Podcasts about Classics

Black-eyed peas, a traditional New Year’s food in the American South, are an important staple all year long around the world. In this classic episode, Anney and Lauren dig into the history of this hardy legume – plus the science of minimizing beans’ musical properties.See omnystudio.com/listener for privacy information.

Front Row Classics is taking a look at one of the most heart warming films of the 1940s. Brandon and Peter Martin are chatting about 1945's The Bells of St Mary's. Bing Crosby reprises his role as Father O'Malley from Going My Way. This time, he's joined by the incandescent Ingrid Bergman. The movie is a story of faIth and hope that rings true 80 years later. It's a perfect film to add to your holiday week viewing. 

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Morra Aarons-Mele is the host of The Anxious Achiever, a top-10 management podcast that helps people rethink the relationship between their mental health and their leadership. Morra founded Women Online and The Mission List, an award-winning digital-consulting firm and influencer marketing company dedicated to social change in 2010 and sold her businesses in 2021. She is also the author of a bestselling book, ⁠The Anxious Achiever⁠, which published in 2023. In this classic episode, Morra joined host Robert Glazer on ⁠the Elevate Podcast⁠ to talk about her book, how to turn anxiety into an advantage, and much more. Thank you to the sponsors of The Elevate Podcast Mizzen & Main: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠mizzenandmain.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ (Promo Code: elevate20) Shopify: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠shopify.com/elevate⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Indeed: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠indeed.com/elevate⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Masterclass: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠masterclass.com/elevate⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Northwest Registered Agent: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠northwestregisteredagent.com/elevatefree⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Homeserve: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠homeserve.com⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Happy Holidays! We're taking a short break from new episodes this week so you can focus on finishing that Christmas dinner. We'll be back next Thursday with something new. In the meantime, why not tuck into this conversation with Guy Spier from January 2024, which remains one of my favorites. Enjoy! _________________ Guy Spier runs the Aquamarine Fund, an "investment partnership closely modeled on the original Buffet Partnerships." He is also a podcast host, YouTube creator, author of The Education of a Value Investor and the host of the annual investment gathering VALUEx. He describes his life's project as "a quest for wealth, wisdom and enlightenment." Guy joins the show to discuss the differences between Switzerland and the US, how to unlock the British class system, what he learned from Warren Buffett, and MUCH more! Important Links: Guy's Website Guy's Twitter Guy's YouTube Channel 3Blue1Brown (YouTube Channel) Numberphile (YouTube Channel) Show Notes: The Differences Between New York, Switzerland & Paris Exploring the Dark Underbelly of New York Nightlife Psychedelics, Guns & Regulation The Advantages of Swiss Democracy Don't Short the United States The Branding Skill of the Royal Family Unlocking the Rules of the Class System Life Paths & Premeditation Luck, Opportunity & Non-Canonical Science Jim's Music Taste Mathematical Shenanigans Guy as Emperor of the World MORE! Books Mentioned: How to Change Your Mind: What the New Science of Psychedelics Teaches Us about Consciousness, Dying, Addiction, Depression, and Transcendence; by Michael Pollan The Hypomanic Edge: The Link Between (a Little) Craziness and (a Lot Of) Success in America; by John Gartner Write It Down, Make It Happen: Knowing What You Want and Getting It; by Henriette Anne Klauser Invest Like The Best; by Jim O'Shaughnessy Outside, the Sky is Blue: The story of a family told with searing honesty, humour and love; by Christina Patterson

Merry Christmas from Front Row Classics. Brandon is joined once again by Tony Maietta to talk about some favorite offbeat viewing during the holiday season. Topics range from Golden Age feature films to classic sitcoms to 80s/90s romantic comedies.  Be sure to check out Tony's podcast, Going Hollywood, at https://www.goinghollywoodpodcast.com/

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I'm trying something new this week, Rachel Wagner and I are doing a pitch meeting, talking about what we would like to see in new versions of some of our favorite Christmas Movies, A Christmas Carol, Miracle on 34th Street, & It's a Wonderful Life!Follow Rachel online!Twitter: ⁠⁠⁠⁠⁠⁠https://twitter.com/rachel_reviews ⁠⁠⁠⁠⁠YouTube: ⁠⁠⁠⁠⁠⁠https://www.youtube.com/@RachelsReviews⁠⁠⁠Blog: ⁠⁠⁠⁠⁠⁠https://rachelsreviews.netEvery Version Ever - Episode 215 For links to my latest episodes, all my podcasts, and other social media, check out my Link Tree! ⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/jonjnorth⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠For bonus episodes, extended episodes, and more, sign up for my Patreon! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/jonjnorth⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

I'm trying something new this week, Rachel Wagner and I are doing a pitch meeting, talking about what we would like to see in new versions of some of our favorite Christmas Movies, A Christmas Carol, Miracle on 34th Street, & It's a Wonderful Life!Follow Rachel online! Twitter: ⁠⁠⁠⁠⁠⁠https://twitter.com/rachel_reviews ⁠⁠⁠⁠⁠⁠YouTube: ⁠⁠⁠⁠⁠⁠https://www.youtube.com/@RachelsReviews⁠⁠⁠ Blog: ⁠⁠⁠⁠⁠⁠https://rachelsreviews.netEvery Version Ever - Episode 215For links to my latest episodes, all my podcasts, and other social media, check out my Link Tree! ⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/jonjnorth⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠For bonus episodes, extended episodes, and more, sign up for my Patreon! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/jonjnorth⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Ynés Mexía lived a life full of adventure and full of turning points. Yves joins us to share the story of the pioneering botanist in this classic episode.See omnystudio.com/listener for privacy information.

Front Row Classics is celebrating the holidays with the incomporable Barbara Stanwyck. Brandon is joined once again by Jackson Cooper to celebrate one of the greatest leading ladies in Hollywood History. They discuss two of her greatest contributions to the Holiday season: Christmas in Connecticut (1945) and Remember the Night (1940). 

Merry Christmas Eve from Front Row Classics! Brandon welcomes Front Row regulars, Emmett Stanton, Matt Duffy and Peter Martin to celebrate the holidays with plenty of film discussion and opinions. You'll hear tributes to Gene Hackman, Robert Redford & Diane Keaton as well as plenty of holiday film discussion. The hosts also reveal some personal top 5 lists. We, unfortunately, were unable to record all at the same time this year.. So, this is a jumbo holiday episode split in two sections.

Front Row Classics is thrilled to welcome back Vanessa O'Neil. Brandon and Vanessa catch up since their last conversation in the summer. Vanessa discusses the Judy Garland Estate's launch on social media and the impact she is already seeing from it. The two also discuss Vanessa's reaction to Oz at the Sphere in Las Vegas as well as favorite holiday memories. 

