in B Major, Op. 9, No. 3；4.Endless Melancholy - Light；5.Isaac Stern - Piano Trio No. 1 Op. 99：Andante con moto；6.Pyotr Ilyich Tchaikovsky - Nocturne, for cello & small orchestra (or piano) in D minor, Op. 19／4；7.Rachel Portman - We Had Today。

Wolfgang Amadeus Mozart - Piano Concerto No. 21: AndantePeter Lang, piano Capella Istropolitana Christoph Eberle, conductorMore info about today's track: Naxos 8.550293Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

This week on The Broski Report, Fearless Leader Brittany Broski falls down a Google rabbit hole starting with the animated movie Hoodwinked, adds Seafood Boil Mukbangs to her ASMR repertoire, and unpacks her film history starting with Ocean's 11.