Podcasts about elia einhorn

Hello Talkhouse listeners! Instead of new episode this week, we've revisiting a great chat from several years back between artist/musician/many other things Laurie Anderson and filmmaker Darren Aronofsky (Pi, Black Swan, The Whale, etc.). The reason? Anderson has a new album out in a couple of weeks called Amelia, and it's all about famed aviator Amelia Earhart. If that sounds odd, it probably is, and in the best ways: Anything Anderson touches is worth your time. We'll be back next week with a new episode. Enjoy! Note: This episode originally aired on January 26, 2016. On the latest episode of the Talkhouse Film podcast, in a special conversation recorded after a screening of Laurie Anderson's documentary Heart of a Dog, the acclaimed musician, artist, and filmmaker talks onstage with fellow New York director Darren Aronofsky, best known for his films Pi, Requiem for a Dream and Black Swan. The pair discuss Anderson's new film, which ponders questions of love, death, and language, and touch on such other diverse subjects as Herman Melville's discussions with his editor about Moby Dick and the problems that can come from putting batteries in one's mouth. Episode engineered and edited by Elia Einhorn. Additional editing by Myron Kaplan. This episode is brought to you by DistroKid. DistroKid makes music distribution fun and easy with unlimited uploads and artists keep 100% of their royalties and earnings. To learn more and get 30% off your first year's membership, visit: distrokid.com/vip/talkhouse

On this week's Talkhouse Podcast we're diving deep into a chat inspired by two tribute albums to an incredibly influential musician, Sun Ra. Joining us are Meshell Ndegeocello and David Harrington. And oh man, do I have my work cut out for me in trying to introduce these incredible people and their careers—I won't even scratch the surface. Meshell Ndegeocello's biggest foray into the public consciousness, strangely enough, came on a duet with John Mellencamp in the mid-'90s, but that's not at all indicative of her wide-ranging career, which also includes everything from go-go music to neo-soul to jazz to rapping on a Madonna song. These days, the Grammys had to create an entirely new category for what she does: She just won the first-ever Grammy award for Alternative Jazz for last year's The Omnichord Real Book. It's no surprise given her musical serachings that Ndegeocello is also deeply inspired by Sun Ra, the legendary out-there jazz composer and performer who traveled through time and space until leaving our planet in 1993. His legacy lives on, though, and Ndegeocello recently released Red Hot & Ra: The Magic City, which features new compositions, old sounds, and a fresh look not just at Ra's work but his musical spirit. It's hard to explain, but check out “Bedlam Blues” from The Magic City right here. Today's other guest is David Harrington, founding member of Kronos Quartet, which has been expanding the music world for 50 years. I'd be a fool to try and sum up everything they've done and everyone with whom they've performed over the years, but do yourself a favor and Google them if you're not familiar. I'll just say that Kronos has pushed the envelope from just about every conceivable angle and expanded the scope and understanding of classical music, pop music, experimental music and much more. They've done film scores that you've definitely heard and deep dives into fringe classical compositions that you almost certainly haven't. So it's no wonder that they, too, like Ndegeocello, have found the wonder and mystery in Sun Ra's music, and that they've put together their own tribute in the Red Hot and Ra series. Theirs is called Outer Spaceways Incorporated: Kronos Quartet and Friends Meet Sun Ra. The friends on their volume of the series include Laurie Anderson, Marshall Allen, Laraaji, Moor Mother, Terry Riley, and more. Check out “Outer Spaceways Incorporated,” which features Georgia Anne Muldrow, right here. I should mention too that both of these albums are being released by the Red Hot organization, which has been raising money and awareness for good causes—initially AIDS research, and now that and more—since 1989. The Red Hot and Ra series is just the latest in a long line of albums that push musical boundaries while also serving humanity, so kudos to them—and to former Talkhouse host Elia Einhorn, who's been working with the Red Hot folks on these Sun Ra tributes. In this great conversation, Harrington and Ndegeocello talk, naturally, about Sun Ra, and they get granular with it, touching on MLK's "I Have A Dream" speech and its relationship to this music. They also chat about bringing more women into composition—a Kronos mandate since the beginning—as well as how finding Sun Ra changed Ndegeocello's musical path completely. Harrington also shares a great story about rehearsing with Ornette Coleman. Bonus! Enjoy. Thanks for listening to the Talkhouse Podcast, and thanks to Meshell Ndegeocello and David Harrington for chatting. If you liked what you heard, please follow Talkhouse on your favorite podcasting platform, and check out all the great stuff at Talkhouse.com. This episode was produced by Myron Kaplan, and the Talkhouse theme is composed and performed by the Range. See you next time! This episode is brought to you by DistroKid. DistroKid makes music distribution fun and easy. To learn more and get 30% off your first year's membership, visit: distrokid.com/vip/talkhouse

On this week's Talkhouse Podcast, we've got a pair of musicians who are both part of a brand new Sun Ra tribute album that's part of the long-running Red Hot series, Angel Bat Dawid and Georgia Anne Muldrow. We've also got a special guest in the podcast intro: former Talkhouse host and co-producer of the tribute album Elia Einhorn. Muldrow and Dawid hadn't met before this call, but as you'll hear, they're definitely on the same wavelength both musically and personally—and they both have a deep connection to Sun Ra, the cosmic-jazz master who made incredible, out-there records starting back in the 1930s all the way through to his final journey off this planet in 1993. Dawid was born in Georgia but she's most closely associated with Chicago, where she's part of an incredible jazz scene. Not only is she a musician—an ace clarinetist, in fact—but also an activist and a teacher with plans to open a music school. Muldrow boasts an incredible—and incredibly diverse— catalog of music, which she's been working on for the past couple of decades. Sometimes she records under her own name, but also under the name Jyoti—those records, Elia Einhorn notes, are a pretty good place to start with her catalog. There are elements of jazz, to be sure, but also hip-hop, funk, and blues in the mix. These two become fast friends on the podcast, talking about Sun Ra visiting them in dreams, how Ra came into their lives, and their definitions of living spiritually. Again, check out the first installment of Red Hot And Ra, which is out now, and then dive into these incredible catalogs. Thanks for listening to the Talkhouse Podcast, and thanks to Angel Bat Dawid and Georgia Anne Muldrow for chatting—and thanks to Elia Einhorn for co-hosting. This episode was produced by Myron Kaplan, and the Talkhouse theme is composed and performed by the Range. See you next time!

He is a writer, musician, renaissance man with a face for radio, and a unicorn that gives us hope...Elia Einhorn wears lots of hats, but to him music is everything. We can't believe it took the Matrix this long to get us to shuck and jive for an incomparable episode.

To celebrate the release of the new Deftones album Ohms, we paired frontman Chino Moreno with his old friend and tourmate — and long-time Deftones fan! — comedian/musician Reggie Watts for a Talkhouse Podcast conversation. The guys were very psyched to catch up, and their freewheeling talk took in the making of the new Deftones LP; the ups and downs of long-term collaborations; their very different writing and recording approaches; and… bikes. Turns out they're both waaay into bikes. Check it out, and subscribe now to stay in the loop on future episodes of the Talkhouse Podcast. —Elia Einhorn, Talkhouse Podcast host and producer For this week's episode, everyone you hear recorded themselves. Our producer is Mark Yoshizumi. The Talkhouse Podcast theme song was composed and performed by The Range.

This week we're revisiting a Talkhouse episode that was originally released in October of 2020, when perhaps you missed it because you had other things on your mind. It happens. This one features a great chat between two women at different phases in their careers: Carly Rae Jepsen and mxmtoon. You might recognize mxmtoon's name from her podcast 365 Days, which is part of the Talkhouse Podcast Network. Speaking of, did you know we have a network full of other great shows, including Aquarium Drunkard Transmissions, Sing for Science, Craig Finn's brand new podcast That's How I Remember It, and What Had Happened Was with Open Mike Eagle? We do! Anyway, just before this episode, Carly Rae and mxmtoon had just collaborated on a track called “Ok on your own,” and they dove right into a great conversation about songwriting and much, much more. Check it out, and we'll be back with a brand new episode next week!   To celebrate Carly Rae Jepsen and mxmtoon's rad collab track "ok on your own," we paired the pop stars for what turned out to be a deep dive into the art of making music and learning to thrive in the complicated music industry. In this very warm and insightful conversation, Carly and Maia each share their (very different!) origin stories, and explore both the art of songwriting and live performance. Carly also shares clutch career wisdom. Check it out, and subscribe now to stay in the loop on future episodes of the Talkhouse Podcast. Plus, ICYMI: mxmtoon just kicked off her yearlong podcast project 365 days with mxmtoon in collab with Talkhouse, which features quirky stories from history that occurred on each day, old diary entries and more; it's really fun, and like eight minutes long.  —Elia Einhorn, Talkhouse Podcast host and producer  For this week's episode, Carly was recorded by Nick Theodorakis, and everyone else you hear recorded themselves. Our producer is Mark Yoshizumi.  The Talkhouse Podcast theme song was composed and performed by The Range. 

