Podcasts about Dolby Cinema

Play Episode Listen Later Oct 3, 2023 83:18

Director Gareth Edwards joins us to discuss his visionary new dystopian sci-fi film, "The Creator." The movie features some incredible sound work — including a glorious Dolby Atmos® mix — but with some unconventional sound design choices for a science fiction film about artificial intelligence and fully autonomous robots.Joining the director to discuss all this and more are sound designers and supervising sound editors Erik Aadahl and Ethan Van Der Ryn, along with re-recording mixers Tom Ozanich and Dean A. Zupancic.This is another of our in-depth conversations, which we were proud to conduct in person at our Dolby screening room in Hollywood. We were delighted to discuss the filmmaking process and the risky creative choices required to craft such a groundbreaking track.“The whole making of a film is [a] dance. You're on a razor's edge. You go slightly too much this way, it's really obvious and cliched. You go slightly too much this way, it's up its own arse and no one understands it. And you're just trying to do that knife edge the whole time. And the way you get there is not through being a really clever. To be honest, you pick a side to start on and then you go right up to the limit.” —Gareth Edwards, Director / Producer / Co-writer, “The Creator”Be sure to check out The Creator at a Dolby Cinema® to get the full experience in Dolby Vison® and Dolby Atmos®.Please subscribe to The Dolby Institute Podcast wherever you get your podcasts.You can also check out the video for this episode.Learn more about the Dolby Institute and check out Dolby.com. Connect with Dolby on Instagram, Twitter, Facebook, or LinkedIn.

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157 - The Music of Mission: Impossible - Dead Reckoning Part One

Play Episode Listen Later Aug 1, 2023 36:47

Scottish composer Lorne Balfe joins us to discuss his incredible original score for the latest addition of the Mission: Impossible franchise. Guest host Jon Burlingame returns to delve into Lorne's process — including some on-the-fly performances during his interview — and why he so badly wanted to record elements of the soundtrack in so many locations from around the world.“You sometimes have these choirs [that] have to sing in different languages. And of course they can do it. But it's just not natural to them. So that was one idea that I had: Wouldn't it be amazing to have the musicians from that city or from that town be part of this soundtrack? The same way that the crew, and the extras, and the actors are from that environment? Let's try to incorporate that world into our world.”—Lorne Balfe, Composer, “Mission: Impossible - Dead Reckoning Part One”Be sure to check out the latest Mission: Impossible at a Dolby Cinema®, so you can enjoy the film in Dolby Vision® and Balfe's score in stunning Dolby Atmos®.Please subscribe to The Dolby Institute Podcast wherever you get your podcasts.You can also check out the video for this episode.Learn more about the Dolby Institute and check out Dolby.com. Connect with Dolby on Instagram, Twitter, Facebook, or LinkedIn.

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156 - The Music of Oppenheimer

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Play Episode Listen Later Jul 25, 2023 28:42

Academy Award-winning composer Ludwig Göransson returns to the Dolby Institute Podcast to discuss his latest collaboration with auteur filmmaker Christopher Nolan, with guest host Jon Burlingame. They discuss the composer's process which, on this film, was anything but traditional, including why he composed over three hours of music before principal photography even began.“But then the real job begins when [Christopher Nolan] comes back and he goes into the edit bay and he sits there with [picture editor] Jennifer Lame and they start putting together the movie. And they put together the scenes. And they already put my music in those scenes, from what we'd already written. So when I see the first cut it already has all my music in it.”—Ludwig Göransson, Composer, “Oppenheimer” Be sure to check out Oppenheimer at a Dolby Cinema® so you can enjoy the film and Göransson's score in stunning Dolby Atmos®.Please subscribe to The Dolby Institute Podcast wherever you get your podcasts.You can also check out the video for this episode.Learn more about the Dolby Institute and check out Dolby.com. Connect with Dolby on Instagram, Twitter, Facebook, or LinkedIn.

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#507:【後編】君たちはどうDolbyるか　ドルビーの中の人に訊く

backspace.fm

Play Episode Listen Later Jul 19, 2023 71:43

Dolby Japanテクニカルセールスマネージャーの近藤広明さんをゲストに、Dolby Atmos、Dolby Vision、Dolby CinemaなどDolby Laboratoriesが提供する混乱しがちな技術・名称について伺いました。これでドルビーの全てがわかるはず。▽番組からお知らせBSマガジン学割始めました！学生の方は以下のフォームから申請していただくと、18歳未満無料、18歳以上半額で購読することが出来ます！https://forms.gle/RaRLDZEzKQMrKi2A8BSリスナーが集まるSNS「グルドン」の新規登録はこちら！https://mstdn.guru/invite/B5XUmAS8▽トピックDolby Vision, Dolby Atmos, Dolby Cinemaについて / Dolbyのビジネスモデル / 社内の部門構造 / 規格の開発方針 / お便り / おすすめのDolby Cinemaコンテンツ / Dolbyの今後の活用方法▽関連リンク@backspacefm / TwitterBSマガジンYouTube版 #507DolbyDolby Japan（@DolbyJapan） / TwitterDolby VisionDolby AtmosDolby Cinema▽レギュラースポンサーこの番組はフェンリル株式会社の提供でお届けしております。backspace専用マストドンインスタンス、通称グルドンはさくらインターネットのサポートを受けて運用しています。backspace.fmでは我々の活動を応援してくれるスポンサーを募集しています。興味がある方はぜひこちらにて連絡ください！drikin+backspacefm@gmail.comこの番組は Riverside.fm を使ってリモート収録しています。 Riverside.fmはビデオ通話をしながら高音質ファイルを同時に収録することができる、ポッドキャストなどのリモート収録に特化したサービスです。興味がある方はぜひこちらをチェックしてみてください。https://bit.ly/RiversideFM_BackspaceSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

#042 RRR

Wheel of Films

Play Episode Listen Later Jun 29, 2023 139:17

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The Whale (2022): New Movie Discussion

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Play Episode Listen Later Dec 13, 2022 67:32

This week Jeff, John, and Dave drink beer and discuss seeing The Whale in Dolby Cinema, with the aspect ration of a 1950s newscast, and how the film had a serious impact on us. We also discuss the blocking, the cinematography, the music, and the incredible depth written by Samuel D. Hunter, who adapted his 2012 off-Broadway play for the screenplay. Directed by Darren Aronofsky, the film stars Brendan Fraser in one hell of a comeback performance portraying a 600-lb man trying to right some wrongs in his life. Assisted by some incredible performances including fall 2022 star Hong Chau (The Menu), Sadie Sink (Stranger Things), Oscar nominee Samantha Morton, and Ty Simpkins (Insidious, Jurassic World), this movie packs a punch. Crack open a beer and let's discuss. Find all of our Socials at: https://linktr.ee/theloveofcinema Hosts: Dave Green, Jeff Ostermueller, John Say. Edited and produced by Dave Green. Music: soundcloud.com/dasein-artist Beer: @cbarrozo.beer

James Cameron's Avatar: The Way of Water (Dolby Cinema, 3D, HFR) | Review [Spoiler-Free]

Untitled Movie Reviews

Play Episode Listen Later Dec 13, 2022 59:37

On this episode Matt & Eric review James Cameron's Avatar: The Way of Water starring Sam Worthington, Zoe Saldaña, Sigourney Weaver, Stephen Lang, and Kate Winslet.Matt's Rating: 2.5/5 Eric's Rating: 2.5/5Timecodes:00:00:00 - Intro, AVATAR History & What Format Did We See 00:09:00 - The Way of Water Review Begins

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Michael talks CEDIA and his experiences there. And we take several phone calls!!!

The Daily HiFi Podcast

Play Episode Listen Later Oct 12, 2022 84:36

Michael shares some of what he saw and heard at CEDIA. Caller calls in about Cerwin Vega speakers. We also took calls on Dolby Cinema vs experience at home and other fantastic topics! We also celebrate Michaels 100K subscribers, first time Youthman was in to do so!!! --- Send in a voice message: https://anchor.fm/dailyhifi/message Support this podcast: https://anchor.fm/dailyhifi/support

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Take 22: The Resurrection of MoviePass, a Hollywood Legend

Made in Hollywood

Play Episode Listen Later Sep 2, 2022 29:33

On this episode of Made in Hollywood Mark and William discuss the death of the Batgirl movie and the resurrection of the infamous MoviePass. You may also hear irrelevant things in this episode about Olivia Newton-John, AMC A-List, Daddy's Home 2, Dolby Cinema, IMAX, Movie Pass, Batgirl, David Zazlov, The Zaz, Warner Brothers, DC, Marvel, The Flash, Ezra Miller, and National Treasure.

