Podcasts about Dolby Atmos

The residents of Haines, Alaska are used to living alongside bears. The region surrounding their small town has one of the densest bear populations in the world. But as climate change curtails the bears' natural food sources, encounters between bears and humans are becoming more common, putting everyone on edge. Audible subscribers can listen to all episodes of Against the Odds ad-free right now. Join Audible today by downloading the Audible app.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Early settlers to the Midwest were accustomed to harsh winters, but the blizzard that hit the Great Plains on January 12th, 1888 caught thousands of pioneer families off guard. The storm was especially brutal for children trying to find their way home from rural schoolhouses. Author David Laskin joins host Mike Corey to talk about how he pieced together the stories of the blizzard, and how the event lives on in the memory of their descendants. Laskin is the award-winning author of The Children's Blizzard, and The Family.Be the first to know about Wondery's newest podcasts, curated recommendations, and more! Sign up now at https://wondery.fm/wonderynewsletterListen to Against The Odds on the Wondery App or wherever you get your podcasts. Experience all episodes ad-free and be the first to binge the newest season. Unlock exclusive early access by joining Wondery+ in the Wondery App, Apple Podcasts or Spotify. Start your free trial today by visiting http://wondery.com/links/against-the-odds/ now.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Join us for a behind-the-scenes conversation with Academy Award®-nominated cinematographer Autumn Durald Arkapaw about her work on “Sinners” — and the creative choices that shaped the film's look from the very early stages of conception. Autumn breaks down how she and director Ryan Coogler developed the visual language together, from camera and lens selection to lighting strategies designed to support performances, tone, and mood, especially in those challenging night scenes. Along the way, she reflects on collaboration, preparation, and the real on-set problem-solving that is always involved in filmmaking. “How our team collaborates: It's the authority [director Ryan Coogler] gives each department to pour themselves into it… everyone has a say, your opinion matters. Any great filmmaker knows that it's never about one department… When we approach stuff, we want the lighting to be a character, but we also want it to feel of the space — and so that requires us to collaborate very closely with production design… When you give people that respect and you consider them and you give them that authority, they work very hard for you and they care.” —Autumn Durald Arkapaw, ASC, Director of Photography, “Sinners” Be sure to check out “Sinners,” now streaming on HBO Max, in Dolby Vision® and Dolby Atmos®. Watch our previous episode with the Oscar-nominated sound team behind “Sinners.” Also, be sure to catch our previous episode about the music of “Sinners,” with Two-time Academy Award-winning composer Ludwig Göransson and Executive Music Producer Serena Göransson on YouTube. Please subscribe to Dolby Creator Talks wherever you get your podcasts. You can also check out the video for this episode on YouTube.Learn more about the Dolby Creator Lab and check out Dolby.com. Connect with Dolby on Instagram, Twitter, Facebook, or LinkedIn.

À l'occasion de notre série à la découverte des Parcs nationaux français, voyage au sein du plus grand Parc national d'Europe et de France : le Parc Amazonien de Guyane (PAG). Sur près de 3,4 millions d'hectares, ce trésor de biodiversité se déploie entre forêt tropicale humide et communes isolées du sud de la Guyane. Depuis sa création en 2007, le PAG cherche à allier protection de l'environnement, préservation des modes de vie et des cultures locales autochtones et développement durable : un équilibre fragile, complexe à maintenir sur un territoire immense, habité et particulièrement convoité par les orpailleurs. Deuxième épisode de la première étape : Saül.   Située entre le Suriname et le Brésil, la Guyane est un département français grand de 83 000 km2, recouvert à 95% par la forêt amazonienne. Le plus souvent, les voyageurs étrangers comme les locaux d'ailleurs, ne l'appréhendent que par son littoral, sur la bande côtière. Or à l'intérieur des terres, au-delà de cette zone littorale, se déploie depuis 2007 le Parc Amazonien de Guyane, plus grande réserve de biodiversité française qui permet d'accéder justement à cette grande forêt et aux communes enclavées du centre et du sud de la Guyane.  Parmi elles : Saül, un minuscule village situé au centre du département et une des portes d'entrée du Parc. Uniquement accessible par avion, Saül est une toute petite enclave humaine, isolée au milieu de la très grande forêt. Ici, 80 habitants à peine vivent parmi les arbres géants, les lianes vertigineuses et les sous-bois marécageux, au son des oiseaux, des singes hurleurs ou des grenouilles en pagaille. Car là, bat le cœur de la forêt et les Saüliens, qu'ils soient agents du parc, agriculteurs, écoliers ou propriétaires de gîte, savent l'écouter, le partager et le défendre.  Aller à Saül, c'est aussi comprendre ce que c'était de vivre jadis, dans un arrière-pays immense et isolé, loin du joug colonial et de ses appétits. Car pendant longtemps, dans cette immense marge amazonienne, les populations autochtones, les esclaves marrons qui y avaient trouvé refuge, ou des migrants travailleurs artisanaux de l'or venus des Petites Antilles, ont résisté et inventé une vie bien à eux dans la forêt.  Aujourd'hui prisée des voyageurs et des scientifiques, cette destination unique au monde permet d'accéder par des sentiers de randonnée à la grande nature, loin des mythes de l'eldorado ou de l'enfer vert qui ont souvent collé à la peau de ce corps furieusement vivant qu'est l'Amazonie. Autour, le fléau de l'orpaillage illégal sévit, mais les Saüliens veillent et les agents du parc luttent. Une série radiophonique en 3 épisodes dans le PAG de Céline Develay-Mazurelle et Laure Allary, initialement diffusée en 2023. Les deux premiers épisodes de ce voyage à Saül sont produits avec « RFI Labo » en Dolby ATMOS pour une écoute immersive au casque au cœur du Parc Amazonien de Guyane, afin de découvrir son écosystème par le son.   Pour organiser votre voyage en Guyane, dans le PAG :  - Plus d'infos sur la Guyane, terre française d'Amazonie sur le site Guyane Amazonie - Plus d'infos sur le Parc Amazonien de Guyane, Parc national français né en 2007 - Si vous souhaitez vous rendre dans les communes du sud de la Guyane à l'intérieur du parc, il faut bien penser à réserver à l'avance auprès d'Air Guyane qui assure les rotations aériennes.  - Pour les hébergements dans le parc, plus d'infos ici.   En savoir plus : - Sur l'ABC de la biodiversité de Saül initié par le Parc Amazonien de Guyane. Il consistait à réaliser avec les habitants un inventaire de la faune et de la flore autour du bourg.  - Sur la faune, la flore, les amphibiens ou les sentiers de randonnée de Saül, le PAG a édité des brochures disponibles en ligne, en bas de cette page - Sur le site collaboratif Faune Guyane rassemblant les données naturalistes de Guyane. Il est animé par le Gepog ou Groupe d'étude et de protection des oiseaux de Guyane. Le Gepog met gracieusement à la disposition des ornithologues et naturalistes des chants d'oiseaux qui peuvent être téléchargés. - Sur le fléau environnemental et humain de l'orpaillage illégal en Guyane : un article du Fonds Mondial pour la Nature ou WWF - Sur les 11 Parcs nationaux de France, espaces naturels dit d'exception qui recouvrent des espaces terrestres et maritimes en métropole et dans les Outre-mer - Sur les autres voyages de Si loin si proche dans le cadre de notre série sur les Parcs nationaux français : le Parc National des Cévennes par Sarah Lefèvre et le Parc National des Calanques par Inès Edel-Garcia.

À l'occasion de notre série à la découverte des Parcs nationaux français, voyage au sein du plus grand Parc national d'Europe et de France : le Parc Amazonien de Guyane (PAG). Sur près de 3,4 millions d'hectares, ce trésor de biodiversité se déploie entre forêt tropicale humide et communes isolées du sud de la Guyane. Depuis sa création en 2007, le PAG cherche à allier protection de l'environnement, préservation des modes de vie et des cultures locales autochtones et développement durable : un équilibre fragile, complexe à maintenir sur un territoire immense, habité et particulièrement convoité par les orpailleurs. Deuxième épisode de la première étape : Saül.   Située entre le Suriname et le Brésil, la Guyane est un département français grand de 83 000 km2, recouvert à 95% par la forêt amazonienne. Le plus souvent, les voyageurs étrangers comme les locaux d'ailleurs, ne l'appréhendent que par son littoral, sur la bande côtière. Or à l'intérieur des terres, au-delà de cette zone littorale, se déploie depuis 2007 le Parc Amazonien de Guyane, plus grande réserve de biodiversité française qui permet d'accéder justement à cette grande forêt et aux communes enclavées du centre et du sud de la Guyane.  Parmi elles : Saül, un minuscule village situé au centre du département et une des portes d'entrée du Parc. Uniquement accessible par avion, Saül est une toute petite enclave humaine, isolée au milieu de la très grande forêt. Ici, 80 habitants à peine vivent parmi les arbres géants, les lianes vertigineuses et les sous-bois marécageux, au son des oiseaux, des singes hurleurs ou des grenouilles en pagaille. Car là, bat le cœur de la forêt et les Saüliens, qu'ils soient agents du parc, agriculteurs, écoliers ou propriétaires de gîte, savent l'écouter, le partager et le défendre.  Aller à Saül, c'est aussi comprendre ce que c'était de vivre jadis, dans un arrière-pays immense et isolé, loin du joug colonial et de ses appétits. Car pendant longtemps, dans cette immense marge amazonienne, les populations autochtones, les esclaves marrons qui y avaient trouvé refuge, ou des migrants travailleurs artisanaux de l'or venus des Petites Antilles, ont résisté et inventé une vie bien à eux dans la forêt.  Aujourd'hui prisée des voyageurs et des scientifiques, cette destination unique au monde permet d'accéder par des sentiers de randonnée à la grande nature, loin des mythes de l'eldorado ou de l'enfer vert qui ont souvent collé à la peau de ce corps furieusement vivant qu'est l'Amazonie. Autour, le fléau de l'orpaillage illégal sévit, mais les Saüliens veillent et les agents du parc luttent. Une série radiophonique en 3 épisodes dans le PAG de Céline Develay-Mazurelle et Laure Allary, initialement diffusée en 2023. Les deux premiers épisodes de ce voyage à Saül sont produits avec « RFI Labo » en Dolby ATMOS pour une écoute immersive au casque au cœur du Parc Amazonien de Guyane, afin de découvrir son écosystème par le son.   Pour organiser votre voyage en Guyane, dans le PAG :  - Plus d'infos sur la Guyane, terre française d'Amazonie sur le site Guyane Amazonie - Plus d'infos sur le Parc Amazonien de Guyane, Parc national français né en 2007 - Si vous souhaitez vous rendre dans les communes du sud de la Guyane à l'intérieur du parc, il faut bien penser à réserver à l'avance auprès d'Air Guyane qui assure les rotations aériennes.  - Pour les hébergements dans le parc, plus d'infos ici.   En savoir plus : - Sur l'ABC de la biodiversité de Saül initié par le Parc Amazonien de Guyane. Il consistait à réaliser avec les habitants un inventaire de la faune et de la flore autour du bourg.  - Sur la faune, la flore, les amphibiens ou les sentiers de randonnée de Saül, le PAG a édité des brochures disponibles en ligne, en bas de cette page - Sur le site collaboratif Faune Guyane rassemblant les données naturalistes de Guyane. Il est animé par le Gepog ou Groupe d'étude et de protection des oiseaux de Guyane. Le Gepog met gracieusement à la disposition des ornithologues et naturalistes des chants d'oiseaux qui peuvent être téléchargés. - Sur le fléau environnemental et humain de l'orpaillage illégal en Guyane : un article du Fonds Mondial pour la Nature ou WWF - Sur les 11 Parcs nationaux de France, espaces naturels dit d'exception qui recouvrent des espaces terrestres et maritimes en métropole et dans les Outre-mer - Sur les autres voyages de Si loin si proche dans le cadre de notre série sur les Parcs nationaux français : le Parc National des Cévennes par Sarah Lefèvre et le Parc National des Calanques par Inès Edel-Garcia.

