Podcasts about Throbbing Gristle

"I'm an individualist." The Throbbing Gristle co-founder on extreme experimentation, difficult women and her new album, 2t2. As long as underground culture has existed, there have been pockets of resistance—people at the fringes who challenge societal expectations and create work that pushes against societal norms. Cosey Fanni Tutti is one of them. She's a founding member of the defunct British band Throbbing Gristle, a visual artist, pornographic model, solo musician and writer. Tutti, now 73, grew up in the English city of Hull, where she met like-minded performer Genesis P-Orridge. Together, they formed Throbbing Gristle and the collective COUM. Their activations and installations were, unequivocally, shocking. In one show, Tutti urinated on the audience as she swung naked across the stage. In another, the band performed alongside framed displays of her used menstrual pads. Throbbing Gristle's extreme experimentations flirted with the erotic and the grotesque, pushing the limits of sound and frequency. Their outsider approach to making music—and their erasure of the boundary that separates life and art—went on to influence a generation of creatives across genres, especially in early techno. After Throbbing Gristle disbanded, Tutti performed as synth pop duo Chris & Cosey with her husband and ex-band member, Chris Carter. Her work as a solo artist has blossomed in recent years. She published her memoir, Art Sex Music, in 2017. After turning 66, she also wrote two full-length albums and wrote another book, Re:Sisters, which explores the life and legacy of the late composer Delia Derbyshire who faced adversity as a woman in a male-dominated world, like Tutti herself. In this Exchange with with Chloe Lula, Tutti discusses her dedication to living alternatively, expressing herself by any means possible and her forthcoming album, 2t2, composed during a time of extreme difficulty in her personal life. The underground icon also talks about mastering Mongolian throat singing and her upcoming solo art exhibition in New York, which will display the pornographic photos she took as a model in her 20s. Listen to the episode in full.

"I'm an individualist." The Throbbing Gristle co-founder on extreme experimentation, difficult women and her new album, 2t2. As long as underground culture has existed, there have been pockets of resistance—people at the fringes who challenge societal expectations and create work that pushes against societal norms. Cosey Fanni Tutti is one of them. She's a founding member of the defunct British band Throbbing Gristle, a visual artist, pornographic model, solo musician and writer. Tutti, now 73, grew up in the English city of Hull, where she met like-minded performer Genesis P-Orridge. Together, they formed Throbbing Gristle and the collective COUM. Their activations and installations were, unequivocally, shocking. In one show, Tutti urinated on the audience as she swung naked across the stage. In another, the band performed alongside framed displays of her used menstrual pads. Throbbing Gristle's extreme experimentations flirted with the erotic and the grotesque, pushing the limits of sound and frequency. Their outsider approach to making music—and their erasure of the boundary that separates life and art—went on to influence a generation of creatives across genres, especially in early techno. After Throbbing Gristle disbanded, Tutti performed as synth pop duo Chris & Cosey with her husband and ex-band member, Chris Carter. Her work as a solo artist has blossomed in recent years. She published her memoir, Art Sex Music, in 2017. After turning 66, she also wrote two full-length albums and wrote another book, Re:Sisters, which explores the life and legacy of the late composer Delia Derbyshire who faced adversity as a woman in a male-dominated world, like Tutti herself. In this Exchange with with Chloe Lula, Tutti discusses her dedication to living alternatively, expressing herself by any means possible and her forthcoming album, 2t2, composed during a time of extreme difficulty in her personal life. The underground icon also talks about mastering Mongolian throat singing and her upcoming solo art exhibition in New York, which will display the pornographic photos she took as a model in her 20s. Listen to the episode in full.

The Jazz Show takes a side-step this long weekend from its usual programming, Host Blind Mango Chutney calling a Rock Jazz theme. Blind Mango invites local vinyl collector Johnny Dambuster as special guest Selector —with the Rock Jazz theme being a much talked about concept between Blind Mango & the Dambuster for quite some time. The pair have a blast taking a deep dive & a somewhat wild ride into the Rock-Jazz milieu. First selections come from the early Rock' n' Roll period with key vocalists Big Mama Thornton & Big Maybelle. Things get a tad trippy with psychedelic selections from Hendrix, Les Paul, & Blood Sweat & Tears, unfolding later with some unlikely surprises, as Dambuster unearths some buried nuggets from Alice Cooper, Snakefinger (the Residents), & Throbbing Gristle. Plus The MC5 enter for a totally Sonic moment! - (It's all about the track's epic Drum intro, & the Saxophones mid track folks!). Blind Mango knocks it into the End-Zone with essential tracks from King Crimson, John McLaughlin, & Larry Coryell, ending the show on a total high with Charlie Hunter's great version of Nirvana's Come as You Are — all making for an eclectic, & indeed an *electric* mix of Rock-Jazz Vibes with a busy text machine keeping the Crew busy with ppl diggin' the show's selections. (A part 2 perhaps, guys?) DJ Sassy pops in to host the Jazz Gig Guide, & adds a refreshing beverage twist — & Miss Dom to present the Vinyl Fair Guide. Rock on Folks! With big thanks to our show sponsors: San Ray at 118 Ponsonby Road

Industrial Music - genauer gesagt die frühen Vertreter dieses Genres sind das Thema dieser Folge. Wir reden über Throbbing Gristle, Cabaret Voltaire, Clock DVA, SPK, 23 Skidoo, Coil und Test Dept.Bands, die zum Teil schon vor der Punk-Welle existierten, aber erst durch Punk anfingen Platten zu veröffentlichen, eine größere Aufmerksamkeit erlangten, um schließlich die elektronische Musik der späten 70er und frühen 80er zubeeinflussen.  Mit Post-Punk entwickelte sich der frühe, oft minimalistische Sound und die Performance-Kunst des Industrial dann weiter und hielt Einzug in andere Genres. Unser Extra-Tipp: BLAT "Maldita Realidad" - Link zu YoutubeBier: Moosehead Canadian LagerAbonniert diesen Podcast und folgt uns auf ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠und / oder ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Kontakt: prost-punk@web.de ⁠⁠⁠⁠⁠⁠⁠⁠

BIBLIOTECA SUBMERSA é a nova série de episódios do Podcast da Raphus Press, uma ironia bastante séria com o conceito de canônico e marginal, de popular e elitista, de aceito e não aceito, a partir das obras de autores que, aparentemente, tinham alguma influência (ou relevância) de certas obras ou autores no passado e que, hoje, parecem ausentes das livrarias, cadernos culturais, canais de vídeo na Internet. Nossa inspiração é Jorge Luis Borges e uma conhecida citação de Virginia Woolf: “Livros usados são selvagens, destituídos; surgem em grandes bandos de penas variadas e possuem certo encanto que falta aos volumes domesticados de uma biblioteca.”Episódio de hoje: O manual da insurreição desenfreada de William S. BurroughsObras citadas: “Manual Revisado del Boy Scout”, William S. Burroughs (La Felguera, 2024).Entrevista de Alan Moore com Séamas O'Reilly, em que, entre outras coisas, são mencionadas certas atitudes questionáveis de Genesis P. Orridge, líder das bandas Throbbing Gristle e Psychic TV: https://seamas.medium.com/its-a-rabbit-out-of-a-hat-on-magick-fantasy-and-pretty-much-everything-else-with-alan-moore-068dac9ed406Trailer de “Punishment Park”, com legendas em francês: https://youtu.be/LLsNO8cQpaU?si=Y_02txHNHR9fHJZMEntre para a nossa sociedade, dedicada à bibliofilia maldita e ao culto de tenebrosos grimórios: o RES FICTA (solicitações via http://raphuspress.weebly.com/contact.html).Nosso podcast também está disponível nas seguintes plataformas:- Spotify: https://open.spotify.com/show/4NUiqPPTMdnezdKmvWDXHs- Apple: https://podcasts.apple.com/us/podcast/podcast-da-raphus-press/id1488391151?uo=4- Google Podcasts: https://podcasts.google.com/?feed=aHR0cHM6Ly9hbmNob3IuZm0vcy8xMDlmZmVjNC9wb2RjYXN0L3Jzcw%3D%3D Apoie o canal: https://apoia.se/podcastdaraphus.Ou adquira nossos livros em nosso site: http://raphuspress.weebly.com. Dúvidas sobre envio, formas de pagamento, etc.: http://raphuspress.weebly.com/contact.html.Nossos livros também estão no Sebo Clepsidra: https://seboclepsidra.lojaintegrada.com.br/buscar?q=Raphus+Press