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NOPE (2022): New Movie Discussion

Play Episode Listen Later Jul 26, 2022 57:28

John, Dave & Jeff saw Nope, and we gave it three (or six?) thumbs up! We start spoiler free before getting into it, we have lots of questions and get into those as well, so tune in whether you loved the movie or didn't! One thing we can agree on, that is one tough, tough way to die. There's a shot of some death that is... actually two different sequences featuring multiple deaths that are really tough ways to go. So if the tension wasn't enough to scare you, at least agree that those deaths were tough. We cover lots of ground, but it looks like Jordan Peele is back after splitting his audience with his sophomore entry, US. Seeing this in IMAX was awesome and highly recommended. And shout-out to Keke Palmer! Steals the show. Find all of our Socials at: https://linktr.ee/theloveofcinema Hosts: John Say, Dave Green, Jeff Ostermueller. Edited and produced by Dave Green. Music: soundcloud.com/dasein-artist Beer: @cbarrozo.beer Twitter: @theloveofcinema, Twitch/Facebook/Instagram: @theloveofcinemapod, YouTube: The Love of Cinema Podcast. Cast/Creative: Jordan Peele, Daniel Kaluuya, Keke Palmer, Steven Yeun, Keith David, Brandon Perea, Michael Wincott, Jacob Kim. additional tags: Jaws, Dolby Cinema, widescreen, horses, ranch, gulch, gulches, we got gulched, Is that Riz Ahmed?, or Dave Franco?, is that Barbie Ferreira from Euphoria?, alien anus, alien digestive tract, camera ribbon, camera lens, Gordy, monkeys, monkeypaw, white sitcoms, family.

Top Gun Maverick - Tecniche per il cinema

Garvan Acoustic

Play Episode Listen Later Jun 25, 2022 2:42

Questo non è un video per fare spoiler, ma per parlare di diverse curiosità tecniche per il cinema legate a questo capolavoro cinematografico.Il film è stato girato utilizzando fotocamere IMAX in 6K. Sono state costruite dalla Sony e sono larghe solo 5 cm per poter essere posizionate facilmente dentro gli aerei.Visibile in sale IMAX , 4DX ScreenX e Dolby Cinema. La tecnologia IMAX permette di avere una risoluzione maggiore rispetto allo standard e di conseguenza può essere proiettato su schermi molto più grandi ad esempio uno schermo alti 18 metri, in Italia se non erro abbiamo solo 5 sale attive IMAX.La tecnologia 4 DX completa l'esperienza sensoriale. In sala avrete le sedute di movimento, luci aggiuntive, il vento, i profumi e addirittura la neve simulata. In Italia al momento non conosciamo sala con questa tecnologia.Ultima tecnologia mezionata: Dolby! Ormai quasi tutti i cinema in Italia utilizzano questa tecnologia e quelli più tecnologici hanno anche sale Dolby Atmos come il Cinedream di Faenza dove ho visto questo film.Playlist Cinemahttps://www.youtube.com/watch?v=1dkaLl2HB4I&list=PLnrgTmL_RFxrZRJXrTrPSlMzJNsKt0nefIMAXhttps://www.imax.com/4 DXhttps://www.cj4dx.com/Dolby Cinemahttps://www.dolby.com/movies-tv/cinema

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JURASSIC WORLD DOMINION - The Popcorn Junkies Movie Review (Some Spoilers)

Play Episode Listen Later Jun 19, 2022 24:50

Jurassic World Dominion is a 2022 American science fiction action film directed by Colin Trevorrow, written by Trevorrow and Emily Carmichael and based on a story by Trevorrow and Derek Connolly. It is the sequel to Jurassic World: Fallen Kingdom (2018), the sixth installment in the Jurassic Park franchise, the final film in the Jurassic World trilogy, and the conclusion to the storyline started in the original Jurassic Park trilogy. As with its predecessors, Frank Marshall and Patrick Crowley produced the film with Trevorrow and Jurassic Park (1993) director Steven Spielberg acting as executive producers. The film stars an ensemble cast including Chris Pratt, Bryce Dallas Howard, Laura Dern, Jeff Goldblum, Sam Neill, DeWanda Wise, Mamoudou Athie, BD Wong, and Omar Sy. Dern, Goldblum, and Neill reprise their roles from the Jurassic Park trilogy, appearing together for the first time since the 1993 film. The film is set four years after the events of Fallen Kingdom, with dinosaurs now living alongside humans around the world. The film was planned as early as 2014 as part of a future Jurassic World trilogy. Filming began in February 2020 but was suspended in March due to the COVID-19 pandemic. It resumed in July and concluded four months later. Filming locations included Canada, England's Pinewood Studios and the country of Malta. Unlike its two predecessors, Legendary Entertainment was not involved in the film's production as Universal ended their partnership with the company in 2019 after the expiration of their four-year deal. Jurassic World Dominion is distributed by Universal Pictures and premiered in Mexico City on May 23, 2022. It was theatrically released in the United States on June 10, 2022, in IMAX, 4DX, RealD 3D, and Dolby Cinema. The film has grossed $462 million worldwide, becoming the fifth-highest-grossing film of 2022, but received negative reviews from critics who criticized its screenplay and runtime, with many claiming the franchise had run its course. --- Send in a voice message: https://anchor.fm/popcorn-junkies/message

125 - Colin Trevorrow and the Sound of Jurassic World Dominion

Play Episode Listen Later Jun 14, 2022 55:18

The newest and final installment of the Jurassic World franchise roared into theaters on Friday and we are delighted to share this conversation with director Colin Trevorrow and his sound team, to discuss how they crafted the soundtrack to this latest dinosaur Summer blockbuster. On today's podcast: — Colin Trevorrow, Director and Co-writer — Christopher Boyes, Re-recording Mixer — Pete Horner, Re-recording Mixer — Al Nelson, Sound Designer and Supervising Sound Editor — Gwendolyn Yates Whittle, Supervising Sound Editor Jurassic World Dominion features another monstrous soundtrack that these dinosaur epics are known for. But as you might have guessed, keeping those big action set pieces sonically coherent enough for an audience to actually enjoy is a very complicated, but also enjoyable, challenge for the sound team. "One thing that we take for granted as humans, when we walk into a chaotic environment, our brains are actually mixing that environment for us. Where what we choose to focus determines what we're actually hearing. In a theater, we have to do that for the audience. If we just put all the sound in, then you don't hear anything — because it's chaotic and our brains are not able to do that in a theatrical setting. So as mixers, Chris and I are collaborating, trading off, 'OK, this is a moment for dialogue. This is a moment for dinosaurs...' And then in the midst of it, somehow there's an orchestra playing. And so we have to also make room for themes, which are incredibly important to how you experience the scene and feel about it. So that's the challenge and, honestly, the excitement of doing a scene like that. You have everything at your fingertips and you have to decide, 'What are we hearing here? What are we hearing here?' So it's really fun." — Pete Horner, Re-recording Mixer, Jurassic World Dominion Be sure to check out Jurassic World Dominion in theaters, and ideally at a Dolby Cinema, near you! https://www.jurassicworld.com/ (https://www.jurassicworld.com/) Please subscribe to Sound + Image Lab: The Dolby Institute Podcast https://linktr.ee/dolbyinstitute (wherever you get your podcasts). You can also check out the https://youtube.com/dolby (video) for this episode. Learn more about the https://www.dolby.com/institute/ (Dolby Institute) and check out https://www.dolby.com/ (Dolby.com). Connect with Dolby on https://www.instagram.com/dolbylabs/ (Instagram), https://twitter.com/Dolby (Twitter), https://www.facebook.com/Dolby/ (Facebook), or https://www.linkedin.com/company/6229/ (LinkedIn).

