Podcasts about Mixer

What happens when a mixing engineer accidentally builds clients in 30 countries while living in Pennsylvania? Carl discovered that global currency differences and economic crashes might be the secret weapon most audio professionals are completely ignoring.Discover:Why COVID permanently shifted the industry away from big city studiosHow global economic instability can actually stabilize a mixing engineer's incomeHow mixing engineers became accidental project managers for self-produced artistsThe math behind why international diversification beats local word-of-mouthWhen Carl recommends other engineers to look like a hero to their clientsBen and Carl's Weekly Inspiration Playlist - https://open.spotify.com/playlist/1IpnxDVoTY44JBV1j19H4h?si=0f80e020d8ae497eLA Wildfire Relief:Musicares - https://donor.musicares.org/page/lafirereliefWAMTN - https://give.wearemovingtheneedle.org/campaign/654724/donateLearn more about StudioLand - https://www.welcometostudioland.com/a/2147995182/bmyFf8p5Download our free guide: "The Future-Proof Mixing Engineer: 8 Essential Skills for 2024 and Beyond" - https://mpe-ebook.benwallick.com/future-proof-mixingConnect with us:Secret Sonics - https://www.instagram.com/secretsonicsBen - https://www.instagram.com/benwallickmusic/Carl - https://www.instagram.com/carlbahner/Learn more:https://www.benwallick.com/https://www.carlbahner.com/This episode with edited by Gavi Kutliroff - https://www.instagram.com/pleasant_peasant_music/

He had been on the job just six months. 

What makes a vocal feel perfectly placed… or totally disconnected?This week, we're getting way past plugin chains and diving into the real work of vocal mixing: context. We're talking about how to make vocals live in a mix, not just sit on top of it. Because getting a vocal to shine isn't just about EQ moves - it's about storytelling, space, and knowing who gets the spotlight in each moment.We explore how we mix vocals completely differently - yet still aim for the same emotional clarity - and even find ourselves (gasp) passionately disagreeing about Vampire Weekend.Discover:Why the instrumental is the first thing we fix when vocals don't feel rightThe “lead vocal vs. background vocal” question we think is kind of a trapThe one question Carl asks in every section of every songWhen to make vocals felt not heard (and how that changes your mix decisions)Why we don't always high-pass vocals—and what we do insteadThe subtle sidechain trick that helps your vocals breathe without boosting themWhen sharing reverbs between vocals and instruments makes your mix snap togetherThe difference between using reverb for space vs. characterCarl's favorite compressor to kill backing vocal transients (in a good way)What mixing has to do with stage plays, ransom letters, and emotional punchBen and Carl's Weekly Inspiration Playlist - https://open.spotify.com/playlist/1IpnxDVoTY44JBV1j19H4h?si=0f80e020d8ae497eLA Wildfire Relief:Musicares - https://donor.musicares.org/page/lafirereliefWAMTN - https://give.wearemovingtheneedle.org/campaign/654724/donateLearn more about StudioLand - https://www.welcometostudioland.com/a/2147995182/bmyFf8p5Download our free guide: "The Future-Proof Mixing Engineer: 8 Essential Skills for 2024 and Beyond" - https://mpe-ebook.benwallick.com/future-proof-mixingConnect with us:Secret Sonics - https://www.instagram.com/secretsonicsBen - https://www.instagram.com/benwallickmusic/Carl - https://www.instagram.com/carlbahner/Learn more:https://www.benwallick.com/https://www.carlbahner.com/This episode with edited by Gavi Kutliroff - https://www.instagram.com/pleasant_peasant_music/

On This Tuesday Edition of the Black Tech Building Show. I'm going to do some housekeeping discussions, Previewing Football Mania Night 1 and 2. Review Black Tech Talent Mixer event. Lastly, review today's tech news.Recorded on 6/2/2025

ACHTUNG: Der Podcast richtet sich in erster Linie an Erwachsene. In dieser Folge wird an einigen Stellen detailliert auf die Inhalte von illegalen Gewaltvideos eingegangen. „Unter viel “Iiiiih”-Rufen und mehr oder weniger passenden Kommentaren musste das Erbrochene aufgewischt werden, bevor der Unterricht beginnen konnte. Sascha wollte nicht nach Hause, obwohl es ihm offensichtlich nicht gut ging. Er hatte von seinem Mitschüler Roland ein Video gezeigt bekommen; viele aus der Klasse hatten den kurzen Clip scheinbar bereits gesehen und nun wollte auch Sascha dazugehören. In dem Video wurde eine kleine Katze in einen Mixer gesteckt und dort... püriert!!“ In dieser Folge spreche ich mit Anja Schneider von jugendschutz.net über Gewaltvideos im Internet.  Sie erklärt, was man tun sollte, wenn man im Internet auf illegale Inhlate stößt und gibt uns einen Einblick in die Meldestelle von jugendschutz.net.  jugendschutz.net ist ein Unternehmen in Form einer gemeinnützigen GmbH, das auf Grundlage von §18 des Jugendmedienschutz-Staatsvertrags Jugendmedienschutz in „Telemedien“, also insbesondere im Internet, betreibt.   Links:  Hilfeangebote: Die Nummer gegen Kummer: 116111  https://www.nummergegenkummer.de/  Juuuprt:  https://www.juuuport.de/ Meldestelle von jugendschutz.net: https://www.jugendschutz.net/verstoss-melden  Podcast Website: www.schoolcrime.de  || Instagram: @schoolcrime_podcast    Report: Gore im Wandel von Jugendschutz.net https://www.jugendschutz.net/fileadmin/daten/publikationen/praxisinfos_reports/report_gore_im_wandel.pdf  TaskCard zu medialer Gewalt von der ajs:  https://www.taskcards.de/#/board/ed76033c-9e4b-401c-9179-076804b31e07/view?token=393eb1cd-0be9-4ae6-8f59-7f1b53e151b3     Dokumentation “The Cleaners”:  https://www.bpb.de/mediathek/video/273199/the-cleaners/     Spotlight LMZ: Gewaltvideos auf Instagram – Wie sollen Erziehende reagieren? https://www.lmz-bw.de/lmz-spotlights/gewaltvideos-auf-instagram-wie-sollen-erziehende-reagieren     Wie beurteilen Jugendliche Gewalt im Film?:  https://www.fsk.de/wp-content/uploads/MuJ3_Broschuere.pdf     Spiegel-Artikel über „Tasteless-Angebote“ im Internet: https://www.spiegel.de/netzwelt/web/tasteless-seiten-schwere-sittliche-gefaehrdung-a-145532.html    Gefährdungsatlas der Bundesprüfstelle für jugendgefährdende Medien: https://www.bzkj.de/resource/blob/176416/2c81e8af0ea7cff94d1b688f360ba1d2/gefaehrdungsatlas-data.pdf        

Recorded live at Netflix HQ in Hollywood, this special FYSEE panel brings together the visionary sound teams behind four standout Netflix titles. This conversation explores how these sound artists crafted the unique sonic identities of each project and reveal how they worked with their directors, showrunners, and creators to craft the perfect balance of emotion, tension, and, of course, storytelling. Panelists include: - James Drake — Supervising Sound Editor, “Adolescence” - Wylie Stateman — Sound Designer, “American Primeval” - Anne Jimkes-Root — Co-Supervising Sound Editor and Music Editor, “American Primeval” - Brad North — Supervising Sound Editor, “Love, Death + Robots,” Volume 4 - Drew Webster — Re-recording Mixer, “Rebel Ridge” Be sure to check out each of these titles now streaming on Netflix, in Dolby Vision® and Dolby Atmos® — Adolescence American Primeval Love, Death + Robots, Volume 4 Rebel Ridge Please subscribe to Dolby Creator Talks wherever you get your podcasts. You can also check out the video for this episode on YouTube. Learn more about the Dolby Creator Lab and check out Dolby.com. Connect with Dolby on Instagram, Twitter, Facebook, or LinkedIn.

In der heutigen Folge spricht Luke mit dir über das Thema Milchprodukte und Krebs. Viel Spaß!

John broke his ankle in a car accident so couldn't make it out to SGF this year, so instead Niki attended the planned VGBees Mixer and we decided to set up a little area for John to digitally greet guests. And then we decided to make it into an episode. Smart? Not really! Jordan Mallory, our intrepid producer, did a marvelous job making this at least listenable, but conceptually it was not smart. But we did it anyway!The VGBees Way.Is it a fun episode? Yes. John tackles the Sony State of Play and thoughts on Elden Ring: Nightreign while we get lots of really fun cameos from folks across games media!Video version recommended on this one, but the audio is definitely worse there. We'll record more "normal" eps during SGF.Thanks for your patience and support! Hive Questions will be called upon this weekend!

Scott Williamson is an acclaimed and in-demand Nashville based drummer, producer and mixer. He's been in Nashville nearly 36 years. He's worked with just about everyone including Blake Shelton, Alice Cooper, Reba McIntyre, Bob James and many others.My featured song is “Annie And Leni” from the album Bobby M and the Paisley Parade. Spotify link.---------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!Click here for All Episodes Click here for Guest List Click here for Guest Groupings Click here for Guest TestimonialsClick here to Subscribe Click here to receive our Email UpdatesClick here to Rate and Review the podcast—----------------------------------------ROBERT'S RECENT SINGLES:“DAY AT THE RACES” is Robert's newest single.It captures the thrills, chills and pageantry of horse racing's Triple Crown. Called “Fun, Upbeat, Exciting!”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS___________________“MOON SHOT” reflects my Jazz Rock Fusion roots. The track features Special Guest Mark Lettieri, 5x Grammy winning guitarist who plays with Snarky Puppy and The Fearless Flyers. The track has been called “Firey, Passionate and Smokin!”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS____________________“ROUGH RIDER” has got a Cool, ‘60s, “Spaghetti Western”, Guitar-driven, Tremolo sounding, Ventures/Link Wray kind of vibe!CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—--------------------------------“LOVELY GIRLIE” is a fun, Old School, rock/pop tune with 3-part harmony. It's been called “Supremely excellent!”, “Another Homerun for Robert!”, and “Love that Lovely Girlie!”Click HERE for All Links—----------------------------------“THE RICH ONES ALL STARS” is Robert's single featuring the following 8 World Class musicians: Billy Cobham (Drums), Randy Brecker (Flugelhorn), John Helliwell (Sax), Pat Coil (Piano), Peter Tiehuis (Guitar), Antonio Farao (Keys), Elliott Randall (Guitar) and David Amram (Pennywhistle).Click HERE for the Official VideoClick HERE for All Links—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com 

We learn about Hitlers bath tub.

We learn about Hitlers bath tub.

