Podcasts about Chinatown

When we try to represent languages on a map, it's common to assign each language a zone or a point which represents some idea of where it's used or where it comes from. But in reality, people move around, and many cities are host to hundreds of languages that don't show up on official records. In this episode, your hosts Gretchen McCulloch and Lauren Gawne get enthusiastic about urban multilingualism! We talk about a recent book we've been enjoying called Language City by Ross Perlin, about the over 700 languages spoken in New York City, as well as how we've noticed urban multilingualism for ourselves in Melbourne, Montreal, and elsewhere. We also talk about organizations that work with communities interested in reclaiming space for their languages, what linguistic rights are, and how to tell if yours are being taken away from you. Click here for a link to this episode in your podcast player of choice: Read the transcript here: Announcements: In this month's bonus episode we get enthusiastic about linguistic landscapes! We talk about contrasts between the signs in the Chinatowns of Montreal and Melbourne, renaming streets from colonial names to names in First Nations languages, how signs can show the shifting demographics of tourism in an area, and how bi- and multilingual Lost Cat signs show what languages people think their neighbours understand. We also talk about our most absurd sign stories, including the Russell Family Apology Plaque, and creative imaginings of official signage, such as the Latin no-smoking sign in a modern-day British train station. Join us on Patreon now to get access to this and 100+ other bonus episodes. You'll also get access to the Lingthusiasm Discord server where you can chat with other language nerds: https://www.patreon.com/posts/135199073 For links to things mentioned in this episode:

« Dans mon Chinatown », c'est le nom de notre série d'été sur RFI. On vous emmène explorer les quartiers chinois des grandes villes du monde. Aujourd'hui, direction Lagos au Nigeria où la présence de ressortissants chinois remonte à 1930. Plus de 40 000 Chinois y vivent aujourd'hui : employés des grandes entreprises publiques chinoises hyperactives dans les secteurs du pétrole, du gaz et de la construction, entrepreneurs privés qui exportent, voire fabriquent au Nigeria des produits manufacturiers... Quel est l'impact économique, social et culturel de cette présence chinoise ?  De notre correspondant au Nigeria, Le téléphone collé à l'oreille, Eric Ni est un brin agacé. Autour de lui, les membres de la troupe de danse Huaxing s'activent pour placer les dernières chaises en plastique. Dans quelques instants, une opération caritative qu'Eric co-organise avec le consulat général de Chine démarre dans cette école, à l'extrême ouest de Lagos. Eric donne ses dernières instructions en pidgin nigérian : « Cette façon de parler, je l'ai apprise en vivant ici avec mes amis nigérians. Oui, moi, je vis et je côtoie les gens d'ici. Le Nigeria, c'est ma seconde patrie. Cela fait vingt-trois ans que je suis ici. Et je suis venu pour faire des affaires. Je suis dans le secteur de la chaussure. On a désormais ouvert une usine de fabrication de chaussures. Mais vous savez, l'économie en ce moment n'est pas bonne. Mais on continue d'y croire. » Comme Eric Ni, un peu plus de 40 000 Chinois seraient enregistrés auprès de leurs autorités consulaires. Investisseurs, ingénieurs, techniciens, commerciaux, ou bien manœuvres... Les profils des Chinois de Lagos sont très diversifiés. Et surtout, la majorité d'entre eux ne se concentre pas dans une zone particulière de la mégapole. Adetoro Bnawo, directeur de l'unité langue chinoise au département linguistique de l'université de Lagos, explique : « La plupart des Chinois qui s'installent dans les quartiers de Lagos essaient, d'une manière ou d'une autre, d'avoir un impact sur les écoles publiques. Ils vont voir les rois locaux. Ils leur rendent hommage. Certains membres de leur communauté de Festac vont jusqu'à se rendre dans les hôpitaux. Et ainsi, ils proposent la technologie chinoise afin d'aider certains patients, par exemple ceux qui souffrent de cataracte. » Loi Eng Koon dirige une imprimerie. En juin 1990, cette ancienne distributrice de produits électroniques quitte Singapour pour fabriquer des CD et DVD à Lagos. Et même si cette mégapole est considérée comme l'une des pires du monde en termes de confort de vie, Loi s'y sent à l'aise : « Il se peut que de nombreux médias parlent des aspects négatifs de Lagos. Voir, c'est croire. Si vous respectez la personne en face de vous, vous serez respecté. » Avant de s'enraciner à Lagos, Loi Eng Koon a tenté de faire des affaires dans au moins 35 pays africains, sans succès. En 2014, elle revend ses parts dans son entreprise originelle de Singapour. Loi se lance alors dans l'imprimerie, notamment numérique. Et aujourd'hui, de son bureau, cette femme d'affaires chinoise pilote elle-même son équipe de 25 salariés à 100% nigérians : « Même lorsque je voyage, je surveille leur travail à chaque seconde. Et parfois, ils sont très négligents. Ils commettent des erreurs qui m'obligent à les punir en leur retirant une partie de leur salaire. Lorsqu'ils font du bon travail, ils sont récompensés. » Et malgré une balance commerciale très favorable à leur pays natal, et donc source potentielle d'envies et de frustrations, les Chinois de Lagos, à l'instar de Loi Eng Koon, s'adaptent avec méthode, mêlant extrême rigueur, sobriété et humanisme dans un Nigeria toujours secoué par des crises multiples. À lire aussiEn 2025, la Chine a investi 39 milliards de dollars en Afrique, dont 21 au Nigeria

Steve rounds out his week with us, as Ludwig persuades Jane to get close to Frank. Check out Steve's trivia games at: https://www.facebook.com/KnowContest

History unfolding in Anchorage, Alaska. Russian president Vladimir Putin on u-s soil for the first time in ten-years.. as president trump pushes him to end his 3-and-a-half-year war with Ukraine. Honolulu police have identified the suspect in last week's acid attack in Chinatown. The Made In Hawaii Festival takes over the Convention Hall this weekend. Casey Lund has a preview.See omnystudio.com/listener for privacy information.

