Podcasts about Chinatown

CHINATOWN   A Los Angeles private detective thinks he is handling a routine infidelity case, until he meets the man's real wife and realizes he was hired by an impostor. When the husband turns up dead, the case pulls him into a web of corruption, deception, and disturbing family secrets, with the wife's powerful father at the center of it all. Craig, Elisabeth and guest Jeff Penn from Deep Cuts the game talk about private investigators, Canadian utopias, LA in the 30s and the movie “Chinatown” on this week's Matinee Heroes! Show Notes 1:13 Craig, Elisabeth and Jeff Penn talk about Jeff's podcast Deep Cuts: The Game. 8:56 Craig, Elisabeth and Jeff discuss "Chinatown." 1:00:37 Recasting 1:20:14 Double Feature 1:25:25 Final Thoughts 1:33:45 A preview of next week's episode "Rear Window." Next week, Mystery March continues with the classic Hitchcock tale "Rear Window."

This week in the Screening Room, Zeth is talking about the trials and tribulations behind the making of ‘Chinatown,' the 1974 film directed by Roman Polanski and starring Jack Nicholson and Faye Dunaway. Become an All Access member and get ad-free listening by visiting disgracelandpod.com. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

SEASON 4 EPISODE 68: COUNTDOWN WITH KEITH OLBERMANN A-Block (2:30) SPECIAL COMMENT: Trump doesn’t REALIZE that he’s screwed in Iran. He can't decide if he's won and we should applaud now, or if he'll win later and we should applaud then - when the reality is, he's in a quagmire and about two weeks from handing the Democrats a majority that even White House strategists think might be enough to impeach AND remove him next year. Key Republicans and everybody behind the scenes in MAGA are looking for off-ramps. Does Trump know? Will he be temporarily not-a-moron and take one of them? Is Trump in a fugue state? Dissociative behavior? Temporary amnesia? No awareness that there are consequences? You know – his normal state – only WORSE. First about Iran he said “any time I want it to end, it will end." Now about Iran he says it will continue indefinitely until they quote “literally could never build that country back.” Is there a strategy? A plan? Anything? In the most important document of the war, Senator Chris Murphy told us what he could of a semi-confidential briefing about Iran by the administration. They seem to think all they have to do is destroy all of Iran's armaments and they'll never ever find a way to replace them. And while he’s demanding the world bend to his will, again he is helping the Russians help the Iranians try to kill our people and our allies. Monday I mentioned it was the Russians locating American Assets in the middle east for Iran's benefit. Now Trump is indirectly funding Russian advisors helping Iran with its drone strategy. Is Trump even aware he is awake? And what the hell is this with him trying to guess the shoe size of his cabinet members and buying them shoes that were already out of style in 1966? PLUS what is it with Pete PTSD Hegseth? He has now BANNED all outside photographers from Pentagon briefings because he thought the Associated Press images of him were unflattering. But ALL images of Pete Hegseth are unflattering. B-Block (32:00) THE WORST PERSONS IN THE WORLD: Poor Adnan Virk misses by an inch after trying to out-sing Michael Buble. Bill Maher gets run over at an NBA game. Alina Habba brings us her umpteenth malapropism; she can't tell her Cahoots from her Cajones; and the Chairman of the House Intelligence Committee can't tell the difference between 1947 and 47 years. C-Block (45:00) THINGS I PROMISED NOT TO TELL: Hardly that. Things I found on an ancient cassette. A bunch of radio sportscasts I did in my first 90 days in this business - just the other day (in 1979). Enjoy, or skip them, I won't be offended either way.See omnystudio.com/listener for privacy information.