Ha inventato da Mixer a Un posto al sole, da La Storia siamo noi a Quelli della notte, dirigente Rai, giornalista e conduttore. Nella settimana del suo ottantesimo compleanno, Malcom Pagani intervista Giovanni Minoli, ripercorrendo in questa particolare conversazione la sua lunga carriera, fatta di successi ottenuti cambiando le regole del gioco e come ama dire lui “con il pensiero laterale”. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of Working Class Audio, Matt welcomes Howie Beck who is a multi Juno nominated Mixer, Producer and musician located in Toronto who has mixed or produced music by artists as diverse as Feist, Charlotte Day Wilson, Barenaked Ladies, Chilly Gonzales, Ron Sexsmith, and the Weather Station amongst many more.  In This Episode, We Discuss: Musician to Producer 4 Tracks to Pro Tools Challenges & Rewards of Audio Production Polishing Turds Smart Financial Decisions Health Care Challenges Problems with Apple and ATMOS Independence to Set Schedule Saving the Day  Links and Show Notes: Howie's Website Matt's Rant: Small Chunks  Credits: Guest: Howie Beck Host/Engineer/Producer: Matt Boudreau WCA Theme Music: Cliff Truesdell The Voice: Chuck Smith

Two cranky engineers accidentally reveal why your technically perfect vocals sound emotionally deadIn this episode, Ben and Carl dive into why the "mistakes" you're fixing might be the only thing keeping your vocals human. From pre-production psychology to multi-de-esser philosophy, they challenge everything you think you know about processing vocals.Discover:How over-rehearsed bands sabotage their own records (and why pop artists need completely different rules)Reading the room and matching your approach to the artist's psychologyWhy perfect tuning kills emotion and when to leave the "mistakes" inWhy using multiple light processors beats one heavy one (and Carl's controversial multi-de-esser approach)How deliberately bad cuts make choruses hit like trucksBen and Carl's Weekly Inspiration Playlist - https://open.spotify.com/playlist/1IpnxDVoTY44JBV1j19H4h?si=0f80e020d8ae497eLA Wildfire Relief:Musicares - https://donor.musicares.org/page/lafirereliefWAMTN - https://give.wearemovingtheneedle.org/campaign/654724/donateLearn more about StudioLand - https://www.welcometostudioland.com/a/2147995182/bmyFf8p5Download our free guide: "The Future-Proof Mixing Engineer: 8 Essential Skills for 2024 and Beyond" - https://mpe-ebook.benwallick.com/future-proof-mixingConnect with us:Secret Sonics - https://www.instagram.com/secretsonicsBen - https://www.instagram.com/benwallickmusic/Carl - https://www.instagram.com/carlbahner/Learn more:https://www.benwallick.com/https://www.carlbahner.com/This episode with edited by Gavi Kutliroff - https://www.instagram.com/pleasant_peasant_music/

NOTE: This episode contains SPOILERS from the second season and season finale of Severance. Today we let Kier guide us into the extraordinary sound work of season two of "Severance," the hit Apple TV+ series from creator Dan Erickson and director Ben Stiller. Focusing on the groundbreaking storytelling of episodes 207 and 210, Supervising Sound Editor, Sound Designer, and Re-recording Mixer Jacob Ribicoff, Re-recording Mixer Bob Chefalas, and David Schwartz (the Production Sound Mixer on those two episodes), break down how they crafted the show's eerie, minimalist sonic landscape. They explore everything from the show's surreal dreamlike ambiences and rhythmic sound/music interplay, to that unforgettable marching band sequence in the season finale. “One of the primary objectives, according to Ben [Stiller], was that Lumon should be a quiet place, a place with the air sucked out of it… I thought, wouldn't that be really interesting to create room tones out of breathing, out of breath, and actually just fold those in and mix those in with normal room tones? So there's kind of some animal breath and some human breath in there — like, very long… just a breath that just goes on for an entire scene.” —Jacob Ribicoff, Supervising Sound Editor, Sound Designer, and Re-recording Mixer, “Severance” Be sure to check out “Severance,” now streaming on AppleTV+, in Dolby Vision® and Dolby Atmos®. Please subscribe to Dolby Creator Talks wherever you get your podcasts. You can also check out the video for this episode on YouTube. Learn more about the Dolby Creator Lab and check out Dolby.com. Connect with Dolby on Instagram, Twitter, Facebook, or LinkedIn.

Send us a text!In this episode, Brian and Eric talk about the upcoming singles mixer, the problematic dating scene, and what Christians can do about it. They discuss courtship from a biblical perspective, as well as the three weddings that occurred in 2025 from the previous New Christendom Press conference. Finally, we share an interview with Sam & Chase, who met at the 2024 conference, got married the same year, and are expecting their first child. They discuss how best to approach the singles mixer, and why you shouldn't just sit on your hands as a single person and hope things work out.NCP Singles Mixer: https://www.newchristendompress.com/2025Did you know supporters of the show get ad-free video and audio episodes delivered early and access to our patron exclusive show The Deus Vault?https://www.patreon.com/thekingshallAre you a business owner looking to strengthen your cyber security? Armored Haven is here to help you.https://www.armoredhaven.com/Check out the Farmer Bill's Provisions's products. Click the link below to claim 20% off.https://farmerbillsprovisions.com/discount/KINGSVisit KeepwisePartners.com or call Derrick Taylor at 781-680-8000 to schedule a free consultation.https://keepwise.partners/Looking for a reformed design partner? Check out LivingStones Studios.https://livingstones.studio/Looking for that perfect cigar tray? Check out Rooted Pines Homestead hand crafted cigar tray: https://www.rootedpineshomestead.com/product-page/cigar-trayThis episode is sponsored by New Dominion Design Co. Visit their website to learn more about their custom design services.http://newdominiondesignco.com/Talk to Joe Garrisi about managing your wealth with Backwards Planning Financial.https://backwardsplanningfinancial.com/Visit Muzzle-Loaders.com and get 10% off your first order when you use the coupon code KINGSHALL at checkout.https://muzzle-loaders.com/Support the show:https://www.patreon.com/thekingshall

In this episode, Ben & Carl get into the gritty business of making bass actually work in a mix. Not just technically — but emotionally, musically, and physically. We challenge each other's instincts, admit when we're wrong, and debate who should own the sub: the bass or the kick?Spoiler: it depends — but we each have our go-to moves and a few spicy disagreements.Discover:Whether bass should be felt, heard… or bothThe kick vs. bass power struggle (and how we each resolve it)Why sub-bass and electric bass don't always play niceDynamic EQ, sidechaining, and the art of subtle carvingWhat frequencies actually matter most for bass perception“I Used to Be Cool” — and other producer identity crisesBen and Carl's Weekly Inspiration Playlist - https://open.spotify.com/playlist/1IpnxDVoTY44JBV1j19H4h?si=0f80e020d8ae497eLA Wildfire Relief:Musicares - https://donor.musicares.org/page/lafirereliefWAMTN - https://give.wearemovingtheneedle.org/campaign/654724/donateLearn more about StudioLand - https://www.welcometostudioland.com/a/2147995182/bmyFf8p5Download our free guide: "The Future-Proof Mixing Engineer: 8 Essential Skills for 2024 and Beyond" - https://mpe-ebook.benwallick.com/future-proof-mixingConnect with us:Secret Sonics - https://www.instagram.com/secretsonicsBen - https://www.instagram.com/benwallickmusic/Carl - https://www.instagram.com/carlbahner/Learn more:https://www.benwallick.com/https://www.carlbahner.com/This episode with edited by Gavi Kutliroff - https://www.instagram.com/pleasant_peasant_music/

Ce matin, on vous demande l'endroit idéal pour voir un DJ ambiancer la foule. Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Michele & Lauren recap "The Valley" Episode 4—aka the one where podcast Michele falls in love with Jesse.In The Valley Season 2, Episode 4, the gang heads to Santa Barbara for some “healing,” but it turns into a group therapy session run by chaos and wine. Jax is in rehab but still manages to text Brittany like he's auditioning for a role in as her ex husband sooner rather than later. Jesse tries to win back Michelle with a peace flag, but she treats it like he handed her a wet sock. Meanwhile, Zack and Janet patch things up with tears and hugs—until Zack remembers he's still mad and throws some passive-aggressive glitter.Follow us on IG/Tiktok @bravo_breakdowns and watch the video of this episode available on Youtube!

Friend of the podcast and returning guest Brian Maddox joins Sean and Andy in Episode 293 to dig into the nuts and bolts of how to build a successful freelance career in live events. This episode is sponsored by Allen & Heath and RCF.Brian brings the unique perspective of not only being one of the most in-demand freelance mixers in the corporate event market, but having built a new career after pivoting from a staff job at three different times in his life. This conversation got so in depth with great advice from Brian that it couldn't fit in one episode, so be sure to tune in next episode for part two!Episode Links:STN Episode 151 With Brian Maddox (Next Generation Audio Professionals)STN Episode 243 With Brian Maddox (Mixing Corporate Events, Part 1)STN Episode 244 With Brian Maddox (Mixing Corporate Events, Part 2)STN Episode 275 With Brian Maddox (Mixing For The 2024 Paris Olympics)Brian Maddox Articles On ProSoundWebEpisode 293 TranscriptConnect with the community on the Signal To Noise Facebook Group and Discord Server. Both are spaces for listeners to create to generate conversations around the people and topics covered in the podcast — we want your questions and comments!Also please check out and support The Roadie Clinic, Their mission is simple. “We exist to empower & heal roadies and their families by providing resources & services tailored to the struggles of the touring lifestyle.”The Signal To Noise Podcast on ProSoundWeb is co-hosted by pro audio veterans Andy Leviss and Sean Walker.Want to be a part of the show? If you have a quick tip to share, or a question for the hosts, past or future guests, or listeners at home, we'd love to include it in a future episode. You can send it to us one of two ways:1) If you want to send it in as text and have us read it, or record your own short audio file, send it to signal2noise@prosoundweb.com with the subject “Tips” or “Questions”2) If you want a quick easy way to do a short (90s or less) audio recording, go to https://www.speakpipe.com/S2N and leave us a voicemail thereEpisode 293 Transcript

VLOG May 16 US v Sean Combs halting cross of Cassie https://matthewrussellleeicp.substack.com/p/extra-in-sean-combs-trial-cassie-0a7…Filings not in docket, raised. DIddy civil case of Anthony Tate, facing dismissal: https://patreon.com/posts/diddy-docket-for-129076554…Crypto mixer Roman Storm needs order for Read ID;UN no answers, bans Press

Supervising Sound Editor, Re-recording Mixer, and Sound Designer Mixer David Acord and Supervising Sound Editor and Dialogue & ADR Supervisor Margit Pfeiffer join us to discuss the powerful, visceral sound of the final season of "Andor." As one of the darkest and most grounded series in the Star Wars galaxy, "Andor" features a deeply cinematic soundscape — ranging from brutal hand-to-hand combat to haunting silence, immersive crowd scenes, and intentionally fuzzy radio transmissions. David and Margit break down their collaborative process, the evolution of the sonic language across the series, and how they used Dolby Atmos® to bring audiences even deeper into the world of espionage, rebellion, and sacrifice.“We want to make sure that the audience feels the threat and the danger of these weapons. The impact of those weapons has to be violent… A laser whiz by has to strike fear.”—David Acord, Supervising Sound Editor, Re-recording Mixer, and Sound Designer, "Andor"Be sure to check out “Andor,” all episodes now streaming on Disney+, in Dolby Vision® and Dolby Atmos®.Please subscribe to Dolby Creator Talks wherever you get your podcasts.You can also check out the video for this episode on YouTube.Learn more about the Dolby Creator Lab and check out Dolby.com. Connect with Dolby on Instagram, Twitter, Facebook, or LinkedIn.

