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"Everyone assumed that in a more open, interconnected world, democracy and liberal ideas would spread to the autocratic states. Nobody imagined that autocracy and illiberalism would spread to the democratic world instead". So writes Anne Applebaum in Autocracy, Inc: The Dictators Who Want to Run the World (Double Day Books, 2024). Applebaum's new book develops the themes she rehearsed in Twilight of Democracy (2020), an analysis of the rise of authoritarianism in Eastern Europe and national conservatism in the UK and the US. Ranging across the club of authoritarians but with an inevitable focus on China and Russia, Autocracy Inc. examines autocrats' growing sophistication and coordination and how they have been enabled by the naivety (and greed) of business and politicians in liberal democracies. "The vehicles of disruption can be right-wing, left-wing, separatist or nationalist - even taking the form of medical conspiracies or moral panic," she writes. "Only the purpose never changes: Autocracy Inc. hopes to rewrite the rules of the international system itself". Anne Applebaum is an American-Polish historian and staff writer for The Atlantic. Apart from Twilight of Democracy, she has written three histories - Gulag: A History (2003), Iron Curtain: The Crushing of Eastern Europe, 1944-1956 (2012), and Red Famine: Stalin's War on Ukraine (2017). *The author's book recommendations were The Ideological Origins of the American Revolution by Bernard Bailyn (Harvard University Press, 50th Anniversary edition 2017) and Anna Karenina by Leo Tolstoy (OUP, 2016 - translated by Rosamund Bartlett). Tim Gwynn Jones is an economic and political-risk analyst at Medley Advisors, who also writes and podcasts at twenty4two on Substack. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
"Everyone assumed that in a more open, interconnected world, democracy and liberal ideas would spread to the autocratic states. Nobody imagined that autocracy and illiberalism would spread to the democratic world instead". So writes Anne Applebaum in Autocracy, Inc: The Dictators Who Want to Run the World (Double Day Books, 2024). Applebaum's new book develops the themes she rehearsed in Twilight of Democracy (2020), an analysis of the rise of authoritarianism in Eastern Europe and national conservatism in the UK and the US. Ranging across the club of authoritarians but with an inevitable focus on China and Russia, Autocracy Inc. examines autocrats' growing sophistication and coordination and how they have been enabled by the naivety (and greed) of business and politicians in liberal democracies. "The vehicles of disruption can be right-wing, left-wing, separatist or nationalist - even taking the form of medical conspiracies or moral panic," she writes. "Only the purpose never changes: Autocracy Inc. hopes to rewrite the rules of the international system itself". Anne Applebaum is an American-Polish historian and staff writer for The Atlantic. Apart from Twilight of Democracy, she has written three histories - Gulag: A History (2003), Iron Curtain: The Crushing of Eastern Europe, 1944-1956 (2012), and Red Famine: Stalin's War on Ukraine (2017). *The author's book recommendations were The Ideological Origins of the American Revolution by Bernard Bailyn (Harvard University Press, 50th Anniversary edition 2017) and Anna Karenina by Leo Tolstoy (OUP, 2016 - translated by Rosamund Bartlett). Tim Gwynn Jones is an economic and political-risk analyst at Medley Advisors, who also writes and podcasts at twenty4two on Substack. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/political-science
