Podcasts about Chamber music

Widely regarded as one of the world's finest horn players, Stefan Dohr has been Principal Horn of the Berlin Philharmonic since 1993. In this conversation, Stefan reflects on the remarkable journey that took him from a musical childhood in Essen – where he initially played the viola alongside his brothers – to one of the most coveted positions in the orchestral world. He shares memories of discovering the horn through a Christmas concert, landing his first professional orchestral job at just nineteen, and navigating the pressures of auditions, competitions and life in Germany's demanding opera houses. He offers a glimpse into the unique democratic structure of the Berlin Philharmonic, where all the musicians vote on everything from new members to the appointment of their chief conductor.Stefan also discusses the changing standards of orchestral playing, the challenges of maintaining world-class technique on one of the most demanding brass instruments, and his passion for expanding the horn repertoire through collaborations with leading contemporary composers. He recalls working with conductors including Claudio Abbado, Sir Simon Rattle and Günter Wand, reflects on his experiences with contemporary music ensembles such as Ensemble Modern, and explains why the horn remains, in his view, the "soul of the orchestra." This interview was recorded at the 2025 Australian Festival of Chamber Music in Townsville. Stefan returns to the festival in 2026, which takes place in Cairns from 24 July to 1 August.

Yeahhhhh Wednesday Drive !!!!! Featuring Elle's interview with goldenstar about their latest EP, Chamber Music.  #allotherradiostationsareshit #upthebosom Ngā mihi nui The Beer Spot

Highly accomplished Australian violinist Dale Barltrop has recently concluded a 10 year tenure as Concertmaster with the Melbourne Symphony Orchestra, having previously held that position with the Vancouver Symphony Orchestra. He's also appeared as Concertmaster with the Australian World Orchestra, and guest directed the Australian Chamber Orchestra and Camerata. Since 2016, he's been first violin of the Australian String Quartet. Dale reflects on a remarkable musical journey that has taken him from Queensland state school music programs and youth orchestras to leading major orchestras in Australia and North America, before ultimately finding a new artistic home with the Australian String Quartet. He discusses the formative influence of inspirational teachers and mentors, the experience of moving alone to the United States as a teenager, and the unexpected path that led him to become concertmaster of both the Vancouver Symphony Orchestra and the Melbourne Symphony Orchestra. Along the way, he shares memories of childhood obsessions with Vivaldi and Rossini, the collaborative thrill of orchestral leadership, and the realities of balancing two highly sought after roles before deciding to devote himself fully to the Australian String Quartet.This conversation was recorded at the 2025 Australian Festival of Chamber Music. The 2026 festival is in Cairns and runs from July 24 to August 1.

On Friday's show: We take a closer look at the forecast for heavy rain in Greater Houston throughout the day and into tonight as a Stage 1 flood alert has been issued. Eric Berger of Space City Weather brings us the latest details.And we learn about the latest of several HISD school officials appointed by the state to lead a district undergoing a state takeover, this time for Beaumont ISD.Also this hour: What does it mean to live between identities — and who decides where you belong? Houston artist Melissa Aytenfisu talks about Othered, a new exhibit at Bisong Art Gallery exploring the experiences of biracial individuals through more than 30 mixed-media portraits.Then, we break down The Good, The Bad, and The Ugly of the week.And two members of the classical ensemble Trio Menil discuss their music and perform for us. The group will perform a concert called Past, Present, Premiere, which spotlights Asian American and Pacific Islander composers, on Sunday, May 3, at 2 p.m. at Asia Society Texas.Watch

Trinity Episcopal Cathedral in downtown Phoenix presents a ComposerFest featuring the music of Joseph Haydn on April 24th and 25th. The first concert features Urban Nocturnes, which will perform a selection of the composer's chamber music. Two members of Urban Nocturnes, violinist Karen Sinclair and flutist & KBACH host Viviana Cumplido Wilson, joined KBACH's Greg Kostraba to talk about the program.More information about this free concert is available at the Music at Trinity website..

"I have to say that the best experience was to conduct choirs on many levels, with amateurs who loved what they did, it was a pleasure working with them just because of that, and also working with higher-level groups and being able to do other things. I started teaching children from 6 years old up to 20. I had non-auditioned groups and more advanced students. That for me was my best teaching experience."Tiago Marques studied Piano, Guitar, Singing and Choral Conducting at the Academia de Amadores de Música (AAM) and the Escola Artística de Música do Conservatório Nacional (EAMCN), Portugal's largest and most prestigious school in primary to secondary music education. Between 1992 and 1996 he got a Bachelor's Degree in Composition at the Escola Superior de Música de Lisboa (ESML), studying under Christopher Bochmann and António Pinho Vargas.Between 1997 and 2002 he studied Choir Conducting at the Utrechts Conservatorium and the Conservatorium van Amsterdam under Daniel Reuss, Jos Vermunt and Jos van Veldhoven. His Bachelor's Degree's final exam included both classical music and close-harmony (jazz, latin and pop music for vocal ensembles), a genre in which he has been specializing for many years while singing in, conducting and writing for several choirs and vocal groups. He followed summer courses and workshops in this genre with, among others, Darmon Meader, Peter Eldridge, Kim Nazarian and Lauren Kinhan (New York Voices), Michele Weir and Phil Mattson (P.M. Singers), Anders Edenroth and Peder Karlson (The Real Group), Ward Swingle and Jonathan Rathbone (The Swingle Singers) and Jens Johanssen (Vocal Line). In 2011 and 2012 he got two Master's Degrees in Choral Conducting (both Performance and Teaching) at the ESML.Between 1994 and 1997 he taught Choir, Chamber Music and Harmony and Musical Analysis at the AAM and the Escola de Música do Orfeão de Leiria. Since 2005 he has been a Choir teacher at EAMCN, heading the Ensemble Music Department since 2024.In Portugal, the Netherlands and Czechia he conducted several choirs and sang in high level ensembles of music genres such as early music, opera, contemporary and close-harmony. At the moment he conducts Musaico, an advanced choir in the EAMCN, and Coro da Ermida, both of which have been gold medallists in international competitions.Tiago Marques is also a composer and arranger, having a number of works performed and recorded by choirs and vocal ensembles in Portugal, Spain, France, the Netherlands and Czechia, as well as an award at the International Vocal Group Festival in Tilburg (2004) for Best Arrangement.To get in touch with Tiago, you can find him on Facebook (@tpnmarques).Email choirfampodcast@gmail.com to contact our hosts.Podcast music from Podcast.coPhoto in episode artwork by Trace Hudson

