Podcasts about Andante

Introducing: the Arn! Esplin discovers his love for method acting. Aldrea asks to speak to the Arn's manager. Was Aldrea the first “unlikable” narrator for many young readers— or at least the first narrator who behaved in such unlikable ways? Is Dak really the first Hork-Bajir to make it through the blue mists of the Arn's Zone, or are the Arn just pushing the others into planet's fiery core? How is the interspecies relationship between Tobias and Rachel similar and different to the relationship between Aldrea and Dak? What does it mean for Ax that he has a full support system during his Andante deprogramming while Aldrea has only Dan? Support the showSupport us on Patreon: https://www.patreon.com/anidorks@anidorkspod on twitter! Send questions to anidorkspod@gmail.comHey! For real though: Leave us a 5 star review and we'll read it on the air! New episodes every Wednesday!!!

Camille Saint-Saëns (1835-1921) - Piano Trio n. 1 in fa maggiore Op. 181.       Allegro vivace 0:002.       Andante 7:453.       Scherzo. Presto 17:054.       Allegro 21:00 Pascal Tortelier, violino Paul Tortelier, violoncelloMaria de la Pau, pianoforte

El alcalde de Monforte de Lemos, José Tomé, nos ha recibido en la Casa Da Cultura de la ciudad y hemos podido charlar con él acerca de los principales temas de actualidad política nacional e internacional.

Antonio Vivaldi (1678-1741) – Concerto per viola d'amore, archi e basso continuo in re minore (RV 395)1.       Allegro [0:05]2.       Andante [4:09]3.       Allegro [7:37] Europa Galante Fabio Biondi, viola d'amoreAndrea Rognoni, violinoFiorenza De Donatis, violinoStefano Marcocchi, violaMaurizio Naddeo, violoncello)Patxi Montero, violoneGiangiacomo Pinardi, tiorbaPaola Poncet, clavicembaloFabio Biondi, conductor

George Enescu (1881-1955) - Quartetto per pianoforte, violino, viola e violoncello n. 1 in re maggiore op. 16 1.       Allegro moderato2.       Andante mesto 15:573.       Vivace 30:00 Maria Fotino, Daniel Podlovschi, Alexandru Rădulescu, Ion Fotino

微信公众号：「365读书」（dus365)，有不定期赠书福利；微博：365读书v。主播：潮羽，365天每天更新一期。 文字版已在微信公众号【365读书】发布 。QQ：647519872 背景音乐：1.Chad Lawson - I Know a Love so True and Fair；2.韩国良 - Songs On Fishing Boats At Dusk；3.James Galway - Piano Concerto No.21 in C, K.467 - Arranged by Andreas Tarkmann：2. Andante；4.長谷川智樹,美野春樹,岩永知樹 - Melody；5.조한빛 - 난 아직 겨울；6.饭碗的彼岸 - Say Something（Piano ver.）；7.邓壬鑫 - 夜的钢琴曲三十二。

[✐2. Andante, 3. Moderato] te- & ta-forms “After the water comes to a boil, add the ramen   noodles.”[00:09]Hello,   everyone. First, we start by checking the te-   and ta-forms. After the masu-form, say   the te- and ta-forms.[00:20]For example,go [masu-form] >   [te-form], [ta-form]OK?[00:27]1. buy [masu-form] > [te-form], [ta-form]2. wait [masu-form] > [te-form],   [ta-form]3. use [masu-form] > [te-form],   [ta-form]4. repair/fix [masu-form] > [te-form], [ta-form]5. hurry [masu-form] > [te-form],   [ta-form]6. take a rest [masu-form]   > [te-form], [ta-form]7. go out [masu-form]   > [te-form], [ta-form]8. sleep [masu-form]   > [te-form], [ta-form]9. do [masu-form] >   [te-form], [ta-form]10. come [masu-form]   > [te-form], [ta-form]Repeat after me[02:02]1. Can I borrow this?2. Can I sit here?3. Where can do they sell (can   I find) this?4. Can I close the window?5. How long are you living   here?6. What kind of job do you do?7. May I call you later?8. Can I pay with a credit card?Repeat after me[03:43]1. I have read the book.2. I have stayed at a Japanese   Inn(ryokan).3. I've worked part-time at fast   food (shop).4. I've never been to Okinawa.5. Have you ever climed Mt. Fuji?6. Have you ever dropped your smatphone in the toilett?7. Have you ever won the lottery?(takarakuji wo ateru = win the lottery)8. Have you ever woken up while   laughing in the morning?(warai nagara = with a laugh/while   laughing)=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*= 「(お)ゆが ふっとうしてから、ラーメンのめんをいれます。」[00:09]みなさん、こんにちは。まず、て・フォームとた・フォームのかくにんからはじめます。ますフォームのあと、て・フォームとた・フォームをいってください。[00:20]たとえば、いきます＞いって、いったいいですか。[00:27]1. かいます＞かって、かった2. まちます＞まって、まった3. つかいます＞つかって、つかった4. なおします＞なおして、なおした5. いそぎます＞いそいで、いそいだ6. やすみます＞やすんで、やすんだ7. でかけます＞でかけて、でかけた8. ねます＞ねて、ねた9. します＞して、した10. きます＞きて、きたRepeat after me[02:02]1. これ、かりても いいですか。2. ここに すわっても いいですか。3. これは どこで うっていますか。4. まどをしめても いいですか。5. ここに どのくらい すんでいますか。6. どんなしごとを していますか。7. あとで でんわを しても いいですか。8. カードで はらっても いいですか。Repeat after me[03:43]1. そのほんを よんだことが あります。2. りょかんに とまったことが  あります。3. ファストフード(ショップ)で アルバイトをしたことがあります。4. おきなわに いったことが ありません。5. ふじさんに のぼったことが ありますか。6. スマホを トイレに おとしたことが ありますか。7. たからくじを あてた ことが ありますか。(たからくじをあてる = win the lottery)8. あさ、わらいながら、おきたことがありますか。(わらいながら = with a laugh/while laughing)Support the show=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=Need more translation & transcript? Become a patron: More episodes with full translation and Japanese transcripts. Members-only podcast feed for your smartphone app. Japanese Swotter on PatreonNote: English translations might sound occasionally unnatural as English, as I try to preserve the structure and essence of the original Japanese.

