Podcasts about American Film Institute

"The Pitt" is an American medical drama television series created by R. Scott Gemmill and executive-produced by John Wells and Noah Wyle. It stars Wyle, Tracy Ifeachor, Patrick Ball, Katherine LaNasa, Supriya Ganesh, Fiona Dourif, Taylor Dearden, Isa Briones, Gerran Howell, Shabana Azeez, and Sepideh Moafi. Each season of the series follows emergency department staff as they work through the challenges of a single 12-hour shift at the fictional Pittsburgh Trauma Medical Center, while navigating staff shortages, underfunding, and their own personal crises. Each episode, set in real time, covers approximately one hour of the work shift. The series has received critical acclaim for its performances, writing, direction, format, and realism. The medical community has also praised the series for its accuracy, realistic representation of healthcare workers, and portrayal of the stressors medical staff face in a post-pandemic world. The series has received several accolades, with the first season winning five awards at the 77th Primetime Emmy Awards, namely Outstanding Drama Series, Outstanding Casting, and acting wins for Wyle, LaNasa, and recurring guest star Shawn Hatosy. Additionally, it was listed among the 10 best television programs of 2025 by the American Film Institute and won Best Television Series – Drama at the 83rd Golden Globe Awards. Ema Sasic spoke with Sepideh Moafi, and Daniel Howat spoke with series cinematographer Johanna Coelho. Both were kind enough to spend some time talking with them about their work and experiences making the series, which you can listen to below. Please be sure to check out the series, which is up for your consideration for this year's Emmy Awards and is now available to stream on HBO Max. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

Betty Joan Perske (September 16, 1924 – August 12, 2014), known professionally as Lauren Bacall (/bəˈkɔːl/), was an American actress. She was named the 20th-greatest female star of classic Hollywood cinema by the American Film Institute and was one of the last surviving major stars from the Golden Age of Hollywood cinema.[2] She received an Academy Honorary Award in 2009 in recognition of her contribution to the Golden Age of motion pictures.[3]PICTURE: By Unknown author - eBayPhoto frontPhoto back (showing Swedish press information and date), Public Domain, https://commons.wikimedia.org/w/index.php?curid=75285599

Movie of the Year: 1971The Finale, Part IIThe 1971 Film Bracket Podcast Reaches the Elite EightThis 1971 film bracket podcast returns with its most dramatic episode yet. Ryan, Mike, and Greg — the Taste Buds — work through the bottom half of the Sweet 16, producing four matchups that nobody saw coming. Furthermore, the episode hands out two major awards: Comedic Performance and Biggest Shithead. The results set the stage for Part III, where the Elite Eight will be whittled down to a single 1971 champion.If you missed Part I of the finale, start there first. The bracket has been full of upsets throughout the season. Consequently, no outcome here should be taken for granted.The Sweet 16: Bottom Half of the 1971 Film BracketThe bottom half of the 1971 Sweet 16 is stacked. These four matchups pit some of the most beloved and argued-over films in the entire bracket against one another. Moreover, the range of cinema on display — from Hollywood blockbusters to European art films to New Hollywood grit — illustrates exactly why 1971 is one of the most fertile film years ever put to a bracket.The Taste Buds debate each matchup using their standard evaluative framework: craft, cultural impact, rewatchability, and gut feeling. Above all, they trust their instincts — and their instincts have produced surprises at every turn this season. Tune in to find out which four films advance to the Elite Eight.Willy Wonka and the Chocolate Factory vs. WandaThis matchup pits one of cinema's most beloved fantasies against one of its most criminally underseen gems. Willy Wonka and the Chocolate Factory needs little introduction — Gene Wilder's performance alone has kept it in the cultural conversation for over fifty years. Nevertheless, Wanda is no pushover. Barbara Loden's Wanda (1971) is a raw, naturalistic landmark of American independent cinema, and its inclusion in the bracket has been a point of pride for whoever seeded it.This is a clash of tone, scale, and intention. One film is a spectacle engineered for maximum delight. The other strips cinema down to its bones. However, the Taste Buds must pick one — and the pick will tell you something about where their tastes landed by the time the 1971 season reached its final stretch.The French Connection vs. Brian's SongTwo films that defined what mainstream American cinema could do with raw emotional and procedural intensity. The French Connection won the Academy Award for Best Picture in 1971. It features one of the most celebrated car chases in film history and a career-defining performance from Gene Hackman as the relentless, morally compromised Popeye Doyle. Additionally, William Friedkin's direction remains a masterclass in gritty, kinetic storytelling.Brian's Song, meanwhile, hit American living rooms as a TV movie and destroyed everyone who watched it. The story of Gale Sayers and Brian Piccolo remains one of the most emotionally devastating sports films ever made. Notably, the Taste Buds covered both films earlier this season — so this rematch in the 1971 film bracket carries the weight of all those prior arguments.The Last Picture Show vs. KluteTwo of New Hollywood's most enduring films square off here, and neither one will go quietly. The Last Picture Show is Peter Bogdanovich's elegiac black-and-white portrait of a dying Texas town — a film the American Film Institute has called one of the greatest ever made. Furthermore, its ensemble cast, including Jeff Bridges, Cybill Shepherd, Cloris Leachman, and Ben Johnson, delivers some of the finest performances in the bracket.Klute, however, has Jane Fonda. Her performance as Bree Daniels earned her the first of her two Academy Awards, and it remains one of the most psychologically intricate portrayals of a woman in crisis in American cinema. Alan J. Pakula's direction is coiled and paranoid in all the right ways. Consequently, this matchup may be the most difficult call in the entire bracket.The Conformist vs. The Panic in Needle ParkThe final Sweet 16 matchup is the most arthouse of the four — and arguably the most fascinating. Bernardo Bertolucci's The Conformist is a landmark of European cinema. Vittorio Storaro's cinematography is among the most studied in film school history, and the film's meditation on fascism, identity, and moral cowardice has only grown richer with time. You can read more about the film at Roger Ebert's review on RogerEbert.com.The Panic in Needle Park, by contrast, is bracingly American — a gritty, unglamorous portrait of heroin addiction on the streets of New York. It introduced Al Pacino to mainstream audiences. Moreover, Jerry Schatzberg's unflinching direction makes the film feel almost documentary in its honesty. These two films represent opposite ends of world cinema in 1971, and the Taste Buds must choose one.Award: Best Comedic Performance — 1971 Film Bracket PodcastThe Taste Buds hand out individual performance awards throughout the season, and the Comedic Performance category drew a fascinating and eclectic field of nominees. The 1971 bracket is not short on laughs — from the anarchic fantasy of Willy Wonka's chocolate factory to the dark comedy of Harold and Maude. Furthermore, the nominees represent a range of comic registers, from broad physical performance to pitch-black wit.The nominees are:David Battley — Willy Wonka and the Chocolate Factory (Mike's pick)Julie Dawn Cole — Willy Wonka and the Chocolate Factory (Greg's pick)Bud Cort — Harold and Maude (Mike's pick)Michael Gothard — The Devils (Ryan's pick)Gene Wilder — Willy Wonka and the Chocolate Factory (Greg's pick)David Battley's turn as the hapless Mr. Turkentine in Willy Wonka is a masterwork of bewildered reaction comedy. Julie Dawn Cole's Veruca Salt is a full-throttle comic creation — spoiled, relentless, and somehow sympathetic. Additionally, Bud Cort's Harold is a genuinely difficult comic achievement: deadpan to the point of catatonia, yet somehow enormously warm.Michael Gothard's Father Barre in The Devils is Ryan's wild-card choice — a performance of manic, committed intensity that functions as dark comedy whether or not Ken Russell intended it. Meanwhile, Gene Wilder's Willy Wonka remains one of cinema's great comic performances — menacing, whimsical, and deeply strange all at once. The winner is waiting for you in the episode.Award: Biggest Shithead of 1971One of the Taste Buds' most beloved recurring awards, the Biggest Shithead category recognizes the most memorably awful person — or entity — in the bracket. Notably, this award rewards commitment. Nominees do not simply do bad things. They do bad things with style, conviction, and a complete lack of self-awareness.The nominees are:Baron de Laubardemont — The Devils (Greg's pick)The Lady at Snakearama — Duel (Ryan's pick)The Motorcycle Cop — Harold and Maude (Greg's pick)Mr. Deltoid — A Clockwork Orange (Mike's pick)Veruca Salt — Willy Wonka and the Chocolate Factory (Mike's pick)Baron de Laubardemont, the cold bureaucratic villain of The Devils, brings state-sanctioned cruelty to the category. The Lady at Snakearama from Duel is Ryan's inspired choice — a brief but indelible portrait of someone who simply should not be in this movie. Furthermore, Harold and Maude's Motorcycle Cop is a monument to institutional pettiness.Mr. Deltoid from A Clockwork Orange is a sweaty, oleaginous masterpiece of ineffectual authority — Mike's nomination is well-argued. Veruca Salt, however, may be the category's most pure entry: a child who has elevated wanting things to an art form. The winner, as always, is in the episode.Why This 1971 Film Bracket Podcast Still MattersThe Sweet 16 is where bracket tournaments reveal their true character. By this stage, the obvious candidates are mostly gone. What remains are the films that survived not on reputation alone but on genuine argument. Moreover, the bottom half of the 1971 Sweet 16 contains some of the season's most debated films — which means every matchup result carries real emotional weight.The year 1971 is one of the most remarkable in cinema history. New Hollywood was hitting its stride. European art cinema was pushing form to its limits. Genre filmmaking was getting stranger, darker, and more personal. Consequently, any bracket drawn from this year produces matchups that feel genuinely impossible to call. The Taste Buds do not pretend otherwise — they argue, they agonize, and they vote.Part III is coming. The Elite Eight will determine the Movie of the Year: 1971 champion. Above all, this episode is the last chance to see which films survive before the final reckoning. Subscribe to PopFilter and follow along — the 1971 film...

