Podcast appearances and mentions of Erin Brockovich

MSNBC's Ari Melber hosts "The Beat" on Friday, May 23, and reports on President Trump's "retribution campaign." Melber is also joined by Erin Brockovich, consumer advocate and environmental activist, to discuss the Trump administration's push for deregulation. Plus, three-time Grammy winner Diplo appears in the latest installment of "Mavericks." Eugene Robinson and Chai Komanduri also join.

Legt alles beiseite, hört auf mit dem was ihr gerade macht - die neue Banausenepisode ist veröffentlicht, auch bekannt als der Strassenfeger unter den Filmpodcasts! Wooosh!!!

This week on The Decision Reel, we dive into the inspiring true story of Erin Brockovich! Join the crew as we break down Julia Roberts' powerhouse performance, the David vs. Goliath legal battle, and all the small-town charm and corporate drama packed into this Oscar-winning film. We explore the real-life stakes behind the story, the sharp script, the emotional moments, and, of course, sprinkle in plenty of laughs and tangents along the way. Is this a movie that still packs a punch today, or does it feel stuck in its early 2000s vibes? Tune in to hear our takes!

Har Warfare allerede sat en ny standard for krigsfilm?Jacob Ege Hinchely og Rikke Collin har Cecilie Rubini med i studiet til en passioneret og skarp diskussion af Richard Curtis' romantiske klassiker Notting Hill med Hugh Grant (Love Actually, Paddington 2) og Julia Roberts (Pretty Woman, Erin Brockovich). Der er uenighed om filmens centrale kærlighedsforhold, og især Roberts' rolle deler vandene – er hun sårbar og romantisk, eller spiller hun manipulerende spil? Samtalen dykker ned i filmens ikoniske scener, karakterernes motiver og hvordan Notting Hill egentlig fungerer i dag, 25 år efter premieren. Det er en samtale fyldt med grin, uventede pointer og ægte uenighed – og spørgsmålet "Hvem er du i Notting Hill?" hænger længe i luften.Dernæst vender Jacob og Rikke blikket mod Warfare – en rå, intens og dybt personlig krigsfilm instrueret af Irak-veteranen Ray Mendoza og Alex Garland (Ex Machina, Annihilation). Filmen følger Navy SEAL-delingen Alpha One, der under en mission i Irak bliver fanget i et oprørsk kontrolleret område og søger desperat hjælp, efter deres hold bliver ramt af en granat. Warfare er fortalt i realtid og trækker på de faktiske minder fra soldater, der har oplevet krigens brutalitet på nærmeste hold. Den stærke og aktuelle rolleliste tæller D'Pharaoh Woon-A-Tai (Reservation Dogs), Cosmo Jarvis (Shōgun), Will Poulter (The Maze Runner), Kit Connor (Heartstopper), Joseph Quinn (Gladiator 2), Charles Melton (Riverdale) og Noah Centineo (To All the Boys I've Loved Before). Også her er Jacob og Rikke uenige – for er filmens virkelighedssans en styrke, eller ender den med at mangle refleksion og dybde?Episoden rundes af med anbefalinger og de seneste nyheder fra film- og serieverdenen.Tusind tak fordi du lytter med.

Surviving stormsWe had high…and then another oneWe have a skullAnd an owl pelletCollin went to see paintingBrandon preparing for debatesCourtroom DramasWhat The Time's Says: https://time.com/7201081/best-courtroom-drama-movies/What Roger Ebert Says: https://www.rogerebert.com/features/the-best-legal-and-courtroom-dramasWhat Meghan Says: The Firm (1993) - close second, A few Good MenWhat WE SAY:Collin5- Miracle on 34th Street https://www.imdb.com/title/tt0110527/ 4- A few Good Men (1992): https://www.imdb.com/title/tt0104257/3- To Kill a Mockingbird (1962): https://www.imdb.com/title/tt0056592/2- My Cousin Vinny (1992): https://www.imdb.com/title/tt0104952/Automotive Expert: https://www.youtube.com/watch?v=3nGQLQF1b6I4 degree before top dead center1- Erin Brockovich (2000): https://www.imdb.com/title/tt0195685/Runner ups:Allistair Cookie: 12 Angry Men (Monsterpiece Theatre: https://www.youtube.com/watch?v=BjRYwa-hrPYRunaway Jury (2003)Brandon5- The Rainmaker (1997): https://www.imdb.com/title/tt0119978/4- Primal Fear (1996): https://www.imdb.com/title/tt0117381/3- A Time to Kill (1996): https://www.imdb.com/title/tt0117913/2- 12 Angry Men (1957): https://www.imdb.com/title/tt0050083/fullcredits/1- My Cousin Vinny (1992): https://www.imdb.com/title/tt0104952/Runner ups:The Client (1994): https://www.imdb.com/title/tt0109446/Collin's haiku:Potholes patched with care,gravel hums beneath new tar—smooth paths reappear.Check out our other episodes: ohbrotherpodcast.comFollow us on InstagramCheck us out on Youtube

Listen as Bryant and Caitlyn provide their debrief for the amazing true story of Erin Brockovich in, well, Erin Brockovich! Guesting starring Capo (The Doc)! *The first portion of the episode is spoiler free*Make sure to follow us:Twitter, Instagram, Tik Tok- @opsilverscreenFacebook- Operation: Silver Screen

Kate Griggs is a powerhouse in the world of neurodiversity. As the founder and CEO of Made By Dyslexia, she's on a mission to help the world understand, value, and support dyslexic thinking—not as a disadvantage, but as a superpower. She's the author of two bestselling books, This Is This Is Dyslexia and Xtraordinary People and the host of the chart-topping podcast Lessons in Dyslexic Thinking, where she's interviewed everyone from Sir Richard Branson to Erin Brockovich. In this episode, Kate takes us back to the beginning of her own dyslexic journey—and shares what inspired her to launch a global movement. We talk about the outdated education system, how to nurture dyslexic strengths from a young age, and why ADHD, dyscalculia, and other forms of neurodiversity so often go hand in hand. She also shares the common traits she's noticed in successful dyslexic thinkers and the one piece of advice she'd give her 7-year-old self. If you're a parent, teacher, or someone navigating neurodiversity yourself, this conversation is full of insight, warmth, and wisdom. Email us at info@mybaba.com Follow us on Instagram @mybabainsta and @mybabagram Show notes This Is Dyslexia Xtraordinary People What is My Baba? My Baba provides the daily scoop on family, food and lifestyle - we're not just experts at all things parenting. Visit mybaba.com  The Content on this podcast is provided by My Baba and represents our sole opinions and views. For more information on our terms and conditions please refer to the website: https://www.mybaba.com/terms-conditions/

From 'Sex Lies and Videotape' to 'Black Bag' (which is now available on VOD), we rank every single Steven Soderbergh movie, plus a few of his miniseries and a short film. Hosted by Brad Garoon & Jake ZieglerCovering, in chronological order:Sex, Lies, and Videotape (1989), Kafka (1991), King of the Hill (1993), The Underneath (1995), Schizopolis (1996), Gray's Anatomy (1996), Out of Sight (1998), The Limey (1999), Erin Brockovich (2000), Traffic (2000), Ocean's Eleven (2001), Full Frontal (2002), Solaris (2002), Ocean's Twelve (2004), Eros/Equilibrium (2024) Bubble (2005), The Good German (2006), Ocean's Thirteen (2007), Che (2008), The Girlfriend Experience (2009), The Informant! (2009), And Everything Is Going Fine (2010), Contagion (2011), Haywire (2011), Magic Mike (2012), Side Effects (2013), Behind the Candelabra (2013), Logan Lucky (2017), Unsane (2018), Mosaic (2018), High Flying Bird (2019), The Laundromat (2019), Let Them All Talk (2020), No Sudden Move (2021), Kimi (2022), Magic Mike's Last Dance (2023), Command Z (2023), Full Circle (2023), Presence (2024), Black Bag (2024)0:00 Introduction2:12 40-3013:08 29-2024:29 19-1036:55 9-1#georgeclooney #merylstreep #michaeldouglas #juliaroberts #bradpitt #catherinezetajones #mattdamon

Send us a textJoin your host Clifton Pope as she is joined by global award-winning professional speaker, facilitator, executive coach, author, educator, and fierce advocate for middle managers: Sally Foley-LewisIn our conversation, we dive into what exactly is a middle manager and how beneficial they are in the operations sides of every organization!We also take a deep dive into her background in leadership development careers spanning more than 15 years delivering presentations, keynote speeches, workshops, and coaching to help skilled managers, boost productivity, and self-leadership!We also discover how Sally continues to remain a life-long learner despite her education qualifications with multitude of degrees/certifications, collections of awards on entrepreneurship/speaking, and the books she has written to help anyone become a leader!If you are into the combination style of Oprah Winfrey and Erin Brockovich;nurturing and intuitive, then this is the episode for you!Visit https://www.sallyfoleylewis.com/ to stay updated with what's next for Sally and to purchase any of her books today as well!Hit that follow/subscribe button on Apple/Spotify Podcasts/Rumble(@CPHFWB44) to stay updated with the latest releases of the show!Leave a rating/review to grow the show and let your voice be heard courtesy of The HFWB Podcast Series!Thank you for the love and support!The Living in Clarity Podcast, with Fish & Coach Do you want to live an awesome life and to also inspire others? Fish is a world...Listen on: Apple Podcasts SpotifySupport the showhttps://atherocare.com/HEALTHFITNESSWEALTHBUSINESShttps://athleticism.com/HEALTHFWEALTHBhttps://vitamz.com/HEALTHFITNESSWEALTHBUSINESShttps://Athleticism.comhttps://atherocare.comhttps://vitamz.comofficial sponsors of the HFWB Podcast Series

A flamboyant law firm secretary works tirelessly to gain justice for a small town wrecked by a utility company's pollution. Steven Soderbergh. 2000.

