Podcasts about Dolby Atmos

What does Dolby Atmos actually mean in a car — and why does it matter more in a car than in your living room?In this episode of the evo India Podcast, Karan Grover, Senior Director at Dolby Labs, sits down with executive editor, Aatish Mishra to explain exactly how Dolby Atmos and Dolby Vision work in cars, why a car is actually the most perfect listening environment Dolby has ever worked with, and why India is doing things in car audio that have never been done anywhere else in the world.The conversation covers the detail that will stop most people cold: AR Rahman composed 1,100 individual chimes for the Mahindra BE6 and BE9, all mixed in Dolby Atmos — so when a warning sound tells you there is an obstruction on your left, it genuinely comes from your left. That is not a gimmick. That is object-based audio design applied to a car's entire sound ecosystem.Karan explains how Dolby Atmos goes from a recording studio to a streaming platform to your car's speakers, why the car is the only listening environment where every speaker position and every seat position is fixed — which makes it the ideal space for Atmos tuning — and how Mahindra Auto became the first manufacturer in the world to put Dolby Atmos on a 4-channel non-branded speaker setup in the XUV 3XO. Mahindra also pushed Dolby to deliver Atmos on the Thar, previously thought impossible at that speaker configuration. Both were firsts. Both happened in India.The episode also covers the Mercedes-AMG GT63 Electric's synthesized V8 sound and whether it is tuned in Dolby Atmos, how EVs are changing the science of sound design because there is no engine masking the audio environment, why Apple CarPlay supports Atmos playback and what Android's recent update means for wireless Atmos in cars, and where car audio goes from here — including the possibility of film premieres in cars and Dolby Atmos eventually reaching buses, tractors and auto-rickshaws. He also talks about the various cars which have Dolby Atmos like the XUV 7XO, the Maruti Suzuki Victoris, Tata Sierra and more. Dolby currently works with 38 automobile manufacturers and over 150 car nameplates globally.

Dolby Atmos ist heute Standard – von Kinos über Autos bis hin zum Kopfhörer-Mix via Binauralisierung. Doch egal wie man abhört: Die Erstellung von Multikanal-Inhalten stößt oft auf ein technisches Nischendasein bei Plug-Ins. Während man für Reverbs mittlerweile eine gute Auswahl an Mehrkanal-Lösungen hat, sind EQs, Kompressoren und vor allem Delays in Formaten wie 7.1.4 oft Mangelware. Die Folge sind umständliche Workarounds, die nicht immer zuverlässig funktionieren. Hier kommt Armada von Fiedler Audio ins Spiel. Als spezialisierter Entwickler für Immersive-Tools präsentiert Fiedler mit Armada einen Wrapper, der verspricht, jedes Plug-In in jedem beliebigen Format nutzbar zu machen. Aber klappt das in der Praxis wirklich? In diesem Video führe ich dich durch alle Funktionen von Armada. Ich zeige dir den praktischen Workflow, erkläre die Vorteile im Studioalltag und demonstriere die Arbeitsweise direkt mit Soundbeispielen. Am Ende teile ich meine ehrliche Meinung dazu, ob das Tool die Herausforderung der Mehrkanal-Bearbeitung für dich endlich lösen kann. In diesem Video erfährst du: - Wie Armada die Lücke bei Mehrkanal-Delays, EQs und Kompressoren schließt. - Eine detaillierte Erklärung jeder Funktion in der Praxis. - Soundbeispiele zur Veranschaulichung der klanglichen Auswirkungen. Mein Fazit nach dem ausführlichen Test. Den ganzen Testbericht findest Du auf recording.de Wenn ich Dir helfen konnte, freue ich mich über einen virtuellen Kaffee ;-) https://ko-fi.com/timheinrich Zum kostenlosen Cubase-Stammtisch anmelden: subscribepage.io/1D69jt Podcast: https://sounthcast.podbean.com/ https://sounth.de https://www.facebook.com/tim.heinrich.524/ https://www.instagram.com/tim_heinrich/ Facebook Gruppe 'Filmmusik komponieren & Sounddesign': https://www.facebook.com/groups/309751689699537 Perfekte Orchester-Mockup-Balance: Orchestra Guide https://www.sounth.de/orchestra-guide/ Dieses Video ist auch auf YouTube zu sehen: https://youtu.be/b0-FrbImqCM

Dr. John Schneider rode into town like a character out of a Western: an outsider on a Harley-Davidson, in trademark cowboy boots. He promised relief to patients suffering in Wyoming and Montana. He seemed like the hero they needed. But when surgeries go wrong and a strange letter exposes a bitter feud, medical professionals and government officials search for the truth about this cowboy doctor. They discover claims of broken bodies, bullying, fraud, and lawsuits.From Audible, the fifth season of the hit series Dr. Death returns with The Cowboy: the story of a surgeon who took advantage of a broken system and the fight to bring him to justice. Listen to Dr. Death: The Cowboy wherever you get your podcasts. Audible subscribers can binge all episodes of Dr. Death: The Cowboy ad-free right now. Start your Audible subscription in the Audible App or on Apple Podcasts.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Dr. John Schneider rode into town like a character out of a Western: an outsider on a Harley-Davidson, in trademark cowboy boots. He promised relief to patients suffering in Wyoming and Montana. He seemed like the hero they needed. But when surgeries go wrong and a strange letter exposes a bitter feud, medical professionals and government officials search for the truth about this cowboy doctor. They discover claims of broken bodies, bullying, fraud, and lawsuits.From Audible, the fifth season of the hit series Dr. Death returns with The Cowboy: the story of a surgeon who took advantage of a broken system and the fight to bring him to justice. Listen to Dr. Death: The Cowboy wherever you get your podcasts. Audible subscribers can binge all episodes of Dr. Death: The Cowboy ad-free right now. Start your Audible subscription in the Audible App or on Apple Podcasts.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Forced to abandon the La Conte, the five fishermen — Bob Doyle, Mark Morley, Mike DeCapua, Giggy Mork and David Hanlon — find themselves at the mercy of towering waves and galeforce winds as they float in the frigid sea. As they prayed for a swift rescue, the Coast Guard helicopter crew sent from Sitka soon discovered this wasn't an ordinary, or predictable, storm. For more on this story, we recommend:The Last Run by Todd LewanComing Back Alive by Spike Walker (also available as an audiobook on Audible)See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

On January 30, 1998, five fishermen finally hit the jackpot in a fishing bank known as Fairweather Ground off the southeastern coast of Alaska. They were aboard a wooden ship called the La Conte, which had seen better days. Despite a brewing storm approaching and the ship taking on water, the men decided to throw out one more fishing line. They'd soon learn they'd made a grave mistake.For more on this story, we recommend:The Last Run: A True Story of Rescue and Redemption on the Alaska Seas by Todd LewanComing Back Alive: The True Story of the Most Harrowing Search and Rescue Mission Ever Attempted on Alaska's High Seas by Spike Walker (also available as an audiobook on Audible)See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

I got the Steam Controller, and give my early impressions, as well as bemoan the fact that it can only be used in Steam and not in any other PC gaming content, such as games from Xbox Game Pass or Play Anywhere. Valve is implementing a reservation queue for future shipments of the Steam Controller due to the popularity of the first wave of orders. Nintendo has increased the price of the Switch 2 due to the AI infrastructure roll out - memory and storage is more expensive now than it was when the Switch 2 was initially manufactured. New Xbox CEO Asha Sharma announced that Xbox Copilot for Consoles is being discontinued, so there will not be an AI chatbot added to Xbox consoles as originally planned. Then we take a call from a blind gamer sharing how Civilization V is now completely playable for blind players thanks to a recent mod. Then we talk to Jamie about accessibility and how Dolby Atmos audio works.