Giuseppe Sammartini (1695 - 1750) - Sonata Prima in Do maggiore per violino e basso continuo1.        Andante  2.       Allegro 3:483.       Adagio 6:464.       Allegro 8:54Ensemble LuciminiaFlavia Succhiarelli, violinoAnaïs Lauwaert, viola da gambaNicola Bisotti, clavicembalo

Wolfgang Amadeus Mozart (1756 - 1791) - Divertimento "Gran Trio", K 563. In mib maggiore per archi1.       Allegro2.       Adagio 08:293.       Menuetto (Allegretto) – Trio 16:464.       Andante 22:365.       Menuetto (Allegretto) – Trio I-II 30:086.       Allegro 35:21 Grumiaux TrioArthur Grumiaux, violinoGeorges Janzer, violaEva Czako, violoncello

Franz Schubert (1797 - 1828) - Quartetto per archi n. 13 in la minore, op. 29, D. 804 "Rosamunda" 1.       Allegro ma non troppo2.       Andante [12:24]3.       Menuetto (Allegretto) & Trio [19:06]4.       Allegro moderato  [26:39] Alban Berg QuartettGunter Pichler - ViolinoGerhard Schulz - ViolinoThomas Kakuska - ViolaValentin Erben - Violoncello

Franz Joseph Haydn (1732-1809) - Piano Trio n. 38 in re maggiore, Hob. XV:24 1.       Allegro2.       Andante [07:34]3.       Allegro, ma dolce [10:44] Beaux Arts TrioMenaham Pressler, pianoforteIsidore Cohen, violinoBernard Greenhouse, violoncello

Robert Schumann (1810 - 1856) - Quartetto per archi n. 3 in la maggiore, op. 41 n. 31.       Andante espressivo - Allegro molto moderato2.       Assai agitato - L'istesso tempo [08:30]3.       Adagio molto [15:36]4.       Finale: Allegro molto vivace - Quasi Trio [24:24] Quartetto Italiano

Deuxième volet de notre série « l'Education gratuite et obligatoire » de Murray Rothbard. Suite et fin de la lecture du premier chapitre, intitulé  « L'éducation de l'individu ». Rothbard répond à une question apparemment banale mais pourtant fondamentale compte tenu des dérives observables dans notre société : Sous l'égide de qui, sous la « propriété » virtuelle de qui doit être l'enfant ? L'enfant qui doit grandir progressivement pour passer d'un statut de complète dépendance et de soumission aux adultes à celui d'adulte indépendant. Sous l'égide de qui, donc, doit il grandir ? De ses parents ou de l'État ? Rothbard s'interroge ensuite sur les fréquentations que l'école instrument égalitariste impose à l'enfant. Et puis, on discerne toute l'absurdité et la violence de l'école obligatoire lorsque Rothbard interroge : Que dirions-nous d'une proposition de loi, au niveau national ou local, qui viserait à utiliser l'argent du contribuable pour fonder un journal public diffusé dans tout le pays, et forcerait tous les individus, ou tous les enfants, à le lire ?On retrouve aussi le précieux commentaire de Damien Theillier, professeur de philosophie et l'éclairage remarquable d'Oliver Ledoit, polytechnique, MIT, HEC etc. Tous deux nous permettent de nous approprier un peu plus l'analyse choc de Rothbard et d'en saisir toute l'importance dans le contexte français actuel. ---------------------------------------------------------------------------------------------------------------------MUSIQUEMax Richter – Vivaldi The Four Seasons RecomposedSchubert - Piano Trio No.2 in E flat D929: II. Andante con moto---------------------------------------------------------------------------------------------------------------------LIENSTélécharger le livre :- sur le Mises Institute : Murray Rothbard - Education: Free and Compulsory- sur les Editions de l'Institut Coppet : Murray Rothbard – L'éducation gratuite et obligatoireTélécharger l'analyse d'Olivier Ledoit :La séparation de l'École et de l'État selon Murray Rothbard.F. Passy et G. de Molinari – De l'enseignement obligatoireInstitut CoppetEditions de l'Institut CoppetSuivez BTC TouchPoint sur le web, Twitter, et YouTube

Giovanni Sgambati (1841 - 1914) – Quintetto per pianoforte ed archi n. 2 in sib maggiore op. 51.       Andante - Vivace2.       Barcarola - Allegretto con moto             14:063.       Andante sostenuto                                  23:384.       Allegro vivace                                          34:59Francesco Caramiello, pianoforteCarlo Lazari, violino IAnnamaria Pellegrino, violino IIMario Paladin, violaCarlo Teodoro, violoncello

Op 31 Mei gesels Cor Uys, bekende musikant, op Kopskuif oor die Andante Plus50-musiekkompetisie. Hierdie eerste plaaslike musiekkompetisie wat eksklusief op 50-plussers gerig is, word in samewerking met ATKV-Buffelspoort en PLUS 50-tydskrif aangebied. Met verskillende kategorieë en opwindende pryse bied die kompetisie 'n platform vir musikale 50-plussers.

Johannes Brahms (1833-1897) - Sestetto n. 1 in si bemolle maggiore per archi, op. 181.       Allegro ma non troppo2.       Andante ma moderato 11:383.       Scherzo: Allegro molto 20:384.       Rondo: Poco allegretto e grazioso 23:44Amadeus String QuartetCecil Aronowitz, 2a violaWilliam Pleeth, 2o cello

Gepresenteerd door: Saskia Voorbach Phion Alexei Ogrintchouk, dirigent Lenneke Ruiten, sopraan * J.S. Bach - Orkestsuite nr. 3 in D, BWV 1068 * F. Händel - Ombre pallide, lo so, mi udite (uit Alcina, HWV 34) * F. Händel - Lascia ch'io pianga mia cruda sorte (uit Rinaldo, HWV 7a) * F. Händel - Suite nr. 1 : Ouverture in F (uit Water Music, HWV 348-350) * F. Händel - Suite nr. 1 : Allegro in F gr.t. (uit Water Music, HWV 348-350) * F. Händel - Suite nr. 1 : Andante espressivo in d kl.t. (uit Water Music, HWV 348-350) * F. Händel - Suite nr. 1 : Air. Presto in F gr.t. (uit Water Music, HWV 348-350) * F. Händel - Suite nr. 1 : Bourée. Presto in F gr.t. (uit Water Music, HWV 348-350) * F. Händel - Suite nr. 1 : Allegro moderato in F gr.t. (uit Water Music, HWV 348-350) * F. Händel - Suite nr. 2 : Alla Hornpipe in D gr.t. (uit Water Music, HWV 348-350)

#herkesesanat Füg, kadans, modalite, tonalite... Geçmişten günümüze çok sesli müzik terminolojisi türkçeye nasıl yerleşti, hangi yollarla çevrildi ve bu terimler bugün nasıl kullanılıyor? Prof.Dr. İlke Boran'la çok sesli Batı müziği ve klasik müzik terminolojisini öğreniyoruz. NEDEN İLKE BORAN? 1972 yılında Roma'da doğdu, 1978'de Paris'te ilkokula başladı. 1991'de Ankara'daki Lycée Charles de Gaulle'den mezun oldu. 1996'da Mimar Sinan Üniversitesi Devlet Konservatuvarı Müzikoloji Bölümü'nden lisans, 1999'da yüksek lisans derecesini aldı. 2000 yılında başladığı doktora programını, “Elektronik Müzik'te Analog Dönem ve Bülent Arel'in Stereo Electronic Music No.1” başlıklı teziyle tamamladı. 1995–2004 arasında Açık Radyo'da, 2017–2018'de Elif Damla Yavuz ile birlikte Müzik Pazarı programını hazırladı ve sundu. Radikal, Milliyet Sanat, Andante ve Sanat Dünyamız gibi yayınlarda yazıları yayımlandı. Çok sayıda sempozyum, panel, tiyatro, sergi ve kısa filmde müzik ve ses tasarımı yaptı. 1998–2013 arasında Prof. Filiz Ali ile Ayvalık Uluslararası Müzik Akademisi'nin kuruluşunda ve etkinliklerinde yer aldı. 1998'den beri Mimar Sinan Güzel Sanatlar Üniversitesi İstanbul Devlet Konservatuvarı'nda öğretim üyesi olarak görev yapıyor. 2011'de Yardımcı Doçent, 2017'de Doçent, 2025'te Profesör unvanını aldı. Ayrıca Sabancı ve Marmara üniversitelerinde ders verdi. NEDEN HERKESE SANAT? Uzak durduğumuz sanat dallarıyla, sanatçı, akademisyen, eleştirmen, sanat tarihçi, kültür-sanat yazarı, küratör ve kıdemli seyirci rehberliğinde tanışıyor, o sanat dalının seyircisi olmayı öğreniyoruz. Çünkü anlamak için tanışmak gerekir. Tanışırsak, anlayabiliriz, sevebiliriz. Nacide Berber her sanat dalını, bilenlere soruyor, prodüktör Cengiz Saral yayına hazırlıyor. Herkese Sanat cumartesi günü saat 12.30'da, tekrarı pazar günü 18.30'da NTVRadyo'da. Programın ses kayıtlarını, radyoda yayınlandıktan sonra, kaçıranlar ve tekrar dinlemek isteyenler için ntvradyo.com.tr adresine ve podcast platformlarına yüklüyoruz. İstediğiniz zaman istediğiniz yerde dinlemeniz için.