In this episode, host Richard Roeper takes a trip back to the year 2000, revisiting memorable films like Gladiator, Erin Brockovich, American Psycho, and more. In segment two of the podcast, Roeper gives his reviews for the following releases: Dying for Sex (Hulu) Bad Influence: The Dark Side of Kidfluencing (Netflix) The Richard Roeper Show is brought to you by Americaneagle.com Studios.

In late February in DC, I attended the US premiere of the Bertelsmann Foundation of North America produced documentary “Lithium Rising”, a movie about the extraction of essential rare minerals like lithium, nickel and cobalt. Afterwards, I moderated a panel featuring the movie's director Samuel George, the Biden US Department of Energy Director Giulia Siccardo and Environmental Lawyer JingJing Zhang (the "Erin Brockovich of China"). In post Liberation Day America, of course, the issues addressed in both “Lithium Rising” and our panel discussion - particularly US-Chinese economic rivalry over these essential rare minerals - are even more relevant. Tariffs or not, George's important new movie uncovers the essential economic and moral rules of today's rechargeable battery age. FIVE TAKEAWAYS* China dominates the critical minerals supply chain, particularly in refining lithium, cobalt, and nickel - creating a significant vulnerability for the United States and Western countries who rely on these minerals for everything from consumer electronics to military equipment.* Resource extraction creates complex moral dilemmas in communities like those in Nevada, Bolivia, Congo, and Chile, where mining offers economic opportunities but also threatens environment and sacred lands, often dividing local populations.* History appears to be repeating itself with China's approach in Africa mirroring aspects of 19th century European colonialism, building infrastructure that primarily serves to extract resources while local communities remain impoverished.* Battery recycling offers a potential "silver lining" but faces two major challenges: making the process cost-effective compared to new mining, and accumulating enough recycled materials to create a closed-loop system, which could take decades.* The geopolitical competition for these minerals is intensifying, with tariffs and trade wars affecting global supply chains and the livelihoods of workers throughout the system, from miners to manufacturers. FULL TRANSCRIPTAndrew Keen: Hello, everybody. Last year, we did a show on a new book. It was a new book back then called Cobalt Red about the role of cobalt, the mineral in the Congo. We also did a show. The author of the Cobalt Red book is Siddharth Kara, and it won a number of awards. It's the finalist for the Pulitzer Prize. We also did a show with Ernest Scheyder, who authored a book, The War Below, Lithium, Copper, and the Global Battle to Power Our Lives. Lithium and cobalt are indeed becoming the critical minerals of our networked age. We've done two books on it, and a couple of months ago, I went to the premiere, a wonderful new film, a nonfiction documentary by my guest Samuel George. He has a new movie out called Lithium Rising and I moderated a panel in Washington DC and I'm thrilled that Samuel George is joining us now. He works with the Bertelsmann Foundation of North America and it's a Bertelsman funded enterprise. Sam, congratulations on the movie. It's quite an achievement. I know you traveled all over the world. You went to Europe, Latin America, a lot of remarkable footage also from Africa. How would you compare the business of writing a book like Cobalt read or the war below about lithium and cobalt and the challenges and opportunities of doing a movie like lithium rising what are the particular challenges for a movie director like yourself.Samuel George: Yeah, Andrew. Well, first of all, I just want to thank you for having me on the program. I appreciate that. And you're right. It is a very different skill set that's required. It's a different set of challenges and also a different set of opportunities. I mean, the beauty of writing, which is something I get a chance to do as well. And I should say we actually do have a long paper coming out of this process that I wrote that will probably be coming out in the next couple months. But the beauty of writing is you need to kind of understand your topic, and if you can really understand your topics, you have the opportunity to explain it. When it comes to filming, if the camera doesn't have it, you don't have it. You might have a sense of something, people might explain things to you in a certain way, but if you don't have it on your camera in a way that's digestible and easy for audience to grasp, it doesn't matter whether you personally understand it or not. So the challenge is really, okay, maybe you understand the issue, but how do you show it? How do you bring your audience to that front line? Because that's the opportunity that you have that you don't necessarily have when you write. And that's to take an audience literally to these remote locations that they've never been and plant their feet right in the ground, whether that be the Atacama in Northern Chile, whether that'd be the red earth of Colwaisy in the Democratic Republic of the Congo. And that's the beauty of it, but it takes more of making sure you get something not just whether you understand it is almost irrelevant. I mean I guess you do need to understand it but you need to be able to draw it out of a place. It's easier when you're writing to get to some of these difficult places because you don't have to bring 900 pounds of equipment and you can kind of move easier and you're much more discreet. You can get places much easier as you can imagine, where with this, you're carrying all this equipment down. You're obvious from miles away. So you really have to build relationships and get people to get comfortable with you and be willing to speak out. So it's different arts, but it's also different rewards. And the beauty of being able to combine analysis with these visuals is really the draw of what makes documentary so magic because you're really kind of hitting different senses at the same time, visual, audio, and combining it to hopefully make some sort of bigger story.Andrew Keen: Well, speaking, Sam, of audio and visuals, we've got a one minute clip or introduction to the movie. People just listening on this podcast won't get to see your excellent film work, but everybody else will. So let's just have a minute to see what lithium rising is all about. We'll be back in a minute.[Clip plays]Andrew Keen: Here's a saying that says that the natural resources are today's bread and tomorrow's hunger. Great stuff, Sam. That last quote was in Spanish. Maybe you want to translate that to English, because I think, in a sense, it summarizes what lithium rising is about.Samuel George: Right. Well, that's this idea that natural resources in a lot of these places, I mean, you have to take a step back that a lot of these resources, you mentioned the lithium, the cobalt, you can throw nickel into that conversation. And then some of the more traditional ones like copper and silver, a lot are in poor countries. And for centuries, the opportunity to access this has been like a mirage, dangled in front of many of these poor countries as an opportunity to become more wealthy. Yet what we continue to see is the wealth, the mineral wealth of these countries is sustaining growth around the world while places like Potosí and Bolivia remain remarkably poor. So the question on their minds is, is this time gonna be any different? We know that Bolivia has perhaps the largest lithium deposits in the world. They're struggling to get to it because they're fighting amongst each other politically about what's the best way to do it, and is there any way to it that, hey, for once, maybe some of this resource wealth can stay here so that we don't end up, as the quote said, starving. So that's where their perspective is. And then on the other side, you have the great powers of the world who are engaged in a massive competition for access to these minerals.Andrew Keen: And let's be specific, Sam, we're not talking about 19th century Europe and great powers where there were four or five, they're really only two great powers when it comes to these resources, aren't they?Samuel George: I mean, I think that's fair to say. I think some people might like to lump in Western Europe and the EU with the United States to the extent that we used to traditionally conceive of them as being on the same team. But certainly, yes, this is a competition between the United States and China. And it's one that, frankly, China is winning and winning handily. And we can debate what that means, but it's true. I showed this film in London. And a student, who I believe was Chinese, commented, is it really fair to even call this a race? Because it seems to be over.Andrew Keen: Yeah, it's over. You showed it at King's College in London. I heard it was an excellent event.Samuel George: Yeah, it really was. But the point here is, to the extent that it's a competition between the United States and China, which it is, China is winning. And that's of grave concern to Washington. So there's the sense that the United States needs to catch up and need to catch up quickly. So that's the perspective that these two great powers are going at it from. Whereas if you're the Democratic Republic of Congo, if you are Bolivia, if your Chile, you're saying, what can we do to try to make the most of this opportunity and not just get steamrolled?Andrew Keen: Right. And you talk about a grave concern. Of course, there is grave concern both in Washington, D.C. and Beijing in terms of who's winning this race for these natural resources that are driving our networked age, our battery powered age. Some people might think the race has ended. Some people may even argue that it hasn't even really begun. But of course, one of the biggest issues, and particularly when it comes to the Chinese, is this neocolonial element. This was certainly brought out in Cobalt Red, which is quite a controversial book about the way in which China has essentially colonized the Congo by mining Cobalt in Congo, using local labor and then shipping out these valuable resources back to China. And of course, it's part of a broader project in Africa of the Chinese, which for some critics actually not that different from European 19th century colonialism. That's why we entitled our show with Siddharth Kara, The New Heart of Darkness. Of course, the original Heart of darkness was Joseph Conrad's great novel that got turned into Apocalypse Now. Is history repeating itself, Sam, when it comes to these natural resources in terms of the 19th-century history of colonialism, particularly in Africa?Samuel George: Yeah, I mean, I think it's so one thing that's fair to say is you hear a lot of complaining from the West that says, well, look, standards are not being respected, labor is being taken advantage of, environment is not being taken care of, and this is unfair. And this is true, but your point is equally true that this should not be a foreign concept to the West because it's something that previously the West was clearly engaged in. And so yes, there is echoes of history repeating itself. I don't think there's any other way to look at it. I think it's a complicated dynamic because sometimes people say, well, why is the West not? Why is it not the United States that's in the DRC and getting the cobalt? And I think that's because it's been tough for the United states to find its footing. What China has done is increasingly, and then we did another documentary about this. It's online. It's called Tinder Box Belt and Road, China and the Balkans. And what we increasingly see is in these non-democracies or faulty democracies that has something that China's interested in. China's willing to show up and basically put a lot of money on the table and not ask a whole lot of questions. And if the West, doesn't wanna play that game, whatever they're offering isn't necessarily as attractive. And that's a complication that we see again and again around the world and one, the United States and Europe and the World Bank and Western institutions that often require a lot of background study and open tenders for contracts and democracy caveats and transparency. China's not asking for any of that, as David Dollar, a scholar, said in the prior film, if the World Bank says they're going to build you a road, it's going to be a 10-year