A weekly magazine-style radio show featuring the voices and stories of Asians and Pacific Islanders from all corners of our community. The show is produced by a collective of media makers, deejays, and activists. Tonight our show is called Feed Your Heart. Host Miko Lee speaks with the collaborators and creators of the Asian American Pacific Islander Restorative Justice Network: Elli Nagai-Rothe & Tatiana Chaterji.   Restorative Justice is a movement and a set of practices that stands as an alternative to our current punitive justice system. It focuses on people and repairing harm by engaging all the impacted people working together to repair the harm. RJ is built off of ancient indigenous practices from cultures around the globe, including Native American, African, First Nation Canadian, and so many others. To find out more about Restorative Justice and the work of our guests check out Info about the AAPI RJ Network on the Ripple website: www.ripplecollective.org/aapirjnetwork NACRJ conference in New Orleans: www.nacrj.org/2026-conference Show Transcript [00:00:00] Opening Music: Apex Express Asian Pacific expression. Community and cultural coverage, music and calendar, new visions and voices, coming to you with an Asian Pacific Islander point of view. It's time to get on board the Apex Express.   [00:00:44] Miko Lee: Good evening. I'm your host Miko Lee, and tonight our show is called Feed Your Heart. And we are speaking about the collaborators and creators of the Asian American Pacific Islander Restorative Justice Network with the collaborators, Elli Nagai-Rothe and Tatiana Chaterji.   [00:01:03] Restorative justice is a movement and a set of practices that stands as an alternative to our current punitive justice system. It focuses on people and repairing harm by engaging all the impacted folks working together to repair that harm. RJ is built off of ancient indigenous practices from cultures around the globe, including Native American, African, first Nation Canadian, and many others. So join us as we feed your heart.    [00:02:01] Welcome to Apex Express. My lovely colleagues, Elli Nagai-Rothe, and Tatiana Chaterji. I'm so happy to speak with you both today. I wanna start off with a question I ask all of my guests, and Ellie, I'm gonna start with you and then we'll go with to you, Tati. And the question is who are your people and what legacy do you carry with you?   [00:02:24] Elli Nagai-Rothe: Hmm. I love that question. Thank you. My people come from Japan and Korea and China and Germany. My people are community builders and entrepreneurs survivors, people who have caused harm, people who have experienced harm people who've worked towards repair dreamers, artists and people who like really good food.   [00:02:51] And I carry their legacy of resilience and of gaman, which is a Japanese word that's a little hard to translate, but basically means something like moving through moving through the unbearable with dignity and grace. , And I carry a legacy to continue healing the trauma from my ancestral line the trauma and justice. And that's informs a lot of the work that I do around conflict transformation and restorative justice.   [00:03:19] Miko Lee: Thank you so much. And Tati, what about you? Who are your people and what legacy do you carry with you?    [00:03:25] Tatiana Chaterji: Thank you for the question, Miko. The first thing that comes to mind, my people are the people we're, we're, we're coming up on the cusp of a possible teacher strike, and I'm thinking about workers and the labor, movement and comrades in my life from doing work as a classified school worker for about a decade.   [00:03:46] Then my people are also from, my homelands. The two that I feel very close to me are in Finland, from my mom's side, and then in Bengal, both India, west Bengal, and Bangladesh. And my people are also those who are facing facing the worst moments of their life, either from causing harm or experiencing harm as a survivor of violence.   [00:04:08] I think about this a lot and I think about also the smaller conflicts and tensions and issues that bubble up all the time. So my people are those that are not afraid to make it better, you know, to make it right. And I carry, oh gosh, what legacy do I. I wanna say first kind of the legacy of the Oakland RJ movement that really nurtured me and the youth that I've encountered in schools and in detention on the streets in the community.   [00:04:39] Youth who are young adults and becoming bigger, older adults and, and, and also elders. To me. So sort of that's whose legacy I carry in shaping the. Society that we all deserve.    [00:04:52] Miko Lee: Thank you both for answering with such a rich, well thought out response that's very expansive and worldly. I appreciate that. Ellie, I think it was two years ago that you reached out to me and said, I'm thinking about doing this thing with Asian American Pacific Islanders around restorative justice and you're working on a project with Asian Law Caucus. Can you like roll us back in time about how that got inspired, how you started and where we're at right now?   [00:05:22] Elli Nagai-Rothe: Yeah, absolutely. Yeah, I'd forgotten that we, I had reached out to you at the early stages of this miko. The idea for this emerged in the context of conversations I was having with Asian Law Caucus around, anti-Asian violence and restorative justice. There was an enthusiasm for restorative justice as a pathway toward healing for AAPI communities. One of the things that kept coming up in those conversations was this assumption that there are no, or very few Asian restorative justice practitioners. And I kept thinking this, that's not true. There are a lot, plenty of Asian practitioners. And I think that for me reflects the larger context that we're living in the US where Asians are both at the same time, like hyper visible, , right. In terms of some of the violence that was happening. If you roll back several years ago I mean it's still happening now, but certainly was, was at the height several years ago. So like hyper visible around that, but also in terms of like my model minority status, but also at the same time like invisibilized. So that strange paradox. And so my part of that was thinking about, well, what, what opportunities exist here, right? How can we actually bring together the restorative justice, Asian restorative justice practitioners in the Bay Area to be like regionally focused to come together to talk about how do we bring our identities into more fully into our work, , to build community with each other, and then also to build this pathway for new, for emergent practitioners to join us in this work. That's a little bit of the background of how it came to be, and I'd love Tati to speak more to some of that context too.   [00:07:00] Tatiana Chaterji: Yeah, thanks Ellie. Definitely thinking about work that I was doing in Chinatown and San Francisco. I was working with Chinese Progressive Association just before actually Asian Law Caucus reached out to us with this idea. I wanna shout out Lewa and Cheyenne Chen Le Wu, who are really envisioning an alternative process for their the members of this organization who are immigrant monolingual Cantonese speakers and, and working class immigrants. What are the options available to them to respond to harm and violence in any, any number of ways? And one of the things that we really saw.   [00:07:37] Miko Lee: Non carceral, right? Non carceral options to violence and harm, right?    [00:07:42] Tatiana Chaterji: Yes, exactly. That's exactly what we were thinking of is, and in the period of time where people are talking about anti-Asian hate, they're talking about hate crimes and violence against Asian Americans, there's a simultaneous rhetoric and a belief that Asian people love police or want police interventions or actually believe al punishment. And no doubt that can be true for, for some of our community, but it is not the overwhelmingly dominant truth is what I would say. What I would say, and that actually by believing that Asian folks loved the police was its own bizarre and very toxic racial stereotyping that. Very vulnerable communities who are non-English speakers and living un under wage exploitation and other conditions.   [00:08:34] And so what we were doing was looking at what are the ways that we think about justice and the right way to respond to things and our relational ecosystems. And we began with messages from our home and family dynamics and kind of went outwards and, and everything was presented in Cantonese. I'm not a Cantonese speaker. I was working closely with those two women I mentioned and many others to think about. What is. Not just the, the linguistic translation of these concepts, but what is the cultural meaning and what applies or what can be sort of furthered in that context. And there were some very inspiring stories at the time of violence across communities in the city, and particularly between the Chinese community and the African American community and leaders in those spaces working together and calling forth the abolitionist dreams that were kind of already there.   [00:09:28] That people just want this kind of harm or violence not to happen. They don't want it to happen to anyone again. And this is some thing I think about a lot as a survivor, that that is the dominant feeling is like we, you know, vengeance are not desires for some sort of punishment or not, that this should not happen again. And what can we do to prevent that and really care for the healing that needs to happen.    [00:09:53] Miko Lee: I appreciate you bringing up this solidarity between the African American and, and specifically Chinese American communities wanting a more abolitionist approach. We don't hear that very much in mainstream media. Usually it's pitted the Asian against black folks. Especially around the anti-Asian hate. We know that the majority of the hate crimes, violence against Asian folks were perpetrated by white folks. That's what the data shows, but the media showed it was mostly African American folks. So I really appreciate lifting that part up. So take us from that journey of doing that work with a Chinese progressive association, powerful work, translating that also from, you know, your English to Chinese cultural situations to this network that you all helped to develop the A API Restorative Justice Network, how did that come about?   [00:10:45] Tatiana Chaterji: Part of the origin story is, is work that had been happening across the Bay Area. I was speaking about what's happening in Chinatown. There's also this coalition of community safety and justice that really has been diving into these questions of non carceral response to harm and violence. Then on the other side of the bay in Oakland, the Asian Pacific Environmental Network has been working with Restore Oakland to sit with survivors of crime and build up skills around circle keeping and response. So that's just a little bit of this beautiful ecosystem that we are emerging out of. It almost felt like a natural extension to go here, you know, with a pen and restore Oakland. They were thinking a lot about interpretation and language justice. And so this is also just pulling these threads together for more robust future and practice.    [00:11:41] Miko Lee: Thank you so much for making those connections. We'll put a link in our show notes because we did a recent episode on the Coalition for Community Safety and Justice, and particularly the collective Knowledge based catalog, which captures all these different lessons. So I think what you're pointing out is that all these different groups are coming together, Asian American focus groups to, Pacific Islander focus groups to be able to find, alternatives to the Carceral system in an approach to justice.    [00:12:08] Elli Nagai-Rothe: Well, so it came about through lots of conversations, lots of collaborations I feel so, honored to be able to collaborate with Tati in this work. And other folks who were, , partnering alongside the Asian Law Caucus in this larger grant that was being offered to address anti-Asian hate and violence. Ultimately through many conversations, just wanting to create a space that was created for and by Asian restorative justice practitioners. And as far as we know, it's the only. Gathering or, or network if it's kind in the Bay Area, maybe in the nation. Somebody who's listening maybe can chime in if that's true, that's not true. But as far as we know, that's the only space that's like this. And part of what we've wanted to create is certainly first and foremost because this is so much of the work of restorative justice, at least for us, is about relationships. At the end of the day, it's how we relate to each other and thinking of, of different ways than is often modeled in mainstream world about how we relate to each other.   [00:13:11] We wanted to start with those relationships and so. We created space for current practitioners in the Bay Area to come together. And we had a series of both in-person and virtual conversations. And really it was a space to offer to really build this sense of community and these relationships to share our knowledge with each other, to offer really deep peer support. And specifically we were really interested in bringing and weaving more of our cultural and ancestral ways of being into our practice of restorative justice. And so what does that look like? Can we bring more of those parts of ourselves into our work, our lived experiences into our work, and how we address and hold conflict and harm. I'll speak for myself, such a nourishing space to be part of with other practitioners. Just really allowing more of like a holistic sense of ourselves into our work. And what all the things that could that have come from that. So we've been continuing to meet, so what has this been like two years now? [00:14:12] Almost? We had, in addition to the existing practitioners who were based in the Bay Area, we held a training for like an introduction to restorative justice training that built on the things we were thinking about and learning about with each other around our Asian identities. And that was for folks who were kind of in an adjacent field, social workers, therapists, educators, folks who are doing work with API community workers. And so then we train them up and then they join this net, this larger network. And we've continued to have conversations every month, in a community of practice space. For me, such a wonderful space to be able to connect, to continue, explore together how we can bring more of ourselves into our work in a more relational, integrated and holistic way.   [00:14:56] Miko Lee: Thanks so much for that overview. I wanna go into it a little bit more, but I wanna roll us back for a moment. And Tati, I'd love if you could share with our audience what is restorative justice and what does a restorative justice practitioner do.    [00:15:08] Tatiana Chaterji: The big one. Okay. I think of restorative justice as an alternative to criminal and punitive responses to harm and wrongdoing. I think that's where the definition really comes to life. Although people who are in the field will say that actually it's before the harm or wrongdoing happens, and that it's about cultural norms and practices of caring for each other in a communal way, having each other's back relying on relationships, which also includes effective communication and compassionate communication. So Restorative justice in how I've learned it in the, in the Oakland community was, a lot of the practices were carried by a European Canadian woman named Kay PRUs, who's one of my teachers and who had also, studied with first Nations people in Canada that ish and klingit people, and that there's been some controversy over how she carried those teachings and that there's native people on all sides who have sort of taken a stand.   [00:16:12] I wanna name, this controversy because it feels important to talk about cultural appropriation, cultural survival, that circle practice and how circle is done in many restorative justice spaces will feel very foreign to a person who is indigenous, who perhaps has these ancestral practices in their own lineage, their own history and family. And this is because of colonialism and, and erasure and displacement, and. Reckoning with all of this as immigrants who are on native land, you know, from all, most of us in the API RJ network. Just what, what is this? What, how do we grapple with this? You know, how do we do an appropriate recognition of practices and traditions and how do we build and think about interconnection or the inherent and intuitive knowledge that we have to do non-car work, which is at the core, I've sort of expanded off of your prompt, but an RJ practitioner is someone who holds space for for these conversations, kind of when things are the hardest, when there is heartbreak and betrayal and harm or conflict and also what, the work of setting conditions for that not to happen or for the way that we move through those difficulties to go as best as possible.    [00:17:43] Miko Lee: Thank you for expanding on that. I'm wondering if Ellie, you could add to that about like what is a circle practice, what does that look like?   [00:17:51] Elli Nagai-Rothe: A circle practice. It can look like a lot of different things, but ultimately it's being in a circle, and being able to connect with each other. Again, I talked about how relationships are at the core. That might be when we're, when we're in circling together, we are relating to each other. We're telling our stories. We're weaving our stories together that might be happening when there's no conflict and when there's no harm. In fact, ideally that's happening all the time, that we're being able to gather together, to share stories, to be known by each other and so that if and when conflict does occur, we know how to, how to connect and how to come back to each other because the relationships matter. We know. Okay. 'cause conflict will happen. We will, we are gonna hurt each other. We're humans. That's part of being human. We're gonna mess up and make mistakes. And so a prac having a practice to come back together to say, well, what, what can we do to repair this? How can we make this right, as Tati was saying? [00:18:46] And, and so then circling, be circling up and having a circle practice can also mean when there is conflict, when harm has happened, how can we have people be able to hear one another, to understand what's happening and to repair as much as possible. Um, while doing that again in the ecosystem of relationships. So sometimes that's happening with a, a couple folks and sometimes that's happening with a whole community or a whole group of people.   [00:19:10] Ayame Keane-Lee We're going to take a quick pause from the interview and listen to Tatiana recite an excerpt from the A API RJ Network Reflection document.   [00:19:18] Tatiana Chaterji: Mirrors of each other. To prepare for our closing ritual, I pull a small table with a candle and incense from the back room into the circle. This is our last in-person gathering, and we want to end with building a collective altar for the future of RJ that is rooted in the wisdom of our Asian cultural lineages.Please think of an offering to make this vision a reality. I explain that we use our imaginations to sculpt the air in front of us, shaping it into the essence of the offering. As I have done in prison with incarcerated artists who create textures and depth of story without material props, supplies, or the frills of theater production on the outside.   [00:20:01] I volunteered to go first and model how this is done. Standing and walking towards the altar. I bring my fingers to the center of my chest and pinch an imaginary ball of thread. I want to deepen my understanding of Bengali peacemaking and justice traditions. I say pulling the thread in a vertical motion, stretching up and down to create a cord of groundedness. Realizing there are actually many dimensions. I also pull the thread forwards and backwards in a lateral direction, saying this means looking to the past and dreaming the future. I hold this grided net, gather it around my body and ceremoniously place it on the altar. Others echo the desire for bringing forward parts of their Asian lineage that aren't accessible to them. People create shapes with their bodies, making offerings to the altar that symbolize taking up space, staying grounded in a world that is shaky, reciprocity with the earth, ancestors and descendants, bringing in more ancestors permission to create and play forgiveness to self and others. Timelessness with Earth as a mirror and patience.   [00:21:14] Sujatha closes her eyes and forms an image for us through stream of consciousness. She says, I see indra's net infinite with shimmering diamonds. At each point, I notice the goosebumps raise on the skin of my arms as she continues it is as if she has reached inside of me pulling from the sutra of ra, which was part of my childhood. It is a piece of scripture and a spiritual concept that deeply grounds my practice in RJ as an adult. I see her hands, which she has raised, and fingers trembling, glimmering ever so slightly. She speaks slowly carrying us with her in a visualization de drops, mirrors. I cannot be who I am meant to be unless you are who you are meant to be. RJ is the material of the web. This was a rare moment of belonging for me, as I seamlessly reflected in the speech and cultural symbols of a peer seamless. This integration as South Asian and as an RJ practitioner, seamless, being able to hang onto a reference from religious traditions that are hidden in the diaspora or distorted by mainstream social messaging.   [00:22:28] Ayame Keane-Lee We hope you enjoyed that look into the AAPI RJ Network Reflection. Let's get back to the interview.   [00:22:35] Miko Lee: Can you each share what brought you to this work personally?   [00:22:40] Tatiana Chaterji: Sure. As a young activist involved in Insight Women of Color against Violence and aware of the work of Critical Resistance, and I had a pretty clear politics of abolition, but I didn't. Really think that it impacted me as personally as it did when I was in my early twenties and I suffered a brain injury from a vehicular assault, a hit and run that may have been gang affiliated or, a case of mistaken identity. My recovery is, is, is complicated. My journey through various kinds of disabilities has shaped me. But I think the way that I was treated by the police and by the justice quote unquote justice system, which I now call the criminal legal system, it because there was no justice. I sort of don't believe that justice is served in the ways that survivors need. yeah, I really, I got very close to the heart of what an RJ process can do and what RJ really is. I got introduced to Sonya Shah and the work of Suha bga and I was able to do a surrogate victim offender dialogue and then later to facilitate these processes where people are kind of meeting at the, at the hardest point of their lives and connecting across immense suffering and layers of systemic and interpersonal internalized oppression. [00:23:59] Just so much stuff and what happens when you can cross over into a shared humanity and recognition. It's just, it's just so profound and and from that space of healing and, and, and compassion, I've been able to think about. Other ways that RJ can look and have sort of been an advan, what is it evangelical for it? You know, I think that because we don't see these options, I, I, because I knew people, I was able to connect in this way and I would just shout out David uim, who's the one who told me that even if I didn't know the person who harmed me, that this was possible. People so often give up, they're just like, well, I have to feel this way. I have to just deal with it. Swallow the injustice and the lack of recognition. Just sort of keep going. Grit your teeth. I think we don't have enough knowledge of what's possible and so we harden ourselves to that. Yeah, I'll stop there. Thanks for listening.    [00:24:59] Miko Lee: Oh, that's the gaman that Ellie was talking about, right? In Chinese we say swallow the bitter. Right. To be able to just like keep going, keep moving. And I think so much of us have been programmed to just something horrible happens. You just swallow it, you bite it down, you don't deal with it and you move on. Which is really what RJ is trying to teach us not to do, to recognize it, to to talk to it, to speak to it, to address it so that we could heal. Ellie, what about you? How did you get involved?    [00:25:30] Elli Nagai-Rothe: Yeah. And Tati, thanks so much for sharing. I always appreciate hearing. I like your story and what draws you to this work is so powerful. For me, I'll take it a little bit more meta further back. What draws me to this work is my family history. I'm multiracial. My family, my ancestry comes from many different places. And part of that my grandparents, my aunties, uncles, Japanese Americans who were, who were born, some of them, my grandpa, and his family here in Oakland, in this area. And, um, other my grand, my grandmother and her family in Southern California. During World War II, were unjustly incarcerated along with 125,000 Japanese Americans in ways that were so deeply harmful and traumatic and are so parallel to what is happening right now to so many communities who are being detained and deported. And that experience has deeply, deeply impacted certainly my community's experience, but my family's experience of trauma.   [00:26:30] And I'm yonsei, fourth generation Japanese American. And though I wasn't directly involved or impacted by that incarceration, I feel it very viscerally in my body, that feeling of loss, of disconnection of, of severance from community, from family, from place, and, . Even before I knew what restorative justice was, I was in my body striving to find justice for these things that have happened? That drew me into conflict transformation work and ultimately restorative justice work. And that's where I found really at the, at the core, so much of this, this intuitively feels right to me. I didn't wanna have a place of, I wanted to heal. That was what I wanted to feel the feeling of, can we heal and repair and can I heal and repair what's happened in this, my experience and my family's experience and community's experiences?   [00:27:23] That work ultimately led me to do restorative justice work here in the Bay Area. I started doing that work with schools and community organizations. And so I really hold the bigger possibilities of what's possible when we think differently about how we hold relationships and how we hold deep, deep pain and harm and what's possible when we can envision a different kind of, a world, a different kind of community where we can take accountability for things that have happened. And knowing that all of us at, at different places, I know that's true in my family line, have caused harm and also experienced harm, that those things can happen at the same time. And so how can we have a sense of humanity for what's possible when we actually come, come to each other with a humility of what, how can we heal? How can we heal this together? How can we make this as right as possible? So that's, that's a bit of my story.    [00:28:13] Miko Lee: Thank you both for sharing.   [00:28:15] Ayame Keane-Lee Next we're going to take a music break and listen to Miya Folick “Talking with Strangers”   MUSIC   [00:34:05] that was “Talking with Strangers” by Miya Folick   [00:34:09] Miko Lee: I'm wondering, I know this, Asian American, Pacific Islander, RJ Circle, a bunch of it has been online just because this is how we do in these times and I'm wondering if there's something unique and empowering about doing this online. I bring that up because there have been many in person gatherings. I've been a part of this circle, so I'm really happy to be a part of it. For me, the vibe of being in person where we're sharing a meal together, we're in a circle, holding onto objects, making art together is very different from being online. And I'm wondering, if there's something uniquely positive about being online?   [00:34:47] Tatiana Chaterji: I would just say that yeah, the intimacy and the warmth and the sort of the strength of the bonds that we have in this network are, are so beautiful and it's possible to have incredible, virtual experiences together. A lot of us do movement art or theater or creative. We have creative practices of our own. And when we lead each other in those exercises, we are really just a feeling of togetherness. Like that's so special. And for people who have had that online, they know what I'm talking about. That can be really, really incredible. And, you know, we've been in the Bay Area and really in Oakland, but we want to expand or we want to think about what are all the ways that we can connect with other people. Around this intersection of API identity and RJ practice. And so that's the potential, I guess is what I would say is just to really, move across time and space that way.   [00:35:47] Miko Lee: Ellie, do you have thoughts on this, the online versus in real life?    [00:35:51] Elli Nagai-Rothe: I think there's so many wonderful things about being in person because I feel like so much, at least I don't know about your worlds, but my world, so much of it is online these days on Zoom. There is something really special about coming together, like you said, to share a meal to be in each other's physical presence and to interact in that way. At the same time when we're online, there's still so much warmth and connection and intimacy that comes from these relationships that I've been building over now, like two years for some of us. The opportunities are more about being able to reach accessibility, right? Folks to be able to come online and, and potentially even broaden. I mean, who knows what that will look like right now it's regionally focused, but maybe there's a future in which that happens to be outside the Bay Area.   [00:36:31] Miko Lee: And speaking of the future and where it's going. This initially started by, funding from one of the Stop the Hate grants, which sadly has concluded in the state of California. I'm wondering what this means for this, process that it doesn't have any set funding anymore what does the future look like?    [00:36:52] Elli Nagai-Rothe: We really wanna continue this miko and being able to continue to meet and gather in community. Right now we're continuing to meet monthly in our community of practice space to support each other and to continue to explore really this intersection, right, of restorative justice in our idea, our Asian identities. There's so much more opportunity to continue to build together, to create a larger community and base of folks who are exploring and ex doing this work together. Also for the intention of what does that mean for our communities? How can we find ways to take this practice that many of us do, right?   [00:37:27] As practitioners, how can we translate that to our community so that we know, we know at its core that this work, there are things from our cultural practices that are just. So familiar, right? Certain practices around how we you know, this radical, some of the things we talked about, radical acts of hospitality and care are so intuitive to our Asian communities. How can we translate that practice in our work so that we can continue to make this these pathways available to our community? So we hope to continue, we wanna continue to gather, we wanted to continue to build, um, and make space for more people to join us in this exploration and this opportunity for yeah, more expansion of what's possible for our communities.   [00:38:11] Miko Lee: For me as somebody who's Chinese American and being a part of this network, I've learned from other Asian American cultures about some of the practices, well, I did know about things like tsuru folding a paper crane as part of the Japanese American culture, learning different things from different community members about elements that are part of their cultures and how they incorporate that, whether that's yoga or a type of, Filipino martial art or a type of Buddhist practice. And how they fit that into their RJ work has actually helped me kind of expand my mind and made me think about more ways that I could bring in my own Chinese American culture. So for me, that was one of those things that was like a blessing. I'm wondering what each of you has learned personally about yourself from being part of this network.   [00:39:02] Tatiana Chaterji: What comes to mind is the permission to integrate cultural identity and practice more explicitly and to know that there are others who are similarly doing that. It's sort of this, this acceptance of sort of what I know and how I know it that can be special. You know, in the, in the similar way that I mentioned about cultural appropriation and the violence that various communities have felt under capitalism and white supremacist structures. Everything there is, there is, I don't, something, something so magical to just step outside of that and be like, this is, it's a mess. It's a mess out there. We are constantly battling it. How do we actually not make ourselves smaller right here?    [00:39:50] Miko Lee: I totally hear that. And I'm thinking back to this gathering we had at Canticle Farms, where I think Tati, you said, when was the last time you were in a space where you were the only Asian person and how you walk through that mostly white space and what is that like for you and how do you navigate? And so many people in the room are like, what their minds were blown. For me, I'm in mostly Asian American spaces and Pacific Islander spaces, so I'm like, oh wow, that wasn't always true for me. So that's my time in my life right now. So it was really fascinating to kind of ponder that.   [00:40:24] Tatiana Chaterji: Yeah. And I think many of us, I'm so glad that you feel that because many of us, don't really know what exactly our ancestral technologies might be, or even what to name. This gave us, again, permission to look back or to reframe what we know or that we've understood from community as being from various traditions, homelands, you know, longer legacies that we're carrying and just to, to, to, to celebrate that or to even begin to, to, to bring language to that and feel a place of our own belonging. Whereas, I mean, as a South Asian diasporic member of the diaspora, I see so many the words that are coming from Sanskrit, which has its own, history of castes violence and like sort of what the expansion and the co-optation is, is, is really quite massive to the point where I feel like I'm on the outside and I don't believe that I should own it any more than anyone else. But I think if there's a way that it's practiced that is in, in, in integrity and less commodified because it is ancient, because it is medicine. You know, that I, I deserve to feel that, you know, and to tend to be welcomed into it in, in this you know, outside of the homeland to be here in Asian America or whatever it is, and to claim it is something quite special.   [00:41:50] Miko Lee: Love that. Thank you for sharing. Ellie, what about you? What have you learned from being in part of this network?    [00:41:55] Elli Nagai-Rothe: I was just gonna say like, yes, Tati to all the things you just said. So appreciate that. I, it's very similar, similar in some ways to what Tati was saying, like the, the permission giving, the space that we, oh, permission giving that we give to each other, to to claim, like, to claim and reclaim these practices. And I think that's what I heard so often from people in this network and continue to hear that this, the time, our time together and the things that we're doing. Feel like it's, it doesn't feel like a so much about like our, what is our professional practice. And I say professional with quotes. It's more of like, how do we integrate this part, this really profound journey of ancestral reclaiming, of remembering, of healing. And, and when we do that, we're working from this really. A deep place of relationship, of interdependence, of where we're like, our identity and our sense of who we are is so connected to our communities. It's connected to the natural world. And so like how can we, that's part of what I've appreciated is like really in this deep way, how can we remember and reconnect to, in some cases, like practices, pre-colonial practices and wisdom that was suppressed or taken away, certainly in my and family experience, right?   [00:43:11] It was very deliberately state sponsored violence severed those practices. And so some of this reclaiming as a part of my own healing has been really given me more voice and space to say like, yeah, I can, I can, I want to, and I, that's part of my own practice, but also share that with the, the groups that I'm part of. And that feels a little bit. We talked about that a little bit in the network of how do we share these practices in ways that feel authentic, like Tati said, with integrity, but also what does that mean to share these practices in spaces that are outside of, you know, Asian communities? I don't know, like that's a whole other conversation, right? It feels because there is so much cultural co-opting that's happening, right? And so I feel, I think that's why this network is so valuable and, and helpful to be in a space. Of course, it's a very diverse group of Asian identities and yet it's a space where we can feel like we can try on in these practices to see what that feels like in our bodies in ways that feel really like, have a lot of integrity and a lot of authenticity and to support each other in that.   [00:44:12] And so that we can feel able to then share that in spaces than, in our communities and the work that we're doing in terms of, restorative justice work.  [00:44:19] Miko Lee: So how can our audience find out more about these circles if they wanna learn more about how they could potentially get involved?   [00:44:29] Elli Nagai-Rothe: The best way to go is to look at the Ripple Collective website, ripple collective.org. We have some information about, the A API Restorative Justice Network there. I'm hoping that we can continue this. I really am excited about, members of the network continuing to stay in relationship with each other, to support each other. Tati and I are gonna be offering a session at the upcoming national Association for Community and Restorative Justice Conference that's happening in New Orleans in July. We're gonna be sharing what we learned about our experiences with this network and centering our Asian identities and restorative justice practice. We're gonna be holding a a caucus space for Asian practitioners to come and join us. Yeah, so what else? Tati.    [00:45:14] Tatiana Chaterji: We're also compiling reflections from various participants in the network around what this has meant. What, what have they learned or discovered, and what's to come. I think a question that I've had, a question that we've been stewing on with other South Asian, , practitioners is what does you know, what does caste how does caste show up and reckoning with harm doing? And our communities are not a monolith, and, and as we are treated as part of a, sort of like a brown solidarity, third world movement space in the West, there's just a lot of unrecognized and unnamed oppression that is actively happening. So, you know, really like being, being brave and humble to, to, to talk about that.    [00:46:01] Miko Lee: Thank you both so much for sharing your time with me today.    [00:46:05] Elli Nagai-Rothe: Thanks so much, Miko.    [00:46:06] Tatiana Chaterji: Thanks, Miko.   [00:46:07] Ayame Keane-LeeTo finish off our show tonight, we'll be listening to “Directions” by Hāwane.   MUSIC   [00:49:55] That was “Directions” by Hāwane.   [00:49:57] Miko Lee: Thank you so much for listening tonight. Remember to reconnect to your ancestral technologies and hold in the power of tenderness. To find out more about restorative justice and the work of our guests, check out info about the A API RJ network on the Ripple website, ripple collective.org, and about the conference that Ellie and Tati will be presenting at at the NAC RJ Conference in New Orleans, both of which we'll have linked in our show notes.   [00:50:30] Please check out our website, kpfa.org/program/apex Express to find out more about our show and our guests tonight. We thank all of you listeners out there. Keep resisting, keep organizing, keep creating, and sharing your visions with the world because your voices are important. Apex Express is produced by Ayame Keane-Lee, Anuj Vaidya, Cheryl Truong, Isabel Li, Jalena Keane-Lee, Miko Lee, Miata Tan, Preeti Mangala Shekar and Swati Rayasam. Tonight's show was produced by me Miko Lee, and edited by Ayame Keane- Lee. Have a great night.   The post APEX Express – 3.12.26- Feed Your Heart appeared first on KPFA.