Movie of the Year: 1971Sweet Sweetback's Baadasssss SongThe Sweet Sweetback's Baadasssss Song PodcastThe Sweet Sweetback's Baadasssss Song podcast brings Ryan, Mike, and Greg to one of 1971's most radical and uncompromising films. Melvin Van Peebles wrote, directed, produced, scored, edited, and starred in this landmark independent work — entirely outside the Hollywood system. The result is a film unlike any other in the bracket. Above all, it challenges every assumption about who gets to make movies, and why.This week, the Taste Buds dig into three major threads: the film as a revolutionary political act, its polarizing form and style, and its complex treatment of sex and gender. Furthermore, they induct a film into the PopFilter Hall of Fame and take on Recast the Podcast. It is a wide-ranging, debate-heavy episode from first minute to last. The Movie of the Year 1971 bracket has produced bold conversations — and this one may be the boldest yet.About the FilmSweet Sweetback's Baadasssss Song follows Sweetback (Van Peebles), a Black sex-show performer raised in a brothel. When police use him as a convenient patsy, he fights back — killing two racist cops and becoming a fugitive. He runs south toward the Mexican border. Along the way, the Black community shelters him. Bikers, revolutionaries, and sex workers cross his path. Consequently, the film becomes less a conventional chase narrative and more an odyssey of Black survival and defiance.Van Peebles privately funded the film after walking away from a studio deal at Columbia Pictures. He served as one-man auteur across every department. The film opened in just two theaters in March 1971 — Detroit and Atlanta. Nevertheless, it broke box office records on opening night and went on to gross over $15 million. The MPAA assigned it an X rating. Van Peebles turned that into the defiant tagline: "Rated X by an all-white jury." The Black Panther Party declared it required viewing for all members.Learn more at the Wikipedia entry for Sweet Sweetback's Baadasssss Song and the IMDb listing. The Criterion Collection has released a definitive edition of the film — explore it at Criterion.com. The American Film Institute has also recognized the film's landmark status — read the AFI Movie Club entry here.A Movie Revolution: Van Peebles and the Politics of IndependenceVan Peebles did not simply make a film — he staged a full act of defiance. Studio backing, the ratings system, and traditional distribution were all refused outright. Moreover, he financed part of the production by borrowing $50,000 from Bill Cosby, keeping total creative control throughout. The result was a film the industry could not co-opt, contain, or dismiss. For listeners of any Melvin Van Peebles podcast or documentary, the story of how this film got made is as remarkable as the film itself.The release strategy was equally radical. Van Peebles released the soundtrack before the film — an unusual move at the time — to build word-of-mouth in Black communities without spending money on traditional advertising. The score featured a very young Earth, Wind & Fire. By contrast, Hollywood in 1971 was still releasing social-problem films that sought respectability over truth. Sweetback rejected that approach entirely. Notably, its commercial success proved that Black-led, Black-financed films could find a massive audience without white institutional gatekeepers.Ryan, Mike, and Greg debate what Van Peebles' revolution actually accomplished. Was it the birth of a genuinely new Black cinema? Or did it also open the door for the blaxploitation genre — a category Hollywood quickly co-opted and stripped of its radical politics? Additionally, the Taste Buds ask whether the DIY model Van Peebles pioneered holds lessons for independent filmmakers working today. As a blaxploitation film podcast discussion, this episode goes deeper than genre classification — it asks what political filmmaking actually costs.Form, Style, and Watchability: A Sweet Sweetback's Baadasssss Song Podcast Deep DiveThe film's style is not subtle. Van Peebles employs jagged jump cuts, kaleidoscopic superimpositions, and psychedelic sound design throughout. These choices feel closer to Jean-Luc Godard than to anything playing at an American theater in 1971. However, they also produce a film that polarizes audiences to this day. The Sweet Sweetback's Baadasssss Song podcast tackles this polarization head-on.Some viewers find the style exhilarating — a sustained howl of rage rendered in pure cinematic form. Others find the loose structure and repetitive sequences frustrating. The Taste Buds confront this tension directly. Furthermore, they ask whether "watchability" is even the right standard for a film that never set out to be comfortable or conventional.The soundtrack adds another dimension entirely. Van Peebles composed and performed the score himself, with Earth, Wind & Fire providing the instrumental backing. The music pulses through the film like a second heartbeat. Consequently, sound and image work together to create a sensory experience unlike any other 1971 film in the bracket. Ryan, Mike, and Greg weigh in on whether Van Peebles' formal choices ultimately serve the film's political goals — or occasionally work against them.Sex, Gender, and ControversySweetback's sexuality is central to the film's identity. His sexual power is his primary weapon and his means of survival. Van Peebles frames this as a form of liberation — a radical Black body asserting itself against a system designed to destroy it. However, the film's treatment of women and of queer characters draws sharp criticism from contemporary audiences.Women in the film exist largely in relation to Sweetback's desires. The film includes graphic sexual content, some of it deeply uncomfortable by any modern standard. Moreover, the film's portrayal of lesbian characters is explicitly homophobic. The Taste Buds wrestle with how to hold these contradictions honestly. A film can be genuinely revolutionary and genuinely problematic at the same time. In fact, Sweet Sweetback's Baadasssss Song may be the most complex example of that tension in the entire 1971 bracket.Additionally, the film's opening sequence — depicting a child's sexual initiation — has unsettled audiences for over fifty years. Van Peebles cast his own son Mario in the role. That decision raises serious ethical questions that Ryan, Mike, and Greg do not avoid. Ultimately, the conversation around sex and gender in this film is not a comfortable one — and that discomfort is precisely what makes it essential. This is one of the most challenging discussions in the 1971 film podcast series to date.PopFilter Hall of FameEach season of Movie of the Year, the Taste Buds set aside the bracket to recognize films that define an era. The PopFilter Hall of Fame is not about winning a head-to-head matchup. It honors the films that changed cinema itself — the ones that opened doors, broke rules, and made everything that came after possible.The Hall of Fame carries special weight in this episode. Sweet Sweetback's Baadasssss Song raises the question of what "greatness" means for films that operate outside mainstream critical frameworks. A film does not need to be comfortable, polished, or widely loved to be important. The Hall of Fame exists precisely to honor that distinction. This week, the hosts make their cases for a 1971 inductee. Tune in to hear which film earns the honor — and whether all three Taste Buds can agree on the pick.Recast the PodcastIn Recast the Podcast, Ryan, Mike, and Greg take on one of cinema's great thought experiments. They choose a film and rebuild the cast from scratch — drawing on actors from any era, any genre, any corner of film history. Each host makes their picks. Then the debate begins.Sweet Sweetback's Baadasssss Song presents a unique challenge for Recast the Podcast. The film was defined by Van Peebles' decision to cast himself. Sweetback's blank-faced, nearly wordless presence was a deliberate choice — not a performance in the conventional sense, but a statement. Who could step into that role today? Who has the gravity, the physicality, and the political weight to carry the film's central conceit? The Taste Buds bring their full range of cinematic knowledge to the question. Listen in to hear their picks, the reasoning behind each choice, and where the three hosts inevitably disagree.Why Sweet Sweetback's Baadasssss Song Still MattersSweet Sweetback's Baadasssss Song was never meant to be easy. Van Peebles built it as a provocation — a film that demanded a response. More than fifty years later, it still gets one. The film's influence runs through Spike Lee, John Singleton, Ava DuVernay, and virtually every Black filmmaker who followed. However, its importance is not only historical. The questions it raises about representation, power, and who controls the means of production are still urgent today.Furthermore, the film's DIY model anticipated the independent film movement by decades. Van Peebles proved that a filmmaker could retain complete creative control, bypass the studio system entirely, and still reach an enormous audience. That lesson has...

John Ford's 1956 film, “The Searchers”, is often lauded as a masterpiece. It follows Ethan Edwards (John Wayne) as an unapologetically racist ex-Confederate soldier on an obsessive odyssey to find his niece who was kidnapped by Comanches. The question of what he does when he finds her is a central tension of the plot. It was one of the first films added to the National Film Registry and ranks among the greatest films of all time by the American Film Institute. But its harmful stereotypes and other obvious drawbacks make it difficult watching for modern, informed audiences. As it marks 70 years since its release, we’ll hear from Native filmmakers and others about the place “The Searchers“ holds in film history. Still image from the 2026 film, “Ceremony” (Photo: courtesy Banchi Hanuse) We’ll also hear from Nuxalk filmmaker Banchi Hanuse about her documentary film, “Ceremony“, that premieres this week at South by Southwest. The documentary examines the cultural role of ooligan fish in Hanuse’s community in Bella Coola, British Columbia, Canada. GUESTS Sunrise Tippeconnie (Commanche, Navajo, and Cherokee), director of programming at deadCenter Film and co-host of the “Reel Indigenous” podcast Julianna Brannum (Comanche), documentary filmmaker Zacharias Kunuk (Inuit), filmmaker Banchi Hanuse (Nuxalk), filmmaker, co-founder of Nuxalk Radio, and director of “Ceremony” Break 1 Music: Country Man (song) Blue Moon Marquee (artist) Scream, Holler, and Howl (album) Break 2 Music: Place I Call Home (song) Native Roots (artist) A Place I Call Home (album)

Johanna "Jojo" Coelho is redefining how modern television is shot. The cinematographer of the award winning HBO series The Pitt joins Lucas Tomoana to unpack the groundbreaking visual approach behind the show. Jojo shares how her journey from France to the American Film Institute shaped her path to becoming a director of photography in Hollywood. The conversation dives into the immersive camera style of The Pitt, how the team designed a fully integrated lighting system built directly into the set, and the choreography required to capture complex continuous shot sequences inside a chaotic emergency room environment. Powered by Sony technology. Produced by Deb Van Dieren. Hosted by Lucas Tomoana SOC. Edited by Raphael Segal.

John Ford's 1956 film, “The Searchers”, is often lauded as a masterpiece. It follows Ethan Edwards (John Wayne) as an unapologetically racist ex-Confederate soldier on an obsessive odyssey to find his niece who was kidnapped by Comanches. The question of what he does when he finds her is a central tension of the plot. It was one of the first films added to the National Film Registry and ranks among the greatest films of all time by the American Film Institute. But its harmful stereotypes and other obvious drawbacks make it difficult watching for modern, informed audiences. As it marks 70 years since its release, we’ll hear from Native filmmakers and others about the place “The Searchers“ holds in film history. Still image from the 2026 film, “Ceremony” (Photo: courtesy Banchi Hanuse) We’ll also hear from Nuxalk filmmaker Banchi Hanuse about her documentary film, “Ceremony“, that premieres this week at South by Southwest. The documentary examines the cultural role of ooligan fish in Hanuse’s community in Bella Coola, British Columbia, Canada. GUESTS Sunrise Tippeconnie (Commanche, Navajo, and Cherokee), director of programming at deadCenter Film and co-host of the “Reel Indigenous” podcast Julianna Brannum (Comanche), documentary filmmaker Zacharias Kunuk (Inuit), filmmaker Banchi Hanuse (Nuxalk), filmmaker, co-founder of Nuxalk Radio, and director of “Ceremony” Break 1 Music: Country Man (song) Blue Moon Marquee (artist) Scream, Holler, and Howl (album) Break 2 Music: Place I Call Home (song) Native Roots (artist) A Place I Call Home (album)

This week's French Connection podcast episode covers one of the most thrilling and morally complicated films of 1971. Ryan, Mike, and Greg revisit The French Connection on Movie of the Year. William Friedkin's Best Picture winner changed what American cinema thought a hero could look like. In addition, this episode features a special Gene Hackman career retrospective.Released in 1971, the film follows New York City detective Jimmy "Popeye" Doyle — based on real NYPD detective Eddie Egan, with partner Sonny Grosso inspiring the character of Russo. Doyle pursues a massive heroin operation with little regard for the law or the people around him. As a result, the film won five Academy Awards, including Best Picture, Best Director, and Best Actor. It remains one of the defining films of the New Hollywood era.This Movie of the Year podcast episode is one of the most anticipated of the 1971 season. Before diving in, check out our recent episodes on The Last Picture Show and A Clockwork Orange.Joining the Taste Buds for this episode is special guest C. Craig Patterson A screenwriter, director, and filmmaker based in Los Angeles. An alum of Columbia University, NYU's Tisch School of the Arts, and USC's School of Cinematic Arts, Patterson brings serious cinematic credentials to the table. His short film Fathead won the Cannes Film Festival Best Student Short Award and earned an NAACP Image Award nomination. His scripts have been recognized by the Sundance Screenwriters Lab, The Black List, and the Academy's Nicholl Fellowship. Patterson also directed the critically acclaimed Roy Wood Jr. comedy special Imperfect Messenger for Paramount+. With projects currently in development at Paramount and Epic Games, he is one of the most exciting emerging filmmakers working today — and exactly the kind of guest who makes a film like The French Connection worth revisiting.The French Connection 1971 Podcast: Popeye Doyle — Hero, Antihero, or Something Worse?The central tension of this French Connection 1971 podcast discussion is what to make of Popeye Doyle. Gene Hackman plays him as a force of nature — relentless, racist, reckless, and completely compelling. He is not a good man, and he is barely a good cop. Nevertheless, the film frames his obsession as heroic, his instincts as genius, and his victory as worth celebrating.Ryan, Mike, and Greg dig into what Friedkin and screenwriter Ernest Tidyman were doing with Doyle. Is the film a critique of the kind of law enforcement he represents? Or is it simply in love with him? The answer is probably both. Ultimately, that ambiguity is what makes the character so difficult and so fascinating fifty years later.The Real Detectives Behind the StoryThe real detectives, Eddie Egan and Sonny Grosso, consulted on the film and even appear in small roles. Consequently, knowing the story is grounded in a real investigation makes Doyle's behavior harder to dismiss. These were not fictional excesses invented for dramatic effect, and the panel takes that seriously.Gene Hackman won the Academy Award for Best Actor for this role, beating out Peter Finch, Walter Matthau, George C. Scott, and Topol. Furthermore, it remains one of the most celebrated performances of the 1970s. The panel uses this episode to look back at Hackman's broader career and make the case for where he stands in the pantheon.For more on Gene Hackman's career, visit the Internet Movie Database.William Friedkin and the New Hollywood Crime FilmDirector William Friedkin approached The French Connection as a documentary-style thriller. He shot on location in New York City with handheld cameras and natural light, refusing to glamorize either the city or its characters. As a result, the film feels unlike almost anything else from 1971 — raw, kinetic, and deeply uncomfortable.The Taste Buds explore how Friedkin's direction shaped the film's identity. Most notably, the legendary car chase under the elevated train tracks in Brooklyn is widely considered one of the greatest action sequences ever filmed. Friedkin shot it on live New York City streets without fully stopping traffic, with a camera mounted to the front of the car. For critical analysis of the chase, the Criterion Collection offers essential reading.Friedkin After The French ConnectionJust two years later, Friedkin directed The Exorcist, cementing his place as one of the defining filmmakers of the decade. The panel discusses what the two films share and what The French Connection reveals about Friedkin's sensibility. In both cases, his camera feels like it is barely keeping up with reality — and that is entirely by design.For more on Friedkin's influence on American cinema, visit the American Film Institute.The French Connection Podcast Discussion: Justice and Its LimitsAt its core, The French Connection is about the gap between justice and the law. Popeye Doyle operates outside the rules, endangers civilians, shoots an unarmed man in the back, and ultimately fails to bring the main target to justice. Despite all of this, the film presents his pursuit not as tragedy but as the cost of doing business.Ryan, Mike, and Greg examine what the film says about the American justice system in 1971 — a moment of profound national disillusionment. Vietnam, the civil rights movement, and the early signs of Watergate were all in the air. Meanwhile, the "good guys" in this film are not good, the "bad guys" are not caught, and the audience is asked to root for the pursuit anyway.Race and Policing in The French ConnectionMoreover, the film's racial politics are impossible to ignore. Doyle's racism is presented as character texture rather than moral failing, and the film never fully grapples with the implications of the policing it depicts. That discomfort is an important part of the conversation this week.For historical context on the real case, visit the DEA's history of the French Connection.Gene Hackman Best Performances: A Career RetrospectiveThis episode includes a special segment on Gene Hackman's best performances. The Taste Buds make their case for the defining Hackman roles and debate his greatest work. In particular, they discuss what made him such an unusual screen presence: his everyman quality, his capacity for rage, and his refusal to tell the audience how to feel about his characters.His breakthrough came in Bonnie and Clyde in 1967, and his Oscar followed here in The French Connection. Subsequently, classics like The Conversation, Mississippi Burning, Unforgiven, and The Royal Tenenbaums cemented one of the most extraordinary bodies of work in American cinema. This segment celebrates an actor who never got quite enough credit for how good he really was.Why The French Connection 1971 Still MattersMore than fifty years later, The French Connection remains essential viewing. Beyond its technical achievements, it functions as a moral document — capturing a specific American mood: exhausted, suspicious, and uncertain about its own institutions.Ultimately, this French Connection podcast episode revisits the film as a living argument about power, obsession, and the stories we tell about law enforcement. It asks hard questions, and this episode doesn't let them off the hook.Related Episodes from Movie of the Year: 1971If you enjoyed this episode, check out the rest of the Movie of the Year 1971 series:The Last Picture Show — Bogdanovich, nostalgia, and a dying Texas townA Clockwork Orange — Kubrick, free will, and the limits of the stateBrowse all Movie of the Year episodesFAQ: The French Connection Podcast and FilmWhat is The French Connection podcast episode about?Ryan, Mike, and Greg discuss William Friedkin's 1971 Best Picture winner. Topics include Popeye Doyle, Friedkin's direction, justice, and a Gene Hackman career retrospective.What is The French Connection about?It follows NYPD detective Popeye Doyle, based on real detective Eddie Egan, as he pursues a massive heroin smuggling operation using methods that are often illegal and always reckless.Who directed The French Connection?William Friedkin directed the 1971...