Will Leathers has quickly established himself as a prominent voice in the world of classical trumpet. After studying at the Juilliard School, Will became Principal Trumpet for both the Nashville Symphony Orchestra and the Santa Fe Opera, a remarkable achievement for someone at his stage in their career. He has collaborated with numerous top ensembles and is recognized by CBC Music as one of Canada's '30 Hot Classical Musicians Under 30.'In this episode, we delve into Will's evolving orchestral career, highlighting the challenges and triumphs that come with auditions, such as his experiences with the Nashville Symphony and Santa Fe Opera. We also explore his solo recordings, including his recent album "Blue Sky, Purple Clouds," which features a fascinating blend of traditional and innovative sounds and is partially infuenced by his synesthesia. Will shares his insights on musicianship, the artistic process, and the importance of adaptability in today's diverse musical landscape. As he says, 'Chasing excellence means you're always looking for ways to make something better or more interesting.'

It's the biggest fight in Roach Koach history. It's Matt vs Jenny & Lorin. Matt still thinks he's right but it's up to you to decide. Welcome to ROACH KOACH X.Take a listen!The Crack, the Butt Rock Bracket is here on the Roach Koach Patreon! Subscribe today! Rate, review, and follow Roach Koach on Apple Podcasts and Spotify! We'd appreciate it! Questions about the show? Have album recommendations? Just want to say hi? We'd love to hear from you! Contact the show @RoachKoach on Twitter, Roach Koach on Facebook , Roach Koach on Instagram, or send an email to RoachKoachPodcast at Gmail. Follow the show on Youtube and TikTok! Find every episode of Roach Koach and order your Roach Koach T-shirt at Roach Koach dot com.

The Mystic Chamber Music Series is the subject of this week's program, with Thomas Readett, Artistic and Executive Director, Nini Giorgadze, violinist, and Sila Senturk, pianist. We talk about the upcoming 2026 series and their concert coming up on Saturday, April 18th at 5:30 PM at The Noank Baptist Church. For more information, you can go to www.mysticchambermusicseries.com

On Thursday's show: Apple plans to build its Mac mini computers right here in Houston, and Wall Street Journal reporter Rolfe Winkler got an exclusive inside look. We talk with him about what is driving this move and what it means for the city.Also this hour: The deadline is next week for Texas public school boards to vote on whether or not to adopt a voluntary period for prayer and reading of religious texts during the school day. We discuss the law behind this, SB 11, and concerns over how it will be implemented.Then, we learn about CanCare, a local cancer support organization that pairs patients with survivors.And we reflect on the history of the Julia Ideson Library, which is celebrating its centennial with a performance of new music from ROCO on Feb. 28.Watch

On Wednesday's show: We discuss the latest developments in politics in our weekly roundup.Also this hour: We learn about a new initiative from the University of Houston-Downtown, which will guarantee admission for HISD graduates with a GPA of 2.5 or higher.And we preview a concert on Friday featuring the string quartet Brooklyn Rider, performing a work that explores the complex relationship between Mexican painters Frida Kahlo and Diego Rivera. It's in conjunction with an exhibit about Kahlo on display now at the Museum of Fine Arts, Houston.Watch

On Friday's show: The Texas Education Agency has warned school districts that facilitating student political walkouts could lead to a state takeover. This comes as the agency unveils a newly created enforcement role focusing on overseeing investigations into alleged misconduct by Texas teachers. We get the latest on this developing story.Also this hour: We discuss how digital maps are increasingly being used to reveal patterns across Greater Houston, from the famed Houston arrow, to the Whataburger location map being used as a substitute for power outage tracking during major storms, to an ICE tracker map being developed by students at Rice University.Then, we break down The Good, The Bad, and The Ugly of the week.And we preview the latest in a series of concerts from The Apollo Chamber Players celebrating America's 250th birthday and the centennial of what became Black History Month.Watch

ASU Collaborative Piano Professor Miki Aoki and several of her students have organized a series of performances at Banner - University Medical Center in Phoenix for patients and families who spend long stretches in the hospital. They recently spoke with KBACH's Greg Kostraba about the project.

