POPULARITY
TracklistSur Les Rives by A.L.I.S.O.N, VIQ, KrosiaMemory by Decisive KoalaHomeworld by PointDrift by Forhill & Into MoonBreeze by MEGASEvenings 夕暮れ by Hotel PoolsAV Input by KorizonIn Flight by Basement LoveEntertainment by Saint Pepsi24oz by Happy Cola 赤ちゃんVapor King / SubReal by George ClantonStreetlights by Circadian ImpulseSlums Tube by TobaccoAlibi for Petra by Alan Palomoᨈᨙᨊᨁᨁᨙᨒᨕᨆ by AexionHow to Change Behaviour by Late ArcaneLast Summer by Luxury Eliten o o d l e s by COOLSUN 涼日Auto Reply by Strip_SilenceAnodyne by DJ Prom KnightDistant Call by Abel ProjectMall of Tomorrow by 猫 シ Corp.Don't Be Stupid (Love Is Over) by ホテル ShampooAll music in this episode has been sourced via fair use for education, criticism, and evaluation. If you like the songs you hear, please consider supporting these artists by purchasing their music rather than streaming it.Alexander Woell on TwitterAlexander Woell on Instagram
Welcome to Indexed.Come for the chillwave; stay for the disco synth-pop dance party. We're covering Neon Indian! A tight three albums makes this a quick episode, but tune in and learn how to pronounce the word 'Chasms'.Instagram: @indexed_podFacebook: IndexedShow Email: indexedpodcast@gmail.comIntro / Outro Music by VHX (https://soundcloud.com/djvhx)
Escalfem la pista de ball amb una sessi
On this week's Out Of Ten, Michael is still out west and recording remotely for one more week, but gets to tell us about his time at the Nickelback exhibit in Calgary! Sage shares his thoughts on the latest album by The Beaches and Alan Palomo, and Michael reviews a new album from Cleo Sol. […] The post Episode 274 – Michael Goes To The Nickelback Exhibit appeared first on Out Of Ten Podcast.
Since I started this podcast malarkey (maybe before actually, maybe the podcast just encouraged me to be more open about it - gawd, this sounds like a confessional!), I've developed a fascination with how music can whisk you off into a distant world, a kind of musical Narnia, not just through the lyrics, but the song structures, the atmosphere, the relationship of current music with past decades (cos we interpret and measure music by decades, right? - although it will be interesting as to what characterises the current decade and the one we just escaped). As always, I'm at risk of becoming tediously rooted in the theoretical, but I'm really interested in what makes musicians go to these places: what's influenced their core mindset and how this plays into what's influencing them at the time they sit down and write and how, in this fast-paced & volatile world, the music they write keeps pace with their influences and how they themselves keep pace with what seems like an exponential growth in “stuff” that influences us. Alan Palomo has so many strings to his bow – he's a singer-songwriter, multi-instrumentalist, musician, filmmaker, DJ, and producer – and always, at least it appears to me, produced music on his own terms and in keeping with that, his latest, wonderful LP called World of Hassle – it's the first under his own name – is a glorious collage that takes you to a world that's got one foot in a past decade, one in the here and now and one in an augmented reality game. https://www.heysunday.co/i-wanna-jump-like-dee-deeI Wanna Jump Like Dee Dee is the music podcast that does music interviews differently. Giles Sibbald talks to musicians, DJ's and producers about how they use an experimental mindset in every part of their lives.- brought to you by Hey Sunday, the mothership of the experimental mindset™- red swirl logo and art by Giles Sibbald - doodle logo and art by Tide Adesanya, Coppie and Paste