Georg Friedrich Händel (1685 - 1759) – dai Dodici Concerti grossi, op. 6n. 1. Concerto Grosso in sol maggiore, HWV 319I: A tempo giusto - 0:00II: Allegro - 1:43III: Adagio - 3:20IV: Allegro - 5:54V: Allegro - 8:21 n. 2. Concerto Grosso in fa maggiore, HWV 320I: Andante larghetto - 11:11II: Allegro - 15:13III: Largo - 17:41IV: Allegro, ma non troppo - 20:00 n. 3. Concerto Grosso in mi minore, HWV 321I: Larghetto - 22:23II: Andante - 23:42III: Allegro - 25:47IV: Polonaise. Andante - 28:11V: Allegro, ma non troppo - 32:52 Academy of Ancient Music Andrew Manze, conductor

En 1972 Murray N. Rothbard publie « L'éducation gratuite et obligatoire ». Aux Etat-Unis le rôle de l'Etat dans l'éducation fait alors l'objet de débats animés : le homeschooling est en vogue parmi les hippies et cette génération de boomers est décidément sensible à toute forme d'autorité et de contrôle.Cinq décennies plus tard, la faillite de l'Etat dans cette fonction qu'il a monopolisée est sans appel. À défaut d'instruire la population, il l'a crétinisée, homogénéisée dans la médiocrité. L'Etat a exigé et obtenu de professeurs toujours plus désabusés qu'ils renoncent à leur réelle vocation : transmettre à chacun les savoirs fondamentaux pour apprendre et développer un esprit critique tout au long de sa vie. Au lieu de cela l'Etat leur impose de concentrer leurs efforts sur la mission première de l'Education d'Etat : endoctriner, égaliser, contrôler.   Mêlant histoire, économie et philosophie Rothbard nous mène à la racine du problème pour aboutir à ce constat. L'ouvrage d'une centaine de pages est clair, précis, remarquablement documenté. On comprend alors toute la futilité de poursuivre une solution à coup de réformes techniques. Puisque le problème, avant tout structurel, impose de se poser les bonnes questions : précisément celles que L'Etat ne veut pas et ne peut pas aborder. Cette nouvelle série du podcast est l'occasion de nous enrichir de cette analyse incisive, juste et éminemment actuelle de Rothbard. La lecture du livre en six épisodes est commentée par Damien Theillier, professeur de philosophie, fin connaisseur de l'auteur, dont le regard mûr sur l'éducation d'Etat mêle critique et optimisme. La lecture d'extrait d'un essai remarquable d'Olivier Ledoit, Polytechnicien, docteur en finance du MIT puis professeur à HEC, UCLA, à l'université de Lausanne et de Zurich, vient compléter l'analyse de Rothbard qu'il replace dans le contexte de la France du début du 21ème siècle.Voici donc le premier volet de cette série : notre lecture s'ouvre par la préface signée Benoît Malbranque, directeur des Editions de l'Institut Coppet, à qui l'on doit la traduction de ce livre. Le premier chapitre, intitulé « L'éducation de l'individu », pose les bases de la réflexion.---------------------------------------------------------------------------------------------------------------------MUSIQUERyan Zak – There is LoveSchubert - Piano Trio No.2 in E flat D929: II. Andante con moto---------------------------------------------------------------------------------------------------------------------LIENS Télécharger le livre : - sur le Mises Institute : Murray Rothbard - Education: Free and Compulsory - sur les Editions de l'Institut Coppet : Murray Rothbard – L'éducation gratuite et obligatoire Télécharger l'analyse d'Olivier Ledoit : La séparation de l'École et de l'État selon Murray Rothbard. F. Passy et G. de Molinari – De l'enseignement obligatoire Institut CoppetEditions de l'Institut CoppetSuivez BTC TouchPoint sur le web, Twitter, et YouTube

Ludwig van Beethoven (1770 - 1827) - Settimino per fiati ed archi in mi bemolle maggiore, op. 20 1.       Adagio - Allegro con brio2.       Adagio cantabile 10:243.       Tempo di minuetto 18:064.       Tema con variazioni: Andante 21:275.       Scherzo: Allegro molto e vivace 28:476.       Andante con moto alla marcia - Presto 31:54 Academy of St. Martin In The Fields Chamber Ensemble

Felix Mendelssohn-Bartholdy (1809 - 1847) - Trio per pianoforte n. 1 in re minore, op. 49 (MWV Q29)1.       Molto Allegro agitato [00:00]2.       Andante con moto tranquillo [09:48]3.       Scherzo. Leggiero e vivace [16:21]4.       Finale. Allegro assai appassionato [20:07] Claremont TrioEmily Bruskin, violinoAndrea Lam, pianoforteJulia Bruskin, violoncello

微信公众号：「365读书」（dus365)，有不定期赠书福利；微博：365读书v。主播：潮羽，365天每天更新一期。 文字版已在微信公众号【365读书】发布 。QQ：647519872 背景音乐：1.赵成宇 - April Snow (With 눈 녹은 길 II - 대사5) (1)；2.James Galway - Piano Concerto No.21 in C, K.467 - Arranged by Andreas Tarkmann：2. Andante；3.渡辺俊幸 - 母の想い；4.水月陵 - Harmony with Sorrow；5.麗美 - i left you ~ not sure if i did；6.赖英里 - 夜景 Nocturne；7.陈占美 - 顺流逆流；8.高木正勝 - そらつつみ；9.灵空GTech - 雨幕；10.水月陵 - 蝉声とともに；王黎光 - 心语1。

Felix Mendelssohn-Bartholdy (1809 - 1847) - Sonata per clarinetto in mib maggiore, MWV Q151.       Adagio - Allegro moderato2.       Andante [12:00]3.       Allegro moderato [16:30] Karl Leister, clarinettoFerenc Bognar, pianoforte