Is what's happening on OnlyFans real? Or is it only a fantasy?In this provocative investigation into OnlyFans—the adult platform where subscribers around the world spent more than $7 billion in 2024—journalist Leon Neyfakh teams up with comedian and OnlyFans creator Gracie Canaan for a one-of-a-kind exploration into the current state of human connection. Throughout, they discover that the site originally built for spicy adult content has quietly and surprisingly become something more complicated— an emotional marketplace where desire, performance, care, fantasy, and vulnerability seemingly blur together.As Neyfakh and Canaan navigate timely questions about autonomy, performance, and profit, a question emerges: is connection mediated by a screen still authentic? To find the answer, they meet creators building lucrative businesses, subscribers who believe they've found something real, professional “chatters” who are paid to simulate affection, and pioneers who have helped engineer intimacy at scale.Captivating and tender, OnlyFantasy is ultimately about the cost of loneliness, the seductive power of desire, and how the rules of human intimacy are being rewritten online.Listen to OnlyFantasy wherever you get your podcasts. Or binge all episodes of OnlyFantasy ad-free right now on Audible. Start your Audible subscription in the Audible App or on Apple Podcasts.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Is what's happening on OnlyFans real? Or is it only a fantasy?In this provocative investigation into OnlyFans—the adult platform where subscribers around the world spent more than $7 billion in 2024—journalist Leon Neyfakh teams up with comedian and OnlyFans creator Gracie Canaan for a one-of-a-kind exploration into the current state of human connection. Throughout, they discover that the site originally built for spicy adult content has quietly and surprisingly become something more complicated— an emotional marketplace where desire, performance, care, fantasy, and vulnerability seemingly blur together.As Neyfakh and Canaan navigate timely questions about autonomy, performance, and profit, a question emerges: is connection mediated by a screen still authentic? To find the answer, they meet creators building lucrative businesses, subscribers who believe they've found something real, professional “chatters” who are paid to simulate affection, and pioneers who have helped engineer intimacy at scale.Captivating and tender, OnlyFantasy is ultimately about the cost of loneliness, the seductive power of desire, and how the rules of human intimacy are being rewritten online.Listen to OnlyFantasy wherever you get your podcasts. Or binge all episodes of OnlyFantasy ad-free right now on Audible. Start your Audible subscription in the Audible App or on Apple Podcasts.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Is what's happening on OnlyFans real? Or is it only a fantasy?In this provocative investigation into OnlyFans—the adult platform where subscribers around the world spent more than $7 billion in 2024—journalist Leon Neyfakh teams up with comedian and OnlyFans creator Gracie Canaan for a one-of-a-kind exploration into the current state of human connection. Throughout, they discover that the site originally built for spicy adult content has quietly and surprisingly become something more complicated— an emotional marketplace where desire, performance, care, fantasy, and vulnerability seemingly blur together.As Neyfakh and Canaan navigate timely questions about autonomy, performance, and profit, a question emerges: is connection mediated by a screen still authentic? To find the answer, they meet creators building lucrative businesses, subscribers who believe they've found something real, professional “chatters” who are paid to simulate affection, and pioneers who have helped engineer intimacy at scale.Captivating and tender, OnlyFantasy is ultimately about the cost of loneliness, the seductive power of desire, and how the rules of human intimacy are being rewritten online.Listen to OnlyFantasy wherever you get your podcasts. Or binge all episodes of OnlyFantasy ad-free right now on Audible. Start your Audible subscription in the Audible App or on Apple Podcasts.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

One great co-write can change a career, but only if you understand what actually happened in the room. We sit down with Louisiana country music recording artist Karen Waldrop to get specific about the songwriting process behind “Me Again,” including what it was like writing with hit writer Danny Wells, how the melody and structure came together, and why the best collaborators know when to lead and when to get out of the way. If you're a songwriter, an indie artist, or just a listener who loves the story behind the song, this conversation is packed with real craft, not mythology.From songwriting we move into the studio, where Karen shares what she learned working with producer Garth Fundis and what it takes to track a record in iconic Nashville spaces like Sound Emporium, Soundstage, and BMG Studio A. We also talk about making music that holds up in 2026 listening environments, including Dolby Atmos mixing for immersive audio and why she's pushing for the best possible sound. Karen breaks down a bold independent artist strategy too: touring songs before releasing the full project, using real-time audience reaction to guide what comes next.The emotional center is her new release “Keeping the Faith,” a hopeful country song rooted in belief, prayer, and the decision to keep moving even when life hits hard. Karen opens up about going through divorce while finishing a positive record she calls “No Way Back,” why honesty with fans matters, and how her community showed up through a Mother's Day video built from fan-submitted photos and stories. We also zoom out to the bigger legacy she cares about most: her long-term charity work supporting Haiti through homes, clean water, and music-driven fundraising.Subscribe for more artist interviews, share this with a friend who loves country music storytelling, and leave a review if you want more conversations like this. What helps you keep the faith when the plan falls apart?Episode LinksKaren Waldrup: https://karenwaldrup.com/Send us Fan MailSupport the showLinksJay Franze: https://jayfranze.com/JFS Countdowns/Playlists: https://jayfranze.com/playlists/ContactContact: https://jayfranze.com/contact/SocialsInstagram: https://www.instagram.com/jayfranzeYouTube: https://youtube.com/@jayfranzeEverywhere: @jayfranzeServicesServices: https://jayfranze.com/services/BooksBooks: https://jayfranze.com/books/MerchandiseMerchandise: https://jayfranze.com/merchandise/SupportSupport: https://jayfranze.com/support/Sponsor the Show: https://jayfranze.com/sponsor/Shout OutsHigh Mountain Breezes Music: https://highmountainbreezesmusic.com/VR Knives: https://www.facebook.com/VRKnives

Text us about this show.As a musician, there are two words that come to mind about Ryan Pearl: thoughtful and adaptive. He's thoughtful because what he brings to a song is expressive and intentional with generous amounts of feeling. He's adaptive because over the decades he's taken to instruments new to him and been put in situations where his chops are counted on sometimes in the spur of the moment. He's well versed in a number of genres and whatever the scenario calls for, Ryan delivers. He's the "sixth member" of The Willy Porter Band and could very well be the secret sauce of The Willy Porter Quartet. We have tracks by both bands to show just how Ryan is an important and valued component in both. Enjoy!"Larry Bought a Tractor" performed by The Willy Porter Bandwritten by Willy Porter℗ 2023 Weasel Records. Used with permission of Willy Porter."Imaginary Wings" performed by The Willy Porter Quartetwritten by Willy Porter℗ 2025 Weasel Records. Used with permission of Willy Porter.Melody Audiology LLCAudiology services for all. Specializing in music industry professionals and hearing conservation.Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the showVisit Into The Music at https://intothemusicpodcast.com!Support the show: https://www.buymeacoffee.com/intothemusic E-mail us at intothemusic@newprojectx.comYouTubeFacebookInstagramINTO THE MUSIC is a production of Project X Productions.Host/producer: Rob MarnochaVoiceovers: Brad BordiniRecording, engineering, and post production: Rob MarnochaOpening theme: "Aerostar" by Los Straitjackets* (℗2013 Yep Roc Records)Closing theme: "Close to Champaign" by Los Straitjackets* (℗1999 Yep Roc Records)*Used with permission of Eddie Angel of Los StraitjacketsThis podcast copyright ©2026 by Project X Productions. All rights reserved....

In July of 2025, climate reporter Alec Luhn was in his element hiking around a glacier in Norway's Folgefonna National Park. But when Alec slipped off a boulder and broke his leg, he found himself unable to move and trapped in a remote area with no one expecting him home for days. On this episode of In Their Own Words, Alec recounts the story of his fall, being caught in a storm, and doing everything he could to give himself a chance to see his family again. To follow Alec's work, subscribe to his newsletter: https://icemushroom.substack.comSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Front of house mix engineer Paul Falcone joins host Ben Givarz to discuss how he helped bring Mariah Carey's residencies at Dolby Live at Park MGM in Las Vegas to life as immersive live music experiences. He reflects on his journey from legendary New York recording studios to live concert mixing, and shares how he uses Dolby Atmos®, along with precise room tuning and even in-car reference checks, to keep the focus on Mariah's iconic voice and maximize the emotional impact of the show. “I always would get that feeling as a kid. I always wanted music to surround me. And being able to actually do that with Dolby Atmos and get that feeling — it does give me the chills. And I want the audience to feel that too. I want it to be an emotional experience.”—Paul Falcone, FOH Mix Engineer, Mariah CareyStay connected!- Listen to Mariah Carey and many other classic and contemporary artists mixed in Dolby Atmos on enabled streaming music services.- Find out more about the work of Paul Falcone on his website.- Find the latest news, official releases, and tour dates for Mariah Carey here.Interested in creating content in Dolby Atmos? Check out our FREE resources to give you a jump start!- Dolby Atmos Music Accelerator: https://www.dolby.com/creator-lab/music-accelerator/- Dolby Atmos Essentials Course: https://learning.dolby.com/- Dolby Atmos Music Support: https://professional.dolby.com/music/Professional-resources/Please subscribe to Dolby Creator Talks wherever you get your podcasts.You can also check out the video for this episode on YouTube.Learn more about the Dolby Creator Lab and check out Dolby.com. Connect with Dolby on Instagram, Twitter, Facebook, or LinkedIn.

In this episode of Working Class Audio, Matt welcomes back producer, mixer, and engineer Will Kennedy. Will shares an update on his journey since his last appearance, focusing on his partnership with Matt Wallace and their deep dive into immersive and Dolby Atmos mixing from their Los Angeles studio. They discuss the strategic decision to sell off their traditional recording gear, the evolution of the immersive audio market, and the amusing discovery of a hidden Starbucks inside a Jaguar dealership. The conversation also explores the unique, ongoing challenges of adapting rock and roll production techniques for the Atmos format.In This Episode, We Discuss:Biking With Brad WoodHuman Powered VehiclesPartnership With Matt WallaceDolby Atmos Mixing FocusLos Angeles Studio LocationHorseless Carriage DinerJaguar Dealership StarbucksSelling Traditional Recording GearKeeping Essential Overdub SetupOffloading Full Band TrackingEarly Adopter Atmos StrategyBecoming Premium Immersive MixersDolby Atmos Market CorrectionNavigating Cheap Atmos MixesAtmos In Modern CarsMixing Rock In SurroundStereo Versus Immersive TechniquesDeveloping New Tracking MethodsMatt's RANT!: Think BiggerLinks and Show Notes:WCA #388 with Will KennedyMatt Wallace on WCABrad Wood on WCACredits:Guest: Will KennedyHost/Engineer/Producer: Matt BoudreauWCA Theme Music: Cliff TruesdellThe Voice: Chuck SmithVideo Interview