Save 10% on a Las Vegas Advisor 2026 membership and book with code MTM.   https://www.lasvegasadvisor.com/shop/products/lva-membership-platinum/?ref=MTM Episode Description After 25 years at MGM Grand, David Copperfield is done — his final show is April 30th. Meanwhile, the Boring Company dropped a wave of Vegas Loop news this week, including the mind-blowing reveal that 11 miles of tunnels are already built and waiting for approvals. Plus: Chinatown has nearly doubled in size, Claw World just opened, and Criss Angel's Lambeau is still for sale. 0:00 ESPN's Outdated Vegas B-Roll 0:41 Caviar Service in High Limit Rooms 2:05 Las Vegas Chinatown By the Numbers 4:07 Claw World Opens in Chinatown 6:44 David Copperfield Leaving MGM Grand 8:41 Chris Angel Lambeau Update 9:24 A's Stadium Diamond Club Renderings 11:40 Hard Rock Guitar Tower Drone View 13:22 Vegas Loop: Westgate's 4th Tunnel & Airport Connection 15:05 Vegas Loop: UNLV Station, Park MGM Spur & New Routes 16:19 Vegas Loop: The Approval Bottleneck & 11 Miles Already Built Each week tens of thousands of people tune into our MtM Vegas news shows at http://www.YouTube.com/milestomemories. We do two news shows weekly on YouTube with this being the audio version. Never miss out on the latest happenings in and around Las Vegas! Enjoying the podcast? Please consider leaving us a positive review on your favorite podcast platform! You can also connect with us anytime at podcast@milestomemories.com.  You can subscribe on Apple Podcasts, Google Podcasts, Spotify or by searching "MtM Vegas" or "Miles to Memories" in your favorite podcast app. Don't forget to check out our travel/miles/points podcast as well!

Don't be shy, send me a message!Thomas Felix Creighton draws upon six years in China and knowledge of Ian Fleming's James Bond 007 to give an insight into how the series has merged fact and fiction, for the most part without friction. Books, websites, and movies mentioned:The World of Suzie Wong by Richard MasonThrilling Cities by Ian FlemingDr No by Ian FlemingTong Wars: The Untold Story of Vice, Money, and Murder in New York's Chinatown by Scott D. SeligmanThe Good Immigrants: How the Yellow Peril Became the Model Minority by Madeline Y. HsuThe Encyclopedia of Milwaukee [website]: https://emke.uwm.edu/entry/chinese/ Goldfinger by Ian Fleming (plus the movie with Sean Connery)You Only Live Twice by Ian Fleming (Thomas talks more about the movie though)The Man With the Golden Gun (just the movie with Roger Moore and Christopher Lee)For Your Eyes Only, movie directed by John Glen (see the 'Albion Never Dies' podcast episode released 17/12/2024)License to Kill (movie)Tomorrow Never Dies (movie)Zero Minus Ten by Raymond Benson (also, check out the 'Albion Never Dies' podcast episode #179)Die Another Day (movie)Skyfall (movie)...and these are just the key ones. Plenty more 007 and China references out there, I am sure. Support the showhttps://www.albionneverdies.com/

Dopo le intense cronache dagli Emirati Arabi Uniti ✈️, il viaggio di Motto on Tour prosegue verso una nuova tappa affascinante: Singapore. Una città-stato sorprendente, dove tradizione asiatica, modernità futuristica e culture diverse convivono in perfetto equilibrio

THE THIRD MAN Holly Martins, a writer of pulp Westerns, arrives broke to visit his childhood friend Harry Lime, only to discover that Harry is dead. Suspicious circumstances surrounding the death, including reports of a mysterious third man at the scene, pull Holly into a growing conspiracy. As he digs deeper, he faces resistance from a British officer and falls hard for Harry's grieving lover, Anna. Craig, Elisabeth and guest Derek McCaw talk about black markets, inept protagonists, Horror Not Hate and the movie “The Third Man” on this week's Matinee Heroes! Show Notes 1:04 Craig, Elisabeth and Derek McCaw talk the crowdfunding of Horror Not Hate and introduce Mystery March. 10:55 Craig, Elisabeth and Derek discuss "The Third Man." 57:30 Recasting 1:13:08 Double Feature 1:18:12 Final Thoughts 1:22:16 A preview of next week's episode "Chinatown." Next week, Mystery March continues with the classic neo-noir "Chinatown."