This week we're resurfacing a delightful episode that originally ran in April of 2020, and which features two of our favorite songwriters/performers: Matt Berninger of The National and Aimee Mann. Their chat was inspired by the release of an excellent documentary about Other Music, the revered New York record store that closed in 2016. The conversation veers into many other areas as well, including creativity during the pandemic. The challenges of the past couple of years were no match for these two: Berninger released a solo album called Serpentine Prison last year, and Mann just released Queens of the Summer Hotel, a set of new songs inspired by the book Girl, Interrupted. Enjoy, and we'll be back with a brand new episode next week. —Josh Modell ------- This week on the show, we celebrate the wonderful Other Music documentary with two Grammy-winning artists: singer-songwriter Aimee Mann and the National's Matt Berninger. The two discuss the iconic record store and the creative importance of having physical spaces dedicated to musical community, plus we hear how they're managing to work during the pandemic, and Matt reveals that he's both writing a musical and launching a label imprint. The Other Music doc features many wonderful artists that have appeared on our show — TV on the Radio, the Magnetic Fields, Superchunk, Yeah Yeah Yeahs, Jason Schwartzman, Animal Collective, William Basinski, Frankie Cosmos and more — this is truly a #talkhousecore film! Other Music is currently being screened via a "virtual theatrical release," with more than 200 independent record shops and movie theaters offering it to rent, and splitting the profits 50/50. This is a wonderful chance to support your local purveyor of brilliant art, and catch one of the must-see music films of the year. Click here to find your local favorite store or theater that's screening it! (Our producer Mark Yoshizumi rented it from his alma mater Reckless Records in Chicago; Talkhouse Film's Editor-in-Chief Nick Dawson supported Permanent Records in L.A., and I went with Record Grouch in Brooklyn, where I've spent many and many a happy hour amongst the hallowed racks.) Enjoy today's show, and subscribe now to stay in the loop on future episodes of the Talkhouse Podcast, including upcoming talks like Jarvis Cocker (Pulp) with the Magnetic Fields' Stephin Merritt, and Black Belt Eagle Scout with Sasami. —Elia Einhorn, Talkhouse Podcast host and producer This week's show was recorded by Aimee Mann, Matt Berninger, Nick Dawson, and myself in our respective #stayhome studios. The Talkhouse Podcast's co-producer is Mark Yoshizumi. Our theme song was composed and performed by The Range.

Hey Talkhouse friends, this week we're re-surfacing an episode that originally ran in May of 2020. Unlike most Talkhouse Podcast episodes, which feature two or more creative folks in conversation, this one is mostly just one guy talking: Joe Talbot of the band IDLES. It was recorded in front of a live audience in Glasgow, just before the pandemic hit, and it's a fascinating look at an incredible artist—Talbot is a guy who's unafraid to put it all out there, in both interviews and in his music. Speaking of music, part of the reason we're re-promoting this episode this week is that Idles just released another incredible album: Crawler is the British band's fourth, and it's unsurprisingly being met with pretty ecstatic reviews. Check out this fascinating chat with Joe and a live audience, and have a great Thanksgiving. —Josh Modell ---- This week's show is a bit different from usual Talkhouse Podcast episodes. While it's nominally hosted by the legendary Alan McGee of Creation Records — the man who signed The Jesus and Mary Chain, My Bloody Valentine, and a lil ol' band called Oasis — it's not at all a two-person conversation. Instead, this episode features Joe Talbot, frontman of the incredible post-punk group IDLES, in one of the funniest, most viscerally honest live audience Q&A's I've ever witnessed. Both Joe and the attendees are willing to go to deep and often uncomfortable areas: Buckle up for a discussion of toxic masculinity, the role of violence in IDLES' music, and the difficult process of developing one's own artistic language. We also hear about Joe collabing with Mike Skinner of The Streets, turning Sleaford Mods' taunts into a song, putting human ashes into vinyl records, and... we even get an unexpected lesson on mindfulness. This Q&A was recorded at the wonderful Barras Art & Design in Glasgow. Check it out, and subscribe now to stay in the loop on future episodes of the Talkhouse Podcast, including upcoming talks like Helado Negro with Buscabulla, Julien Baker and Katie Harkin (Harkin, Sleater-Kinney), Black Belt Eagle Scout with Sasami, and Scott Avett (The Avett Brothers) with Eef Barzelay (Clem Snide). — Elia Einhorn, Talkhouse Podcast host and producer Today's show was recorded in Glasgow by Nadar Shahzad of Blue Audio (thx Nadar!). Our co-producer is Mark Yoshizumi. Thanks so much to Matt Sadowski of Alt Waves Records and to Barras Art & Design for allowing us to share this event. The Talkhouse Podcast's theme song was composed and performed by The Range.

Sober 21 is a compendium of essays by and interviews with 21 sober musicians. Elia Einhorn, formerly of The Scotland Yard Gospel Choir, curated the collection as a tool specifically for musicians who are seeking sober voices and perspectives in an often challenging and addiction-enabling industry. The zine is free for download through The Creative Independent. If you or someone you know is struggling with addiction, Elia recommends the following resources: Alcoholics Anonymous Narcotics Anonymous MusiCares Interview and production by Jessi D. Photo Credit: Elia Einhorn

Joe and Amy talk to Elia Einhorn, host of Sonos Radio and Pitchfork Radio and TV.  He is also the songwriter/producer/frontman of the collaborations-based project "Fashion Brigade”.  Elia discusses drinking, drugs and the music scene and most importantly his newest baby,  Sober 21, a magazine he created and edits for recovering musicians featuring famous musicians in recovery which garnered two write-ups in Rolling Stone.

Elia Einhorn is a host at Sonos Radio and Pitchfork Radio and editor of the new zine, Sober 21 To offer your own advice, call Zak @ 844-935-BEST TRANSCRIPT: ZAK: Quick warning. Today's episode contains a hardy amount of swearing. ELIA: Hey, I'm Elia Einhorn. I wear a lot of hats. I host Sonos Radio, Pitchfork Radio. I hosted the Talkhouse podcast for years. My newest project is Sober 21. It's a compendium that just came out via the Creative Independent as a beautiful zine and online for free and it's these 21 sober musicians sharing crucial tips and hints and advice for musicians who are thinking about getting sober. Maybe sober curious or are newly sober and are afraid that their career is over. We put it together to say it is no. Shit is about to get way the fuck better! ZAK: A lot of us are getting back out into the world and it feels really good. And for the sober among us, Elia has some advice about making that transition smooth and healthy. ELIA: My advice is this. Don't walk around a bar with a pint glass full of Diet Coke. Get your drink in a rocks glass. Get whatever you're having. A Diet Coke. For me, it's a cranberry and soda with lime but get it in a rocks glass. And there's a wonderful piece in Sober 21 about this by Jen Champion and she titled it, Soda Water with a Lime But Will You Put it in a Rocks Glass" and it's something that in sober communities of people who are out at shows, are out at clubs, are playing concerts, we just know this. It's just this implicit experience. Put it in a rocks glass then you don't have some asshole asking you why are you not drinking. But really, why aren't you really drinking! Come on, man. What's the deal? You know that drunk person who's pushing too far. You can do it at parties too. I find you're either at somebody's house where they're putting out glasses if they're feeling a little fancier. Or, there's like a red plastic cup essentially or the equivalent. The Solo cup. Don't drink out of your can of Diet Coke. Don't drink out of your can of Diet Coke. Don't drink out of your gatorade. Put your Gatorade in the plastic cup and drink out of that and you'll almost definitely not have to answer the question all night. And also, a little bit of an addendum; refresh your drink yourself. Cause people are so thoughtful, if they see your drink's getting low they'll grab one for you. Get ahead of that. Refresh it yourself and always have enough in there that you're like, oh, I'm good. Thanks. It's amazing how much of the 3rd degree that totally gets ahead of. I am staunchly pro people drinking when they can drink safely. It's an awesome thing. And I want to say that because I feel like people have this idea that people who are sober are like, oh man. Fuck these guys that are drinking. Absolutely not. It's awesome. If I could drink normally I'd drink all the time which is how I know I'm an alcoholic. And I say that because what I'm about to say next is it's usually the person who's a little but too drunk who doesn't understand the social cues around this. It's like, why aren't you having a real drink? Cait O'Riordan from The Pogues talks about this in Sober 21. Why aren't you having a proper drink cause she lives in Dublin so she deals with this shit all the fucking time. It's just not worth having that conversation with everyone you happen to come across. A lot of people got sober during the pandemic. AA meetings are flooded with new people. A lot of people hit their low, hit their bottom during the pandemic and found help, thankfully and now they're re-emerging and doing things in a whole new way. Getting sober is not supposed to be about being boring and sitting around the house watching Netflix. You're supposed to be out in the mix living your life to the fullest, I'd say. You almost didn't get to have a life. Now you to have it. Fucking live it.