Couch Potato Theater: SCROOGED (1988) - Fandom Podcast Network Classics Watch: Fandom Podcast Network YouTube Channel Link: https://www.youtube.com/@FandomPodcastNetwork Listen: Couch Potato Theater Audio Podcast Link: https://fpnet.podbean.com/category/couch-potato-theater Welcome to Couch Potato Theater, where we celebrate our favorite movies on the Fandom Podcast Network! We're re-releasing - Couch Potato Theater: SCROOGED (1988), and alumni of our "Fandom Podcast Network Classics". Originally recorded in 2020. For this Couch Potato Theater presentation of SCROOGED (1988), your CPT co-hosts and Fandom Podcast Network co-founders Kevin & Kyle discuss why SCROOGED (1988) became in instant Christmas classic, and is Kevin's favorite Holiday movie of all time! Sit back and relax on the couch and enjoy this re-release special presentation of Couch Potato Theater: SCROOGED (1988). Plot Synopsis: Scrooged is a 1988 American Christmas fantasy black comedy film directed by Richard Donner and written by Mitch Glazer and Michael O'Donoghue. Inspired by Charles Dickens' 1843 novella A Christmas Carol, the film is a metafictional modern retelling that follows Bill Murray as Frank Cross, a cynical and selfish television executive who, while prepping for a live broadcast adaptation of A Christmas Carol, is visited on Christmas Eve by a succession of ghosts intent on helping him regain his Christmas spirit. The supporting cast includes Karen Allen, John Forsythe, Bobcat Goldthwait, Carol Kane, Robert Mitchum, Michael J. Pollard, and Alfre Woodard.   Fandom Podcast Network Contact Information - - Fandom Podcast Network YouTube Channel:  https://www.youtube.com/c/FandomPodcastNetwork - Master feed for all FPNet Audio Podcasts: http://fpnet.podbean.com/ - Couch Potato Theater Audio Podcast Master Feed: https://fpnet.podbean.com/category/couch-potato-theater - Facebook: https://www.facebook.com/Fandompodcastnetwork - Email: fandompodcastnetwork@gmail.com - Instagram: https://www.instagram.com/fandompodcastnetwork/ - X: @fanpodnetwork / https://twitter.com/fanpodnetwork -Bluesky: @fanpodnetwork / https://bsky.app/profile/fanpodnetwork.bsky.social Host & Guest Contact Info: - Kevin Reitzel on X, Instagram, Threads, Discord & Letterboxd: @spartan_phoenix / Bluesky: @spartanphoenix - Kyle Wagner on X: @AKyleW / Instagram & Threads: @Akylefandom / @akyleW on Discord / @Ksport16: Letterboxd / Bluesky: @akylew #CouchPotatoTheater #CPT #FandomPodcastNetwork #FandomPodcastNetworkClassics #FPNet #FPN #Scrooged #Scrooged1988 #ScroogedMovie #RichardDonner #CharlesDickens #AChristmasCarol #BillMurray #FrankCross #KarenAllen #JohnForsythe #BobcatGoldthwait #CarolKane #RobertMitchum #MichaelJPollard #AlfreWoodard #ChristmasMovie #ChristmasMovies #1988Movies #KevinReitzel #KyleWagner  

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The latest issue of Double Reel, the monthly magazine podcast for the discerning film nerd. This is Double Reel Monthly, covering news, new releases, reviews of new films we've watched and the last parts of our annual projects.   Next week we'll continue the issue with Classics and Hidden Gems.   Check out Alan's author page here: https://www.facebook.com/AlanBaylesWriter    And our YouTube show celebrating physical media, Maximum Disc is here: https://www.youtube.com/@DoubleReelFilm 

Jackie chats with good friend Heather McMahan to purge their souls pre-Holiday festivities and find eternal optimism in unlikely places.Thanks for supporting my sponsors:Honeylove: Get 20% off at www.honeylove.com/BibleHero Bread: Use code BIBLE to get 10% off at www.hero.coPique: Get 20% off for life at www.Piquelife.com/BibleRevolve: Shop my edit, and take 15% off your first order with code BITCH at www.Revolve.com/BITCHWayfair: Shop all things home at www.Wayfair.comSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Ric Elias - The Art of Living Well - [Invest Like The Best, CLASSICS] Welcome to this classic episode. Classics are my favorite episodes from the past 10 years, published once a month. These are N of 1 conversations with N of 1 people. Ric Elias is the CEO and co-founder of Red Ventures, which has a portfolio of fast-growing digital businesses like Lonely Planet, The Points Guy, Bankrate, and large investments in a variety of other businesses across industries. He began the business in 2000 and has grown it to now a global company with thousands of employees. Ric walks us through the early struggles that have led to what is now a flourishing investing platform, but mostly this episode is a masterclass on cultural values and philosophies that transcend mere financial gain. We discuss the difference between living good and well, the power of forgiveness, and compounding more than just your capital. Ric's story is one of resilience, humility, and grace. His story about being in the front row of the plane that Captain Sully landed in the Hudson is singular and very moving. Please enjoy my conversation with Ric Elias. For the full show notes, transcript, and links to mentioned content, check out the episode page here. ----- This episode is brought to you by WorkOS. WorkOS is a developer platform that enables SaaS companies to quickly add enterprise features to their applications. With a single API, developers can implement essential enterprise capabilities that typically require months of engineering work. By handling the complex infrastructure of enterprise features, WorkOS allows developers to focus on their core product while meeting the security and compliance requirements of Fortune 500 companies. Visit WorkOS to Transform your application into an enterprise-ready solution in minutes, not months. ----- Invest Like the Best is a property of Colossus, LLC. For more episodes of Invest Like the Best, visit joincolossus.com/episodes.  Stay up to date on all our podcasts by signing up to Colossus Weekly, our quick dive every Sunday highlighting the top business and investing concepts from our podcasts and the best of what we read that week. Sign up here. Follow us on Twitter: @patrick_oshag | @joincolossus ----- Editing and post-production work for this episode was provided by The Podcast Consultant (https://thepodcastconsultant.com). Timestamps: (00:00:00) Welcome to Invest Like the Best (00:02:00) Meet Ric Elias (00:02:49) Chasing the Big Dream (00:05:38) Understanding Red Ventures: Origin and Evolution (00:10:25) Operational Success and Company Culture (00:25:30) Reflections on Money and Personal Well-being (00:28:49) The Difference between Good and Well (00:32:55) The Hudson River Plane Crash Experience (00:42:37) Reconnecting with Puerto Rico and Reviving the Basketball Team (00:45:07) Underdogs to Champions (00:48:09) How to Build Trust and Culture (00:52:29) Reflections on Leadership (00:56:12) The Role of Confidence and Courage (00:59:38) The Value of Family and Friendships (01:01:57) The Pursuit of Purpose Over Profit (01:06:52) Recruitment and Company Culture (01:10:07) Reflecting on Success (01:14:33) The Importance of Pace and Speed (01:16:23) Other Business Philosophies (01:23:17) The Kindest Thing

