Podcasts about Dolby Atmos

Show host David Hunt opens the program with a look at the newly announced expanded editions of The Beatles' Rubber Soul, arriving 2 October 2026. The release brings fresh stereo and Dolby Atmos mixes, the original mono master, the Capitol US album version, and a wealth of previously unreleased session recordings and home demos. Fans can expect formats ranging from single‑disc editions to 4CD and 5LP super deluxe sets, each accompanied by an 88‑page hardbound book. It's a momentous revisit of a landmark 1965 album, offering listeners a deeper window into the band's creative evolution. Audiences can explore the full suite of formats when they become available for pre‑order and later in stores on 2 October. The Beatles announce Rubber Soul expanded reissues The post David Hunt – August 2nd, 2026 appeared first on Sunday Arts Magazine.

Teil zwei unseres Nolan-Deep-Dives: Nach der letzten Folge war Bassi so gehyped, dass er sich „Odyssey" noch mal angeschaut hat – in echtem 70 mm im Astor Filmtheater in München, einem von nur acht Kinos in Deutschland, die das können. Er erzählt, wie das Erlebnis war (Begrüßungssekt inklusive), warum das Bild so scharf ist, dass ihn Nolans Unschärfen fast geärgert haben, und wie brachial Dolby Atmos in diesem Saal klingt. Außerdem: warum Nolan richtig gute Interviews führt, wenn er mit Tarantino, Villeneuve oder Ridley Scott redet – und warum uns beide der Cast eines Films eigentlich kaum noch ins Kino lockt. Dann geht's um den neuen Resident-Evil-Film von Zach Cregger. Wir reden über den ungewöhnlich ruhigen IMAX-Trailer, den geerdeten Ansatz mit dem unterbezahlten Transportfahrer, den Schnee als Stilmittel – und die Frage, ob es diesmal endlich mal jemand schafft, eine gute Resident-Evil-Verfilmung hinzubekommen. Dazu ein Politik-Block: die These, dass Spahns Rücktritt der erste Dominostein war, das Postengeschacher im Kabinett, Kürzungen im Sozialbereich, unbefristete Befristungen – und warum es aus unserer Sicht Quatsch ist, aus Angst vor der AfD die CDU zu wählen. Und zum Schluss die vermutlich verrückteste Story der Folge: Christopher Nolan hat einen älteren Bruder, von dem es kaum Fotos gibt – und der unter dem Decknamen „Oppenheimer" in einen Entführungs- und Mordfall in Costa Rica verwickelt war. Wir lesen live nach, was dran ist.

Journalist Holly Bailey returned to Moore, Oklahoma on May 21st, 2013, the day after an EF5 tornado ripped through the city. As a child, she attended school in Moore, but now, the place looked unrecognizable, with cars wrapped around trees and houses ripped from their foundations. Bailey spoke with residents, teachers, meteorologists and bereaved families. She wrote about the aftermath in her book, The Mercy of the Sky: The Story of a Tornado. She joins Cassie to share her memories and stories of how people coped after the storm. In this episode, we discussed suicide and depression. If you or someone you know is struggling with their mental health, the National Suicide and Crisis Lifeline can be reached by calling or texting 9-8-8.For more on this story, we recommend:The Mercy of the Sky by Holly Bailey(also available as an audiobook on Audible).Audible subscribers can listen to all episodes of Against the Odds ad-free right now. Join Audible today by downloading the Audible app.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Send us Fan MailWhat does it really take to make a great record?Producer and Grammy voting member Guy Gualtieri joins Riffs & Rhythms for an entertaining conversation about recording music, producing artists, Dolby Atmos immersive audio, analog versus digital gear, Grammy voting, and the future of music production.Whether you're a musician, songwriter, producer, or simply love music, this episode offers a fascinating behind-the-scenes look at how great recordings come to life—along with plenty of laughs and unforgettable studio stories.Learn more about Guy: https://gualmusic.com

BMI songwriter and Country Soul artist, Karen Waldrup. She has more than 1.3 million social followers and over half a billion online video views. As a Top 5 finalist on Season 25 of NBC's The Voice, she captured national attention and has been featured in Rolling Stone, People, Netflix, Hallmark, Bravo, CMT, Fox, and more.  Her live credits range from NASCAR ESPN Live to the Super Bowl 48 NFL Experience. She spent a record 21 weeks at No. 1 on Taste of Country's Top Music Videos in 2025 with “Blue Cowboy Boots”—the longest run any artist has had atop that chart. She has won 12 Nashville Industry Music Awards and the 2019 Torch Award from the Keith Whitley Fingerprint on Country Music Awards. #countrymusic #music #sou;music #countrymusic #thevoice #NBC  Her next album, No Way Back, produced and mixed by Grammy winner Jeff Huskins and mixed in Dolby Atmos, is set for release in 2026.

BMI songwriter and Country Soul artist, Karen Waldrup. She has more than 1.3 million social followers and over half a billion online video views. As a Top 5 finalist on Season 25 of NBC's The Voice, she captured national attention and has been featured in Rolling Stone, People, Netflix, Hallmark, Bravo, CMT, Fox, and more.  Her live credits range from NASCAR ESPN Live to the Super Bowl 48 NFL Experience. She spent a record 21 weeks at No. 1 on Taste of Country's Top Music Videos in 2025 with “Blue Cowboy Boots”—the longest run any artist has had atop that chart. She has won 12 Nashville Industry Music Awards and the 2019 Torch Award from the Keith Whitley Fingerprint on Country Music Awards. #countrymusic #music #sou;music #countrymusic #thevoice #NBC  Her next album, No Way Back, produced and mixed by Grammy winner Jeff Huskins and mixed in Dolby Atmos, is set for release in 2026.

It's the special weekend “Get It Off Your Chest” edition of Opinions Matter — completely unedited, completely chaotic, and full of the stuff Adrian and Jeremy ramble about while the live show is building on Facebook. Jeremy gets compared to Andrew Ridgely… and a full-blown row breaks out over whether it's “Wham” or “Wam”. There's a “first world problems” session, including Jeremy expensing a Dolby Atmos soundbar and then getting complaints about the bass from the management company. And wait until you hear what he did on his wedding night… it's filthy, weird, and somehow all about money.

