Podcasts about talkhouse music

Amy Rose Spiegel is a Brooklyn-based writer and editor. Currently, she’s the editor-in-chief of Talkhouse Music, where musicians become critics and essayists. Previously, she was a story editor at Rookie and an associate editor at BuzzFeed. She is the creator behind Enormous Eye. Her first book, Action: A Book About Sex, was published by Grand Central in 2016. She speaks with the Writers Who Don’t Write about her career, her writing, and the one story she always struggled to tell.  The music you hear at the top and the bottom of the episode is from Ryan Dann of Holland Patent Public Library.  The music you hear in the middle of the show is from Ben Sound.  You can find Amy Rose Spiegel at her website or on Twitter and Instagram This episode was brought to you by Care/of. Go to takecareof.com and take the quiz to get your personalized vitamin recommendation. Use offer code “WRITE” to get 50% off your first month of Care/of.   Learn more about your ad choices. Visit megaphone.fm/adchoices

For the latest episode of the Talkhouse Podcast, we invited Talkhouse Music’s editor-in-chief, Amy Rose Spiegel, to choose one of her favorite episodes from the vault. The one she picked is the only episode of the podcast to ever be scored live: Caroline Polachek (ex-Chairlift) with Alan Palomo of Neon Indian. The episode, which originally aired in 2016, is presented here in its entirety with a new introduction from Amy Rose and me. Subscribe now on iTunes or Stitcher to stay in the loop about future Talkhouse Podcasts. Also, we want to hear from you! Head on over to bit.ly/TalkhouseSurvey to fill out a two-minute survey about you, our audience, so we can hear about how to bring you the best conversations. To sweeten the deal, we’ll be raffling off a Fender Mahogany Acoustic Guitar, a rad nine-LP prize pack courtesy of the great crews at Secretly Group and Dead Oceans, a custom Levi’s jean jacket, and four $25 Amazon gift cards. Good luck! —Elia Einhorn, Talkhouse Music Podcast host and producer New introduction recorded and mixed by Mark Yoshizumi. Last year, Alan Palomo of Neon Indian and Chairlift’s Caroline Polachek sat down at Samsung 837 in New York City for a live Talkhouse Music Podcast recording. As Alan played ambient self-generated sounds and Caroline spun an unreleased composition for atmosphere, the friends and mutual admirers discussed what can and can’t be co-opted in the arts, experimental and pop music, the music and arts scene in Williamsburg, collaborating with siblings, eating curried cow brains in Indonesia an hour before going onstage, and so much more. Subscribe now on iTunes or Stitcher to stay in the loop on future Talkhouse Podcasts.

For the latest episode of the Talkhouse Music Podcast, we invited Talkhouse Music's new editor-in-chief, Amy Rose Spiegel, to choose one of her favorite episodes from the vault. The one she picked happens to be one of my faves, as well: Genesis Breyer P-Orridge with Laura Jane Grace. The episode, which originally aired in 2015, is presented here in its entirety with a new introduction from Amy Rose and me. Subscribe now on iTunes or Stitcher to stay in the loop about future Talkhouse Podcasts. Also, we want to hear from you! Head on over to bit.ly/TalkhouseSurvey to fill out a two-minute survey about you, our audience, so we can hear about how to bring you the best conversations. To sweeten the deal, we’ll be raffling off a Fender Mahogany Acoustic Guitar, a rad nine-LP prize pack courtesy of the great crews at Secretly Group and Dead Oceans, a custom Levi’s jean jacket, and four $25 Amazon gift cards. Good luck! —Elia Einhorn, Talkhouse Music Podcast host and producer New introduction recorded and mixed by Mark Yoshizumi. “Transsexuals are the stormtroopers of the future.” So says Genesis P-Orridge, the iconic, visionary musician who has fronted influential bands like Psychic TV and Throbbing Gristle. While P-Orridge isn’t transgender — they* call themselves a pandrogyne — their partner in this Talkhouse Music Podcast, Against Me! frontwoman Laura Jane Grace, came out as transgender in 2012. Still, as P-Orridge points out, both musicians have done something very brave: they’ve transitioned, in one way or another, in front of their audience. And it was P-Orridge who paved the way. As Grace says here, “Someone like yourself is so important to me.” P-Orridge and Grace might hail from different generations, countries and musical communities, but they found plenty to talk about: what it was like to transition in public, the mind-body duality, paranormal phenomena, the perennial bathroom problem, the perennnial airport screening problem, courage, death, Caitlyn Jenner, a hilarious exchange about what to wear on stage, dealing with photographers who want you to show your boobs, and what P-Orridge calls “a gradual shift in the way that gender and sexuality are perceived in our species.” This is one of the more fascinating and potentially visionary exchanges we’ve ever had on the Talkhouse Podcast. It’s also one of the more risqué, so if you’re easily offended, maybe you’ll want to check out one of our other podcasts. * A word about pronouns: P-Orridge call themselves “we” because they feel at one with their late wife Lady Jaye. Much more about that in the podcast.