Enjoy these back to back throwback episodes! Forbidden Knowledge Network https://forbiddenknowledge.news/ FKN Link Treehttps://linktr.ee/FKNlinksMake a Donation to Forbidden Knowledge News https://www.paypal.me/forbiddenknowledgenehttps://buymeacoffee.com/forbiddenWe are back on YouTube! https://youtube.com/@forbiddenknowledgenews?si=XQhXCjteMKYNUJSjBackup channelhttps://youtube.com/@fknshow1?si=tIoIjpUGeSoRNaEsDoors of Perception is available now on Amazon Prime!https://watch.amazon.com/detail?gti=amzn1.dv.gti.8a60e6c7-678d-4502-b335-adfbb30697b8&ref_=atv_lp_share_mv&r=webDoors of Perception official trailerhttps://youtu.be/F-VJ01kMSII?si=Ee6xwtUONA18HNLZPick up Independent Media Token herehttps://www.independentmediatoken.com/Be prepared for any emergency with Prep Starts Now!https://prepstartsnow.com/discount/FKNStart your microdosing journey with BrainsupremeGet 15% off your order here!!https://brainsupreme.co/FKN15Book a free consultation with Jennifer Halcame Emailjenniferhalcame@gmail.comFacebook pagehttps://www.facebook.com/profile.php?id=61561665957079&mibextid=ZbWKwLWatch The Forbidden Documentary: Occult Louisiana on Tubi: https://link.tubi.tv/pGXW6chxCJbC60 PurplePowerhttps://go.shopc60.com/FORBIDDEN10/or use coupon code knowledge10Johnny Larson's artworkhttps://www.patreon.com/JohnnyLarsonSign up on Rokfin!https://rokfin.com/fknplusPodcastshttps://www.spreaker.com/show/forbiddenAvailable on all platforms Support FKN on Spreaker https://spreaker.page.link/KoPgfbEq8kcsR5oj9FKN ON Rumblehttps://rumble.com/c/FKNpGet Cory Hughes books!Lee Harvey Oswald In Black and White https://www.amazon.com/dp/B0FJ2PQJRMA Warning From History Audio bookhttps://buymeacoffee.com/jfkbook/e/392579https://www.buymeacoffee.com/jfkbookhttps://www.amazon.com/Warning-History-Cory-Hughes/dp/B0CL14VQY6/ref=mp_s_a_1_1?crid=72HEFZQA7TAP&keywords=a+warning+from+history+cory+hughes&qid=1698861279&sprefix=a+warning+fro%2Caps%2C121&sr=8-1https://coryhughes.org/Become Self-Sufficient With A Food Forest!!https://foodforestabundance.com/get-started/?ref=CHRISTOPHERMATHUse coupon code: FORBIDDEN for discountsOur Facebook pageshttps://www.facebook.com/forbiddenknowledgenewsconspiracy/https://www.facebook.com/FKNNetwork/Instagram @forbiddenknowledgenews1@forbiddenknowledgenetworkXhttps://x.com/ForbiddenKnow10?t=uO5AqEtDuHdF9fXYtCUtfw&s=09Email Forbidden Knowledge News forbiddenknowledgenews@gmail.comsome music thanks to:https://www.bensound.com/ULFAPO3OJSCGN8LDDGLBEYNSIXA6EMZJ5FUXWYNC6WJNJKRS8DH27IXE3D73E97DC6JMAFZLSZDGTWFIBecome a supporter of this podcast: https://www.spreaker.com/podcast/forbidden-knowledge-news--3589233/support.

Front Row Classics is celebrating the legacy of the legendary Peggy Lee. Brandon is thrilled to welcome Lee's granddaughter, Holly Foster Wells. As President of Peggy Lee Associates, Holly manages every aspect of grandmother's estate. Brandon and Holly discuss Lee's origins and rise to fame. They also touch on many of the ways she took control of her own career and legacy. In the spirt of the season, Peggy's unsung contributions to the White Christmas soundtrack is also discussed.    About Holly Foster Wells As the granddaughter of legendary singer-songwriter Peggy Lee, Holly Foster Wells has dedicated her career to preserving and championing one of the most distinctive voices in American music. Her education in the entertainment industry began early, touring with her grandmother and gaining firsthand insight into the artistry and the business behind the spotlight. Holly earned a degree in Communications from California Lutheran University before launching a successful career in television production, working as a coordinator for The Carsey-Werner Company and Castle Rock Entertainment, contributing to some of the most iconic shows of their time, including Roseanne, Seinfeld, and Will & Grace. In 1998, she transitioned from television to legacy work, stepping into the role she had long been preparing for as President of Peggy Lee Associates. Today, Holly oversees every aspect of her grandmother's legacy - including licensing, catalog management, publishing, and strategic partnerships - while safeguarding her grandmother's artistic vision and ensuring that Peggy Lee's voice continues to resonate with new generations.   You can find offical conent for Peggy Lee at the following handles: Instagram: @peggyleeofficial Facebook: @misspeggylee TikTok: @peggylee Threads: @peggyleeofficial YouTube: @peggyleeofficial

Front Row Classics continues our holiday celebration with our friend Jessica Pickens. Brandon and Jessica are discussing their favorite versions of A Christmas Carol. The versions range from the 30s-00s and aren't confined to just feature films. Television movies & specials are also covered.

Josh and Kross talk about some of their favorite holiday classics, and rank things for the holidays- because why not! We'll be back in the new year with our next episode covering Empire of Silence! Link: https://wordsandwhiskey.show/episode/286-the-holiday-classics-ranked

The fundamentals of leadership remain the same, no matter your level. Lead at any level by believing you're a leader, having a POV, having followers, and testing-and-learning your leadership practice. There are also some characteristics that can sometimes get in the way of us being the leaders we were meant to be. Find out what they are, and what to do about them. For more about ForthRight Business by ForthRight People or for 1:1 consultation, check us out at ForthRight-Business.com And as always, if you need Strategic Counsel, don't hesitate to reach out to us at: ForthRight-People.com FACEBOOK https://www.facebook.com/forthrightpeople.marketingagency INSTAGRAM https://www.instagram.com/forthrightpeople/ LINKEDIN https://www.linkedin.com/company/forthright-people/ RESOURCES https://www.forthright-people.com/resources VIRTUAL CONSULTANCY https://www.forthright-people.com/shop

Jill and Tom open the show addressing two high-profile electric vehicle cancellations announced this past week. First the hosts discuss the end of production for the Ford F-150 Lighting, which came as something of a surprise to both Jill and Tom. Also covered is news that Volkswagen will not be importing a 2026 edition of the spunky ID. Buzz electric minivan. Will the ID. Buzz be back for 2027? Jill and Tom speculate. Still in the first segment, Jill reviews the Ford Maverick Lobo. Lobo is a new sporty Maverick variant, and it sounds like fun. Listen in for Jill's take on the potentially entertaining-to-drive small pickup truck. In the second segment, the Hosts welcome Rob Howard, CEO of Kindred Motorworks to the podcast. Kindred restores classic cars, some of which become battery powered in the process. Rob talks about the restoration process, and the level of engineering that is invested in each new model the company adds to its lineup. Listen in for details. In the last segment Jill is subjected to Tom's “Is it a Mercury?” quiz. 

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Coldwired Podcast (Come and say hello! facebook.com/ColdwiredMusic). Classics Remixed: 2025. Tracklisting: [00:00] 01. Quivver - Surin (Tilt's Lost Angeles Remix) [White] [05:15] 02. U.S.U.R.A - Open Your Mind (Low Contrast Unofficial Progressive Remix) [Bootleg] [09:15] 03. Z2 - I Want You (Volen Sentir Extended Remix) [Armada Captivating] [12:45] 04. Situation 2wo, Framewerk - Way2tite (Framewerk Breaks Edit) [Bandcamp] [18:05] 05. Hysterix - Talk To Me (Noel Sanger's 2025 Renaissance Reviso) [Bandcamp] [25:05] 06. Underworld, Dave Moyle - Darker Train (Doug Crawford Remix) [AFFILIATE] [28:05] 07. Robert Dietz - Pandemix (Jeremy Olander Private Edit) [Bootleg] [33:00] 08. Above and Beyond - Sun In Your Eyes (Marsh Extended Mix) [Anjunabeats] [37:58] 09. Reflekt - Need to Feel Loved (Facade Mix) [Bootleg] [45:01] 10. Markus Schulz, Matt Fax - The New World (Extended Mix) [A State Of Trance] [49:35] 11. Sasha - Xpander (CØHERA Lost In A Dream Rework) [Bootleg] [54:41] 12. Der Dritte Raum - Hale Bopp (Stereo Underground remix) [Bootleg] [59:47] 13. Moby, Framewerk - Go (Framewerk Rewerk) [Bandcamp] [1:04:11] 14. Bedrock - Heaven Scent (Marsh Remix) [Bedrock Records] [1:08:35] 15. Fusion, Matt Hardwick - Resistance (Rise and Fall Remix) [JOOF Recordings] [1:14:04] 16. F4T4L3RR0R - Out There (Extended Mix) [Addictive Sounds] [1:19:27] 17. Solid Globe - North Pole (BLR Extended Mix) [RNM (RazNitzanMusic)] [1:23:38] 18. Paul van Dyk - Another Way (Enigma State Rework) [Bootleg] [1:28:39] 19. Aqualize - Land of 2 Suns (Liquid Soul Remix) [Iboga Records]

