Podcast appearances and mentions of Kip Winger

Kickass drummer/instructor Benjamin Hans joins me from Nashville! He's worked with such greats as Trixter, Eric Martin, and Kip Winger, and shares some stories. We talk about his jazz album, living and working in Nashville, vinyl, magazines, and more! We start the show with talking to our Gen Z friend Koda about her 90's knowledge.

Interview by Kris PetersAmerican hard rock outfit Winger have been a mainstay in the global music scene for almost 40 years, with their triple-platinum, self-titled debut album spawning hits like Seventeen, Headed for a Heartbreak, and Madalaine. Their sophomore album, In the Heart of the Young, solidified Winger's place in rock history, delivering anthems such as Miles Away and Can't Get Enuff, propelling the band into a select group of artists who have become bigger than the industry that created them.Over the years, Winger has gained significant critical acclaim, with Grammy nominations and widespread recognition for their intricate compositions and electrifying stage presence. Each member of the band has built an impressive resume beyond the project, with Reb Beach becoming a longtime guitarist for Whitesnake, Rod Morgenstein playing with the Dixie Dregs, Paul Taylor collaborating with Alice Cooper, John Roth playing with Giant and Starship, and frontman Kip Winger enjoying a successful solo career and a critically acclaimed career as an orchestral composer which has earned him a Grammy nomination.But for all of Winger's achievements and tales from over the years, there is one mountain left to climb. One world left to conquer.  And that world is here. Australia.It's hard to fathom that the original incarnation of Winger has never toured this country, with previous visits being either as Kip performing solo or without the original band lineup. But in honour of their Australian fans and perhaps as a means of ticking off remaining bucket list points, Winger are finally headed this way - with original members - for a run of shows this April to deliver the ultimate send-off, celebrating decades of iconic music in a career spanning musical spectacle.HEAVY had the pleasure of spending time with Kip ahead of the tour, at one stage asking him what it will mean for him to round out his musical career to date with the upcoming shows."The band has got a huge legacy, and it's rare that a band like us would be all original members still," he replied. "It's rare, and we all still really enjoy playing with each other on stage, so it's great. When we played Australia in 2014 it was just spectacular. I mean, the fans are awesome, and I've always wanted to come back with the band. We're very excited about coming, and we've got all the original members, including John Roth. So it's actually going to be better than it would have been before because I don't think John was able to come that time."Another topic we broached was the period in the mid-1990s that saw Winger part ways, largely due to the explosion of grunge, and ask if that movement was as bad for rock music as history has led us to believe."Yeah, it was over like that," Kip sighed. "It was over overnight. When Smells Like Teen Spirit came out MTV dropped all the 80s bands, and MTV was really the big promotion tool. Then you had Beavis and Butthead and all that stuff, which didn't help at all. They were lifting all the grunge bands up and talking trash about all the bands like us, so it was over in a second. It was like, you're playing an arena, and then you're playing a club within a six-month period."In the full interview, Kip discussed Winger's upcoming tour in Japan and Australia with the original line up, emphasizing its significance as a rare opportunity for fans to see the band perform together in their purest form. He highlighted his transition to a classical music career, which adds to the tour's importance, and reflected on the band's legacy and positive experiences from their previous Australian tour in 2014. Kip recounted the band's formation during the peak of rock music in the late 1980s, their rise to fame, and the subsequent decline due to the grunge movement, which led to their disbandment in 1994.He noted his continued musical pursuits through solo projects and the resurgence of interest in Winger's music, keeping the spirit of rock alive. Kip also shared his artistic evolution towards orchestral music, mentioning his classical album and current projects with the Nashville Symphony and more.Australian tour tickets https://www.silverbacktouring.com/Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

This week we talk about songs and albums by artists that the artists themselves have tried to lock away and bury! This is the continuation of our series that explores what happened when bands that had success in the 80s attempted to follow trends and remain relevant in the 1990s. Listen in as we discuss the varying degrees to which this worked, or where we had to ask, “What were they thinking?”What's this InObscuria thing? Our podcast exhumes obscure Rock n' Punk n' Metal and puts them in one of 3 categories: the Lost, the Forgotten, or the Should Have Beens. This time around we are bringing you the most lost of the lost. The decade of the 90s was such a polarizing time for older bands that were still trying to remain relevant. Options for 80s hard rock and glam metal bands: get heavier, go alternative or grunge, go industrial, re-brand, or stay the course…Songs this week include:Freak Of Nature – “Enemy” from Gathering Of Freaks (1994)Winger – “Junkyard Dog (Tears On Stone)” from Pull (1993)Slaughter – “American Pie” from Revolution (1997)The Newlydeads – “Free Weapons” from The Newlydeads (1997)Scorpions – “Mysterious” from Eye II Eye (1999)Europe – “All Or Nothing” from Prisoners In Paradise (1991)Chris Gaines – “White Flag” from Garth Brooks in… The Life Of Chris Gaines (1999) Please subscribe everywhere that you listen to podcasts!Visit us: https://inobscuria.com/https://www.facebook.com/InObscuriahttps://x.com/inobscuriahttps://www.instagram.com/inobscuria/Buy cool stuff with our logo on it!: https://www.redbubble.com/people/InObscuria?asc=uIf you want to hear Robert and Kevin's band from the late 90s – early 00s BIG JACK PNEUMATIC, check it out here: https://bigjackpnuematic.bandcamp.com/Check out Robert's amazing fire sculptures and metal workings here: http://flamewerx.com/If you'd like to check out Kevin's band THE SWEAR, take a listen on all streaming services or pick up a digital copy of their latest release here: https://theswear.bandcamp.com/

This week's X5 Podcast is a powerhouse highlight reel you can't miss! Featuring appearances from Kip Winger, Mark Kendall & Brett Carlisle, Steel Panther, Billy Morrison, Tommy Clufetos, David Ellefson, and more, it's a star-studded celebration of the best rock guests we've ever had. Get behind-the-scenes stories from Brett Scallions, Kevin Martin, Amber Wild, Dee Snider, Richie Kotzen, and Carmine Appice that will blow your mind. And don't miss a bonus Billy Idol clip waiting at the end—consider it the cherry on top of this musical feast!

Jason Fraley interviews Kip Winger, lead singer of the band Winger, which rocks the Tally Ho Theatre in Leesburg, Virginia on Friday. They discuss the band's biggest hits from "Headed for a Heartbreak" to "Miles Away," as well as how the band bounced back after the grunge movement temporarily put them out of business. (Theme Music: Scott Buckley's "Clarion")

This week in the Thanking The Greats Series, we want to thank musician and producer extraordinaire Beau Hill. If you were a fan of 80s hard rock, you most likely had a record that Beau Hill produced. He was responsible for producing some of my favorite records in the 80s including Ratt, Warrant, Kix, and Winger just to name a few.  In the “Thanking The Greats Series” we will explore and discuss an individual Artist, Producer, Song Writer, Manager, or just about anyone involved in the music business we think has had a long career and contributed to the music we grew up loving. Oh and while we are at it, we will also select and play a few tunes we dig that are related to that individual. WE NEED YOUR HELP!! It's quick, easy, and free - Please consider doing one or all of the following to help grow our audience: Leave Us A Five Star Review in one of the following places: Apple Podcast Podchaser Connect with us  Email us growinuprock@gmail.com Contact Form  Like and Follow Us on FaceBook Follow Us on Twitter Leave Us A Review On Podchaser Join The Growin' Up Rock Loud Minority Facebook Group Do You Spotify? Then Follow us and Give Our Playlist a listen. We update it regularly with kick ass rock n roll Spotify Playlist Buy and Support Music From The Artist We Discuss On This Episode Growin' Up Rock Amazon Store Pantheon Podcast Network Music in this Episode Provided by the Following: Europe, Black Bambi, Airrace, Fiona and Kip Winger, Kix, Crown of Thorns, Warrant, White Boy, The Storm, Streets, Crazy Lixx, and Winger Crank It Up New Music Spotlight Crazy Lixx - “Call Of The Wild” If you dig what you are hearing, go pick up the album or some merch., and support these artists. A Special THANK YOU to Restrayned for the Killer Show Intro and transition music!! Restrayned Website Learn more about your ad choices. Visit megaphone.fm/adchoices

Singer and bassist for the band Winger, Kip Winger joins Frank Mackay on this episode of The Frank Mackay Show!

Note: "Act 1" was a separate published audio podcast.*Check out EZ's morning radio show "The InZane Asylum Q100 Michigan with Eric Zane" Click here*Get a FREE 7 day trial to Patreon to "try it out."*Watch the show live, daily at 8AM EST on Twitch! Please click here to follow the page.Email the show on the Shoreliners Striping inbox: eric@ericzaneshow.comTopics:*More on Dierks Bentley and Cole Swindell*EZ actually loves the music of Ted Nugent and Kid Rock...but hates their opinions.*Chicks loved Kip Winger!*EZ officially down the rabbit hole of YouTube while searching out a Chuck Berry song where he talks about banging a 13 year old girl!*Shohei Ohtani had quite a night!*The Detroit Tigers are kicking ass!*Checking in with Rick from TC Paintball.*Great clip of EZ interrupting Rick from TC!*Some talk about "The Fat-A-Thon"*Oxford High School off the hook*Asshole of the Day BTYB TC PaintballSponsors:Berlin Raceway, Frank Fuss / My Policy Shop Insurance, Kings Room Barbershop, A&E Heating and Cooling, The Mario Flores Lakeshore Team of VanDyk Mortgage, Shoreliners Striping, Ervines Auto Repair Grand Rapids Hybrid & EV, TC PaintballInterested in advertising? Email eric@ericzaneshow.com and let me design a marketing plan for you.Contact: Shoreliners Striping inbox eric@ericzaneshow.comDiscord LinkEZSP TikTokSubscribe to my YouTube channelHire me on Cameo!Tshirts available herePlease subscribe, rate & write a review on Apple Podcastspatreon.com/ericzaneInstagram: ericzaneshowTwitterSupport this podcast at — https://redcircle.com/the-eric-zane-show-podcast/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Rich Embury is back again with another flashback to the '70s, '80s, and '90s rock and metal scene! Rock History, and Classics from Salty Dog / Skid Row / Stone Temple Temple / ZZ Top / David Lee Roth / Three Dog Night / Lita Ford / Lee Aaron / Fiona & Kip Winger / […]