Ever wondered what Dolby Atmos actually is and why more producers are starting to embrace immersive audio? In this episode, Xylo Aria sits down with Myles to demystify Dolby Atmos, exploring how it differs from traditional stereo, why it isn't just for major studios, and how producers can start creating immersive mixes using the tools they already have. Whether you're simply curious about spatial audio or considering adding Atmos to your workflow, this conversation breaks down the technology in a practical and approachable way.Resources

“I am not Nicholas Rossi!” gasps Arthur Knight through an oxygen mask in March 2022. Recently discharged from a Covid ward in Glasgow, he's in a wheelchair. The police say he's Nicholas Rossi, suspected of faking his death and wanted for rape in Utah. The story makes headlines globally.When journalist Jane MacSorley meets Arthur Knight and his wife Miranda, she thinks the police have made a mistake. She embarks on a yearlong investigation, making a unique discovery which changes everything. Listen to I Am Not Nicholas Season 1 on Audible or wherever you get your podcasts. You can binge all episodes early and ad-free by joining Audible on the Audible App or on Apple Podcasts.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

“Motor City” feels like somebody found a filthy '70s revenge movie in the trunk of a burned-out Cadillac, wiped off the blood, and restored the whole thing in 4K and Dolby Atmos. It is loud, violent, strangely romantic and, thankfully, almost entirely uninterested in people sitting around explaining themselves. The fists, engines, needle drops and occasional shotgun blast handle most of the talking.Directed by Potsy Ponciroli ("Greedy People," "Old Henry") and written by Chad St. John, the film stars Alan Ritchson (“Reacher") as John Miller, a working-class Detroit mechanic framed by a wealthy gangster after falling in love with the man's girlfriend, Sophia, played by Shailene Woodley. After spending years behind bars, Miller emerges with revenge on his mind and very little concern for whether he survives long enough to enjoy it.Ben Foster, Pablo Schreiber, Lionel Boyce, Ben McKenzie and Amar Chadha-Patel also star in the nearly dialogue-free action thriller, which arrives in theaters on July 24 through IFC Films.

“I am not Nicholas Rossi!” gasps Arthur Knight through an oxygen mask in March 2022. Recently discharged from a Covid ward in Glasgow, he's in a wheelchair. The police say he's Nicholas Rossi, suspected of faking his death and wanted for rape in Utah. The story makes headlines globally.When journalist Jane MacSorley meets Arthur Knight and his wife Miranda, she thinks the police have made a mistake. She embarks on a yearlong investigation, making a unique discovery which changes everything. Listen to I Am Not Nicholas Season 1 on Audible or wherever you get your podcasts. You can binge all episodes early and ad-free by joining Audible on the Audible App or on Apple Podcasts.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

When the tornado finally passes, survivors crawl from the wreckage to find their town in ruins. A shaken Gary England and his team at KWTV report on the destruction. First responders claw through mountains of rubble looking for survivors. As some families experience miracles and others face heartbreaking loss, the true scale of the devastation begins to sink in.For more on this story, we recommend:The Mercy of the Sky by Holly Bailey(also available as an audiobook on Audible).Audible subscribers can listen to all episodes of Against the Odds ad-free right now. Join Audible today by downloading the Audible app.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Immersive Audio, Downmix-Technik und binaurale Wiedergabe: In diesem Gespräch erklärt Wilfried Van Baelen, Gründer von Galaxy Studios und Erfinder von Auro-3D, wie seine App Auro Masters Musik in echter 3D-Klangqualität auf Kopfhörer, Lautsprecher und ins Auto bringt. Wir sprechen über Metadaten-Encoding, den Unterschied zwischen Auro-3D und Dolby Atmos, warum Artistic Intent beim Mixen geschützt werden muss und wieso es bewusst keine zweiwöchige Gratis-Testphase gibt. Der zweite Teil dreht sich um Wilfrieds unglaublichen Werdegang: vom selbstgebauten Synthesizer über die erste Schallplatte bis zum Bau von Galaxy Studios – buchstäblich in einem alten Hühnerstall. Wir sprechen über die Federisolationstechnik, meterdicke Glaswände und den Weltrekord bei der Raumisolation, der das Studio zu einem der bekanntesten Tonstudios weltweit gemacht hat. Namen wie Rammstein, Peter Maffay, Herbert Grönemeyer, Kelly Family, Kendrick Lamar, Lauryn Hill, Mary J. Blige und James Last haben dort aufgenommen. Wenn ich Dir helfen konnte, freue ich mich über einen virtuellen Kaffee ;-) https://ko-fi.com/timheinrich Zum kostenlosen Cubase-Stammtisch anmelden: subscribepage.io/1D69jt Podcast: https://sounthcast.podbean.com/ https://sounth.de https://www.facebook.com/tim.heinrich.524/ https://www.instagram.com/tim_heinrich/ Facebook Gruppe 'Filmmusik komponieren & Sounddesign': https://www.facebook.com/groups/309751689699537 Perfekte Orchester-Mockup-Balance: Orchestra Guide https://www.sounth.de/orchestra-guide/ 0:00 Auro3D Mischung: Setup und Software 0:29 Kanalbasiert vs. Objektbasiert: Auro3D im Vergleich zu Dolby Atmos 2:40 AuroMasters: Hochladen und Verdienstmodell für Künstler 5:03 App, Hardware und Praxisbeispiele zuhause 9:04 Datenmenge, Preisvergleich und Streaming-Qualität Dieses Video ist auch auf YouTube zu sehen: https://youtu.be/P-34AYOyJ0A

Auro-3D vs. Dolby Atmos: Wilfried Van Baelen von Galaxy Studios erklärt im Interview, warum kanalbasiertes Mischen für Musikproduktionen oft die bessere Wahl ist als objektbasierte Formate wie Dolby Atmos. Ihr erfahrt, welche Software Auro-3D nativ unterstützt (Cubase, Logic, Pro Tools, Pyramix), wie ihr euer Lautsprecher-Setup korrekt einwinkelt und warum die Kompatibilität zum Stereo-Format entscheidend bleibt. Im zweiten Teil geht es um AuroMasters, die neue Streaming-Plattform für High-Res-Immersive-Audio: Statt eines Abo-Modells zahlen Hörer nur, wenn sie wirklich hören, und Künstler verdienen laut Van Baelen bis zu 30-mal mehr pro Stream als bei Spotify. Wir sprechen über den Album Mode, der komplette Alben inklusive Mastering-Reihenfolge unangetastet lässt, über Lautheitsstandards (LUFS) im Vergleich zwischen Spotify und Dolby Atmos, und über den Qualitätsprozess, den jedes hochgeladene Album durchläuft. Wenn ich Dir helfen konnte, freue ich mich über einen virtuellen Kaffee ;-) https://ko-fi.com/timheinrich Zum kostenlosen Cubase-Stammtisch anmelden: subscribepage.io/1D69jt Podcast: https://sounthcast.podbean.com/ https://sounth.de https://www.facebook.com/tim.heinrich.524/ https://www.instagram.com/tim_heinrich/ Facebook Gruppe 'Filmmusik komponieren & Sounddesign': https://www.facebook.com/groups/309751689699537 Perfekte Orchester-Mockup-Balance: Orchestra Guide https://www.sounth.de/orchestra-guide/ 0:00 Auro3D Mischung: Setup und Software 0:29 Kanalbasiert vs. Objektbasiert: Auro3D im Vergleich zu Dolby Atmos 2:40 AuroMasters: Hochladen und Verdienstmodell für Künstler 5:03 App, Hardware und Praxisbeispiele zuhause 9:04 Datenmenge, Preisvergleich und Streaming-Qualität Dieses Video ist auch auf YouTube zu sehen: https://youtu.be/P-34AYOyJ0A