If Elvis, Sherlock Holmes, and Will Shortz walked into a mystery -- well, we'd definitely watch that, just like we devoured LUDWIG! We paused viewing only long enough to record this episode and have a simmering feud over what, exactly, the criteria are for a locked-room mystery. Jacob's still not convinced Join us on the Cluedunnit Patreon (patreon.com/cluedunnitpodcast) and brag about how long your Wordle winning streak is or how fast you can do the NY Times Saturday crossword. (Yeah, we said Saturday. IYKYK.) We watched LUDWIG, series 1, episode 5. (There's no title given for the episode! Quick, let's name it for them! Andante con moto! Scherzo allegro! Nerds rule, jocks drool! Put your suggestion in the comments!) Follow us on the socials and let us know what you think!  Facebook: @cluedunnitpodcast   Instagram: @cluedunnitpodcast And don't forget to discover even more mysteries and community with us on Patreon!  You can find us on Apple podcasts: https://podcasts.apple.com/us/podcast/cluedunnit/id1582713330 Spotify: https://open.spotify.com/show/1PLXRlrkJFBTE6eE97YPwQ Overcast: You'll need to login with your Overcast account, but once you do, we're at https://overcast.fm/itunes1582713330/cluedunnit YouTube: https://www.youtube.com/@cluedunnitpodcast  

微信公众号：「365读书」（dus365)，有不定期赠书福利；微博：365读书v。主播：潮羽，365天每天更新一期。 文字版已在微信公众号【365读书】发布 。QQ：647519872 背景音乐： 1.Xeuphoria - But You're Already Gone；2.John Lenehan - Dolce Droga；3.Karl Leister,Ferenc Bognár,Johannes Brahms - Sonata No. 2 for Clarinet and Piano in E-Flat Major, Op. 120, No. 2 III. Andante con moto - Allegro；4.V.A. - ロマンス ト長調；5.Arthur Rubinstein,Frédéric François Chopin - Nocturne No. 19 in E Minor, Op. 72, No. 1。

Johannes Brahms (1833-1897) - Quintetto in fa minore per pianoforte e archi, op. 341.       Allegro non troppo - Poco sostenuto - Tempo I 2.       Andante, un poco Adagio [15:58]3.       Scherzo. Allegro – Trio [25:08]4.       Finale. Poco sostenuto - Allegro non troppo - Tempo I - Presto non troppo [32:51]Quartetto ItalianoPaolo Borciani, Elisa Pegreffi (Violini)Dino Asciolla (Viola)Franco Rossi (Violoncello)Maurizio Pollini (Piano)

Franz Schubert (1797 - 1828) - Quintetto per pianoforte in la maggiore "Forellen-quintett" (La trota), op. 114, D. 6671.       Allegro vivace2.       Andante [09:48]3.       Scherzo. Presto [17:51]4.       Andantino [22:31]5.       Finale. Allegro giusto [30:48] Menahem Pressler, pianoQuatuor Ebène:Benjamin Berlioz, double bassMathieu Herzog, violaGabriel Le Magadure, violinRaphaël Merlin, cello

En 1969, Juan Manuel Bellón fue bautizado como el nuevo Arturo Pomar. Cinco veces campeón nacional, es hoy el decano de los grandes maestros españoles, alguien que puede presumir de haberse enfrentado a casi todos los campeones mundiales del tablero. Hoy, en ‘Cuentos, jaques y leyendas’, Roberto López y Manuel Azuaga rinden tributo en vida a uno de los personajes más queridos por la familia del ajedrez, Juan Manuel Bellón López, el único ajedrecista español que, junto a Ruy López de Seguro, ha puesto su nombre a una apertura teórica, el gambito Bellón. En cierta ocasión, le preguntaron a Míjail Tal, el mago de Riga, por cuál era el jugador que más se le parecía en el tablero. Tal respondió: «Viktor Kupreichik y Juan Manuel Bellón». En ‘Enroque corto’, tiene voz Ignasi Vidal, director de cine y teatro, actor y, en sus ratos libres, apasionado ajedrecista. En ‘La biblioteca de Caissa’, el maestro Luisón nos recomienda dos nuevos títulos. Y, en ‘La gran diagonal’, recibimos el saludo y la pregunta del maestro FIDE Jorge Ramírez. Escucha todos nuestros podcast aquí.

Richard Wagner (1813-1883) - Da Parsifal: Incantesimo del Venerdì Santo (atto III)Orchestra Filarmonica di MonacoSergiu Celibidache, conductor *********13'20”Nikolay Rimsky-Korsakov (1844 - 1908) - La grande Pasqua russa, Ouverture op 36Lento mistico - Andante lugubre - Allegro agitatoOrchestra della di RAI MilanoSergiu Celibidache, conductor

In this second part of our Hear the Dance journey into Jerome Robbins' A Suite of Dances, Cellist Hannah Holman joins host Silas Farley to provide a deep-dive introduction to the Bach Cello Suites that provide the ballet's exquisite score. As Holman explains, the music is a seminal work for every cellist, with complex challenges and varied delights throughout—all of which are complicated and enriched when performed onstage with the work's solo dancer. (42:48) Written by Silas Farley  Edited by Emilie Silvestri Music: Concerto for Violin and Orchestra in D major (1931) by Igor Stravinsky 6 Suites for Solo Cello: Prelude & Gigue from Suite 1 in G major, BMV 1007 Sarabande from Suite V in C minor, BMV 1011 Prelude from VI in D major, BMV 1012 by Johann Sebastian Bach Symphony No.4 in E Minor, op.98 (I. Allegro non troppo, II.Andante moderato, III. Allegro giocoso, IV. Allegro energico e passionato) by Johann Sebastian Bach All music performed by the New York City Ballet Orchestra, Yo-Yo Ma and Herbert von Karajan Reading List:  Somewhere: The Life of Jerome Robbins by Amanda Vaill Jerome Robbins, By Himself: Selections from His Letters, Journals, Drawings, Photographs, and an Unfinished Memoir Edited and with Commentary by Amanda Vaill Misha: The Mikhail Baryshnikov Story by Barbara Aria Illusions of Camelot: A Memoir by Peter Boal Bach: Music in the Castle of Heaven by John Eliot Gardiner

微信公众号：「365读书」（dus365)，有不定期赠书福利；微博：365读书v。主播：潮羽，365天每天更新一期。 文字版已在微信公众号【365读书】发布 。QQ：647519872 背景音乐：1.奥术大师陆陆吾 - 坂本龍一-L_Merry Christmas Mr.Lawrence（奥术大师陆陆吾 remix）；2.加賀谷玲 - 12月 花の祈り；3.James Galway - Piano Concerto No.21 in C, K.467 - Arranged by Andreas Tarkmann：2. Andante。

