Podcasts about American Film Institute

"One Battle After Another" is an American black comedy action-thriller film produced, written, and directed by Paul Thomas Anderson. It is inspired by the 1990 novel "Vineland" by Thomas Pynchon and features an ensemble cast led by Leonardo DiCaprio, with Sean Penn, Benicio del Toro, Regina Hall, Teyana Taylor, and Chase Infiniti (in her film debut). The story follows an ex-revolutionary who is forced back into his former life of violence when a corrupt military officer pursues him and his daughter. With a budget of $130–175 million, it is the most expensive film of Anderson's career. It garnered widespread acclaim and numerous accolades. These include three wins at the 31st Critics' Choice Awards (including Best Picture), four wins at the 83rd Golden Globes (including Best Motion Picture – Musical or Comedy), one win and a record seven nominations at the 32nd Actor Awards (including Outstanding Performance by a Cast), six wins at the 79th British Academy Film Awards (including Best Film), and thirteen nominations at the 98th Academy Awards (including Best Picture). The American Film Institute also listed the film among the top ten films of 2025, and it won five awards from the National Board of Review (including Best Film), as well as Best Picture prizes from the New York Film Critics Circle, the Los Angeles Film Critics Association, and the National Society of Film Critics. Teyana Taylor and cinematographer Michael Bauman were kind enough to spend some time speaking with Next Best Picture Owner & Editor In Chief Matt Neglia. Ema Sasic spoke with Chase Infiniti, and Brendan Hodges spoke with the film's editor, Andy Jurgensen. You can listen to all of these interviews below. Please be sure to check out the film, which is now available to watch at home on 4K UHD from Warner Bros. Pictures and is up for your consideration for the 98th Academy Awards for Best Picture, Best Director (Anderson), Best Actor (DiCaprio), Best Supporting Actor (Del Toro and Penn), Best Supporting Actress (Taylor), Best Adapted Screenplay, Best Casting, Best Cinematography, Best Film Editing, Best Production Design, Best Original Score, and Best Sound. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

"Sinners" is an American horror film produced, written, and directed by Ryan Coogler. Set in 1932 in the Mississippi Delta, the film stars Michael B. Jordan in dual roles as identical twin criminal brothers who return to their hometown in the Jim Crow South, where they are confronted by a supernatural evil. It co-stars Hailee Steinfeld, Miles Caton (in his film debut), Jack O'Connell, Wunmi Mosaku, Jayme Lawson, Omar Benson Miller, and Delroy Lindo. The film has received critical acclaim and was a commercial success, grossing $369 million worldwide on a $90–100 million budget. In addition, the National Board of Review and the American Film Institute listed it among the top 10 films of 2025. The film garnered several awards and nominations, including a record 16 nominations at the 98th Academy Awards and 13 at the 79th British Academy Film Awards, with Coogler winning the award for Best Original Screenplay at the latter. The film also earned record-breaking nominations and wins at the 57th NAACP Image Awards, scoring 18 nominations and 13 wins, including the NAACP Image Award for Outstanding Motion Picture. It also earned four wins at the 31st Critics' Choice Awards, two wins at the 83rd Golden Globe Awards (including Cinematic and Box Office Achievement), and two wins at the 32nd Actor Awards (including Outstanding Performance by a Cast in a Motion Picture). Delroy Lindo and the film's visual effects team (VFX Producer James Alexander and VFX Supervisor Michael Ralla) were kind enough to spend some time speaking with Will Mavity, while Nadia Dalimonte got the chance to speak with Wunmi Mosaku, Giovanni Lago spoke with Miles Caton, and Next Best Picture Owner & Editor In Chief Matt Neglia had the opportunity to speak with cinematographer Autumn Durald Arkapaw and the film's sound team (Production Sound Mixer Chris Welcker, Supervising Sound Editor Benny Burtt, and Re-Recording Mixers Brandon Proctor & Steve Boedderker). You can listen to all of the interviews below. Please be sure to check out the film, which is now available to watch at home from Warner Bros. Pictures and is up for your consideration for the 98th Academy Awards for Best Picture, Best Director (Coogler), Best Actor (Michael B. Jordan), Best Supporting Actor (Lindo), Best Supporting Actress (Mosaku), Best Original Screenplay, Best Casting, Best Cinematography, Best Costume Design, Best Film Editing, Best Makeup & Hairstyling, Best Production Design, Best Original Score, Best Original Song ("I Lied To You"), Best Sound and Best Visual Effects. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

"Hamnet" is a biographical period film directed by Chloé Zhao, who co-wrote the screenplay with Maggie O'Farrell, based on O'Farrell's 2020 novel. The film dramatizes the family life of William Shakespeare and his wife Agnes, as they cope with the death of their 11-year-old son Hamnet. It stars Jessie Buckley and Paul Mescal as Agnes and William, alongside Emily Watson, Joe Alwyn, and Noah Jupe in supporting roles. The film had its world premiere at the 52nd Telluride Film Festival and received glowing reviews, with Buckley's performance receiving particular praise. The film has received numerous accolades, including winning the Best Motion Picture – Drama and Best Actress in a Motion Picture – Drama for Buckley at the 83rd Golden Globe Awards, and eight nominations at the 98th Academy Awards, including Best Picture, Best Director for Zhao, and Best Actress for Buckley. It was listed among the top ten films of 2025 by the American Film Institute. Zhao, Mescal, and composer Max Richter were all kind enough to spend some time speaking with Next Best Picture Owner & Editor In Chief Matt Neglia, while Ema Sasic got the chance to speak with Jacobi Jupe, production designer Fiona Crombie spoke with Dan Bayer, and Cody Dericks had the opportunity to chat with costume designer Malgosia Turzanska. Please be sure to check out the film, now playing in select theaters from Focus Features and available to watch from home. The film is up for your consideration for the 98th Academy Awards for Best Picture, Best Director, Best Actress, Best Adapted Screenplay, Best Casting, Best Costume Design, Best Production Design, and Best Original Score. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

Movie of the Year: 1971The Last Picture ShowRevisiting The Last Picture ShowIn this episode of Movie of the Year: 1971, Ryan, Mike, and Greg revisit The Last Picture Show, Peter Bogdanovich's landmark film about youth, loneliness, and a fading Texas town.Released in 1971, the film helped define the early New Hollywood era, blending classical Hollywood craftsmanship with a more modern emotional realism. From its black-and-white cinematography to its quiet performances, this portrait of small-town America remains one of the most discussed films of its decade.Peter Bogdanovich and a Changing American CinemaDirector Peter Bogdanovich approached the film as both a tribute to classic cinema and a break from it. Drawing on older storytelling traditions while embracing the moral ambiguity of the 1970s, he created a work that feels suspended between eras.The Taste Buds explore how Bogdanovich's direction captures the melancholy of a town in decline and how his cinephile instincts shape the movie's visual language. In doing so, the film becomes a bridge between old Hollywood nostalgia and the more personal filmmaking that defined the decade.For more on Bogdanovich's influence, see the American Film Institute:https://www.afi.comLove and Sex in The Last Picture ShowOne of the film's most enduring elements is its honest portrayal of intimacy. Love and sex are not romanticized; they are awkward, transactional, vulnerable, and deeply human.Ryan, Mike, and Greg examine how the characters navigate desire and disappointment. Whether it's teenage experimentation or adult loneliness, relationships in this story reveal more about isolation than fulfillment. That emotional candor is part of why the movie still resonates today.For historical background and cast details, visit Turner Classic Movies:https://www.tcm.comThe Generational Gap and a Fading TownAt its core, this 1971 drama is about transition. Older characters cling to memory and routine, while younger ones struggle to imagine their future beyond the town's limits.The panel discusses how the generational divide shapes the narrative, turning a coming-of-age story into a meditation on cultural change. The closing of the town's movie theater becomes symbolic—a quiet acknowledgment that an era is ending.IP Freely: Star Wars Meets 1971This episode also debuts a new segment called IP Freely, where the panel imagines modern franchise films directed by filmmakers working in 1971. The Taste Buds pitch hypothetical Star Wars entries through the stylistic lens of early-70s auteurs.The exercise highlights just how dramatically cinematic tone and scale have shifted since this film's release.Rushmore: 1971 It GirlTo close the show, Ryan, Mike, and Greg assemble a Mount Rushmore of the 1971 It Girl, celebrating the performers who defined the year's screen presence and cultural energy.Why The Last Picture Show Still MattersMore than five decades later, The Last Picture Show remains essential viewing. Its exploration of youth, longing, and generational change captures a moment when American cinema was reinventing itself.This episode revisits the film not just as a classic of 1971, but as a living text that continues to influence how audiences understand small-town storytelling and emotional realism.FAQWhat is The Last Picture Show about?It follows teenagers and adults in a declining Texas town, exploring love, loneliness, and generational transition.Who directed The Last Picture Show?Peter Bogdanovich directed the 1971 film.Why is it important?It helped define the early New Hollywood movement and won multiple Academy Awards.Is it based on a novel?Yes, it is adapted from Larry McMurtry's novel.