process, and we'll see what happens. If China says they'll build you a road a year later, you'll have a road.Andrew Keen: But then the question sound becomes, who owns the road?Samuel George: So let's take the Democratic Republic of the Congo, another great option. China has been building a lot of roads there, and this is obviously beneficial to a country that has very limited infrastructure. It's not just to say everything that China is doing is bad. China is a very large and economically powerful country. It should be contributing to global infrastructure. If it has the ability to finance that, wonderful. We all know Africa, certain African countries can really benefit from improved infrastructure. But where do those roads go? Well, those roads just happen to conveniently connect to these key mineral deposits where China overwhelmingly owns the interest and the minerals.Andrew Keen: That's a bit of a coincidence, isn't it?Samuel George: Well, exactly. And I mean, that's the way it's going. So that's what they'll come to the table. They'll put money on the table, they'll say, we'll get you a road. And, you know, what a coincidence that roads going right by the cobalt mine run by China. That's debatable. If you're from the African perspective, you could say, look, we got a road, and we needed that road. And it could also be that there's a lot of money disappearing in other places. But, you know that that's a different question.Andrew Keen: One of the things I liked about Lithium Rising, the race for critical minerals, your new documentary, is it doesn't pull its punches. Certainly not when it comes to the Chinese. You have some remarkable footage from Africa, but also it doesn't pull its punches in Latin America, or indeed in the United States itself, where cobalt has been discovered and it's the indigenous peoples of some of the regions where cobalt, sorry, where lithium has been discovered, where the African versus Chinese scenario is being played out. So whether it's Bolivia or the western parts of the United States or Congo, the script is pretty similar, isn't it?Samuel George: Yeah, you certainly see themes in the film echoed repeatedly. You mentioned what was the Thacker Pass lithium mine that's being built in northern Nevada. So people say, look, we need lithium. The United States needs lithium. Here's the interesting thing about critical minerals. These are not rare earth minerals. They're actually not that rare. They're in a lot of places and it turns out there's a massive lithium deposit in Nevada. Unfortunately, it's right next to a Native American reservation. This is an area that this tribe has been kind of herded onto after years, centuries of oppression. But the way the documentary tries to investigate it, it is not a clear-cut story of good guy and bad guy, rather it's a very complicated situation, and in that specific case what you have is a tribe that's divided, because there's some people that say, look, this is our land, this is a sacred site, and this is going to be pollution, but then you have a whole other section of the tribe that says we are very poor and this is an opportunity for jobs such that we won't have to leave our area, that we can stay here and work. And these kind of entangled complications we see repeated over and over again. Cobalt is another great example. So there's some people out there that are saying, well, we can make a battery without cobalt. And that's not because they can make a better battery. It's because they want to avoid the Democratic Republic of the Congo. But that cobalt is providing a rare job opportunity. And we can debate the quality of the job, but for the people that are working it, as they say in my film, they say, look, if we could do something else, we would do it. But this is all there is. So if you deprive them of that, the situation gets even worse. And that something we see in Northern Chile. We see it in Nevada. We see in Africa. We see it in Indonesia. What the film does is it raises these moral questions that are incredibly important to talk about. And it sort of begs the question of, not only what's the answer, but who has the right to answer this? I mean, who has right to speak on behalf of the 10 communities that are being destroyed in Northern Chile?Andrew Keen: I have to admit, I thought you did a very good job in the film giving everybody a voice, but my sympathy when it came to the Nevada case was with the younger people who wanted to bring wealth and development into the community rather than some of the more elderly members who were somehow anti-development, anti-investment, anti mining in every sense. I don't see how that benefits, but certainly not their children or the children of their children.Samuel George: I guess the fundamental question there is how bad is that mine going to be for the local environment? And I think that's something that remains to be seen. And one of the major challenges with this broader idea of are we going to greener by transitioning to EVs? And please understand I don't have an opinion of that. I do think anywhere you're doing mining, you're going to have immediate consequences. The transition would have to get big enough that the external the externalities, the positive benefits outweigh that kind of local negativity. And we could get there, but it's also very difficult to imagine massive mining projects anywhere in the world that don't impact the local population. And again, when we pick up our iPhone or when we get in our electric vehicle, we're not necessarily thinking of those 10 villages in the Atacama Desert in Chile.Andrew Keen: Yeah, and I've been up to the Atacama's, perhaps the most beautiful part in the world I've ever seen. It's nice. I saw the tourist side of it, so I didn't see the mining. But I take your point. There is one, perhaps, the most positive section of the film. You went to France. I think it was Calais, you took your camera. And it seems as if the French are pioneering a more innovative development of batteries which benefit the local community but also protect them environmentally. What did you see in northern France?Samuel George: Point, and that gets back to this extractive cycle that we've seen before. Okay, so northern France, this is a story a lot of us will know well because it's similar to what we've see in the Rust Belt in the United States. This is an industrial zone, historically, that faced significant deindustrialization in recent decades and now has massive problems with unemployment and lack of job opportunities, as one of the guys says in the film. Nothing's open here anymore except for that cafe over there and that's just because it has gambling guy. I couldn't have said it any better. This EV transition is offering an opportunity to bring back industrial jobs to whether it's Northern France or the United States of America. So that is an opportunity for people to have these more advanced battery-oriented jobs. So that could be building the battery itself. That could be an auto manufacturing plant where you're making EV electric vehicles. So there is job creation that's happening. And that's further along the development stage and kind of higher level jobs. And we meet students in France that are saying, look, this is an opportunity for a career. We see a long-term opportunity for work here. So we're really studying batteries and that's for university students. That's for people maybe 10, 15 years older to kind of go back to school and learn some skills related to batteries. So there is job creation to that. And you might, you may be getting ready to get to this, but where the real silver lining I think comes after that, where we go back to Georgia in the United States and visit a battery recycling plant.Andrew Keen: Right, yeah, those two sections in the movie kind of go together in a sense.Samuel George: Right, they do. And that is, I think, the silver lining here is that these batteries that we use in all of these appliances and devices and gadgets can be recycled in such a way that the cobalt, the lithium, the nickel can be extracted. And it itself hasn't degraded. It's sort of funny for us to think about, because we buy a phone. And three years later, the battery is half as good as it used to be and we figure well, materials in it must be degrading. They're not. The battery is degrading, the materials are fine. So then the idea is if we can get enough of this in the United States, if we can get old phones and old car batteries and old laptops that we can pull those minerals out, maybe we can have a closed loop, which is sort of a way of saying we won't need those mines anymore. We won't have to dig it up. We don't need to compete with China for access to from Bolivia or Chile because we'll have that lithium here. And yes, that's a silver lining, but there's challenges there. The two key challenges your viewers should be aware of is one, it's all about costs and they've proven that they can recycle these materials, but can they do it in a way that's cheaper than importing new lithium? And that's what these different companies are racing to find a way to say, look, we can do this at a way that's cost effective. Then even if you get through that challenge, a second one is just to have the sheer amount of the materials to close that loop, to have enough in the United States already, they estimate we're decades away from that. So those are the two key challenges to the silver lining of recycling, but it is possible. It can be done and they're doing it.Andrew Keen: We haven't talked about the T word, Sam. It's on everyone's lips these days, tariffs. How does this play out? I mean, especially given this growing explicit, aggressive trade war between the United States and China, particularly when it comes to production of iPhones and other battery-driven products. Right. Is tariffs, I mean, you film this really before Trump 2-0, in which tariffs were less central, but is tariffs going to change everything?Samuel George: I mean, this is just like so many other things, an incredibly globalized ecosystem and tariffs. And who even knows by the time this comes out, whatever we think we understand about the new tariff scenario could be completely outdated.Andrew Keen: Guaranteed. I mean, we are talking on Wednesday, April the 9th. This will go out in a few days time. But no doubt by that time, tariffs will have changed dramatically. They already have as we speak.Samuel George: Here's the bottom line, and this is part of the reason the story is so important and so timely, and we haven't even talked about this yet, but it's so critical. Okay, just like oil, you can't just dig oil out of the ground and put it in the car. It's got to be refined. Lithium, nickel, cobalt, it's got be refined as well. And the overwhelming majority of that refining occurs in China. So even your success story like France, where they're building batteries, they still need to import the refined critical minerals from China. So that is a massive vulnerability. And that's part of where this real fear that you see in Washington or Brussels is coming from. You know, and they got their first little taste of it during the COVID supply chain meltdown, but say in the event where China decided that they weren't gonna export any more of this refined material it would be disastrous for people relying on lithium devices, which by the way, is also the military. Increasingly, the military is using lithium battery powered devices. So that's why there's this urgency that we need to get this on shore. We need to this supply chain here. The problem is that's not happening yet. And okay, so you can slap these tariffs on and that's going to make this stuff much more expensive, but that's not going to automatically create a critical mineral refining capacity in the United States of America. So that needs to be built. So you can understand the desire to get this back here. And by the way, the only reason we're not all driving Chinese made electric vehicles is because of tariffs. The Chinese have really, really caught up in terms of high quality electric vehicles at excellent prices. Now, the prices were always good. What's surprising people recently is the quality is there, but they've basically been tariffed out of the United States. And actually the Biden administration was in part behind that. And it was sort of this tension because on the one hand, they were saying, we want a green revolution, we want to green revolution. But on the other hand, they were seeing these quality Chinese electric