Thu, 17 Apr 2025 23:00:00 +0000 https://seesee.podigee.io/s3e18-andrei-ionita 8b306c6e95ffcb5e607b501afe394bac In this episode, we have an in-depth conversation with Andrei Ioniță, the prodigious Romanian cellist and winner of the 2015 International Tchaikovsky Competition. We explore the emotional profundities and rich spectrum of colors that the cello can evoke, and how it reflects the subtleties of human emotion. Andrei shares his thoughts on playing Bach, discussing the personal connection he has with his instrument and his journey as a musician. He also reflects on the nuances of gut strings, the importance of good posture for a cellist, the physical sensation of the cello resting against his body, and how this intimate embrace influences emotional expression and depth of sound, particularly in the intense, low register passages. In this episode dedicated to music, Andrei also discusses his Romanian heritage and how the voice of Romania speaks through his bow, offering a personal insight into his cultural identity. In this episode, he takes us inside his experience during the 15th Tchaikovsky Competition and talks about his most difficult decisions as a musician. Most powerfully, Andrei opens up about how he conveys his whole soul through his music, sharing the courage it takes to be vulnerable and break through at the highest emotional peaks, only to let go and invite the listener into a shared human experience through his playing. This episode is a real treat for the ears and the heart! Andrei Ioniță's carrier it's a journey of emotional reflection and artistic courage – You'll understand what it is meant to “play from the gut”. Website: https://www.andreiionitacellist.com https://www.haefligerproduction.com/andrei-ionita https://www.symphonikerhamburg.de/laeiszhalle-orchester-symphoniker-hamburg/andrei-ionita-135 Instagram: ionita_andrei94 Facebook: Andrei Ioniță - Cellist This episode's Playlist and Playlist's credits: · Papandopulo, Boris. Rhapsodia Concertante: I. Introduzione Tempo Libero. Performed by Oliver Triendl and Andrei Ioniță. On Boris Papandopulo: Works for Piano & Strings, CPO-555106-2, 2021.CD · Tchaikovsky, Pyotr Ilyich. Variations on a Rococo Theme, Op. 33 (var. VII e Coda : Allegro vivo). Performed by Cellist Andrei Ioniță and the Münchener Philharmoniker conducted by Valery Gergiev recorded at the Philharmonie im Gasteig (Munich, Germany), on May 12, 2017 20:00 © A Coproduction by Munich Philharmonic Orchestra & Telmondis // In Association with medici.tv & Takt1 https://www.youtube.com/watch?v=-6dyn2LRxVo · Brett, Dean. 11 Oblique Strategies No. 1. Listen to the Quiet Voice. Performed by Andrei Ioniță. On Oblique Strategies. Orchid Classics ORC100096, 2019. CD. · Brett, Dean. 11 Oblique Strategies No. 5. What are the Sections Sections of? Performed by Andrei Ioniță. On Oblique Strategies. Orchid Classics ORC100096, 2019. CD. · Brahms, Johannes. Cello Suite No. 1 G Major, BWV 1007: I. Prelude. Performed byAndrei Ioniță. On Oblique Strategies. Orchid Classics ORC100096, 2019. CD. · Brahms, Johannes. Cello Suite No. 1 in G Major BWV 1007: III. Courante. Performed by Andrei Ioniță. On Oblique Strategies. Orchid Classics ORC100096, 2019. CD. · Brahms, Johannes. Clarinet Trio in A Minor, Op. 114: I. Allegro. Performed by Pablo Barragán, Andrei Ioniță, and Juan Pérez Floristán. On Brahms: Complete Clarinet Sonatas & Trio. IBS Classical, 2018. CD. · Papandopulo, Boris. Concertino in modo antico, OP.56 II Aria. Performed by Oliver Triendl, Amaury Coeytaux, Vanessa Szgeti, and Andrei Ioniță. On Boris Papandopulo:Works for Piano & Strings, CPO-555106-2, 2021.CD · Dmitri, Shostakovich. Sonata for Cello and Piano in D Minor, Op.40. The XV International Tchaikovsky Competition. Performed by Andrei Ioniţă: Cellist and Seong-Jin Cho: Pianist. Concert recorded at the Salle des Combins (Verbier, Switzerland), on July 25, 2018. © Idéale Audience with the participation of medici.tv https://www.youtube.com/watch?v=iHPd1dN89bM · Dmitri, Shostakovich. Cello Concerto No. 1 in E-flat major, Op. 107 4. Allegro con moto. Performed by Andrei Ionuț Ioniță with the Mariinsky Theatre Symphony Orchestra conducted by Valery Gergiev. The XV International Tchaikovsky Competition's Winners' Concert. Recorded at the Great Hall of the Moscow Conservatory, on July 2, 2015. © MUSEEC/medici.tv https://www.youtube.com/watch?v=zzaCNTlJciI · Dmitri Shostakovich. Cello Concerto No. 1 in E-flat major, Op. 107 with the Draft. Performed by Andrei Ionuț Ioniță Orchestra of the Shostakovich State Academic Saint Petersburg Philharmonic conducted by Nikolai Alexeev. Cello: Final Round - Candidate #2 - First Prize - Recorded at the Grand Hall of the Saint Petersburg Philharmonia, on June 28, 2015, 7:45 p.m. https://www.youtube.com/watch?v=QfkQt0gSiJI · Henryson, Svante. Black Run. Performed by Andrei Ioniță. On Oblique Strategies. Orchid Classics ORC100096, 2019. CD. · Enescu, George: Piano Quartet No. 1 in D Major, Op. 16: II Andante mesto. Performed by Catalin Serban, Andrei Ioniță, Karolina Errera, Suyeon Kang. On Mélodies Infinies: Fauré & Enescu Piano Quartets. Naxos 8.551477, 2024. CD · Papandopulo, Boris. Rapsodia Concertante: I. Introduziene. Tempo libero. Performed by Oliver Triendl, Amaury Coeytaux, Vanessa Szgeti, and Andrei Ioniță. On Boris Papandopulo: Works for Piano & Strings, CPO-555106-2, 2021.CD · Rachmaninoff, Sergei: Sonata -Moll OP 19. Lento- Allegro moderato. 2. Allegro scherzando. 3 Andante. 4 Allegro mosso. Performed by Andrei Ioniță and Andrei Ioniță (Violoncello), Catalin Serban (Piano). Kammermusik am Max-Planck-Institut für Bildungsforschung in Zusammenarbeit mit Konzertleben e.V. January 17th, 2024. https://www.youtube.com/watch?v=QqpFqwfoBDg · Saint-Saëns, Camille. Concerto No.1 in A minor for Cello and Orchestra Op. 33. Performed by Solist Andrei Ioniță and the Filarmonica George Enescu conducted by Stefan Ausbury Opening Concert October 7th, 2020, at the Romanian Athenaeum lived-streamed on the Institutions Website and YouTube Channel. https://www.youtube.com/watch?v=ktTHMbFcyp4 · Papandopulo, Boris. Rapsodia Concertante: I. Introduziene. Tempo libero. Performed by Oliver Triendl, Amaury Coeytaux, Vanessa Szgeti, and Andrei Ioniță. On Boris Papandopulo: Works for Piano & Strings, CPO-555106-2, 2021.CD · Rachmaninoff, Sergei: Sonata -Moll OP 19. Lento- Allegro moderato. 2. Allegro scherzando. 3 Andante. 4 Allegro mosso. Performed by Andrei Ioniță and Andrei Ioniță (Violoncello), Catalin Serban (Piano). Kammermusik am Max-Planck-Institut für Bildungsforschung in Zusammenarbeit mit Konzertleben e.V. January 17th, 2024. https://www.youtube.com/watch?v=QqpFqwfoBDg · Fauré, Gabriel: Piano Quartet No. 1 in C Minor, Op. 15: III Adagio. Performed by Catalin Serban, Andrei Ioniță, Karolina Errera, Suyeon Kang. On Mélodies Infinies: Fauré & Enescu Piano Quartets. Naxos 8.551477, 2024. CD https://www.youtube.com/watch?v=ktTHMbFcyp4 · Saint-Saëns, Camille. Concerto No.1 in A minor for Cello and Orchestra Op. 33. Performed by Solist Andrei Ioniță and the Filarmonica George Enescu conducted by Stefan Ausbury Opening Concert October 7th, 2020, at the Romanian Athenaeum lived-streamed on the Institutions Website and YouTube Channel. https://www.youtube.com/watch?v=ktTHMbFcyp4 · Brahms, Johannes. Clarinet Trio in A Minor, Op. 114: I. Allegro. Performed by Pablo Barragán, Andrei Ioniță, and Juan Pérez Floristán. On Brahms: Complete Clarinet Sonatas & Trio. IBS Classical, 2018. CD. · Papandopulo, Boris. Rhapsodia Concertante: III. Danza. Allegro. Performed by Oliver Triendl and Andrei Ioniță. On Boris Papandopulo: Works for Piano & Strings, CPO-555106-2, 2021.CD Albums: Available in all Platforms https://open.spotify.com/intl-de/album/3Cqhwf6m3Gl8i0HfDTzln1 https://www.naxos.com/CatalogueDetail/?id=C5463 https://open.spotify.com/intl-de/artist/4ITCrIEQbzQVUO8CPHhdLP 3 18 full no Cellist,World famous orchestras,world famous conductors,Tchaikovsky Competition,Bach,Shostakovich,Enescu,Fauré,Gut strings,Posture Dr. Cecilia Ponce Rivera