Progress is being made in Chinatown, but several challenges remain, including some long-standing issues like the 97 Street bridge. Plus, there's a new downtown housing incentive, and council approved its strategic priorities for the term ahead of budget planning.Here are the relevant links for this episode:Chinatown Strategy updateChinatown Strategy - Initiatives and Progress - March 04, 2026'Changing the narrative': City council hears from community on further Chinatown improvementsChinatown shows signs of improvement as City of Edmonton weighs 3 new initiatives"Bike lanes on steroids" Chinatown businesses want street parking backA moment in history: April 22, 1929 - Taproot EdmontonMan accused in fatal Chinatown beatings in Edmonton testifies in courtJustin Bone's repeated firing of lawyers raises questions about limits to right of counselDowntown Attainable Housing IncentiveDowntown Attainable Housing Incentive - March 4, 2026Edmonton looks to incentivize downtown apartment developmentCouncil strategic prioritiesCity council limits itself to four key strategic priorities for termEdmonton City Council Strategic Priorities | Andrew KnackBudget planningSpecial City Council Meeting - March 5, 2026This episode is brought to you by the Edmonton Downtown Business Association, which is putting on Downtown Dining Week from March 11 to 22. This year you have more than 65 restaurants to pick from. Downtown Dining Week offers you multi-course and multi-item menus at a discount, all while supporting locally owned restaurants. Check out the menusSpeaking Municipally is produced by Taproot Edmonton, the most reliable source of intelligence about what's happening in the Edmonton region. Through curiosity-driven original stories, tailored and useful newsletters, a comprehensive and innovative events calendar, and thought-provoking podcasts, we inform, connect, and inspire a more vibrant, engaged, and resilient Edmonton region.Sign up to get The Pulse, our weekday news briefing. It's free!Want to reach the smartest, most-engaged people in the Edmonton region? Learn more about advertising with Taproot Edmonton! ★ Support this podcast ★

On this Friday edition of the BIG 5, Elias is joined by Justine McIntyre, co-founder at Civica Strategies and former city councilor and Daniel Tran, director of communication and governmental relations at Casacom. Closing in on a week since the war in Iran kicked off, and if you’re struggling to figure out just what Canada’s official position is in this conflict, you are not alone. Speaking of the Middle East, six days after U.S.-Israeli military strikes began, there are still Quebecers and Canadians abroad trying desperately to get home. Chinatown residents are saying enough is enough: "It is time to stop making Chinatown a dumping ground for misery."

This is the 4pm All-Local update on Sunday, March 1.

We've got Tone Bell and Napoleon Emill in the turtle lair for another splendiferous episode! We've got AI nightmare videos, airport survival tactics, lawless Chinatown bus stories, why people use Zelle vs Ca$hApp, and we debate if men should use a bag and what man bag is best?Dave reveals his quest to get his money's worth by showering in the Delta Lounge, while the group breaks down how airports are secretly designed to kill time — complete with art, shopping, and lounge hustles. Then things get personal with a breakdown of GoFundMe scams, Derek's real subway take, and we play the hold-your-breath challenge!LIKE, SHARE & SUBSCRIBE https://www.youtube.com/channel/UCLAUp-4rTF4q4XLujbJ51YQ TOUR DATES https://www.linktr.ee/nnfaMERCH https://nnfa.creator-spring.com/ BONUS CONTENT https://www.patreon.com/c/ImDaveTemple?utm_medium=clipboard_copy&utm_source=copyLink -----------------Follow host Derek GainesIG https://www.instagram.com/thegreatboy/ Follow host Dave TempleIG https://www.instagram.com/imdavetemple/ YouTube https://www.youtube.com/@DAT46Follow guest Tone BellIG https://www.instagram.com/tonebell/ Follow guest Napoleon EmillIG https://www.instagram.com/napoleonemill/ Follow No Need for ApologiesIG https://www.instagram.com/nnfapodcast/ TT https://www.tiktok.com/@noneedforapologies FB https://www.facebook.com/noneedforapologies/Produced by Teona SashaIG https://www.instagram.com/teonasasha/TT https://www.tiktok.com/@teonasasha -----------------To advertise your product on our podcasts please email jimmy@gasdigitalmarketing.com with a brief description about your product and any shows you may be interested in advertising on.SEND US MAIL:GaS Digital StudiosAttn: NNFA151 1st Ave # 311New York, NY 10003"No Need for Apologies" - NEW Episodes every Saturday at 3PM/ET on YouTube-----------------⏱️ Timed Highlights:00:00 – Intro00:40 – Welcome Tone Bell & Napoleon Emill04:30 – AI videos09:10 – The lawless Chinatown bus24:30 – Best Buck Delta Lounge33:33 – CashApp vs Venmo users38:00 – Scam GoFundMe debate47:00 – Video: Man bag options48:39 – What's in Napoleon's tote bag?57:20 – Video: Derek's real subway take1:01:03 – Holding your breath challenge1:02:40 – OutroSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Jer Staes is joined by co-hosts Devon O'Reilly and Norris Howard for a wide ranging talk about food, faith, politics, and Detroit's future.​ What we talk about​ Devon went to Dearborn for Mayor Abdullah Hammoud's Unity Iftar dinner during Ramadan and talks about what Iftar is, who was in the room, and how it felt to see an Imam and a priest share very similar prayers.​ The crew gets into why learning about other cultures in Metro Detroit can break down fear and hate, and why showing up when you are invited matters.​ Jer visited the new Detroit 75 Kitchen brick and mortar spot, talks about the giant portions, the menu, the space, and why it feels like the start of a bigger concept.​ Norris checks in after a whirlwind trip to Washington, D.C. for the State of the Union, riding the underground tram at the Capitol, and trying to talk with members of Congress while votes keep getting moved around.​ The table digs into the "weird" mood in D.C., the feeling that we are at the end of an era, and how broken national leadership and media bubbles spill down into local politics.​ We respond to listener feedback on Michigan's slide in education and economic numbers, why covering bad data is not "being negative," and a listener question about Chinatown gets into a bigger conversation about population loss and where capital follows growth — and that the city has lost a lot of the middle class since 2000, a fact that continues even with recent popultion upticks. That loss has real impacts on what businesses can survive in that aftermath.​ ​We close on the tight Michigan governor's race, why early polls show a true toss up, why no major candidate is dropping out, and what Governor Whitmer's low key State of the State might say about her next move.​​ Support and follow​ Sign up for the Daily Detroit newsletter: https://www.dailydetroit.com/newsletter/ Become a member to support local coverage: https://www.patreon.com/DailyDetroit Feedback: ​dailydetroit - at - gmail - dot - com or leave a voicemail, 313-789-3211 Follow us on Apple Podcasts or wherever you get shows for future episodes: https://podcasts.apple.com/us/podcast/daily-detroit/id1220563942

After a gang leader was murdered in San Francisco's Chinatown, the only witnesses who would talk with the police were tourists. They looked through so-called “mug books” filled with photographs of Asian men - and pointed out a man named Chol Soo Lee. Years later, a journalist decided to investigate his case, and described it as an “unreal, Alice-in-Chinatown murder case." Today's episode comes from the Smithsonian's Sidedoor podcast. Julie Ha's documentary is Free Chol Soo Lee. Say hello on ⁠Facebook⁠, ⁠Instagram⁠ and ⁠TikTok⁠. Sign up for our ⁠occasional newsletter⁠. Follow the show and review us on ⁠Apple Podcasts⁠. ⁠Sign up for Criminal Plus⁠ to get behind-the-scenes bonus episodes of Criminal, ad-free listening of all of our shows, invitations to virtual events, special merch deals, and more. We also make ⁠This is Love⁠ and ⁠Phoebe Reads a Mystery⁠. Artwork by ⁠Julienne Alexander⁠. Check out ⁠our online shop⁠. Episode transcripts are posted on ⁠our website⁠. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Today, we're talking about the future of Midtown. Getting details on that new Chinatown project (and a whole lot more) with the executive director of Midtown Detroit, Inc. You'll learn a lot about this series of Detroit neighborhoods in this conversation and what's ahead for an area of Detroit so many people have so many connections to. More show notes to come. Feedback as always, dailydetroit - at - gmail - dot - com or leave a voicemail, 313-789-3211. Follow Daily Detroit on Apple Podcasts: https://podcasts.apple.com/us/podcast/daily-detroit/id1220563942 Or sign up for our newsletter: https://www.dailydetroit.com/newsletter/  

The first museum in New South Wales dedicated to the history of Chinese people in Australia has opened in the heart of Sydney's Chinatown. The Museum of Chinese in Australia [[MOCA]] dedicates its stories to some of Australia's earliest migrants - preserving Chinese history and culture in the country. - В самом сердце сиднейского Чайнатауна открылся первый в Новом Южном Уэльсе музей, посвященный истории китайского народа в Австралии. Он так и называется - Museum of Chinese in Australia, MOCA. Начавшийся год огненной лошади традиционно связан со временем значительных прорывов и радикальных перемен. И музей впервые открыл свои двери после многих лет трудностей, включая пандемию COVID-19 и сложности, связанные с реконструкцией исторического здания 1875 года.

Mayor Sheffield launches new neighborhood, community safety office Detroit's Chinatown getting $2.4 million in infrastructure upgrades Hail Yes!: Why Michigan basketball's week is still a success, even with loss to Duke Subscribe/follow, rate and share "Hail Yes!" available on all podcast platforms including: Apple Podcasts Spotify Amazon Music YouTube