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TOP GUN MAVERICK The POPCORN Junkies Movie Review (SPOILERS)

Play Episode Listen Later Jun 3, 2022 20:57

Top Gun: Maverick is a 2022 American action drama film directed by Joseph Kosinski and written by Ehren Kruger, Eric Warren Singer, and Christopher McQuarrie, from a story by Peter Craig and Justin Marks. It serves as a sequel to Top Gun (1986). The film stars Tom Cruise as Captain Pete "Maverick" Mitchell, a test pilot, alongside Miles Teller, Jennifer Connelly, Jon Hamm, Glen Powell, Lewis Pullman, Ed Harris, and Val Kilmer. Set 36 years after its predecessor, it follows Maverick's return to the United States Navy Strike Fighter Tactics Instructor program (also known as "Top Gun"), where he must confront his past as he trains a group of younger fighter pilots, among them the son of Maverick's deceased best friend Goose. Development for a Top Gun sequel was announced in 2010 by Paramount Pictures. Cruise and Kilmer were approached to return in their roles from the original, as were producer Jerry Bruckheimer and director Tony Scott. By mid-2012 a draft of the screenplay was finished, however Scott died by suicide and the film's pre-production was put on hold. The film is dedicated to Scott's memory. In June 2017, Kosinski was hired and wrote a new draft of the script. Principal photography took place from May 2018 to April 2019 in California, Washington, D.C., and Maryland. The film was shot using IMAX-certified 6K full-screen cameras. Its release, initially scheduled for July 12, 2019, was delayed first by efforts to shoot several complex action sequences, then by the COVID-19 pandemic and scheduling conflicts. Top Gun: Maverick premiered at CinemaCon on April 28, 2022, and was theatrically released in the United States on IMAX, 4DX, ScreenX and Dolby Cinema on May 27, 2022, by Paramount Pictures. It will be followed shortly thereafter by release on Paramount+. The film received widespread praise from critics, who commended the direction, action sequences, visuals, emotional weight, and performances; many deeming it superior to the first film. The film has grossed $275 million worldwide, making it the eighth-highest grossing film of 2022. --- Send in a voice message: https://anchor.fm/popcorn-junkies/message

The Unbearable Weight of Massive Talent - Movie Review and Discussion

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Play Episode Listen Later May 3, 2022 43:44

Dave & John attempt a discussion that leads to the discovery that Nick Cage's new film is almost unreviewable and should just be experienced. We then delve into other hard hitting scenarios like where can we put Nick Cage in the MCU (John adamantly refusing to acknowledge the existence of Ghost Rider) Finally, we wrap it up with some What You Been Watching before all hosts attempt Australian accents... one almost succeeds... Find all of our Socials at: https://linktr.ee/theloveofcinema Hosts: Dave Green, John Say. Music: soundcloud.com/dasein-artist Beer: @cbarrozo.beer Edited and produced by Dave Green. Twitter: @theloveofcinema, Twitch/Facebook/Instagram: @theloveofcinemapod, YouTube: The Love of Cinema Podcast. additional tags: Nicolas Cage, Dolby Cinema, Dolby Digital, sound mix, Legend, MCU, ships, Pedro Pascal Love

The Northman (2022): New Movie Discussion

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Play Episode Listen Later Apr 26, 2022 65:37

Sjón and Robert Eggers wrote The Northman together, and it was made into a major motion picture, Robert Eggers third feature as director. The Witch, The Lighthouse, and now this, his biggest budget yet at $60 million. We discuss. What's your favorite North myth? Any Scandinavian friends have comments about the authenticity? It was well shot and staged out there in Iceland, which is apparently a very windy and cloudy place out in the middle of the Atlantic. Oh, and shout-out to Queensland, Australia. You're by far our favorite state. Brisbane is the sht. Our co-host Dave is from somewhere in you. I was going to ask him but my audio got messed up somehow so I had to use my backup, like old times. And it's late. Cast: Nicole Kidman, Anya Taylor-Joy, Alexander Skarsgård, Willem Dafoe, Ethan Hawke Find all of our Socials at: https://linktr.ee/theloveofcinema Hosts: Dave Green, Jeff Ostermueller, John Say. Music: soundcloud.com/dasein-artist Beer: @cbarrozo.beer Edited and produced by Dave Green. Twitter: @theloveofcinema, Twitch/Facebook/Instagram: @theloveofcinemapod, YouTube: The Love of Cinema Podcast. additional tags: Sjón, Nicolas Cage, Dolby Cinema, Dolby Digital, sound mix, myth, mythos, mystic, mysticism, ships, more penis in movie fights.

Talkin Nerdy: Dolby Cinema

Phase 2 Phase

Play Episode Listen Later Apr 2, 2022 6:50

Has Markus finally finished his quest for audiovisual perfection!? Find out in this thrilling retelling!***LINKS:Dolby Cinema The Lost City Try it yourself!***CONTACT US:Link Tree***SUPPORT US:PayPalSupport the show (https://paypal.me/phase2phase?locale.x=en_US)

AVexcel - Episode 173

AVexcel

Play Episode Listen Later Mar 15, 2022 39:50

AVexcel - Episode 173 Recorded on March 10, 2022 Hosts: Patrick Norton and Robert Heron The rundown: - 2022 OLED price leaks - Obi-Wan Kenobi trailer - New Denon soundbar - KEF has a sale - 85-inch TV recommendations - AVR pass-through - QLED vs LCD vs OLED vs QD-OLED vs ... - The Batman at Dolby Cinema - #askavexcel - Your excellent feedback & questions - What we're watching AVexcel is 100% powered by our excellent crew of Patreon supporters - thank you! Visit AVexcel.com for links, show notes, contact info, and more!

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117 - The Cinematography of The Batman

director batman matt reeves cinematography batmobile dolby greig co writer supervising david cole dolby cinema director matt reeves

Play Episode Listen Later Mar 10, 2022 63:43

Director Matt Reeves joins us again this week to discuss The Batman. This is part 2 of our special 2-part episode on this movie, where we discuss the film's incredible cinematography. If you haven't already, be sure to check out part 1, where we break down the sound and music of The Batman, in our podcast archive from earlier this week, or on YouTube: https://youtu.be/uZ_3Kdm_ZhE (https://youtu.be/uZ_3Kdm_ZhE) Joining Matt is Director of Photography Greig Fraser (who joins us separately, later in this episode, as he is currently on location in London), and Supervising and Lead Digital Colorist, David Cole.But this episode is not just a deep dive into the technical aspects of their fascinating post-production process, but also includes details on how Matt and Greig managed to make such an epic movie feel like you, in the audience, were right there in the middle of all the action. "When we shot things, even like the Batmobile chase, even though there's a tremendous amount of visual effects in the movie, I didn't want you to be aware that we were doing them at all. And so we always used the parameters of how you would do it if you were doing it practically. And so [with] the Batmobile chase, we're putting cameras and we're locking them onto hard mounts, so you're watching a lot of hard mounts and that kind of stuff. And then, 'what's in focus?' And it's in the middle of rain. And 'what does that rain look like?' And there were times when Greig would take a filter and put a little bit of silicone on it... so that when you put it in front of the lens and when it got wet, you had the sense that it wasn't just that we were in rain that was perfectly photographed. The lens itself got wet. So you feel like you're in the middle of it. And so everything was about putting you squarely in that experience." — Matt Reeves, Director, Co-Writer, and Producer, "The Batman" Be sure to https://www.thebatman.com/ (check out The Batman) at a Dolby Cinema near you. Please subscribe to Sound + Vision Lab: The Dolby Institute Podcast https://linktr.ee/dolbyinstitute (wherever you get your podcasts). You can also check out the https://youtube.com/dolby (video) for this episode. Learn more about the https://www.dolby.com/institute/ (Dolby Institute) and check out https://www.dolby.com/ (Dolby.com). Connect with Dolby on https://www.instagram.com/dolbylabs/ (Instagram), https://twitter.com/Dolby (Twitter), https://www.facebook.com/Dolby/ (Facebook), or https://www.linkedin.com/company/6229/ (LinkedIn).