There was an issue with this podcast where the wrong file was originally uploaded. If you are listening on an app or in a browser... and find yourself listening to that incorrect file, please either delete the downloaded version from your device and download it again, OR try another browser, as it's likely just saved in the cache. If you have any problems getting this to work, please email us at info@filmireland.ie. Thanks for your patience. In this Film Ireland podcast, recorded live on location in Washington, D.C. at the Capital Irish Film Festival, we chat with author, playwright and screenwriter Sheena Lambert about her feature Báite.Presented annually by Solas Nua, the 20th edition of the Capital Irish Film Festival ran from 26th February to 1st March 2026, presenting one of the largest programmes of Irish cinema in North America. Irish-language feature Báite tells the story of a rural village during an All-Ireland weekend in 1975. Blending murder mystery with family drama, the film follows Peggy Casey as her life begins to unravel after a body surfaces in the local man-made lake.In this episode, we catch up with Sheena Lambert about her journey as a writer, the origins of the story, and the ins and outs of adapting a project from page to screen.Listen now on SoundCloud, Apple, Spotify, Acast and Amazon, or subscribe to Film Ireland wherever you get your podcasts.Sheena LambertDublin-based screenwriter, playwright and novelist Sheena Lambert has an exciting few months ahead with the 2025 release of her debut feature film, BÁITE, an adaptation of her own novel The Lake (HarperCollins, 2015) which was filmed in Galway and produced by Danú Media under TG4/Screen Ireland's Cine4 Scheme. Following a hugely successful, sold-out, extended summer run, Sheena's stage play COSIMA, based on her Screen Ireland supported feature screenplay of the same name, is scheduled for an Irish tour via Breda Cashe Productions, with some pre-Christmas Dublin dates already announced. Cosima was the daughter of Franz Liszt, who refused to allow her to perform publicly; she married Richard Wagner to get away from her controlling father and helped him become a much greater success than her father had ever been.BáiteWinner of Best Irish Language Feature Film at the 2025 Galway Film Fleadh and nominated in four categories at the 2026 Irish Film & Television Academy Awards, Báite arrives in cinemas nationwide on 6th March 2026 to coincide with Seachtain na Gaeilge (1–17 March). Directed by Ruán Magan (The Hunger, Our Blue World – A Water Odyssey), the film is a haunting Irish-language mystery set in rural Ireland in September 1975.When a body is discovered in the receding waters of a lake, the find sends shockwaves through a small community. For 23-year-old Peggy Casey, who runs the local pub, the revelation threatens to upend not just her life, but an entire town built on secrets long submerged.About Capital Irish Film FestivalSolas Nua's annual Capital Irish Film Festival in Washington, D.C., presents one of the largest programmes of Irish cinema in North America, showcasing the latest Irish dramatic and documentary features, shorts, art films and animation releases by Irish and Ireland-based filmmakers. The 20th edition of the four-day festival takes place 26 February – 1 March 2026 in partnership with the prestigious American Film Institute's Silver Theatre & Cultural Center.The festival provides a US platform that amplifies the work of independent filmmakers working in Ireland and beyond, and celebrates the strength of Ireland's contemporary cinematic culture. The programme highlights the country's rich cultural heritage while fostering an inclusive and diverse community of Irish filmmakers. Capital Irish Film Festival champions emerging voices on Irish screens, showcases the exceptional talent and craft within Irish filmmaking, and reflects the robust and vibrant screen industry that has grown in Ireland in recent years.Over the years, the podcast has featured acclaimed guests such as Phyllida Lloyd, Lenny Abrahamson, M. Night Shyamalan, John Boorman, Saoirse Ronan, Colin Farrell, Aisha Tyler, Colm Meaney, Paul Reiser, Niamh Algar, David Freyne, Ciarán Donnelly, Joshua Oppenheimer, John Crowley, Niamh Algar, Gene Stupnitsky, and Terence Davies, alongside many of the most influential voices working in film and television today.So make sure to subscribe and listen back! Hosted on Acast. See acast.com/privacy for more information.

"One Battle After Another" is an American black comedy action-thriller film produced, written, and directed by Paul Thomas Anderson. It is inspired by the 1990 novel "Vineland" by Thomas Pynchon and features an ensemble cast led by Leonardo DiCaprio, with Sean Penn, Benicio del Toro, Regina Hall, Teyana Taylor, and Chase Infiniti (in her film debut). The story follows an ex-revolutionary who is forced back into his former life of violence when a corrupt military officer pursues him and his daughter. With a budget of $130–175 million, it is the most expensive film of Anderson's career. It garnered widespread acclaim and numerous accolades. These include three wins at the 31st Critics' Choice Awards (including Best Picture), four wins at the 83rd Golden Globes (including Best Motion Picture – Musical or Comedy), one win and a record seven nominations at the 32nd Actor Awards (including Outstanding Performance by a Cast), six wins at the 79th British Academy Film Awards (including Best Film), and thirteen nominations at the 98th Academy Awards (including Best Picture). The American Film Institute also listed the film among the top ten films of 2025, and it won five awards from the National Board of Review (including Best Film), as well as Best Picture prizes from the New York Film Critics Circle, the Los Angeles Film Critics Association, and the National Society of Film Critics. Teyana Taylor and cinematographer Michael Bauman were kind enough to spend some time speaking with Next Best Picture Owner & Editor In Chief Matt Neglia. Ema Sasic spoke with Chase Infiniti, and Brendan Hodges spoke with the film's editor, Andy Jurgensen. You can listen to all of these interviews below. Please be sure to check out the film, which is now available to watch at home on 4K UHD from Warner Bros. Pictures and is up for your consideration for the 98th Academy Awards for Best Picture, Best Director (Anderson), Best Actor (DiCaprio), Best Supporting Actor (Del Toro and Penn), Best Supporting Actress (Taylor), Best Adapted Screenplay, Best Casting, Best Cinematography, Best Film Editing, Best Production Design, Best Original Score, and Best Sound. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

"Sinners" is an American horror film produced, written, and directed by Ryan Coogler. Set in 1932 in the Mississippi Delta, the film stars Michael B. Jordan in dual roles as identical twin criminal brothers who return to their hometown in the Jim Crow South, where they are confronted by a supernatural evil. It co-stars Hailee Steinfeld, Miles Caton (in his film debut), Jack O'Connell, Wunmi Mosaku, Jayme Lawson, Omar Benson Miller, and Delroy Lindo. The film has received critical acclaim and was a commercial success, grossing $369 million worldwide on a $90–100 million budget. In addition, the National Board of Review and the American Film Institute listed it among the top 10 films of 2025. The film garnered several awards and nominations, including a record 16 nominations at the 98th Academy Awards and 13 at the 79th British Academy Film Awards, with Coogler winning the award for Best Original Screenplay at the latter. The film also earned record-breaking nominations and wins at the 57th NAACP Image Awards, scoring 18 nominations and 13 wins, including the NAACP Image Award for Outstanding Motion Picture. It also earned four wins at the 31st Critics' Choice Awards, two wins at the 83rd Golden Globe Awards (including Cinematic and Box Office Achievement), and two wins at the 32nd Actor Awards (including Outstanding Performance by a Cast in a Motion Picture). Delroy Lindo and the film's visual effects team (VFX Producer James Alexander and VFX Supervisor Michael Ralla) were kind enough to spend some time speaking with Will Mavity, while Nadia Dalimonte got the chance to speak with Wunmi Mosaku, Giovanni Lago spoke with Miles Caton, and Next Best Picture Owner & Editor In Chief Matt Neglia had the opportunity to speak with cinematographer Autumn Durald Arkapaw and the film's sound team (Production Sound Mixer Chris Welcker, Supervising Sound Editor Benny Burtt, and Re-Recording Mixers Brandon Proctor & Steve Boedderker). You can listen to all of the interviews below. Please be sure to check out the film, which is now available to watch at home from Warner Bros. Pictures and is up for your consideration for the 98th Academy Awards for Best Picture, Best Director (Coogler), Best Actor (Michael B. Jordan), Best Supporting Actor (Lindo), Best Supporting Actress (Mosaku), Best Original Screenplay, Best Casting, Best Cinematography, Best Costume Design, Best Film Editing, Best Makeup & Hairstyling, Best Production Design, Best Original Score, Best Original Song ("I Lied To You"), Best Sound and Best Visual Effects. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

"Hamnet" is a biographical period film directed by Chloé Zhao, who co-wrote the screenplay with Maggie O'Farrell, based on O'Farrell's 2020 novel. The film dramatizes the family life of William Shakespeare and his wife Agnes, as they cope with the death of their 11-year-old son Hamnet. It stars Jessie Buckley and Paul Mescal as Agnes and William, alongside Emily Watson, Joe Alwyn, and Noah Jupe in supporting roles. The film had its world premiere at the 52nd Telluride Film Festival and received glowing reviews, with Buckley's performance receiving particular praise. The film has received numerous accolades, including winning the Best Motion Picture – Drama and Best Actress in a Motion Picture – Drama for Buckley at the 83rd Golden Globe Awards, and eight nominations at the 98th Academy Awards, including Best Picture, Best Director for Zhao, and Best Actress for Buckley. It was listed among the top ten films of 2025 by the American Film Institute. Zhao, Mescal, and composer Max Richter were all kind enough to spend some time speaking with Next Best Picture Owner & Editor In Chief Matt Neglia, while Ema Sasic got the chance to speak with Jacobi Jupe, production designer Fiona Crombie spoke with Dan Bayer, and Cody Dericks had the opportunity to chat with costume designer Malgosia Turzanska. Please be sure to check out the film, now playing in select theaters from Focus Features and available to watch from home. The film is up for your consideration for the 98th Academy Awards for Best Picture, Best Director, Best Actress, Best Adapted Screenplay, Best Casting, Best Costume Design, Best Production Design, and Best Original Score. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