"Everyone assumed that in a more open, interconnected world, democracy and liberal ideas would spread to the autocratic states. Nobody imagined that autocracy and illiberalism would spread to the democratic world instead". So writes Anne Applebaum in Autocracy, Inc: The Dictators Who Want to Run the World (Double Day Books, 2024). Applebaum's new book develops the themes she rehearsed in Twilight of Democracy (2020), an analysis of the rise of authoritarianism in Eastern Europe and national conservatism in the UK and the US. Ranging across the club of authoritarians but with an inevitable focus on China and Russia, Autocracy Inc. examines autocrats' growing sophistication and coordination and how they have been enabled by the naivety (and greed) of business and politicians in liberal democracies. "The vehicles of disruption can be right-wing, left-wing, separatist or nationalist - even taking the form of medical conspiracies or moral panic," she writes. "Only the purpose never changes: Autocracy Inc. hopes to rewrite the rules of the international system itself". Anne Applebaum is an American-Polish historian and staff writer for The Atlantic. Apart from Twilight of Democracy, she has written three histories - Gulag: A History (2003), Iron Curtain: The Crushing of Eastern Europe, 1944-1956 (2012), and Red Famine: Stalin's War on Ukraine (2017). *The author's book recommendations were The Ideological Origins of the American Revolution by Bernard Bailyn (Harvard University Press, 50th Anniversary edition 2017) and Anna Karenina by Leo Tolstoy (OUP, 2016 - translated by Rosamund Bartlett). Tim Gwynn Jones is an economic and political-risk analyst at Medley Advisors, who also writes and podcasts at twenty4two on Substack. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/world-affairs
"Everyone assumed that in a more open, interconnected world, democracy and liberal ideas would spread to the autocratic states. Nobody imagined that autocracy and illiberalism would spread to the democratic world instead". So writes Anne Applebaum in Autocracy, Inc: The Dictators Who Want to Run the World (Double Day Books, 2024). Applebaum's new book develops the themes she rehearsed in Twilight of Democracy (2020), an analysis of the rise of authoritarianism in Eastern Europe and national conservatism in the UK and the US. Ranging across the club of authoritarians but with an inevitable focus on China and Russia, Autocracy Inc. examines autocrats' growing sophistication and coordination and how they have been enabled by the naivety (and greed) of business and politicians in liberal democracies. "The vehicles of disruption can be right-wing, left-wing, separatist or nationalist - even taking the form of medical conspiracies or moral panic," she writes. "Only the purpose never changes: Autocracy Inc. hopes to rewrite the rules of the international system itself". Anne Applebaum is an American-Polish historian and staff writer for The Atlantic. Apart from Twilight of Democracy, she has written three histories - Gulag: A History (2003), Iron Curtain: The Crushing of Eastern Europe, 1944-1956 (2012), and Red Famine: Stalin's War on Ukraine (2017). *The author's book recommendations were The Ideological Origins of the American Revolution by Bernard Bailyn (Harvard University Press, 50th Anniversary edition 2017) and Anna Karenina by Leo Tolstoy (OUP, 2016 - translated by Rosamund Bartlett). Tim Gwynn Jones is an economic and political-risk analyst at Medley Advisors, who also writes and podcasts at twenty4two on Substack. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/national-security
"Everyone assumed that in a more open, interconnected world, democracy and liberal ideas would spread to the autocratic states. Nobody imagined that autocracy and illiberalism would spread to the democratic world instead". So writes Anne Applebaum in Autocracy, Inc: The Dictators Who Want to Run the World (Double Day Books, 2024). Applebaum's new book develops the themes she rehearsed in Twilight of Democracy (2020), an analysis of the rise of authoritarianism in Eastern Europe and national conservatism in the UK and the US. Ranging across the club of authoritarians but with an inevitable focus on China and Russia, Autocracy Inc. examines autocrats' growing sophistication and coordination and how they have been enabled by the naivety (and greed) of business and politicians in liberal democracies. "The vehicles of disruption can be right-wing, left-wing, separatist or nationalist - even taking the form of medical conspiracies or moral panic," she writes. "Only the purpose never changes: Autocracy Inc. hopes to rewrite the rules of the international system itself". Anne Applebaum is an American-Polish historian and staff writer for The Atlantic. Apart from Twilight of Democracy, she has written three histories - Gulag: A History (2003), Iron Curtain: The Crushing of Eastern Europe, 1944-1956 (2012), and Red Famine: Stalin's War on Ukraine (2017). *The author's book recommendations were The Ideological Origins of the American Revolution by Bernard Bailyn (Harvard University Press, 50th Anniversary edition 2017) and Anna Karenina by Leo Tolstoy (OUP, 2016 - translated by Rosamund Bartlett). Tim Gwynn Jones is an economic and political-risk analyst at Medley Advisors, who also writes and podcasts at twenty4two on Substack. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/politics-and-polemics
"Everyone assumed that in a more open, interconnected world, democracy and liberal ideas would spread to the autocratic states. Nobody imagined that autocracy and illiberalism would spread to the democratic world instead". So writes Anne Applebaum in Autocracy, Inc: The Dictators Who Want to Run the World (Double Day Books, 2024). Applebaum's new book develops the themes she rehearsed in Twilight of Democracy (2020), an analysis of the rise of authoritarianism in Eastern Europe and national conservatism in the UK and the US. Ranging across the club of authoritarians but with an inevitable focus on China and Russia, Autocracy Inc. examines autocrats' growing sophistication and coordination and how they have been enabled by the naivety (and greed) of business and politicians in liberal democracies. "The vehicles of disruption can be right-wing, left-wing, separatist or nationalist - even taking the form of medical conspiracies or moral panic," she writes. "Only the purpose never changes: Autocracy Inc. hopes to rewrite the rules of the international system itself". Anne Applebaum is an American-Polish historian and staff writer for The Atlantic. Apart from Twilight of Democracy, she has written three histories - Gulag: A History (2003), Iron Curtain: The Crushing of Eastern Europe, 1944-1956 (2012), and Red Famine: Stalin's War on Ukraine (2017). *The author's book recommendations were The Ideological Origins of the American Revolution by Bernard Bailyn (Harvard University Press, 50th Anniversary edition 2017) and Anna Karenina by Leo Tolstoy (OUP, 2016 - translated by Rosamund Bartlett). Tim Gwynn Jones is an economic and political-risk analyst at Medley Advisors, who also writes and podcasts at twenty4two on Substack. Learn more about your ad choices. Visit megaphone.fm/adchoices
"Everyone assumed that in a more open, interconnected world, democracy and liberal ideas would spread to the autocratic states. Nobody imagined that autocracy and illiberalism would spread to the democratic world instead". So writes Anne Applebaum in Autocracy, Inc: The Dictators Who Want to Run the World (Double Day Books, 2024). Applebaum's new book develops the themes she rehearsed in Twilight of Democracy (2020), an analysis of the rise of authoritarianism in Eastern Europe and national conservatism in the UK and the US. Ranging across the club of authoritarians but with an inevitable focus on China and Russia, Autocracy Inc. examines autocrats' growing sophistication and coordination and how they have been enabled by the naivety (and greed) of business and politicians in liberal democracies. "The vehicles of disruption can be right-wing, left-wing, separatist or nationalist - even taking the form of medical conspiracies or moral panic," she writes. "Only the purpose never changes: Autocracy Inc. hopes to rewrite the rules of the international system itself". Anne Applebaum is an American-Polish historian and staff writer for The Atlantic. Apart from Twilight of Democracy, she has written three histories - Gulag: A History (2003), Iron Curtain: The Crushing of Eastern Europe, 1944-1956 (2012), and Red Famine: Stalin's War on Ukraine (2017). *The author's book recommendations were The Ideological Origins of the American Revolution by Bernard Bailyn (Harvard University Press, 50th Anniversary edition 2017) and Anna Karenina by Leo Tolstoy (OUP, 2016 - translated by Rosamund Bartlett). Tim Gwynn Jones is an economic and political-risk analyst at Medley Advisors, who also writes and podcasts at twenty4two on Substack. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day