Auro-3D gegen Dolby Atmos: Was unterscheidet die beiden Immersive-Audio-Formate wirklich? Im Interview erklärt Wilfried Van Baelen, Erfinder von Auro-3D und Gründer der Galaxy Studios, warum objektbasiertes Audio allein noch keine Immersion garantiert und wie stattdessen 3D-Reflexionen unser Gehirn täuschen, dass wir wirklich im Raum sind. Wir sprechen über den Unterschied zwischen Mono- und Stereo-Height-Layern, warum Auro-3D einen deutlich größeren Sweet Spot ermöglicht als Dolby Atmos, und wie die neue AuroMaster-App High-Resolution-Audio bis 96 kHz nahtlos und verlustfrei streamen kann, ganz ohne hörbares Umschalten der Bitrate. Außerdem geht es um eine wissenschaftliche Studie zur Gehirnaktivität bei Stereo- und 3D-Wiedergabe sowie um den Unterschied zwischen Kino- und Heimkino-Abmischungen. Zum Schluss ein Ausblick auf die kommenden Workshops in den Galaxy Studios, darunter eine Scoring-Session und die Immersive Audio Academy im September mit Elliot Scheiner und Morten Lindberg. Ein spannendes Gespräch für alle, die sich für Musikproduktion, Sounddesign und die Zukunft des immersiven Klangs interessieren. Wenn ich Dir helfen konnte, freue ich mich über einen virtuellen Kaffee ;-) https://ko-fi.com/timheinrich Zum kostenlosen Cubase-Stammtisch anmelden: subscribepage.io/1D69jt Podcast: https://sounthcast.podbean.com/ https://sounth.de https://www.facebook.com/tim.heinrich.524/ https://www.instagram.com/tim_heinrich/ Facebook Gruppe 'Filmmusik komponieren & Sounddesign': https://www.facebook.com/groups/309751689699537 Perfekte Orchester-Mockup-Balance: Orchestra Guide https://www.sounth.de/orchestra-guide/ 0:00 Einführung: Die Herausforderung beim Streamen von 3D-Audio 1:59 Dolby Atmos vs. Auro-3D: Der technologische Unterschied 4:03 Objektbasierte Technik und das Auro-Kanalkonzept 8:26 Auro-Max und die Wellenfront-Technologie Dieses Video ist auch auf YouTube zu sehen: https://youtu.be/djFbFhLct2I

As a massive mile-wide tornado approaches the town of Moore, Oklahoma, meteorologist Gary England warns viewers to take shelter wherever they can. For principal Amy Simpson and the students and faculty of Plaza Towers Elementary School, that means hallways and bathrooms. At Briarwood Elementary, LaDonna Cobb is one of many teachers who try to shield children with their bodies, as the tornado rips the school apart.For more on this story, we recommend:The Mercy of the Sky by Holly Bailey(also available as an audiobook on Audible).Audible subscribers can listen to all episodes of Against the Odds ad-free right now. Join Audible today by downloading the Audible app.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Just in time for America's 250th birthday, follow Dan Taberski (Hysterical, 9/12, Missing Richard Simmons) as he sets off on his most complicated quest yet: to reclaim the manifesto and write his own. Dan attempts to rescue the manifesto as a form from the sweaty clutches of cynical politicians and mass shooters and return it to its rightful place: with the artists, the warriors, the visionaries, and the mildly crazy regular folks with something to say, the passion to say it, and the courage to do something about it. From Audible Originals and Please & Thanks Productions, this 6-part series explores the power of the manifesto and asks: Can we get inspired again… and can we do it without a bullet?Listen to Dan Taberski's Manifesto wherever you get your podcasts. Or binge all episodes of Manifesto ad-free right now on Audible. Start your Audible subscription in the Audible App or on Apple Podcasts.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Just in time for America's 250th birthday, follow Dan Taberski (Hysterical, 9/12, Missing Richard Simmons) as he sets off on his most complicated quest yet: to reclaim the manifesto and write his own. Dan attempts to rescue the manifesto as a form from the sweaty clutches of cynical politicians and mass shooters and return it to its rightful place: with the artists, the warriors, the visionaries, and the mildly crazy regular folks with something to say, the passion to say it, and the courage to do something about it. From Audible Originals and Please & Thanks Productions, this 6-part series explores the power of the manifesto and asks: Can we get inspired again… and can we do it without a bullet?Listen to Dan Taberski's Manifesto wherever you get your podcasts. Or binge all episodes of Manifesto ad-free right now on Audible. Start your Audible subscription in the Audible App or on Apple Podcasts.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

On May 20, 2013, residents of Moore, a suburb of Oklahoma City, awoke to a severe weather watch. But no one was overly concerned. Tornadoes are a fact of life in the Midwest, especially in Moore, which had already survived a devastating EF5-strength twister on May 3rd, 1999, packing winds of 321 miles per hour. No one really believed it could happen again. But soon, a powerful new tornado would be heading towards Moore – and two elementary schools, Plaza Towers and Briarwood, were right in its path.For more on this story, we recommend:The Mercy of the Sky by Holly Bailey(also available as an audiobook on Audible).Audible subscribers can listen to all episodes of Against the Odds ad-free right now. Join Audible today by downloading the Audible app.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Justin Gray's Grammy®-winning album Immersed was composed, recorded, produced, mixed, and mastered all with Dolby Atmos® in mind, from the very beginning. In this conversation, guest host Ben Givarz is joined by Gray, co-producer Drew Jurecka, immersive mastering engineer Michael Romanowski, and Dolby's Greg “Stryke” Chin to discuss how the team crafted a captivating musical experience featuring 38 artists from around the world, where every performance, microphone placement, production choice, and mix decision was designed to put the listener at the center of the music. Together, they explore how Immersed reimagines what an album can be when space is treated not as an afterthought, but as a core part of the composition itself.“Space is a really, really powerful storytelling tool and a powerful production tool. And so when I sat down to write the music, I definitely set out with this thing: I want to make a project where I write the music from the start, produce it for immersive audio.”—Justin Gray, Composer, Immersive Mix Engineer, and Producer, ImmersedBe sure to check out Immersed, available in Dolby Atmos on enabled streaming music services such as Apple Music and Amazon Music.Stay connected with our guests on Instagram:- Justin Gray- Michael Romanowski- Drew Jurecka- Morten Lindberg- Greg "Stryke" ChinListen to other classic and contemporary artists mixed in Dolby Atmos on enabled streaming music services.Interested in creating content in Dolby Atmos? Check out our FREE resources to give you a jump start!- Dolby Atmos Music Accelerator: https://www.dolby.com/creator-lab/music-accelerator/- Dolby Atmos Essentials Course: https://learning.dolby.com/- Dolby Atmos Music Support: https://professional.dolby.com/music/Professional-resources/Please subscribe to Dolby Creator Talks wherever you get your podcasts.You can also check out the video for this episode on YouTube.Learn more about the Dolby Creator Lab and check out Dolby.com. Connect with Dolby on Instagram, Twitter, Facebook, or LinkedIn.