Movie of the Year: 1971The Last Picture ShowRevisiting The Last Picture ShowIn this episode of Movie of the Year: 1971, Ryan, Mike, and Greg revisit The Last Picture Show, Peter Bogdanovich's landmark film about youth, loneliness, and a fading Texas town.Released in 1971, the film helped define the early New Hollywood era, blending classical Hollywood craftsmanship with a more modern emotional realism. From its black-and-white cinematography to its quiet performances, this portrait of small-town America remains one of the most discussed films of its decade.Peter Bogdanovich and a Changing American CinemaDirector Peter Bogdanovich approached the film as both a tribute to classic cinema and a break from it. Drawing on older storytelling traditions while embracing the moral ambiguity of the 1970s, he created a work that feels suspended between eras.The Taste Buds explore how Bogdanovich's direction captures the melancholy of a town in decline and how his cinephile instincts shape the movie's visual language. In doing so, the film becomes a bridge between old Hollywood nostalgia and the more personal filmmaking that defined the decade.For more on Bogdanovich's influence, see the American Film Institute:https://www.afi.comLove and Sex in The Last Picture ShowOne of the film's most enduring elements is its honest portrayal of intimacy. Love and sex are not romanticized; they are awkward, transactional, vulnerable, and deeply human.Ryan, Mike, and Greg examine how the characters navigate desire and disappointment. Whether it's teenage experimentation or adult loneliness, relationships in this story reveal more about isolation than fulfillment. That emotional candor is part of why the movie still resonates today.For historical background and cast details, visit Turner Classic Movies:https://www.tcm.comThe Generational Gap and a Fading TownAt its core, this 1971 drama is about transition. Older characters cling to memory and routine, while younger ones struggle to imagine their future beyond the town's limits.The panel discusses how the generational divide shapes the narrative, turning a coming-of-age story into a meditation on cultural change. The closing of the town's movie theater becomes symbolic—a quiet acknowledgment that an era is ending.IP Freely: Star Wars Meets 1971This episode also debuts a new segment called IP Freely, where the panel imagines modern franchise films directed by filmmakers working in 1971. The Taste Buds pitch hypothetical Star Wars entries through the stylistic lens of early-70s auteurs.The exercise highlights just how dramatically cinematic tone and scale have shifted since this film's release.Rushmore: 1971 It GirlTo close the show, Ryan, Mike, and Greg assemble a Mount Rushmore of the 1971 It Girl, celebrating the performers who defined the year's screen presence and cultural energy.Why The Last Picture Show Still MattersMore than five decades later, The Last Picture Show remains essential viewing. Its exploration of youth, longing, and generational change captures a moment when American cinema was reinventing itself.This episode revisits the film not just as a classic of 1971, but as a living text that continues to influence how audiences understand small-town storytelling and emotional realism.FAQWhat is The Last Picture Show about?It follows teenagers and adults in a declining Texas town, exploring love, loneliness, and generational transition.Who directed The Last Picture Show?Peter Bogdanovich directed the 1971 film.Why is it important?It helped define the early New Hollywood movement and won multiple Academy Awards.Is it based on a novel?Yes, it is adapted from Larry McMurtry's novel.

Live from the American Film Institute, Matt is joined by Bloomberg's Lucas Shaw and the CEO of Sony Film Tom Rothman to discuss the future of the Spider Man franchise, Marvel's recent struggles, if movie stars should make movies for streamers, and the biggest crisis facing the movie industry right now.  Matt finishes the show with a prediction about who will be cast as the next James Bond. Host: Matt Belloni Guest: Lucas Shaw, Tom Rothman Producers: Craig Horlbeck, Jessie Lopez, and Jon Jones Theme Song: Devon Renaldo AVATAR: FIRE AND ASH. FOR YOUR CONSIDERATION. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Show NotesRachel Deutsch is a filmmaker whose work explores relationships, identity and memory through emotionally grounded storytelling. After studying acting at New York University, she transitioned into directing and went on to train at the American Film Institute, where she developed a body of short films defined by careful performances and a strong sense of visual atmosphere.In this episode, Rachel discusses the evolution of her creative voice — from performance training and experimental theatre to narrative filmmaking — and reflects on how her background as an actor informs the way she directs.She describes her approach to working with performers, building scenes through emotional intention rather than rigid instruction, and collaborating closely with cinematographers to translate feeling into images. Rachel also reflects on the practical side of filmmaking — rehearsal methods, planning visual language, and developing projects independently — offering insight into the realities of building a career as a director.At the centre of the discussion is her AFI thesis project, a film rooted in personal experience and family history. The project draws on her mother's confrontation with illness and civic life in Oklahoma, blending intimate storytelling with broader social themes.Topics CoveredTransitioning from acting to directingTraining at NYU and AFIClowning and performance techniqueDirecting actorsEmotional realism in filmIndependent filmmakingVisual storytellingCollaboration with cinematographersPersonal storytelling in cinemaDeveloping a first feature filmW: https://www.racheldeutsch.comFilm Links Carelessly There (Short Film)Until I Met You - Short Film by Rachel DeutschUse Promo Code "FILMMAKINGSWABY" for all my deals or just click the link:25% Off More Labshttps://www.morelabs.com/discount/FILMMAKINGSWABY20% Off Strong Coffee Companyhttps://strongcoffeecompany.com/discount/FILMMAKINGSWABY15% Off Tusslehttps://www.tusslegear.com/discount/FILMMAKINGSWABY20% Off Eric Javitshttps://ericjavits.com/discount/FILMMAKINGSWABY25% Off Quantum Energy Squarehttps://quantumsquares.com/discount/FILMMAKINGSWABY20% Off Long Tablehttps://longtablepancakes.com/discount/FILMMAKINGSWABY20% Off HyperNaturalhttps://hypernaturalstyle.com/discount/FILMMAKINGSWABY20% Off wearplaygroundhttps://wearplayground.com/discount/FILMMAKINGSWABY15% Off STAND+https://www.standshoes.com/discount/FILMMAKINGSWABY10% Off Molly Bzhttps://mollybz.com/discount/FILMMAKINGSWABY41% Off Cozy Earthhttps://cozyearth.com/discount/FILMMAKINGSWABYX (Twitter): @DamienSwaby https://x.com/DamienSwaby/status/1864468655582437405Instagram: @filmmaker__damien_swaby. https://www.instagram.com/filmmaker__damien_swaby/?hl=en JEWFACE is a bold, dark comedy about a Jewish-American bisexual woman who believes re-breaking her teenage rhinoplasty might restore her lost identity—now crowdfunding to bring this provocative, funny, and urgently human story to life.Check out the link: JEWFACE

Live from the American Film Institute, Matt is joined by Bloomberg's Lucas Shaw and the CEO of Sony Film, Tom Rothman, to discuss why now is the fifth moment of crisis in the history of the movie industry, how large-scale tech companies have disrupted Hollywood, reasons for optimism, legacy studios vs. streamers, and the future of the 'Spider-Man' franchise. Host: Matt Belloni Guest: Lucas Shaw, Tom Rothman Producers: Craig Horlbeck, Jessie Lopez, and Jon Jones Theme Song: Devon Renaldo AVATAR: FIRE AND ASH. FOR YOUR CONSIDERATION. Learn more about your ad choices. Visit podcastchoices.com/adchoices

"Train Dreams" has gone on to become the most celebrated film from the 2025 Sundance Film Festival, with praise going to Bentley's direction, Edgerton's performance, and the cinematography. Among its accolades, the film was named as one of the top ten films of 2025 by both the National Board of Review and the American Film Institute. For his performance, Edgerton was nominated for a Golden Globe Award. It received four nominations at the 98th Academy Awards, including Best Picture, Best Adapted Screenplay, Best Original Song, and Best Cinematography. Brazilian cinematographer Adolpho Veloso has won the Critics' Choice Award for Best Cinematography and has been nominated for the ASC, BAFTA, Spirit Award, and Oscar for Best Cinematography, becoming the first Brazilian to achieve the latter. Veloso was kind enough to spend some time speaking with us about his work on the film, the experience of awards season, his Brazilian roots, and more, which you can listen to below. Please be sure to check out the film, which is now available to stream on Netflix and is up for your consideration for this year's Academy Awards in all eligible categories, including Best Cinematography. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

Surprise! I didn't say during Monday's episode that I'd be posting 2 podcasts later in the same week, but here's the first one. Here I'm talking about the American Film Institute's Top 100 Stars list, which was really 50 stars (25 men, 25 women). Although their odd numbering method isn't really the point…and neither is their dumb criteria. No, this 714th Have You Ever Seen podcast is REALLY about the 450 people who were nominated, but didn't make the cut. My plan is to review as many of the 180-ish up-until-now-omitted actors & actresses as I possibly can in the months and years ahead. So if you ever wanted to hear a guy rattling off about 500 names, then this monologue about the AFI's Old-Timey Actors is your dream episode! Oh, and tune in again tomorrow when I begin this quest by talking about 2 B&W '30s comedies: Kid Millions and Soup To Nuts. Subscribe to Have You Ever Seen in your app, but also rate and review the show. To hear more of my rambunctiousness, you can search for me on Letterboxd as well: RyanHYES. Feedback: email (haveyoueverseenpodcast@gmail.com), Twi-X (@moviefiend51) and Bluesky (ryan-ellis).

Join hosts Christine Chen and Adam Chase Rani on Episode 179 of the Get Reelisms Podcast as they dive into a fascinating conversation with special guest Rob Spera, a seasoned film and television director, and educator at the American Film Institute. Spera shares invaluable insights about the filmmaking industry, discussing his work with Ride Back Rise, a fellowship program supporting mid-career people of color. He emphasizes the importance of doing the work, focusing on long-term career plans, and maintaining passion through teaching and community-building. The episode also touches on practical directing advice, including how to effectively collaborate with actors and the significance of living a balanced life to fuel creativity. This episode is packed with wisdom for both aspiring and seasoned filmmakers.Hosts: Adam Rani (@adamthechase)   & Christine Chen (@cchenmtf) About Christine W Chen:Christine W. Chen is a Taiwanese American filmmaker, Academy member (Short Films Branch), and versatile producer, director, and writer known for bold, character-driven storytelling. Through her production company, Moth to Flame, she has created award-winning short films, features, and branded content—including Erzulie, a feminist swamp thriller that had a limited theatrical run and now streams on major platforms. In addition to her directorial work, Christine is a seasoned DGA 1st Assistant Director and co-author of Get Reelisms and ABCs of Filmmaking, as well as the co-host of the Get Reelisms Podcast.For more information about Christine Chen: christinewchen.comAbout Adam Rani:Adam Chase Rani is a production designer and set dresser working in the Austin film market, bringing a sharp eye for visual storytelling and practical creativity to every project. During the pandemic, he co-founded the Get Reelisms Podcast with Christine Chen to foster community within the film industry. Together, they've built a platform that blends education, candid conversations, and industry insights to help filmmakers connect, learn, and grow.WEBISODE VERISON OF THE PODCASTTIMELINE:00:00 Introduction to Film Scene Lengths00:40 Welcome to the Get Reelisms Podcast01:16 Meet Rob Spera: Director and Educator01:41 The Ride Back Rise Fellowship04:35 The Long Game: Developing a Five-Year Plan06:43 Rob Spera's Journey in the Film Industry10:11 Advice for Aspiring Producers11:39 The Importance of Creating Your Own Opportunities15:55 Teaching and Keeping the Passion Alive23:44 Directing Techniques and Respecting Actors32:07 The Importance of Scene Simplicity32:48 Navigating Actor Challenges33:31 The Role of Blocking and Camera Angles35:53 Building a Collaborative Environment40:21 The Value of Gratitude on Set47:12 Advice for Aspiring Filmmakers52:31 Balancing Creativity and Work56:33 Final Thoughts and Farewell Official Get Reelisms PageGet Reelisms Amazon StoreInstagram