"Everyone assumed that in a more open, interconnected world, democracy and liberal ideas would spread to the autocratic states. Nobody imagined that autocracy and illiberalism would spread to the democratic world instead". So writes Anne Applebaum in Autocracy, Inc: The Dictators Who Want to Run the World (Double Day Books, 2024). Applebaum's new book develops the themes she rehearsed in Twilight of Democracy (2020), an analysis of the rise of authoritarianism in Eastern Europe and national conservatism in the UK and the US. Ranging across the club of authoritarians but with an inevitable focus on China and Russia, Autocracy Inc. examines autocrats' growing sophistication and coordination and how they have been enabled by the naivety (and greed) of business and politicians in liberal democracies. "The vehicles of disruption can be right-wing, left-wing, separatist or nationalist - even taking the form of medical conspiracies or moral panic," she writes. "Only the purpose never changes: Autocracy Inc. hopes to rewrite the rules of the international system itself". Anne Applebaum is an American-Polish historian and staff writer for The Atlantic. Apart from Twilight of Democracy, she has written three histories - Gulag: A History (2003), Iron Curtain: The Crushing of Eastern Europe, 1944-1956 (2012), and Red Famine: Stalin's War on Ukraine (2017). *The author's book recommendations were The Ideological Origins of the American Revolution by Bernard Bailyn (Harvard University Press, 50th Anniversary edition 2017) and Anna Karenina by Leo Tolstoy (OUP, 2016 - translated by Rosamund Bartlett). Tim Gwynn Jones is an economic and political-risk analyst at Medley Advisors, who also writes and podcasts at twenty4two on Substack. Learn more about your ad choices. Visit megaphone.fm/adchoices
Tolstoy was one of the greatest writers of all time. His books have constructed how we think about Russian imperial history. But he was not just an observer, he was also a participant. As a young man, Tolstoy fought in several of Russia's imperial wars– against the Chechens and the Ottoman Turks, then against both the French and the British in the Crimea. As he matured he grew far more critical of Russian Empire building and lamented the futility of war and conquest. His writings were a driver of the growing disillusionment with tsarism, and he began to be censored by the regime. So great was his influence that Lenin himself wrote about his role in the Russian Revolution. Listen as William and Anita are joined by Tolstoy's biographer Rosamund Bartlett to unpick this remarkable life. Twitter: @Empirepoduk Email: empirepoduk@gmail.com Goalhangerpodcasts.com Producer: Callum Hill + Tabby Syrett Exec Producer: Jack Davenport + Neil Fearn Learn more about your ad choices. Visit podcastchoices.com/adchoices
Rosamund Bartlett is an expert on Russian literature, and the author of several books, including, "Tolstoy: A Russian Life."
Tolstoy biographer and translator Rosamund Bartlett in conversation with academic and writer Sophie Ratcliffe.Music: 'Sorrow' by Nikolai Romanovich Bakaleinikov
In 1812 Napoleon led his army to Moscow. In War and Peace Tolstoy gave his account of the great invasion, the battle of Borodino, and the subsequent burning of Moscow. Rosamund Bartlett, translator of Russian novels and biographer of Tolstoy investigates the truth and the fiction of one of the most famous novels of all time. Tolstoy believed that Napoleon and the Russian commander Kutuzov were no more significant in deciding the outcome of events than any one of the thousands of ordinary soldiers who slogged their way across Europe to fight or who defended their motherland as best they could. With reports by the Russian novelist Zinovy Zinik from the battlefied at Borodino and at Tolstoy's country estate at Yasnaya Polyana, Rosamund Bartlett tells how Tolstoy took up the story of what became known as the first great patriotic war in Russia and shaped it in his own way - a version of events that nonetheless has endured over time and become in many people's minds the truth of 1812.
