Podcast appearances and mentions of pete horner

Wind is hard to do sound design for.... really hard.  What can sound like a huge powerful gust, when you are out in the world with a microphone, is often a major let down when you get back to the studio to listen. So I jumped at the chance to talk with the Twisters sound team to learn how they tackled the winds in this tornado focused film. Supervising sound editors Bjorn Schroeder & Al Nelson are joined by re-recording mixers Chris Boyes & Pete Horner, as well as assistant supervising sound editor Sarah Shaw, to break down how they designed the swirling wind (and lots more!) in this blockbuster adventure film. This episode is sponsored by Sound Ideas new Golf Sound Effects library: https://www.sound-ideas.com/Product/2441/Golf-Sound-Effects Notes: https://tonebenderspodcast.com/291-twisters/Podcast Homepage: tonebenderspodcast.com This episode is hosted by Timothy Muirhead

The newest and final installment of the Jurassic World franchise roared into theaters on Friday and we are delighted to share this conversation with director Colin Trevorrow and his sound team, to discuss how they crafted the soundtrack to this latest dinosaur Summer blockbuster. On today's podcast: — Colin Trevorrow, Director and Co-writer  — Christopher Boyes, Re-recording Mixer  — Pete Horner, Re-recording Mixer  — Al Nelson, Sound Designer and Supervising Sound Editor  — Gwendolyn Yates Whittle, Supervising Sound Editor  Jurassic World Dominion features another monstrous soundtrack that these dinosaur epics are known for. But as you might have guessed, keeping those big action set pieces sonically coherent enough for an audience to actually enjoy is a very complicated, but also enjoyable, challenge for the sound team. "One thing that we take for granted as humans, when we walk into a chaotic environment, our brains are actually mixing that environment for us. Where what we choose to focus determines what we're actually hearing. In a theater, we have to do that for the audience. If we just put all the sound in, then you don't hear anything — because it's chaotic and our brains are not able to do that in a theatrical setting. So as mixers, Chris and I are collaborating, trading off, 'OK, this is a moment for dialogue. This is a moment for dinosaurs...' And then in the midst of it, somehow there's an orchestra playing. And so we have to also make room for themes, which are incredibly important to how you experience the scene and feel about it. So that's the challenge and, honestly, the excitement of doing a scene like that. You have everything at your fingertips and you have to decide, 'What are we hearing here? What are we hearing here?' So it's really fun." — Pete Horner, Re-recording Mixer, Jurassic World Dominion Be sure to check out Jurassic World Dominion in theaters, and ideally at a Dolby Cinema, near you! https://www.jurassicworld.com/ (https://www.jurassicworld.com/) Please subscribe to Sound + Image Lab: The Dolby Institute Podcast https://linktr.ee/dolbyinstitute (wherever you get your podcasts). You can also check out the https://youtube.com/dolby (video) for this episode. Learn more about the https://www.dolby.com/institute/ (Dolby Institute) and check out https://www.dolby.com/ (Dolby.com). Connect with Dolby on https://www.instagram.com/dolbylabs/ (Instagram), https://twitter.com/Dolby (Twitter), https://www.facebook.com/Dolby/ (Facebook), or https://www.linkedin.com/company/6229/ (LinkedIn). 

Re-recording mixer Pete Horner discusses the incredible process of restoring and remixing the 40th anniversary edition of Apocalypse Now: Final Cut that was recently released in Dolby Atmos and 4K Ultra HD. Pete shares how he created a new master track, enhanced the LFE with the help of a new Meyer Sound speaker and collaborated with Director Francis Ford Coppola and Walter Murch.

The boys are back and they’re joined by Pete Horner. Lots of conversation including March Madness discussion, Raptors talk, and much more! How will the draft shape out? How will Kevin’s wallet look in a week? Don’t miss the discussion! Visit ballnroll.com for even more great NBA coverage!

How did they make the dinosaur roars in the Jurassic Park movies? Flora talks with the sound engineers behind the bellows. Plus, ELT goes deep into the Mesozoic to find out what what dinosaurs looked (and tasted) like. Guests: Al Nelson and Pete Horner of Skywalker Sound; dinosaur expert Thomas R. Holtz Jr.; paleontologista Jingmai O’Connor Thanks to callers Gwen and Lilah and all the listeners who sent us dinosaur questions. Send audio of your animal star to elt@gimletmedia.com 

We chat with the sound team of Kong: Skull Island and discuss their collaboration with Director Jordan Vogt-Roberts featuring re-recording mixer and sound designer Pete Horner, co-supervising sound editor Al Nelson and co-supervising sound editor Steve Slanec. A secret government organization mounts an expedition to Skull Island, an uncharted territory in the Pacific. Led by an explorer (John Goodman) and a lieutenant colonel (Samuel L. Jackson), the group recruit a disillusioned soldier (Tom Hiddleston) and a photojournalist (Brie Larson) to investigate the island's peculiar seismic activity. But once there, they discover that Skull Island is home to a gigantic ape called King Kong, and find themselves caught up in an ongoing war between the beast and the area's indigenous predators. Jordan Vogt-Roberts directed this reboot of the classic monster franchise.

Whether you call it the Affordable Care Act or Obamacare, the law enacted in 2010 has generated strong debate about healthcare in America and the need to balance volume (healthcare providers billing by the number of services provided) with value (a results-based approach tying payment to better health). In this podcast, Atanu Basu, the founder and CEO of analytics software company Ayata, discusses an article on the special role of analytics in healthcare that he co-wrote with Pete Horner in the current, special