A weekly magazine-style radio show featuring the voices and stories of Asians and Pacific Islanders from all corners of our community. The show is produced by a collective of media makers, deejays, and activists.   In this two-part series of Oakland Asian Cultural Center's “Let's Talk” podcast Eastside Arts Alliance is featured. Elena Serrano and Susanne Takehara, two of the founders of Eastside Arts Alliance, and staff member Aubrey Pandori will discuss the history that led to the formation of Eastside and their deep work around multi-racial solidarity.   Transcript: Let's Talk podcast episode 9  [00:00:00] Emma: My name is Emma Grover, and I am the program and communications coordinator at the Oakland Asian Cultural Center, known also as OACC. Today we are sharing the ninth episode of our Let's Talk Audio Series. Let's Talk is part of OACC'S Open Ears for Change Initiative, which was established in 2020. With this series, our goals are to address anti-Blackness in the APIA communities, discuss the effects of colorism and racism in a safe space, and highlight Black and Asian solidarity and community efforts specifically in the Oakland Chinatown area. Today's episode is a round table discussion with Elena Serrano, Susanne Takahara, and Aubrey Pandori of Eastside Arts Alliance.  [00:00:53] Aubrey: Hello everybody. This is Aubrey from Eastside Arts Alliance, and I am back here for the second part of our Let's Talk with Suzanne and Elena. We're gonna be talking about what else Eastside is doing right now in the community. The importance of art in activism, and the importance of Black and Asian solidarity in Oakland and beyond.  So I am the community archivist here at Eastside Arts Alliances. I run CARP, which stands for Community Archival Resource Project. It is a project brought on by one of our co-founders, Greg Morozumi. And it is primarily a large chunk of his own collection from over the years, but it is a Third World archive with many artifacts, journals, pens, newspapers from social movements in the Bay Area and beyond, international social movements from the 1960s forward. We do a few different programs through CARP. I sometimes have archival exhibitions. We do public engagement through panels, community archiving days. We collaborate with other community archives like the Bay Area Lesbian Archives and Freedom Archives here in Oakland and the Bay Area. And we are also working on opening up our Greg Morozumi Reading Room in May. So that is an opportunity for people to come in and relax, read books, host reading groups, or discussions with their community. We're also gonna be opening a lending system so people are able to check out books to take home and read. There'll be library cards coming soon for that and other fun things to come.  [00:02:44] So Suzanne, what are you working on at Eastside right now? [00:02:48] Susanne: Well, for the past like eight or nine years I've been working with Jose Ome Navarrete and Debbie Kajiyama of NAKA Dance Theater to produce Live Arts and Resistance (LAIR), which is a Dance Theater Performance series. We've included many artists who, some of them started out here at Eastside and then grew to international fame, such as Dohee Lee, and then Amara Tabor-Smith has graced our stages for several years with House Full of Black Women. This year we're working with Joti Singh on Ghadar Geet: Blood and Ink, a piece she choreographed, and shot in film and it's a multimedia kind of experience. We've worked with Cat Brooks and many emerging other artists who are emerging or from all over, mostly Oakland, but beyond. It's a place where people can just experiment and not worry about a lot of the regulations that bigger theaters have. Using the outside, the inside, the walls, the ceiling sometimes. It's been an exciting experience to work with so many different artists in our space.  [00:04:03] Elena: And I have been trying to just get the word out to as many different folks who can help sustain the organization as possible about the importance of the work we do here. So my main job with Eastside has been raising money. But what we're doing now is looking at cultural centers like Eastside, like Oakland Asian Cultural Center, like the Malonga Casquelord Center, like Black Cultural Zone, like the Fruitvale Plaza and CURJ's work. These really integral cultural hubs. In neighborhoods and how important those spaces are.  [00:04:42] So looking at, you know, what we bring to the table with the archives, which serve the artistic community, the organizing community. There's a big emphasis, and we had mentioned some of this in the first episode around knowing the history and context of how we got here so we can kind of maneuver our way out. And that's where books and movies and posters and artists who have been doing this work for so long before us come into play in the archives and then having it all manifest on the stage through programs like LAIR, where theater artists and dancers and musicians, and it's totally multimedia, and there's so much information like how to keep those types of places going is really critical.  [00:05:28] And especially now when public dollars have mostly been cut, like the City of Oakland hardly gave money to the arts anyway, and they tried to eliminate the entire thing. Then they're coming back with tiny bits of money. But we're trying to take the approach like, please, let's look at where our tax dollars go. What's important in a neighborhood? What has to stay and how can we all work together to make that happen?  [00:05:52] Susanne: And I want to say that our Cultural Center theater is a space that is rented out very affordably to not just artists, but also many organizations that are doing Movement work, such as Palestinian Youth Movement, Bala, Mujeres Unidas Y Activas, QT at Cafe Duo Refugees, United Haiti Action Committee, Freedom Archives, Oakland Sin Fronteras, Center for CPE, and many artists connected groups.  [00:06:22] Aubrey: Yeah, I mean, we do so much more than what's in the theater and Archive too, we do a lot of different youth programs such as Girl Project, Neighborhood Arts, where we do public murals. One of our collective members, Angie and Leslie, worked on Paint the Town this past year. We also have our gallery in between the Cultural Center and Bandung Books, our bookstore, which houses our archive. We are celebrating our 25th anniversary exhibition.  [00:06:54] Susanne: And one of the other exhibits we just wrapped up was Style Messengers, an exhibit of graffiti work from Dime, Spy and Surge, Bay Area artists and Surge is from New York City, kind of illustrating the history of graffiti and social commentary.  [00:07:30] Elena: We are in this studio here recording and this is the studio of our youth music program Beats Flows, and I love we're sitting here with this portrait of Amiri Baraka, who had a lot to say to us all the time. So it's so appropriate that when the young people are in the studio, they have this elder, magician, poet activist looking at him, and then when you look out the window, you see Sister Souljah, Public Enemy, and then a poster we did during, when Black Lives Matter came out, we produced these posters that said Black Power Matters, and we sent them all over the country to different sister cultural centers and I see them pop up somewhere sometimes and people's zooms when they're home all over the country. It's really amazing and it just really shows when you have a bunch of artists and poets and radical imagination, people sitting around, you know, what kind of things come out of it. [00:08:31] Aubrey: I had one of those Black Power Matters posters in my kitchen window when I lived in Chinatown before I worked here, or visited here actually. I don't even know how I acquired it, but it just ended up in my house somehow.  [00:08:45] Elena: That's perfect. I remember when we did, I mean we still do, Malcolm X Jazz Festival and it was a young Chicana student who put the Jazz Festival poster up and she was like, her parents were like, why is Malcolm X? What has that got to do with anything? And she was able to just tell the whole story about Malcolm believing that people, communities of color coming together  is a good thing. It's a powerful thing. And it was amazing how the festival and the youth and the posters can start those kind of conversations.  [00:09:15] Aubrey: Malcolm X has his famous quote that says “Culture is an indispensable weapon in the freedom struggle.” And Elena, we think a lot about Malcolm X and his message here at Eastside about culture, but also about the importance of art. Can we speak more about the importance of art in our activism?  [00:09:35] Elena: Well, that was some of the things we were touching on around radical imagination and the power of the arts. But where I am going again, is around this power of the art spaces, like the power of spaces like this, and to be sure that it's not just a community center, it's a cultural center, which means we invested in sound good, sound good lighting, sprung floors. You know, just like the dignity and respect that the artists and our audiences have, and that those things are expensive but critical. So I feel like that's, it's like to advocate for this type of space where, again, all those groups that we listed off that have come in here and there's countless more. They needed a space to reach constituencies, you know, and how important that is. It's like back in the civil rights organizing the Black church was that kind of space, very important space where those kind of things came together. People still go to church and there's still churches, but there's a space for cultural centers and to have that type of space where artists and activists can come together and be more powerful together.  [00:10:50] Aubrey: I think art is a really powerful way of reaching people. [00:10:54] Elena: You know, we're looking at this just because I, being in the development end, we put together a proposal for the Environmental Protection Agency before Donald (Trump) took it over. We were writing about how important popular education is, so working with an environmental justice organization who has tons of data about how impacted communities like East Oakland and West Oakland are suffering from all of this, lots of science. But what can we, as an arts group, how can we produce a popular education around those things? And you know, how can we say some of those same messages in murals and zines, in short films, in theater productions, you know, but kind of embracing that concept of popular education. So we're, you know, trying to counter some of the disinformation that's being put out there too with some real facts, but in a way that, you know, folks can grasp onto and, and get.  [00:11:53] Aubrey: We recently had a LAIR production called Sky Watchers, and it was a beautiful musical opera from people living in the Tenderloin, and it was very personal. You were able to hear about people's experiences with poverty, homelessness, and addiction in a way that was very powerful. How they were able to express what they were going through and what they've lost, what they've won, everything that has happened in their lives in a very moving way. So I think art, it's, it's also a way for people to tell their stories and we need to be hearing those stories. We don't need to be hearing, I think what a lot of Hollywood is kind of throwing out, which is very white, Eurocentric beauty standards and a lot of other things that doesn't reflect our neighborhood and doesn't reflect our community. So yeah, art is a good way for us to not only tell our stories, but to get the word out there, what we want to see changed.  So our last point that we wanna talk about today is the importance of Black and Asian solidarity in Oakland. How has that been a history in Eastside, Suzanne?  [00:13:09] Susanne: I feel like Eastside is all about Third World solidarity from the very beginning. And Yuri Kochiyama is one of our mentors through Greg Morozumi and she was all about that. So I feel like everything we do brings together Black, Asian and brown folks. [00:13:27] Aubrey: Black and Asian solidarity is especially important here at Eastside Arts Alliance. It is a part of our history. We have our bookstore called Bandung Books for a very specific reason, to give some history there. So the Bandung Conference happened in 1955 in Indonesia, and it was the first large-scale meeting of Asian and African countries. Most of which were newly independent from colonialism. They aimed to promote Afro-Asian cooperation and rejection of colonialism and imperialism in all nations. And it really set the stage for revolutionary solidarity between colonized and oppressed people, letting way for many Third Worlds movements internationally and within the United States.  [00:14:14] Eastside had an exhibition called Bandung to the Bay: Black and Asian Solidarity at Oakland Asian Cultural Center the past two years in 2022 and 2023 for their Lunar New Year and Black History Month celebrations. It highlighted the significance of that conference and also brought to light what was happening in the United States from the 1960s to present time that were creating and building solidarity between Black and Asian communities. The exhibition highlighted a number of pins, posters, and newspapers from the Black Liberation Movement and Asian American movement, as well as the broader Third World movement. The Black Panthers were important points of inspiration in Oakland, in the Bay Area in getting Asian and Pacific Islanders in the diaspora, and in their homelands organized.  [00:15:07] We had the adoption of the Black Panthers 10-point program to help shape revolutionary demands and principles for people's own communities like the Red Guard in San Francisco's Chinatown, IWK in New York's Chinatown and even the Polynesian Panthers in New Zealand. There were so many different organizations that came out of the Black Panther party right here in Oakland. And we honor that by having so many different 10-point programs up in our theater too. We have the Brown Berets, Red Guard Party, Black Panthers, of course, the American Indian Movement as well. So we're always thinking about that kind of organizing and movement building that has been tied here for many decades now.  [00:15:53] Elena: I heard that the term Third World came from the Bandung conference. [00:15:58] Aubrey: Yes, I believe that's true.  [00:16:01] Elena: I wanted to say particularly right now, the need for specifically Black Asian solidarity is just, there's so much misinformation around China coming up now, especially as China takes on a role of a superpower in the world. And it's really up to us to provide some background, some other information, some truth telling, so folks don't become susceptible to that kind of misinformation. And whatever happens when it comes from up high and we hate China, it reflects in Chinatown. And that's the kind of stereotyping that because we have been committed to Third World solidarity and truth telling for so long, that that's where we can step in and really, you know, make a difference, we hope. I think the main point is that we need to really listen to each other, know what folks are going through, know that we have more in common than we have separating us, especially in impacted Black, brown, Asian communities in Oakland. We have a lot to do.  [00:17:07] Aubrey: To keep in contact with Eastside Arts Alliance, you can find us at our website: eastside arts alliance.org, and our Instagrams at Eastside Cultural and at Bandung Books to stay connected with our bookstore and CArP, our archive, please come down to Eastside Arts Alliance and check out our many events coming up in the new year. We are always looking for donations and volunteers and just to meet new friends and family.  [00:17:36] Susanne: And with that, we're gonna go out with Jon Jang's “The Pledge of Black Asian Alliance,” produced in 2018.  [00:18:29] Emma: This was a round table discussion at the Eastside Arts Alliance Cultural Center with staff and guests: Elena, Suzanne and Aubrey.  Let's Talk Audio series is one of OACC'S Open Ears for Change projects and as part of the Stop the Hate Initiative with funds provided by the California Department of Social Services in consultation with the commission of Asian and Pacific Islander American Affairs to administer $110 million allocated over three years to community organizations. These organizations provide direct services to victims of hate and their families and offer prevention and intervention services to tackle hate in our communities. This episode is a production of the Oakland Asian Cultural Center with engineering, editing, and sound design by Thick Skin Media.  [00:19:18] A special thanks to Jon Jang for permission to use his original music. And thank you for listening.  [00:19:32] Music: Life is not what you alone make it. Life is the input of everyone who touched your life and every experience that entered it. We are all part of one another. Don't become too narrow, live fully, meet all kinds of people. You'll learn something from everyone. Follow what you feel in your heart. OACC Podcast [00:00:00] Emma: My name is Emma Grover, and I am the program and communications coordinator at the Oakland Asian Cultural Center, known also as OACC. Today we are sharing the eighth episode of our Let's Talk audio series. Let's talk as part of OACC's Open Ears for Change Initiative, which was established in 2020. With this series, our goals are to address anti-blackness in the APIA communities, discuss the effects of colorism and racism in a safe space, and highlight black and Asian solidarity and community efforts specifically in the Oakland Chinatown area.   [00:00:43] Today's guests are Elena Serrano and Suzanne Takahara, co-founders of Eastside Arts Alliance. Welcome Elena and Suzanne, thank you so much for joining today's episode. And so just to kick things off, wanna hear about how was Eastside Arts Alliance started?   [00:01:01] Susanne: Well, it was really Greg Morozumi who had a longstanding vision of creating a cultural center in East Oakland, raised in Oakland, an organizer in the Bay Area, LA, and then in New York City where he met Yuri Kochiyama, who became a lifelong mentor.   [00:01:17] Greg was planning with one of Yuri's daughters, Ichi Kochiyama to move her family to Oakland and help him open a cultural center here. I met Greg in the early nineties and got to know him during the January, 1993 “No Justice, No Peace” show at Pro Arts in Oakland. The first Bay Graffiti exhibition in the gallery. Greg organized what became a massive anti-police brutality graffiti installation created by the TDDK crew. Graffiti images and messages covered the walls and ceiling complete with police barricades. It was a response to the Rodney King protests. The power of street art busted indoors and blew apart the gallery with political messaging. After that, Greg recruited Mike Dream, Spy, and other TDK writers to help teach the free art classes for youth that Taller Sin Fronteras was running at the time.   [00:02:11] There were four artist groups that came together to start Eastside. Taller Sin Fronteras was an ad hoc group of printmakers and visual artists activists based in the East Bay. Their roots came out of the free community printmaking, actually poster making workshops that artists like Malaquias Montoya and David Bradford organized in Oakland in the early 70s and 80s.   [00:02:34] The Black Dot Collective of poets, writers, musicians, and visual artists started a popup version of the Black Dot Cafe. Marcel Diallo and Leticia Utafalo were instrumental and leaders of this project. 10 12 were young digital artists and activists led by Favianna Rodriguez and Jesus Barraza in Oakland. TDK is an Oakland based graffiti crew that includes Dream, Spie, Krash, Mute, Done Amend, Pak and many others evolving over time and still holding it down.   [00:03:07] Elena: That is a good history there. And I just wanted to say that me coming in and meeting Greg and knowing all those groups and coming into this particular neighborhood, the San Antonio district of Oakland, the third world aspect of who we all were and what communities we were all representing and being in this geographic location where those communities were all residing. So this neighborhood, San Antonio and East Oakland is very third world, Black, Asian, Latinx, indigenous, and it's one of those neighborhoods, like many neighborhoods of color that has been disinvested in for years. But rich, super rich in culture.   [00:03:50] So the idea of a cultural center was…let's draw on where our strengths are and all of those groups, TDKT, Taller Sin Fronters, Black artists, 10 – 12, these were all artists who were also very engaged in what was going on in the neighborhoods. So artists, organizers, activists, and how to use the arts as a way to lift up those stories tell them in different ways. Find some inspiration, ways to get out, ways to build solidarity between the groups, looking at our common struggles, our common victories, and building that strength in numbers.   [00:04:27] Emma: Thank you so much for sharing. Elena and Suzanne, what a rich and beautiful history for Eastside Arts Alliance.   [00:04:34] Were there any specific political and or artistic movements happening at that time that were integral to Eastside's start?   [00:04:41] Elena: You know, one of the movements that we took inspiration from, and this was not happening when Eastside got started, but for real was the Black Panther Party. So much so that the Panthers 10-point program was something that Greg xeroxed and made posters and put 'em up on the wall, showing how the 10-point program for the Panthers influenced that of the Young Lords and the Brown Berets and I Wor Kuen (IWK).   [00:05:07] So once again, it was that Third world solidarity. Looking at these different groups that were working towards similar things, it still hangs these four posters still hang in our cultural, in our theater space to show that we were all working on those same things. So even though we came in at the tail end of those movements, when we started Eastside, it was very much our inspiration and what we strove to still address; all of those points are still relevant right now.   [00:05:36] Susanne: So that was a time of Fight The Power, Kaos One and Public Enemy setting. The tone for public art murals, graphics, posters. So that was kind of the context for which art was being made and protests happened.   [00:05:54] Elena: There was a lot that needed to be done and still needs to be done. You know what? What the other thing we were coming on the tail end of and still having massive repercussions was crack. And crack came into East Oakland really hard, devastated generations, communities, everything, you know, so the arts were a way for some folks to still feel power and feel strong and feel like they have agency in the world, especially hip hop and, spray can, and being out there and having a voice and having a say, it was really important, especially in neighborhoods where things had just been so messed up for so long.   [00:06:31] Emma: I would love to know also what were the community needs Eastside was created to address, you know, in this environment where there's so many community needs, what was Eastside really honing in on at this time?   [00:06:41] Elena: It's interesting telling our story because we end up having to tell so many other stories before us, so things like the, Black Arts movement and the Chicano Arts Movement. Examples of artists like Amiri Baraka, Malaguias Montoya, Sonya Sanchez. Artists who had committed themselves to the struggles of their people and linking those two works. So we always wanted to have that. So the young people that we would have come into the studio and wanna be rappers, you know, it's like, what is your responsibility?   [00:07:15] You have a microphone, you amplify. What are some of the things you're saying? So it was on us. To provide that education and that backstory and where they came from and the footsteps we felt like they were in and that they needed to keep moving it forward. So a big part of the cultural center in the space are the archives and all of that information and history and context.   [00:07:37] Susanne: And we started the Malcolm X Jazz Arts Festival for that same reason coming out of the Bandung Conference. And then the Tri Continental, all of this is solidarity between people's movements.   [00:07:51] Emma: You've already talked about this a little bit, the role of the arts in Eastside's foundation and the work that you're doing, and I'd love to hear also maybe how the role of the arts continues to be important in the work that you're doing today as a cultural center.   [00:08:04] And so my next question to pose to you both is what is the role of the arts at Eastside?   [00:08:10] Elena: So a couple different things. One, I feel like, and I said a little bit of this before, but the arts can transmit messages so much more powerfully than other mediums. So if you see something acted out in a theater production or a song or a painting, you get that information transmitted in a different way.   [00:08:30] Then also this idea of the artists being able to tap into imagination and produce images and visions and dreams of the future. This kind of imagination I just recently read or heard because folks aren't reading anymore or hardly reading that they're losing their imagination. What happens when you cannot even imagine a way out of things?   [00:08:54] And then lastly, I just wanted to quote something that Favianna Rodriguez, one of our founders always says “cultural shift precedes political shift.” So if you're trying to shift things politically on any kind of policy, you know how much money goes to support the police or any of these issues. It's the cultural shift that needs to happen first. And that's where the cultural workers, the artists come in.   [00:09:22] Susanne: And another role of Eastside in supporting the arts to do just that is honoring the artists, providing a space where they can have affordable rehearsal space or space to create, or a place to come safely and just discuss things that's what we hope and have created for the Eastside Cultural Center and now the bookstore and the gallery. A place for them to see themselves and it's all um, LGBTA, BIPOC artists that we serve and honor in our cultural center. To that end, we, in the last, I don't know, 8, 9 years, we've worked with Jose Navarrete and Debbie Kajiyama of Naka Dance Theater to produce live arts and resistance, which gives a stage to emerging and experienced performance artists, mostly dancers, but also poets, writers, theater and actors and musicians.   [00:10:17] Emma: The last question I have for you both today is what is happening in the world that continues to call us to action as artists?   [00:10:27] Elena: Everything, everything is happening, you know, and I know things have always been happening, but it seems really particularly crazy right now on global issues to domestic issues. For a long time, Eastside was um, really focusing in on police stuff and immigration stuff because it was a way to bring Black and brown communities together because they were the same kind of police state force, different ways.   [00:10:54] Now we have it so many different ways, you know, and strategies need to be developed. Radical imagination needs to be deployed. Everyone needs to be on hand. A big part of our success and our strength is organizations that are not artistic organizations but are organizing around particular issues globally, locally come into our space and the artists get that information. The community gets that information. It's shared information, and it gives us all a way, hopefully, to navigate our way out of it.   [00:11:29] Susanne: The Cultural Center provides a venue for political education for our communities and our artists on Palestine, Haiti, Sudan, immigrant rights, prison abolition, police abolition, sex trafficking, and houselessness among other things.   [00:11:46] Elena: I wanted to say too, a big part of what's going on is this idea of public disinvestment. So housing, no such thing as public housing, hardly anymore. Healthcare, education, we're trying to say access to cultural centers. We're calling that the cultural infrastructure of neighborhoods. All of that must be continued to be supported and we can't have everything be privatized and run by corporations. So that idea of these are essential things in a neighborhood, schools, libraries, cultural spaces, and you know, and to make sure cultural spaces gets on those lists.   [00:12:26] Emma: I hear you. And you know, I think every category you brought up, actually just now I can think of one headline or one piece of news recently that is really showing how critically these are being challenged, these basic rights and needs of the community. And so thank you again for the work that you're doing and keeping people informed as well. I think sometimes with all the news, both globally and, and in our more local communities in the Bay Area or in Oakland. It can be so hard to know what actions to take, what tools are available. But again, that's the importance of having space for this type of education, for this type of activism. And so I am so grateful that Eastside exists and is continuing to serve our community in this way.   What is Eastside Arts Alliance up to today? Are there any ways we can support your collective, your organization, what's coming up?   [00:13:18] Elena: Well, this is our 25th anniversary. So the thing that got us really started by demonstrating to the community what a cultural center was, was the Malcolm X Jazz Arts Festival, and that this year will be our 25th anniversary festival happening on May 17th.   [00:13:34] It's always free. It's in San Antonio Park. It's an amazing day of organizing and art and music, multi-generational. It's beautiful. It's a beautiful day. Folks can find out. We have stuff going on every week. Every week at the cultural center on our website through our socials. Our website is Eastside Arts alliance.org, and all the socials are there and there's a lot of information from our archives that you can look up there. There's just just great information on our website, and we also send out a newsletter.   [00:14:07] Emma: Thank you both so much for sharing, and I love you bringing this idea, but I hear a lot of arts and activism organizations using this term radical imagination and how it's so needed for bringing forth the future that we want for ourselves and our future generations.   [00:14:24] And so I just think that's so beautiful that Eastside creates that space, cultivates a space where that radical imagination can take place through the arts, but also through community connections. Thank you so much Elena and Suzanne for joining us today.   [00:14:40] Susanne: Thank you for having us.   [00:15:32] Emma: Let's Talk Audio series is one of OACC'S Open Ears for Change projects and is part of the Stop the Hate Initiative with funds provided by the California Department of Social Services. In consultation with the commission of Asian and Pacific Islander American Affairs to administer $110 million allocated over three years to community organizations. These organizations provide direct services to victims of hate and their families, and offer prevention and intervention services to tackle hate in our communities.   This episode is a production of the Oakland Asian Cultural Center with engineering, editing, and sound design by Thick Skin Media. A special thanks to Jon Jang for permission to use his original music, and thank you for listening.   [00:16:34] Music: Life is not what you alone make it. Life is the input of everyone who touched your life and every experience that entered it. We are all part of one another. Don't become too narrow. Live fully, meet all kinds of people. You'll learn something from everyone. Follow what you feel in your heart. The post APEX Express – August 14, 2025 appeared first on KPFA.