Musik ist da, wenn Worte nicht mehr weiterkommen und berührt, was wir kaum greifen können. Sie trägt uns fort von kreisenden Gedanken und fördert Tränen, die vielleicht schon lange warten. In dieser Woche hat Philipp unter anderem wunderbare Tracks von Taylor Swift und Gracie Abrams im Gepäck: Diese Musikstücke hast Du in der Folge gehört: The National feat. Taylor Swift - "The Alcott" // Edward Elgar – "The Prince of Sleep" // Florian Christl – "C'est la vie" // Gracie Abrams – "I Miss You, I´m Sorry" // Baldassare Galuppi – "Klaviersonate d-moll, Andante" // Den ARD Podcast "Gold & Asche: Projekt Versicherungen" findest Du hier: https://www.ardaudiothek.de/sendung/gold-und-asche-projekt-versicherungen/13625063/ Wenn Du eine Idee oder einen Wunsch zu einem musikalischen Thema hast, dann schreib ihm eine Mail: playlist@ndr.de

Große Musik für ein großes Thema. Verfluchen oder verzeihen? Das ist oftmals gar nicht so einfach. Löse die Schatten aus dem Herzen und lass Raum für Leichtigkeit entstehen. Diese Musikstücke hast Du in der Folge gehört: Eric Bibb – "Forgiveness Is Gold" // Barbra Streisand – "Sweet Forgiveness" // W.A. Mozart – "Klavierkonzert 15 (Andante)" // Tuck & Patti – "Forgiveness" // Poor Clares Of Arundel – "Forgiveness and Peace" // Thomas D. – "Vergebung hier ist sie" // Den Podcast "Telephobia - Dieser eine Anruf" findest du hier: https://www.ardaudiothek.de/sendung/telephobia-dieser-eine-anruf/12641441/ Wenn Du eine Idee oder einen Wunsch zu einem musikalischen Thema hast, dann schreib ihm eine Mail: playlist@ndr.de

[✐1. Adagio, 2. Andante]  V(ます)+たくないです don't want to ....“I don't want to do anything.”[00:07]Hello everyone.  How are you doing? I don't feel like doing anything today. Don't you have such a day?[00:17]Let's practice “〜takunaidesu(don't want to)”.Repeat after me[00:23]1.  go [Masu form] – ikitakunaidesu2.  buy [Masu form] – kaitakunaidesu3.  eat [Masu form] – tabetakunaidesu4.  see/watch [Masu form] – mitakunaidesu5.  do [Masu form] – shitakunaidesu[01:03]So far so good?Repeat after me[01:07]1.  I don't want to get out of the bed.2.  I don't want to wash my face.3.  I don't want to brush my teeth.4.  I don't want to shave.5.  I don't want to take off my pyjamas.6.  I don't want to eat breakfast.[02:08]Ah, even so, I'd love to have a cup of coffee.Repeat after me[02:16]1.  I don't want to clean the room.2.  I don't want to do the laundry.3.  I don't want to mow the grass.4.  I don't want to replace the light bulb.5.  I don't want to cook.[03:12]Now, make a sentence with the opposite meaning.For example,[03:18]I want to drink coffee.→ I don't want to drink coffee.OK?=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=「なにも したくないです。」[00:07]みなさん、こんにちは。おげんきですか。わたしは、きょうは、なにもしたくないです。みなさんにも そういう ひ が ありませんか。[00:17]では、｢〜たくないです｣を れんしゅうしましょう。Repeat after me[00:23]1.  いきます- いきたくないです2.  かいます- かいたくないです3.  たべます - たべたくないです4.  みます – みたくないです5.  します – したくないです[01:03]ここまでOKですね。Repeat after me[01:07]1.  ベッドから でたくないです。2.  かおを あらいたくないです。3.  はを みがきたくないです。4.  ひげを そりたくないです。(ひげをそる = shave)5.  パジャマを ぬぎたくないです。6.  ちょうしょくを たべたくないです。[02:08]あ、でもコーヒーは のみたいです。Repeat after me[02:16]1.  へやの そうじを したくないです。2.  せんたくを したくないです。3.  くさかりを したくないです。4.  でんきゅうを とりかえたくないです。5.  りょうりを したくないです。[03:12]では、つぎのように はんたいの いみの ぶんをつくります。たとえば、[03:18]コーヒーを のみたいです→ コーヒーを のみたくないです。いいですか。Support the show=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=Need more translation & transcript? Become a patron: More episodes with full translation and Japanese transcripts. Members-only podcast feed for your smartphone app. Japanese Swotter on PatreonNote: English translations might sound occasionally unnatural as English, as I try to preserve the structure and essence of the original Japanese.

