Podcasts about The Criterion Collection

We refuse to accept that our Andor era is over. Fortunately, we have one of our Akira Kurosawa masters, MikeyP joining us to talk Kurosawa's 1963 kidnapping caper masterpiece, High and Low!Chapters Introduction (00:00:00) Hatch News (00:08:52) High and Low Roundtable (00:14:48) Your Letters (01:12:58) Notes and Links Check out Escape Hatch Merch! Our all new collection of swag is available now and every order includes a free Cameo style shoutout from Haitch or Jason. Browse our collection now. Join the Escape Hatch Discord Server! Hang out with Haitch, Jason, and other friends of the pod. Check out the invite here. Escape Hatch is a TAPEDECK Podcasts Jawn! Escape Hatch is a member of TAPEDECK Podcasts, alongside: 70mm (a podcast for film lovers), Bat & Spider (low rent horror and exploitation films), The Letterboxd Show (Official Podcast from Letterboxd), Cinenauts (exploring the Criterion Collection), Lost Light (Transformers, wrestling, and more), and Will Run For (obsessed with running). Check these pods out!. See the movies we've watched and are going to watch on Letterboxd Escape Hatch's Breaking Dune News Twitter list Rate and review the podcast to help others discover it, and let us know what you think of the show at letters@escapehatchpod.com or leave us a voicemail at +1-415-534-5211. Follow @escapehatchpod on Bluesky,Instagram, and TikTok. Music by Scott Fritz and Who'z the Boss Music. Cover art by ctcher. Edited and produced by Haitch. Escape Hatch is a production of Haitch Industries.

We go back to the ending, where our Andor journey first began, as we revisit the pinnacle of the modern Star Wars cinematic universe, Rogue One.ChaptersIntroduction (00:00:00)Rogue One Roundtable (00:08:29)Notes and LinksCheck out Escape Hatch Merch! Our all new collection of swag is available now and every order includes a free Cameo style shoutout from Haitch or Jason. Browse our collection now.Join the Escape Hatch Discord Server! Hang out with Haitch, Jason, and other friends of the pod. Check out the invite here.Escape Hatch is a TAPEDECK Podcasts Jawn! Escape Hatch is a member of TAPEDECK Podcasts, alongside: 70mm (a podcast for film lovers), Bat & Spider (low rent horror and exploitation films), The Letterboxd Show (Official Podcast from Letterboxd), Cinenauts (exploring the Criterion Collection), Lost Light (Transformers, wrestling, and more), and Will Run For (obsessed with running). Check these pods out!.See the movies we've watched and are going to watch on LetterboxdRate and review the podcast to help others discover it, and let us know what you think of the show at letters@escapehatchpod.com or leave us a voicemail at +1-415-534-5211.Follow @escapehatchpod on Bluesky,Instagram, and TikTok.Music by Scott Fritz and Who'z the Boss Music.Cover art by ctcher.Edited and produced by Haitch.Escape Hatch is a production of Haitch Industries.

Jackie and Greg wait for important test results for Agnès Varda's CLEO FROM 5 TO 7. Topics of discussion include Varda's style, how she compares to her Nouvelle Vague contemporaries, the film's mix of realism and fantasy, and its reverberating influence on cinema.#14 on Sight & Sound's 2022 "The Greatest Films of All Time" list.  https://www.bfi.org.uk/sight-and-sound/greatest-films-all-timeCheck us out on Instagram: instagram.com/sceneandheardpodCheck us out at our official website: sceneandheardpod.comGraphic Design: Molly PintoMusic: Andrew CoxEditing: Greg KleinschmidtGet in touch at hello@sceneandheardpod.comSupport the showSupport the show on Patreon: patreon.com/SceneandHeardPodorSubscribe just to get access to our bonus episodes: buzzsprout.com/1905508/subscribe

The death of the Resistance…and the birth of the Rebellion.Chapters Introduction (00:00:00) Make It Stop Roundtable (00:10:02) Notes and Links Check out Escape Hatch Merch! Our all new collection of swag is available now and every order includes a free Cameo style shoutout from Haitch or Jason. Browse our collection now. Join the Escape Hatch Discord Server! Hang out with Haitch, Jason, and other friends of the pod. Check out the invite here. Escape Hatch is a TAPEDECK Podcasts Jawn! Escape Hatch is a member of TAPEDECK Podcasts, alongside: 70mm (a podcast for film lovers), Bat & Spider (low rent horror and exploitation films), The Letterboxd Show (Official Podcast from Letterboxd), Cinenauts (exploring the Criterion Collection), Lost Light (Transformers, wrestling, and more), and Will Run For (obsessed with running). Check these pods out!. See the movies we've watched and are going to watch on Letterboxd Escape Hatch's Breaking Dune News Twitter list Rate and review the podcast to help others discover it, and let us know what you think of the show at letters@escapehatchpod.com or leave us a voicemail at +1-415-534-5211. Follow @escapehatchpod on Twitter and Instagram. Music by Scott Fritz and Who'z the Boss Music. Cover art by ctcher. Edited and produced by Haitch. Escape Hatch is a production of Haitch Industries.

In 2022, Michelle Yeoh became the first Asian actress to win the Academy Award for Best Actress. But she wasn't the first actress of Asian origin to be nominated. In 1935, Merle Oberon was nominated for Best Actress for the role of Kitty Vane in The Dark Angel, only her second film in the U.S. film industry. But no one knew Oberon was Asian. Her public biography said she was born to white parents in Tasmania, eventually moving to India and, from there, to the UK. But Merle Oberon, in truth, was of Anglo-Indian origin, born in Bombay. She'd hidden her heritage to get around U.S. censorship and immigration laws—a secret she took to her grave, even if many in the industry suspected the truth. Mayukh Sen tackles Oberon's life in Love, Queenie: Merle Oberon, Hollywood's First South Asian Star (W.W. Norton: 2025). Mayukh Sen is the James Beard Award-winning author of Taste Makers: Seven Immigrant Women Who Revolutionized Food in America (W.W. Norton: 2021). He is a 2025 Fellow at New America, and has written on film for the New Yorker, the Atlantic, and the Criterion Collection. He teaches journalism at New York University and lives in Brooklyn, New York. You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Love, Queenie. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at@nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

In 2022, Michelle Yeoh became the first Asian actress to win the Academy Award for Best Actress. But she wasn't the first actress of Asian origin to be nominated. In 1935, Merle Oberon was nominated for Best Actress for the role of Kitty Vane in The Dark Angel, only her second film in the U.S. film industry. But no one knew Oberon was Asian. Her public biography said she was born to white parents in Tasmania, eventually moving to India and, from there, to the UK. But Merle Oberon, in truth, was of Anglo-Indian origin, born in Bombay. She'd hidden her heritage to get around U.S. censorship and immigration laws—a secret she took to her grave, even if many in the industry suspected the truth. Mayukh Sen tackles Oberon's life in Love, Queenie: Merle Oberon, Hollywood's First South Asian Star (W.W. Norton: 2025). Mayukh Sen is the James Beard Award-winning author of Taste Makers: Seven Immigrant Women Who Revolutionized Food in America (W.W. Norton: 2021). He is a 2025 Fellow at New America, and has written on film for the New Yorker, the Atlantic, and the Criterion Collection. He teaches journalism at New York University and lives in Brooklyn, New York. You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Love, Queenie. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at@nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In 2022, Michelle Yeoh became the first Asian actress to win the Academy Award for Best Actress. But she wasn't the first actress of Asian origin to be nominated. In 1935, Merle Oberon was nominated for Best Actress for the role of Kitty Vane in The Dark Angel, only her second film in the U.S. film industry. But no one knew Oberon was Asian. Her public biography said she was born to white parents in Tasmania, eventually moving to India and, from there, to the UK. But Merle Oberon, in truth, was of Anglo-Indian origin, born in Bombay. She'd hidden her heritage to get around U.S. censorship and immigration laws—a secret she took to her grave, even if many in the industry suspected the truth. Mayukh Sen tackles Oberon's life in Love, Queenie: Merle Oberon, Hollywood's First South Asian Star (W.W. Norton: 2025). Mayukh Sen is the James Beard Award-winning author of Taste Makers: Seven Immigrant Women Who Revolutionized Food in America (W.W. Norton: 2021). He is a 2025 Fellow at New America, and has written on film for the New Yorker, the Atlantic, and the Criterion Collection. He teaches journalism at New York University and lives in Brooklyn, New York. You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Love, Queenie. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at@nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-american-studies