In Nakd Classics we bring back your favorite episodes that focus on mindset, confidence and holistic health.  Original Episode 186 :  Do you feel in alignment? Like the the person you're showing the world or the life you're living matches how you feel inside? It's always a journey to become who you truly are and it's not easy, right!?  In this solocast we're exploring daily habits and mindset shifts to give us courage to live as we truly are, deep inside. Because living in alignment or feeling awakened, makes life more fulfilling and heightens our wellbeing. Listen for that tough love and nakd inspiration!  What to listen to next?Episode 185: Balance through Boundaries 

Send us a textOn this episode, Tom and Bert select, review and discuss their Honorable Mentions and their TOP 10 + 1 Greatest Holiday Song Favorites of all time!It's the "SONG" that makes the criteria for their selections then theor favorite/best renditions by their favorites singers complete their lists.Some are the traditional Classics and some are newer originals with a few surprise sleeper hits that make up their lists.Some highlights:"Rudolf the Red Nose Reindeer" (9:21) by Dean Martin"Merry Christmas Baby" (13:35) by the Carpenters"Happy Holidays/Holiday Season" (21:03) by Andy Williams"Feliz Navidad" (23:30) by Jose Feliciano"Every Year, Every Christmas" (25:52) by Luther Vandross"The Christmas Song" (27:24) by Nat King Cole"Have Yourself a Merry Little Christmas" (32:03) by Frank Sinatra"Have a Holly Jolly Christmas" (38:45) by Burl Ives"Peace on Earth"/"Little Drummer Boy" (41:30) by Bing Crosby and David Bowie"Gloria" (51:06) by Michael W. Smith"Santa Baby" (53:45) by Eartha Kitt"Baby It's Cold Outside" (1h 01m) by Dean Martin"Same Old Lang Syne" (1h 12m) by Dan Fogelberg"All I want for Christmas is You" (1h 15m) by Mariah CareyHave a Great Holiday Season and we wish you and yours a Merry Christmas and a Safe and Happy New Year.Enjoy the Show!You can email us at reeldealzmoviesandmusic@gmail.com or visit our Facebook page, Reel Dealz Podcast: Movies & Music Thru The Decades to leave comments and/or TEXT us at 843-855-1704 as well.

Get ready to deck the halls with nostalgia

John Anderson speaks with James Orr to examine the deeper moral, cultural, and institutional pressures shaping Britain and the wider Western world. Drawing on political philosophy, social analysis, and recent events, Orr challenges the prevailing assumption that economic management and procedural politics can sustain a stable society. He argues that questions of identity, belonging, and shared obligation now sit at the centre of national renewal. This conversation traces the erosion of social trust, the limits of rights-based politics, and the consequences of demographic and cultural fragmentation. It is a measured discussion that reorients political debate toward the moral and cultural foundations required for long-term national stability, rather than short-term policy adjustments. Dr. Orr holds a PhD and MPhil in Philosophy of Religion from the University of Cambridge and a BA in Classics from Oxford. He is a political philosopher, writer, and commentator whose work focuses on conservatism, political theology, identity, and the cultural preconditions of liberal democracy, with particular attention to Britain's institutional and civilisational inheritance.

Front Row Classics is beginning a week long holiday celebration with several Christmas specials. We welcome back Scott Nevins to chat about classic Christmas TV specials. Brandon and Scott diiscuss everything from A Charlie Brown Christmas to the numerous Rankin/Bass specials.  It's a fun and nostalgic walk down memory lane. 

Storytelling is a very powerful technique to ensure someone remembers you after an interview. In fact, even when we screen people at Firmsconsulting today, we use this technique I applied as a partner. The rule is simple: if I can remember your key messages from the interview the next day, I would make you an offer. That, of course, assumes you had passed all the other hurdles well enough. One way to be remembered is to be your answers around compelling stories using the New York Times rule of facts, facts and facts with a beginning and end.   Here are some free gifts for you: Overall Approach Used in Well-Managed Strategy Studies free download: www.firmsconsulting.com/OverallApproach   McKinsey & BCG winning resume free download: www.firmsconsulting.com/resumepdf   Enjoying this episode? Get access to sample advanced training episodes here: www.firmsconsulting.com/promo