Sue Ko Lee (1910-1996) was a labor organizer who participated in one of the longest strikes in the history of San Francisco’s Chinatown. She and other garment workers joined forces with a white-led union to win better pay and shorter hours — and a huge victory for the Chinese American workforce. For Further Reading: Unbound Voices by Judy Yung - University of California Press Sue Ko Lee (U.S. National Park Service) Sue Ko Lee - National Union of Healthcare Workers Sue Ko Lee and the National Dollar Stores Strike of 1938 | Library Exhibitions This month, we’re bringing back some of our favorite Womanica episodes you might have missed! We’ll be talking about Pink Collar Workers: women who revolutionized jobs that have traditionally been called "women's work." Through their lives, they created a more just and humane world for us today. History classes can get a bad rap, and sometimes for good reason. When we were students, we couldn’t help wondering... where were all the ladies at? Why were so many incredible stories missing from the typical curriculum? Enter, Womanica. On this Wonder Media Network podcast we explore the lives of inspiring women in history you may not know about, but definitely should. Every weekday, listeners explore the trials, tragedies, and triumphs of groundbreaking women throughout history who have dramatically shaped the world around us. In each 5 minute episode, we’ll dive into the story behind one woman listeners may or may not know–but definitely should. These diverse women from across space and time are grouped into easily accessible and engaging monthly themes like Educators, Villains, Indigenous Storytellers, Activists, and many more. Womanica is hosted by WMN co-founder and award-winning journalist Jenny Kaplan. The bite-sized episodes pack painstakingly researched content into fun, entertaining, and addictive daily adventures. Womanica was created by Liz Kaplan and Jenny Kaplan, executive produced by Jenny Kaplan, and produced by Grace Lynch, Maddy Foley, Brittany Martinez, Edie Allard, Carmen Borca-Carrillo, Taylor Williamson, Sara Schleede, Paloma Moreno Jimenez, Luci Jones, Abbey Delk, Adrien Behn, Alyia Yates, Vanessa Handy, Melia Agudelo, and Joia Putnoi. Special thanks to Shira Atkins. Follow Wonder Media Network: Website Instagram Twitter See omnystudio.com/listener for privacy information.