David Williamson CEO and Executive Producer, AudioIlm Media LLC audioilm.com TheAudioQuran.com The Audio Quran: A Cinematic Experience Audible Audiobook – Unabridged Abdullah Yusuf Ali - translator (Author), David Williamson - adaptator (Author), David Williamson (Narrator), & 5 more 4.6 4.6 out of 5 stars (3,117) “Hear the Quran like a movie!” A Groundbreaking Cinematic Audiobook Experience AudioIlm proudly presents the first-ever fullydramatized audiobook of Islam's holiest scripture: the Quran, brought to lifewith cinematic storytelling and immersive sound. Produced in Dolby Atmos by multi-award-nominated sounddesigner Gene Williams, this groundbreaking experience combines: A cast of 55 Hollywoodactors and voice artists Over 1,000 meticulously designed sound effects Custom immersive soundscapes for every location Cinematic, vocal-free nasheed music (featuringcomposers Ilyas Mao and Shahria Pathan) 360° Dolby sound design for headphones and speakers Featured Performers Include: Adam Lee Seitz (Emmy award-winner) as Zakariyya Mohamed Sameh (SOVAS award-winner) as Salih Brian Flaccus (award-winning filmmaker) as Abraham Sam Benjamin (Peaky Blinders) as Jesus Frank Gerrish (Criminal Minds) as Jacob Phil Miler (Brazil's top voice actor) as DhulQarnayn Paul Williams (Blogging Theology) as Luqman Ali Gohar as Moses, Ray Jericho as Noah, David Soltanias David, Michael McKeeman as Pharaoh, and many more! The Quran, recited daily by over 2 billion Muslims, isthe final divine revelation sent by God (Allah) to mankind, conveyed over 23years to the Prophet Muhammad (peace be upon him) through the Angel Gabriel. Itspeaks directly in the first person as the verbatim word of God, addressing: The nature of God and His attributes The purpose and moral responsibilities of humankind Stories of prophets, miracles, and past civilizations The creed and laws of Islam A confirmation of earlier scriptures such as the Bibleand Torah This audiobook uses the Abdullah Yusuf Ali translation,one of the most enduring and widely read English renderings of the Quran,praised for its poetic fidelity and scholarly depth. Experience the Quran like never before. Every story. Every miracle. Every verse–as if you werethere. From Executive Producer, Narrator, and Director DavidWilliamson Also featuring Elias Siegelman, Dinesh Alvis, JoshWells, Finian Schwartz, Alan Gabay, Nick DeMatteo, William Turbett, ZuriWashington, Dina Zhanybekova, Tina Marie Serra, Shane Montgomery, MohammedMufti, Jim D. Johnston, Dennis Rowley, Adam Clark, Amber Faith, Laura Mirsky,Alaeddine Madani, Danish Farooqui, Cliff Hanich, Jerry Beharry, Noor Hamdi, ArtDent, Richard Dugan, Yasmeen Ansari-Roberts, Fatima Maymoon, Michael McKeeman,Ibrahim Salah, Barbara Scolaro, Elizabeth Williamson, Aladdin Lakkaichi, AymanSamman, Abdullah Baig, Yasin Siddiqui, Mohanad Ghonim, Mohammed Asfour, UzairBilal, Mouctar Diarra, Mutasem Aljariri, Mohamad Ghonim, Shayan Shivji, MostafaAfr, and Ayman Alwaqzah

Rescue workers search for the camera crew trapped inside Kilauea's Pu'u O'o crater, but they're forced to abandon their efforts when an incoming storm makes conditions too hazardous. Cameramen Chris Duddy and Mike Benson struggle to survive a night inside the volcano. When daylight comes and there's still no sign of rescue, Chris makes a fateful decision — to try to save his own life and bring back help for his friend.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Composer Claudia Sarne joins guest host Jon Burlingame to discuss her bold, hybrid score for “Supergirl,” and how she blended orchestra, choir, synths, and experimental textures to match this more complicated, emotionally wounded version of the iconic DC character. Sarne also breaks down how she built Supergirl's theme gradually across the film, letting it emerge piece by piece as Kara steps into her heroic identity. “[Director] Craig [Gillespie] did not want the theme to play properly until she had emerged into the suit and walked into the character fully. We hinted at it earlier on when she's still in the trench coat, and in her first fight sequence — which is this bus sequence with the Sklarians. The first thing that I wrote on this was on that Sklarian bus sequence where she's floating in space. It's sort of lonely piano, and it opens out, and you almost get to a theme, but you don't quite. It just hints at something. When I had that… just a tiny architecture of something, I took that and made it into the theme. That kind of was the genesis of what happened in the whole film and with the music. I took that as the seed and expanded from there.” —Claudia Sarne, Composer, “Supergirl” Be sure to check out “Supergirl,” now playing in theaters, in Dolby Vision® and Dolby Atmos® where available. Please subscribe to Dolby Creator Talks wherever you get your podcasts. You can also check out the video for this episode on YouTube. Learn more about the Dolby Creator Lab and check out Dolby.com. Connect with Dolby on Instagram, Twitter, Facebook, or LinkedIn.