Join us for a behind-the-scenes conversation with the Oscar-nominated sound team behind “One Battle After Another,” as they share how they shaped the film's world through sound—from intimate character moments to large-scale action. They discuss what it takes to capture great audio on set, build powerful sequences in post, and blending dialogue, effects, and music into a mix that plays on the biggest screens — plus how their collaboration with Paul Thomas Anderson guided the sonic identity of the movie from start to finish. “Knowing Paul [Thomas Anderson] — and knowing any director — something happens on set, sound-wise and [in] production, and [if] you don't have a reference for it… it could potentially be a problem. You have the cars — the actual cars — you have the drivers, you have the road, you have the permits. Can we just spend a little time and try and get some good recordings of these vehicles? Because they're going to be really useful. It's such an iconic sequence. People are like, ‘oh man, that chase at the end of the movie is amazing.' And we worked and worked and worked on that sequence trying to find what that was supposed to be.” —Chris Scarabosio, Re-recording Mixer, Supervising Sound Editor, and Sound Designer, “One Battle After Another” Joining today's conversation: - José Antonio García - Production Sound Mixer - Tony Villaflor - Re-recording Mixer - Chris Scarabosio - Re-recording Mixer, Supervising Sound Editor, and Sound Designer Be sure to check out “One Battle After Another,” now streaming on HBO Max, in Dolby Vision® and Dolby Atmos®. Please subscribe to Dolby Creator Talks wherever you get your podcasts. You can also check out the video for this episode on YouTube. Learn more about the Dolby Creator Lab and check out Dolby.com. Connect with Dolby on Instagram, Twitter, Facebook, or LinkedIn.

Was passiert, wenn ein Mastering-Engineer nach über 20 Jahren Stereo plötzlich wieder dieses Gefühl von Neugier spürt?In dieser Episode spreche ich mit Kai Blankenberg, Inhaber der Skyline Tonfabrik in Düsseldorf und einer der renommiertesten Mastering-Engineers Deutschlands, über die Zukunft von Dolby Atmos – und vor allem über dessen emotionale Dimension.Wir sprechen darüber, warum Atmos für ihn kein kurzfristiger Trend ist, wie sich immersive Mischungen wirtschaftlich einordnen lassen und welche Chancen sich für Künstler:innen und Produzent:innen ergeben. Kai erklärt, warum Atmos mehr ist als „Sound von hinten“, weshalb Apple das Format aktiv fördert und warum Spotify zum Gamechanger werden könnte.Außerdem geht es um seine Dolby-Atmos-Installation für Udo Lindenberg in der LUDWIGGALERIE Oberhausen, um Binauralität, Headtracking, Autos als Hörraum – und um die Frage, warum Stereo trotzdem nicht verschwinden wird.Ein Gespräch über Klang als Raum, Emotion als Entscheidungsgrundlage – und darüber, wie Technik musikalische Visionen unterstützen kann.Sound&Recording-Magazin | Studiosofa PodcastWebsite: ⁠⁠⁠soundandrecording-magazin.de⁠⁠⁠Webinare: ⁠⁠⁠soundandrecording-magazin.de⁠⁠⁠/webinareWhatsApp-Gruppe: ⁠⁠⁠soundandrecording-magazin.de/whatsapp⁠⁠⁠Instagram: ⁠⁠⁠@soundandrecording.magazin⁠⁠⁠YouTube: ⁠⁠⁠@StudiosofaPodcast⁠⁠⁠TikTok: ⁠⁠⁠⁠⁠@soundandrecording.mag⁠⁠⁠

By the morning of January 13th, 1888, the blizzard had passed, and a frantic search for survivors began. Farmer Johann Albrecht looked for his missing son, and Wilhelm Woebbecke hunted for his foster daughter Lena. Every search party knew they were racing against time to find survivors before they succumbed to hypothermia. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Academy Award®-nominated cinematographer Darius Khondji joins us to discuss his stunning work on “Marty Supreme.” In this episode, Khondji unpacks his bold visual approach with director Josh Safdie, from shooting on film with classic anamorphic lenses and expressive close-ups to building a richly textured 1950s world through production design, lighting, and color. He also shares how collaboration across every department shaped the film's emotional power.“Anamorphic can be very minimal… The important thing is the way it renders closeups; it makes people bigger than life, like black and white does… The real old classic anamorphic of the fifties—I wanted to go back to this feeling… Anamorphic is like a magnifier. And Marty is seen through the film like that.”—Darius Khondji, ASC, AFC, Director of Photography, “Marty Supreme”Be sure to check out “Marty Supreme,” now available for at-home purchase or rental, as well as in select theaters, in Dolby Vision® and Dolby Atmos®. Please subscribe to Dolby Creator Talks wherever you get your podcasts.You can also check out the video for this episode on YouTube.Learn more about the Dolby Creator Lab and check out Dolby.com. Connect with Dolby on Instagram, Twitter, Facebook, or LinkedIn.

À l'occasion de notre série à la découverte des Parcs nationaux français, voyage au sein du plus grand Parc national d'Europe et de France : le Parc Amazonien de Guyane (PAG). Sur près de 3,4 millions d'hectares, ce trésor de biodiversité se déploie entre forêt tropicale humide et communes isolées du sud de la Guyane. Depuis sa création en 2007, le PAG cherche à allier protection de l'environnement, préservation des modes de vie et des cultures locales autochtones et développement durable : un équilibre fragile, complexe à maintenir sur un territoire immense, habité et particulièrement convoité par les orpailleurs. Première étape en deux épisodes : Saül.    Située entre le Suriname et le Brésil, la Guyane est un département français grand de 83 000 km2, recouvert à 95% par la forêt amazonienne. Le plus souvent, les voyageurs étrangers comme les locaux d'ailleurs, ne l'appréhendent que par son littoral, sur la bande côtière. Or à l'intérieur des terres, au-delà de cette zone littorale, se déploie depuis 2007 le Parc Amazonien de Guyane, plus grande réserve de biodiversité française qui permet d'accéder justement à cette grande forêt et aux communes enclavées du centre et du sud de la Guyane.  Parmi elles : Saül, un minuscule village situé au centre du département et une des portes d'entrée du Parc. Uniquement accessible par avion, Saül est une toute petite enclave humaine, isolée au milieu de la très grande forêt. Ici, 80 habitants à peine vivent parmi les arbres géants, les lianes vertigineuses et les sous-bois marécageux, au son des oiseaux, des singes hurleurs ou des grenouilles en pagaille. Car là, bat le cœur de la forêt et les Saüliens, qu'ils soient agents du parc, agriculteurs, écoliers ou propriétaires de gîte, savent l'écouter, le partager et le défendre.  Aller à Saül, c'est aussi comprendre ce que c'était de vivre jadis, dans un arrière-pays immense et isolé, loin du joug colonial et de ses appétits. Car pendant longtemps, dans cette immense marge amazonienne, les populations autochtones, les esclaves marrons qui y avaient trouvé refuge, ou des migrants travailleurs artisanaux de l'or venus des Petites Antilles, ont résisté et inventé une vie bien à eux dans la forêt.  Aujourd'hui prisée des voyageurs et des scientifiques, cette destination unique au monde permet d'accéder par des sentiers de randonnée à la grande nature, loin des mythes de l'eldorado ou de l'enfer vert qui ont souvent collé à la peau de ce corps furieusement vivant qu'est l'Amazonie. Autour, le fléau de l'orpaillage illégal sévit, mais les Saüliens veillent et les agents du parc luttent. Une série radiophonique en 3 épisodes dans le PAG de Céline Develay-Mazurelle et Laure Allary, initialement diffusée en 2023. Les deux premiers épisodes de ce voyage à Saül sont produits avec « RFI Labo » en Dolby ATMOS pour une écoute immersive au casque au cœur du Parc Amazonien de Guyane, afin de découvrir son écosystème par le son.   Pour organiser votre voyage en Guyane, dans le PAG :  - Plus d'infos sur la Guyane, terre française d'Amazonie sur le site Guyane Amazonie - Plus d'infos sur le Parc Amazonien de Guyane, Parc national français né en 2007 - Si vous souhaitez vous rendre dans les communes du sud de la Guyane à l'intérieur du parc, il faut bien penser à réserver à l'avance auprès d'Air Guyane qui assure les rotations aériennes.  - Pour les hébergements dans le parc, plus d'infos ici.   En savoir plus : - Sur l'ABC de la biodiversité de Saül initié par le Parc Amazonien de Guyane. Il consistait à réaliser avec les habitants un inventaire de la faune et de la flore autour du bourg.  - Sur la faune, la flore, les amphibiens ou les sentiers de randonnée de Saül, le PAG a édité des brochures disponibles en ligne, en bas de cette page - Sur le site collaboratif Faune Guyane rassemblant les données naturalistes de Guyane. Il est animé par le Gepog ou Groupe d'étude et de protection des oiseaux de Guyane. Le Gepog met gracieusement à la disposition des ornithologues et naturalistes des chants d'oiseaux qui peuvent être téléchargés. - Sur le fléau environnemental et humain de l'orpaillage illégal en Guyane : un article du Fonds Mondial pour la Nature ou WWF - Sur les 11 Parcs nationaux de France, espaces naturels dit d'exception qui recouvrent des espaces terrestres et maritimes en métropole et dans les Outre-mer - Sur les autres voyages de Si loin si proche dans le cadre de notre série sur les Parcs nationaux français : le Parc National des Cévennes par Sarah Lefèvre et le Parc National des Calanques par Inès Edel-Garcia.

