Podcast appearances and mentions of sam o steen

Here's an in-depth look at the career of Editor Mary Jo Markey, ACE from our June 2019, Sight, Sound & Story Post Production Summit. With Bobbie O'Steen as the moderator, the two shared footage and talked about Markey's work on the groundbreaking television show "Lost," and her various collaborations with Director JJ Abrams including "Mission Impossible III," "Super 8," "Star Trek," "Star Trek Into Darkness," and "Star Wars: Episode VII - The Force Awakens." Moderator: Bobbie O'Steen, "Cut to the Chase," "The Invisible Cut" Speaker: Mary Jo Markey, ACE ("Star Wars: Episode VII - The Force Awakens," "Star Trek," "Mission Impossible III" ) About Mary Jo Markey, ACE: Mary Jo is an accomplished editor in both film and television. After cutting a series of independent films and television movies, Markey began her collaboration with JJ Abrams as one of the editors of the TV series "Felicity" during its first three seasons (1998-2000). Markey then moved over to edit the first two seasons of "Alias," during which she received her first Emmy nomination. Later, in 2005, Markey won the Emmy for Drama Series Editing for her work on the "Lost" pilot. In 2006, Markey’s collaboration with JJ Abrams moved to the large screen with "Mission Impossible III." Their work together continued with the HBO pilot "Anatomy of Hope," 2009’s "Star Trek" (which led to an ACE Eddie nomination), the "Undercovers" pilot, "Super 8," and "Star Trek Into Darkness" in 201 About Bobbie O’Steen: Bobbie is a writer and film historian, dedicated to sharing the editor’s invisible art. She is an Emmy-nominated editor and author of two acclaimed books: "Cut to the Chase," based on interviews with her late husband and colleague, legendary editor Sam O’Steen; and "The Invisible Cut," which deconstructs classic movie scenes through a cut-by-cut analysis. She is a frequent moderator for American Cinema Editors’ EditFest panels and host of her own “Inside the Cutting Room” event series. She has also taught at the American Film Institute, graduate film workshops at NYU’s Tisch School of the Arts and has created an ongoing course, “Making the Cut,” based on her interviews with over sixty editors. O’Steen’s next project is a media-rich eBook called "Making the Cut at Pixar" about the editor's pioneering role in computer animation. To find out more information on her speaking events go to http://:www.bobbieosteen.com. Produced by Manhattan Edit Workshop (MEWShop), “Sight, Sound & Story” is an ongoing high-profile speaker series that brings audiences “behind the scenes” with legends of visual storytelling. For more information go to https://:www.SightSoundandStory.com.

In this episode of the "Sight, Sound & Story" Podcast we will go Inside the Cutting Room with author and film historian Bobbie Osteen for a panel highlighting the career of legendary Oscar-winning feature film editor Anne Coates, ACE. Five Academy Award Nominations and one Academy Award, an editor of 54 films; Anne made huge waves thanks to her incredible eye for a good cut and her talent for adapting to the needs of a variety of directors. This is from our Post Production Summit on June 11th, 2016 in New York City. Moderator: Bobbie O'Steen, "Cut to the Chase," "The Invisible Cut" Speaker: Anne V. Coates, ACE ("Lawrence of Arabia," "The Elephant Man," "Out of Sight," "Erin Brockovich") About Anne V. Coates, ACE: Anne was a renowned British editor who has worked on over sixty films, including the classic epic "Lawrence of Arabia," for which she received an Academy Award. She has garnered four additional Academy Award nominations for "Becket," "The Elephant Man," "In the Line of Fire," and "Out of Sight." She was awarded BAFTA’s highest honor, The Academy Fellowship, as well as the Career Achievement Award from American Cinema Editors - and in 2015 Coates was only the second editor besides Dede Allen to receive a career achievement award from the Los Angeles Film Critics Association. About Bobbie O’Steen: Bobbie is a writer and film historian, dedicated to sharing the editor’s invisible art. She is an Emmy-nominated editor and author of two acclaimed books: "Cut to the Chase," based on interviews with her late husband and colleague, legendary editor Sam O’Steen; and "The Invisible Cut," which deconstructs classic movie scenes through a cut-by-cut analysis. She is a frequent moderator for American Cinema Editors’ EditFest panels and host of her own “Inside the Cutting Room” event series. She has also taught at the American Film Institute, graduate film workshops at NYU’s Tisch School of the Arts and has created an ongoing course, “Making the Cut,” based on her interviews with over sixty editors. O’Steen’s next project is a media-rich eBook called "Making the Cut at Pixar" about the editor's pioneering role in computer animation. To find out more information on her speaking events go to http://:www.bobbieosteen.com. Produced by Manhattan Edit Workshop (MEWShop), “Sight, Sound & Story” is an ongoing high-profile speaker series that brings audiences “behind the scenes” with legends of visual storytelling. For more information go to https://:www.SightSoundandStory.com.