vehicles. We're not gonna let you bring them in. But yeah, so I mean, I think the ultimate goal, you can understand why a country that's convinced that it's in a long term competition with China would say we can't rely on Chinese refined materials. Slapping a tariff on it isn't any sort of comprehensive strategy and to me it almost seems like you're putting the horse before the cart because we're not really in a place yet where we can say we no longer need China to power our iPhone.Andrew Keen: And one of the nice things about your movie is it features miners, ordinary people living on the land whose lives are dramatically impacted by this. So one would imagine that some of the people you interviewed in Bolivia or Atacama or in Africa or even in Georgia and certainly in Nevada, they're going to be dramatically impacted by the tariffs. These are not just abstract ideas that have a real impact on people's lives.Samuel George: Absolutely. I mean, for decades now, we've built an economic system that's based on globalization. And it's certainly true that that's cost a lot of jobs in the United States. It's also true that there's a lot jobs and companies that have been built around global trade. And this is one of them. And you're talking about significant disruption if your global supply chains, as we've seen before, again, in the COVID crisis when the supply chains fall apart or when the margins, which are already pretty slim to begin with, start to degrade, yeah, it's a major problem.Andrew Keen: Poorly paid in the first place, so...Samuel George: For the most part, yeah.Andrew Keen: Well, we're not talking about dinging Elon Musk. Tell us a little bit, Sam, about how you made this movie. You are a defiantly independent filmmaker, one of the more impressive that I know. You literally carry two large cameras around the world. You don't have a team, you don't have an audio guy, you don't ever sound guy. You do it all on your own. It's quite impressive. Been you shlep these cameras to Latin America, to Southeast Asia, obviously all around America. You commissioned work in Africa. How did you make this film? It's quite an impressive endeavor.Samuel George: Well, first of all, I really appreciate your kind words, but I can't completely accept this idea that I do it all alone. You know, I'm speaking to you now from the Bertelsmann Foundation. I'm the director of Bertelsman Foundation documentaries. And we've just had this fantastic support here and this idea that we can go to the front line and get these stories. And I would encourage people to check out Bertelsmen Foundation documentation.Andrew Keen: And we should have a special shout out to your boss, my friend, Irene Brahm, who runs the BuzzFeed Foundation of North America, who's been right from the beginning, a champion of video making.Samuel George: Oh, absolutely. I mean, Irene Brahm has been a visionary in terms of, you know, something I think that we align on is you take these incredibly interesting issues and somehow analysts manage to make them extraordinarily boring. And Irene had this vision that maybe it doesn't have to be that way.Andrew Keen: She's blushing now as she's watching this, but I don't mean to make you blush, Sam, but these are pretty independent movies. You went around the world, you've done it before, you did it in the Serbian movie too. You're carrying these cameras around, you're doing all your own work, it's quite an achievement.Samuel George: Well, again, I'm very, very thankful for the Bertelsmann Foundation. I think a lot of times, sometimes people, when they hear a foundation or something is behind something, they assume that somebody's got an ax to grind, and that's really not the case here. The Bertelsman Foundation is very supportive of just investigating these key issues, and let's have an honest conversation about it. And maybe it's a cop-out, but in my work, I often don't try to provide a solution.Andrew Keen: Have you had, when we did our event in D.C., you had a woman, a Chinese-born woman who's an expert on this. I don't think she's particularly welcome back on the mainland now. Has there been a Chinese response? Because I would say it's an anti-Chinese movie, but it's not particularly sympathetic or friendly towards China.Samuel George: And I can answer that question because it was the exact same issue we ran into when we filmed Tinder Box Belt and Road, which was again about Chinese investment in the Balkans. And your answer is has there been a Chinese reaction and no sort of official reaction. We always have people sort of from the embassy or various affiliated organizations that like to come to the events when we screen it. And they're very welcome to. But here's a point that I want to get across. Chinese officials and people related to China on these issues are generally uniformly unwilling to participate. And I think that's a poor decision on their part because I think there's a lot they could say to defend themselves. They could say, hey, you guys do this too. They could say, we're providing infrastructure to critical parts of the world. They could said, hey we're way ahead of you guys, but it's not because we did anything wrong. We just saw this was important before you did and built the network. There are many ways they could defend themselves. But rather than do that, they're extremely tight-lipped about what they're doing. And that can, if you're not, and we try our best, you know, we have certain experts from China that when they'll talk, we'll interview them. But that kind of tight-lip approach almost makes it seem like something even more suspicious is happening. Cause you just have to guess what the mindset must be cause they won't explain themselves. And I think Chinese representatives could do far more and it's not just about you know my documentary I understand they have bigger fish to fry but I feel like they fry the fish the same way when they're dealing with bigger entities I think it's to their detriment that they're not more open in engaging a global conversation because look China is gonna be an incredibly impactful part of world dynamics moving forward and they need to be, they need to engage on what they're doing. I think, and I do think they have a story they can tell to defend themselves, and it's unfortunate that they very much don't do it.Andrew Keen: In our DC event, you also had a woman who'd worked within the Biden administration. Has there been a big shift between Biden policy on recycling, recyclable energy and Trump 2.0? It's still the early days of the new administration.Samuel George: Right. And we're trying to get a grip on that of what the difference is going to be. I can tell you this, the Biden approach was very much the historic approach of the United States of America, which is to try to go to a country like Congo and say, look, we're not going to give you money without transparency. We're not gonna give you this big, you know, beautiful deal. We're going to the cheapest to build this or the cheapest build that. But what we can compete with you is on quality and sustainability and improved work conditions. This used to be the United States pitch. And as we've seen in places like Serbia, that's not always the greatest pitch in the world. Oftentimes these countries are more interested in the money without questions being asked. But the United states under the Biden administration tried to compete on quality. Now we will have to see if that continues with the Trump administration, if that continuous to be their pitch. What we've see in the early days is this sort of hardball tactic. I mean, what else can you refer to what's happening with Ukraine, where they say, look, if you want continued military support, we want those minerals. And other countries say, well, maybe that could work for us too. I mean that's sort of, as I understand it, the DRC, which is under, you know, there's new competition there for power that the existing government is saying, hey, United States, if you could please help us, we'll be sure to give you this heaping of minerals. We can say this, the new administration does seem to be taking the need for critical minerals seriously, which I think was an open question because we see so much of the kind of green environmentalism being rolled back. It does still seem to be a priority with the new administration and there does seem to be clarity that the United States is going to have to improve its position regarding these minerals.Andrew Keen: Yeah, I'm guessing Elon Musk sees this as well as anyone, and I'm sure he's quite influential. Finally, Sam, in contrast with a book, which gets distributed and put in bookstores, doing a movie is much more challenging. What's the goal with the movie? You've done a number of launches around the world, screenings in Berlin, Munich, London, Washington D.C. you did run in San Francisco last week. What's the business model, so to speak here? Are you trying to get distribution or do you wanna work with schools or other authorities to show the film?Samuel George: Right, I mean, I appreciate that question. The business model is simple. We just want you to watch. You know, our content is always free. Our films are always free, you can go to bfnadox.org for our catalog. This film is not online yet. You don't need a password, you don't a username, you can just watch our movies, that's what we want. And of course, we're always on the lookout for increased opportunities to spread these. And so we worked on a number of films. We've got PBS to syndicate them nationally. We got one you can check your local listings about a four-month steel workers strike in western Pennsylvania. It's called Local 1196. That just started its national syndication on PBS. So check out for that one. But look, our goal is for folks to watch these. We're looking for the most exposure as we can and we're giving it away for free.Andrew Keen: Just to repeat, if people are interested, that's bfna.docs.org to find more movies. And finally, Sam, for people who are interested perhaps in doing a showing of the film, I know you've worked with a number of universities and interest groups. What would be the best way to approach you.Samuel George: Well, like you say, we're a small team here. You can always feel free to reach out to me. And I don't know if I should pitch my email.Andrew Keen: Yeah, picture email. Give it out. The Chinese will be getting it too. You'll be getting lots of invitations from China probably to show the film.Samuel George: We'd love to come talk about it. That's all we want to do. And we try, but we'd love to talk about it. I think it's fundamental to have that conversation. So the email is just Samuel.George, just as you see it written there, at BFN as in boy, F as in Frank, N as in Nancy, A. Let's make it clearer - Samuel.George@bfna.org. We work with all sorts of organizations on screenings.Andrew Keen: And what about the aspiring filmmakers, as you're the head of documentaries there? Do you work with aspiring documentary filmmakers?Samuel George: Yes, yes, we do often on projects. So if I'm working on a project. So you mentioned that I work by myself, and that is how I learned this industry, you know, is doing it by myself. But increasingly, we're bringing in other skilled people on projects that we're working on. So we don't necessarily outsource entire projects. But we're always looking for opportunities to collaborate. We're looking to bring in talent. And we're looking to make the best products we can on issues that we think are fundamental importance to the Atlantic community. So we love being in touch with filmmakers. We have internship programs. We're open for nonprofit business, I guess you could say.Andrew Keen: Well, that's good stuff. The new movie is called Lithium Rising, The Race for Critical Minerals. I moderated a panel after the North American premiere at the end of February. It's a really interesting, beautifully made film, very compelling. It is only 60 minutes. I strongly advise anyone who has the opportunity to watch it and to contact Sam if they want to put it on their school, a university or other institution. Congratulations Sam on the movie. What's the next project?Samuel George: Next project, we've started working on a project about Southern Louisiana. And in there, we're really looking at the impact of land loss on the bayous and the local shrimpers and crabbers and Cajun community, as well as of course This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit keenon.substack.com/subscribe