This week, we revisit a chat from last year, featuring Mac DeMarco and Dayglow's Sloan Struble. The second Dayglow album, Harmony House, comes out May 21. Check it out! ------------------- On this week’s show, a young gun picks a veteran’s brain. A youngish veteran, admittedly — Mac DeMarco’s only 30, but compared to 21 year old Spotify-wunderkind Sloan Struble, aka Dayglow, he’s already spent a lifetime in the music industry trenches. The two take in a lot in this conversation. We hear Mac’s origin story, and get a nice overview of his career. We get insight into what it’s like finding fast fame online in 2020, and the two dissect the term “DIY” and the changing definition of “indie.” Check it out, and subscribe now to stay in the loop on future episodes of the Talkhouse Podcast.  —Elia Einhorn, Talkhouse Podcast host and producer This week’s talk was originally produced by Mark Yoshizumi and Elia Einhorn. This episode was produced by Melissa Kaplan. The Talkhouse Podcast theme song was composed and performed by The Range.

It might feel like a lifetime ago, but it was just over a year ago in February of 2020 when we got new albums from both Tame Impala and Caribou. For Kevin Parker, The Slow Rush was his fourth full-length record following an extended break after Currents. Caribou fans had a slightly longer wait for Dan Snaith's tenth record, Suddenly. Now both artists have rereleases in 2021. Kevin Parker and company recently celebrated ten years since their debut record, Innerspeaker. There's a new behind-the-scenes short film chronicling the 2010 recording process, a box set, and an upcoming livestream performance later this month, April 21 (more info on tickets here), of the full album from the Wave House. Dan Snaith has also been in the news recently, releasing Suddenly Remixes, featuring reworked tracks by Toro y Moi, Four Tet, Floating Points, and others. This conversation, which originally aired in October of 2020, never has a dull moment and features the pair chatting about how and when they first met, having confidence as an artist, and their "de facto lockdown albums." Don't forget to subscribe to the Talkhouse Podcast wherever you get your podcasts. —Keenan Kush, Talkhouse Director of Operations This week's talk was originally produced by Mark Yoshizumi and Elia Einhorn. This episode was produced by Melissa Kaplan. The Talkhouse Podcast theme song was composed and performed by The Range.

In the third episode of McIntosh's "for the love of music..." podcast series presented by Talkhouse, Elia Einhorn spoke with one of the most recognizable names in popular jazz and soul: Gregory Porter. Gregory has been using his powerful baritone on both Broadway and concert stages for decades. His smooth take on classic American pop forms has earned him critical accolades, and fans the world over. The multiple Grammy-winning singer-songwriter has long had an intense touring schedule, and while the pandemic has forced him off the road, he’s been staying very busy. Gregory has a podcast of his own—called The Hang—and recently released a new album of original music, All Rise, which was nominated for Best R&B Album at this year’s Grammys. In this episode, Gregory talks about writing songs in the sky, English accents in gospel music, recording in some of the coolest studios in the world, and much more. 

In the third episode of McIntosh's "for the love of music..." podcast series presented by Talkhouse, Elia Einhorn spoke with one of the most recognizable names in popular jazz and soul: Gregory Porter. Gregory has been using his powerful baritone on both Broadway and concert stages for decades. His smooth take on classic American pop forms has earned him critical accolades, and fans the world over. The multiple Grammy-winning singer-songwriter has long had an intense touring schedule, and while the pandemic has forced him off the road, he's been staying very busy. Gregory has a podcast of his own—called The Hang—and recently released a new album of original music, All Rise, which was nominated for Best R&B Album at this year's Grammys. In this episode, Gregory talks about writing songs in the sky, English accents in gospel music, recording in some of the coolest studios in the world, and much more. 

This week’s show is presented in collaboration with The Hideout and Seminary Co-op Bookstore. Big thanks and love to both of those Chicago institutions! To celebrate the release of his new book How To Write One Song: Loving The Things We Create and How They Love Us Back, Jeff Tweedy (Wilco) caught up with his friend and collaborator, comedian Nick Offerman. Their funny and illuminating conversation is followed by an audience Q&A, and an exclusive solo performance by Jeff. Check it out, and subscribe now to stay in the loop on future episodes of the Talkhouse Podcast. Plus be sure to check our Soundcloud archives for recent shows featuring Tame Impala with Caribou, Carly Rae Jepsen with mxmtoon, Diplo with Charlie Crockett, and Jeff Tweedy with Norah Jones. —Elia Einhorn, Talkhouse Podcast host and producer For this week’s episode, Nick recorded himself and Jeff was recorded in Chicago by Mark Greenberg. Our producer is Mark Yoshizumi. The researcher for this episode was Reese Higgins. The Talkhouse Podcast theme song was composed and performed by The Range. PEEEEEAAAACE!

This week's show is presented in collaboration with Murmrr and Community Bookstore. We give big thanks and love to those two Brooklyn institutions! To celebrate the release of his new book How To Write One Song: Loving The Things We Create and How They Love Us Back, Jeff Tweedy (Wilco) sat down with his friend and collaborator Norah Jones for a deep dive into the creative process. Their warm and insightful conversation is followed by an audience Q&A, and an exclusive solo performance by Jeff. Check it out, and subscribe now to stay in the loop on future episodes of the Talkhouse Podcast, including Jeff Tweedy again(!), this time with comedian Nick Offerman, and Bootsy Collins (it's Bootsy, baby!) with Mix Master Mike (Beastie Boys). Plus be sure to check our Soundcloud archives for recent shows featuring Tame Impala with Caribou, Carly Rae Jepsen with mxmtoon, Diplo with Charlie Crockett, and loads more. —Elia Einhorn, Talkhouse Podcast host and producer   For this week’s episode, Norah recorded herself, and Jeff was recorded in Chicago by Mark Greenberg. Our patient producer is Mark Yoshizumi. The researcher for this episode was Reese Higgins. The Talkhouse Podcast theme song was composed and performed by The Range. Please direct all podcast-related ideas, vitriol, and compliments to elia@thetalkhouse.com. I adore hearing from you guys. And, I mean, how long do we all stay in the same place, right? Who knows where I'll be, come 2021...

On this week's episode of the Talkhouse Podcast, we share a deep-diving conversation about the idea of space for BIPOC folks in indie rock venues — a discussion with the explicit intent "to talk about brown voices, and to talk about how we can uplift them." Black Belt Eagle Scout — real name Katherine Paul — is a self-described “radical indigenous queer feminist” who grew up on the Swinomish Indian Reservation in Northwest Washington state. KP, as she's known, is Swinomish and Iñupiaq (a Native community in Alaska). Here, she speaks with Sasami Ashworth, aka SASAMI, a Korean-American singer/songwriter and musician based in Los Angeles. Sasami made her name playing synth in Cherry Glazerr before going solo in 2018. Our special guest-host is Vagabon, or Lætitia Tamko, a Cameroonian-born singer/songwriter/producer. This episode was inspired by the Twitter backlash after a conversation Black Belt Eagle Scout had with Ailsa Chang on the NPR show All Things Considered. With Chang, KP discussed feeling uncomfortable with so many white people at her shows, as her music is intended for BIPOC folks, and stated: "It's for people of color, for indigenous people, for queer people, and white men are so fragile when I say stuff like that. It's because of white privilege and they don't often get told that." KP was obviously not advocating for banning white men from her shows, but for there to be more room at each performance for her community. Still, of course, a number of fragile white men took to Twitter calling KP racist, and hating on the show for having her on. I saw Lætitia and Sasami tweeting support for KP, with Sasami doing full on UFC-style e-battle with some trolls! I reached out the next day to offer the platform of the Talkhouse Podcast for an extended convo on the topic, one without journalists or "fragile white men" involved. This talk was recorded back in March, just before Covid-19 slammed the States, and before the Black Lives Matter movement's incredible recent strides. Keep it locked to hear about issues of safety and space in DIY touring, the importance of land acknowledgments, and actionable things that bands and fans can do. Check it out, and subscribe now to stay in the loop on future episodes of the Talkhouse Podcast. —Elia Einhorn, Talkhouse Podcast host and producer     For this week’s episode, Sasami Ashworth was recorded by Eric Rennaker at bedrock.LA; Katherine Paul, Lætitia Tamko and I each recorded ourselves. Our producer extraordinaire is Mark Yoshizumi. The Talkhouse Podcast theme song was composed and performed by The Range. Please direct all podcast-related ideas, vitriol, and compliments to elia@thetalkhouse.com.