  Esta edição foi publicada originalmente em 2 de dezembro 2015.  Nesta reprise dentro do projeto Sobe de Novo Shi, eu destaco Chiron, música de 1984 da dupla Chris & Cosey, que hoje em dia se apresenta usando os sobrenomes, que são Carter Tutti. E quem são Chris Carter e Cosey Tutti? Eles são dois dos integrantes originais do Throbbing Gristle, um dos primeiros grupos de synthpop da Inglaterra, pioneiros no uso de sons eletrônicos, praticamente pais do gênero industrial, desde 1976 fazendo barulho com sintetizadores. Mas a música que eles faziam nos anos 70 era bem diferente, bem mais experimental, o som só ficou mais dançante em 1980, mas em 1981 eles encerraram as atividades. Boa (re)audição e até a próxima! SHI Tracklist Vow Wow - Beat of Metal Motion Plastics - Peace Casiopea - Down Upbeat Husker Du - Don't Want To Know If You Are Lonely Volcano Suns - Greasy Spine Band of Susans - Throne of Blood The Cruel Sea ‎– Down Below Died Pretty - Laughing Boy Nigel Bates - Highway Coda Chris & Cosey - Chiron John Waite ‎– Tears Expresso - Velhas Feridas 80 WATTS outro theme by Fernando Werneck         Muito obrigado aos produtores virtuais que acreditam e apoiam esta iniciativa: Fabiano F. M. Cordeiro (Fab 97,4 FM) Ricardo Bunnyman (AutoRadio Podcast) Marcos Coluci Marcelo Machado (Podcast de Garagem) William Floyd (Fermata podcast) Seja também um apoiador do 80 WATTS em uma das plataformas abaixo.      This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License. Background vector created by freepik - www.freepik.com  

Genesis P-Orridge was a performance artist, neo Pagan, Industrial music innovator, the co-founder of COUM, Throbbing Gristle and Psychic TV and an arch provocateur. He was variously described as a wrecker of civilisation, transgressive and blasphemous, accused of being a Satanist and of sexually abusing his children (a lie - in fact he was a loving father and grandfather), and claimed to be a threat to society. He could be both very alarming and very kind. In later life Genesis became infamous with attempts to unite as a “pandrogyne”, a single entity, with partner Lady Jaye through the use of extreme surgical body modification intended to make them physically resemble one another Filmaker David Charles Rodrigues, director of S/HE IS STILL HERE an extraordinary, moving film based around interviews made in the last months of Genesis's life, came to the Bureau to talk about the Cut Up technique, William Burroughs, Bryon Gysin, The Exploding Galaxy, industrial music, the Satanic Panic and much more in the life and death of a deeply countercultural artist.   #genesis p-orridge #throbbinggristle #coum #psychictv #thetempleofpsychicyouth #industrialmusic #templeofpsychicyouth #pandrogyne #coseyfannitutti #chrisandcosey #williamburroughs #bryongysin #cutup #thecutuptechnique #ica #censorship #transgressive #satanicpanic #ladyjaye #thexxplodinggalaxy        

CITR's 24 Hours of Radio Art in a snack-sized format. Dark Ambient. Drone. Field Recordings. Noise. Sound Art. Or something. Tune in Friday afternoon for new music by Daniela Huerta, Sulla Lingua, Markus Mehr, Alan Lamb, Mike Cooper, Flora Yin Wong, Pietu Arvola, and Throbbing Gristle (??!), plus the CITR Global Network premiere of Black Rain's ‘Neuromancer‘ and Teho Teardo / Blixa Bargeld's latest collaboration ‘Christian + Mauro‘. Starting at 2:00 PM Pacific on CITR 101.9FM, streaming at PLAYER.CITR.CA

Episode 718: October 29, 2024 playlist: The Legendary Pink Dots, "A Message from the C.E.O" (The Legendary Pink Hallowe'en Special 2024) 2024 [self-released] Throbbing Gristle, "Scabs and Saws (Single Version)" (Scabs and Saws) 3:29 Mute Von Spar / Eiko Ishibashi / Joe Talia / Tatsuhisa Yamamoto, "III" (Album I) 2024 Bureau B Ladytron, "Misery Remember Me - Shiny Toy Guns Remix" (Time's Arrow Remixed) 2024 Cooking Vinyl Cate Brooks, "Blue Chip Fever" (Prismatics) 2024 Belbury Music Bill Callahan, "Beautiful Child (Peel Session)" (The Holy Grail: Bill Callahan's "Smog" Dec. 20, 2001 Peel Session) 2024 Drag City Jill Fraser, "Amen 2" (Earthly Pleasures) 2024 Drag City Angelo Harmsworth, "Trauma Arbitrage" (Without Blinking) 2024 Warm Winters Laibach, "Leben heisst Leben (Opus Dei Revisited 2024)" (Opus Dei Revisited) 2024 Mute Mike Cooper, "The Spider Of Dawn Had Appended And The Moon Had Far Descended" (Slow Motion Lightning) 2024 Room40 Email podcast at brainwashed dot com to say who you are; what you like; what you want to hear; share pictures for the podcast of where you're from, your computer or MP3 player with or without the Brainwashed Podcast Playing; and win free music! We have no tracking information, no idea who's listening to these things so the more feedback that comes in, the more frequent podcasts will come. You will not be put on any spam list and your information will remain completely private and not farmed out to a third party. Thanks for your attention and thanks for listening.

Rose Poivrée by The Different Company (2000) + Series Six Synthetic: Tar by Comme des Garçons (2004) + Serge Noire by Serge Lutens (2008) + Pinaud Clubman + Black Aoud by Montale (2006) + Current 93 (1982- ) + Throbbing Gristle's TG24 (1980, 2002) + Psychic TV's First Transmission (1982) + Coil (1982-2005) + Boyd Rice (1956- ) + Death in June (1981- ) + Robin Hardy's The Wicker Man (1973) + Lindsay Anderson's if...(1968) + Ken Russell's The Devils (1971) + Derek Jarman's Sebastiane (1976), The Angelic Conversation (1985), and Blue (1993)  with Ortant Aper, John, Will, Blauergeist, Sam, Jugs, Boyd Rice, and Ty E S3E13, S3E14, S2E41, S2E28, and S1E33 4/11/21, 4/4/21, 9/27/20, 6/20/20, 9/4/19 S6E57 To hear this episode and the complete continuing story of The Perfume Nationalist please subscribe on Patreon. 

Welcome to Live From Progzilla Towers Edition 522. In this special Prance edition we heard music by Ludwig Van Beethoven Vs The Chemical Brothers, Koan, Ben Liebrand, Globular, Goantum Fantay, Dire Straits Vs The Police, I Monster, Steven Wilson, Haruomi Hosono, Ott., The Dubbeltjes, The Beatles, Pink Floyd Vs The Bee Gees, System F, Throbbing Gristle, BT, Shpongle, Simon Posford & Friends, Younger Brother, The Human League, Underworld & The Beatles Vs Kraftwerk.