In 2022, Michelle Yeoh became the first Asian actress to win the Academy Award for Best Actress. But she wasn't the first actress of Asian origin to be nominated. In 1935, Merle Oberon was nominated for Best Actress for the role of Kitty Vane in The Dark Angel, only her second film in the U.S. film industry. But no one knew Oberon was Asian. Her public biography said she was born to white parents in Tasmania, eventually moving to India and, from there, to the UK. But Merle Oberon, in truth, was of Anglo-Indian origin, born in Bombay. She'd hidden her heritage to get around U.S. censorship and immigration laws—a secret she took to her grave, even if many in the industry suspected the truth. Mayukh Sen tackles Oberon's life in Love, Queenie: Merle Oberon, Hollywood's First South Asian Star (W.W. Norton: 2025). Mayukh Sen is the James Beard Award-winning author of Taste Makers: Seven Immigrant Women Who Revolutionized Food in America (W.W. Norton: 2021). He is a 2025 Fellow at New America, and has written on film for the New Yorker, the Atlantic, and the Criterion Collection. He teaches journalism at New York University and lives in Brooklyn, New York. You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Love, Queenie. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at@nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

In Cineversary podcast episode #82, host ⁠Erik Martin⁠ hunts on horseback for the perfect film and finds it in Charles Laughton's The Night of the Hunter, which celebrates a 70th birthday this year. Joining him on this journey is Imogen Sara Smith, author of In Lonely Places: Film Noir Beyond the City, editor-in-chief of Noir City Magazine, and frequent contributor to the Criterion Collection. Together, they travel upriver to explore what makes this movie a masterpiece, the filmmakers it inspired, key thematic takeaways, and much more.Learn more about the Cineversary podcast at www.cineversary.com and email show comments or suggestions to cineversarypodcast@gmail.com.

In 2022, Michelle Yeoh became the first Asian actress to win the Academy Award for Best Actress. But she wasn't the first actress of Asian origin to be nominated. In 1935, Merle Oberon was nominated for Best Actress for the role of Kitty Vane in The Dark Angel, only her second film in the U.S. film industry. But no one knew Oberon was Asian. Her public biography said she was born to white parents in Tasmania, eventually moving to India and, from there, to the UK. But Merle Oberon, in truth, was of Anglo-Indian origin, born in Bombay. She'd hidden her heritage to get around U.S. censorship and immigration laws—a secret she took to her grave, even if many in the industry suspected the truth. Mayukh Sen tackles Oberon's life in Love, Queenie: Merle Oberon, Hollywood's First South Asian Star (W.W. Norton: 2025). Mayukh Sen is the James Beard Award-winning author of Taste Makers: Seven Immigrant Women Who Revolutionized Food in America (W.W. Norton: 2021). He is a 2025 Fellow at New America, and has written on film for the New Yorker, the Atlantic, and the Criterion Collection. He teaches journalism at New York University and lives in Brooklyn, New York. You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Love, Queenie. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at@nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

In 2022, Michelle Yeoh became the first Asian actress to win the Academy Award for Best Actress. But she wasn't the first actress of Asian origin to be nominated. In 1935, Merle Oberon was nominated for Best Actress for the role of Kitty Vane in The Dark Angel, only her second film in the U.S. film industry. But no one knew Oberon was Asian. Her public biography said she was born to white parents in Tasmania, eventually moving to India and, from there, to the UK. But Merle Oberon, in truth, was of Anglo-Indian origin, born in Bombay. She'd hidden her heritage to get around U.S. censorship and immigration laws—a secret she took to her grave, even if many in the industry suspected the truth. Mayukh Sen tackles Oberon's life in Love, Queenie: Merle Oberon, Hollywood's First South Asian Star (W.W. Norton: 2025). Mayukh Sen is the James Beard Award-winning author of Taste Makers: Seven Immigrant Women Who Revolutionized Food in America (W.W. Norton: 2021). He is a 2025 Fellow at New America, and has written on film for the New Yorker, the Atlantic, and the Criterion Collection. He teaches journalism at New York University and lives in Brooklyn, New York. You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Love, Queenie. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at@nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/south-asian-studies

This month we are (finally!) exploring some of the works of the great Agnès Varda, one of the pioneers of the French New Wave. First up, we're starting with one of her most widely seen: Cléo from 5 to 7. Corinne Marchand stars as the titular Cléo, a young singer waiting for important medical results. Over the course of 90 minutes, Cléo tries to distract herself from the agonizing wait, first among friends, and then on a winding route through Paris. The film screened at the 1962 Cannes Film Festival, currently ranks at 14 on Sight and Sound's list of greatest films of all time (only two spots behind The Godfather, just sayin'), and is part of the Criterion Collection.

It's the triumphant return of the showrunner of House of the Dragon and co-host of The Stuff Dreams Are Made Of, Ryan Condal! We take out our binoculars and telephoto lens to cover our very first ever Hitchcock film, Rear Window.Chapters Introduction (00:00:00) Hatch News (00:28:17) Rear Window Roundtable (00:37:02) Your Letters (01:40:36) Notes and Links Check out Escape Hatch Merch! Our all new collection of swag is available now and every order includes a free Cameo style shoutout from Haitch or Jason. Browse our collection now. Join the Escape Hatch Discord Server! Hang out with Haitch, Jason, and other friends of the pod. Check out the invite here. Escape Hatch is a TAPEDECK Podcasts Jawn! Escape Hatch is a member of TAPEDECK Podcasts, alongside: 70mm (a podcast for film lovers), Bat & Spider (low rent horror and exploitation films), The Letterboxd Show (Official Podcast from Letterboxd), Cinenauts (exploring the Criterion Collection), Lost Light (Transformers, wrestling, and more), and Will Run For (obsessed with running). Check these pods out!. See the movies we've watched and are going to watch on Letterboxd Escape Hatch's Breaking Dune News Twitter list Rate and review the podcast to help others discover it, and let us know what you think of the show at letters@escapehatchpod.com or leave us a voicemail at +1-415-534-5211. Follow @escapehatchpod on Twitter and Instagram. Music by Scott Fritz and Who'z the Boss Music. Cover art by ctcher. Edited and produced by Haitch. Escape Hatch is a production of Haitch Industries.

Josh and Drusilla discuss the 1962 Japanese film, Pitfall. From wiki: “Pitfall (おとし穴, Otoshiana), a.k.a. The Pitfall and Kashi To Kodomo, is a 1962 Japanese film directed by Hiroshi Teshigahara, written by Kōbō Abe. It was Teshigahara's first feature, and the first of his four film collaborations with Abe, the others being Woman in the Dunes, The Face of Another and The Man Without a Map. Unlike the others, which are based on novels by Abe, Pitfall was originally a television play called Purgatory (Rengoku).[2] The film has been included in The Criterion Collection. It is known for its surreal, often avant-garde storytelling structure and themes of hopelessness, exploitation, and human suffering.Also discussed: Summer Camp Nightmare (1987), In the Spirit (1990), Free to Be You and Me, Sinners, Babylon, and more!NEXT WEEK: Eve's Bayou (1997) Bloodhaus:https://www.bloodhauspod.com/https://twitter.com/BloodhausPodhttps://www.instagram.com/bloodhauspod/ Drusilla Adeline:https://www.sisterhydedesign.com/https://letterboxd.com/sisterhyde/ Joshua Conkelhttps://www.joshuaconkel.com/https://bsky.app/profile/joshuaconkel.bsky.socialhttps://www.instagram.com/joshua_conkel/https://letterboxd.com/JoshuaConkel/  

In the 132nd episode of the Extra Buttery Podcast, Jason and Robert wonder how the TV adaptation of Harry Potter will be received and how different it will be from the movies. They also catch up on arguably the best Star Wars show ever, ANDOR (8:41), and the latest season of THE LAST OF US (24:05). Both also agree that THUNDERBOLTS* (35:20) is a nice addition to the MCU before finishing with Ryan Coogler's excellent SINNERS (46:25), Rob's top pick spy thriller BLACK BAG (55:14), pseudo-superhero-action-turned-buddy-comedy THE ACCOUNTANT 2 (1:01:45) and share why WARFARE (1:06:16) falls short of director Alex Garland's previous work.Original theme music, intro and outro composed and performed by Michael Spicer

Sam Clements is curating a fictional film festival. He'll accept almost anything, but the movie must not be longer than 90 minutes. This is the 90 Minutes Or Less Film Fest podcast. In this 90 Minutes or Less Spotlight episode Sam talks to Oscar-winning filmmaker Sean Baker about the Criterion Collection releases of his movies Anora and Prince of Broadway, finding the perfect runtime in the edit, and how The Texas Chain Saw Massacre (83 mins) inspired a scene in Anora.  Thank you for downloading. We'll be back in a couple of weeks! Rate and subscribe on Apple Podcasts: https://tinyurl.com/90minfilm If you enjoy the show, please subscribe, rate, review and share with your friends. We're an independent podcast and every recommendation helps - thank you!  You can also show your support for the podcast by leaving us a tip at our Ko-fi page: https://ko-fi.com/90minfilmfest Website: 90minfilmfest.com Blue Sky:  @90minfilmfest.bsky.social Instagram: @90MinFilmFest Tweet: @90MinFilmFest  We are a proud member of the Stripped Media Network. Hosted and produced by Sam Clements. Edited and produced by Louise Owen. Guest star Sean Baker. Additional editing and sound mixing by @lukemakestweets. Music by Martin Austwick. Artwork by Sam Gilbey. 