À l'occasion de notre série à la découverte des Parcs nationaux français, voyage au sein du plus grand Parc national d'Europe et de France : le Parc Amazonien de Guyane (PAG). Sur près de 3,4 millions d'hectares, ce trésor de biodiversité se déploie entre forêt tropicale humide et communes isolées du sud de la Guyane. Depuis sa création en 2007, le PAG cherche à allier protection de l'environnement, préservation des modes de vie et des cultures locales autochtones et développement durable : un équilibre fragile, complexe à maintenir sur un territoire immense, habité et particulièrement convoité par les orpailleurs. Première étape en deux épisodes : Saül.    Située entre le Suriname et le Brésil, la Guyane est un département français grand de 83 000 km2, recouvert à 95% par la forêt amazonienne. Le plus souvent, les voyageurs étrangers comme les locaux d'ailleurs, ne l'appréhendent que par son littoral, sur la bande côtière. Or à l'intérieur des terres, au-delà de cette zone littorale, se déploie depuis 2007 le Parc Amazonien de Guyane, plus grande réserve de biodiversité française qui permet d'accéder justement à cette grande forêt et aux communes enclavées du centre et du sud de la Guyane.  Parmi elles : Saül, un minuscule village situé au centre du département et une des portes d'entrée du Parc. Uniquement accessible par avion, Saül est une toute petite enclave humaine, isolée au milieu de la très grande forêt. Ici, 80 habitants à peine vivent parmi les arbres géants, les lianes vertigineuses et les sous-bois marécageux, au son des oiseaux, des singes hurleurs ou des grenouilles en pagaille. Car là, bat le cœur de la forêt et les Saüliens, qu'ils soient agents du parc, agriculteurs, écoliers ou propriétaires de gîte, savent l'écouter, le partager et le défendre.  Aller à Saül, c'est aussi comprendre ce que c'était de vivre jadis, dans un arrière-pays immense et isolé, loin du joug colonial et de ses appétits. Car pendant longtemps, dans cette immense marge amazonienne, les populations autochtones, les esclaves marrons qui y avaient trouvé refuge, ou des migrants travailleurs artisanaux de l'or venus des Petites Antilles, ont résisté et inventé une vie bien à eux dans la forêt.  Aujourd'hui prisée des voyageurs et des scientifiques, cette destination unique au monde permet d'accéder par des sentiers de randonnée à la grande nature, loin des mythes de l'eldorado ou de l'enfer vert qui ont souvent collé à la peau de ce corps furieusement vivant qu'est l'Amazonie. Autour, le fléau de l'orpaillage illégal sévit, mais les Saüliens veillent et les agents du parc luttent. Une série radiophonique en 3 épisodes dans le PAG de Céline Develay-Mazurelle et Laure Allary, initialement diffusée en 2023. Les deux premiers épisodes de ce voyage à Saül sont produits avec « RFI Labo » en Dolby ATMOS pour une écoute immersive au casque au cœur du Parc Amazonien de Guyane, afin de découvrir son écosystème par le son.   Pour organiser votre voyage en Guyane, dans le PAG :  - Plus d'infos sur la Guyane, terre française d'Amazonie sur le site Guyane Amazonie - Plus d'infos sur le Parc Amazonien de Guyane, Parc national français né en 2007 - Si vous souhaitez vous rendre dans les communes du sud de la Guyane à l'intérieur du parc, il faut bien penser à réserver à l'avance auprès d'Air Guyane qui assure les rotations aériennes.  - Pour les hébergements dans le parc, plus d'infos ici.   En savoir plus : - Sur l'ABC de la biodiversité de Saül initié par le Parc Amazonien de Guyane. Il consistait à réaliser avec les habitants un inventaire de la faune et de la flore autour du bourg.  - Sur la faune, la flore, les amphibiens ou les sentiers de randonnée de Saül, le PAG a édité des brochures disponibles en ligne, en bas de cette page - Sur le site collaboratif Faune Guyane rassemblant les données naturalistes de Guyane. Il est animé par le Gepog ou Groupe d'étude et de protection des oiseaux de Guyane. Le Gepog met gracieusement à la disposition des ornithologues et naturalistes des chants d'oiseaux qui peuvent être téléchargés. - Sur le fléau environnemental et humain de l'orpaillage illégal en Guyane : un article du Fonds Mondial pour la Nature ou WWF - Sur les 11 Parcs nationaux de France, espaces naturels dit d'exception qui recouvrent des espaces terrestres et maritimes en métropole et dans les Outre-mer - Sur les autres voyages de Si loin si proche dans le cadre de notre série sur les Parcs nationaux français : le Parc National des Cévennes par Sarah Lefèvre et le Parc National des Calanques par Inès Edel-Garcia.

Join us for our conversation with Academy Award®-nominated cinematographer Adolpho Veloso, here to discuss his stunning work on “Train Dreams.” In this episode, Veloso breaks down his natural-light approach to capturing the film's poetic portrait of early 20th century America, from shooting digitally on the Alexa 35 to embracing a 3:2 aspect ratio inspired by old family photographs. He also shares how close collaboration with the actors, along with memory and metaphor, shaped everything from handheld camera movement to the film's unforgettable wildfire sequence — all in service of telling an intimate story on an epic visual canvas. “It's such a special project. I feel like everybody involved knew that in advance. And especially with Joel [Edgerton]. I can't see anyone else playing this part, for all the possible reasons. His physicality. You believe he's a logger. You believe he's doing that hard work. But he is also really able to deliver everything without a lot of words, without big emotions. Everything is so subtle, so internal. It was kind of amazing to see that happening… I remember the first makeup test we did… he was like, ‘Do you mind if we change this to the other side so you shoot the other side of my face?' He told us, ‘I just want you to see both sides, because I feel like this side makes me look more vulnerable and this side makes me feel more assured.' He wasn't asking us to shoot any particular way, he was just so aware of himself as an actor, and also as a director himself, he was just giving us the tools so we could do whatever we wanted with those tools. But he made sure we knew that. And we obviously learned from it and we used that. So it's amazing to work with an actor that is so aware of those things.” —Adolpho Veloso, Director of Photography, “Train Dreams” Be sure to check out “Train Dreams,” now streaming on Netflix, in Dolby Atmos®. Please subscribe to Dolby Creator Talks wherever you get your podcasts. You can also check out the video for this episode on YouTube. Learn more about the Dolby Creator Lab and check out Dolby.com. Connect with Dolby on Instagram, Twitter, Facebook, or LinkedIn.

In dieser Folge sprechen wir mit Hans-Martin Buff, dem Mann hinter dem Grammy-prämierten Dolby-Atmos-Mix des aktuellen Peter-Gabriel-Albums i/o. Hans-Martin gehört zu den Pionieren im Bereich immersiver Musikproduktion – und er erklärt, warum kreatives Mixing in Dolby Atmos mehr mit Dramaturgie und musikalischem Denken zu tun hat als mit Showeffekten. Wir sprechen darüber, wie er seine Sessions aufbaut, was eine gute räumliche Bewegung ausmacht und warum er selbst sagt: Atmos ist kein Selbstzweck, sondern eine neue Ausdrucksform für Musik.Zum Schluss noch ein Tipp: Hans-Martin hat das Buch „Überall – Musikproduktion für Kopfhörer“ geschrieben. Darin zeigt er, wie man binaurale Musik mischt, räumlich denkt und eigene 3D-Produktionen auf Kopfhörern umsetzt. Das Buch gibt's als Print- oder Digitalversion auf www.soundandrecording-magazin.de.Sound&Recording-Magazin | Studiosofa PodcastWebsite: ⁠⁠⁠soundandrecording-magazin.de⁠⁠⁠Webinare: ⁠⁠⁠soundandrecording-magazin.de⁠⁠⁠/webinareWhatsApp-Gruppe: ⁠⁠⁠soundandrecording-magazin.de/whatsapp⁠⁠⁠Instagram: ⁠⁠⁠@soundandrecording.magazin⁠⁠⁠YouTube: ⁠⁠⁠@StudiosofaPodcast⁠⁠⁠TikTok: ⁠⁠⁠⁠⁠@soundandrecording.mag⁠⁠⁠

The Muppets zijn terug! En hoe! Jorn en Michiel bespreken het succes van de special waarmee The Muppet Show terug in de populariteit is. Ralf zit nog steeds in Orlando maar laat deze week uitgebreid van zich horen. En verder veel Disney+ nieuws en gouden tips over het boeken van een Vacation Package voor Tokio. Deze week besproken Disney Innovation: From Sodium Vapor to ILM StageCraft D-Tales steunen? Wordt Donalteur! https://petjeaf.com/d-tales

As the blizzard raged, its winds blew up to 60 miles per hour. Those caught out in the storm faced white-out conditions. With few landmarks on the flat prairie, even residents who knew the area well found themselves disoriented. Children like Walter Allen and Lena Woebbecke became lost in the furious storm, desperately trying to make it to safety.Be the first to know about Wondery's newest podcasts, curated recommendations, and more! Sign up now at https://wondery.fm/wonderynewsletterListen to Against The Odds on the Wondery App or wherever you get your podcasts. Experience all episodes ad-free and be the first to binge the newest season. Unlock exclusive early access by joining Wondery+ in the Wondery App, Apple Podcasts or Spotify. Start your free trial today by visiting http://wondery.com/links/against-the-odds/ now.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In Episode 360 of the Mixing Music Podcast, hosts Dee Kei and Lu get technical and go deep on loudness, gain staging, and headroom. Dee Kei shares a concern he has been noticing in his own work: he may be leaving loudness on the table over the length of a full song, not just in short-term LUFS moments. They explore the balance between beauty and accessibility, and how loudness is not just a mastering issue, it is a creative dimension that shapes emotion, energy, and perceived impact.The conversation breaks down what gain staging really means in modern mixing, why many classic rules were originally about managing noise, and how today it is more about preserving freedom and control in your workflow. They talk about practical target levels engineers use when hitting plugins, why some mixes feel boxed in when the mix bus is too hot, and how dense sessions can build level fast even when individual tracks are not peaking high.They also zoom out into how loudness decisions translate across mediums. Dee Kei shares how Dolby Atmos delivery constraints can change the feel of a record that relies on aggressive loudness for momentum, and how downmixes can shift balance depending on playback. They touch on the psychological reality that slightly louder often gets perceived as better, even when nothing else changes, and why sending a limited version of your mix to a client can matter for perception and decision-making.To close, they share real-world stories about how playback environments like movie theaters or broadcast chains can unintentionally slam your audio through limiters, plus a reminder that “loud and good” is not a contradiction. This episode is for mixers who want a clearer mental model of loudness, headroom, and gain staging, and how to make those decisions intentionally without destroying the mix.Support this podcast at — https://redcircle.com/mixing-music-music-production-audio-engineering-and-music/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

This week we sit down with the Oscar-nominated sound team behind Guillermo del Toro's “Frankenstein,” to explore the film's epic and deeply expressive soundtrack. Sound designer and supervising sound editor Nathan Robitaille, supervising sound editor Nelson Ferreira, re-recording mixer Brad Zoern, and production sound mixer Greg Chapman break down their long-standing collaboration with del Toro and the bold creative choices that shaped the film's sonic identity. From early sound exploration and practical effects to dynamic use of Dolby Atmos® and the creation of the film's unforgettable creature voice, this conversation offers a deep dive into how sound drives the emotion, scale, and storytelling in one of the year's most ambitious films.“Guillermo is really, really great about wanting to fill the space. This comes from working with him for a long time. We were able to anticipate all this stuff. There's moments where he wants the concentration on the screen and he wants to pull everything back in the room. Dolby Atmos allows us to do that so beautifully and separate stuff and make it where we can focus. This movie lends itself to Atmos… It's just such a great tool and it was so much fun on this mix to use all that. We have such a beautiful visual to work with. We have to meet that standard with the sound.”—Brad Zoern, Re-recording Mixer, “Frankenstein”Be sure to check out “Frankenstein,” now streaming on Netflix, in Dolby Vision® and Dolby Atmos®.Our previous episodes:Guillermo del Toro and D.P. Dan Laustsen on the Cinematography of FrankensteinThe Music of Frankenstein with Composer Alexandre DesplatPlease subscribe to Dolby Creator Talks wherever you get your podcasts.You can also check out the video for THIS episode on YouTube.Learn more about the Dolby Creator Lab and check out Dolby.com. Connect with Dolby on Instagram, Twitter, Facebook, or LinkedIn.

Tales From Topographic Oceans by YES has always been an album that divides opinion — even among prog fans.In this video, I take a deep dive into the Super Deluxe “Definitive” Edition, exploring the packaging, the vinyl, the extensive CD content, the newly unearthed live recordings, and — most importantly — the 2026 Dolby Atmos and surround mixes.This isn't just an unboxing. It's a personal journey through an album I've grown into over decades, and a reflection on why this music matters more now than ever.If you love progressive rock, physical media, and albums that reward active listening, this one's for you.☕ Make a pot of tea.