Live from the American Film Institute, Matt is joined by Bloomberg's Lucas Shaw and the CEO of Sony Film Tom Rothman to discuss the future of the Spider Man franchise, Marvel's recent struggles, if movie stars should make movies for streamers, and the biggest crisis facing the movie industry right now.  Matt finishes the show with a prediction about who will be cast as the next James Bond. Host: Matt Belloni Guest: Lucas Shaw, Tom Rothman Producers: Craig Horlbeck, Jessie Lopez, and Jon Jones Theme Song: Devon Renaldo AVATAR: FIRE AND ASH. FOR YOUR CONSIDERATION. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Show NotesRachel Deutsch is a filmmaker whose work explores relationships, identity and memory through emotionally grounded storytelling. After studying acting at New York University, she transitioned into directing and went on to train at the American Film Institute, where she developed a body of short films defined by careful performances and a strong sense of visual atmosphere.In this episode, Rachel discusses the evolution of her creative voice — from performance training and experimental theatre to narrative filmmaking — and reflects on how her background as an actor informs the way she directs.She describes her approach to working with performers, building scenes through emotional intention rather than rigid instruction, and collaborating closely with cinematographers to translate feeling into images. Rachel also reflects on the practical side of filmmaking — rehearsal methods, planning visual language, and developing projects independently — offering insight into the realities of building a career as a director.At the centre of the discussion is her AFI thesis project, a film rooted in personal experience and family history. The project draws on her mother's confrontation with illness and civic life in Oklahoma, blending intimate storytelling with broader social themes.Topics CoveredTransitioning from acting to directingTraining at NYU and AFIClowning and performance techniqueDirecting actorsEmotional realism in filmIndependent filmmakingVisual storytellingCollaboration with cinematographersPersonal storytelling in cinemaDeveloping a first feature filmW: https://www.racheldeutsch.comFilm Links Carelessly There (Short Film)Until I Met You - Short Film by Rachel DeutschUse Promo Code "FILMMAKINGSWABY" for all my deals or just click the link:25% Off More Labshttps://www.morelabs.com/discount/FILMMAKINGSWABY20% Off Strong Coffee Companyhttps://strongcoffeecompany.com/discount/FILMMAKINGSWABY15% Off Tusslehttps://www.tusslegear.com/discount/FILMMAKINGSWABY20% Off Eric Javitshttps://ericjavits.com/discount/FILMMAKINGSWABY25% Off Quantum Energy Squarehttps://quantumsquares.com/discount/FILMMAKINGSWABY20% Off Long Tablehttps://longtablepancakes.com/discount/FILMMAKINGSWABY20% Off HyperNaturalhttps://hypernaturalstyle.com/discount/FILMMAKINGSWABY20% Off wearplaygroundhttps://wearplayground.com/discount/FILMMAKINGSWABY15% Off STAND+https://www.standshoes.com/discount/FILMMAKINGSWABY10% Off Molly Bzhttps://mollybz.com/discount/FILMMAKINGSWABY41% Off Cozy Earthhttps://cozyearth.com/discount/FILMMAKINGSWABYX (Twitter): @DamienSwaby https://x.com/DamienSwaby/status/1864468655582437405Instagram: @filmmaker__damien_swaby. https://www.instagram.com/filmmaker__damien_swaby/?hl=en JEWFACE is a bold, dark comedy about a Jewish-American bisexual woman who believes re-breaking her teenage rhinoplasty might restore her lost identity—now crowdfunding to bring this provocative, funny, and urgently human story to life.Check out the link: JEWFACE

Pete and Hannah are back at it again, diving deep into the American Film Institute's most iconic selections as they continue their quest to determine the ultimate AFI list. On this week's episode of AFI Redux, they saddle up for 1990's sweeping frontier epic, Dances with Wolves — exploring its legacy, impact, and whether it truly deserves its place among the greats.From its ambitious scope and breathtaking cinematography to its cultural significance and awards-season dominance, nothing is off-limits. Does it still ride tall among cinema's best, or has time changed the conversation? Tune in as Pete and Hannah break it all down, revisit the film's most powerful moments, and debate where it ultimately belongs in AFI history.

Live from the American Film Institute, Matt is joined by Bloomberg's Lucas Shaw and the CEO of Sony Film, Tom Rothman, to discuss why now is the fifth moment of crisis in the history of the movie industry, how large-scale tech companies have disrupted Hollywood, reasons for optimism, legacy studios vs. streamers, and the future of the 'Spider-Man' franchise. Host: Matt Belloni Guest: Lucas Shaw, Tom Rothman Producers: Craig Horlbeck, Jessie Lopez, and Jon Jones Theme Song: Devon Renaldo AVATAR: FIRE AND ASH. FOR YOUR CONSIDERATION. Learn more about your ad choices. Visit podcastchoices.com/adchoices

"Train Dreams" has gone on to become the most celebrated film from the 2025 Sundance Film Festival, with praise going to Bentley's direction, Edgerton's performance, and the cinematography. Among its accolades, the film was named as one of the top ten films of 2025 by both the National Board of Review and the American Film Institute. For his performance, Edgerton was nominated for a Golden Globe Award. It received four nominations at the 98th Academy Awards, including Best Picture, Best Adapted Screenplay, Best Original Song, and Best Cinematography. Brazilian cinematographer Adolpho Veloso has won the Critics' Choice Award for Best Cinematography and has been nominated for the ASC, BAFTA, Spirit Award, and Oscar for Best Cinematography, becoming the first Brazilian to achieve the latter. Veloso was kind enough to spend some time speaking with us about his work on the film, the experience of awards season, his Brazilian roots, and more, which you can listen to below. Please be sure to check out the film, which is now available to stream on Netflix and is up for your consideration for this year's Academy Awards in all eligible categories, including Best Cinematography. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

Surprise! I didn't say during Monday's episode that I'd be posting 2 podcasts later in the same week, but here's the first one. Here I'm talking about the American Film Institute's Top 100 Stars list, which was really 50 stars (25 men, 25 women). Although their odd numbering method isn't really the point…and neither is their dumb criteria. No, this 714th Have You Ever Seen podcast is REALLY about the 450 people who were nominated, but didn't make the cut. My plan is to review as many of the 180-ish up-until-now-omitted actors & actresses as I possibly can in the months and years ahead. So if you ever wanted to hear a guy rattling off about 500 names, then this monologue about the AFI's Old-Timey Actors is your dream episode! Oh, and tune in again tomorrow when I begin this quest by talking about 2 B&W '30s comedies: Kid Millions and Soup To Nuts. Subscribe to Have You Ever Seen in your app, but also rate and review the show. To hear more of my rambunctiousness, you can search for me on Letterboxd as well: RyanHYES. Feedback: email (haveyoueverseenpodcast@gmail.com), Twi-X (@moviefiend51) and Bluesky (ryan-ellis).

Join hosts Christine Chen and Adam Chase Rani on Episode 179 of the Get Reelisms Podcast as they dive into a fascinating conversation with special guest Rob Spera, a seasoned film and television director, and educator at the American Film Institute. Spera shares invaluable insights about the filmmaking industry, discussing his work with Ride Back Rise, a fellowship program supporting mid-career people of color. He emphasizes the importance of doing the work, focusing on long-term career plans, and maintaining passion through teaching and community-building. The episode also touches on practical directing advice, including how to effectively collaborate with actors and the significance of living a balanced life to fuel creativity. This episode is packed with wisdom for both aspiring and seasoned filmmakers.Hosts: Adam Rani (@adamthechase)   & Christine Chen (@cchenmtf) About Christine W Chen:Christine W. Chen is a Taiwanese American filmmaker, Academy member (Short Films Branch), and versatile producer, director, and writer known for bold, character-driven storytelling. Through her production company, Moth to Flame, she has created award-winning short films, features, and branded content—including Erzulie, a feminist swamp thriller that had a limited theatrical run and now streams on major platforms. In addition to her directorial work, Christine is a seasoned DGA 1st Assistant Director and co-author of Get Reelisms and ABCs of Filmmaking, as well as the co-host of the Get Reelisms Podcast.For more information about Christine Chen: christinewchen.comAbout Adam Rani:Adam Chase Rani is a production designer and set dresser working in the Austin film market, bringing a sharp eye for visual storytelling and practical creativity to every project. During the pandemic, he co-founded the Get Reelisms Podcast with Christine Chen to foster community within the film industry. Together, they've built a platform that blends education, candid conversations, and industry insights to help filmmakers connect, learn, and grow.WEBISODE VERISON OF THE PODCASTTIMELINE:00:00 Introduction to Film Scene Lengths00:40 Welcome to the Get Reelisms Podcast01:16 Meet Rob Spera: Director and Educator01:41 The Ride Back Rise Fellowship04:35 The Long Game: Developing a Five-Year Plan06:43 Rob Spera's Journey in the Film Industry10:11 Advice for Aspiring Producers11:39 The Importance of Creating Your Own Opportunities15:55 Teaching and Keeping the Passion Alive23:44 Directing Techniques and Respecting Actors32:07 The Importance of Scene Simplicity32:48 Navigating Actor Challenges33:31 The Role of Blocking and Camera Angles35:53 Building a Collaborative Environment40:21 The Value of Gratitude on Set47:12 Advice for Aspiring Filmmakers52:31 Balancing Creativity and Work56:33 Final Thoughts and Farewell Official Get Reelisms PageGet Reelisms Amazon StoreInstagram

"Wicked: For Good" is a musical fantasy sequel directed by Jon M. Chu that adapts the second act of the "Wicked" stage musical, itself inspired by Gregory Maguire's reimagining of "The Wizard of Oz." Starring returning cast members Ariana Grande, Cynthia Erivo, Jonathan Bailey, and others, the film follows Elphaba and Glinda as they embrace their identities as the Wicked Witch of the West and Glinda the Good. Developed over a decade and split into two films to preserve the story's depth, production faced delays due to the pandemic and the 2023 SAG-AFTRA strike. Released by Universal Pictures in November 2025, the film grossed $523 million worldwide, earned awards recognition from the Critics' Choice Awards and the Golden Globes, and was named one of the top ten films of the year by both the National Board of Review and the American Film Institute. Ever since its release, the Next Best Picture team has been conducting a series of interviews with many people involved in the making of the film, which we're proud to share with you below. First up, we have my interview with the film's director Jon M. Chu, followed Cody Dericks's interview with casting directors Tiffany Little Canfield & Bernard Telsey, then we have my intervew with the film's editor Myron Kerstein, followed by Cody's interview with makeup & hair designer Frances Hannon, then Dan Bayer's interview with sound mixer Simon Hayes, and then we end with Cody's interview with visual effects supervisor Pablo Helman. Please be sure to check out the film, which is now available to rent or own digitally or on physical media from Universal Pictures, and is up for your consideration for this year's Academy Awards in all eligible categories. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

The Breakfast Club (1985) was chosen by Patreon supporter Lucky LouLou Green, and it stands as one of the defining films of 1980s American cinema. Written, produced, and directed by John Hughes, the movie was made during an incredibly prolific period for the filmmaker, as he reshaped teen movies with a more honest, character-driven approach. Shot on a modest budget of around $1 million, the film was produced quickly, with Hughes deliberately stripping away flashy set pieces to focus on dialogue, performance, and atmosphere. Principal photography took place at Maine North High School in Des Plaines, Illinois — a real, unused school that Hughes would return to multiple times throughout his career.The production schedule was famously short — just 28 days — and Hughes encouraged collaboration, allowing the young cast to contribute ideas and personal experiences to their roles. Several moments of dialogue were improvised or rewritten on set, helping give the film its natural, conversational feel that set it apart from other teen movies of the era. Composer Keith Forsey provided the now-iconic soundtrack, perfectly capturing the mood of mid-80s youth culture. Upon release, The Breakfast Club became both a commercial and cultural success, cementing Hughes' reputation and turning its cast into defining faces of a generation. Today, the film is widely regarded as a landmark of 1980s filmmaking — proof that a small budget, a single location, and strong creative confidence can produce something timeless.