Allez c'est lundi mais hauts-les-cœurs... nouvelle semaine qui débute sur Tsugi Radio avec votre Place des Fêtes désormais quotidienne. Demain je recevrai Kid Francescoli, mercredi on va parler du MaMA qui approche à grand pas puisqu'il se tiendra sur ce qu'on appelle entre nous le Boulevard de la Chanson du 11 au 13 octobre. Jeudi pas de Place des Fêtes puisque ce seront les mélodies en zig zag de Lenparrot. Lenparrot, dont on vient de publier un mix à écouter en exclusivité sur la page Apple Music de Tsugi. Je vous invite à aller faire un tour là-bas car en plus de la radio vous pouvez écouter plein de mixes made in Tsugi : nos archives du regretté CD mixé jadis inséré dans le magazine, une chouette collection "Women in electronics", et puis Live @ tsugi radio où vous retrouvez quelques-uns des mixes de nos résidents et nos résidentes, comme c'est le cas de Lenparrot, Franz Matthews, KasbaH... streamez fort tout ça car n'oubliez pas que c'est un bon moyen de soutenir les artistes. Aujourd'hui en tout cas, c'est le retour de la chronique musique et politique de Lola Avril, qui revient sur l'interdiction faite aux artistes du Sahel de se produire en France. On met à jour sa playlists avec ça part en fav de Jean Fromageau, et puis de la musique, plein de musique et pas mal de house et assimilé pour relever votre début de semaine. Folamour dont on ne se lasse pas des titres de son dernier album en date, autre producteur français Onelight, une vieille gloire qui refait parler d'elle. Dans un autre genre, la sensation belge du moment, Glauque. Mais d'abord, c'est l'album du Texan Alan Palomo qui nous a tapé dans l'oreille. Une espèce de cocktail délicieux de synth pop et de groove 80's. L'album s'appelle World of Hassle et on y retrouve Mac DeMarco et une certaine Flore Benguigui. Meurtrière, sur le player de la tsugi radio. ALAN PALOMO "Meurtrière feat. Flore Benguigui" FOLAMOUR " Deafened (feat. Family Habits)" ONELIGHT "Picture Perfect. feat. June Fermie" ULTRA NATÉ "Unbreakeable" SANTA "Popcorn salé" ORLANE "Jeux dangereux" MUSEAU "Nos années sauvages" bdrmm "Alps" GLAUQUE "Rance" YUSSEF DAYES "Tiogo Pass feat. Roco Palladino" HUDSON MOHAWKE, TIGA & CHANNEL TRES « Feel The Rush »
Ana & Matthew sit down with Rolling Stone's Best Album of 2009 and 2010 receiptiant Alan Palomo, who's band Neon Indian defined the late "indie sleaze" era. He's back with a new album, World of Hassle, which is available now on all streaming services.He talks about his humble beginnings, losing an album, erotic thrillers, pizza pies, Seinfeld, and so much more. OH YEAH!!!Check out our Patreon for 20+ exclusive episodes! https://www.patreon.com/neoliberalhell
Musician Alan Palomo, also known by the moniker Neon Indian, joins us to discuss his newest album, World of Hassle, which is currently out now. Alan is a film buff who has a heavy knowledge and interest of the horror genre which often carries over into his music, creating atmospheres that emulate the worlds of the films he gravitates to. This episode is a deep dive into the intersection of music and film unlike anything we have done before.Make sure to check out the album World of Hassle and catch Alan Palomo out on tour this October and November.Follow us on Social Media: @pvdhorror Instagram, Twitter, TikTok, FacebookWatch us on YouTube: https://www.youtube.com/channel/UCOyloOb0puVCXDjJ_ZiPYqgVisit our website: https://pvdhorror.com/Special thanks to DJ Cryptkicker for the intro and outro music. Be sure to find his music on social media at @djcryptkicker or the following:https://djcryptkicker.bandcamp.com/album/shock-around-the-clockhttps://music.apple.com/us/artist/dj-cryptkicker/1536351234https://open.spotify.com/album/1KUi9ntDa5eYughfOvfxNY