Shit is getting very very real on Andor Season 2. We have huge climactic payoffs of 4 year running storylines, massive boiling pots of tension over these 3 episodes, and events that change the show forever. Only 1 movie left!Chapters​Introduction (00:00:00)​Welcome to the Rebellion Roundtable (00:04:31)Notes and Links​Check out Escape Hatch Merch! Our all new collection of swag is available now and every order includes a free Cameo style shoutout from Haitch or Jason. Browse our collection now.​Join the Escape Hatch Discord Server! Hang out with Haitch, Jason, and other friends of the pod. Check out the invite here.​Escape Hatch is a TAPEDECK Podcasts Jawn! Escape Hatch is a member of TAPEDECK Podcasts, alongside: 70mm (a podcast for film lovers), Bat & Spider (low rent horror and exploitation films), The Letterboxd Show (Official Podcast from Letterboxd), Cinenauts (exploring the Criterion Collection), Lost Light (Transformers, wrestling, and more), and Will Run For (obsessed with running). Check these pods out!.​See the movies we've watched and are going to watch on Letterboxd​Escape Hatch's Breaking Dune News Twitter list​Rate and review the podcast to help others discover it, and let us know what you think of the show at letters@escapehatchpod.com or leave us a voicemail at +1-415-534-5211.​Follow @escapehatchpod on Twitter and Instagram.​Music by Scott Fritz and Who'z the Boss Music.​Cover art by ctcher.​Edited and produced by Haitch.​Escape Hatch is a production of Haitch Industries.

“I'M NOT AN ANIMAL! I'M A HUMAN BEING!”As you may already know, we lost one of the great ones this year. In honor of David Lynch, we decided to go back to one of the earlier films in his career, The Elephant Man from 1980, starring John Hurt and Anthony Hopkins. The film was nominated for eight Academy Awards, is considered to be one of the greatest films of all time, a critical and commercial success in what would have been David Lynch's second film and put a lot of eyes on his future, incredibly influential body of work. However, despite Lynch being Austin's favorite director of all time, he has never seen The Elephant Man! Well, on this episode, we fix that.The Elephant Man is not known to be an incredibly surreal film, but we discuss the various similarities and signature iconography Lynch can't help but include in all his films, including The Elephant Man. We talk about the use of dreams, the use of sound, and how his sense of humor shines through in a film that more linear than his other body of work.We also talk about how the film approaches the topic of how society treats an outcast with a deformity/disability. It's not uncommon for the Academy to pay attention to this genre of film, but something about The Elephant Man is very different. What might be contrived and cliche in other films feels deeply moving in this one. How does The Elephant Man stand out and distinguish itself from “Oscar bait“ films?We also talk about the way the film was made and how the film differs from the reality of life for Joseph Merrick, the real life person who lived with this condition that lead people to refer to him as The Elephant Man. How does David Lynch go from making a surrealist art film, Eraserhead, to a narratively linear biopic that tugs on the heart? How does comedy legend Mel Brooks go from making Blazing Saddles to producing The Elephant Man? How did a babysitter get her boyfriend nominated for an Oscar? How did this movie invent an entirely new category the Academy had to pay attention to? We talk about all of this and more!This episode was very special for us and took a little bit of time to brew. With the changes in technology one would think more films would be more accessible to view at our convenience, but in fact that not the case for some films that are culturally significant like The Elephant Man. As of recording the episode we couldn't find the film digitally streaming/renting anywhere, but with luck we did manage to find the film on DVD at a reasonable price. After watching the film we might actually spring for that premium Criterion Collection version, because this film really is that special. In fact, the late John Hurt said in the making of documentary “If anyone isn't moved by the end of the film, I don't think I'd want that person in my life.“ We hope you enjoy this episode and seek the film out yourself, or hit us up about a potential screening!Music is from Triune Digital and audio clips pulled from movies we will be reviewing in other episodes.Artwork by @jannelle_o

EPISODE 250. JASON CONCEPCION. THE EMPIRE STRIKES BACK. THE GREATEST LETTERS SEGMENT IN THE HISTORY OF PODCASTS. MAY THE 4TH BE WITH YOU.Chapters Introduction (00:00:00) Hatch News (00:11:39) The Empire Strikes Back Roundtable (00:19:12) INCREDIBLE LETTERS (01:33:48) Notes and Links Check out Escape Hatch Merch! Our all new collection of swag is available now and every order includes a free Cameo style shoutout from Haitch or Jason. Browse our collection now. Join the Escape Hatch Discord Server! Hang out with Haitch, Jason, and other friends of the pod. Check out the invite here. Escape Hatch is a TAPEDECK Podcasts Jawn! Escape Hatch is a member of TAPEDECK Podcasts, alongside: 70mm (a podcast for film lovers), Bat & Spider (low rent horror and exploitation films), The Letterboxd Show (Official Podcast from Letterboxd), Cinenauts (exploring the Criterion Collection), Lost Light (Transformers, wrestling, and more), and Will Run For (obsessed with running). Check these pods out!. See the movies we've watched and are going to watch on Letterboxd Escape Hatch's Breaking Dune News Twitter list Rate and review the podcast to help others discover it, and let us know what you think of the show at letters@escapehatchpod.com or leave us a voicemail at +1-415-534-5211. Follow @escapehatchpod on Twitter and Instagram. Music by Scott Fritz and Who'z the Boss Music. Cover art by ctcher. Edited and produced by Haitch. Escape Hatch is a production of Haitch Industries.

OK. After a somewhat uneven start with last week's episodes that included the challenging adventures on Planet F#%kup, Tony Gilroy and the Andor crew are COOKING now with this second batch of episodes. Another year has passed and the forces of the rebellion and the Empire are being drawn inexorably into a simmering conflict on the planet Ghorman. Cassian will find his loyalty to Luthen tested and not everyone will make it out from this next dangerous phase of this battle.Chapters Introduction (00:00:00) Ever Been to Ghorman Roundtable (00:10:00) Notes and Links Check out Escape Hatch Merch! Our all new collection of swag is available now and every order includes a free Cameo style shoutout from Haitch or Jason. Browse our collection now. Join the Escape Hatch Discord Server! Hang out with Haitch, Jason, and other friends of the pod. Check out the invite here. Escape Hatch is a TAPEDECK Podcasts Jawn! Escape Hatch is a member of TAPEDECK Podcasts, alongside: 70mm (a podcast for film lovers), Bat & Spider (low rent horror and exploitation films), The Letterboxd Show (Official Podcast from Letterboxd), Cinenauts (exploring the Criterion Collection), Lost Light (Transformers, wrestling, and more), and Will Run For (obsessed with running). Check these pods out!. See the movies we've watched and are going to watch on Letterboxd Escape Hatch's Breaking Dune News Twitter list Rate and review the podcast to help others discover it, and let us know what you think of the show at letters@escapehatchpod.com or leave us a voicemail at +1-415-534-5211. Follow @escapehatchpod on Twitter and Instagram. Music by Scott Fritz and Who'z the Boss Music. Cover art by ctcher. Edited and produced by Haitch. Escape Hatch is a production of Haitch Industries.

Pierce and Justin dive into the Criterion Collection! Join us as we discuss the most chosen film from the Criterion Closet, a film featuring one of the best performances of all time!▶ JOIN OUR PATREON for bonus content and our gratitude buymeacoffee.com/NotJustAnypod▶ We are available on all major podcasting platforms and YouTube! YouTube: https://www.youtube.com/@NotJustAnyPod ▶ FOLLOW US ON TWITTER! Twitter: @NotJustAnyPod ▶ FOLLOW US ON TIKTOK! TikTok: @NotJustAnyPod

At long last, it's the return of the Senior Editor of Fangoria magazine, Meredith Borders. She has long held the Escape Hatch Eighties Fantasy Chair, and from that perch she shares her love for the 1982 animated classic The Last Unicorn.Chapters Introduction (00:00:00) Hatch News (00:09:27) The Last Unicorn Roundtable (00:17:46) Your Letters (01:14:50) Notes and Links Check out Escape Hatch Merch! Our all new collection of swag is available now and every order includes a free Cameo style shoutout from Haitch or Jason. Browse our collection now. Join the Escape Hatch Discord Server! Hang out with Haitch, Jason, and other friends of the pod. Check out the invite here. Escape Hatch is a TAPEDECK Podcasts Jawn! Escape Hatch is a member of TAPEDECK Podcasts, alongside: 70mm (a podcast for film lovers), Bat & Spider (low rent horror and exploitation films), The Letterboxd Show (Official Podcast from Letterboxd), Cinenauts (exploring the Criterion Collection), Lost Light (Transformers, wrestling, and more), and Will Run For (obsessed with running). Check these pods out!. See the movies we've watched and are going to watch on Letterboxd Escape Hatch's Breaking Dune News Twitter list Rate and review the podcast to help others discover it, and let us know what you think of the show at letters@escapehatchpod.com or leave us a voicemail at +1-415-534-5211. Follow @escapehatchpod on Twitter and Instagram. Music by Scott Fritz and Who'z the Boss Music. Cover art by ctcher. Edited and produced by Haitch. Escape Hatch is a production of Haitch Industries.