ASU Collaborative Piano Professor Miki Aoki and several of her students have organized a series of performances at Banner - University Medical Center in Phoenix for patients and families who spend long stretches in the hospital. They recently spoke with KBACH's Greg Kostraba about the project.

The talented recorder player Vladimir Soares made a recording with harpsichordist Fabian Grosch of Flute Sonatas by Anna Bon di Venezia that I have admired (and played regularly on Sunday Baroque) for years. Vladimir Soares was introduced to music through the Orquestra Villa-Lobos, a social project that provides free musical education to children in the South of Brazil. Soon, he was graduating from the Arts Institute in Porto Alegre and winning competitions. He continued his training at the Musikhochschule Stuttgart, earning his Master's in Chamber Music in 2015 and a Master's in Recorder in 2016 under the guidance of Professor Hans-Joachim Fuss and Andrea Buchert. He also earned the Laurea Prize, which has not been given to a recorder player since 1991. VladimirSoares (with help from translator Jessica Oliveria) spoke with me about his life in music.

durée : 00:14:48 - Le Disque classique du jour du lundi 19 janvier 2026 - Dans ce programme foisonnant de contrastes et de découvertes, le Trio Wanderer explore les mille visages de la musique de chambre française autour de 1900. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:14:48 - Le Disque classique du jour du lundi 19 janvier 2026 - Dans ce programme foisonnant de contrastes et de découvertes, le Trio Wanderer explore les mille visages de la musique de chambre française autour de 1900. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:12:44 - Le Disque classique du jour du vendredi 16 janvier 2026 - Ce premier volume d'une nouvelle intégrale de la musique de chambre de Maurice Ravel réunit les musiciens Lavinia Meijer, Sunghyun Cho, Innhyuck Cho, Hungwei Huang, Svetlin Roussev, Sooyoung Kim et Sein Lee. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:12:44 - Le Disque classique du jour du vendredi 16 janvier 2026 - Ce premier volume d'une nouvelle intégrale de la musique de chambre de Maurice Ravel réunit les musiciens Lavinia Meijer, Sunghyun Cho, Innhyuck Cho, Hungwei Huang, Svetlin Roussev, Sooyoung Kim et Sein Lee. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

The Oracle Piano Society presents its 2026 Chamber Music Festival in early January in Oracle, Arizona. The society's founder...

Pascal Archer is the Principal Clarinetist of several orchestras including the Princeton Symphony Orchestra. He's played with several Broadway Shows including Sweeney Todd, Mary Poppins, South Pacific, On the Town, Fiddler on the Roof and My Fair Lady. He is also the founder of Exponential Ensemble, a mixed chamber music group that creates educational programs and commissions new works connecting music with math, science and literacy.My featured song is “Ma Petite Fleur String Quartet”, my latest release. Spotify link.—-----------------------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!Click here for All Episodes Click here for Guest List Click here for Guest Groupings Click here for Guest TestimonialsClick here to Subscribe Click here to receive our Email UpdatesClick here to Rate and Review the podcast—----------------------------------------CONNECT WITH PASCAL:www.exponentialensemble.com—----------------------------------------ROBERT'S LATEST SINGLE:“MA PETITE FLEUR STRING QUARTET” is Robert's latest release. It transforms his jazz ballad into a lush classical string quartet piece. Praised by a host of classical music stars.CLICK HERE FOR YOUTUBE LINKCLICK HERE FOR ALL LINKS—---------------------------------------ROBERT'S RECENT SINGLE“MI CACHIMBER” is Robert's recent single. It's Robert's tribute to his father who played the trumpet and loved Latin music.. Featuring world class guest artists Benny Benack III and Dave Smith on flugelhornCLICK HERE FOR YOUTUBE LINKCLICK HERE FOR ALL LINKS—--------------------------------------ROBERT'S LATEST ALBUM:“WHAT'S UP!” is Robert's latest compilation album. Featuring 10 of his recent singles including all the ones listed below. Instrumentals and vocals. Jazz, Rock, Pop and Fusion. “My best work so far. (Robert)”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com  

Julien Libeer is pianist. Hij mijdt concoursen en showvertoon en kiest voor verhalende programma's die overbrengen hoe levensveranderend muziek kan zijn. In 2008 ontving hij de Juventus Award, als veelbelovendste jonge solist van Europa. Nu focust hij zich voornamelijk op Ravel en Mozart. Zo bracht hij dit jaar twee albums uit: ‘Ravel. Piano & Chamber Music', ter ere van het 150-jarig bestaan van Ravel, en ‘Mozart 1•2•3•4. Solo, Duo, Trio, Quartet'. In februari 2026 treedt Libeer op in het cultuurhuis Flagey in Brussel. Hier speelt hij enkele meesterwerken uit het pianorepertoire die hun stempel op de muziekgeschiedenis drukten. Een maand later laat hij in de Zeeuwse Concertzaal in Middelburg opnieuw werken van Ravel en Mozart klinken. Ellen Deckwitz gaat met Julien Libeer in gesprek. Beluister Julien Libeer hier: https://lnk.to/RavelLibeer   