116 - The Sound and Music of The Batman

music director sound batman matt reeves dolby co writer dolby cinema director matt reeves

Play Episode Listen Later Mar 8, 2022 83:39

Director Matt Reeves joins us this week to discuss The Batman. This is part 1 of our special 2-part episode on this film, since there is so much to discuss with Matt and his team. So be sure to check out part 2, where we discuss the cinematography of The Batman, which will debut this Thursday! In this episode we are joined by Matt and his incredible team of sound and music artists: Michael Giacchino - Composer Will Files - Supervising Sound Editor Douglas Murray - Supervising Sound Editor Andy Nelson - Re-Recording Mixer Somehow, despite their very busy schedules, we managed to spend over an hour together (in-person!) discussing the amazing work this team did. And as you'll soon discover, this is a group that works incredibly well together, each bringing their exceptional creativity and craft to the process. But we also spend a lot of time discussing how Matt manages to bring everything together so seamlessly as the director: "You have to become an emotional compass. To me, that is the job of the director. Because you have so many incredibly creative people who you're working with. Here: I make a movie in my head and a piece of paper — that's one version of the movie. And it's a very narrow band of what that movie could be. And then you work with these artists and you want everyone to bring something... And I have to be an emotional compass to say, 'that idea is great! That idea really works!' Somebody has to do that. And the way you do that is by immersing yourself into that thing." — Matt Reeves, Director, Co-Writer, and Producer, "The Batman" This episode is a master class in filmmaking and collaboration, with a ton of insights into the process of crafting this latest superhero epic. Be sure to https://www.thebatman.com/ (check out The Batman) at a Dolby Cinema near you. Please subscribe to Sound + Vision Lab: The Dolby Institute Podcast https://linktr.ee/dolbyinstitute (wherever you get your podcasts). You can also check out the https://youtube.com/dolby (video) for this episode. Learn more about the https://www.dolby.com/institute/ (Dolby Institute) and check out https://www.dolby.com/ (Dolby.com). Connect with Dolby on https://www.instagram.com/dolbylabs/ (Instagram), https://twitter.com/Dolby (Twitter), https://www.facebook.com/Dolby/ (Facebook), or https://www.linkedin.com/company/6229/ (LinkedIn).

Mortal Kombat 2021, film review - rDNA Podcast

Dose of Nerd Acumen

Play Episode Listen Later Feb 16, 2022 27:53

Mortal Kombat 2021, film review - rDNA Podcast #MortalKombat #MortalKombat2021review #FilmReviews Mortal Kombat is a 2021 martial arts fantasy film based on the video game franchise of the same name and a reboot of the Mortal Kombat film series. The film stars Lewis Tan, Jessica McNamee, Josh Lawson, Tadanobu Asano, Mehcad Brooks, Ludi Lin, Chin Han, Max Huang, Joe Taslim, and Hiroyuki Sanada. It is directed by Simon McQuoid (in his feature directorial debut), from a screenplay by Greg Russo and Dave Callaham and a screen story by Russo and Oren Uziel. The film follows Cole Young, a washed-up mixed martial arts fighter who is unaware of his hidden lineage or why assassin Sub-Zero is hunting him down. Concerned for the safety of his family, he seeks out a clique of fighters that were chosen to defend Earthrealm against Outworld. Following the critical and commercial failure of the 1997 film Mortal Kombat: Annihilation, a third Mortal Kombat film languished in development hell for a period of nearly two decades. In late 2010, Warner Bros. Pictures and New Line Cinema (whose parent company acquired the franchise from Midway Games in 2009) began developing a new film, with Kevin Tancharoen serving as director from a script written by Uziel in the wake of their Mortal Kombat: Rebirth short film. James Wan was announced as a producer in August 2015 and McQuoid was hired as director in November 2016. Production took place at Adelaide Studios in Adelaide and at other locations in South Australia. Principal photography occurred from September to December 2019. Mortal Kombat was released internationally on April 8, 2021, then in the United States on April 23, simultaneously in theaters in Dolby Cinema, IMAX and 4DX and on the HBO Max streaming service. The film received mixed reviews from critics and grossed $83.6 million worldwide against a $55 million budget. It became HBO Max's most-successful film launch to date. A sequel is in development with Jeremy Slater set to write the screenplay. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/doseofnerdacumen/message Support this podcast: https://anchor.fm/doseofnerdacumen/support

Episode 34 - Directors

Home Theater Forum Podcast

Play Episode Listen Later Feb 8, 2022 112:51

Home Theater United Episode 34 February 7, 2022 8:00 PM EST Directors Rountable Discussion Reconnection (5m or less): Reflecting on MD trip, visit to Sam's, movies, filling suitcase Revisiting Brian's Scariest Movie Sam's “new” projector Sam cleared out 500+ disks! Todd: Does the LOTR collection “hold up” Ghostbusters Afterlife at home better than Dolby Cinema? Directors (Target time 1h or less): How much power does a director really have? “Final cut” What's the best analogy for director: conductor, dictator, somewhere in between? Favorite Directors? Shitty Directors? Who had the best career? Who are you most excited about from the crop of new directors? What director is influencing/mentoring the most? Back to Corman Quick Good Band and Ugly: Sam - Pam and Tommy Brian - Godzilla vs. Kong, WW84 Todd - Reacher Neil - it's a secret

director md reflecting lord of the rings kong ghostbusters afterlife dolby cinema

107 - The Sound of Guillermo del Toro's Nightmare Alley

Play Episode Listen Later Dec 23, 2021 56:42

In Part Two of our conversation about "Nightmare Alley," we are joined by an impressive team of sound artists, who worked very closely with Guillermo del Toro in crafting this film: - Nathan Robitaille, Supervising Sound Editor - Jill Purdy, Supervising Sound Editor - Christian Cooke, Re-recording Mixer - Brad Zoern, Re-recording Mixer - Greg Chapman, Production Sound Mixer We've included some additional material from our one-on-one interview with the director himself, so that we could discuss some key creative decisions and how the team responded to his direction. They remarked not only on his famous eye (and ear) for detail, but how every creative decision seemed to be driven, as always, by story: "One of the things Guillermo said to us is — it's really important that we emphasize the freedom in poverty at the carnival, and the restriction and that suffocating isolation in the wealthy back half of the city, once they start to succeed and they go to the big city. That was the big global bird's-eye note. And so from there forward, that would influence every choice that got made, as we started doing pre-design elements and sourcing the bits that would eventually build the cacophony that was the carnival and the Copacabana and all." — Nathan Robitaille, Supervising Sound Editor, "Nightmare Alley" Definitely check out Part One of this discussion, where we sat down with Guillermo del Toro himself to discuss his filmmaking techniques & philosophies which he applied to "Nightmare Alley," as well as many of his other hit films. That episode was released just a few days ago and can be found https://linktr.ee/dolbyinstitute (wherever you get your podcasts). While you're there, be sure you are subscribed to Sound + Vision Lab: The Dolby Institute Podcast. Afterwards, be sure to https://www.searchlightpictures.com/nightmarealley/ (check out "Nightmare Alley" in a Dolby Cinema near you)! You can also check out the https://youtube.com/dolby (video) for this episode. Learn more about the https://www.dolby.com/institute/ (Dolby Institute) and check out https://www.dolby.com/ (Dolby.com). Connect with Dolby on https://www.instagram.com/dolbylabs/ (Instagram), https://twitter.com/Dolby (Twitter), https://www.facebook.com/Dolby/ (Facebook), or https://www.linkedin.com/company/6229/ (LinkedIn).

sound toro guillermo del toro nightmare alley copacabana dolby supervising sound editor dolby cinema toro's nightmare alley

106 - Guillermo del Toro: A Masterclass on Sound and Film

director film sound meaning masterclass toro guillermo del toro nightmare alley dolby co writer dolby cinema

