Podcasts about Andante

微信公众号：「365读书」（dus365)，有不定期赠书福利；微博：365读书v。主播：潮羽，365天每天更新一期。 文字版已在微信公众号【365读书】发布 。QQ：647519872 背景音乐：1.赵成宇 - April Snow (With 눈 녹은 길 II - 대사5) (1)；2.James Galway - Piano Concerto No.21 in C, K.467 - Arranged by Andreas Tarkmann：2. Andante；3.渡辺俊幸 - 母の想い；4.水月陵 - Harmony with Sorrow；5.麗美 - i left you ~ not sure if i did；6.赖英里 - 夜景 Nocturne；7.陈占美 - 顺流逆流；8.高木正勝 - そらつつみ；9.灵空GTech - 雨幕；10.水月陵 - 蝉声とともに；王黎光 - 心语1。

If Elvis, Sherlock Holmes, and Will Shortz walked into a mystery -- well, we'd definitely watch that, just like we devoured LUDWIG! We paused viewing only long enough to record this episode and have a simmering feud over what, exactly, the criteria are for a locked-room mystery. Jacob's still not convinced Join us on the Cluedunnit Patreon (patreon.com/cluedunnitpodcast) and brag about how long your Wordle winning streak is or how fast you can do the NY Times Saturday crossword. (Yeah, we said Saturday. IYKYK.) We watched LUDWIG, series 1, episode 5. (There's no title given for the episode! Quick, let's name it for them! Andante con moto! Scherzo allegro! Nerds rule, jocks drool! Put your suggestion in the comments!) Follow us on the socials and let us know what you think!  Facebook: @cluedunnitpodcast   Instagram: @cluedunnitpodcast And don't forget to discover even more mysteries and community with us on Patreon!  You can find us on Apple podcasts: https://podcasts.apple.com/us/podcast/cluedunnit/id1582713330 Spotify: https://open.spotify.com/show/1PLXRlrkJFBTE6eE97YPwQ Overcast: You'll need to login with your Overcast account, but once you do, we're at https://overcast.fm/itunes1582713330/cluedunnit YouTube: https://www.youtube.com/@cluedunnitpodcast  

微信公众号：「365读书」（dus365)，有不定期赠书福利；微博：365读书v。主播：潮羽，365天每天更新一期。 文字版已在微信公众号【365读书】发布 。QQ：647519872 背景音乐： 1.Xeuphoria - But You're Already Gone；2.John Lenehan - Dolce Droga；3.Karl Leister,Ferenc Bognár,Johannes Brahms - Sonata No. 2 for Clarinet and Piano in E-Flat Major, Op. 120, No. 2 III. Andante con moto - Allegro；4.V.A. - ロマンス ト長調；5.Arthur Rubinstein,Frédéric François Chopin - Nocturne No. 19 in E Minor, Op. 72, No. 1。

Johannes Brahms (1833-1897) - Quintetto in fa minore per pianoforte e archi, op. 341.       Allegro non troppo - Poco sostenuto - Tempo I 2.       Andante, un poco Adagio [15:58]3.       Scherzo. Allegro – Trio [25:08]4.       Finale. Poco sostenuto - Allegro non troppo - Tempo I - Presto non troppo [32:51]Quartetto ItalianoPaolo Borciani, Elisa Pegreffi (Violini)Dino Asciolla (Viola)Franco Rossi (Violoncello)Maurizio Pollini (Piano)

Franz Schubert (1797 - 1828) - Quintetto per pianoforte in la maggiore "Forellen-quintett" (La trota), op. 114, D. 6671.       Allegro vivace2.       Andante [09:48]3.       Scherzo. Presto [17:51]4.       Andantino [22:31]5.       Finale. Allegro giusto [30:48] Menahem Pressler, pianoQuatuor Ebène:Benjamin Berlioz, double bassMathieu Herzog, violaGabriel Le Magadure, violinRaphaël Merlin, cello

En 1969, Juan Manuel Bellón fue bautizado como el nuevo Arturo Pomar. Cinco veces campeón nacional, es hoy el decano de los grandes maestros españoles, alguien que puede presumir de haberse enfrentado a casi todos los campeones mundiales del tablero. Hoy, en ‘Cuentos, jaques y leyendas’, Roberto López y Manuel Azuaga rinden tributo en vida a uno de los personajes más queridos por la familia del ajedrez, Juan Manuel Bellón López, el único ajedrecista español que, junto a Ruy López de Seguro, ha puesto su nombre a una apertura teórica, el gambito Bellón. En cierta ocasión, le preguntaron a Míjail Tal, el mago de Riga, por cuál era el jugador que más se le parecía en el tablero. Tal respondió: «Viktor Kupreichik y Juan Manuel Bellón». En ‘Enroque corto’, tiene voz Ignasi Vidal, director de cine y teatro, actor y, en sus ratos libres, apasionado ajedrecista. En ‘La biblioteca de Caissa’, el maestro Luisón nos recomienda dos nuevos títulos. Y, en ‘La gran diagonal’, recibimos el saludo y la pregunta del maestro FIDE Jorge Ramírez. Escucha todos nuestros podcast aquí.

Richard Wagner (1813-1883) - Da Parsifal: Incantesimo del Venerdì Santo (atto III)Orchestra Filarmonica di MonacoSergiu Celibidache, conductor *********13'20”Nikolay Rimsky-Korsakov (1844 - 1908) - La grande Pasqua russa, Ouverture op 36Lento mistico - Andante lugubre - Allegro agitatoOrchestra della di RAI MilanoSergiu Celibidache, conductor