On this week's show, we pair in conversation the artists behind two of 2020's best albums: soul and blues legend Bettye LaVette and indie wunderkind Phoebe Bridgers. Though separated by five decades in age, when the two met backstage at a Tibet House US benefit at Carnegie Hall earlier this year, they immediately developed a mutual friend crush. Now that we've gotten them reconnected here, it appears something very dope is on the horizon... but more on that in the talk! Their warm, freewheeling convo takes in a lot, including: a wonderful overview of a career Bettye calls “tenuous at best”; the unexpected benefits of promoting a new album during the pandemic; and privilege in the music industry. We also get to hear about making Pete Townshend cry, quirky Little Stevie Wonder, and learn the answer to Bettye's query "What is a Princess Nokia?" Check it out, and subscribe now to stay in the loop on future episodes of the Talkhouse Podcast, including Norah Jones with Jeff Tweedy, and then Jeff again(!) with comedian Nick Offerman, and Bootsy Collins (Bootzilla, baby!) with Mix Master Mike (Beastie Boys). Plus be sure to check our Soundcloud archives for recent shows featuring Tame Impala with Caribou, Carly Rae Jepsen with mxmtoon, Diplo with Charlie Crockett, and loads more. —Elia Einhorn, Talkhouse Podcast host and producer For this week’s episode, Bettye LaVette was recorded by her adoring hubby Kevin Kiley, and Phoebe Bridgers by her pal Marshall Vore. Our long-suffering producer is Mark Yoshizumi. The Talkhouse Podcast theme song was composed and performed by The Range. Dude released gorgeous new music this year — check it out! Please direct all podcast-related ideas, vitriol, and compliments to elia@thetalkhouse.com. Seriously, I love hearing from you guys. And if we're honest with ourselves, isn't the end always sneaking up on us?

For this week's show, we pair two truly virtuosic musicians — legendary fingerstyle guitarist Leo Kottke and Phish bassist-extraordinaire Mike Gordon. Their wonderful new collaborative album Noon just came out on CD and vinyl, so we knew we had to get these brilliant musical minds together for a deep-diving Talkhouse convo. Tune in to hear the guys share their superhero origin stories; what The Grateful Dead’s Bob Weir taught Mike about rock & roll; Leo’s tricks to never playing predictably; the importance of violating one's own musical expectations; Trey Anastasio's literary recommendation; and so much more. Check it out, and subscribe now to stay in the loop on future episodes of the Talkhouse Podcast, including Norah Jones with Jeff Tweedy, and then Jeff again(!) with comedian Nick Offerman, and Bootsy Collins (Bootzilla, baby!) with Mix Master Mike (Beastie Boys). Next week's show features actor Jude Law with director Sean Durkin and composer Richard Reed Parry (The Arcade Fire) discussing their film The Nest. Plus be sure to check our Soundcloud archives for recent shows featuring Tame Impala with Caribou, Carly Rae Jepsen with mxmtoon, Diplo with Charlie Crockett, and loads more. —Elia Einhorn, Talkhouse Podcast host and producer For this week’s episode, Mike Gordon was recorded by Jared Slomoff, and Leo Kottke by Miles Hanson. Our incredible producer is Mark Yoshizumi. The Talkhouse Podcast theme song was composed and performed by The Range. Please direct all podcast-related ideas, vitriol, and compliments to elia@thetalkhouse.com. Seriously, I love hearing from you guys, and I won't be around forever.

It turns out that Tegan and Sara, Talkhouse Podcast producer extraordinaire Mark, and lil ol' me all share a favorite new band: Dehd. Hailing from Chicago, the jangle-tastic indie-rocking three-piece recently released their second LP Flower of Devotion, a tour de fookin' force of boy/girl vocals, Sarah Records-worthy guitar, and lyrics that make you wonder if the tears in your eyes are from loneliness or laughter. When we saw Sara tweeting her, um, devotion to the band, we knew a Talkhouse convo was in order! Keep it locked to hear about the vicissitudes of intense intra-band relationships; how musical joy isn't necessarily part and parcel of "success"; and pets as surrogate babies, tourmates, and social media fodder. Check it out, and subscribe now to stay in the loop on future episodes of the Talkhouse Podcast, including Phish‘s Mike Gordon with Leo Kottke, Norah Jones with Jeff Tweedy, and then Jeff again(!) with comedian Nick Offerman. And be sure to check our Soundcloud archives for recent shows featuring Tame Impala with Caribou, Carly Rae Jepsen with mxmtoon, Diplo with Charlie Crockett, and loads more. —Elia Einhorn, Talkhouse Podcast host and producer For this week’s episode, each band recorded themselves. Our long-suffering producer is Mark Yoshizumi. The Talkhouse Podcast theme song was composed and performed by The Range. Please direct all podcast-related ideas, vitriol, and compliments to elia@thetalkhouse.com. Seriously, I love hearing from you guys.

To celebrate the release of the new Deftones album Ohms, we paired frontman Chino Moreno with his old friend and tourmate — and long-time Deftones fan! — comedian/musician Reggie Watts for a Talkhouse Podcast conversation. The guys were very psyched to catch up, and their freewheeling talk took in the making of the new Deftones LP; the ups and downs of long-term collaborations; their very different writing and recording approaches; and… bikes. Turns out they're both waaay into bikes. Check it out, and subscribe now to stay in the loop on future episodes of the Talkhouse Podcast, including Tegan and Sara with Dehd, Phish‘s Mike Gordon with Leo Kottke, and Norah Jones with Jeff Tweedy. And be sure to check our Soundcloud archives for recent shows featuring Tame Impala with Caribou, Carly Rae Jepsen with mxmtoon, Diplo with Charlie Crockett, and loads more. —Elia Einhorn, Talkhouse Podcast host and producer For this week’s episode, everyone you hear recorded themselves. Our producer is Mark Yoshizumi. The Talkhouse Podcast theme song was composed and performed by The Range. Please direct all podcast-related ideas, vitriol, and compliments to elia@thetalkhouse.com.

Devonté Hynes, aka Blood Orange, had an incredible 2019. He dropped the mixtape Angel's Pulse; scored the critically acclaimed film Queen and Slim; released a classical album with Third Coast Percussion; directed a music video for Beck; and, as a fan, finally saw the brilliant composer/vocalist Beverly Glenn-Copeland live. Glenn-Copeland (as he prefers to go by in his day-to-day life) had his own amazing year: At the age of 74, he had his first international tour, released the new LP Primal Prayer, and saw his previously obscure, decade-spanning seven album catalog finally embraced in music communities around the world. And he met Dev, whose music he adores. We introduced Dev and Glenn right here on the Talkhouse Podcast, and the ensuing convo was warm, vulnerable, funny, and potent. The two sat on a sofa at Hook and Fade Studio in Brooklyn, and instantly formed a world all their own; they stared into each other's eyes, and spoke so softly that it was difficult to hear them from even a few feet away. In their wide-ranging conversation, Glenn and Dev discuss discovering parts of themselves by traveling out of their home countries; the way they each approach their songwriting; and the story behind Glenn’s seminal 1986 album Keyboard Fantasies. We also learn the importance of nature and its role in their music; how recently Dev began to honor music as the foundation of all his creativity; and the trick Glenn’s mother used to make him a musician while still in utero. Check it out, and subscribe now to stay in the loop on future episodes of the Talkhouse Podcast. —Elia Einhorn, Talkhouse Podcast host and producer Today's show was engineered and co-produced by Mark Yoshizumi. Additional editing by Katie Lau. Research by Reese Higgins. The Talkhouse Podcast’s theme song was composed and performed by The Range. Please direct all podcast-related ideas, vitriol, and compliments to elia@thetalkhouse.com.