Resonation Radio – Special Black Hole HQ Broadcast

On January 12th, 1888, residents of the Dakota Territory and Nebraska woke to an unseasonably warm day. Farmers took advantage of the mild weather to tend to chores and children headed off to school in light jackets. But longtime residents like Sioux tribe member Charley Stabler recognized signs that a major blizzard was coming. As the storm hit, schoolteachers faced agonizing decisions over how to keep their students safe. Be the first to know about Wondery's newest podcasts, curated recommendations, and more! Sign up now at https://wondery.fm/wonderynewsletterListen to Against The Odds on the Wondery App or wherever you get your podcasts. Experience all episodes ad-free and be the first to binge the newest season. Unlock exclusive early access by joining Wondery+ in the Wondery App, Apple Podcasts or Spotify. Start your free trial today by visiting http://wondery.com/links/against-the-odds/ now.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In the 1800s millions of people moved to the American midwest, drawn by promises of cheap, fertile land. But they were caught unprepared in January 1888, when a cold front swept down from Canada and caused a brutal blizzard that left thousands of schoolchildren stranded in drafty, uninsulated schoolhouses.Be the first to know about Wondery's newest podcasts, curated recommendations, and more! Sign up now at https://wondery.fm/wonderynewsletterListen to Against The Odds on the Wondery App or wherever you get your podcasts. Experience all episodes ad-free and be the first to binge the newest season. Unlock exclusive early access by joining Wondery+ in the Wondery App, Apple Podcasts or Spotify. Start your free trial today by visiting http://wondery.com/links/against-the-odds/ now.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Make a Logo on Fiverr Walking the show floor at CES 2026, one of the most impressive booths for sheer “wow” factor was Sylvox. The company has gone all-in on the idea that your TV shouldn't be trapped inside your living room anymore. From massive backyard cinema screens to portable, roll-anywhere displays and even emergency-ready TVs, Sylvox is clearly betting big on the future of the outdoor TV. And judging by what I saw, that future is bright—literally. The 110-inch Cinema Pro Helio QLED: A Backyard Theater Dream The star of the booth is impossible to miss: the 110-inch Cinema Pro Helio QLED. This is a full-blown outdoor home theater that looks like it belongs in a luxury backyard with a pool, fireplace, and lounge furniture. Sylvox was even simulating rain on it to prove the point—this is a true IP55 weatherproof TV that doesn't need to be covered or babied. It's rated to operate from below -22°F up to 122°F, making it viable for everything from winter football games to summer movie nights. Add Google TV, voice remote control, and a thin, surprisingly lightweight design, and you're looking at a serious “build your patio around this” kind of display. The Pool Series: A 2,000-Nit Portable Bright Monitor If 110 inches feels like overkill, the Pool Series is all about flexibility. This is a 4K Ultra HD, IP55-rated outdoor TV on wheels, pushing up to 2,000 nits of brightness—bright enough to cut through direct sunlight in the morning or early evening. The big idea here is mobility: roll it out to the pool, the garage, or even down the street for a neighbor's game night. It handles the same brutal temperature range as the bigger models, and the brightness means you won't be closing shades or hunting for shade just to see what's on screen. It's a great example of Sylvox focusing on “bright monitor” performance as much as ruggedness. The Frameless Series: Ultra-Narrow Bezels for a Premium Look For those who want something sleeker and more architectural, the Frameless Series is Sylvox's design-forward outdoor TV line. These come in 43, 55, 65, and 75 inches, with an ultra-narrow 1.5 mm bezel and an IP56 rating. They're available in 1,000-nit and 2,000-nit versions, run Google TV, support Dolby Atmos, and offer wide 178-degree viewing angles. The idea is simple: make an outdoor TV that doesn't look like an outdoor TV—just a clean, premium screen that happens to survive the elements. The Rolling Touchscreen Monitor: Portrait or Landscape, Anywhere One of the more creative products at the booth is a rolling, battery-powered touchscreen monitor that can switch between landscape and portrait mode. With around 500 nits of brightness, it's better suited for indoors or covered areas, but the versatility is the real story. It has a built-in camera for video calls, runs Android, and includes a 10,000 mAh battery so it doesn't need to stay plugged in. It's easy to imagine this being used in a studio, at events, or even on a covered patio for TikTok-style vertical content. The Deck and Lift Systems: TVs That Disappear When You Don't Need Them Sylvox is also thinking about integration, not just screens. The Deck Series and lift-based systems let a TV rise out of cabinetry or deck structures at the push of a button, then disappear when you're done watching. These setups are also IP55-rated and typically around 1,000 nits, and they're built on a modular, movable foundation system that doesn't require permanent concrete. It's a clever solution for people who want a clean outdoor space that transforms into an entertainment zone on demand. The RV and Emergency TVs: Entertainment Meets Preparedness At the other end of the spectrum is the emergency TV, and it might be the most charmingly over-engineered product in the lineup. It's a small, waterproof TV with AM/FM/SW radio, USB playback, a built-in flashlight, SOS alarm, walkie-talkie, and even a hand crank for power generation. It's designed for RVs, camping, or emergencies—but it's also easy to imagine people using it for a tailgate or backyard game when power isn't readily available. It's a reminder that Sylvox isn't just about luxury patios—they're also thinking about resilience and portability. The Cinema Series: 5,000 Nits and Built for Full Sun Finally, the Cinema Series ties everything together for people who want the absolute best image quality outdoors. These TVs push up to 5,000 nits of brightness, offer 120 Hz refresh rates, Dolby Vision, Dolby Atmos, and even include a built-in subwoofer. They're designed with heat and UV resistance, blackout prevention, and local dimming to maintain contrast even in extreme sunlight. In other words, this is Sylvox's answer to the biggest problem with outdoor TVs: making sure you can actually see the picture when the sun is blazing. Why Sylvox Stands Out at CES 2026 At CES 2026, a lot of companies are talking about AI, transparent displays, and experimental form factors. Sylvox, on the other hand, is focused on something very practical: making TVs that work where people actually want to spend time. With IP55 and IP56 weatherproof designs, extreme temperature tolerance, and brightness levels that rival or beat many indoor TVs, Sylvox is carving out a serious niche in the outdoor TV market. If you're thinking about upgrading a patio, deck, pool area, or even an RV setup, this is one booth that absolutely deserves your attention. Check it out athttps://sylvoxtv.com Check out the Geekazine Merch, including "I AM AI " T-Shirt.  Thanks for reading! Don't forget to subscribe to Geekazine: RSS Feed - YouTubeTwitter - Facebook Tip Me via Paypal.me Send a Tip via Venmo RSS Bandwidth by Cachefly Get a 14 Day Trial Be a Patreon: Part of the Sconnie Geek Nation! Reviews: Geekazine gets products in to review. Opinions are of Geekazine.com. Sponsored content will be labeled as such. Read all policies on the Geekazine review page.  Reviews: Geekazine is also an affiliate of Amazon Last Updated on January 22, 2026 3:12 pm by Jeffrey PowersThe post I Found the Perfect Outdoor TVs at CES 2026: a Sylvox Tour appeared first on Geekazine.

More than a week into their ordeal, Fitz and Holly FitzGerald are trapped deep in a jungle swamp. Jaguars scream in the night, insects ravage their skin, and starvation is taking hold. With no way out by raft, they're forced to swim through caiman-infested water to survive. And as the weeks drag on, they must summon every last ounce of strength just to stay alive.Be the first to know about Wondery's newest podcasts, curated recommendations, and more! Sign up now at https://wondery.fm/wonderynewsletterListen to Against The Odds on the Wondery App or wherever you get your podcasts. Experience all episodes ad-free and be the first to binge the newest season. Unlock exclusive early access by joining Wondery+ in the Wondery App, Apple Podcasts or Spotify. Start your free trial today by visiting http://wondery.com/links/against-the-odds/ now.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

On this week's show we have compiled a list of home theater and home automation/smart home products that received notable awards or honors at CES 2026.  News: Amazon has started automatically upgrading Prime members to Alexa Plus Apple Reveals 'Record-Breaking' Year For Apple TV And Other Services Bears vs. Packers on Prime Video sets streaming record 2026 CES Award Winners Samsung S95H (OLED TV with enhanced brightness, anti-burn-in art display, wireless features) Awarded Best TV or Home Theater (CNET) and Winner in Home Theater category (ZDNET/CNET Group awards). Samsung Music Studio 5 (Compact smart speaker with artistic design, Wi-Fi/Bluetooth connectivity for whole-home audio) Winner in Best Audio category (CNET) and Winner in Audio category (ZDNET/CNET Group awards). Samsung 140" Micro LED - The Samsung 140" Micro LED TV creates a seamless, immersive 3D-like experience by using AI to extend on-screen content onto innovative Micro LED Mirror bezels that blend with the image. When not in use, it folds in half via a hidden hinge to function as an elegant art frame, eliminating the traditional "black box" appearance and blending beautifully into home décor. CES 2026 Best of Innovation in Video Displays KLIPSCH THE 9S II -  The Klipsch The 9s II powered speakers feature Onkyo audio processing and an updated Tractrix horn for wide dispersion and precise clarity, while supporting both two-channel music and Dolby Atmos content with versatile connectivity including AirPlay 2, USB-C, HDMI, and XLR inputs.They include Dirac Live auto-room calibration and deliver exceptional sound quality, though the pair carries a premium price of $2,399. Tom's Guide Best Audio LG H7 FlexConnect soundbar (Dolby Atmos soundbar with modular FlexConnect surround extension to any TV, part of LG Sound Suite) Best Audio category (CNET). LG W6 (Ultra-thin "wallpaper" OLED TV, flush wall mount, bright display, supports Dolby Atmos FlexConnect) Best TV or Home Theater category (CNET). LG CLOiD - The LG CLOiD is a wheeled household robot that connects to LG ThinQ smart appliances and uses its two arms, cameras, sensors, and voice recognition to autonomously handle tasks like loading laundry, folding clothes, organizing the fridge, tidying up, running errands, and assisting with cooking. By learning the user's routines, understanding context and emotions, and proactively acting with gestures, voice, and expressions, it reduces household labor and enhances quality of life and emotional well-being. 2026 Honoree in Smart Home Hisense 116UXS (Massive 116-inch mini-LED TV with advanced RGB + cyan backlight for wide color gamut) Highlighted in Best TV or Home Theater category (CNET) and CES 2026 Best of Innovation in Video Displays Hisense 163MX The Hisense 163MX is the world's first 163-inch MicroLED TV to use a four-primary RGBY (QuadColor) pixel design, which adds a yellow subpixel to achieve 95% BT.2020 color coverage—a 5% improvement over traditional RGB MicroLED systems. This self-emissive technology delivers perfect blacks, infinite contrast, precise brightness control, and stunning visual quality in any lighting without a backlight. 2026 Best of Innovation in Video Displays. Samsung EdgeAware AI Home - processing sounds, videos, and data from Samsung and third-party devices locally on your Samsung tech to generate detailed event summaries, contextual recommendations, and health insights displayed on your TV—all without sending private data to the cloud.  It detects 12 distinct sounds (like running water or breaking glass), provides actionable suggestions such as launching telemedicine for persistent coughing or triggering emergency services for intrusions/fires, and enables fast AI-driven searches for moments like "doorbell rang." 2026 Honoree in Smart Home Doma Intelligent Door - Doma is pioneering secure home intelligence by integrating advanced technology directly into the front door, starting with keyless entry, intruder protection, and real-time awareness of activity inside and around the home. Founded by the team behind August and Yale smart locks, it delivers a holistic system that elevates the home experience, monitors health and safety, senses surroundings, and takes personalized actions to provide true peace of mind. 2026 Honoree in Smart Home Roborock Saros Rover (Advanced two-legged/smart robot vacuum with stair-climbing, AI navigation for multi-level homes) Winner in Smart Home category (ZDNET/CNET Group awards). AQARA U400 - Thanks to its use of Ultra Wide Band (UWB) technology, it can sense when you (and your iPhone or Apple Watch) are approaching your door, and will unlock it automatically. No fuss. And, the technology is good enough that it can recognize if you're merely walking past your door rather than to it, or if you're inside, rather than outside your house. Tom's Guide Best Smart Lock JBL Tour One M3 Smart Tx JBL Tour One M3 Smart Tx delivers all the powerful features of the Tour One M3 headphones such as world class noise cancellation, crystal clear calls and legendary Hi-res certified JBL Pro Sound. The Smart Tx audio transmitter connects you to almost any audio source and elevates your wireless experience. Connect wirelessly to digital devices using the USB-C connection, or analog devices with a 3.5mm audio jack, such as in-flight entertainment systems. No need to pull out your phone and search for the app. Full access to all controls is right there on the touch screen of the transmitter. 2026 Honoree in Headphones & Personal Audio. $450 Timekettle W4 AI Interpreter Earbuds The Timekettle W4 AI Interpreter Earbuds are the world's first in-ear translation device to use Bone-Voiceprint Sensor technology combined with LLM-powered, context-aware AI, achieving 98% accurate, noise-immune speech recognition with just 0.2-second latency across 42 languages and 95 accents.Designed for all-day comfort with up to 18 hours of battery life, sleek styling, one-flip sharing, automatic mode switching, and audio/video translation capabilities, the W4 delivers natural, real-time multilingual conversations and is now available for purchase. 2026 Honoree in Artificial Intelligence, Headphones & Personal Audio, Mobile Devices, Accessories & Apps. $350