Send us a Text Message.What if your favorite 80s movies and music could teach you about loyalty, friendship, and even corporate controversies? Buckle up for an episode packed with chaotic banter, nostalgic memories, and a hearty dose of humor. From technical hiccups that had us in stitches to lively debates about Kip Winger's hits and personal anecdotes that will make you feel like part of our crew, we've got it all. Join us as we navigate through the social dynamics of reunions, the importance of staying true to oneself, and the spontaneous humor that live chat comments bring to our show.Get ready for a 45 Poker showdown that will leave you laughing out loud. We celebrate a shift in wine preferences from Chardonnay to Sauvignon Blanc and dive into our weekly poker game where each of us draws three 45s to compare hits. Whether you're rooting for Andy Gibb, Stevie Wonder, or Vicky Lawrence, the friendly competition and brotherly banter create an engaging and nostalgic atmosphere. And as we reminisce about the rise and fall of Bud Light through the lens of 1989's significant musical and cultural events, you'll find yourself reflecting on corporate controversies and brand loyalty in today's media landscape.We'll take you on a nostalgic trip through the careers of the iconic Brat Pack, the evolution of 60s and 50s music, and the unforgettable moments from the late '80s. From the brilliance of John Hughes' films to the Moscow Music Peace Festival and Madonna's provocative MTV Awards performance, our discussion is filled with humor, personal preferences, and candid opinions. Plus, we'll explore the complexities of brand loyalty and consumer behavior, using beer preferences and celebrity endorsements to draw intriguing parallels. So tune in, laugh with us, and reconnect with the music and movies that defined an era.

National Selfie day.  Entertainment from 2011.  US Constitution ratified. First woman to parachute out of an airplane, Spaceshipone won X-Prize of $10 million.  Todays birthdays - Jane Russell, Bernie Kopell, Ray Davies, Michael Gross, Meredith Baxter, Kathy Mattea, Kip Winger, Juliette Lewis, Chris Pratt, Brandon Flowers.  Charles Krauthammer died.Intro - Pour some sugar on me - Def Leppard    http://defleppard.com/Selfies - Nina NesbittRolling in the deep - AdeleHoney Bee - Blake SheltonBirthdays - In da club - 50 Cent    http://50cent.com/Loveboat TV themeYou really got me - The KinksFamily Ties TV themeEighteen wheels and a dozen roses - Kathy MatteaSeventeen - WingerSomebody told me - The KillersExit - Its not love - Dokken    http://dokken.net/Follow Jeff Stampka on Facebook and cooolmedia.com

On the June 21 edition of the Music History Today podcast, it's World Music Day and the summer solstice. It's the debut of World Music Day and Bonnaroo, a blues legend passes away, and LPs debut. Plus, it's happy birthday to Kip Winger and Lana Del Ray. For more music history, subscribe to my Spotify Channel or subscribe to the audio version of my music history podcasts, wherever you get your podcasts from ALL MUSIC HISTORY TODAY  PODCAST NETWORK LINKS - ⁠https://allmylinks.com/musichistorytoday⁠  --- Send in a voice message: https://podcasters.spotify.com/pod/show/musichistorytodaypodcast/message Support this podcast: https://podcasters.spotify.com/pod/show/musichistorytodaypodcast/support

Ben Hans stops by to discuss his latest book, Snare Drum 365: 52 Weeks of Daily Snare Drum Exercises.  We discuss how he got into the music industry and has worked with many household names in the music business. Ben shares his relentless effort to pursue his career in the music industry. Click on the links below to catch Ben on tour with Trixter and get a copy of his latest book!Ben's website: Click HereLatest Tour Dates: Click HereGet Ben's books : Click HereBen's Bio:Ben Hans is a Nashville based musician and music instructor who keeps a busy performance schedule performing many genres of music. Ben performs as a freelance artist, who cut his teeth performing under the tutelage of Jazz Guitarist Jack Grassel and the late Swing Clarinetist Chuck Hedges.Ben has shared the stage with a diverse list of artists such as singer/songwriter/composer and Grammy nominated C. F. Kip Winger, Eric Martin (of Mr. Big), Steve Brown and PJ Farley of Trixter, Anthony Corder (the voice of Tora Tora), Rock Vocalist Fiona Flanagan, Guitar virtuosos Reb Beach, John Roth, Jorge Salan and Donnie Wayne Smith, the late great Jazz Pianist Barry Harris, celebrated Saxophonists Eric Morones, Johnny Padilla and Jesse Lee Montijo, Jazz Guitarists Scott DuBois, Jeff Schroedl, Steve Peplin, Kirk Tatnall, Mike Standal, Michael Arnold, Pete Billman and Roger Brotherhood as well as many more great Jazz artists such as Rick Embach, Berkeley Fudge, Tom McGirr, Aaron Gardner, John Babbitt, Mark Solveson, Hal Miller, Kevin Kostick, Mark Lewandowski, Jeannine Rivers, Anita Stemper, Vince Oglesby, Swing Nouveau, in addition to Blues artists Altered Five, Jonny T-Bird and Tallan Latz. Ben has worked with Legendary Rudimentalists John S. Pratt, Dominick Cuccia and Mitch Markovich, as well as Percussionists Jim Sewrey, Jeff Salisbury, Kaili Francisco and many more.Ben is also an author, proofreader, freelance editor and session performer for Hal Leonard Publishing, with published works including: "Workin' Drums - 50 Solos for Drumset", "40 Intermediate Snare Drum Solos", "Rudimental Solos for the Marching Snare Drummer", "Modern School for Mallet Keyboard Instruments", "Hal Leonard School for Snare Drum", transcriptions of Ray Luzier's "Double Bass Drum Techniques", the compilation book "First 50 Solos You Should Play on Snare Drum", as well as performing on and writing for the Hal Leonard DVD "Traditional Rudimental Drumming" by John S. Pratt. Ben has also released "How to Play Drums in 14 Days" from Troy Nelson Music.With over three decades of experience as an educator and clinician, Ben currently instructs private studio lessons in Nashville, TN privately and through the Nashville Music Academy. Ben has also enjoyed working with his students at his former music instructor positions at the Milwaukee Area Technical College, the Wisconsin Lutheran College, SAE Institute - Nashville and the Wisconsin Academy of Music.Ben is a Yamaha Performing Artist who also currently endorses Aquarian Drumheads, Mike Balter Mallets, Vic Firth Drumsticks, Tycoon Percussion and Impression Cymbals. Ben is a member of ASCAP and John S. Pratt's 'International Association of Traditional Drummers'.

If you weren't alive in the nineties, it's hard to do justice to just how popular Beavis & Butt-Head were. Their MTV show was cutting-edge stuff, notably, because the two Mike Judges creations often mocked the very same artists the network had only years earlier played to great success (just ask Kip Winger). In the show, Beavis and Butt-Head's adventures were intermingled with them providing commentary on music videos, something which would eventually be phased out as the brand grew in popularity beyond MTV. It was all part of MTV's strategy to branch out beyond music videos, with its launch coinciding with The Real World and the start of MTV Films. The latter, of course, wanted to turn the teenaged animated phenomenon into a movie. After years of prodding, Mike Judge finally agreed to make Beavis and Butt-Head Do America. A Christmas of 1996 release, the film was a sizeable hit, grossing $63.1 million domestically. Still, oddly enough, it took decades for there to be a sequel, and even then, it was a streaming premiere tied to a new series rather than a full-feature. Perhaps it was due to Mike Judge being busy with King of the Hill and his features Office Space and Idiocracy. Whatever the case, in this nostalgic episode of WTF Happened to this Movie (written by Brad Hamerly, edited by Cesar Gomez & narrated by Mathew Plale), we look back at how the film came together and how the power couple of the moment, Demi Moore and Bruce Willis, ended up being part of the voice cast. 

Considering that Pam has not seen a single one of the five movies reviewed in the August 1990 Watch It, we find an awful lot to say about them. But that's not all! There's also dolphins, Butt-head, Goo, spack, Barbie, garbage, Sondheim, Michael Rank, Michael Rank, and Michael Rank -- and it's all stuck together with God's glue. If that's not Enuff? Z'Nuff! QUICK LINKS

On Episode #34 of  @themvppodcast we talk with Pittsburgh musician Mark Ferrari. Check out his music here: https://markferrarimusic.com/Check out his YouTube here:  @CallingAllCars99  Mark Ferrari is a singer/songwriter from Pittsburgh, PA. Mark grew up in Hays, a small urban community located on the outskirts of the city.  He has opened up for many national acts including country royalty George Jones, Van Zant, Uncle Kracker, Edwin McCain, Natasha Bedingfield, CeeLo Green, Blue Oyster Cult, Kip Winger, Red Wanting Blue, Dennis Quaid, Kevin Bacon, The Bacon Brothers, John Waite, Corey Feldman, Adam Ezra and more.  He has performed VIP Preshow Parties at the Post Gazette Pavilion for One Republic, The Script, Daughtry, Nickelback, Dead and Company, Steve Miller, Peter Frampton, Live, Darius Rucker, Lady Antebellum, Dan and Shay, Rascal Flatts, Kelly Clarkson, Goo Goo Dolls, Train, Counting Crows, Kid Rock, Foreigner, Zack Brown, and Matchbox Twenty.  He has appeared on CMT's Music City Madness, Froggy Radio, WDVE, BobFM, The Rock Station, KDKA, and more.  He currently is writing and producing his 4th album.  You can also find him performing the National Anthem at PNC Park for the Pittsburgh Pirates. Mark performs all over the eastern region and is a hometown favorite in Pittsburgh, PA.