Sergei Rachmaninoff - Cello Sonata: AndanteJonah Kim, cello Sean Kennard, pianoMore info about today's track: Delos DE3574Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

[1.Adagio, 2.Andante] for one's health : けんこうのために“Do you do (are you doing) something for your health?”[00:09]Hello, everyone. Today's theme is “health”.Repeat after me[00:14]1.  For my health, I exercise a lot.2.  For my health, I jog.3.  For my health, I eat well-balanced.4.  For my health, I don't drink alcohol.5.  For my health, I don't smoke.6.  For my health, I use the stairs.7.  What do you do (= are you doing) healthwise?8.  Do you do (= are you doing) something healthwise?NOTE: shiteimasu < shimasu ＜ suru : て-Form/Present progressive;  implying  continuing state / what you do regularly.[01:58]Now, make a sentence as follows.For example,Do you do (= are you doing) something healthwise?Yoga→ I do Yoga (regularly).Ready?[02:11]1.  What do you do for your health?every morning, stretching exercise→ Every morning, I do stretch excercise.2.  Do you do something healthwise?in the morning and evening, take a walk→ I take a walk 40 minutes (each) in the morning and evening.3.  Do you do something healthwise?everyday, about 10,000 steps, walk→  I walk about 10,000 steps every day.[03:30]4.  What do you do for your health?twice a week, attend Zumba class→ I attend Zumba classes twice a week.5.  What do you do for your health?mustle training, at home→ I do mustle training at home.6.  Do you do something healthwise?nothing in particular→ I don't do anything in particular.=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*= 「けんこうのために なにかしていますか。」[00:09]みなさん、こんにちは。きょうのテーマはけんこうです。Repeat after me[00:14]1.  けんこうのために、よくうんどうします。2.  けんこうのために、ジョギングします。3.  けんこうのために、バランスよくたべます。(バランスよく= well-balanced)4.  けんこうのために、おさけをのみません。5.  けんこうのために、たばこをすいません。6.  けんこうのために、かいだんをつかいます。7.  けんこうのために、なにをしていますか。8.  けんこうのために、なにかしていますか。NOTE: (しています ←します・Vて-Form/Present progressive: implying continuing state /what you do regularly.[01:58]では、つぎにようにぶんをつくります。たとえば、けんこうのために、なにかしていますか。ヨガ→ ヨガをしています。いいですか。[02:11]1.  けんこうのために、なにをしていますか。まいあさ、ストレッチ→ まいあさ、ストレッチをしています。2.  けんこうのために、なにかしていますか。あさばん、40ぷん、さんぽ→ あさばん、40ぷん、さんぽをしています。3.  けんこうのために、なにかしていますか。まいにち  10,000ぼ(いちまんぼ)、あるきます→ まいにち10,000ぼ、あるいています。[03:30]4.  けんこうのために、なにをしていますか。しゅうに２かい、ズンバのクラスにかよいます→ しゅうに２かい、ズンバのクラスにかよっています。5.  けんこうのために、なにをしていますか。うちで きんトレをします→うちで きんトレをしています。(きんトレ= きんにくトレーニング = mustle/strength training =  work out)6.  けんこうのために、なにかしていますか。とくになにも→ とくになにもしていません。Support the show=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=Need more translation & transcript? Become a patron: More episodes with full translation and Japanese transcripts. Members-only podcast feed for your smartphone app. Japanese Swotter on PatreonNote: English translations might sound occasionally unnatural as English, as I try to preserve the structure and essence of the original Japanese.

Kris Palmer, flute, Stephen Main, harp, Piedmont Community Church, Piedmont, California

"Get ready. Get set. Get out!" Cast Gloria - Siouxsie Suarez Caspar - Joe Fisher Ava - Finlay Stevenson Zebulon Mucklewain - Neal Starbird Effie Mucklewain - Julie Cowden-Starbird David - Quintin Jones, Jr. Leif - Tom Moorman Kazi - Jessica Morris Teta - Aubrey Ferguson Libuza - Shelly Darrington Fiona - Tess Segal Feudalism Guy, Announcer, Waiter - Dr. Punt Gusher Betty, Edith - Dr. Lattice the Talking Doll Sunny the Stagg - Jessica Mudd Written and Directed by Joe Fisher Produced by Joe Fisher and Finlay Stevenson Episode art by Existentially Exhausted Bean Music: Hip Hop Rock Song - Def Lev Majestica - Edgar Hopp Eye of the Newscaster - Out to the World Titans - Dream Cave Final Discoveries - Jon Sumner Stand for Truth - Reynard Seidel Mover - Carvings Home Straight - Jon Bjork String Quartet No. 2 In D Major, K. 155_ I. Allegro - W. A. Mozart Symphony No.5 in E minor Op.64 - IV. Andante maestoso - P.I. Tchaikovsky Learn more about your ad choices. Visit megaphone.fm/adchoices

微信公众号：「365读书」（dus365)，有不定期赠书福利；微博：365读书v。主播：潮羽，365天每天更新一期。 文字版已在微信公众号【365读书】发布 。QQ：647519872 背景音乐：1.麗美 - still... ~ instrumental；2.James Galway - Piano Concerto No.21 in C, K.467 - Arranged by Andreas Tarkmann：2. Andante；3.髙見優 - 五年前；4.黒須克彦,帆足圭吾 - 繋ぎとめた世界；5.马常胜 - 空中楼阁：平沙落雁；6.骆集益 - 月意。