Writing legends John August & Craig Mazin talk about their journey to screenwriting, podcasting, & writing a book.  They talk about how to boil  down 15 years of shows down to a book, the origin of the scriptnotes podcast, the need to help people combined with being annoyed by people, what each of them considers good writing, why people who hate books on writing wrote a book on writing, there are no rules to screenwriting, customizing your process, the moment they thought the might be good enough to make a living at writing, their messiest jobs, their best jobs, the changing nature of show biz, and why the Scriptnotes book weighs a lot less than you think it does.  Bio: Craig Mazin is the multiple Emmy® award-winning co-creator, executive producer, writer and director of the smash hit HBO series THE LAST OF US. An addition to setting viewership records for HBO, THE LAST OF US has earned 51 Emmy® nominations including 9 Emmy® wins, a Peabody Award, an AFI Award, a BAFTA Award, two SAG Awards, a DGA Award, a WGA Award, a GLAAD Award, two Film Independent Spirit Awards, and four Golden Globe Award nominations. Previously, Mazin served as creator, writer and executive producer of the HBO limited series CHERNOBYL, for which he won 2 Emmys®, a Golden Globe, a BAFTA, a Peabody, and awards from the Writers Guild, the Producers Guild, the Television Critics Association and the American Film Institute. Looking ahead, Mazin is executive producing the upcoming HBO E-sports drama DAMAGE alongside writer, director and executive producer Celine Song. In addition to his work in television, Mazin has written numerous hit feature films, which have grossed over one billion dollars in theaters worldwide. Mazin can be heard on the popular screenwriting podcast Scriptnotes, which he co-hosts with fellow writer John August. Bio: John August is a screenwriter whose credits include Aladdin, Big Fish, Charlie and the Chocolate Factory, Corpse Bride, Frankenweenie and the first two Charlie's Angels movies. He directed the 2007 film The Nines starring Ryan Reynolds and Melissa McCarthy, which premiered at the Sundance Film Festival. He earned a BAFTA nomination for his script for Big Fish, and a GRAMMY nomination for his song in Charlie and the Chocolate Factory. In 2016, he received the Writers Guild of America West's Valentine Davies Award in recognition of his humanitarian efforts and civic service. In addition to his work in film, John wrote the Arlo Finch middle-grade novel trilogy, and the book for the Broadway musical of Big Fish. Since 2012, he has co-hosted the popular weekly screenwriting podcast Scriptnotes. His company, Quote-Unquote Apps, makes utilities for writers (including Highland and Weekend Read) along with Writer Emergency Pack, which is used in 2,000 classrooms nationwide. Born in Boulder, Colorado, John received a BA in Journalism from Drake University and an MFA in Film Producing from USC's School of Cinematic Arts. He lives in Los Angeles with his family. Learn more about your ad choices. Visit megaphone.fm/adchoices

Every once in awhile, I talk with someone who completely changes how I view independent filmmaking and those creating the most inventive films. Lately, that was writer/director/dancer Sam Mandich, whose work was influenced by her beginnings in dance. When you watch her films, it all makes sense -- the spare movement and the focused direction -- it comes from her amazingly unique background.An experimental dance film? A psychological coming of age horror? Sign me up for the next few years of Sam Mandich's work. What an astonishing person and I'm so glad to talk with her today for the pod.In this episode, Sam and I discuss:how dance informs her filmmaking;the amazing through-line in dance, conformity, and coming of age stories;what she got out of attending incredibly selective programs like the Paris College of Art and the American Film Institute;why she was selected by her peers at programs like these for higher honors and how it relates back to dance;the signs that people handled selective opportunities poorly;the simplicity -- and complexity -- of her latest works like JIA (2025) and ANGELS;her work on a new experimental dance film (!!);what it is like for her directing other peoples' projects;how she developed her writing skills and working on a script she didn't write;the fact that coming of age stories have become more immediately told and what that means for the future;the various stages of release for her films and the emphasis of top film schools on festivals;what Square Peg Social was like for her;what's next.Sam's Indie Film Highlight: MA (2015) dir. by Celia Rowlson HallMemorable Quotes:"when I was living in New York and commuting everywhere with my headphones on, suddenly everyone's a dancer.""With dance, it's so interesting because it's an art that's about honing in on your personal craft, and how your singular way of expression feels.""Going back to dance, there's been so many times where you're thrown into environments where you don't know anyone and you're immediately expected to be open and soft and receive like people's most vulnerable stories and then tell them through your own body.""All of these experiences I've been reflecting on so much when I'm doing...I try to journal every morning and try to understand why I am feeling the way I'm feeling about something.""Even though art is so personal, it's really healthy to try to not take things personally.""Directing is a pretty lonely profession...so I think for certain stories, I'm really drawn to collaboration for that sense.""Working on my own scripts, there is a certain vulnerability that comes with the solitude of that...manifests in the story as well.""When you're choosing to make a film with someone, you're choosing to be in a relationship with them. So it's it's a little bit of you. It's a little bit of me, and we figure it out together.""Coming of age can happen at any age."Links:Follow Sam On InstagramSam Mandich's WebsiteSupport this podcast at — https://redcircle.com/first-time-go/exclusive-content

Hamnet is a 2025 British historical drama film directed by Chloé Zhao, who co-wrote the screenplay with Maggie O'Farrell, based on the 2020 novel by O'Farrell. The film dramatises the family life of William Shakespeare and his wife Agnes Hathaway[a] as they cope with the death of their 11-year-old son Hamnet.[6] It stars Jessie Buckley and Paul Mescal as Agnes and William, alongside Emily Watson and Joe Alwyn in supporting roles.Hamnet premiered at the 52nd Telluride Film Festival on 29 August 2025 and received a limited theatrical release by Focus Features in the United States and Canada on 26 November. It received a wide theatrical release on 5 December and was released by Universal Pictures in the United Kingdom on 9 January 2026. The film received critical acclaim, with the performances of Buckley and Mescal receiving particular praise. It was listed among the top ten films of 2025 by the American Film Institute. The film won Best Motion Picture - Drama and Best Actress in a Motion Picture - Drama for Buckley at the 83rd Golden Globe Awards. Buckley additionally won the Critics' Choice Award for Best Actress. Hosted on Acast. See acast.com/privacy for more information.

A woman who loves eggs but one day, she is haunted by an egg monster. What motivated you to make this film? My name is Bao and Eggsecution is a film born out of my love for eggs and eating eggs. My grandmother has always berated me for eating way too many eggs a human being could handle and often chided me for doing so, warning that one day i would gain an allergy from doing so. When i moved here to the states from Singapore, i was given free liberty to eat all the eggs i wanted since i was no longer living with my family. in that way, i was unleashed. But there was always a nagging feeling at the back of my head telling me that maybe theres some wrong in eating so many eggs a day. Hence, this film was born from that fear that was ingrained in me since young. And because  I love horror and genre so much, i decided to put a fun twist into both the visuals and story of this film.  From the idea to the finished product, how long did it take for you to make this film? The film roughly had a timeline of 6 to 8 months. Because of the support from American Film Institute., I was allowed access to shoot on 35mm film – the Panavision Millennium xl2, 3 perf and in addition, with the support and generous donation from Kodak, we shot on 50D celluloid film – which was an amazing opportunity. My facility head and mentors, Stephen Lighthill, Sandra Valde-Handsen and Sara Ross Samko were very supportive of the original pitch for my visual essay and we eventually had to tailor it down to smaller ideas and smaller spaces due to budgetary and location restraints. But i am still extremely proud of the team that managed to make this happen! Thank you for selecting Eggsecution as part of your line up in the Experimental Film Festival!  How would you describe your film in two words!? Disgusting and Delicious!  What was the biggest obstacle you faced in completing this film? One of the biggest obstacles i faced was budgetary restraints. Because this film was self funded and i knew i was not working at that time, i had to save and set aside a workable budget for my film. Though equipment was provided by AFI, it was still a big project considering that i wanted to use SFX and practical effects and costume changes, along with the build of the monster in the film. My costume designer – Kai Burns and my SFX artist – Daniel Sukara were the MVPs, coming down to AFI to do countless tests to make sure the colours of the wigs, gooey, eggs and monsters were of the right shades of colour and effects could work seamlessly.  ---- Subscribe to the podcast: https://twitter.com/wildsoundpod https://www.instagram.com/wildsoundpod https://www.facebook.com/wildsoundpod

Hon gifte in sig i Hollywood-eliten. Hamnade i skuggan av sin man. Men tog revansch och blev en av världens största filmstjärnor. Lyssna på alla avsnitt i Sveriges Radios app. Nicole Kidman slår igenom som ung skådespelare i Australien och tar sig till drömmarnas Hollywood. Men när hon gifter sig med världens största skådespelare, Tom Cruise, hamnar hon i hans skugga och reduceras till hans plus en på röda mattan. Samtidigt, avlyssnas hon av scientologernas innersta krets, enligt rörelsens avhoppare. När äktenskapet kraschar inför öppen ridå förväntar sig alla att hennes karriär ska gå samma väg. Istället blir hjärtesorgen hennes superkraft. Nicole kastar sig ut, vågar ta risker och visar världen att hon är en riktig filmstjärna. Sen dess har hon spelat otaliga komplexa kvinnoroller i alla möjliga genres, genom en 90 filmer lång karriär som sträcker sig över decennier. Trots att kritiken mot hennes rynkfria ansikte och stela rollval aldrig tystnar fortsätter hon jobba. En ikon, med målet att förändra Hollywood inifrån. I avsnittet hörs Dagens Nyheters filmredaktör Helena Lindblad, samt kulturjournalisten och filmkritikern Caroline Hainer. Avsnittet gjordes november/december 2025 av Dist.Programledare och producent: Vendela LundbergAvsnittsmakare och reporter: Sara Olsson Slutmix: Fredrik NilssonLjudklippen i programmet kommer bl a från podcasten Awards Chatter, Charlie Rose, The Oprah Winfrey Show, 60 Minutes Australia, dokumentärfilmen Going Clear, People Magazine, AP Archive, Saturday Night Live, ABC News, The American Film Institute, Hollywood Archives, Woman in the World interview series, CNN, Sky News, Time Magazine. Samt filmerna Eyes Wide Shut, BMX Bandits, Skin Deep, Days of Thunder, Till varje pris, Moulin Rouge, Timmarna, Chanel No. 5 The Film och Babygirl.