TAME IMPALA AND CARIBOU ARE ON THE SHOW THIS WEEK!!! Sorry, I tried to write a more "professional" first line, but this is just SO DOPE! Tame Impala's Kevin Parker and Caribou's Dan Snaith are two of the most fascinating artists working today, and when the Talkhouse Podcast discovered they're also huge fans of each other's work, we knew we had to get them together to chop it up. In this warm and open conversation, the guys get into their very different creative processes; the pluses and minuses of having confidence in your artistic output; the clutch piece of gear Kevin uses to help get that sweet sweet Tame Impala sound; and much more. Check it out, and subscribe now to stay in the loop on future episodes of the Talkhouse Podcast, including Tegan and Sara with Dehd, Deftones‘ Chino Moreno with comedian Reggie Watts, and Phish's Mike Gordon with Leo Kottke. And be sure to check our Soundcloud archives for recent shows featuring Mac DeMarco with Dayglow, Carly Rae Jepsen with mxmtoon, Diplo with Charlie Crockett, and loads more. —Elia Einhorn, Talkhouse Podcast host and producer For this week’s episode, everyone you hear recorded themselves. Our producers are Mark Yoshizumi and Elia Einhorn. The Talkhouse Podcast theme song was composed and performed by The Range. Please direct all podcast-related ideas, vitriol, and compliments to elia@thetalkhouse.com.

To celebrate Carly Rae Jepsen and mxmtoon's rad collab track "ok on your own," we paired the pop stars for what turned out to be a deep dive into the art of making music and learning to thrive in the complicated music industry. In this very warm and insightful conversation, Carly and Maia each share their (very different!) origin stories, and explore both the art of songwriting and live performance. Carly also shares clutch career wisdom. Check it out, and subscribe now to stay in the loop on future episodes of the Talkhouse Podcast, including Tame Impala’s Kevin Parker with Caribou’s Dan Snaith, and Deftones‘ Chino Moreno with comedian Reggie Watts. Plus, ICYMI: mxmtoon just kicked off her yearlong podcast project 365 days with mxmtoon in collab with Talkhouse, which features quirky stories from history that occurred on each day, old diary entries and more; it’s really fun, and like eight minutes long. —Elia Einhorn, Talkhouse Podcast host and producer For this week’s episode, Carly was recorded by Nick Theodorakis, and everyone else you hear recorded themselves. Our producer is Mark Yoshizumi. The Talkhouse Podcast theme song was composed and performed by The Range. Please direct all podcast-related ideas, vitriol, and compliments to elia@thetalkhouse.com.

On this week’s show, a young gun picks a veteran’s brain. A youngish veteran, admittedly — Mac DeMarco’s only 30, but compared to 21 year old Spotify-wunderkind Sloan Struble, aka Dayglow, he’s already spent a lifetime in the music industry trenches. The two take in a lot in this conversation. We hear Mac's origin story, and get a nice overview of his career. We get insight into what it's like finding fast fame online in 2020, and the two dissect the term "DIY" and the changing definition of “indie.” Check it out, and subscribe now to stay in the loop on future episodes of the Talkhouse Podcast, including Tame Impala’s Kevin Parker with Caribou’s Dan Snaith, Carly Rae Jepsen with mxmtoon, and Deftones' Chino Moreno with comedian Reggie Watts. Follow @talkhouse across socials to catch upcoming installments of Talkhouse Podcast Live On Insta. —Elia Einhorn, Talkhouse Podcast host and producer For this week’s episode, everyone you hear recorded themselves. Our producer is Mark Yoshizumi. The Talkhouse Podcast theme song was composed and performed by The Range. Please direct all podcast-related ideas, vitriol, and compliments to elia@thetalkhouse.com.

For this week's episode of the show, we paired two brilliant rockers from different generations, each of whom has a fantastic new record out: Bob Mould (Hüsker Dü, Sugar) and Bully's Alicia Bognanno. They chop it up about a lot, including the making of their new albums; how the music industry has changed since Bob’s early days in the game; the ups and downs of sharing one's life — including familial and mental health issues — with the public; and so much more. Check it out, and subscribe now to stay in the loop on future episodes of the Talkhouse Podcast, including Tame Impala's Kevin Parker with Caribou's Dan Snaith, and Mac DeMarco with Dayglow. Follow @talkhouse across socials to catch upcoming installments of Talkhouse Podcast Live On Insta. —Elia Einhorn, Talkhouse Podcast host and producer For this week’s episode, everyone you hear recorded themselves. Our producer is Mark Yoshizumi. The Talkhouse Podcast theme song was composed and performed by The Range. Please direct all podcast-related ideas, vitriol, and compliments to elia@thetalkhouse.com.

To celebrate the release of their collaborative live LP To Be Surrounded By Beautiful, Curious, Breathing, Laughing Flesh Is Enough, experimental indie rockers Deerhoof and avant garde trumpeter Wadada Leo Smith chop it up on the Talkhouse Podcast. Recalling the shows they've played together — including the one at Le Poisson Rouge here in New York that the record captures — they discuss the magic of collaboration, improvisation, and other matters of cosmic music philosophy. Check it out, and subscribe now to stay in the loop on future episodes of the Talkhouse Podcast, including Bob Mould with Bully's Alicia Bognanno and Mac DeMarco with Dayglow. Follow @talkhouse across socials to catch upcoming installments of Talkhouse Podcast Live On Insta. —Elia Einhorn, Talkhouse Podcast host and producer For this week’s episode, everyone you hear recorded themselves. Our producer is Mark Yoshizumi. The Talkhouse Podcast theme song was composed and performed by The Range. Please direct all podcast-related ideas, vitriol, and compliments to elia@thetalkhouse.com.

In the second episode of the McIntosh "for the love of music..." podcast series presented by Talkhouse, Elia Einhorn spoke with Ben Blackwell, head honcho and co-founder of the world-renowned Third Man Records alongside Jack White, and drummer of Detroit band the Dirtbombs. In the talk, Blackwell discusses Third Man's approach to the music industry — their business model, their philosophy, and the decisions behind their curation process. He also touches on Third Man's commitment to integrity and "doing things the old fashioned way;" tells the story of Neil Young and a very old (and expensive) recording booth; and gives a full rundown on the gear that he and Jack White use to listen to records.

In the second episode of the McIntosh "for the love of music..." podcast series presented by Talkhouse, Elia Einhorn spoke with Ben Blackwell, head honcho and co-founder of the world-renowned Third Man Records alongside Jack White, and drummer of Detroit band the Dirtbombs. In the talk, Blackwell discusses Third Man's approach to the music industry — their business model, their philosophy, and the decisions behind their curation process. He also touches on Third Man's commitment to integrity and "doing things the old fashioned way;" tells the story of Neil Young and a very old (and expensive) recording booth; and gives a full rundown on the gear that he and Jack White use to listen to records.

For this week's show, we paired two game-changing artists working in different mediums who are obsessed with each other's output: musician Paul Banks (Interpol, Muzz) and visual artist/designer Shepard Fairey (Obey). Originally aired as part of our Talkhouse Podcast Live On Insta series, their talk takes in a lot, including the evolution of their art; the thrills and intricacies of collaborating; the direct and passive political work they're involved in; and, of course, Paul's new Muzz LP! Check it out, and subscribe now to stay in the loop on future episodes of the Talkhouse Podcast, including Bob Mould with Bully's Alicia Bognanno, Deerhoof with Wadada Leo Smith, and Mac DeMarco with Dayglow. Follow @talkhouse across socials to catch upcoming installments of Talkhouse Podcast Live On Insta. —Elia Einhorn, Talkhouse Podcast host and producer Our producer is Mark Yoshizumi. The Talkhouse Podcast theme song was composed and performed by The Range. Please direct all podcast-related ideas, vitriol, and compliments to elia@thetalkhouse.com.

Singer/songwriter Perfume Genius — aka Mike Hadreas — and playwright Jeremy O. Harris (Slave Play) are each boundary-shattering artists. Their takes on queer sexuality, trauma, and, in Jeremy's case, race have seen them deified in their respective fields. They're also massive fans of one another's work, and while the two have been "internet friends" for a while, we were truly thrilled to pair them for their first-ever conversation right here on the Talkhouse Podcast. In this insightful discussion, they share their artistic processes, including consciously pushing boundaries and avoiding comfort zones by showing the world one’s metaphorical — and literal — asshole. They also share deets on the amazing celebs Mike has written with, and who Jeremy is getting ready to work with. Check it out, and subscribe now to stay in the loop on future episodes of the Talkhouse Podcast, including Bob Mould with Bully‘s Alicia Bognanno, Deerhoof with Wadada Leo Smith, and Mac DeMarco with Dayglow. —Elia Einhorn, Talkhouse Podcast host and producer For this week’s episode, everyone you hear recorded themself. Our producer is Mark Yoshizumi. The Talkhouse Podcast theme song was composed and performed by The Range. Please direct all podcast-related ideas, vitriol, and compliments to elia@thetalkhouse.com.