Send James and Sam a message or voicemail(This uses Buzzsprout's CoHost AI summary. Buzzsprout is our sponsor.)We question whether Netflix can make podcasts work without chasing YouTube's time-spent game, and we map where premium video fits in a world built on niche audio. We also dig into ad overload, new measurement fights, identity-driven targeting, and why immersive formats like Dolby Atmos could change what “good” sounds like. • Netflix podcast strategy and why profitability beats time spent • Why premium platforms struggle with low-cost creator content • Late-night TV ad clutter as a warning for podcast ad loads • New York's stealth crawler law and what it could mean for publishers • Plays versus downloads and the measurement standards shifting underneath • How digital identity and mobile ad IDs can reshape podcast ad targeting • Privacy trade-offs, probabilistic matching, and how opt-out really works • Dolby Atmos and Dolby Vision basics for podcast and app developers • Practical guidance on episode length, editing, and avoiding fluff • RSS feed ownership as a non-negotiable contract question • Podcast discovery data pointing to YouTube and social media • Why podcast promos can work and when they annoy listeners • Product and platform updates including open source wins and CarPlay changes You can support this show by giving us feedback using the BuzzSprout thumbnail or voicemail link in our show notes, and you can send us a boost or become a power supporter like the 24 Power Supporters at weekly.podnews.net Support the showConnect With Us: Email: weekly@podnews.netFediverse: @james@bne.social and @samsethi@podcastindex.socialSupport us: www.buzzsprout.com/1538779/supportGet Podnews: podnews.net

Rock mythology is fun, but what does a real working career look like after the posters come down? We're joined by guitarist Paul Sidoti for a wide-ranging conversation that starts with the exact moment KISS flipped a switch in his five-year-old brain and stretches all the way to the day he can email his heroes and actually get a reply. Along the way, Paul shares what those early influences gave him: the drive to learn parts by ear, the hunger for great sound, and the patience to keep getting better even when nobody's watching. We dig into the gear and the craft in a way guitar players and music nerds will love. Paul breaks down why the EVH 5150 and 5150III amps became his workhorses, how he sets up clean, crunch, and lead tones for different styles, and why he still respects tools like the Tom Scholz Rockman from the early home-recording days. Then we jump into modern production with a deep look at Scarlet Sound Studio, his Carl Tatz-designed space in Nashville, including PhantomFocus tuning and why Dolby Atmos mixing is no longer optional for many streaming releases. The best stories are personal: Debbie Gibson as a songwriting hero, Rick Springfield moments that hit even harder because his parents were there, and the “be ready” reality behind getting called for big stages, including his Brian Adams connection. We also talk about playing for the song, why players like Neil Schon are more influential than flashy gets-credit guitar culture admits, and how humility, family, and great mentors keep a career healthy. If you enjoy conversations about classic rock, Nashville musicians, guitar tone, home studios, Dolby Atmos, and what it takes to stay joyful in the grind, hit play. Subscribe, share this with a friend, and leave us a review so more listeners can find the show.Episode LinksPaul Sidoti: https://www.paulsidoti.com/Carl Tatz: https://jayfranze.com/episode24/Bob Bullock: https://jayfranze.com/episode28/Send us Fan MailSupport the showLinksJay Franze: https://jayfranze.com/JFS Countdowns/Playlists: https://jayfranze.com/playlists/ContactContact: https://jayfranze.com/contact/SocialsInstagram: https://www.instagram.com/jayfranzeYouTube: https://youtube.com/@jayfranzeEverywhere: @jayfranzeServicesServices: https://jayfranze.com/services/BooksBooks: https://jayfranze.com/books/MerchandiseMerchandise: https://jayfranze.com/merchandise/SupportSupport: https://jayfranze.com/support/Sponsor the Show: https://jayfranze.com/sponsor/Shout OutsHigh Mountain Breezes Music: https://highmountainbreezesmusic.com/VR Knives: https://www.facebook.com/VRKnives

Episode #356Paul Klimson has spent more than two decades behind the scenes helping some of the biggest artists in the world sound their best. As a world-class monitor engineer and audio professional, he has worked with an extraordinary roster that includes Justin Timberlake, Drake, Madonna, John Legend, The Roots, Kelly Clarkson, Eric Clapton, and countless others. His career has taken him from international tours and major festivals to iconic television productions, including more than 900 episodes of The Tonight Show Starring Jimmy Fallon, where he helped build and manage the show's audio infrastructure and worked alongside musical guests ranging from Paul McCartney and Bruce Springsteen to Kendrick Lamar and U2.Known throughout the industry for his technical expertise, calm demeanor, and relentless work ethic, Paul has earned the trust of artists performing on the world's biggest stages. His credits span Saturday Night Live, Eurovision, the Cannes Film Festival, the Super Bowl, and multiple record-breaking world tours, including Justin Timberlake's 20/20 Experience Tour and Madonna's Celebration Tour.After what he jokingly calls his "retirement" from touring, Paul shifted his focus to building something even bigger. Alongside his wife Courtney, he founded Theory One Studios in Niles, Michigan, a state-of-the-art Dolby Atmos recording and production facility that combines vintage analog character with cutting-edge technology. The studio serves artists from around the world while also supporting the couple's broader vision for independent music creation and distribution.That vision now includes Brass Alley Live, an immersive live music venue and broadcast space currently under development, and SoulSeed.tv, a subscription-based music platform designed to put more money back into the hands of independent artists. Together, these ventures are creating a new ecosystem where musicians, crews, and creators can thrive outside traditional industry models.Paul is also the co-founder of The Roadie Clinic, a nonprofit organization dedicated to supporting the physical, mental, and emotional well-being of touring professionals and their families. Much of what he is building today is designed to create sustainable funding and long-term support for the people who make live entertainment possible.Whether discussing life on the road, mixing for some of music's biggest names, building a next-generation recording studio, launching new media platforms, or reimagining how artists and crews are supported, Paul brings a rare combination of technical mastery, entrepreneurial vision, and hard-earned perspective.His motto? "Keep going, don't suck."This episode is brought to you by ETC and Pangolin