Play Episode Listen Later Dec 21, 2021 38:03

We recently sat down with legendary filmmaker Guillermo del Toro ahead of the premiere of his latest film, the slick and stylish noir thriller, "Nightmare Alley." Our conversation was so inspiring that we decided to release this podcast in two parts. Today, enjoy this inspiring, one-on-one conversation for a unique glimpse into the creative process of one of the greatest directors working today. If you are at all interesting in filmmaking, consider this podcast episode a must-listen. This is especially true for anyone interested in what a film director does: "One of the functions of the director is to make sure that there are no departments that are independent in the visual realization of the film. Meaning... you create a series of parameters that are narrative, and that can be broken [down] into color, light, shape, form. That those disciplines are understood by all those departments. When you say, 'what great cinematography,' you're saying, 'what great production design.' When you say, 'what great production design,' you're saying, 'what great wardrobe.' And when you're saying, 'what a great image,' you're saying, 'what great set decorating.' And that's when the director does the job of the director — which is to make sure that these efforts are symphonic, to story and to character. So one of the mandates I give is: We're not creating eye candy, we're creating eye protein. And it should be nutritious. It should tell you something about the character. It should immerse you in a motif." — Guillermo del Toro, Director, Co-Writer, Producer, "Nightmare Alley" Part two of this discussion, with the "Nightmare Alley" sound team, will be released later this week, so make sure you are subscribed to Sound + Vision Lab: The Dolby Institute Podcast https://linktr.ee/dolbyinstitute (wherever you get your podcasts). In the meantime, be sure to https://www.searchlightpictures.com/nightmarealley/ (check out "Nightmare Alley" in a Dolby Cinema near you)! You can also check out the https://youtube.com/dolby (video) for this episode. Learn more about the https://www.dolby.com/institute/ (Dolby Institute) and check out https://www.dolby.com/ (Dolby.com). Connect with Dolby on https://www.instagram.com/dolbylabs/ (Instagram), https://twitter.com/Dolby (Twitter), https://www.facebook.com/Dolby/ (Facebook), or https://www.linkedin.com/company/6229/ (LinkedIn).

La Wikly

Play Episode Listen Later Dec 15, 2021

15 de diciembre | Nueva YorkHola, maricoper. Te escribo desde el avión de Nueva York a Madrid después de que el lunes me volviera a pasar lo que en verano: una aerolínea me deja en tierra porque algún papeleo de mi perra Wenta no está en orden. Como consejo, te diré que siempre tengas todo supercerrado con las aerolíneas antes de viajar con tu perro. Porque aunque lo tengas, te joden. Pero vaya, que tengo muchas ganas de aterrizar en Españita con el bicho. Vamos a hincharnos a polvorones (¿pueden los perros comer polvorones?).Bienvenido a La Wikly diaria, una columna de actualidad y dos titulares rápidos para pasar el resto del día bien informado. Si quieres comentar las noticias en nuestra comunidad privada de Discord, puedes entrar rellenando este formulario.Puedes compartir esta newsletter a amigos y familiares que *no* estén suscritos. No podrán escuchar el podcast, ¡pero sí leer la newsletter! Y así nos ayudas a que nos conozca más gente. Puedes hacerlo con este botón:Leer esta newsletter te llevará 5 minutos y 50 segundos.Es la mejor. Bienvenido a La Wikly.

102 - Embracing Sonic Nostalgia with "Ghostbusters: Afterlife"

embracing nostalgia sonic composer ghostbusters afterlife ivan reitman jason reitman dolby nerd out supervising sound editor dolby cinema rob simonsen

Play Episode Listen Later Nov 23, 2021 56:19

We're turning back the clock to 1984 as we talk about "Ghostbusters: Afterlife" with Supervising Sound Editor & Re-Recording Mixer Will Files and Composer Rob Simonsen. Unlike many modern action-adventure films, this team, led by director Jason Reitman, tried to make everything sound as authentically '80s as possible, eschewing modern sound design and film score aesthetics, in order to give the audience an experience reminiscent of the beloved original film (which happened to be directed by Jason's father, Ivan Reitman). The result is a delightful throwback to the action-comedies of yesteryear. And the three of us absolutely NERD OUT today, as we talk about all the ways they pulled this off, from both a technical and aesthetic perspective. "When Jason [Reitman, the director] and we sat down to talk about the movie, he said, 'You've got to put yourself aside. This is... really about being custodians of what was done." So we had a lot of conversations about that and he said, 'I'm telling every department that that is the mission here. It's not to do what necessarily is, like, cool and modern and hip. This is about discovering the original, keeping it, and - where we can - walking forward, but in the clothes of the original.' So, I think it was really important for Jason to signal to everyone, right at the opening logos: 'We got you!'" — Rob Simonsen, Composer, Ghostbusters: Afterlife Be sure to https://www.ghostbusters.com/ (check out Ghostbusters: Afterlife at a Dolby Cinema near you). Please subscribe to Sound + Vision Lab: The Dolby Institute Podcast https://linktr.ee/dolbyinstitute (wherever you get your podcasts). You can also check out the https://youtube.com/dolby (video) for this episode. Learn more about the https://www.dolby.com/institute/ (Dolby Institute) and check out https://www.dolby.com/ (Dolby.com). Connect with Dolby on https://www.instagram.com/dolbylabs/ (Instagram), https://twitter.com/Dolby (Twitter), https://www.facebook.com/Dolby/ (Facebook), or https://www.linkedin.com/company/6229/ (LinkedIn).

101 - Crafting Action, Pathos, and Humor in No Time to Die

covid-19 action british humor bond james bond crafting no time daniel craig no time to die pathos dolby mark taylor cary joji fukunaga supervising sound editor paul massey dolby cinema

Play Episode Listen Later Nov 10, 2021 47:28

The latest James Bond film, from director Cary Joji Fukunaga, is a veritable feast of emotion and tone. Along with the requisite jaw-dropping action sequences, the film is chock-full of emotional pathos and tender moments, appropriate for Daniel Craig's sendoff as the titular British super-spy. But also, perhaps surprisingly, some very humorous sequences, as well. With a running time of over 2 and 1/2 hours, the sound team had their work cut out for them, and on a very tight timeline. So how did they manage to craft such an exciting, yet tender, and often hilarious new Bond film under such tough deadlines? Today we sit down with supervising sound editor Oliver Tarney and re-recording mixers Paul Massey and Mark Taylor to find out exactly that. Did they go back in and make changes after the film was "finished?" After all, the release was delayed substantially due to the Covid-19 pandemic. "Sometimes on a really focused tight schedule on a big film there's a certain energy about that. And if you had more time, you could explore more, it can become over-polished. Something a little bit sterile can creep in sometimes. I've been on movies that felt like that a little bit. So there is an energy with everyone just going full-tilt, trying to get something done. And there might be a few little rough edges, but that's part of it. It doesn't feel over-produced. Maybe there would be that danger if you opened it up again and just said, 'we've got all this time.' You start maybe just making it a little bit too sanitized or something. I think it's just got a really good energy about it, the film. And I'm glad it finished when it did." — Oliver Tarney, Supervising Sound Editor, "No Time to Die" Be sure to https://www.unitedartistsreleasing.com/007-no-time-to-die/ (check out No Time to Die at a Dolby Cinema near you). Please subscribe to Sound + Vision Lab: The Dolby Institute Podcast https://linktr.ee/dolbyinstitute (wherever you get your podcasts). You can also check out the https://youtube.com/dolby (video) for this episode. Learn more about the https://www.dolby.com/institute/ (Dolby Institute) and check out https://www.dolby.com/ (Dolby.com). Connect with Dolby on https://www.instagram.com/dolbylabs/ (Instagram), https://twitter.com/Dolby (Twitter), https://www.facebook.com/Dolby/ (Facebook), or https://www.linkedin.com/company/6229/ (LinkedIn).