From 2011- paralegal and environmental activist Erin Brockovich talks about the novel "Hot Water" that she co-authored with C.J. Lyons.

 It's 1927 and young, destitute woman in Virginia named Carrie Buck stands at the center of an extraordinary legal battle at the forefront of the American eugenics conversation. (an aside/fact: by the 1920s, eugenics had become a global movement). Uneducated and without any support, she spends her youth dreaming about a different future--one separate from her exploitative foster family--unknowing of the ripples her small, country life will have on an entire nation. Flash forward to 2022. Jessa must make a decision: risk her legal career and relationships by leading the charge on an ambitious class action lawsuit or remain silent. She wants to have it all-- the job title of her dreams, a loving marriage with her husband, Vance, and, above all else, a baby. But when her painstaking efforts to conceive fall flat, she struggles to find larger meaning in her life. The decision she makes next threatens to change everything. Faced with the opportunity to take on a pro bono case at a nearby ICE detention center, Jessa decides to pick up the thread of her family's long history of activism by representing detainee Isobel Pérez, hoping to help her secure citizenship and ultimately reunite her with her young daughter. However, what first appears to be a routine immigration case quickly reveals itself as something far more sinister.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.

Director Steven Soderbergh has given us some incredibly fun (and well-made) films over the past few decades. Everything from OCEAN'S ELEVEN to ERIN BROCKOVICH to TRAFFIC to MAGIC MIKE, Soderbergh's routine leaves audiences cheering in one fashion or another, with BLACK BAG, that holds true. With an incredible cast of Cate Blanchett, Michael Fassbender, Marisa Abela, Tom Burke, Naomie Harris and Regé-Jean Page, Soderbergh and writer David Koepp create a soon-to-be classic spy thriller. So let's talk about it...

What's this?  Yet ANOTHER movie/series about a married couple who are also spies?!? :o Yes this thriller is about a couple of British spies who both work for the same intelligence agency and apparently there's a dangerous leak which has occurred at this agency.  One of them has been tasked with finding out who the leaker is while the OTHER might actually be the prime suspect....uh-oh, could be silly! :POr maybe not as it's written by David Koepp (Jurassic Park, Panic Room), directed by Steven Soderbergh (Out of Sight, Erin Brockovich, Ocean's 11), and features a top-flight cast of talent including two-time Oscar-nominee Michael Fassbender (Shame, Steve Jobs) and two-time Oscar Winner Cate Blanchett (Elizabeth, Tar) as the married couple.  The cast also includes rising stars Rege-Jean Page (Bridgerton) and Marisa Abela (Industry) along with two acclaimed alumni from the James Bond franchise, Pierce Brosnan and Naomi Harris.  Sounds intriguing....Host & Editor: Geoff GershonProducer: Marlene GershonSend us a texthttps://livingforthecinema.com/Facebook:https://www.facebook.com/Living-for-the-Cinema-Podcast-101167838847578Instagram:https://www.instagram.com/livingforthecinema/Letterboxd:https://letterboxd.com/Living4Cinema/

Erin Brockovich proves that sometimes the biggest heroes come in the most unexpected packages, like a single mum with a penchant for swearing and a relentless drive for justice. With zero legal training but a whole lot of heart, Erin uncovers a scandal involving toxic waste poisoning a small California town's drinking water, proving that you don't need a fancy law degree to take on a multi-billion dollar corporation. Julia Roberts, who snagged her first, and so far only, Oscar for her portrayal of Erin Brockovich, didn't just play a role; she smashed through Hollywood's glass ceiling, becoming the first woman to score a $20 million salary for her performance. Because who doesn't love a good underdog story where the hero wears a tank top and has a potty mouth?This is 98% of a true story of David and what's-his-name?, with real-life implications of hexavalent chromium contamination and its devastating effects on the residents of Hinkley, California. Erin Brockovich isn't just a feel-good movie; it's a sobering reminder of the real-world consequences of corporate negligence. Erin Brockovich reminds us that behind every legal fight, there are real people with heart-wrenching stories and dreams of better futures. I would love to hear your thoughts on Erin Brockovich !Verbal Diorama is now an award-winning podcast! I won the Best Movie Podcast in the inaugural Ear Worthy Independent Podcast Awards recently. I am beyond thrilled, and hugely grateful to the Ear Worthy team. It means so much to me to be recognised by a fellow indie outlet, and congratulations to all the other winners!CONTACT.... Twitter @verbaldiorama Instagram @verbaldiorama Facebook @verbaldiorama Letterboxd @verbaldiorama Email verbaldiorama [at] gmail [dot] com Website verbaldiorama.comSUPPORT VERBAL DIORAMA....Give this podcast a five-star Rate & Review Join the Patreon | Send a Tip ABOUT VERBAL DIORAMAVerbal Diorama is hosted, produced, edited, researched, recorded and marketed by me, Em | This podcast is hosted by Captivate, try it yourself for free. Theme Music: Verbal Diorama Theme Song. Music by Chloe Enticott - Compositions by Chloe. Lyrics by Chloe Enticott (and me!) Production by Ellis Powell-Bevan of Ewenique StudioPatrons: Claudia, Simon, Laurel, Derek, Cat, Andy, Mike, Luke, Michael, Scott, Brendan, Lisa, Sam, Jack, Dave, Stuart, Nicholas, Zo, Kev, Pete, Heather, Danny, Aly, Stu, Brett, Philip M, Michele, Xenos, Sean, Ryno, Philip K, Adam, Elaine, Kyle and Aaron.This podcast uses the following third-party services for analysis: OP3 - https://op3.dev/privacy

 It's 1927 and young, destitute woman in Virginia named Carrie Buck stands at the center of an extraordinary legal battle at the forefront of the American eugenics conversation. (an aside/fact: by the 1920s, eugenics had become a global movement). Uneducated and without any support, she spends her youth dreaming about a different future--one separate from her exploitative foster family--unknowing of the ripples her small, country life will have on an entire nation. Flash forward to 2022. Jessa must make a decision: risk her legal career and relationships by leading the charge on an ambitious class action lawsuit or remain silent. She wants to have it all-- the job title of her dreams, a loving marriage with her husband, Vance, and, above all else, a baby. But when her painstaking efforts to conceive fall flat, she struggles to find larger meaning in her life. The decision she makes next threatens to change everything. Faced with the opportunity to take on a pro bono case at a nearby ICE detention center, Jessa decides to pick up the thread of her family's long history of activism by representing detainee Isobel Pérez, hoping to help her secure citizenship and ultimately reunite her with her young daughter. However, what first appears to be a routine immigration case quickly reveals itself as something far more sinister.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-like-it-s-live--4113802/support.