Armored Core VI: Fires Of Rubicon marks the grand return of the Armored Core franchise, so in honor of the series' revival, Jake and Sam break down gaming's best and worst comebacks. They debate what qualifies as a comeback and run down their favorite examples, including Doom, Crash Bandicoot, Tomb Raider, and more. Timecodes: 00:00:00 - Intro/Housekeeping (Fantasy Football, Super Jake Show Notes) | 00:11:18 - News Story #1: Microsoft Plans to Sell Activision Streaming Rights to Ubisoft | 00:18:51 - News Story #2: Project Q Is Now PlayStation Portal, Coming This Fall for $200 | 00:29:09 - News Story #3: Gamescom Opening Night Live 2023 Recap | 00:47:41 - Main Topic: Best and Worst Franchise Comebacks | 1:29:22 - Rotating Segment: Yoshi's Topsy-Turvy Trivia (Franchise Comeback Trivia) | 1:36:30 - Draft Day Starring Kevin Costner (Armored Core VI: Fires of Rubicon, Blasphemous 2, Bomb Rush Cyberfunk) | 1:38:09 - Game, Watch, Listen (VIDEO GAMES: Diablo IV, The Legend of Zelda: Tears of the Kingdom, Baldur's Gate 3, MOVIES: Oldboy, MacGruber, TV: Ahsoka, How To with John Wilson, MUSIC: Sufjan Stevens, Victoria Monét, Alan Palomo, Genesis Owusu - STRUGGLER, Hozier - Unreal Unearth) | Shoutout to Mizuki Kuroiwa for the incredible podcast artwork and to Thomniverse Remix for the music. Send any questions, comments, or concerns to thesupermosherbrothersshow@gmail.com and follow us @SuperMosherBros on Twitter. Thanks for listening!
Monocle Radio's senior correspondent, Fernando Augusto Pacheco, speaks with Alan Palomo (former Neon Indian) about his upcoming album ‘World of Hassle'.See omnystudio.com/listener for privacy information.
THIRTY SECONDS TO MARS – Seasons FALL OUT BOY – We didn't start the fire THE HIVES – Bogus operandi JAWS THE SHARK – Waiting for something ROYAL BLOOD – Mountains at midnight FUTURE ISLANDS – Deep in the night DEVENDRA BANHART– Twin WILD NOTHING – Headlights on ALAN PALOMO – Meutiere MASTER PEACE –Loo song MYKKI BLANCO – Holidays in the sun GOLD LAKE - Traveller THE CICELY SATELLITES – Casting no shadows SON AND THE HOLY GHOST - The wave LEVITANTS - La ventana (con Gustavo Iglesias, durante este mes de agosto) Escuchar audio
In April, Chaz Bear dropped the seventh studio album from his constantly evolving project Toro y Moi titled Mahal. One of his jammier records, Mahal veers heavily towards psych-funk and features a hefty list of contributors including Unknown Mortal Orchestra's Ruban Neilson, Neon Indian's Alan Palomo, visual artist and musician Sofie Royer, and jazz duo the Mattson 2. Our Song of the Day is the breezy track and early single “The Loop.” Led by a funky bassline and a meandering guitar, the song slowly ambles while Bear mellowly muses on the trappings of modern life in the digital age where it's imperative to stay up to date. “East Coast friends fill me in, I know you get the early scoop,” Bear croons. “Online trends that border cringe start to feel overused." The video for the song follows Bear and his friends over the course of a pretty incredible day in San Francisco where the squad skateboards, rolls through the streets in go-carts and jeepneys, and has one heck of a meal at FOB Kitchen in Oakland. Watch the video below and catch Toro y Moi on Saturday, July 23rd at Capitol Hill Block Party. Support the show: https://www.kexp.org/donate See omnystudio.com/listener for privacy information.