Lots of singles in the church. Fewer and fewer marriages. What gives? In this episode of the FTC Podcast, Jared Wilson and Ross Ferguson talk about their own observations and experienes in the "dating world" of the local church. Why are young men and women finding it difficult to find potential spouses? Why do they find it difficult sometimes to even talk to each other? What are the relational landmines in seeing the church as a dating pool? And what can singles actually do to enhance their potential for Christian marriage?

This episode of The Independent Characters starts off with the usual segments. With Josh out of town, Chelle is stepping in to discuss elite choice, hobby progress, and games played. Then we pivot to discussions with on of the folks who have created and organized this years Maelstrom Mixer, a large narrative event in San Jose. Brett joins us to discuss what it took to put on the event, what they learned from previous years, and where it is going in the future! Carl attended last year and had a fantastic time. So we will talk about the event, but also pull back the curtain on how one runs something like this. We hope you enjoy this episode! Time Stamps: 0:00:00 - Show Intro, Elite Choice, Hobby Progress 1:02:20 - The Maelstrom Mixer 2:21:45 - Final Thoughts and show closing Relevant Links: The Independent Characters Patreon Tablewar! - SPONSOR Herrick Games & Hobbies - SPONSOR Adepticon Goblin Hobbies - Makers of the Stampin' Plates The Imperial Truth Podcast (Greg Dann's Charity discussed) Maelstrom Mixer Games Workshop The Black Library

We didn't mean to go this deep—but here we are.This week, we cracked open the bass rabbit hole and just kept falling. What started as a casual chat about tracking techniques quickly turned into a full-on audio archaeology dig. Fingerstyle vs. pick. Flatwounds vs. roundwounds. Phase issues. Amp sims. DI regrets. When to tune your bass like it's a vocal. And why the right bass might be a $300 violin-shaped Epiphone that makes your P-Bass sound like a string bean.This is Part 1. Next week, we'll take all this nerdy goodness and show you how it interacts with everything else in the mix—drums, vocals, space, sub, punch, width, grit.Discover:Why we sometimes tune bass like it's a vocalThe $300 Epiphone that destroyed a Fender P-Bass in a shootoutHow adding chorus to bass can actually make it sound tighterThe reason your 808s keep disappearing—and how to fix itFingerstyle, pick, thumb, palm mute: how your hand technique makes the biggest differenceBen and Carl's Weekly Inspiration Playlist - https://open.spotify.com/playlist/1IpnxDVoTY44JBV1j19H4h?si=0f80e020d8ae497eLA Wildfire Relief:Musicares - https://donor.musicares.org/page/lafirereliefWAMTN - https://give.wearemovingtheneedle.org/campaign/654724/donateLearn more about StudioLand - https://www.welcometostudioland.com/a/2147995182/bmyFf8p5Download our free guide: "The Future-Proof Mixing Engineer: 8 Essential Skills for 2024 and Beyond" - https://mpe-ebook.benwallick.com/future-proof-mixingConnect with us:Secret Sonics - https://www.instagram.com/secretsonicsBen - https://www.instagram.com/benwallickmusic/Carl - https://www.instagram.com/carlbahner/Learn more:https://www.benwallick.com/https://www.carlbahner.com/This episode with edited by Gavi Kutliroff - https://www.instagram.com/pleasant_peasant_music/

In this episode, 'The Art of Letting Go: Joe Zook's GAME-CHANGING Advice for Musicians', dives deep with acclaimed mixing engineer and producer Joe Zook, revealing his journey from tribute bands in Boulder to mixing hits for artists like OneRepublic and U2. Discover how technology, creativity, and authenticity fuel Joe's approach to music production, his early days with Quincy Jones, and his lessons for anyone looking to build a career as a music engineer or musician. This episode is packed with practical advice and music industry insights for artists, engineers, and producers alike!

This episode of The Independent Characters starts off with the usual segments. With Josh out of town, Chelle is stepping in to discuss elite choice, hobby progress, and games played. Then we pivot to discussions with on of the folks who have created and organized this years Maelstrom Mixer, a large narrative event in San Jose. Brett joins us to discuss what it took to put on the event, what they learned from previous years, and where it is going in the future! Carl attended last year and had a fantastic time. So we will talk about the event, but also pull back the curtain on how one runs something like this. We hope you enjoy this episode! Time Stamps: 0:00:00 - Show Intro, Elite Choice, Hobby Progress 1:02:20 - The Maelstrom Mixer 2:21:45 - Final Thoughts and show closing Relevant Links: The Independent Characters Patreon Tablewar! - SPONSOR Herrick Games & Hobbies - SPONSOR Adepticon Goblin Hobbies - Makers of the Stampin' Plates The Imperial Truth Podcast (Greg Dann's Charity discussed) Maelstrom Mixer Games Workshop The Black Library

Send us a textThe unexpected announcement of a new Disney park in Abu Dhabi has completely reshuffled the conversation around Disney's expansion strategy. What started as a discussion about whether Walt Disney World needs a fifth gate to compete with Universal's Epic Universe quickly transformed into an analysis of Disney's global theme park portfolio and future plans.When weighing the potential benefits of a fifth Disney World park, several compelling points emerge. A brand-new park would provide the perfect canvas for fresh concepts and untapped intellectual properties that don't quite fit within the existing framework. It could showcase international Disney attractions that most American visitors never experience, while simultaneously helping to distribute the notoriously dense Magic Kingdom crowds. With Disney's vast land holdings in Florida, space certainly isn't an issue – they've already secured approval for a fifth major park in their long-term development plan.However, the drawbacks are significant. Current estimates suggest building a Disney park of Tokyo DisneySea's caliber would cost upwards of $17 billion – a staggering sum even for Disney. Meanwhile, all four existing Disney World parks desperately need updating, from the chronically outdated Tomorrowland to the half-day experience that Animal Kingdom often becomes for ride-focused visitors. Adding another park would also extend the typical Disney vacation to potentially 9-10 days, making the trip financially impossible for many families already stretching their budgets.The Abu Dhabi announcement represents an exciting compromise. This new international venture allows Disney to flex their creative muscles with cutting-edge technology and immersive environments without diverting resources from much-needed improvements at Walt Disney World. There's speculation this Middle Eastern park could feature the most impressive Tomorrowland ever designed, potentially rivaling Tokyo DisneySea as Disney's crown jewel.For Disney fans, the future looks bright whether they're planning to visit Florida or dreaming of international adventures. Rather than stretching themselves thin with a fifth Florida gate, Disney appears focused on maximizing the potential of their existing parks while simultaneously creating something truly revolutionary halfway around the world. What Disney innovation are you most excited to experience?Here's who we are and what is in store for you

In this Wiggly Tail update from the Humane Society of South Central Michigan, Lacy and Jessica join Community Matters to talk about three big things:Whisker Mixer Fundraiser: Set for Tuesday, May 13, 2025 at The Base in Springfield, this annual event features a silent auction with themed items - and 7-night accommodations in a 2-bedroom condo in Orlando.Work at HSSCM: Have a calling to work with animals? The Humane Society is looking for its next great team members.Sophie: The latest adoptable poster-pet of the month. She's a lovey Shih Tzu mix who wants to be part of the family.Episode ResourcesHumane Society of South Central Michigan websiteSophie on PetfinderRichard reads to the kittens at HSSCMMore Wiggly Tail episodesABOUT COMMUNITY MATTERSFormer WBCK Morning Show host Richard Piet (2014-2017) returns to host Community Matters, an interview program focused on community leaders and newsmakers in and around Battle Creek. Community Matters is heard Saturdays at 8:00 AM on WBCK-FM (95.3) and anytime at battlecreekpodcast.com.Community Matters is sponsored by Lakeview Ford Lincoln and produced by Livemic Communications.

 07th May: Blockchain DXB podcast

Think there's only one "right way" to record and mix drums? Think again. In this revealing episode, Ben and Carl dive deep into their completely opposite approaches to drum production. Despite working from opposite ends of the spectrum, they discover they're ultimately chasing the same emotional result. This conversation might just give you permission to try that "crazy" technique you've been hesitant to experiment with.Discover:Why conventional drum recording approaches might be limiting your creative options and sonic resultsThe counterintuitive "songs for the deaf" method of tracking drums one element at a time (and why it creates more flexibility than traditional methods)How recording drums last (after vocals!) can dramatically improve how your drum parts support the songWhy sympathetic snare vibrations are crucial for creating believable drum soundsThe critical importance of phase alignment when layering kick drums and using samplesWhy cutting frequencies from sample drums often yields better results than boostingHow focusing on kick and snare can free you from obsessing over every other element in the mixBen and Carl's Weekly Inspiration Playlist - https://open.spotify.com/playlist/1IpnxDVoTY44JBV1j19H4h?si=0f80e020d8ae497eReferences:dxRevive - https://www.accentize.com/dxrevive/LA Wildfire Relief:Musicares - https://donor.musicares.org/page/lafirereliefWAMTN - https://give.wearemovingtheneedle.org/campaign/654724/donateLearn more about StudioLand - https://www.welcometostudioland.com/a/2147995182/bmyFf8p5Download our free guide: "The Future-Proof Mixing Engineer: 8 Essential Skills for 2024 and Beyond" - https://mpe-ebook.benwallick.com/future-proof-mixingConnect with us:Secret Sonics - https://www.instagram.com/secretsonicsBen - https://www.instagram.com/benwallickmusic/Carl - https://www.instagram.com/carlbahner/Learn more:https://www.benwallick.com/https://www.carlbahner.com/This episode with edited by Gavi Kutliroff - https://www.instagram.com/pleasant_peasant_music/

Casey's work includes: A Good Person, Bad Times At The El Royale, Concrete Cowboy, Zack Snyder's Justice League, John Wick Chapter 4, The Nowhere Inn, The Accidental Getaway Driver, Mussolini: Son Of The Century, and From The World Of John Wick: Ballerina.