"Wicked: For Good" is a musical fantasy sequel directed by Jon M. Chu that adapts the second act of the "Wicked" stage musical, itself inspired by Gregory Maguire's reimagining of "The Wizard of Oz." Starring returning cast members Ariana Grande, Cynthia Erivo, Jonathan Bailey, and others, the film follows Elphaba and Glinda as they embrace their identities as the Wicked Witch of the West and Glinda the Good. Developed over a decade and split into two films to preserve the story's depth, production faced delays due to the pandemic and the 2023 SAG-AFTRA strike. Released by Universal Pictures in November 2025, the film grossed $523 million worldwide, earned awards recognition from the Critics' Choice Awards and the Golden Globes, and was named one of the top ten films of the year by both the National Board of Review and the American Film Institute. Ever since its release, the Next Best Picture team has been conducting a series of interviews with many people involved in the making of the film, which we're proud to share with you below. First up, we have my interview with the film's director Jon M. Chu, followed Cody Dericks's interview with casting directors Tiffany Little Canfield & Bernard Telsey, then we have my intervew with the film's editor Myron Kerstein, followed by Cody's interview with makeup & hair designer Frances Hannon, then Dan Bayer's interview with sound mixer Simon Hayes, and then we end with Cody's interview with visual effects supervisor Pablo Helman. Please be sure to check out the film, which is now available to rent or own digitally or on physical media from Universal Pictures, and is up for your consideration for this year's Academy Awards in all eligible categories. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

The Breakfast Club (1985) was chosen by Patreon supporter Lucky LouLou Green, and it stands as one of the defining films of 1980s American cinema. Written, produced, and directed by John Hughes, the movie was made during an incredibly prolific period for the filmmaker, as he reshaped teen movies with a more honest, character-driven approach. Shot on a modest budget of around $1 million, the film was produced quickly, with Hughes deliberately stripping away flashy set pieces to focus on dialogue, performance, and atmosphere. Principal photography took place at Maine North High School in Des Plaines, Illinois — a real, unused school that Hughes would return to multiple times throughout his career.The production schedule was famously short — just 28 days — and Hughes encouraged collaboration, allowing the young cast to contribute ideas and personal experiences to their roles. Several moments of dialogue were improvised or rewritten on set, helping give the film its natural, conversational feel that set it apart from other teen movies of the era. Composer Keith Forsey provided the now-iconic soundtrack, perfectly capturing the mood of mid-80s youth culture. Upon release, The Breakfast Club became both a commercial and cultural success, cementing Hughes' reputation and turning its cast into defining faces of a generation. Today, the film is widely regarded as a landmark of 1980s filmmaking — proof that a small budget, a single location, and strong creative confidence can produce something timeless.

Writing legends John August & Craig Mazin talk about their journey to screenwriting, podcasting, & writing a book.  They talk about how to boil  down 15 years of shows down to a book, the origin of the scriptnotes podcast, the need to help people combined with being annoyed by people, what each of them considers good writing, why people who hate books on writing wrote a book on writing, there are no rules to screenwriting, customizing your process, the moment they thought the might be good enough to make a living at writing, their messiest jobs, their best jobs, the changing nature of show biz, and why the Scriptnotes book weighs a lot less than you think it does.  Bio: Craig Mazin is the multiple Emmy® award-winning co-creator, executive producer, writer and director of the smash hit HBO series THE LAST OF US. An addition to setting viewership records for HBO, THE LAST OF US has earned 51 Emmy® nominations including 9 Emmy® wins, a Peabody Award, an AFI Award, a BAFTA Award, two SAG Awards, a DGA Award, a WGA Award, a GLAAD Award, two Film Independent Spirit Awards, and four Golden Globe Award nominations. Previously, Mazin served as creator, writer and executive producer of the HBO limited series CHERNOBYL, for which he won 2 Emmys®, a Golden Globe, a BAFTA, a Peabody, and awards from the Writers Guild, the Producers Guild, the Television Critics Association and the American Film Institute. Looking ahead, Mazin is executive producing the upcoming HBO E-sports drama DAMAGE alongside writer, director and executive producer Celine Song. In addition to his work in television, Mazin has written numerous hit feature films, which have grossed over one billion dollars in theaters worldwide. Mazin can be heard on the popular screenwriting podcast Scriptnotes, which he co-hosts with fellow writer John August. Bio: John August is a screenwriter whose credits include Aladdin, Big Fish, Charlie and the Chocolate Factory, Corpse Bride, Frankenweenie and the first two Charlie's Angels movies. He directed the 2007 film The Nines starring Ryan Reynolds and Melissa McCarthy, which premiered at the Sundance Film Festival. He earned a BAFTA nomination for his script for Big Fish, and a GRAMMY nomination for his song in Charlie and the Chocolate Factory. In 2016, he received the Writers Guild of America West's Valentine Davies Award in recognition of his humanitarian efforts and civic service. In addition to his work in film, John wrote the Arlo Finch middle-grade novel trilogy, and the book for the Broadway musical of Big Fish. Since 2012, he has co-hosted the popular weekly screenwriting podcast Scriptnotes. His company, Quote-Unquote Apps, makes utilities for writers (including Highland and Weekend Read) along with Writer Emergency Pack, which is used in 2,000 classrooms nationwide. Born in Boulder, Colorado, John received a BA in Journalism from Drake University and an MFA in Film Producing from USC's School of Cinematic Arts. He lives in Los Angeles with his family. Learn more about your ad choices. Visit megaphone.fm/adchoices

Every once in awhile, I talk with someone who completely changes how I view independent filmmaking and those creating the most inventive films. Lately, that was writer/director/dancer Sam Mandich, whose work was influenced by her beginnings in dance. When you watch her films, it all makes sense -- the spare movement and the focused direction -- it comes from her amazingly unique background.An experimental dance film? A psychological coming of age horror? Sign me up for the next few years of Sam Mandich's work. What an astonishing person and I'm so glad to talk with her today for the pod.In this episode, Sam and I discuss:how dance informs her filmmaking;the amazing through-line in dance, conformity, and coming of age stories;what she got out of attending incredibly selective programs like the Paris College of Art and the American Film Institute;why she was selected by her peers at programs like these for higher honors and how it relates back to dance;the signs that people handled selective opportunities poorly;the simplicity -- and complexity -- of her latest works like JIA (2025) and ANGELS;her work on a new experimental dance film (!!);what it is like for her directing other peoples' projects;how she developed her writing skills and working on a script she didn't write;the fact that coming of age stories have become more immediately told and what that means for the future;the various stages of release for her films and the emphasis of top film schools on festivals;what Square Peg Social was like for her;what's next.Sam's Indie Film Highlight: MA (2015) dir. by Celia Rowlson HallMemorable Quotes:"when I was living in New York and commuting everywhere with my headphones on, suddenly everyone's a dancer.""With dance, it's so interesting because it's an art that's about honing in on your personal craft, and how your singular way of expression feels.""Going back to dance, there's been so many times where you're thrown into environments where you don't know anyone and you're immediately expected to be open and soft and receive like people's most vulnerable stories and then tell them through your own body.""All of these experiences I've been reflecting on so much when I'm doing...I try to journal every morning and try to understand why I am feeling the way I'm feeling about something.""Even though art is so personal, it's really healthy to try to not take things personally.""Directing is a pretty lonely profession...so I think for certain stories, I'm really drawn to collaboration for that sense.""Working on my own scripts, there is a certain vulnerability that comes with the solitude of that...manifests in the story as well.""When you're choosing to make a film with someone, you're choosing to be in a relationship with them. So it's it's a little bit of you. It's a little bit of me, and we figure it out together.""Coming of age can happen at any age."Links:Follow Sam On InstagramSam Mandich's WebsiteSupport this podcast at — https://redcircle.com/first-time-go/exclusive-content

Hamnet is a 2025 British historical drama film directed by Chloé Zhao, who co-wrote the screenplay with Maggie O'Farrell, based on the 2020 novel by O'Farrell. The film dramatises the family life of William Shakespeare and his wife Agnes Hathaway[a] as they cope with the death of their 11-year-old son Hamnet.[6] It stars Jessie Buckley and Paul Mescal as Agnes and William, alongside Emily Watson and Joe Alwyn in supporting roles.Hamnet premiered at the 52nd Telluride Film Festival on 29 August 2025 and received a limited theatrical release by Focus Features in the United States and Canada on 26 November. It received a wide theatrical release on 5 December and was released by Universal Pictures in the United Kingdom on 9 January 2026. The film received critical acclaim, with the performances of Buckley and Mescal receiving particular praise. It was listed among the top ten films of 2025 by the American Film Institute. The film won Best Motion Picture - Drama and Best Actress in a Motion Picture - Drama for Buckley at the 83rd Golden Globe Awards. Buckley additionally won the Critics' Choice Award for Best Actress. Hosted on Acast. See acast.com/privacy for more information.

A woman who loves eggs but one day, she is haunted by an egg monster. What motivated you to make this film? My name is Bao and Eggsecution is a film born out of my love for eggs and eating eggs. My grandmother has always berated me for eating way too many eggs a human being could handle and often chided me for doing so, warning that one day i would gain an allergy from doing so. When i moved here to the states from Singapore, i was given free liberty to eat all the eggs i wanted since i was no longer living with my family. in that way, i was unleashed. But there was always a nagging feeling at the back of my head telling me that maybe theres some wrong in eating so many eggs a day. Hence, this film was born from that fear that was ingrained in me since young. And because  I love horror and genre so much, i decided to put a fun twist into both the visuals and story of this film.  From the idea to the finished product, how long did it take for you to make this film? The film roughly had a timeline of 6 to 8 months. Because of the support from American Film Institute., I was allowed access to shoot on 35mm film – the Panavision Millennium xl2, 3 perf and in addition, with the support and generous donation from Kodak, we shot on 50D celluloid film – which was an amazing opportunity. My facility head and mentors, Stephen Lighthill, Sandra Valde-Handsen and Sara Ross Samko were very supportive of the original pitch for my visual essay and we eventually had to tailor it down to smaller ideas and smaller spaces due to budgetary and location restraints. But i am still extremely proud of the team that managed to make this happen! Thank you for selecting Eggsecution as part of your line up in the Experimental Film Festival!  How would you describe your film in two words!? Disgusting and Delicious!  What was the biggest obstacle you faced in completing this film? One of the biggest obstacles i faced was budgetary restraints. Because this film was self funded and i knew i was not working at that time, i had to save and set aside a workable budget for my film. Though equipment was provided by AFI, it was still a big project considering that i wanted to use SFX and practical effects and costume changes, along with the build of the monster in the film. My costume designer – Kai Burns and my SFX artist – Daniel Sukara were the MVPs, coming down to AFI to do countless tests to make sure the colours of the wigs, gooey, eggs and monsters were of the right shades of colour and effects could work seamlessly.  ---- Subscribe to the podcast: https://twitter.com/wildsoundpod https://www.instagram.com/wildsoundpod https://www.facebook.com/wildsoundpod

Hon gifte in sig i Hollywood-eliten. Hamnade i skuggan av sin man. Men tog revansch och blev en av världens största filmstjärnor. Lyssna på alla avsnitt i Sveriges Radios app. Nicole Kidman slår igenom som ung skådespelare i Australien och tar sig till drömmarnas Hollywood. Men när hon gifter sig med världens största skådespelare, Tom Cruise, hamnar hon i hans skugga och reduceras till hans plus en på röda mattan. Samtidigt, avlyssnas hon av scientologernas innersta krets, enligt rörelsens avhoppare. När äktenskapet kraschar inför öppen ridå förväntar sig alla att hennes karriär ska gå samma väg. Istället blir hjärtesorgen hennes superkraft. Nicole kastar sig ut, vågar ta risker och visar världen att hon är en riktig filmstjärna. Sen dess har hon spelat otaliga komplexa kvinnoroller i alla möjliga genres, genom en 90 filmer lång karriär som sträcker sig över decennier. Trots att kritiken mot hennes rynkfria ansikte och stela rollval aldrig tystnar fortsätter hon jobba. En ikon, med målet att förändra Hollywood inifrån. I avsnittet hörs Dagens Nyheters filmredaktör Helena Lindblad, samt kulturjournalisten och filmkritikern Caroline Hainer. Avsnittet gjordes november/december 2025 av Dist.Programledare och producent: Vendela LundbergAvsnittsmakare och reporter: Sara Olsson Slutmix: Fredrik NilssonLjudklippen i programmet kommer bl a från podcasten Awards Chatter, Charlie Rose, The Oprah Winfrey Show, 60 Minutes Australia, dokumentärfilmen Going Clear, People Magazine, AP Archive, Saturday Night Live, ABC News, The American Film Institute, Hollywood Archives, Woman in the World interview series, CNN, Sky News, Time Magazine. Samt filmerna Eyes Wide Shut, BMX Bandits, Skin Deep, Days of Thunder, Till varje pris, Moulin Rouge, Timmarna, Chanel No. 5 The Film och Babygirl.