In this second part of our Hear the Dance journey into Jerome Robbins' A Suite of Dances, Cellist Hannah Holman joins host Silas Farley to provide a deep-dive introduction to the Bach Cello Suites that provide the ballet's exquisite score. As Holman explains, the music is a seminal work for every cellist, with complex challenges and varied delights throughout—all of which are complicated and enriched when performed onstage with the work's solo dancer. (42:48) Written by Silas Farley  Edited by Emilie Silvestri Music: Concerto for Violin and Orchestra in D major (1931) by Igor Stravinsky 6 Suites for Solo Cello: Prelude & Gigue from Suite 1 in G major, BMV 1007 Sarabande from Suite V in C minor, BMV 1011 Prelude from VI in D major, BMV 1012 by Johann Sebastian Bach Symphony No.4 in E Minor, op.98 (I. Allegro non troppo, II.Andante moderato, III. Allegro giocoso, IV. Allegro energico e passionato) by Johann Sebastian Bach All music performed by the New York City Ballet Orchestra, Yo-Yo Ma and Herbert von Karajan Reading List:  Somewhere: The Life of Jerome Robbins by Amanda Vaill Jerome Robbins, By Himself: Selections from His Letters, Journals, Drawings, Photographs, and an Unfinished Memoir Edited and with Commentary by Amanda Vaill Misha: The Mikhail Baryshnikov Story by Barbara Aria Illusions of Camelot: A Memoir by Peter Boal Bach: Music in the Castle of Heaven by John Eliot Gardiner

Aram Khachaturian (1903-1978) – Sinfonia n. 11.       Andante maestoso con passione – Allegro ma non troppo (0:00)2.       Adagio sostenuto (18:09)3.       Allegro risoluto (30:35) Armenian Philharmonic OrchestraLoris Tjeknavorian, conductor

微信公众号：「365读书」（dus365)，有不定期赠书福利；微博：365读书v。主播：潮羽，365天每天更新一期。 文字版已在微信公众号【365读书】发布 。QQ：647519872 背景音乐：1.奥术大师陆陆吾 - 坂本龍一-L_Merry Christmas Mr.Lawrence（奥术大师陆陆吾 remix）；2.加賀谷玲 - 12月 花の祈り；3.James Galway - Piano Concerto No.21 in C, K.467 - Arranged by Andreas Tarkmann：2. Andante。

Franz Schubert (1797-1828) - Stabat Mater, D.3831.       Chor: "'Jesus Christus schwebt am Kreuzel". Largo [00:00]2.       Arie: "Bei des Mittlers Kreuze standen bang". Andantino [03:31]3.       Chor: "Liebend neiget er sein Antlitz" Andante [06:45]4.       Duett: "Engel freuten sich der Wonne". Allegretto [08:49]5.       Chor: "Wer wird Zähren sanften Mitleids". Larghetto [12:18]6.       Arie: "Ach, was hätten wir empfunden". Adagio [18:40]7.       Chor: "Erben sollen sie am Throne". Allegro maestoso [21:32]8.       Arie: "Sohn des Vaters, aber leiden". Andantino [24:58]9.       Chor: "O du herrlicher, du herrlicher Vollender". Maestoso [29:16]10.   Terzett: "Erdenfreuden und ihr Elend". Allegro moderato [32:26]11.   Terzett mit Chor: "Dass dereinst wir, wenn im Tode". Andante sostenuto [36:00]12.   Chor: "Amen, amen, amen". Allegro maestoso [39:28] Magdaléna Hajóssyová, sopranoRundfunk-Sinfonieorchester LeipzigRundfunkchor LeipzigHerbert Kegel, conductor

Musik ist da, wenn Worte nicht mehr weiterkommen und berührt, was wir kaum greifen können. Sie trägt uns fort von kreisenden Gedanken und fördert Tränen, die vielleicht schon lange warten. In dieser Woche hat Philipp unter anderem wunderbare Tracks von Taylor Swift und Gracie Abrams im Gepäck: Diese Musikstücke hast Du in der Folge gehört: The National feat. Taylor Swift - "The Alcott" // Edward Elgar – "The Prince of Sleep" // Florian Christl – "C'est la vie" // Gracie Abrams – "I Miss You, I´m Sorry" // Baldassare Galuppi – "Klaviersonate d-moll, Andante" // Den ARD Podcast "Gold & Asche: Projekt Versicherungen" findest Du hier: https://www.ardaudiothek.de/sendung/gold-und-asche-projekt-versicherungen/13625063/ Wenn Du eine Idee oder einen Wunsch zu einem musikalischen Thema hast, dann schreib ihm eine Mail: playlist@ndr.de

Die Gattung Streichquartett erreicht mit diesem Beitrag Schuberts eine neue Stufe: im 14. Streichquartett d-Moll wirft er Geflechte motivischer Beziehungen über das ganze Werk und entwickelt es aus einer einzigen Keimzelle, nämlich dem Liedthema im Andante. Doch Schubert stirbt, das Werk wird erst Jahre nach seinem Tod gedruckt und uraufgeführt. Blind verkostet von Christine Lemke-Matwey, Kai Luehrs-Kaiser und Andreas Göbel. Moderiert von Christian Detig.

Carl Czerny (1791-1857) – Sinfonia n. 1 in do minore Op. 7801.       Allegro2.       Andante sostenuto3.       Scherzo4.       FinaleFrankfurt Brandenburg State OrchestraNikos Athinaos, conductor

Franz Joseph Haydn (1732-1809) - String Quartet Op. 76, n. 2 in re minore "Quinten" 1. Allegro (0:00)2. Andante o più tosto allegretto (6:50)3. Menuetto. Allegro ma non troppo (12:38)4. Vivace assai (15:56) Cleveland String Quartet

Cor Uys oor die Plus 50 Andante Musiekkompetisie.

Deze uitzending bevat een Andante van Mozart, een origineel “Attende Domine”, een “Tu Madre Nos Acoges”, een Kyrie uit een Mis ter ere van Maria, een Ave Regina Caelorum, een 3-delig Bachkwintet, ook “Da Pacem Domine” weerklinkt, naast een klassieke Gavotte, nog een lentetafereel geïnspireerd op een schilderij en last but not least een openingsdeel […]

Große Musik für ein großes Thema. Verfluchen oder verzeihen? Das ist oftmals gar nicht so einfach. Löse die Schatten aus dem Herzen und lass Raum für Leichtigkeit entstehen. Diese Musikstücke hast Du in der Folge gehört: Eric Bibb – "Forgiveness Is Gold" // Barbra Streisand – "Sweet Forgiveness" // W.A. Mozart – "Klavierkonzert 15 (Andante)" // Tuck & Patti – "Forgiveness" // Poor Clares Of Arundel – "Forgiveness and Peace" // Thomas D. – "Vergebung hier ist sie" // Den Podcast "Telephobia - Dieser eine Anruf" findest du hier: https://www.ardaudiothek.de/sendung/telephobia-dieser-eine-anruf/12641441/ Wenn Du eine Idee oder einen Wunsch zu einem musikalischen Thema hast, dann schreib ihm eine Mail: playlist@ndr.de