This week on Bullseye, we talk to filmmaker Charles Burnett. His most famous film, Killer of Sheep, was part of his Masters' thesis at UCLA Film School in 1977. Now, it's in the Criterion Collection and the Library of Congress. His 1999 romance film, The Annihilation of Fish, has just been restored and set for its first theatrical release. He talks to Bullseye about representing communities authentically, the tension of studying at UCLA and living in South Central, and his regrets about the roof-jumping scene in Killer of Sheep.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Oscar voters will no longer be able to skip watching some of the nominated films. The Academy of Motion Pictures Arts and Sciences on Monday announced that members will from now on be required to watch all nominated films in each category to be eligible to vote in the final round of Oscar voting. Up until now, Oscar voters had only been encouraged to watch the nominees and vote in categories they felt qualified in. But in recent years, what films get watched by academy members has been increasingly seen as a significant factor in what wins. At the same time, the publication of anonymous Oscar ballots has often featured members confessing that they didn’t get around to watching some notable films or not finishing lengthier nominees. In other news — many appearances by the faces of the entertainment industry, from filmmakers of all different backgrounds, the Criterion Closet will get an extended appearance in Los Angeles, as a mobile version of the closet will be available for cinephiles to visit. With more than 1200 films in its official collection of Blu-rays, the Criterion Collection has been one of the leading physical media distributors. So with the closet arriving in Los Angeles, we thought it’d be worth checking in on the physical media industry with Dominic Patten, senior editor & tv critic at Deadline. We’ll also hear from Peter Rainer, who add their insights and discuss their favorite physical media. With files from the Associated Press

We are BACK with part 1 of our 4 part series on Andor Season 2. This week: Cassian goes on a daring mission, Bix and Brasso experience life in the shadows as undocumented workers, and Mon Mothma just can't catch a break at her awful daughter's wedding. All this plus the craziest sitcom dinner in Star Wars history!ChaptersIntroduction (00:00:00)Harvest Roundtable (00:06:37)Notes and LinksCheck out Escape Hatch Merch! Our all new collection of swag is available now and every order includes a free Cameo style shoutout from Haitch or Jason. Browse our collection now.Join the Escape Hatch Discord Server! Hang out with Haitch, Jason, and other friends of the pod. Check out the invite here.Escape Hatch is a TAPEDECK Podcasts Jawn! Escape Hatch is a member of TAPEDECK Podcasts, alongside: 70mm (a podcast for film lovers), Bat & Spider (low rent horror and exploitation films), The Letterboxd Show (Official Podcast from Letterboxd), Cinenauts (exploring the Criterion Collection), Lost Light (Transformers, wrestling, and more), and Will Run For (obsessed with running). Check these pods out!.See the movies we've watched and are going to watch on LetterboxdEscape Hatch's Breaking Dune News Twitter listRate and review the podcast to help others discover it, and let us know what you think of the show at letters@escapehatchpod.com or leave us a voicemail at +1-415-534-5211.Follow @escapehatchpod on Twitter and Instagram.Music by Scott Fritz and Who'z the Boss Music.Cover art by ctcher.Edited and produced by Haitch.Escape Hatch is a production of Haitch Industries.

For a new retro review, Michael selects one of his favorite docs, Mr. Death: The Rise and Fall of Fred A. Leuchter, Jr. by Errol Morris. Joe recommends a recent Criterion Collection release, Michael revisits a Tom Cruise hit, and Jared explores the oeuvre of an overlooked Italian documentarian.

Send us a textDan and Mike go noir as they dive into Stephen Frears' The Grifters in its stunning new 4K release from the Criterion Collection. The brothers Smith break down the performances of John Cusack, Anjelica Huston, and Annette Bening, discuss the film's slick style and haunting score, and debate whether this neo-noir classic holds up over 30 years later. Con games, complicated mothers, and Criterion polish—this one's a wild ride!#podcast #YouTube #trendingActress Karissa Lee Staples Support the showOh Brother Podcast: Subscribe on YouTube Listen on all podcast platforms Follow us on Instagram Leave a 5-star rating/review on Apple Podcasts

Riding in to save us in our hour of need, it's the host of the tech media podcast Channels, Peter Kafka.We cover the very zany and somewhat horny 1973 swashbuckler by the creative team from Superman II, The Three Musketeers.Chapters Introduction (00:00:00) Hatch News (00:17:30) The Three Musketeers Roundtable (00:26:11) Your Letters (01:07:29) Notes and Links Check out Escape Hatch Merch! Our all new collection of swag is available now and every order includes a free Cameo style shoutout from Haitch or Jason. Browse our collection now. Join the Escape Hatch Discord Server! Hang out with Haitch, Jason, and other friends of the pod. Check out the invite here. Escape Hatch is a TAPEDECK Podcasts Jawn! Escape Hatch is a member of TAPEDECK Podcasts, alongside: 70mm (a podcast for film lovers), Bat & Spider (low rent horror and exploitation films), The Letterboxd Show (Official Podcast from Letterboxd), Cinenauts (exploring the Criterion Collection), Lost Light (Transformers, wrestling, and more), and Will Run For (obsessed with running). Check these pods out!. See the movies we've watched and are going to watch on Letterboxd Escape Hatch's Breaking Dune News Twitter list Rate and review the podcast to help others discover it, and let us know what you think of the show at letters@escapehatchpod.com or leave us a voicemail at +1-415-534-5211. Follow @escapehatchpod on Twitter and Instagram. Music by Scott Fritz and Who'z the Boss Music. Cover art by ctcher. Edited and produced by Haitch. Escape Hatch is a production of Haitch Industries.

David is joined by William Remmers to discuss an obscure Canadian documentary about 10 groovy teenagers who are granted 10 weeks of autonomy for the purpose of generating compelling cinematic moments, or at least trippy vibes.

Hang onto your slipcases because Blake Howard (One Heat Minute Productions) and special guest Bilge Ebiri (film critic/writer/editor at New York Magazine) collaborate to dissect a special CRITERION COLLECTION release.ThiefThe contemporary American auteur Michael Mann's bold artistic sensibility was already fully formed when he burst out of the gate with Thief, his debut feature. James Caan stars, in one of his most riveting performances, as a no-nonsense ex-con professional thief planning to leave the criminal world behind after one last score—but he discovers that escape is not as simple as he'd hoped. Finding hypnotic beauty in neon and rain-slick streets, sparks and steel, Thief effortlessly established the moody stylishness, tactile approach, and drama that would also define such later iconic Mann films as Heat, The Insider, Ali, and The Last of the Mohicans.DIRECTOR-APPROVED 4K UHD + BLU-RAY SPECIAL EDITION FEATURESNew 4K digital restoration of the director's cut, supervised and approved by director Michael Mann, with 5.0 surround DTS-HD Master Audio soundtrackOne 4K UHD disc of the film presented in Dolby Vision HDR and one Blu-ray with the film and special featuresAudio commentary featuring Mann and actor James CaanInterviews with Mann, Caan, and Johannes Schmoelling of the band Tangerine Dream, which contributed the film's soundtrackTrailerEnglish subtitles for the deaf and hard of hearingPLUS: An essay by critic Nick JamesCover by Fred DavisBILGE EBIRI: BILGE EBIRI IS A FILM CRITIC/WRITER/EDITOR AT NEW YORK MAGAZINE. HE HAS CONTRIBUTED TO PUBLICATIONS SUCH AS L.A. WEEKLY, THE NEW YORK TIMES AND THE VILLAGE VOICE (RIP). BILGE IS ALSO A WRITER AND DIRECTOR, KNOWN FOR NEW GUY (2003), PURSE SNATCHER (2006) AND THE BARBER OF SIBERIA (1998).TWITTER: @BILGEEBIRI WEBSITES: THE VILLAGE VOICE ARCHIVE, ROTTEN TOMATOESSupport: JOIN THE ONE HEAT MINUTE PATREON FOR AS LITTLE AS $1 A MONTHFollow the hosts:Blake Howard - Twitter & One Heat Minute Website Alexei Toliopoulos - Twitter & The Last Video StoreSupport this podcast at — https://redcircle.com/one-heat-minute-productions/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