Bonus et Recap

Well this episode is a ton of fun.  We are joined by longtime friend of the Fam, Stand Up Comic and Dutch Uncle Dale Hilton.  He requested we cover a topic called the Whisky Wars and it is a doozy.  In 1973 Canada and Denmark were unable to agree as to which country owned the kidney-shaped nothing of an island called Hans Island.  With neither side willing to set aside their claim to the island, this led to an interesting 'conflict' of a sort.  Over the next several years, the countries would take turns visiting the island leaving their flag, a bottle of liquor and a sign.  They went back and forth leaving liquor and flags in a passive agressive conflict that only ended when the nations divided the island down the middle.  We also talk about times we (the adults, Arthur listens patiently) got drunk and what we used to get drunk on in the days before the interwebs.  So join us for this ever so slightly not quite PG-13  episode of fun and frolic from the Family Plot Podcast!Become a supporter of this podcast: https://www.spreaker.com/podcast/family-plot--4670465/support.

A weekly magazine-style radio show featuring the voices and stories of Asians and Pacific Islanders from all corners of our community. The show is produced by a collective of media makers, deejays, and activists. Host Miko Lee celebrates AAPINH Month by interviewing Filmmakers: Sara Kambe Holland, Alleluiah Panis, and Kyle Casey Chu, also known as Panda Dulce. We also cover a bunch of AAPINH month events happening throughout the Bay Area.   Calendar of Events Community Calendar May 3 2-6pm Daly City AAPI Fest celebrating local Asian American & Pacific Islander culture in Daly City and the Greater San Francisco Bay Area     May 10 10am-12pm PT Our Heritage 5K 2025  a FREE, family-friendly 5K fun walk/run honoring the rich history and contributions of Asian American and Pacific Islander communities in San Francisco. This scenic route winds through the heart of the city, passing by over 16+ historic AAPI landmarks—featuring goodies, resources, and fun facts about its cultural significance. Expect cheer stations, photo ops, sweet treats, and entertainment along the route to keep the energy high! May 10th is also AAPI Mental Health Day! The Our Wellness Festival, will celebrate mental health, community, and joy. The festival will feature family-friendly activities, carnival-style games, music, dancing, wellness resources, and more! May 23 at 5:30 pm – 8:30 pm Asian American and Pacific Islander LGBTQ2S+ Mixer NJAHS Peace Gallery 1684 Post Street, San Francisco Children's Fairyland in Oakland, and Stanford's Asian American studies department host a series of events throughout the month that we will post in the show notes for you to check out.  Bay Area Public Libraries AAPI Month Oakland public libraries feature reading lists for all ages, a grab and grow seedling kit and events like watermelon kimchi making!San Francisco Public Libraries There will be events for all ages at Library locations throughout the City, including free author talks, book clubs, film screenings, crafts, food programs and musical and dance performances. San Jose Public libraries host a series of events with a highlights being Tapa Cloth making on May 6 and Vegan Filipino Cooking with Astig Vegan on May 7 Berkeley public libraries   CAAMFest 2025 United States of Asian America Through June 1    Transcript: Filmmakers Exploring Boundaries   Opening: [00:00:00] Apex Express Asian Pacific expression. Community and cultural coverage, music and calendar, new visions and voices, coming to you with an Asian Pacific Islander point of view. It's time to get on board the Apex Express.   Ayame Keane-Lee: [00:00:57] Welcome to Apex Express and happy Asian American and Pacific Islander Heritage Month. Even though the Trump administration has eliminated recognizing cultural heritage months, we are still celebrating diversity and inclusion. Here at Apex Express and KPFA, we believe in lifting up people's voices. And tonight on Apex Express, we are focusing on Asian American filmmakers exploring boundaries. Host Mika Lee talks with filmmakers, creators, writers Sarah Kambe Holland, Alleluiah Panis, and Kyle Casey Chu, also known as Panda Dulce. Join us on Apex Express.    Miko Lee: [00:01:51] Welcome, Sarah Kambe Holland, the amazing young filmmaker, writer, director, here to talk about your very first film, egghead and Twinkie. Welcome to Apex Express.    Sarah Kambe Holland: [00:02:04] Thanks so much for having me.   Miko Lee: [00:02:06] So first I'm gonna start with a personal question, which is an adaptation from the amazing poet Chinaka Hodges. And my first question is, who are your people and what legacy do you carry with you?    Sarah Kambe Holland: [00:02:19] Oh wow. What a great question. , I think that I represent my family and my heritage. I'm mixed, so I'm half Japanese and half British. I grew up partially in Japan and partially in the States. I feel like those experiences, my family, they make up who I am and the stories that I wanna tell.   Miko Lee: [00:02:41] And what legacy do you carry with you?    Sarah Kambe Holland: [00:02:45] I think the legacy of my family, my grandparents on both sides have overcome so much, and, , they're a big inspiration to me. Funny enough, my grandparents play kind of a secret role in this film. My grandparents on my mom's side were incarcerated in the Japanese American camps. My grandmom, my British side overcame a lot of adversity as well in her life. , I think that's the legacy that I carry.    Miko Lee: [00:03:09] Thank you. Tell me a little more, what secret role do your grandparents play in the film?    Sarah Kambe Holland: [00:03:14] all my grandparents have always been very supportive of, my art and my filmmaking. But my grandparents on my mom's side, they passed away ahead of the making of this film. And I inherited my grandfather's car. And that car is the car in the movie that, Egghead Twinkie drive cross country. So I like to think that this is their way of supporting me. I think that they would get a kick out of the fact that their car is like a main character in the film,    Miko Lee: [00:03:41] literally carrying you on your journey. I had so much fun watching the film. Can you share with our audience a little bit about what the film is about and what inspired you to create this?    Sarah Kambe Holland: [00:03:52] So the film is called Egghead and Twinkie, and it's about this mixed Asian teenage lesbian named Twinkie who's coming out and her best friend Egghead, who unfortunately is in love with her and she does not feel the same. , and they end up going on this cross country road trip to meet Twinkie Online love interest IRL for the very first time. So it's kind of like a buddy comedy road trip movie. Coming of age queer story, , and it's one that's very personal to me, I think is a mixed Asian queer person. This was a story I was drawn to tell because it was a story that I didn't really see on screen when I was growing up.   Miko Lee: [00:04:30] Can you talk to me a little bit more about the use of the name Twinkie, which for many folks in the A API community is seen as a slur, and I know she talks about it a little in the film, but can you share more how you came up with that?    Sarah Kambe Holland: [00:04:44] Yes, it's a very nuanced thing and it's something I was kind of nervous to tackle, especially like in a comedy film. , but really with the creation of Twinkie's character, , I feel like she's going on this journey to embrace herself as a lesbian, as a gay woman, but then also I think that she's searching for herself as a mixed Asian person. I feel like within the Asian American community, if you're raised here in the US or if you're mixed or if you're adopted, I think that there can be this feeling of not feeling Asian enough. I think the word Twinkie was something that was kind of weaponized against her. Like, oh, you know, you're not Asian enough, you're a Twinkie. And her way of coping with that is to kind of reclaim that word and kind of own that. As her own name.    Miko Lee: [00:05:31] Thank you so much for sharing. I read online that this is the very first feature film to be crowdfunded on TikTok. Can you talk a little bit about, I know your background is in as a social media creator. Can you talk about that journey from social media creator to filmmaker?    Sarah Kambe Holland: [00:05:51] Yes. Yeah. TikTok and social media was such a big part of getting this film made. Uh, so for myself, yeah. I was a YouTuber before I was a filmmaker. I should be clear, I wasn't like PewDiePie or anything like that. I had like 40,000 followers. Um, but for me at that time when I was like 15, 16, that felt like the whole world. Um, and I think that YouTube was really my first introduction to. Storytelling, but also to making friends with people through the internet. And that ended up being a really big influence on this film because Twinkie is traveling cross country to meet a girl that she meets online. And I think that that is such a common story nowadays. Like people make friends online all the time. Um, and the ways that we find love and community has changed.Because of the internet. Um, so it felt very appropriate that we turned to TikTok turned to social media as a means to raise money for this film. Uh, we did a whole targeted crowdfunding campaign on TikTok and we raised over $20,000 from a lot of strangers that I will never meet, but I owe a lot of thanks to.   Miko Lee: [00:06:53] So now that the film has been going out to different festivals and being screened at different places, have any of those that participated in the crowdfund, have you met any of those kind of anonymous supporters?    Sarah Kambe Holland: [00:07:05] Yes. And that was crazy. it was awesome. We screened it over 40 festivals all around the world. Our international premiere was at the British Film Institute in London. And it was at that screening that someone raised their hand during the q and a and they were like, I just wanted you to know that I backed your movie, uh, and I found you on TikTok. And that just blew my mind that someone on the other side of the world, you know, had donated whatever, you know, 10, 20 bucks to making this thing a reality.   Miko Lee: [00:07:31] Oh, I love that when the anonymous becomes real like a person in front of you that you can actually meet. How fun. I'm wondering if your use of animation is, , been influenced by your social media background.    Sarah Kambe Holland: [00:07:45] Not really. Actually. I think the animation part of this film is just because I'm a total nerd. I really love animation, I love comics. And so that kind of bled into Twinkies character. You know, she loves comics, she wants to be an animator. And, uh, I think I've always been interested in the idea of combining 2D animation with live action footage. I feel like that's something that we see a lot in like children's movies or, um.Music videos, but it's not something that you really see in like, feature films all that often. So I was kind of excited to explore that, and it was a really fun collaboration with myself and our lead animator, Dylan Ello, who did most of the animations in the movie.   Miko Lee: [00:08:28] Oh, thank you for that. I, I, it was very delightful. Um, I'm wondering, because we're, our world right now is incredibly complicated and so conflicted. How do you feel filmmaking can make a difference?    Sarah Kambe Holland: [00:08:44] I feel like art is more important now than ever because I see even in just this film's journey how art literature and movies, it can change people's minds and they don't even realize that their minds are changing.I think especially with this film, 'cause it's so lighthearted and funny and silly, you'd be like, oh, it's just, you know, a good laugh and that's it. But, but not really. I've seen this film. Open doors and open conversations. And I think that that's really my hope is that maybe, you know, parents who have a queer kid and they're not sure what to do about it, maybe they'll watch this film and they'll be able to talk to their kid about things that maybe they're afraid to talk about. I think that art really has the power to, to change people's minds.    Miko Lee: [00:09:29] Have you experienced that with somebody that has actually seen your film, that you've had a conversation with them where they walked away, changed from seeing it?    Sarah Kambe Holland: [00:09:38] Well, on a very personal level, um, my parents, uh, are conservative and I think when I first came out to them, it was an adjustment for sure. Um, I. When I initially kind of pitched the idea of Egghead and Twinkie to them years, years ago, uh, as a short film, they were confused. They were like, why do you wanna make this film about being gay? Like, why do you have to make everything about being gay? And that's not really what it was. I just wanted to tell this story.  And it's been such an amazing journey to see my parents like fully embrace this movie. Like they are egghead and Twinkie biggest fans. They might love this movie more than me. Uh, so that has been really amazing to be able to kind of talk to them about queer issues in my identity through the making of this movie.   Miko Lee: [00:10:24] I love that. So let our audience know how they can see your film, egghead and Twinkie.    Sarah Kambe Holland: [00:10:31] So Egg and Twinkie is coming out on streaming platforms on April 29th. It'll be on Apple tv, Amazon Prime, uh, any video on demand streaming platform in North America.    Miko Lee: [00:10:43] Yay. And Sarah, what are you working on next?    Sarah Kambe Holland: [00:10:46] Oh boy, have a big question. Uh, I have a few screenplays in the works, one of which is a time traveling lesbian rom-com. So, uh, I'm waiting for when I get the big bucks so I can make my first period piece.    Miko Lee: [00:10:59] Love it. Sounds fun. , thank you so much for sharing with us. It was such a delight to see your film and I look forward to seeing more of your work.   Sarah Kambe Holland: [00:11:08] Thanks so much for having me, Miko. This was great.    Jalena Keane-Lee: [00:11:11] Listen to Kushimoto Bushi by Minyo crusaders, a Japanese cumbia band    MUSIC   Welcome back. This is the Powerleegirls on apex express, and that was Kushimoto Bushi by Minyo Crusaders    Miko Lee: [00:15:24] Welcome, Alleluia Panis, the Executive Director of Kularts to Apex Express.    Alleluia Panis: [00:15:30] Thank you. I'm so honored to be here.    Miko Lee: [00:15:34] I wanna talk with you about your film, but first I wanna start with a personal question, which is an adaptation from the amazing poet Chinaka Hodges. And that is, who are your people and what legacy do you carry with you?   Alleluia Panis: [00:15:49] Wow, that's deep who are my people? My people is my community. And so it is here in, in the diaspora, Filipino Americans, Asian Americans, and folks of color. And then of course the indigenous people in the Philippines. . What I carry with me and continues to inspire me on the daily is the knowing that we have been here for a long time. Our ancestors have survived eons of whether it's, good times and bad times. And so that keeps me going.   Miko Lee: [00:16:28] Thank you so much for sharing. you have been working in the field for a long time. You're really, , a trailblazer in terms of putting Filipino arts on the map and really lifting up the culture. Can you talk about your new film Memories of Mindanao, where that came from, what it's all about?   