Wolfgang Amadeus Mozart (1756 - 1791) - Sinfonia n. 40 in sol minore, K 550Molto allegro (sol minore)Andante (mi bemolle maggiore)Minuetto e trio. Allegretto (sol minore)Allegro assai (sol minore)Boston Symphony OrchestraLeonard Bernstein, conductor

Pietro Floridia (1860 - 1932) – Sinfonia in re minore (1889)1.       Introduzione ed allegro [0:00]2.       Scherzo [16:26]3.       Andante sostenuto [22:07]4.       Allegro festoso ma moderato [30:10] Orchestra Sinfonica dell'Opera di DonetskSilvano Frontalini, conductor

Georges Bizet (1838-1875) - Sinfonia in do maggiore1.       Allegro vivo [00:00]2.       Andante. Adagio [08:06]3.       Allegro vivace [19:29]4.       Finale. Allegro vivace [25:28] Netherlands Chamber OrchestraGordan Nikolić, conductor

Aleksandr Konstantinovič Glazunov (1865 - 1936) - Rapsodia orientale, op. 29 1. Andante (0:00)2. Presto (6:07)3. Andante (11:15)4. Moderato: all Marcia (18:00)5. Finale: Allegro (20:50) USSR State Symphony OrchestraFyodorovich Svetlanov, conductor

Avui sentirem: Quartet n

[✐1. Adagio, 2. Andante]  V(ます)+たくないです don't want to ....“I don't want to do anything.”[00:07]Hello everyone.  How are you doing? I don't feel like doing anything today. Don't you have such a day?[00:17]Let's practice “〜takunaidesu(don't want to)”.Repeat after me[00:23]1.  go [Masu form] – ikitakunaidesu2.  buy [Masu form] – kaitakunaidesu3.  eat [Masu form] – tabetakunaidesu4.  see/watch [Masu form] – mitakunaidesu5.  do [Masu form] – shitakunaidesu[01:03]So far so good?Repeat after me[01:07]1.  I don't want to get out of the bed.2.  I don't want to wash my face.3.  I don't want to brush my teeth.4.  I don't want to shave.5.  I don't want to take off my pyjamas.6.  I don't want to eat breakfast.[02:08]Ah, even so, I'd love to have a cup of coffee.Repeat after me[02:16]1.  I don't want to clean the room.2.  I don't want to do the laundry.3.  I don't want to mow the grass.4.  I don't want to replace the light bulb.5.  I don't want to cook.[03:12]Now, make a sentence with the opposite meaning.For example,[03:18]I want to drink coffee.→ I don't want to drink coffee.OK?=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=「なにも したくないです。」[00:07]みなさん、こんにちは。おげんきですか。わたしは、きょうは、なにもしたくないです。みなさんにも そういう ひ が ありませんか。[00:17]では、｢〜たくないです｣を れんしゅうしましょう。Repeat after me[00:23]1.  いきます- いきたくないです2.  かいます- かいたくないです3.  たべます - たべたくないです4.  みます – みたくないです5.  します – したくないです[01:03]ここまでOKですね。Repeat after me[01:07]1.  ベッドから でたくないです。2.  かおを あらいたくないです。3.  はを みがきたくないです。4.  ひげを そりたくないです。(ひげをそる = shave)5.  パジャマを ぬぎたくないです。6.  ちょうしょくを たべたくないです。[02:08]あ、でもコーヒーは のみたいです。Repeat after me[02:16]1.  へやの そうじを したくないです。2.  せんたくを したくないです。3.  くさかりを したくないです。4.  でんきゅうを とりかえたくないです。5.  りょうりを したくないです。[03:12]では、つぎのように はんたいの いみの ぶんをつくります。たとえば、[03:18]コーヒーを のみたいです→ コーヒーを のみたくないです。いいですか。Support the show=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=Need more translation & transcript? Become a patron: More episodes with full translation and Japanese transcripts. Members-only podcast feed for your smartphone app. Japanese Swotter on PatreonNote: English translations might sound occasionally unnatural as English, as I try to preserve the structure and essence of the original Japanese.

L. van Beethoven: Sinfonia n. 9 in re minore, op. 125 "Corale" 1. Allegro ma non troppo, un poco maestoso2. Molto vivace-Presto3. Adagio molto e cantabile-Andante moderato4. Presto-Recitativo-Allegro assai-Allegro assai vivace-   Alla marcia-Andante maestoso-Allegro energico, sempre ben marcato-   Allegro ma non troppo-Prestissimo Elisabeth Schwarzkopf, sopranoMarga Höffgen, contraltoErnst Haefliger, tenorOtto Edelmann, bassChor der Gesellschaft der Musikfreunde WienPhilharmonia OrchestraHerbert von Karajan, conductor

Sergei Rachmaninoff - Cello Sonata: AndanteJonah Kim, cello Sean Kennard, pianoMore info about today's track: Delos DE3574Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