Join me for episode 479 of the Mobile Tech Podcast with guest Florence Ion of PCMag -- brought to you by Mint Mobile. In this episode, we review the Moto Razr Fold, dive into Googlebooks and Google's Fitbit Air, and share our expectations for Google I/O 2026. We also discuss new phones from Moto, OnePlus, and Sony, then cover news, leaks, and rumors from Google, Apple, Samsung, and Qualcomm.Episode Links- Support the podcast on Patreon: https://www.patreon.com/tnkgrl- Donate / buy me a coffee (PayPal): https://tnkgrl.com/tnkgrl/- Support the podcast with Mint Mobile: https://mintmobile.com/mobiletech- Florence Ion: https://www.threads.com/@ohthatflo- Flo's Moto Razr Fold review: https://www.pcmag.com/reviews/motorola-razr-fold- My Moto Razr Fold review: https://hothardware.com/reviews/moto-razr-fold-review-8-gen-5-cameras-silicon-carbon-pen- Moto Edge 70 Pro: https://www.gsmarena.com/motorola_edge_70_pro_global_features_price_sale_date-news-72618.php- Google introduces GoogleBooks running Aluminium OS: https://www.gsmarena.com/google_introduces_googlebooks_running_android-news-72793.php- Google Fitbit Air: https://www.theverge.com/gadgets/925458/google-health-fitbit-air-ai-coaching-wearables-fitness-trackers- Google Pixel 11 series specs leak: https://www.gsmarena.com/google_pixel_11_pixel_11_pro_pixel_11_pro_xl_pixel_11_pro_fold_specs_leak-news-72668.php- Android Auto getting massive update including Dolby Atmos: https://www.techradar.com/vehicle-tech/hybrid-electric-vehicles/android-auto-gets-a-massive-ai-powered-upgrade-with-youtube-dolby-atmos-and-immersive-3d-maps- What to expect at Google I/O: https://www.pcmag.com/news/google-io-2026-what-to-expect-and-how-to-watch- Apple iPhone 20th Anniversary rumors: https://www.gsmarena.com/tipster_20th_anniversary_iphone_will_have_solidstate_buttons-news-72691.php- Apple needs to make an iPhone flip: https://ca.pcmag.com/mobile-phones/15518/hey-apple-i-dont-want-a-galaxy-z-fold-clone-i-want-a-colorful-iphone-flip-instead- Samsung Galaxy S27 Ultra camera rumors: https://www.gsmarena.com/samsung_galaxy_s27_ultra_to_have_one_less_camera_then_its_predecessor-news-72631.php- OnePlus Ace 6 Ultra: https://www.gsmarena.com/oneplus_ace_6_ultra_joins_the_game_with_a_dimensity_9500_chip_8600mah_battery-news-72587.php- Sony Xperia 1 VIII: https://www.gsmarena.com/sony_xperia_1_viii_unveiled_with_larger_48mp_telephoto_sensor_snapdragon_8_elite_gen_5-news-72786.php- Qualcomm Snapdragon 6 Gen 5 and 4 Gen 5: https://www.pcmag.com/news/qualcomms-next-midrange-snapdragon-chip-brings-flagship-like-super-zoomAffiliate Links (If you use these links to buy something, we might earn a commission)- Moto Razr Ultra 2025: https://amzn.to/42Gq4pH- Moto Edge 70: https://amzn.to/42FFFG8- Lenovo Chromebook Plus 14: https://amzn.to/4eNHVCr- Apple MacBook Neo: https://amzn.to/3ORAMGM- Google Fitbit Air: https://amzn.to/43d7Pbx

In this episode, we explore the Cleer Audio Arc 5, a feature-rich open-ear earbud that prioritizes situational awareness without sacrificing audio quality. These lightweight earbuds (11.5g each) utilize an earhook design and deliver THX Spatial Audio certification alongside Dolby Atmos optimization, powered by the Qualcomm Snapdragon Sound S5 platform with support for high-resolution codecs including aptX Lossless and LDAC.  The Arc 5 offers practical battery life with 12 hours per charge and 60 hours total via the charging case, which notably features an AMOLED touchscreen for direct control of EQ settings and spatial audio without needing your phone. Additional features include IPX7 water resistance, AI-enhanced call quality, head-gesture controls via a 6-axis motion sensor, and Bluetooth 5.4 multipoint connectivity.    Follow AndroidGuys(X) Twitter: https://www.twitter.com/androidguysInstagram: https://www.instagram.com/androidguysTikTok: https://www.tiktok.com/@androidguysofficialYouTube: https://www.youtube.com/@AndroidGuyscomOfficialWebsite: http://www.androidguys.comFollow Scott WebsterInstagram: https://www.instagram.com/scottwebsterFollow Luke GaulInstagram: https://www.instagram.com/lukegaul

Bom dia Tech! Tudo bem? Meu nome é Arthur Givigir e hoje é quinta-feira, dia 14 de maio de 2026 e trago para vc as principais notícias de tecnologia, vamos lá?Quer patrocinar ou fazer uma parceria com o Bom dia Tech? Mande um e-mail para contato@bomdia.teche vamos conversar!Notícias00:00: ☀️ Bom dia Tech!00:23:

The capture of American nurses in the Philippines is often described as an “untold story” of WWII; Dr. Elizabeth Norman set out to change that. She conducted extensive interviews with 20 of the 77 nurses who were captured. Norman collected the nurses' firsthand accounts, and pored over their diaries and letters, weaving these sources together in her book, We Band of Angels: The Untold Story of the American Women Trapped on Bataan. Norman joins Cassie to delve into what it was like to care for patients while trapped in an internment camp for three years. https://www.amazon.com/We-Band-Angels-American-Trapped/dp/0812984846See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

I have reviewed the movie before but this is my first watch in full Dolby Atmos! The Wave (2015) - Blu-Ray Review ROCKFILE Podcast 978 #thewavemovie #moviereview #rockfile  ~ You can subscribe to my podcasts on Podbean, Spotify, Apple Podcasts, iTunes, Amazon Music/Audible, Google Podcasts, YouTube, iHeart Radio, Pandora, TuneIn, Alexa, Player FM, Samsung, Podchaser, Stitcher, Boomplay, Overcast, Pocket Cast, Castro, Castbox, Podfriend, Goodpods, Deezer and more. ~ -Social Media Group: https://www.facebook.com/groups/rockfilesroom -Official Website: https://therockfile.com/ -YouTube channel: https://www.youtube.com/@rockfile -Interview Archive: https://therockfile.com/Interviews/  ~ Music from #Uppbeat https://uppbeat.io/t/anteros/rock-steady License code: DFMTD1XH0Q6HN7UC  ~  

I say this with my full chest — Undertone was not lying when it said that it is "the scariest movie you'll ever hear." And I cannot un-hear it!In this spoiler-free episode, I explore Undertone (2025) and the psychology of sound.I talk about:How sound can help us form secure attachments The psychology behind "therapist voice"How sound helps regulate our nervous systemsWhy we are naturally drawn to live music as a primal actHow silence can help grow your brainHow the 8 of wands tarot card helps us explore our relationship to silence and the unknown Mental Health is Horrifying is hosted by Candis Green, Registered Psychotherapist and owner of Many Moons Therapy...............................................................Show Notes:Tarot for Creative Therapists — Join the waitlist for this course designed for mental health professions who want to learn how to confidently and ethically incorporate tarot into clinical work. (https://candisgreen.podia.com/tarot-for-creative-therapists)Podcast artwork by Chloe Hurst at Contempo MintTheme music is by Sound Gallery by Dmitry Taras via pixabay Thunder by Music by John Britton from PixabayAll sound effects and music via pixabay Undertone (2025)See ‘Undertone' with Dolby Atmos, or You'll Miss Half the HorrorEnhancing the Raw Sound of ‘Undertone' – with David Gertsman and Jon LawlessIan Tuason haunted his own house when making his new horror filmBady SL. The voice as a curative factor in psychotherapy. Psychoanal Rev. 1985 Fall;72(3):479-90. PMID: 3931132. Soma CS, Knox D, Greer T, Gunnerson K, Young A, Narayanan S. It's not what you said, it's how you said it: An analysis of therapist vocal features during psychotherapy. Couns Psychother Res. 2023 Mar;23(1):258-269. doi: 10.1002/capr.12489. Epub 2021 Nov 18. PMID: 36873916; PMCID: PMC9979575. Sawamura, Yasuaki, Why We Overstimulate Ourselves: How Sensory Overload Blocks Memory and Weakens Learning (March 31, 2025). How Music Resonates in the BrainGentle Whispering ASMR Moonlight Cottage ASMR 

GRAMMY and Juno award-winning bassist, composer, engineer, producer, educator, and artist who last August released an eight-song album. He performs in a variety of traditional and contemporary music ensembles from around the world and is on faculty at Humber College, where he teaches audio production, performance, and composition. As a producer, mix engineer and mastering engineer, he has worked with artists from around the world in a wide range of musical styles. He is endorsed by more than a half dozen audio equipment companies and is a leader in immersive audio production, mixing and mastering Dolby Atmos content for artists worldwide. His official YouTube channel has more than one million combined video views.