When scenes move faster than structures can hold, what makes an independent dance label a twenty-year outlier?Co-founder of Mobilee Records, Ralf Kollmann reflects on two decades at the heart of electronic music, navigating seismic shifts in technology, culture, and the economics of independent labels. Recorded in Berlin during Mobilee's 20th anniversary year, this conversation traces a long view from the dancefloor, from collective beginnings with Anja Schneider, and genre-fluid curation, to the pressures facing labels and artists today.With characteristic honesty, Ralf explores what has changed, what has endured, and why patience, timing, and restraint have become radical tools in an industry increasingly driven by volume, visibility, and constant output. It's a conversation about longevity over momentum, intuition over noise, and building structures that can survive more than a moment.“Survival isn't about chasing trends. It's about knowing when to move, and when to pause.” - Ralf KollmannJoin us as we explore:✅ What it takes to sustain an independent label across 20 years✅ Why collectives form, evolve, and sometimes dissolve✅ Timing, trust, and the human side of A&R decisions✅ The pressure of constant output in the streaming era✅ Revisiting the catalogue over chasing the next release✅ Immersive audio, Dolby Atmos, and the question of adoption➤ Follow us at:⁠Instagram:⁠⁠ @missionmakers⁠⁠Instagram:⁠⁠ @dj.n1nja⁠⁠TikTok:⁠⁠ @dj_n1nja⁠⁠Soundcloud:⁠⁠ @dj-ninja⁠➤ Credits:Music: Mission Makers - N1NJA (Unreleased)Producer: Farah Nanji➤ For show notes + more on our host visit:⁠⁠⁠⁠⁠https://mission-makers.com/⁠⁠⁠⁠⁠⁠https://www.dj-ninja.com/⁠⁠

Stradivarius by chemistry; China inches forward with fusion; Donut has a solid state battery; Amazon wants to listen to everything; iOS is not being adopted quickly; Safari designer leaves; ChatGPT adds health section; Pioneer shows Dolby Atmos car play unit; Multi spectral camera coming to iPhone; Vision Pro exclusive live laker games available now; Secure your phone better, change default AirPlay setting; Apple will use Google Gemini for the “Secure Cloud” portion of Apple AI.Conversations on technology and tech adjacent subjects since July of 2020, with two and sometime three generations of tech nerds. New shows on (mostly) TUESDAYS!

Fitz and Holly FitzGerald set out on their handmade raft, the Pink Palace, drifting down the Madre de Dios under sparkling sunlight. But when night falls, everything changes. After a tense encounter at the border, a violent storm hurls them off course, into a flooded maze of dark water and trees with no way out.Be the first to know about Wondery's newest podcasts, curated recommendations, and more! Sign up now at https://wondery.fm/wonderynewsletterListen to Against The Odds on the Wondery App or wherever you get your podcasts. Experience all episodes ad-free and be the first to binge the newest season. Unlock exclusive early access by joining Wondery+ in the Wondery App, Apple Podcasts or Spotify. Start your free trial today by visiting http://wondery.com/links/against-the-odds/ now.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The sound of “Sinners” is bold, immersive, and essential to the film's emotional power — a standout achievement that has earned the film a spot on the shortlist for Best Sound at this year's upcoming Academy Awards®. We're joined by re-recording mixer and sound designer Steve Boeddeker, supervising sound editor Benny Burtt, re-recording mixer Brandon Proctor, and production sound mixer Chris Welcker to break down how they layered music, dialogue, and sound design to shape the film's mood, rhythm, and storytelling, including that incredible sequence conjuring musical spirits from the past and the future. “This comes back to Ryan being bold and taking big swings. From the effects standpoint, this was obviously a big music moment, so we were doing whatever we could to not mess it up. We started by being very specific with anything we cut, and anything we cut, we cut in rhythm with the music… And then Ryan really just wanted to be in Sammy's head, so it ended up being effects getting out of the way almost entirely, with just a few moments standing out.”—Benny Burtt, Supervising Sound Editor, “Sinners”Be sure to check out “Sinners,” now streaming on HBO Max, in Dolby Vision® and Dolby Atmos®. Also, be sure to catch our previous episode about the music of “Sinners,” with Two-time Academy Award-winning composer Ludwig Göransson and Executive Music Producer Serena Göransson on YouTube. Please subscribe to Dolby Creator Talks wherever you get your podcasts. You can also check out the video for this episode on YouTube. Learn more about the Dolby Creator Lab and check out Dolby.com. Connect with Dolby on Instagram, Twitter, Facebook, or LinkedIn.

On this week's show we look at the annual Consumer Electronics Show inLas Vegas Nevada. In years past there was more for us home theater fans but we still find some cool products that will eventually find their way into our homes. News: More than 60% of audiences use TV as primary streaming device Which sports will Netflix have in 2026? LG Key Highlights Return of the Wallpaper OLED TV (LG OLED evo W6) — LG revived its iconic ultra-thin "Wallpaper" design after a multi-year hiatus. The W6 is just 9mm thick, fully wireless (with a separate connection box up to 10 meters away), uses Hyper Radiant Color Technology for improved brightness and colors, and supports features like art display via Gallery+ service. It's marketed as reflection-free and significantly brighter than average OLEDs. New OLED Lineup — Including the brighter flagship G6 (up to 20% brighter than the G5 with Primary RGB Tandem 2.0 panels and reduced reflections), split C6 series (with varying tech tiers), and claims of the world's first TVs supporting 4K 120Hz cloud gaming with low-latency controllers. Micro RGB evo TV — LG's first flagship Mini-LED TV with Micro RGB technology for vastly expanded color range and brightness, available in large sizes including the "world's largest" Micro RGB LCD TV, the 130-inch R95H. Gallery TV — A direct competitor to Samsung's The Frame, with anti-glare screens and curated art modes (designed with museum input). CLOiD Home Robot — A standout AI-powered housekeeper robot demoed on stage. It performs complex chores like folding laundry, loading/unloading dishwashers, preparing simple meals (baking croissants), and coordinating with connected appliances for a "Zero Labor Home" vision. LG Sound Suite (with Dolby) - Includes the H7 soundbar, optional M7/M5 wireless surround speakers, and W7 subwoofer. Allows free placement of speakers; the system auto-configures channels for optimal immersion, solving a major pain point in traditional wired or rigidly positioned Atmos setups.Hands-on reports highlighted its ease for real-world living rooms, delivering expansive sound without cables or furniture rearrangement. Samsung Key Highlights World's first 130-inch Micro RGB TV (): The largest in their Micro RGB lineup, featuring next-generation color accuracy (100% Rec.2020 coverage), bold new design, HDR10+ ADVANCED support, Eclipsa Audio, and AI enhancements like conversational search, proactive recommendations, AI Football (Soccer) Mode Pro, and integrations with Microsoft Copilot and Perplexity. AI Soccer Mode delivers a more exciting gameday experience through AI-driven picture and sound tuning to stadium-level quality. AI Sound Controller Pro lets you raise or lower the volume of the crowd, commentary, or background music, providing a personalized listening experience for TV shows and movies. Users can simply make verbal requests, and any TV equipped with VAC – which includes Micro LED, Micro RGB, OLED, Neo QLED, Mini LED and UHD TV – contextually carries out those requests. Expanded Micro RGB TV lineup: New sizes including 55-, 65-, 75-, 85-, 100-, 115-inch models, alongside upgrades to Neo QLED and OLED TVs  The Freestyle+ portable projector: An upgraded AI-powered version with improved brightness, support for projecting on uneven surfaces (walls, ceilings, corners, curtains), and smarter entertainment features. New audio products: Music Studio 5 and 7 wireless speakers (Bluetooth/Wi-Fi, unique designs), and soundbars like the HW-QS90H (all-in-one 7.1.2 with Quad Bass Woofer system). Broader AI focus: Enhanced experiences in home appliances (e.g., Bespoke AI), TVs, and ecosystem integration. Press releases  Sony No major announcements were made regarding Sony's traditional consumer products, such as new Bravia TVs, headphones, cameras, or PlayStation hardware. Sony's focus shifted toward the future of mobility and software-defined vehicles. TCL Key Highlights X11L SQD-Mini LED TV - as its 2026 flagship. It features new "SQD-Mini LED" technology (Super Quantum Dot Mini-LED), emphasizing superior color accuracy and performance. Features 10,000 Nits, 20,000 dimming zones, 100% coverage of BT.2020 color gamut. Available initially in 98-inch and 85-inch sizes (75-inch later), with launches starting as early as January 2026. Some who have seen it are saying it rivals Micro RGB TVs from competitors like Samsung and LG, potentially challenging OLED in brightness and contrast. A65K Design Series soundbar — A compact 3.1.2-channel Dolby Atmos model with Bang & Olufsen tuning and wireless subwoofer. Hisense Key Highlights RGB MiniLED evo Technology — Hisense introduced an evolved version of its RGB MiniLED backlight system, which adds a fourth primary color to improve accuracy and fill spectral gaps (especially in the 500-600nm range) for more natural and vibrant colors. This debuts in the flagship 116UXS large-screen TV, positioned for premium cinematic home viewing. Expanded RGB MiniLED Lineup — The company is bringing RGB MiniLED to more accessible screen sizes and models, including new UR9 and UR8 series TVs, making the technology available beyond ultra-premium flagships. Industry-First RGBY MicroLED Display — Hisense unveiled a new MicroLED prototype using four primary colors (Red, Green, Blue, Yellow), aimed at future ultra-large screens with enhanced color reproduction. Laser Projection and Other Displays — Extensions of multi-primary color tech to laser projectors, emphasizing better color accuracy and flexible installations. Additional Mentions — New projectors, smart home AI assistants, and support for advanced formats like Dolby Vision 2 on upcoming 2026 MiniLED models (via OTA updates). Home Audio Announcements Budget brand Ultimea surprised with the Skywave X100 Dual, a premium compact system boasting up to 9.2.6 channels across seven modular units.Focuses on high-channel-count immersion in a small footprint, positioning it as an affordable yet powerful alternative for space-constrained home theaters. SVS R|Evolution SeriesAudio specialist SVS debuted the 3000 R|Evolution subwoofers and a new Dolby Atmos soundbar, demonstrated in a full 5.2.4-channel cabin setup for reference-level performance. Klipsch Powered Speakers UpdateKlipsch refreshed its powered lineup with The Fives II, Sevens II, and Nines II, building on heritage horn-loaded designs with modern connectivity, plus concept teases for future innovations.Other mentions included Cambridge Audio's new active bookshelf speakers and various AI-enhanced EQ features across brands, but the Dolby Atmos FlexConnect implementations (especially LG's) stood out as the truly novel leap forward for effortless, high-quality home audio in 2026. The Fives II: $1,399.99/pair USD. The Sevens II: $1,999.99/pair USD. The Nines II: $2,399.99/pair USD Home Automation Announcements The standout trend was humanoid or multi-purpose home robots moving beyond single tasks (like vacuuming) to general household help, embodying a vision of embodied AI. LG CLOiD: LG's flagship reveal was this wheeled, dual-armed AI home robot designed for a "Zero Labor Home." It autonomously handles diverse chores like retrieving items from the fridge, heating food in the oven, folding laundry, and coordinating with other smart appliances. Powered by advanced AI and sensors, it demonstrates real-world household automation in demo setups. SwitchBot onero H1: SwitchBot introduced this accessible humanoid household robot as part of its "Smart Home 2.0" vision. It represents a shift to multi-task embodied AI, going beyond specialized devices to perform varied daily tasks. Accompanied by other AI robotics integrations for intuitive automation. Other mentions included updates like Samsung's AI Jet Bot Steam Ultra (with AI object/liquid recognition for smarter cleaning) and emerging players like 1X NEO, signaling a wave of practical home robotics. Devices are increasingly using on-device AI to automate routines without user programming. Conversational AI and Butler-Style Control: Widespread demos of voice assistants that learn habits and respond to natural commands, turning smart homes into proactive "housekeepers." Sorcerics Lens (CES Innovation Award honoree): An AI hub using on-device computer vision for fully contextual automation of housework, understanding environments to trigger actions intelligently. Lights turn on because the AI recognizes you're reading - not just because you moved. Lights turn off only when the AI understands you're about to sleep - not simply on a routineWhat motion and presence sensors fail to see, Sorcerics AI sees the difference. Govee Smart Lighting Advancements: New lights (e.g., Ceiling Light Ultra) that proactively adjust based on time of day, mood, space usage, and user patterns—rethinking lighting as adaptive rather than reactive. SwitchBot AI MindClip: AI MindClip continuously captures meetings, conversations, and everyday moments, transforming them into structured summaries, actionable to-dos, and a searchable personal knowledge base. Acting as a "second brain" fueled by subscribed cloud AI service, it allows users to retrieve past discussions, reminders, and learning materials on demand, ask questions when details are forgotten, and turn fragmented information into usable insight. Weighing just 18 grams and supporting over 100 languages, AI MindClip helps people organize and recall the growing volume of spoken information they encounter every day, enabling them to think more clearly, work more efficiently, and manage modern life with less cognitive load. Innovative Access and Security Aqara U400 Smart Deadbolt: Uses Ultra-Wideband (UWB) for precise, hands-free unlocking as you approach—more reliable than traditional geofencing/Bluetooth mixes. Lockin V7 Max: Features wireless AuraCharge (recharges within 4 meters) and fast unlocking, earning a CES Innovation Award. SwitchBot's biometric 3D locks with advanced vision. Other Notable Smart Home Innovations Expanded Matter ecosystem support across brands, enabling broader interoperability. Smarter kitchen tech, like Govee's Smart Nugget Ice Maker Pro. Enhanced security cameras with deeper AI context for automation triggers.