Episode 87 Dover Beach by Matthew Arnold Mark McGuinness reads and discusses ‘Dover Beach' by Matthew Arnold. https://media.blubrry.com/amouthfulofair/media.blubrry.com/amouthfulofair/content.blubrry.com/amouthfulofair/87_Dover_Beach_by_Matthew_Arnold.mp3 Poet Matthew Arnold Reading and commentary by Mark McGuinness Dover Beach By Matthew Arnold The sea is calm tonight.The tide is full, the moon lies fairUpon the straits; on the French coast the lightGleams and is gone; the cliffs of England stand,Glimmering and vast, out in the tranquil bay.Come to the window, sweet is the night-air!Only, from the long line of sprayWhere the sea meets the moon-blanched land,Listen! you hear the grating roarOf pebbles which the waves draw back, and fling,At their return, up the high strand,Begin, and cease, and then again begin,With tremulous cadence slow, and bringThe eternal note of sadness in. Sophocles long agoHeard it on the Aegean, and it broughtInto his mind the turbid ebb and flowOf human misery; weFind also in the sound a thought,Hearing it by this distant northern sea. The Sea of FaithWas once, too, at the full, and round earth's shoreLay like the folds of a bright girdle furled.But now I only hearIts melancholy, long, withdrawing roar,Retreating, to the breathOf the night-wind, down the vast edges drearAnd naked shingles of the world. Ah, love, let us be trueTo one another! for the world, which seemsTo lie before us like a land of dreams,So various, so beautiful, so new,Hath really neither joy, nor love, nor light,Nor certitude, nor peace, nor help for pain;And we are here as on a darkling plainSwept with confused alarms of struggle and flight,Where ignorant armies clash by night. Podcast Transcript This is a magnificent and haunting poem by Matthew Arnold, an eminent Victorian poet. Written and published at the mid-point of the nineteenth century – it was probably written around 1851 and published in 1867 – it is not only a shining example of Victorian poetry at its best, but it also, and not coincidentally, embodies some of the central preoccupations of the Victorian age. The basic scenario is very simple: a man is looking out at the sea at night and thinking deep thoughts. It's something that we've all done, isn't it? The two tend to go hand-in-hand. When you're looking out into the darkness, listening to the sound of the sea, it's hard not to be thinking deep thoughts. If you've been a long time listener to this podcast, it may remind you of another poet who wrote about standing on the shore thinking deep thoughts, looking at the sea, Shakespeare, in his Sonnet 60: Like as the waves make towards the pebbled shore,So do our minutes hasten to their end; Arnold's poem is not a sonnet but a poem in four verse paragraphs. They're not stanzas, because they're not regular, but if you look at the text on the website, you can clearly see it's divided into four sections. The first part is a description of the sea, as seen from Dover Beach, which is on the shore of the narrowest part of the English channel, making it the closest part of England to France: The sea is calm tonight.The tide is full, the moon lies fairUpon the straits; – on the French coast the lightGleams and is gone; the cliffs of England stand,Glimmering and vast, out in the tranquil bay. And as you can hear, the poem has a pretty regular and conventional rhythm, based on iambic metre, ti TUM, with the second syllable taking the stress in every metrical unit. But what's slightly unusual is that the lines have varying lengths. By the time we get to the third line: Upon the straits; – on the French coast the light There are five beats. There's a bit of variation in the middle of the line, but it's very recognisable as classic iambic pentameter, which has a baseline pattern going ti TUM, ti TUM, ti TUM, ti TUM, ti TUM. But before we get to the pentameter, we get two short lines: The sea is calm tonight.Only three beats; andThe tide is full, the moon lies fair – four beats. We also start to notice the rhymes: ‘tonight' and ‘light'. And we have an absolutely delightful enjambment, where a phrase spills over the end of one line into the next one: On the French coast the light,Gleams and is gone. Isn't that just fantastic? The light flashes out like a little surprise at the start of the line, just as it's a little surprise for the speaker looking out to sea. OK, once he's set the scene, he makes an invitation: Come to the window, sweet is the night-air! So if there's a window, he must be in a room. There's somebody in the room with him, and given that it's night it could well be a bedroom. So this person could be a lover. It's quite likely that this poem was written on Arnold's honeymoon, which would obviously fit this scenario. But anyway, he's inviting this person to come to the window and listen. And what does this person hear? Well, helpfully, the speaker tells us: Listen! you hear the grating roarOf pebbles which the waves draw back, and fling,At their return, up the high strand,Begin, and cease, and then again begin,With tremulous cadence slow, and bringThe eternal note of sadness in. Isn't that just great? The iambic metre is continuing with some more variations, which we needn't go into. And the rhyme is coming more and more to the fore. Just about every line in this section rhymes with another line, but it doesn't have a regular pattern. Some of the rhymes are close together, some are further apart. There's only one line in this paragraph that doesn't rhyme, and that's ‘Listen! You hear the grating roar'. If this kind of shifting rhyme pattern reminds you of something you've heard before, you may be thinking all the way back to Episode 34 where we looked at Coleridge's use of floating rhymes in his magical poem ‘Kubla Khan'. And it's pretty evident that Arnold is also casting a spell, in this case to mimic the rhythm of the waves coming in and going out, as they ‘Begin, and cease, and then again begin,'. And then the wonderful last line of the paragraph, as the waves ‘bring / The eternal note of sadness in'. You know, in the heart of the Victorian Age, when the Romantics were still within living memory, poets were still allowed to do that kind of thing. Try it nowadays of course, and the Poetry Police will be round to kick your front door in at 5am and arrest you. Anyway. The next paragraph is a bit of a jump cut: Sophocles long agoHeard it on the Aegean, and it broughtInto his mind the turbid ebb and flowOf human misery; So Arnold, a classical scholar, is letting us know he knows who Sophocles, the ancient Greek playwright was. And he's establishing a continuity across time of people looking out at the sea and thinking these deep thoughts. At this point, Arnold explicitly links the sea and the thinking:                                     weFind also in the sound a thought,Hearing it by this distant northern sea. And the thought that we hear when we listen to the waves is what Arnold announces in the next verse paragraph, and he announces it with capital letters: The Sea of FaithWas once, too, at the full, and round earth's shoreLay like the folds of a bright girdle furled. And for a modern reader, I think this is the point of greatest peril for Arnold, where he's most at risk of losing us. We may be okay with ‘the eternal note of sadness', but as soon as he starts giving us the Sea of Faith, we start to brace ourselves. Is this going to turn into a horrible religious allegory, like The Pilgrim's Progress? I mean, it's a short step from the Sea of Faith to the Slough of Despond and the City of Destruction. And it doesn't help that Arnold uses the awkwardly rhyming phrase ‘a bright girdle furled' – that's not going to get past the Poetry Police, is it? But fear not; Arnold doesn't go there. What comes next is, I think, the best bit of the poem. So he says the Sea of Faith ‘was once, too, at the full', and then: But now I only hearIts melancholy, long, withdrawing roar,Retreating, to the breathOf the night-wind, down the vast edges drearAnd naked shingles of the world. Well, if you thought the eternal note of sadness was great, this tops it! It's absolutely fantastic. That line, ‘Its melancholy, long, withdrawing roar,' where the ‘it' is faith, the Sea of Faith. And the significance of the line is underlined by the fact that the word ‘roar' is a repetition – remember, that one line in the first section that didn't rhyme? Listen! you hear the grating roar See what Arnold did there? He left that sound hovering at the back of the mind, without a rhyme, until it came back in this section, a subtle but unmistakeable link between the ‘grating roar' of the actual sea at Dover Beach, and the ‘withdrawing roar' of the Sea of Faith: Its melancholy, long, withdrawing roar, Isn't that the most Victorian line ever? It encapsulates the despair that accompanied the crisis of faith in 19th century England. This crisis was triggered by the advance of modern science – including the discoveries of fossils, evidence of mass extinction of previous species, and the theory of evolution, with Darwin's Origin of Species published in 1859, in between the writing and publication of ‘Dover Beach'. Richard Holmes, in his wonderful new biography of the young Tennyson, compares this growing awareness of the nature of life on Earth to the modern anxiety over climate change. For the Victorians, he writes, it created a ‘deep and existential terror'. One thing that makes this passage so effective is that Arnold has already cast the spell in the first verse paragraph, hypnotising us with the rhythm and rhyme, and linking it to the movement of the waves. In the second paragraph, he says, ‘we find also in the sound a thought'. And then in the third paragraph, he tells us the thought. And the thought that he attaches to this movement, which we are by now emotionally invested in, is a thought of such horror and profundity – certainly for his Victorian readers – that the retreat of the sea of faith really does feel devastating. It leaves us gazing down at the naked shingles of the world. The speaker is now imaginatively out of the bedroom and down on the beach. This is very relatable; we've all stood on the beach and watched the waves withdrawing beneath our feet and the shingle being left there. It's an incredibly vivid evocation of a pretty abstract concept. Then, in the fourth and final verse paragraph, comes a bit of a surprise: Ah, love, let us be trueTo one another! Well, I for one was not expecting that! From existential despair to an appeal to his beloved. What a delightful, romantic (with a small ‘r') response to the big-picture, existential catastrophe. And for me, it's another little echo of Shakespeare's Sonnet 60, which opens with a poet contemplating the sea and the passing of time and feeling the temptation to despair, yet also ends with an appeal to the consolation of love: And yet to times in hope my verse shall stand,blockquotePraising thy worth, despite his cruel hand. Turning back to Arnold. He says ‘let us be true / To one another'. And then he links their situation to the existential catastrophe, and says this is precisely why they should be true to each other: for the world, which seemsTo lie before us like a land of dreams,So various, so beautiful, so new,Hath really neither joy, nor love, nor light,Nor certitude, nor peace, nor help for pain; It sounds, on the face of it, a pretty unlikely justification for being true to one another in a romantic sense. But actually, this is a very modern stance towards romantic love. It's like the gleam of light that just flashed across the Channel from France – the idea of you and me against an unfeeling world, of love as redemption, or at least consolation, in a meaningless universe. In a world with ‘neither joy, nor love, nor light,' our love becomes all the more poignant and important. Of course, we could easily object that, regardless of religious faith, the world does have joy and love and light. His very declaration of love is evidence of this. But let's face it, we don't always come to poets for logical consistency, do we? And we don't have to agree with Matthew Arnold to find this passage moving; most of us have felt like this at some time when we've looked at the world in what feels like the cold light of reality. He evokes it so vividly and dramatically that I, for one, am quite prepared to go with him on this. Then we get the final three lines of the poem:We are here as on a darkling plainSwept with confused alarms of struggle and flight,Where ignorant armies clash by night. I don't know about you, but I find this a little jarring in the light of what we've just heard. We've had the magnificent description of the sea and its effect on human thought, extending that into the idea of faith receding into illusion, and settling on human love as some kind of consolation for the loss of faith. So why do we need to be transported to a windswept plain where armies are clashing and struggling? It turns out to be another classical reference, to the Greek historian Thucydides' account of the night battle of Epipolae, where the two armies were running around in the dark and some of them ended up fighting their own side in the confusion. I mean, fine, he's a classical scholar. And obviously, it's deeply meaningful to him. But to me, this feels a little bit bolted on. A lot of people love that ending, but to me, it's is not as good as some of the earlier bits, or at least it doesn't quite feel all of a piece with the imagery of the sea. But overall, it is a magnificent poem, and this is a small quibble. Stepping back, I want to have another look at the poem's form, specifically the meter, and even more specifically, the irregularity of the meter, which is quite unusual and actually quite innovative for its time. As I've said, it's in iambic meter, but it's not strictly iambic pentameter. You may recall I did a mini series on the podcast a while ago looking at the evolution of blank verse, unrhymed iambic pentameter, from Christopher Marlowe and Shakespeare's dramatic verse, then Milton's Paradise Lost and finally Wordsworth's Tintern Abbey. ‘Dover Beach' is rhymed, so it's not blank verse, but most of the techniques Arnold uses here are familiar from those other poets, with variations on the basic rhythm, sometimes switching the beats around, and using enjambment and caesura (a break or pause in the middle of the line). But, and – this is quite a big but – not every line has five beats. The lines get longer and shorter in an irregular pattern, apparently according to Arnold's instinct. And this is pretty unusual, certainly for 1851. It's not unique, we could point to bits of Tennyson or Arthur Hugh Clough for metrical experiments in a similar vein, but it's certainly not common practice. And I looked into this, to see what the critics have said about it. And it turns out the scholars are divided. In one camp, the critics say that what Arnold is doing is firmly in the iambic pentameter tradition – it's just one more variation on the pattern. But in the other camp are people who say, ‘No, this is something new; this is freer verse,' and it is anticipating free verse, the non-metrical poetry with no set line lengths that came to be the dominant verse form of the 20th century. Personally, I think you can look back to Wordsworth and see a continuity with his poetic practice. But you could equally look forward, to a link with T. S. Eliot's innovations in ‘The Love Song of J. Alfred Prufrock' and The Waste Land. Eliot is often described as an innovator in free verse, which is true up to a point, but a lot of his writing in that early period isn't strictly free verse; it's a kind of broken up metrical verse, where he often uses an iambic metre with long and short lines, which he varies with great intuitive skill – in a similar manner to Arnold's ‘Dover Beach'. Interestingly, when ‘Dover Beach' was first published, the reviews didn't really talk about the metre, which is ammunition for the people who say, ‘Well, this is just a kind of iambic pentameter'. Personally, I think what we have here is something like the well-known Duck-Rabbit illusion, where you can look at the same drawing and either see a duck or a rabbit, depending how you look at it. So from one angle, ‘Dover Beach' is clearly continuing the iambic pentameter tradition; from another angle, it anticipates the innovations of free verse. We can draw a line from the regular iambic pentameter of Wordsworth (writing at the turn of the 18th and 19th century) to the fractured iambic verse of Eliot at the start of the 20th century. ‘Dover Beach' is pretty well halfway between them, historically and poetically. And I don't think this is just a dry technical development. There is something going on here in terms of the poet's sense of order and disorder, faith and doubt. Wordsworth, in the regular unfolding of his blank verse, conveys his basic trust in an ordered and meaningful universe. Matthew Arnold is writing very explicitly about the breakup of faith, and we can start to see it in the breakup of the ordered iambic pentameter. By the time we get to the existential despair of Eliot's Waste Land, the meter is really falling apart, like the Waste Land Eliot describes. So overall, I think we can appreciate what a finely balanced poem Arnold has written. It's hard to categorise. You read it the first time and think, ‘Oh, right, another conventional Victorian melancholy lament'. But just when we think he's about to go overboard with the Sea of Faith, he surprises us and with that magnificent central passage. And just as he's about to give in to despair, we get that glimmering spark of love lighting up, and we think, ‘Well, maybe this is a romantic poem after all'. And maybe Arnold might look at me over his spectacles and patiently explain that actually, this is why that final metaphor of the clashing armies is exactly right. Friend and foe are running in first one direction, then another, inadvertently killing the people on the wrong side. So the simile gives us that sense of being caught in the cross-currents of a larger sweep of history. With all of that hovering in our mind, let's go over to the window once more and heed his call to listen to the sound of the Victorian sea at Dover Beach. Dover Beach By Matthew Arnold The sea is calm tonight.The tide is full, the moon lies fairUpon the straits; on the French coast the lightGleams and is gone; the cliffs of England stand,Glimmering and vast, out in the tranquil bay.Come to the window, sweet is the night-air!Only, from the long line of sprayWhere the sea meets the moon-blanched land,Listen! you hear the grating roarOf pebbles which the waves draw back, and fling,At their return, up the high strand,Begin, and cease, and then again begin,With tremulous cadence slow, and bringThe eternal note of sadness in. Sophocles long agoHeard it on the Aegean, and it broughtInto his mind the turbid ebb and flowOf human misery; weFind also in the sound a thought,Hearing it by this distant northern sea. The Sea of FaithWas once, too, at the full, and round earth's shoreLay like the folds of a bright girdle furled.But now I only hearIts melancholy, long, withdrawing roar,Retreating, to the breathOf the night-wind, down the vast edges drearAnd naked shingles of the world. Ah, love, let us be trueTo one another! for the world, which seemsTo lie before us like a land of dreams,So various, so beautiful, so new,Hath really neither joy, nor love, nor light,Nor certitude, nor peace, nor help for pain;And we are here as on a darkling plainSwept with confused alarms of struggle and flight,Where ignorant armies clash by night. Matthew Arnold Matthew Arnold was a British poet, critic, and public intellectual who was born in 1822 and died in 1888. His father was Thomas Arnold, the famed headmaster of Rugby School. Arnold studied Classics at Oxford and first became known for lyrical, melancholic poems such as ‘Dover Beach', ‘The Scholar-Gipsy', and ‘Thyrsis', that explore the loss of faith in the modern world. Appointed an inspector of schools, he travelled widely and developed strong views on culture, education, and society. His critical essays, especially Culture and Anarchy, shaped debates about the role of culture in public life. Arnold remains a central figure bridging Romanticism and early modern thought. A Mouthful of Air – the podcast This is a transcript of an episode of A Mouthful of Air – a poetry podcast hosted by Mark McGuinness. New episodes are released every other Tuesday. You can hear every episode of the podcast via Apple, Spotify, Google Podcasts or your favourite app. You can have a full transcript of every new episode sent to you via email. The music and soundscapes for the show are created by Javier Weyler. Sound production is by Breaking Waves and visual identity by Irene Hoffman. A Mouthful of Air is produced by The 21st Century Creative, with support from Arts Council England via a National Lottery Project Grant. Listen to the show You can listen and subscribe to A Mouthful of Air on all the main podcast platforms Related Episodes Dover Beach by Matthew Arnold Episode 87 Dover Beach by Matthew Arnold Mark McGuinness reads and discusses ‘Dover Beach' by Matthew Arnold.Poet Matthew ArnoldReading and commentary by Mark McGuinnessDover Beach By Matthew Arnold The sea is calm tonight.The tide is full, the moon lies... Recalling Brigid by Orna Ross Orna Ross reads and discusses ‘Recalling Brigid’ from Poet Town. From The Rime of the Ancient Mariner by Samuel Taylor Coleridge Episode 85 From The Rime of the Ancient Mariner by Samuel Taylor Coleridge Mark McGuinness reads and discusses a passage from ‘The Rime of the Ancient Mariner' by Samuel Taylor Coleridge.Poet Samuel Taylor ColeridgeReading and commentary by Mark McGuinnessFrom...