Stewart Lee – beloved writer, columnist and stand-up - was on the podcast in 2022 talking about the first records he bought, immensely funny and fascinating, and we've been praying for an excuse to get him back since. And it's here! - he's on tour again and his ‘Basic Lee' show is on Sky/Now TV on July 20. This covers his first memories of live entertainment - in the audience and as a performer – and the people who influenced him and stops off at the following stations … … why the Wombles were just like Crass. … how he writes and tests new material. … why Ted Chippington inspired his stand-up career. … television comedy is now “two-screen TV” as the viewer's always watching something else at the same time. … how Lockdown made audiences forget how to behave. … “Comedian In Bum Phone Fury”: how he stopped people filming his gigs. … deliberately using negative reaction shots in his TV edits.   … improvisation in music and comedy and why every night should be unique. … the tense protocol of comedians at other comedians' gigs. … Mark E Smith doing things “out of necessity irrespective of how they were received” and his reaction to seeing Stewart in his audience. … why festival crowds are a challenge. … the Drifters, the Applejacks and Napalm Death and how they are related. … the music playing when his son was born. … arriving in full early Dexys rig - donkey jacket, woolly hat - to find they were now the “raggle-taggle gypsies”. … the sole performance of Peter Richardson's Mexican bandit act. … Daniel Kitson, “the world's greatest living stand-up”. … plus the Nightingales, Chris Spedding, Clem Cattini, Kirk Brandon, the Bevis Frond, Geddy Lee, Throbbing Gristle and Brighton Psych Fest's Secluded Bronte – “is it music or are they just moving furniture around?”------------ All information about Stewart Lee tour dates here …https://www.stewartlee.co.uk/ ‘Basic Lee' is on Sky/Now TV on July 20.Find out more about how to help us keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Stewart Lee – beloved writer, columnist and stand-up - was on the podcast in 2022 talking about the first records he bought, immensely funny and fascinating, and we've been praying for an excuse to get him back since. And it's here! - he's on tour again and his ‘Basic Lee' show is on Sky/Now TV on July 20. This covers his first memories of live entertainment - in the audience and as a performer – and the people who influenced him and stops off at the following stations … … why the Wombles were just like Crass. … how he writes and tests new material. … why Ted Chippington inspired his stand-up career. … television comedy is now “two-screen TV” as the viewer's always watching something else at the same time. … how Lockdown made audiences forget how to behave. … “Comedian In Bum Phone Fury”: how he stopped people filming his gigs. … deliberately using negative reaction shots in his TV edits.   … improvisation in music and comedy and why every night should be unique. … the tense protocol of comedians at other comedians' gigs. … Mark E Smith doing things “out of necessity irrespective of how they were received” and his reaction to seeing Stewart in his audience. … why festival crowds are a challenge. … the Drifters, the Applejacks and Napalm Death and how they are related. … the music playing when his son was born. … arriving in full early Dexys rig - donkey jacket, woolly hat - to find they were now the “raggle-taggle gypsies”. … the sole performance of Peter Richardson's Mexican bandit act. … Daniel Kitson, “the world's greatest living stand-up”. … plus the Nightingales, Chris Spedding, Clem Cattini, Kirk Brandon, the Bevis Frond, Geddy Lee, Throbbing Gristle and Brighton Psych Fest's Secluded Bronte – “is it music or are they just moving furniture around?”------------ All information about Stewart Lee tour dates here …https://www.stewartlee.co.uk/ ‘Basic Lee' is on Sky/Now TV on July 20.Find out more about how to help us keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Stewart Lee – beloved writer, columnist and stand-up - was on the podcast in 2022 talking about the first records he bought, immensely funny and fascinating, and we've been praying for an excuse to get him back since. And it's here! - he's on tour again and his ‘Basic Lee' show is on Sky/Now TV on July 20. This covers his first memories of live entertainment - in the audience and as a performer – and the people who influenced him and stops off at the following stations … … why the Wombles were just like Crass. … how he writes and tests new material. … why Ted Chippington inspired his stand-up career. … television comedy is now “two-screen TV” as the viewer's always watching something else at the same time. … how Lockdown made audiences forget how to behave. … “Comedian In Bum Phone Fury”: how he stopped people filming his gigs. … deliberately using negative reaction shots in his TV edits.   … improvisation in music and comedy and why every night should be unique. … the tense protocol of comedians at other comedians' gigs. … Mark E Smith doing things “out of necessity irrespective of how they were received” and his reaction to seeing Stewart in his audience. … why festival crowds are a challenge. … the Drifters, the Applejacks and Napalm Death and how they are related. … the music playing when his son was born. … arriving in full early Dexys rig - donkey jacket, woolly hat - to find they were now the “raggle-taggle gypsies”. … the sole performance of Peter Richardson's Mexican bandit act. … Daniel Kitson, “the world's greatest living stand-up”. … plus the Nightingales, Chris Spedding, Clem Cattini, Kirk Brandon, the Bevis Frond, Geddy Lee, Throbbing Gristle and Brighton Psych Fest's Secluded Bronte – “is it music or are they just moving furniture around?”------------ All information about Stewart Lee tour dates here …https://www.stewartlee.co.uk/ ‘Basic Lee' is on Sky/Now TV on July 20.Find out more about how to help us keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Christopher & Jobst im Gespräch mit Brezel. Wir reden über die Faszination New Orleans, das aufregende Japan, DIY-Filme und Orchester auf den Philippinen, Kind der Genialen Dilletanten, gut Pfarrer & Arzt faken können, ein Künstlername der vorm Feuilleton schützt, sich leicht blenden lassen, Sex Pistols in der Bravo, ein Stapel Schallplatten in die Mülltonne werfen, Throbbing Gristle & 77er Punk, das Casio-Ding von Trio, eine Show in einer Galerie in Kassel, relativ viel alleine sein, die schlimme Behinderung klassische Musik zu mögen, immer wieder Redewendungen vom Vater anwenden, Ton Steine Scherben mit Eisi Gulp auf einem Stadtfest in Kassel, Tote Hosen prügeln sich mit dem Publikum, die Diskothek Treibhaus, sich schon immer als anarchistisch gesehen haben, eingeschmissene Scheiben, 100.000 Mark für jede Räumung, nicht mal den Kumpels erzählen dass man in Bands spielen, die Siegmund Freud Experience, bißchen collagiert, was ungewöhnliches machen wollen, Aufnahmeprüfung an einer Kunsthochschule in Dortmund, viel pendeln, ab 1988 eine Wohnung in Neukölln, die Kneipe Mittenweider mit Speed-Automat, Konzerte im Blockshock, einige Seiten aus Mutters Backbuch, ein altes besetztes Uni-Gebäude in Dahlem, erstmal ins Rauchhaus ziehen, 4 vs. 78 Umzugskisten, beim Bäcker kennenlernen, halbe Brötchen mit Mett, ein Sampler mit 15-Minuten-Songs, erste Aufnahmen in den USA, Musik für Leute die nicht zu Techno tanzen wollen, Verachtung gegenüber gelernter Musik, Touren unter räudigen Umständen, von den eigenen Stücken gefangen, "I love you, Ono" als französische Parfum-Werbung, Françoise hat alle nervös gemacht, Kill Rock Stars & Terrorbird, weltweit auf Tour, dauernüchterner Zustand, wenn eine Ebene nicht da war gab es noch eine andere, Bardame statt Musiker, keine Neider, fundamentale Ruhe, chronisch krank seit 99, die erste Krebsdiagnose von Françoise, gerissene Netzhaut, so tun als ob es weitergeht, die andere Seite kennengelernt haben, das wahnsinnig berührende Solo-Album, Pisse im Studio, die Verweigerungshaltung von Pisse, lachhaft was alles möglich war, der Anarchismus der Nachwende-Jahre, so viele lustige Leute, Köpi & Rauchhaus, feige geworden sein, Mercedes-Sterne, strenges Regiment beim Kochen, ein fast biblisches Alter, Werbung für das Buch von Françoise, den YouTube-Kanal Drumeo, Merriment & Dirt, Fold, das neue Libertines Album, uvm. Zwei Songs für die Playlist: 1) Ein STEREO TOTAL Song, der in Japan besonders gut ankam: Holiday Inn 2) Ein Lied, das Brezel mit seiner Jugend in Hessen verbindet: LENE LOVICH - Lucky No. 1

A reclusive podcaster falls hard for an ambitious bodybuilder headed to Las Vegas in pursuit of her dream. But their love becomes a treat of the highest order, pulling them deep into a torrid web of veganism. On Episode 615 of Trick or Treat Radio we discuss Love Lies Bleeding, the latest film from director Rose Glass! We also go down a rabbit hole of 80s comedies with lots of crossover, we talk about films you can taste and smell, and we reminisce about our Joe Bob Briggs interview from 2016! So grab your protein smoothie, cut your rat tail just right, and strap on for the world's most dangerous podcast!Stuff we talk about: Jim Cameron, Aliens, Sigourney Weaver, Aliens Expanded, Catwoman glasses, baby oil, inebriated with hate, hate-fueled gas tank, Bad Religion, Social D, MGM, Sean Waltman, Blind Melon Chitlin, Cheech and Chong, Bachelor Party, Mr. Dick, Tom Hanks, Wendie Jo Sperber, Blood Flows Red on the Highway, The Burning, Keith Gordon, Brian Backer, James Keach, Wildcats, Nipsy Russell, White Men Can't Tackle, Wildcats, Nightmare on Elm St., Robyn Lively, the lesser Murray, Bryan Fuller, Joe Bob Briggs, Cassandra Peterson, Scare-A-Con 2016, Halloween, Tony Moran, P.J. Soles, James Lorinz, Patty Mullin, Ed Harris, Anna Baryshnikov, Mikhail Baryshnikov, french kissing DiGiornios, Rose Glass, Katy O'Brian, Agents of S.H.I.E.L.D., Kristen Stewart, Berlin Wall, rocking a skullet, Jena Malone, beetles as pets, Lyle Alzado, Pop Will Eat Itself, Clint Mansell, The Runaways, Joan Jett, competetive bodybuilding, No Country For Old Men, Bound, Freeway, Forbidden Zone, Jordan Peele, Matthew Bright, Sandakin Skywalker, The Golden Glove, the definition of love, sexifixion, Kingpin of the Desert, sensory films, if Riff Raff was the Kingpin, Throbbing Gristle, Saint Maud, Monkey Man, Dev Patel, Immaculate, nunsploitation, Inebriated on Dollar Store Hate, It's Not Delivery It's Da Burn Unit, and Downward Doggie Style.Support us on Patreon: https://www.patreon.com/trickortreatradioJoin our Discord Community: discord.trickortreatradio.comSend Email/Voicemail: mailto:podcast@trickortreatradio.comVisit our website: http://trickortreatradio.comStart your own podcast: https://www.buzzsprout.com/?referrer_id=386Use our Amazon link: http://amzn.to/2CTdZzKFB Group: http://www.facebook.com/groups/trickortreatradioTwitter: http://twitter.com/TrickTreatRadioFacebook: http://facebook.com/TrickOrTreatRadioYouTube: http://youtube.com/TrickOrTreatRadioInstagram: http://instagram.com/TrickorTreatRadioSupport the Show.