Alleluia Panis: [00:16:49] Is a leg of, , Tribo tour, which began in 2002. But actually inspired by my first trip to, , then the wild and being with in 1989 , and, , basically traveling and. Setting myself and my, my, my music and dance company at the time to just be with indigenous people. ,and how profoundly that particular experience really impacted me. For years I've been wanting to like, how can I bring this? Experience or share the experience with other diasporic folks. Fortunately I was able to connect with Carlo Abeo in the Philippines, who's been my tour manager, in 2001. And then in 2002 we embarked on the first, Tribo tour.   Miko Lee: [00:17:50] So this was an effort to really share this powerful kind of artistic travel journey with more folks. Is that right?    Alleluia Panis: [00:17:57] Yes. And it's actually beyond artistic. It's really about recognizing something deeper, right? Because our history of colonization is pretty intense. 500 years and or is it 400 years? Give or take, a century. And so there are a lot of things that had been co-opted. It has been erased, it has been gaslit. And fortunately, I feel like within the culture of the archipelago, there are, and even those. That are, of the, what is considered the colonized people or the Christianized people. there are practices that exist today that might have a different name, um, or but actually is indigenous and so, and only. Could I say that because I was able to really experience and be with folks and, uh, and it's years, you know, it's years of kind of like assessing and looking at you know, different, uh, practices. And so that is so I don't know. It's beyond gratifying. It's connecting. I mean, it seems so cliche. It's connecting with something so deep, you know, it's like connecting to, you know, to Mother Earth in, in that way our, our Mama Ocean. And recognizing yourself that, that you are bigger and have, and has agency, you know, in terms of just. What you are connected to, uh, what we are connected to. Um, and so it's, it's it, of course within the cultural practices, which is artistic practices that we see that connection.    Miko Lee: [00:19:40] You were looking at, the impact of colonization and how arts and culture has really spoke to that or fought back against that in the Philippines. Can you talk about bringing that over to our colonized United States and how you see that playing out?    Alleluia Panis: [00:19:58] Well, I think first of all as, um, as folks of color. And as former subjects of the United States, you know, 40 years of the US and still, still, um, you know, in some ways kind of soft power over the people of the Archipelago. It's, it's really, um, first and foremost knowing or getting that sense of connection and confidence and, um, self-identity. That leads, that would lead us to create, um, in the diaspora. And so what, what this pro with this project, this particular program does and, and I continue to prove it with so many folks, is that it's really. Kind of finding yourself, I mean, that, that seems so cliche and knowing your place in the world and how you are connected so deeply despite all the, you know, like all the brainwashing that you don't know anything. Everything is, uh, you know, everything that, that, that, um, that exists in terms of the cultural practices of the arch of the people of the archipelago are borrowed or, or, um. Basically borrowed or taken from another culture, um, really kind of diminishes that, that colonized thinking. And so I think the power of it is finding your stepping into your own power in this way. Um, and, and, um, you know, it is also not just the current, like in, in once lifetime do you get that abuse or trauma, but it's also all the. You know, the, the, the inheritance from our, you know, from our parents, from our grandparents, right? Great. Passed down the generation and, um, oftentimes construed as the real deal, unt true. And so, aside from the form. Aside from, um, the practices, because this trip is really a little, is is focused more on not learning or like, you know, we don't go to learn like dance music or. Weaving or, you know, design or anything like that. Yes, that happens. We do, we do have workshops, but you know, it's not like it's, it's more like opening the ice of each, you know, individual. I. To the, to the, the whole, the whole thing. What, what is the, the presence of nature is, are they water people? Well, how does the water impact the cultural practices and therefore the artistic practices, um, and understanding sort of like, oh, they, they do that kind of steps with the, you know, flat feet or whatever. Because the sound of the bamboo slats is just. Amazing, you know, uh, under their feet. And so it's not so much that I'm gonna learn, you know, x, y, Z dance or x, y, z music, music or gongs, or, but it's more like w. Through those practices, how do we see the people, how do they mirror our own existence? And what, what we can remember really is remembering, um, what my, what, what we have forgotten or what we know it's true, but we're not sure. So I dunno if I'm answering your question. It's a roundabout response.    Miko Lee:[00:23:26]  I feel like you're talking about how we step into our ancestral wisdom and power.    Alleluia Panis: [00:23:33] Correct.    Miko Lee: [00:23:33] And I'm wondering if you can expand on that,, to talk a little bit more about this time of oligarchy we are living in, which is really built in colonization. How do we both as artists use our superpowers to fight back against that and then encourage other people? How do we use our artist beings to encourage other people to fight back against the world that we're living in right now?  Alleluia Panis: [00:24:00] One of the most powerful impact on me , in experiencing, indigenous practices and culture is the practice of spirituality, the rituals, the ceremonies. There's one specific ceremony from Ana as a magana on ceremony, um, that really, It was just such a profound experience in opening up, my senses and my sense of connection to something larger than this. And, and the EPO and, um, there's several, um. Ritual practices with different names. It's basically similar, uh, practice, uh, is the connection to the five elements and the basic, um, um, and fundamental elements of life. You know, water, earth, wind, fire, and the darkness. The, there's a transcendence. Um. And that that discovery is a, or that connection, um, is something that's, it sounds really woo woo, right? I mean, um, but it really becomes kind of a, a, an experience, an embodiment experience, a belief in your own kind of intuition, your gut feeling. My, uh, my. Um, response, you know, to it, a physical response. And, um, that, that's become like a, a guide for, for everything that I do. And so, um, to me that that is the grounding that, um, has allowed me to continue the work that that. That I've been doing, continue living, period. And so it's really, I think the, a matter of really kind of like, knowing yourself, it just sounds all so cliche, you know? And, and, the power of, Really understanding that you have or I have a depth of connection, that I can draw from in terms of energy and spirit and love, that is beyond kind of the physical, but also the physical. And so for me, that sense of knowing. Is what is allowing me to continue doing what I do despite all the, you know, challenges and difficulties and, you know, the insanity of these times or any time. and having kind of that grounding, I mean, you, you, the, the, clarity, is everything. it allows me to. follow what seems to be the correct route to wherever I was going. it doesn't mean that it's, it's, I'm, I'm not working on it, you know, but I'm also not, not pushing in a way that, you know, I'm, I'm gonna make you believe in me and I'll, you know, like, sort of like, I will tell you what is the right thing and, and, and I will make you, um, agree with me. It, it's, it's not that. Um, I is, I dunno. Is that making any sense? Do you have any other,    Miko Lee: [00:27:24] you totally make sense to me. I'm wondering how people can find out how, how can people find out more about your film and about all of your work?    Alleluia Panis: [00:27:34] Oh, sure. people can find out about, my work and the film through, um, the website. It's, uh, KulArts SF dot org and, most of, if not all of my work, uh, and the work of others, are actually on there. There's a lot of information there. the, the film is gonna be shown at the Los Angeles Asian Pacific, film Festival May 3rd at, uh, a MC. Eight or 14 or is it in, Monterey Park and, folks can actually just find that information on our website as well.    Miko Lee: [00:28:13] And what would you like audience to walk away from your film with an understanding of?   Alleluia Panis: [00:28:21] I want the audience to feel the. Power of being there in TT T is the southernness most islands of, of the Philippines. And, not too many people actually go there. If you have seen the Sam Baja, um, you know, divers, uh, where they can dive for, I think they can stay from five to 15 minutes underwater without any, you know, oxygen or assistance. These are, these are the people who, who, uh, these islands belong to. and as usual, their, you know, their live livelihood is being challenged by everything that's happening in the world. And what the, the film itself, itself, is really trying to put, put the audience within the, you know, like the, I guess the, the shoe of the there and how, you know, their experiences. there's not a lot of explanation to it because we really want it to be a more visceral experience. for the audience,    Miko Lee: [00:29:22] is there anything else you'd like to share with us?    Alleluia Panis: [00:29:26] Let's keep on going. Let's, you know, we, we all, we all need to be in community to uplift each other and keep hope alive.    Miko Lee: [00:29:38] Thank you so much for joining us today and sharing a little bit more about your film and about your work and your connection to the ancestors and the need to move forward.   Alleluia Panis: [00:29:47] Appreciate you. Thank you, Miko.   Miko Lee: [00:29:51] Welcome Kyle Casey, Chu, also known as Panda Dulce to Apex Express.    Kyle Casey Chu: [00:29:57] Hi so much for having me.    Miko Lee: [00:29:59] We're so happy to have you back here, onto Apex Express Land and you have a bunch of new things happening, not just a new film, but also a new book. First off, I'm gonna just start with a personal question, which I ask everyone. Who are your people and what legacy do you carry with you?    Kyle Casey Chu: [00:30:16] Ooh, that's a juicy one. Um, my people, I would say my people are the weirdos and the art freaks of the world. Uh, queer and trans people, Asian Americans, queer and trans Asian Americans, people of color, people from the Bay Area. Um, people who have noticed the boxes that they're in and are pushing the walls and the boundaries of that. I feel like these are the people who really inspire me the most. In terms of the legacy I bring, I am a fourth generation Chinese American, uh, queer and trans femme person living in the San Francisco Bay area where I was born and raised.   Miko Lee: [00:30:56] Thanks so much for sharing. , first let's start with just finding out more about your film, which was based on a true story called After What Happened at the Library. This was a national story, I remember hearing about it, but for folks that don't know, can you describe the real incident that inspired the film?    Kyle Casey Chu: [00:31:14] So, I'm one of the founders of Drag Story Hour, which is exactly what it sounds like., drag queens reading stories to, , children and their families and libraries, bookstores and schools. In 2022, I took a gig in Pride Month at San Lorenzo Public Library, , where I was doing a drag story hour and the Proud Boys stormed in. They called me a tranny, a groomer and an it. They wore shirts saying, kill your local pedophile and I had to retreat to the back and lock myself in the back room. They scoured the premises looking for me. , the authorities showed up and didn't get any of their names or information, um, and just. Dispersed them. And after the incident, I came back to the reading room where the children and families were there, but shaken and I completed the reading.    Miko Lee: [00:32:05] Incredibly traumatic. What happened after that in real life?    Kyle Casey Chu: [00:32:10] It's funny that you, uh, because the short film is called After What Happened at the Library, uh, for a reason because I feel like it's natural as social creatures for humans to focus on the incident itself. We want to approach people with empathy and we want to, really put ourselves in their shoes, uh, to kind of be there as a support for them. What I wasn't prepared for was the gauntlet of media attention, how people would be coming out of the woodwork to ask me about the situation. They would send gushing praise, hate mail, death threats, love letters, care packages, and this wave of attention. Almost added to the overwhelm of the experience and the fact that I had suddenly become a figure and a lightning rod in a culture war when I just wanted to read a book in a library. 'cause that's what I was doing. Um, and not only this, but in the coverage of the event. Because the authorities were so slow to act on this and only started investigating it as a hate crime after it blew up on Instagram and they suddenly felt the heat of media attention. Um, I felt the, my only recourse was to go to the media and was to talk, and especially as a writer and a storyteller, I felt I needed to kind of sound the alarm because it was pride month.  This was the first, this was the inciting incident of a national, even international anti-D drag wave of right wing extremism. Um, it was a couple days later that the oath keepers were found planning some kind of resistance, like violent insurrection in before Ohio Pride. And so I would talk to these journalists and. I felt in the beginning I trusted them because, you know, I trusted that they wanted to get the word out, that they had the same intentions that I did in protecting my people. And what I found instead was that they kind of almost, they tried to elicit the most emotional response from me, which often involved asking me to relive the most excruciating aspects of that time and that experience. So I had to go back and revisit it over and over again. And when the stories actually came out, I'd found that my story was edited to suit another preconceived formula that they had already pitched a certain idea for how the story was would go. That painted me as this static monolithic victim. And they would just plug in one tearful soundbite and the rest of the story, they could just say whatever they wanted with.And there's a certain violence in that. There's a certain. Greater injustice to going through something like that, number one. But number two, telling your story and having that be distorted to suit other political aims or to, you know, buttress a call for public safety. And that specific dynamic of the direct aftermath of notoriety is what the short film gets at.   Miko Lee: [00:35:11] Oh so you're taking back your own story.    Kyle Casey Chu: [00:35:14] Absolutely. So after what happened at the library, the short film is a very much a radical reclamation of my own voice and my own story. Um, prying it back from the hands of the media and telling it on my own terms.    