Johannes Zachhuber and Anna Marmodoro, eds., Gregory of Nyssa: On the Hexaemeron: Text, Translation, and Essays (Oxford UP, 2025) This book presents Gregory of Nyssa's On the Six Days of Creation (In Hexaemeron) as a specimen of Early Christian philosophy. It comprises Gregory of Nyssa's text in its Greek original accompanied by a new English translation, and seven accompanying essays by international specialists from diverse backgrounds. Each essay focuses on a section of the text and the arising philosophical issues. The essays complement each other in offering multiple perspectives on how Gregory's text may be approached philosophically and positioned in relation to other, more or less contiguous, philosophical theories, including the early Greeks Anaxagoras and Empedocles, Aristotle, and the Stoics. Rather than presenting a definite and exhaustive state of the art study of Gregory's text, this volume aims to open new pathways for research into In Hexaemeron. New Books in Late Antiquity is presented by Ancient Jew Review Johannes Zachhuber is professor of historical and systematic theology at Oxford. His books include Human Nature in Greogry of Nyssa, The Rise of Christian Theology and the End of Ancient Metaphysics, and Time and the Soul: from Aristotle to Augustine. Anna Marmodoro is Leonard and Elizabeth Eslick Professor of Philosophy at St. Louis University. She's written or edited half a dozen books including Metaphysics: an Introduction; Forms and Structures in Plato's Metaphysics; Aristotle on Perceiving Objects, and most recently she co-edited The Oxford Handbook of Omnipresence. Michael Motia teaches in Classics and Religious Studies at UMass Boston Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Me and Shahid are back with episode #289 of Hood Classics...2000 Mission Impossible 2Twitter    @jeffvstheworld - Jeff    @philly_drugs - ShahidTikTok@therealjeffvstheworld - Jeff