[1.Adagio, 2.Andante] for one's health : けんこうのために“Do you do (are you doing) something for your health?”[00:09]Hello, everyone. Today's theme is “health”.Repeat after me[00:14]1.  For my health, I exercise a lot.2.  For my health, I jog.3.  For my health, I eat well-balanced.4.  For my health, I don't drink alcohol.5.  For my health, I don't smoke.6.  For my health, I use the stairs.7.  What do you do (= are you doing) healthwise?8.  Do you do (= are you doing) something healthwise?NOTE: shiteimasu < shimasu ＜ suru : て-Form/Present progressive;  implying  continuing state / what you do regularly.[01:58]Now, make a sentence as follows.For example,Do you do (= are you doing) something healthwise?Yoga→ I do Yoga (regularly).Ready?[02:11]1.  What do you do for your health?every morning, stretching exercise→ Every morning, I do stretch excercise.2.  Do you do something healthwise?in the morning and evening, take a walk→ I take a walk 40 minutes (each) in the morning and evening.3.  Do you do something healthwise?everyday, about 10,000 steps, walk→  I walk about 10,000 steps every day.[03:30]4.  What do you do for your health?twice a week, attend Zumba class→ I attend Zumba classes twice a week.5.  What do you do for your health?mustle training, at home→ I do mustle training at home.6.  Do you do something healthwise?nothing in particular→ I don't do anything in particular.=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*= 「けんこうのために なにかしていますか。」[00:09]みなさん、こんにちは。きょうのテーマはけんこうです。Repeat after me[00:14]1.  けんこうのために、よくうんどうします。2.  けんこうのために、ジョギングします。3.  けんこうのために、バランスよくたべます。(バランスよく= well-balanced)4.  けんこうのために、おさけをのみません。5.  けんこうのために、たばこをすいません。6.  けんこうのために、かいだんをつかいます。7.  けんこうのために、なにをしていますか。8.  けんこうのために、なにかしていますか。NOTE: (しています ←します・Vて-Form/Present progressive: implying continuing state /what you do regularly.[01:58]では、つぎにようにぶんをつくります。たとえば、けんこうのために、なにかしていますか。ヨガ→ ヨガをしています。いいですか。[02:11]1.  けんこうのために、なにをしていますか。まいあさ、ストレッチ→ まいあさ、ストレッチをしています。2.  けんこうのために、なにかしていますか。あさばん、40ぷん、さんぽ→ あさばん、40ぷん、さんぽをしています。3.  けんこうのために、なにかしていますか。まいにち  10,000ぼ(いちまんぼ)、あるきます→ まいにち10,000ぼ、あるいています。[03:30]4.  けんこうのために、なにをしていますか。しゅうに２かい、ズンバのクラスにかよいます→ しゅうに２かい、ズンバのクラスにかよっています。5.  けんこうのために、なにをしていますか。うちで きんトレをします→うちで きんトレをしています。(きんトレ= きんにくトレーニング = mustle/strength training =  work out)6.  けんこうのために、なにかしていますか。とくになにも→ とくになにもしていません。Support the show=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=Need more translation & transcript? Become a patron: More episodes with full translation and Japanese transcripts. Members-only podcast feed for your smartphone app. Japanese Swotter on PatreonNote: English translations might sound occasionally unnatural as English, as I try to preserve the structure and essence of the original Japanese.

Kris Palmer, flute, Stephen Main, harp, Piedmont Community Church, Piedmont, California

"Get ready. Get set. Get out!" Cast Gloria - Siouxsie Suarez Caspar - Joe Fisher Ava - Finlay Stevenson Zebulon Mucklewain - Neal Starbird Effie Mucklewain - Julie Cowden-Starbird David - Quintin Jones, Jr. Leif - Tom Moorman Kazi - Jessica Morris Teta - Aubrey Ferguson Libuza - Shelly Darrington Fiona - Tess Segal Feudalism Guy, Announcer, Waiter - Dr. Punt Gusher Betty, Edith - Dr. Lattice the Talking Doll Sunny the Stagg - Jessica Mudd Written and Directed by Joe Fisher Produced by Joe Fisher and Finlay Stevenson Episode art by Existentially Exhausted Bean Music: Hip Hop Rock Song - Def Lev Majestica - Edgar Hopp Eye of the Newscaster - Out to the World Titans - Dream Cave Final Discoveries - Jon Sumner Stand for Truth - Reynard Seidel Mover - Carvings Home Straight - Jon Bjork String Quartet No. 2 In D Major, K. 155_ I. Allegro - W. A. Mozart Symphony No.5 in E minor Op.64 - IV. Andante maestoso - P.I. Tchaikovsky Learn more about your ad choices. Visit megaphone.fm/adchoices

微信公众号：「365读书」（dus365)，有不定期赠书福利；微博：365读书v。主播：潮羽，365天每天更新一期。 文字版已在微信公众号【365读书】发布 。QQ：647519872 背景音乐：1.麗美 - still... ~ instrumental；2.James Galway - Piano Concerto No.21 in C, K.467 - Arranged by Andreas Tarkmann：2. Andante；3.髙見優 - 五年前；4.黒須克彦,帆足圭吾 - 繋ぎとめた世界；5.马常胜 - 空中楼阁：平沙落雁；6.骆集益 - 月意。