XVI •Sixteen years in the same building but with many different building owners/managers. •Hmmm, can Patrick get Kip Winger to come out for our 17th Anniversary next year…? •Looking back at the comic shops of Chicago over the past 16 years. •Dal likes to refresh our website captions regularly. •The end of our reward program. •Uncanny X-Men #130 cover posters! •IG video responses.  Contest of Challengers #677

This week we offer up the 12th installment of our series called, “Degrees Of Separation…” where we discuss side projects and solo releases from artists we love. We are celebrating the adjacencies to a true rock n' roll icon: ALICE COOPER. Not much to say about the man, the myth, the legend. Capn'n Content suggested that we focus our listening to the gunslinger guitarists that have supported the Coop throughout his long career. So, that's what we are doing! Enjoy.New to InObscuria? It's all about digging up obscure Rock n' Punk n' Metal from one of 3 categories: the Lost, the Forgotten, or the Should Have Beens. While we may be talking about an artist that many of you know in this episode, perhaps you are not aware of the depth of the side projects that the guitarists who've supported him over his 50+ years have. Our hope is that we turn you on to something new!Songs this week include:Hollywood Vampires - “The Boogieman Surprise” from Rise (2019)Billion Dollar Babies - “Too Young” from Battle Axe (1977)Electric Angels - “Dangerous Drug” from Electric Angels (1990)Lou Reed - “Vicious” from Lou Reed Live (1975)Kane Roberts - “Rock Doll” from Kane Robers (1987)Tokyo Police Club - “Little Sister (feat. Orianthi)” from 10x10x10 (2011)Avantasia - “The Toy Master (Feat. Alice Cooper & Henjo Richter)” from The Scarecrow (2008)Visit us: https://inobscuria.com/https://www.facebook.com/InObscuriahttps://twitter.com/inobscuriahttps://www.instagram.com/inobscuria/Buy cool stuff with our logo on it!: https://www.redbubble.com/people/InObscuria?asc=uCheck out Robert's amazing fire sculptures and metal workings here: http://flamewerx.com/If you'd like to check out Kevin's band THE SWEAR, take a listen on all streaming services or pick up a digital copy of their latest release here: https://theswear.bandcamp.com/If you want to hear Robert and Kevin's band from the late 90s – early 00s BIG JACK PNEUMATIC, check it out here: https://bigjackpnuematic.bandcamp.com/

They've been rocking the country for 10 years and now Paralandra is releasing their second full-length album. The Body Electric is available on April 4th, wherever you get your records. We talked with lead singer Cassandra Carson about the collaboration that makes Paralandra what it is and what it's like having your dad playing lead guitar. Plus, we learn what not to say to Kip Winger when you run into him backstage.For more information and to find out when they're playing near you, check out their website, or you can follow them on Facebook.

In honor of the recent examination of Kip Winger on the show, Brian and Murdock revisit Episode 45 and get the lowdown on the music and lifestyle of the 1980's Sunset Strip (and find out if Slash REALLY DID audition for Poison) by welcoming rock journalists Tom Beaujour and Richard Bienstock to the show. Check out Tom and Rich's amazing oral history NÖTHIN' BUT A GOOD TIME: The Uncensored History of the '80s Hard Rock Explosion here.

The guys get a letter giving them permission to talk all about Kip Winger, Alan Parsons, Metallica, and the two cartoon teenagers who might have ruined a rock career. Support the show on Patreon See the show on YouTube Visit the show on Instagram Visit the show on Facebook SHOW NOTES Murdock's Winger concert poster: https://www.facebook.com/109986773920217/posts/cinderella-wwinger-and-the-bulletboys-may -24-1989-at-the-starwood-amphitheatre-a/152499713002256/ Murdock's favorite Winger song: https://www.youtube.com/watch?v=GWxNFr_EK_g https://en.wikipedia.org/wiki/Kip_Winger https://en.wikipedia.org/wiki/Winger_(band) https://en.wikipedia.org/wiki/Alan_Parsons https://pabook.libraries.psu.edu/literary-cultural-heritage-map-pa/bios/Michaels__Bret https://www.rockhall.com/bon-jovi https://www.cantonrep.com/story/entertainment/local/2015/06/04/tom-keifer-s-cinderella-story/34416499007/ Nothin' But a Good Time – the book: https://us.macmillan.com/books/9781250195753/nothinbutagoodtime https://en.wikipedia.org/wiki/Tape_op https://en.wikipedia.org/wiki/Beau_Hill https://en.wikipedia.org/wiki/Constrictor_(album) https://en.wikipedia.org/wiki/Alice_Cooper https://www.spin.com/2012/03/hated-nation-30-biggest-punching-bags-pop-history/8/ https://www.revolvermag.com/music/kip-winger-james-hetfield-apologized-metallicas-nothing-else-matters-dartboard-scene https://www.loudersound.com/news/winger-end-feud-with-beavis-and-butt-head-writer https://en.wikipedia.org/wiki/Liquid_Television https://beavisandbutthead.fandom.com/wiki/Stewart_Stevenson https://sleazeroxx.com/kip-winger-recalls-how-the-beavis-and-butt-head-television-show-hurt-wingers-career-early-on/ https://www.yahoo.com/entertainment/kip-winger-90s-backlash-metallica-mike-judge-232651140

The guys get a letter giving them permission to talk all about Kip Winger, Alan Parsons, Metallica, and the two cartoon teenagers who might have ruined a rock career. Get more show via Patron: https://www.patreon.com/rocknrollbedtimestories/membership SHOW NOTES Murdock's Winger concert poster: https://www.facebook.com/109986773920217/posts/cinderella-wwinger-and-the-bulletboys-may -24-1989-at-the-starwood-amphitheatre-a/152499713002256/ Murdock's favorite Winger song: https://www.youtube.com/watch?v=GWxNFr_EK_g https://en.wikipedia.org/wiki/Kip_Winger https://en.wikipedia.org/wiki/Winger_(band) https://en.wikipedia.org/wiki/Alan_Parsons https://pabook.libraries.psu.edu/literary-cultural-heritage-map-pa/bios/Michaels__Bret https://www.rockhall.com/bon-jovi https://www.cantonrep.com/story/entertainment/local/2015/06/04/tom-keifer-s-cinderella-story/34416499007/ Nothin' But a Good Time - the book: https://us.macmillan.com/books/9781250195753/nothinbutagoodtime https://en.wikipedia.org/wiki/Tape_op https://en.wikipedia.org/wiki/Beau_Hill https://en.wikipedia.org/wiki/Constrictor_(album) https://en.wikipedia.org/wiki/Alice_Cooper https://www.spin.com/2012/03/hated-nation-30-biggest-punching-bags-pop-history/8/ https://www.revolvermag.com/music/kip-winger-james-hetfield-apologized-metallicas-nothing-else-matters-dartboard-scene https://www.loudersound.com/news/winger-end-feud-with-beavis-and-butt-head-writer https://en.wikipedia.org/wiki/Liquid_Television https://beavisandbutthead.fandom.com/wiki/Stewart_Stevenson https://sleazeroxx.com/kip-winger-recalls-how-the-beavis-and-butt-head-television-show-hurt-wingers-career-early-on/ https://www.yahoo.com/entertainment/kip-winger-90s-backlash-metallica-mike-judge-232651140.html

On this episode of The Eddie Trunk Podcast, Eddie brings you a pair of recent interviews - first up, it's Jack Blades who sat in with Eddie at The Sands in Cancún and talked about Night Ranger's tour dates, his history of songwriting, presenting an award to Prince, some Damn Yankees and much more. Then, it's Eddie's conversation with Kip Winger who called in to talk about Winger's new box set, Chapter One: Atlantic Years 1988-1993, the reception for the latest record, Seven, touring plans and so much more!Catch Eddie Trunk every M-F from 3:00-5:00pm ET on Trunk Nation on SiriusXM Faction Talk Channel 103.And don't forget to follow Eddie on Twitter  and Instagram!Follow the link to get your free 3-month trial of SiriusXM: http://siriusxm.com/eddietrunk 

We're learning a lot both in the pop culture topics as covered in the June 1990 Sassy, and ALSO in our further research about them. A Parenthood TV show? The couple I Love You To Death was based on? Who Rachel Hunter would end up with after Kip Winger? How many more Teenage Mutant Ninja Turtles movies would follow the 1990 début? There's just so much to know! We also touch on Kate Pierson, Spanky Taylor, and Natalie Maines's future ex-husband. Put Bad Influence on pause, but definitely come back to it AFTER you listen to our latest episode! QUICK LINKS

Nina DiGregorio, a Yamaha string artist, is a classically trained violinist, bass player, writer/arranger, vocalist, and pianist, but is most well known for being a pioneer of the electric rock violin, as well as a music business mogul and entrepreneur. She has performed as a soloist and string arranger with the some of the biggest names in the business.  She arranged and performed strings with The Killers for President Obama and on one of their recent albums.Television credits include the Latin Grammys with Shakira, being featured on the Beyonce “I am…Yours” DVD and both “David Foster and Friends” DVDs and PBS specials, alongside Josh Groban, Michael Bublé, Boz Scaggs, and Peter Cetera among others, as well as the featured soloist with Charice. Other television credits include a performance with Andrea Bocelli for the DVD and PBS special “Amore Under the Desert Sky,” The Muhammad Ali 70th Birthday Celebration, “Michel Legrand and Friends,” “Bell'aria PBS special,” and America's Got Talent Season One with Bella Electric Strings, of which she is founder, writer, and lead violinist.She was the solo violinist in Toni Braxton's band for 2 years. Nina was also featured in a recent Blues Traveler performance, dueling with harmonica virtuoso John Popper on The Devil Went Down To Georgia. Other performance credits include Stevie Wonder, Deep Purple, Cheap Trick, Wayne Newton, Cee-lo Green, John Legend, Johnny Mathis, Smokey Robinson, Trans-Siberian Orchestra, Donna Summer, Mary J Blige and Jay Z, Earth, Wind, and Fire, Marco Antonio Solis, and many more.As a writer/arranger, her work has been heard in shows such as “Toni Braxton Revealed,” “Beyonce I Am….Yours,” The Fab; Beatle's Tribute Band, The Las Vegas Tenors, The Killers, The Yellow Brick Road Symphonic Rock Show, as well as on many studio recordings.Nina's work with her project Bella Electric Strings can best be described as, “imagine if Hendrix played a violin.” Utilizing full effects pedals and blistering solos, she brings to life many famous rock tunes for electric string ensemble. On top of opening for Michael McDonald and Charlie Daniels, Bella recently performed as the featured string quartet with Richard Marx in his Las Vegas show. Richard also hired twenty Bella girls to be featured on camera performing with himself, Kenny Loggins, and Eric Benet for a DirecTV special that aired over the summer of 2016. Bella Strings has also had the privilege of being affiliated with the prestigious “Rock and Roll Fantasy Camp,” performing alongside such artists as Kip Winger and Todd Rundgren at the facility. The group keeps a busy corporate schedule, as well as traveling for Yamaha String Educator Development Seminars, in which Nina's arrangements are featured around the country to demonstrate the Yamaha Silent and Electric violins.Nina created/produced a rock production show called “FEMMES OF ROCK starring Bella Electric Strings,” which has been selling out theaters nation wide. Other creations include Bella Bottoms; a disco string show, an LED Laser string show, Trifecta; a vocal string show, Jingle Bellas; a holiday string show, among others.Nina holds a Bachelor of Arts in English from the State University of New York at Buffalo, as well as a Bachelor of Music in Violin Performance. She also holds a Master of Music degree in Violin Performance from the University of Nevada Las Vegas. She was a recent recipient of the coveted Distinguished Alumni award from the University at Buffalo; one of the youngest to receive the award. Support the showThanks for listening for more information or to listen to other podcasts or watch YouTube videos click on this link >https://thetroutshow.com/