This week, we talk to Stuart Swezey & Bruce Licher, who produced and worked on the Desolation Center series of shows that took bands like minutemen, Swans, Redd Kross, Meat Puppets, Sonic Youth, and Einsturzende Neubauten and put them in locations such as the Mojave Desert as a reaction to the omnipresent police violence against punk rock kids.  We talked about the Desolation Center documentary that Swezey directed, the iconic visuals that Licher created for the events, having the legendary artist Chris Burden as your teacher, the healing power of Throbbing Gristle, how to source school buses to take punk rockers to the desert, fake ids, Savage Republic, Glenn Branca and the No New York LP, Redd Kross getting lost in the desert, violence coming from rednecks, the notion of selling out and not repeating oneself, the impact of D. Boon on the scene, Survival Research Laboratories, Lydia Lunch, being naive, Action News, the eventual change in the 80s music underground, psychedelics, early punk clubs like The Masque and Brave Dog, NEA grants for industrial noise music events, and we're also joined by surprise guests, ML Compton and Skip King who are featured in the documentary and describe what it was like being a passenger into the unknown.So party with me punker, as we head into the desert at night on this week's Revolutions Per Movie.DESOLATION CENTER:https://www.desolationcenter.com/SEE THE FILM IN MAY 2024 IN L.A.:https://www.instagram.com/dktrfest/STUART SWEZEY:https://www.amokbooks.com/BRUCE LICHER:https://www.independentprojectrecords.com/LIMITED EDITION REVOLUTIONS PER MOVIE SHIRT:revolutionspermovie.bandcamp.comREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.New episodes of Revolutions Per Movies are released every Thursday, and if you like the show, please subscribe, rate, and review it on your favorite podcast app.The show is also a completely independent affair, so the best way to support the show is through our Patreon at patreon.com/revolutionspermovie, where you can get weekly bonus episodes and exclusive goods sent to you just for joining.SOCIALS:@revolutionspermovieX, BlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.comARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our Patreon Hosted on Acast. See acast.com/privacy for more information.

With tracks from Trevino, Felipe Gordon, Ripperton, Muzikman Edition & Brian Lucas, Carlo Sine, Galga, RSL, Abel, DK7, Tal Fussman, XL Mood, Processman, Musiccargo, Michael Mayer, Baikonour, Cohn, Nina Simone, Abrão, Throbbing Gristle, Revisq + B.TI, Sidirum. Contact: dj@ribeaud.ch.

Welcome to Plantscendence a new podcast hosted by filmmaker Jon Reiss. Join us on a transformative journey as we explore the world of plant medicine and its profound impact on healing, personal growth, and artistic expression. Within each episode, Jon engages in insightful conversations with a diverse array of experts, practitioners, artists, grief counselors and everyday people who have harnessed the power of plant medicine to heal trauma, navigate loss, unlock creativity, and become more their true selves. Plantscendence explores how many have found solace, purpose, and deepened connections through the use of these remarkable plants, and provides a platform for both seasoned enthusiasts and curious newcomers  to explore the intersection of plant medicine, spirituality, personal transformation, and health.Guests for the ten episode first season include poet and musician Vera Sola, author and pioneer of microdosing Jim Fadiman, actress Gina Gershon, artist and Nganga Chor Boogie, US Army veteran Itzel Barakat, author and teacher Spring Washam, artist Doris La Frenais, plant wisdom practitioner Sitaramaya Sita, grief counselor Larry Carlat and healer and author Tricia Eastman. Jon Reiss is a critically acclaimed filmmaker, author, and media strategist. He began his film career at the fabled Target Video, where he shot seminal punk bands, including Black Flag, X, Iggy Pop, Throbbing Gristle, and The Cramps. Reiss then filmed and edited a series of videos documenting Mark Pauline's Survival Research Laboratories. After directing numerous music videos, including, notoriously, “Happiness in Slavery” for Nine Inch Nails, he directed the feature film Bomb It, Better Living Through Circuitry, and Cleopatra's Second Husband.   Through his company 8 Above, Reiss also helps filmmakers navigate the new distribution and marketing landscape.Plantscendence.com

Ortrotasce - "Seeing Red," a 2023 self-released single Ortrotasce (pronounced: or-tro-task) is the moniker for minimalist-synth artist Nic Hamersly, who has been crafting his unique brand of dramatic darkwave for over a decade. As he told the Orlando Weekly last year, as a teenager, he fell in love with experimental punk label 31G Records and its founder's band, The Locust, before moving on to bands like Coil and Throbbing Gristle. "I was more so into the harsher realm of electronic music," he tells the Weekly. "Power electronics and dark ambient and so on." He notes that his later influences leaned in poppier directions. "Hard Corps, SPK — Machine Age Voodoo, specifically — Fad Gadget, to name a few," he adds. "The juxtaposition between synth-pop and industrial in these groups just do it for me. You can probably hear this in most of my recent output." Read the full story at KEXP.orgSupport the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

Den 10 och 11 mars avslutar Karin Dreijer, alias Fever Ray, sin ett år långa There's No Place That I'd Rather Be Tour med två spelningar på Cirkus i Stockholm. Fredrik Strage, som en gång beskrev The Knife som "det bästa som hänt musik sedan elektricitet", har i åtta år försökt locka Karin till sin podd och nu blev det äntligen av. Den elektroniska popsurrealisten från Pixbo talar om sin långa karriär, från att göra Tom Petty-covers med gruppen Virginia i högstadiet till att samarbeta med Nine Inch Nails på senaste albumet "Radical romantics". Samtalet handlar också om nittiotalets indiescen, föräldraskap, Throbbing Gristle, nyfascism, kärlek, död, kapitalism, sumorörelser, ickebinär identitet, Cindy Lauper, Håkan Hellström och om när Karin slarvade bort sitt tält på väg för att se Hole på Readingfestivalen 1995. Hosted on Acast. See acast.com/privacy for more information.

In one of the most eclectic episodes of The Album Years podcast yet, Steven and Tim delve into records by Queen, Throbbing Gristle and Fela Kuti. Now for our question of the week...do you have a favourite album that your best mate absolutely hates? Or as in Tim's case, is indifferent to... Learn more about your ad choices. Visit megaphone.fm/adchoices

Coming hot on the heels of the dissolution of Throbbing Gristle, Chris & Cosey's debut LP Heartbeat doesn't just function as a bridge between their work as experimental enfants terrible and the dreamier, trance-like synthesis their work as a duo would explore, but also between major eras in experimental music. In this month's commentary podcast we're examining how the record links the origins of industrial noise to the emerging eras of synthpop and post-industrial music.

Genesis Breyer P-Orridge (born Neil Andrew Megson; 22 February 1950 – 14 March 2020) was an English singer-songwriter, musician, poet, performance artist, visual artist, and occultist who rose to notoriety as the founder of the COUM Transmissions artistic collective and lead vocalist of seminal industrial band Throbbing Gristle. They were also a founding member of Thee Temple ov Psychick Youth occult group, and fronted the experimental pop rock band Psychic TV. Genesis was my mentor in magick and life for over seven intensive years. This conversation was the last I had with her, while she was in hospital with leukemia before her death. I released it on the podcast shortly after recording it, but since it was recorded on an iPhone with no external mic, the audio was very hard to hear in parts. This remastered version restores the conversation and give it the proper treatment it deserves. Please enjoy this very, very special episode. Show Links Thee Psychick Bible Magick.Me The Adept Initiative Magick.Me on YouTube!