Playlist Program: All selections performed by Anne Sullivan All selections arranged for harp by Anne Sullivan Largo, from Winter by Vivaldi  from Break Forth CD Two from Messiah by Handel   LINK TO SHEET MUSIC Mozart in a Minute LINK TO SHEET MUSIC Ave Maria by Schubert  from Break Forth CD Jesu, Joy of Man's Desiring (Bach)/Ode to Joy  (Beethoven)  LINK TO SHEET MUSIC Peace, a Fantasy on Dona Nobis Pacem  LINK TO SHEET MUSIC

It's Christmas week, and for me, this is a week to finally settle into the holiday mood. This is the time we decorate our tree, get in touch with friends and family, and start reveling in the spirit of joy and peace that feels so elusive other times of the year. So this is not the week I want to dive into a heavy teaching topic here on the podcast. What I want to do today is spread a little holiday harp happiness with a short musical program for you to enjoy.  The theme of the program is "Classics for a Relaxing Holiday," classical music that is appropriate for the holidays, but isn't specific to this time of year. In other words, no jingling bells or Santa Claus songs - just calm, perhaps even meditative harp music, assembled from my various recordings and videos.  I've listed the program in the show notes, and for some of the pieces, you'll also find links to sheet music arrangements in our Harp Mastery® shop. I've also included spoken introductions to each piece to give you a little of the background to the piece or what I love about it. But I realize you might want to make this music part of the background to your holidays without the narration, so in the show notes I have put links to alternate ways to download or listen to the music. One is a bonus podcast episode that has only the music, without the speaking. The other is a link to the music on YouTube where I've added some harp photographs that I have taken on my recent travels. PROGRAM: all arrangements by Anne Sullivan Largo, from Winter by Vivaldi  from Break Forth CD Two from Messiah by Handel   LINK TO SHEET MUSIC Mozart in a Minute LINK TO SHEET MUSIC Ave Maria by Schubert  from Break Forth CD Jesu, Joy of Man's Desiring (Bach)/Ode to Joy  (Beethoven)  LINK TO SHEET MUSIC Peace, a Fantasy on Dona Nobis Pacem  LINK TO SHEET MUSIC Links to things I think you might be interested in that were mentioned in the podcast episode:  Download the playlist to your device. Listen to the playlist on YouTube Harpmastery.com Get involved in the show! Send your questions and suggestions for future podcast episodes to me at podcast@harpmastery.com Looking for a transcript for this episode? Did you know that if you subscribe to this podcast on Apple Podcasts you will have access to their transcripts of each episode? LINKS NOT WORKING FOR YOU? FInd all the show resources here: https://www.harpmastery.com/blog/Episode-240  

Classics 146

CREDO, QUE DELÍCIA, ouvinte radiofobético! Chegamos ao finalzinho do ano, época das festas e reuniões entre amigos e família para celebrar (ou lamentar) o ano que passou e receber de braços abertos (ou cruzados) o novo ano! Para o nosso tradicional episódio de fim de ano, Leo Lopes, Jéssica Dalcin, Thaís Boccia, Júlio Macoggi, Victor Estácio e Rafael Felipe convidaram Andreia Pazos e Agatha Ottoni - as verdadeiras donas do Jovem Nerd - para um crossover mais que especial com o podcast Caneca de Mamicas, MEU AMOOOORR! Não deixe de interagir com a gente nas redes sociais, dar seu feedback sobre o papo e sugerir temas e convidados para as próximas edições do nosso podcast, além de deixar seu comentário no post, ok? Você também pode mandar sua cartinha para a Caixa Postal 279 - CEP 13930-970 - Serra Negra - SP, e seu e-mail para podcast@radiofobia.com.br! Arte do episódio: Sandro Hojo Links citados no episódio:- ouça a Rádiofobia Webradio- enfeite de Natal do John McClane na árvore de Natal da Agatha- Jogo Quem Disse Isso?- O Jogo dos Sons Links citados nas Cartinhas do Totô:- matricule-se já no Curso de Podcast para garantir DESCONTO e BÔNUS ESPECIAIS para a PRIMEIRA TURMA- garanta o livro Curso de Podcast - Guia Básico em PDF e na Amazon para o seu Kindle- Podcast Store - a loja de produtos exclusivos da podosfera brasileira- Instituto Amargen- clique para assinar e ouvir o podcast Acepipes e Birinaites Links que indicamos sempre:- ouça o Ineditados Podcast- Acesse o novo site e ouça a RÁDIO 24h NO AR do Rádiofobia Classics!- assine o canal do Curso de Podcast no YouTube- siga @ocursodepodcast no Instagram- participe do grupo de produtores, apresentadores e ouvintes dos podcasts da Rádiofobia Podcast Network no Telegram Ouça o Rádiofobia Podcast nos principais agregadores:- Spotify- Apple Podcasts- Amazon Music- Deezer- PocketCasts Publicidade:Entre em contato e saiba como anunciar sua marca, produto ou serviço em nossos podcasts.See omnystudio.com/listener for privacy information.