In this episode of Gangland Wire, host Gary Jenkins, retired Kansas City Police Intelligence Unit detective, continues his deep dive into organized crime history with prolific Mafia author Jeffrey Sussman. Sussman, the author of eight books on organized crime, joins Jenkins for a wide-ranging conversation that spans the rise, violence, prosecutions, and survival tactics of La Cosa Nostra in America. Drawing from works like Backbeat Gangsters and his latest release Mafia Hits, Misses Wars and Prosecutions, Sussman offers sharp insight into how the Mafia enforced silence, eliminated enemies, and adapted to government pressure. The discussion opens with omertà, the Mafia's infamous code of silence, and how mob warfare enforced loyalty through fear. Sussman recounts notorious hits and mob wars that shaped organized crime, then shifts to landmark prosecutions led by Thomas Dewey, whose relentless pursuit of Murder Incorporated dismantled the mob's most feared execution squad. Jenkins and Sussman examine the disastrous Appalachian Conference, where Vito Genovese overplayed his hand, drawing national attention to the Mafia and setting the stage for informants like Joe Valachi to break decades of secrecy. The episode also explores the Mafia's darkest execution methods, including lupara bianca—murders designed to leave no body and no evidence—along with chilling stories involving Mad Sam DeStefano. The assassination attempt on Joe Colombo, and its ties to Joey Gallo, highlight how ego and publicity often proved fatal in the mob world. The episode concludes with Sussman previewing his upcoming book on the Garment District, blending personal family history with organized crime's grip on American industry. Together, Jenkins and Sussman deliver a sweeping, chronological look at how the Mafia rose, fractured, and endured—leaving a permanent mark on American culture. Get his book Mafia Hits, Misses, Wars, and Prosecutions. ⏱️ Episode Chapters 00:00 – Introduction and Jeffrey Sussman's Mafia work 03:45 – Omertà and enforcing silence 07:30 – Mafia hits and internal wars 12:10 – Thomas Dewey and Murder Incorporated 18:40 – St. Valentine's Day Massacre 23:30 – Formation of the Five Families 28:50 – Italian and Jewish mob alliances 34:20 – Capone, Lansky, and Luciano 39:45 – Appalachian Conference fallout 45:10 – Vito Genovese and Joe Valachi 50:30 – Lupara blanca and body disposal 55:20 – Mad Sam DeStefano's brutality 59:40 – Joe Colombo assassination 1:05:30 – Betrayal and mob survival 1:10:50 – Sussman's upcoming Garment District book   [0:00] Hey, welcome, all you Wiretipers, back here in the studio of Gangland Wire, as you can see. This is Gary Jenkins, retired Kansas City Police Intelligence Unit detective and later sergeant. I have a guest today. He is a prolific author about the mob in the United States. We have several interviews in the archives with Jeffrey Sussman. Welcome, Jeffrey. Thank you, Gary. It’s a pleasure to be with you once again. All right. How many mob books you got? Eight or nine, I think. Eight or nine. I know you’ve covered Tinseltown, the L.A. Families, the crime in L.A., the Chicago. What are some of those? I did Las Vegas, which had a number of the Chicago outfit members in it. I did Big Apple Gangsters. Oh, yeah. My last one was Backbeat Gangsters about the rock music business. Oh, yeah. And then I did also one about boxing and the mob, how the mob controlled boxing. And then my new book is Mafia Hits, Misses Wars and Prosecutions. The update is February 19th. All right. Guys, when I release this, we’re doing this, actually, we’re doing this before Christmas. But when this comes out, while you’ll be able to go to the Amazon link that I’ll have in there, get that book, we’ll have, you’ll see a picture of it as we go along. So you’ll know what the cover looks like. It sounds really interesting, especially about the Mafia Misses. But I’m sure that’s interesting. [1:29] Well, the mob, that’s their way of enforcing their rules. The omerta, somebody talks, they’re going to rub you out, supposedly. And by mob, we’re talking about primarily La Cosa Nostra, Sicilian-based organized crime in the United States. Yeah. The five families particularly have brought this up front. The five families have really perfected this as an art, killing their rivals, killing people that threaten them in any way, killing people that they even had a contract on Tom Dewey, the prosecutor, I believe, at one time. That would be a bomb miss, wouldn’t it? Yeah, actually, what happened with that is Dutch Schultz wanted the commission to take out a contract on Tom Dewey, and they said, no, we can’t do that, because if we do that, it’ll bring down too much heat on us. And so the mob wound up killing Dutch Schultz because he was too much of a threat to them in some ways. But the irony was that if they had killed him, Lucky Luciano never would have been prosecuted. He was prosecuted by Thomas Dewey. Lucky Bookhalter never would have been prosecuted and gone to the electric chair, several others as well. So, by not killing Dewey, they set themselves up to be arrested and get either very long prison terms or go to the electric chair. [2:57] Yeah, Dewey sent, I think it was four members of Murder Incorporated to the electric chair and the head of it, the Lepke book halter. And then he arrested and got a conviction against Lucky Luciano for pimping and pandering, which should have been a fairly short sentence, just a couple of years. But he had him sentenced to 50 years in prison, which is amazing, the pimping. [3:20] So if they had killed Thomas Dewey, they probably would have been better off. But that’s 2020 hindsight. Yeah, hindsight’s always 2020. And a cost-benefit analysis, if you want to apply that, why the cost of killing Tom Dooley might have been much less than the actual benefit was. That’s right. Exactly. And they came to realize that, but it was too late for them. I think they always do a cost-benefit analysis in some manner. How much heat’s going to come down from this? Can we take the heat? Because I know in Kansas City, our mob boss, Nick Savella, was in the penitentiary. He was about to get out, and he sent word out, said I want all unfinished business taken care of by the time I get out. Because when I get out, I do not want all these headlines, because murder generates headlines. And so there was like three murders in rapid succession right after that. [4:13] So they worry about the press and hits, murders generate press. So let’s go back and talk about some particular ones. One of the most famous ones was the St. Valentine’s Day Massacre. Do you cover that? [4:26] Yeah, I start with the assassination of Arnold Rothstein in 1928, and then I go right into the St. Valentine’s Day Massacre. I go into the Castel Marari’s War, the birth of the five families. They had a famous meeting at the Franconia Hotel where the Jewish and Italian gangsters decided to form an alliance rather than fight one another. I went through the trial and conviction of Al Capone, the Bug and Meyer gang. Which evolved into Murder Incorporated, and then how Mayor LaGuardia went after the mob in New York and drove out Frank Costello, who had all the slot machines in New York, drove him down to Louisiana, where Frank Costello paid Huey Long a million dollars to let him operate slot machines all around New Orleans and the rest of Louisiana. And then there was William Dwyer, O’Dwyer, and Burton Turkus, who prosecuted the mob, other members of Murder Incorporated, and then how the federal government was using deportation to get rid of a lot of the mobsters, and how the mafia insinuated itself with entertainers and was controlling entertainers like Frank Sinatra and Dean Martin and Jerry Lewis and others. [5:44] And then the Appalachian Conference, and what an embarrassment that was to Vito Genovese, who wanted to declare himself the boss of bosses. Instead, he became the schmuck of schmucks because the FBI invaded this. And there was a theory that this was really set up, Meyer Lansky, Carl Gambino, and Lucky Luciano, because they didn’t want Vito Genovese to become the boss of bosses because Vito Genovese was responsible for the attempted murder of Frank Costello, and they wanted to get rid of him. After they embarrassed him with Appalachian, And then they set him up for a drug buy. Which is ridiculous because you don’t have the head of a mafia family going out on the street and buying heroin from someone. But that’s what they got him for. And they sent him off to prison for 15 years where he died. But in the realm of unintended consequences, which we just heard some, he goes down to Atlanta and a guy named Joe Valacci is down there. And he thinks that Vito Genovese is given to the fisheye and maybe wants to have him killed. [6:52] If Vito Genovese is not in Atlanta, Joe Valacci does not turn and become the first big important witness against the mob in the United States that couple that with Appalachian. And embarrassment to the FBI and then this Joe Valacci coming out with all these stories explaining what all that meant, the organized crime in the United States, why we may not have the investigation that subsequently came out of all that. It’s crazy, huh? Yeah, exactly. In terms of unintended consequences, because if Vito Genovese hadn’t given the kiss of death, supposedly, to Joe Valacci, you never would have had Joe Valacci’s testimony about how the mob operates. He opened so many doors and told so many secrets. It was a real revelation to the world. [7:42] Now, what about these murders? And I understand they call them a lupara blanca, where the body is never found. Did you talk about any of those or look into that at all? [7:53] We’ve had them in Kansas City, where it’s obviously a mob murder. They even will send a message to the family. We had one where the guy disappeared. Nobody ever found his body. But somebody called the family and said, hey, go up on Gladstone Drive and check this trash can. And then they find the guy’s clothes and his driver’s license, everything in there. Now, did you go into any of those blanks? Yeah, there were a number of mob hits, especially during the murder ink era where they would dispose of the bodies and no one would ever find them. But they would leave clues around for members of the family just so they would know that their father or their son or their brother, whoever was no longer in this world. [8:39] Yeah, that was done quite a bit. And when the Westies, which was an Irish gang that operated on the west side of New York, they believed that if you never found the corpse, you could never convict them of murder. So they used to take their dead bodies out to an island in the East River and chop them into little pieces and then dump them in the river and no one would ever find them. And supposedly they did that with dozens and dozens of bodies. Yeah. Interesting. Yeah, and it is. It’s hard to prosecute without the body. It’s been done, but it’s really hard to do. You’ve got to have a really lot of circumstantial evidence to approve a murder without a body. And when Albert Anastasia and Leffy Foucault, who were running Murder Incorporated, they believed two things. One, that if you didn’t find the body, it would be hard to prosecute. And if you couldn’t show a motive, that would be the other thing that would make it difficult. So there would be absolutely no connection between the person who killed the victim and the victim. There was no connection whatsoever. So it was almost as if it was a stranger. In fact, it was a stranger who would commit the murder and then disappear and make sure that the body also disappeared. So you’d have neither motive nor body. Interesting. Pretty stiff penalty for murder. So I understand why you take some extra. Exactly. [10:08] Yeah, that tried to disassociate yourself from any motive for the body. There’s a guy in Chicago named Mad Sam DeStefano. Oh, sure. Lone shark and particularly egregious person when it came to collecting and was responsible for some murders and tortures. And they claim that he would buddy up to the person he knew he wanted to have killed and give him a watch. So then when the police came back around, he’d say, he was my friend. I gave him a present. I gave him that watch. Look and see. Ask his wife. I gave him a watch. Yeah. And I think it was Anthony Spolatro who was charged by the outfit of getting rid of Sam DiStefano because he was a friend. He had been like a protege of Crazy Sam. And so Sam didn’t suspect him as the person who would come and kill him. Yeah, that’s common clue. They say, look out. When a friend comes around and it seems a little bit funny and they want her particularly nice to you and you know you’re in trouble, anyhow, look out. Because that’s the guy that’s going to get you. Exactly. At least set you up. Maybe they have somebody else come in and pull the trigger, somebody that’ll leave town or whatever, but your friend’s going to set you up, make you comfortable. [11:24] Yeah, I think that’s exactly how it happened. We talked a little bit about the Joe Colombo murder. Did you look at that? Yes. [11:31] Tell us about that, because I’m really interested in that. I’d kind of like to do a larger story, just focusing on that, what really happened there, because that’s a mystery. Did this Jerome Johnson, this black guy, do it? Why would he do it? Nobody ever came out and connected him directly to Joey Gallo, and that’s the claim. So talk about that one. What happened is Joe Colombo formed the Italian Anti-Defamation League because he thought Italians were being blamed for too many things. And Colombo was responsible for having the producers of the movie The Godfather never use the word mafia in the movie, never use La Cosa Nostra in the movie. And he was making a big splash for himself. And this was driving a lot of people in the mafia a little crazy. They’re getting nervous because he was getting so much attention for himself, and it’s not the kind of attention they wanted. And Gambino was particularly upset about this. And Joey Gallo had been in prison, and he had been involved in the war against Profaci earlier on. And when he got out of prison, he felt that the new head of the Profaci family, who was Joe Colombo, should honor him with the amount of time that he spent in prison. And Joe Colombo offered him $1,000. [12:57] And Gallo was incensed by that. He expected $100,000. [13:02] And so he started another war with Colombo. [13:09] This would be good for Carlo Gambino because then he could use Joey Gallo to get rid of someone and his hands wouldn’t appear to be anywhere near this. And when Joey Gallo was in prison, he befriended a lot of black gangsters who were drug dealers and showed them how to succeed in the drug dealing business. And his attitude was that the mafia was very prejudiced against black people, but he thought that was stupid. He thought that we should use black criminals the same way we use any other criminals. And so he befriended a lot of blacks when he was in prison. And no one really knows how exactly he came in contact with Jerome Johnson. But anyway, Jerome Johnson was given the mission of assassinating Joe Colombo at a demonstration where Joe Colombo would be speaking about the Italian American Anti-Defamation League, which had attracted a lot of entertainers. Frank Sinatra was on the board of it. They raised a lot of money. I spoke to some Italian friends of mine at the time, and they said that people from the Italian Anti-Defamation League went around to small Italian-run stores, pizza parlors, shoe repair stores, whatever, and had them closed down for that day so that these people should attend the rally. And the rally was being held, I believe, in Columbus Circle. [14:36] And Jerome Johnson was there, and he had a press pass. So he was permitted to get very close to Joe Colombo because it appeared that he was a reporter or a photographer for a newspaper. And as soon as he got close enough, he pumped a couple of bullets into Joe Colombo’s head. Immediately, three or four gangsters descended on Jerome Johnson and killed him immediately. [15:02] And those three or four people who killed him, they disappeared into the crowd. No one ever found them again. I know. I wish we’d had cell phone footage from that. No one wouldn’t have gotten away if everybody had their cell phones out that day when they would have seen everything that happened. [15:21] Exactly. Columbo existed in a vegetative state. I think it was for about seven years before he finally died. I didn’t realize it was that long. Wow. Yeah, but he was semi-conscious. He couldn’t communicate. He was paralyzed. But the The Colombo family believed that it was Joey Gallo who was responsible for this. Joey Gallo and his new wife had been having a dinner with friends at the Copacabana nightclub in New York. They were joined at their table by Don Rickles, who had been performing that night. Comedian David Steinberg, who had been the best man at Joey Gallo’s wedding to a second wife, was there. And he suggested to them that they left the Copacabana about three o’clock in the morning. And he suggested to them that they all go down to Little Italy, go to Chinatown, and we’ll have a late dinner there. So Rick Olson and Steinberg said, it’s too late for us. You go and enjoy yourself and we’ll see you another time. Joey Gallo, his bodyguard, a Greek guy, I can’t remember his name exactly. Peter Dacopoulos. That’s it. And his wife, and Decapolis’ girlfriend and Joey Gallo’s stepdaughter. They all drove downtown. They couldn’t find anything open in Chinatown, so they drove over to Little Italy, and they went into Umberto’s Clam House. [16:49] And it was very strange, because supposedly a gangster would never do this. Joe Colombo was sitting with his back to the door. [16:58] Usually, your back is to the wall, and you’re facing the door. Oh, Joey Gallo was sitting with his back to the door. Yeah, I meant Joey Gallo. Yeah. Go ahead. And there was kind of a lonely guy sitting at the bar having a drink, and no one paid any attention to him. He was a mob wannabe, and he recognized Joey Gallo, and he went to a mob social club that was a few blocks away that was a hangout for Colombo gangsters. And when he came in and told them that joey gallo was there and the one of the guys there called a capo from the colombo family and told him who they saw and so forth and apparently he instructed them to go and get rid of him and so they took the mob wannabe guy and they got in two cars and they drove down to or around the block whatever it was to umberto’s clam house they went in and they immediately started shooting. And Colombo flipped over the table. I’m sorry, Joey Gallo flipped over the table and had his wife and girlfriend in the step door to get behind the table. And he and Peter were firing back at these guys. [18:07] Peter got shot in the ass and complained about it for many months afterwards, and Joey Gallo ran out onto the street chasing them, and he got shot in the neck, and I think it hit his carotid artery, and he bled to death on the sidewalk. And the guys from the Columbo and the Columbo wannabe guy, they quickly drove up to an apartment on the Upper East Side where the Columbo capo was. And he told them to go to a safe house in Nyack, New York, where they went. And meanwhile, the mob wannabe guy who had fingered Columbo, he’s getting very nervous. He feels that his life isn’t worth too much. He’s in over his head. [18:51] Right. So he sneaks out in the middle of the night and takes a plane to California to live with his sister. And he tries to get into the witness protection program, but they don’t believe him. They don’t believe he has enough evidence to make it worthwhile. No one knows exactly what happened to him afterwards. And the guys who supposedly killed Gallo, nothing really happened to them either. There was a huge funeral for Joey Gallo in Brooklyn. And it was like one of those old mob funerals that you see in a movie with a hundred flower cars and people lining the streets. And I think it was Joey Gallo’s mother who threw herself into the grave on top of the coffin. Oh, really? And Joey Gallo’s. [19:38] He had two brothers, one of whom had died of cancer, and the other one wound up going into another mob family. That was part of the peace deal. I can’t remember if it was the Gambino family or the Genovese family. He went into one of those two families. I think it was Gambino family, that Albert Kidd Twist gallo, I think was his name. And I think it was the Gambino family. He just kept a low profile until he died of natural causes. I think he’s dead now. He never heard from him again, basically. Exactly. [20:06] Interesting. That’s a heck of a story. A lot more stories like that in there, too. I bet. What was your favorite story out of that, or the one that shocked you or you learned something? Maybe something that you learned that you didn’t know or cut through some myth. [20:20] Probably, I’m just looking at my notes here to see what really fascinated me the most. I think the evolution of the Bug and Meyer gang. This guy, Ralph Salerno, who was a fascinating guy who headed the New York Prime Strike Force, Mafia investigators He’s been dead for about I think 10 or 15 years But I spent about Two or three hours Interviewing him A long time ago Didn’t he write a book Didn’t he write a book Called The Crime Confederation Or something like that Yes he did Yeah And it’s excellent So he knew Meyer Lansky He had met Bugsy Siegel Back once In the early 1940s He knew Frank Costello He knew all of these people And it was fascinating To, to hear his stories. And he said that during the time of the Bug and Meyer gang, they were the most vicious gang in New York. And they had a complete menu for crimes that they would commit on your behalf. Burglaries, murders, throwing people out of windows, breaking arms and legs, killing by stabbing, killing by shooting, killing by knifing. And each one had a price. And he said they actually had it printed. It was like a menu and you could check off what you wanted. [21:40] Crazy. And then he said, as they got more and more involved in prohibition, they got out of this and it evolved into Murder Incorporated, which had about 400 members, primarily Jewish and Italian gangsters. And it was run by Albert Anastasia and Lepke Bookhalter. [22:05] And when Thomas Dewey came into power, he wanted very much to convict these guys, but, Murder Incorporated had this fascinating idea that every member of Murder Incorporated would receive a monthly retainer and then it paid a special price for committing murders. And the more ambitious the member was, the more murders he would commit. So there were a couple who were really very ambitious and did a lot of murders. And each one had a specialty. So there was this one guy named Abe Hidtwist Relis, who only killed people with an ice pick in the back of the neck. And then he would leave the body in a car, talking about getting rid of bodies, and he would burn the body and leave it in the car and let other people know who were the relatives that he had been done away with. And then there was a guy named Pittsburgh Phil, who was the most ambitious of them, who supposedly committed about 100 to 150 murders because he just loved getting money for each one that he committed. [23:15] Then there was a guy named Louis Capone, who’s no relation to Al. He worked with a partner named Mendy Weiss, and the two of them went out and killed people together. They thought it was a fun event for them. It was like a boy’s night out. Who we’re going to kill today. Weren’t they two of them that got the electric chair? Yes, they did. And there’s a picture of them on the train up to Singh on their way to the electric chair. And they’re laughing. This is nothing. This is just another fun time for us. And yeah, I think there were four of them who finally went to the electric chair. And then one member of this was a guy named Charlie the Bud Workman, who finally got indicted for the murder of Dutch Schultz. He was the one who carried out the murder of Dutch Schultz for the mob. And he got, I think he was 30 years in prison. But according to his son… [24:13] Who is a PGA golfer, who is well-known in PGA circles as a very good golf competitor, said that the mob took care of his family for the entire time that Workman was in prison because he never spoke about anybody else. He really observed the rules of a murder, and they appreciated him for that. So that whole episode was like a corporation murder, which is why they called it Murder, Inc., that would go out and kill people on orders only from the mafia. They only worked for the mafia. You couldn’t hire them if you weren’t a member of the mafia. And it had to go through a mafia boss for the instructions to come down to them. A soldier couldn’t tell them what to do. Even a capo couldn’t tell them. It had to go up to a boss, the boss had to approve it, and then assign someone to do it. And they all worked out of a candy store in Brooklyn called Midnight Roses because it was open 24 hours a day. And the phone would ring there from giving whoever it was instructions about who was to be killed, where they were to be killed, how they were to do it, and so forth and so on. [25:27] So what was also interesting is even though Bugsy Siegel had left the Bug and Meyer gang, he still loved participating in murder. He liked killing people. And his partner in these murders was a guy named Frankie Carbo, who became a big deal in boxing. He controlled most of the boxing in America up until at the time of Sonny Liston. And his partner in this was a man named Blinky Palermo. [25:59] And according to Ralph Natale, who for a while had been the boss of the Philadelphia crime family, it was Frankie Carbo who was sent by the mob to kill Bugsy Siegel. Because if he was caught or Bugsy Siegel saw him around, he wouldn’t suspect that he was his killer because they were friends and they had operated as partners together. So this goes back to what we were talking about earlier. It’s your friend who comes closest to you and then arranges you to be assassinated. So I found that whole story just fascinating. Interesting. I’ll tell you what. And there’s those and a whole lot more stories in this, isn’t there, Jeff? Yes, there are. I think that the book covers pretty much the mob history, beginning with the founding of the five families, going all the way up through Sammy the Bulgurvano’s testimony against John Gotti and the commission trial, where they decapitated the heads of the five families. Not literally, folks. Not literally. Not literally. We didn’t literally decapitate. Rudy Giuliano, he tried to. He tried to. He tried to. Metaphorically, he decapitated the heads of the five families. Exactly. [27:15] You know, what was interesting, though, is in the 1930s, you had Thomas Dewey. In the 1960s, you had Robert Kennedy, who went after the mob. And then later on, you had Rudy Giuliani going after the mob. And the mob always managed to reorganize itself and figure out a new way of existing. They were very opportunistic and they always managed to find a way to keep going, even if it was very low key, which is what it is now, where they operate in the shadows and they don’t have any John Gottis or Al Capone’s out there getting a lot of attention for themselves. They’re still out there doing things. Yeah. Yeah. They finally learned something about that getting publicity. And most recently, they put together a whole scheme, and this goes way back, of cheating people. Big whales, I call them whales, of rich men that like to gamble and brush up against kind of the dark side and cheat them at cards. They’ve been doing that for years. They just do it under goes to clear black to the Friars Club scam in Los Angeles where Ronnie Roselli and some others had a spotter, would see who had what cards in what’s hands, then would tell another player. And so now there’s just more electronic, but the same game just upgraded to electronics. [28:30] That’s right. What someone I spoke to interviewed said, he said they’re very involved in electronic gambling poker machines and that kind of thing. And a lot of offshore gambling and offshore money laundering. And to some extent, even drug dealing now. And they’re still very involved in New York in the construction business. Oh, really? Yeah. Union business. They’re still in it, huh? And I know in Kansas City, there’s a couple of examples where they put money into a buy here, pay here car dealership into a title loan place because there’s a huge rate of interest on those things. And there’s a lot of scams that go down out of those places, especially the old crap cars and put them together and sell them to poor people for they’ve got $500 in the car and they sell it to them for $2,000. They charge them a 25% interest and then go repo it when the car breaks down, turn around and patch it up and sell it again. So there’s always schemes going on out there to mob will put their money into. Oh, it’s incredible. I knew of one scheme where they would They would sell trucks to people and give them a special route. And so on that route, they could make enough money to pay off the loan on the truck. But then they would take away the route from them. They couldn’t pay off the truck. So they would repossess the truck and sell it to someone else and do it all over again. [29:50] Oh, I know. They got to tell you that. And Joey Messino and the Bananos, they organized the tow main wagons, the lunch truck, the snack wagons. Right, exactly. Organize them. And then they start extorting money, formed an association. And then to get to good spots, then you had to kick money to them. And just to be part of the organization, that was kicking money to them. There’s always something. They always manage to find a place where they can make money. And it’s like whack-a-mole. You can stop them here, you can stop them there, and then they pop up in three other places. [30:24] Really all right jeffrey susman i’m so happy to talk to you again i haven’t talked to you for a while and i hope everything else is everything’s going okay for you in new york city yep i’m working on a new book uh what are you working on now oh my god you are so prolific i look on your amazon page just when i was getting ready to do this trying to think of some of those other titles Oh, my God. I’m working on a book about the Garment Center. Ah, interesting. Only because my family was involved in that business, and they had to deal with the mob in various ways, with trucking companies, unions, and so forth. And since I knew that, and I had a lot of information, a lot of contacts, I thought I would tackle that next. I remember when I had my marketing PR business back in the 1970s. [31:16] I had a client who was in the fitness business, and I had a cousin of my mother’s who was a very famous dress designer at the time, and he had a big showroom on 7th Avenue, which is in the garment center. I went to see him because I wanted to see if I could get a deal for my client to manufacture exercise clothes and brand it with her name. I made a date to have lunch with this cousin of mine, and he said, come up to my showroom. we’ll meet for lunch, And so I got to the showroom, and I called out his name when I walked in. It was empty. And this guy comes running out of the back, and he just has a shirt on, and he has a shoulder holster, .38 caliber gun in it. And he says to me, who the F are you? I said, I’m so-and-so’s cousin. I’m here to have lunch with him. He disappeared into the back. And a couple of minutes later my mother’s cousin comes out and i said who was that what was that about he says i don’t want to talk about it now i’ll tell you all for lunch so we go down to a restaurant around the corner and i asked him again and he says he said he couldn’t have his dresses delivered to any department store unless he made a deal with yeah i forgot if it was the gambinos or the lucasies that he had to take this guy on as a partner otherwise the trucks wouldn’t deliver his garments. And there was nothing he could do about it. It was either that or go out of business. [32:45] I’ll tell you what, they’re voracious. They’re greedy and voracious and don’t care. Just give me those, show me the money. That’s all it is. It’s all about money and any way to get it. And then there’s always a threat of murder behind it. If you don’t cooperate, think of the worst thing that can happen to you. And that’s what’ll happen. Yeah. I’ve had guys over the years tell I’m like, oh, you ought to throw in with one of those ex-mobsters that’s doing podcasts and try to do something with them. I say, I ain’t doing business with them. They play by their rules. I play by society’s rules. And I don’t have time to mess with that. Yeah. And that was a smart thing to do. Because also, when I had this fitness client, I met someone who was… I didn’t know what was connected to the mob, but a mutual friend, this guy said that he wanted to set up fitness centers all around the country for my clients. So I mentioned this to a mutual friend and he said, whatever you don’t go into business with this guy, I said, regret it for the rest of your life. So I advised my client not to do it. [33:49] Yeah. Cause initially before we knew that it sounded like a great opportunity. And then when you investigate, it’s not such a great opportunity. Yeah, really. Speaking of that, we tell stories for hours. I just heard a story. We had a relocated mobster, a guy that testified against Gigante, came here to Kansas City. And he was, of course, under witness protection and he’s got an assumed name. And he befriends a guy that has a fitness center. He has a franchise of Gold’s Gym or something. And he has a fitness center. And he talks this guy into taking him on, investing a little money in it, taking him on as his partner. Within the next couple of years, this mobster, he’s got two of his kids working there and neither one of them are really doing anything, but they’re drawing a salary and the money’s trickling out. And the guy, the local guy, he just walks away from it because this guy’s planned by the mob’s rules. So he just ended up walking away from it, did something else. So it’s do not go into business with these guys. No, never. Never. [34:48] Jeffrey Suspett, it’s a pleasure to have you back on the show. Thank you so much. It’s a pleasure to be with you again, Gary. It’s always a pleasure. Thank you very much.