Marty Supreme is a 2025 American sports comedy-drama film co-produced and directed by Josh Safdie from a screenplay he co-wrote with Ronald Bronstein, loosely inspired by the life and career of American table tennis player Marty Reisman. Co-produced by and starring Timothée Chalamet, the film also features Gwyneth Paltrow, Odessa A'zion, Kevin O'Leary, Tyler Okonma, Abel Ferrara, and Fran Drescher in supporting roles. The film's cinematography was directed by Darius Khondji and its musical score was composed by Daniel Lopatin.Marty Supreme premiered at the 2025 New York Film Festival on October 6, 2025, and was released in the United States by A24 on December 25, 2025. The film has received critical acclaim with praise for its direction, screenplay, editing, score, and Chalamet's performance, which was often described as "career-best" and "career-defining". The film was named one of the top ten films of 2025 by the National Board of Review and the American Film Institute. It received three nominations at the 83rd Golden Globe Awards: Best Motion Picture – Musical or Comedy, Best Actor for Chalamet and Best Screenplay for Safdie and Bronstein. Hosted on Acast. See acast.com/privacy for more information.

pWotD Episode 3159: Marty Supreme Welcome to popular Wiki of the Day, spotlighting Wikipedia's most visited pages, giving you a peek into what the world is curious about today.With 195,178 views on Thursday, 25 December 2025 our article of the day is Marty Supreme.Marty Supreme is a 2025 American sports comedy-drama film produced and directed by Josh Safdie, who co-wrote the script with Ronald Bronstein, loosely inspired by the life and career of American table tennis player Marty Reisman. Starring and co-produced by Timothée Chalamet, the film also features Gwyneth Paltrow, Odessa A'zion, Kevin O'Leary, Tyler Okonma, Abel Ferrara and Fran Drescher in supporting roles. Marty Supreme premiered at the 2025 New York Film Festival on October 6, 2025, and was later released in the United States by A24 on December 25, 2025. The film has received widespread acclaim, with many critics praising the direction, screenplay, score and editing. Chalamet's performance in the film has also been praised as a career-best and career-defining work. The film was named one of the top ten films of 2025 by the National Board of Review and the American Film Institute. It received three nominations at the 83rd Golden Globe Awards: Best Motion Picture – Musical or Comedy, Best Actor for Chalamet and Best Screenplay for Safdie and Bronstein.This recording reflects the Wikipedia text as of 03:15 UTC on Friday, 26 December 2025.For the full current version of the article, see Marty Supreme on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm neural Brian.

Die Themen: ein runder Geburtstag für Martin Schulz; Nina Chuba rechnet wütend mit der „1Live Krone“ ab; ein SZ-Porträt mit Alexander Eichwald; die Rolling Stones sagen ihre Tour 2026 ab; James Camerons neuer „Avatar“-Film beeindruckt visuell, tritt erzählerisch aber auf der Stelle; das American Film Institute kürt die besten Filme und Serien des Jahres; Kollegahs Song „Deutschland“ ist eine Traumhymne für die Rechten; mit „The Holdovers“ läuft der schönste Lehrerfilm seit „Club der toten Dichter“ im TV und David Gilmours Roman „Unser allerbestes Jahr“ Du möchtest mehr über unsere Werbepartner erfahren? Hier findest du alle Infos & Rabatte: https://linktr.ee/ApokalypseundFilterkaffee

Frankenstein is a 2025 American Gothic science fiction film produced, written, and directed by Guillermo del Toro, based on the 1818 novel by Mary Shelley. The film stars Oscar Isaac as Victor Frankenstein and Jacob Elordi as the Creature, with Mia Goth and Christoph Waltz in supporting roles. The story follows the life of Frankenstein, an egotistical scientist whose experiment in creating new life results in dangerous consequences.Del Toro had long imagined a faithful Frankenstein film as a "dream project". This was initially in development for Universal Pictures, with del Toro casting frequent collaborator Doug Jones as the Creature, and Bernie Wrightson being considered for the monster's design. However, Universal suspended the project in relation to its planned Dark Universe franchise. Netflix revived the project in 2023, with Elordi instead portraying the Creature. Filming took place from February to September 2024. Wrightson had died in 2017, and the illustrated compilation Bernie Wrightson's Frankenstein was a key inspiration for the film's look.Frankenstein premiered at the 82nd Venice International Film Festival on August 30, 2025. It had a limited theatrical release in the United States from October 17 and was globally released on November 7 on Netflix. The film received generally positive reviews from critics. Both the National Board of Review and the American Film Institute named it as one of the top ten films of 2025. It received five nominations at the 83rd Golden Globe Awards, including Best Motion Picture – Drama.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

Dean Richards, entertainment reporter for WGN, joins Bob Sirott to provide the latest news in entertainment. Bob and Dean share details about an agreement between Netflix and Warner Bros., as well as the American Film Institute’s list of the best movies of the year. They also talk about how Kevin Hart got roasted by the […]

Award-winning author, Sue Hinkin, discusses her new release, THE SNAKE HANDLER'S WIFE. When a run of bad luck strikes her ranch, Lucy turns to her partner's estranged daughter to help take care of her four-year-old son. She soon discovers the young woman is married to a charismatic cult leader who wants to take everything from Lucy…including her life. “Darkly riveting and disturbingly real…”—BestThrillers.com Listen in as we chat about why some find cults attractive, the importance of learning how to grieve, and how she was able to weave scripture into the story. (And don't miss the moment Sue introduces a little friend who totally freaks me out!) https://www.mariesutro.com/twisted-passages-podcast https://www.suehinkin.com ABOUT THE AUTHOR: Sue Hinkin is the author of the award-winning thriller series, The Vega & Middleton Novels, featuring the investigative team of Los Angeles TV news journalist Bea Jackson and best friend, photographer Lucy Vega. BestThrillers.com called Lucy and Bea one of the top female detectives of 2023. A former Cinematography Fellow at the American Film Institute, Hinkin was a TV news photographer like her character, Lucy. Now living in Colorado, she was voted Rocky Mountain Fiction Writers Writer of the Year. She enjoys spending time with her family, including cats, dogs, flowers, and her young twin granddaughters who love climbing everything, insect collecting, chocolate, and a good book. All those things seem to run in the family...

Rodney Barnes is an American screenwriter, producer, and author. He has written and produced such TV shows as The Boondocks, Everybody Hates Chris, Marvel's Runaways, American Gods, Wu-Tang: An American Saga, and HBO's Winning Time: The Rise of the Lakers Dynasty. His graphic novels and comic books include Killadelphia, Blacula, Monarch, Marvel's Falcon, and the adaptation of the first season of Star Wars: The Mandalorian. Rodney Barnes' newest comic book series, the horror-noir Crownsville, explores Maryland's Jim Crow–era "Hospital for the Negro Insane." He has received awards and honors from the Peabody Awards, American Film Institute, Writers Guild of America, BET Comedy Awards, and NAACP Image Awards, and the Eisner for creative achievement in American comic books. Barnes shares hard-earned advice from his long career about the importance of discipline, humility, building a moral center, and surviving an industry and world that can overwhelm and corrupt. He also reflects on how a life-and-death health emergency reshaped his views on art, work, relationships, and gratitude. Rodney and Chauncey discuss their mutual love of professional wrestling, Star Wars, and comic books and what shows like Sanford and Son and the other TBS classics of the 1980s taught them as men of a certain vintage. For this Thanksgiving weekend episode, Chauncey DeVega reflects on gratitude in difficult times and reads a story about how Black Civil War soldiers celebrated the holiday. Chauncey is reminded that nobody hates like family as he watches a late-night pre-Thanksgiving verbal brawl and donnybrook between a father and a son at a local business, and issues his annual public service announcement warning about the dangers of physical intimacy and other forms of romance after eating too much food on this (or any other) holiday. And Chauncey DeVega goes to the local cineplex and reviews three new films: Rebuilding, Rental Family, and Eternity.   WHERE CAN YOU FIND ME? On Twitter: https://twitter.com/chaunceydevega On Facebook: https://www.facebook.com/chauncey.devega My email: chaunceydevega@gmail.com HOW CAN YOU SUPPORT THE CHAUNCEY DEVEGA SHOW? Via Paypal at ChaunceyDeVega.com: Patreon: https://www.patreon.com/thechaunceydevegashow  https://www.patreon.com/TheTruthReportPodcast

This week on Tipsy Casting! We are so thrilled to have a FIRST on the show as we welcome the extremely talented cinematographer, Ed Wu to the podcast! Ed is a man of many talents including being a classically-trained Violinist, Ultimate Frisbee Athlete and most importantly a cat lover! Ed was recognized as one of the Rising Stars of Cinematography in the February 2017 issue of American Cinematographer. In 2016, he was selected to be a part of Variety's Below-the-Line Impact Report - Up Next Category. Ed transplanted to Los Angeles from Long Island, NY in search of uncovering and learning the magic behind visual storytelling. To refine his craft, Ed was accepted to study at the prestigious American Film Institute, receiving an MFA in cinematography. Through his experiences as a cinematographer and wanderer of the world, he's seen the power of an image and constantly continues to search for the perfect frame to tell the story. He is extremely knowledgeable and I was able to see that first hand on the films we have worked on together like LINOLEUM and SLEGHT. His other recent credits include MOTHER OF THE BRIDE, PONYBOI and LOST ODYSSEY: SHADOWS OF DESTINY to name a few. In this episode we discuss...How he went from being a violinist/sports guy to learning the cinematography wold and wanting to train up in it. He breaks down all the terminology of the roles within the camera and lighting departments so we can best understand each role. We dive into the many different ways to go about gaining experience and climbing the preverbal ladder. He breaks down 2 of his favorite scenes from the film LINOLEUM and how they pulled off these not only amazing shots of dropping a car but also the emotional breakdown of scenes and the challenges. We discuss how being the head of department has its advantages but also disadvantages in running the crew and how the intimate relationship with the director really comes into play. How he approaches working with actors in such a close environment from the day they meet to the evolution throughout the shoot.He gives his tips to actors on how to best be an actor's DP and help him help you look your best on screen!And lastly any particular genres or types of films that are on his manifesting list to be a part of Make sure you are subscribed to Tipsy Casting on all platforms as well as rate and review the podcast!!!Resources: ⁠⁠⁠⁠⁠Ed's WebsiteEd's IMDBEd's Instagram──────────────────────────⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Stay Tuned with Tipsy Casting on IG⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Watch the ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tipsy Casting YouTube Channel⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow Jessica ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ & ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow Jenn ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Learn More About ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Jess ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠& ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Jenn's⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Casting Journeys 