Don't forget to subscribe to our newsletter Hyphenly; it's our no-fluff love letter with hot takes, heartfelt stories, and all the feels of living in between cultures. Come for the nuance, stay for the vibes! Link below https://hyphenly.beehiiv.com Launching this September from Pushkin Industries, a new investigative podcast hosted by journalist Lidia Jean Kott uncovers the true story of Tina Wong, a Chinese American mother in 1980s Manhattan who was pulled into a billion-dollar heroin trafficking scheme. In this exclusive preview, Lidia joins host Saadia Khan to discuss the podcast's backstory, the complex moral terrain of friendship, and her personal connection-her boyfriend's mother was the lead federal prosecutor on the case. The episode explores how systems of power, race, immigration, and economic survival collided in ways that still echo today. It's a layered portrait of immigrant resilience, impossible decisions, and the untold legacy of Chinatown's exclusion. Join us as we create new intellectual engagement for our audience. You can find more information at ⁠⁠⁠⁠⁠⁠⁠⁠⁠http://immigrantlypod.com⁠⁠⁠⁠⁠⁠⁠⁠⁠. Please share the love and leave us a review on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ & ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ to help more people find us!  You can connect with Saadia on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@swkkhan Email: ⁠⁠⁠⁠⁠⁠⁠⁠⁠saadia@immigrantlypod.com⁠⁠⁠⁠⁠⁠⁠⁠⁠ Host & Producer: Saadia Khan I Content Writer: Saadia Khan I Editorial review: Shei Yu I Sound Designer & Editor: Lou Raskin I Immigrantly Theme Music: Simon Hutchinson | Other Music: Epidemic Sound Immigrantly podcast is an Immigrantly Media Production. For advertising inquiries, contact us at ⁠⁠⁠⁠⁠⁠⁠⁠⁠info@immigrantlypod.com⁠⁠⁠⁠⁠⁠⁠⁠⁠ Don't forget to subscribe to our Apple podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ channel ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠for insightful podcasts. Follow us on social media for updates and behind-the-scenes content. Learn more about your ad choices. Visit megaphone.fm/adchoices

CAL FIRES GETS BUSY EARLY IN FIRE SEASON:  4/4: A Future in Flames Paperback –by  Danielle Clode  (Author) https://www.bbc.com/news/articles/cx2pqry4xkko https://www.amazon.com/Future-Flames-Danielle-Clode/dp/0648140776 Fire has shaped the Australian landscape and the lives of Australians for thousands of years—and will continue to do so as the climate changes. For all our advances in prevention and prediction, planning and communication, bushfires keep claiming our lives and our homes. How can we avoid another Ash Wednesday or Black Saturday?Danielle Clode has lived in the bushfire danger zone and studied the past and recent history of fire management and fire-fighting. Here she tells the complex story of Australia's relationship with fire, from indigenous practices to country fire brigades and royal commissions—as well as her own story of living with the threat of fire. A Future in Flames is a vivid history, a sombre reflection and an invaluable guide for living and dealing with fire.   1906 CHINATOWN

Welcome to Season 5, Episode 32! We love having conversations with a lot of amazing authors of a lot of fabulous books. It's even more fun when we're able to invite an amazing author who's also a long-time friend or family member. So this episode is exciting for us because our guest is Kimberly Tso, the author of the new picture book Tic-Tac-Toe Chicken which is published by Third State Books (one of our favorite publishers)! And yes, we've known Kim for the better part of three decades. Tic-Tac-Toe Chicken is a picture book inspired by the true story of Lillie, a real chicken trained to play tic-tac-toe in New York's Chinatown Fair arcade, and her relocation to a farm for rescued animals. Featuring vibrant paintings of Chinatown by Louie Chin, Tic-Tac-Toe Chicken showcases a local cultural touchstone and shows how children can stand up for what they believe in and solve tough problems with clever thinking. You don't have to wait till Tic-Tac-Toe Chicken's release date on August 19, 2025, because it's available for pre-order through Third State Books, Bookshop, Amazon, Barnes & Noble, and more! You can even get a signed copy from Once Upon a Time Bookstore. Kim is an active member of the Society of Children's Book Writers and Illustrators (SCBWI) SoCal and SCBWI LA. She loves the challenge of writing complex ideas in an accessible way. She also likes to draw, paint, and collage. In addition to writing children's books, Kim is the owner of Velocity Ink, LLC, a consulting firm that provides grant writing and strategic planning services to progressive nonprofit organizations. A very successful grant writer, she's also the author of the workbook "Fix It and Get Funded: 10 Do-It-Yourself Repairs for Grant Proposals.” To see more of Kim's work, you can visit her website kimberlytso.com, or follow her on Instagram, Facebook, Bluesky, or subscribe to her Substack newsletter. If you like what we do, please share, follow, and like us in your podcast directory of choice or on Instagram @AAHistory101. For previous episodes and resources, please visit our site at https://asianamericanhistory101.libsyn.com or our links at http://castpie.com/AAHistory101. If you have any questions, comments or suggestions, email us at info@aahistory101.com.

An investigation is underway after a fire sparked at an iconic Maui property early this morning. The blaze at the Kula Lodge was first reported just before 4 a.m. A violent weekend around Oahu.. as police are searching for suspects in multiple cases, including a man who allegedly threw acid at someone in Chinatown. UH football fans will not have to pay to watch the Rainbow Warriors home games this season. See omnystudio.com/listener for privacy information.

The latest on a shooting at Joint Base Pearl Harbor-Hickam Wahiawa Annex that left a person in critical condition. Police are asking for help finding the suspect behind an acid attack in Chinatown; the third such attack in the last few years. High surf and rough ocean conditions led to hundreds of rescues along Oahu's south shore. And get ready for warmer temperatures and muggy conditions. Jennifer Robbins has your forecast for the week ahead.See omnystudio.com/listener for privacy information.

Behind the Scenes with Iconic Gaffer Jim Planchett! Join Adam Chase Rani and Christine Chen on the Get Reelisms Podcast as they chat with renowned gaffer Jim Plannette. Jim shares insights from his illustrious career, working on classics like E.T., Braveheart, Young Frankenstein, and many more. Discover the challenges and rewards of lighting some of Hollywood's most memorable films, the impact on personal life, and the importance of luck and timing in the film industry. This is a must-watch for filmmaking enthusiasts who want to learn from a true industry veteran!  Hosts: Adam Rani (@adamthechase)   & Christine Chen (@cchenmtf) Guest: Jim Plannette For more information about Christine Chen: christinewchen.comFor more information go to getreelisms.com For more information on ERZULIE go to: erzuliefilm.comWEBISODE version of the Podcastgetreelisms.com  00:00 The Realities of Working in the Film Industry 00:46 Introduction to the Get Reelisms Podcast 01:11 Meeting Jim and His Work on E.T. 02:54 Jim's Favorite Film Projects 04:19 Challenges and Memorable Moments in Filmmaking 05:16 Jim's Journey into the Film Industry 06:39 Union Struggles and Early Career 07:20 Working on Iconic Films: From Andromeda Strain to Chinatown 09:57 Balancing Personal Life and Film Work 15:30 Shooting in Black and White: Young Frankenstein and Beyond 20:33 The Evolution of Black and White Film 21:48 Behind the Scenes of Ocean's 11 24:41 Challenges in Production Design 28:19 Filming Braveheart: A Unique Experience 33:52 Working with Steven Soderbergh 35:54 Conclusion and Future Plans Official Get Reelisms PageGet Reelisms Amazon StoreInstagram

We head to an archaeological dig in Rock Springs that's leading to discoveries about the town's former Chinatown and a massacre that took place there over a century ago. Then, we get inside the concert halls in Teton Village where the Grand Teton Music Festival is trying to prove its music isn't just for the highbrow listener. We hear about how a photo camp on the Wind River reservation is becoming a mental health solution for men, and sit down with economist and Jackson Town Councilor Jonathan Schechter to hear why he's holding on to hope for shrinking Jackson's wealth gap following the One Big Beautiful Bill Act.Mid-episode music this week is “Fountains of Rome,” a tone poem from 20th century composer Ottorino Respighi and performed by the Grand Teton Music Festival orchestra.Jackson Unpacked airs locally at 89.1 FM or via live-stream Mondays at 7:30 a.m. and 12:30 p.m., and Fridays and Sundays at 12:30 p.m. Support Jackson's only nonprofit newsroom by becoming a member of KHOL today.

Long time Dream Chimney contributor, DJ, Producer Dennis Kane is facing eviction and looking for support. https://gofund.me/7db0132b We are hosting the original Disques Town podcast episodes and making them available to stream/download. Please consider donating to help Dennis. At the moment Dennis finds himself in a serious financial jam, and we are raising funds to help he and Roan stay in their home of 31 years. -- Originally Recorded Sep 13 2011 Brennan is a good pal, a fellow BMX enthusiast, and a terrific DJ & Producer. He was a natural for a first guest. In true fraternal Irish style Brennan broke my balls, but also graciously helped with some of the arduous setup issues for this undertaking. He left with my studio keys (!), but also gave me the complete episodes of “Trailer Park Boys”, one of his native land's greatest cultural contributions. Special thanks to Tariq Abdus-Sabur and Sean Brennan for all their help on this, and for putting up with me & BG. Brennan Green runs the Chinatown label, DJ's worldwide, and has produced numerous original tracks and remixes. His most recent project is the Kid Creole LP “I Wake Up Screaming” on Strut

There have been many plans for what should happen to the 62-acre site known as the 78 along the Chicago River at Roosevelt and Canal. The latest is a new stadium for the Chicago Fire soccer team. The project promises more affordable housing and economic growth, but some residents of neighboring Chinatown have concerns and are making them heard. Reset sits down with Sarah Tang, Coalition for a Better Chinese American Community's director for programs, Matthew Zhao, Teen Coalition for Chinatown intern, and Debbie Liu, president of Ping Tom Park Advisory Council. For a full archive of Reset interviews, head over to wbez.org/reset.

Democratic mayoral nominee Zohran Mamdani is walking back criticisms he leveled at the NYPD in 2020 during the George Floyd protests. Plus, Gov. Hochul says she's open to charging more teenagers as adults following an uptick in youth defendants committing more serious crimes. Also, officials say they're installing barriers and sand-filled barrels in front of pedestrian crossings at Canal Street and Bowery. And finally, the way you walk may soon be enough to reveal your identity through gait recognition technology.

In this episode, Stuart and Jacob do some investigating to compare the iconic 1974 classic "Chinatown" with its 1990 sequel, "The Two Jakes." They explore the masterful storytelling and character depth that made "Chinatown" a defining film of its genre, while dissecting the baffling choices and tonal shifts in its follow-up. How does Jack Nicholson as an actor change over time? What does the sequel reveal about the characters we thought we knew? And why does "The Two Jakes" at times feel more like a parody than a continuation of the original's legacy?Also featured in this episode are talks about both of the newer superhero movies hitting the theaters, an exploration of costuming and set-dressing, praise for John Huston, and some questionable Nicholson impressions. All this and more on They Remade It!Plot Synopsis Timestamps: 26:19 - 33:42----------Socials----------@theyremadeit.bsky.social on Blueskytheyremadeit@gmail.com

Dobicie do trzydziestki zwykle wiąże się z pewnym ciężarem emocjonalnym, skłania do podsumowań, może nawet zwiastować wejście w wiek dojrzały. Chyba że mowa o trzydziestym odcinku podcastu – wtedy sprawy mają się inaczej. My traumy związanej z trzydziestym odcinkiem Bełkotu literackiego nie mamy, ba, wręcz przeciwnie, jesteśmy dumni, że do tego miejsca dojechaliśmy. Ale na podsumowania przyjdzie może czas pod koniec roku, teraz skupiamy się na „Głowie węża. Przemytnicy z Chinatown i amerykański sen”, potężnym (gabarytowo i merytorycznie) reportażu autorstwa Patricka Raddena Keefe'a, który na język polski przełożył Jan Dzierzgowsk, a opublikowało Wydawnictwo Czarne. W 2025 Czarne wypuściło na nasz rynek książkę, która w Stanach premierę miała dość dawno temu, bo w 2009. Ale po tych 16 latach widzimy, że problemy migracyjne, które Keef tutaj opisuje, stały się jeszcze bardziej aktualne. Oczywiście książkę można czytać na różne sposoby, poza wydźwiękiem uniwersalnym, jest też tu po prostu skrupulatnie opisana brawurowa historia, którą słusznie Dariusz Rosiak (Raport o stanie świata) określa mianem thrillera politycznego. Dość powiedzieć, że wyszedł nam jeden z najdłuższych odcinków, a i tak o książce moglibyśmy rozmawiać jeszcze dłużej.  Odcinek nagrywaliśmy w składzie: Kasia Janusik, Rafał Komorowski i Waldek Mazur. Tradycyjnie już za realizację odpowiadał Piotr „Piciu” Pflegel. Dobrego słuchania!

Introduction: What Does It Mean to Be an Occupier?An occupier is an authority that controls a place where the people under it feel the power is not legitimate. In wars, it is the army that holds foreign land. In colonies, it is the empire that rules without consent. When some communities in America call the U.S. government an occupier, they are expressing how it feels to live under laws and police they see as outside forces. This idea is not only about crime or order; it is about who gets to make the rules and who decides how life should be lived.To explain this, think of two overlapping worlds. Dimension A is the enclave—the neighborhood or community that runs itself with its own customs and expectations. Dimension B is the broader system of state and federal law. Both occupy the same physical space but live by different moral codes. When the two intersect, sparks fly. A routine police action for Dimension B may feel like an invasion for Dimension A.Enclaves are everywhere. Black neighborhoods, Latino districts, Orthodox Jewish suburbs, Mormon towns, Chinatowns, and even rural mountain communities—all have their own internal order. Inside, people trust local rules more than outside law. Outsiders may pass through but are not part of the system. This is why these areas can feel like independent worlds, even though they lie under the U.S. flag.Why do these communities see outside police as occupiers? Because enforcement comes from beyond their boundary. The classic movie scene of an outsider cop stepping onto a reservation shows this clearly. To the community, this is not protection but intrusion. Slogans like “All Cops Are Bastards” or “Snitches Get Stitches” are warnings: loyalty belongs to the enclave, not to the outside world.After Saddam fell, Baghdad became a map of warlords. Each ruled his turf by his own rules. The U.S. Army represented another layer of authority above them but not part of them. When Americans attacked a warlord, locals saw it as outside interference, even if they disliked the warlord. The same dynamic plays out in U.S. cities: two authorities share space until one pierces the other, and then the clash is seen as occupation.When state or federal law crosses into enclaves, it can look like colonialism. The state sees itself as upholding order; the enclave sees it as domination. Acts of defiance, to one side crime, to the other loyalty, become statements of identity. These moments feel like small-scale wars between two systems claiming the same ground.Some enclaves resist openly. Sanctuary cities ignore federal immigration enforcement. The CHAZ in Seattle declared independence from police. Across the country, refugee and migrant groups—Syrian, Afghan, Somali, Persian—create tight-knit zones with their own codes. Latin American communities in the Southwest develop “for us, by us” policing. Even music, like Go-Go in DC, defines cultural territory. When a local once warned me, “You can come in, but I wouldn't,” he was explaining that some spaces are not meant to be crossed.Enclaves defend themselves like small kingdoms. They are not always violent, but they are territorial. They have their own unwritten law: this is our turf. When outsiders enforce external rules, residents often respond as if facing an occupier. What looks like chaos to the outside is loyalty to the inside.The United States is one nation on paper but many cultures in practice. Federal and state governments see themselves as the ultimate authority. Enclaves see them as outsiders. Until these two dimensions reconcile, every enforcement action will feel like colonizer versus colonized. The cry of occupation is not exaggeration; it is how autonomy survives. America is not one world—it is two, and they constantly collide.

Community organizations are helping Chinatown residents preserve what long-standing family associations helped build.

Last day of WHM. Don't interpret people as nice/nasty! Watch out for certain crowds and painkillers! Hulk Hogan drama: Mike Tyson or Joey Swoll?The Hake Report, Thursday, July 31, 2025 ADTIMESTAMPS* (0:00:00) Start, disclaimer* (0:03:53) Super: Alaska, William H. Seward* (0:06:22) Hey, guys! Mt Baldy, Rescue, Righteous bans.* (0:13:30) HADEN, TX, not Nate, Ronnie being fake* (0:18:52) HADEN: "Return to the Land," Maine?* (0:24:03) HADEN: Cincy beating, FCA beating* (0:31:53) DAVID, Ocala, FL: Iffy phone?* (0:32:41) WILLIAM III, CA: WHM* (0:44:43) WILLIAM III: Crime reality* (0:49:06) DAVID: Peter Fonda, Vic Morrow, Chinatown* (0:53:10) DAVID: Timothy St John…* (0:53:45) DAVID: Cincy beating, crime and fake news, "possibly white"* (1:02:36) DAVID: Off suboxone, painkillers* (1:08:32) DAVID: Georgia and Florida* (1:09:20) WHM reviews… Super: Kirk Douglas? Ugh.* (1:11:41) Coffees: Joey Swoll, Hulk Hogan, haters* (1:18:16) Super(s)... Mark for WHM* (1:21:04) News…* (1:25:29) Hulk Hogan for Our Greatest President* (1:29:26) Mike Tyson cussing, didn't think Hulk's racist* (1:32:24) Joey Swoll sorry: People want to be mad!* (1:34:58) JERMAINE, Canada: Joey Swoll guilt, Hulk Hogan hate* (1:39:05) JERMAINE: Loving things about girls* (1:40:09) MARK, L.A.: Walter Brennon, JR McCarthy, Rockwell Hall, Arthur J Jones* (1:41:33) MARK: Ban? Evil in the Snake Pit! Tariffs vs court* (1:44:41) ELIJAH, CA: Cus D'Amato, Joey Swoll, Hollywood* (1:49:31) Coffees: Wrongly convicted restitution? A.H. WHM* (1:51:26) RICK, VA: They're trying to start a R— war, Cincy* (1:52:36) ALLEN, MI: Joe McCarthy, Rosenbergs. Obsession is anger* (1:54:11) ClosingBLOG https://www.thehakereport.com/blog/2025/7/31/the-hake-report-thu-7-31-25PODCAST / Substack HAKE NEWS from JLP https://www.thehakereport.com/jlp-news/2025/7/31/jlp-thu-7-31-25–Hake is live M-F 9-11a PT (11-1CT/12-2ET) Call-in 1-888-775-3773 https://www.thehakereport.com/showVIDEO: YT - Rumble* - Pilled - FB - X - BitChute (Live) - Odysee*PODCAST: Substack - Apple - Spotify - Castbox - Podcast Addict*SUPER CHAT https://buymeacoffee.com/thehakereportSHOP - Printify (new!) - Cameo | All My LinksJLP Network: JLP - Church - TFS - Nick - PunchieThe views expressed on this show do not represent BOND, Jesse Lee Peterson, the Network, this Host, or this platform. No endorsement or opposition implied!The show is for general information and entertainment, and everything should be taken with a grain of salt! Get full access to HAKE at thehakereport.substack.com/subscribe

Family associations were once the backbone of social and economic organization for Chicago's Chinatown. Their evolution over the decades tells the history of the community.