EPISODE 194: Elegant, epic, existential, and electric. Volume 2 goes to 11 (ft. Megan Kearns) Episode Description: Jason returns to the closet of cinema history to crack open another stack from the Criterion Collection! From enchanted castles and sinking ships to philosophical chess matches, outback odysseys, and the loudest band in England, this lineup is as diverse as it is iconic. Films Ranked: Beauty and the Beast (1946) – Cocteau's poetic dreamscape of love and transformation. A Night to Remember (1958) – The definitive Titanic film, long before Leo and Kate. Walkabout (1971) – A haunting vision of isolation, survival, and cultural collision. The Seventh Seal (1957) – Bergman's meditation on mortality, meaning, and the black plague. This Is Spinal Tap (1984) – The rockumentary that turned it up to eleven... and never came back down. Jason and Megan wrestle with the big questions: Could anyone make the Seventh Seal today? Does Spinal Tap still hit as hard in the age of memes? Is A Night to Remember secretly the most profound film of the bunch? And where does Walkabout fit into the pantheon of coming-of-age stories? ALSO: Cocteau's magic mirrors and movie sorcery The layers beneath the surface of A Night to Remember Existential laughs in chain mail Why the line between satire and reality might be thinner than we think  

PUBLIC VERSION. Criterion Collection producer Curtis Tsui (RUMBLE FISH, GODZILLA VS BIOLANTE, many others) joins Joe to discuss his 20 year long career creating amazing special edition releases of some of the most notable films of all time. From how he first found his love for cinema while in school to become a doctor… to how he got the gig as a producer at Criterion decades ago… to what it takes to create some of the great features included with each release… to the importance of establishing a relationship with filmmakers… to the art of a great commentary track… to shooting in the Kubrick house for BARRY LYNDON… to the most challenging title he has worked on and the film he's most proud to have contributed to… to the viral sensation known as “The Criterion Closet” and how it became a go-to stop for working artists… if you were ever interested in the process of making a title in the Criterion Collection (or just want to hear Curtis and Joe geek out for 2 hours), this conversation is a must listen! 

Rix Road is….the turning point, when a people pushed too far stand up and fight. After escaping from Narkina 5, Cassian Andor receives the shocking news that his beloved adopted mother Marva has died, and returns to Ferrix to try and make sense of things. Learning that Bix has been grabbed he will team up with community fixture Brasso to mount a daring rescue. Meanwhile, all of the disparate forces descend upon Marva's funeral for their own shot at Andor: Karn, Dedra, and the Empire to capture him, Vel, Cinta, and Luthen to kill him to protect the Resistance. But they will all be jolted awake by Marva's own eulogy, delivered from beyond the grave, as she lights the flame of the Rebellion, and shows them all that the path to the downfall of the Empire, begins right here, on the Rix Road.Chapters Introduction (00:00:00) Rix Road Roundtable (00:06:30) Notes and Links Check out Escape Hatch Merch! Our all new collection of swag is available now and every order includes a free Cameo style shoutout from Haitch or Jason. Browse our collection now. Join the Escape Hatch Discord Server! Hang out with Haitch, Jason, and other friends of the pod. Check out the invite here. Escape Hatch is a TAPEDECK Podcasts Jawn! Escape Hatch is a member of TAPEDECK Podcasts, alongside: 70mm (a podcast for film lovers), Bat & Spider (low rent horror and exploitation films), The Letterboxd Show (Official Podcast from Letterboxd), Cinenauts (exploring the Criterion Collection), Lost Light (Transformers, wrestling, and more), and Will Run For (obsessed with running). Check these pods out!. See the movies we've watched and are going to watch on Letterboxd Escape Hatch's Breaking Dune News Twitter list Rate and review the podcast to help others discover it, and let us know what you think of the show at letters@escapehatchpod.com or leave us a voicemail at +1-415-534-5211. Follow @escapehatchpod on Twitter and Instagram. Music by Scott Fritz and Who'z the Boss Music. Cover art by ctcher. Edited and produced by Haitch. Escape Hatch is a production of Haitch Industries.

Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema's greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you've got yourself a podcast we truly hope you love. On episode 94 of the Director Watch Podcast, the boys are joined by AwardsWatch contributor Trace Sauveur to discuss the next film in their Elaine May series, Mikey and Nicky (1976). Just a few years after the second film, Elaine May set out to make her follow-up to The Heartbreak Kid, and in doing so, made one of the most memorable films of the 1970s in Mikey and Nicky. While the movie was another step forward for the director as a visual storyteller and featured to dynamite performances from Peter Falk and John Cassavetes, its journey to the big screen was wild, as it took May years to hand the studio a finished edit of the film, as she tinkered with it until she was forced to hand it over. Even after its release, she still wasn't fully satisfied with the final film, reworking on it some when it got into the Criterion Collection. In the end, what she gave us is an intense, heartbreaking looking into a crumbling friendship set over the course of one night. Ryan, Jay, and Trace breakdown their thoughts on the film, May's direction, the behind the scenes stories of the making of the film, their thoughts on the main character's friendship, the harsh ending, and the fall of auteur driven cinema of the 1970s.  You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more. This podcast runs 1h53m. The guys will be back next week to conclude their series on the films of Elaine May with a review of her final film, Ishtar. You can rent it via YouTube in preparation for the next episode of Director Watch. Till then, let's get into it. Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

We're joined by former Minnesota Vikings punter Chris Kluwe. He tells us why he decided to protest Trump and the MAGA movement, even knowing that it meant he would be arrested, and tells us what we can do to resist ourselves that doesn't require getting arrested! Then, we FINALLY cover the modern sci-fi political classic that is more relevant than ever, District 9!Chapters Introduction (00:00:00) Hatch News (00:28:43) District 9 Roundtable (00:34:45) Your Letters (01:10:29) Notes and Links Check out Escape Hatch Merch! Our all new collection of swag is available now and every order includes a free Cameo style shoutout from Haitch or Jason. Browse our collection now. Join the Escape Hatch Discord Server! Hang out with Haitch, Jason, and other friends of the pod. Check out the invite here. Escape Hatch is a TAPEDECK Podcasts Jawn! Escape Hatch is a member of TAPEDECK Podcasts, alongside: 70mm (a podcast for film lovers), Bat & Spider (low rent horror and exploitation films), The Letterboxd Show (Official Podcast from Letterboxd), Cinenauts (exploring the Criterion Collection), Lost Light (Transformers, wrestling, and more), and Will Run For (obsessed with running). Check these pods out!. See the movies we've watched and are going to watch on Letterboxd Escape Hatch's Breaking Dune News Twitter list Rate and review the podcast to help others discover it, and let us know what you think of the show at letters@escapehatchpod.com or leave us a voicemail at +1-415-534-5211. Follow @escapehatchpod on Twitter and Instagram. Music by Scott Fritz and Who'z the Boss Music. Cover art by ctcher. Edited and produced by Haitch. Escape Hatch is a production of Haitch Industries.