We delve into the evolving landscape of filmmaking in the region, the importance of authentic, locally rooted narratives, and the critical role of institutions like the Doha Film Institute in fostering emerging talent. Award-winning filmmaker and associate professor at Northwestern Qatar, Rana Kazkaz, offers a glimpse into her current project "The Hakawati's Daughter," and provides recommendations for essential Arab cinema. She shares her experiences teaching film in the Arab world, highlighting the unique challenges and immense joys of mentoring a new generation of storytellers. This episode is in collaboration with Qatar Foundation. 0:00 Introduction0:23 The Joy of Mentoring Arab Students3:19 The "Why" of Storytelling: Finding Your Authentic Voice4:44 Navigating Censorship and Risk in Filmmaking7:24 How Technology is Shaping New Narratives10:47 Shifting Away from the "Other" Narrative14:55 Building the Filmmaking Pipeline: The Role of the Doha Film Institute19:39 The Critical Need for Producers in the Arab World21:39 The Impact of Non-Regional Producers on Arab Films26:12 Recommending Authentic Arab Films for Students29:28 Addressing Class Bias in the Film Industry31:19 Unlearning Self-Orientalism in Storytelling33:40 The Genesis of "The Hakawati's Daughter"41:26 Essential Films from the Arab World Rana Kazkaz is a filmmaker and associate professor in residence at Northwestern University Qatar. Her films have been recognized at the world's leading festivals including Cannes, Sundance, Toronto, Tallinn, Tribeca, and Abu Dhabi. She received her MFA from Carnegie Mellon University/Moscow Art Theater and BA from Oberlin College. With a focus on Syrian stories, her producing, screenwriting, and directing portfolio includes The Translator (2020), Mare Nostrum (2016), Searching for the Translator (2016), Deaf Day (2011), and Kemo Sabe (2007). Her current film projects include The Hakawati's Daughter and Honest Politics. She is a member of the Académie des César and was awarded fellowships with the Buffett Institute, MacDowell and the American Film Institute's Directing Workshop for Women.Connect with Rana Kazkaz

Beginning with this episode, Stars on Suspense goes to the movies and shines a spotlight on the cast of a Hollywood classic. Up first is Laura, the 1944 Oscar-nominated mystery that the American Film Institute hailed as one of the ten best of all time. We'll hear three of its stars in "radio's outstanding theatre of thrills" - Dana Andrews in "Two Birds With One Stone" (originally aired on CBS on May 17, 1945), Clifton Webb in "The Burning Court" (originally aired on CBS on June 14, 1945), and Vincent Price in "The Name of the Beast" (originally aired on CBS on April 11, 1946), and . Plus, we'll hear a radio recreation of the film featuring Andrews, Webb, and Gene Tierney from The Lady Esther Screen Guild Theatre (originally aired on CBS on August 20, 1945).

Sometimes, dreams really do come true! We're thrilled to have with us the amazing Jerry Zucker, who, alongside his brother David and their friend Jim Abrahams, played a huge part in transforming comedy in the 1980s. Together, they brought a fresh and hilarious twist to the spoof movie genre with the legendary 1980 hit “Airplane,” which the American Film Institute recognized as one of the ten funniest films ever made.Before that, the Zuckers and Abrahams wrote the cult classic, "Kentucky Fried Movie" (1977), a comedy consisting of unrelated sketches. After "Airplane," the Zuckers and Abrahams created "Police Squad!" (ABC, 1982) and turned it into the successful film franchise of today. Next, Zucker, Abrahams, Zucker returned to the big screen with "Top Secret!" (1984). Jerry also directed "Ruthless People" (1986) and "Ghost" (1990), starring Patrick Swayze and Demi Moore. "The Naked Gun - From the Files of Police Squad!" (1988). He produced "First Knight" (1995), "Rat Race," "A Walk in the Clouds" (1995), and "My Best Friend's Wedding" (1997). Additionally, he worked on "Fair Game" (2010).Special thanks to Katie Zucker and Darlene Chan.The PAGE International Screenwriting Awards sponsors the WRITERS' HANGOUT.Executive Producer Kristin OvernCreator/Executive Producer Sandy AdomaitisProducer Terry SampsonMusic by Ethan Stoller

On this episode of The Scoop from the VET S.O.S. Network, host Kingsley “Kings” Scott sits down with two veterans who turned their service experience into stories of impact and creativity.

Send us a text(Life continues to kick my behind, so I'll be releasing episodes every few weeks or so through the rest of the year. Follow me on your favorite podcast app so you don't miss a thing. As always, thanks for listening!)Season 2 of Nobody Wants This was just released on Netflix, and it's different show runners, but equally heartwarming, sexy, touching and hilarious – if not more so. I'm only a third of the way through the latest season, but had to pop in and say: it's 100% fresh, so don't miss it. https://www.confessionsofaclosetromantic.comFirst comes love, then comes life.Episode descriptions, in case you need to catch up."I didn't know I wrote a romcom...I thought I wrote Fleabag." Fascinating interview with Nobody Wants This creator/screenwriter Erin Foster at the American Film Institute.Support the showIf you enjoyed this episode, please click share in your podcast app and tell your friends! Thanks for listening!

Welcome to the Visual Intonation Podcast, where storytelling and creative expression collide. Hosted by Pascale Williams, this podcast explores the intersectionality of culture, identity, and the art of communication. With a passion for embracing diverse voices and perspectives, Pascale shares her experiences and insights, offering listeners a unique lens through which to understand the world. Her work—shaped by a multicultural upbringing—reminds us that storytelling is not just a tool, but a responsibility, one that holds the power to foster connection and inspire change.Each episode of Visual Intonation invites guests from a variety of artistic fields to discuss how they use their craft to tell stories that matter. Whether you're an artist in the traditional sense or someone who creatively navigates the world in your own way, Pascale's goal is to encourage you to reach your fullest potential without fear of expression. Through candid conversations and thoughtful dialogue, the podcast delves into the human application of creativity—how it influences personal growth, challenges norms, and drives societal shifts.Pascale's commitment to visual storytelling and the power of human creativity is at the heart of every episode. As an accomplished filmmaker and storyteller, her journey took her from multimedia storytelling at Queens University of Charlotte to earning a Master of Cinematography at the American Film Institute. Along the way, she has collaborated with powerful organizations like Crenshaw Skate Club and has worked with up-and-coming brands like Loyd Visuals. Pascale's deep belief in representation is reflected in her projects, such as the film Nour, which explores cultural identity, family, and self-acceptance.In this podcast, expect to hear from artists, filmmakers, creatives, and visionaries who, like Pascale, are committed to telling stories that break boundaries and amplify voices that have long been unheard. Join Pascale Williams on the Visual Intonation Podcast—where art, culture, and storytelling converge to shape the world we live in.Source: InstagramPASCALE R. WILLIAMS (@arty_miss98) - InstagramSource: LinkedInPascale R. Williams - Cinematographer | LinkedInSource: XPascale Williams (@Arty_miss98) / Xhttp://www.arty-miss.com/Support the showVisual Intonation Website: https://www.visualintonations.com/Visual Intonation Instagram: https://www.instagram.com/visualintonation/Vante Gregory's Website: vantegregory.comVante Gregory's Instagram: https://www.instagram.com/directedbyvante/ To support me on Patreon (thank you): patreon.com/visualintonations Tiktok: www.tiktok.com/@visualintonation Tiktok: www.tiktok.com/@directedbyvante

Send us a textWhat if the story you've been telling yourself is what's holding you back?In this episode of The Savvy Scribe Podcast, I had the absolute pleasure of talking with Carrie KC West, bestselling author, speaker, and narrative coach.We talked about everything from overcoming imposter syndrome to owning your unique value, and how the stories we tell ourselves can either hold us back or launch us forward. If you've ever struggled with self-doubt, limiting beliefs, or not knowing how to “market” yourself authentically — this episode is for you.Key TakeawaysHow to recognize and rewrite limiting stories that no longer serve youWhy your voice is your superpower — and how to use it effectivelyWhat somatic signals like stress or burnout are really telling youThe truth about imposter syndrome and how to quiet that inner criticWhy it's never too late to start over or launch something newAbout Carrie KC WestCarrie KC West is a Bestselling Author, Speaker, and Narrative Coach who helps individuals and creatives rewrite the unconscious stories that shape their lives and work. With a Master of Fine Arts in Filmmaking from the American Film Institute and a background in counseling psychology, Carrie blends storytelling, psychology, and somatic tools to support deep personal and professional growth.She's the author of Life Rewritten (March 2025), an international bestseller exploring how story can be used as a tool for healing and clarity. Carrie has worked as a story analyst for film and publishing, and now helps writers, entrepreneurs, and leaders find their voice, reframe limiting narratives, and bring greater alignment to both life and business.Resources & LinksBook: Life Rewritten by Carrie KC WesWelcome to the Savvy Scribe Podcast, I'm so glad you're here! Before we start the show, if you're interested, we have a free Facebook group called "Savvy Nurse Writer Community"I appreciate you following me and listening today. I would LOVE for you to subscribe: ITUNESAnd if you love it, can I ask for a

On this episode of Post In Black, we talk to film and television editor Angela Latimer. Angela's career began as an assistant editor, where she worked on films and series like The Old Guard, Downsizing and Drop Dead Diva, to name a few. More recently, she has been an editor on some of television's most talked-about series, including Forever, Grown-ish, Bel-Air, Hush and First Kill.Having always wanted to get into the entertainment industry but not necessarily knowing how, she shares how editing first started off for her as a side hustle. We also get into how moving to LA and getting a Master of Fine Arts in Editing from the American Film Institute was a culture shock that proved to be a pivotal power move that enhanced her approach to editing.Angela lauds the power of thinking outside the box and how it's propelled her craft. She also shares priceless insights from her unique perspective as an editor in the film and television space.

Writer Peter Murrieta talks about how teachers pushed him to a better life, riding in the car with his grandparents, baseball, creating TV, college training him to be a showman, being a rare latino at Second City, Danny Trejo, collecting baseball cards, loving writing, and becoming a teacher to give back. Bio: Peter Murrieta is a two-time Emmy Award winning producer and writer who has contributed his voice to multiple projects that have expanded and further legitimized the entertainment value of telling stories about diverse cultures. After moving to Los Angeles, Peter was accepted into the esteemed ABC Writing Fellowship. His success during the fellowship led to writing positions on Jesse, Three Sisters and All About the Andersons, before he created the critically acclaimed series Greetings from Tucson, which tells the story of an upwardly mobile bi-racial. The series' Latino cast is a perfect example of how he's been able to bring the lighthearted examination of his culture to the predominantly white television landscape. As a producer, Peter is dedicated to ensuring that diverse and underrepresented persons have opportunities in the industry on both sides of the camera, as evidenced by his work on the Emmy Award winning, Disney's Wizards of Waverly Place.Peter has produced and written on NBC's Welcome to the Family, ABC's Cristela, TV Land's Lopez, Norman Lear's Netflix re-boot of One Day A Time and CBS' Superior Doughnuts. He was an Executive producer and writer on the Imagen Award winning Netflix series, MR. IGLESIAS, starring comedian Gabriel “Fluffy” Iglesias. And most recently, he is a writer and an Executive Producer on the Amazon FreeVee series, “Primo,” for Universal. And wrote on the staff of the drama for Peacock, “Field of Dreams.” Peter was honored in 2018 with the Imagen Foundation's Norman Lear Writer's Award for his dedication to broadening the diversity of the entertainment industry. He was just named a member of the 2024 Influential Latinos in Media by the Imagen Foundation as well. Having taught at the prestigious American Film Institute, Peter is now a professor of Practice at Arizona State University, and is happy to have a foot back in his home state of Arizona, excited to serve as Deputy Director for The Sidney Poitier New American Film School.