The rations at the Los Baños P.O.W. camp are now down to just 400 calories per day. Every day, the nurses tend to patients who die from starvation. They don't know how much longer they can hold on. Unbeknownst to them, Lieutenant Colonel Henry Muller of the U.S. Army launches his plan to liberate the camp. But it's complex and dangerous, with many moving pieces. It's very likely it could fail, leading to the death of his soldiers and the prisoners of Los Baños.Audible subscribers can listen to all episodes of Against the Odds ad-free right now. Join Audible today by downloading the Audible app.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Shoot us a Text.Episode #1333: Used-car consolidation accelerates as the biggest dealer groups tighten their grip, Ford opens up employee pricing to drive volume, and Audible tests a bold physical retail concept. It's all about scale, strategy, and finding new ways to connect with today's customer.Show Notes with links:Automotive News dropped its 2026 Top 100 used dealer group ranking, and the big headline is scale: the top 100 retailed 3.45 million used vehicles in 2025, up 1.4%, while the top 10 alone moved 52% of the total. Big stores got bigger, and the used-car chessboard got sharper. Lithia stayed on top with 435,070 used units, followed by AutoNation at 269,558, Group 1 at 234,906, Penske at 226,301, and Sonic at 171,838.Group 1 had a monster year, jumping from 209,687 to 234,906 used units, while Hudson Automotive cracked the top 10 with 72,044 units after a big gain from 2024.The list also shows plenty of movement below the giants, with new names including DriveChoice, Price Family Dealerships, Sam Pack, Bob Moore, Young Automotive, Bayway, ZT, Hiley, and American Motors Group.Takeaway for dealers: used-car scale is still a weapon, but so is execution. The groups climbing fastest are proving inventory discipline, acquisition strategy, and turn speed still matter more than just rooftop count.Ford is opening up employee pricing to the public on most 2025 and 2026 models, leaning into affordability concerns while trying to keep volume strong. The move comes as competition tightens and buyers remain cautious on big purchases.Ford extends employee pricing broadly to attract cost-conscious buyers sitting on the sidelines.The strategy aims to boost showroom traffic and maintain plant utilization in a competitive market.Q1 2026 results show solid footing with $43B revenue and $2.5B net income, helped by a $1.3B tariff refund.The big question: will increased volume offset thinner margins or create a discounting habit?Audible is stepping into the physical world with a limited-time NYC pop-up designed to bring audio storytelling to life. The 6,000-square-foot “Story House” blends retail, community, and immersive tech into a new kind of media experience.Audible opened a three-story listening lounge in Manhattan, running through May 31.Features include Dolby Atmos rooms, live events, and interactive “story tiles” for browsing content.The space blends digital and physical, letting users sample, stream, and engage with content on-site.Community-driven programming includes creator panels, fan events, and themed experiences.James Finn, Audible's global head of brand and content marketing:“What does a bookstore look like without any books? A place where audio storytelling comes alive.”Join Paul J Daly and Kyle Mountsier every morning for the Automotive State of the Union podcast  as they connect the dots across car dealerships, retail trends, emerging tech like AI, and cultural shifts—bringing clarity, speed, and people-first insight to automotive leaders navigating a rapidly changing industry.Get the Daily Push Back email at https://www.asotu.com/JOIN the conversation on LinkedIn at: https://www.linkedin.com/company/asotu/

In this episode of My Music, Graham Coath sits down with Billy Sherwood of Yes to explore the band's forthcoming album Aurora—a record that blends legacy, experimentation, and a continued commitment to pushing musical boundaries.From the strange silence of the pandemic years to the return of global touring, Billy reflects on the journey back to live music and the emotional connection between band and audience. The conversation moves deep into the creative process behind Aurora, revealing how ideas evolve—from loose sketches and spontaneous jams to fully realised compositions shaped through collaboration and instinct.Graham and Billy also explore what it really means to make “Yes music” in 2026—balancing the band's rich history with a desire to stay curious and relevant. There's insight into the album's production, including immersive formats like Dolby Atmos, and how technology enhances rather than dictates the creative process.Along the way, Billy shares personal reflections on his lifelong relationship with Yes—from being a fan inspired by albums like Close to the Edge to carrying forward Chris Squire's legacy. It's an honest, thoughtful look at creativity, influence, and what keeps a band moving forward after more than five decades.This is a conversation about music as craft, as feeling, and as something that continues to reveal itself over time—if you're willing to listen closely enough.

Front of house mixer Vince Casamatta joins us to discuss how he helped transform Maroon 5's residency at Dolby Live at Park MGM in Las Vegas into a powerful live Dolby Atmos® experience. He reflects on everything from pre-production to the subtle live spatial decisions that make the technology disappear behind the music, always in service of the songs and the emotional impact of the show.“The format has to serve the art and not the other way around. And I think we were really able to do that by making movements and making decisions that maybe audience members didn't even know were happening, but on a subconscious level, they felt it.”—Vince Casamatta, FOH Mix Engineer, Maroon 5Stay connected! - Listen to Maroon 5 and many other classic and contemporary artists mixed in Dolby Atmos on enabled streaming music services.- Check out Maroon 5 tour dates here.Interested in creating content in Dolby Atmos? Check out our FREE resources to give you a jump start! - Dolby Atmos Music Accelerator: https://www.dolby.com/creator-lab/music-accelerator/ - Dolby Atmos Essentials Course: https://learning.dolby.com/ - Dolby Atmos Music Support: https://professional.dolby.com/music/Professional-resources/ Please subscribe to Dolby Creator Talks wherever you get your podcasts. You can also check out the video for this episode on YouTube. Learn more about the Dolby Creator Lab and check out Dolby.com. Connect with Dolby on Instagram, Twitter, Facebook, or LinkedIn.

Conditions at the Los Baños camp are deteriorating. More and more prisoners have been transferred there, leading to overcrowding, and rations have been cut to under 1,000 calories per day. Prisoners are resorting to desperate acts to survive as they're pushed to the physical and psychological brink. The nurses are also malnourished and struggling to care for their fellow prisoners. But the tide of the war has finally turned and an ambitious U.S. Army paratrooper named Henry Muller is developing a plan to liberate the camp. But first Muller has to get buy-in from his superiors for his risky plan. And if he doesn't act fast, it may be too late to save anyone. Audible subscribers can listen to all episodes of Against the Odds ad-free right now. Join Audible today by downloading the Audible app.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Today we welcome acclaimed horror filmmaker Lee Cronin back to the show, alongside sound designer and supervising sound editor Peter Albrechtsen, to discuss their delightfully gory new horror film, “Lee Cronin's The Mummy.” As with their previous collaboration, 2023's hit “Evil Dead Rise,” Cronin and Albrechtsen embraced sound design from the earliest stages of the creative process, using it not only for maximum impact, but also to sharpen the film's storytelling.“I actually found the edit on this one quite stressful… We would have been in big trouble without early sound in it. Because of the way it was written and the nature of it, and how the tension needed to be built. At times, it was quite hard to find the shape of scenes without sound that was very, very clear in its signposting of where we were headed, ultimately. Sometimes you're cutting something and you can dig into a bit of a library, but quite early on we actually needed design to help us craft the sequences.”—Lee Cronin, Director and Writer, “Lee Cronin's The Mummy”Be sure to check out “Lee Cronin's The Mummy,” now playing in theaters and Dolby Cinemas® in Dolby Vision® and Dolby Atmos®.Please subscribe to Dolby Creator Talks wherever you get your podcasts.You can also check out the video for this episode on YouTube.Learn more about the Dolby Creator Lab and check out Dolby.com. Connect with Dolby on Instagram, Twitter, Facebook, or LinkedIn.