This Day in Legal History: Law of BurgosOn December 27, 1512, the Spanish Crown enacted the Laws of Burgos, marking one of the earliest attempts in European colonial history to regulate interactions between colonizers and indigenous peoples. These laws were implemented primarily in the Caribbean and aimed to address the mistreatment of indigenous populations following the Spanish conquests. They formalized the encomienda system, under which Spanish settlers were granted the right to indigenous labor in exchange for providing religious instruction and protection. The laws also sought to prevent outright abuse by prohibiting physical mistreatment and ensuring that indigenous people received basic sustenance and housing.The Laws of Burgos represented an acknowledgment of the moral and ethical issues raised by colonial expansion, partly influenced by the advocacy of figures like Dominican friar Antonio de Montesinos. However, their practical effectiveness was minimal. Enforcement mechanisms were weak, and colonial administrators often disregarded the rules. The encomienda system itself perpetuated exploitation, as it enabled settlers to maintain control over indigenous labor with little oversight.The laws mandated the conversion of indigenous peoples to Christianity, critics argue that this often served to further entrench colonial domination rather than protect cultural or spiritual rights. Over time, the failure of the Laws of Burgos to alleviate suffering led to further reforms, including the New Laws of 1542, which aimed to abolish the encomienda system altogether. The Laws of Burgos remain a significant moment in legal history for their attempt—however flawed—to impose moral constraints on imperial expansion.The Fifth Circuit Court of Appeals has reinstated a nationwide injunction against enforcing the Corporate Transparency Act (CTA), reversing a decision by a different panel of the same court just days earlier. The CTA, intended to combat money laundering, requires U.S. businesses formed before 2024 to disclose their beneficial owners by January 1, 2025. The law was challenged by Texas Top Cop Shop Inc., a firearms retailer, with representation from the Center for Individual Rights. A district court issued an injunction halting enforcement of the CTA on December 3.However, on December 23, the court's motions panel lifted the injunction, citing the government's strong likelihood of proving the CTA constitutional. This decision was overturned by a separate panel handling the case's merits, which reinstated the injunction to maintain the constitutional status quo until the appeal is fully resolved. The case, titled Texas Top Cop Shop v. Garland, underscores ongoing legal disputes over the balance between regulatory compliance and constitutional protections.If ever allowed to come into law, the CTA would mandate most U.S. entities, including corporations, LLCs, and similar structures, to report their beneficial owners—individuals who exercise substantial control or own at least 25% of the entity—to the Financial Crimes Enforcement Network (FinCEN). Exemptions apply to certain entities, such as large, publicly traded companies and those already subject to substantial federal oversight. The CTA's reporting requirements are designed to create a centralized registry of beneficial ownership information, accessible to law enforcement and regulatory agencies for investigative purposes. By implementing these measures, the CTA seeks to close gaps in corporate opacity and align U.S. practices with global anti-money laundering standards.Corporate Transparency Act Blocked by US Appeals Court AgainUS appeals court halts enforcement of anti-money laundering law | ReutersJudge Pauline Newman, the oldest active federal judge in the U.S., has accused the Federal Circuit of withholding documents related to her suspension to control the media narrative. In a filing with the U.S. Court of Appeals for the D.C. Circuit, Newman sought to unseal four documents she says highlight Chief Judge Kimberly Moore's and the Judicial Council's evolving demands for her medical records during their investigation into her fitness to serve. Newman argues that the documents, which include a gag order, do not contain sensitive information warranting secrecy and are critical to her due process claims. The Federal Circuit contends that sealing the documents is necessary to preserve fairness and protect broader procedural integrity, asserting that they will be released in due course. Newman, however, criticized the delays as unjustified, claiming they serve only to control public perception. She also alleged selective disclosures by the Judicial Council to favorably shape media coverage during the investigation. Represented by the New Civil Liberties Alliance, Newman continues to challenge her suspension, arguing that the D.C. Circuit has the authority to unseal the contested documents. The case underscores tensions over judicial transparency and due process rights.Newman Accuses Fed. Cir. of Concealing Files to Control MediaBioNTech has reached settlement agreements with the U.S. National Institutes of Health (NIH) and the University of Pennsylvania (Penn) over COVID-19 vaccine royalty disputes. The German company, partnered with Pfizer for vaccine production, will pay $791.5 million to the NIH and $467 million to Penn. Penn will dismiss its lawsuit, which alleged that BioNTech underpaid royalties for using mRNA technology developed by Nobel laureates at the university. Pfizer will reimburse BioNTech for portions of the payments: up to $170 million for Penn and $364.5 million for the NIH. The settlements include amendments to BioNTech's licensing agreements with both entities, committing to ongoing royalty payments as a low single-digit percentage of vaccine net sales. Additionally, they establish a framework for licensing the use of NIH and Penn patents in combination products. BioNTech stated that these settlements do not constitute an admission of liability.BioNTech enters settlement with US agency, UPenn over COVID vaccine royalties | ReutersThis week's closing theme is by Wolfgang Amadeus Mozart, one of the most celebrated composers of the Classical era, was a musical prodigy whose works remain timeless. Born in Salzburg in 1756, Mozart composed over 600 pieces, including symphonies, operas, chamber music, and sonatas, showcasing his unparalleled melodic genius and structural clarity. His works are renowned for their emotional depth and technical mastery, often blending elegance with playful innovation.Among his many compositions, the Piano Sonata No. 11 in A major, K. 331, holds a special place for its lyrical beauty. The first movement, Andante grazioso, is a theme with six variations that exemplifies Mozart's ingenuity in transforming a simple, graceful melody into a vibrant exploration of texture and expression. The movement's flowing lines and delicate ornamentation reflect Mozart's flair for creating music that is both technically demanding and deeply emotive.This sonata, likely composed around 1783, radiates a sense of intimacy and charm, making it a favorite in the piano repertoire. The Andante grazioso invites the listener into a world of serene elegance, embodying the Classical ideal of balance and refinement while hinting at the playful brilliance that defines much of Mozart's work. This week's closing theme reminds us of the enduring power of music to evoke beauty and joy through simplicity and artistry.Without further ado, Wolfgang Amadeus Mozart's Piano Sonata No. 11 in A major, K. 331, enjoy.  This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.minimumcomp.com/subscribe

As Jay explains in his introduction, he has done many Christmas podcasts. And Fourth of July podcasts. And an Easter podcast or two. And Halloween podcasts. But not until now a Thanksgiving podcast. So, here are songs of gratitude and other items appropriate to the holiday. A little feast on its own, filling but not fattening. Handel or Ochs, “Dank sei Dir, Herr” Berlin, “I've Got Plenty to Be Thankful For” Strauss, “Zueignung” Chabrier, “Ballade des gros dindons” ?, “The Turkey of 29 Pounds” Valerius-Paulus, “We Gather Together” Brahe, “Bless This House” Beethoven, Andante from String Quartet No. 15 in A minor, Op. 132

微信公众号：「365读书」（dus365)，有不定期赠书福利；微博：365读书v。主播：潮羽，365天每天更新一期。 文字版已在微信公众号【365读书】发布 。QQ：647519872 背景音乐：1.林有三 - やわらかな時間；2.杨瑾 - 小月儿高；3.Arthur Rubinstein,Frédéric François Chopin - Nocturne No. 3 in B Major, Op. 9, No. 3；4.Endless Melancholy - Light；5.Isaac Stern - Piano Trio No. 1 Op. 99：Andante con moto；6.Pyotr Ilyich Tchaikovsky - Nocturne, for cello & small orchestra (or piano) in D minor, Op. 19／4；7.Rachel Portman - We Had Today。