Marty Supreme is a 2025 American sports comedy-drama film co-produced and directed by Josh Safdie from a screenplay he co-wrote with Ronald Bronstein, loosely inspired by the life and career of American table tennis player Marty Reisman. Co-produced by and starring Timothée Chalamet, the film also features Gwyneth Paltrow, Odessa A'zion, Kevin O'Leary, Tyler Okonma, Abel Ferrara, and Fran Drescher in supporting roles. The film's cinematography was directed by Darius Khondji and its musical score was composed by Daniel Lopatin.Marty Supreme premiered at the 2025 New York Film Festival on October 6, 2025, and was released in the United States by A24 on December 25, 2025. The film has received critical acclaim with praise for its direction, screenplay, editing, score, and Chalamet's performance, which was often described as "career-best" and "career-defining". The film was named one of the top ten films of 2025 by the National Board of Review and the American Film Institute. It received three nominations at the 83rd Golden Globe Awards: Best Motion Picture – Musical or Comedy, Best Actor for Chalamet and Best Screenplay for Safdie and Bronstein. Hosted on Acast. See acast.com/privacy for more information.

pWotD Episode 3159: Marty Supreme Welcome to popular Wiki of the Day, spotlighting Wikipedia's most visited pages, giving you a peek into what the world is curious about today.With 195,178 views on Thursday, 25 December 2025 our article of the day is Marty Supreme.Marty Supreme is a 2025 American sports comedy-drama film produced and directed by Josh Safdie, who co-wrote the script with Ronald Bronstein, loosely inspired by the life and career of American table tennis player Marty Reisman. Starring and co-produced by Timothée Chalamet, the film also features Gwyneth Paltrow, Odessa A'zion, Kevin O'Leary, Tyler Okonma, Abel Ferrara and Fran Drescher in supporting roles. Marty Supreme premiered at the 2025 New York Film Festival on October 6, 2025, and was later released in the United States by A24 on December 25, 2025. The film has received widespread acclaim, with many critics praising the direction, screenplay, score and editing. Chalamet's performance in the film has also been praised as a career-best and career-defining work. The film was named one of the top ten films of 2025 by the National Board of Review and the American Film Institute. It received three nominations at the 83rd Golden Globe Awards: Best Motion Picture – Musical or Comedy, Best Actor for Chalamet and Best Screenplay for Safdie and Bronstein.This recording reflects the Wikipedia text as of 03:15 UTC on Friday, 26 December 2025.For the full current version of the article, see Marty Supreme on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm neural Brian.

Die Themen: ein runder Geburtstag für Martin Schulz; Nina Chuba rechnet wütend mit der „1Live Krone“ ab; ein SZ-Porträt mit Alexander Eichwald; die Rolling Stones sagen ihre Tour 2026 ab; James Camerons neuer „Avatar“-Film beeindruckt visuell, tritt erzählerisch aber auf der Stelle; das American Film Institute kürt die besten Filme und Serien des Jahres; Kollegahs Song „Deutschland“ ist eine Traumhymne für die Rechten; mit „The Holdovers“ läuft der schönste Lehrerfilm seit „Club der toten Dichter“ im TV und David Gilmours Roman „Unser allerbestes Jahr“ Du möchtest mehr über unsere Werbepartner erfahren? Hier findest du alle Infos & Rabatte: https://linktr.ee/ApokalypseundFilterkaffee

Frankenstein is a 2025 American Gothic science fiction film produced, written, and directed by Guillermo del Toro, based on the 1818 novel by Mary Shelley. The film stars Oscar Isaac as Victor Frankenstein and Jacob Elordi as the Creature, with Mia Goth and Christoph Waltz in supporting roles. The story follows the life of Frankenstein, an egotistical scientist whose experiment in creating new life results in dangerous consequences.Del Toro had long imagined a faithful Frankenstein film as a "dream project". This was initially in development for Universal Pictures, with del Toro casting frequent collaborator Doug Jones as the Creature, and Bernie Wrightson being considered for the monster's design. However, Universal suspended the project in relation to its planned Dark Universe franchise. Netflix revived the project in 2023, with Elordi instead portraying the Creature. Filming took place from February to September 2024. Wrightson had died in 2017, and the illustrated compilation Bernie Wrightson's Frankenstein was a key inspiration for the film's look.Frankenstein premiered at the 82nd Venice International Film Festival on August 30, 2025. It had a limited theatrical release in the United States from October 17 and was globally released on November 7 on Netflix. The film received generally positive reviews from critics. Both the National Board of Review and the American Film Institute named it as one of the top ten films of 2025. It received five nominations at the 83rd Golden Globe Awards, including Best Motion Picture – Drama.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

Dean Richards, entertainment reporter for WGN, joins Bob Sirott to provide the latest news in entertainment. Bob and Dean share details about an agreement between Netflix and Warner Bros., as well as the American Film Institute’s list of the best movies of the year. They also talk about how Kevin Hart got roasted by the […]

Award-winning author, Sue Hinkin, discusses her new release, THE SNAKE HANDLER'S WIFE. When a run of bad luck strikes her ranch, Lucy turns to her partner's estranged daughter to help take care of her four-year-old son. She soon discovers the young woman is married to a charismatic cult leader who wants to take everything from Lucy…including her life. “Darkly riveting and disturbingly real…”—BestThrillers.com Listen in as we chat about why some find cults attractive, the importance of learning how to grieve, and how she was able to weave scripture into the story. (And don't miss the moment Sue introduces a little friend who totally freaks me out!) https://www.mariesutro.com/twisted-passages-podcast https://www.suehinkin.com ABOUT THE AUTHOR: Sue Hinkin is the author of the award-winning thriller series, The Vega & Middleton Novels, featuring the investigative team of Los Angeles TV news journalist Bea Jackson and best friend, photographer Lucy Vega. BestThrillers.com called Lucy and Bea one of the top female detectives of 2023. A former Cinematography Fellow at the American Film Institute, Hinkin was a TV news photographer like her character, Lucy. Now living in Colorado, she was voted Rocky Mountain Fiction Writers Writer of the Year. She enjoys spending time with her family, including cats, dogs, flowers, and her young twin granddaughters who love climbing everything, insect collecting, chocolate, and a good book. All those things seem to run in the family...

Rodney Barnes is an American screenwriter, producer, and author. He has written and produced such TV shows as The Boondocks, Everybody Hates Chris, Marvel's Runaways, American Gods, Wu-Tang: An American Saga, and HBO's Winning Time: The Rise of the Lakers Dynasty. His graphic novels and comic books include Killadelphia, Blacula, Monarch, Marvel's Falcon, and the adaptation of the first season of Star Wars: The Mandalorian. Rodney Barnes' newest comic book series, the horror-noir Crownsville, explores Maryland's Jim Crow–era "Hospital for the Negro Insane." He has received awards and honors from the Peabody Awards, American Film Institute, Writers Guild of America, BET Comedy Awards, and NAACP Image Awards, and the Eisner for creative achievement in American comic books. Barnes shares hard-earned advice from his long career about the importance of discipline, humility, building a moral center, and surviving an industry and world that can overwhelm and corrupt. He also reflects on how a life-and-death health emergency reshaped his views on art, work, relationships, and gratitude. Rodney and Chauncey discuss their mutual love of professional wrestling, Star Wars, and comic books and what shows like Sanford and Son and the other TBS classics of the 1980s taught them as men of a certain vintage. For this Thanksgiving weekend episode, Chauncey DeVega reflects on gratitude in difficult times and reads a story about how Black Civil War soldiers celebrated the holiday. Chauncey is reminded that nobody hates like family as he watches a late-night pre-Thanksgiving verbal brawl and donnybrook between a father and a son at a local business, and issues his annual public service announcement warning about the dangers of physical intimacy and other forms of romance after eating too much food on this (or any other) holiday. And Chauncey DeVega goes to the local cineplex and reviews three new films: Rebuilding, Rental Family, and Eternity.   WHERE CAN YOU FIND ME? On Twitter: https://twitter.com/chaunceydevega On Facebook: https://www.facebook.com/chauncey.devega My email: chaunceydevega@gmail.com HOW CAN YOU SUPPORT THE CHAUNCEY DEVEGA SHOW? Via Paypal at ChaunceyDeVega.com: Patreon: https://www.patreon.com/thechaunceydevegashow  https://www.patreon.com/TheTruthReportPodcast