Bảo tàng đầu tiên ở New South Wales dành riêng cho lịch sử người Hoa ở Úc đã khai trương tại trung tâm Chinatown của Sydney. Bảo tàng Người Hoa tại Úc (MOCA) trình bày những câu chuyện về một số nhóm người nhập cư sớm nhất của đất nước – lưu giữ lịch sử và văn hóa của cộng đồng người Hoa tại Úc.

The final design for a streetscape project has been unveiled that'll restore Detroit's Chinatown. WWJ's Tony Ortiz and Tracey McCaskill have the afternoon's top news stories.

The first museum in New South Wales dedicated to the history of Chinese people in Australia has opened in the heart of Sydney's Chinatown. The Museum of Chinese in Australia [[MOCA]] dedicates its stories to some of Australia's earliest migrants - preserving Chinese history and culture in the country.

Vancouver's Chinatown was never built to be trendy. It was built because people had nowhere else to belong. Shut out of opportunity. Pushed to the margins. Told where they could and could not live. So they built anyway. Store by store. Family by family. A place that began to pulse and then became magnetic to all who lived in and visited Vancouver.   And then slowly, the pulse weakened. Rising costs. Aging buildings. Poverty. Then the pandemic. The streets emptied. Businesses struggled to survive. Anti-Asian racism surged. Fear replaced foot traffic. Absence replaced community.   This week on Chatter That Matters, you will hear the story of how one woman turned darkness into light. Carol Lee looked at decay and did not see failure. She saw a break in belonging.    Carol's approach can be replicated by any struggling community.   Joining the conversation are Martin Thibodeau, Regional President of RBC in British Columbia, and Carmen Stossel, Regional Director of Community Marketing and Social Impact at RBC. They share what makes Carol Lee special and why they got involved.   If you care about your community and humanity.   You will want to hear this conversation.   Because sometimes lighting up a neighbourhood is really about lighting up belief.   Hit play to Light Up Chinatown.