For me, music is one of the core components that contributes to the enjoyment, and engagement, of a video game title, and this episode is another of our deep dives into some of the classic soundtracks from those games.  In today's episode, we'll look at a selection of games and songs submitted by all of you, along with your own personal comments and memories about these titles! Join the discussion on Discord! Want more Classic Gaming Today?  Sign up as a patron at Patreon.com/ClassicGamingToday!

Relive the episode where Brian and Shelly recorded a live podcast at FilmBar in Phoenix after screening the holiday classic Silent Night Deadly Night

#1 ACS #1950 (feat. Dana Gould, Jo Koy, Gina Grad and Bryan Bishop) (2016)#2 ACS #1972 (feat. Sebastian Bach, Vinnie Tortorich, Gina Grad and Bryan Bishop) (2016)Hosted by Superfan GiovanniRequest clips:Classics@adamcarolla.comSubscribe and Watch Clips on YouTube:https://www.youtube.com/@AdamCarollaCornerSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Enjoy these back to back throwback episodes! Forbidden Knowledge Network https://forbiddenknowledge.news/ FKN Link Treehttps://linktr.ee/FKNlinksMake a Donation to Forbidden Knowledge News https://www.paypal.me/forbiddenknowledgenehttps://buymeacoffee.com/forbiddenWe are back on YouTube! https://youtube.com/@forbiddenknowledgenews?si=XQhXCjteMKYNUJSjBackup channelhttps://youtube.com/@fknshow1?si=tIoIjpUGeSoRNaEsDoors of Perception is available now on Amazon Prime!https://watch.amazon.com/detail?gti=amzn1.dv.gti.8a60e6c7-678d-4502-b335-adfbb30697b8&ref_=atv_lp_share_mv&r=webDoors of Perception official trailerhttps://youtu.be/F-VJ01kMSII?si=Ee6xwtUONA18HNLZPick up Independent Media Token herehttps://www.independentmediatoken.com/Be prepared for any emergency with Prep Starts Now!https://prepstartsnow.com/discount/FKNStart your microdosing journey with BrainsupremeGet 15% off your order here!!https://brainsupreme.co/FKN15Book a free consultation with Jennifer Halcame Emailjenniferhalcame@gmail.comFacebook pagehttps://www.facebook.com/profile.php?id=61561665957079&mibextid=ZbWKwLWatch The Forbidden Documentary: Occult Louisiana on Tubi: https://link.tubi.tv/pGXW6chxCJbC60 PurplePowerhttps://go.shopc60.com/FORBIDDEN10/or use coupon code knowledge10Johnny Larson's artworkhttps://www.patreon.com/JohnnyLarsonSign up on Rokfin!https://rokfin.com/fknplusPodcastshttps://www.spreaker.com/show/forbiddenAvailable on all platforms Support FKN on Spreaker https://spreaker.page.link/KoPgfbEq8kcsR5oj9FKN ON Rumblehttps://rumble.com/c/FKNpGet Cory Hughes books!Lee Harvey Oswald In Black and White https://www.amazon.com/dp/B0FJ2PQJRMA Warning From History Audio bookhttps://buymeacoffee.com/jfkbook/e/392579https://www.buymeacoffee.com/jfkbookhttps://www.amazon.com/Warning-History-Cory-Hughes/dp/B0CL14VQY6/ref=mp_s_a_1_1?crid=72HEFZQA7TAP&keywords=a+warning+from+history+cory+hughes&qid=1698861279&sprefix=a+warning+fro%2Caps%2C121&sr=8-1https://coryhughes.org/Become Self-Sufficient With A Food Forest!!https://foodforestabundance.com/get-started/?ref=CHRISTOPHERMATHUse coupon code: FORBIDDEN for discountsOur Facebook pageshttps://www.facebook.com/forbiddenknowledgenewsconspiracy/https://www.facebook.com/FKNNetwork/Instagram @forbiddenknowledgenews1@forbiddenknowledgenetworkXhttps://x.com/ForbiddenKnow10?t=uO5AqEtDuHdF9fXYtCUtfw&s=09Email Forbidden Knowledge News forbiddenknowledgenews@gmail.comsome music thanks to:https://www.bensound.com/ULFAPO3OJSCGN8LDDGLBEYNSIXA6EMZJ5FUXWYNC6WJNJKRS8DH27IXE3D73E97DC6JMAFZLSZDGTWFIBecome a supporter of this podcast: https://www.spreaker.com/podcast/forbidden-knowledge-news--3589233/support.

#1 ACS #1448 (feat. Norman Lear, Alison Rosen and Bryan Bishop) (2014)#2 ACS #1639 (feat. Rob Huebel, Gina Grad and Bryan Bishop) (2015)#3 ACS #1748 (feat. Michael McKean, Dr. Bruce, Gina Grad & Bryan Bishop) (2016)#4 ACS #1773 (feat. Bill Engvall, Jo Koy, Gina Grad and Bryan Bishop) (2016)#5 ACS #2365 (feat. Rob Reiner, Adam Duritz, Gina Grad and Bryan Bishop) (2018)#6 ACS #3637 (feat. Rob Reiner, Xzibit and Tammy Pettigrew) (2023)Hosted by Superfan GiovanniRequest clips:Classics@adamcarolla.comSubscribe and Watch Clips on YouTube:https://www.youtube.com/@AdamCarollaCornerSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This 2018 episode covers the sinking of the SS Princess Sophia, a massive tragedy for both Canada and the United States. But it was also really overshadowed by the end of World War I and the flu pandemic. See omnystudio.com/listener for privacy information.

Jackie celebrates Chrismukkah early by spreading joy (not) on all things festive and annoying. From targeting innocent civilians, berating Bachelor contestants and expressing distaste for the holidays - just paint this bitch green and move her to Who-ville.Thanks for supporting my sponsors:SKIMS: Shop my favorite pajamas at www.SKIMS.comRitual: Get 25% off your first month at www.Ritual.com/BIBLEHero Bread: Use code BIBLE at checkout to get 10% off your order at www.Hero.coHome Chef: For a limited time, get 50% off and free shipping for your first box. Plus free dessert for life at www.HomeChef.com/BIBLELittleSpoon: Use code BIBLE at checkout to get 50% off your first online order at www.littlespoon.com/BIBLESee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Hariette Shelton Dover had the foresight and dedication to preserving the language and traditions of her people. Yves stops by to share her story in this classic episode.See omnystudio.com/listener for privacy information.

Part 1 After we totally botched a Second Date for a guy a few months ago, he’s back and at this point we’re not sure if he’s trolling us or just likes the punishment. We can't let him down this time! Part 2 Imagine if you went on a date with a coworker and after the hang out, MULTIPLE PEOPLE are now avoiding you. It happened to one of our listeners and you can hear why in a Second Date!See omnystudio.com/listener for privacy information.

#1 ACS #1440 (feat. Greg Fitzsimmons, Alison Rosen and Bryan Bishop) (2014)#2 ACS #1422 (feat. Rich Eisen, Eric Stonestreet, Mike August, Alison Rosen and Bryan Bishop) (2014)Hosted by Superfan GiovanniRequest clips:Classics@adamcarolla.comSubscribe and Watch Clips on YouTube:https://www.youtube.com/@AdamCarollaCornerSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.