101 - Crafting Action, Pathos, and Humor in No Time to Die

covid-19 action british humor bond james bond crafting no time daniel craig no time to die pathos dolby mark taylor cary joji fukunaga supervising sound editor paul massey dolby cinema

Play Episode Listen Later Nov 9, 2021 48:16

The latest James Bond film, from director Cary Joji Fukunaga, is a veritable feast of emotion and tone. Along with the requisite jaw-dropping action sequences, the film is chock-full of emotional pathos and tender moments, appropriate for Daniel Craig's sendoff as the titular British super-spy. But also, perhaps surprisingly, some very humorous sequences, as well. With a running time of over 2 and 1/2 hours, the sound team had their work cut out for them, and on a very tight timeline. So how did they manage to craft such an exciting, yet tender, and often hilarious new Bond film under such tough deadlines? Today we sit down with supervising sound editor Oliver Tarney and re-recording mixers Paul Massey and Mark Taylor to find out exactly that. Did they go back in and make changes after the film was "finished?" After all, the release was delayed substantially due to the Covid-19 pandemic. "Sometimes on a really focused tight schedule on a big film there's a certain energy about that. And if you had more time, you could explore more, it can become over-polished. Something a little bit sterile can creep in sometimes. I've been on movies that felt like that a little bit. So there is an energy with everyone just going full-tilt, trying to get something done. And there might be a few little rough edges, but that's part of it. It doesn't feel over-produced. Maybe there would be that danger if you opened it up again and just said, 'we've got all this time.' You start maybe just making it a little bit too sanitized or something. I think it's just got a really good energy about it, the film. And I'm glad it finished when it did." — Oliver Tarney, Supervising Sound Editor, "No Time to Die" Be sure to https://www.unitedartistsreleasing.com/007-no-time-to-die/ (check out No Time to Die at a Dolby Cinema near you). Please subscribe to Sound + Vision Lab: The Dolby Institute Podcast https://linktr.ee/dolbyinstitute (wherever you get your podcasts). You can also check out the https://youtube.com/dolby (video) for this episode. Learn more about the https://www.dolby.com/institute/ (Dolby Institute) and check out https://www.dolby.com/ (Dolby.com). Connect with Dolby on https://www.instagram.com/dolbylabs/ (Instagram), https://twitter.com/Dolby (Twitter), https://www.facebook.com/Dolby/ (Facebook), or https://www.linkedin.com/company/6229/ (LinkedIn).

99 - Director Denis Villeneuve and Sound Team on Dune

director dune hbo max denis denis villeneuve dolby atmos dolby atmos dolby cinema director denis villeneuve sound team mark mangini

Play Episode Listen Later Oct 26, 2021 55:44

The incredible new adaptation of "Dune," from director Denis Villeneuve, has some astonishing sound work, fully embracing the immersive capabilities of Dolby Atmos®. Creating this soundtrack was a long and painstaking process, which began in pre-production, as Denis took a novel approach by bringing his sound team and composer on board very early in the process. This gave them extra time and creative freedom to unlock some truly next-level artistry on this film. We recently sat down with Denis and his all-star sound team of Mark Mangini, Theo Green, and Ron Bartlett, to discuss this and their approach to this very ambitious project. "[A]t the end of the day, you're not mixing sound, you're mixing an image. It's storytelling. And everything that pulls you away from the screen is bad for me. But with the sound of Atmos, what I like is that I just have the impression that I'm diving INTO the image." — Denis Villeneuve, Director, "Dune" In the US, https://www.dunemovie.com/ ("Dune" is available to watch in a Dolby Cinema near you and on HBO Max). Please subscribe to Sound + Vision Lab: The Dolby Institute Podcast https://linktr.ee/dolbyinstitute (wherever you get your podcasts). You can also check out the https://youtube.com/dolby (video) for this episode. Learn more about the https://www.dolby.com/institute/ (Dolby Institute) and check out https://www.dolby.com/ (Dolby.com). Connect with Dolby on https://www.instagram.com/dolbylabs/ (Instagram), https://twitter.com/Dolby (Twitter), https://www.facebook.com/Dolby/ (Facebook), or https://www.linkedin.com/company/6229/ (LinkedIn).

NO TIME TO DIE –Theater Viewing Formats Guide: 2D, 3D, 4DX, IMAX - NO SPOILERS

Cracking the Code of Spy Movies!

Play Episode Listen Later Oct 14, 2021 12:46

SpyMovieNavigator.com has seen NTTD in most available formats! Tom discusses here: 2D, Dolby Cinema, 3D, 4DX (that has seat movement etc.), and IMAX! We only talk about the theater experience; nothing about the content. So, there are no spoilers in this podcast. Listen and decide even if you have seen the movie already, you may choose to see it a second or third time – this will help! And if you have not seen it yet, this will help you decide which format to see it in first! Feedback / Ideas: Info@SpyMovieNavigator.com Website Podcast page: https://spymovienavigator.com/podcast/no-time-to-die-theater-viewing-formats-guide-2d-4dx-imax-3d-no-spoilers/

time movies guide news theater 3d bond films spies clubs soy 2d no time to die imax no spoilers formats jame 007 4dx 2d 3d website podcasts dolby cinema nttd

226 Neu aber nicht Oho

Sag was! Geektalk

Play Episode Listen Later Oct 13, 2021 54:20

Neues Interview veröffentlicht Endlich im Kasten und veröffentlicht, das Interview mit Phelas. Ich check nix JRPG oder Japan Rollenspiele faszinieren Matze immer mal wieder. Ende September kam Scarlet Nexus, laut Kritiken eines besten RPGs 2021, in den Game Pass. Matze hat sich in die Zukunftsfantasiewelt gestürzt, checkt die Story null (weil sie ihn auch nicht interessiert) und liebt das Kampfsystem. Amazon akzeptiert Ausnahmen in der Zombie Apokalypse Amazon AWS Dienste darf man nicht für bestimmte Zwecke verwenden. Allgemein zu nichts, wovon leben abhängen. Außer die Zombies kommen. Dann ist das ok. Sagen die Nutzungsbedingungen in Punkt 42.10. Keine Zeit zu sterben Nach unzähligen Verschiebungen ist nun endlich Ende September der neue James Bond „Keine Zeit zu sterben“ gestartet. Matze hat ihn sich im Dolby Cinema angesehen und war nicht so begeistert wie erhofft. Warum, klären wir in neuen Geektalk. Und das Beste Smartphone kommt von…. … OnePlus. Gute Displays, lange Updates… das überzeugt halt irgendwie. Nostalgie Matze war nie ein großer Fan von Moses Pelham, aber das neue Album „Nostalgietape“ ist eine sauber produziertes Machwerk und klingt schon sehr gut. Xiaomi Mi H3 Luftreiniger Wieder mal durfte Peppi ein Xiaomi Produkt testen. Diesmal den Mi H3 Luftfilter. Just add some trees here… Bob Ross ist wohl eine Kulturphänomen und viele haben sich seine Sendung zum Einschlagen angesehen. Was allerdings mit seinem Namen, seiner Marke und in seinem Umfeld passiert ist, das wissen nur wenige. Auf Netflix gibt es dazu nun eine sehr spannende Dokumentation. Neue Nintendo Switch ohne Pro Die Nintendo Switch gibt es nun in einer dritten Version. Die Switch OLED hat ein OLED Display, das auch etwas größer ist und trotz gleicher Auflösung wohl etwas schärfer wirkt. Dazu hat das Dock nun einen Lan Anschluss. Wechselt von euch jemand? Interessant ist, dass das Update 13.0.0 nun endlich erlaubt Bluetooth Kopfhörer zu Verbinden (alle Versionen der Switch) Sky Glass Die Gerüchte hatten recht: Sky hat einen eigenen QLED TV mit eingebautem Sky Q entwickelt. Ein spannendes Modell was der TV Konzern da fährt und lässt Matze schon den Finger zum Kaufbutton zucken, wenn er denn dann in D. verfügbar ist.