The Sennheiser 416 has become an industry-standard tool. Being a  “shotgun” mic (or in tech terms a super-cardioid) the microphone is extremely sensitive in a very narrow field. For this reason, it is often used on film sets where the mic needs to be a little farther away from the actor's mouth (so it's not in the frame), and the production team wants to capture the actor's voice without capturing background noise in the room. These qualities also make it extremely versatile for use in home voiceover studios!  But who first decided a Shotgun would be great for Voice Over, and why is it now an industry standard?  A big shout out to our sponsors, Austrian Audio and Tri Booth. Both these companies are providers of QUALITY Audio Gear (we wouldn't partner with them unless they were), so please, if you're in the market for some new kit, do us a solid and check out their products, and be sure to tell em "Robbo, George, Robert, and AP sent you"... As a part of their generous support of our show, Tri Booth is offering $200 off a brand-new booth when you use the code TRIPAP200. So get onto their website now and secure your new booth... https://tribooth.com/ And if you're in the market for a new Mic or killer pair of headphones, check out Austrian Audio. They've got a great range of top-shelf gear.. https://austrian.audio/ We have launched a Patreon page in the hopes of being able to pay someone to help us get the show to more people and in turn help them with the same info we're sharing with you. If you aren't familiar with Patreon, it's an easy way for those interested in our show to get exclusive content and updates before anyone else, along with a whole bunch of other "perks" just by contributing as little as $1 per month. Find out more here..   https://www.patreon.com/proaudiosuite   George has created a page strictly for Pro Audio Suite listeners, so check it out for the latest discounts and offers for TPAS listeners. https://georgethe.tech/tpas If you haven't filled out our survey on what you'd like to hear on the show, you can do it here: https://www.surveymonkey.com/r/ZWT5BTD Join our Facebook page here: https://www.facebook.com/proaudiopodcast And the FB Group here: https://www.facebook.com/groups/357898255543203 For everything else (including joining our mailing list for exclusive previews and other goodies), check out our website https://www.theproaudiosuite.com/ “When the going gets weird, the weird turn professional.” Hunter S Thompson Summary In this episode of the Pro Audio Suite, hosts George Wittam, Robert Marshall, Darren Robbo Robertson, and Andrew Peters take a deep dive into all things related to professional audio equipment. The discussion covers the technicalities of the legendary 41 six microphone, its proximity effect, and how its placement profoundly influences the output. Renowned rock and roll voiceover artist Steve Britton's microphone technique is highlighted, including how he utilizes the aggressive nature of the mic to enhance his voice. The hosts also discuss other microphones such as the eight one eight, the SM Seven, and the 4116, comparing their various characteristics and potential uses. Additionally, they touch upon potential changes in the industry due to the advent of AI voices. The podcast concludes with advice for individuals dealing with their own audio issues, encouraging listeners to explore and make the most out of their equipment like iPhone mic, acknowledging how surprisingly good it can sound when used correctly. Check out theproaudiosuite.com for more information and use the code Trip a P 200 for $200 off your tribooth. #ProAudioSuite #VoiceoverTechTips #TriboothDiscounts   Timestamps [00:00:00] Intro: Welcome to Pro Audio Suite [00:00:30] Exploring the Proximity Effect of 41 Six [00:03:33] Voiceover Pioneer: Ernie Anderson's 41 Six Influence [00:07:44] Microphone Showdown: 416 Vs. SM Seven [00:12:16] Unraveling the Versatility of Eight One Eight [00:17:56] Mic Recommendation: Small Diaphragm Shep [00:23:19] Debunking the Myth: Foam on 41 Six [00:25:32] The History of Headset Mics [00:30:25] AI Voice Realm: A Threat or a Boon?   Transcript Speaker A: Y'all ready be history. Speaker B: Get started. Speaker C: Welcome. Speaker B: Hi. Hi. Hello, everyone, to the Pro Audio Suite. Speaker C: These guys are professional and motivated with tech. To the Vo stars George Wittam, founder of Source Elements Robert Marshall, international audio engineer Darren Robbo Robertson and global voice Andrew Peters. Thanks to Triboo, Austrian audio making passion heard. Source elements. George the tech. Wittam and robbo and AP. International demo. To find out more about us, check thepro audiosuite.com line up learner. Speaker B: Here we go. Speaker C: And don't forget the code. Trip a P 200 that will give you $200 off your tribooth. Now, I've been playing around with the proximity effect of the 41 six, the legendary 41 six, and I've never really set it up to shoot straight down the barrel. Speaker B: So what's your default placement? Speaker C: Usually slightly off to the side. Speaker B: Okay. So still relatively level, but just coming pointing at you a little bit off to the side. Speaker C: Yeah. And pointing down. So pointing down but slightly side. Speaker B: Got it. Speaker C: This way is still pointing down, targeting the mouth, but going full it straight at it. And I did one read like that, then I followed it up with one slightly to the side, and then I followed that up with an eight. One eight. But I know we've talked about the proximity effects of the 41 six, but I actually couldn't believe the difference. It shocked me that it was so bright and it's how I remember the 41 six sounding. Speaker B: So what you're saying is like, you've kind of detuned the mic, you've detuned it to calm down. What makes the mic so aggressive? By using that placement and then when. Speaker C: I put it back holy crap. Speaker B: Oh, yeah, that's what that mic? Speaker A: Well, it's interesting because there's a guy who AP and I know and have both worked with a guy called Steve Britton, who's sort of the big know, rock and roll voiceover guy, and he actually uses it to his advantage because he's not so hyped. His natural voice is not so sort of steeped in those sort of high mids and highs. So he actually gets right up on it. The best way I can describe it is he pretty much swallows the thing when he does a voiceover and uses it to his advantage because it sort of obviously accentuates that part of his voice that isn't really there naturally. The only deficit is that from an engineer's point of view, that as soon as you touch anything in the highs, it just blows up. You've got to be so careful around up there with him when you're sort of mixing him. Speaker C: Well, the strange thing about his voice is you think you're going to have to play with all the lows because it's such a big, deep voice, but as soon as you touch anything, the highs just go mental. Speaker A: Well, yeah, and that's the way you've got to work with Steve's voice, is rather than sort of additive EQ, it's subtractive you've really just got to sort of balance it by taking away some of that deeper stuff that's there in bucket loads. And just leave the top alone, otherwise it will just destroy itself. I've seen people with three DS's on a track trying to get rid of it once they've started sort of trying to get that typical radio cut through, which is the biggest mistake. And as soon as you say start again, but don't touch the highs, just cut some lows, they go, yeah. : Okay. Speaker C: So my question is with the 41 Six, it was the guy who was the voice of The Love Boat. Was he the first guy to use the 41 Six for Ernie Anderson? Speaker B: I don't know if he was the first, but he was certainly the most well known for it. : I thought Don LaFontaine made it really popular. Speaker B: Well, Ernie is the one who's caught on camera using that mic on video and other things, where he's in the studio at ABC and he's literally doing know. : And I got to imagine someone just did it because, like, here's a mic. It's the one that the freaking news guy uses. But here you go. Say the word. Speaker C: The story I heard was not like I think he was a bit paranoid and he didn't like being in the booth because he thought people were talking about him. Speaker B: Right. Speaker C: And so he wanted to sit out in the control area. Speaker B: That's right. Speaker C: And he couldn't use a normal large diaphragm, couldn't use a U eight seven. Speaker B: Out there, every damn thing. Speaker C: So one of the guys on the floor came up with the idea of using the 41 Six. That's what I heard. : Why don't you use this razor blade to record your voice? Speaker B: Yeah, it's probably a 415 or whatever they had at the time. : Yeah, probably a T powered 415 at the time. Yeah, I got a couple of those. Those sound a little bit different than the four. Speaker B: Little bit less distorted. Speaker C: Yeah, exactly. Speaker B: That sound, for whatever reason, better, for worse, it's become the character of what a voiceover sound sounds like. Like when you listen to a voice recorded with a close up mic, I think we've gotten incredibly tuned what that sound is. It's become what was the word you used? Robo? Standard, but something else. Speaker A: Yeah, I did, didn't I? I used a big word printed benchmarked. It's a benchmark. Speaker B: Benchmark, yeah. Kind of a benchmark, yes. So I've been hearing that mic with my clients and promo people for so long. So when I hear another mic, right, upside of it, if it's an accurate mic with very little color, such as the OC 8118, it sounds well, it sounds like this here. Here's a 41 six of Andrew and then the eight one eight. So this is what a non accurate mic and then an accurate mic sounds like side by side. And then you did it in two different placements, right? Speaker C: Yeah. I did that was because of our discussion a couple of weeks back, where we were talking about placement with the 41 Six, which I'd never I thought, yeah, well, whatever. : Andrew, where do you like the 416? Speaker C: You'd be surprised where'd you like that. He's got a dark brown voice. No, he hasn't. Speaker A: Well, if they say that your voice is chocolatey, you can tell them why. Speaker C: Yes. Getting a bit messy now, is it? Speaker A: Yes, indeed. Speaker C: I always had the 40 116, sort of like facing down, but to the slightly to the side. So I'm sort of almost not quite side addressing, but you know what I mean? That's how I had it and I got used to that sound. And then after our discussion, I thought, I wonder if the proximity, I wonder what it really is like. So I moved the mic and went basically pointing straight at me, but slightly downwards towards my mouth, and I couldn't believe the difference. It was just like two different mic. It was two different mics and it was the old get a toothpick and stick it in your eardrum kind of sound that you get with the 41 Six. : Yeah, which is the other reason why I think engineers like it, because you get a voice recorded on that and it's just going to cut through everything and you don't have to do a lot more to it. It just sort of has this pre processing that works for a lot of that in your face advertising. Speaker B: The Hamburger Helper of microphones. : Yeah, it's just like in your face advertising. Right there, done. Speaker B: Here's what it sounded like. Here's the samples. I got them right here. Speaker C: The MercedesBenz GLE SUV is the complete package. The MercedesBenz GLE SUV is the complete package. The MercedesBenz GLE SUV is the complete package. So that's first one was straight down the barrel, second one to the side, and the third one was the eight one eight. : And you can hear it, it just gets less and less edgy, less and less. It does. Speaker A: The interesting thing about the 4116, and I guess its impact on the industry, is it's been copied a few times, probably, or tried to be copied. But I'm on an NTG five right now and it's probably the closest, I reckon, that I've heard. : I don't know. The NTG five has got more bass. I'm on an NTG five, too. I think the NTG five is a warmer mic. Yes, it does have that shotgunny in your face thing, but it's a little bit actually bigger sounding, but it's not necessarily more cuddy. I think this the eight one eight. You could take it and EQ it to do what the 416 does. Speaker B: Oh, yeah. : Pick up more room. But the 416 is just sort of like there it is, it's going to. Speaker A: Put done for you. : It's a cut. Speaker A: Yeah. Speaker B: I'm so used to the way that bright cut condenser mic sounds that I add EQ to my own mic because I want it to sound more like that bright, condenser mic sound. Right. Now I'm talking into the Earthworks Ethos, which is a very flat mic. And if I cut my what is it, ten khz? Six DB shelf, basically. It's not a shelf, but it looks like one. Then it sounds like this. Right, and it still sounds good. It just doesn't have that top end, that bright sizzle. : I think the extreme difference would be go from a 416 to an SM Seven. Speaker B: Yeah, well, the SM Seven has like this kind of this mid range thing that I've never been a big fan of the way that sounds. Speaker A: For voiceover. Speaker B: Yeah, for voiceover. : Do you like the PL 20? The Re 20 better than the SM seven. Speaker B: Yeah. Personally, radio voice, the PL 20 is the Re 20 without that big basket on it, the front, right. : No, I cannot tell you the difference between them, actually. I believe they are the exact same, just years difference. Speaker B: Oh, got you. : For this year to this year. They made the Re 20 and then they I think the PL 20 was before the Re 20 got you. Yeah. No, I think that as powerful and big of a mic. And no matter how much Rush Limbo wanted to gold plate his, I think the SM Seven beat the PL 20 in overall installations since the Pandemic, at least. It's like, holy cow. Did they get the SM Seven out there on podcast? Speaker C: Yeah, absolutely. Speaker B: I don't know who they have to thank for it, but Joe Rogan is probably high up on the list because he's been YouTubing his podcast for quite a few years now. : I mean, there's an ad campaign that I've never seen an ad for an SM Seven. That's marketing. Speaker B: Yeah, that's right. : Yeah, you need it. And I didn't even tell you. Speaker B: I mean, I just installed a podcast studio and the mic was not chosen because that's the best mic. It was chosen because that mic was seen on another podcast. Yes, exactly. Because the owner is and the 416. : Has got that, too. And so it's like, yeah, the SM Seven, you can abuse it. And it's going to be pretty consistent and whatever dark and warm. And it has that thing for radio where it's not going to pick up. It's just going to seem to pick up the voice and not the other stuff. Right. Like the 416 has got the cut. Speaker C: Yeah, the SM seven. SM Seven b basically eat the things anyway, and they're built like a tank, which is perfect. : Yeah. You can abuse the whole mic and you won't hear. I mean, I don't know how Howard Stern gets away with abusing his Neumann condenser the way he does and you never hear it. Speaker C: Can you explain that one's? Speaker B: Still a mystery. : It's like it should just be like. Speaker B: This kind of shit all over the. Speaker A: Place because it's not connected, I'm sure of it. Speaker C: I don't think it's connected. It's a fucking prop, isn't it? : It's a prop, yeah. Speaker B: Now this sounds more like an SM seven B, doesn't it? This is that it does a little. : Darker fatter, a little bit less top. Speaker B: End, a little bit more mid bump around one k, couple of DB. Now it's like an SM seven. I could go to the low frequency and boost up the bottom end. Now, they would sound even maybe a little bit more. : So in the spirit of don't send us a processed voice. Stop using 416s because they sound too processed already. Speaker B: Yeah, stop using them altogether. Speaker C: But it's kind of weird, isn't it? We're like, we get a large diaphragm mic or something and then we try and EQ it up to sound like a four one six. Just use the 41 six and be done with it. Speaker B: Really? I've caught myself doing that where somebody's like, okay, here's a sample of my 41 six, here's a sample of my TLM 103, can you make me a stack for each of these two mics? And over the time I'm just like, okay, I'm not going to touch the EQ at all on the 41 six. : Yeah. And then you're going to make