This week on Tipsy Casting! We are so thrilled to have a FIRST on the show as we welcome the extremely talented cinematographer, Ed Wu to the podcast! Ed is a man of many talents including being a classically-trained Violinist, Ultimate Frisbee Athlete and most importantly a cat lover! Ed was recognized as one of the Rising Stars of Cinematography in the February 2017 issue of American Cinematographer. In 2016, he was selected to be a part of Variety's Below-the-Line Impact Report - Up Next Category. Ed transplanted to Los Angeles from Long Island, NY in search of uncovering and learning the magic behind visual storytelling. To refine his craft, Ed was accepted to study at the prestigious American Film Institute, receiving an MFA in cinematography. Through his experiences as a cinematographer and wanderer of the world, he's seen the power of an image and constantly continues to search for the perfect frame to tell the story. He is extremely knowledgeable and I was able to see that first hand on the films we have worked on together like LINOLEUM and SLEGHT. His other recent credits include MOTHER OF THE BRIDE, PONYBOI and LOST ODYSSEY: SHADOWS OF DESTINY to name a few. In this episode we discuss...How he went from being a violinist/sports guy to learning the cinematography wold and wanting to train up in it. He breaks down all the terminology of the roles within the camera and lighting departments so we can best understand each role. We dive into the many different ways to go about gaining experience and climbing the preverbal ladder. He breaks down 2 of his favorite scenes from the film LINOLEUM and how they pulled off these not only amazing shots of dropping a car but also the emotional breakdown of scenes and the challenges. We discuss how being the head of department has its advantages but also disadvantages in running the crew and how the intimate relationship with the director really comes into play. How he approaches working with actors in such a close environment from the day they meet to the evolution throughout the shoot.He gives his tips to actors on how to best be an actor's DP and help him help you look your best on screen!And lastly any particular genres or types of films that are on his manifesting list to be a part of Make sure you are subscribed to Tipsy Casting on all platforms as well as rate and review the podcast!!!Resources: ⁠⁠⁠⁠⁠Ed's WebsiteEd's IMDBEd's Instagram──────────────────────────⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Stay Tuned with Tipsy Casting on IG⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Watch the ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tipsy Casting YouTube Channel⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow Jessica ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ & ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow Jenn ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Learn More About ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Jess ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠& ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Jenn's⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Casting Journeys 

We delve into the evolving landscape of filmmaking in the region, the importance of authentic, locally rooted narratives, and the critical role of institutions like the Doha Film Institute in fostering emerging talent. Award-winning filmmaker and associate professor at Northwestern Qatar, Rana Kazkaz, offers a glimpse into her current project "The Hakawati's Daughter," and provides recommendations for essential Arab cinema. She shares her experiences teaching film in the Arab world, highlighting the unique challenges and immense joys of mentoring a new generation of storytellers. This episode is in collaboration with Qatar Foundation. 0:00 Introduction0:23 The Joy of Mentoring Arab Students3:19 The "Why" of Storytelling: Finding Your Authentic Voice4:44 Navigating Censorship and Risk in Filmmaking7:24 How Technology is Shaping New Narratives10:47 Shifting Away from the "Other" Narrative14:55 Building the Filmmaking Pipeline: The Role of the Doha Film Institute19:39 The Critical Need for Producers in the Arab World21:39 The Impact of Non-Regional Producers on Arab Films26:12 Recommending Authentic Arab Films for Students29:28 Addressing Class Bias in the Film Industry31:19 Unlearning Self-Orientalism in Storytelling33:40 The Genesis of "The Hakawati's Daughter"41:26 Essential Films from the Arab World Rana Kazkaz is a filmmaker and associate professor in residence at Northwestern University Qatar. Her films have been recognized at the world's leading festivals including Cannes, Sundance, Toronto, Tallinn, Tribeca, and Abu Dhabi. She received her MFA from Carnegie Mellon University/Moscow Art Theater and BA from Oberlin College. With a focus on Syrian stories, her producing, screenwriting, and directing portfolio includes The Translator (2020), Mare Nostrum (2016), Searching for the Translator (2016), Deaf Day (2011), and Kemo Sabe (2007). Her current film projects include The Hakawati's Daughter and Honest Politics. She is a member of the Académie des César and was awarded fellowships with the Buffett Institute, MacDowell and the American Film Institute's Directing Workshop for Women.Connect with Rana Kazkaz

Beginning with this episode, Stars on Suspense goes to the movies and shines a spotlight on the cast of a Hollywood classic. Up first is Laura, the 1944 Oscar-nominated mystery that the American Film Institute hailed as one of the ten best of all time. We'll hear three of its stars in "radio's outstanding theatre of thrills" - Dana Andrews in "Two Birds With One Stone" (originally aired on CBS on May 17, 1945), Clifton Webb in "The Burning Court" (originally aired on CBS on June 14, 1945), and Vincent Price in "The Name of the Beast" (originally aired on CBS on April 11, 1946), and . Plus, we'll hear a radio recreation of the film featuring Andrews, Webb, and Gene Tierney from The Lady Esther Screen Guild Theatre (originally aired on CBS on August 20, 1945).

Sometimes, dreams really do come true! We're thrilled to have with us the amazing Jerry Zucker, who, alongside his brother David and their friend Jim Abrahams, played a huge part in transforming comedy in the 1980s. Together, they brought a fresh and hilarious twist to the spoof movie genre with the legendary 1980 hit “Airplane,” which the American Film Institute recognized as one of the ten funniest films ever made.Before that, the Zuckers and Abrahams wrote the cult classic, "Kentucky Fried Movie" (1977), a comedy consisting of unrelated sketches. After "Airplane," the Zuckers and Abrahams created "Police Squad!" (ABC, 1982) and turned it into the successful film franchise of today. Next, Zucker, Abrahams, Zucker returned to the big screen with "Top Secret!" (1984). Jerry also directed "Ruthless People" (1986) and "Ghost" (1990), starring Patrick Swayze and Demi Moore. "The Naked Gun - From the Files of Police Squad!" (1988). He produced "First Knight" (1995), "Rat Race," "A Walk in the Clouds" (1995), and "My Best Friend's Wedding" (1997). Additionally, he worked on "Fair Game" (2010).Special thanks to Katie Zucker and Darlene Chan.The PAGE International Screenwriting Awards sponsors the WRITERS' HANGOUT.Executive Producer Kristin OvernCreator/Executive Producer Sandy AdomaitisProducer Terry SampsonMusic by Ethan Stoller

On this episode of The Scoop from the VET S.O.S. Network, host Kingsley “Kings” Scott sits down with two veterans who turned their service experience into stories of impact and creativity.

Send us a text(Life continues to kick my behind, so I'll be releasing episodes every few weeks or so through the rest of the year. Follow me on your favorite podcast app so you don't miss a thing. As always, thanks for listening!)Season 2 of Nobody Wants This was just released on Netflix, and it's different show runners, but equally heartwarming, sexy, touching and hilarious – if not more so. I'm only a third of the way through the latest season, but had to pop in and say: it's 100% fresh, so don't miss it. https://www.confessionsofaclosetromantic.comFirst comes love, then comes life.Episode descriptions, in case you need to catch up."I didn't know I wrote a romcom...I thought I wrote Fleabag." Fascinating interview with Nobody Wants This creator/screenwriter Erin Foster at the American Film Institute.Support the showIf you enjoyed this episode, please click share in your podcast app and tell your friends! Thanks for listening!

Welcome to the Visual Intonation Podcast, where storytelling and creative expression collide. Hosted by Pascale Williams, this podcast explores the intersectionality of culture, identity, and the art of communication. With a passion for embracing diverse voices and perspectives, Pascale shares her experiences and insights, offering listeners a unique lens through which to understand the world. Her work—shaped by a multicultural upbringing—reminds us that storytelling is not just a tool, but a responsibility, one that holds the power to foster connection and inspire change.Each episode of Visual Intonation invites guests from a variety of artistic fields to discuss how they use their craft to tell stories that matter. Whether you're an artist in the traditional sense or someone who creatively navigates the world in your own way, Pascale's goal is to encourage you to reach your fullest potential without fear of expression. Through candid conversations and thoughtful dialogue, the podcast delves into the human application of creativity—how it influences personal growth, challenges norms, and drives societal shifts.Pascale's commitment to visual storytelling and the power of human creativity is at the heart of every episode. As an accomplished filmmaker and storyteller, her journey took her from multimedia storytelling at Queens University of Charlotte to earning a Master of Cinematography at the American Film Institute. Along the way, she has collaborated with powerful organizations like Crenshaw Skate Club and has worked with up-and-coming brands like Loyd Visuals. Pascale's deep belief in representation is reflected in her projects, such as the film Nour, which explores cultural identity, family, and self-acceptance.In this podcast, expect to hear from artists, filmmakers, creatives, and visionaries who, like Pascale, are committed to telling stories that break boundaries and amplify voices that have long been unheard. Join Pascale Williams on the Visual Intonation Podcast—where art, culture, and storytelling converge to shape the world we live in.Source: InstagramPASCALE R. WILLIAMS (@arty_miss98) - InstagramSource: LinkedInPascale R. Williams - Cinematographer | LinkedInSource: XPascale Williams (@Arty_miss98) / Xhttp://www.arty-miss.com/Support the showVisual Intonation Website: https://www.visualintonations.com/Visual Intonation Instagram: https://www.instagram.com/visualintonation/Vante Gregory's Website: vantegregory.comVante Gregory's Instagram: https://www.instagram.com/directedbyvante/ To support me on Patreon (thank you): patreon.com/visualintonations Tiktok: www.tiktok.com/@visualintonation Tiktok: www.tiktok.com/@directedbyvante

Send us a textWhat if the story you've been telling yourself is what's holding you back?In this episode of The Savvy Scribe Podcast, I had the absolute pleasure of talking with Carrie KC West, bestselling author, speaker, and narrative coach.We talked about everything from overcoming imposter syndrome to owning your unique value, and how the stories we tell ourselves can either hold us back or launch us forward. If you've ever struggled with self-doubt, limiting beliefs, or not knowing how to “market” yourself authentically — this episode is for you.Key TakeawaysHow to recognize and rewrite limiting stories that no longer serve youWhy your voice is your superpower — and how to use it effectivelyWhat somatic signals like stress or burnout are really telling youThe truth about imposter syndrome and how to quiet that inner criticWhy it's never too late to start over or launch something newAbout Carrie KC WestCarrie KC West is a Bestselling Author, Speaker, and Narrative Coach who helps individuals and creatives rewrite the unconscious stories that shape their lives and work. With a Master of Fine Arts in Filmmaking from the American Film Institute and a background in counseling psychology, Carrie blends storytelling, psychology, and somatic tools to support deep personal and professional growth.She's the author of Life Rewritten (March 2025), an international bestseller exploring how story can be used as a tool for healing and clarity. Carrie has worked as a story analyst for film and publishing, and now helps writers, entrepreneurs, and leaders find their voice, reframe limiting narratives, and bring greater alignment to both life and business.Resources & LinksBook: Life Rewritten by Carrie KC WesWelcome to the Savvy Scribe Podcast, I'm so glad you're here! Before we start the show, if you're interested, we have a free Facebook group called "Savvy Nurse Writer Community"I appreciate you following me and listening today. I would LOVE for you to subscribe: ITUNESAnd if you love it, can I ask for a

On this episode of Post In Black, we talk to film and television editor Angela Latimer. Angela's career began as an assistant editor, where she worked on films and series like The Old Guard, Downsizing and Drop Dead Diva, to name a few. More recently, she has been an editor on some of television's most talked-about series, including Forever, Grown-ish, Bel-Air, Hush and First Kill.Having always wanted to get into the entertainment industry but not necessarily knowing how, she shares how editing first started off for her as a side hustle. We also get into how moving to LA and getting a Master of Fine Arts in Editing from the American Film Institute was a culture shock that proved to be a pivotal power move that enhanced her approach to editing.Angela lauds the power of thinking outside the box and how it's propelled her craft. She also shares priceless insights from her unique perspective as an editor in the film and television space.