In November 1992, a Hollywood camera crew soars above Hawaii's Kīlauea, one of the world's most dangerous volcanoes, to capture footage for a major feature film. But suddenly their helicopter's engine cuts out, and they plunge into an active crater. Trapped and inhaling toxic fumes, the men will have to battle for survival — even for every breath — if they're going to escape the volcano and see their loved ones again.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Nashville during CMA Fest is a choose-your-own-adventure where every decision has a cost: stand in a line, catch a set, make a meeting, or follow a last-minute invite that turns into the best story of the week. We take you with us from the “question of the day” energy to the real CMA Fest play-by-play, including what it's like navigating Broadway crowds, building a schedule with the CMA Fest app, and still getting surprised by who walks into the room.We start strong with a private party at Third and Lindsley, where Daryl Worley brings the kind of storytelling and fan connection that reminds you why live country music still hits different. From there, we shift into the music industry side of Nashville with a studio visit to Matt McClure, a listen to Dolby Atmos, and a peek at how modern production can make a song feel immersive and physical. If you love gear, mixing, and how records get made, this part is for you.At Fanfare X in Music City Center, we reconnect with artists we've interviewed and talk about the meet and greet grind, the personalities that shine in person, and the frustrating reality that you can miss official performances when the weekend fills up with commitments. Then it's off to The Local for a writers round featuring Josie Sal, followed by Trey Calloway lighting up the night with a full-band set that proves why Nashville musicians are built different. We wrap with Saturday honky tonk chaos, a standout fiddle moment at Legends Corner, studio talk with Bob Bullock, and the practical details for watching CMA Fest on TV and planning next year.Subscribe, share this with a friend, and leave a review so more fans of CMA Fest, Nashville, country music, and live music stories can find us. What was your favorite CMA Fest moment, or your must-see artist for next year?Episode LinksRocky Rose: https://jayfranze.com/episode8/Matt McClure: https://jayfranze.com/episode15/Chris Franz: https://jayfranze.com/episode27/Bob Bullock: https://jayfranze.com/episode28/Presley Tennant: https://jayfranze.com/episode50/Jason Hale: https://jayfranze.com/episode55/Josie Sal: https://jayfranze.com/episode100/Twist It: https://jayfranze.com/episode101/Dalila Mya: https://jayfranze.com/episode102/Trey Calloway: https://jayfranze.com/episode108/Blake Tyler: https://jayfranze.com/episode120/Mark Badolato: https://jayfranze.com/episode140/Stephanie Rabus: https://jayfranze.com/episode149/Mary Kutter: https://jayfranze.com/episode197/Lee Newton: https://jayfranze.com/episode198/Josie Sal: https://jayfranze.com/episode206/Jay Bragg: https://jayfranze.com/episode208/Kieran Robertson: https://jayfranze.com/episode209/Karen Waldrup: https://jayfranze.com/episode213/Stephen Quinn: https://jayfranze.com/episode216/The Dreamboats: https://jayfranze.com/episode217/Send us Fan MailSupport the showLinksJay Franze: https://jayfranze.com/JFS Countdowns/Playlists: https://jayfranze.com/playlists/ContactContact: https://jayfranze.com/contact/SocialsInstagram: https://www.instagram.com/jayfranzeYouTube: https://youtube.com/@jayfranzeEverywhere: @jayfranzeServicesServices: https://jayfranze.com/services/BooksBooks: https://jayfranze.com/books/MerchandiseMerchandise: https://jayfranze.com/merchandise/SupportSupport: https://jayfranze.com/support/Sponsor the Show: https://jayfranze.com/sponsor/Shout OutsHigh Mountain Breezes Music: https://highmountainbreezesmusic.com/VR Knives: https://www.facebook.com/VRKnives

When Coast Guard pilot Steve Torpey got called into work on a Friday night back in January, 1998, he had no idea he was heading into the most challenging flight of his career. At that point, two Coast Guard helicopters had already failed to rescue the crew of the sunken fishing vessel La Conte. Torpey's crew — manning the third helicopter — were the stranded fishermen's last hope. Now retired, Steve Torpey joins host Mike Corey to share his memories of that fateful rescue mission. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

*NOTE: This episode contains spoilers.“Disclosure Day” is at once a conspiracy thriller, a first-contact story, and a wildly inventive showcase for cinematic sound. In this conversation, Gary Rydstrom, Brian Chumney, and Andy Nelson join us to discuss crafting the film's immersive soundtrack, from its disorienting opening wrestling sequence, to Emily Blunt's alien-clicking language, to John Williams's score, and its many spectacular action sequences. But underneath the film's mystery and spectacle, the sound team was guided by something much simpler and more human.“We came to the one word direction, which was: ‘Empathy.' So the movie, any time that we can have a sense of empathy… you can connect with people or disconnect, but feel internalized with other people's feelings. That's what [director Steven Spielberg] said early on.”—Gary Rydstrom - Supervising Sound Editor, Sound Designer, Re-recording Mixer, “Disclosure Day”Joining today's conversation:- Gary Rydstrom - Supervising Sound Editor, Sound Designer, Re-recording Mixer- Brian Chumney - Supervising Sound Editor- Andy Nelson - Re-recording MixerBe sure to check out “Disclosure Day,” now in theaters and Dolby Cinemas® in Dolby Vision® and Dolby Atmos®.Please subscribe to Dolby Creator Talks wherever you get your podcasts.You can also check out the video for this episode on YouTube.Learn more about the Dolby Creator Lab and check out Dolby.com. Connect with Dolby on Instagram, Twitter, Facebook, or LinkedIn.

Ed is the grandson of footballing legend Gordon Banks. He was a national icon, the only goalkeeper ever to win the soccer World Cup for England. But Ed's heard a rumour: that in 1970, while defending the title, his granddad, his hero, was poisoned… by the CIA. All part of a Cold War plot to bolster a military dictatorship in Latin America, supposedly. Could this possibly be true? Banks did get ill in Mexico in 1970 with food poisoning. And England crashed out, marking the start of decades of hurt. Ed enlists the help of investigative journalist Gabriel Gatehouse. Together they embark on a journey into the bewildering world of Cold War espionage, a journey that threatens to unravel 60 years of sporting history; or possibly… to knock Ed's granddad off his pedestal. Listen to FOUL PLAY on the Audible App or wherever you get your podcasts. Audible subscribers can binge all episodes of FOUL PLAY early and ad-free right now. Join Audible in the Audible App or by subscribing on Apple Podcasts.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The team behind Pottermore Publishing and Audible's “Harry Potter: The Full-Cast Audio Editions” joins guest host Richard Addis to discuss one of the most ambitious audiobook productions ever attempted. Featuring more than 200 actors, original music, detailed sound design, and fully immersive Dolby Atmos® mixes, the series brings all seven books to life in a new way — while staying true to the text, the characters, and the world fans know so well. *NOTE: This interview may contain spoilers from the Harry Potter series.Joining today's conversation:- Ann Scantlebury - Head of Audio Development, Pottermore Publishing- Chris Jones - Senior Director of Production, Audible- Lawrence Kendrick - Co-creative Director, Sound Designer and Composer, String and Tins- Rob Baker - Head of Engineering, Forever Audio“We can take people on the Hogwarts Express. They can go through the doors into the Great Hall. They can hear the footsteps echoing. They can be there and they can have it all playing out around them. To us, that was incredibly appealing. It was always about creating something that felt very real to the listener, really putting them in the heart of the action.”—Ann Scantlebury, Head of Audio Development, Pottermore PublishingBe sure to check out all seven of “Harry Potter: The Full-Cast Audio Editions,” now available on Audible in Dolby Atmos.Please subscribe to Dolby Creator Talks wherever you get your podcasts.You can also check out the video for this episode on YouTube.Learn more about the Dolby Creator Lab and check out Dolby.com. Connect with Dolby on Instagram, Twitter, Facebook, or LinkedIn.