Here's the mark of a great Talkhouse Podcast pairing: For this week's show, we introduced legendary producer Diplo (Major Lazer) and rising country star Charley Crockett, and by the end of the talk, the two had decided to work together! In this wonderful conversation, Charley and Diplo go deep on the connections between country music and hip hop, their love of flashy cowboy fashion, the changing looks and sounds of country, and much more. Check it out, and subscribe now to stay in the loop on future episodes of the Talkhouse Podcast, including Perfume Genius with Jeremy O. Harris (Slave Play), Bob Mould with Bully‘s Alicia Bognanno, Deerhoof with Wadada Leo Smith, and Mac DeMarco with Dayglow. —Elia Einhorn, Talkhouse Podcast host and producer For this week’s episode, Charley Crockett was recorded by Gary Calhoun James at King Electric in Austin, and everyone else recorded themself at their #stayhome studios. Our producer is Mark Yoshizumi. The Talkhouse Podcast theme song was composed and performed by The Range. Please direct all podcast-related ideas, vitriol, and compliments to elia@thetalkhouse.com.

On this week's show, we present a deep dive conversation between mutual fans — and newly minted collaborators! — Bruce Hornsby and James Mercer (The Shins, Broken Bells). To celebrate Bruce's single "My Resolve," which features James, the guys sat down for a talk that takes in each of their earliest musical moments, right up to their new collab. Tune in for some wonderful stories of the roles Sir Elton John, Modest Mouse’s Isaac Brock, Zach Braff, and even the musical The Music Man played in their careers. Check it out, and subscribe now to stay in the loop on future episodes of the Talkhouse Podcast, including Diplo with Charley Crockett, Bob Mould with Bully's Alicia Bognanno, Deerhoof with Wadada Leo Smith, and Mac DeMarco with Dayglow. —Elia Einhorn, Talkhouse Podcast host and producer For this week’s episode, everyone you hear recorded themself at their #stayhome studios. Our producer is Mark Yoshizumi. The Talkhouse Podcast theme song was composed and performed by The Range. (But not, you know, Bruce Hornsby's The Range...) Please direct all podcast-related ideas, vitriol, and compliments to elia@thetalkhouse.com.

To celebrate the 20th anniversary deluxe reissue of Mirah's iconic debut You Think It's Like This But Really It's Like This as well the surprise return of The Microphones with The Microphones in 2020, today's show pairs Phil Elverum (also of Mount Eerie) and Mirah in conversation. The dear old friends and collaborators share memories — and explore the act of remembering — in this touching, often very funny talk. Stay tuned for insights into the incredible Olympia, WA music scene of the late '90s/early '00s; why Phil is recording as The Microphones again; and metaphorically — as well as literally — carrying your trash around with you. Check it out, and subscribe now to stay in the loop on future episodes of the Talkhouse Podcast, including Bob Mould with Bully's Alicia Bognanno, Deerhoof with Wadada Leo Smith, and Mac DeMarco with Dayglow. —Elia Einhorn, Talkhouse Podcast host and producer For this week’s episode, everyone you hear recorded themself at their #stayhome studios. Our producer is Mark Yoshizumi. The Talkhouse Podcast theme song was composed and performed by The Range. Please direct all podcast-related ideas, vitriol, and compliments to elia@thetalkhouse.com.

Today’s show, originally aired as part of our Talkhouse Podcast Live on Insta series, features a thoughtful and often hilarious conversation between poet Hanif Abdurraqib and singer/songwriter/poet Adia Victoria. Tune in for a celebration of Little Richard, the history and context of the blues (including why Beyonce is a blues artist!), a nuanced view of Flannery O’Connor, and so much more. Check it out, and subscribe now to stay in the loop on future episodes of the Talkhouse Podcast, including Bob Mould with Bully‘s Alicia Bognanno, Deerhoof with Wadada Leo Smith, and Phil Elverum (The Microphones, Mount Eerie) with Mirah. —Elia Einhorn, Talkhouse Podcast host and producer For this week’s episode, everyone you hear recorded themself at their #stayhome studios. Our producer is Mark Yoshizumi. The Talkhouse Podcast theme song was composed and performed by The Range. Please direct all podcast-related ideas, vitriol, and compliments to elia@thetalkhouse.com.

This week’s show pairs up newly minted friends — and mutual fans — Shamir and Liza Anne. Originally broadcast on our Talkhouse Podcast Live on Insta series, we now present their hilarious and thoughtful convo in podcast form for your listening pleasure! Keep it locked for their deep dive into religion and spirituality, including why Shamir longs to act the part of “the evil queer person in a corny low budget Christian movie.” They also take in finding one’s literal — or metaphorical — New York; Liza Anne’s determined focus on mental health; and which folk star Shamir was in a past life. Check it out, and subscribe now to stay in the loop on future episodes of the Talkhouse Podcast, including Bob Mould with Bully's Alicia Bognanno, Hanif Abdurraqib with Adia Victoria, and Phil Elverum (The Microphones, Mount Eerie) with Mirah. —Elia Einhorn, Talkhouse Podcast host and producer For this week’s episode, everyone you hear recorded themself at their #stayhome studios. Our producer is Mark Yoshizumi. The Talkhouse Podcast theme song was composed and performed by The Range. Please direct all podcast-related ideas, vitriol, and compliments to elia@thetalkhouse.com.

Surprise! Jarvis Cocker has moved his wonderful new LP Beyond The Pale's release date up two months to... tomorrow! Get ready for it with a listen to this rebroadcast of Jarvis' fantastic Talkhouse conversation with The Magnetic Fields' Stephin Merritt.   ~~~   On this week's show, we pair two of the greatest living songwriters, artists who've reimagined what the form can look like, and what it can accomplish. The Magnetic Fields' Stephin Merritt and ex-Pulp frontman Jarvis Cocker each have great new music in the world; when I heard the latter was coming to NYC, I instantly knew I had to try to get these two together in person for a Talkhouse Podcast convo. Thankfully, when presented with the idea, both were psyched! Over cups of tea at Hook and Fade Studios in Brooklyn (before the pandemic), the guys sat down for a delightfully freewheeling conversation about songwriting — and how they both love to subvert its norms in different ways — as well as the vastly different approaches they took to making their new LPs. But of course with these two, there's so much more here, including (but not limited to!): a moving discussion of reunions with their showbiz fathers who had abandoned them; the bad omen that nearly caused Jarvis to quit music in the year 2000; why Stephin’s new sexual fetish might be a “one time only” experience; and their shared love of that "hippy writer" Richard Brautigan. This episode is dedicated to all you "mis-shapes, mistakes, misfits" — enjoy! Pick up The Magnetic Fields' Quickies here, and Jarvis's Beyond The Pale here. Subscribe now to stay in the loop on future episodes of the Talkhouse Podcast, including upcoming talks like Helado Negro with Buscabulla and Black Belt Eagle Scout with Sasami. Make sure to revisit Stephin Merritt and Daniel Handler (aka the author Lemony Snicket)'s 2019 look back on 69 Love Songs on its 20th anniversary. —Elia Einhorn, Talkhouse Podcast host and producer This week’s show was recorded by the Talkhouse Podcast's producer Mark Yoshizumi. Josh Modell and I recorded ourselves in our respective #stayhome studios. Our theme song was composed and performed by The Range. Please direct all podcast-related ideas, vitriol, and compliments to elia@thetalkhouse.com.

This week’s show pairs friends, tourmates, and mutual fans Julien Baker (boygenius) and Katie Harkin (HARKIN, Sleater-Kinney). Originally broadcast to kick off the Talkhouse Podcast Live on Insta series, we now present Julien and Katie’s insightful and hilarious convo in podcast form for your listening pleasure! Keep it locked to hear about the unwelcome expectation that artists be creative during quarantine; elitism in the already intimidating world of synthesizers; and the importance of taking control of your own work. Plus — of course, with these two! — John Milton and dick pics… Check it out, and subscribe now to stay in the loop on future episodes of the Talkhouse Podcast, including Bob Mould with Bully‘s Alicia Bognanno, Shamir with Liza Anne, and Hanif Abdurraqib with Adia Victoria. —Elia Einhorn, Talkhouse Podcast host and producer For this week’s episode, everyone you hear recorded themself at their #stayhome studios. Our producer is Mark Yoshizumi. The Talkhouse Podcast theme song was composed and performed by The Range. Please direct all podcast-related ideas, vitriol, and compliments to elia@thetalkhouse.com.