In celebration of Delia Derbyshire Day 2023 and the 60th Anniversary of the Doctor Who theme, Caro C is joined by fellow devotees Mark Ayres, David Butler and Cosey Fanni Tutti to discuss the Delia Derbyshire Day archives and the importance of her contributions to the development of electronic music.Chapters00:00 - Introduction01:26 - Delia Derbyshire ArchiveMark Ayres03:15 - Mark Ayres Introduction 07:44 - The Beginnings Of Electronic Music10:12 - Electronic Sound Sources13:10 - The Delia Derbyshire Archives18:40 - Favourite Piece - The Makeup Tape Of Blue Veils22:21 - The Future Of The ArchivesDavid Butler24:38 - David Butler Introduction28:59 - The Contents Of The Archives33:17 - Building A Network Of Collaborators35:03 - Methods And Techniques Revealed36:59 - Manipulating The Voice39:05 - Favourite Piece - Two Houses And Demo Cue Cosey Fanni Tutti41:42 - Cosey Fanni Tutti Introduction 43:42 - Delia Derbyshire Musical Influences45:24 - A Background In Physics48:50 - Favourite Piece - Amor Dei53:34 - The Importance Of The Archiveshttps://deliaderbyshireday.com/dd-archive/Delia Derbyshire BiogDelia Derbyshire (1937-2001) was a key figure in the development of electronic music in the UK. Born in Coventry but evacuated to Preston during the Blitz, Delia cites the sound of air raid sirens as inspiring her interest in electronic sound. She went on to study Maths and Music at Cambridge University and launched her career at the BBC in 1960 as a trainee Studio Manager. She moved to the Radiophonic Workshop in 1962, where she spent the next 11 years developing experimental sounds and music for their TV and radio shows, in addition to working as a freelancer on film, theatre and other live projects. Her most famous work is her electronic arrangement of Ron Grainer's Doctor Who theme, created in 1963.Delia composed and produced electronic music using tape, plus early synthesis and sampling methods before specific instruments were created for these purposes. Her work has influenced and inspired many modern artists including The Chemical Brothers, Aphex Twin, Portishead, Nainita Desai, Amon Tobin and Cosey Fanni Tutti, while Pink Floyd, Orbital and Hannah Peel have reinterpreted her work.Mark Ayres BiogMark Ayres is a composer, arranger, sound designer, mixer and mastering engineer. Mark wrote incidental music for Doctor Who in the 1980s. More recently he wrote the music for, sound-designed and mixed the reconstructed 'lost' Tom Baker adventure, “Shada”, and a celebratory feature length version of the original 1963 “Daleks” serial transmitted on BBC4 on 23rd November 2023, Doctor Who's 60th birthday. He has also composed for television and film including scores for 1996 feature "The Innocent Sleep" and the more recent "Scar Tissue".Mark was involved in the BBC Radiophonic Workshop's final days and went on to become their archivist. A personal friend of Delia Derbyshire, he was entrusted with her personal archive after her death in 2001, which is now on permanent loan to the University of Manchester John Rylands Library and accessible for study. He is a Trustee of the Delia Derbyshire Day Charity.His devotion to the Workshop after Doctor Who ceased broadcasting in 1989 proved vital in regenerating interest in their work, and he is now the driving force behind their live revival on the festival circuit and in the creation of new works including the score for Matthew Holness' disturbing psychological horror film, "Possum". He has produced and mastered many recordings for Silva Screen Records and others, and his work remastering classic television programmes including Doctor Who, Quatermass, and the films of Ken Russell and Alan Clarke for broadcast, DVD and Blu-ray, including 5.1 remixes of many titles, has been highly acclaimed.David Butler BiogDavid Butler is a Senior Lecturer in Drama and Film Studies at the University of Manchester. He helped to bring the Delia Derbyshire Archive  to the John Rylands Library, Manchester in 2007 and is one of the archive's lead researchers and curators. David is the chair of trustees for Delia Derbyshire Day and helped set up the charity in 2016.Cosey Fanni Tutti BiogCosey Fanni Tutti is a musician and writer, best known for her part in experimental electronic bands Throbbing Gristle and Chris & Cosey. Cosey interacted with the Delia Derbyshire Archive when she composed the soundtrack for Caroline Catz's film 'Delia Derbyshire: The Myths And The Legendary Tapes' and in the writing of her book Re-Sisters: The Lives and Recordings of Delia Derbyshire, Margery Kempe and Cosey Fanni Tutti published by Faber in 2022.https://www.coseyfannitutti.com/Caro C BiogCaro C is an artist, engineer and teacher specialising in electronic music. Her self-produced fourth album 'Electric Mountain' is out now. Described as a "one-woman electronic avalanche" (BBC), Caro started making music thanks to being laid up whilst living in a double decker bus and listening to the likes of Warp Records in the late 1990's. This 'sonic enchantress' (BBC Radio 3) has now played in most of the cultural hotspots of her current hometown of Manchester, UK. Caro is also the instigator and project manager of electronic music charity Delia Derbyshire Day.URL: http://carocsound.com/Twitter: @carocsoundInst: @carocsoundFB: https://www.facebook.com/carocsound/

This week, we talked to actor/writer/musician Julie Klausner (Hulu's ‘Difficult People, Double Threat Podcast, ‘I Don't Care About Your Band') about Nancy Sinatra's 1967 TV Special ‘Movin' With Nancy.' We obsess over Nancy's dedication to the art of her lip-syncs, the magic of her partnership with Lee Hazlewood, how the special is also an unintentional horror movie & why Ringo Starr, Throbbing Gristle & Davy Jones would have been perfect duet partners with Nancy.So pour yourself a goblet of that mad, mad, mad, mad cola and take the passenger seat straight into heaven on this week's episode of Revolutions Per Movie.JULIE KLAUSNER:julieklausner.com/'SILENCE' music video: www.youtube.com/watch?v=FY9DSQJN_…nel=JulieKlausnerJULIE'S BENEFIT FOR TRANS LIFELINE: www.teepublic.com/user/giantgiant/…lence-collectionHost Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.Theme by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.comArtwork by Jeff T. Owenslinktr.ee/mymetalhandNew episodes of Revolutions Per Movies are released every Thursday, and if you like the show, please rank and review it on your favorite podcast app.Thanks! Hosted on Acast. See acast.com/privacy for more information.

NEW stuff this time around from HEALING & PEACE (Kneeling in Piss! Yes!), SNOOPER, ONYON, FAMOUS MAMMALS, RETAIL SIMPS and CHRIS DURHAM, and a real cornucopia of goodtime, late-summer-vibes library material from Throbbing Gristle, Alastair Galbraith, Olla, The Flesheaters, Chalk Circle, The Minders and too many other mindblowers to mention here. Give it a whirl and then tell a friend!Track listing:HEALING & PEACE - The ShopkeeperONYON - Alien AlienMAX BLOCK - Sonic BlurOLLA - Septic HagfishCHALK CIRCLE - The SlapFREE KITTEN - One-Forty FiveCHRISTOPHER ALAN DURHAM & THE PEACETIME CONSUMERS - Suburban Girl FAMOUS MAMMALS - Let The Light InALASTAIR GALBRAITH - HuxleyTHE MINDERS - Hand Me DownsWHITE FENCE - A Need YouSNOOPER - PowerballTHE FLESHEATERS - Crazy BoyKNOLL ALLEN AND THE NOBLE SAVAGES – Animal THE ORPHANS - Hey GypTHE RETAIL SIMPS - Easy StreetJOHN BERENZY GROUP - Vice VersusFLOP - Act 1 Scene 1THROBBING GRISTLE - Zyklon B Zombie

Illusion of Safety is one of the longest running projects in the industrial noise underground, and Dan Burke was cool enough to sit down with us and go over his entire history. From seeing the final Throbbing Gristle show in San Francisco, to creating the IOS world with all its collaborators, Dan has stories and insight for days. It's another mandatory history lesson on Noisextra.