Annie Shi is the co-owner and beverage director of the West Village's French-Italian restaurant King and its uptown Rockefeller Center sibling Jupiter. Now she's opened a spot of her very own: Lei, a Chinese wine bar on the historic Doyers Street in the heart of Manhattan's Chinatown. Lei is such a special and singular spot, and it's great having Annie in the studio to talk about growing up in New York, pairing wine with Chinese food, and the evolution of Manhattan's Chinatown.Also on the show Matt has an amazing conversion with Austin Hennelly. He's the bar director at the Taiwanese restaurant Kato in Los Angeles. Kato is one of the most well-reviewed and respected restaurants in America, and the bar program shines with innovation and style. We talk about how Austin thinks deeply about NA beverage service before we hear about this wild professional career. Subscribe to This Is TASTE: Apple Podcasts, Spotify, YouTube See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Today's guest is Lauren Tran, the owner and pastry chef behind Bánh by Lauren, the popular Vietnamese-American and French-inspired bakery in New York City's Chinatown. Lauren's menu is a love letter to tradition, family, and flavor with delicious treats like lychee raspberry macarons, steamed rice cakes, and pandan coconut chiffon cake. Lauren joins host Jessie Sheehan to share how she turned a pandemic pop-up into one of the city's most buzzed-about bakeries, the pie contest that helped launch her career, and how her childhood in Seattle, fine-dining training, and Vietnamese roots shape every recipe she creates. Then, the duo walk through Lauren's recipe for her signature Pandan Honeycomb Cake (bánh bò nuớng in Vietnamese).Thank you to Nordic Ware and California Prunes for their support. Jubilee L.A. tickets are on sale now!Join our Summer Tastemaker Tour waitlistGet The Power IssueVisit cherrybombe.com for subscriptions, show transcripts, and tickets to upcoming events.More on Lauren: Instagram, Bánh by Lauren websiteMore on Jessie: Instagram, “Salty, Cheesy, Herby, Crispy Snackable Bakes” cookbook

2017年高考（江苏卷）英语听力 长对话1Excuse me. I wonder if you could tell me how to find a place to have my shoes mended.I'm new in town.打扰一下，不知道你能否告诉我怎么找到一个我能修鞋的地方。我刚来这个镇上。Ah,there is a good shop not far from here. Go straight ahead and walk about three blocks.I can't remember the name of the shop, but you'll find it. It's near the police station. By the way, you know about the town guide? It's a thin book and has all kinds of useful information. You'll find one in any bookstore.呃，离这不远有家不错的店。往前直走大约三个街区。我记不起来这家店的名字了，但是你会找到它的。它就在警局附近。对了，你知道这个镇的指南吗？那是一本很薄的书，里面有各种各样有用的信息。你在书店就能找到的Thanks a lot! You've been so helpful. Let's see. Did you say the repair shop was three blocks away from here?非常感谢！你帮了我很大的忙。我想想。你是说补鞋店离这有三个街区远？Exactly.没错。Thanks again.再次感谢。2017年高考（江苏卷）英语听力 长对话2I've been here many times. There are quite a lot of delicious dishes to choose from.What are you thinking of ordering?我来过这里好多次了。这里有很多美味可口的菜可供选择。你想点什么呢？Well,I haven't decided yet. What are you going to order?额，我还没想好呢。你要点啥呢?I think I'll have the roast chicken. They really make it well here.我想点烤鸡。他们这里的做得很不错。I had roast chicken yesterday when I ate out with Shelly.昨天我和雪莉出去吃饭的时候吃过烤鸡了。Their beef steak is good, too. You can have it served with beans and mushrooms.他们的牛排也很不错。你可以点搭配豆子和蘑菇的牛排。But I'm not that hungry. Is the fried fish or the seafood salad good?但我不是很饿。炸鱼和海鲜沙拉还行吗？Never had them before. Maybe if you get the steak, we could share.从未吃过啊。如果你点牛排的话，我们可以分一分。That sounds like a good idea.这个主意很不错。2017年高考（新课标卷II&III）英语听力长对话1Mom,this is going to take forever! Animal World will be on in 20 minutes. It's my favorite program. You know I can't miss it!妈，这是要等到什么时候啊！《动物世界》二十分钟后就要开播了。它可是我最喜欢的节目。，你知道我是不能错过的。I know, honey. But we have to wait in line to pay for these things we need.宝贝，妈知道。但我们得排队支付这些我们需要的物品的钱啊。You promised we'd be home in time.你答应过我们能及时赶到家的。Be a little patient, Jack. We'll get out of here soon.杰克，耐心点儿。我们很快就会离开这里的。2017年高考（新课标卷II&III）英语听力长对话2Hi,Samantha. Do you have a minute?嗨，萨曼莎。你现在有空吗？Hi,Richard. Come in, please.嗨，理查德。请进。I've been trying to get hold of you all afternoon.我整个下午都在找你呢。I was at the weekly managers' meeting. How are things?我那时在开每周管理人会议。近况如何啊？Oh,splendid. I have some news.哦，好极了。我有事要告诉你。Good news?好事吗？Wonder fulnews... to me, anyway! I've been offered a job for three years as an assistant to Prof. Hayes from Birmingham University. I'll join him in Mexico City. What do you think about that?大好消息......反正对我来说是！我得到了一份为期三年的伯明翰大学海斯教授的助理工作。我将在墨西哥城与他会合。你觉得这工作怎么样？Wonderful,Richard! Just what you've always wanted, isn't it? Does it mean that you'll leave soon?太棒了，理查德！这是你一直想做的工作，不是吗？也就是说你马上就要走了？Next week. But before I go, I'd like to invite you out for dinner — just to thank you for all the help you gave me during my three-month research work here. Would tomorrow evening be a good time for you? We can go to the Shanghai Restaurant in Chinatown. Fine with me.下周走。但在我走之前，我想请你出去吃顿晚饭——感谢你对我这三个月的研究工作给予的全部帮助。明天晚上合适吗？我们可以去唐人街的上海餐馆。可以的。2017年高考（新课标卷II&III）英语听力长对话3Hello?你好？Hello,Stella. This is Peter.你好，斯特拉。我是彼得。Hi,Peter. Fancy hearing your voice! How are you?嗨，彼得。听到你声音真好！你好吗？Couldn't be better. I'm planning a trip to Memphis with my family this summer.再好不过了。我打算今年夏天和我家人去孟菲斯旅游。Great!I'd love to host you here. When are you coming?太好了！我太想在我这款待你们了！你们什么时候来？We'll leave Boston on June 20th, stay in St. Louis, Missouri for a week, and then fly to your city. We'd probably stay for five days with you and come back, for it's a two-week vacation.我们将在6月20号离开波士顿，在密苏里州圣路易斯市待一星期，然后飞到你们市。我们可能会在你那待五天，然后回去，因为这是两星期的假期。Is there anything special you'd like to do here?你们来这有什么特别想做的事情吗？We'd love to explore Beale Street, the official home of the blues, where we'd listen to live music. We'd also like to visit Graceland, the popular museum in memory of Elvis Presley. But above all, we want to spend some time with you and your family.我们想逛逛蓝调的正式发源地贝尔街，在那倾听现场音乐。我们还想参观雅园，纪念埃尔维斯·普雷斯利的受欢迎的博物馆。但最重要的是，我们想和你以及你家人聚聚。Of course! It's been ages since we met last time. Let's have a dinner party in my garden.当然了！自上次见面以来已经有好久没见了。让我们在我花园里吃晚宴吧。Lovely!Oh, could you find for us a hotel near where you live? It doesn't have to be big, but I can't stand noise at bedtime.好极了！哦，你能帮我们在你住的附近找一家旅馆吗？房间没必要太大，但是睡觉时不能有噪音。Sure.没问题。Thank you. See you soon.谢谢啦。期待很快相见。

Send us a textChinatown Cha-Cha is a documentary that follows 92 year-old previous nightclub owner/dancer Coby Yee as she decides to perform again and go on tour with the senior dance troupe Grant Avenue Follies. Ange is joined by director Luka Yuanyuan Yang and Cynthia Yee, one of the dancers/subjects of the film, to discuss how Chinese women were at the core of the Chinatown nightlife and burlesque scene in the 1950s, the powerful bond of sisterhood, and how starting a senior dance troupe gave some women finally a chance to feel free.This film is set in the heart of Chinatown, San Francisco, and was a part of the CAAMFest (Center for Asian American Media) Film Festival. Due to the elimination of funding for the Corporation for Public Broadcasting, CAAM stands to lose 40% of their annual budget. For more information, and to see how you can help, click hereTo see the Grant Avenue Follies perform live, click hereFollow Chinatown Cha-Cha on IGFollow the Grant Avenue Follies on IGFollow director Luka Yuanyuan Yang on IGSupport the showThanks for listening and for your support! We couldn't have won Best of the Bay Best Podcast in 2022 , 2023 , and 2024 without you! -- Fight fascism. Shop small. Use cash. -- Subscribe to our channel on YouTube for behind the scenes footage! Rate and review us wherever you listen to podcasts! Visit our website! www.bitchtalkpodcast.com Follow us on Instagram & Facebook Listen every Tuesday at 9 - 10 am on BFF.FM

Jer and Norris talk about what to know and where to go in Metro Detroit! The links:  00:30 - The new Dainty Tattoo shop in Detroit's Avenue of Fashion 06:00 - Detroit Symphony Orchestra will have the music of Batman 1989 on Friday, showing bat signal on side of the building - https://www.dso.org/events-and-tickets/events/24-25-summer/batman-1989-in-concert 08:48 - Detroit Mayoral Poll, new holder of second place (and splits among voting groups) - https://deadlinedetroit.com/articles/33439/primary_poll_sheffield_with_commanding_lead_in_detroit_mayoral_race_jenkins_and_kinloch_battle_for_second_spot 15:18 - Chinatown block party this Saturday - https://detroitchinatownvisioncommittee.org/block-party There's a longer, livestream version of this episode on YouTube with viewer questions: https://www.youtube.com/live/7OXctRY4KDI Feedback as always - dailydetroit -at- gmail -dot- com or leave a voicemail 313-789-3211. Follow Daily Detroit on Apple Podcasts: https://podcasts.apple.com/us/podcast/daily-detroit/id1220563942  Or sign up for our newsletter: https://www.dailydetroit.com/newsletter/  

In the latest episode of LIT NYC, host Katie Honan talks with author Radha Vatsal, a speechwriter at city hall by day, to discuss her new novel about old New York, No. 10 Doyers Street, and “a past that was not as black and white as we make it out to be today.” Vatsal, an immigrant herself, explains how she came to tell a story of Chinatown in the early 1900s as seen through the eyes of Archana "Archie" Morley, the only woman at her newspaper and one of just a handful of Indian immigrants in New York City at the time. While her editor and husband try to steer her away from covering notorious gangster Sai Wing Duck, AKA Mock Duck, Archie chases down the story of his adopted daughter being taken away from him by the city as it also plans to raze Chinatown.

Acupuncturist and herbalist Angela Gray shares her fascinating journey from growing up with Traditional Chinese Medicine in Manhattan's Chinatown to co-founding YINA, a TCM-based beauty brand. In this in-depth conversation, Angela reveals how ancient Chinese medicine principles, astrology, and the five elements influence our health and beauty routines. Discover practical TCM wisdom including a powerful sleep technique for falling asleep instantly, why your skincare routine should align with seasonal changes, and how Chinese astrology (beyond the 12 zodiac animals) can guide personalized health approaches. Angela also explains why she believes skincare is healthcare, sharing the science behind YINA's herbal formulations that treat skin as our body's largest organ and first line of defense. Whether you're curious about integrating Eastern and Western medicine, looking for a more mindful beauty routine, or wanting to understand how astrology connects to wellness, this conversation offers actionable insights for living more in tune with your body's natural rhythms. Interested in trying out Yina's skincare products?  CLICK HERE to shop and learn more.  Use the code: MODERNAGING and get 15% off your first purchase!  