226 Neu aber nicht Oho

Sag was! Podcast

Play Episode Listen Later Oct 13, 2021 54:20

Josef Max Hajda Flattr Instagram Twitter Facebook Auphonic Credits Amazon Wishlist Flattr Mathias Schweiger Instagram Linkedin YouTube (Channel) Facebook Neues Interview veröffentlicht Endlich im Kasten und veröffentlicht, das Interview mit Phelas. Ich check nix JRPG oder Japan Rollenspiele faszinieren Matze immer mal wieder. Ende September kam Scarlet Nexus, laut Kritiken eines besten RPGs 2021, in den Game Pass. Matze hat sich in die Zukunftsfantasiewelt gestürzt, checkt die Story null (weil sie ihn auch nicht interessiert) und liebt das Kampfsystem. Amazon akzeptiert Ausnahmen in der Zombie Apokalypse Amazon AWS Dienste darf man nicht für bestimmte Zwecke verwenden. Allgemein zu nichts, wovon leben abhängen. Außer die Zombies kommen. Dann ist das ok. Sagen die Nutzungsbedingungen in Punkt 42.10. Keine Zeit zu sterben Nach unzähligen Verschiebungen ist nun endlich Ende September der neue James Bond „Keine Zeit zu sterben“ gestartet. Matze hat ihn sich im Dolby Cinema angesehen und war nicht so begeistert wie erhofft. Warum, klären wir in neuen Geektalk. Und das Beste Smartphone kommt von…. … OnePlus. Gute Displays, lange Updates… das überzeugt halt irgendwie. Nostalgie Matze war nie ein großer Fan von Moses Pelham, aber das neue Album „Nostalgietape“ ist eine sauber produziertes Machwerk und klingt schon sehr gut. Xiaomi Mi H3 Luftreiniger Wieder mal durfte Peppi ein Xiaomi Produkt testen. Diesmal den Mi H3 Luftfilter. Just add some trees here… Bob Ross ist wohl eine Kulturphänomen und viele haben sich seine Sendung zum Einschlafen angesehen. Was allerdings mit seinem Namen, seiner Marke und in seinem Umfeld passiert ist, das wissen nur wenige. Auf Netflix gibt es dazu nun eine sehr spannende Dokumentation. Neue Nintendo Switch ohne Pro Die Nintendo Switch gibt es nun in einer dritten Version. Die Switch OLED hat ein OLED Display, das auch etwas größer ist und trotz gleicher Auflösung wohl etwas schärfer wirkt. Dazu hat das Dock nun einen Lan Anschluss. Wechselt von euch jemand? Interessant ist, dass das Update 13.0.0 nun endlich erlaubt Bluetooth Kopfhörer zu Verbinden (alle Versionen der Switch) Sky Glass Die Gerüchte hatten recht: Sky hat einen eigenen QLED TV mit eingebautem Sky Q entwickelt. Ein spannendes Modell was der TV Konzern da fährt und lässt Matze schon den Finger zum Kaufbutton zucken, wenn er denn dann in D. verfügbar ist. Der Beitrag 226 Neu aber nicht Oho erschien zuerst auf Sag was! Geektalk.

Venom: Let There Be Carnage: New Movie Discussion

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Play Episode Listen Later Oct 5, 2021 45:40

This week on the pod Dave, John and Jeff discuss Venom: Let There Be Carnage. And there was. There was Carnage. There was also a larger MCU connection revealed, so this surprise megahit (well, significantly outperforming expectations) really payed off! Sony is pleased. Also, Dave wanted to let everyone know Dolby Cinema is the way to see it! Tom Hardy, Woody Harrelson, Michelle Williams, Naomi Harris, Dan from Veep, they're all back, directed by Andy Serkis, it's really good fun. Find all of our Socials at: https://linktr.ee/theloveofcinema Music: soundcloud.com/dasein-artist. Beer: @cbarrozobar2019. Edited and produced by Dave Green. Hosts: Jeff Ostermueller, John Say, Dave Green. Twitter: @theloveofcinema, Twitch/Facebook/Instagram: @theloveofcinemapod, YouTube: The Love of Cinema Podcast.

Five14Cast #020 | Tecnologia Audio Digital

FIVE14Cast

Play Episode Listen Later Aug 27, 2021 147:52

Aspirina conversa com Sr. Jeronimo um profundo entendedor de audio digital e analogico.Dolby Digital, Dolby Pro-Logic, THX, MP3, Dolby Atmos, Dolby Cinema, DTS, Rádio FM, Streaming, Transmissão digital de Rádio, Decodificadores analógcos (Dolby Surrond)

Pokemon: Detective Pikachu, review - rDNA Podcast

Dose of Nerd Acumen

Play Episode Listen Later Aug 25, 2021 97:47

#DetectivePikachuReview #Pokemon #Podcast Pokémon Detective Pikachu[c] is a 2019 mystery film directed by Rob Letterman. Based on the Pokémon franchise created by Satoshi Tajiri and serving as a loose adaptation of the 2016 video game of the same name,[6] it was written by Letterman, Dan Hernandez, Benji Samit and Derek Connolly, from a story by Hernandez, Samit and Nicole Perlman. The film was produced by Legendary Pictures in association with Toho. It is the first live-action Pokémon film,[7] as well as the first live-action film based on a Nintendo game property since Super Mario Bros. (1993). Ryan Reynolds stars as the voice and facial motion capture of Pikachu, with Justice Smith, Kathryn Newton, Suki Waterhouse, Omar Chaparro, Chris Geere, Ken Watanabe and Bill Nighy in live-action roles. The plot follows a former Pokémon Trainer Tim Goodman and the titular Pokémon as they attempt to uncover the mysterious disappearance of Tim's father, Harry. Filming took place from January to May 2018 in Colorado, England and Scotland. Detective Pikachu was released in Japan on May 3, 2019[8][9] and in the United States on May 10, 2019, distributed by Warner Bros. Pictures in RealD 3D, Dolby Cinema, IMAX, 4DX, and ScreenX formats.[10] It is the first Pokémon film to be distributed theatrically in the United States since Pokémon Heroes (2003) and the first to be distributed by Warner Bros. since Pokémon 3 (2001). The Rotten Tomatoes critical consensus calls it an "offbeat adaptation" that should appeal to fans. The film has a worldwide gross of $433 million. It is the second highest-grossing video game film adaptation of all time behind Warcraft, another film produced by Legendary Pictures. Broadcasted live on Twitch -- Watch live at https://www.twitch.tv/doseofnerdacumen --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/doseofnerdacumen/support

FREE GUY (Ryan Reynolds) The POPCORN JUNKIES Movie Review

Play Episode Listen Later Aug 17, 2021 12:16

Free Guy is a 2021 American science fiction action comedy film directed by Shawn Levy from a screenplay by Matt Lieberman and Zak Penn, and a story by Lieberman. The film stars Ryan Reynolds (who also produced) as a bank teller who discovers he is actually a non-player character in an open-world video game and decides to become the hero of the story and save his friends from deletion by the game's creator (Taika Waititi). Jodie Comer, Lil Rel Howery, Utkarsh Ambudkar, and Joe Keery also star. Following a year-long delay due to the COVID-19 pandemic, Free Guy was theatrically released in the United States on August 13, 2021, in RealD 3D, IMAX and Dolby Cinema by 20th Century Studios. The film received generally positive reviews from critics, who praised the film's clever concept and visual effects and compared it favorably as a combination of Ready Player One, The Truman Show, The Matrix, The Lego Movie, and Grand Theft Auto. --- Send in a voice message: https://anchor.fm/popcorn-junkies/message

93 - Asking the Big Existential Questions with "Nine Days"

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Play Episode Listen Later Aug 10, 2021 66:58

"Nine Days" is an unusual and remarkable film. A kind of supernatural fable about aspiring souls enduring a rigorous interview process in order to get chosen for life. It is an incredible debut from gifted filmmaker Edson Oda, and we are very proud to see this film finally get a theatrical release, as it was a recipient of the Dolby Institute Fellowship, which gives independent films funding to mix their films in Dolby Atmos®. And we couldn't be more pleased with how this film turned out! We recently spoke with writer and director Edson Oda, supervising sound designer Mac Smith, and re-recording mixer Brandon Proctor, about how they managed to craft such a thought-provoking film which asks some of the most provocative questions about existence itself. But it does so in a very subtle way, as the film invites audiences to craft their own interpretations and meanings. This was all very much by design: "As a filmmaker, we always want to give enough [information] and not give more than that. And I'm not just talking about storytelling. I think it's [the same] for sound or images – or anything – when you're telling a story. You want to leave some gaps, so the audience can fill in those gaps with their imagination. I think that's, for the most part, the thing that can happen when someone has contact with any piece of art, or any piece of work, or anything that they see: 'Okay, now I'm going to complete this with my assumptions, with my images, with my history, my imagination.'" — Edson Oda, Director, "Nine Days" The film just entered a wider release, so https://www.sonyclassics.com/film/ninedays/ (be sure to check out "Nine Days" in a Dolby Cinema while you still can). Many thanks to our friends at Sony Pictures Classics for giving this film the release it deserves and for helping us pull this conversation together this week. Please subscribe to Sound + Vision Lab: The Dolby Institute Podcast https://linktr.ee/dolbyinstitute (wherever you get your podcasts). You can also check out the https://youtube.com/dolby (video) for this episode. Learn more about the https://www.dolby.com/institute/ (Dolby Institute) and check out https://www.dolby.com/ (Dolby.com). Connect with Dolby on https://www.instagram.com/dolbylabs/ (Instagram), https://twitter.com/Dolby (Twitter), https://www.facebook.com/Dolby/ (Facebook), or https://www.linkedin.com/company/6229/ (LinkedIn).

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Episode 102 - Mortal Kombat (2021)

Matt's Movie Lodgecast

Play Episode Listen Later May 20, 2021 49:21

We're back! After successful vaccinations, a group of us climbed the hallowed steps of the AMC Burbank 16 to see the new Mortal Kombat! First we entered The Edge and recounted our history with the Mortal Kombat media franchise. Then we ascended to the Dolby Cinema and the joy enveloped us as we reclined into our reserved seats to take in the cutting-edge image and sound technologies. It was nothing less than movie magic. Had we died and gone to heaven? We will give you the full emotional experience for our first trip back into movie theaters in over one year!

85 - Edgar Wright and Julian Slater re-release Scott Pilgrim vs. the World

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Play Episode Listen Later May 11, 2021 45:07

The cult classic "Scott Pilgrim vs. the World" came out just a little over ten years ago, and to celebrate the anniversary, the filmmakers (and Universal Pictures) decided to remaster the film in Dolby Vision and Dolby Atmos for a theatrical and home video re-release this year. Dolby had the privilege of sitting down with the director, Edgar Wright, and the Sound Designer, Julian Slater, to talk about the experience and to find out just how different this new and improved version of the film will be. "Sometimes going back in - remastering something - can be a bit of a chore.... But in this case, it was actually a very sweet reunion... I sat in this theater watching the Dolby Cinema version with the editor of the movie and the sound mixer of the movie, ten years later, and watching it I had like NO notes! It was such a pleasure because it was such an easy experience, because it was like 'well, it sounds and looks better than it ever has done. And what better way to celebrate ten years of this movie?'" — Edgar Wright, Director of "Scott Pilgrim vs. the World" Be sure to check out the 10-year special re-release of "Scott Pilgrim vs. the World" at a Dolby Cinema or home theater near you. You can find more information on the re-release https://www.facebook.com/ScottPilgrim/ (here). Please subscribe to Sound + Vision Lab: The Dolby Institute Podcast https://linktr.ee/dolbyinstitute (wherever you get your podcasts). You can also check out the https://youtube.com/dolby (video) for this episode. Learn more about the https://www.dolby.com/institute/ (Dolby Institute) and check out https://www.dolby.com/ (Dolby.com). Connect with Dolby on https://www.instagram.com/dolbylabs/ (Instagram), https://twitter.com/Dolby (Twitter), https://www.facebook.com/Dolby/ (Facebook), or https://www.linkedin.com/company/6229/ (LinkedIn).

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Rabbit Trails: Godzilla v. Millie Bobby Brown - The PS5 isn't worth it, Thoughts on Falcon and the Winter Soldier, Giant Monster Battle Review

Rabbit Trails

Play Episode Listen Later Apr 5, 2021 30:19

Is the PS5 even worth it right now with no exclusive or fresh games on the market? Also, Falcon and the Winter Soldier has not disappointed so far. We are not sure where this show is going to go, but we will give our slight thoughts on the show and what we have gotten out of it. Finally, a giant monster battle in a Dolby Cinema experience was not a bad idea at all. But, what are our thoughts on this clash of the ages?

Birds of Prey

Worst of The RIOT by RadioU

Play Episode Listen Later Feb 8, 2020 25:02

Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn), or simply Birds of Prey, is a 2020 American superhero film based on the DC Comics team Birds of Prey. It is the eighth film in the DC Extended Universe, and a follow-up to Suicide Squad (2016). It was directed by Cathy Yan and written by Christina Hodson, and stars Margot Robbie, Mary Elizabeth Winstead, Jurnee Smollett-Bell, Rosie Perez, Chris Messina, Ella Jay Basco, Ali Wong, and Ewan McGregor. The film follows Harley Quinn as she joins forces with Black Canary, Helena Bertinelli, and Renee Montoya to save Cassandra Cain from Gotham City crime lord Black Mask. Robbie, who also serves as producer, pitched the idea for Birds of Prey to Warner Bros. in 2015. The film was announced in May 2016, with Hodson being hired to write the script that November, while Yan signed on to direct in April 2018. The majority of the cast and crew were confirmed by December 2018. Principal photography lasted from January to April 2019 in Downtown Los Angeles, parts of the Arts District, Los Angeles, and soundstages at Warner Bros. Studios in Burbank, California. Additional filming took place in September 2019. Birds of Prey is the first DCEU film and the second DC Films production to be rated R by the Motion Picture Association of America. The film had its world premiere in Mexico City on January 25, 2020, and was theatrically released in the United States in IMAX, Dolby Cinema and 4DX on February 7, 2020. The film received praise from critics for its visual style, Yan's direction, and the performances of Robbie and McGregor, but criticism for the perceived lack of depth --- Send in a voice message: https://anchor.fm/popcorn-junkies/message

Everyman Movie Review - 1917

Everyman Movie Reviews

Play Episode Listen Later Feb 2, 2020 24:19

Episode 31 of the Everyman Movie Review! (Sorry for the delay - apparently then episode didn't post on Anchor. Remember, the episode always goes live on Thursday over on YouTube.) This review is to be neither an accusation nor a confession, and least of all an adventure, for death is not an adventure to those who stand face to face with it. It will try simply to tell of a generation of men who, even though they may have escaped shells, were destroyed by the war. This week - we're discussing the WWI film - 1917. It took far too long to see, but I was excited to finally catch it in Dolby Cinema at AMC! Was I disappointed? Check out the episode to find out! Spoiler Alert at 10:14 Back to the Show at 14:17 The Everyman Movie Review is a different kind of movie commentary - it's not about the art of movie-making, but rather about the enjoyment and entertainment of the film itself. It's not about me or my opinion, it's about the movie - does it deliver on what it promises? New episodes on Thursdays - subscribe to be notified when new episodes are available. Share the podcast to let everyone know about your favorite movie review series! Send me a message with your thoughts and questions. EMMR is now available on social media! Check out the Instagram, Twitter, and Facebook Page! Want more from Rob? Check out the O The Anthem Podcast, available every Tuesday at OTheAnthem.com and on Anchor. Find Rob on Social Media Support the show! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/everymanmoviereviews/message Support this podcast: https://anchor.fm/everymanmoviereviews/support

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Worst Of The RIOT for November 4th, 2019

Play Episode Listen Later Nov 4, 2019 52:39

Everyone else is pushing us to grow beards in November, but The RIOT has stumbled across something they can really get behind: NAPvember. The details are contained in this podcast. We also hear about what's bugging Nikki, Krispy Kreme shutting down the little guy, and experiencing Dolby Cinema.

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Worst Of The RIOT for November 4th, 2019

Worst of The RIOT by RadioU

Play Episode Listen Later Nov 4, 2019 52:39

Everyone else is pushing us to grow beards in November, but The RIOT has stumbled across something they can really get behind: NAPvember. The details are contained in this podcast. We also hear about what's bugging Nikki, Krispy Kreme shutting down the little guy, and experiencing Dolby Cinema.

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Ep#73 - The Addams Family / Natural History of Horror

The Boo Crew

Play Episode Listen Later Oct 7, 2019 53:27

It’s a creepy, kooky and altogether ooky Episode 73 of The Boo Crew! The Addams Family animated movie is in theaters everywhere October 11th in Real 3D and Dolby Cinema. We are joined by one of the Directors and voice actors, Conrad Vernon, to tell you why this is a can’t miss spooktacular fun event that is an essential Halloween season experience! He talks about working with talent like Charlize Theron and Bette Midler in the vocal booth and bringing their own original interpretations of these iconic characters to life in an all new and fresh way. Hear about what went into the design of the spectacular Addams Family house and how it’s made to feel like you are right there with them! Then it’s off to LA’s Natural History Museum to unlock the secrets of their Natural History of Horror exhibit starting October 10th! So put a witches shawl on, a broomstick you can crawl on, you’re about to play a call on, The Boo Crew Family! See acast.com/privacy for privacy and opt-out information.

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Toy Story 4