their tail on 103 sound like a 41 six. Speaker B: What, did you resist the urge? I used to, I used to, but I resist the urge and now what I'm doing is I'm mostly just going to do corrective EQ. Speaker A: Yeah. Speaker B: When there's like a harshness, a nasal, some resonance in the booth, then that's it. : I think with the TLM you could give it a little bit more of a glassy sound and not so much of an upper mid, but a way airy high frequency kind of airy boost and make it nice and it'll still have some sort of I wouldn't call it cut, but presence, literally. But it'll be different than the 416, which has that frequency that every speaker has. It's like four k, eight k all packed in there. It's like your worst speaker on earth plays back those frequencies, for sure. Speaker A: Yeah, no doubt, yeah. Well, and the eight one eight, well, it's the polar opposite, isn't it? : I think eight one eight is like the TLM. You could just give it like a glassy airy sound, you're not cornered into the sound of the four six. I think the eight one eight could be more of a chameleon than the 416. The 416 does its thing and that is it. Speaker C: Yeah. It's a one trick pony, that's for sure. Speaker B: It's a one trick pony, but the way you manipulate it is by placement. Speaker C: Yeah, well, that became obvious. Yeah, absolutely. It did sound like two different microphones just by moving it. Speaker B: I mean, the first time I saw. : A 42 different voice actors sometimes, yeah. Speaker B: The first time I saw a 40 116 in an audiobook production facility, I. Speaker A: Was like, yeah, that seems like for. : A long term thing, it's like that's a harsh mic to be listening to 8 hours of the same person. You'd want nice pillowy mic? Speaker B: Yeah. So I don't know what post they were doing on the audio. I'm sure they were doing some EQ. : It's like listening to classical music on NS Ten s? Yes. Speaker A: I was going to say you'd be pulling the earbuds out halfway through mowing the lawn. You'd be going, Jesus, my ears are bleeding. Speaker B: Yeah, absolutely. : Well, maybe it's good for the lawnmower. You're mowing the lawn. It's like I can hear 4K. Speaker A: I've got Ebays in to stop going deaf, but I'm going deaf anyway. : Yeah. Speaker B: Here's a little test. Tell me what this is. Speaker C: The MercedesBenz GLE SUV is the complete package. : That is either the 416 straight on, I think, or maybe to the side. Speaker B: All that was was the eight one eight with a shelf high shelf on it. It was an eight DB shelf starting at seven. : Wow, that's a shitload. That's a lot of DB. Speaker B: It's so funny. I opened up the Au filter plugin, which is like a really simple four band EQ. And the setting I had last loaded, wasn't that's what it was? It was just like an ATP shelf at seven k. Wow. I was like, all right, let's see what that sounds like. That's what that sounds like. : Sounds like so the 416 is boost at. Boost at. Speaker B: But if you ran that EQ on the 416, well, you would get this. Speaker C: The MercedesBenz GLE make it stop. : D 416. Speaker A: Try selling a MercedesBenz with that sound. Yeah, exactly. Oh, my goodness. Speaker B: Off brand, for sure. Yeah, but it's weird, there's a lot of commercial work getting booked, especially female voice stuff. That is really bright. : Yeah, it is. I used to say a lot of the times, depending on the 414, some females didn't work as well with a 414 because their voices were already kind of airy and then you get that really top end mic on it. Yeah. And it's like they overcompensate and sometimes like a U 87 worked better because just sort of try to pick up some of those lower mids. Speaker B: I used to recommend the Rode NTG three all the time for women because it was a very dark, flat and warm mic and so it worked really to their advantage a lot of times, in fact. Speaker C: That's funny you say that, because that's the mic I got for Somerset for Interg three, because it just did not sharp and nasty. Speaker B: So, yeah, it's funny, when you have a good mic that gets all the information with no distortion, you can really EQ it. And when you have a mic that is pre filtered, pre EQed and arguably has some degree of distortion, it's much. : Harder to correct it like anything with audio, it's easy to work with a blank slate compared to trying to uncompress. Speaker B: Oh, boy. : It's impossible or unds. Speaker B: Right? : Or UN crazy 416 EQ something. Because no matter what you do, the fix that you apply will create other harms, and you'll just end up with Swiss cheese in the end. So these broader, flatter, big diaphragm mics or what's interesting is, I think, to get a really accurate voice, I've not seen anybody try to record voice with, say, like a Km 184. And sometimes you see a lot of the opera singers what's an opera singer set up, like, a nice small diaphragm away from the singer? Speaker B: Yeah. Distant placement. : Distant, right. And then you get that just like that is what it is. There's no proximity. And I'll bet you for some people's voice, maybe something like a really pure small diaphragm condenser would be pretty interesting. That's why I was curious about those rode TF. Mics. Speaker B: Yeah, TFI. : Those look pretty high end small diaphragm condenser. And I bet you those would probably. Speaker B: Wait, didn't one of you guys get the small diaphragm Austrian audio? Speaker C: Yeah, robert's got them. : I got the OC eight. I got the OC eight. And those are good. I was going to say, I don't think they're sheps killers. They're closer to 184s. They're not sheps, but they're much closer to like honestly, they're much closer to, like, 450 ones. They're a little bit less full and very good for symbols, but not necessarily the whole I think a really good small diaphragm mic like a shep would be amazing on the right person's voice. But you'd have to have the right booth, right? There's no way, you know, you can. Speaker B: Get a chef's headset microphone. I actually demoed it once. $2,400 headset mic. It was an ultrasound headphone. $600 headphone with a chef. : And the microphone is like a pencil. It's like a pencil, yeah, it was pretty big, actually. Speaker B: It had a big windscreen. It was for sports casting. It had a big gooseneck on it. And it was like this ridiculous contraption that I was able to get a demo of one time, and I used it. It's on YouTube somewhere. $2,400 headset. Headset mic. : Chefs and BNKS. Man, not cheap mic. Speaker B: No compromises. : Yeah, they are good, though, definitely. I mean, Neumann's, too, but those are like, chefs. Doesn't even try to make a 103. They're like, you're going to make $1,000 microphone. Ha. We'll make a $7,000 microphone. Our cheapest mic is $2,000. Speaker C: I would love to, at some point, find out how the 41 six did become so prevalent. : Honestly, I always hurdles, don LaFontaine. I remember I was shocked when I found out, like, really? 416? Speaker B: Just for the record, it was not the mic that was in this booth when I met him. Like, I never saw him using that booth. : The 416 was not the mic that Don LaFontaine used, not when I met him. Speaker B: I mean, I worked with him in 2005, but he'd already been recording for 20 years by that point. : Andrew, when did the 416 become all the rage, because when I started in 1998, it was like, u, people are using shotguns, but I'm just an early engineer who's like, shotguns are colored. You only use them because you have to because you have mitigating circumstances. Why would you ever use a shotgun in a perfectly clean booth? And I start working on higher end commercials, and you start finding these voice talent who are using it. And actually, come to think of it, cutters. We had VIP 50s until, like, the early 2000s VIP, and then we got these Mylabs. Okay, very interesting mic. Rectangular diaphragm. So the skinny side of the rectangle is supposed to give you the best of a small diaphragm mic, and the long side of the rectangle is supposed to give you the best of a large diaphragm mic. Speaker B: Far out. : But they were good. We even had some voicemail go like, what's that mic? Like, I need your setup. And one guy bought one. But by the early 2000s, we put 416s in all the booths, and eventually that was just the mic. Like, the VIP 50s got pushed to the side, and everyone who walked in just got recorded on a 416 by default. And that's by 2005. I feel like we were just all 416. So Andrew, I don't know. When do you feel like the 416 took over? Speaker C: Because I was in radio until 97, so I didn't really see any commercial studios because everything was done in the radio station. So there was from memory, I don't remember seeing any shotguns in any radio stations. It was usually SM seven. : You still don't true. You still don't see shotguns in radio stations. Speaker C: Well, you do here now. You do see them in the production areas. Speaker B: Really? Speaker C: Absolutely. They're all 41 sixes in the production areas of radio stations. So the first time I saw a 41 Six would have been probably late ninety s ninety seven. Ninety eight, I guess. : So that's when it started taking over, in, like, late 90s, early 2000s. Speaker C: Yeah. And then they became everywhere. And a funny story, actually, because I had to do a job when I was in La. So I had to find a studio. So I went to La Sound. Speaker B: And. Speaker C: Of course, they had the 41 Six there. But I was talking to I won't mention the person's name because he's pretty high profile and might get the shits with me, but I was talking about the 40 116 with this person and about the foamy, and he said, no one in this country would ever have the foamy on their 41 six. It just doesn't happen here. I don't know why you guys do that. That's ridiculous. That's crazy. Never seen it before. : Well, usually you just put the normal you put the normal steadman screen windscreen in front of it. Speaker C: Yeah, I sent him a photograph. There's me in the booth, La Sound with the foamy on the 41 six. So they definitely had the foamy on. Speaker A: Well, there you go. I always use the foamy. I used to, because there's plenty of people who didn't know how to use the mic, used to get up all over it and just make it. : Here's a funny one. Even Harlan Hogan's vo one A was based on an older MSL. Model. Was it based on or was it just an older MXL model? Speaker B: No one will really know except him. But they say it's, I think, a 1006 or something. : It's a 1006. Speaker B: And I have two of those and they sound amazing. : I got several. Speaker B: A really fucking good cheap mic. It's a really good cheap mic. : It was the first $100 large diaphragm mic I bought for me, too. And then I won't say who in Australia modify one. Speaker C: Yes, I know who that is. Yeah, we'll leave that bit out. Speaker B: So the chef's headset is the HSC four VXP. It's the model number, if you want to look it up, and very unique mic. And the capsule on it is what probably you're more interested in. And they make different versions, so they have a strong proximity compensation model so you can get it, like, designed to actually compensate for proximity effect. Which is interesting because, again, Sports, they want the boom right up in front of their mouth to reject background. : Let's start let's start putting, like, parabolic mics in the booth. Speaker B: I know you talked about that. That would be crazy. Well, the capsule, which is funny, I'm looking at an ad for the mic and they don't mention the capsule, but I think I did in my video. I have a video on YouTube from years ago. If you just search for Widows World episode 90 Headset Mic Roundup, you'll find this video. And I actually try out a bunch. : Of the Kip Winger headset mic roundup. Speaker B: I mean, I was trying from really cheap crappy stuff all the way up to the ships and everything. : The stuff that you start out with the mics that only pick up S's. Speaker B: Right, or have no low end response period, they just roll off below 200 something. : If you des them, they go silent. Speaker B: Yeah, exactly. Well, there's just been a tradition of bad sounding headset mics for so many years. : Sure has. I mean, do you remember that audio technica that I was playing around with? Is it the really cheap one headset mic? I think it might have been a dynamic and it didn't even have the headset. It's just a head warning mic. But it didn't even have headsets. Speaker B: I use those in many aerobics or fitness studios where budget was an issue because they could be destroyed and it wasn't a huge loss. But, yeah, those are classics. But audio Tending, it just came up with a headset mic. That where they graphed basically an at 2020 capsule onto a headset boom. And it's like a $200 headphone with a 2020 capsule. And it's pretty freaking bad. I mean, it's pretty good. Again, comparing it to what else is out there, it's pretty good, but it's. : Still well, that's the reality. Honestly, if someone gave me a voiceover recorder on a cell phone, I'd get it on the yeah, you find a way and I'd find a way, and I'd freaking bass synthesize some stuff and make it sound as good as it can go. And unfortunately, with a lot of clients, they're like, okay, sounds good. I understand the words. Sounds like a commercial to me. But we know there's a huge difference between all that stuff. I don't know. I still don't like it. But I've had a couple of voices. Now I've run into the tiny, basically rode video microphone, USB video mic. Speaker B: Go two. : Yeah, it's like your pinky. Speaker B: That's probably because I've recommended it to a bunch of people. : You can blame me for that one. Yeah, it's like it's okay. Speaker B: It's $100 mic. : Yeah. The flaws are exposed much quicker and the escape routes are smaller. Speaker B: It's probably marginally better than the phone mic in the iPhone. Just it's a shotgun, so it's a little bit more directional. Yeah. At the end of the day, I'm blown away with, when you use the iPhone mic correctly, how good it actually can sound. It's crazy. : Yeah. And especially if they start putting, like, arrays of microphones in there and doing. Speaker B: Beam forming, they're doing I don't know which vert well, they're already doing that. I mean, you don't realize it, but they are doing that. They use three capsules and it's a beam. : Oh, the microphone and the iPhone is a beam. Speaker B: They have been for quite a while. I even had an LG phone. It was like a V 40 or something. It was probably six years ago. And I could steer the microphone pickup pattern front to back, depending on who using the little slider on the screen. And I could say, make it pick up the guy in front of me and then make it pick me up, and I could go back and forth. So that's been around in cell phones for a while. But anyway, I had a lot of fun doing interviews with the new rode wireless kit with the wireless me, because the rode capture app on the phone will shoot both cameras. So I'm shooting a video of me and shooting a video of the guest. And they have a mic and I have a mic. So when I'm done, I have two videos and two audio tracks to manipulate and post. And it's amazing how good of a production you can make from that, really? : From your pocket. Speaker B: It's crazy. Yeah. I posted a couple interviews. Speaker C: Was that the one with the woman from Heil? Yeah, I saw that. : This is why we're all out of business. Speaker C: I thought you'd actually done some naughty shots, but I didn't realize you were actually live with your bits to camera as well. : What's going. On with the AI voice realm? Has that calmed down or are people still freaking out on AI taking over? Speaker C: I haven't seen much like it's less. : A little bit less discussed recently? Speaker C: I haven't seen much at all. Speaker A: What microphone do you use on an AI voice? : How many drummers does it take to change the light bulb? I'll tell you the same number of voiceovers it takes to read a book. Speaker A: None. : Because you just get an AI to do it. Speaker B: Well, that was fun. Is it over? Speaker C: The Pro audio suite with thanks to Tribut and Austrian audio recorded using Source Connect, edited by Andrew Peters and mixed by Robbo Got your own audio issues? Just askrobo.com. Tech support from George thetech Wittam. Don't forget to subscribe to the show and join in the conversation on our Facebook group. To leave a comment, suggest a topic or just say good day. Drop us a note at our website proaudiosuite.com.

Beau Hill is a music producer best known for his work with Ratt, Alice Cooper, Warrant, Winger, Europe and Kix.  In this episode we discuss a variety of things throughout his career and his life.  He tells stories of working with music legends like Stevie Nicks, Bob Dylan and Eric Clapton. We also discuss his thoughts on Poison's CC Deville doing the solo on Cherry Pie, the music business, and his path to success. A must listen to episode for music fans! 0:00:00 - Intro0:00:13 - Golf 0:03:00 - Traveling to Antartica 0:06:00 - Beau's Journey 0:08:35 - Jon Keyworth, Denver Broncos 0:09:45 - Production Techniques 0:12:42 - Keith Olsen & Stevie Nicks 0:17:45 - Beau's Band Airborne 0:23:13 - Audition for Foreigner & Spider 0:26:02 - Co-Producing Demos with Sandy Stewart 0:32:05 - Call to Produce Ratt 0:34:40 - Working with Stevie Nicks 0:39:26 - Working with Ratt 0:47:00 - Alice Cooper & Michael Wagener 0:48:24 - Producer Sam Taylor 0:51:15 - Bob Dylan, Eric Clapton & Ron Wood 0:59:30 - Warrant's Cherry Pie & Don Ienner 1:02:30 - CC Deville's Solo on Cherry Pie 1:08:10 - Jani Lane 1:13:07 - Producing, Remixing & Arranging 1:20:20 - Uncle Tom's Cabin 1:22:35 - Job at Interscope 1:27:25 - Black Bambi & Unruly Child 1:31:30 - Elements of a Hit Record 1:33:19 - Oliver Anthony 1:35:55 - Social Media & Connections 1:40:03 - Drinks & Big Parties 1:43:50 - Tunnel to Towers 1:44:50 - Working with New Bands 1:46:30 - Outro Beau Hill Productions website:https://beauhillproductions.com/Tunnels to Towers website:https://t2t.org/Chuck Shute website:https://chuckshute.com/Support the showThanks for Listening & Shute for the Moon!

ICYMI: Later, with Mo'Kelly Presents – An in-depth conversation with Kip Winger, lead singer of the iconic 80s band ‘Winger' (“Seventeen,” “Headed for a Heartbreak”) regarding the new Paramount+ documentary series, ‘I Wanna Rock: The 80s Metal Dream,' which explores the decade era of “hair metal” that swept America and dominated the music scene…PLUS – Thoughts on the ‘Barbenheimer' Weekend Box Office success AND a look at your Horoscopes and “which tattoo design should you choose based on your zodiac sign” - on KFI AM 640 – Live everywhere on the iHeartRadio app

ICYMI: Later, with Mo'Kelly Presents – An in-depth conversation with Kip Winger, lead singer of the iconic 80s band ‘Winger' (“Seventeen,” “Headed for a Heartbreak”) regarding the new Paramount+ documentary series, ‘I Wanna Rock: The 80s Metal Dream,' which explores the decade era of “hair metal” that swept America and dominated the music scene - on KFI AM 640 – Live everywhere on the iHeartRadio app

Holmberg's Morning Sickness - Monday July 24, 2023 Learn more about your ad choices. Visit megaphone.fm/adchoices

An epic box office report, a pickleball strike, the rise of magic mushrooms, Kip Winger and more! The KQ Morning Show - Originally aired on July 24, 2023. See omnystudio.com/listener for privacy information.

Holmberg's Morning Sickness - Monday July 24, 2023 Learn more about your ad choices. Visit megaphone.fm/adchoices

Paramount+ introduces the new three-part documentary series I Wanna Rock: The 80s Metal Dream which looks back at the decade when “hair metal” swept America and dominated the music scene. The series follows five young dreamers who set out to make it in the world of hair spray and spandex. Some achieved super-stardom; some failed to catch on; others battled personal demons, sexism and even Congress – and they all fought for survival when the nation's taste in music began to shift when the 90s grunge scene emerged.One of the stars featured in the new docu-series is Kip Winger, lead singer and bassist of the iconic 80s metal band Winger. A native of Denver, Kip began taking music lessons at an early age, studying classical guitar as well as ballet classes (he later joined the Colorado State Ballet). In 1986, Kip began playing with metal legend Alice Cooper before eventually forming his own band. Winger's self-titled debut led the band to stardom, featuring hits such as Seventeen and Headed for a Heartbreak. Today, in addition to performing with Winger (which has reformed with all its original members), Kip is also a classical music composer. His album Winger: Conversations with Nijinski earned a Grammy nomination for Best Contemporary Classical Composition

Watching I Wanna Rock: The 80's Metal Dream on Paramount+ and you cannot help but follow the story of Janet Gardner, lead singer and rhythm guitarist of VIXEN and now performing with her husband as Gardner/James. We had the pleasure of sitting down with Janet this week to talk about the shots at stardom and the allure of the stage. Before. During. After. She's great and you're gonna love it. Check out three episodes exploring the world of 80's hair and glam metal featuring Dee Snider, John Corabi, “Snake” Sabo, Kip Winger, and Janet Gardner. Directed by Tyler Measom and produced by MTV Entertainment and Van Toffler of Gunpowder & Sky. --- Send in a voice message: https://podcasters.spotify.com/pod/show/mametalcast/message

This week, Danielle and Millie discuss HEAVENLY BODIES (1984) and PERFECT (1985), coffee shop culture, the horniness of 1980's exercise classes, and Kip Winger's long teeth.To see a full ISWYD movie list, check out our Letterboxd here:https://letterboxd.com/isawwhatyoudid/films/diary/See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Kevin just got off a boat! Listen to his tales of the Kraken and other aquatic beasts encountered on his Monsters Of Rock Cruise 2023 experience! Did he finally see Tesla after 37 years of missing them live? Did he witness a Stryper vs. Burning Witches battle of good and evil? Did he mistakenly sit on Angry Anderson? Did he really have 8 podcasters in an interior room huddled around a single mic for 2-hours? Have a listen to find out.What is it we do here at InObscuria? Every show Kevin opens the crypt to exhume and dissect from his personal collection; an artist, album, or collection of tunes from the broad spectrum of rock, punk, and metal. This week Kevin goes on location to the Atlantic to bring us all the news about some semi-obscure and not-so-obscure hard rocking bands. Have a listen to all things MORC!Songs this week include:The Cruel Intentions – “Jawbreaker” from No Sign Of Relief (2018)Chris Holmes – “The Devil Made Me Do It” from Under The Influence (2020)Junkyard – “Staredown” from Old Habits Die Hard (2020)Hardcore Superstar – “Cry Your Eyes Out” from Hardcore Superstar (2005)Rose Tattoo - “Juice On The Loose” from Scarred For Life (1982)D-A-D – “Reconstructed” from Helpyourselfish (1995)Rhino Bucket – “Hello Citizens” from The Last Real Rock N' Roll (2017)Extreme – “#Rebel” from Six (2023)Please subscribe everywhere that you listen to podcasts!Visit us: https://inobscuria.com/https://www.facebook.com/InObscuriahttps://twitter.com/inobscuriahttps://www.instagram.com/inobscuria/Buy cool stuff with our logo on it!: https://www.redbubble.com/people/InObscuria?asc=uIf you'd like to check out Kevin's band THE SWEAR, take a listen on all streaming services or pick up a digital copy of their latest release here: https://theswear.bandcamp.com/If you want to hear Robert and Kevin's band from the late 90s – early 00s BIG JACK PNEUMATIC, check it out here: https://bigjackpnuematic.bandcamp.com/Check out Robert's amazing fire sculptures and metal workings here: http://flamewerx.com/

EP 567 featuring an interview with Kip Winger

EP 567 featuring an interview with Kip Winger

Filled with texture and layers of artistic depth, the new Winger album "Seven" arrives everywhere on May 5th. Kip Winger discusses the bands musical journey and his creative template with The Hook Rocks. Please enjoy the episode! Part of The Pantheon Podcast Network! Winger https://www.wingertheband.com https://www.facebook.com/WingerTheBand https://www.instagram.com/wingertheband/ https://twitter.com/wingertheband Pantheon Podcasts http://pantheonpodcasts.com https://twitter.com/pantheonpods https://www.facebook.com/PantheonPodcasts The Hook Rocks https://twitter.com/TheHookRocks https://www.facebook.com/TheHookRocks https://www.instagram.com/thehookrocks/ Learn more about your ad choices. Visit megaphone.fm/adchoices

Tony started his professional career in the music industry in 1980 at the age of 16 years old. Playing drums since the age of 3 Tony had been pounding on his dad's 1948 Radio King drum set that was a fixture in the basement of his Queens, NY home! Not only was Tony's dad a professional musician but his grandfather and his great grandfather back in Italy were as well.  It seems that music was Tony's destiny. With so many musicians in the family, Tony's listening palette was broad and wide! Opera and Big band jazz were the main stays on the turntables back then. As was the Beatles, Bee Gee's, James Taylor and all the pop artists of the day. One influential film Tony remembers was “The Glenn Miller Story”. In the story “Glenn” is searching for that “sound”. Tony's Mom would often refer to this, as Tony would come up from the basement looking for that “sound” on his drums - bewildered as to how the drums sounded so big and fat on the records. The quest was on for the “Holiest of Grails” a great drum sound!  As time passed, Tony went on to work in the Studio and Live concerts with the likes of Taylor Swift, Katy Perry, Selena Gomez, Carrie Underwood, Ramone, Diane Warren, Keith Thomas, Kip Winger, Bruce Springsteen, Michael Broening, Amy Grant, Donna Summer, Roberta Flack, Paul Taylor, Discrete Drums Loop Series, Toby Mac, Cindy Bradley, Jay Soto, Stephanie Smith, Ayeisha Woods, Rebecca Saint James, Britt Nicole, Stevie B, Sweet Sensation, Kathy Troccoli, Regie Hamm, Crystal Lewis, Avalon, John Elefante, Van Zandt and on.  His career has taken him from NYC to LA to his current residence in Franklin, TN. (A quaint city 14 miles outside of Music Row in downtown Nashville.) Tony is a successful session drummer and producer in Nashville. After years of touring, he had the good fortune to get into the session scene in town. The scene was healthy but still changing. Session work was going through some severe changes due to budgets and technical changes.  After an encounter with LA session musician J.R Robinson, Tony was convinced that the future of tracking was going to be done in the home. Now for a gtr track or vocal overdub maybe so, but drums? Here we go again searching for that “sound” in a 25 x 25 Garage built for storing cars and gardening equipment not killer drum sounds. With much investigation and a great builder with vision, they turned the Garage and Utility room into what now is one of the busiest drum tracking rooms in town.  For 8 years now Tony Morra has been tracking drums for demos, custom records, indie projects. Sounds about right, but NO! There's more!( Billy Mayes moment) Tony is tracking drums for Masters, Television, Film, Loop Libraries you hear on TV and on radio everyday. Tony is one of the leaders in home recording through the Internet since it was possible to do so! He has been a beta tester for many online programs that make it easier to do sessions in real time. What was thought to be a little drum room for some extra work has turned into a livelihood. Tony's clients span the world! These sessions are done at his home with the sounds rivaling those done in the largest and most expensive studios.  A big part of Tony's career was happening when he thought he had no career! In between gigs and tours in NY when work was lean, Tony would find work as an assistant engineer at jingle studios for jingle writer friends of his. He would also get to play live drums for them from time to time, but this was when the industry was moving to drum machines and loops. These experiences, which he took for granted in that he was just “collecting a check when gigs were slow”, gave him a wealth of knowledge of the recording industry and working with midi and sequencers. Mind you this is before Pro Tools! All editing was done with a razor and a prayer. Oh and he knows how to align a tape machine!  That knowledge has paid huge dividends in that beyond being an accomplished musician, he is an accomplished tracking engineer. Still Tony will bring in Top Nashville engineers to help dial in new sounds and experiment with gear.  His room is outfitted with the best gear there is, Daking, API, GML, Avalon, Neve EQ's, DBX 160's, Distressors, Telefunken Pre's, vintage Orbans and so on! The mics are no joke; Neumann U47, AKG's, Audio Technica, KM 184's, modified Ribbons.........and a ProTools HDX system.  It's a new world and a new frontier in recording. Tony's embracing it! Using what's available to make the finest quality Drum Tracks available for those who might never have been able to afford to do so and for those where budget is not even a concern.  Some Things That Came Up:  -3:00 Italian Family Legacy  -7:00 Music was in the family blood.  -10:30 Sitting in with Margaret Manning.  -11:45 Compliments to Tony's drumming Dad  -13:45 George Lawerence now has Tony's Dad's Big Band Charts  -14:50 Playing drums while Mom did housework -18:30 Worked at The Modern Drum Shop in NYC and studying with Joe Cusatis -19:50 The Ted Reed Book and The Bellson Book  -20:00 Cusatis Method: Play any rhythm with the right hand and fill in the triplets with the left.  -24:05 The lost art of teaching swing  -27:00 Trying to impress music teacher at private school  -29:45 Auditioning for Queens College  -30:10 Danny Gottlieb, Rod Morgenstein in the neighborhood  -31:55 Tympani Tuning Incident  -35:00 Driving vans for a zipper company  -36:00 Drinking Grappa with Marco Soccoli -38:00 Hanging with world class drummers at Manny's Music  -38:30 Drum Programming inspired by Sammy Merendino  -39:00 Wedding bands in NYC were a right of passage  -40:33 Intern for “The Jingle Queen of NY” at age 23, learning engineering, MIDI  -43:00 Incorporating clicks and loops. The early days  -47:00 Getting the gig with SWEET SENSATION  -48:00 Playing with The Shirelles, The Platters, The Coasters as well as singer songwriters like Lisa Loeb at The Bitter End. Playing with Dee Dee Ramone at CBGB's.  -50:00 Living next to John Gotti, the prevalence of drugs in the neighborhood.  -52:00 Moving to Nashville in 1997 and meeting Tony at a Virgil Donati clinic.  -53:50 The California Connection  -55:40 Living at Dianne Warren's house.  -1:00 Temptations vs. Spiritually Aided Faith -1:01 Working with Kathy Troccoli -1:06 Chatting with John Robinson -1:08 MD. Hiring Musicians. CCM World. Paul Chapman -1:11 Genesis of creating The Downtown Batterie -1:19 The FAST Five! Rush, Pink Floyd, Journey… -1:20 Music and Sports analogies    Follow:  www.downtownbatterie.com Twitter: @TonyMorra4 IG: @ajmorra

In this episode we sit down with rockstar, classical music composer, and up and coming food critic, Kip Winger! Get to know Kip with us in this episode as the guys discuss some of Kip's historical career, what he's up to now, the latest and greatest from his band, and of course the upcoming June 9th show in Huntsville presented by the X5 Podcast!

Episode 523. Kip Winger joins us this week. Kip talks about touring with KISS on the Hot In The Shade tour. He talks about how he made the move to classical music and his career in classical music. We talk about the drama going in with other bands, such as Motley Crue. He shares his […]

Kip Winger is a Grammy nominated musician, best known for fronting the band Winger. His big break came when he was the bass player for Alice Cooper. He subsequently left the band to start Winger and the rest is history. The band has a new album out May 5th titled “Seven.”  We discuss the new album, potential set list, why he left Alice Cooper's band and so much more! Fun episode!!! 00:00 - Intro00:44 - Proud Desperado & Vocals 03:00 - It All Comes Back Around 04:10 - Complexities of Album & Listener Feedback 07:00 - Stick The Knife In & Twist 08:50 - Broken Glass & Paul Taylor 10:50 - It's Okay & Talk Box 11:50 - Down Incognito 16:35 - Blind Revolution Mad & Record Labels 19:01 - Leaving Alice Cooper For Winger 22:10 - Work with Bob Dylan, Alan Parsons & More 24:35 - Upcoming Shows, Set List & Meet & Greets 27:00 - Rockstar Rescue 28:30 - Outro Winger website:https://www.wingertheband.com/Rockstar Rescue website:https://rockstarrescue.org/Chuck Shute website:https://chuckshute.com/Support the showThanks for Listening & Shute for the Moon!

On this edition of CHRIS AKIN PRESENTS..., Chris is back at the helm of the show and the guys are ready to go. Erik talks about how he's becoming quite the chef, and is even cooking his own spaghetti sauce. The guys also chat a bit about the interviews with Kip Winger and Frank Hannon from the previous week, as well as the very busy week they have this week with three guests coming on. BECOME A VIP: https://bit.ly/cms-vip GET A FREE RUMBLE ACCOUNT: https://rumble.com/register/classicmetalshow/ GET A FREE ODYSEE ACCOUNT: https://odysee.com/$/invite/@ClassicMetalShow:a Please SUBSCRIBE, click the notification bell, leave a comment or a like, and share this episode! **NOTE: Everything said here, and on every episode of all of our shows are 100% the opinions of the hosts. Nothing is stated as fact. Do your own research to see if their opinions are true or not.** Get all our episodes at www.chrisakin.net. Facebook: www.facebook.com/chrisakinpresents Instagram: www.instagram.com/chrisakinpresents Twitter: www.twitter.com/realchrisakin Youtube: https://www.youtube.com/channel/UCol9mEEohs58oVsvtcnCevA --- Send in a voice message: https://podcasters.spotify.com/pod/show/cmspn/message

On this episode of CHRIS AKIN PRESENTS..., Erik and guest host Seth Williams chat with Winger vocalist Kip Winger. Winger checked in to talk about his new album SEVEN, the Monsters Of Rock Cruise, composing classical music, and sharing great memories of the heyday. BECOME A VIP: https://bit.ly/cms-vipGET A FREE RUMBLE ACCOUNT: https://rumble.com/register/classicmetalshow/GET A FREE ODYSEE ACCOUNT: https://odysee.com/$/invite/@ClassicMetalShow:aPlease SUBSCRIBE, click the notification bell, leave a comment or a like, and share this episode! **NOTE: Everything said here, and on every episode of all of our shows are 100% the opinions of the hosts. Nothing is stated as fact. Do your own research to see if their opinions are true or not.** Get all our episodes at www.chrisakin.net. Facebook: www.facebook.com/chrisakinpresentsInstagram: www.instagram.com/chrisakinpresentsTwitter: www.twitter.com/realchrisakinYoutube: https://www.youtube.com/channel/UCol9mEEohs58oVsvtcnCevA --- Send in a voice message: https://podcasters.spotify.com/pod/show/cmspn/message

In celebration of 35 years as a band, Winger will release the new album "Seven" on May 5th. Kip Winger joins to discuss the new record, his vast musical history, the Beavis & Butthead references, that Metallica video, GN'R, and more! More info: wingertheband.com Theme Song by Mike Squires https://www.patreon.com/theafdpodcast

Breakout your old Motley Crue t-shirt and eyeliner cause we are headed back in time today as I chat with Rafer Roberts and Mike Norton about their new original graphic novel, The Rock Gods of Jackson Tennessee, from Dark Horse Comics. Mike grew up in Tennessee like I did and it was great to hear about some of the inspirations behind the project and to have a chance to take a dig at Kip Winger too. We also answer the burning question of who in the Marvel Universe would comprise the best rock band. What more could you want? The book comes out in June so make sure to get your pre-orders in. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this Jake Shimabukuro interview: The Hawaiian music scene, the incredible experience of being a kid in high school and suddenly have two hit records, overcoming shyness to start his solo career… stories about playing with Bela Fleck, Jimmy Buffett, Alan Parsons, Warren Haynes, Kip Winger, Simon Phillips, Bette Midler, playing for the Queen of England, dealing with his parents divorce… the source of his humility and gratitude, his most embarrassing gig, Hello Mudda Hello Faddah and much more. VERY cool convo! Cool Guitar, Music & ELG T-Shirts!: http://www.GuitarMerch.com   Jake is a ukulele virtuoso who's known worldwide for the joy he shares about the ukulele, as well as his excellent playing. Jake plays Hawaiian music, as well as jazz, blues, rock, funk, bluegrass, classical and other genres on the ukelele. He even covered Ozzy Osbourne's Mama I'm Coming Home. He's also written full scores to 2 Japanese movies. After starting his solo career in 2002. Jake shot to fame in 2006, in what was one of the earliest videos to go viral on YouTube - a video of him playing his rendition of "While My Guitar Gently Weeps.” Jake started playing ukulele at age 4, taking lessons from his mother who was an accomplished player. To date, Jake has released 16 solo LPs and 10 more LPs released only in Japan, and has won a combined several dozen Hanohano Awards which are like Hawaiian Grammy's as well as Hawaii Music Awards. Subscribe & Website:  https://www.everyonelovesguitar.com/subscribe Support this show: http://www.everyonelovesguitar.com/support

ABOUT ANDY TIMMONS:The hosts welcome fellow Hoosier, Andy Timmons whose musical career began in his hometown of Evansville, Indiana at the age of 13. As guitarist for pop-metal band Danger Danger, he toured the world opening for Kiss and Alice Cooper, sold over a million records worldwide, and has recorded 7 solo releases.As a session player, he's been highly featured on CDs by drumming legend Simon Phillips, Olivia Newton-John (Andy was her music director/guitarist for several U.S. tours), and also worked with Kip WInger, Paula Abdul, Paul Stanley, and played alongside many of his heroes such as Steve Vai, Joe Satriani and more.He also has become one of the most respected and sought after clinicians representing Ibanez Guitars, touring the world on their behalf.ABOUT THE PODCAST:Candid discussions with and about those behind the scenes in the music business including industry veterans representing the segments of: Musician, Design & LiveABOUT THE HOSTS:All three Music Buzzz Podcast hosts (Dane Clark, Hugh Syme and Andy Wilson) have spent their careers working with the biggest names in entertainment and have been, and still are, a fly on the wall.