This week I am excited to introduce you to Owner Operator DK Kang! DK is the Operator of Chick-fil-A 7th Street (DC) In-Line in Chinatown, Washington D.C. DK compares himself to Forrest Gump, and that seems to be accurate as he's done everything from making sandwiches to professional sports to serving our country in various ways. You won't want to miss hearing his wild journey to becoming a Chick-fil-A Operator, and all the stops in between! Learn more about Cooper Connect, here: www.CooperConnect.co Cooper Connect is an independent entity and is not affiliated with, associated with, authorized by, or endorsed by Chick-fil-A, Inc. or its subsidiaries and affiliates. The name Chick-fil-A, Inc., along with its related names, trademarks, logos, and images, are the registered property of their respective owner. For official information about Chick-fil-A, Inc., please visit their website at https://chick-fil-a.com.

Marc-Kwesi Farrell is the founder of Ten to One, a contemporary Caribbean rum brand. Born in Trinidad, he's passionate about broadening and celebrating global perceptions of rum through premium blends and storytelling, including drawing from his experience as the youngest vice president in Starbucks history. Today on the show, Marc goes deep on rum distillation and culture, bringing on the legendary singer Ciara as a co-owner, and plans for the future of the brand.And, at the top of the show, it's the return of Three Things, where Aliza and Matt talk about what is exciting them in the world of restaurants, cookbooks, and the food world as a whole. On this episode: Blueberries from West Michigan, a visit to Harana Market in Accord, NY, new water discoveries: Freebird Southern Spring Water and Yuzu Mandarin Spindrift. Also: Hailee Catalano's cold shrimp rolls with celery salad is perfect for right now, Three Cheers is a refreshing new cocktail book, Lei is a very cool new wine bar in NYC's Chinatown, and it's Tour de France season! Get your tickets to our live event on July 23 at the Bell House in Brooklyn. Featuring conversations with Padma Lakshmi, Hailee Catalano & Chuck Cruz, and a live taping of Bon Appétit Bake Club with Jesse Szewczyk and Shilpa Uskokovic. Ticket sales benefit One Love Community Fridge.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

You're not dreaming! THE SANDMAN SLEPT HERE is back with another exciting episode. Max Romero, Ryan Daly, and Paul Kien as they discuss Sandman Mystery Theatre issues #5-8. Writer Matt Wagner is joined by artist John Watkiss for a pulpy tale of racism, identity, and star-crossed love. Who is the man from Dian's past, and how is he connected to a string of brutal murders in Chinatown? What nefarious force seeks to put rival Chinese factions against each other? And how will the mysterious Sandman thwart the chameleonic killer known as "The Face"? Plus, the hosts respond to last episode's listener feedback and play another round of "The Dream Sequence". Get out of bed already and tune in! Have a question or comment? Looking for more great content? Leave comments on our website: http://fireandwaterpodcast.com/podcast/sandman0/ Images from this episode: http://fireandwaterpodcast.com/podcast/sandman0g/ Email the show at: justicesocietypresents@gmail.com Keep up with all #JSApril participating podcasters and bloggers: http://fireandwaterpodcast.com/JSApril Subscribe to THE SANDMAN SLEPT HERE as part of the JUSTICE SOCIETY PRESENTS Podcast: Subscribe on Apple Podcasts: https://podcasts.apple.com/us/podcast/justice-society-presents/id1549429702 Don't use Apple Podcasts? Use this link for your podcast catcher: https://feeds.feedburner.com/jsapresents Also available on Spotify, Audible, and Amazon Music Follow JUSTICE SOCIETY PRESENTS on social media: Facebook: https://www.facebook.com/jsapresents Twitter/X: https://x.com/jsapresents Instagram: https://www.instagram.com/jsapresents/ Bluesky: https://bsky.app/profile/jsapresents.bsky.social Threads: https://www.threads.net/@jsapresents This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK: Visit the Fire & Water WEBSITE: http://fireandwaterpodcast.com Like our Fire & Water Facebook page: https://www.facebook.com/FWPodcastNetwork Follow Fire & Water on Twitter/X: https://x.com/FWPodcasts Follow Fire & Water on Bluesky: https://bsky.app/profile/fwpodcasts.bsky.social Support The Fire & Water Podcast Network on Patreon: https://www.patreon.com/fwpodcasts Music: "Any Old Time" by Artie Shaw and His Orchestra featuring Billie Holiday Thanks for listening! Join the fight… for Justice!

You're not dreaming! THE SANDMAN SLEPT HERE is back with another exciting episode. Max Romero, Ryan Daly, and Paul Kien as they discuss Sandman Mystery Theatre issues #5-8. Writer Matt Wagner is joined by artist John Watkiss for a pulpy tale of racism, identity, and star-crossed love. Who is the man from Dian's past, and how is he connected to a string of brutal murders in Chinatown? What nefarious force seeks to put rival Chinese factions against each other? And how will the mysterious Sandman thwart the chameleonic killer known as "The Face"? Plus, the hosts respond to last episode's listener feedback and play another round of "The Dream Sequence". Get out of bed already and tune in! Have a question or comment? Looking for more great content? Leave comments on our website: http://fireandwaterpodcast.com/podcast/sandman0/ Images from this episode: http://fireandwaterpodcast.com/podcast/sandman0g/ Email the show at: justicesocietypresents@gmail.com Keep up with all #JSApril participating podcasters and bloggers: http://fireandwaterpodcast.com/JSApril Subscribe to THE SANDMAN SLEPT HERE as part of the JUSTICE SOCIETY PRESENTS Podcast: Subscribe on Apple Podcasts: https://podcasts.apple.com/us/podcast/justice-society-presents/id1549429702 Don't use Apple Podcasts? Use this link for your podcast catcher: https://feeds.feedburner.com/jsapresents Also available on Spotify, Audible, and Amazon Music Follow JUSTICE SOCIETY PRESENTS on social media: Facebook: https://www.facebook.com/jsapresents Twitter/X: https://x.com/jsapresents Instagram: https://www.instagram.com/jsapresents/ Bluesky: https://bsky.app/profile/jsapresents.bsky.social Threads: https://www.threads.net/@jsapresents This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK: Visit the Fire & Water WEBSITE: http://fireandwaterpodcast.com Like our Fire & Water Facebook page: https://www.facebook.com/FWPodcastNetwork Follow Fire & Water on Twitter/X: https://x.com/FWPodcasts Follow Fire & Water on Bluesky: https://bsky.app/profile/fwpodcasts.bsky.social Support The Fire & Water Podcast Network on Patreon: https://www.patreon.com/fwpodcasts Music: "Any Old Time" by Artie Shaw and His Orchestra featuring Billie Holiday Thanks for listening! Join the fight… for Justice!

City Councilmember Mark Squilla's district stretches from Chinatown to South Philly and up to the River Wards. He's joining host Trenae Nuri on our weekly politics episode to talk about  the latest on the projects and controversies in his district, from Market East to SEPTA funding, from the Chinatown Stitch to a new bus station. There's more good news here than you might expect.  More Philly news & events in your inbox comes in our daily newsletter, Hey Philly Call or text us: 215-259-8170 We're also on Instagram: @citycastphilly Learn more about the sponsors of this July 16th episode: Rock & Roll Hall of Fame Scribe Video Center Advertise on the podcast or in the newsletter: citycast.fm/advertise Learn more about your ad choices. Visit megaphone.fm/adchoices

During a peak era for Hollywood produced conspiracy thrillers, this was one of the most popular and for good reasons.  It was directed by the late, great Oscar-winner Sydney Pollack (Out of Africa, Tootsie, The Firm) and starred two of the most beautiful and enduring stars of this era.  Robert Redford (The Sting, Indecent Proposal) stars as Turner who is an mild-mannered analyst for the CIA who suddenly finds every one in his New York City research office brutally murdered while he went out of lunch....and now he's on the run to get answers, also before some one murders him.  Along the way, he encounters Kathy played by Oscar-winner Faye Dunaway (Network, Bonnie and Clyde, Chinatown), an unusually observant painter whom he decides to kidnap while seeking shelter at her apartment....and of course they develop a romance....sort of.  And hot on his heels is the wily assassin Joubert played by the late, great Max Von Sydow (The Seventh Seal, Flash Gordon, Pelle the Conqueror).  What results is a tense cat-and-mouse thriller which was somewhat ahead of its time and is now about to turn Fifty! Host & Editor: Geoff GershonEditor: Ella GershonProducer: Marlene GershonSend us a texthttps://livingforthecinema.com/Facebook:https://www.facebook.com/Living-for-the-Cinema-Podcast-101167838847578Instagram:https://www.instagram.com/livingforthecinema/Letterboxd:https://letterboxd.com/Living4Cinema/

Cultural Enclaves, Movies & Politics, Kind Strangers, and more! エスニックエンクレイブ、映画と政治、優しい他人など！ Join our Discord: https://discord.gg/VGSd94Tp4P Join our Book Club! https://ko-fi.com/i/IF1F01EWI60 Support on ko-fi:  https://ko-fi.com/lazyfluency Main channel:  https://www.youtube.com/channel/UC-8_djC5_aV4Mi3o3fuLPLA Send us questions at:  lazyfluency@gmail.com  

The International News Review with Steve Okun. Saturday Mornings Host Glenn van Zutphen and Co-host Neil Humphreys look at who might be the next US Ambassadors to Singapore and Malaysia (and the swirling controversy around both!), Ukraine will be getting an unexpected missile defense system to protect against Russian aggression. And Singapore-based artist Sean Dunston’s Chinatown mural of the smoking samsui woman gets a new “interpretive plaque” bearing an anti-smoking message. But what message does it send?See omnystudio.com/listener for privacy information.

Hosted by David and Nycci Nellis. On today's show:· Agave, baby! Mitchell Linton, CEO, Tony Ajayi, president, and Zachary Spence, CMO – all of 3708 American Agave Spirits –talking the difference between tequila and agave spirits; · They are husband and wife. And they are incredibly talented chefs who are getting handfuls of accolades heaped on them. They are Matt Conroy and Isabel Coss and they're teamed with our friend, much-admired restaurateur Omar Popal, in two of the city's most celebrated restaurants, Lutece and Pascual. In the course of things, both Matt and Isabel are themselves in the spotlight with James Beard and Rammy nominations. How do they do it and keep restaurants innovative and love alive? Matt and Isabel join us to reveal all; · Owning a restaurant is in Tim Ma's blood. Trained as an electrical engineer, he chucked it all, went to culinary school, opened a tiny spot in Vienna, Virginia that blew up and .. the rest is history. Today, Tim has his hands in a lot of projects. The newest is Lucky Danger in Chinatown, billed as an American Chinese restaurant brought to us by a Chinese American chef; · Georgetown salon owner Jack Howard is a L'Oreal Ambassador and hair colorist with over 40 years of experience. Jack's a family friend, and we've brought him in today to talk about his successful approach to customer service and long-term relationships and how that mirrors the concept of providing hospitality.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Matt Meyer, the chef who knows all about dry-aging, sits down with Al for the centerpiece interview this week. Al also talks with Christina Ngyuen about the decision to close her pioneering Chinatown restaurant District 1. Gemini talks collaboration dinners with Bruce Kalman as he participated in just such an event in Oklahoma City. No Butcher and Sparrow + Wolf are in the news, and Al shares his visits to Bar Boheme, Craft Creamery and Doberman Drawing Room.  