Will Falk survive the wriggling horror that descends from the heavens? Why did he murder his wife? When did he get married? How do you make a piano out of squids? Listen to find out!The Chilling Horror That Grinds and Wiggles, episode 117 of This Gun in My Hand, was molded, frozen and dropped on you by Rob Northrup. This episode and all others are available on Youtube with automatically-generated closed captions of dialog. Visit http://ThisGuninMyHand.blogspot.com for credits, show notes, archives, and to buy my books, such as Little Heist in the Big Woods and Other Revisionist Atrocities. What's the scariest part of the episode? This Gun in My Hand!Show Notes:1. The “slush pile” is publishing industry jargon for unsolicited manuscripts mostly from amateurs. I know the term because outside of self-publishing, that's as far as my stories have gotten.Credits:The opening music clip was from The Sun Sets at Dawn (1950), and the closing music was from Killer Bait (1949), both films in the public domain. Most of the music and sound effects used in the episode are modified or incomplete versions of the originals.Music Title: Pictures at an Exhibition - I. Gnomus VivoComposed by Modest Petrovich MussorgskyPerformed by Skidmore College OrchestraLicense: Public Domainhttps://commons.wikimedia.org/wiki/File:Skidmore_College_Orchestra_-_02_-_I_Gnomus_Vivo.ogg Music Title: Pictures at an Exhibition - VIII. Catacombae. Sepulcrum romanum LargoComposed by Modest Petrovich MussorgskyPerformed by Skidmore College OrchestraLicense: Public Domainhttps://commons.wikimedia.org/wiki/File:Skidmore_College_Orchestra_-_12_-_VIII_Catacombae_Sepulcrum_romanum_Largo.ogg Music Title: Pictures at an Exhibition - Cum mortuis in lingua mortua Andante non troppo con lamentoComposed by Modest Petrovich MussorgskyPerformed by Skidmore College OrchestraLicense: Public Domainhttps://commons.wikimedia.org/wiki/File:Skidmore_College_Orchestra_-_13_-_Cum_mortuis_in_lingua_mortua_Andante_non_troppo_con_lamento.oggSound Effect Title: forest boreal light wind breeze through leaves +close loud birds.flac License: Public Domainhttps://freesound.org/s/637563/ Sound Effect Title: Silbido bomba cayendo.wav License: Public Domainhttps://freesound.org/s/393006/ Sound Effect Title: Broken Egg Squelch By d.n.audio.ukLicense: Creative Commons Attribution 3.0https://freesound.org/s/461049/Sound Effect Title: Pouring Soup in a Metal Pan - Quick,Short,Gross by HitrisonLicense: Creative Commons Attribution 4.0https://freesound.org/s/251410/Sound Effect Title: Messy Splat 3a by FoolBoyMediaLicense: Creative Commons Attribution 4.0https://freesound.org/s/237928/ Sound Effect Title: Blood Gush and Squelch License: Public Domainhttps://freesound.org/s/635042/ Sound Effect Title: GateShutThumps.wavLicense: Public Domainhttps://freesound.org/s/401041/  Sound Effect Title: lion.wav License: Public Domain https://freesound.org/s/684527/ Sound Effect Title: Gore Cabbage by IENBALicense: Public Domainhttps://freesound.org/s/607909/ The image accompanying this episode is a modified detail of the public domain drawing “squid holding sailor” by Alphonse de Neuville, featured in the Hetzel edition of 20000 Lieues Sous Les Mers.

Wolfgang Amadeus Mozart - Piano Concerto No. 21: AndantePeter Lang, piano Capella Istropolitana Christoph Eberle, conductorMore info about today's track: Naxos 8.550293Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

[✐2.Andante] まあまあでした - adjectives in past tense + Shadowing [07:20]“It was (just) OK.”[00:07]Hello everyone. Let's start right away.[00:11]You went to the party, or you saw a movie, or you had an exam.  How was it?  Tell me your thoughts or impressions.[00:24]For example,How was the party yesterday?  enjoyable, fun→ It was fun.OK?[00:33]1.  How was the party yesterday's party?boring→ It was boring.2.  How was the film?very interesting/funny→ It was very interesting.3.  How was Onsen(hot spring)?feel good/nice/pleasant→ Onsen was nice.4.  How was the test yesterday?easy→ It was easy.5.  How was Panda?very cute→ It was very cute.6.  How was the new restaurant?was OK→ It was just OK.[02:10]Next, we practice in Plain Style (1).For example,How was the party yesterday?  fun→ It was fun![02:21]Now, we speak a bit faster.[02:24]1.  How was the drinking party yesterday?boring→ It was boring.(nomikai = drinking party/session)2.  Have you seen the video? How was it?very funny/interesting→ It was very funny.3.  How was the beauty salon treatment?feel very good/comfortable/pleasant→ It was extremely good.(esute = beauty salon treatments/esthetic clinic)4.  How was the car(license) exam?easy→ It was easy.5.  How was Kabuki?very good→ It was very good.6.  How was the (job)interview?was so-so, was OK→ I did OK.=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*= 「まあまあでした」[00:07]みなさん、こんにちは。では さっそく はじめましょう。[00:11]You went to the party, or you saw a movie, or you had an exam.  How was it?  Tell me your thoughts or impressions.[00:24]たとえば、きのうのパーティは どうでしたか？ たのしい→ たのしかったです。いいですか。[00:33]1.  きのうのパーティ、どうでしたか？つまらない→ つまらなかったです。2.  えいがは どうでしたか。とても おもしい→ とても おもしろかったです。3.  おんせん、どうでしたか。きもちよい→きもちよかったです。4.  きのうのテストは、どうでしたか？かんたん→かんたんでした。5.  パンダは、どうでしたか。とても、かわいい→とても かわいかったです。6.  あたらしいレストランは どうでしたか。まあまあ→まあまあでした。[02:10]つぎは、Plain Style(1)で れんしゅうします。たとえば、きのうのパーティ、どうだった？ たのしい→ たのしかった！[02:21]ちょっと スピードアップしますよ。[02:24]1.  きのうの のみかい、どうだった？つまらない→ つまらなかった。(のみかい= drinking party/session)2.  ビデオみた？どうだった？すごく おもしろい→すごく おもしろかった。3.  エステ、どうだった？すっごく きもちいい→ すっごく きもちよかった。(エステ= beauty salon treatments/esthetic clinic)4.  くるまのしけん、どうだった？かんたん→かんたんだった。5.  かぶき、どうだった？すごく いい→ すごく よかった。6.  めんせつ、どうだった？まあまあ→ まあまあだった。Support the show=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=Need more translation & transcript? Become a patron: More episodes with full translation and Japanese transcripts. Members-only podcast feed for your smartphone app. Japanese Swotter on PatreonNote: English translations might sound occasionally unnatural as English, as I try to preserve the structure and essence of the original Japanese.