Throbbing Gristle, China, Dragos, Ransomware, Tomcat, Ivanti, Radio Radio, My Mother the Car, Jason Wood, and More   Visit https://www.securityweekly.com/swn for all the latest episodes! Show Notes: https://securityweekly.com/swn-314 

Throbbing Gristle, China, Dragos, Ransomware, Tomcat, Ivanti, Radio Radio, My Mother the Car, Jason Wood, and More   Visit https://www.securityweekly.com/swn for all the latest episodes! Show Notes: https://securityweekly.com/swn-314 

In this episode, we delve into England's Hidden Reverse—the history of the occult industrial bands Coil, Current 93, Nurse With Wound, Throbbing Gristle, Psychic TV, and the monumental spells they cast on music and popular occulture. Our intrepid guide on this journey is Scottish writer David Keenan, a literary and musical polymath known for his innovative contributions to the UK cultural scene. Born in April 1971, Keenan has worn many hats, from running Glasgow's iconic record shop, Volcanic Tongue, to shaping the dialogue around experimental music genres in The Wire magazine. As an author, he has written four critically acclaimed novels, with his debut, "This Is Memorial Device", bagging the Collyer Bristow Award for Debut Fiction. Keenan's seminal work "England's Hidden Reverse", the focus of this episode, is an in-depth exploration of the English esoteric musical underground, featuring exclusive biographies of the genre-defying bands Coil, Current 93, Nurse With Wound and many more. Based on exclusive interviews and privileged access to the bands' personal archives, "England's Hidden Reverse" unveils the unique cultural, artistic, and sexual milieu of the English underground.  This is a TREMENDOUS episode that focuses not only on the mentioned bands, but on Keenan's own occult experiences and THE VERITABLE NATURE OF MAGICK ITSELF. ENJOY!!!!!! Show Links England's Hidden Reverse, 2023 Expanded Edition David Keenan's Amazon Author Page Magick.Me

Flo is off the plot again today, this time at the veg patch of Cosey Fanni Tutti. Cosey is an artist, musician, and writer. She was a co-founder of COUM transmissions and later went on to form industrial music group, Throbbing Gristle. Both groups were highly censored and at one point they were accused by the mainstream press of being ‘wreckers of civilisation' for their shocking and confrontational work. Cosey went on to form Chris and Cosey, and later Carter Tutti Void with her bandmate and partner, Chris Carter. In this episode Cosey talks Flo through her DIY approach to gardening, her recent work scoring the Delia Derbyshire film, and their mutual love of the Rosemary Tonks book, The Bloater. Later in the podcast they discuss Cosey's choice of music to strip to, all whilst they sow carrot seeds and plant out onion sets. Check out Cosey Fanni Tutti's shows on NTSPresenter - Flo Dill, Producer - Lizzy King, Sound Recording - Jennifer Walton,  Editor - Sam Stone, Mastering - Rory Bowens.Music - Cleaners from Venus - The Artichoke That Loved Me, courtesy of Martin Newell & Captured Tracks. Hosted on Acast. See acast.com/privacy for more information.

Audio/visual artist Richie Culver first realised he could make art at a rave afterparty when he picked up a book of Nan Golding's photography. He rose to popular attention in recent years firstly in the art world after a work was featured in the Tate Modern and when the piece Did U Cum Yet, a comment about social media, went viral during the pandemic. His debut album, I Was Born By The Sea, mixes spoken word with experimental electronics and has echoes of his birth city of Hull's Throbbing Gristle. Richie shares a frank and honest chat with Paul about addiction (Richie himself is 8 years sober) about discovering clubbing, about social media, about being present and his creative process. I Was Born By The Sea (The Remixes) is out on June 23rd on Participant Records. Lost and Sound is proudly sponsored by Audio-TechnicaPaul's debut book, Coming To Berlin: Global Journeys Into An Electronic Music And Club Culture Capital is out now on Velocity Press. Click here to find out more. Lost and Sound title music by E.S.O

This week on Modern Musicology we have the extreme pleasure of chatting with bassist, author, radio and TV presenter, journalist, DJ, publisher, and founder of Louder Than War JOHN ROBB, talking about his new book The Art of Darkness: The History of Goth, which releases in the US on Tuesday, May 16. We chat with John about being influenced by the Beatles and the Stones as a young kid, his band The Membranes, the roots of Goth in the Glam era, his early interviews with Kurt Cobain, how to make the world a better place, and much more. About The Art of Darkness: Drawing on his own experience as a musician and journalist, Robb covers the style, the music and the clubs that spawned the culture, alongside political and social conditions. He also reaches back further to key historic events and movements that frame the ideas of goth, from the fall of Rome to Lord Byron and the romantic poets, European folk tales, Gothic art, and the occult. Finally, he considers the current mainstream goth of Instagram influencers, film, literature, and music. The Art of Darkness features interviews with Siouxsie and the Banshees, The Cure, The Damned, Nick Cave, Southern Death Cult, Einstürzende Neubauten, Bauhaus, Killing Joke, Throbbing Gristle, Danielle Dax, Lydia Lunch and many more. It offers a first-hand account of being there at the gigs and clubs that made the scene happen. Order your copy of The Art of Darkness here We hope you enjoyed out interview with John Robb as much as we did! We'd love to hear your feedback! Drop us a line at modernmusicology1@gmail.com or leave a comment wherever you find our episode! And don't forget to rate us on your favorite podcast app!  Find us on Facebook: https://www.facebook.com/ModernMusicology Check us out on Instagram: https://www.instagram.com/modernmusicologypodcast/ Follow us on Twitter: https://twitter.com/ModrnMusicology Subscribe to our YouTube Channel: https://www.youtube.com/channel/UCk-MlcGy5u3fK1j4bVty1Kw Modern Musicology is part of the ESO Podcast Network. https://esonetwork.com/ Find more about us: Rob Levy: https://kdhx.org/shows/show/juxtaposition Stephanie Seymour: www.therearebirds.com  R. Alan Siler: www.kozmiccreative.com  Anthony Williams: https://watchers4d.podbean.com/ 

She worked as a go-go dancer, stripper and glamour model. She's been a performance artist of masochistic tangos and twisted mambos, a ballroom dance teacher, a street arts choreographer and a punk-rock drummer. She worked with Throbbing Gristle, Genesis P Orridge, Monte Cazzaza, and Derek Jarman.   *And she was there at the formation of Adam and the Ants and the Monochrome Set.   *Dorothy Max Prior joins us to talk about her wonderful book '69 Exhibition Road Twelve True-Life Tales from the Fag End of Punk, Porn & Performance' published by Strange Attractor Press. *We hear about gay London in the 70s,  the derelict city, bedsit land, fetish wear, rubber miniskirts, Westwood and Mclaren, The Sex Pistols, The Clash, The Roxy, The Monochrome Set, her own band Rema Rema and of course Stuart Leslie Goddard, better known as Adam Ant..   *For more on Max's book:  http://strangeattractor.co.uk/shoppe/69-exhibition-road/ The Bureau of Lost Culture: https://www.bureauoflostculture.com   #counterculture #punk #thesexpistols #theclash #remarema #theroxyclub #dorothymaxprior #adamant #adamandtheants #themonochromeset #london

Tonight episode of Pudding On The Wrist finds your host (and psychic friend), Frozen Lazuras, spinning choice cuts from Lou Reed, Royel Otis, Gold Dust, Throbbing Gristle, plus bluegrass, South Korean Soul, 50's doo wop, and so much more.

Season three of The Film Scorer Podcast is finally here! Joining me is legendary musician and composer Cosey Fanni Tutti. Film music fans may not be quite as familiar with Cosey, who's best known for being a founding member of the band Throbbing Gristle, arguably the pioneers of industrial music. However, Cosey has also been busy with solo work, collaborations, and even film scoring. As such, we primarily discuss her score for the film Delia Derbyshire: The Myths & The Legendary Tapes, about the influential electronic musician and composer Delia Derbyshire. We also talk about her new book, Re-Sisters: The Lives and Recordings of Delia Derbyshire, Margery Kempe and Cosey Fanni Tutti, which serves as a "meditation on womanhood, creativity and self-expression, and a revelatory exploration into the lives of three visionary artists" (description courtesy of Amazon).   Cosey's score is fascinating, weird, and, at times, completely haunting; I really enjoyed it. It released on September 16 and is available on all major platforms and on vinyl from Cargo Records. Cosey's other music, both as a solo artist and in her various collaborations and bands, is also widely available.  