On this week's show we discuss whether physical media is making a comeback and could a Bezel-less OLED be the future of large format TVs. We also read your emails and take a look at the week's news. News: Google kills off Nest Protect, partners with First Alert for new smart smoke detector Christie to collaborate with Dolby to develop the next generation of Dolby Vision laser projection systems YouTube Sees Record Viewing, Beats Disney in TV Viewing Share Other: 2025 Box-Office Aims To Hit $34 Billion Physical media is finally making a comeback, and here's the proof Despite a decline in overall physical media sales, which dipped below $1 billion in 2024, there are signs of resilience and growth in specific sectors. Major retailers like Best Buy and Target are phasing out physical media, but Sony's announcement of a new Blu-ray player, the UBP-X700/K, set for release in 2025, signals continued investment in the format. This player, while currently only available in Japan, supports 4K Blu-rays, which are region-free and growing in market share despite the higher cost compared to its predecessor. There is a niche but dedicated community keeping physical media alive, supported by boutique retailers like Criterion Collection and Arrow, which preserve films such as David Lynch's catalog, including the upcoming 4K release of Twin Peaks: Fire Walk With Me. Mainstream releases still often get physical versions, and affordable options abound online and in thrift stores, offering DVDs, Blu-rays, and 4K discs compatible with modern players. There are personal advantages of physical ownership, like better quality and reliability compared to streaming, which can be plagued by shifting availability and rising costs. While consoles may soon abandon disc drives and companies like LG have discontinued Blu-ray players, the 4K Blu-ray market is a bright spot, with growing demand evidenced by the sell-out of Oppenheimer's 4K release in 2023. The new Sony player supports Dolby Vision (though it requires manual toggling), enhancing the viewing experience over consoles like Xbox or PS5. The article concludes that 2025 is an opportune time to embrace physical media, especially for those frustrated with streaming, as it offers a tangible, cost-effective alternative with no risk of content disappearing—though it comes with minor inconveniences like disc-swapping for TV binges. The future remains uncertain, but the 4K sector offers hope for collectors. Full article here… Bezel-less tile OLED TVs could be the future of large-screen displays (from Tom's Guide) Samsung Display showcased a variety of innovative display technologies at MWC 2025, with a standout being their "bezel-less" OLED tile design. This concept involves combining smaller OLED panels, such as two 31.5-inch QD-OLED screens, to form larger displays with significantly reduced bezels—40% narrower than typical current market offerings. This makes the seams nearly invisible from a standard viewing distance, opening up possibilities for future OLED TV designs. The bezel-less OLED tiles could revolutionize large-screen TVs by improving portability and setup logistics. Unlike traditional massive TVs (e.g., 98- or 110-inch models), which are cumbersome and costly to ship and install, these tiles could be transported and assembled in smaller, manageable parts—ideal for urban dwellers in older buildings with limited access. Additionally, the design might simplify wall-mounting, potentially eliminating the need for complex mounts by allowing the tiles to sit flush against walls, reminiscent of concepts like Displace TV's suction-cup OLEDs. This technology could particularly enhance lifestyle TVs, such as Samsung's The Frame, by offering a sleek, frameless look that blends seamlessly into home decor. However, challenges remain—similar to MicroLED, the intricate engineering might make these TVs prohibitively expensive initially. While not yet ready for consumers, Samsung Display's tile concept hints at an exciting future for bigger, better, and more practical OLED TVs. Full article here… Let's Discuss Why This is a Good Thing: Easier Transport and Setup for Large TVs Simplified Wall-Mounting  Enhanced Design for Lifestyle TVs Scalability and Customization Improved Visual Experience Easier Transport and Setup for Large TVs The tiled OLED concept tackles the logistical nightmare of moving and installing massive TVs. By breaking a large display (like a 115-inch screen) into smaller, manageable pieces (e.g., two 31.5-inch QD-OLED panels), it becomes far more practical to transport and assemble. This is a game-changer for people in tricky living situations—like those in high-rise apartments with no elevators or tight staircases—where hauling a giant, crated TV is a non-starter. Instead of wrestling with one unwieldy unit, you'd handle smaller components, making setup less of a Herculean task. Simplified Wall-Mounting The ultra-thin, virtually bezel-less design hints at a future where wall-mounting could be a breeze. These tiles seem to sit flush against surfaces, potentially reducing or even eliminating the need for bulky wall mounts and toolkits. While it's not clear if they'd use something like suction cups (à la Displace TV) or another method, the streamlined look suggests a setup that's less about drilling and more about placement. This could make mounting a TV—especially over a fireplace or in tight spaces—more accessible and less intimidating. Enhanced Design for Lifestyle TVs The bezel-less tile concept aligns perfectly with the aesthetic goals of lifestyle TVs, like Samsung's The Frame. A flush, frameless display could elevate the “TV as art” vibe, blending seamlessly into home decor. You could even add a custom frame around the tiles if desired, keeping the versatility intact. This design flexibility could redefine how TVs integrate into living spaces, making them less of an obtrusive tech piece and more of a stylish feature. Scalability and Customization Tiling smaller OLED panels to create a larger screen opens up possibilities for scalable TV sizes. Want a 65-inch TV today but a 98-inch tomorrow? In theory, you could add more tiles. While this might not be fully practical yet, the modular nature suggests a future where screen size isn't fixed at purchase, offering a level of adaptability that current TVs lack. Improved Visual Experience Shrinking bezels by 40% compared to standard displays means the seams between tiles are nearly invisible at normal viewing distances. This creates a more immersive, uninterrupted picture—crucial for OLED's strengths like deep blacks and vibrant colors. It's a step toward making massive OLED screens feel cohesive rather than patchwork, enhancing the viewing experience for movies, gaming, or VR applications. It's Not All Good News: Cost and Accessibility Manufacturing and Durability Challenges Installation Complexity Wall-Mounting Uncertainties Potential Visual Trade-Offs Cost and Accessibility Complex engineering often leads to high costs. Much like MicroLED TVs, which are expensive due to their manufacturing processes, these bezel-less OLED tiles could follow a similar path. If they hit the market, they might be priced out of reach for the average consumer. Manufacturing and Durability Challenges Shrinking bezels by 40% and tiling multiple panels together sounds impressive, but it raises questions about production complexity and long-term durability. Seamlessly connecting 31.5-inch QD-OLED panels could introduce weak points where the tiles meet, potentially leading to issues like uneven wear, panel misalignment over time, or vulnerability to damage during transport or installation. The "bezel-less" claim might also exaggerate real-world performance if micro-gaps or seams remain faintly visible up close. Installation Complexity While the concept promises to simplify transporting and setting up XXL TVs by breaking them into smaller components, the assembly process could still be a hurdle. Consumers might need precise instructions—or even professional help—to align and connect the tiles perfectly. If the panels don't lock together intuitively or require specialized tools, the setup could negate some of the portability benefits, especially for less tech-savvy users. Wall-Mounting Uncertainties The idea of tiles sitting flush against the wall (possibly without traditional mounts) is appealing, but it's unclear how practical this would be. If Samsung Display isn't using suction cups like Displace TV, the attachment method remains a mystery. Adhesive solutions could damage walls or lose strength over time, while a lack of standard mounting hardware might make the TVs harder to secure safely, especially in homes with kids or pets. The "glued-on" aesthetic might also limit repositioning or removal flexibility. Potential Visual Trade-Offs Tiling multiple OLED panels could introduce subtle visual inconsistencies, such as slight color or brightness variations between tiles, especially as they age. While the bezels are minimized, any imperfections in alignment or panel uniformity might become noticeable during close viewing or in scenes with solid colors, detracting from the premium OLED experience consumers expect.

In the first 140 Spines of the Criterion Collection there were five Alfred Hitchcock films, leading us to believe we'd be seeing a lot more from him over the years, but it turns out The Man Who Knew Too Much (1934) is the first Hitchcock we've watched for the podcast in just shy of a decade. This is the original The Man Who Knew Too Much, one of Alfred's first big breaks before moving to Hollywood and the movie that introduced Peter Lorre to English speaking audiences. It's a tight little thriller that may also involve a dog turning into a man and getting arrested.

It's the penultimate movie from Andor Season 1, but it contains the ultimate hour of television of the last decade. We continue to marvel at the flawless writing in these episodes, reflecting the confidence in the audience and themselves that Tony Gilroy and Beau Willimon demonstrate. Their call to action is a balm to our battered souls, and one that we can all use right now. There is One Way Out.Chapters Introduction (00:00:00) One Way Out Roundtable (00:04:48) Notes and Links Check out Escape Hatch Merch! Our all new collection of swag is available now and every order includes a free Cameo style shoutout from Haitch or Jason. Browse our collection now. Join the Escape Hatch Discord Server! Hang out with Haitch, Jason, and other friends of the pod. Check out the invite here. Escape Hatch is a TAPEDECK Podcasts Jawn! Escape Hatch is a member of TAPEDECK Podcasts, alongside: 70mm (a podcast for film lovers), Bat & Spider (low rent horror and exploitation films), The Letterboxd Show (Official Podcast from Letterboxd), Cinenauts (exploring the Criterion Collection), Lost Light (Transformers, wrestling, and more), and Will Run For (obsessed with running). Check these pods out!. See the movies we've watched and are going to watch on Letterboxd Escape Hatch's Breaking Dune News Twitter list Rate and review the podcast to help others discover it, and let us know what you think of the show at letters@escapehatchpod.com or leave us a voicemail at +1-415-534-5211. Follow @escapehatchpod on Twitter and Instagram. Music by Scott Fritz and Who'z the Boss Music. Cover art by ctcher. Edited and produced by Haitch. Escape Hatch is a production of Haitch Industries.

It's the return of the founder of particle.news, Sara Beykpour. Sara previously joined us for Ex Machina, The SciFi Miniseries Dune, and Alfonso Cuaron's masterpiece Children of Men. Well, now we tackle his other science survival thriller, 2013's Sandra Bullock and George Clooney classic, Gravity!Chapters Introduction (00:00:00) Hatch News (00:17:13) Gravity Roundtable (00:26:01) Your Letters (01:17:06) Notes and Links Check out Escape Hatch Merch! Our all new collection of swag is available now and every order includes a free Cameo style shoutout from Haitch or Jason. Browse our collection now. Join the Escape Hatch Discord Server! Hang out with Haitch, Jason, and other friends of the pod. Check out the invite here. Escape Hatch is a TAPEDECK Podcasts Jawn! Escape Hatch is a member of TAPEDECK Podcasts, alongside: 70mm (a podcast for film lovers), Bat & Spider (low rent horror and exploitation films), The Letterboxd Show (Official Podcast from Letterboxd), Cinenauts (exploring the Criterion Collection), Lost Light (Transformers, wrestling, and more), and Will Run For (obsessed with running). Check these pods out!. See the movies we've watched and are going to watch on Letterboxd Escape Hatch's Breaking Dune News Twitter list Rate and review the podcast to help others discover it, and let us know what you think of the show at letters@escapehatchpod.com or leave us a voicemail at +1-415-534-5211. Follow @escapehatchpod on Twitter and Instagram. Music by Scott Fritz and Who'z the Boss Music. Cover art by ctcher. Edited and produced by Haitch. Escape Hatch is a production of Haitch Industries.