Join us for a conversation with Spanish double bassist Uxía Martínez Botana, who shares her journey from facing skepticism as a woman in classical music to becoming a celebrated soloist, chamber musician, and educator. Based in Amsterdam, she tours internationally with ensembles like the Budapest Festival Orchestra and Sol Gabetta's baroque ensemble, and is the first female double bass professor at a Spanish conservatory. We dig into topics like life on the road, work-life balance, her journey through the world of professional music, and her recent Mendelssohn X-Files Project. Enjoy, and learn more about Uxía and the great work she's doing through the links below Official Website: uxiamartinezbotana.com Mendelssohn X-Files Album: Fuga Libera Spotify: Uxía Martínez Botana YouTube: Official Channel Instagram: @uxiamartinezbotana Connect with DBHQ Join Our Newsletter Double Bass Resources Double Bass Sheet Music Double Bass Merch Gear used to record this podcast Zoom H6 studio 8-Track 32-Bit Float Handy Recorder Rode Podmic Sony Alpha 7 IV Full-frame Mirrorless Interchangeable Lens Camera Sony FE 16-35mm F2.8 GM Lens Sony FE 24-70mm F2.8 GM Lens   When you buy a product using a link on this page, we may receive a commission at no additional cost to you. Thank you for supporting DBHQ. Thank you to our sponsors! Upton Bass - From Grammy Award winners and Philharmonic players like Max Zeugner of the New York Philharmonic, each Upton Bass is crafted with precision in Connecticut, USA, and built to last for generations.  Discover your perfect bass with Upton Bass today! theme music by Eric Hochberg

In this episode, I get to sit down with Peter Martin of Third Coast Percussion, an ensemble I have admired for years. Peter and I dive into the inner world of a percussion quartet that tours the globe, creates new music, commissions major composers, collaborates with artists across genres, and somehow still manages to pack an unbelievable amount of gear into checked luggage.Peter had just returned from Paris, where the ensemble performed Philip Glass's August Amazonia Suite alongside a live painter, something they had never done before. From there, we talk about what it truly takes to tour as a percussion group, how they travel with twelve checked bags of instruments, how backlining works, what happens when a vibraphone arrives broken, and why they think about portability and footprint even before a new piece is written.Peter shares his personal journey from military-kid piano lessons to discovering the drum set, jazz vibraphone, and eventually falling in love with the marimba. We talk about his time studying with Michael Burritt at Northwestern, crossing paths with Brett Dietz and William James, and the surreal experience of watching his classmates become lifelong colleagues in orchestras, universities, and ensembles across the world.We also talk about the remarkable story of Third Coast Percussion itself, from its beginnings in the Civic Orchestra of Chicago to becoming a full-time, artist-run organization. Peter explains what it really means to run a chamber group from the ground up, how he unexpectedly became the ensemble's finance director, and why having control of the administrative side gives them total artistic freedom.Then we dig into the ensemble's Grammy win for their Steve Reich album, including the thrill of performing on the telecast and the artistic decisions behind putting their own interpretive stamp on such iconic repertoire. Peter describes what it was like working with producer Jesse Lewis and why that collaboration changed how they approached recording forever.Peter also talks about the emotional experience of recording Murmurs in Time with the legendary Zakir Hussain, who passed away shortly after the sessions. Hearing Peter reflect on Zakir's musicianship, generosity, and spirit is profoundly moving.We wrap with a look at what lies ahead for Third Coast Percussion, from new commissions to international touring to upcoming collaborations, including the premiere of a new work with Jlin. As Peter says, there is never a month when the ensemble is not creating something new, and their passion for pushing percussion forward is unmistakable.It was an honor to talk with Peter and get an inside look at the ensemble's artistry, work ethic, creativity, and humanity. Third Coast Percussion continues to redefine what chamber music can be, and I am grateful to share their story with you.To learn more about Third Coast Percussion, visit their website. Music from the Episode:Philip GlassAguas da Amazonia- Japurá River (Third Coast Percussion feat. Constance Volk)Steve Reich: Sextet- V: Fast (Third Coast Percussion)Zakir Hussain: Murmurs in Time: II: - (Third Coast Percussion with Zakir Hussain)Thank you for listening. If you have questions, feedback, or ideas for the show, please email me at brad@thebandwichtapes.com.

Celebrated composer/educator Daniel Strong Godfrey talks about the new recording of three of his quintets featuring the Cassatt String Quartet and various special guests. He also talks about his involvement in the Seal Bay Festival of Chamber Music, his upcoming projects, and much more.https://danielsgodfrey.comhttps://www.rogerhumphrey.com

This week on the Friday LIVE Extra, a discussion with author Nguyễn Phan Quế Mai and previews of concerts by Lincoln Friends of Chamber Music and Lincoln's Symphony Orchestra.