Today's incredible guest on Electronically Yours is the incomparably talented and fascinating Cosey Fanni Tutti. Best known for her time in the avant-garde groups Throbbing Gristle and Chris & Cosey, she has become a very famous conceptual performance artist who has inspired a generation… be amazed and fascinated. Ladies and gentlemen, her life is her art and her art is her life - the great Cosey Fanny Tutti... If you can, please support the Electronically Yours podcast via our Patreon: https://www.patreon.com/electronicallyours

In this episode of Rock is Lit, I'm thrilled to welcome novelist, playwright, visual artist, and songwriter Jeff Jackson, author of the novel 'Destroy All Monsters: The Last Rock Novel', which centers around the killing of bands as they perform on stage by members of their own audience. Later, Nathan D. Duvall, host of the Lucid show on 103.3 Asheville FM, joins the podcast to talk about real-world examples when this kind of violence has erupted at live shows. Highlights:Jeff and I talk about some amazing musicians/bands, including Wire, The Raincoats, Throbbing Gristle, Dog Faced Hermans, Destroyer, Lou Reed, The Velvet Underground, Suede, The Smiths, Johnny Ace, Fugazi, The Beatles, Pavement, and Robert Johnson.Jeff and I discuss what makes a good rock novel and list some examples, including 'Paint It Black' by Janet Fitch, 'Black Card' by Chris L. Terry, 'The Ruins' by Mat Osman, and my own rock novel 'Searching for Jimmy Page'. Additional topics Jeff and I cover include the style and narrative of Jeff's book 'Destroy All Monsters: The Last Rock Novel'; the link between violence and music; fandom and obsession; the primal nature of music; mythology surrounding certain musicians; the diminishing power of music in the culture; Jeff's band Julian Calendar.For more examples of Jeff's favorite rock novels and for a bonus interview with Jeff about Julian Calendar's political songs, bop on over to the Rock is Lit Vault.Nathan and I talk about real-world historical precedent for the fictional premise of Jeff's novel, fans attacking musicians as they perform on stage, and give some examples, including the murder of Dimebag Darrell of Pantera and Damagebag.Songs played during the episode in order of appearance:"Keep Your Laws Off My Body" by Dog Faced Hermans"Pledging My Love" by Johnny Ace"Blue Boys" by Julian Calendar"In Your Love" by Julian CalendarContacts:Jeff Jackson's website, http://deathofliterature.com/Jeff Jackson Instagram, @deathofliteratureJeff Jackson Twitter, @DeathofLitJulian Calendar at Bandcamp, https://juliancalendar.bandcamp.com/My review of 'Destroy All Monsters' in 'North Carolina Literary Review'Nathan D. Duvall's Lucid show, https://www.ashevillefm.org/show/lucid/Nathan D. Duvall Facebook, @nathan.duvall1Christy Alexander Hallberg website, christyalexanderhallberg.comChristy Alexander Hallberg Instagram, @christyhallbergChristy Alexander Hallberg Twitter, @ChristyHallbergChristy Alexander Hallberg YouTube, https://www.youtube.com/user/christyhallbergRock is Lit Vault

In this episode of Rock is Lit, I'm thrilled to welcome novelist, playwright, visual artist, and songwriter Jeff Jackson, author of the novel 'Destroy All Monsters: The Last Rock Novel', which centers around the killing of bands as they perform on stage by members of their own audience. Later, Nathan D. Duvall, host of the Lucid show on 103.3 Asheville FM, joins the podcast to talk about real-world examples when this kind of violence has erupted at live shows.  Highlights: Jeff and I talk about some amazing musicians/bands, including Wire, The Raincoats, Throbbing Gristle, Dog Faced Hermans, Destroyer, Lou Reed, The Velvet Underground, Suede, The Smiths, Johnny Ace, Fugazi, The Beatles, Pavement, and Robert Johnson. Jeff and I discuss what makes a good rock novel and list some examples, including 'Paint It Black' by Janet Fitch, 'Black Card' by Chris L. Terry, 'The Ruins' by Mat Osman, and my own rock novel 'Searching for Jimmy Page'.  Additional topics Jeff and I cover include the style and narrative of Jeff's book 'Destroy All Monsters: The Last Rock Novel'; the link between violence and music; fandom and obsession; the primal nature of music; mythology surrounding certain musicians; the diminishing power of music in the culture; Jeff's band Julian Calendar. For more examples of Jeff's favorite rock novels and for a bonus interview with Jeff about Julian Calendar's political songs, bop on over to the Rock is Lit Vault. Nathan and I talk about real-world historical precedent for the fictional premise of Jeff's novel, fans attacking musicians as they perform on stage, and give some examples, including the murder of Dimebag Darrell of Pantera and Damagebag. Songs played during the episode in order of appearance: "Keep Your Laws Off My Body" by Dog Faced Hermans "Pledging My Love" by Johnny Ace "Blue Boys" by Julian Calendar "In Your Love" by Julian Calendar Contacts: Jeff Jackson's website, http://deathofliterature.com/ Jeff Jackson Instagram, @deathofliterature Jeff Jackson Twitter, @DeathofLit Julian Calendar at Bandcamp, https://juliancalendar.bandcamp.com/ My review of 'Destroy All Monsters' in 'North Carolina Literary Review' Nathan D. Duvall's Lucid show, https://www.ashevillefm.org/show/lucid/ Nathan D. Duvall Facebook, @nathan.duvall1 Christy Alexander Hallberg website, christyalexanderhallberg.com Christy Alexander Hallberg Instagram, @christyhallberg Christy Alexander Hallberg Twitter, @ChristyHallberg Christy Alexander Hallberg YouTube, https://www.youtube.com/user/christyhallberg Rock is Lit Vault Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to Live From Progzilla Towers Edition 447. In this Get Prancin' edition we heard music by Emerson, Lake & Palmer + Basement Jaxx, GoGo Penguin & Nathan Fake, BT, Depeche Mode, Floating Points, Orbital, The Art Of Noise, Jean-Michel Jarre, Leftfield, Kate Bush vs. Genesis vs. Neneh Cherry vs. Placebo, Max Richter, Missing Persons, George Kranz, Gargoyles, Shpongle, Ott., Bonobo & Anna Lapwood, Throbbing Gristle, The Orb, Transit Kings, Tensnake, Astralasia and Orbital & Angelo Badalamenti.

Welsh artist Kelly Lee Owens has a special grasp on techno. She can make it sound wild and naturalistic, like wind blowing through a dense forest, or make it feel cold and sleek, like a gleaming slab of chrome. Either way, though, it's always full of emotion, thanks to the intricate textures and distinctive tones of her voice. You might even say she takes a singer-songwriter approach to techno, but that doesn't mean her music isn't suited for the dance floor. Her most recent album, LP.8, marks a step away from the dance floor, however, and into a place a little more dark, more unpredictable. It's also some of her most gorgeous work, centering around "Anadlu," an eight-minute cut that feels perfectly pitched between ambient and techno, with heavy, lumbering drums but an otherwise lightweight, almost wispy feel. 
Owens' RA Podcast occupies this zone almost perfectly. Beginning with 11th century music from Hildegard von Bingen, it ties all sorts of traditions together, from Pan Sonic to Throbbing Gristle to Marco Shuttle to Oneohtrix Point Never & Rosalía. It floats, it accelerates, it loops and doubles back in on itself, an hour of gripping electronics from one of techno's most distinctive voices. Read more at https://ra.co/podcast/841

Epping Forest, or "Effing Forest" as it's known to the locals, is at the heart of Luke Turner's wonderful 2019 book about sexuality, trauma, god and personal recovery. The forest, Luke says, hums with an energy of people both enjoying the place but also getting up to things they can't do, and being people they can't be, in their normal lives. It's a human landscape, and kinda always has been - in contrast to the hippified, somewhat problematic idea of 'untouched' woodland. And despite all its undeniable loveliness, it's not necessarily a place which magically 'cures' your ills, no matter what forest-bathing evangelists might claim. We natter to Luke about all this, covering off grumble mags, Throbbing Gristle, Peter Lilley MP and the soullnessness of St Albans along the way. As you may have gathered, this week's episode features what prudes describe as 'adult themes', so you might want to avoid it if you're listening with kids and don't fancy trying to explain what a jazz mag is. You can find Luke's article about the pandemic and inequality of access to nature here. Sustainababble is your friendly environment podcast, out weekly. Theme music by the legendary Dicky Moore – @dickymoo. Sustainababble logo by the splendid Arthur Stovell at Design by Mondial. Ecoguff read out by Arabella. Love the babble? Bung us a few pennies at www.patreon.com/sustainababble. MERCH: sustainababble.teemill.com Available on iTunes, Spotify, Acast & all those types of things, or at sustainababble.fish. Visit us at @thebabblewagon and at Facebook.com/sustainababble. Email us at hello@sustainababble.fish.