Send us a textAuthor Jacqueline Friedland's books have been called ferociously insightful, wholly engrossing and unputdownable! Her newest is Counting Backward, which is being called "An Erin Brockovich for our times."Next month, she delivers her most thought-provoking book yet with: COUNTING BACKWARD. This “ripped-from-the-headlines story is an Erin Brockovich for our times.”

Alberta has long believed its oil would sell forever, but U.S. refineries are signaling they could drop Alberta crude in a heartbeat. Looks like “forever” lasts about as long as a duck on a tailings pond. Meanwhile, Korea's $800 billion pension fund is ditching coal, an 8-year-old activist has forced India's Supreme Court into action, and Brazil wants to reverse deforestation with reforestation. Main Stories

Dana and Tom with returning guest, Ryan Luis Rodriguez (host and creator of One Track Mind podcast, and co-host of Reels of Justice) discuss Erin Brockovich (2000) for its 25th anniversary: directed by Steven Soderbergh, written by Susannah Grant, cinematography by Ed Lachman, music Thomas Newman, starring Julia Robert, Albert Finney, and Aaron Eckhart.Plot Summary: Erin Brockovich is a biographical drama starring Julia Roberts as the titular character, a struggling single mother who stumbles upon a major environmental scandal. Working at a small law firm, Erin discovers that Pacific Gas and Electric (PG&E) has been contaminating the water supply of Hinkley, California, leading to severe health issues for its residents. Despite having no formal legal training, her relentless determination and personal connection to the victims drive her to build a case against the corporation. With her bold personality and refusal to back down, she helps secure a record-breaking $333 million settlement. The film, directed by Steven Soderbergh, is a compelling tale of persistence, justice, and the power of one person to make a difference.Chapters:00:00 Introduction and Welcome to Our Guest01:42 Cast and Background for Erin Brockovich03:26 Relationship(s) with Erin Brockovich07:44 What is Erin Brockovich About?11:12 Why is Law Such a Captivating Film Subject?13:51 Plot Summary for Erin Brockovich14:55 Did You Know?16:32 First Break17:15 What's Up with Ryan Luis Rodriguez21:11 Best Performance(s)30:05 Best/Favorite/Indelible Scene(s)37:10 Second Break37:51 In Memoriam42:37 Best/Funniest Lines44:09 The Stanley Rubric - Legacy49:40 The Stanley Rubric - Impact/Significance52:39 The Stanley Rubric - Novelty55:49 The Stanley Rubric - Classicness59:21 The Stanley Rubric - Rewatchability01:01:55 The Stanley Rubric - Audience Score and Final Total01:03:14 Remaining Questions for Erin Brockovich01:04:39 Thank You to Our Guest01:05:26 Remaining Thoughts for the Week01:09:39 CreditsYou can also find this episode in full video on YouTube.You can now follow us on Instagram, Twitter, YouTube, or TikTok (@gmoatpodcast).For more on the episode, go to: https://www.ronnyduncanstudios.com/post/erin-brockovich-2000-ft-ryan-luis-rodriguezFor the entire rankings list so far, go to: https://www.ronnyduncanstudios.com/post/greatest-movie-of-all-time-listKeywords:Erin Brockovich, Steven Soderbergh, Julia Roberts, legal drama, environmental issues, film analysis, movie podcast, Oscar winner, character study, film legacy, Best Director, Best Actress, Oscar, Best Picture, nomineeRonny Duncan Studios

(Deep Dive beings at 16:55) "They're called boobs, Ed." Join your favorite TransAtlantic podcasting crew – Ian and Megs (B-Tech Kev & Liam are off investigating contaminated water) – as we head to the world of legal battles, corporate corruption, and powerhouse performances in Erin Brockovich (2000). We're trading in our Edinburgh flat for a tiny law office and diving into our 268th episode as we discuss: How Julia Roberts delivers a career-defining performance. The film's balance of drama, humor, and real-world impact. Was Albert Finney the perfect counterbalance to Erin's fiery personality? Which actor really didn't capture the essence of the part for one of us How accurate is the film's portrayal of the real-life case? Would this movie work as well if it weren't based on a true story? Does Erin Brockovich deserve to be correct every step of the way? Did George deserve better? What about the real life Jorge? We talk about love languages, princesses, and saying goodbye to a friend Whether Erin Brockovich is the Best Film Ever.   Become a Patron of this podcast and support the BFE at https://www.patreon.com/BFE. We are extremely thankful to our following Patrons for their most generous support: Juleen from It Goes Down In The PM Hermes Auslander James DeGuzman Synthia Shai Bergerfroind Andy Dickson Chris Pedersen Duane Smith (Duane Smith!) Randal Silva Nate The Great Rev Bruce Cheezy (with a fish on a bike) Richard Ryan Kuketz Dirk Diggler Stew from the Stew World Order podcast NorfolkDomus John Humphrey's Right Foot Timmy Tim Tim Aashrey Ariannah Who Loves BFE The Most Buy some BFE merch at https://my-store-b4e4d4.creator-spring.com/. Massive thanks to Lex Van Den Berghe for the use of Mistake by Luckydog. Catch more from Lex's new band, The Maids of Honor, at https://soundcloud.com/themaidsofhonor. Also, massive thanks to Moonlight Social for our age game theme song. You can catch more from them at https://www.moonlightsocialmusic.com/.

I'm back with a brand-new episode, and we've got a lot to catch up on! First, I'm filling you in on what's been going on in my life lately. Then, we're diving into Drake's latest album—does it live up to the hype? And finally, I'm revisiting Erin Brockovich, the powerhouse film that still hits hard years later. Tune in for life updates, music takes, and a little movie magic. Let's get into it!

Mike and Keir interview Blake Howard, whose obsessive Michael Mann podcast, “One Heat Minute,” spurred him to create a jaw-dropping number of similar shows. Hear all about how Blake started, why “Erin Brockovich” is his favorite Soderbergh film, and why he's into “process p*rn.” Visit www.oneheatminute.com to learn more about Blake Howard and his podcasting empire. Join our Patreon! Social media Instagram @thefilmographers Bluesky: @thefilmographers.bsky.social Letterboxd @filmographers YouTube @TheFilmographersPodcast Website: https://filmographerspodcast.com/ Credits Keir Graff & Michael Moreci, hosts Kevin Lau, producer Gompson, theme music Cosmo Graff, graphic design

Welcome to Hooked on Movies. In this episode we will be reviewing the 25th anniversary of Erin Brockovich which was released back in 2000

Oscar-winning director Steven Soderbergh (The Ocean's Trilogy, Erin Brockovich, Contagion) returns to the big screen with a simple tale about one suburban family which has just moved into a new home....only to find out that they might not be alone. :o Not only that but they each have their own share of personal issues, mostly depressed teenager Chloe (Callina Liang) who has suffered a recent personal tragedy and ends up being the focus of the story.  This film has been promoted as an intimate "ghost story" but it is as much a family drama...and let's leave it at that.  The rest of the cast includes Lucy Liu, Chris Sullivan, and Eddy Maday.Host & Editor: Geoff GershonProducer: Marlene GershonSend us a texthttps://livingforthecinema.com/Facebook:https://www.facebook.com/Living-for-the-Cinema-Podcast-101167838847578Instagram:https://www.instagram.com/livingforthecinema/Letterboxd:https://letterboxd.com/Living4Cinema/

Kelsi and Trey break down the careers of Steven Soderbergh and Julia Roberts, ranking their highs, lows, and surprising pivots before diving deep into Erin Brockovich—one of the great human dramas, one of the great investigative stories, and one of the best blockbusters about helping people (hot people help people!). ⁠⁠The Extra Credits YouTube Channel⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Become a member of The Extra Credits+ on Patreon ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠How to link Patreon to Spotify and Apple⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Letterboxd: ⁠The Extra Credits⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok: The Extra Credits⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Reddit: r/TheExtraCredits⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram: ⁠@theextracredits⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter: ⁠@theextracredits⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Send requests, questions, and thoughts to our email: extracreditspod@gmail.com

Mindframes: The Presence – A Steven Soderbergh Experiment Episode Summary: In this episode of Mindframes, Michael and Dave are joined by special guest Tarek Fayoumi (MoviesWithTarek.com, Chicago Indie Critics) to dissect Steven Soderbergh's new film, The Presence. They explore its unique point-of-view cinematography, thematic connections to isolation in modern horror, and its place within Soderbergh's diverse filmography. The trio also debates the film's strengths, weaknesses, and whether it truly earns its ghost story label.

FULL EP HERE: https://www.patreon.com/c/slopquest Ryan hits a major roadblock with his 5’9 bit and he’s unable to salvage it. Andy takes issue with Ryan’s “it’s always been the same” history hot takes. Andy has to take muscle relaxers and it makes O’Neill definitely not relax. O’Neill then tries to sneak into a ski resort with Ari using a woman’s ski pass and a mask. Then they talk Multi Level Marketing schemes. Then Andy can’t stop looking at the news, sleep, or function. He goes to O’Neill for solid advice. Andy tries to trick his wife into thinking she sent him a fake text. Then Andy twerks for a t-shirt on Conan. Ryan tries to make Andy less gullible but it doesn’t take. The soundboard quits working on Andy and he has to do all the sound effects by hand. O’Neill shares his garlic secret. Aaron feels the repercussions of the air quality problems. Ryan calls out Erin Brockovich in a surprising turn of events. Then the boys talk drunk business. Then there’s a wild neighborhood update with Aaron. Ryan refuses to get off a private jet because it’s too comfortable. Then they talk about real life Indecent Proposals and haggle over prices.