Brilliant DARE ME, THE TURNOUT, & BEWARE THE WOMAN author & Criterion Collection cinephile Megan Abbott returns once again to Watch With Jen for a thoughtful, well-researched, & intriguing conversation about one of twentieth century cinema's most misunderstood and beloved screen icons, Doris Day. Investigating the subversive ways that Day's work raised questions about the evolving attitudes regarding sex, gender, desire, courtship, marriage, & male-female dynamics in particular, we walk you through 6 films in her diverse filmography, including CALAMITY JANE, LOVE ME OR LEAVE ME, THE PAJAMA GAME, PILLOW TALK, MIDNIGHT LACE, & THAT TOUCH OF MINK. Along the way, we cite other favorite pictures in her prolific oeuvre, reference aspects of her offscreen life that may have impacted or enriched certain performances, & also give listeners a sneak preview of Abbott's upcoming new novel EL DORADO DRIVE, that's soon to be a TV series from A24 (written by the author as well!).Originally Posted on Patreon (3/31/25) here: https://www.patreon.com/posts/125457268 Shop Watch With Jen logo Merchandise in Logo Designer Kate Gabrielle's Threadless ShopDonate to the Pod via Ko-fi Theme Music: Solo Acoustic Guitar by Jason Shaw, Free Music Archive

Front Row Classics welcomes author Mayukh Sen to celebrate the life of Merle Oberon. Mayukh recently penned "Love, Queenie: Merle Oberon, Hollywood's First South Asian Star". The book captures the complicated life of Oberon while also providing a picture of the political atmosphere of the first half of the 20th century. Brandon and Mayukhk discuss the origins and research process of the book as well as some of the high points of Oberon's life. "Love, Queenie: Merle Oberon, Hollywood's First South Asian Star" is available from W. W. Norton & Company wherever books are sold. Mayukh Sen is the James Beard Award-winning author of Taste Makers. He is a 2025 Fellow at New America, and has written on film for the New Yorker, the Atlantic, and the Criterion Collection. He teaches journalism at New York University and lives in Brooklyn, New York.    

We are bathing in the brilliance of Tony Gilroy's Andor as we continue our 8 episode Escape Hatch limited series with Andor Season 1 Episodes 4-6, The Eye. We go deep into the introductions of (somehow?!) relatable fascist Deedra Meero, Syril Karn's overbearing mother, Mon Mothma's shitty husband, and of course the most incredible heist in TV history, pulled off by a team that includes the wildly talented actor Ebon Moss Bacharach, giving maybe the best Star Wars acting performance (next to Skellan obvs) of the century. GOD THIS SHOW IS GOOD.Chapters Introduction (00:00:00) The Eye Roundtable (00:08:46) Notes and Links Check out Escape Hatch Merch! Our all new collection of swag is available now and every order includes a free Cameo style shoutout from Haitch or Jason. Browse our collection now. Join the Escape Hatch Discord Server! Hang out with Haitch, Jason, and other friends of the pod. Check out the invite here. Escape Hatch is a TAPEDECK Podcasts Jawn! Escape Hatch is a member of TAPEDECK Podcasts, alongside: 70mm (a podcast for film lovers), Bat & Spider (low rent horror and exploitation films), The Letterboxd Show (Official Podcast from Letterboxd), Cinenauts (exploring the Criterion Collection), Lost Light (Transformers, wrestling, and more), and Will Run For (obsessed with running). Check these pods out!. See the movies we've watched and are going to watch on Letterboxd Escape Hatch's Breaking Dune News Twitter list Rate and review the podcast to help others discover it, and let us know what you think of the show at letters@escapehatchpod.com or leave us a voicemail at +1-415-534-5211. Follow @escapehatchpod on Twitter and Instagram. Music by Scott Fritz and Who'z the Boss Music. Cover art by ctcher. Edited and produced by Haitch. Escape Hatch is a production of Haitch Industries.

It's the triumphant return of ILM's Visual Effects Editor, Lorelei David! We finally luxuriate in the definitive Corey movie, the punk rock, near sci-fi 80s classic starring Emilio Estevez and Harry Dean Stanton, Repo Man! Also, Lorelei gave a shoutout to her pal's new indie film The Paper Bag Plan touring film festivals as we speak. Check it out if you see it at a theater near you!Chapters Introduction (00:00:00) Hatch News (00:15:11) Repo Man Roundtable (00:17:25) Your Letters (01:05:46) Notes and Links Check out Escape Hatch Merch! Our all new collection of swag is available now and every order includes a free Cameo style shoutout from Haitch or Jason. Browse our collection now. Join the Escape Hatch Discord Server! Hang out with Haitch, Jason, and other friends of the pod. Check out the invite here. Escape Hatch is a TAPEDECK Podcasts Jawn! Escape Hatch is a member of TAPEDECK Podcasts, alongside: 70mm (a podcast for film lovers), Bat & Spider (low rent horror and exploitation films), The Letterboxd Show (Official Podcast from Letterboxd), Cinenauts (exploring the Criterion Collection), Lost Light (Transformers, wrestling, and more), and Will Run For (obsessed with running). Check these pods out!. See the movies we've watched and are going to watch on Letterboxd Escape Hatch's Breaking Dune News Twitter list Rate and review the podcast to help others discover it, and let us know what you think of the show at letters@escapehatchpod.com or leave us a voicemail at +1-415-534-5211. Follow @escapehatchpod on Twitter and Instagram. Music by Scott Fritz and Who'z the Boss Music. Cover art by ctcher. Edited and produced by Haitch. Escape Hatch is a production of Haitch Industries.

Listen, there's only one good thing keeping our hearts going as [gestures all around] this is happening, and that is Tony Gilroy's Andor. The single greatest Star Wars property since Empire Strikes Back, and in the running for the greatest television series of all time (even though it's ‘just a Star War'!) All glory to Tony and Kathleen.You didn't really think we wouldn't cover this, did you? We kick off an 8 episode Escape Hatch limited series, one for each of the 4 ‘movies' that make up Andor Season 1 and Season 2. This week we start at the beginning with the first 3 episodes that dropped on Day 1 and established the tone for the entire series, which we have dubbed Ferrix Hammers. Enjoy!Chapters Introduction (00:00:00) Ferrix Hammers Roundtable (00:09:47) Notes and Links Check out Escape Hatch Merch! Our all new collection of swag is available now and every order includes a free Cameo style shoutout from Haitch or Jason. Browse our collection now. Join the Escape Hatch Discord Server! Hang out with Haitch, Jason, and other friends of the pod. Check out the invite here. Escape Hatch is a TAPEDECK Podcasts Jawn! Escape Hatch is a member of TAPEDECK Podcasts, alongside: 70mm (a podcast for film lovers), Bat & Spider (low rent horror and exploitation films), The Letterboxd Show (Official Podcast from Letterboxd), Cinenauts (exploring the Criterion Collection), Lost Light (Transformers, wrestling, and more), and Will Run For (obsessed with running). Check these pods out!. See the movies we've watched and are going to watch on Letterboxd Escape Hatch's Breaking Dune News Twitter list Rate and review the podcast to help others discover it, and let us know what you think of the show at letters@escapehatchpod.com or leave us a voicemail at +1-415-534-5211. Follow @escapehatchpod on Twitter and Instagram. Music by Scott Fritz and Who'z the Boss Music. Cover art by ctcher. Edited and produced by Haitch. Escape Hatch is a production of Haitch Industries.