Advisory: this episode discusses the literary representation of self-harm and suicide, in particular, how writers such as Shakespeare and Milton often treated the subject in unserious or trivializing ways. In 1643, the writer Thomas Browne introduced the word “suicide” into the English language. Eventually, “suicide” would become a monolith in how we think about self-harm and self-killing. “Suicide” has come to represent an individualizing, pathologizing way of looking at people who contemplate ending their lives. But, when Thomas Browne's new word was first used, it was entering a discursive space that was wider and more open to campy humor, slapstick, and misogynistic trolling. This is the argument of an exciting and nuanced book from today's guest, Drew Daniel. The title of the book is Joy of the Worm: Suicide and Pleasure in Early Modern English Literature published by the University of Chicago Press in 2022. Daniel is a Professor of English at Johns Hopkins University, and teaches early modern literature, critical theory, and aesthetics. Joy of the Worm is a fresh, elegantly written exploration of scenes of self-murder (or the contemplation of self-murder) in Antony and Cleopatra, Paradise Lost, and Joseph Addison's Cato, a Tragedy. He is the author of the previous monograph, The Melancholy Assemblage (from Fordham UP), and the 33 1/3 book on Throbbing Gristle's Twenty Jazz Funk Greats. He is also one-half of the electronic band Matmos. John Yargo holds a Ph.D. in English from the University of Massachusetts Amherst. His specializations are early modern literature, the environmental humanities, and critical race studies. His dissertation explores early modern representations of environmental catastrophe, including The Tempest, Oroonoko, and the poetry of Milton. He has published in Studies in Philology, The Journal for Early Modern Cultural Studies, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Advisory: this episode discusses the literary representation of self-harm and suicide, in particular, how writers such as Shakespeare and Milton often treated the subject in unserious or trivializing ways. In 1643, the writer Thomas Browne introduced the word “suicide” into the English language. Eventually, “suicide” would become a monolith in how we think about self-harm and self-killing. “Suicide” has come to represent an individualizing, pathologizing way of looking at people who contemplate ending their lives. But, when Thomas Browne's new word was first used, it was entering a discursive space that was wider and more open to campy humor, slapstick, and misogynistic trolling. This is the argument of an exciting and nuanced book from today's guest, Drew Daniel. The title of the book is Joy of the Worm: Suicide and Pleasure in Early Modern English Literature published by the University of Chicago Press in 2022. Daniel is a Professor of English at Johns Hopkins University, and teaches early modern literature, critical theory, and aesthetics. Joy of the Worm is a fresh, elegantly written exploration of scenes of self-murder (or the contemplation of self-murder) in Antony and Cleopatra, Paradise Lost, and Joseph Addison's Cato, a Tragedy. He is the author of the previous monograph, The Melancholy Assemblage (from Fordham UP), and the 33 1/3 book on Throbbing Gristle's Twenty Jazz Funk Greats. He is also one-half of the electronic band Matmos. John Yargo holds a Ph.D. in English from the University of Massachusetts Amherst. His specializations are early modern literature, the environmental humanities, and critical race studies. His dissertation explores early modern representations of environmental catastrophe, including The Tempest, Oroonoko, and the poetry of Milton. He has published in Studies in Philology, The Journal for Early Modern Cultural Studies, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Advisory: this episode discusses the literary representation of self-harm and suicide, in particular, how writers such as Shakespeare and Milton often treated the subject in unserious or trivializing ways. In 1643, the writer Thomas Browne introduced the word “suicide” into the English language. Eventually, “suicide” would become a monolith in how we think about self-harm and self-killing. “Suicide” has come to represent an individualizing, pathologizing way of looking at people who contemplate ending their lives. But, when Thomas Browne's new word was first used, it was entering a discursive space that was wider and more open to campy humor, slapstick, and misogynistic trolling. This is the argument of an exciting and nuanced book from today's guest, Drew Daniel. The title of the book is Joy of the Worm: Suicide and Pleasure in Early Modern English Literature published by the University of Chicago Press in 2022. Daniel is a Professor of English at Johns Hopkins University, and teaches early modern literature, critical theory, and aesthetics. Joy of the Worm is a fresh, elegantly written exploration of scenes of self-murder (or the contemplation of self-murder) in Antony and Cleopatra, Paradise Lost, and Joseph Addison's Cato, a Tragedy. He is the author of the previous monograph, The Melancholy Assemblage (from Fordham UP), and the 33 1/3 book on Throbbing Gristle's Twenty Jazz Funk Greats. He is also one-half of the electronic band Matmos. John Yargo holds a Ph.D. in English from the University of Massachusetts Amherst. His specializations are early modern literature, the environmental humanities, and critical race studies. His dissertation explores early modern representations of environmental catastrophe, including The Tempest, Oroonoko, and the poetry of Milton. He has published in Studies in Philology, The Journal for Early Modern Cultural Studies, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

This is the second part of my conversation with Malcolm Garrett. It really is more of the same in a good way. The opinions are as strong, the energy is as high, the connections are great, and the stories are fascinating. In between a set of eclectic and considered song choices we cover a lot of topics including:  Malcolm's love of Sigue Sigue Sputnik and how influential and prescient they were. His fascination with the future, his Jerry Andersen collection and James Bond.The move into Digital & his role in merging & connecting the Digital & Analogue worlds. What makes bad design. The connection between Throbbing Gristle and Sex Pistol Getting an MBEThe work he does in Education & his desire to raise the profile of the Design Industry.Malcolm's song choices are: 30–40 Garbage               Stupid Girl                        199540-50    Rammstein        Engel                                   199750-60    X-TG                      All That Is My Own      201260-66    Billie Eilish         No Time to Die               2021Enjoy :-)

Nik Colk Void's new LP, Bucked Up Space, is her ninth studio album, but her first as a solo artist. Based in Norfolk, Void is an electronic musician and analogue synthesiser virtuoso who forms part of both Factory Floor and Carter Tutti Void (with Chris Carter and Cosey Fanni Tutti of pioneering industrial group Throbbing Gristle). Her work has been released on iconic labels like DFA, Mute and Throbbing Gristle's Industrial Records, and in late 2017 she released 33 33, a collaborative record as NPVR with the late Peter Rehberg of Editions Mego. In this week's Resident Advisor Exchange, Void talks about her relationship with Rehberg and how her confidence grew significantly through their working together. Without him, she explains, she may not have found the voice and the language she was looking for to put out her own full-length record. It is fitting and meaningful, therefore, that on April 8th, Bucked Up Space came out on Editions Mego. In conversation with RA writer Katie Thomas, Nik Colk Void discusses her album, the process of mastering analogue synths, the art and value of collaboration and affirming performances—plus details about a new Factory Floor record that's on the horizon. Tracklist: Nik Colk Void - Big Breather (Editions Mego) Nik Colk Void - FlatTime (Editions Mego)

Today's epic episode of Electronically Yours features, without doubt, one of the most influential proto-punk artists; Martin Rev. His provocative and game-changing work as half of the truly exceptional New York band Suicide was unique, and influenced a huge number of electronic pop bands. Their's was a glimpse of the future as ‘no future' in the 70's, totally unclassifiable and inspired a huge number of musicians, from Throbbing Gristle and Cabaret Voltaire, to early Human League and OMD. Suicide's transgressive live shows were the stuff of unforgettable legend. Martin is still a creative powerhouse today… Ladies and gentlemen - this is a profound and unmissable episode – meet Martin Rev… If you can, please support the Electronically Yours podcast via my Patreon: https://www.patreon.com/electronicallyours

The Toronto DIY god STEVEN PAGE, is here! Today on Turned Out A Punk Damian sits down with one of Canada's most iconic songwriters to talk punk! Listen in as they discuss: Throbbing Gristle, The Jam & punk's impotence to outsider kids. From buying the "Business As Usual" compilation, to going platinum with a DIY tape, to prowess being worthless, to lead singers having to "wear it differently": THIS IS NOT TO BE MISSED! Don't miss Steven Page on tour or "Live From Home"! More info here: https://www.stevenpage.com Also, grab a shirt form this podcast here: turnedoutapunk.com Also Touched On: Aware of punk from the press The “Business As Usual” Compilation  Loving the Jam because they also seemed to have missed out on stuff Social/Sonic Barrier  Prowess is worthless Suspicions about the Clash Billy Bragg as inspiration  Violent Femmes Lyrics are important The Townie, uptight, nature of early 80's Toronto Scarborough sucked Hearing Johnny Cash and hearing him for the first time Postcard Records The “Big Gold Dream” documentary “The Canadian version of…” The Yellow Tape: The birth of a true alternative music industry The Canadian Music Mafia and SXSW “13 Engines can't make it! Can you guys do it?” The “Buck Naked” tape The “Pink Tape” Dressing like clowns and clowning the industry Chris Murphy planting a seed of doubt “The sellout threshold” Signing to Sire to be a part of it “Seymour Sign” Inglenook: Toronto's Rock and Roll High School Outsider Angst and band dynamics The viciousness of the NME Lead singers have to wear it differently  The Skydiggers Corky And The Juice Pigs AND SO MUCH MORE!!!