On this week's show we look into how your TV may be spying on you so that manufacturers can profit off of what you watch. We also read your emails and take a look at the week's news. News: Roku eclipses 100 million streaming households Paramount chief: We'll preserve 45-day theatrical window Dolby ATMOS coming to OTA TV Smart TVs Spy on What You Watch and Profit From Your Data Last week we read a news story about how some Smart TVs install apps that use your IP address and bandwidth to scrape the Internet to feed AI models. And if that isn't enough to make you want to disconnect your TV from the Internet, smart TVs from nearly every major brand are actively spying on exactly what you watch—whether it's cable, streaming apps like Netflix, over-the-air broadcasts, Blu-ray discs, or even content from a laptop, game console, or phone connected via HDMI. They do this through a built-in technology called Automatic Content Recognition (ACR) that takes frequent screenshots and audio fingerprints of what you are watching. Then, using the data, the content is identified, and detailed viewing information is sent back to the manufacturer's servers.  This isn't occasional tracking; studies show Samsung TVs send data roughly every minute and LG every 15 seconds, even when you're using the TV purely as a monitor for personal photos, videos, or work. The result is a highly detailed profile of your watching habits that gets turned into cash. How ACR Spying Works ACR software runs in the background on most smart TVs. Manufacturers then build individual or household viewer profiles. In addition to Samsung and LG, Sony, Vizio, TCL, Hisense, Roku TVs, and others also use ACR software to build user profiles.  How They Make Revenue From Your Viewing Data TV makers often sell hardware at razor-thin (or even negative) margins because the real money comes later from your data: Selling or licensing data to advertisers, data brokers, and measurement companies. Advertisers get precise audience insights for targeting ads on TV, phones, and other devices. Running their own ad platforms on the TV home screen and apps—personalized ads based on what you've watched. Cross-device retargeting: Your TV habits influence ads you see on YouTube, social media, or elsewhere. "Post-purchase monetization": Companies openly say they make more ongoing revenue from data and ads than from the initial TV sale. Some users even get "free" or ad-light apps in exchange for allowing extra tracking. Your viewing habits are packaged and sold as valuable advertising intelligence—often without you realizing the full extent.  Watchdog Groups Fight Back 2017 Vizio Case: Vizio secretly tracked 11 million TVs and sold the data without consent. The FTC fined them $2.2 million; the company admitted to collecting second-by-second viewing habits and linking it with demographics for advertisers who could then target you across phones and computers. 2024–2025 Research: University studies  confirmed TVs send massive amounts of viewing data regardless of source, creating "digital fingerprints" of users. December 2025 Texas Lawsuits: Attorney General Ken Paxton sued Samsung, LG, Sony, Hisense, and TCL for using ACR to collect and monetize viewing data without clear informed consent. Temporary restraining orders were issued against some companies, and Samsung later agreed to get explicit consent in Texas. The Proxy Network Angle We briefly spoke about this on the last show. A separate but growing practice involves certain smart-TV apps quietly enrolling your device in massive residential proxy networks like Bright Data. In exchange for fewer ads or free access, the app turns your TV into a web-scraping bot that uses your IP address and bandwidth to crawl public websites, collect data (including audio/video), and feed AI training models. Major platforms like Amazon, Google, and Roku have started blocking some of these, but they still run on LG webOS and Samsung Tizen in many cases. Bottom Line Your smart TV is effectively a 24/7 surveillance device in your living room that turns your private viewing into a profitable data product. While some data collection is now supposed to require opt-in consent, most people never notice the setting. The industry's business model increasingly depends on this surveillance, which is why cheap TVs keep getting smarter—and more invasive. Next Week - How to circumvent this!

Desperate to get away from the sadistic commandant in charge of their P.O.W. camp, the twelve Navy nurses, who call themselves the Twelve Anchors, agree to transfer to a new camp. It's called Los Baños and it's located deep in the jungle, 40 miles outside of Manilla. But when the nurses arrive, they realize this new camp has no medical supplies, not enough beds for prisoners to sleep on, not even running water. The nurses soon wonder if they made a grave mistake.Audible subscribers can listen to all episodes of Against the Odds ad-free right now. Join Audible today by downloading the Audible app.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Produced by Joseph Cottrell, Wayne Hall, Ken Fuller and Jeffrey Crecelius Kevin is back! He and Mark bang on at length about the recent Oliver Wakeman concert with his band at Worcester, the remastered and expanded From A Page album and the first single from the new Yes album, Aurora. My thanks to everyone who has wished me well, including Brian Breen, Chris Berry and Gary Betts and his wife and most importantly Mark, who has kept the wheels turning at YMP Towers brilliantly. There are also some thoughts from Daniel and Amanda about the new From A Page, especially the inclusion of the song, Aliens and do check out the show notes for a video of our own Geoff Bailie discussing the new Yes single with his Prog Report compatriots. How was the Oliver Wakeman band? What's new about the expanded From A Page? What do we think of the new Yes single? The back entrance to the venue Front entrance Merchandise stall being set up The view from the soundboard Oliver's keyboard rig Drums ready to rock Oliver sighted before the show Oliver in preparation mode Hayley Griffiths Oliver entertaining with stories A raconteur - chip off the old block The set list l-r Scott Higham, Dan Nelson, Oliver Day, Hayley Griffiths, Oliver Wakeman and Arthur Wakeman Oliver signing items for fans https://youtu.be/AlUnYB3u7Nw?si=mpDtpFLwt68hcHgq YES announce 24th studio album  ‘Aurora'; launch video for title track  10th April 2026: YES, who is Steve Howe, Geoff Downes, Jon Davison, Billy Sherwood & Jay Schellen, are proud to announce their 24th studio album ‘Aurora' will be released on the 12th June 2026 via InsideOutMusic/Sony Music.  As Howe explains: “Making this record was joyful, a chance to play, explore and give everything to the music. It's always been about collaboration, somebody can write a song, but until everybody puts their contribution in it isn't really a Yes song. We're not trying to echo the past; we're carrying the spirit of Yes forward and turning it into something new”. The band are also launching the first single from the album, and you can watch the beautiful animated video for the title track, created by Matt Hutchings (Greg Lake, Oasis, Iron Maiden),  here: https://youtu.be/ETEGJTM6plw ‘Aurora' will be available as a Limited Deluxe 180g Light Green 2LP+2CD+Blu-ray Artbook & Poster, as well as a Ltd Deluxe 2CD+Blu-ray Artbook, both featuring the stunning artwork of Roger Dean and Freya Dean, as well as a bonus disc of instrumentals, and a blu-ray featuring Dolby Atmos, 5.1 Surround Sound & 24bit stereo mixes (by Curtis Schwartz). The album is also available as a Gatefold 180g 2LP + LP-booklet, Special Edition CD Digipak & as Digital Album.  Pre-order now here: https://yes-band.lnk.to/Aurora The track listing is as follows: 1. Aurora 07:27 2. Turnaround Situation 05:50 3. Love Lies Dreaming 06:24 4. Countermovement 13:48 5. Ariadne 06:18 6. All Hands on Deck 03:04 7. Outside the Box 04:20 8. Emotional Intelligence 03:30 9. Jambustin' (Bonus Track) 04:24 10. Watching the River Roll (Bonus Track) 04:42 When Yes first began sketching out ideas for what would become ‘Aurora', the process was loose and exploratory. There was no preconceived concept at the start, just a collection of musical fragments that gradually began to find one another and take form. Among these early sketches was a piece titled “Aurora,” and it quickly became clear that the name carried certain gravity. It suggested light, emergence, and a sense of vastness, qualities that resonated deeply with the band. Jon Davison remembers how “the title immediately resonated with Steve Howe and sparked visual inspiration for artist Roger Dean, setting a conceptual tone that would guide the project.” Work on ‘Aurora' began almost as soon as the ‘Classic Tales of Yes' tour ended in 2024. The idea of a new album surfaced quickly and with the label's encouragement, the band had the time to develop material organically. Rather than gathering in a single studio for months, they embraced a modern workflow; ideas were born in home studios, shaped independently, and then woven together through constant collaboration. Downes and Howe often acted as the central creative axis, with Howe, as producer, serving as the point through which all ideas eventually flowed. Across ‘Aurora', each track carries its own character. Some echo the classic Yes approach, others push into new territory, but together they form a cohesive whole that honours the band's heritage while embracing forward motion. With their 24th studio album, Yes demonstrate not just longevity, but a sustained curiosity, a desire to keep exploring, keep refining and keep discovering their capacity to create.    YES is: Steve Howe Geoff Downe Jon Davison Billy Sherwood Jay Schellen YES ONLINE: www.yesworld.com   www.facebook.com/yestheband   www.x.com/yesofficial www.youtube.com/user/yesofficial   www.instagram.com/yesofficial   INSIDEOUTMUSIC ONLINE: www.insideoutmusic.com www.youtube.com/InsideOutMusicTV www.facebook.com/InsideOutMusic www.instagram.com/insideoutmusic/ https://insideoutmusic.bandcamp.com https://youtu.be/ETEGJTM6plw?si=5W21K63dk8qY2qTU Barry Plummer 2026 Calendar is still available! ORDER HERE Apply £11.00 off with the promo code wh4y4pk3 Enrich your Prog year with iconic images of Yes in the 1970s, taken by the legendary rock photographer, Barry Plummer. Enjoy 12 beautiful colour and black and white photographs of Yes in the studio and live, capturing the essence of the world's greatest progressive rock band. With this limited-edition calendar on your wall throughout 2026, you'll agree that Barry Plummer is, indeed, the Master of Images! (A flat shipping fee will be added at checkout depending on your location.) ORDER HERE Yes - The Tormato Story & Tales from Topographic Oceans - Yes Album Listening Guide Available now! YesMusicBooks.com YMP Patrons: Producers: Joseph Cottrell Wayne Hall Ken Fuller Jeffrey Crecelius Patrons: Aaron SteelmanLindAl Dell'AngeloLobate ScarpBarry GorskyMark BaggsBill WhittakerMark James LangBob MartilottaMark SlaterBrian HarrisMartin KjellbergBrian SullivanMichael HanderhanChris BandiniMichael O'ConnorCraig EstenesMiguel FalcãoDave OwenPaul HailesDavidPaul TomeiDavid HeydenRachel HadawayDavid PannellRobert NasirDavid WatkinsonRobert VandiverDeclan LogueRonnie NeeleyDemScott ColomboDoug CurranSimon BarrowFergus CubbageStephen LambeFred BarringerSteve DillGary BettsSteve LuziettiGeoff BailieSteve PerryGeoffrey MasonSteve RodeGuy DeRomeSteve ScottHenrik AntonssonSteven RoehrHogne Bø PettersenTerence SadlerTodd DudleyThomas DeVriesJohn CowanJohn ThomsonJohn HoldenJohn ViolaJamie McQuinnTim StannardDouglas Caldwell Become a Patron!