I vividly recall a time in my life–especially my late teens and early twenties–when I thought I could be anyone but had no idea which anyone to be. For this I blame (or credit) my liberal arts education, which convinced me that there was really nothing I couldn’t master but gave me little or no indication of what I should do (beyond platitudes like “discover myself” and “do good”). So I thrashed about, armed with an ounce of knowledge and a ton of arrogance. I was insufferable. I won’t go into details, but let me just say my quest to discover who I was ended rather badly, albeit not in the long term. Life taught me what my liberal arts education couldn’t: that I was who I was and not much more. Having read Rosamund Bartlett‘s excellent Tolstoy: A Russia Life (Houghton Mifflin, 2011), I’m left wondering if Tolstoy ever came to this realization. Throughout his life, he searched for his true self. His launching pad was not a liberal arts education, but rather an aristocratic background, a flock of tutors, and a remarkable talent. The first taught Tolstoy that he could do anything he wanted (which was largely true as it concerned the serfs that Tolstoy’s family owned); the second gave him the cultural tools he needed to conduct his search; and the third gave him the ability to rise above all the other Russian aristocrats who were trying to figure out what they should do and where Russia should go. Tolstoy tried on Russian identities the way you try on cloths at a department store. He was, by turns, a student, a slacker, an enfant terrible, a rake, a soldier, a pianist, a slave master, a gambler, a journalist, a teacher, a bee-keeper, a patriarch, a national poet, a peasant, a pundit, and a child-of-nature. At the end of his life he became a holy fool, or monk, or cult leader–take your pick. Some see this identity as his final destination, his moment of Buddha-like enlightenment. I don’t think so. Had he lived another five years he would have become someone else. Tolstoy–perpetual adolescent.Thankfully for us, the common thread in his loosely woven life was writing. He was a always a writer, and one with preternatural descriptive and dramatic gifts. Rosamund Bartlett is also a writer with considerable gifts, which explains why her grasp of Tolstoy is so solid and why her ability to vividly portray him so great. If you want to know Tolstoy, read Bartlett. Learn more about your ad choices. Visit megaphone.fm/adchoices
I vividly recall a time in my life–especially my late teens and early twenties–when I thought I could be anyone but had no idea which anyone to be. For this I blame (or credit) my liberal arts education, which convinced me that there was really nothing I couldn’t master but gave me little or no indication of what I should do (beyond platitudes like “discover myself” and “do good”). So I thrashed about, armed with an ounce of knowledge and a ton of arrogance. I was insufferable. I won’t go into details, but let me just say my quest to discover who I was ended rather badly, albeit not in the long term. Life taught me what my liberal arts education couldn’t: that I was who I was and not much more. Having read Rosamund Bartlett‘s excellent Tolstoy: A Russia Life (Houghton Mifflin, 2011), I’m left wondering if Tolstoy ever came to this realization. Throughout his life, he searched for his true self. His launching pad was not a liberal arts education, but rather an aristocratic background, a flock of tutors, and a remarkable talent. The first taught Tolstoy that he could do anything he wanted (which was largely true as it concerned the serfs that Tolstoy’s family owned); the second gave him the cultural tools he needed to conduct his search; and the third gave him the ability to rise above all the other Russian aristocrats who were trying to figure out what they should do and where Russia should go. Tolstoy tried on Russian identities the way you try on cloths at a department store. He was, by turns, a student, a slacker, an enfant terrible, a rake, a soldier, a pianist, a slave master, a gambler, a journalist, a teacher, a bee-keeper, a patriarch, a national poet, a peasant, a pundit, and a child-of-nature. At the end of his life he became a holy fool, or monk, or cult leader–take your pick. Some see this identity as his final destination, his moment of Buddha-like enlightenment. I don’t think so. Had he lived another five years he would have become someone else. Tolstoy–perpetual adolescent.Thankfully for us, the common thread in his loosely woven life was writing. He was a always a writer, and one with preternatural descriptive and dramatic gifts. Rosamund Bartlett is also a writer with considerable gifts, which explains why her grasp of Tolstoy is so solid and why her ability to vividly portray him so great. If you want to know Tolstoy, read Bartlett. Learn more about your ad choices. Visit megaphone.fm/adchoices