Neste episódio, José Roberto e Danilo Gomes exploram a relação entre filosofia, vontade e voluntariado. A filosofia não deve ser limitada ao âmbito intelectual, mas transformada em ação prática, alinhando pensamento e comportamento. As tradições filosóficas antigas — como as escolas gregas, romanas e orientais — sempre promoveram essa integração, mostrando que ideias elevadas precisam se refletir em atitudes concretas no cotidiano. O voluntariado é apresentado como um exercício de coerência e generosidade. Assim como na natureza cada ser expressa sua essência de forma harmônica, o ser humano também encontra plenitude ao unir sua dimensão interna e externa, beneficiando a sociedade. A prática voluntária nas escolas filosóficas, como a Nova Acrópole, se revela um caminho para desenvolver valores como empatia e altruísmo, ajudando não só o outro, mas também a si mesmo, ao expandir a consciência e o propósito de vida. A conversa traz ainda reflexões inspiradas em mitos, tradições e figuras como Hércules e Prometeu, destacando que a superação de desafios individuais amplia nossa capacidade de atuar em benefício do coletivo. O voluntariado, assim, é visto como uma via essencial para transformar sociedades em civilizações mais justas e humanas. Participantes: José Roberto e Danilo Gomes Trilha Sonora: Mozart - Serenata Noturna Kv 525 II Romance. Andante

durée : 00:28:26 - Les mouvements lents (1/4) : Andante - par : Christian Merlin - Après s'être demandé le mois dernier comment on commence une symphonie, il est temps de se pencher sur le deuxième mouvement. Dans une symphonie classique ou romantique, c'est traditionnellement le mouvement lent, notion très relative selon que l'on parle d'andante, d'adagio, de largo… - réalisé par : Marie Grout

[✐2. Andante, 3. Moderato] Vて+ いました past progressive tense, habitual behaviour in the past“I used to skip the classes.”[00:07]Hello everyone.What did you use to do as a child? Adjective “yoku” is often added to express “often”.  “As a child” is “kodomo no koro”.Repeat after me[00:24]1.  As a child, I used to read books.2.  As a child, I used to listen to (phonograph/vinyl) records.3.  As a child, I used to play with Lego.4.  As a child, I used to fight with my brother.5.  As a child, I used to watch Anime.[01:39]There was a robbery in your neighbourhood.  A detective came to you and interviewed you.  “What were you doing yesterday?” Please answer the detective as follow.For example,[01:54]What were you doing around 12 o'clock yesterday?Lunch, eat(your answer) → I was eating lunch.Ready?[02:07]1.  What were you doing around 3 pm yesterday?bank, withdraw money→  I was withdrawing money at the bank.2.  What were you doing around 5 pm yesterday?→  I was buying clothes in a department store.3.  What were you doing around 7 pm last night?friends, drink in Izakaya→  I was drinking with my friends in Izakaya.(*Izakaya = Informal Japanese bar that serves alcoholic drinks and snacks.)4.  What were you doing around 9 pm yesterday?in front of the station, wait for a taxi→ I was waiting for a taxi in front of the station.5.  What were you doing around 11 pm yesterday?At home, alone, watch TV→ I was watching TV alone at home.[04:25]I see.  You were alone around 11 pm.  You have no alibi.  You are suspicious….=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=「よく じゅぎょうを さぼっていました」[00: 08]みなさん、こんにちは。What did you use to do as a child? Adjectiveよくis often added to express “often”.  “As a child” is ｢こどものころ｣ですね。Repeat after me[00:24]1.  こどものころ、よく ほんをよんでいました。2.  こどものころ、よく レコードをきいていました。3.  こどものころ、よく レゴで あそんでいました。4.  こどものころ、よく あにと けんかをしてい ました。5.  こどものころ、よく アニメをみていました。[01:39]There was a robbery in your neighbourhood.  A detective came to you and interviewed you.  “What were you doing yesterday?” Please answer the detective as follow.たとえば、[01:54]きのうの12じごろ、なにをしていましたか。ランチ、たべます(your answer)→ ランチを たべていました。いいですか。[02:07]1.  きのうの３じごろ、なにをしていましたか。ぎんこう、おかねをおろします→ ぎんこうで おかねをおろしていました。2.  きのうの５じごろ、なにをしていましたか。デパート、ようふくをかいます→ デパートでようふくをかっていました。3.  きのうのよる７じごろ、なにをしていましたか。ともだち、いざかやで のみます→ ともだちと いざかや*で のんでいました。(*いざかや=Informal Japanese bar that serves alcoholic drinks and snacks.)4.  きのうのよる９じごろ、なにをしていましたか。えきまえ、タクシーをまちます→ えきまえで、タクシーをまっていました。5.  きのうのよる11じごろ、なにをしていましたか。うちで、ひとりで、テレビをみます→ うちで、ひとりで テレビをみていました。[04:25]そうですか、11 じごろは ひとりでしたね。アリバイがありませんね。あやしいですね…。Support the show=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=Need more translation & transcript? Become a patron: More episodes with full translation and Japanese transcripts. Members-only podcast feed for your smartphone app. Japanese Swotter on PatreonNote: English translations might sound occasionally unnatural as English, as I try to preserve the structure and essence of the original Japanese.