Writer Peter Murrieta talks about how teachers pushed him to a better life, riding in the car with his grandparents, baseball, creating TV, college training him to be a showman, being a rare latino at Second City, Danny Trejo, collecting baseball cards, loving writing, and becoming a teacher to give back. Bio: Peter Murrieta is a two-time Emmy Award winning producer and writer who has contributed his voice to multiple projects that have expanded and further legitimized the entertainment value of telling stories about diverse cultures. After moving to Los Angeles, Peter was accepted into the esteemed ABC Writing Fellowship. His success during the fellowship led to writing positions on Jesse, Three Sisters and All About the Andersons, before he created the critically acclaimed series Greetings from Tucson, which tells the story of an upwardly mobile bi-racial. The series' Latino cast is a perfect example of how he's been able to bring the lighthearted examination of his culture to the predominantly white television landscape. As a producer, Peter is dedicated to ensuring that diverse and underrepresented persons have opportunities in the industry on both sides of the camera, as evidenced by his work on the Emmy Award winning, Disney's Wizards of Waverly Place.Peter has produced and written on NBC's Welcome to the Family, ABC's Cristela, TV Land's Lopez, Norman Lear's Netflix re-boot of One Day A Time and CBS' Superior Doughnuts. He was an Executive producer and writer on the Imagen Award winning Netflix series, MR. IGLESIAS, starring comedian Gabriel “Fluffy” Iglesias. And most recently, he is a writer and an Executive Producer on the Amazon FreeVee series, “Primo,” for Universal. And wrote on the staff of the drama for Peacock, “Field of Dreams.” Peter was honored in 2018 with the Imagen Foundation's Norman Lear Writer's Award for his dedication to broadening the diversity of the entertainment industry. He was just named a member of the 2024 Influential Latinos in Media by the Imagen Foundation as well. Having taught at the prestigious American Film Institute, Peter is now a professor of Practice at Arizona State University, and is happy to have a foot back in his home state of Arizona, excited to serve as Deputy Director for The Sidney Poitier New American Film School.

Host Michael Azevedo is joined by veteran film and television director Rob Spera.   Rob's been on the faculty at the American Film Institute for over 20 years. His feature films include The Sweet Life, Fathers and Sons, and the cult classic Leprechaun in the Hood.    His numerous television credits include Criminal Minds, Supernatural, Suspect Behavior, and Army Wives. During four seasons as Resident Director at the Tony award-winning Actors Theatre of Louisville, he directed over 75 productions. And he is currently the Head of Directing at Rideback Rise, a Fellowship Program for mid-career screenwriters who are making the move to directing.    Rob discusses his book called the Film/TV Director's Field Manual: 70 Maxims to Change Your Filmmaking. Rob considers the manual to be an "anti-textbook" meant to be kept in a filmmaker's back pocket on set to provide distilled guidance with far-reaching results.   The roughly 200 page book is a collection of 70 maxims that distill filmcraft techniques to their essence, making them readily accessible to the filmmaker. The book is filled with valuable first-hand insight and guidance.    Making Media Now is sponsored by Filmmakers Collaborative, a non-profit organization dedicated to supporting media makers from across the creative spectrum. From providing fiscal sponsorship to presenting an array of informative and educational programs, Filmmakers Collaborative supports creatives at every step in their journey. About the host: www.writevoicecreative.com and https://www.linkedin.com/in/michael-azevedo/   Sound Engineer: A.J. Kierstead

In this episode of Visual Intonation, we sit down with cinematographer Allysa Lisbon, a compelling visual storyteller whose work is grounded in both intellectual rigor and emotional depth. Based in Los Angeles and originally from Kansas City, Missouri, Allysa holds degrees from Georgetown University and the American Film Institute, where she earned her MFA in cinematography. Her visual language is thoughtful and precise, shaped by a commitment to telling nuanced stories across film, media, and commercial spaces.Allysa's work explores themes of heritage, memory, diaspora, and gender/sexuality, often through a lens that prioritizes empathy and complexity. Her films have been featured at Imagine This Women's Film Festival and Marina del Rey Film Festival and have received accolades from the Telly Awards and the Webby Awards. Her projects have also appeared in The Washington Post and at the Smithsonian Institution, underscoring a career that is both critically recognized and culturally resonant.In our conversation, Allysa discusses her journey as a cinematographer and founder of Saturn Studios, a forward-thinking production collective dedicated to building a more inclusive and collaborative media landscape. She reflects on the responsibilities of representation behind the camera, the challenges of independent filmmaking, and how visual storytelling can act as both documentation and resistance.Join us for a thoughtful dialogue on the power of image-making, where Allysa Lisbon shares her approach to crafting stories that are visually rich and emotionally grounded. This episode is a tribute to the craft of cinematography as a language—one that speaks across time, identity, and experience. Allysa Lisbon's Website: http://allysalisbon.com/ Allysa Lisbon's Instagram: https://www.instagram.com/allysagram/?hl=en Allysa Lisbon's IMDB: https://m.imdb.com/name/nm13878452/ Allysa Lisbon's LinkedIn: https://www.linkedin.com/in/allysa-lisbon-5a5a25163Support the showVisual Intonation Website: https://www.visualintonations.com/Visual Intonation Instagram: https://www.instagram.com/visualintonation/Vante Gregory's Website: vantegregory.comVante Gregory's Instagram: https://www.instagram.com/directedbyvante/ To support me on Patreon (thank you): patreon.com/visualintonations Tiktok: www.tiktok.com/@visualintonation Tiktok: www.tiktok.com/@directedbyvante

From 1999- more from Michael Schumacher, talking about his book "Francis Ford Coppola: a Filmmaker's Life." Earlier this year, Coppola became the 50th person to receive the Life Achievement Award from the American Film Institute.

Earlier this year, Francis Ford Coppola became the 50th person to be granted the American Film Institute's Life Achievement Award- and the star-studded ceremony where he was presented the award was recently telecast on Turner Classic Movies. In honor of that, we are resharing our 1999 interview with Kenosha author Michael Schumacher in which we talk about his book "Francis Ford Coppola: A Filmmaker's Life." Coppola is renowned for directing and/or producing such films as "The Godfather," "The Godfather II," "Apocalypse Now," "The Outsiders," "Peggy Sue Got Married," "American Graffiti," and "The Cotton Club."

Holidays often mean we post a listicle...and so the Civic Holiday brings about our breakdown of the American Film Institute's greatest movies that DIDN'T make their 1998 or 2007 Top 100 lists. So there's no Citizen Kane, Godfather, Jaws action here. These are nominees that were shunned both times, such as Dog Day Afternoon, Ghostbusters, L.A. Confidential...and so many more. Bev listed her #100 down to #11 alphabetically while Ryan came up with categories in groups of 10. Then we each did a more thorough analysis of our Top 10 lists. So get cozy on this first Monday of August as the 679th edition of Have You Ever Seen highlights 100+ choices of outstanding American movies on this AFI's Not Quite 100 listicle. Well, Actually: Brad Pitt IS in 3 movies between our 2 lists, but one of them was just a tiny cameo in Being John Malkovich. Also, it appears that Martin Scorsese should not have been listed with the directors who have 3 movies on one or both of our lists (it's just 2). Also also, Sigourney Weaver WAS in an AFI movie, but her 3 seconds in Annie Hall was a cameo at the very end where you can barely tell it's her. Sparkplug Coffee? Why, they sponsor us. Use our "HYES" promo code and enjoy a onetime 20% discount. The website is "sparkplug.coffee/hyes". You should subscribe to Have You Ever Seen and then you'll never miss an episode again. Subscribe on YouTube too (@hyesellis in your browser). Rate the show, write a review, follow, you know the drill.  And offer up your own thoughts on social media (we're ryan-ellis and bevellisellis on Bluesky and @moviefiend51 and @bevellisellis on Twi-X) or with an email (haveyoueverseenpodcast@gmail.com).