In this episode of the Immersive Audio Podcast, we travel to Austin, Texas, for the 2026 edition of the SXSW festival to present the panel - Audible Dimensions: Expanding Story Through Spatial Audio. This panel explores the latest innovation in immersive sound technology and practical application from three different perspectives: software and hardware capabilities of hosting platforms, the spatial audio formats, and content production workflows that bring these experiences to life. In this session, Dolby also shares how they've evolved Dolby Atmos to support new types of extended reality experiences with the new Dolby Atmos Immersive Media Production Suite. Learn more and request early access at professional.dolby.com/daimps. As storytelling expands into extended reality media, such as immersive films, VR, MR, AI glasses and location-based installations, spatial audio is emerging as one of the key narrative forces. With today's advanced head-mounted display technology, audiences expect not just 3D visuals but equally rich immersive sound that conveys presence, space and movement. This episode recording is supported by our friends at Nomono.  This panel features:  Monica Bolles - Creative Lead/Owner at Resonant Interactions Eric Cheng - Director of Immersive Media at Meta Reality Labs David Gould - Director of Content Creation and Distribution Solutions at Dolby Victor Agulhon - Co-founder & CEO at TARGO For extended show notes and more information on this episode, go to www.immersiveaudiopodcast.com This episode was produced by Oliver Kadel, Monica Bolles and Emma Rees and included music by Rhythm Scott. How to access the content from our Immersive Audio Podcast Masterclass series? Head out to our page on Patreon - www.patreon.com/c/immersiveaudiopodcast. The sessions are designed to enhance your practical learning experience and are delivered by world-class experts. The livestream contains video demonstrations and spatial audio playback with live Q&A. Keep up to date with our upcoming events, announcements and industry news by subscribing to our newsletter. If you enjoy the podcast and would like to show your support, please consider becoming a Patreon. Not only are you supporting us, but you will also get special access to bonus content and much more. Find out more on our official Patreon page - www.patreon.com/immersiveaudiopodcast We want to hear from you! We value our community and would appreciate it if you would take our very quick survey and help us make the Immersive Audio Podcast even better: surveymonkey.co.uk/r/3Y9B2MJ Thank you! You can follow the podcast on X @IAudioPodcast for regular updates and content, or get in touch via podcast@1618digital.com immersiveaudiopodcast.com

After Japan invades the Philippines, the twelve Navy nurses find themselves imprisoned at a military hospital turned P.O.W. camp. They make the best of it, continuing to tend to their patients, confident that the American military will quickly defeat Japan and liberate them. But as the weeks drag into months, with no rescue in sight, the nurses are transferred to another camp. They soon discover that their new home is led by a sadistic commandant who likes nothing more than to make his prisoners miserable. Audible subscribers can listen to all episodes of Against the Odds ad-free right now. Join Audible today by downloading the Audible app.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Únete a nuestro canal y apoya a FUERA DE SERIES: https://www.youtube.com/channel/UCFNyyACx7XbgZ4-S4jzNnGQ/join En este episodio de Home TV, analizamos en profundidad el Amazon Echo Studio (2nd gen, 2025), el altavoz inteligente más ambicioso de Amazon para el salón. Un dispositivo que no solo promete mejorar el sonido de tu televisión, sino también convertirse en el centro de tu experiencia multimedia y de tu casa conectada. Después de varias semanas utilizándolo en el día a día —viendo series, películas y probándolo como parte de un sistema con Fire TV— os contamos qué tal se comporta realmente. Porque claro, sobre el papel todo suena muy bien: nuevo diseño más compacto, chip más potente, compatibilidad con audio espacial y Dolby Atmos… pero, ¿qué pasa cuando lo llevas al sofá y le das al play? En este análisis hablamos sin rodeos de sus puntos fuertes, como su facilidad de uso, la integración con Alexa y lo cómodo que resulta para el consumo diario de contenido. También comentamos ese rediseño más pequeño y elegante, que hace que encaje mucho mejor en cualquier salón sin convertirse en el protagonista visual. Únete a nuestro chat de telegram en el que miles de personas hablamos cada día de series: - Telegram – Grupo de debate: https://telegram.me/fueradeseries - Telegram – Canal de noticias: https://t.me/noticiasfds Síguenos en nuestras plataformas y podcast sobre series: - Apple Podcast - https://podcasts.apple.com/es/podcast/fuera-de-series/id288039262 - Spotify - https://open.spotify.com/show/3RTDss6AAGjSNozVOhDNzX?si=700febbf305144b7&nd=1 - iVoox - https://www.ivoox.com/podcast-fuera-series_sq_f12063_1.html Redes Sociales - Twitter: https://twitter.com/fueradeseries - Facebook: https://facebook.com/fueradeseries - Instagram: https://www.instagram.com/fueradeseries/ - Youtube: https://youtube.com/fueradeseries Learn more about your ad choices. Visit megaphone.fm/adchoices

UNDERTONE is best watched within two visual extremes: a movie theater and a laptop. What remains the same in those two instances is the intended environment: no distractions, enveloped by sound, whether from a Dolby Atmos sound system or a good pair of over-the-ear headphones.This is a movie where what you hear is the star of the show and what you see sets the stage for you to have no escape from some disturbing terror.Evy (Nina Kiri) is the host of horror podcast The Undertone, joined by best friend and co-host Justin (Adam DiMarco). One night, Justin shares an anonymous email received that features 10 different audio files. The files tell the story of a married couple seemingly experiencing a haunting. Typical fare for skeptic Evy but as the audio unfurls, she notices her environment growing a little darker, spookier than normal.Tuason is currently tapped to direct the next PARANORMAL ACTIVITY installment but I've no idea how he'll top what's done here. UNDERTONE is simple, predictable, even, but handled with such care and elegance that the result remains the same: a nail-biter of a haunted house movie that left me walking out of the theater with residue chills. This is a - great - fucking movie.---UNDERTONE is now available to watch in select theaters or on PVOD.Follow The Movies on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ & ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Letterboxd⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Throw a couple dollars in the ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠tip jar!⁠

One topic that comes up quite often on Audio Branding is audio technology, and how far it's come over just the last few years. Whether it's choosing the right sound equipment, deciding if you should record with noise cancellation turned on (and just for the record, you shouldn't), or taking advantage of advanced recording options like 3-D audio and Dolby Atmos, there's a lot to consider when it comes to sound. But you might be surprised to learn that the science of sound optimization is a lot older than surround sound, or stereo recordings, or even audio recordings at all.Sound has been a part of our lives for as long as we've been around, and it turns out that we've been finding ways to boost sound quality and reshape the acoustic landscape around us for just as long. From ancient Roman amplifiers to prehistoric boulder harmonies, our ancestors explored the possibilities of sound in ways that scientists today are still trying to understand.Creating just the right sound experience can be a big enough challenge for modern-day concerts and movie theaters. How do you do it when you don't have any microphones or speakers? This was the problem faced by Greek and Roman architects, and the science of archaeoacoustics, of how sound was shaped and used in ancient times, hasn't entirely unraveled their solution. According to the ancient Roman architect Vitruvius, they used “acoustic jars,” or “echea” in Greek, small brass cups built into the walls between each of the seats. He didn't invent them, though, so we aren't sure who originally came up with the idea. These echea were believed to resonate and amplify spoken voices, boosting their sound for each listener like a set of personal speakers. They were arranged according to precise mathematical rules that differed depending on the theater's dimensions.Did they really work? They must have worked well enough, since they were popular not only during antiquity but also in medieval times, with over a hundred cathedrals in France alone putting them to use. But research continues on just how they worked as well as they did. Some studies suggest that they didn't actually amplify sound, but instead absorbed some of the surrounding frequencies to muffle the background noise: the world's first noise-cancellation technology, more than two thousand years before headphones. But a 2011 presentation at the Acoustics of Ancient Theatres conference suggested that maybe their resonance effect did amplify sound. The verdict's still out.If you'd like to hear an echea's resonance for yourself, here's a clip of a sound sculpture by Michele Spranghero that puts one to haunting use:https://www.youtube.com/watch?v=vb57mGHy4OERome wasn't the only ancient civilization to take advantage of sonic resonance. More than a thousand years earlier, and several thousand miles away, lies the Peruvian archaeological site of Chavín de Huántar, once the capital city of the Chavin civilization. Its temples, plazas, and surviving buildings have been studied for many decades, and lately that research has helped uncover the role that sound and harmonic frequencies played in its religious ceremonies.One artifact that's been consistently found there is the pututu, a wind instrument that's also known as a conch trumpet since it's made from the shell of a conch. This may be a little surprising since the ocean's well over a hundred miles away, but there might be a surprising reason why so many ancient conch trumpets have been recovered from the Chavin temples.A research team from the Acoustical Society of America, accompanied by Stanford researcher Dr. Chris Chafe, investigated the acoustical properties of their chambers and discovered that they're designed to resonate with the pututu's distinctively warbling frequencies, not only amplifying them but pulling two or more pututu players into a musical harmony that's felt as much as it's heard. This effect can be experienced elsewhere – it comes from the rhythmic “beats” that emerge from its natural interference patterns – but it's stronger inside the buildings. Some researchers have suggested this resonant harmony was a key part of the city's religious ceremonies and that the temple's soundscape was intended to create a profound experience for the musicians and their audience.If you're curious about what a pututu sounds like, here's a short clip:https://www.youtube.com/watch?v=J5PkUXBo4NIThere are plenty of soundscapes and resonant frequencies all around us, of course, and one of our earliest encounters with them might have been as simple as tripping over a rock. They're called ringing rocks, or singing stones or sonorous rocks, and their discovery by prehistoric tribes all over the world led to one of the first musical instruments ever made, the rock gong or stone chimes.Ringing rocks are volcanic rocks, such as dolerite or basalt, and even though they aren't made of metal and they aren't hollow, they ring like bells when they're struck. Groups of singing stones can be found throughout the world, from Ringing Rock Park in Pennsylvania and the Bell Rock Range of Australia to sonorous stone fields in Africa and Europe, and the science behind their sound isn't as simple as you might think. According to a 1965 study by geologist Richard Faas, the rocks actually create a series of inaudibly low, or infrasonic, audio frequencies, but those overlapping frequencies constructively interfere with each other to create sounds that our ears can detect.But where do those low frequencies come from in the first place? Science is still working on that mystery, and some theories suggest it has to do with the rock's structural tension, making it a kind of stone guitar string that vibrates with a hard tap. And if that isn't mysterious enough, the Singing Stones of Brittany clearly didn't come from the place they're found today, but no one knows when or how they arrived. Did ancient people recognize their acoustic properties and relocate them as oversized musical instruments? Or were the stones, as legend has it, left there by the Devil?Check out this clip of a visitor at Ringing Rocks Park in Pennsylvania using six singing stones, each with its own distinctive note, to play a familiar melody:https://www.youtube.com/watch?v=LKtkbH6ANykSound has connected us to each other and the world around us since the dawn of time, and we've been discovering new ways to harness its power for just as long. As we move into the future, learning those lessons could help us reshape the way we experience it in the years to come.This podcast uses the following third-party services for analysis: OP3 - https://op3.dev/privacy