On this week’s episode of the Talkhouse Podcast, we share a deep-diving conversation about the idea of space for BIPOC folks in indie rock venues — a discussion with the explicit intent “to talk about brown voices, and to talk about how we can uplift them.” Black Belt Eagle Scout — real name Katherine Paul — is a self-described “radical indigenous queer feminist” who grew up on the Swinomish Indian Reservation in Northwest Washington state. KP, as she’s known, is Swinomish and Iñupiaq (a Native community in Alaska). Here, she speaks with Sasami Ashworth, aka SASAMI, a Korean-American singer/songwriter and musician based in Los Angeles. Sasami made her name playing synth in Cherry Glazerr before going solo in 2018. Our special guest-host is Vagabon, or Lætitia Tamko, a Cameroonian-born singer/songwriter/producer. This episode was inspired by the Twitter backlash after a conversation Black Belt Eagle Scout had with Ailsa Chang on the NPR show All Things Considered. With Chang, KP discussed feeling uncomfortable with so many white people at her shows, as her music is intended for BIPOC folks, and stated: “It’s for people of color, for indigenous people, for queer people, and white men are so fragile when I say stuff like that. It’s because of white privilege and they don’t often get told that.” KP was obviously not advocating for banning white men from her shows, but for there to be more room at each performance for her community. Still, of course, a number of fragile white men took to Twitter calling KP racist, and hating on the show for having her on. I saw Lætitia and Sasami tweeting support for KP, with Sasami doing full on UFC-style e-battle with some trolls! I reached out the next day to offer the platform of the Talkhouse Podcast for an extended convo on the topic, one without journalists or “fragile white men” involved. This talk was recorded back in March, just before Covid-19 slammed the States, and before the Black Lives Matter movement’s incredible recent strides. Keep it locked to hear about issues of safety and space in DIY touring, the importance of land acknowledgments, and actionable things that bands and fans can do. Check it out, and subscribe now to stay in the loop on future episodes of the Talkhouse Podcast; next week’s is Julien Baker with Katie Harkin. —Elia Einhorn, Talkhouse Podcast host and producer For this week’s episode, Sasami Ashworth was recorded by Eric Rennaker at bedrock.LA; Katherine Paul, Lætitia Tamko and I each recorded ourselves. Our producer extraordinaire is Mark Yoshizumi. The Talkhouse Podcast theme song was composed and performed by The Range. Please direct all podcast-related ideas, vitriol, and compliments to elia@thetalkhouse.com.

In this inaugural episode of the McIntosh "for the love of music..." podcast series presented by Talkhouse, Elia Einhorn caught up with former Grateful Dead electronics outfitter, and renowned music gear creator, Janet Furman. Janet grew up in New York City, graduating from Columbia University in the late 1960s with an engineering degree before moving to San Francisco and finding work with Alembic, the Grateful Dead’s preferred recording studio and sound crew. Janet recorded the Dead’s live sets on multiple tours, as well as engineering sessions for other rock stars like Steve Miller. She went on to found her own pro audio equipment manufacturing company, Furman, whose products are used in almost every studio and live venue around the world, and which we here at Talkhouse work with every day. Janet shared some amazing stories about working for Owsley Stanley, touring Europe with the Dead and recording some of their most famous work, and even commandeering a helicopter in order to save a massive rock festival… with McIntosh amplifiers.

Sexuality, violence, gender, anger, technology, love. Singer/actress/writer Jehnny Beth (Savages) and Norwegian experimental pop musician and author Jenny Hval are both aesthetically very dark artists who brilliantly dissect these topics in their respective music and erotic novels. On this week's show, we introduce the mutual fans for the very first time; what follows is a powerful, deep dive conversation. Zola Jesus joins me as special guest host. I recently woke up at 5:30AM to set up this conversation between Jehnny's home in Paris, and Jenny's in Oslo. A couple hours later, my almost-three-year-old daughter Conwy woke up just after the talk ended; I took her out of her crib and told her "Dada just listened to a fantastic conversation between two very strong and talented women!" And it really is a fantastic conversation. With Jehnny Beth's debut solo LP To Live Is To Love out just last week, and her book of erotic fiction and photography, Crimes Against Love Memories dropping in early July, and Jenny's new single "Bonus Material" out now and second novel Girls Against God coming later this year, they had a lot to talk about. The two chop it up on their complex relationships with their countries of origin, and the powerful role of language in self-identity; their reasons for functioning primarily outside of the mainstream; and the artist's necessary freedom to express the darker sides of their humanity. Check it out, and subscribe now to stay in the loop on future episodes of the Talkhouse Podcast, including upcoming shows featuring Black Belt Eagle Scout with Sasami, Fusilier with Bartees Strange, and Julien Baker with Katie Harkin. —Elia Einhorn, Talkhouse Podcast host and producer This week’s show was recorded by Jehnny Beth, Jenny Hval, Zola Jesus, and myself at our respective #stayhome studios. The Talkhouse Podcast’s co-producer is Mark Yoshizumi. Our theme song was composed and performed by The Range. Research assistance was provided by Samantha Small. Please direct all podcast-related ideas, vitriol, and compliments to elia@thetalkhouse.com.

In this inaugural episode of the McIntosh "for the love of music..." podcast series presented by Talkhouse, Talkhouse's Elia Einhorn caught up with former Grateful Dead electronics outfitter, and renowned music gear creator, Janet Furman. Janet grew up in New York City, graduating from Columbia University in the late 1960s with an engineering degree before moving to San Francisco and finding work with Alembic, the Grateful Dead's preferred recording studio and sound crew. Janet recorded the Dead's live sets on multiple tours, as well as engineering sessions for other rock stars like Steve Miller. She went on to found her own pro audio equipment manufacturing company, Furman, whose products are used in almost every studio and live venue around the world, and which we here at Talkhouse work with every day. Janet shared some amazing stories about working for Owsley Stanley, touring Europe with the Dead and recording some of their most famous work, and even commandeering a helicopter in order to save a massive rock festival… with McIntosh amplifiers.

Elia @eliaeinhorn was someone I immediately knew I wanted on the show. My exploration at this moment is all around communication. How should we communicate. So pre-quar, I was already thinking about podcasts...what should they be? We've clearly crossed the line where they've gone mainstream, but now it's a lot of noise. So how do we do it well? And what's making stuff going to be like in the new either post-quar or continuous semi-quar world? How are we going to integrate these finally firm lines that have been drawn on inequality? So much. I trust Elia to distill this as much as anyone. He's a learner, a listener. He's very sensitive, empathetic. Really knows how to talk to someone in such a way as to draw the beautiful ideas out of them. So he's a friend. And I wanted to ask him these questions on the show, work it out live. If you want my Kanye feelings, this is a good episode to listen to. Check out Elia on Pitchfork, Talkhouse, Sonos Radio and more. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/teawithsg/message Support this podcast: https://anchor.fm/teawithsg/support

Did you catch the first of our two podcasts this week? It featured Yrsa Daley-Ward reading her powerful new poem "Making The End," and Helado Negro in convo with Buscabulla. Check it out on talkhouse.com Today's show sees The Avett Brothers' Scott Avett chop it up with Eef Barzelay of Clem Snide. The friends and collaborators cover a lot, including: the role of faith in their music; being true to their art even when it hurts; and some amazing stories about Jason Molina and David Berman. Check it out, and subscribe now to stay in the loop on future episodes of the Talkhouse Podcast, including upcoming shows featuring Black Belt Eagle Scout with Sasami, Jehnny Beth with Jenny Hval, and Julien Baker with Katie Harkin. —Elia Einhorn, Talkhouse Podcast host and producer This week’s show was recorded by Scott, Eef, Talkhouse’s Executive Editor Josh Modell, and myself at our respective #stayhome studios. The Talkhouse Podcast’s co-producer is Mark Yoshizumi. Our theme song was composed and performed by The Range. Research assistance was provided by Samantha Small. Please direct all podcast-related ideas, vitriol, and compliments to elia@thetalkhouse.com.

Today's show opens with poet Yrsa Daley-Ward reading her new work "Making The End." Helado Negro and Buscabulla kicked off the Talkhouse Podcast Live on Insta series last month with this warm, thoughtful conversation. The old friends and regular collaborators each have wonderful new music out: Helado Negro recently dropped the single "I Fell In Love" featuring Xenia Rubinos, while Puerto Rican art-poppers Buscabulla just released their hotly tipped debut LP Regressa. As flags from across Latin America and beyond were posted in the comments, they chopped it up on a lot: The experience of releasing music during quarantine; the tight community of “everybody in New York that makes weird music in Spanish”; why Nick Hakim is really Neo from The Matrix; and lots more. Check it out, and subscribe now to stay in the loop on future episodes of the Talkhouse Podcast, including upcoming shows featuring Black Belt Eagle Scout with Sasami, Jehnny Beth with Jenny Hval, and Julien Baker with Katie Harkin. —Elia Einhorn, Talkhouse Podcast host and producer This week’s show was recorded by Buscabulla in Aguadilla, Puerto Rico, Helado Negro in Marfa, Texas, Talkhouse’s Executive Editor Josh Modell in Chicago, and myself in Philadelphia. The Talkhouse Podcast's co-producer is Mark Yoshizumi. Our theme song was composed and performed by The Range. Research assistance was provided by Samantha Small. Please direct all podcast-related ideas, vitriol, and compliments to elia@thetalkhouse.com.