Lower Dens leader Jana Hunter is a frequent Talkhouse contributor and a fine writer — in April of 2015, she wrote a widely read piece for Cosmopolitan titled "What It's Like to Be a Female Musician When You Don't Identify as a Woman." And Perfume Genius, aka Mike Hadreas, has said he's pretty fluid with gender too. But that was only one reason why we invited these two to sit down and chat for the Talkhouse Music Podcast. Lower Dens and Perfume Genius make some of the most interestingly beautiful music around, and Hunter and Hadreas are two intriguing, well spoken people. Sure, they talked about "gay/gender stuff" but they also just related as musicians — and talked candidly about inspiration, how to conduct yourself on stage, the perils of social media and dealing with hate mail. And they related as people too — they talk about dealing with email, the awesomeness of Rihanna, their methods for quitting smoking and why Clark Kent is hot. Hadreas and Hunter had met only briefly once before, but they're fans of each other's music, and when they sat down at the Talkhouse Music mikes, they hit it off immediately — in fact, almost from the start these two very thoughtful people were giggling like teenagers. They do have one big difference, though: Hadreas believes in everything, but Hunter doesn't believe in anything.

You might think that Chicago rapper Vic Mensa and Samuel Herring, the frontman of Baltimore synth-pop band Future Islands, don't have much in common. But you'd be wrong. And it's not because Mensa used to rap in a rock band and Herring has been a hip-hop fan since he was a kid. And it's not because Mensa is a fan of the Beatles and Nirvana, and Herring is about to drop a hip-hop EP he recorded with Stones Throw producer Madlib. No, it's because Mensa and Herring are both musicians and they enjoy each other's work. So these guys, who had never met before, hit it off right away when they sat down at the Talkhouse Music microphones backstage at the 2015 Pitchfork Music Festival. In less than 30 minutes, they cover a whole lot of ground: their previous lives as shoplifters, music biz economics, compromising your youthful ideals, going to church, the ghettoes of Baltimore, the U.S. legal system and their mutual disappointment with the Obama presidency. And Herring even reveals the inspiration for his trademark sidestepping dance move!

On the latest episode of the Talkhouse Music podcast, Merrill Garbus from Tune-Yards talks with the iconic performance artist and musician Laurie Anderson.  By turns funny and poignant, and always insightful, the conversation between these two affable powerhouses ranges from coping with sudden fame, "the art police," the healing power of puppetry, their upcoming projects, dehydrated kale bars, nutritional pantyhose and… hotel hotdogs.  For more musicians talking music, visit Talkhouse Music at thetalkhouse.com/music.

In the new Talkhouse Music podcast, underground art-hardcore-metal meets classic '80s hair metal: Liam Wilson of the Dillinger Escape Plan chats with Kip Winger of Winger.  They're two very different musicians from two very different generations, but they find plenty of common ground: how to deal with being pigeonholed, how to be a mature band and still be exciting, great stories about how their bands started, and Liam introduces Kip to the concept of math metal.  It's a conversation that only two musicians could have.  And for more musicians talking music, visit Talkhouse music at music.thetalkhouse.com

In today's Talkhouse Music podcast, the Black Keys' drummer Patrick Carney speaks with Carrie Brownstein (Sleater-Kinney, Portlandia) and over the course of a fascinating 49-minute conversation, the two veteran musicians cover a whole lot of ground: working with Danger Mouse on the Black Keys' new, #1 album Turn Blue, withstanding the haters, the dark side of social media, the Black Keys' internal chemistry, surviving fame, and what it’s like to wing it in front of 35,000 fans.  It's a candid and insightful exchange that only two musicians could have.