In what ways are you an artist?...Today, Abbie, Annie, and Dorianne discuss ‘The Art of Collaboration: Chamber Music Rehearsal Techniques and Team Building,' Annie and Dorianne's new book that introduces themes of co-leadership and empathy which are relevant for all small group communication. Particularly, Abbie, Annie, and Dorianne talk about ‘We Presence,' LBAD (Live, Breath, and Die), and “trying out everyone's ideas as if they were your own.”...Violinist Annie Fullard, celebrated for her "gleaming artistry, bravura, and sensitivity," stands as a pioneering force in chamber music education and advocacy. As Director and Sidney M. Friedberg Chair of Chamber Music at The Peabody Institute, Johns Hopkins University, and Distinguished Artist and Charles and Mary Jean Yates Chair in Chamber Music at The Robert McDuffie Center for Strings at Mercer University, she continues to shape the next generation of chamber musicians while advancing the art form's reach and impact. Annie is co-author, with Dorianne Cotter-Lockard, PhD, of the highly anticipated guidebook 'The Art of Collaboration: Chamber Music Rehearsal Techniques and Team Building' (Oxford University Press, February 2025). Beyond the concert hall, Fullard views the empathy and connectivity of chamber music as a metaphor for the kind of communication that we should strive for between cultures and nations. As a founding member of the Cavani String Quartet, Fullard has earned international recognition through extensive touring and prestigious honors including the Naumburg Chamber Music Award, the Cleveland Quartet Award (Eastman), and top prizes at the Banff International, Fischoff, Coleman, and Carmel Chamber Music competitions. Dorianne Cotter-Lockard served as a divisional C-level leadership team member of a Fortune 100 company. She holds a PhD in Human and Organizational Systems from Fielding Graduate University, an M.B.A. from New York University, and a Bachelor of Music degree from the Eastman School of Music. Dorianne teaches theories and applications of mindful leadership, ethics in healthcare, and creativity at work, and supervises student research at Saybrook University. She is a faculty member at Munich Business School, developing and teaching leadership and organization courses for the Conscious Business Education initiative. She conducts research on the topics of team collaboration, leadership, spirituality in the workplace, coaching, and music education through the Institute for Social Innovation, Fielding Graduate University, and is a member of the International Consortium of Integral Scholars. In addition to her consulting and coaching practice, Dorianne serves as faculty to certify SQ21 Spiritual Intelligence coaches, is certified through the International Coach Federation, and is a certified Emotional Intelligence coach. ...Stories Lived. Stories Told. is created, produced & hosted by Abbie VanMeter.Stories Lived. Stories Told. is an initiative of the CMM Institute for Personal and Social Evolution....Music for Stories Lived. Stories Told. is created by Rik Spann....⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Explore all things Stories Lived. Stories Told. here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.Explore all things CMM Institute here.

Google's Frightgeist. Witches of TikTok wanting to boycott Crock-Pot. Smartphone upgrades. Picking your pumpkin. Beef vending machines. Free booze on Air Canada. B/CS Chamber of Commerce update. Friends of Chamber Music update. Saunas are the hot new activity for Americans. Winery tour problems.

Send us a textDescriptionMozart in Miniature: Master of Chamber Music in 60 Seconds. Take a minute to get the scoop!Fun FactMozart's publisher worried that his Piano Quartet in G minor (1785) was too difficult for amateurs—the intended market for chamber music. Sales flopped at first, but the piece later became a cornerstone of the repertoire. It's a reminder that Mozart sometimes wrote not for popularity, but for pure artistry.About Steven, HostSteven is a Canadian composer & actor living in Toronto. Through his music, he creates a range of works, with an emphasis on the short-form genre—his muse being to offer the listener both the darker and more satiric shades of human existence. If you're interested, please check out his music website for more. Member of the Canadian League Of Composers.You can FOLLOW ME on Instagram.

In an interview from 2024 Ben Pascoe talks with cellist and festival organizer Jozef Luptak about that years Konvergencie Festival as well as the past, future and current state of Chamber music. (repeat)

September is National Childhood Obesity Awareness Month, and researchers at Pennington Biomedical say they're focused on finding solutions for improved metabolic health. Louisiana is ranked third in the nation for childhood obesity, so this new initiative is connecting with parents, teachers, coaches and students to get to the heart of the issue. Melissa Martin, executive director of Greaux Healthy, and Dr. Kara Denstel, lead researcher on the Pennington Generation health study, join us for more.In 2022, New Orleans Public Library launched Crescent City Sounds, a music streaming platform made up entirely of local musicians. Now, they are expanding their collection and looking for new submissions through October 7. Joshua Smith is an adult programming associate with the New Orleans Public Library and facilitator of Crescent City Sounds. He tells us how new artists can submit their music.In New Orleans, a popular classical music festival is marking a milestone. The Crescent City Chamber Music Festival is celebrating 10 years of live music performances in venues across the city. Founder, artistic director and violist Luke Fleming joins us with the details. __Today's episode of Louisiana Considered was hosted by Diane Mack. Our managing producer is Alana Schreiber and our assistant producer is Aubry Procell. Our engineer is Garrett Pittman.You can listen to Louisiana Considered Monday through Friday at noon and 7 p.m. It's available on Spotify, the NPR App, and wherever you get your podcasts. Louisiana Considered wants to hear from you! Please fill out our pitch line to let us know what kinds of story ideas you have for our show. And while you're at it, fill out our listener survey! We want to keep bringing you the kinds of conversations you'd like to listen to.Louisiana Considered is made possible with support from our listeners. Thank you!

Send us a textDescriptionForm, Function, and Flourish: The Classical Sonata in 60 Seconds. Take a minute to get the scoop!Fun FactBeethoven's “Moonlight” Sonata wasn't named by him at all—the nickname came years later, when a critic compared its first movement to moonlight on Lake Lucerne. Beethoven might have rolled his eyes, but the title stuck, and today it's one of the most famous (and misinterpreted) sonatas ever written.About Steven, HostSteven is a Canadian composer & actor living in Toronto. Through his music, he creates a range of works, with an emphasis on the short-form genre—his muse being to offer the listener both the darker and more satiric shades of human existence. If you're interested, please check out his music website for more. Member of the Canadian League Of Composers.You can FOLLOW ME on Instagram.