It's the Depression and twenty-three-year-old-Dorothy Still is desperate for a job. She joins the US Navy as a nurse, and by 1941, she's given a dream posting at an American base in the Philippines. Dorothy lives in a beautiful location, with easy work, and a thriving night life. But after the Japanese attack Pearl Harbor, the Philippines becomes Japan's next target. Dorothy and eleven other Navy nurses find themselves in an active war zone, with a conquering army bearing down.Audible subscribers can listen to all episodes of Against the Odds ad-free right now. Join Audible today by downloading the Audible app.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

See us live on 6/5 at The Royal Theater in Toronto! Get tickets here https://www.theguysery.com/ You wanted the best you got the best. That's right we had our pal Pat Finnerty on the show to talk about Kiss guys. Two guys went at it about the Dolby Atmos 5.1 mix of Alive 1, Pat saw Gallagher and the story is crazy. Read a Mini Kiss review RIP to mini Gene and which guy from Kiss would you want start a small business with? Is Kiss a money grab and Ticketmaster reviews! There is more Chris at https://www.patreon.com/notevenashow And for more Guys content, streams and SHOCKTOBER: a deep dive into shock jocks you can click patreon.com/guyspodcast, Join us on the Sunday Night Stream every Sunday night at 8:00 EST at twitch.tv/notevenashowand I am on https://bsky.app/profile/murderxbryan.bsky.social  Guys is on Instagram! https://www.instagram.com/guys.pod Guys has a Post Office Box now! PO Box 10769 Columbus Ohio 43201

Legendary mix engineer Kevin Madigan joins us to discuss his pioneering work helping create Santana's live Dolby Atmos residency at House of Blues in Las Vegas and what it takes to reimagine one of rock's most iconic sounds for a live audience. He also reflects on his work at Larrabee Studios in Los Angeles, building out the Dolby Atmos® room and mixing music from Santana's landmark album “Supernatural.” “The music felt 3D and you were immersed in it. And we do have a lot of elements to do that with the Santana band and within the music. There's a lot of percussion, keyboards, B3, congas… So, bringing that out into an immersive feeling [for] the audience was kind of easy to do! And if there was cool moves to do at certain points in a song… it can do a rotation around the audience. It's a really cool moment for the audience, but it's not distracting, it's not gimmicky… The audience got used to it pretty quick. It just sounded like a huge, immersive mix that's really engaging and magnetic and draws the audience into the song.” —Kevin Madigan, FOH Mix Engineer, SantanaStay connected! - Listen to Kevin Madigan's mixes of tracks from Santana's “Supernatural” album, as well as many other classic and contemporary artists in Dolby Atmos, on enabled streaming services. Interested in creating content in Dolby Atmos? Check out our FREE resources to give you a jump start! - Dolby Atmos Music Accelerator: https://www.dolby.com/creator-lab/music-accelerator/ - Dolby Atmos Essentials Course: https://learning.dolby.com/ - Dolby Atmos Music Support: https://professional.dolby.com/music/Professional-resources/ Please subscribe to Dolby Creator Talks wherever you get your podcasts. You can also check out the video for this episode on YouTube. Learn more about the Dolby Creator Lab and check out Dolby.com. Connect with Dolby on Instagram, Twitter, Facebook, or LinkedIn.

As the hikers slowly regain consciousness, they realize the worst has happened: they've been struck by lightning. By chance, a pair of EMTs finds their way to the summit in time to help. But they soon realize that if they don't get the men off Half Dome and airlifted to a hospital fast, they won't make it till morning. Audible subscribers can listen to all episodes of Against the Odds ad-free right now. Join Audible today by downloading the Audible app.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

On the evening of July 27, 1985, a group of friends decided to ignore gathering storm clouds and warnings as they climbed to the top of Yosemite's famous Half Dome. Climbers Adrian Esteban and Tom Rice reached the summit first, soon joined by three others as a thunderstorm raged. They decided to shelter in a small cave-like enclosure — a decision that would prove deadly. Audible subscribers can listen to all episodes of Against the Odds ad-free right now. Join Audible today by downloading the Audible app.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

On this week's show we take a walk down memory lane and look at how the Set Top Boxes we all take for granted evolved from niche Netflix-focused or iTunes-centric devices to broad ecosystems. We also read your emails and take a look at the week's news. News: Hisense TVs Force Owners to Watch Intrusive Ads TCL now can't call some of its TVs 'QLED' TCL launches two new 163-inch 4K microLED TVs in China, starting at $36,000 Short-form video dominates Gen Z digital consumption Other: 9 Brilliant Hi-Fi "Failures" | Awesome Disasters! Set Top Boxes - From Niche Devices to Major Ecosystems Here's a chronological timeline of major set-top streaming boxes: Roku, Apple TV, Amazon Fire TV, and Google (Chromecast, Android TV/Google TV devices).  These devices evolved from basic media extenders to full smart platforms with app stores, 4K/HDR support, voice remotes, and integration with services like Netflix, YouTube, Prime Video, and more. 2007–2008: Early Pioneers 2007 (January announcement, March release): Apple TV (1st generation) — Apple's first set-top box, initially focused on syncing content from iTunes (40GB/160GB HDD models), supporting up to 720p. It was more of a media extender than a pure streamer at launch. 2008 (May): Roku (1st generation, originally "Roku Netflix Player" or DVP N1000) — The first dedicated streaming box, launched in partnership with Netflix for its "Watch Instantly" service. It marked the start of affordable, channel-based streaming. 2010–2012: Maturing Platforms 2010 (September): Apple TV (2nd generation) — Major shift to a smaller, puck-like design running a variant of iOS, focused on streaming from iTunes and rentals (no HDD, app-like interface). 2012 (March): Apple TV (3rd generation) — Updated model with 1080p support; a minor refresh (Rev A) came in 2013. 2013–2014: Dongle Era and Amazon Enters 2013 (July): Google Chromecast (1st generation) — Revolutionary low-cost HDMI dongle ($35) for casting from phones/tablets/browsers; simple, no full interface or remote. 2014 (April): Amazon Fire TV (1st generation) — Amazon's entry as a set-top box with voice remote, Alexa integration potential, and app ecosystem (initially focused on Prime Video). 2015–2016: Upgrades and 4K 2015 (September): Google Chromecast (2nd generation) — Improved design and performance; also launched Chromecast Audio (audio-only variant, later discontinued). 2015 (October): Apple TV (4th generation, later called Apple TV HD) — Big leap to tvOS with App Store, Siri Remote, games, and third-party apps. 2016 (November): Google Chromecast Ultra — First 4K/HDR-capable Chromecast. 2017–2018: 4K Becomes Standard 2017 (September): Apple TV 4K (1st generation) — Added 4K, HDR10, Dolby Vision, and Dolby Atmos. 2017 (October): Amazon Fire TV (3rd generation set-top box) — 4K model with Alexa Voice Remote. 2018 (June): Amazon Fire TV Cube (1st generation) — Hands-free Alexa speaker-integrated set-top box. 2018 (October): Google Chromecast (3rd generation) — Updated HD model. 2019–2020: Android TV/Google TV Shift 2019–2020: Various Amazon Fire TV Stick iterations (4K models in 2018/2019/2020) dominate budget streaming. 2020 (September): Chromecast with Google TV (4K) — Major change: full Google TV interface (based on Android TV), voice remote, app store; moved away from pure casting dongle. 2021–2022: Refinements 2021 (May): Apple TV 4K (2nd generation) — A15 Bionic chip, improved remote (no clickpad issues), more storage options. 2022 (September): Chromecast with Google TV (HD) — Budget 1080p version of the 2020 model. 2022 (November): Apple TV 4K (3rd generation) — HDMI 2.1, Thread support, faster performance. 2023–2024/2025: Current Era and Google Rebrand 2023–2024: Ongoing Amazon Fire TV updates (e.g., Fire TV Cube 3rd gen in 2022/2023, new Sticks). 2024: Roku Ultra (2024 model) — Latest high-end Roku with improved processing. 2024: Google TV Streamer (4K) — Replaced the Chromecast name; full set-top box form factor with Google TV, Ethernet, more storage, and smart home hub features (ending the classic Chromecast dongle line after 11 years and 100M+ units sold). This timeline shows the progression from niche (Netflix-focused or iTunes-centric) to broad ecosystems competing on apps, performance, voice control, and integration. Roku emphasized neutral channel access, Apple focused on the premium ecosystem, Amazon on Prime/Alexa, and Google on casting then full smart TV interface. By 2025–2026, most support 4K/HDR, Dolby Atmos, and thousands of apps.