With two helicopter teams exhausted and out of fuel after hours of failed attempts, the Coast Guard was forced to send out a third and final team to try to pluck the stranded fishermen from the icy waters. With no other pilots left, it fell to base commander Ted LeFeuvre to lead the final crew. And as the high winds and waves of the brutal storm refused to let up, he was forced to take unorthodox and risky measures. For more on this story, we recommend:The Last Run by Todd LewanComing Back Alive by Spike Walker (also available as an audiobook on Audible)See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Dr. John Schneider rode into town like a character out of a Western: an outsider on a Harley-Davidson, in trademark cowboy boots. He promised relief to patients suffering in Wyoming and Montana. He seemed like the hero they needed. But when surgeries go wrong and a strange letter exposes a bitter feud, medical professionals and government officials search for the truth about this cowboy doctor. They discover claims of broken bodies, bullying, fraud, and lawsuits.From Audible, the fifth season of the hit series Dr. Death returns with The Cowboy: the story of a surgeon who took advantage of a broken system and the fight to bring him to justice. Listen to Dr. Death: The Cowboy wherever you get your podcasts. Audible subscribers can binge all episodes of Dr. Death: The Cowboy ad-free right now. Start your Audible subscription in the Audible App or on Apple Podcasts.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Dr. John Schneider rode into town like a character out of a Western: an outsider on a Harley-Davidson, in trademark cowboy boots. He promised relief to patients suffering in Wyoming and Montana. He seemed like the hero they needed. But when surgeries go wrong and a strange letter exposes a bitter feud, medical professionals and government officials search for the truth about this cowboy doctor. They discover claims of broken bodies, bullying, fraud, and lawsuits.From Audible, the fifth season of the hit series Dr. Death returns with The Cowboy: the story of a surgeon who took advantage of a broken system and the fight to bring him to justice. Listen to Dr. Death: The Cowboy wherever you get your podcasts. Audible subscribers can binge all episodes of Dr. Death: The Cowboy ad-free right now. Start your Audible subscription in the Audible App or on Apple Podcasts.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Sam Witwer — the voice of Maul himself! — joins us alongside supervising director and executive producer Brad Rau and supervising sound editor, sound designer, and re-recording mixer David W. Collins to discuss the voice, sound, and cinematic scale of “Star Wars: Maul - Shadow Lord.” Together, they explore how the series deepens one of Star Wars' most iconic villains, from Witwer's layered vocal performance and Maul's emotional complexity to the show's bold sound design and Dolby Atmos® mix. Collins also reflects on carrying forward the sonic legacy of Skywalker Sound, while staying open to the strange, unexpected discoveries that have always helped make Star Wars sound like Star Wars.“Sounds can come to you at the most random times. It really is that random encounter with something that sounds funny that ends up being the gold. When I was doing recording for the next season, there's stuff that I recorded and whether I use it or not, I'm still not sure, but I'm building a library constantly by finding stuff that sounds really interesting around the house. I told this story once where I was at my daughter's game and I thought the smack of an aluminum bat would be a great element inside a laser blast, because it has that wonderful tink and echo that you could put a real low end thud in the front of that and it would be this weird thing you could process. I've done that... I just try and keep my ears open and try and learn from Ben Burtt or anyone at Skywalker that has told similar stories, because it's usually the happy accidents that cause something unexpected, which Star Wars is all about.”—David W. Collins, Supervising Sound Editor, Sound Designer, and Re-Recording Mixer, “Star Wars: Maul - Shadow Lord”Please subscribe to Dolby Creator Talks wherever you get your podcasts.You can also check out the video for this episode on YouTube.Learn more about the Dolby Creator Lab and check out Dolby.com. Connect with Dolby on Instagram, Twitter, Facebook, or LinkedIn.

Forced to abandon the La Conte, the five fishermen — Bob Doyle, Mark Morley, Mike DeCapua, Giggy Mork and David Hanlon — find themselves at the mercy of towering waves and galeforce winds as they float in the frigid sea. As they prayed for a swift rescue, the Coast Guard helicopter crew sent from Sitka soon discovered this wasn't an ordinary, or predictable, storm. For more on this story, we recommend:The Last Run by Todd LewanComing Back Alive by Spike Walker (also available as an audiobook on Audible)See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The sound of “Stranger Things” has always been huge, cinematic, and unmistakably its own — and the series finale takes that signature style to its most epic scale yet. In this conversation, supervising sound editor Craig Henighan, re-recording mixer Mark Paterson, and dialogue and ADR supervisor Ryan Cole join us to discuss bringing the final chapter to life, from the sonic DNA first established in season one, to the massive battles and emotional moments that define the end of the series. They also break down how the team balanced all of that scale and intensity without losing clarity, dynamics, or the emotional release that makes all “that chaos" work. “The tricky bit is to kind of embrace a lot of that chaos. It's usually like some Demogorgon screaming and just everything's all going on at once. But the key to it is that that chaos ends and you feel that release. That's kind of what makes the audience feel safe. So it's a tricky balance to work out, ‘how clean do we go in, in terms of mixing here, to hear everything else?' We always work through that with the [Duffer Brothers], as well.” —Mark Paterson, Re-recording Mixer, “Stranger Things” season 5 Be sure to check out “Stranger Things,” now streaming on Netflix, in Dolby Vision® and Dolby Atmos®. Please subscribe to Dolby Creator Talks wherever you get your podcasts. You can also check out the video for this episode on YouTube. Learn more about the Dolby Creator Lab and check out Dolby.com. Connect with Dolby on Instagram, Twitter, Facebook, or LinkedIn.