This Day in Legal History: Law of BurgosOn December 27, 1512, the Spanish Crown enacted the Laws of Burgos, marking one of the earliest attempts in European colonial history to regulate interactions between colonizers and indigenous peoples. These laws were implemented primarily in the Caribbean and aimed to address the mistreatment of indigenous populations following the Spanish conquests. They formalized the encomienda system, under which Spanish settlers were granted the right to indigenous labor in exchange for providing religious instruction and protection. The laws also sought to prevent outright abuse by prohibiting physical mistreatment and ensuring that indigenous people received basic sustenance and housing.The Laws of Burgos represented an acknowledgment of the moral and ethical issues raised by colonial expansion, partly influenced by the advocacy of figures like Dominican friar Antonio de Montesinos. However, their practical effectiveness was minimal. Enforcement mechanisms were weak, and colonial administrators often disregarded the rules. The encomienda system itself perpetuated exploitation, as it enabled settlers to maintain control over indigenous labor with little oversight.The laws mandated the conversion of indigenous peoples to Christianity, critics argue that this often served to further entrench colonial domination rather than protect cultural or spiritual rights. Over time, the failure of the Laws of Burgos to alleviate suffering led to further reforms, including the New Laws of 1542, which aimed to abolish the encomienda system altogether. The Laws of Burgos remain a significant moment in legal history for their attempt—however flawed—to impose moral constraints on imperial expansion.The Fifth Circuit Court of Appeals has reinstated a nationwide injunction against enforcing the Corporate Transparency Act (CTA), reversing a decision by a different panel of the same court just days earlier. The CTA, intended to combat money laundering, requires U.S. businesses formed before 2024 to disclose their beneficial owners by January 1, 2025. The law was challenged by Texas Top Cop Shop Inc., a firearms retailer, with representation from the Center for Individual Rights. A district court issued an injunction halting enforcement of the CTA on December 3.However, on December 23, the court's motions panel lifted the injunction, citing the government's strong likelihood of proving the CTA constitutional. This decision was overturned by a separate panel handling the case's merits, which reinstated the injunction to maintain the constitutional status quo until the appeal is fully resolved. The case, titled Texas Top Cop Shop v. Garland, underscores ongoing legal disputes over the balance between regulatory compliance and constitutional protections.If ever allowed to come into law, the CTA would mandate most U.S. entities, including corporations, LLCs, and similar structures, to report their beneficial owners—individuals who exercise substantial control or own at least 25% of the entity—to the Financial Crimes Enforcement Network (FinCEN). Exemptions apply to certain entities, such as large, publicly traded companies and those already subject to substantial federal oversight. The CTA's reporting requirements are designed to create a centralized registry of beneficial ownership information, accessible to law enforcement and regulatory agencies for investigative purposes. By implementing these measures, the CTA seeks to close gaps in corporate opacity and align U.S. practices with global anti-money laundering standards.Corporate Transparency Act Blocked by US Appeals Court AgainUS appeals court halts enforcement of anti-money laundering law | ReutersJudge Pauline Newman, the oldest active federal judge in the U.S., has accused the Federal Circuit of withholding documents related to her suspension to control the media narrative. In a filing with the U.S. Court of Appeals for the D.C. Circuit, Newman sought to unseal four documents she says highlight Chief Judge Kimberly Moore's and the Judicial Council's evolving demands for her medical records during their investigation into her fitness to serve. Newman argues that the documents, which include a gag order, do not contain sensitive information warranting secrecy and are critical to her due process claims. The Federal Circuit contends that sealing the documents is necessary to preserve fairness and protect broader procedural integrity, asserting that they will be released in due course. Newman, however, criticized the delays as unjustified, claiming they serve only to control public perception. She also alleged selective disclosures by the Judicial Council to favorably shape media coverage during the investigation. Represented by the New Civil Liberties Alliance, Newman continues to challenge her suspension, arguing that the D.C. Circuit has the authority to unseal the contested documents. The case underscores tensions over judicial transparency and due process rights.Newman Accuses Fed. Cir. of Concealing Files to Control MediaBioNTech has reached settlement agreements with the U.S. National Institutes of Health (NIH) and the University of Pennsylvania (Penn) over COVID-19 vaccine royalty disputes. The German company, partnered with Pfizer for vaccine production, will pay $791.5 million to the NIH and $467 million to Penn. Penn will dismiss its lawsuit, which alleged that BioNTech underpaid royalties for using mRNA technology developed by Nobel laureates at the university. Pfizer will reimburse BioNTech for portions of the payments: up to $170 million for Penn and $364.5 million for the NIH. The settlements include amendments to BioNTech's licensing agreements with both entities, committing to ongoing royalty payments as a low single-digit percentage of vaccine net sales. Additionally, they establish a framework for licensing the use of NIH and Penn patents in combination products. BioNTech stated that these settlements do not constitute an admission of liability.BioNTech enters settlement with US agency, UPenn over COVID vaccine royalties | ReutersThis week's closing theme is by Wolfgang Amadeus Mozart, one of the most celebrated composers of the Classical era, was a musical prodigy whose works remain timeless. Born in Salzburg in 1756, Mozart composed over 600 pieces, including symphonies, operas, chamber music, and sonatas, showcasing his unparalleled melodic genius and structural clarity. His works are renowned for their emotional depth and technical mastery, often blending elegance with playful innovation.Among his many compositions, the Piano Sonata No. 11 in A major, K. 331, holds a special place for its lyrical beauty. The first movement, Andante grazioso, is a theme with six variations that exemplifies Mozart's ingenuity in transforming a simple, graceful melody into a vibrant exploration of texture and expression. The movement's flowing lines and delicate ornamentation reflect Mozart's flair for creating music that is both technically demanding and deeply emotive.This sonata, likely composed around 1783, radiates a sense of intimacy and charm, making it a favorite in the piano repertoire. The Andante grazioso invites the listener into a world of serene elegance, embodying the Classical ideal of balance and refinement while hinting at the playful brilliance that defines much of Mozart's work. This week's closing theme reminds us of the enduring power of music to evoke beauty and joy through simplicity and artistry.Without further ado, Wolfgang Amadeus Mozart's Piano Sonata No. 11 in A major, K. 331, enjoy.  This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.minimumcomp.com/subscribe

As Jay explains in his introduction, he has done many Christmas podcasts. And Fourth of July podcasts. And an Easter podcast or two. And Halloween podcasts. But not until now a Thanksgiving podcast. So, here are songs of gratitude and other items appropriate to the holiday. A little feast on its own, filling but not fattening. Handel or Ochs, “Dank sei Dir, Herr” Berlin, “I've Got Plenty to Be Thankful For” Strauss, “Zueignung” Chabrier, “Ballade des gros dindons” ?, “The Turkey of 29 Pounds” Valerius-Paulus, “We Gather Together” Brahe, “Bless This House” Beethoven, Andante from String Quartet No. 15 in A minor, Op. 132

微信公众号：「365读书」（dus365)，有不定期赠书福利；微博：365读书v。主播：潮羽，365天每天更新一期。 文字版已在微信公众号【365读书】发布 。QQ：647519872 背景音乐：1.林有三 - やわらかな時間；2.杨瑾 - 小月儿高；3.Arthur Rubinstein,Frédéric François Chopin - Nocturne No. 3 in B Major, Op. 9, No. 3；4.Endless Melancholy - Light；5.Isaac Stern - Piano Trio No. 1 Op. 99：Andante con moto；6.Pyotr Ilyich Tchaikovsky - Nocturne, for cello & small orchestra (or piano) in D minor, Op. 19／4；7.Rachel Portman - We Had Today。

Wolfgang Amadeus Mozart - Piano Concerto No. 21: AndantePeter Lang, piano Capella Istropolitana Christoph Eberle, conductorMore info about today's track: Naxos 8.550293Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Neste episódio, José Roberto e Danilo Gomes exploram a relação entre filosofia, vontade e voluntariado. A filosofia não deve ser limitada ao âmbito intelectual, mas transformada em ação prática, alinhando pensamento e comportamento. As tradições filosóficas antigas — como as escolas gregas, romanas e orientais — sempre promoveram essa integração, mostrando que ideias elevadas precisam se refletir em atitudes concretas no cotidiano. O voluntariado é apresentado como um exercício de coerência e generosidade. Assim como na natureza cada ser expressa sua essência de forma harmônica, o ser humano também encontra plenitude ao unir sua dimensão interna e externa, beneficiando a sociedade. A prática voluntária nas escolas filosóficas, como a Nova Acrópole, se revela um caminho para desenvolver valores como empatia e altruísmo, ajudando não só o outro, mas também a si mesmo, ao expandir a consciência e o propósito de vida. A conversa traz ainda reflexões inspiradas em mitos, tradições e figuras como Hércules e Prometeu, destacando que a superação de desafios individuais amplia nossa capacidade de atuar em benefício do coletivo. O voluntariado, assim, é visto como uma via essencial para transformar sociedades em civilizações mais justas e humanas. Participantes: José Roberto e Danilo Gomes Trilha Sonora: Mozart - Serenata Noturna Kv 525 II Romance. Andante

This week on The Broski Report, Fearless Leader Brittany Broski falls down a Google rabbit hole starting with the animated movie Hoodwinked, adds Seafood Boil Mukbangs to her ASMR repertoire, and unpacks her film history starting with Ocean's 11.