In 2012, Chris Lemons had a bright future ahead, with a fiancee and a good job fixing oil infrastructure on the ocean floor. One night in September, he went to work on a pipe about 300 feet beneath the North Sea. But, an accident left him alone and cut off from his lifeline – with only a small emergency supply of oxygen. On this episode of In Their Own Words, Chris shares the story of surviving for about half an hour with nothing to breathe. Audible subscribers can listen to all episodes of Against the Odds ad-free right now. Join Audible today by downloading the Audible app.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In Episode 365 of the Mixing Music Podcast, Dee Kei and James sit down with mixing engineer Andrew Law to talk about immersive audio, Dolby Atmos, and how Andrew built a career around spatial mixing. He shares how his path took him from traditional recording work into TV, film, podcasting, Amazon Music, and eventually Grammy-nominated Atmos mixing.The conversation breaks down what actually makes a strong Atmos mix, how Andrew approaches beds, objects, binaural settings, and playback, and why hearing Atmos on a real speaker system can completely change how artists feel about the format. He also explains practical ways beginners can start learning Atmos without a full room build, along with thoughts on workflow, clients, and where immersive audio may be headed next.Along the way, Andrew also talks about career pivots, working both freelance and in-house, networking, and how his unusual background, from sports to studio life, shaped the way he navigates the music industry. This is a great episode for anyone curious about Atmos, spatial audio, and the evolving future of mixing. andrewlawmixing.comSUBSCRIBE TO OUR PATREON FOR EXCLUSIVE CONTENT!⁠SUBSCRIBE TO YOUTUBE⁠Join the ‘Mixing Music Podcast' Discord!HIRE DEE KEIHIRE LU⁠HIRE JAMES⁠Find Dee Kei and Lu on Social Media:Instagram: @DeeKeiMixes @MasteredbyLu @JamesParrishMixesTwitter: @DeeKeiMixes @MasteredbyLuThe Mixing Music Podcast is sponsored by ⁠Izotope⁠, ⁠Antares (Auto Tune)⁠, Sweetwater, ⁠Plugin Boutique⁠, ⁠Lauten Audio⁠, ⁠Filepass⁠, & ⁠Canva⁠The Mixing Music Podcast is a video and audio series on the art of music production and post-production. Dee Kei, Lu, and James are professionals in the Los Angeles music industry having worked with names like Odetari, 6arelyhuman, Trey Songz, Keyshia Cole, Benny the Butcher, carolesdaughter, Crying City, Daphne Loves Derby, Natalie Jane, charlieonnafriday, bludnymph, Lay Bankz, Rico Nasty, Ayesha Erotica, ATEEZ, Dizzy Wright, Kanye West, Blackway, The Game, Dylan Espeseth, Tara Yummy, Asteria, Kets4eki, Shaquille O'Neal, Republic Records, Interscope Records, Arista Records, Position Music, Capital Records, Mercury Records, Universal Music Group, apg, Hive Music, Sony Music, and many others.This podcast is meant to be used for educational purposes only. This show is filmed and recorded at Dee Kei's private studio in North Hollywood, California. If you would like to sponsor the show, please email us at ⁠deekeimixes@gmail.com⁠.Support this podcast at — https://redcircle.com/mixing-music-music-production-audio-engineering-and-music/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

John Flansburgh of They Might Be Giants talks rare vinyl rarities, the chaotic story behind the new album's cover art, why re-recording old music is almost always a mistake and lots more Order the new album "The World Is to Dig" here Topics Include: Flansburgh owns roughly 2,000 records across three turntable setups at home He doesn't identify as a collector — just a serious listener His rarest record: an Andy Warhol-autographed Sticky Fingers with wild provenance photos He also owns a peeled-banana Velvet Underground and a Blonde on Blonde rarity Deep dive into what makes each of those pressings so collectible TMBG's new album title comes from a Maurice Sendak-illustrated children's book That led to a fascinating detour on painter Ad Reinhardt's secret black-on-black canvases Flansburgh has been TMBG's de facto art director for 35 years The new album's cover art was nearly a Washington Post-licensed sinkhole photo Washington Post's mass layoffs killed the deal at the last possible moment A Hudson Valley School painting of Yosemite became the actual cover Flansburgh and Linnell don't stockpile songs — cuts are made for specific artistic reasons He once had to shelve a song because Linnell came in with a nearly identical opening line TMBG song titles are uniquely searchable — except the new one referencing Wu-Tang Flansburgh is firmly against re-recording old material — cites Zappa as a cautionary tale Great discussion on remastering: Beatles got it right, Hendrix remaster was disorienting TMBG evolved from NYC performance art venues to rock clubs — crowd energy changed everything Their boutique 8-track manufacturer couldn't keep up when TMBG needed a thousand units Dolby Atmos debate: Flansburgh is skeptical, Nate makes the case for spatial audio Nate's most collectible record is a Nevermind test pressing — rejected pressings are worth more Extended & High resolution version of this podcast is available at: www.Patreon.com/VinylGuide Apple: https://tinyurl.com/tvg-ios Spotify: https://tinyurl.com/tvg-spot Amazon Music: https://tinyurl.com/tvg-amazon Support the show at Patreon.com/VinylGuide

After Bart Pieciul is mauled by a bear in the Alaska wilderness, his friends have to use all of their outdoor knowledge to keep him alive. The three men are stranded in the mountains for hours, waiting for a Coast Guard helicopter to airlift Bart to the nearest hospital. As the temperature drops, they're desperate to prevent their friend from succumbing to blood loss and hypothermia. And they have no idea if the bear that attacked him will return.Audible subscribers can listen to all episodes of Against the Odds ad-free right now. Join Audible today by downloading the Audible app.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The residents of Haines, Alaska are used to living alongside bears. The region surrounding their small town has one of the densest bear populations in the world. But as climate change curtails the bears' natural food sources, encounters between bears and humans are becoming more common, putting everyone on edge. Audible subscribers can listen to all episodes of Against the Odds ad-free right now. Join Audible today by downloading the Audible app.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Early settlers to the Midwest were accustomed to harsh winters, but the blizzard that hit the Great Plains on January 12th, 1888 caught thousands of pioneer families off guard. The storm was especially brutal for children trying to find their way home from rural schoolhouses. Author David Laskin joins host Mike Corey to talk about how he pieced together the stories of the blizzard, and how the event lives on in the memory of their descendants. Laskin is the award-winning author of The Children's Blizzard, and The Family.Be the first to know about Wondery's newest podcasts, curated recommendations, and more! Sign up now at https://wondery.fm/wonderynewsletterListen to Against The Odds on the Wondery App or wherever you get your podcasts. Experience all episodes ad-free and be the first to binge the newest season. Unlock exclusive early access by joining Wondery+ in the Wondery App, Apple Podcasts or Spotify. Start your free trial today by visiting http://wondery.com/links/against-the-odds/ now.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

By the morning of January 13th, 1888, the blizzard had passed, and a frantic search for survivors began. Farmer Johann Albrecht looked for his missing son, and Wilhelm Woebbecke hunted for his foster daughter Lena. Every search party knew they were racing against time to find survivors before they succumbed to hypothermia. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

As the blizzard raged, its winds blew up to 60 miles per hour. Those caught out in the storm faced white-out conditions. With few landmarks on the flat prairie, even residents who knew the area well found themselves disoriented. Children like Walter Allen and Lena Woebbecke became lost in the furious storm, desperately trying to make it to safety.Be the first to know about Wondery's newest podcasts, curated recommendations, and more! Sign up now at https://wondery.fm/wonderynewsletterListen to Against The Odds on the Wondery App or wherever you get your podcasts. Experience all episodes ad-free and be the first to binge the newest season. Unlock exclusive early access by joining Wondery+ in the Wondery App, Apple Podcasts or Spotify. Start your free trial today by visiting http://wondery.com/links/against-the-odds/ now.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.