I vividly recall a time in my life–especially my late teens and early twenties–when I thought I could be anyone but had no idea which anyone to be. For this I blame (or credit) my liberal arts education, which convinced me that there was really nothing I couldn’t master but gave me little or no indication of what I should do (beyond platitudes like “discover myself” and “do good”). So I thrashed about, armed with an ounce of knowledge and a ton of arrogance. I was insufferable. I won’t go into details, but let me just say my quest to discover who I was ended rather badly, albeit not in the long term. Life taught me what my liberal arts education couldn’t: that I was who I was and not much more. Having read Rosamund Bartlett‘s excellent Tolstoy: A Russia Life (Houghton Mifflin, 2011), I’m left wondering if Tolstoy ever came to this realization. Throughout his life, he searched for his true self. His launching pad was not a liberal arts education, but rather an aristocratic background, a flock of tutors, and a remarkable talent. The first taught Tolstoy that he could do anything he wanted (which was largely true as it concerned the serfs that Tolstoy’s family owned); the second gave him the cultural tools he needed to conduct his search; and the third gave him the ability to rise above all the other Russian aristocrats who were trying to figure out what they should do and where Russia should go. Tolstoy tried on Russian identities the way you try on cloths at a department store. He was, by turns, a student, a slacker, an enfant terrible, a rake, a soldier, a pianist, a slave master, a gambler, a journalist, a teacher, a bee-keeper, a patriarch, a national poet, a peasant, a pundit, and a child-of-nature. At the end of his life he became a holy fool, or monk, or cult leader–take your pick. Some see this identity as his final destination, his moment of Buddha-like enlightenment. I don’t think so. Had he lived another five years he would have become someone else. Tolstoy–perpetual adolescent.Thankfully for us, the common thread in his loosely woven life was writing. He was a always a writer, and one with preternatural descriptive and dramatic gifts. Rosamund Bartlett is also a writer with considerable gifts, which explains why her grasp of Tolstoy is so solid and why her ability to vividly portray him so great. If you want to know Tolstoy, read Bartlett. Learn more about your ad choices. Visit megaphone.fm/adchoices
I vividly recall a time in my life–especially my late teens and early twenties–when I thought I could be anyone but had no idea which anyone to be. For this I blame (or credit) my liberal arts education, which convinced me that there was really nothing I couldn’t master but gave me little or no indication of what I should do (beyond platitudes like “discover myself” and “do good”). So I thrashed about, armed with an ounce of knowledge and a ton of arrogance. I was insufferable. I won’t go into details, but let me just say my quest to discover who I was ended rather badly, albeit not in the long term. Life taught me what my liberal arts education couldn’t: that I was who I was and not much more. Having read Rosamund Bartlett‘s excellent Tolstoy: A Russia Life (Houghton Mifflin, 2011), I’m left wondering if Tolstoy ever came to this realization. Throughout his life, he searched for his true self. His launching pad was not a liberal arts education, but rather an aristocratic background, a flock of tutors, and a remarkable talent. The first taught Tolstoy that he could do anything he wanted (which was largely true as it concerned the serfs that Tolstoy’s family owned); the second gave him the cultural tools he needed to conduct his search; and the third gave him the ability to rise above all the other Russian aristocrats who were trying to figure out what they should do and where Russia should go. Tolstoy tried on Russian identities the way you try on cloths at a department store. He was, by turns, a student, a slacker, an enfant terrible, a rake, a soldier, a pianist, a slave master, a gambler, a journalist, a teacher, a bee-keeper, a patriarch, a national poet, a peasant, a pundit, and a child-of-nature. At the end of his life he became a holy fool, or monk, or cult leader–take your pick. Some see this identity as his final destination, his moment of Buddha-like enlightenment. I don’t think so. Had he lived another five years he would have become someone else. Tolstoy–perpetual adolescent.Thankfully for us, the common thread in his loosely woven life was writing. He was a always a writer, and one with preternatural descriptive and dramatic gifts. Rosamund Bartlett is also a writer with considerable gifts, which explains why her grasp of Tolstoy is so solid and why her ability to vividly portray him so great. If you want to know Tolstoy, read Bartlett. Learn more about your ad choices. Visit megaphone.fm/adchoices
I vividly recall a time in my life–especially my late teens and early twenties–when I thought I could be anyone but had no idea which anyone to be. For this I blame (or credit) my liberal arts education, which convinced me that there was really nothing I couldn’t master but... Learn more about your ad choices. Visit megaphone.fm/adchoices
I was in Oxford on Friday to interview Rosamund Bartlett about her recent Tolstoy biography, which coincides with the great man’s death a century ago on 20 November 1910. The interview will appear shortly on the Blackwell Online website, but in the meantime, here is Rosamund reading a short extract from the book itself, in which Tolstoy as a boy listens to his grandmother’s blind storyteller recount a bedtime story… Click here for the reading.
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