On this new installment of Journeys to the Infinite, I welcome back Kevin Keller, a New York-based composer whose brand new album, ARCADIA, navigates the intersections of the ancient and the modern, the earthly and the celestial. 

The Mystic Chamber Music Series is the subject of this week's program with Thomas Readett, Artistic and Executive Director and Sila Senturk, pianist. We talk about the upcoming 2025-2026 series and their concert coming up on Saturday October 11, 5:30 PM at The Noank Baptist Church. For more information you can go to www.mysticchambermusicseries.com

Today, on the Hudson Mohawk Magazine, First, Moses Nagel reports on the Black August Block Party hosted by the Albany Chapter of the Party for Socialism and Liberation. Then, Andrea Cunliffe gets us a sneak peek into The Friends of Chamber Music's 77th season. Later on, join us for a visit to Saratoga Apple. After that, Nancy Klepsch interviews David Gonsalves about his poetry practice and asks for a few short readings. Finally, we talk about the floating installation by eco-artist and environmental activist Anna Davidson. Co-hosts Richard Sleeper an Sina Basila Hickey

Michael Kirsty of The Friends of Chamber Music previews their 77th season, "The Year of the Living Composer," with HMM's Andrea Cunliffe. They give us insight and inside information about the music and musicians in the line up of the 6 concerts in the Capital Region for this 2025-2026 season. This season brings masterpieces of the Classical and Romantic eras to bold, vibrant works by today's leading voices — including two exciting Friends of Chamber Music Commissions and world premieres — this season promises an unforgettable musical journey. For more information go to : FriendsChamberMusic.org.

Send us a textDescriptionSmall Rooms, Big Genius: Mozart's Chamber Music in 60 Seconds. Take a minute to get the scoop!Fun FactMozart's Clarinet Quintet was written for his friend Anton Stadler, whose extended-range clarinet could play lower notes than normal. Mozart adored the instrument's warm tone—so much so that he later wrote his famous Clarinet Concerto for Stadler. Friendship goals: writing one of the most beautiful pieces in the repertoire just for you.About Steven, HostSteven is a Canadian composer & actor living in Toronto. Through his music, he creates a range of works, with an emphasis on the short-form genre—his muse being to offer the listener both the darker and more satiric shades of human existence. If you're interested, please check out his music website for more. Member of the Canadian League Of Composers.You can FOLLOW ME on Instagram.

The Horn Signal is proudly brought to you by Bob Reeves Brass. Join hosts John Snell and Preston Shepard as they interview horn players around the world.  Today's episode features Gina Gillie, hornist, composer and traveler from the Pacific Northwest. About Gina: Dr. Gina Gillie is a sought-after composer, teacher, hornist, and traveler. She formerly held the position of Professor of Music at Pacific Lutheran University (2008-2024) where she taught horn, composition, ear training, chamber music, music history, music theory, and music appreciation. While all of Gillie's degrees and training are in Horn Performance, she has been an active composer since 2009, and she is frequently commissioned to write music for chamber ensembles that include brass instruments. In 2022, she was the winner of the IWBC Composition Competition with her trombone octet, Mountain Ascent, and in 2025, she was commissioned to write a brass quintet for the IWBC annual conference. In addition to these honors, Gillie's award-winning body of work was recognized in 2023 with Pacific Lutheran University's K.T. Tang Faculty Excellence Award in Research, and her music is performed internationally in countries including Australia, Belgium, Brazil, Canada, the Philippines, Portugal, Singapore, Spain, Taiwan, and the U.S. Her compositional style incorporates singing melodies, accessible harmonies, and frequent use of counterpoint. Many of her scores are published by Wavefront Music while others are self-published and available in digital format.

Marty speaks about what's really in the Vision 26 Beta 3 release and shares an app for chamber music.Beta 3 detailsSystem & App Fixes Apps crash less often and run more smoothly. App updates and downloads are more reliable now. Pop-ups and menus behave better and appear where they should. Game & Control Improvements Game controllers work better, including smoother switching between hand tracking and controllers. You can move app windows again after using a game controller.Apple Intelligence (AI) Smarter on-device AI is now available for developers. Image generation and AI features now work better, including for non-English users.App Store & Subscriptions New accessibility info shows which apps support features like VoiceOver. Better tools for subscriptions, so developers can display offers more clearly.Media & Video Better video playback in music and immersive videos — fewer crashes or glitches. Improved syncing with iCloud, especially for media and setup data.Online & Cloud Cloud sharing works better, opening the right app. Stronger security for VPNs with outdated protocols removed.Immersive & Reality Features 3D apps and effects are more stable and show up correctly. Mac-to-Vision Pro streaming has fewer bugs and looks better.Typing & Text Fixes Undo works correctly in text editors. Supports better right-to-left language text like Arabic or Hebrew.We'd love your thoughts on our immersive classical music app with the Mahler Chamber Orchestra (Apple Vision Pro)https://www.reddit.com/r/classicalmusic/comments/1lukoxk/wed_love_your_thoughts_on_our_immersive_classical/ Mahler Chamber Music apphttps://apps.apple.com/de/app/mahler-chamber-orchestra/id6511231339?l=en-GBPrima Immersivehttps://apps.apple.com/us/app/prima-immersive/id6740540865Follow the live stream at YouTube.com/@VisionProfiles on Monday nights at 9 PM EST or catch the video later on Youtube or audio on any pod catcher serviceThePodTalkNetwork@gmail.comThePodTalk.Net