In this episode, Scott is joined by long-time partner and former co-host, Dr. James Buccellato, to tell the fascinating story of John Willis aka "White Devil John", who went from being a homeless orphan to one of the most powerful players in Boston's Chinese Mafia.

Send us a textWe head to Chinatown in Las Vegas to learn more about the restaurants and businesses. It's a huge area with a lot to do. And, it's a busy place!If your home was damaged in the California wildfires, Galindo Law may be able to help you get more compensation. Call 1-800-251-1533 or visit galindolaw.com If your Texas home was damaged by hail or a hurricane in the past 2-years, Galindo Law may be able to help you get more insurance compensation. Call 1-800-251-1533. Or, visit GalindoLaw.com VegasNearMe App is the only app you'll need to navigate Las Vegas! Support the showFollow us on Instagram: @vegas.revealedFollow us on Twitter: @vegasrevealedFollow us on TikTok: @vegas.revealedWebsite: Vegas-Revealed.com

In this episode, Scott is joined by long-time partner and former co-host, Dr. James Buccellato, to tell the fascinating story of John Willis aka "White Devil John", who went from being a homeless orphan to one of the most powerful players in Boston's Chinese Mafia.

In their first podcast since going public, Omada Health CEO Sean Duffy joins us to reflect on the journey to bend the curve of chronic disease.From walking away from the traditional PMPM model to staying grounded in clinical outcomes, Sean shares hard-earned lessons from over a decade of building Omada—from a startup in Rock Health's Chinatown office to IPO. We cover:

In this episode, I'm taking you along on the first half of my 9-day adventure through Peru with Intrepid Travel. From the bustling streets of Lima to the breathtaking ruins of Machu Picchu, I'm sharing what it was really like to experience this unforgettable trip.We start in Lima, Peru's vibrant capital, exploring Chinatown and the historic Plaza de Armas. Then, we head to Cusco—the former Inca capital—where I quickly fall in love with its cobblestone streets, colorful markets, and mountain views (plus some tips for navigating the 11,000-foot altitude).Next up is the Sacred Valley. I share highlights like feeding alpacas at Manos de la Comunidad, visiting the ancient Pisac ruins, enjoying a meal with local Andean women, and supporting single mothers through a social enterprise café in Urubamba.And of course—Machu Picchu. I give a behind-the-scenes look at what it's like to visit one of the Seven Wonders of the World, from the early morning bus ride to the awe-inspiring ruins perched high in the Andes.Whether you're dreaming of visiting Peru or curious about what it's like to travel with Intrepid, this episode is packed with practical travel tips, personal reflections, and inspiration to explore this incredible part of the world.

Dregs One is a lot of things, including a podcast host. In this episode, meet and get to know this prolific AF graffiti writer, hip-hop artist, and Bay historian. Dregs starts us off with the story of his parents. His paternal grandmother was abandoned as a child. Her mother, a Black woman, was raped by a white doctor. She moved to Chicago, where she met Dregs' grandfather, who was from Jamaica and, as Dregs puts, was a player. He, too, left the family, abandoning his grandmother after his dad was born. She tried ways of getting help to raise her son (Dregs' dad, who was 13), but ended up dropping him at an orphanage. Dregs' dad experienced racism in the Catholic orphanage in Chicago where he spent his teen years. Education helped him emerge from that darkness, though. He eventually became a police officer in Chicago, but left that job after experiencing more racism and rampant corruption. After that, his dad went on a spiritual quest that landed him in San Francisco. His parents met in The City, in fact, but we need to share Dregs' mom story. Her family was from Massachusetts. Her dad got into trouble when he was young, but managed to become a chemist. He helped develop the chemical process that went into Polaroid film, in fact. He later served in the Korean War before becoming an anti-war activist. He hosted the Boston Black Panthers in his home, in fact. His mom mostly rejected her white culture, owing to many things, including alcoholism. She hung out with Black folks and listened to Black music. She'd be one of or the only white folks in these circles. She went on her own spiritual journey that also ended up here. It was the Eighties in San Francisco when his parents met. Dregs is their only child, though he has some step-siblings through his dad. He says that despite his parents' turbulent relationship, they provided a nice environment for him to grow up in. Because both parents worked, and because he was effectively an only child, Dregs spent a lot of time alone when he was young. His dad got a master's degree and started counseling AIDS patients in The Castro. His mom worked a pediatric intensive care nurse. Though Dregs and I were both young at the time, we go on a sidebar to talk about how devastating the AIDS epidemic must've been. Dregs was born in the late-Eighties and did most of his growing up in the Nineties and 2000s in the Lakeview. Make no mistake, he says—it was the hood. Although he lived on “the best block of the worst street,” he saw a lot as a kid. His mom often got him out of their neighborhood, boarding the nearby M train to go downtown or to Golden Gate Park. His dad wasn't around a lot, so Dregs spent a lot of time hanging out with his mom. They went to The Mission, Chinatown, The Sunset, all over, really. Around fifth grade or so, when he started riding Muni solo, Dregs also got into comic books. He read a lot. He drew a lot. He played a little bit of sports, mostly pick-up basketball. As a born-and-raised San Franciscan, Dregs rattles off the schools he went to—Jose Ortega, Lakeshore Elementary, A.P. Giannini, and Lincoln. But when Dregs got into some trouble in high school, he was taken out and put back in. It was a turbulent period. He eventually graduated from International Studies Academy (ISA) in Potrero Hill. One of the adults' issues with young Dregs was his graffiti writing. For him, it was a natural extension of drawing. He remembered specific graffiti from roll-downs on Market Street he spotted when he was young. He says he was always attracted to the SF underworld. “It was everywhere you went.” Going back to those Muni trips around town with his mom, he'd look out the windows when they went through the tunnels and see all the graffiti, good art, stuff that he later learned that made SF graffiti well-regarded worldwide. While at A.P. Giannini, a friend of his was a tagger. In ninth grade, Dregs broke his fingers and had a cast. One friend tagged his cast, and it dawned on Dregs—he, too, could have a tag. After his first tagging adventure, Dregs ended up at his friend's house. The guy had two Technics turntables. He was in ninth grade, but his friend was already DJing. Among the music in his buddy's rotation was some local artists. “Whoa, this is San Francisco?” young Dregs asked. His mind was blown and his world was opening up. Check back next week for Part 2 with Dregs One. And look for a bonus episode on the San Francisco Art Book Fair later this week. We recorded this podcast in the Inner Richmond in June 2025. Photography by Nate Oliveira

On this episode, Tony Brueski digs into the eerie tales surrounding Chinatown's Central Plaza in Los Angeles. From its tumultuous history marked by tragedy and displacement to the chilling accounts of ghostly apparitions that have emerged over the decades, we explore the intersection of historical trauma and paranormal phenomena. Join us as we delve into eyewitness testimonies, paranormal investigations, and the cultural impact of these hauntings on the community.  

On this episode, Tony Brueski digs into the eerie tales surrounding Chinatown's Central Plaza in Los Angeles. From its tumultuous history marked by tragedy and displacement to the chilling accounts of ghostly apparitions that have emerged over the decades, we explore the intersection of historical trauma and paranormal phenomena. Join us as we delve into eyewitness testimonies, paranormal investigations, and the cultural impact of these hauntings on the community.  

In this powerful and unfiltered interview, Mike Moy—a former made man in the infamous Fuk Ching Syndicate and later a 25-year NYPD officer—breaks down the bloody history of Chinese-American gangs in New York City's Chinatown during the 70s, 80s, and early 90s. From underground gambling parlors, prostitution rings, and extortion rackets, to the $1 billion heroin trade and brutal gang wars, Mike reveals shocking insider details never before shared so openly. He explains how the Tong associations, triads, and local street gangs like the Ghost Shadows, Flying Dragons, and BTK worked together—and what ultimately led to their collapse under federal RICO prosecutions. Go Support Michael! Book: https://a.co/d/eVaVsur YouTube: @chinatowngangstories IG: https://www.instagram.com/chinatowngangstories/ This Episode Is #Sponsored By The Following: MANDO! Control Body Odor ANYWHERE with @shop.mando and get 20% off + free shipping with promo code MITCHELL at https://shopmando.com! #mandopod BAY SMOKES! To get your free sample just head to https://baysmokes.com/pages/free-thca-flower-gram-sample/theconnect Join The Patreon For Bonus Content! https://www.patreon.com/theconnectshow Learn more about your ad choices. Visit podcastchoices.com/adchoices

Olive oil expert Nick Coleman returns to Cooking Issues! From evaluating the aromas of peak-harvest oils to theorizing the merits of freezing olive oil into fudge-like cubes, the conversation drifts through dumpling hierarchies, Nashville honky-tonk bars, dry rice panic, and defunct clear ice makers. Whether you're here for the food science or the food fights, this one's a full pour.• Olive Oil Logic – Nick shares Grove and Vine's latest harvest, explains tomato leaf aromatics and early picking strategies, and discusses olive oil handling, storage, and the myth of “finishing only” oils.• Dumpling Debate – The team compares soup dumplings, steamed buns, pan-fried styles, and roast pig plates across NYC's Chinatowns while unpacking chili oil obsessions and spice tolerance philosophy. Hosted on Acast. See acast.com/privacy for more information.

The Transamerica Pyramid, located in downtown San Francisco, is a skyline staple. But when it was proposed, people hated the idea of a towering symbol of capitalism so close to neighborhoods like North Beach and Chinatown. Turns out the block where the pyramid stands has a long and storied history. We dig into all that, as well as how public perception of the pyramid's place in the skyline has changed over the past 50 years. Additional Resources: The Transamerica Pyramid at 50: From 'Architectural Butchery' to Icon Read the transcript for this episode Sign up for our newsletter Enter our Sierra Nevada Brewing Company monthly trivia contest Got a question you want answered? Ask! Your support makes KQED podcasts possible. You can show your love by going to https://kqed.org/donate/podcasts This story was reported by Carly Severn. Bay Curious is made by Katrina Schwartz, Gabriela Glueck and Christopher Beale. Additional support from Olivia Allen-Price, Jen Chien, Katie Sprenger, Maha Sanad, Alana Walker, Holly Kernan and everyone on Team KQED.