“That which unites us is far greater than what divides us.” The first four words of this sentence are subtitle, and subtext, for “Path of Liberty,” an immersive outdoor photo and media experience on view through fall 2025 at Freedom Plaza on Manhattan's east side. The creative groundwork for this project was a mammoth effort involving an extensive crew both on the road and behind the scenes. In today's podcast, we catch up with two principals of this project's creative team—creative director Daniella Vale and director of photography, Scott Beardslee—to learn more about their daily lives during two months spent traversing the country by van to interview a broad group of everyday Americans. From the founding idea of capturing the diversity of people across America to the curiosity and resilience of the crew when working on the road to the complexities of orchestrating the many sensory elements for an immersive experience in exhibition, our discussion is rich with creative insight. As Daniella shares during our chat, “I always tend to make three films. There's the film I write, the film I shoot, and then, usually, I rearrange everything and make a totally different film in the edit. So, I've gotten pretty accustomed to non-attachment and rolling with things. That's where the magic happens too.” Guests: Daniella Vale & Scott Beardslee   Episode Timeline: 3:28: The inspiration behind Path of Liberty and Daniella's role as creative lead. 6:59: Daniella and Scott's respective backgrounds in photography and film, plus being curious and distinctions between finding the moment vs creating the moment. 12:02: Daniella and Scott's first introduction in the New York film world. 15:14: Building the crew for Path of Liberty and the challenges of traveling and conducting interviews on the road. 21:35: Daniella describes the three films she makes in the process of writing, shooting, and editing, plus the importance of learning to adapt on the fly. 26:54: Memorable stories from the Path of Liberty road trip. 30:56: Episode Break 31:30: We all want to be happy, but there's a difference between freedom and taking advantage of freedom 34:42: Daniella discusses her time in Japan, and the cultural contrast between American individualism and societies that put the group over the individual self. 41:00: The gear Daniella and Scott traveled with and how it affected the project. 47:59: The interview process with portrait subjects, plus making natural portraits in the moment. 58:32: The Path of Liberty installation in midtown Manhattan, the pride of subjects gathered from across the America, plus the complexities of the post-production process 1:05:39: The immersive aspects of the installation—from the sound design of the audio to the visual continuity between the photographs and the on-site terrain. 1:14:19: Scott and Daniella offer career advice for developing as a creative—leave room for being curious.   Guest Bios: Daniella Vale is a New York City-based photographer, film director, and producer. Her creative passions began early, influenced by her uncles in Pittsburgh's avant-garde film movement. While attending university in Tokyo, Daniella worked on photography and documentary projects. She later moved to Bollywood, where she collaborated with Shah Rukh Khan's Red Chillies Entertainment and Cannes-winning director Manish Jha. In New York, Daniella has worked for brands such as VICE, MTV, Google, and Prada, and with talent such as Alicia Keys, Deepak Chopra, and Lucy Liu. Her portfolio includes work in fashion, branded content, docu-series, and narrative films across various global locations. Career highlights include participating in the 2018 Cannes Film Festival Short Film Corner and being featured in Allure magazine for her directing work. And of course, most recently, Daniella headed up the creative team for the immersive outdoor installation, Path of Liberty: That Which Unites Us, which we're here to talk about today. Scott Beardslee began his career in photography, working as a 1st and 2nd assistant. Yet his passion for narrative filmmaking soon inspired him to take a different career route, focusing on shooting films, commercials, and music videos. Upon graduation from San Francisco State University with a film theory and production degree, he pursued cinematography and later attended graduate school at The American Film Institute in Hollywood. Before he became serious about filmmaking himself, Scott worked as a gaffer for many established A.S.C. cinematographers. Currently, Scott is a Director of Photography in the Union Local 600, working on commercials, music videos, and television.   Stay Connected: Path of Liberty Website Instagram Daniella Vale Website Instagram Youtube Vimeo   Scott Beardslee Website Instagram Vimeo Tiktok   Host: Derek Fahsbender Senior Creative Producer: Jill Waterman Senior Technical Producer: Mike Weinstein Executive Producer: Richard Stevens

On the forty- seventh episode of All the Film Things, I had the pleasure of interviewing educator Art Smith jr.! Art Smith jr. has been working in the industry for over 50 years and has mentored over 400 individuals and counting. He has worked behind the camera in various roles such as a production assistant, project manager, and prop master for well- known feature films such The Way We Were, Good Morning, Vietnam, and The Bucket List and also under the direction of acclaimed filmmakers including Brian de Palma, and Martin Scorsese. Art is a member of several prestigious organizations in the industry including the American Film Institute and the Academy of Motion Picture Arts and Sciences TV. He is also the owner of the production company No Budget Movie Company and is a producing partner of Code7 Films. Art has worked in several different mediums including film, television, and music videos, one of which, for the song “Talking to the Wall”, earned him both a Telly Award and Aurora Award in 1999. Just last month, Art was awarded the Lifetime Achievement Award at the Orlando International Film Festival. Aside from his work on set, Art is a proud retired veteran who served in the US Army for 30 years. Art has been the Principal Secretary and on the Board of Directors of the Florida chapter of the non- profit organization Women in Film and Television (WIFT) for nearly twenty years and three exciting new programs, the Veterans program, Handicapped program, and Screening program, were recently launched. Go to WomeninFilmFL.org to learn more about the organization as well as grants, programs, and upcoming events. And if you're not in Florida, go to https://www.wifti.net to find your local WIFT chapter!This is Art's first time on ATFT! I've known Art for nearly three years now through attending WIFT events. At the first event I met him at, he stayed back for a few hours to chat with students answering their questions. Not long after meeting him, we had a phone call that lasted over three hours. I always look forward to seeing and talking with him at WIFT events because I always learn so much and have greatly benefited from his advice. Last spring, I asked Art if he'd be interested in coming on ATFT and he said yes instantly. Even so, this episode came together quickly but I was thrilled to finally have him on!  This episode was originally 2 hours and 22 minutes so I unfortunately had to trim it down. I apologize if the audio quality is not like previous episodes, it was a challenging edit to complete in less than two weeks. This episode was recorded on July 9, 2025. In this episode, Art tells unbelievable star- studded stories from his career, from Sean Connery tracking him down to what happened when Jack Nicholson heard Art's impression of him to his friendship James Brolin, as well as the incredible opportunities Art gave his TV production students through the years. Art also talks about the business behind filmmaking at length including deals that fell through and guiding young filmmakers to success. All this and much more on the latest episode of All the Film Things!Background music created and used with permission by the Copyright Free Music - Background Music for Videos channel on YouTube.

Writer of “Jaws" & "The Jerk" Carl Gottlieb talks about working with Spielberg, Steve Martin, Carl Reiner, David Crosby, Joan Baez, improv group The Committee, performing comedy in the army, how the Smothers Brothers Show was the hippest most popular show at the time and somehow also cancelled. Bio:  Carl Gottlieb is a screenwriter (Jaws, The Jerk), director (Caveman), & actor (Mash). His book, THE JAWS LOG, remains the most popular book about the making of a motion picture ever written.  He also wrote WHICH WAY IS UP with Richard Pryor. He was a member of the classic San Francisco Improv group, The Committee.  And a writer on the controversial Smothers Brothers show. He served on the Board of Directors of the Writers Guild of America, and was on the faculty of the Film Division of the School of the Arts at Columbia University, the American Film Institute, the University of Miami's School of Communications and the University of Southern California's School of Cinema & Television.

Send us a textSean reads through a list of the 100 best movies of all time according to the American Film Institute. But how many out of the 100 has he actually seen? You may be shocked at the answer. Don't touch that dial! You're listening to 103.9, The SEAN!Tip Sean money on Goodpods! https://goodpods.com/profile/1039thesean-53819Or DM us to tip via Venmo!Follow us! https://www.instagram.com/103.9thesean/Follow us! https://twitter.com/1039TheSEANSubmit questions, topics, and hate mail!103.9thesean@gmail.com

John and Sarah are joined by John's husband, Jerry, to discuss 1982's Making Love, starring Harry Hamlin, Kate Jackson, and Michael Ontkean.Sources for this episode:The Celluloid Closet. Directed by Rob Epstein and Jeffrey Friedman, Sony Pictures Classics, 15 Feb. 1996.American Film Institute. “AFI Catalogue of Feature Films - the First 100 Years - 1893-1993 - Making Love (1982).” Afi.com, 2021, catalog.afi.com/Catalog/moviedetails/56843Wygant, Bobbie. “Harry Hamlin for “Making Love” - 1982 - Bobbie Wygant Archive.” Youtube.com, 1982, youtu.be/V6zahQSekNc?si=SKZgzs6Q0bV2H1DQWygant, Bobbie. “Kate Jackson for "Making Love 1982- Bobbie Wygant Archive.” Youtube.com, 1982, youtu.be/V6zahQSekNc?si=SKZgzs6Q0bV2H1DQBobbie, Wygant. "Arthur Hiller for “Making Love” 1982- Bobbie Wygant Archive." 1982, youtu.be/BJW3a1PGMIU?si=Phx8VXuY9EHi_2FYEditors. “Harry Hamlin on How His Gay Role in 1982 Still Impacts Audiences despite Being “Sanitized” by the Studio - Queerty.” Queerty, 23 Oct. 2024, www.queerty.com/harry-hamlin-on-how-his-gay-role-in-1982-still-impacts-audiences-despite-being-sanitized-by-the-studio-20241022/Abramovitch, Seth, and Seth Pope. It Happened in Hollywood - Harry Hamlin: “Clash of the Titans” and “Making Love.” The Hollywood Reporter, 18 Jan. 2020, open.spotify.com/episode/0jOhR7VUVhlC5iV0HaeZD4?si=zKNDI0ySTyuLzOZbJ_SHyg, disc 13. Podcast.Our theme music is by Suno.