For those looking for an example of a life lived with both artistic excellence and personal richness, oboist Christoph Hartmann is an inspiring model. A member of the Berlin Philharmonic since 1992, Christoph is not only a world-class orchestral musician but also a sought-after soloist and chamber player. He teaches at the Freiburg Musikhochschule, where he now lives, regularly commuting to Berlin for performances with the Philharmonic.Outside of his musical career, Christoph is deeply involved in endurance sports—he has run around 40 marathons and is an avid cyclist. His passion for biking even led him to create his own line of bicycles, Pasulli bikes, as well as open a bike shop. With a schedule this full and diverse, Tony was eager to learn how Christoph balances it all—and that's exactly what this wide-ranging conversation explores.In Part 1, Christoph reflects on his time with the Berlin Philharmonic, sharing how the orchestra has evolved over the decades and offering insight into the leadership and influence of conductors Claudio Abbado, Simon Rattle, and Kirill Petrenko. He also talks about the experience of performing for the Philharmonic's Digital Concert Hall and whether those streamed performances come with added pressure. The conversation turns to the ever-present topic of reeds and their impact on oboe playing, as well as how he manages his time between teaching in Freiburg and performing in Berlin. Christoph also shares how his interest in long-distance running and biking fits into his musical life, and we wrap up the first part with a look at the Mozart Oboe Concerto video he recorded for the YouTube Symphony.[Subscriber Content] Part 2 begins with a thoughtful discussion about Christoph's personal motto—“live your dreams”—and how he balances that ideal with the practical demands of his life. Given how many passions he juggles, Tony asks how he determines his priorities and maintains focus. Christoph also offers his perspective on the differences between German and American styles of oboe playing. The conversation then travels back to his early days on the instrument, culminating in the story of his audition for the Berlin Philharmonic. The episode concludes with his reflections on why the Mozart Oboe Concerto continues to be an ideal first-round audition piece for aspiring orchestral players.DoricoProfessional music notation and composition software from Steinberg. Download a free 30-trial today!Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Would you like more inspirational stories, suggestions, insights, and a place to continue the conversations with other listeners? Visit anthonyplog-on-music.supercast.com to learn more! As a Contributing Listener of "Anthony Plog on Music," you'll have access to extra premium content and benefits including: Extra Audio Content: Only available to Contributing Listeners. Podcast Reflections: Tony's written recaps and thoughts on past interviews, including valuable tips and suggestions for students. Ask Me Anything: Both as written messages and occasional member-only Zoom sessions. The Show's Discord Server: Where conversations about interviews, show suggestions, and questions happen. It's a great place to meet other listeners and chat about all things music! Can I just donate instead of subscribing? Absolutely! Cancel at anytime and easily resubscribe when you want all that extra content again. Learn more about becoming a Contributing Listener @ anthonyplog-on-music.supercast.com!

Hi Podience! We have YET ANOTHER PIANIST on the pod. Ding ding ding! You heard it right! It's pianist/composer/conductor Mikael Darmanie, the gendre defying piano-core-space-hop artist whose AI biography we have debunked on the pod. Get to know him real time with us and hear our collective ghosts of gags past, listen to us improvise a new music hit and join in our niche classical music sh*t talking. Thanks for tuning in! 

The Nazi threat emerges from Germany 1933 and shatters the small town life in Krasnik south of Lublin in eastern Poland. The teenager Mischa Stahlhammer manages to escape from a German work camp and joins Polish partisans. He survives by becoming a specialist in arming and disarming mines, the most dangerous of all missions. After the war he ends up in Sweden, meets Sonja, who also lost her family and youth in German concentration camps. Their son Semmy, born in Eskilstuna, tells the story of what a boy, his family and friends had to live through in Poland before, during and after the Second World War, and how love gives him back the will to live – and the strength to create a new life in a foreign land. Semmy Stahlhammer was First Concertmaster at the Stockholm Royal Opera and Ballet for 25 years, and Artistic Director of Chamber Music at Stockholm Grand Hotel, and of the music festival in San Giovanni in Tuscany, Italy. He is now leader of Stahlhammer Klezmer Classic. In his violin ateljé in Stockholm he restores/repairs string instruments. Codename Barber is translated into Swedish, German, Russian, Hebrew and Chinese. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The Nazi threat emerges from Germany 1933 and shatters the small town life in Krasnik south of Lublin in eastern Poland. The teenager Mischa Stahlhammer manages to escape from a German work camp and joins Polish partisans. He survives by becoming a specialist in arming and disarming mines, the most dangerous of all missions. After the war he ends up in Sweden, meets Sonja, who also lost her family and youth in German concentration camps. Their son Semmy, born in Eskilstuna, tells the story of what a boy, his family and friends had to live through in Poland before, during and after the Second World War, and how love gives him back the will to live – and the strength to create a new life in a foreign land. Semmy Stahlhammer was First Concertmaster at the Stockholm Royal Opera and Ballet for 25 years, and Artistic Director of Chamber Music at Stockholm Grand Hotel, and of the music festival in San Giovanni in Tuscany, Italy. He is now leader of Stahlhammer Klezmer Classic. In his violin ateljé in Stockholm he restores/repairs string instruments. Codename Barber is translated into Swedish, German, Russian, Hebrew and Chinese. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/jewish-studies