A string of unsolved murders in San Francisco's Chinatown in the 1970s led police to the door of a young Korean immigrant named Chol Soo Lee — who was quickly arrested and sentenced to life in prison. But when investigative journalist K.W. Lee started digging into the case, he discovered a world of twisted law and order that went far deeper than one man. The articles K.W. wrote about what he uncovered in Chinatown shocked Asian Americans across Northern California to stand up and demand justice for Chol Soo Lee — and themselves. Guests: Sojin Kim, curator at the Smithsonian Center for Folklife and Cultural HeritageRanko Yamada, friend of K.W. Lee and Chol Soo Lee  Julie Ha, journalist, writer and co-director of the documentary film "Free Chol Soo Lee"

Today's we answer several listeners' requests for an episode on the American womenswear brand Lilli Ann. One of the great runaway success stories of American 20th century fashion, the backstory of the brand takes some twists and turns from its early years in San Francisco's Chinatown, to Lilli Ann's founder's fisticuffs with New York mobsters and his surprising relationship with the French textile industry which garnered Adolph Schuman the prestigious Legion d'Honneur award. Want more Dressed: The History of Fashion?  Our ⁠⁠⁠⁠⁠website⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠classes⁠⁠⁠⁠⁠ Our ⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠ Our ⁠⁠⁠⁠⁠bookshelf⁠⁠⁠⁠⁠ with over 150 of our favorite fashion history titles Dressed is a part of the ⁠⁠⁠⁠⁠AirWave Media⁠⁠⁠⁠⁠ network Learn more about your ad choices. Visit megaphone.fm/adchoices

House of Usher (1960), The Pit and the Pendulum (1961), and The Masque of the Red Death (1964) In the beginning of his career as a producer / director Roger Corman was known for cranking out cheap and fast black and white pictures that always made money. He worked in all genres, but it was mainly the horror and sci-fi pictures in the mid to late '60s he was known for. All that changed in 1960, when he convinced AIP to let him adapt a story from Edgar Allan Poe, but in color, with a bigger budget, and longer shooting schedule. That started a new phase of Corman's career, which also made an even bigger star of Vincent Price. In this episode, we take a deep dive into three of these Poe adaptations, and not necessarily looking in the faithfulness of them, but in their production, the incredible casts, the look, the style, as well as the feel of them. They really do get better each and every time you watch them. Hopefully after listening to this episode, you'll decide to either venture down this dark path for the first time, or take a revisit to admire the doom and gloom they all have. Films mentioned in this episode: The Big Bird Cage (1972), Black Sunday (1960), Chinatown (1974), City of the Dead (1960), Countess Dracula (1971), Corman's World: Exploits of a Hollywood Rebel (2011), Death Race 2000 (1975), Don't Look Now (1973), Duel (1971), Five Guns West (1955), The Fly (1958), Gunslinger (1956), The Haunted Palace (1963), Horror Hospital (1973), House on Haunted Hill (1959), House of Usher (1960), House of Wax (1953), Humanoids from the Deep (1980), Intruder (1962), It Conquered the World (1956), The Legend of Hell House (1973), Little Shop of Horrors (1960), Masque of the Red Death (1964), Monster from the Ocean Floor (1954), Naked Paradise (1957), Not of this Earth (1957), Pit Stop (1969), Piranha (1978), The Pit and the Pendulum (1961), Premature Burial (1962), Psycho (1960), The Raven (1963), Return of the Fly (1959), Rock 'n' Roll High School (1979), The Seventh Seal (1957), Swamp Women (1956), Tales of Terror (1962), The Terror (1963), The Tingler (1959), Trilogy of Terror (1975), The Wasp Women (1959)

Fun episode for you today! We're talking with Hannah Chea, Miss SF Chinatown 2025! She is a woman of many interests and talents. She marched with the Cal Marching Band during her time at UC Berkeley. She worked in tech, but after getting laid off, she pivoted to oyster shucking at parties and touring with a Cambodian dance company! And, she lives near Galileo High, so we had her "in studio" for a face-to-face chat! Listen to our episode on Spotify, Apple Podcasts, or wherever you find podcasts. Follow Hannah @xirimpi on social media, and look for her in Chinatown during these 2 weeks of festivities! As I always mention, you can write to us at: ⁠infatuasianpodcast@gmail.com⁠, and please follow us on Instagram and Facebook @infatuasianpodcast  Our Theme: “Super Happy J-Pop Fun-Time” by Prismic Studios was arranged and performed by All Arms Around  Cover Art and Logo designed by Justin Chuan @w.a.h.w (We Are Half the World) #asianpodcast #asianamerican #infatuasian #representationmatters

East Oahu lifeguards conducted 23 rescues and over 1,700 preventative actions yesterday. A 27-year-old man was arrested and held on bail for assaulting a law enforcement officer in Honolulu. Chinatown 808 celebrated its 50th annual Chinatown Festival and Parade.See omnystudio.com/listener for privacy information.

Send a textA truck driver who can't stop asking questions, a friend who does the real fighting, and a sorcerer who waited 2,000 years for green eyes—there's a reason Big Trouble in Little China refuses to fade. We dive straight into why this cult classic still sparks debate: the self-aware camp, the electric synths, the rain-soaked neon, and the audacity of casting a swaggering, lovable bumbler as your poster hero.We break down Kurt Russell's Jack Burton as a brilliant misdirect—loud, lost, but weirdly brave—while Wang carries the narrative weight and the martial arts grace. That inversion lets John Carpenter poke holes in the American hero myth without losing the popcorn thrills. From practical monsters and the iconic knife throw to uneven but ambitious fight staging, we pull apart the craft that makes the movie sing. And yes, we talk about the moments that age poorly—forced flirtations, accented English used among Chinese characters—and how the satire lands alongside the stereotypes.Carpenter's fingerprints are everywhere: the synth-driven score that snaps scenes into focus, the pulpy color palette that turns Chinatown into a fever dream, and the long partnership with Russell that keeps risk-taking fun. We trace cultural ripples into 90s pop culture, Mortal Kombat parallels, and why this film bombed before becoming midnight-movie royalty. Two of us call it pure five-star joy; one of us gives it a thoughtful seven, intrigued enough to chase The Thing next. Whether you rewatch for the set design, the one-liners, or that thunder-lit ceiling shot, there's big charm in this little slice of cinematic chaos.Hit play, ride with the Pork Chop Express, and tell us: is Jack Burton a hero, a decoy, or the perfect mix of both? If you enjoy our take, subscribe, share with a friend, and drop your favorite line in the comments. Support the show

On today's episode of Eat. Talk. Repeat.

Residents of San Francisco's Chinatown are grappling with competing concerns. Then, a Marriage and family therapist helps us get ahead of Valentine's Day with some relationship advice. And, the magic of a classic love song with an Uncuffed My Mix Tape. Plus, a (love) poem. 

Zhe Wu is a reporter with the San Francisco Public Press, who covers Chinatown. Here, Zhe explains what's pressing most on the minds of SF Chinatown residents as they get ready for one of their biggest holidays.

Dimestore Radio Theater #155 WFMU Playlist & Interactive Live Chat (The Digital Salon) A simple effort to test his sikills, and renew his Private Eye License, causes Richard Diamond get involved in a murder case that happens at the police station, DURING a test.  Meanwhile, we spend a fair amount of time in Cairo’s Chinatown, … Continue reading Dimestore Radio Theater #155

Do you have a favorite Super Bowl commercial? Andy loves “whazzuuup!” plus any Budweiser commercial. Is every man you know a low-T soy boy? There may be a reason for that — it’s all thanks to the testosterone influencer. Andy discusses bias in the media, particularly with outlets like the LA Times. Andy took part in a KTLA Super Bowl-themed relay race earlier today, and it did not go well for our resident soy boy. Here are some of the 101 best movies set in LA according to the list: 101. Babylon 50. To Live and Die in LA 34. A Star is Born 35. La La Land 32. Training Day 16. The Player 12. Once Upon a Time in Hollywood 52. Rebel Without a Cause 38. Licorice Pizza 33. Drive. Heat is at No. 14, while Once Upon a Time in Hollywood nearly cracks the top 10. Double Indemnity is No. 9 Singing in the Rain at No. 8. Boogie Nights is in the top 10 as well! No. 3 is Sunset Boulevard, and No. 2 is Mulholland Drive. So, what’s No. 1? From 1974, it’s Chinatown.See omnystudio.com/listener for privacy information.

On today's episode of Eat. Talk. Repeat.

The final film in director Roger Corman's Edgar Allan Poe cycle, The Tomb of Ligeia marked the second collaboration for Corman and screenwriter Robert Towne.  Towne would go on to be one of the hardest working and respected writers and script doctors in Hollywood (The Last Detail, Shampoo, Mission: Impossible, The Firm, Personal Best and Tequila Sunrise) and collect an Academy Award for writing Chinatown.  Towne is quoted, however, as saying that his adaptation for The Tomb of Ligeia was the hardest he'd ever worked on.   Dan and Vicky discuss the horror film along with plenty of recently seen like films Marty Supreme, Rosemead, Dead Man's Wife, The Lost Bus, Griffin in Summer, Twinless, Is This Thing On?, and TV series Heated Rivalry and Kaos. Our socials:  hotdatepod.com FB:  Hot Date Podcast X: @HotDate726 Insta:  hotdatepod

We kicked off the program with four news stories and different guests on the stories we think you need to know about! FBI offers reward for information about gunman charged in slayings of five men in Chinatown in 1991Guest: Emily Sweeney – Boston Globe Cold Case Files Reporter The Price is Right Live™, an interactive stage show coming to the Chevalier Theatre in Medford on May 8th. “Come on Down” and be a part of this family-friendly stage show!Guest: Todd Newton – Game Show Host, Author & Entertainment Reporter The Patriots playing in the Super Bowl this weekend against the Seattle Seahawks. Chad Finn live from San Francisco will discuss!Guest: Chad Finn – Boston Globe Sports Reporter Zoo New England is giving New Englanders a reason to brave the cold with the return of Orchid Adventure at Franklin Park Zoo – a warm, tropical experience that feels like a mini vacation without ever leaving Boston!Guest: Josh Meyer - Zoo New England Curator of Horticulture & Sustainability See omnystudio.com/listener for privacy information.

Send us a textJustin Warfield stops by the show to discuss, Deathrock Devotionals Vol II, inner peace, change in perspective and more. *****After a year of steady build-up, bold reinvention, and dancefloor resurrection, WARFIELD - the darkwave/deathrock project helmed by She Wants Revenge lyricist and frontman Justin Warfield - arrives at a pivotal moment. Today marks the release of Deathrock Devotionals Vol. II (out via Black Heathers/Cleopatra Records), the latest installment in Justin's ongoing love letter to the early Los Angeles deathrock and post-punk scenes that shaped him. Just two weeks later, on November 28, the saga culminates with the release of the full-length album Deathrock Devotionals - an all-encompassing statement piece that merges narrative depth, goth energy, and propulsive hooks into one darkly luminous body of work.“Like its predecessor, Vol. II is a continuation, and remembrance of, the early years of goth and deathrock in Los Angeles,” Justin explains. “I'm taking inspiration from 45 Grave, Super Heroines, Rozz Williams, Patrick Mata - all those people who pioneered this thing that not only lives on, but is thriving so many years later it. I'm just continuing that spirit and making something new, fun, full of energy, and from my point of view.” He continues, “In many ways this project, this band, and this record specifically is really the child of a time in the early '80s in LA when there was a confluence of art-rock punks, East LA punks, Queer culture, late-night diners and after hours, basement shows, dueling live music venues in Chinatown as the epicenter of the scene, and suburban backyard parties. When Hollywood was dangerous and full of possibility, and before the jocks and bros crashed the punk party.”******If you would like to contact the show about being a guest, please email us at Dauna@bettertopodcast.comFollow us on Social MediaInstagram: https://www.instagram.com/author_d.m.needom/Facebook: https://www.facebook.com/bettertopodcastwithdmneedomIntro and Outro music compliments of Fast Suzi©2025 Better To...Podcast with D. M. NeedomSupport the show

Nueva York siempre ha presumido de ser la ciudad que nunca duerme, pero últimamente pide silencio a gritos. Por eso cada vez hay más espacios donde lo más valiosos es la falta de ruido. Se las conoce como cafeterías silenciosas y se han convertido en auténticos refugios urbanos para reconectar con uno mismo. En el café Biblioteque, ubicado en pleno barrio del Soho, Silvia Haeminens busca precisamente eso: un buen ambiente de trabajo en el que pueda concentrarse “Siento que hay buena vibra, me encanta la música, está muy bien… Aprecio el silencio, sobre todo tengo que acabar un trabajo”, explica.    La pandemia disparó el teletrabajo y con apartamentos cada vez más pequeños, muchos neoyorquinos han buscado despachos improvisados fuera de casa. Es el caso de Marian Redford, sentada a pocos metros de Silvia, disfruta de una infusión mientras se pone al día con sus emails. “Sí, he venido buscando un lugar donde me sienta cómoda, que sea silencioso para que pueda trabajar, y no hay muchos lugares en esta ciudad como este, así que cuando encuentro un lugar como este trato de seguir viniendo”, cuenta Marian bajando la voz casi sin darse cuenta. Aquí no hay lugar para gritos, ni para el estruendo de los autos que se escucha fuera. En la calle el sonido te recuerda que Nueva York es una de las ciudades más ruidosas de Estados Unidos. Y cada vez más personas entienden que el bullicio acaba pasando factura, la OMS (Organización Mundial de la Salud) lleva años alertando de su impacto en el estrés y el sueño. Y los expertos subrayan que el silencio ayuda a recuperar la concentración. De ahí que el silencio se esté convirtiendo en un pequeño lujo cotidiano que los neoyorquinos buscan constantemente. En el Silentcafe de Chinatown la calma y tranquilidad es casi una norma. Sus paredes completamente blancas evitan cualquier tipo de distracción, el olor a incienso llena la sala y unos enormes altavoces se encargan de que la música esté siempre al volumen justo. Para el propietario AJ Jacono, el hilo musical era fundamental cuando abrió su negocio. “Si la música estuviera muy alta, la gente no lo disfrutaría, sería difícil escucharse, concentrarse. Cuando abrí el negocio buscaba un lugar donde la gente pudiera hablar sin preocuparse de que nada les moleste”, dice Jacono. Ahora en Nueva York el ruido ya no está de moda, se busca un respiro que ayude a bajar revoluciones.