After winning the Cannes Jury Prize in 2025, “Sirât” has been added to the shortlist of potential nominees for Best Sound at this year's upcoming Academy Awards®, a rare achievement for an international feature film. We are delighted to welcome acclaimed filmmaker Óliver Laxe, sound designer & supervising sound editor Laia Casanovas, re-recording mixer Yasmina Praderas, and production sound mixer Amanda Villavieja to talk to us about how they crafted such an immersive and visceral track for this powerful film.“We wanted to make a genre film inspired by American cinema from the ‘70s…. I come from underground cinema, from documentary. I like reality. I'm quite an orthodox filmmaker. But we wanted to make a genre film. We wanted to make a popular film. We wanted to transcend the cinephile audience. So I was afraid. The proposition [from sound designer] Laia [Casanovas] was, ‘let's make a sound that was crispy. That you really feel it. We are having an experience in the cinema.' I like when you go to a theater and you feel with your body, with your skin. The images, the sound — that was the goal… I'm really happy because it's not just a film, thanks to the sound. It's a ceremony.”—Óliver Laxe, Director, Writer, Producer, “Sirât”Be sure to check out “Sirât” in Dolby Atmos®, where available. The film will be in theaters in New York and LA on Friday, February 6, followed by a nationwide rollout later in February.Please subscribe to Dolby Creator Talks wherever you get your podcasts.You can also check out the video for this episode on YouTube.Learn more about the Dolby Creator Lab and check out Dolby.com. Connect with Dolby on Instagram, Twitter, Facebook, or LinkedIn.

To start off the new year in style Ashea is joined by Hyunkook Lee (Professor of Psychoacoustics and APL founder), Emre Ramazanoglu and Mark Gittins, where they discuss Psychoacoustics, mixing in Dolby Atmos and the future of immersive formats both audio and visual.About Our Guests:Hyunkook Lee: Professor of audio and psychoacoustic engineering, Founder/director of the APL, & recording/mixing engineerEmre Ramazanoglu: Immersive audio engineer, mixer/producer/drummerMark Gittins: Immersive engineer/mixer/producer/outside broadcast engineer.

In 1973, American newlyweds Fitz and Holly FitzGerald travel to Peru, hoping to ride a riverboat down the wild Madre de Dios River on their way to Bolivia — and ultimately, the Amazon. But from the start, nothing goes as planned. Watching their dream slip away, the couple makes a fateful decision: they'll push forward on their own, on a homemade raft, into one of the most remote stretches of jungle on earth.Be the first to know about Wondery's newest podcasts, curated recommendations, and more! Sign up now at https://wondery.fm/wonderynewsletterListen to Against The Odds on the Wondery App or wherever you get your podcasts. Experience all episodes ad-free and be the first to binge the newest season. Unlock exclusive early access by joining Wondery+ in the Wondery App, Apple Podcasts or Spotify. Start your free trial today by visiting http://wondery.com/links/against-the-odds/ now.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The kidnapped children and their bus driver are trapped underground in the back of a moving truck, and they're running out of food and water. They decide the only way out is to dig their way to the surface. Meanwhile, the amateur criminals who hijacked the school bus are trying to deliver a five million dollar ransom demand to the California government. Soon, the tables are turned, and the kidnappers are the ones trying to escape an international manhunt.Be the first to know about Wondery's newest podcasts, curated recommendations, and more! Sign up now at https://wondery.fm/wonderynewsletterListen to Against The Odds on the Wondery App or wherever you get your podcasts. Experience all episodes ad-free and be the first to binge the newest season. Unlock exclusive early access by joining Wondery+ in the Wondery App, Apple Podcasts or Spotify. Start your free trial today by visiting http://wondery.com/links/against-the-odds/ now."See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

GRAMMY Award®-winning producer, mixer, and engineer Ryan Hewitt joins us from his Nashville studio to discuss re-mixing the entire Oasis catalog in Dolby Atmos®. We dive into his journey from learning the craft from his father, to engineering the Red Hot Chili Peppers' Stadium Arcadium with Rick Rubin, to building his own Stratmosphere Studios. Ryan shares insights on Dolby Atmos mixes for artists like Noah Kahan, his meticulous work preserving the power and legacy of Oasis' iconic albums, and his experience seeing their long-awaited 2025 reunion tour at Wembley.“The idea was to honor the original mixes, note for note, as much as possible. We couldn't do electron for electron in the console, but close enough. But it has to be, it's just gotta be great. That's all there is to it. You know, I wasn't there. I don't know exactly how everything was done. But I've made enough records that I can listen to it intently for a long time, many times, and figure out how it was done. Some of the songs, some of the records, we had notes for. Which were very helpful. And others we didn't even have track sheets for. So it was a really incredible audio archeology project.”—Ryan Hewitt, Dolby Atmos Mix Engineer, Stratmosphere StudiosStay connected!- You can listen to the Oasis catalog as well as many other classic and contemporary artists in Dolby Atmos, on enabled streaming services.- Follow Oasis on Instagram.- Follow Ryan Hewitt on Instagram.- Learn more about Ryan Hewitt and Stratmosphere Studios.Interested in creating content in Dolby Atmos? Check out our FREE resources to give you a jump start!- Dolby Atmos Music Accelerator: https://www.dolby.com/creator-lab/music-accelerator/- Dolby Atmos Essentials Course: https://learning.dolby.com/- Dolby Atmos Music Support: https://professional.dolby.com/music/Professional-resources/Please subscribe to Dolby Creator Talks wherever you get your podcasts.You can also check out the video for this episode on YouTube.Learn more about the Dolby Creator Lab and check out Dolby.com. Connect with Dolby on Instagram, Twitter, Facebook, or LinkedIn.

Today we're putting The Tonearm's needle on violinist and composer Bryan Senti.Bryan Senti won a BAFTA for scoring the BBC series Mood. He's composed for films since 2015 and worked with artists like Regina Spektor and Mark Ronson. But his new album La Marea tells a different story—his father's story.La Marea takes Cuban migration and turns it into sound. His previous album, Manu, honored his Colombian mother through short violin pieces. This time, Bryan recorded with the Czech National Symphony Orchestra. The result mixes classical precision with Latin American folk traditions and ambient textures. He recorded it specifically for Dolby Atmos. 800 tracks of strings, all acoustic, creating what he calls the feeling of being adrift at sea.In this conversation, I talk with Bryan about rediscovering the violin as an adult, how techno influenced a string orchestra album, and what it means to honor family stories through music.(The musical excerpts heard in the interview are from Bryan Senti's album La Marea)–Dig DeeperVisit Bryan Senti at bryansenti.comFollow Bryan Senti on Instagram, Facebook, Bluesky, and YouTubePurchase Bryan Senti's La Marea from Bandcamp or Qobuz and listen on your streaming platform of choiceBryan Senti's previous album ManuDustin O'Halloran - composer and collaboratorFrancesco Donadello - mixer, Synecdoche Music ResearchJustin Moshkevich - co-producer, Igloo MusicSpencer Zahn - bassist, 'Quiet in a World Full of Noise'Noah Hoffeld - cellistRrose - techno artistCzech National Symphony OrchestraAndrea Franco - video directorDig into this episode's complete show notes at podcast.thetonearm.com–• Did you enjoy this episode? Please share it with a friend! You can also rate The Tonearm ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.• Subscribe! Be the first to check out each new episode of The Tonearm in your podcast app of choice.• Looking for more? Visit podcast.thetonearm.com for bonus content, web-only interviews + features, and the Talk Of The Tonearm email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn.• Be sure to bookmark our online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.