This week's show is a bit different from usual Talkhouse Podcast episodes. While it's nominally hosted by the legendary Alan McGee of Creation Records — the man who signed The Jesus and Mary Chain, My Bloody Valentine, and a lil ol' band called Oasis — it's not at all a two-person conversation. Instead, this episode features Joe Talbot, frontman of the incredible post-punk group Idles, in one of the funniest, most viscerally honest live audience Q&A's I've ever witnessed. Both Joe and the attendees are willing to go to deep and often uncomfortable areas: Buckle up for a discussion of toxic masculinity, the role of violence in Idles' music, and the difficult process of developing one’s own artistic language. We also hear about Joe collabing with Mike Skinner of The Streets, turning Sleaford Mods’ taunts into a song, putting human ashes into vinyl records, and... we even get an unexpected lesson on mindfulness. This Q&A was recorded at the wonderful Barras Art & Design in Glasgow. Check it out, and subscribe now to stay in the loop on future episodes of the Talkhouse Podcast, including upcoming talks like Helado Negro with Buscabulla, Julien Baker and Katie Harkin (Harkin, Sleater-Kinney), Black Belt Eagle Scout with Sasami, and Scott Avett (The Avett Brothers) with Eef Barzelay (Clem Snide). — Elia Einhorn, Talkhouse Podcast host and producer Today’s show was recorded in Glasgow by Nadar Shahzad of Blue Audio (thx Nadar!), and in Philadelphia and Chicago by Elia Einhorn and Josh Modell. Our co-producer is Mark Yoshizumi. Thanks so much to Matt Sadowski of Alt Waves Records and to Barras Art & Design for allowing us to share this event. The Talkhouse Podcast’s theme song was composed and performed by The Range. Research assistance was provided by Samantha Small. Please direct all podcast-related ideas, vitriol, and compliments to elia@thetalkhouse.com.

We here at the Talkhouse Podcast have been nominated by the International Academy of Digital Arts and Sciences for a Webby Award! Woo hoo! It’s in the "Best Live Podcast Recording” category, and we got the nod for our musical episode with Snail Mail, Fred Armisen, and Mary Lynn Rajskub. The show took place last summer at FORM Fest in Arcosanti, Arizona, and the three of them play, sing, and talk… at the same time. In case you missed it the first time around, or are in the mood to crack up again, check it out!  ~~~  BREAKING NEWS! Indie rock it-band Snail Mail has an all-new lineup! Don't worry, Lindsey Jordan is still there — only now, so is Fred Armisen and comedian Mary Lynn Rajskub (24, It’s Always Sunny in Philadelphia). On our second Talkhouse Podcast episode recorded backstage at the wonderful FORM Fest, the three form a group on the spot, then, with instruments in hand, improvise songs about: How they’re actually the new Snail Mail lineup; Chef Boyardee; Neil Young; "lemon squares that Mommy made"; Jesus’ selective saving tendencies (that one's titled called “Here Comes The Son”), and loads more. We also witness spoofs of Queen and Beyonce; hear thoughts on fergiepeepants.jpg; learn about foot fetishists and Wikifeet; take in some sarcastic breakdancing; consider gentle piss modulators; and find out why Mary Lynn is convinced Lindsey needs to get pregnant immediately. This Talkhouse Podcast and video was recorded in the Conservatory backstage at FORM Fest in Arcosanti, Arizona. Pulp Arts and Patreon teamed up to co-present The Conservatory, a rad backstage visual arts installation and recording studio. Talkhouse recorded six episodes there throughout the weekend, so subscribe to make sure to catch upcoming shows, including: Kelsey Lu & Yrsa Daley-Ward Julianna Barwick & Mary Lattimore American Football & Pelican L’Rain & Melanie Faye You can also check out the just-released first episode from the fest, featuring jazz and hip hop legend Robert Glasper with a giant of African music, Malian guitarist Vieux Farka Touré, plus an appearance by Lonnie Holley. —Elia Einhorn, Talkhouse Podcast host and producer  Today’s episode was co-produced by Mark Yoshizumi. It was recorded at FORM Festival in Arcosanti, Arizona, and at Hook and Fade Studios in Brooklyn by Mark Yoshizumi, Danny Clifton and Ian Jones.  Research assistance was provided by Madalyn Feltus.  The Talkhouse Podcast’s theme song was composed and performed by The Range.

On this week's show, we pair two of the greatest living songwriters, artists who've reimagined what the form can look like, and what it can accomplish. The Magnetic Fields' Stephin Merritt and ex-Pulp frontman Jarvis Cocker each have great new music in the world; when I heard the latter was coming to NYC, I instantly knew I had to try to get these two together in person for a Talkhouse Podcast convo. Thankfully, when presented with the idea, both were psyched! Over cups of tea at Hook and Fade Studios in Brooklyn (before the pandemic), the guys sat down for a delightfully freewheeling conversation about songwriting — and how they both love to subvert its norms in different ways — as well as the vastly different approaches they took to making their new LPs. But of course with these two, there's so much more here, including (but not limited to!): a moving discussion of reunions with their showbiz fathers who had abandoned them; the bad omen that nearly caused Jarvis to quit music in the year 2000; why Stephin’s new sexual fetish might be a “one time only” experience; and their shared love of that "hippy writer" Richard Brautigan. This episode is dedicated to all you "mis-shapes, mistakes, misfits" — enjoy! Pick up The Magnetic Fields' Quickies here, and Jarvis's Beyond The Pale here. Subscribe now to stay in the loop on future episodes of the Talkhouse Podcast, including upcoming talks like Helado Negro with Buscabulla, Black Belt Eagle Scout with Sasami, and comedian Chris D'Elia with filmmaker Amanda Kramer. Make sure to revisit Stephin Merritt and Daniel Handler (aka the author Lemony Snicket)'s 2019 look back on 69 Love Songs on its 20th anniversary. —Elia Einhorn, Talkhouse Podcast host and producer  This week’s show was recorded by the Talkhouse Podcast's producer Mark Yoshizumi. Josh Modell and I recorded ourselves in our respective #stayhome studios. Our theme song was composed and performed by The Range. Please direct all podcast-related ideas, vitriol, and compliments to elia@thetalkhouse.com.

This week on the show, we celebrate the wonderful Other Music documentary with two Grammy-winning artists: singer-songwriter Aimee Mann and the National's Matt Berninger. The two discuss the iconic record store and the creative importance of having physical spaces dedicated to musical community, plus we hear how they're managing to work during the pandemic, and Matt reveals that he's both writing a musical and launching a label imprint. The Other Music doc features many wonderful artists that have appeared on our show — TV on the Radio, the Magnetic Fields, Superchunk, Yeah Yeah Yeahs, Jason Schwartzman, Animal Collective, William Basinski, Frankie Cosmos and more — this is truly a #talkhousecore film! Other Music is currently being screened via a "virtual theatrical release," with more than 200 independent record shops and movie theaters offering it to rent, and splitting the profits 50/50. This is a wonderful chance to support your local purveyor of brilliant art, and catch one of the must-see music films of the year. Click here to find your local favorite store or theater that's screening it! (Our producer Mark Yoshizumi rented it from his alma mater Reckless Records in Chicago; Talkhouse Film's Editor-in-Chief Nick Dawson supported Permanent Records in L.A., and I went with Record Grouch in Brooklyn, where I've spent many and many a happy hour amongst the hallowed racks.) Enjoy today's show, and subscribe now to stay in the loop on future episodes of the Talkhouse Podcast, including upcoming talks like Jarvis Cocker (Pulp) with the Magnetic Fields’ Stephin Merritt, and Black Belt Eagle Scout with Sasami. —Elia Einhorn, Talkhouse Podcast host and producer This week’s show was recorded by Aimee Mann, Matt Berninger, Nick Dawson, and myself in our respective #stayhome studios. The Talkhouse Podcast's co-producer is Mark Yoshizumi. Our theme song was composed and performed by The Range. Please direct all podcast-related ideas, vitriol and compliments to elia@thetalkhouse.com.