Host Michael Azevedo is joined by veteran film and television director Rob Spera.   Rob's been on the faculty at the American Film Institute for over 20 years. His feature films include The Sweet Life, Fathers and Sons, and the cult classic Leprechaun in the Hood.    His numerous television credits include Criminal Minds, Supernatural, Suspect Behavior, and Army Wives. During four seasons as Resident Director at the Tony award-winning Actors Theatre of Louisville, he directed over 75 productions. And he is currently the Head of Directing at Rideback Rise, a Fellowship Program for mid-career screenwriters who are making the move to directing.    Rob discusses his book called the Film/TV Director's Field Manual: 70 Maxims to Change Your Filmmaking. Rob considers the manual to be an "anti-textbook" meant to be kept in a filmmaker's back pocket on set to provide distilled guidance with far-reaching results.   The roughly 200 page book is a collection of 70 maxims that distill filmcraft techniques to their essence, making them readily accessible to the filmmaker. The book is filled with valuable first-hand insight and guidance.    Making Media Now is sponsored by Filmmakers Collaborative, a non-profit organization dedicated to supporting media makers from across the creative spectrum. From providing fiscal sponsorship to presenting an array of informative and educational programs, Filmmakers Collaborative supports creatives at every step in their journey. About the host: www.writevoicecreative.com and https://www.linkedin.com/in/michael-azevedo/   Sound Engineer: A.J. Kierstead

Holidays often mean we post a listicle...and so the Civic Holiday brings about our breakdown of the American Film Institute's greatest movies that DIDN'T make their 1998 or 2007 Top 100 lists. So there's no Citizen Kane, Godfather, Jaws action here. These are nominees that were shunned both times, such as Dog Day Afternoon, Ghostbusters, L.A. Confidential...and so many more. Bev listed her #100 down to #11 alphabetically while Ryan came up with categories in groups of 10. Then we each did a more thorough analysis of our Top 10 lists. So get cozy on this first Monday of August as the 679th edition of Have You Ever Seen highlights 100+ choices of outstanding American movies on this AFI's Not Quite 100 listicle. Well, Actually: Brad Pitt IS in 3 movies between our 2 lists, but one of them was just a tiny cameo in Being John Malkovich. Also, it appears that Martin Scorsese should not have been listed with the directors who have 3 movies on one or both of our lists (it's just 2). Also also, Sigourney Weaver WAS in an AFI movie, but her 3 seconds in Annie Hall was a cameo at the very end where you can barely tell it's her. Sparkplug Coffee? Why, they sponsor us. Use our "HYES" promo code and enjoy a onetime 20% discount. The website is "sparkplug.coffee/hyes". You should subscribe to Have You Ever Seen and then you'll never miss an episode again. Subscribe on YouTube too (@hyesellis in your browser). Rate the show, write a review, follow, you know the drill.  And offer up your own thoughts on social media (we're ryan-ellis and bevellisellis on Bluesky and @moviefiend51 and @bevellisellis on Twi-X) or with an email (haveyoueverseenpodcast@gmail.com).

“That which unites us is far greater than what divides us.” The first four words of this sentence are subtitle, and subtext, for “Path of Liberty,” an immersive outdoor photo and media experience on view through fall 2025 at Freedom Plaza on Manhattan's east side. The creative groundwork for this project was a mammoth effort involving an extensive crew both on the road and behind the scenes. In today's podcast, we catch up with two principals of this project's creative team—creative director Daniella Vale and director of photography, Scott Beardslee—to learn more about their daily lives during two months spent traversing the country by van to interview a broad group of everyday Americans. From the founding idea of capturing the diversity of people across America to the curiosity and resilience of the crew when working on the road to the complexities of orchestrating the many sensory elements for an immersive experience in exhibition, our discussion is rich with creative insight. As Daniella shares during our chat, “I always tend to make three films. There's the film I write, the film I shoot, and then, usually, I rearrange everything and make a totally different film in the edit. So, I've gotten pretty accustomed to non-attachment and rolling with things. That's where the magic happens too.” Guests: Daniella Vale & Scott Beardslee   Episode Timeline: 3:28: The inspiration behind Path of Liberty and Daniella's role as creative lead. 6:59: Daniella and Scott's respective backgrounds in photography and film, plus being curious and distinctions between finding the moment vs creating the moment. 12:02: Daniella and Scott's first introduction in the New York film world. 15:14: Building the crew for Path of Liberty and the challenges of traveling and conducting interviews on the road. 21:35: Daniella describes the three films she makes in the process of writing, shooting, and editing, plus the importance of learning to adapt on the fly. 26:54: Memorable stories from the Path of Liberty road trip. 30:56: Episode Break 31:30: We all want to be happy, but there's a difference between freedom and taking advantage of freedom 34:42: Daniella discusses her time in Japan, and the cultural contrast between American individualism and societies that put the group over the individual self. 41:00: The gear Daniella and Scott traveled with and how it affected the project. 47:59: The interview process with portrait subjects, plus making natural portraits in the moment. 58:32: The Path of Liberty installation in midtown Manhattan, the pride of subjects gathered from across the America, plus the complexities of the post-production process 1:05:39: The immersive aspects of the installation—from the sound design of the audio to the visual continuity between the photographs and the on-site terrain. 1:14:19: Scott and Daniella offer career advice for developing as a creative—leave room for being curious.   Guest Bios: Daniella Vale is a New York City-based photographer, film director, and producer. Her creative passions began early, influenced by her uncles in Pittsburgh's avant-garde film movement. While attending university in Tokyo, Daniella worked on photography and documentary projects. She later moved to Bollywood, where she collaborated with Shah Rukh Khan's Red Chillies Entertainment and Cannes-winning director Manish Jha. In New York, Daniella has worked for brands such as VICE, MTV, Google, and Prada, and with talent such as Alicia Keys, Deepak Chopra, and Lucy Liu. Her portfolio includes work in fashion, branded content, docu-series, and narrative films across various global locations. Career highlights include participating in the 2018 Cannes Film Festival Short Film Corner and being featured in Allure magazine for her directing work. And of course, most recently, Daniella headed up the creative team for the immersive outdoor installation, Path of Liberty: That Which Unites Us, which we're here to talk about today. Scott Beardslee began his career in photography, working as a 1st and 2nd assistant. Yet his passion for narrative filmmaking soon inspired him to take a different career route, focusing on shooting films, commercials, and music videos. Upon graduation from San Francisco State University with a film theory and production degree, he pursued cinematography and later attended graduate school at The American Film Institute in Hollywood. Before he became serious about filmmaking himself, Scott worked as a gaffer for many established A.S.C. cinematographers. Currently, Scott is a Director of Photography in the Union Local 600, working on commercials, music videos, and television.   Stay Connected: Path of Liberty Website Instagram Daniella Vale Website Instagram Youtube Vimeo   Scott Beardslee Website Instagram Vimeo Tiktok   Host: Derek Fahsbender Senior Creative Producer: Jill Waterman Senior Technical Producer: Mike Weinstein Executive Producer: Richard Stevens

Writer of “Jaws" & "The Jerk" Carl Gottlieb talks about working with Spielberg, Steve Martin, Carl Reiner, David Crosby, Joan Baez, improv group The Committee, performing comedy in the army, how the Smothers Brothers Show was the hippest most popular show at the time and somehow also cancelled. Bio:  Carl Gottlieb is a screenwriter (Jaws, The Jerk), director (Caveman), & actor (Mash). His book, THE JAWS LOG, remains the most popular book about the making of a motion picture ever written.  He also wrote WHICH WAY IS UP with Richard Pryor. He was a member of the classic San Francisco Improv group, The Committee.  And a writer on the controversial Smothers Brothers show. He served on the Board of Directors of the Writers Guild of America, and was on the faculty of the Film Division of the School of the Arts at Columbia University, the American Film Institute, the University of Miami's School of Communications and the University of Southern California's School of Cinema & Television.

From robbing banks to earning a PhD in neuroscience, former hacker Moran Cerf has unique perspective on what makes people tick. In this episode of Impact Theory with Tom Bilyeu, Moran explains the brain science of how self-narrative determines our reality.Moran is a fascinating blend of a wide variety of disciplines, and this diversity has led him to explore some promising, albeit nontraditional ways of investigating the brain, namely cracking open the skull and peering inside whilst the person is still living. His discoveries have made him a much sought after speaker and leading thinker who's influencing academia and business in equal measure. His innovative theories about the brain have been published in Nature, the highest-ranking journal in the world, and he consults regularly for hit shows such as Mr. Robot and Limitless.His education is a wondrous grab bag of joy and includes a PhD in neuroscience from Caltech and both an MA in philosophy and a BSc in physics from Tel Aviv University. He's a visiting faculty member at MIT's Media Lab, and was named one of the 40 leading professors under 40.Moran is the Alfred P. Sloan professor at the American Film Institute where he teaches a screenwriting course on science and film. He holds multiple patents and is a multi-timed national storytelling champion whose talks have garnered him millions of views. He is the professor of neuroscience and business at the Kellogg School of Management and the neuroscience program at the Northwestern university.In this episode, Moran and Tom investigate the hidden powers of the brain and how they can be harnessed to achieve greatness.ORIGINAL AIR DATE: 1-10-17SHOW NOTES[2:35] Moran recalls the four times that he physically robbed a bank.[7:40] Moran discusses why we don't actually make our own decisions.[12:17] Tom and Moran talk about the multiple puppeteers in our brains.[16:07] Moran expounds on how to move past the point of giving up.[20:48] Moran admits how making a big mistake changed his life.[26:56] Tom and Moran talk about how you can rewrite your past.[31:31] Moran describes how you can get more motivation.[35:48] Moran shares how you can literally change overnight.[42:10] Tom and Moran talk about how to use self-deception as a tool to push forward.What's up, everybody? It's Tom Bilyeu here:If you want my help... STARTING a business: join me here at ZERO TO FOUNDER SCALING a business: see if you qualify here. Get my battle-tested strategies and insights delivered weekly to your inbox: sign up here.**********************************************************************If you're serious about leveling up your life, I urge you to check out my new podcast, Tom Bilyeu's Mindset Playbook —a goldmine of my most impactful episodes on mindset, business, and health. Trust me, your future self will thank you.**********************************************************************Join me live on my Twitch stream. I'm live daily from 6:30 to 8:30 am PT at www.twitch.tv/tombilyeu**********************************************************************LISTEN TO IMPACT THEORY AD FREE + BONUS EPISODES on APPLE PODCASTS: apple.co/impacttheory**********************************************************************FOLLOW TOM:Instagram: https://www.instagram.com/tombilyeu/Tik Tok: https://www.tiktok.com/@tombilyeu?lang=enTwitter: https://twitter.com/tombilyeuYouTube: https://www.youtube.com/@TomBilyeu Learn more about your ad choices. Visit megaphone.fm/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

From robbing banks to earning a PhD in neuroscience, former hacker Moran Cerf has unique perspective on what makes people tick. In this episode of Impact Theory with Tom Bilyeu, Moran explains the brain science of how self-narrative determines our reality. Moran is a fascinating blend of a wide variety of disciplines, and this diversity has led him to explore some promising, albeit nontraditional ways of investigating the brain, namely cracking open the skull and peering inside whilst the person is still living. His discoveries have made him a much sought after speaker and leading thinker who's influencing academia and business in equal measure. His innovative theories about the brain have been published in Nature, the highest-ranking journal in the world, and he consults regularly for hit shows such as Mr. Robot and Limitless. His education is a wondrous grab bag of joy and includes a PhD in neuroscience from Caltech and both an MA in philosophy and a BSc in physics from Tel Aviv University. He's a visiting faculty member at MIT's Media Lab, and was named one of the 40 leading professors under 40. Moran is the Alfred P. Sloan professor at the American Film Institute where he teaches a screenwriting course on science and film. He holds multiple patents and is a multi-timed national storytelling champion whose talks have garnered him millions of views. He is the professor of neuroscience and business at the Kellogg School of Management and the neuroscience program at the Northwestern university. In this episode, Moran and Tom investigate the hidden powers of the brain and how they can be harnessed to achieve greatness. ORIGINAL AIR DATE: 1-10-17 SHOW NOTES [2:35] Moran recalls the four times that he physically robbed a bank. [7:40] Moran discusses why we don't actually make our own decisions. [12:17] Tom and Moran talk about the multiple puppeteers in our brains. [16:07] Moran expounds on how to move past the point of giving up. [20:48] Moran admits how making a big mistake changed his life. [26:56] Tom and Moran talk about how you can rewrite your past. [31:31] Moran describes how you can get more motivation. [35:48] Moran shares how you can literally change overnight. [42:10] Tom and Moran talk about how to use self-deception as a tool to push forward. What's up, everybody? It's Tom Bilyeu here: If you want my help... STARTING a business: join me here at ZERO TO FOUNDER SCALING a business: see if you qualify here. Get my battle-tested strategies and insights delivered weekly to your inbox: sign up here. ********************************************************************** If you're serious about leveling up your life, I urge you to check out my new podcast, Tom Bilyeu's Mindset Playbook —a goldmine of my most impactful episodes on mindset, business, and health. Trust me, your future self will thank you. ********************************************************************** Join me live on my Twitch stream. I'm live daily from 6:30 to 8:30 am PT at www.twitch.tv/tombilyeu ********************************************************************** LISTEN TO IMPACT THEORY AD FREE + BONUS EPISODES on APPLE PODCASTS: apple.co/impacttheory ********************************************************************** FOLLOW TOM: Instagram: https://www.instagram.com/tombilyeu/ Tik Tok: https://www.tiktok.com/@tombilyeu?lang=en Twitter: https://twitter.com/tombilyeu YouTube: https://www.youtube.com/@TomBilyeu Learn more about your ad choices. Visit megaphone.fm/adchoices