On episode 273 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by AwardsWatch contributors Jay Ledbetter and Josh Parham to go back 25 years and take a look at the 73rd Academy Awards, covering the films of 2000. The state of the new millennium say the Oscar get nostalgic as Ridley Scott's swords and sandals epic, Gladiator, took home the top prize of the night, alongside Best Actor and a couple wins in the technical categories. A giant hit from the summer, the film took down an international film sensation in Crouching Tiger, Hidden Dragon, two films from Steven Soderbergh in Traffic and Erin Brockovich, and the sleeper, delightful indie film Chocolat. Overall, it was a descent list of nominees and winners that represented a shift from the indie films that dominated the 1990s, and the more populist films that would become winners in the early 2000s. In their in-depth discussion, the AW team talked about the film year of 2000, briefly discuss talk about Gladiator as a Best Picture winner, do an extensive conversation over the below the line categories and nominees for the year, and then the new version of the AW Shoulda Woulda Coulda game, where instead of individual replacements, they must decide as a group who the nominees and winners should be in the top eight categories. The rules of the game state they can only replace two of the nominees that year from each category, except in Best Picture, where the group could replace up to three films to make up the final set of five nominated films. Like past retrospective episodes, it was a fascinating, fun conversation including spirited debates, alliances, vote swinging, celebrating various movies, performances that aren't normally talked about and more that we all hope you enjoy. You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more. This podcast runs 2h14m. We will be back next week for a recap the winners from Critics Choice, DGA and PGA as the Oscar race starts to narrow before final winner voting begins. Till then, let's get into it. Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

This week, every good team needs a greaseman, and boy do we have one, as we're putting a team together to knock down three Vegas casinos in one night, in a movie that is just as clever and funny as it is slick and stylish. It's 2001's Ocean's Eleven, directed by Steven Soderbergh, written by Ted Griffin, and starring George Clooney, Brad Pitt, Matt Damon, Andy Garcia, Julia Roberts, Elliott Gould, Casey Affleck, Scott Caan, Bernie Mac, Don Cheadle, Carl Reiner, Eddie Jemison, Shaobo Qin and Topher Grace. Soderbergh is clearly having a ball bringing this material to life with an all-star cast of capital-M capital-S Movie Stars, but the movie is more understated than its more dazzling sequels, and never loses sight of the human heart at its core that makes all the action matter in the first place. It's a beautiful film, visually and emotionally, and feels like the kind of adult-oriented entertainment that Hollywood seems hard-pressed to cook up these day. Plus: J Mo's been to theatre to see Soderbergh's first of two new entries in 2025, and is back with a theatrical field report on the POV ghost story Presence. If you'd like to watch the movie before listening along to our conversation, Ocean's Eleven is currently streaming on Crave in Canada and Max in the United States. Other works discussed on this episode include Heartburn, Longlegs, Seven, The Silence of the Lambs, Black Bag, Kimi, Gladiator II, Jaws, Mission: Impossible - Rogue Nation, Michael Clayton, Mission: Impossible - Dead Reckoning: Part I, Hulk, Saturday Night, Man of Steel, Dawn of the Dead (2004), Go, Marie Antoinette, The Last Showgirl, Ocean's 12, Ocean's 13, Out of Sight, Erin Brockovich, Traffic, Fight Club, The Long Goodbye and countless more. Next week, we're kicking off another February of wall-to-wall rom-coms as Love Month kicks off with Steve Martin's L.A. Story, which is currently free to stream in Canada at the time of publication of the CTV app. On Valentine's Day, it's Nicolas Cage and Cher in Moonstruck, followed by Jerry Maguire on the 21st. And we'll close out the month with another Hayley selection in the podcast canon as we induct 1999's 10 Things I Hate About You. Until then, we'll see you at the movies!!

New Releases Presence Steven Soderbergh returns to the supernatural thriller genre with Presence, a film that offers a unique perspective—literally. Shot entirely from the viewpoint of a poltergeist, the film follows a family struggling with grief, personal turmoil, and eerie disturbances in their new home. Starring Lucy Liu, Chris Sullivan, and Callina Liang, Presence delivers a deeply immersive experience that plays with perception and psychological horror. But does the concept hold up for a full-length feature? We discuss! The Brutalist Adrien Brody leads The Brutalist, a sweeping period drama directed by Brady Corbet. The film follows a Hungarian-Jewish architect and Holocaust survivor as he rebuilds his life in post-war America. With Felicity Jones, Guy Pearce, and Joe Alwyn rounding out the cast, The Brutalist dives deep into themes of artistic ambition, prejudice, and resilience. How does this slow-burn drama hold up against Corbet's previous work? We break it down. Classic Rewind Erin Brockovich (2000) In honor of Steven Soderbergh's Presence, we revisit one of his most acclaimed films, Erin Brockovich. Starring Julia Roberts in an Oscar-winning performance, this legal drama tells the true story of a determined woman who takes on a corporate giant responsible for environmental pollution. Does the film still pack the same punch today? We take a look back at this powerhouse performance and its lasting impact. Follow & Support Us! Website: I Hate Critics Facebook: Everyone is a Critic Podcast Twitter/X: @criticspod Instagram: @criticspod Patreon: Support Us Merch: TeePublic Store YouTube: Watch Us Check out Jeff's art at Jeff Lassiter Art and read Sean's reviews at Sean at the Movies. Don't forget to rate, review, and subscribe!

This episode of CORNDOWN dives into the messier side of things, starting with misplaced food and growing into a series of increasingly chaotic events involving floor-bound sandwiches and questionable parking lot decisions. I get into some strange conversations about loyalty, accidental drive-thru disasters, and moments of self-preservation involving blurred identities. Wastedmemory adds tales of parking errors, buried snacks, and odd loyalties, while Hootis and ButtEye weigh in on peculiar complaints and the mysterious quirks of hotel life. It’s a whirlwind of strange priorities, secrets, and transformations—both personal and Optimus Prime-like. This show is made possible by donations from listeners like you. If you enjoy what you hear, please consider donating via patreon or paypal! powered by rogueserver.com

It's Friday and we're talking Grammys, we're talking Brad Pitt...but mostly we're talking about Julia Roberts in her Academy Award winning role - Erin Brockovich!

This week Keegan, Cassi and Christina talk about the LA fires and play FMK with movies Hook, Beetlejuice and Erin Brockovich. Going into the bad date stories, Keegan shares a date with two exes commiserating loudly, Christina shares a date with a major Disney adult and Cassi shares a date that has to mission impossible out of the house. Keegan wraps it up in the true crime segment, Tainted Love, with the story of Carly Ryan. Share your bad date stories with us at https://myworstdatepodcast.com! Learn more about your ad choices. Visit megaphone.fm/adchoices

Wilson (Terrance Stamp) is a career criminal from the UK who is now coming to Los Angeles to find out about what happened to his daughter (Melissa George) who just tragically died in a car accident....or did she?  Her father suspects that she might have been murdered and he suspects that it might have been her wealthy, older record executive boyfriend Terry played by the late, great Peter Fonda.  Along the way, Wilson recruits help from two local actors (Lesley Ann Warren, Luis Guzman) who were friends with his daughter and what results is a stylish, somewhat time-bending revenge thriller which received significant acclaim when it was first released twenty five years ago.  Directed by Oscar-winning legend Steven Soderbergh at the peak of his powers (right between Out of Sight and Erin Brockovich), just tell them that WILSON IS COMING!!!!Host & Editor: Geoff GershonProducer: Marlene GershonSend us a texthttps://livingforthecinema.com/Facebook:https://www.facebook.com/Living-for-the-Cinema-Podcast-101167838847578Instagram:https://www.instagram.com/livingforthecinema/Letterboxd:https://letterboxd.com/Living4Cinema/

Erin Brockovich is back, and she's bringing her unyielding passion for justice to tackle some of the most urgent issues facing our environment today. Known for her relentless advocacy and groundbreaking work exposing water contamination in Hinkley, California, Erin has proven time and again that one person can make a change.In this episode, Erin shares her insights on whether the government is finally listening to the voices demanding clean water and highlights powerful grassroots strategies from her book, Superman's Not Coming. Discover how communities across the country are taking matters into their own hands to combat water contamination and what you can do to replicate their success.We also discuss her latest project, the critically acclaimed documentary Unearth, which delves into the devastating impacts of mining on Alaska's Bristol Bay. Erin draws striking parallels between these battles and her previous advocacy work, offering lessons on resilience, community action, and the power of persistence.With unregulated contaminants like PFAS invading our water supply, Erin provides actionable advice for protecting your health at home and on the go, from choosing the right water filters to smart travel tips. Plus, she shares unexpected insights into the Wizard of Oz, revealing what this classic tale can teach us about self-reliance and believing in your ability to create change.Don't miss this inspiring and informative conversation. Learn more about Erin Brockovich's work, access her resources, and join the movement for cleaner water by visiting her official website. Get your copy of Superman's Not Coming and watch Unearth to understand the stakes and solutions behind today's water crisis. It's time to take action—because Superman isn't coming, but you can be the hero we need.We are two sports chiropractors, seeking knowledge from some of the best resources in the world of health. From our perspective, health is more than just “Crackin Backs” but a deep dive into physical, mental, and nutritional well-being philosophies. Join us as we talk to some of the greatest minds and discover some of the most incredible gems you can use to maintain a higher level of health. Crackin Backs Podcast