On January 30, 1998, five fishermen finally hit the jackpot in a fishing bank known as Fairweather Ground off the southeastern coast of Alaska. They were aboard a wooden ship called the La Conte, which had seen better days. Despite a brewing storm approaching and the ship taking on water, the men decided to throw out one more fishing line. They'd soon learn they'd made a grave mistake.For more on this story, we recommend:The Last Run: A True Story of Rescue and Redemption on the Alaska Seas by Todd LewanComing Back Alive: The True Story of the Most Harrowing Search and Rescue Mission Ever Attempted on Alaska's High Seas by Spike Walker (also available as an audiobook on Audible)See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Is what's happening on OnlyFans real? Or is it only a fantasy?In this provocative investigation into OnlyFans—the adult platform where subscribers around the world spent more than $7 billion in 2024—journalist Leon Neyfakh teams up with comedian and OnlyFans creator Gracie Canaan for a one-of-a-kind exploration into the current state of human connection. Throughout, they discover that the site originally built for spicy adult content has quietly and surprisingly become something more complicated— an emotional marketplace where desire, performance, care, fantasy, and vulnerability seemingly blur together.As Neyfakh and Canaan navigate timely questions about autonomy, performance, and profit, a question emerges: is connection mediated by a screen still authentic? To find the answer, they meet creators building lucrative businesses, subscribers who believe they've found something real, professional “chatters” who are paid to simulate affection, and pioneers who have helped engineer intimacy at scale.Captivating and tender, OnlyFantasy is ultimately about the cost of loneliness, the seductive power of desire, and how the rules of human intimacy are being rewritten online.Listen to OnlyFantasy wherever you get your podcasts. Or binge all episodes of OnlyFantasy ad-free right now on Audible. Start your Audible subscription in the Audible App or on Apple Podcasts.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Is what's happening on OnlyFans real? Or is it only a fantasy?In this provocative investigation into OnlyFans—the adult platform where subscribers around the world spent more than $7 billion in 2024—journalist Leon Neyfakh teams up with comedian and OnlyFans creator Gracie Canaan for a one-of-a-kind exploration into the current state of human connection. Throughout, they discover that the site originally built for spicy adult content has quietly and surprisingly become something more complicated— an emotional marketplace where desire, performance, care, fantasy, and vulnerability seemingly blur together.As Neyfakh and Canaan navigate timely questions about autonomy, performance, and profit, a question emerges: is connection mediated by a screen still authentic? To find the answer, they meet creators building lucrative businesses, subscribers who believe they've found something real, professional “chatters” who are paid to simulate affection, and pioneers who have helped engineer intimacy at scale.Captivating and tender, OnlyFantasy is ultimately about the cost of loneliness, the seductive power of desire, and how the rules of human intimacy are being rewritten online.Listen to OnlyFantasy wherever you get your podcasts. Or binge all episodes of OnlyFantasy ad-free right now on Audible. Start your Audible subscription in the Audible App or on Apple Podcasts.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In July of 2025, climate reporter Alec Luhn was in his element hiking around a glacier in Norway's Folgefonna National Park. But when Alec slipped off a boulder and broke his leg, he found himself unable to move and trapped in a remote area with no one expecting him home for days. On this episode of In Their Own Words, Alec recounts the story of his fall, being caught in a storm, and doing everything he could to give himself a chance to see his family again. To follow Alec's work, subscribe to his newsletter: https://icemushroom.substack.comSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In this episode of Working Class Audio, Matt welcomes back producer, mixer, and engineer Will Kennedy. Will shares an update on his journey since his last appearance, focusing on his partnership with Matt Wallace and their deep dive into immersive and Dolby Atmos mixing from their Los Angeles studio. They discuss the strategic decision to sell off their traditional recording gear, the evolution of the immersive audio market, and the amusing discovery of a hidden Starbucks inside a Jaguar dealership. The conversation also explores the unique, ongoing challenges of adapting rock and roll production techniques for the Atmos format.In This Episode, We Discuss:Biking With Brad WoodHuman Powered VehiclesPartnership With Matt WallaceDolby Atmos Mixing FocusLos Angeles Studio LocationHorseless Carriage DinerJaguar Dealership StarbucksSelling Traditional Recording GearKeeping Essential Overdub SetupOffloading Full Band TrackingEarly Adopter Atmos StrategyBecoming Premium Immersive MixersDolby Atmos Market CorrectionNavigating Cheap Atmos MixesAtmos In Modern CarsMixing Rock In SurroundStereo Versus Immersive TechniquesDeveloping New Tracking MethodsMatt's RANT!: Think BiggerLinks and Show Notes:WCA #388 with Will KennedyMatt Wallace on WCABrad Wood on WCACredits:Guest: Will KennedyHost/Engineer/Producer: Matt BoudreauWCA Theme Music: Cliff TruesdellThe Voice: Chuck SmithVideo Interview

The capture of American nurses in the Philippines is often described as an “untold story” of WWII; Dr. Elizabeth Norman set out to change that. She conducted extensive interviews with 20 of the 77 nurses who were captured. Norman collected the nurses' firsthand accounts, and pored over their diaries and letters, weaving these sources together in her book, We Band of Angels: The Untold Story of the American Women Trapped on Bataan. Norman joins Cassie to delve into what it was like to care for patients while trapped in an internment camp for three years. https://www.amazon.com/We-Band-Angels-American-Trapped/dp/0812984846See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The rations at the Los Baños P.O.W. camp are now down to just 400 calories per day. Every day, the nurses tend to patients who die from starvation. They don't know how much longer they can hold on. Unbeknownst to them, Lieutenant Colonel Henry Muller of the U.S. Army launches his plan to liberate the camp. But it's complex and dangerous, with many moving pieces. It's very likely it could fail, leading to the death of his soldiers and the prisoners of Los Baños.Audible subscribers can listen to all episodes of Against the Odds ad-free right now. Join Audible today by downloading the Audible app.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Conditions at the Los Baños camp are deteriorating. More and more prisoners have been transferred there, leading to overcrowding, and rations have been cut to under 1,000 calories per day. Prisoners are resorting to desperate acts to survive as they're pushed to the physical and psychological brink. The nurses are also malnourished and struggling to care for their fellow prisoners. But the tide of the war has finally turned and an ambitious U.S. Army paratrooper named Henry Muller is developing a plan to liberate the camp. But first Muller has to get buy-in from his superiors for his risky plan. And if he doesn't act fast, it may be too late to save anyone. Audible subscribers can listen to all episodes of Against the Odds ad-free right now. Join Audible today by downloading the Audible app.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Desperate to get away from the sadistic commandant in charge of their P.O.W. camp, the twelve Navy nurses, who call themselves the Twelve Anchors, agree to transfer to a new camp. It's called Los Baños and it's located deep in the jungle, 40 miles outside of Manilla. But when the nurses arrive, they realize this new camp has no medical supplies, not enough beds for prisoners to sleep on, not even running water. The nurses soon wonder if they made a grave mistake.Audible subscribers can listen to all episodes of Against the Odds ad-free right now. Join Audible today by downloading the Audible app.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

After Japan invades the Philippines, the twelve Navy nurses find themselves imprisoned at a military hospital turned P.O.W. camp. They make the best of it, continuing to tend to their patients, confident that the American military will quickly defeat Japan and liberate them. But as the weeks drag into months, with no rescue in sight, the nurses are transferred to another camp. They soon discover that their new home is led by a sadistic commandant who likes nothing more than to make his prisoners miserable. Audible subscribers can listen to all episodes of Against the Odds ad-free right now. Join Audible today by downloading the Audible app.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

It's the Depression and twenty-three-year-old-Dorothy Still is desperate for a job. She joins the US Navy as a nurse, and by 1941, she's given a dream posting at an American base in the Philippines. Dorothy lives in a beautiful location, with easy work, and a thriving night life. But after the Japanese attack Pearl Harbor, the Philippines becomes Japan's next target. Dorothy and eleven other Navy nurses find themselves in an active war zone, with a conquering army bearing down.Audible subscribers can listen to all episodes of Against the Odds ad-free right now. Join Audible today by downloading the Audible app.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.