Today we're putting The Tonearm's needle on violinist and composer Bryan Senti.Bryan Senti won a BAFTA for scoring the BBC series Mood. He's composed for films since 2015 and worked with artists like Regina Spektor and Mark Ronson. But his new album La Marea tells a different story—his father's story.La Marea takes Cuban migration and turns it into sound. His previous album, Manu, honored his Colombian mother through short violin pieces. This time, Bryan recorded with the Czech National Symphony Orchestra. The result mixes classical precision with Latin American folk traditions and ambient textures. He recorded it specifically for Dolby Atmos. 800 tracks of strings, all acoustic, creating what he calls the feeling of being adrift at sea.In this conversation, I talk with Bryan about rediscovering the violin as an adult, how techno influenced a string orchestra album, and what it means to honor family stories through music.(The musical excerpts heard in the interview are from Bryan Senti's album La Marea)–Dig DeeperVisit Bryan Senti at bryansenti.comFollow Bryan Senti on Instagram, Facebook, Bluesky, and YouTubePurchase Bryan Senti's La Marea from Bandcamp or Qobuz and listen on your streaming platform of choiceBryan Senti's previous album ManuDustin O'Halloran - composer and collaboratorFrancesco Donadello - mixer, Synecdoche Music ResearchJustin Moshkevich - co-producer, Igloo MusicSpencer Zahn - bassist, 'Quiet in a World Full of Noise'Noah Hoffeld - cellistRrose - techno artistCzech National Symphony OrchestraAndrea Franco - video directorDig into this episode's complete show notes at podcast.thetonearm.com–• Did you enjoy this episode? Please share it with a friend! You can also rate The Tonearm ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.• Subscribe! Be the first to check out each new episode of The Tonearm in your podcast app of choice.• Looking for more? Visit podcast.thetonearm.com for bonus content, web-only interviews + features, and the Talk Of The Tonearm email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn.• Be sure to bookmark our online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.

Explore the magical world of Harry Potter like never before with this in-depth conversation featuring Laura Kirker, the voice behind Double Tap's emails and a key creative force in the new full-cast Harry Potter audiobooks. Discover how immersive Dolby Atmos audio, world-class voice talent, and meticulous sound design are bringing the wizarding world to life for a new generation. Aira is proud to sponsor Double Tap, supporting a community that values independence, access, and real solutions for blind and low vision users. Aira is an app that gives you on-demand visual interpreting through trained professionals who can describe surroundings, read information, or guide you using your phone's camera. It also includes Access AI, a feature that provides instant image descriptions with the option to confirm details with a live visual interpreter. Aira works with major companies, airports, universities, and retailers that offer the service for free as Access Partners, and the platform is approaching ten million calls while remaining available on both iOS and Android. Steven Scott and Shaun Preece welcome special guest Laura Kirker for a Christmas Eve Double Tap packed with nostalgia, behind-the-scenes stories, and a touch of magic. Laura shares her journey from directing audiobooks and reading listener emails to leading the production of the groundbreaking Harry Potter full-cast audio editions. She reveals the artistry behind these immersive productions—from recording actors individually and working with seasoned directors to capturing real steam train sounds and creating 130 hours of cinematic-quality audio. Fans will hear how the team balanced cosy narration with epic atmospherics, why Dolby Atmos matters for modern listeners, and how children's feedback even shaped the final mix. Whether you're a lifelong Potter fan or intrigued by the craft of audiobook production, this is a fascinating look at the future of audio storytelling. Relevant LinksHarry Potter Full-Cast Audiobooks on Audible: https://www.audible.co.ukPottermore Publishing: https://www.pottermorepublishing.com Find Double Tap online: YouTube, Double Tap Website---Follow on:YouTube: https://www.doubletaponair.com/youtubeX (formerly Twitter): https://www.doubletaponair.com/xInstagram: https://www.doubletaponair.com/instagramTikTok: https://www.doubletaponair.com/tiktokThreads: https://www.doubletaponair.com/threadsFacebook: https://www.doubletaponair.com/facebookLinkedIn: https://www.doubletaponair.com/linkedin Subscribe to the Podcast:Apple: https://www.doubletaponair.com/appleSpotify: https://www.doubletaponair.com/spotifyRSS: https://www.doubletaponair.com/podcastiHeadRadio: https://www.doubletaponair.com/iheart About Double TapHosted by the insightful duo, Steven Scott and Shaun Preece, Double Tap is a treasure trove of information for anyone who's blind or partially sighted and has a passion for tech. Steven and Shaun not only demystify tech, but they also regularly feature interviews and welcome guests from the community, fostering an interactive and engaging environment. Tune in every day of the week, and you'll discover how technology can seamlessly integrate into your life, enhancing daily tasks and experiences, even if your sight is limited. "Double Tap" is a registered trademark of Double Tap Productions Inc. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In the summer of 1976, three masked gunmen hijack a school bus full of children in rural Chowchilla, California. The twenty-six kids and their bus driver are driven to a quarry and buried alive. Back in town, no one has any idea where the children went, who took them, or why. The local sheriff and the FBI launch a massive manhunt to track down the kidnappers and locate the children, but the trail quickly runs cold.Be the first to know about Wondery's newest podcasts, curated recommendations, and more! Sign up now at https://wondery.fm/wonderynewsletterListen to Against The Odds on the Wondery App or wherever you get your podcasts. Experience all episodes ad-free and be the first to binge the newest season. Unlock exclusive early access by joining Wondery+ in the Wondery App, Apple Podcasts or Spotify. Start your free trial today by visiting http://wondery.com/links/against-the-odds/ now.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In 1984, a young fisherman named Gudlaugur Fridthorsson — better known as “Laugi”— headed out to sea off the coast of Iceland in a small fishing trawler. But the first night of the trip, their boat capsizes, leaving Laugi and his crewmates stranded in frigid waters miles from shore. Be the first to know about Wondery's newest podcasts, curated recommendations, and more! Sign up now at https://wondery.fm/wonderynewsletterListen to Against The Odds on the Wondery App or wherever you get your podcasts. Experience all episodes ad-free and be the first to binge the newest season. Unlock exclusive early access by joining Wondery+ in the Wondery App, Apple Podcasts or Spotify. Start your free trial today by visiting http://wondery.com/links/against-the-odds/ now.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

    I have a special treat for everyone with this new mix. It's a guest mix from friend of Low Light Mixes, Andy McNeill. Andy records as Maple Mountain Sunburst and has created two previous mixes for LLM and they are both excellent. You can find them here: http://lowlightmixes.blogspot.com/2024/10/a-moon-full-of-stars-and-astral-cars-by.html https://lowlightmixes.blogspot.com/2025/01/we-did-it-again-by-andy-mcneillmaple.html Andy has a new album out, under his own name, that is a little different from his other recordings. That new album is the inspiration for this new mix which is really something special. I'll let Andy tell you about it: "Mallets, gongs, tintinnabulations, things that go ping. Here we have a mix of percolating exotica to float away on for an hour. I've included three tracks from a recent collaboration with percussionist and fellow composer Bill Brennan. Our album Dreaming In Gamelan blends West Javanese gamelan traditions with contemporary ambient electronics. Recorded with traditional hand-forged bronze instruments, the tracks were then augmented and treated in the studio. Also joining us was the brilliant electric violinist and sonic explorer Hugh Marsh. The album was mixed for immersive Dolby Atmos by Ron Searles (Atmos version available on Apple Music, Tidal, Amazon)." https://lnk.to/dreamingingamelan https://brennanmcneill.bandcamp.com/album/dreaming-in-gamelan   Thanks to Andy for curating and mixing this great collection tracks. And thanks for the excellent new album.   LINKS TO ALL THE MUSIC USED IN THIS MIX:   Bill Brennan and Andy McNeill - Tunnels of Light https://lnk.to/dreamingingamelan another fine day - Child's Play https://anotherfineday.bandcamp.com/album/a-good-place-to-be Peter Gabriel - Slow Marimbas (from Birdy soundtrack) https://open.spotify.com/album/6ZTQcgutsPhQ50FRZk3BYl?si=Af0sn6YnTaq84N4kJPk1ug Thomas Newman - Bullet (from White Oleander soundtrack) https://open.spotify.com/album/76i4SD0LNBtIZtAumvcJsS?si=mAj14pOYTYqT8_QS-S8h1Q Genesis - The Waiting Room (excerpt) https://open.spotify.com/album/49BxISwAbZZfmlhqD6Vh88?si=91fRitQ_QPK6Uh5GHyNb7w Wanderwelle - An Offering of Gratitude https://silentseason.bandcamp.com/album/gathering-of-the-ancient-spirits Bill Brennan and Andy McNeill - Morning Beams https://lnk.to/dreamingingamelan Thomas Stronen - Confronting Silence https://open.spotify.com/album/6xEg7P0N3edYKhptbNxo5c?si=ZCwZBplZRdeT_vaWWooXnQ Michael Brook - Distant Village https://open.spotify.com/album/7t48EroHL8dzsBTdUS3pRp?si=Q7PfBPDGQxCfXI-wvtXv0w Connecta Quartet - Madeira River (P.Glass) https://open.spotify.com/album/4h0827roLiZ3IDt4UK6MfS?si=7hAx96RaQnSn-i42L3bUBA another fine day - green thought (in green shade) https://anotherfineday.bandcamp.com/album/life-before-land Bartosz Kruczyński - Dream 1 https://earthtraxonline.bandcamp.com/album/dreams-whispers Shuta Yasukochi - Sakura https://shutayasukochi.bandcamp.com/album/harmonies-of-flowers Marilyn Masur - Bell-Painting https://open.spotify.com/album/5HZk4QJRTXSQaauqz5SHAL?si=WbplnlyZRYydr9vaWBiTSw Four Tet - Lush https://fourtet.bandcamp.com/album/new-energy Jon Hassell - Time and Place https://open.spotify.com/album/6p97ys8xZeV60gh427TwMz?si=o8f6zwf7SNiDkBdp-IYnGw Boston Modern Orchestra Project - Suite for Violin with American Gamelan - III. Air (Lou Harrison) https://bmopsound.bandcamp.com/album/lou-harrison-la-koro-sutro Pierre Favre Ensemble - Frog Songs (excerpt) https://open.spotify.com/album/4i3JU3zB3PfVceKEq89mx7?si=GI0PfPDbRsG4pHCXpCdOgw Marilyn Masur - Spirit Of Air (excerpt) https://open.spotify.com/album/5HZk4QJRTXSQaauqz5SHAL?si=WbplnlyZRYydr9vaWBiTSw Four Tet - You Were There With Me (excerpt) https://open.spotify.com/album/2BKXRpAaq7jZStXo6A10qK?si=kfBOKOGwR_-uWyseYAk-kQ Bill Brennan and Andy McNeill - Reverie https://lnk.to/dreamingingamelan     Cheers!     T R A C K L I S T : 00:00   Bill Brennan and Andy McNeill - Tunnels of Light (Dreaming In Gamelan 2025) 02:35   another fine day - Child's Play (a good place to be 2015) 07:03   Peter Gabriel - Slow Marimbas (Birdy soundtrack 1985) 10:01   Thomas Newman - Bullet (White Oleander soundtrack 2002) 10:31   Genesis - The Waiting Room excerpt (The Lamb Lies Down On Broadway 1974) 11:15   Wanderwelle - Her Name is Vairumati (Gathering of the Ancient Spirits 2018) 16:13   Bill Brennan and Andy McNeill - Morning Beams (Dreaming In Gamelan 2025) 19:07   Thomas Stronen - Confronting Silence (Relations 2024) 19:23   Michael Brook - Distant Village (Hybrid 1985) 23:15   Connecta Quartet - Madeira River (P. Glass) (Pulse And Echoes 2024) 28:10   another fine day - green thought (in green shade) (life before land 1994) 34:18   Bartosz Kruczyński - Dream 1 (Dreams & Whispers 2024) 37:20   Shuta Yasukochi - Sakura (Harmonies of Flowers 2024) 39:47   Marilyn Masur - Bell-Painting (Elixir 2008) 40:19   Four Tet - Lush (New Energy 2017) 43:40   Jon Hassell - Time and Place (Last Night The Moon Came Dropping Its Clothes In The Street 2009) 47:17   Boston Modern Orchestra Project - Suite for Violin with American Gamelan - III. Air (Lou Harrison) (La Koro Sutro 2014) 50:37   Pierre Favre Ensemble - Frog Songs excerpt (Singing Drums 1984) overlayed with Marilyn Masur - Spirit Of Air excerpt (Elixir 2008) 52:02   Four Tet - You Were There With Me excerpt (Everything Ecstatic 2005) 55:22   Bill Brennan and Andy McNeill - Reverie (Dreaming in Gamelan 2025) 1:05:29   end