Wow, the amount of movies that take someone's life and completely misrepresent it? Too many to count. It hurts the lives of the people who the movie was made about, but also anyone that is like them. Because if they believe the story, they get false ideas in their head.  Key Takeaways:    [3:05] The Pocahontas movie was a downright lie  [7:13] The I, Tonya movie was exaggerated  [11:33] A Beautiful Mind left out abuse and misportrayed mental illness [12:58] Erin Brockovich was oversexualized [14:47] None of the characters actually existed in Newsies  [16:04] Amadeus painted Mozart as a crazy man  [18:33] Sully was a real event, but it was overdramatized to get viewers  [20:45] The Greatest Showman - not so great himself, more like abusive  [23:32] Remember the Titans is not how desegregation went down at all  [26:58] The movie, Rudy, misrepresented the actual person  [28:39] The Blind side made Michael look dumb, when he really just needed some help  [31:53] Homeless to Harvard - spoiler alert she didn't graduate from Harvard [35:36] How we choose to tell a story and what we believe  Resources:   Pocahontas I, Tonya  A Beautiful Mind Erin Brockovich Newsies Amadeus Sully The Greatest Showman   Remember the Titans Rudy The Blind Side Homeless to Harvard     Connect with Barb:   Website   Facebook    Instagram   Be a guest on the podcast    YouTube   The Molly B Foundation  

An inspiring novel by Gary E. Parker, brings to life an enthralling story of perseverance, leadership, and breaking barriers in the world of high school sports. In a Friday Night Lights meets Erin Brockovich drama, “The Playbook” follows the journey of Chelsea Deal, a determined and innovative coach who challenges the status quo by leading a high school football team in a male-dominated sport. Through her leadership, Chelsea not only transforms her team but also redefines what it means to be a leader in a challenging environment. Author Gary E. Parker masterfully weaves a narrative that captures the essence of high school sports while tackling complex themes such as gender equality, racial dynamics, and social change. With a backdrop reminiscent of beloved classics like “Friday Night Lights” and “Coach Carter,” this book is not just about football; it's about the life lessons learned on and off the field.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.

In 2000, the movie “Erin Brockovich” helped put the small town of Hinkley, California, on the map. The movie stars Julia Roberts as a determined law clerk who takes on the massive utility company Pacific Gas & Electric, which had been dumping chromium-6, the dangerous chemical, in Hinkley's groundwater. Brockovich is depicted gathering evidence and building a legal case against the utility. And she prevails: The movie concludes with a landmark settlement awarded to residents. But that Hollywood ending isn't the whole story. Many residents say the settlement didn't go far to cover mounting medical bills and moving costs. And the chromium-6 cleanup proved to be slow. It was stymied by the difficulty of containing widespread contamination and a small local water board lacking the power to enforce stricter standards. Today, Hinkley is a ghost town, and the water there is still contaminated with chromium-6.On the 50th anniversary of the Safe Drinking Water Act, investigative reporter Silvia Foster-Frau has traveled the country reporting on where America has fallen short in its promise of providing clean drinking water. In the final installment in this series, she returns to Hinkley to learn why, even with a massive spotlight, it can be so hard to clean up toxic tap water.Today's show was produced by Emma Talkoff. It was edited by Monica Campbell and mixed by Sam Bair.Subscribe to The Washington Post here.

Many of Susannah Grant's movies are based on true stories, which, for a writer, often invites thorny questions about adaptation — What should I include? Is it essential that every detail I include happened verbatim? In answering these questions during today's fascinating conversation, Susannah sheds light on an important reality: sometimes in fiction writing, there's profound difference between truth and facts.

The Second Part in Steven Soderbergh's Whistleblowers Trilogy A little Oscar talk. A little Marvel Cinematic Universe talk. All in service of the decidedly populist fare that Steven Soderbergh served up with Julia Robert's Academy Award winning performance in ERIN BROCKOVICH. Because when dealing with cancer and corporate greed you need a genuine movie star insulting people's shoes. Enjoy! Catchup on last year's Movie Book Club from Quentin Tarantino's CINEMA SPECULATION! Follow along at our Patreon page as once a month (although sometimes more) we read AND watch films from 1999 for BEST MOVIE YEAR EVER by Brian Raftery! Threads/Twitter/Instagram/Facebook: @trilogyintheory Letterboxd: @projectingfilm & @webistrying Artwork by: @nasketchs Find out more at https://trilogyintheory.pinecast.co This podcast is powered by Pinecast.

Alcuni paesi europei stanno preparando la popolazione a un scenario di guerra Nel paese di Erin Brockovich, 30 anni dopo Il Sanremo di Carlo Conti Milano inasprisce le sanzioni contro i fumatori La Piaggio sposterà la produzione dell'Ape Car in India

In this special episode of Activation Nation, we're going back to September of this year, where Erin Brockovich gave an exclusive training on leadership to our Growth Summit attendees alongside our Chief Sales Officer Kristen Cunningham.

In this episode, James Maskell is joined by Dr. Jeffrey Morrison, the newly elected president of the American Academy of Environmental Medicine (AAEM). Since its founding in the 1960s, AAEM has been at the forefront of understanding and addressing environmental causes of illness. Dr. Morrison shares how AAEM is experiencing a resurgence, fueled by a new generation of passionate practitioners dedicated to tackling chronic illnesses like chronic fatigue, fibromyalgia and metabolic dysfunction through the lens of environmental health. Key topics include: The impact of mold exposure, heavy metal toxicity, EMFs, and other environmental toxins on chronic disease. How AAEM is training practitioners to integrate environmental factors into their care strategies. Building a community of practitioners to advocate for policy changes that improve public health. Highlights from the upcoming AAEM conference in San Antonio, featuring renowned speakers like Del Bigtree and Erin Brockovich. James also reflects on how Dr. Morrison's innovative clinic shaped his early thinking about lifestyle medicine and patient engagement. Tune in to explore how AAEM is leading the charge for a healthier future through environmental medicine.

Barrett Fisher and Sam Mulberry meet up in the video store to talk about the 2000 film Erin Brockovich and to get Barrett's film recommendation for next time. For more information about Video Store or to find all of our episodes, check out our website: https://videostorepodcast.wordpress.com/

Now that we've got The Cat in the Hat out of our system, it's time to kick off our November theme of the month! With Gladiator II coming soon, we're taking a look at the original plus some of the other Best Picture nominated films of 2000. First up: we're joined by screenwriter and Steven Soderbergh fanatic Joaquin Dominguez to discuss Erin Brockovich. The first of Steven Soderbergh's two Best Picture nominated films in the year 2000, this is also the one that garnered Julia Roberts her Oscar. Erin Brockovich follows the titular legal assistant who uncovers an environmental conspiracy in Hinkley, California. She and her boss, the lawyer Ed Masry, begin a legal fight on behalf of the residents to get them justice. Erin Brockovich is a classic underdog story, with Brockovich, Masry, and Hinkley taking on a massive corporation. But, will it stand out from other similar films? What's your favorite legal drama? Let us know at cinemaontappodcast@gmail.com. Joaquin's new film Watch Them Come Blood recently premiered in Los Angeles to a sold out crowd. The film is continuing to screen around the country, and is coming to physical media in the future. Reach out for more information on opportunities to see it!

Most stories are about change. However, there is also a place for stories when the protagonist doesn't change. The outcomes can still be positive - just watch James Bond and Erin Brockovich!  There are also stories where the protagonist doesn't change, and the outcome is ambiguous. This movie combines an ethical dilemma with a constant character to create a haunting outcome. The movie also has buckets of exposition. Is this a case of too much is way too much? Never fear, Valerie groups and summarises all the exposition into four key types. -M."Patrick's constant character with an ambivalent arc means that his internal state doesn't change." - Melanie Hill For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle.To learn to read like a writer, visit Melanie's website.Follow Valerie on X, Instagram and Threads @valerie_francisFollow Melanie on X, Instagram and Facebook @MelanieHillAuthor

We've all been there. A major movie is mentioned, you shrug, sheepishly, and someone says, "I can't believe you've never seen that!" Today, we make a dent in our own lists of classic films we somehow had not yet gotten to, including Erin Brockovich, Flower Drum Song, Enter the Dragon and Raging Bull.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy