Podcasts about Throbbing Gristle

Gang of Four's Entertainment! is the moment post‑punk stopped being a scene and started sounding like a threat. This 1979 debut didn't just tweak punk's formula—it rewired it, turning guitars into percussion, bass into a funk‑driven anchor, and lyrics into a full‑frontal critique of capitalism, modern life, and what it even means to be “punk” in the first place.In this episode of Dig Me Out, Jason, Tim, and Chip dig into how Entertainment! won a razor‑thin community poll over The Damned, Lone Star, and Throbbing Gristle, then unpack why listeners still fight for this record decades later. They trace the band's tangled history (from Jon King and Andy Gill's art‑school origins to ever‑changing lineups), break down the album's knife‑edge guitar work and robotic‑yet‑human rhythms, and explore how songs like “Ether,” “Damaged Goods,” “At Home He's a Tourist,” and “Anthrax” smuggle political theory, biblical references, and literary nods into two‑to‑three‑minute agit‑funk blasts. Along the way, they connect the dots from late‑70s Leeds to 2000s dance‑punk, Red Hot Chili Peppers, Local H, and beyond—asking what it really means for a rock record to be influential, not just influential‑sounding.If you're into post‑punk, punk, or art‑damaged guitar music that actually swings, this one's for you. Fans of Wire, Public Image Ltd., The Clash's more experimental side, and 2000s bands like The Rapture, Bloc Party, and Franz Ferdinand will hear exactly where their favorite angular riffs and dance‑floor grooves came from.---Episode Highlights• 0:00 – Intro – How a community poll pitted Gang of Four against The Damned, Lone Star, and Throbbing Gristle, and why Entertainment! edged out the win• 5:12 – Setting the stage – Late‑70s Leeds, art school punks, and how Gang of Four stitched punk, funk, reggae, and dub into something new• 13:30 – “Ether” – Opening track breakdown: rhythmic knife‑edge guitars, politicized lyrics, and the groove that anchors the chaos• 20:45 – Rhythm as revolution – Why the band treats guitars and vocals like percussion, and how their subtractive choruses flip rock song structure on its head• 27:10 – “Natural's Not In” & “Not Great Men” – Capitalism, bodies as “good business,” biblical and literary references, and the link to Manic Street Preachers‑style lyric nerdery• 34:30 – “Damaged Goods” – The band's de facto anthem: from angular verses to that stripped‑back chorus, and how it became a template for generations of bands• 42:05 – “At Home He's a Tourist” & “5.45” – Melodica lines, TV‑age dread, and the way the record feels both 1979 and weirdly timeless• 50:20 – “Anthrax” – Dual vocals, anti‑love‑song energy, and how the band turns noise, rant, and groove into something iconic• 58:40 – Influence and aftershocks – From Flea and Red Hot Chili Peppers to The Rapture, Bloc Party, Franz Ferdinand, Local H, and Run the Jewels sampling “Ether”• 1:06:15 – Does it still work front to back? – The guys debate the 40‑minute runtime, favorite cuts, what they'd trim, and whether Entertainment! is best as full album or curated gateway• 1:13:50 – Final verdicts – Where Entertainment! lands in the Gang of Four catalog, why it's still required listening, and who this record is really for---If you love digging into the stories behind post‑punk, late‑70s rock, and the records that quietly rewrote the rulebook, hit follow and subscribe so you don't miss future episodes. Dive deeper into past shows, reviews, and polls at digmeoutpodcast.com, and if you want to help pick which albums we tackle next (and vote in the kinds of polls that put Entertainment! on the table), join the Union at dmounion.com. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.digmeoutpodcast.com/subscribe

In our previous episode, we went deep into the history of Cabaret Voltaire and their importance to UK industrial and, latterly, dance music. Now, we follow the trail we laid therein by taking a journey through the band's extensive discography, really fleshing out how they went from a Sheffield attic in 1973 to a Patagonian field site recording lizards for David Attenborough. Along the way, we take in televangelists, voodoo, Charles Manson samples, Velvet Underground covers, a near-miss with Todd Terry, and a Taylor Swift pressing-plant mix-up that turned a forgotten ambient track into a viral curiosity decades later.Phil Eaglesham (aka P6 - ex-Stretchheads and De Salvo, current OMO frontman) returns to bestow upon us his encyclopaedic knowledge of the band and British industrial music. We start in 1974 with the lo-fi bedroom experiments of Cabaret Voltaire 1974–76, work through the rough-edged early Rough Trade EPs, the spring-reverb wilderness of Three Mantras and Voice of America, the cult monument that is Red Mecca, and the band's stylistic pivots through Hai!, 2x45, The Crackdown, Micro-Phonies, The Covenant, the Sword and the Arm of the Lord, Code, and beyond. We also pick at the more controversial late chapters, including the major-label years, the slightly-too-late acid house pivot, and Richard H. Kirk's solo reactivation of the name.Along the way, we explore the band as a video production company that happened to make music; their roles as curators and tastemakers via Double Vision; the Burroughs-and-televangelism worldview that made them frighteningly prescient about Reagan-era Christian nationalism; and their unsung debt to Black American music and dub. Chris also offers a wider reflection on what it means to lose the egoless purity of your earliest creative work as ambition and industry pressures take hold.We get deep in the weeds talking about the producers they worked with (Flood, Adrian Sherwood, John Robie, Marshall Jefferson); the labels (Rough Trade, Some Bizzare, Virgin, EMI, Mute); their collaborators and contemporaries (DAF, Wire, Throbbing Gristle, Clock DVA, Soft Cell, New Order, The Shamen); and the bands that lifted from them wholesale (Nine Inch Nails, Ministry, The Rapture, White Zombie, and a generation of Glasgow acts you've heard but can't quite place).It all culminates in us taking a closer look at Eight Crepuscule Tracks, a record that Phil thinks is their best and a very pure statement of what the band can and did achieve. We also settle upon what is perhaps the most important lesson to be gleaned from the Cabs' music: the importance of never compromising on your vision. By entering the belly of the beast and somehow remaining intact, they became one of the rare bands in this corner of music history whom nobody has a bad word for.Highlights00:00 Intro01:18 Welcome Back, Phil02:46 1974–76: Egoless Experimentation04:51 Bedroom Records06:30 Extended Play and DAF07:37 The Velvet Underground Cover08:26 Nag Nag Nag10:20 Van With a PA11:38 Three Mantras12:24 Mix-Up14:50 William Burroughs16:48 Voice of America19:35 Peter Care and Double Vision21:41 Red Mecca24:25 Encyclopaedia Bands27:36 Hai!29:36 2x45 in New York32:07 Sheffield's Family Tree32:55 Chris Watson Leaves36:16 The Crackdown42:23 Micro-Phonies46:38 Covenant, Sword and Arm of the Lord49:48 Drinking Gasoline51:45 Code54:58 Listen Up and Reissues57:12 Groovy, Laidback and Nasty1:00:15 Body and Soul1:03:56 Shadow of Fear1:04:51 The Taylor Swift Accident1:08:27 Richard Kirk's Death1:14:50 Bus Shelter Bashes1:19:58 Sincerity vs Seriousness1:25:00 Debt to Black Music1:29:00 Eight Crepuscule Tracks1:51:00 Why Everyone Loves Cab Vol1:58:36 Coming Soon: Coil?!

Boards of Canada, Broadcast, Belbury Poly - w tym odcinku rozmawiamy z Olgą Drendą o brytyjskiej muzyce hauntologicznej z przełomu wieków. Pośród wspomniancy tematów pojawiają się też Józef Piłsudski, Throbbing Gristle, Kraina Grzybów i Doktor Who.UWAGA: podcast można teraz ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠wspierać w serwisie Patronite!⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Można też ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠POSTAWIĆ NAM KAWĘ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Muzyka: Michał Mierzwa

RU400: NICOLAS BALLET & CARL ABRAHAMSSON ON SHOCK FACTORY: THE VISUAL CULTURE OF INDUSTRIAL MUSIC: https://renderingunconscious.substack.com/p/ru400-shock-factory-with-nicolas Join Rendering Unconscious Podcast at Substack for all new and archival episodes: https://renderingunconscious.substack.com Rendering Unconscious welcomes Dr. Nicolas Ballet to the podcast! He's here to speak about his new book Shock Factory: The Visual Culture of Industrial Music (2025) with Carl Abrahamsson. This is the first crossover episode between Rendering Unconscious and An Art Apart. Enjoy! https://anartapart.substack.com/p/aaa-podcast-no-1-with-nicolas-ballet Rendering Unconscious episode 400. This episode is a crossover between Rendering Unconscious and An Art Apart, marking the 400th episode of Rendering Unconscious! The discussion centers on Nicolas' book Shock Factory, which explores the visual history of industrial music. Nicolas, a PhD in art history, delves into the intersections of industrial music with art, philosophy, and cultural movements. The book spans over 550 pages and has received positive feedback from readers and artists. The conversation also touches upon the influence of industrial culture, its relevance today, and the impact of artists like Throbbing Gristle and Coil. The episode concludes with Nicolas discussing his current projects and future plans. Nicolas Ballet, PhD is an art historian and associate curator in the New Media Department of the Musée national d'art moderne – Centre Pompidou, Paris, France. He is the author of Shock Factory: The Visual Culture of Industrial Music (Les Presses du réel, 2023; Intellect Books, 2025). https://www.nicolasballet.com/publications Follow him on Instagram. https://www.instagram.com/ballet_nicolas/ RU News & Events: Sunday, June 7th, Emmalea Russo will continue her wildly popular series on poetry and psychoanalysis with REPETITION, RETURN, REBIRTH: On the psychoanalytic poetry of Cynthia Cruz and the Summer Solstice. https://www.tickettailor.com/events/renderingunconsciouscenterforpsychoanalysis/2152623 Saturday, June 13th, my Introduction to Psychoanalysis course continues! n the previous class, we reviewed Freud's later works, including Group Psychology and Civilization and its Discontents. In this next class, we'll be looking at Anna Freud, Melanie Klein, and the Controversial Discussions, as well as revolutionary psychoanalysts Wilhelm Reich and Otto Fenichel. On Wednesday, June 24th, join Freudian cinephile Mary Wild for The Man Who Fell Into Himself: David Bowie's 1970s Transformations. https://www.eventbrite.co.uk/e/the-man-who-fell-into-himself-david-bowies-1970s-transformations-tickets-1986912621136 All paid subscribers to RU Center for Psychoanalysis will receive the zoom links to attend these events live and the recordings will be archived at Substack. https://rucenterforpsychoanalysis.substack.com Full archive of RU Center events and CLASSES HERE: https://rucenterforpsychoanalysis.substack.com/t/classes See RU Center SCHEDULE OF EVENTS HERE: https://rucenterforpsychoanalysis.substack.com/p/schedule Rendering Unconscious is also a book: Rendering Unconscious: Psychoanalytic Perspectives, Politics & Poetry vols 1:1 & 1:2 (Trapart Books, 2024): https://amzn.to/4sOqSEu Thank you for being a paid subscriber to Rendering Unconscious Podcast. It makes my work possible. If you are so far a free subscriber, thanks to you too. Please consider becoming a paid subscriber to gain access to all the material on the site, including new, future, and archival podcast episodes. It's so important to maintain independent spaces free from censorship and corporate influence. If you are interested in pursuing psychoanalytic treatment with me, please feel free to contact me directly: www.drvanessasinclair.net/contact/ Thank You.

On this episode of Songs of Our Lives - THE REMIX, it's Lea Bertucci! I am so excited to have Lea back on the show to not only talk about a bunch of rad songs, but also her incredible new album, “The Days Pass Quickly Immersed in the Shadow of Eternity.” We talk about this new step for her, and the magic of working with Norbert Rodenkirchen before diving into Donna Summer, 4 Non Blondes, Throbbing Gristle, PJ Harvey, Ros Sereysothea, Bjork, Julee Cruise + more!Listen to all of Lea's picks HEREThe Days Pass Quickly Immersed in the Shadow of Eternity + Tour DatesLea on IGSongs of Our Lives is a podcast series hosted by Brad Rose of Foxy Digitalis that explores the music that's made us and left a certain mark. Whether it's a song we associate with our most important moments, something that makes us cry, the things we love that nobody else does, or our favorite lyrics, we all have our own personal soundtrack. Join Foxy Digitalis on Patreon for extra questions and conversation in each episode (+ a whole lot more!)Follow Foxy Digitalis:WebsitePatreonInstagramTwitterBlueskyThe Jewel GardenSong ListBjörk “Joga”Steeleye Span “Saucy Sailor”4 Non Blondes “What's Up”Cameo “Candy”PJ Harvey “Big Exit”Nina Simone “The Desperate Ones”Throbbing Gristle “Hamburger Lady”Scott Walker “Jolson & Jones”Gal Costa “Baby”Ros Sereysothea “Ka Dik Do Heru”Donna Summer “I Feel Love”Julee Cruise “Mysteries of Love”

This week we bring you the second half of Jarvis's wide-ranging conversation with Steven Intermill, Director of the Buckland Museum of Witchcraft and Magick in Cleveland, Ohio. Among the many topics addressed in this segment are superstitions, music as a gateway to witchcraft, the importance of not becoming a prisoner of your own design, the Satanic Panic, posers in witchcraft, and foundational texts. Tune in and you're guaranteed to learn things about witchcraft that you never knew before. Listen at nightdemon.net/podcast or anywhere you listen to podcasts! Follow us on Instagram Like us on Facebook

Matt Johnson's life story has been mapped out as one long Q&A conversation from meetings with old friend, fan and BFI director Jason Wood. ‘Cognitive Dissident' traces his trajectory from the East End to Soho to the beloved albums he made with a series of super-groups and his 2021 comeback. He looks back here at … … his earliest musical memories – Donovan, the Move, the Crazy World of Arthur Brown … the old East End and the Two Puddings pub run by his parents, “full of ghosts”, Bobby Moore, Francis Bacon and the Krays … his Uncle Kenny promoting the Who, the Kinks and Jerry Lee Lewis … “Get yourself on a sunbed!” and other advice from George Michael ... what he learnt at De Wolfe Music, aged 15, in the red-light Soho of the late ‘70s … legendary manager Stevo signing the band's CBS contract at midnight in Trafalgar Square … “cigarettes, coffee, warm analogue equipment”: the Proustian scent of old studios … his NME ad recruiting The The members via the Residents, the Velvet Underground, Syd Barrett and Throbbing Gristle … being part of “the Long Mack Brigade” with Cabaret Voltaire, This Heat, Wire and the Gang of Four … Leonard Cohen's premonition of the internet … the Albert Hall: “like a tennis player playing Wimbledon” … the genius of Hank Williams … and his 2018 comeback, “like reunion of old army buddies” Order ‘Cognitive Dissident' here: https://omnibuspress.com/products/cognitive-dissident?_pos=1&_psq=cognitive+dissi&_ss=e&_v=1.0Help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Matt Johnson's life story has been mapped out as one long Q&A conversation from meetings with old friend, fan and BFI director Jason Wood. ‘Cognitive Dissident' traces his trajectory from the East End to Soho to the beloved albums he made with a series of super-groups and his 2021 comeback. He looks back here at … … his earliest musical memories – Donovan, the Move, the Crazy World of Arthur Brown … the old East End and the Two Puddings pub run by his parents, “full of ghosts”, Bobby Moore, Francis Bacon and the Krays … his Uncle Kenny promoting the Who, the Kinks and Jerry Lee Lewis … “Get yourself on a sunbed!” and other advice from George Michael ... what he learnt at De Wolfe Music, aged 15, in the red-light Soho of the late ‘70s … legendary manager Stevo signing the band's CBS contract at midnight in Trafalgar Square … “cigarettes, coffee, warm analogue equipment”: the Proustian scent of old studios … his NME ad recruiting The The members via the Residents, the Velvet Underground, Syd Barrett and Throbbing Gristle … being part of “the Long Mack Brigade” with Cabaret Voltaire, This Heat, Wire and the Gang of Four … Leonard Cohen's premonition of the internet … the Albert Hall: “like a tennis player playing Wimbledon” … the genius of Hank Williams … and his 2018 comeback, “like reunion of old army buddies” Order ‘Cognitive Dissident' here: https://omnibuspress.com/products/cognitive-dissident?_pos=1&_psq=cognitive+dissi&_ss=e&_v=1.0Help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Matt Johnson's life story has been mapped out as one long Q&A conversation from meetings with old friend, fan and BFI director Jason Wood. ‘Cognitive Dissident' traces his trajectory from the East End to Soho to the beloved albums he made with a series of super-groups and his 2021 comeback. He looks back here at … … his earliest musical memories – Donovan, the Move, the Crazy World of Arthur Brown … the old East End and the Two Puddings pub run by his parents, “full of ghosts”, Bobby Moore, Francis Bacon and the Krays … his Uncle Kenny promoting the Who, the Kinks and Jerry Lee Lewis … “Get yourself on a sunbed!” and other advice from George Michael ... what he learnt at De Wolfe Music, aged 15, in the red-light Soho of the late ‘70s … legendary manager Stevo signing the band's CBS contract at midnight in Trafalgar Square … “cigarettes, coffee, warm analogue equipment”: the Proustian scent of old studios … his NME ad recruiting The The members via the Residents, the Velvet Underground, Syd Barrett and Throbbing Gristle … being part of “the Long Mack Brigade” with Cabaret Voltaire, This Heat, Wire and the Gang of Four … Leonard Cohen's premonition of the internet … the Albert Hall: “like a tennis player playing Wimbledon” … the genius of Hank Williams … and his 2018 comeback, “like reunion of old army buddies” Order ‘Cognitive Dissident' here: https://omnibuspress.com/products/cognitive-dissident?_pos=1&_psq=cognitive+dissi&_ss=e&_v=1.0Help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

My guests this week are two absolute legends, Jackie Sharp and Jill Hoffman-Kowal of the punk rock video team Target Video (who documented hundreds of incredible live performances by Iggy Pop, The Screamers, Black Flag, Throbbing Gristle, minutemen, The Cramps, Hüsker Dü, Survival Research Laboratories, Bauhaus, Dead Kennedys, Lydia Lunch, and Young Marble Giants to name just a few). They are lifelong friends to this day… so get ready for jaw-dropping stories galore!We discuss Target Video's origin story & meeting head honcho Joe Rees, how they got their first old-school video camera at the time, Joe's unusual approach to documenting bands, the origin story of The Mutants, their initial cable TV show, how their first color shoot was filming the iconic performance of The Screamers, how they shot The Cramps at the Napa State Mental Hospital, Glenn O'Brien's TV Party, Jello Biafra staying in fancy hotel rooms in the UK, crashing on the floor of The Members, The Stray Cats playing the UK for the first time, how Jackie and Jill gained the trust of bands to film them in an era when bands were suspicious of being filmed, how the SF punk scene changed when Circle Jerks first came up from LA to play there, using fake addresses to keep the cops away from the Target headquarters, having eight-hour viewing parties in Paris, touring Europe with Dead Kennedys, the powerful footage of Throbbing Gristle playing a basketball court, CRIME playing San Quentin, Black Flag being nerds in the studio and making comedy videos with Target, shooting the TV PARTY music video, Target documenting rarely seen tours by Devo and Iggy Pop, being P.I.L.'s tour guides in NYC, Target video reunion shows, hooking up your VHS player to your stereo and more!So let's fly the Target flag high and play this episode loud on this week's episode of Revolutions Per Movie!TARGET VIDEO: targetvideo.blogspot.com/REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!PATREON:The show is also a completely independent affair, so the best way to support it and keep it going is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods. It helps the show to keep going and is greatly appreciated!TIP JAR:ko-fi.com/revolutionspermovieSOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.

Welcome to an Encore Presentation of one of my favorite episodes ever of Revolutions Per Movie, where I got to discuss the documentary Desolation Center with the creators of these legendary events (who else would put the Minutemen on a barge or Einsturzende Neubauten in the desert). Plus, I love it whenever I get to surprise my guests with more guests to create the whole picture from the inside out. Enjoy!(Episode 33 originally aired on April 25th, 2024).The original show notes:This week, we talk to Stuart Swezey & Bruce Licher, who produced and worked on the Desolation Center series of shows that took bands like minutemen, Swans, Redd Kross, Meat Puppets, Sonic Youth, and Einsturzende Neubauten and put them in locations such as the Mojave Desert as a reaction to the omnipresent police violence against punk rock kids. We talked about the Desolation Center documentary that Swezey directed, the iconic visuals that Licher created for the events, having the legendary artist Chris Burden as your teacher, the healing power of Throbbing Gristle, how to source school buses to take punk rockers to the desert, fake ids, Savage Republic, Glenn Branca and the No New York LP, Redd Kross getting lost in the desert, violence coming from rednecks, the notion of selling out and not repeating oneself, the impact of D. Boon on the scene, Survival Research Laboratories, Lydia Lunch, being naive, Action News, the eventual change in the 80s music underground, psychedelics, early punk clubs like The Masque and Brave Dog, NEA grants for industrial noise music events, and we're also joined by surprise guests, ML Compton and Skip King who are featured in the documentary and describe what it was like being a passenger into the unknown.So party with me punker, as we head into the desert at night on this week's Revolutions Per Movie.DESOLATION CENTER:www.desolationcenter.com/STUART SWEZEY:www.amokbooks.com/SAVAGE REPUBLIC: www.independentprojectrecords.com/savage-republicREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!PATREON:The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods. It helps the show to keep going and is greatly appreciated!TIP JAR:ko-fi.com/revolutionspermovieSOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.

Ian Trowell in conversation with David Eastaugh https://www.intellectbooks.com/an-endless-discontent https://www.amazon.co.uk/Throbbing-Gristle-Endless-Discontent-Global In 1976 the British band Throbbing Gristle emerged from the radical arts collective COUM Transmissions through core members Genesis P-Orridge and Cosey Fanni Tutti, joined by Hipgnosis photographer Peter Christopherson and electronics specialist Chris Carter. Though having performed previously in more low-key arts environments, their major launch coincided with the COUM retrospective exhibition Prostitution at London's ICA gallery, showcasing and contextualising an array of challenging objects from COUM's various actions in performance art and pornography. In a deliberately curated strategy inviting press, civic and arts dignitaries, extravagant followers of the nascent punk scene and music journalists, the band created an instant controversy and media panic that tapped into the restrictive climate and encroaching conservatism of late 1970s Britain. Any opportunities that were being explored by a formative punk ethos and movement around sex, censorship and transgression were amplified and exposed by Throbbing Gristle and Prostitution. An outraged Member of Parliament Nicholas Fairbairn took the bait and called the ensemble the ‘wreckers of civilisation', providing the suitable newspaper headline that would be followed a month later by ‘the filth and the fury' as the Sex Pistols uttered strong profanities on live television.

SPK, along with Throbbing Gristle, Cabaret Voltaire, were pioneers in the early industrial music scene.  Graeme Revell and Neil Hill founded the band in Sydney back in the late 70's and have influences a legion of industrial and extreme music artists.  Graeme returns with his son Robert with the next chapter of SPK with SPKtR, which promises to be the most ferocious incarnation of the band to date.  Additionally, Graeme has released The Ineffable Geometry of Light a novel that is part science fiction and part historical fiction focusing on philosophy and technology.   Intro:    “All the Dark Things” – Mike Hill Outro: “Suture Obsession” – SPK

My guest this week is JIM RULAND (Author of Corporate Rock Sucks: The Rise And Fall of SST Records and co-author of My Damage: Keith Morris, Rumors Of My Demise: Evan Dando) who discusses the incredible SST RECORDS VHS TAPE: THE TOUR w/ Hüsker Dü, minutemen, The Meat Puppets, Saccharine Trust & SWA!!We talk about Jim's exposure to the iconic SST Records label (who put out records by Black Flag, The Meat Puppets, Sonic Youth, Dinosaur Jr., minutemen, The Dicks, Negativland), unknown songs on mixtapes, how SST created the blue print for independent U.S. labels with their mailorder, catalogs & hype, how anti-authority the label was, the ubiquitous police presence trying to shut down the label, how the suburbs changed the L.A. punk rock scene, how Black Flag and D.O.A. set the map for punk rock touring, when the label started to frustrate their bands, Target Video, Throbbing Gristle, why the band SWA was hard to crack, the spoken word world of SST, Greg going to jail for Black Flag, Jack Brewer and Joe Baiza of Saccharine Trust, when punk bands started doing un-ironic covers, how this might be one of the greatest Meat Puppets performances of all times, Up On The Sun, the house producers SPOT and Ethan James, Husker Du recording Zen Arcade and some of the myths surrounding it, the singularity of Minutemen, the Black Flag Benefit For Cats, working with Keith Morris on his book, the character of Hermosa Beach and the vibe of South Bay, Saint Vitus, Side Two of My War, Zoogt RIft, Negativland, the SST radio show and more!So let's grow our hair out and slow everything down on this week's Revolutions Per Movie!The Tour Video: https://www.youtube.com/watch?v=ZrtLTf5KE68The Book: https://www.jimruland.net/?page_id=2561REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.

Die Brainwashed - Radio Edition ist eine einstündige Show mit Musik von den Künstlern und Labels auf Brainwashed.com. 1. The Legendary Pink Dots, "A Message from the C.E.O" (The Legendary Pink Hallowe'en Special 2024) 2024 [self-released] 2. Throbbing Gristle, "Scabs & Saws (Single Version)" (Scabs & Saws) 3:29 Mute 3. Von Spar / Eiko Ishibashi / Joe Talia / Tatsuhisa Yamamoto, "III" (Album I) 2024 Bureau B 4. Ladytron, "Misery Remember Me - Shiny Toy Guns Remix" (Time's Arrow Remixed) 2024 Cooking Vinyl 5. Cate Brooks, "Blue Chip Fever" (Prismatics) 2024 Belbury Music 6. Bill Callahan, "Beautiful Child (Peel Session)" (The Holy Grail: Bill Callahan's "Smog" Dec. 20, 2001 Peel Session) 2024 Drag City 7. Jill Fraser, "Amen 2" (Earthly Pleasures) 2024 Drag City 8. Angelo Harmsworth, "Trauma Arbitrage" (Without Blinking) 2024 Warm Winters 9. Laibach, "Leben heißt Leben (Opus Dei Revisited 2024)" (Opus Dei Revisited) 2024 Mute 10. Mike Cooper, "The Spider Of Dawn Had Appended And The Moon Had Far Descended" (Slow Motion Lightning) 2024 Room40 * Eine Sendung vom 29. Oktober 2024. # Brainwashed - Radio Edition Email podcast at brainwashed dot com to say who you are; what you like; what you want to hear; share pictures for the podcast of where you're from, your computer or MP3 player with or without the Brainwashed Podcast Playing; and win free music! We have no tracking information, no idea who's listening to these things so the more feedback that comes in, the more frequent podcasts will come. You will not be put on any spam list and your information will remain completely private and not farmed out to a third party. Thanks for your attention and thanks for listening. * http://brainwashed.com

Send us a textThis week Fresta talks to Will Samson about Vladimir Nabokov's novel Bend Sinister and the Fall record of the same name. As Fresta and Will are both avant-garde music-spazz's the conversation ends up in a discussion about other artists such as The Country Teasers, Lana Del Rey, Kanye, Pere Ubu, The Melvins, Townes Van Zandt, Oasis, Throbbing Gristle, Roky Erickson and The Kinks.Note: there are a couple of audio issues on Will's end with this one, but we prefer to think of it as authentic lo-fi experimentation.Music: Living Too Late by The Fall, Get Lost by Kanye WestWill's Instagram : https://www.instagram.com/samsonwill93/?hl=en Will's recent appearance on Bistro Californium: https://www.patreon.com/posts/ep-117-my-name-w-133687985?l=es Will's essays: https://apocalypse-confidential.com/2021/05/12/war-at-33-1-3-throbbing-gristle-public-enemy-datapanik/ https://safetypropaganda.substack.com/p/life-stinks-cuz-i-like-the-kink-byhttps://apocalypse-confidential.com/2024/05/21/paradise-stands-in-the-shadow-of-swords/Support the show

Esta semana, dedicamos una nueva sesión de Rebelión Sónica, al nuevo disco de la música, artista performática y figura crucial del rock industrial Cosey Fanni Tutti, “2t2”. Editado el 13 de junio por sello Conspiracy International, el álbum de nueve pistas fue compuesto, interpretado y producido por la fundadora de Throbbing Gristle y, de acuerdo a la disquera, “se mueve entre construcciones rítmicas propulsivas y exploraciones electrónicas expansivas, continuando las temáticas del aclamado álbum “TUTTI” de 2019”. El texto agrega que “es una reflexión personal; una comprensión sonora de su vida, que se nutre de su poderosa determinación interior y se expresa a través de la música. El álbum muestra a Cosey reflexionando sobre años muy difíciles, lidiando con duelos personales y acontecimientos mundiales conmovedores que nos han impactado a todos. Centrado en su propia fuerza y voluntad, las dos caras del álbum —una rítmica y otra más meditativa— están conectadas por una atmósfera abrumadoramente positiva”. “Incluso en los momentos más melancólicos, hay una ligereza” que, según señala la compositora en un comunicado, es un “reconocimiento de que está bien estar triste, es parte de la vida, pero también hay mucha alegría en los recuerdos de las personas que perdemos y en los momentos que compartimos. La alegría es nuestra resistencia”. Al final del programa, viajamos al pasado en la historia de la artista, para escucharla como parte de los en extremo influyentes Throbbing Gristle, con música del tercer disco del cuarteto, “20 Jazz Funk Greats” de 1979 y del single “Adrenalin/Distant Dreams (Part Two)” del año siguiente. Todas las semanas, Rebelión Sónica se transmite por radio Rockaxis los jueves a las 10 y 22 horas, con la conducción de Héctor Aravena. A continuación, conoce las carátulas de los álbumes que sonarán en el capítulo 17 de la temporada 2025 del programa.

This week we're diving headfirst into the gloriously pretentious world of No Wave - the three-year New York art scene that somehow managed to influence everything that followed. Chris has somehow convinced Mark and our resident Italian punk professor Ferro to explore how a bunch of art school dropouts in a financially bankrupt New York accidentally created one of music's most important movements. We start with New York City in 1978: a proper shithole where you'd genuinely risk your life getting a taxi to Brooklyn, Times Square was basically a war zone, and the city had literally gone bankrupt. Perfect conditions, as it turns out, for a load of bohemian kids to move in, pay bugger all rent, and start making the most deliberately difficult music imaginable. Enter Brian Eno, who's meant to be in New York producing Talking Heads like a normal person, but instead wanders into some art space gig and discovers bands like Teenage Jesus and the Jerks, DNA, Mars, and The Contortions doing something completely mental. Being Brian Eno, he obviously decides to document the whole thing, creating the legendary "No New York" compilation that basically put the entire movement on the map. We get properly stuck into the key figures: Lydia Lunch being an absolute force of nature in Teenage Jesus and the Jerks, James Chance slapping music critics (literally - he assaulted Robert Christgau), and the various weirdos who decided that what punk really needed was to be even more antagonistic to its audience. Ferro brings his encyclopaedic knowledge of the European connections, particularly the parallels between New York's urban decay and Berlin's post-war experimental scene. We explore how Einstürzende Neubauten were literally destroying studio floors with sledgehammers whilst Throbbing Gristle were essentially inventing industrial music in their Yorkshire squat. The conversation sprawls magnificently through Swans' absolutely punishing early albums, the way Sonic Youth emerged from this scene, and how bands like Bush Tetras and Rat at Rat R kept the torch burning. We also dive into some proper tangents about Madonna apparently being in an art punk band with future Swans members (mental) and how this whole movement influenced everything from the Load Records noise rock scene to modern post-metal. This is part two of our anti-rock trilogy. Last week we tackled the prehistory from musique concrète to Captain Beefheart, and next week we'll finally get to US Maple and try to explain why anyone would voluntarily subject themselves to their particular brand of musical torture. Highlights 00:00 Introduction to No Wave and Brian Eno's Influence 00:33 Welcome to the Podcast 01:04 Recap of Previous Episode 02:14 The Rise of No Wave in Late 1970s New York 02:46 Sociological Context of 1970s New York 02:59 Key Figures and Bands in No Wave 03:43 The No New York Compilation Album 07:59 Brian Eno's Role and Impact 11:02 Musical Influence and Legacy of No Wave 20:04 James Chance and The Contortions 22:44 Sonic Youth and Swans: Post No Wave Evolution 25:51 The Influence of Swans on Post-Metal 27:25 Exploring Lesser-Known Bands: Rat at Rat R and Bush Tetras 28:48 The Impact of Foetus and Throbbing Gristle 35:13 Berlin's No Wave Movement and Einstürzende Neubauten 41:08 The Legacy of No Wave in Chicago and Beyond 45:03 Anti-Rock Bands and Their Influence 48:38 Concluding Thoughts and Teasers for Next Episode

Hey everyone...in honor of Julie Klausner coming to Portland to do Revolutions Per Movie Live on July 5th 2025, I'm re-releasing my incredible conversation with Julie about the Nancy Sinatra TV Special Moving With Nancy (Episode 5 which originally aired on Oct. 12th, 2023).This episode should get everyone excited to come out to see us at the Clinton St. Theater where we will be watching and discussing the Rachel Welch wild-ass musical special Rachel! which Julie goes into a bit during our original discussion in this episode. Julie will also be putting together a series of unique, mind-altering videos just for this event only too...and maybe we'll shower you all with RC Cola...you never know!!!Come escape the 4th of July weekend with us...see you soon!Tickets for Revolutions Per Movie Live with Julie Klausner are available here:https://cstpdx.com/event/revolutions-per-movie-live-with-julie-klausner/The original podcast show notes:This week, we talked to actor/writer/musician Julie Klausner (Hulu's ‘Difficult People, Double Threat Podcast, ‘I Don't Care About Your Band') about Nancy Sinatra's 1967 TV Special ‘Movin' With Nancy.' We obsess over Nancy's dedication to the art of her lip-syncs, the magic of her partnership with Lee Hazlewood, how the special is also an unintentional horror movie & why Ringo Starr, Throbbing Gristle & Davy Jones would have been perfect duet partners with Nancy.So pour yourself a goblet of that mad, mad, mad, mad cola and take the passenger seat straight into heaven on this week's episode of Revolutions Per Movie. Hosted on Acast. See acast.com/privacy for more information.

Où l'on parle aussi de Sly Stone, de Sampha, de Throbbing Gristle et même d'Ophélie Winter !Sly & The Family Stone - In Time Sly & The Family Stone - Family AffairEllen Allien - Sehnsucht Sampha - Blood on Me Flavien Berger & La Brume - Sillons (Abyssinie) Ophélie Winter - Dieu m'a donné la foiCristophe - AlineRocca feat. Kohndo - Mot pour MotD'Angelo - The LineKool & The Gaang - Summer MadnessThrobbing Gristle - Convicing People Sly & The Family Stone - Just Like a Baby infinite bisous - The DishesFlavien Berger & La Brume - Filmer du feuSly & The Family Stone - TimeDistribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Delighted and truly honoured to be joined by Cosey Fanni Tutti on the podcast this week. Cosey talks about the making of her brilliant new solo album, '2t2" which comes out this Friday, 13th June. We also discuss the early days of Throbbing Gristle, music technology and her excellent books 'Art Sex Music' published in 2017 and ‘Re-Sisters', which came out in 2022.

Welcome to the latest episode of the midierror meets... interview series speaking to all kinds of people working in music and sound.    In this episode, we're speaking with COSEY FANNI TUTTI, co-founder of the boundry-pushing Throbbing Gristle and performance-art duo COUM Transmissions alongside Genesis-P-Orridge. Cosey is known for her expansive electronic explorations - encompassing abstract, industrial, ambient, and experimental music, which has often been deeply connected to her own performance art. She was said to be a "wrecker of civilisation" by a Conservative MP after an art exhibition called "Prostitution" in 1976, and she continues to shake up what is deemed to be mainstream.  She has released a succession of albums alongside Chris Carter, as Carter Tutti as well as Chris & Cosey, with the duo also collaborating with Nik Colk Void on CARTER TUTTI VOID material in subsequent years. In 2012, she soundtracked 'Delia Derbyshire: The Myths and Legendary Tapes' - a film about the influential composer using sounds collected from Delia's own attic tapes. Her book 'Art Sex Music' is a multi-award winning Book of the Year, and she has a new solo album out this Friday 13th June, entitled 2t2.   http://www.coseyfannitutti.com/ http://www.chrisandcosey.com/ https://cargorecordsdirect.co.uk/products/cosey-fanni-tutti-2t2   This is series 2, episode 1 and there are 50 previous episodes available now featuring Fatboy Slim, CJ Bolland, Andrew Huang, Tim Exile, High Contrast, Mylar Melodies, Infected Mushroom, DJ Rap, John Grant and many more. Available on Soundcloud, Spotify, Apple Music and Bandcamp. 

"I'm an individualist." The Throbbing Gristle co-founder on extreme experimentation, difficult women and her new album, 2t2. As long as underground culture has existed, there have been pockets of resistance—people at the fringes who challenge societal expectations and create work that pushes against societal norms. Cosey Fanni Tutti is one of them. She's a founding member of the defunct British band Throbbing Gristle, a visual artist, pornographic model, solo musician and writer. Tutti, now 73, grew up in the English city of Hull, where she met like-minded performer Genesis P-Orridge. Together, they formed Throbbing Gristle and the collective COUM. Their activations and installations were, unequivocally, shocking. In one show, Tutti urinated on the audience as she swung naked across the stage. In another, the band performed alongside framed displays of her used menstrual pads. Throbbing Gristle's extreme experimentations flirted with the erotic and the grotesque, pushing the limits of sound and frequency. Their outsider approach to making music—and their erasure of the boundary that separates life and art—went on to influence a generation of creatives across genres, especially in early techno. After Throbbing Gristle disbanded, Tutti performed as synth pop duo Chris & Cosey with her husband and ex-band member, Chris Carter. Her work as a solo artist has blossomed in recent years. She published her memoir, Art Sex Music, in 2017. After turning 66, she also wrote two full-length albums and wrote another book, Re:Sisters, which explores the life and legacy of the late composer Delia Derbyshire who faced adversity as a woman in a male-dominated world, like Tutti herself. In this Exchange with with Chloe Lula, Tutti discusses her dedication to living alternatively, expressing herself by any means possible and her forthcoming album, 2t2, composed during a time of extreme difficulty in her personal life. The underground icon also talks about mastering Mongolian throat singing and her upcoming solo art exhibition in New York, which will display the pornographic photos she took as a model in her 20s. Listen to the episode in full.

"I'm an individualist." The Throbbing Gristle co-founder on extreme experimentation, difficult women and her new album, 2t2. As long as underground culture has existed, there have been pockets of resistance—people at the fringes who challenge societal expectations and create work that pushes against societal norms. Cosey Fanni Tutti is one of them. She's a founding member of the defunct British band Throbbing Gristle, a visual artist, pornographic model, solo musician and writer. Tutti, now 73, grew up in the English city of Hull, where she met like-minded performer Genesis P-Orridge. Together, they formed Throbbing Gristle and the collective COUM. Their activations and installations were, unequivocally, shocking. In one show, Tutti urinated on the audience as she swung naked across the stage. In another, the band performed alongside framed displays of her used menstrual pads. Throbbing Gristle's extreme experimentations flirted with the erotic and the grotesque, pushing the limits of sound and frequency. Their outsider approach to making music—and their erasure of the boundary that separates life and art—went on to influence a generation of creatives across genres, especially in early techno. After Throbbing Gristle disbanded, Tutti performed as synth pop duo Chris & Cosey with her husband and ex-band member, Chris Carter. Her work as a solo artist has blossomed in recent years. She published her memoir, Art Sex Music, in 2017. After turning 66, she also wrote two full-length albums and wrote another book, Re:Sisters, which explores the life and legacy of the late composer Delia Derbyshire who faced adversity as a woman in a male-dominated world, like Tutti herself. In this Exchange with with Chloe Lula, Tutti discusses her dedication to living alternatively, expressing herself by any means possible and her forthcoming album, 2t2, composed during a time of extreme difficulty in her personal life. The underground icon also talks about mastering Mongolian throat singing and her upcoming solo art exhibition in New York, which will display the pornographic photos she took as a model in her 20s. Listen to the episode in full.

Genesis P-Orridge was a performance artist, neo Pagan, Industrial music innovator, the co-founder of COUM, Throbbing Gristle and Psychic TV and an arch provocateur. He was variously described as a wrecker of civilisation, transgressive and blasphemous, accused of being a Satanist and of sexually abusing his children (a lie - in fact he was a loving father and grandfather), and claimed to be a threat to society. He could be both very alarming and very kind. In later life Genesis became infamous with attempts to unite as a “pandrogyne”, a single entity, with partner Lady Jaye through the use of extreme surgical body modification intended to make them physically resemble one another Filmaker David Charles Rodrigues, director of S/HE IS STILL HERE an extraordinary, moving film based around interviews made in the last months of Genesis's life, came to the Bureau to talk about the Cut Up technique, William Burroughs, Bryon Gysin, The Exploding Galaxy, industrial music, the Satanic Panic and much more in the life and death of a deeply countercultural artist.   #genesis p-orridge #throbbinggristle #coum #psychictv #thetempleofpsychicyouth #industrialmusic #templeofpsychicyouth #pandrogyne #coseyfannitutti #chrisandcosey #williamburroughs #bryongysin #cutup #thecutuptechnique #ica #censorship #transgressive #satanicpanic #ladyjaye #thexxplodinggalaxy        

Episode 718: October 29, 2024 playlist: The Legendary Pink Dots, "A Message from the C.E.O" (The Legendary Pink Hallowe'en Special 2024) 2024 [self-released] Throbbing Gristle, "Scabs and Saws (Single Version)" (Scabs and Saws) 3:29 Mute Von Spar / Eiko Ishibashi / Joe Talia / Tatsuhisa Yamamoto, "III" (Album I) 2024 Bureau B Ladytron, "Misery Remember Me - Shiny Toy Guns Remix" (Time's Arrow Remixed) 2024 Cooking Vinyl Cate Brooks, "Blue Chip Fever" (Prismatics) 2024 Belbury Music Bill Callahan, "Beautiful Child (Peel Session)" (The Holy Grail: Bill Callahan's "Smog" Dec. 20, 2001 Peel Session) 2024 Drag City Jill Fraser, "Amen 2" (Earthly Pleasures) 2024 Drag City Angelo Harmsworth, "Trauma Arbitrage" (Without Blinking) 2024 Warm Winters Laibach, "Leben heisst Leben (Opus Dei Revisited 2024)" (Opus Dei Revisited) 2024 Mute Mike Cooper, "The Spider Of Dawn Had Appended And The Moon Had Far Descended" (Slow Motion Lightning) 2024 Room40 Email podcast at brainwashed dot com to say who you are; what you like; what you want to hear; share pictures for the podcast of where you're from, your computer or MP3 player with or without the Brainwashed Podcast Playing; and win free music! We have no tracking information, no idea who's listening to these things so the more feedback that comes in, the more frequent podcasts will come. You will not be put on any spam list and your information will remain completely private and not farmed out to a third party. Thanks for your attention and thanks for listening.

Rose Poivrée by The Different Company (2000) + Series Six Synthetic: Tar by Comme des Garçons (2004) + Serge Noire by Serge Lutens (2008) + Pinaud Clubman + Black Aoud by Montale (2006) + Current 93 (1982- ) + Throbbing Gristle's TG24 (1980, 2002) + Psychic TV's First Transmission (1982) + Coil (1982-2005) + Boyd Rice (1956- ) + Death in June (1981- ) + Robin Hardy's The Wicker Man (1973) + Lindsay Anderson's if...(1968) + Ken Russell's The Devils (1971) + Derek Jarman's Sebastiane (1976), The Angelic Conversation (1985), and Blue (1993)  with Ortant Aper, John, Will, Blauergeist, Sam, Jugs, Boyd Rice, and Ty E S3E13, S3E14, S2E41, S2E28, and S1E33 4/11/21, 4/4/21, 9/27/20, 6/20/20, 9/4/19 S6E57 To hear this episode and the complete continuing story of The Perfume Nationalist please subscribe on Patreon. 

Welcome to Live From Progzilla Towers Edition 522. In this special Prance edition we heard music by Ludwig Van Beethoven Vs The Chemical Brothers, Koan, Ben Liebrand, Globular, Goantum Fantay, Dire Straits Vs The Police, I Monster, Steven Wilson, Haruomi Hosono, Ott., The Dubbeltjes, The Beatles, Pink Floyd Vs The Bee Gees, System F, Throbbing Gristle, BT, Shpongle, Simon Posford & Friends, Younger Brother, The Human League, Underworld & The Beatles Vs Kraftwerk.

Stewart Lee – beloved writer, columnist and stand-up - was on the podcast in 2022 talking about the first records he bought, immensely funny and fascinating, and we've been praying for an excuse to get him back since. And it's here! - he's on tour again and his ‘Basic Lee' show is on Sky/Now TV on July 20. This covers his first memories of live entertainment - in the audience and as a performer – and the people who influenced him and stops off at the following stations … … why the Wombles were just like Crass. … how he writes and tests new material. … why Ted Chippington inspired his stand-up career. … television comedy is now “two-screen TV” as the viewer's always watching something else at the same time. … how Lockdown made audiences forget how to behave. … “Comedian In Bum Phone Fury”: how he stopped people filming his gigs. … deliberately using negative reaction shots in his TV edits.   … improvisation in music and comedy and why every night should be unique. … the tense protocol of comedians at other comedians' gigs. … Mark E Smith doing things “out of necessity irrespective of how they were received” and his reaction to seeing Stewart in his audience. … why festival crowds are a challenge. … the Drifters, the Applejacks and Napalm Death and how they are related. … the music playing when his son was born. … arriving in full early Dexys rig - donkey jacket, woolly hat - to find they were now the “raggle-taggle gypsies”. … the sole performance of Peter Richardson's Mexican bandit act. … Daniel Kitson, “the world's greatest living stand-up”. … plus the Nightingales, Chris Spedding, Clem Cattini, Kirk Brandon, the Bevis Frond, Geddy Lee, Throbbing Gristle and Brighton Psych Fest's Secluded Bronte – “is it music or are they just moving furniture around?”------------ All information about Stewart Lee tour dates here …https://www.stewartlee.co.uk/ ‘Basic Lee' is on Sky/Now TV on July 20.Find out more about how to help us keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Stewart Lee – beloved writer, columnist and stand-up - was on the podcast in 2022 talking about the first records he bought, immensely funny and fascinating, and we've been praying for an excuse to get him back since. And it's here! - he's on tour again and his ‘Basic Lee' show is on Sky/Now TV on July 20. This covers his first memories of live entertainment - in the audience and as a performer – and the people who influenced him and stops off at the following stations … … why the Wombles were just like Crass. … how he writes and tests new material. … why Ted Chippington inspired his stand-up career. … television comedy is now “two-screen TV” as the viewer's always watching something else at the same time. … how Lockdown made audiences forget how to behave. … “Comedian In Bum Phone Fury”: how he stopped people filming his gigs. … deliberately using negative reaction shots in his TV edits.   … improvisation in music and comedy and why every night should be unique. … the tense protocol of comedians at other comedians' gigs. … Mark E Smith doing things “out of necessity irrespective of how they were received” and his reaction to seeing Stewart in his audience. … why festival crowds are a challenge. … the Drifters, the Applejacks and Napalm Death and how they are related. … the music playing when his son was born. … arriving in full early Dexys rig - donkey jacket, woolly hat - to find they were now the “raggle-taggle gypsies”. … the sole performance of Peter Richardson's Mexican bandit act. … Daniel Kitson, “the world's greatest living stand-up”. … plus the Nightingales, Chris Spedding, Clem Cattini, Kirk Brandon, the Bevis Frond, Geddy Lee, Throbbing Gristle and Brighton Psych Fest's Secluded Bronte – “is it music or are they just moving furniture around?”------------ All information about Stewart Lee tour dates here …https://www.stewartlee.co.uk/ ‘Basic Lee' is on Sky/Now TV on July 20.Find out more about how to help us keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Stewart Lee – beloved writer, columnist and stand-up - was on the podcast in 2022 talking about the first records he bought, immensely funny and fascinating, and we've been praying for an excuse to get him back since. And it's here! - he's on tour again and his ‘Basic Lee' show is on Sky/Now TV on July 20. This covers his first memories of live entertainment - in the audience and as a performer – and the people who influenced him and stops off at the following stations … … why the Wombles were just like Crass. … how he writes and tests new material. … why Ted Chippington inspired his stand-up career. … television comedy is now “two-screen TV” as the viewer's always watching something else at the same time. … how Lockdown made audiences forget how to behave. … “Comedian In Bum Phone Fury”: how he stopped people filming his gigs. … deliberately using negative reaction shots in his TV edits.   … improvisation in music and comedy and why every night should be unique. … the tense protocol of comedians at other comedians' gigs. … Mark E Smith doing things “out of necessity irrespective of how they were received” and his reaction to seeing Stewart in his audience. … why festival crowds are a challenge. … the Drifters, the Applejacks and Napalm Death and how they are related. … the music playing when his son was born. … arriving in full early Dexys rig - donkey jacket, woolly hat - to find they were now the “raggle-taggle gypsies”. … the sole performance of Peter Richardson's Mexican bandit act. … Daniel Kitson, “the world's greatest living stand-up”. … plus the Nightingales, Chris Spedding, Clem Cattini, Kirk Brandon, the Bevis Frond, Geddy Lee, Throbbing Gristle and Brighton Psych Fest's Secluded Bronte – “is it music or are they just moving furniture around?”------------ All information about Stewart Lee tour dates here …https://www.stewartlee.co.uk/ ‘Basic Lee' is on Sky/Now TV on July 20.Find out more about how to help us keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Christopher & Jobst im Gespräch mit Brezel. Wir reden über die Faszination New Orleans, das aufregende Japan, DIY-Filme und Orchester auf den Philippinen, Kind der Genialen Dilletanten, gut Pfarrer & Arzt faken können, ein Künstlername der vorm Feuilleton schützt, sich leicht blenden lassen, Sex Pistols in der Bravo, ein Stapel Schallplatten in die Mülltonne werfen, Throbbing Gristle & 77er Punk, das Casio-Ding von Trio, eine Show in einer Galerie in Kassel, relativ viel alleine sein, die schlimme Behinderung klassische Musik zu mögen, immer wieder Redewendungen vom Vater anwenden, Ton Steine Scherben mit Eisi Gulp auf einem Stadtfest in Kassel, Tote Hosen prügeln sich mit dem Publikum, die Diskothek Treibhaus, sich schon immer als anarchistisch gesehen haben, eingeschmissene Scheiben, 100.000 Mark für jede Räumung, nicht mal den Kumpels erzählen dass man in Bands spielen, die Siegmund Freud Experience, bißchen collagiert, was ungewöhnliches machen wollen, Aufnahmeprüfung an einer Kunsthochschule in Dortmund, viel pendeln, ab 1988 eine Wohnung in Neukölln, die Kneipe Mittenweider mit Speed-Automat, Konzerte im Blockshock, einige Seiten aus Mutters Backbuch, ein altes besetztes Uni-Gebäude in Dahlem, erstmal ins Rauchhaus ziehen, 4 vs. 78 Umzugskisten, beim Bäcker kennenlernen, halbe Brötchen mit Mett, ein Sampler mit 15-Minuten-Songs, erste Aufnahmen in den USA, Musik für Leute die nicht zu Techno tanzen wollen, Verachtung gegenüber gelernter Musik, Touren unter räudigen Umständen, von den eigenen Stücken gefangen, "I love you, Ono" als französische Parfum-Werbung, Françoise hat alle nervös gemacht, Kill Rock Stars & Terrorbird, weltweit auf Tour, dauernüchterner Zustand, wenn eine Ebene nicht da war gab es noch eine andere, Bardame statt Musiker, keine Neider, fundamentale Ruhe, chronisch krank seit 99, die erste Krebsdiagnose von Françoise, gerissene Netzhaut, so tun als ob es weitergeht, die andere Seite kennengelernt haben, das wahnsinnig berührende Solo-Album, Pisse im Studio, die Verweigerungshaltung von Pisse, lachhaft was alles möglich war, der Anarchismus der Nachwende-Jahre, so viele lustige Leute, Köpi & Rauchhaus, feige geworden sein, Mercedes-Sterne, strenges Regiment beim Kochen, ein fast biblisches Alter, Werbung für das Buch von Françoise, den YouTube-Kanal Drumeo, Merriment & Dirt, Fold, das neue Libertines Album, uvm. Zwei Songs für die Playlist: 1) Ein STEREO TOTAL Song, der in Japan besonders gut ankam: Holiday Inn 2) Ein Lied, das Brezel mit seiner Jugend in Hessen verbindet: LENE LOVICH - Lucky No. 1

A reclusive podcaster falls hard for an ambitious bodybuilder headed to Las Vegas in pursuit of her dream. But their love becomes a treat of the highest order, pulling them deep into a torrid web of veganism. On Episode 615 of Trick or Treat Radio we discuss Love Lies Bleeding, the latest film from director Rose Glass! We also go down a rabbit hole of 80s comedies with lots of crossover, we talk about films you can taste and smell, and we reminisce about our Joe Bob Briggs interview from 2016! So grab your protein smoothie, cut your rat tail just right, and strap on for the world's most dangerous podcast!Stuff we talk about: Jim Cameron, Aliens, Sigourney Weaver, Aliens Expanded, Catwoman glasses, baby oil, inebriated with hate, hate-fueled gas tank, Bad Religion, Social D, MGM, Sean Waltman, Blind Melon Chitlin, Cheech and Chong, Bachelor Party, Mr. Dick, Tom Hanks, Wendie Jo Sperber, Blood Flows Red on the Highway, The Burning, Keith Gordon, Brian Backer, James Keach, Wildcats, Nipsy Russell, White Men Can't Tackle, Wildcats, Nightmare on Elm St., Robyn Lively, the lesser Murray, Bryan Fuller, Joe Bob Briggs, Cassandra Peterson, Scare-A-Con 2016, Halloween, Tony Moran, P.J. Soles, James Lorinz, Patty Mullin, Ed Harris, Anna Baryshnikov, Mikhail Baryshnikov, french kissing DiGiornios, Rose Glass, Katy O'Brian, Agents of S.H.I.E.L.D., Kristen Stewart, Berlin Wall, rocking a skullet, Jena Malone, beetles as pets, Lyle Alzado, Pop Will Eat Itself, Clint Mansell, The Runaways, Joan Jett, competetive bodybuilding, No Country For Old Men, Bound, Freeway, Forbidden Zone, Jordan Peele, Matthew Bright, Sandakin Skywalker, The Golden Glove, the definition of love, sexifixion, Kingpin of the Desert, sensory films, if Riff Raff was the Kingpin, Throbbing Gristle, Saint Maud, Monkey Man, Dev Patel, Immaculate, nunsploitation, Inebriated on Dollar Store Hate, It's Not Delivery It's Da Burn Unit, and Downward Doggie Style.Support us on Patreon: https://www.patreon.com/trickortreatradioJoin our Discord Community: discord.trickortreatradio.comSend Email/Voicemail: mailto:podcast@trickortreatradio.comVisit our website: http://trickortreatradio.comStart your own podcast: https://www.buzzsprout.com/?referrer_id=386Use our Amazon link: http://amzn.to/2CTdZzKFB Group: http://www.facebook.com/groups/trickortreatradioTwitter: http://twitter.com/TrickTreatRadioFacebook: http://facebook.com/TrickOrTreatRadioYouTube: http://youtube.com/TrickOrTreatRadioInstagram: http://instagram.com/TrickorTreatRadioSupport the Show.

This week, we talk to Stuart Swezey & Bruce Licher, who produced and worked on the Desolation Center series of shows that took bands like minutemen, Swans, Redd Kross, Meat Puppets, Sonic Youth, and Einsturzende Neubauten and put them in locations such as the Mojave Desert as a reaction to the omnipresent police violence against punk rock kids.  We talked about the Desolation Center documentary that Swezey directed, the iconic visuals that Licher created for the events, having the legendary artist Chris Burden as your teacher, the healing power of Throbbing Gristle, how to source school buses to take punk rockers to the desert, fake ids, Savage Republic, Glenn Branca and the No New York LP, Redd Kross getting lost in the desert, violence coming from rednecks, the notion of selling out and not repeating oneself, the impact of D. Boon on the scene, Survival Research Laboratories, Lydia Lunch, being naive, Action News, the eventual change in the 80s music underground, psychedelics, early punk clubs like The Masque and Brave Dog, NEA grants for industrial noise music events, and we're also joined by surprise guests, ML Compton and Skip King who are featured in the documentary and describe what it was like being a passenger into the unknown.So party with me punker, as we head into the desert at night on this week's Revolutions Per Movie.DESOLATION CENTER:https://www.desolationcenter.com/SEE THE FILM IN MAY 2024 IN L.A.:https://www.instagram.com/dktrfest/STUART SWEZEY:https://www.amokbooks.com/BRUCE LICHER:https://www.independentprojectrecords.com/LIMITED EDITION REVOLUTIONS PER MOVIE SHIRT:revolutionspermovie.bandcamp.comREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.New episodes of Revolutions Per Movies are released every Thursday, and if you like the show, please subscribe, rate, and review it on your favorite podcast app.The show is also a completely independent affair, so the best way to support the show is through our Patreon at patreon.com/revolutionspermovie, where you can get weekly bonus episodes and exclusive goods sent to you just for joining.SOCIALS:@revolutionspermovieX, BlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.comARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our Patreon Hosted on Acast. See acast.com/privacy for more information.

Welcome to Plantscendence a new podcast hosted by filmmaker Jon Reiss. Join us on a transformative journey as we explore the world of plant medicine and its profound impact on healing, personal growth, and artistic expression. Within each episode, Jon engages in insightful conversations with a diverse array of experts, practitioners, artists, grief counselors and everyday people who have harnessed the power of plant medicine to heal trauma, navigate loss, unlock creativity, and become more their true selves. Plantscendence explores how many have found solace, purpose, and deepened connections through the use of these remarkable plants, and provides a platform for both seasoned enthusiasts and curious newcomers  to explore the intersection of plant medicine, spirituality, personal transformation, and health.Guests for the ten episode first season include poet and musician Vera Sola, author and pioneer of microdosing Jim Fadiman, actress Gina Gershon, artist and Nganga Chor Boogie, US Army veteran Itzel Barakat, author and teacher Spring Washam, artist Doris La Frenais, plant wisdom practitioner Sitaramaya Sita, grief counselor Larry Carlat and healer and author Tricia Eastman. Jon Reiss is a critically acclaimed filmmaker, author, and media strategist. He began his film career at the fabled Target Video, where he shot seminal punk bands, including Black Flag, X, Iggy Pop, Throbbing Gristle, and The Cramps. Reiss then filmed and edited a series of videos documenting Mark Pauline's Survival Research Laboratories. After directing numerous music videos, including, notoriously, “Happiness in Slavery” for Nine Inch Nails, he directed the feature film Bomb It, Better Living Through Circuitry, and Cleopatra's Second Husband.   Through his company 8 Above, Reiss also helps filmmakers navigate the new distribution and marketing landscape.Plantscendence.com

Ortrotasce - "Seeing Red," a 2023 self-released single Ortrotasce (pronounced: or-tro-task) is the moniker for minimalist-synth artist Nic Hamersly, who has been crafting his unique brand of dramatic darkwave for over a decade. As he told the Orlando Weekly last year, as a teenager, he fell in love with experimental punk label 31G Records and its founder's band, The Locust, before moving on to bands like Coil and Throbbing Gristle. "I was more so into the harsher realm of electronic music," he tells the Weekly. "Power electronics and dark ambient and so on." He notes that his later influences leaned in poppier directions. "Hard Corps, SPK — Machine Age Voodoo, specifically — Fad Gadget, to name a few," he adds. "The juxtaposition between synth-pop and industrial in these groups just do it for me. You can probably hear this in most of my recent output." Read the full story at KEXP.orgSupport the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

Den 10 och 11 mars avslutar Karin Dreijer, alias Fever Ray, sin ett år långa There's No Place That I'd Rather Be Tour med två spelningar på Cirkus i Stockholm. Fredrik Strage, som en gång beskrev The Knife som "det bästa som hänt musik sedan elektricitet", har i åtta år försökt locka Karin till sin podd och nu blev det äntligen av. Den elektroniska popsurrealisten från Pixbo talar om sin långa karriär, från att göra Tom Petty-covers med gruppen Virginia i högstadiet till att samarbeta med Nine Inch Nails på senaste albumet "Radical romantics". Samtalet handlar också om nittiotalets indiescen, föräldraskap, Throbbing Gristle, nyfascism, kärlek, död, kapitalism, sumorörelser, ickebinär identitet, Cindy Lauper, Håkan Hellström och om när Karin slarvade bort sitt tält på väg för att se Hole på Readingfestivalen 1995. Hosted on Acast. See acast.com/privacy for more information.

In one of the most eclectic episodes of The Album Years podcast yet, Steven and Tim delve into records by Queen, Throbbing Gristle and Fela Kuti. Now for our question of the week...do you have a favourite album that your best mate absolutely hates? Or as in Tim's case, is indifferent to... Learn more about your ad choices. Visit megaphone.fm/adchoices

Coming hot on the heels of the dissolution of Throbbing Gristle, Chris & Cosey's debut LP Heartbeat doesn't just function as a bridge between their work as experimental enfants terrible and the dreamier, trance-like synthesis their work as a duo would explore, but also between major eras in experimental music. In this month's commentary podcast we're examining how the record links the origins of industrial noise to the emerging eras of synthpop and post-industrial music.

Genesis Breyer P-Orridge (born Neil Andrew Megson; 22 February 1950 – 14 March 2020) was an English singer-songwriter, musician, poet, performance artist, visual artist, and occultist who rose to notoriety as the founder of the COUM Transmissions artistic collective and lead vocalist of seminal industrial band Throbbing Gristle. They were also a founding member of Thee Temple ov Psychick Youth occult group, and fronted the experimental pop rock band Psychic TV. Genesis was my mentor in magick and life for over seven intensive years. This conversation was the last I had with her, while she was in hospital with leukemia before her death. I released it on the podcast shortly after recording it, but since it was recorded on an iPhone with no external mic, the audio was very hard to hear in parts. This remastered version restores the conversation and give it the proper treatment it deserves. Please enjoy this very, very special episode. Show Links Thee Psychick Bible Magick.Me The Adept Initiative Magick.Me on YouTube!

Genesis Breyer P-Orridge (born Neil Andrew Megson; 22 February 1950 – 14 March 2020) was an English singer-songwriter, musician, poet, performance artist, visual artist, and occultist who rose to notoriety as the founder of the COUM Transmissions artistic collective and lead vocalist of seminal industrial band Throbbing Gristle. They were also a founding member of Thee Temple ov Psychick Youth occult group, and fronted the experimental pop rock band Psychic TV. Genesis was my mentor in magick and life for over seven intensive years. This conversation was the last I had with her, while she was in hospital with leukemia before her death. I released it on the podcast shortly after recording it, but since it was recorded on an iPhone with no external mic, the audio was very hard to hear in parts. This remastered version restores the conversation and give it the proper treatment it deserves. Please enjoy this very, very special episode. Show Links Thee Psychick Bible Magick.Me The Adept Initiative Magick.Me on YouTube!

This week, we talked to actor/writer/musician Julie Klausner (Hulu's ‘Difficult People, Double Threat Podcast, ‘I Don't Care About Your Band') about Nancy Sinatra's 1967 TV Special ‘Movin' With Nancy.' We obsess over Nancy's dedication to the art of her lip-syncs, the magic of her partnership with Lee Hazlewood, how the special is also an unintentional horror movie & why Ringo Starr, Throbbing Gristle & Davy Jones would have been perfect duet partners with Nancy.So pour yourself a goblet of that mad, mad, mad, mad cola and take the passenger seat straight into heaven on this week's episode of Revolutions Per Movie.JULIE KLAUSNER:julieklausner.com/'SILENCE' music video: www.youtube.com/watch?v=FY9DSQJN_…nel=JulieKlausnerJULIE'S BENEFIT FOR TRANS LIFELINE: www.teepublic.com/user/giantgiant/…lence-collectionHost Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.Theme by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.comArtwork by Jeff T. Owenslinktr.ee/mymetalhandNew episodes of Revolutions Per Movies are released every Thursday, and if you like the show, please rank and review it on your favorite podcast app.Thanks! Hosted on Acast. See acast.com/privacy for more information.

NEW stuff this time around from HEALING & PEACE (Kneeling in Piss! Yes!), SNOOPER, ONYON, FAMOUS MAMMALS, RETAIL SIMPS and CHRIS DURHAM, and a real cornucopia of goodtime, late-summer-vibes library material from Throbbing Gristle, Alastair Galbraith, Olla, The Flesheaters, Chalk Circle, The Minders and too many other mindblowers to mention here. Give it a whirl and then tell a friend!Track listing:HEALING & PEACE - The ShopkeeperONYON - Alien AlienMAX BLOCK - Sonic BlurOLLA - Septic HagfishCHALK CIRCLE - The SlapFREE KITTEN - One-Forty FiveCHRISTOPHER ALAN DURHAM & THE PEACETIME CONSUMERS - Suburban Girl FAMOUS MAMMALS - Let The Light InALASTAIR GALBRAITH - HuxleyTHE MINDERS - Hand Me DownsWHITE FENCE - A Need YouSNOOPER - PowerballTHE FLESHEATERS - Crazy BoyKNOLL ALLEN AND THE NOBLE SAVAGES – Animal THE ORPHANS - Hey GypTHE RETAIL SIMPS - Easy StreetJOHN BERENZY GROUP - Vice VersusFLOP - Act 1 Scene 1THROBBING GRISTLE - Zyklon B Zombie

Illusion of Safety is one of the longest running projects in the industrial noise underground, and Dan Burke was cool enough to sit down with us and go over his entire history. From seeing the final Throbbing Gristle show in San Francisco, to creating the IOS world with all its collaborators, Dan has stories and insight for days. It's another mandatory history lesson on Noisextra.

Throbbing Gristle, China, Dragos, Ransomware, Tomcat, Ivanti, Radio Radio, My Mother the Car, Jason Wood, and More   Visit https://www.securityweekly.com/swn for all the latest episodes! Show Notes: https://securityweekly.com/swn-314 

In this episode, we delve into England's Hidden Reverse—the history of the occult industrial bands Coil, Current 93, Nurse With Wound, Throbbing Gristle, Psychic TV, and the monumental spells they cast on music and popular occulture. Our intrepid guide on this journey is Scottish writer David Keenan, a literary and musical polymath known for his innovative contributions to the UK cultural scene. Born in April 1971, Keenan has worn many hats, from running Glasgow's iconic record shop, Volcanic Tongue, to shaping the dialogue around experimental music genres in The Wire magazine. As an author, he has written four critically acclaimed novels, with his debut, "This Is Memorial Device", bagging the Collyer Bristow Award for Debut Fiction. Keenan's seminal work "England's Hidden Reverse", the focus of this episode, is an in-depth exploration of the English esoteric musical underground, featuring exclusive biographies of the genre-defying bands Coil, Current 93, Nurse With Wound and many more. Based on exclusive interviews and privileged access to the bands' personal archives, "England's Hidden Reverse" unveils the unique cultural, artistic, and sexual milieu of the English underground. This is a TREMENDOUS episode that focuses not only on the mentioned bands, but on Keenan's own occult experiences and THE VERITABLE NATURE OF MAGICK ITSELF. ENJOY!!!!!! Show Links England's Hidden Reverse, 2023 Expanded Edition David Keenan's Amazon Author Page Magick.Me

In this episode, we delve into England's Hidden Reverse—the history of the occult industrial bands Coil, Current 93, Nurse With Wound, Throbbing Gristle, Psychic TV, and the monumental spells they cast on music and popular occulture. Our intrepid guide on this journey is Scottish writer David Keenan, a literary and musical polymath known for his innovative contributions to the UK cultural scene. Born in April 1971, Keenan has worn many hats, from running Glasgow's iconic record shop, Volcanic Tongue, to shaping the dialogue around experimental music genres in The Wire magazine. As an author, he has written four critically acclaimed novels, with his debut, "This Is Memorial Device", bagging the Collyer Bristow Award for Debut Fiction. Keenan's seminal work "England's Hidden Reverse", the focus of this episode, is an in-depth exploration of the English esoteric musical underground, featuring exclusive biographies of the genre-defying bands Coil, Current 93, Nurse With Wound and many more. Based on exclusive interviews and privileged access to the bands' personal archives, "England's Hidden Reverse" unveils the unique cultural, artistic, and sexual milieu of the English underground.  This is a TREMENDOUS episode that focuses not only on the mentioned bands, but on Keenan's own occult experiences and THE VERITABLE NATURE OF MAGICK ITSELF. ENJOY!!!!!! Show Links England's Hidden Reverse, 2023 Expanded Edition David Keenan's Amazon Author Page Magick.Me

Flo is off the plot again today, this time at the veg patch of Cosey Fanni Tutti. Cosey is an artist, musician, and writer. She was a co-founder of COUM transmissions and later went on to form industrial music group, Throbbing Gristle. Both groups were highly censored and at one point they were accused by the mainstream press of being ‘wreckers of civilisation' for their shocking and confrontational work. Cosey went on to form Chris and Cosey, and later Carter Tutti Void with her bandmate and partner, Chris Carter. In this episode Cosey talks Flo through her DIY approach to gardening, her recent work scoring the Delia Derbyshire film, and their mutual love of the Rosemary Tonks book, The Bloater. Later in the podcast they discuss Cosey's choice of music to strip to, all whilst they sow carrot seeds and plant out onion sets. Check out Cosey Fanni Tutti's shows on NTSPresenter - Flo Dill, Producer - Lizzy King, Sound Recording - Jennifer Walton,  Editor - Sam Stone, Mastering - Rory Bowens.Music - Cleaners from Venus - The Artichoke That Loved Me, courtesy of Martin Newell & Captured Tracks. Hosted on Acast. See acast.com/privacy for more information.

Welsh artist Kelly Lee Owens has a special grasp on techno. She can make it sound wild and naturalistic, like wind blowing through a dense forest, or make it feel cold and sleek, like a gleaming slab of chrome. Either way, though, it's always full of emotion, thanks to the intricate textures and distinctive tones of her voice. You might even say she takes a singer-songwriter approach to techno, but that doesn't mean her music isn't suited for the dance floor. Her most recent album, LP.8, marks a step away from the dance floor, however, and into a place a little more dark, more unpredictable. It's also some of her most gorgeous work, centering around "Anadlu," an eight-minute cut that feels perfectly pitched between ambient and techno, with heavy, lumbering drums but an otherwise lightweight, almost wispy feel. 
Owens' RA Podcast occupies this zone almost perfectly. Beginning with 11th century music from Hildegard von Bingen, it ties all sorts of traditions together, from Pan Sonic to Throbbing Gristle to Marco Shuttle to Oneohtrix Point Never & Rosalía. It floats, it accelerates, it loops and doubles back in on itself, an hour of gripping electronics from one of techno's most distinctive voices. Read more at https://ra.co/podcast/841

The Toronto DIY god STEVEN PAGE, is here! Today on Turned Out A Punk Damian sits down with one of Canada's most iconic songwriters to talk punk! Listen in as they discuss: Throbbing Gristle, The Jam & punk's impotence to outsider kids. From buying the "Business As Usual" compilation, to going platinum with a DIY tape, to prowess being worthless, to lead singers having to "wear it differently": THIS IS NOT TO BE MISSED! Don't miss Steven Page on tour or "Live From Home"! More info here: https://www.stevenpage.com Also, grab a shirt form this podcast here: turnedoutapunk.com Also Touched On: Aware of punk from the press The “Business As Usual” Compilation  Loving the Jam because they also seemed to have missed out on stuff Social/Sonic Barrier  Prowess is worthless Suspicions about the Clash Billy Bragg as inspiration  Violent Femmes Lyrics are important The Townie, uptight, nature of early 80's Toronto Scarborough sucked Hearing Johnny Cash and hearing him for the first time Postcard Records The “Big Gold Dream” documentary “The Canadian version of…” The Yellow Tape: The birth of a true alternative music industry The Canadian Music Mafia and SXSW “13 Engines can't make it! Can you guys do it?” The “Buck Naked” tape The “Pink Tape” Dressing like clowns and clowning the industry Chris Murphy planting a seed of doubt “The sellout threshold” Signing to Sire to be a part of it “Seymour Sign” Inglenook: Toronto's Rock and Roll High School Outsider Angst and band dynamics The viciousness of the NME Lead singers have to wear it differently  The Skydiggers Corky And The Juice Pigs AND SO MUCH MORE!!!