On this episode, four kids — Miel, Kelly, Leo, and Sammy — join LKBH host Todd Loyd to discuss nervousness: What causes nervous? What can we do with nervous feelings? The kids and Todd then float on fluffy clouds and to the Land of Qook-a-lackas … arriving JUST in time to help a Qook-a-lacka friend, Quillabee, get ready for the Big Feelings Fest! At first, Quillabee is feeling super nervous about sharing a story in front of a crowd — but the kids help Quillabee practice strategies to get past the nerves before the Fest. ☁️ They shake the nerves out of their arms, legs, elbows, etc.☁️ They play "What If...But Then!" to imagine alternative (positive) ends of nervous moments.☁️ They practice taking deep, calming breaths. Together, they learn that EVERYONE feels nervous sometimes — and they learn some strategies to deal with nerves!❤️❤️❤️Quillabee is played by JUDGE REINHOLD, the movie and TV actor. JUDGE REINHOLD has been in over seventy-five motion picture and television roles and enjoys a 35-year relationship with an international audience of all ages.  His films include STRIPES, FAST TIMES AT RIDGEMONT HIGH, RUTHLESS PEOPLE, and Christmas franchise, THE SANTA CLAUSE 1,2,3. BEVERLY HILLS COP 1, 2, 3 play continually internationally, making Judge a familiar presence worldwide.  FAST TIMES and BEVERLY HILLS COP were recently voted by the American Film Institute as two of the “Top 100 American Comedies.”   Judge received an Emmy nomination for his performance as “The Close Talker” on Seinfeld, and his guest-star appearances in Seinfeld and Arrested Development received two of the highest ratings on both series. Judge has been an active member of the Academy of Motion Picture Arts and Sciences since 1987.Judge most recently co-starred with Eddie Murphy in the fourth installment of the Beverly Hills Cop franchise, which was Netflix's most successful summer movie of 2024, released globally in 250 million homes.❤️❤️❤️Sound design and mixing is by Ryan Marth, and the ukulele music you hear is by actor and composer Bill English. Please learn more about the episode online at https://playsparkler.org/feeling-nervous/Also...Little Kids, Big Hearts now has a YouTube channel. Please join our growing community on YouTube! Here's the link: https://www.youtube.com/@LittleKidsBigHearts

Hang onto your slipcases because Blake Howard & Jen Johans of One Heat Minute Productions & Watch With Jen, will discuss the special CRITERION COLLECTION 4K release of IN THE HEAT OF THE NIGHT.IN THE HEAT OF THE NIGHTPassing through the backwoods town of Sparta, Mississippi, Philadelphia detective Virgil Tibbs (Sidney Poitier) becomes embroiled in a murder case. He forms an uneasy alliance with the bigoted police chief (Rod Steiger), who faces mounting pressure from Sparta's hostile citizens to catch the killer and run the African American interloper out of town. Director Norman Jewison splices incisive social commentary into this thrilling police procedural with the help of Haskell Wexler's vivid cinematography, Quincy Jones's eclectic score, and two indelible lead performances—a career-defining display of seething indignation and moral authority from Poitier and an Oscar-winning masterclass in Method acting from Steiger. Winner of five Academy Awards, including for Best Picture, In the Heat of the Night is one of the most enduring Hollywood films of the civil rights era.4K UHD + BLU-RAY SPECIAL EDITION FEATURES4K digital restoration, with uncompressed monaural soundtrackAlternate 5.1 surround DTS-HD Master Audio soundtrackOne 4K UHD disc of the film and one Blu-ray with the film and special featuresInterviews with director Norman Jewison and actor Lee GrantSegment from a 2006 American Film Institute interview with actor Sidney PoitierInterview with Aram Goudsouzian, author of Sidney Poitier: Man, Actor, IconAudio commentary featuring Jewison, Grant, actor Rod Steiger, and cinematographer Haskell WexlerTurning Up the Heat: Movie-Making in the '60s, a program about the production of the film and its legacy, featuring Jewison, Wexler, producer Walter Mirisch, and filmmakers John Singleton and Reginald HudlinQuincy Jones: Breaking New Sound, a program about Jones's innovative soundtrack, including the title song sung by Ray Charles, featuring interviews with Jones, lyricists Alan and Marilyn Bergman, and musician Herbie HancockTrailerEnglish subtitles for the deaf and hard of hearingPLUS: An essay by critic K. Austin CollinsCover by Sean PhillipsJen Johans3-time national award-winning writer & full-time walking movie encyclopedia Jen Johans of FilmIntuition.com delivers a steady stream of great movie recommendations, thoughtful career deep dives, & first-rate conversations with critics, authors, actors, journalists, filmmakers, and more on Watch With Jen.™️TWITTER: @FILMINTUITIONPATREON.COM/FILMINTUITIONWEBSITE: FILMINTUITION.COMSupport: JOIN THE ONE HEAT MINUTE PATREON FOR AS LITTLE AS $1 A MONTHFollow the hosts:Blake Howard - Twitter & One Heat Minute Website Alexei Toliopoulos - Twitter & The Last Video StoreSupport this podcast at — https://redcircle.com/one-heat-minute-productions/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Shanna Christmas! Comedian! Writer! Actor! Producer! Shanna has a new special out right now called Highly Intelligent (watch there or listen as an audio album wherever you find your comedy albums!) and here is the official information about it: "Comedian, writer, and proud Las Vegas native Shanna Christmas is bringing the heat—and the heart—with her bold new comedy special. One hour of machine-gun punchlines and razor-sharp observations unpacking the horrors of working in healthcare, losing a parent to dementia, the struggles of being tall, and surviving sexual assault in the comedy scene Shot live at an intimate jazz club in the heart of downtown Las Vegas, the special captures Shanna Christmas doing what she does best: making people laugh so hard they forget they're in a dark room with strangers. With machine-gun punchlines, razor- sharp observations, and stories that swing from wild to wicked, Shanna invites audiences into a world that's as smart as it is side-splitting. But this special isn't just jokes. In a stunning final turn, Shanna peels back the curtain to share a deeply personal, gut-wrenching story of surviving sexual assault. The room, once roaring with laughter, falls into a reverent, electric silence as she bravely reframes her trauma through the lens of resilience, truth, and yes—even humor. 'I wanted to make a special that felt like me,' Shanna says. 'Loud, fast, honest, funny—but also full of real life. Because comedy is how I take my power back. And I want people to feel theirs, too.' Filmed in the city where she grew up, Highly Intelligent is more than just a comedy special; it's a homecoming. And a reckoning. And a celebration of what it means to be funny, fearless, and female in today's world. The special is directed by Michael Malone, an award-winning filmmaker and comedian whose credits include Comedy Central, Showtime, and FOX. A veteran of the industry, Michael currently leads the creative team at Brad Garrett Presents, the comedy production division of Brad Garrett's Entertainment. Through his own company, Glass Hammer Productions, he has directed over a dozen stand-up specials and three acclaimed comedy documentaries." And here is more official information about Shanna: "Shanna Christmas was born and raised in Las Vegas. She is a stand up comedian, writer (Reductress, Insider), actor and producer who stands at 6'3'' and played volleyball in college, despite much protest. Her comedy style has been described as 'Edgy/Classy' as she finds ways to speak about complicated issues that can offend, but she's so charming that you can't be mad at her. Shanna has performed across North America, including Montreal and Edmonton in Canada. You can see her on Season 10 of 'Coming To The Stage' on Pluto TV. She has appeared in comedy festivals including the 208 Festival, Altercation Festival, Black Girl Giggles, Black Women In Comedy Festival (NY). She was Devil Cup Comedy Festiva Winner in 2018 and a finalist in the inaugural ABFF Comedy Fest in 2021.  In addition to producing successful all black women stand up shows, Shanna Christmas was also a co-host of the 'Topical Smoothie' podcast. In 2021, She self published a comic book about her life as an Occupational Therapy Assistant in nursing homes, and she can also be seen in a short film called, Dark Wolf Gang produced by the American Film Institute." We have a great chat! You can have a great listen! Thanks all! PS This is only the first HALF of our chat. For part two, subscribe via Apple Podcasts OR simply click on over here to Patreon! ​

From robbing banks to earning a PhD in neuroscience, former hacker Moran Cerf has unique perspective on what makes people tick. In this episode of Impact Theory with Tom Bilyeu, Moran explains the brain science of how self-narrative determines our reality. Moran is a fascinating blend of a wide variety of disciplines, and this diversity has led him to explore some promising, albeit nontraditional ways of investigating the brain, namely cracking open the skull and peering inside whilst the person is still living. His discoveries have made him a much sought after speaker and leading thinker who's influencing academia and business in equal measure. His innovative theories about the brain have been published in Nature, the highest-ranking journal in the world, and he consults regularly for hit shows such as Mr. Robot and Limitless. His education is a wondrous grab bag of joy and includes a PhD in neuroscience from Caltech and both an MA in philosophy and a BSc in physics from Tel Aviv University. He's a visiting faculty member at MIT's Media Lab, and was named one of the 40 leading professors under 40. Moran is the Alfred P. Sloan professor at the American Film Institute where he teaches a screenwriting course on science and film. He holds multiple patents and is a multi-timed national storytelling champion whose talks have garnered him millions of views. He is the professor of neuroscience and business at the Kellogg School of Management and the neuroscience program at the Northwestern university. In this episode, Moran and Tom investigate the hidden powers of the brain and how they can be harnessed to achieve greatness. ORIGINAL AIR DATE: 1-10-17 SHOW NOTES [2:35] Moran recalls the four times that he physically robbed a bank. [7:40] Moran discusses why we don't actually make our own decisions. [12:17] Tom and Moran talk about the multiple puppeteers in our brains. [16:07] Moran expounds on how to move past the point of giving up. [20:48] Moran admits how making a big mistake changed his life. [26:56] Tom and Moran talk about how you can rewrite your past. [31:31] Moran describes how you can get more motivation. [35:48] Moran shares how you can literally change overnight. [42:10] Tom and Moran talk about how to use self-deception as a tool to push forward. What's up, everybody? It's Tom Bilyeu here: If you want my help... STARTING a business: join me here at ZERO TO FOUNDER SCALING a business: see if you qualify here. Get my battle-tested strategies and insights delivered weekly to your inbox: sign up here. ********************************************************************** If you're serious about leveling up your life, I urge you to check out my new podcast, Tom Bilyeu's Mindset Playbook —a goldmine of my most impactful episodes on mindset, business, and health. Trust me, your future self will thank you. ********************************************************************** Join me live on my Twitch stream. I'm live daily from 6:30 to 8:30 am PT at www.twitch.tv/tombilyeu ********************************************************************** LISTEN TO IMPACT THEORY AD FREE + BONUS EPISODES on APPLE PODCASTS: apple.co/impacttheory ********************************************************************** FOLLOW TOM: Instagram: https://www.instagram.com/tombilyeu/ Tik Tok: https://www.tiktok.com/@tombilyeu?lang=en Twitter: https://twitter.com/tombilyeu YouTube: https://www.youtube.com/@TomBilyeu Learn more about your ad choices. Visit megaphone.fm/adchoices