In 1984, a young fisherman named Gudlaugur Fridthorsson — better known as “Laugi”— headed out to sea off the coast of Iceland in a small fishing trawler. But the first night of the trip, their boat capsizes, leaving Laugi and his crewmates stranded in frigid waters miles from shore. Be the first to know about Wondery's newest podcasts, curated recommendations, and more! Sign up now at https://wondery.fm/wonderynewsletterListen to Against The Odds on the Wondery App or wherever you get your podcasts. Experience all episodes ad-free and be the first to binge the newest season. Unlock exclusive early access by joining Wondery+ in the Wondery App, Apple Podcasts or Spotify. Start your free trial today by visiting http://wondery.com/links/against-the-odds/ now.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In this solo episode of the Mixing Music Podcast, Dee Kei breaks down why loudness is part of the mix, not an afterthought for mastering. He explains why you should never send clients an unlimited mix as the main reference, even if a separate mastering engineer is involved, and why your job as a mixer is to deliver something that already feels like a finished record.DK talks through how to limit with intention, using loudness as an emotional dimension of the record instead of just cranking LUFS. He gets into the illusion of dynamics, sidechain feel, clipping, multiple limiters, and how different genres (jazz versus hyper-loud pop) demand different loudness philosophies. He also explains why mastering engineers would rather receive a well-intentioned, fully limited mix than an unintentional “safe” premaster that forces them to guess what you wanted.To close, DK rants a bit about Dolby Atmos and spatial audio: how strict loudness specs in Atmos remove an entire emotional dimension for music, why it makes sense for film and games, and why spatial formats are pushed in music mostly to sell headphones, not to make records sound better.What you will learn:Why you should always send clients a limited mix or “reference master”How to think about loudness as part of tone, impact, and emotionIllusion of dynamics, sidechain feel, clipping, and multi-stage limiting in loud mixesHow intentional rough mixes and stems reduce guesswork for mixers and mastering engineersWhy Atmos loudness standards remove a creative dimension for music and are better suited for film and TV SUBSCRIBE TO OUR PATREON FOR EXCLUSIVE CONTENT!⁠SUBSCRIBE TO YOUTUBE⁠Join the ‘Mixing Music Podcast' Discord!HIRE DEE KEIHIRE LU⁠HIRE JAMES⁠Find Dee Kei and Lu on Social Media:Instagram: @DeeKeiMixes @MasteredbyLu @JamesParrishMixesTwitter: @DeeKeiMixes @MasteredbyLuThe Mixing Music Podcast is sponsored by ⁠Izotope⁠, ⁠Antares (Auto Tune)⁠, Sweetwater, ⁠Plugin Boutique⁠, ⁠Lauten Audio⁠, ⁠Filepass⁠, & ⁠Canva⁠The Mixing Music Podcast is a video and audio series on the art of music production and post-production. Dee Kei, Lu, and James are professionals in the Los Angeles music industry having worked with names like Odetari, 6arelyhuman, Trey Songz, Keyshia Cole, Benny the Butcher, carolesdaughter, Crying City, Daphne Loves Derby, Natalie Jane, charlieonnafriday, bludnymph, Lay Bankz, Rico Nasty, Ayesha Erotica, ATEEZ, Dizzy Wright, Kanye West, Blackway, The Game, Dylan Espeseth, Tara Yummy, Asteria, Kets4eki, Shaquille O'Neal, Republic Records, Interscope Records, Arista Records, Position Music, Capital Records, Mercury Records, Universal Music Group, apg, Hive Music, Sony Music, and many others.This podcast is meant to be used for educational purposes only. This show is filmed and recorded at Dee Kei's private studio in North Hollywood, California. If you would like to sponsor the show, please email us at ⁠deekeimixes@gmail.com⁠.Our Sponsors:* Check out Uncommon Goods: https://uncommongoods.com/mmpodSupport this podcast at — https://redcircle.com/mixing-music-music-production-audio-engineering-and-music/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

In December of 2023, Matt Reum spun off a freeway in Indiana to avoid something in the road. His pickup truck rolled down a hill and landed under a bridge where no one could see him. Matt spent the next six days – including Christmas Day – pinned inside the wreckage of his truck, praying that someone would find him. On this episode of In Their Own Words, Matt shares the story of his fight for survival. In this episode, we discussed suicide and depression. If you or someone you know is struggling with mental health, the National Suicide and Crisis Lifeline can be reached by calling or texting 9-8-8. Be the first to know about Wondery's newest podcasts, curated recommendations, and more! Sign up now at https://wondery.fm/wonderynewsletterListen to Against The Odds on the Wondery App or wherever you get your podcasts. Experience all episodes ad-free and be the first to binge the newest season. Unlock exclusive early access by joining Wondery+ in the Wondery App, Apple Podcasts or Spotify. Start your free trial today by visiting http://wondery.com/links/against-the-odds/ now.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

By the early afternoon, the water started to recede back out to sea. But the destruction left in its wake was devastating. Communications were down, roads were washed out. First responders raced to rescue stranded survivors and doctors stretched their supplies to the limits to treat the thousands of victims pouring into local hospitals. Back on shore, fisherman Wimon Thongtae began the search for his wife and daughters, terrified that he might have lost them all. Order your copy of the new Against the Odds book, How to Survive Against the Odds: Tales & Tips for Animal Attacks and Natural Disasters, for stories of everyday people confronted by life-or-death situations, showing you how they survived—and how you can too. Learn more at SurvivalGuidebook.com.Be the first to know about Wondery's newest podcasts, curated recommendations, and more! Sign up now at https://wondery.fm/wonderynewsletterListen to Against The Odds on the Wondery App or wherever you get your podcasts. Experience all episodes ad-free and be the first to binge the newest season. Unlock exclusive early access by joining Wondery+ in the Wondery App, Apple Podcasts or Spotify. Start your free trial today by visiting http://wondery.com/links/against-the-odds/ now.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

On May 5, 1993, three 8-year-old boys were brutally murdered in West Memphis, Arkansas. The tiny local police department launches an investigation but finds little physical evidence to lead them to a suspect. Eventually, outside pressure pushes them to charge someone with the killings, whether or not the evidence supports their conclusions.American Scandal takes you deep into the heart of America's dark side to look at what drives someone to break the rules and what happens when they're caught. In our latest series, three teenage boys are falsely accused of a vicious triple homicide, but their story doesn't end with their trials or convictions. Instead, their plight will capture the imagination of the entire country and spark a campaign for justice that will last for almost two decades. Listen to American Scandal: The West Memphis Three: Wondery.fm/AS_IFDSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

As the force of the waves lessened, survivors faced a new problem: they were trapped in the mass of debris the tsunami generated. Stuck between a swirl of cars, building remains, and dead bodies, the survivors resorted to extreme measures to reach safety. Dozens of tourists were stranded at the Emerald Cave with no way out. At sea, Wimon Thongtae began the treacherous journey home to Nam Khem through rough waters in his leaking boat. Order your copy of the new Against the Odds book, How to Survive Against the Odds: Tales & Tips for Animal Attacks and Natural Disasters, for stories of everyday people confronted by life-or-death situations, showing you how they survived—and how you can too. Learn more at SurvivalGuidebook.com.Be the first to know about Wondery's newest podcasts, curated recommendations, and more! Sign up now at https://wondery.fm/wonderynewsletterListen to Against The Odds on the Wondery App or wherever you get your podcasts. Experience all episodes ad-free and be the first to binge the newest season. Unlock exclusive early access by joining Wondery+ in the Wondery App, Apple Podcasts or Spotify. Start your free trial today by visiting http://wondery.com/links/against-the-odds/ now.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

As the wave barreled ashore on Thailand's west coast, people were sucked under a powerful wall of water that was so strong it ripped the clothes off their backs. It separated husbands from wives, and parents from their children. Six miles out to sea, fisherman Wimon Thongtae raced to figure out how to position his small boat, so it could survive as one giant wave after another sped toward him.Order your copy of the new Against the Odds book, How to Survive Against the Odds: Tales & Tips for Animal Attacks and Natural Disasters, for stories of everyday people confronted by life-or-death situations, showing you how they survived—and how you can too. Learn more at SurvivalGuidebook.com.Be the first to know about Wondery's newest podcasts, curated recommendations, and more! Sign up now at https://wondery.fm/wonderynewsletterListen to Against The Odds on the Wondery App or wherever you get your podcasts. Experience all episodes ad-free and be the first to binge the newest season. Unlock exclusive early access by joining Wondery+ in the Wondery App, Apple Podcasts or Spotify. Start your free trial today by visiting http://wondery.com/links/against-the-odds/ now.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Humans are resilient. In our toughest moments, we will fight, we will struggle, and we will triumph...often against the odds. In this immersive series from Wondery, host-adventurers Mike Corey and Cassie De Pecol will share thrilling stories of survival. From the daring rescue of a soccer team trapped in an underwater cave in Thailand, to a woman taken hostage by Somali pirates, these stories made headlines around the world.Against The Odds will make you feel as though you're living these experiences with our heroes as they push themselves to their limits. Listen to Against The Odds: Tsunami In Thailand: https://Wondery.fm/ATO_IFDSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

On the morning of December 26th, 2004, a 9.1 earthquake struck in the Indian Ocean, triggering a tsunami. Along Thailand's west coast, tourists like Ed and Helen Muesch, and residents like fisherman Wimon Thongtae went about their days, as usual. They were all unaware that a massive wave was heading straight toward them. By the time they realized the threat, they had only seconds to react and try to survive what would become the deadliest natural disaster on record. Order your copy of the new Against the Odds book, How to Survive Against the Odds: Tales & Tips for Animal Attacks and Natural Disasters, for stories of everyday people confronted by life-or-death situations, showing you how they survived—and how you can too. Learn more at SurvivalGuidebook.com. Be the first to know about Wondery's newest podcasts, curated recommendations, and more! Sign up now at https://wondery.fm/wonderynewsletter Listen to Against The Odds on the Wondery App or wherever you get your podcasts. Experience all episodes ad-free and be the first to binge the newest season. Unlock exclusive early access by joining Wondery+ in the Wondery App, Apple Podcasts or Spotify. Start your free trial today by visiting http://wondery.com/links/against-the-odds/ now.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In the summer of 2005, 17-year-old Alex Messenger sets out on a 42-day canoe trip in the remote wilderness of northern Canada. For nearly a month, he and his fellow campers paddle through rivers and lakes, and live completely cut off from the outside world. But on Day 29, Alex takes a short solo hike up a ridge—and suddenly comes face-to-face with a 600-pound grizzly bear. On this episode of In Their Own Words, Alex shares the story of what happened next—and how the experience changed his life forever.Order your copy of the new Against the Odds book, How to Survive Against the Odds: Tales & Tips for Animal Attacks and Natural Disasters, for stories of everyday people confronted by life-or-death situations, showing you how they survived—and how you can too. Learn more at SurvivalGuidebook.com.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.