San Francisco's Chinatown is the oldest Chinatown in North America and one of the largest Chinese enclaves outside Asia. Spanning 30 city blocks and home to tens of thousands of monolingual Chinese residents, its endurance is remarkable—especially given how close it came to erasure. In Chinatown: San Francisco's 1906 Earthquake and the Paradox of American Immigration Policy (JHU Press, 2026), Dr. Dafeng Xu uncovers the contested history of this vibrant community, focusing on the transformative period surrounding the 1906 earthquake and fire that destroyed 80 percent of the city, including Chinatown. White San Franciscans saw the disaster as an opportunity to permanently displace the neighborhood. Instead, Chinatown was rebuilt—but not without conflict or consequence. Using detailed census data and other historical documents, Dr. Xu examines how this rebuilt Chinatown differed socially and physically from its earlier form—and the many ways it stayed the same. He explores whether the earthquake shifted patterns of segregation, if and how Chinese immigrants navigated pressure to assimilate—including adopting English, changing their names, and leaving ethnic neighborhoods—and whether they gained economic ground in the city's new landscape. Dr. Xu's study reveals a striking contradiction: while Chinese Americans were often criticized for not assimilating, systemic barriers made that very process nearly impossible. The post-disaster Chinatown became a symbol of cultural resilience, shaped by both community agency and persistent exclusion. Rich in insight and original research, Chinatown offers a powerful look at how disaster, racism, and resistance shaped one of America's most storied immigrant neighborhoods. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

San Francisco's Chinatown is the oldest Chinatown in North America and one of the largest Chinese enclaves outside Asia. Spanning 30 city blocks and home to tens of thousands of monolingual Chinese residents, its endurance is remarkable—especially given how close it came to erasure. In Chinatown: San Francisco's 1906 Earthquake and the Paradox of American Immigration Policy (JHU Press, 2026), Dr. Dafeng Xu uncovers the contested history of this vibrant community, focusing on the transformative period surrounding the 1906 earthquake and fire that destroyed 80 percent of the city, including Chinatown. White San Franciscans saw the disaster as an opportunity to permanently displace the neighborhood. Instead, Chinatown was rebuilt—but not without conflict or consequence. Using detailed census data and other historical documents, Dr. Xu examines how this rebuilt Chinatown differed socially and physically from its earlier form—and the many ways it stayed the same. He explores whether the earthquake shifted patterns of segregation, if and how Chinese immigrants navigated pressure to assimilate—including adopting English, changing their names, and leaving ethnic neighborhoods—and whether they gained economic ground in the city's new landscape. Dr. Xu's study reveals a striking contradiction: while Chinese Americans were often criticized for not assimilating, systemic barriers made that very process nearly impossible. The post-disaster Chinatown became a symbol of cultural resilience, shaped by both community agency and persistent exclusion. Rich in insight and original research, Chinatown offers a powerful look at how disaster, racism, and resistance shaped one of America's most storied immigrant neighborhoods. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-american-studies

San Francisco has a women's sports bar! In this episode, meet Danielle Thoe and Sara Yergovich. Together, they own and operate Rikki's, a women's sports bar on Market in the Castro. We'll hear from Danielle and Sara about their early lives and how they made their way to San Francisco and became friends. We'll also hear the story of why and how they opened The City's first women's sports bar, as well as the incredible woman they named it for. Most importantly, both Sara and Danielle (and me, Jeff) are Libras

Fidel Caballero is the chef-owner of Corima in New York City, a progressive Mexican restaurant located in Chinatown with one Michelin star. Fidel is also behind the hit burrito shop and bakery Vato, which has become the talk of brownstone Brooklyn and well beyond. In this episode, Fidel shares his journey from Mexico and El Paso to China, the Basque region, and finally New York City. Fidel is a rising star, 20 years in the making, and it was great to hear his story.  And before that Matt recaps recent visits to Santi, Cove, and Samwoojong, all in New York City. Subscribe to This Is TASTE: ⁠⁠Apple Podcasts⁠⁠, ⁠⁠Spotify⁠⁠, ⁠⁠YouTube⁠⁠  Learn more about your ad choices. Visit megaphone.fm/adchoices

A national championship ring on one hand, a turntable on the other. That's the unexpected arc of DJ Nasty Nate, who traded Auburn football practices for late nights in Honolulu's Chinatown and found a craft worth building from the ground up.We dive into the real playbook for breaking into Hawaiʻi's DJ scene—no clout chasing, no gimmicks. Nate walked us through how showing up to clubs and venues, listening before asking, and introducing himself with aloha opened doors faster than any pitch. He breaks down the differences between Birmingham's trap-heavy nights and Oʻahu's genre-blending crowds, why Latin sets became his biggest learning curve, and how he balances new heat with the familiar records people forgot they love. From reggae to R&B to hip hop to reggaeton, he treats each night like a puzzle: peak, reset, send folks to the bar, and bring them back without burning the room out.We also get into the craft. Nate still practices on turntables to keep his ear honest, avoids repeating the previous DJ's set, and builds crates as a foundation before freestyling where the crowd leads. He shares candid thoughts on timeless R&B versus TikTok-fast trends, why some songs will outlive the news cycle.  The community piece matters too: Hawaiʻi's collaborative culture, Scratcher Hawaiʻi, and Bay Area ties that prove sharing shine doesn't dim your own.Offstage, Nate coaches at UFC Gym Kailua with a functional fitness focus—helping clients move better, feel stronger, and build sustainable habits. The mindset that earned him a scholarship at Auburn now powers long nights, consistent practice, and a growing party brand with DJ Marknado. He's building Much Loved into a traveling R&B experience while keeping Hawaiʻi as home base, investing in social content, and wearing all seven hats modern DJs need.If you care about crowd reading, set building, vinyl respect, or how to enter a tight-knit market the right way, this conversation is packed with examples and honest advice. Hit play, subscribe for more Above the Bridge stories, and drop a comment with the one song that never fails in your city.

A one-room museum located in the basement of a church-turned-community arts center is crammed with mementos from a pretty spectacular period in history. We hang with some retired dancers who recall the time when Chinatown in San Francisco was filled with late night cabarets famed for their showgirls.READ MORE IN THE ATLAS: https://www.atlasobscura.com/places/showgirl-magic-museum-san-francisco-california Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

We're talking about plowmaggedon, the city up in arms about icy streets and blocked-off alleys. We're talking about the looming cuts at the Washington Post and what they mean for hometown DC. And we're talking about an appalling apartment building in Chinatown — and what it says about DC's ability to enforce its own rules. Plus, in a member's only fourth segment, the comeback campaigns of two very longtime local politicians.  Want some more DC news? Then make sure to sign up for our morning newsletter Hey DC. You can text us or leave a voicemail at: ‪(202) 642-2654‬. You can also become a member, with ad-free listening, for as little as $10 a month. Learn more about the sponsors of this January 30th episode: Library of CongressInterested in advertising with City Cast? Find more info HERE

Welcome to our exciting new series, A Script By...Before it was a film, it was a script. Brad Koszo dives deep into some of Hollywood's most celebrated screenplays to analyze their structure, themes, and page-to-film journey. Get ready for a look at the writers behind the words as he explore their process, what influenced them, and how they inspired some of the iconic cinema we enjoy today. Chuck Bryan from The Cinematic Flashback Podcast joins Brad on the very first episode of this monthly series, as they turn the page on Robert Towne's Chinatown!Check out our NEW YouTube Channel and subscribe now! If you're one of the first 100 subscribers, you'll be entered to win a weekend pass for one of several comic cons happening in 2026!Head over to our Patreon and get started with a FREE 7-day trial. We've got plenty of exclusive content and episodes that you'll only find there! You can also sign up as a free member! www.afilmbypodcast.com/ for more information.Email us at afilmbypodcast@gmail.com with your questions, comments, and requests.Find us on Instagram, X, and Facebook @afilmbypodcast.

Wine isn't often the drink of choice in Chinese restaurants, yet the country's immigrants played a key role in planting Northern California vineyards and building wineries after the Gold Rush. Now, a Chinese American winemaker is bringing a taste of that history — along with her Sonoma and Napa wines — to Chinatown restaurants in the Bay Area and beyond. Reporter: Tina Caputo California State University has reached a legal settlement with its faculty union over the sharing of faculty information with federal authorities. Reporter: Juan Carlos Lara, KQED After over a decade of planning, and years of construction, Butte County finally has a new jail. Reporter: Claudia Brancart, North State Public Radio Learn more about your ad choices. Visit megaphone.fm/adchoices

The LA Times released a list of the best 101 films set in Los Angeles. The number one spot went to the 1974 film Chinatown, directed by Roman Polanski, starring Jack Nicholson and Faye Dunaway, with the backdrop of a 1930’s Los Angeles. Second place went to David Lynch’s Mulholland Drive (2001), and some other notable picks include Blade Runner (1982), Her (2013), Tangerine (2015) and Boyz n the Hood (1991). Joining Larry Mantle on FilmWeek to discuss some of the more surprising films included and their personal favorites are LAist film critics Manuel Betancourt, assistant editor of Documentary Magazine, and one of the contributors to the LA Times’ Best LA Movies list, and Wade Major, film critic for CineGods.com and author of the “Hollywood Heretic” Substack. You can read the LA Times’ 101 Best LA Movies list here.

Episode 401: At the start of the twentieth century, Vancouver, B.C., was a fast-growing Pacific port. Most residents were white settlers of British or European descent, but Chinese and Japanese communities were already well established and growing. They lived, worked, and built businesses in neighbourhoods like Chinatown and Powell Street, playing a central role in the city's economy while being denied political rights and social acceptance. By 1907, economic anxiety and racial resentment had hardened into open hostility. Asian workers were blamed for falling wages and job insecurity, a message repeated by newspapers, politicians, and organized exclusionary groups. The riots that followed on September 7 were not sudden outbursts, but the result of years of public rhetoric that treated entire communities as threats. This episode examines how those ideas gave rise to violence on Vancouver's streets. Sources:The 1907 Racist Riots – Union Zindabad!The Asiatic Exclusion League Riot, 1907 — Published by BC Labour Heritage CentreThe Vancouver Anti-Asian RiotsCauses of the 1907 anti-Asian riots :The Lessons of the Anti-Asiatic Riot"Images" and "Issues" : the portrayal of Asians in the Vancouver Daily Province and the Vancouver Daily World, 1907 to 1908Anti-Asian Riots of 1907 - British Columbia - An Untold HistoryMayor Ken SimDavid LamChinese Immigration ActChinese Head Tax in Canada1907 Vancouver anti-Asian riotsAsian Labour History in British ColumbiaA White Man's Province by Patricia Roy | Internet ArchiveW.L. Mackenzie King's 1907 Report on Japanese Losses in Vancouver RiotsW.L. Mackenzie King's 1907 Report on Chinese Losses in Vancouver RiotsThe History of Canada Series: Trouble on Main Street: Mackenzie King Reason Race And The 1907 Vancouver Riots Learn more about your ad choices. Visit megaphone.fm/adchoices

It's the wedding of the century! LuAnn and Tom finally get married on this week's episode of "Real Housewives of New York," and to sweeten the deal, LuAnn even released a new single! We have the world premiere on our show.Also, talk of Chinatown, oysters, tissue paper, and all the usual crazy stuff on this show. *This episode originally aired June 2017