Miko Lee: [00:35:26] Thank you for that. And how has it been received   Kyle Casey Chu: [00:35:29] So far it's been received very well. The short film World premiered at Florida Film Festival in Orlando. Received a special jury prize for courageous voice in a time of great need, which is incredible. It's our first screening and we already got an award, which is so exciting. It just screened at SF Film on April 23rd as part of the shorts block. SF film is an Academy Award qualifying festival, and it is going to screen again at Can Fest, one of my favorite local festivals, the world's largest Asian and Asian American film showcase it's screening on Friday, May 9th at Kabuki and tickets are on sale.   Miko Lee: [00:36:11] Thank you for that. And can you tell us about your new book? This is very exciting. You have a coming of age story, the Queen Bees of Tybee County. Can you tell us about your book?   Kyle Casey Chu: [00:36:22] Absolutely. When it rains, it pours in creative worlds. I had a lot of irons on the fire and it just so happened that all of them were exhibiting or debuting or hitting shelves in the same week of April, which is last week. The Queen Bees of Tybee County is my debut novel. It's middle grade, so for ages eight through 12, though like a Pixar movie, it's for all ages really. Um, and it is a hopeful drag coming out story about a queer Chinese American seventh grade basketball star. Derek Chan, who is unceremoniously shipped off to his grandma Claudia's in rural Georgia, and she is volunteering for a local pageant. And so he. Explores his queer identity and his love for drag via Southern pageant culture.    Miko Lee: [00:37:09] Ooh, do we see a film of this in the future?    Kyle Casey Chu: [00:37:12] Actually, Queen Bees of Tybee County was optioned by Lambert Productions, which put on the Hardy Boys on Hulu. So it is on its way to becoming a TV show if every, if all the stars align, it'll be on TVs in the uk. Fingers and toes crossed for that.    Miko Lee: [00:37:27] Amazing. I'm looking forward to that. Can we pull ourselves out a little bit and talk about the times that we're living in right now and how artists use our super powers to fight back against the oligarchy that we're living in?    Kyle Casey Chu: [00:37:43] We all know, or perhaps should know that the beginnings of fascism involve suppressing intellectuals and artistic voices, increasing police presence and trying to maintain a stiff and consistent lid on the voices of the people. And so this type of suppression is happening right now. There are book bans across the country. , there are state and federal efforts legislatively to curtail the rights of trans kids and trans athletes, and Intellectuals, diplomats and scholars are all being expelled or suppressed, and I think something that I've learned is that, and it sounds really cheesy, but that quote is so real where it's like being brave isn't the absence of fear, but it's doing things in spite of it. I know it feels very scary to speak out right now, but now is the exact time to speak out because any. Ground that is seated cannot be taken back. And so holding of the line by way of protest, by way of publication, by way of dissenting is how we crack this. The armor of fascism.    Miko Lee: [00:38:55] And can you talk a little bit about the moment of joy or celebrating joy within the context of the strife that we're living in? I bring that up because , you've given me much joy as part of the rice rocketts and a lot of the work that you do. So I wonder if you could just talk about what does joy mean in the moment like this?    Kyle Casey Chu: [00:39:16] Yeah. I think. I have a background in social work and one of the first things that we learned is this is hard work. It is hard to always start on your back foot and to have to argue your own humanity and justify your existence as an artist or as a person. I found myself doing that when coverage of the library incident was happening and. One of the things that they tell you is the way that you do your best work and the way that you best serve your communities is by keeping your own self afloat. And what this means is maintaining a balance. When you have hard work, you also need to reward yourself. You also need to take care of yourself. And I don't think it's enough to just say self-care. You need to expose yourself, and you need to fully embrace the full spectrum of human emotion, which necessarily includes joy. And so. After completing such an intense project, like after what happened at the library, I knew that I needed to engage in something that was hopeful and that really struck the cord of why community is so vital and important, and why social support is integral to all of us thriving. And so the Queen Bees of Tubby County, I was told by a reviewer, and this is my favorite review, they said that it's like Chapel R'S Pink Pony Club. If it were a book. Um, and I'm going with that 'cause I love that. But this story is really just about hope. It's about friendship, it's about, it's about dancing towards the future we want. And I don't think it is enough for us to react. I don't think it's enough for us to strike down. Terrible and horrifying regimes. We also must have a vision for the future that includes ourselves thriving and enjoying ourselves. And I think a part of that practice for me is making art and scaffolding a vision for the future that is positive.    Miko Lee: [00:41:20] And what would you like people to walk away from after either reading your book or seeing your short film?   Kyle Casey Chu: [00:41:29] I think after seeing the short film. What this gets at is whenever there's a flashpoint of a culture war and it's localized on one person, whenever a culture war is personified in one singular person, like for example, ma Moon kil. There's only so much of his life that we get to see, and it's through the headlines and this viral moment of like a flash on the pan. And I want people to realize that the way that you interact with these people in that fleeting moment is going to stick with them long after this moment of notoriety passes. And. To be conscientious and aware of what impact you're bringing to that person because it may just be a moment or a blip in your feed, but the impact is enduring for the person who's living it. And I also want us to be critical of how we consume trauma and violence in the media, and to ask ourselves if. We really, truly need to get all the details if we really, truly need to be put, put that victim in the position of reliving their experience just so we can relive it for a moment. Whereas they will have to relive it for the rest of their lives. And I think survivor narratives and victim narratives are way more messy and complicated and sometimes funny than people give it credit for or realize. And to realize that when you are reading something. That is just one dimension in one shade. Uh, yeah. So that was a lot, sorry. But, um, the other thing is for the Queen Bees of Tybee County. And the reason why I wanted to end on that is because it's uplifting is as dark as the world can be. It can also be as dazzling and bright and hopeful, and that the future that we are fighting for is worth fighting for. And we need to remind ourselves of that. Especially in times like these, and I know it might seem counterintuitive for us to celebrate or to be around each other when it feels earth shatteringly bleak, but it is essential to our survival, and don't be afraid to embrace that.   Miko Lee: [00:44:00] Kyle, thank you so much. Kyle, Casey Chu, thank you so much for joining us on Apex Express. I encourage people to check the film out and the book out and we appreciate chatting with you.    Kyle Casey Chu: [00:44:11] Thanks so much.    Ayame Keane-Lee: [00:44:14] Kyle's film will be showcased at Cam Fest, the nation's largest showcase for new Asian American and Asian films, which runs from May 8th to 11th in San Francisco at a time when it feels particularly fraught to express stories from communities of color. Cam is doing what we've done for over 40 years, sharing films from Asian America to a wide array of audiences. It says, Cam's, director of programs, Dawn Young. Watching these stories in a theater full of friends and neighbors is an opportunity to laugh and cry, and ultimately to celebrate human experiences that transcend bounds. This year's festival will return to the A MC Kabuki in San Francisco's Japan town for opening night, and a total of four days of screenings in the historic neighborhood that is undergoing its own resurgence with new restaurants, cafes, and boutiques, highlighting both traditional and youth oriented culture. The Roxy Theater will also host three days of screenings. Cam Fest continues to strengthen ties with other local arts institutions with the Asian Art Museum hosting the Cam Fest gala. Following the opening night film on Thursday May 8th and SF M Om a opening the Phyllis Wa Theater for Mother's Day programming on Sunday, May 10th. Turning a lens on history, whether it's the end of the Vietnam War or the trailblazing women in the Bay Area, offers a chance to reconsider the stories through which we come to understand ourselves. Says Cam Fest program Manager Del Holton, ranging from intimate narratives of family and memory to experimental work that bends the conventions of storytelling. These films illuminate the many perspectives of Asian America.    CAAM Fest 2025 wraps up on Mother's Day with dedicated events that highlight strength and visionary artistry of Asian American women. You can also catch my sister Jalena Keane-Lee's film Standing Above the Clouds at 5:00 PM at the Kabuki. Honoring Mothering also includes celebrating the nurturing of community and pioneering of aesthetics. Cam's final day reflects on the contributions of Asian American women's work while looking to the future of storytelling. Another major multimedia arts, dance and music festival to check out is the annual United States of Asian America which runs through June 1st at venues around the Bay Area. This year's theme Critical Refuge asks us to reflect on our journey as immigrants, refugees, and generations of descendants and or mixed raced people in the diaspora as we seek necessary sanctuary within ourselves and in our communities in times of unrest and uncertainty. The festival will honor a API Arts and Culture, reflecting on where we have been, where we are now, and what our collective future holds, while acknowledging our roots as immigrants, refugees, and mixed race descendants. Also check out the 42nd annual Himalayan Fair in Berkeley's Live Oak Park happening May 17th and 18th. There will be Himalayan Food, handicrafts, music, and Dance. There are so many events happening in celebration of Asian American and Pacific Islander Heritage Month. Check out our show notes for links to all the wheelchair accessible events In addition to the films we featured tonight, camp Fest and United States of Asian America, there is also May 3rd, two to 6:00 PM daily city AAPI fest celebrating local Asian American and Pacific Islander culture in daily city in the greater San Francisco Bay area.    May 10th, 10:00 AM to 12:00 PM Our heritage, 5K 2025. A free family friendly, 5K fun walk slash run. Honoring the rich history and contributions of Asian American and Pacific Islander communities in San Francisco. This scenic route winds through the heart of the city. Passing by over 16 plus historic A API Landmarks featuring goodies, resources, and fun facts about its cultural significance. Expect cheer stations, photo ops, sweet treats, and entertainment along the route to keep the energy high. May 10th is also a API Mental Health Day. The Our Wellness Festival will celebrate mental health, community and joy. The festival will feature family friendly activities, carnival style games, music, dancing, wellness resources, and more. May 23rd at 5:30 PM to 8:30 PM Asian American and Pacific Islander, LGBT Q2 s plus Mixer, NJAHS, peace Gallery 1684 Post Street in San Francisco. Children's Fairyland in Oakland and Stanford's Asian American Studies apartment will also host a series of events throughout the month that we will post in the show notes for you to check out in Bay Area Public Library News. Oakland Public Libraries feature reading lists for all ages, a grab and grow seedling kit and events like Watermelon Kimchi making. San Francisco Public Libraries will have events for all ages at library locations throughout the city, including free author talks, book clubs, film screenings, crafts, food programs, and musical and dance performances. Highlights for adults include the launch of Corky Lee's Asian America at the main library on May 23rd. The new book features over 200 breathtaking photos celebrating the history and cultural impact of the Asian American Social Justice movement. We've covered Corky Lee's work in multiple previous Apex episodes.    Additionally, four members of the Asian American Journalist Association, AAJA, who cover the Asian American and Pacific Islander News beat will discuss how authentic local reporting happens, important stories they've reported recently, and how having reporters dedicated to the BEAT impacts the A API community on May 8th, moderated by the interim president of the AAJA-SF Bay Area chapter Harry Mock. The panel features Ko Lyn Chang from the San Francisco Chronicle, Han Lee from the San Francisco Standard, and Ravi Kapoor, CEO of Dia, TV on May 25th. The library partners with the Chinese Cultural Center of San Francisco to welcome Curtis Chin, author of everything I Learned, I learned in a Chinese restaurant for a book talk and library popup. For youth on May 25th, join June Jo Lee Food ethnographer and award-winning children's book author for a kimchi demo. Read aloud and krautchy making activity. Experience a read aloud of New Picture Storybooks for Children and participate in a drawing workshop on comics with illustrators mini fan and Sophie Dialo on May 23rd at Excelsior Branch Library. Katie Kwan, who has been featured on Apex dives into the world of comics and zines through the lens of an Asian American artist and educator, and teaches the community how to make their own comics and zines at multiple locations throughout May. San Jose Public Libraries host a series of events with highlights being top of cloth making on May 6th and vegan Filipino cooking with Aztec Vegan on May 7th. Once again, happy Asian American and Pacific Islander Heritage Month from us at Apex Express. Please do checkout CAAM Fest. May 8th through 11th in San Francisco. If you get the chance and you'll be able to see Kyle's film. As well as many other incredible AAPI, histories and stories. You can check out all of that community calendar info in our show notes, as well as information on all of the guests you heard from tonight.   Miko Lee: [00:51:55] Please check out our website, kpfa.org to find out more about our show tonight. We think all of you listeners out there. Keep resisting, keep organizing, keep creating and sharing your visions with the world because your voices are important. APEX Express is created by Miko Lee, Jalena Keane-Lee, Preeti Mangala Shekar, Anuj Vaidya, Swati Rayasam, Aisa Villarosa, Estella Owoimaha-Church, Gabriel Tangloao, Cheryl Truong and Ayame Keane-Lee.        The post APEX Express – 5.1.25 – Filmmakers Exploring Boundaries appeared first on KPFA.