The string quartet known as Brooklyn Rider features the usual two violins, viola and cello.  And that's about all that's usual with this band. Over the past two decades they have played with Yo Yo Ma and the Silk Road Ensemble, Mexican singer Magos Herrera, Irish fiddler Martin Hayes, and banjo wiz Bela Fleck.  They've commissioned a bunch of new pieces, and now, to celebrate their 20th anniversary, they've released a new record called The Four Elements - a wide range of music from the past and the present which is representative of, or directly inspired by Earth, Air, Fire, Water. And in parallel, the record is also designed to raise the alarm and bring “attention to the powerful forces of climate change which represent the single greatest challenge of our time”, (Bandcamp). Brooklyn Rider plays new works and an older piece, in-studio.Set list: 1. Colin Jacobsen - A Short While To Be Here... - I. Whoa, Mule!  2-3 Colin Jacobsen - A Short While To Be Here... - IV.- The Old Cow Died-V. Little Birdie," 4.Osvaldo Golijov: Tenebrae

Pieces by Haydn, Beethoven, Mendelssohn, Brahms, Debussy, Dohnányi, Shostakovich & Casarrubios performed by groups from Merit School of Music and the Music Institute of Chicago Academy. The post Chamber music for strings: Spizella Quartet, Luscinia Trio, Vermilion String Quartet appeared first on WFMT.

The Cello Sherpa Podcast Host, Joel Dallow, interviews cellist Norman Fischer. Norman is Professor of Cello, and Chair of Chamber Music at the Shepherd School of Music at Rice University. Norman shares his story of how he first developed his insatiable love of contemporary music. He also talks about his journey forming the Naumburg winning Concord String Quartet to joining the faculty at Dartmouth, then Oberlin, and he gives the inside story of how Rice became one of the most sought after music schools! For more information on Norman Fischer:https://music.rice.edu/faculty/norman-fischerYou can also find Norman on Facebook and Instagram @theFischerDuoTo listen to the album 2020 Visions:https://www.navonarecords.com/catalog/nv6444/If you are looking for in person/virtual cello lessons, or orchestral repertoire audition coachings, check out www.theCelloSherpa.comFollow us on Facebook, Instagram, TikTok, YouTube and Bluesky @theCelloSherpaFor more information on our sponsor: www.CLEAResources.com 

The fiddler Mark O'Connor is probably best known for his million-selling Appalachian Waltz project – a kind of chamber/folk album with famed cellist Yo Yo Ma and bassist Edgar Meyer. Mark has also written string quartets, concertos, and orchestral pieces – and they all come from the same place as his solo fiddle sets – everything is rooted in the sounds of American music, especially bluegrass. Maggie O'Connor is also a fiddler, and singer, who moves easily between those two worlds, and together, this husband-and-wife team have been touring with a program called Beethoven and Bluegrass. There's no Beethoven today for this session, but hear some O'Connor classics, old and new, in-studio. Set list: 1. Limerock 2. We Just Happened To Fly 3. Appalachia Waltz

The fiddler Mark O'Connor is probably best known for his million-selling Appalachian Waltz project – a kind of chamber/folk album with famed cellist Yo Yo Ma and bassist Edgar Meyer. Mark has also written string quartets, concertos, and orchestral pieces – and they all come from the same place as his solo fiddle sets – everything is rooted in the sounds of American music, especially bluegrass. Maggie O'Connor is also a fiddler, and singer, who moves easily between those two worlds, and together, this husband-and-wife team have been touring with a program called Beethoven and Bluegrass. There's no Beethoven today for this session, but hear some O'Connor classics, old and new, in-studio.Set list: 1. Limerock 2. We Just Happened To Fly 3. Appalachia Waltz

We really, really liked Coal Chamber's self-titled debut. We really, really do not like this. One of nu-metal's most famous cases of a sophomore slump, the band runs away from the silliness and giant riffs that made them popular on their first record in favor of something more serious, more professional, and less nu-metal. It turns out they are not very good at that. Bryan takes us back to hearing this album for the first time in 1999 and hating it instantly, giving us insight into being a Coal Chamber fan in the moment and not just now, in 2025. Unfortunately, it also sucks now, and the articles don't help the band either, as it's a wild collection of quotes about not wanting to be compared to Korn, writing "happy" music, and showcasing a band that was clearly at odds with each other over their sound. We are happy to announce the first-ever P.O.D. Kontest! We are giving away two sets of 2 General Admission passes for all 4 days of the Sonic Temple Music Festival! Head on over to patreon.com/thepodkast for all the details. While you're there, you can check out all of our bonus content, including last month, where we welcomed the CEO of Nu-Metal himself, HolidayKirk, to break down Serj Tankian's also-misguided attempt at seriousness, "Elect the Dead Symphony". You'll get immediate access to our entire back catalogue of over 150 bonus episodes, access to our Discord, and MORE! Join today!