In this episode of the "Sight, Sound & Story" Podcast we will go Inside the Cutting Room with author and film historian Bobbie Osteen for a panel highlighting the career of Oscar-winning feature film editor William Goldenberg, ACE. William has edited dramas like Seabiscuit," "The Imitation Game" and "The Insider," along with thrillers like "Argo" and "Zero Dark Thirty." And since those last two movies were released in the same year, that makes him one of the only editors to ever compete against himself for an Oscar! He started cutting on film and even though he cuts on digital now, that old school experience makes him a really thoughtful editor who doesn't make a cut without thinking about it first. This is from our Post Production Summit on June 13th, 2015 in New York City. Moderator: Bobbie O'Steen "Cut to the Chase," "The Invisible Cut" Speaker: William Goldenberg, ACE" ("Argo," "Heat," "The Insider," "Zero Dark Thirty,""The Imitation Game") William Goldenberg, ACE, has more than twenty film and television credits since 1992. He won the Academy Award for Film Editing for the film "Argo," and has been nominated for "The Insider," "Seabiscuit," "Zero Dark Thirty," and "The Imitation Game." He has also received nominations for nine other editing-related awards. Goldenberg has had an extended, notable collaboration with the director Michael Mann including "Heat," "The Insider," "Ali," and "Miami Vice." Some of his other work includes "Unbroken," "Alive," "Pleasantville," "National Treasure," and "National Treasure: Book of Secrets," "Transformers: Dark of the Moon" and "Transformers: Age of Extinction," and "Gone Baby Gone." About Bobbie O’Steen: Bobbie is a writer and film historian, dedicated to sharing the editor’s invisible art. She is an Emmy-nominated editor and author of two acclaimed books: "Cut to the Chase," based on interviews with her late husband and colleague, legendary editor Sam O’Steen; and "The Invisible Cut," which deconstructs classic movie scenes through a cut-by-cut analysis. She is a frequent moderator for American Cinema Editors’ EditFest panels and host of her own “Inside the Cutting Room” event series. She has also taught at the American Film Institute, graduate film workshops at NYU’s Tisch School of the Arts and has created an ongoing course, “Making the Cut,” based on her interviews with over sixty editors. O’Steen’s next project is a media-rich eBook called "Making the Cut at Pixar" about the editor's pioneering role in computer animation. To find out more information on her speaking events go to http://:www.bobbieosteen.com. Produced by Manhattan Edit Workshop (MEWShop), “Sight, Sound & Story” is an ongoing high-profile speaker series that brings audiences “behind the scenes” with legends of visual storytelling. For more information go to https://:www.SightSoundandStory.com.

Bobbie O’Steen is a writer and film historian, dedicated to sharing the editor’s invisible art with film students, professionals and the movie-going public. She is an Emmy-nominated editor and author of two acclaimed books about editing. Her book “Cut to the Chase” is based on interviews with her late husband and colleague, Oscar nominated editor Sam O’Steen who edited legendary Oscar winning films such as “Chinatown”, “The Graduate” and “Rosemary’s Baby”. Her second book, “The Invisible Cut”, deconstructs classic movie scenes through a cut-by-cut analysis. Bobbie has taught graduate school workshops at NYU and contributes commentary and interviews about the art of editing for The Criterion Collection releases. She has moderated numerous panels honoring master editors at EditFest as well as at Emerson College, UCLA and 92Y Tribeca. She is now partnered with Manhattan Edit Workshop to regularly host an evening event series called “Inside the Cutting Room.” And she has written for such publications as CinemaEditor Magazine, which recently named her “Film Editing’s Greatest Champion.” Bobbie’s next project is an authoritative, media-rich eBook called "Making the Cut at Pixar" about the editor's pioneering role in computer animation.