NEW song The End · Mammoth https://youtu.be/f_n_2thlTN8?si=ci2vDcDoCh_NJ7KD The End ℗ 2025 I Am The Sheriff, LLC under exclusive license to BMG Rights Management (US) LLC Released on: 2025-05-01 Performer, Vocals: Wolfgang Van Halen Producer, Mixer, Sound Engineer: Michael "Elvis" Baskette Sound Engineer: Jef Moll Sound Engineer: Brad Blackwood Mixing Assistant, Sound Engineer: Josh Saldate Composer: Wolfgang Van Halen #mammoth #wolfgangvanhalen #vanhalen #theend #johnnybeaneTV #exclusivelyvanhalen Want to create live streams like this? Check out StreamYard: https://streamyard.com/pal/d/4906555367489536

In this "nerdy episode," Carl and Ben dive into a topic that affects many producers but rarely gets attention: updating your mixing templates. They explore how these living documents should evolve alongside your workflow, highlighting how small adjustments can lead to significant time savings and creative benefits.Discover:Why templates should evolve rather than remain static for yearsHow to recognize when you're repeatedly making the same changesWhy it's so easy to postpone template maintenance despite its benefitsFinding balance between template efficiency and creative flexibilityThe dangers of adding new plugins to templates before properly evaluating themSpecific examples of template updates they've found valuable in their own workBen and Carl's Weekly Inspiration Playlist - https://open.spotify.com/playlist/1IpnxDVoTY44JBV1j19H4h?si=0f80e020d8ae497eLA Wildfire Relief:Musicares - https://donor.musicares.org/page/lafirereliefWAMTN - https://give.wearemovingtheneedle.org/campaign/654724/donateLearn more about StudioLand - https://www.welcometostudioland.com/a/2147995182/bmyFf8p5Download our free guide: "The Future-Proof Mixing Engineer: 8 Essential Skills for 2024 and Beyond" - https://mpe-ebook.benwallick.com/future-proof-mixingConnect with us:Secret Sonics - https://www.instagram.com/secretsonicsBen - https://www.instagram.com/benwallickmusic/Carl - https://www.instagram.com/carlbahner/Learn more:https://www.benwallick.com/https://www.carlbahner.com/This episode with edited by Gavi Kutliroff - https://www.instagram.com/pleasant_peasant_music/

Raising your rates sounds simple… until you actually try to do it. In this special episode,Carl breaks down the real reasons studio pros avoid increasing their prices - and why most of those reasons are based on fear, not facts.Carl pulls from 20+ years of experience helping producers and engineers build sustainable careers outside the traditional music industry hubs. With practical examples and thoughtful analogies, this episode will give you the confidence - and the language - to navigate money conversations without feeling like a sellout.Discover:Why being “affordable” might be hurting your career more than helping itThe truth about what scares clients off (hint: it's not your rate)A simple script you can use to raise your rates with past clientsHow to stop making assumptions and start making informed decisionsWhy big credits don't guarantee clients - and what actually doesIf you've ever felt awkward talking money, this episode is a must-listen.Ben and Carl's Weekly Inspiration Playlist - https://open.spotify.com/playlist/1IpnxDVoTY44JBV1j19H4h?si=0f80e020d8ae497eLA Wildfire Relief:Musicares - https://donor.musicares.org/page/lafirereliefWAMTN - https://give.wearemovingtheneedle.org/campaign/654724/donateLearn more about StudioLand - https://www.welcometostudioland.com/a/2147995182/bmyFf8p5Download our free guide: "The Future-Proof Mixing Engineer: 8 Essential Skills for 2024 and Beyond" - https://mpe-ebook.benwallick.com/future-proof-mixingConnect with us:Secret Sonics - https://www.instagram.com/secretsonicsBen - https://www.instagram.com/benwallickmusic/Carl - https://www.instagram.com/carlbahner/Learn more:https://www.benwallick.com/https://www.carlbahner.com/This episode with edited by Gavi Kutliroff - https://www.instagram.com/pleasant_peasant_music/

Bass House / House / Tech House

In this episode, Ben and Carl dive deep into the psychology of permission-seeking that stops so many creative professionals from taking the next step in their careers. Through the story of an artist hesitant to perform her first solo show, they explore why we often wait for external validation before pursuing our goals – whether that's raising our rates, reaching out to dream clients, or sharing our creative work.Discover:Why we fear judgment for actions that most people won't even noticeHow taking risks transforms skeptics into supportersThe assumptions that prevent us from sending that first message to potential clientsWhy bold mixing and production choices follow the same psychological patternHow success often comes to those willing to execute without permissionBen and Carl's Weekly Inspiration Playlist - https://open.spotify.com/playlist/1IpnxDVoTY44JBV1j19H4h?si=0f80e020d8ae497eLA Wildfire Relief:Musicares - https://donor.musicares.org/page/lafirereliefWAMTN - https://give.wearemovingtheneedle.org/campaign/654724/donateLearn more about StudioLand - https://www.welcometostudioland.com/a/2147995182/bmyFf8p5Download our free guide: "The Future-Proof Mixing Engineer: 8 Essential Skills for 2024 and Beyond" - https://mpe-ebook.benwallick.com/future-proof-mixingConnect with us:Secret Sonics - https://www.instagram.com/secretsonicsBen - https://www.instagram.com/benwallickmusic/Carl - https://www.instagram.com/carlbahner/Learn more:https://www.benwallick.com/https://www.carlbahner.com/This episode with edited by Gavi Kutliroff - https://www.instagram.com/pleasant_peasant_music/

Grant's film credits include: The Sound Of Silence, Hillbilly Elegy, To Leslie, Knock At The Cabin, Noelle, and Nyad. His television work includes: The Walking Dead: Dead City and Full Swing. Grant's more recent films include: Mother Couch and Mermaid, and his upcoming work includes Outcome and Eleanor The Great.