In this episode of One Symphony, host Devin Patrick Hughes interviews Dr. Samantha Ege, pianist and musicologist, about the life and works of Florence Price. Dr. Ege discusses Price's musical style, her significance in American classical music, and the recent rediscovery of her compositions. The conversation covers Price's role in the Chicago music scene, her blending of classical and African American musical traditions, and the challenges she faced as a Black female composer in the early 20th century. Dr. Ege also shares insights from her own recordings of Price's piano works and her upcoming scholarly publications on the composer.   Dr. Samantha Ege is a leading scholar and interpreter of the African American composer Florence Price.  Her work illuminates Price in the context of the Black Chicago Renaissance and Black women's dynamic networks of advocacy, empowerment, and uplift. Her first book, South Side Impresarios: How Race Women Transformed Chicago's Classical Music Scene, and first edited collection, The Cambridge Companion to Florence B. Price, are important culminations of the research she has shared around the world.   Dr Ege is a also concert pianist who specializes in the music of 20th and 21st century composers. Her performances bring her research to life, sounding new narratives that are so often unheard in the modern-day concert hall. Dr Ege seeks to communicate the diversity of classical music's past, present, and future through her performances, and foster a sense of belonging for everyone.   In her London debut at the 2021 London Festival of American Music she gave the world premiere of Florence Price's complete Fantasie Nègre set. In 2018, she made her international lecture-recitalist debut at the Chicago Symphony Center with her event A Celebration of Women in Music: Composing the Black Chicago Renaissance. She has performed across the UK, Europe, North America, and Southeast Asia. She has also played with the Oxford Philharmonic Orchestra, Oakland Symphony Orchestra, Arkansas Symphony Orchestra, and Yale Philharmonia.   Thank you for joining us on One Symphony. Thanks to Dr. Samantha Ege for sharing her incredible research, insights, and music-making. You can find her book, South Side Impresarios and more at https://www.samanthaege.com.   Music Selections “Weeping Willow, A Rag Time Two Step.” Composed by Scott Joplin. Performed by Benjamin Loeb on the album Scott Jopin: Piano Rags 2 from Naxos. Violin Concerto No. 2. Composed by Florence Price. Featuring Kelly Hall-Tompkins on violin with the Urban Playground Chamber Orchestra. Conducted by Thomas Cunningham. Sonata in E minor “Andante.” Composed by Florence Price. Performed by Samantha Ege. “Sketches in Sepia.” Composed by Florence Price. Performed by Samantha Ege. Symphony No. 1 in E minor: I. Allegro ma non troppo. Composed by Florence Price. Performed by The Philadelphia Orchestra. Yannick Nézet-Séguin, conductor. Available from Deutsche Grammophon. Symphony No. 3 in C minor: I. Andante – Allegro. Composed by Florence Price. Performed by The Philadelphia Orchestra. Yannick Nézet-Séguin, conductor. Available from Deutsche Grammophon. Sonata in E minor “Scherzo.” Composed by Florence Price. Performed by Samantha Ege. Fantasie Nègre No.4 in B minor. Composed by Florence Price. Performed by Samantha Ege. Available from Lontano Records. “Snapshots Moon Behind a Cloud.” Composed by Florence Price. Performed by Samantha Ege. Available from Lontano Records. Fantasie Nègre No.1 in E minor. Composed by Florence Price. Performed by Samantha Ege. Available from Lontano Records. Juba Dance from Symphony No. 3. Composed by Florence Price. Performed by the Chicago Symphony Orchestra. Ricardo Muti, conductor. Fantasie Nègre No.2 in G minor. Composed by Florence Price. Performed by Samantha Ege. Available from Lontano Records.   You can always find more info at OneSymphony.org or DevinPatrickHughes.com including a virtual tip jar if you'd like to support the show. Please feel free to rate, review, or share the show! Until next time, thank you for being part of the music. 

我们都应该听听古典音乐！音乐修养、生活品味和审美趣味，都是可以通过古典音乐来培养的；而且浩如烟海的作品，本身就充满了美的趣味和享受。很多人觉得古典乐的欣赏充满门槛，似乎不懂乐理就很难听懂。但其实不是，不懂乐理，并不妨碍我们欣赏，也不妨碍我们被它的美和独特所感动。今天这期节目，想跟你分享我是如何入门，以及如何去欣赏古典音乐。尽管我算不上骨灰级、学术型的厉害古典乐迷，但我非常愿意和你一起享受古典音乐的美。我将尽量不去说艰深晦涩的东西，并尽可能地播放好的作品与你来听，希望能让你产生一些些接触古典音乐的兴趣，通过这期节目也能入门~

Rachel Hurwitz and Christine Meals, violins, Stephen Main, viola and Dorothy Nemeth, violoncello, Piedmont Community Church, Piedmont, California

This week on The Broski Report, Fearless Leader Brittany Broski falls down a Google rabbit hole starting with the animated movie Hoodwinked, adds Seafood Boil Mukbangs to her ASMR repertoire, and unpacks her film history starting with Ocean's 11.

What do Duke Ellington, United Airlines, and the K Pop group Red Velvet share in common? They've all covered George Gershwin's piano concerto, Rhapsody in Blue. First premiered in 1924, the piece became an immediate hit for the way it blended American jazz with the European symphonic tradition. Gershwin had a number of successes as a composer in his day—his aria "Summertime" from the opera Porgy and Bess is by some measures the most covered song ever—but the staying power of the Rhapsody make it a rare instrumental piece that's instantly familiar. Maybe too familiar. In 2024, there will be many centennial performances of this iconic piece, but pianist Lara Downes wanted to do something more than just the sound the notes of Gershwin's score for the umpteenth time. Downes commissioned Puerto Rican musician Edmar Colon to create a new version of Gershwin's composition, one that brought in the full spectrum of American life in 1924: fiery improvisation, Latin percussion, and dance rhythms. The resultant piece both pays tribute to an American icon while adding a new set of modern counterpoint. Nate sat down with Lara to ask her if she was nervous to rewrite such a canonic piece, why a concerto is like a musical kaleidoscope, and the surprising family connection to Gershwin's musical world she discovered while researching Rhapsody in Blue. Songs Discussed George Gershwin, Lara Downes, Edmar Colon - Rhapsody in Blue Reimagined Gershwin - Rhapsody in Blue Gershwin - 3 Preludes: II. Andante con moto e poco rubato Sarah Vaughan - Nice Work if You can Get It Sam Cooke - Summertime Chet Baker - But not For ME Louis Armstrong - Aint Misbehavin Ella Fitzgerald - Blue Skies Red Velvet - Birthday Learn more about your ad choices. Visit podcastchoices.com/adchoices