"Anora" is our latest Oscar Best Picture winner. At the 97th Academy Awards, Sean Baker's film won 5 awards in total, including Best Director, Actress for Mikey Madison, Original Screenplay, and Film Editing. Co-producer Alex Coco was kind enough following the awards season to sit with us and reflect on the Best Picture win, the reaction from audiences towards the movie for good and for bad, and what the win means for the state of independent cinema moving forward, which can be listened to down below. Please be sure to check out the film, which is now available to stream on Hulu and will be available to purchase through the Criterion Collection on April 29th. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

It's always a good time when we have the very smart and very thoughtful host of Channels with Peter Kafka, Peter Kafka.We catch up on SXSW 2025 and engage in some obligatory political takes. Then we tackle Gene Hackman's first Oscar winning performance, William Friedkin's NYC crime classic, The French Connection!Chapters Introduction (00:00:00) Hatch News (00:17:33) The French Connection Roundtable (00:20:20) Your Letters (01:17:47) Notes and Links Check out Escape Hatch Merch! Our all new collection of swag is available now and every order includes a free Cameo style shoutout from Haitch or Jason. Browse our collection now. Join the Escape Hatch Discord Server! Hang out with Haitch, Jason, and other friends of the pod. Check out the invite here. Escape Hatch is a TAPEDECK Podcasts Jawn! Escape Hatch is a member of TAPEDECK Podcasts, alongside: 70mm (a podcast for film lovers), Bat & Spider (low rent horror and exploitation films), The Letterboxd Show (Official Podcast from Letterboxd), Cinenauts (exploring the Criterion Collection), Lost Light (Transformers, wrestling, and more), and Will Run For (obsessed with running). Check these pods out!. See the movies we've watched and are going to watch on Letterboxd Escape Hatch's Breaking Dune News Twitter list Rate and review the podcast to help others discover it, and let us know what you think of the show at letters@escapehatchpod.com or leave us a voicemail at +1-415-534-5211. Follow @escapehatchpod on Twitter and Instagram. Music by Scott Fritz and Who'z the Boss Music. Cover art by ctcher. Edited and produced by Haitch. Escape Hatch is a production of Haitch Industries.

At last, it's the return of noted fantasy enthusiast and the co-host of the Twin Vipers podcast, Jonesy Love Beer! We catch up on tennis, improving our health, and friendship. Then we tackle the first truly great modern fantasy film, 1981's classic Dragonslayer.Chapters Introduction (00:00:00) Hatch News (00:16:35) Dragonslayer Roundtable (00:23:15) Your Letters (01:06:57) Notes and Links Check out Escape Hatch Merch! Our all new collection of swag is available now and every order includes a free Cameo style shoutout from Haitch or Jason. Browse our collection now. Join the Escape Hatch Discord Server! Hang out with Haitch, Jason, and other friends of the pod. Check out the invite here. Escape Hatch is a TAPEDECK Podcasts Jawn! Escape Hatch is a member of TAPEDECK Podcasts, alongside: 70mm (a podcast for film lovers), Bat & Spider (low rent horror and exploitation films), The Letterboxd Show (Official Podcast from Letterboxd), Cinenauts (exploring the Criterion Collection), Lost Light (Transformers, wrestling, and more), and Will Run For (obsessed with running). Check these pods out!. See the movies we've watched and are going to watch on Letterboxd Escape Hatch's Breaking Dune News Twitter list Rate and review the podcast to help others discover it, and let us know what you think of the show at letters@escapehatchpod.com or leave us a voicemail at +1-415-534-5211. Follow @escapehatchpod on Twitter and Instagram. Music by Scott Fritz and Who'z the Boss Music. Cover art by ctcher. Edited and produced by Haitch. Escape Hatch is a production of Haitch Industries.

Sean Howe - Thomas King Forçade - AGENTS OF CHAOS - High Times & the Paranoid End of the 1970sSep 27, 2023Sean Howe joins Ed Opperman to discuss his book, Agents of Chaos, which focusses in on the legendary iconic, revolutionary publication High Times.The life and times of High Times'  enigmatic founder Thomas King Forçade, an underground newspaper editor  and marijuana kingpin who—between police raids, smuggling runs, and  outrageous stunts—battled both the US government and fellow radicals.At  the end of the 1960s, the mysterious Tom Forçade suddenly appeared,  insinuating himself into the top echelons of countercultural politics  and assuming control of the Underground Press Syndicate, a coalition of  newspapers across the country. Weathering government surveillance and  harassment, he embarked on a landmark court battle to obtain White House  press credentials. But his audacious exploits—pieing Congressional  panelists, stealing presidential portraits, and picking fights with  other activists—led to accusations that he was an agent provocateur.As  the era of protest faded and the dark shadows of Watergate spread,  Forçade hoped that marijuana could be the path to cultural and economic  revolution. Bankrolled by drug-dealing profits, High Times would be the Playboy of pot, dragging a once-taboo subject into the mainstream. The magazine  was a travelogue of globe-trotting adventure, a wellspring of news  about “the business,” and an overnight success. But High Times soon threatened to become nothing more than the “hip capitalism”  Forçade had railed against for so long, and he felt his enemies closing  in.Assembled from exclusive interviews, archived correspondences, and declassified documents, Agents of Chaos is a tale of attacks on journalism, disinformation campaigns,  governmental secrecy, corporatism, and political factionalism. Its  triumphs and tragedies mirror the cultural transformations of 1970s  America, wrought by forces that continue to clash in the spaces between  activism and power.------------------Sean Howe is an American journalist and writer. He  is a former editor at Entertainment Weekly and The Criterion Collection.  In 2012, he published the book Marvel Comics: The Untold Story, after  interviewing more than 150 people who worked at or were associated with  Marvel Comics. You can meet Sean Howe in person next week. Details: Seanhowe.com Book : Thomas King Forçade Marvel ComicsOct 2nd LA 7pm Storeys Book and Cafe (1716 W Sunset Blvd, Los Angeles, CA 90026-3225)oct 6th Changing hands Bookstore Pheonix (300 W Camelback Rd, Phoenix, AZ 85013-2384)Oct 10 Diamond Hollow Books, New York (72 MAIN STREET ANDES, NY, U.S.A. 13731)Become a supporter of this podcast: https://www.spreaker.com/podcast/the-opperman-report--1198501/support.

WE'RE BACK! And we brought back the creator of Skree Magazine and OG star of the Escape Hatch Letters Segment, Corey Corcoran! After catching up on Haitch's tennis escapades, and Andor S2 hype, we finally cover Corey's pick, 1990's Abel Ferrara Christopher Walken classic, King of New York.Chapters Introduction (00:00:00) Hatch News (00:15:55) King of New York Roundtable (00:29:45) Your Letters (01:22:26) Notes and Links Check out Escape Hatch Merch! Our all new collection of swag is available now and every order includes a free Cameo style shoutout from Haitch or Jason. Browse our collection now. Join the Escape Hatch Discord Server! Hang out with Haitch, Jason, and other friends of the pod. Check out the invite here. Escape Hatch is a TAPEDECK Podcasts Jawn! Escape Hatch is a member of TAPEDECK Podcasts, alongside: 70mm (a podcast for film lovers), Bat & Spider (low rent horror and exploitation films), The Letterboxd Show (Official Podcast from Letterboxd), Cinenauts (exploring the Criterion Collection), Lost Light (Transformers, wrestling, and more), and Will Run For (obsessed with running). Check these pods out!. See the movies we've watched and are going to watch on Letterboxd Escape Hatch's Breaking Dune News Twitter list Rate and review the podcast to help others discover it, and let us know what you think of the show at letters@escapehatchpod.com or leave us a voicemail at +1-415-534-5211. Follow @escapehatchpod on Twitter and Instagram. Music by Scott Fritz and Who'z the Boss Music. Cover art by ctcher. Edited and produced by Haitch. Escape Hatch is a production of Haitch Industries.

LISTEN. We've been doing this for 4 ½ years, we're coasting now, that doesn't mean we don't love you. We're on ski week, but we fired up the mics to give you a 26 minute update on how things are going (SPOILER: not great!), and then we revisit this classic Dune Pod episode from all the way back in November of ‘22. Revisit my reentry into the world after having completed the Hoffman Process. Hear the final dispatch from Elon's War of Aggression. Then listen to super guest Tom Coates as we talk about the greatest tribute in Hollywood history, 1999's hilarious (and moving!) classic, Galaxy Quest. Never surrender, never give up!Chapters Introduction (00:00:00) Galaxy Quest Episode (00:26:51) Notes and Links Check out Escape Hatch Merch! Our all new collection of swag is available now and every order includes a free Cameo style shoutout from Haitch or Jason. Browse our collection now. Join the Escape Hatch Discord Server! Hang out with Haitch, Jason, and other friends of the pod. Check out the invite here. Escape Hatch is a TAPEDECK Podcasts Jawn! Escape Hatch is a member of TAPEDECK Podcasts, alongside: 70mm (a podcast for film lovers), Bat & Spider (low rent horror and exploitation films), The Letterboxd Show (Official Podcast from Letterboxd), Cinenauts (exploring the Criterion Collection), Lost Light (Transformers, wrestling, and more), and Will Run For (obsessed with running). Check these pods out!. See the movies we've watched and are going to watch on Letterboxd Escape Hatch's Breaking Dune NewsTwitter list Rate and review the podcast to help others discover it, and let us know what you think of the show at letters@escapehatchpod.com or leave us a voicemail at +1-415-534-5211. Follow @escapehatchpod on Twitter and Instagram. Music by Scott Fritz and Who'z the Boss Music. Cover art by ctcher. Edited and produced by Haitch. Escape Hatch is a production of Haitch Industries.