How do you create such an amazing client experience that artists wouldn't dream of working with anyone else? Carl unpacks key insights from Will Guidara's "Unreasonable Hospitality" and explores how to apply these principles to studio businesses. Discover practical ways to transform client interactions from transactional to unforgettable, whether you're working remotely or in-person.Discover:How thoughtful, personalized touches (like remembering a client's favorite tea or writing personalized notes) create deeper connections without breaking the bankSpecific tactics for making remote clients feel valued and appreciatedHow to infuse your personal style into your studio environment (physical or virtual) to attract like-minded artists and create an immediate sense of connection that transforms the client experience"Unreasonable Hospitality" - https://amzn.to/4jn4wVoBen and Carl's Weekly Inspiration Playlist - https://open.spotify.com/playlist/1IpnxDVoTY44JBV1j19H4h?si=0f80e020d8ae497eLA Wildfire Relief:Musicares - https://donor.musicares.org/page/lafirereliefWAMTN - https://give.wearemovingtheneedle.org/campaign/654724/donateLearn more about StudioLand - https://www.welcometostudioland.com/a/2147995182/bmyFf8p5Download our free guide: "The Future-Proof Mixing Engineer: 8 Essential Skills for 2024 and Beyond" - https://mpe-ebook.benwallick.com/future-proof-mixingConnect with us:Secret Sonics - https://www.instagram.com/secretsonicsBen - https://www.instagram.com/benwallickmusic/Carl - https://www.instagram.com/carlbahner/Learn more:https://www.benwallick.com/https://www.carlbahner.com/This episode with edited by Gavi Kutliroff - https://www.instagram.com/pleasant_peasant_music/

Genet and Harold whip up a cake, but a hair-raising mishap shows them something unexpected about listening and faith.

In this episode of the Mixing Music Podcast, Dee Kei and Lu explore the art and challenge of mixing across different genres while preserving the emotional feel of a track. They dive into how an emotional and intuitive approach complements technical skill, and why flexibility is key when switching between genre conventions. From balancing creative instincts with technical demands to understanding why the human touch still matters in a world of AI-assisted tools, this episode is a deep dive into the mindset and methods that help mixers stay versatile and connected to the music, no matter the style.SUBSCRIBE TO OUR PATREON FOR EXCLUSIVE CONTENT!⁠SUBSCRIBE TO YOUTUBE⁠Join the ‘Mixing Music Podcast' Discord!HIRE DEE KEIHIRE LUFind Dee Kei and Lu on Social Media:Instagram: @DeeKeiMixes @MasteredbyLuTwitter: @DeeKeiMixes @MasteredbyLuThe Mixing Music Podcast is sponsored by ⁠Izotope⁠, ⁠Antares (Auto Tune)⁠, Sweetwater, ⁠Plugin Boutique⁠, ⁠Lauten Audio⁠, ⁠Filepass⁠, & ⁠Canva⁠The Mixing Music Podcast is a video and audio series on the art of music production and post-production. Dee Kei, Lu, and James are professionals in the Los Angeles music industry having worked with names like Odetari, 6arelyhuman, Trey Songz, Keyshia Cole, Benny the Butcher, carolesdaughter, Crying City, Daphne Loves Derby, Natalie Jane, charlieonnafriday, bludnymph, Lay Bankz, Rico Nasty, Ayesha Erotica, ATEEZ, Dizzy Wright, Kanye West, Blackway, The Game, Dylan Espeseth, Tara Yummy, Asteria, Kets4eki, Shaquille O'Neal, Republic Records, Interscope Records, Arista Records, Position Music, Capital Records, Mercury Records, Universal Music Group, apg, Hive Music, Sony Music, and many others.This podcast is meant to be used for educational purposes only. This show is filmed and recorded at Dee Kei's Private studio in North Hollywood, California. If you would like to sponsor the show, please email us at ⁠deekeimixes@gmail.com⁠.Support this podcast at — https://redcircle.com/mixing-music-music-production-audio-engineering-and-music/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Why do children create fearlessly while professional producers get stuck staring at blank DAW sessions? In this insightful conversation, Ben and Carl explore the counterintuitive truth that creative freedom comes from embracing constraints, not avoiding them. From Sufjan Stevens' state-themed albums to the natural evolution of decision-making throughout the production timeline, they reveal how limitations spark inspiration rather than stifle it. Whether you're battling decision paralysis with 87,000 clap samples or struggling to maintain a social media presence, this episode offers practical approaches to turning constraints into catalysts for your best work.Discover:How constraints unlock creativity rather than limit itWhy limitless possibilities lead to decision paralysisPractical constraint methods for both music and businessThe natural evolution of constraints throughout the production timelineDecision-making confidence across different creative domainsThe value of deliberate practice in building decisivenessBen and Carl's Weekly Inspiration Playlist - https://open.spotify.com/playlist/1IpnxDVoTY44JBV1j19H4h?si=0f80e020d8ae497eLA Wildfire Relief:Musicares - https://donor.musicares.org/page/lafirereliefWAMTN - https://give.wearemovingtheneedle.org/campaign/654724/donateLearn more about StudioLand - https://www.welcometostudioland.com/a/2147995182/bmyFf8p5Download our free guide: "The Future-Proof Mixing Engineer: 8 Essential Skills for 2024 and Beyond" - https://mpe-ebook.benwallick.com/future-proof-mixingConnect with us:Secret Sonics - https://www.instagram.com/secretsonicsBen - https://www.instagram.com/benwallickmusic/Carl - https://www.instagram.com/carlbahner/Learn more:https://www.benwallick.com/https://www.carlbahner.com/This episode with edited by Gavi Kutliroff - https://www.instagram.com/pleasant_peasant_music/

In Hour 2, Isaac & Schultzy highlight some of the top stories from March Madness, debate how the Rays and Athletics unsettled stadium situations affect the chances of Portland getting an NFL team, and more.

In 1969, Jane Mixer was attending the University of Michigan Law School when she was found dead just miles from her dorm. She had been shot twice in the head and strangled. Jane was the third of seven young women to be found dead in the area within two years. Investigators believed John Norman Collins was the serial killer responsible for several of the murders but couldn't prove he killed Jane. The case went cold until 2001 when the investigation was re-opened by testing DNA evidence collected more than 30-years earlier. “48 Hours" Correspondent Maureen Maher reports. This classic "48 Hours" episode last aired on 3/24/2007. Watch all-new episodes of “48 Hours” on Saturdays, and stream on demand on Paramount+. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Ada Coleman was head bartender at the American Bar at the Savoy Hotel in London in the early 20th century. She created a cocktail that is still served today, and she's an enduring icon of the bartending industry. Research: The Ada Coleman Project. https://theadacolemanproject.com/about/ Allison, Keith. “Spies at the Savoy Part One.” Alcohol Professor. Oct. 5, 2016. https://www.alcoholprofessor.com/blog-posts/blog/2016/10/05/spies-at-the-savoy-part-one Allison, Keith. “Spies at the Savoy Part Three.” Alcohol Professor. October 14, 2016. https://www.alcoholprofessor.com/blog-posts/blog/2016/10/14/spies-at-the-savoy-part-three “American Bar.” Savoy London. https://www.thesavoylondon.com/restaurant/american-bar/#:~:text=The%20American%20Bar%20first%20opened,World's%2050%20Best%20Bars%202017. Bell, Emily. “Ada Coleman: One Of History’s Most Famous Female Mixologists.” Vinepair. March 17, 2016. https://vinepair.com/wine-blog/ada-coleman/ Bryant, Miranda. “Savoy’s American Bar appoints first woman as head bartender in 95 years.” Aug. 6, 2021. https://www.theguardian.com/food/2021/aug/06/savoy-american-bar-appoints-first-woman-as-head-bartender-in-95-years Haigh, Ted. “Vintage Spirits and Forgotten Cocktails: From the Alamagoozlum to the Zombie 100 Rediscovered Recipes and the Stories Behind Them.” Quarry Books. 2009. Hotel and Restaurant Employee's International Alliance and Bartenders' International League of America. “The Mixer and Server.” Volume 35. 1926. Accessed online: https://books.google.com/books?id=OcyfAAAAMAAJ&vq=adah+coleman&source=gbs_navlinks_s O’Meara, Mallory. “Girly Drinks: A World History of Women and Alcohol.“ Hanover Square Press. 2021. “Rupert D’Oyly Carte Dies in London at 71.” The Gazette. Sept. 13, 1948. https://www.newspapers.com/image/421220764/?clipping_id=50107862&fcfToken=eyJhbGciOiJIUzI1NiIsInR5cCI6IkpXVCJ9.eyJmcmVlLXZpZXctaWQiOjQyMTIyMDc2NCwiaWF0IjoxNzM3NDAwMDEwLCJleHAiOjE3Mzc0ODY0MTB9.mS2TE4P7Mv_3uB3wevRSJpZDPZYy2a-e7eyG-Hk10Ds Saunders, Minott. “Famous Bar Maids Who Worked at Same Bar Twenty Years Without Speaking , Retire.” The Aspen Daily Times. February 16, 1926. https://www.coloradohistoricnewspapers.org/?a=d&d=ADT19260216.2.2&e=-------en-20--1--img-txIN%7ctxCO%7ctxTA--------0------ Styn, Rebecca. “Toast to Ada Coleman, National Women’s History Month.” Chilled. https://chilledmagazine.com/toast-to-ada-coleman-national-womens-history-month/ Sutcliffe, Theodora. “Ada Coleman.” Difford’s Guide. https://www.diffordsguide.com/encyclopedia/2857/people/ada-coleman “Women as Barmaids: Published for the Joint Committee on the Employment of Barmaids.” King Publishing. London. 1905. https://play.google.com/store/books/details?id=B-VNAQAAMAAJ&rdid=book-B-VNAQAAMAAJ&rdot=1 See omnystudio.com/listener for privacy information.