Alan Palomo aka Neon Indian joins AbNon host Ben Aqua to discuss the evolution of his unique music and aesthetic — from his humble beginnings singing Frank Sinatra duets with his dad to being transformed by Radiohead as a teenager to covering “Vamos a La Playa” in front of massive festival crowds. We also coin the term “emotional italo disco” and host a sensual, romantic listening party featuring some of our favorite emotional italo tunes just 4 u. It’s soggy with existential music nerd commentary and plenty of dad jokes. Listen to music featured in Absolutely Nonsensical on Spotify: http://bit.ly/abnonmusic Music in this episode (in order of appearance): Neon Indian - Annie Magnetic Fields - Swinging London Neon Indian - Street Level Eagles - One of These Nights Bee Gees - How Deep is Your Love Frank Sinatra & Luis Miguel - Come Fly with Me Mario Lanza & Luisa Di Meo - Arrivederci, Roma Radiohead - Pyramid Song Aphex Twin - Bucephalus Bouncing Ball Frank Ocean - Pink + White Billie Eilish - Bad Guy Peter Richard - Marlene Hot Cold - Love is Like a Game The Splash Band - Halloween 2 Unknown Artist - Old Cortina Telex - My Time Mike Francis - Check it Out with the Groove Vivien Vee - Higher F.R. David - Words Blue Gas - Shadows from Nowhere Righeira - Vamos a la Playa Follow & Support Ben Aqua: Youtube: http://youtube.com/b3naqua Instagram: http://instagram.com/b3naqua Twitter: http://twitter.com/b3naqua Music: http://fanlink.to/b3naqua Shop: http://benaqua.shop Gear: http://benaqua.org/amazon Tag @b3naqua #absolutelynonsensical on your posts! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/b3naqua/support
If the movie Relaxer had a smell, it would be sweat on a vinyl couch, with a faint whiff of sour milk somewhere in the background. Y2K’s on the horizon, and a sense of mild panic is palpable. If The Greasy Strangler left you uncomfortable, Relaxer will have you cringing. And, yet, the film manages to achieve a hallucinatory buzz that washes over the viewer. Relaxer is fascinating and enveloping, and no small part of that is due to the music from Neon Indian, the electronic music project from Alan Palomo, who’s no stranger to working with the sounds of previous decades. Neon Indian’s most recent album, 2015’s Vega Intl. Night School, is awash in synthy ’80s vibes, so it makes sense that Palomo would be able to get into a late ’90s groove with no trouble. We spoke with Palomo by phone about his work on Relaxer, as well as Neon Indian's work on the video game, Grand Theft Auto V.
Hear a Neon Indian interview on today’s episode of Culture Creature. Listen in your podcast provider of choice or via the audio player above. Neon Indian mastermind Alan Palomo and Culture Creature host Dan Redding begin by discussing Palomo’s new short film, 86’d (watch the film here). Alan also reveals that he is working on […] The post Neon Indian: The Culture Creature Interview appeared first on Culture Creature.
Alan Palomo is the man behind Neon Indian. He is a multi-talented artist who pioneered the chill-wave movement when he released his debut album in 2009. However, his skills far surpass such an ephemeral label and he has been experimental and progressive in his approach to both music and cinematography since arriving on the scene. We sat down to discuss the democratisation of artistic exposure, trying to break up with yourself, cooking, and mourning the corrosion of objective reality.
For the latest episode of the Talkhouse Podcast, we invited Talkhouse Music’s editor-in-chief, Amy Rose Spiegel, to choose one of her favorite episodes from the vault. The one she picked is the only episode of the podcast to ever be scored live: Caroline Polachek (ex-Chairlift) with Alan Palomo of Neon Indian. The episode, which originally aired in 2016, is presented here in its entirety with a new introduction from Amy Rose and me. Subscribe now on iTunes or Stitcher to stay in the loop about future Talkhouse Podcasts. Also, we want to hear from you! Head on over to bit.ly/TalkhouseSurvey to fill out a two-minute survey about you, our audience, so we can hear about how to bring you the best conversations. To sweeten the deal, we’ll be raffling off a Fender Mahogany Acoustic Guitar, a rad nine-LP prize pack courtesy of the great crews at Secretly Group and Dead Oceans, a custom Levi’s jean jacket, and four $25 Amazon gift cards. Good luck! —Elia Einhorn, Talkhouse Music Podcast host and producer New introduction recorded and mixed by Mark Yoshizumi. Last year, Alan Palomo of Neon Indian and Chairlift’s Caroline Polachek sat down at Samsung 837 in New York City for a live Talkhouse Music Podcast recording. As Alan played ambient self-generated sounds and Caroline spun an unreleased composition for atmosphere, the friends and mutual admirers discussed what can and can’t be co-opted in the arts, experimental and pop music, the music and arts scene in Williamsburg, collaborating with siblings, eating curried cow brains in Indonesia an hour before going onstage, and so much more. Subscribe now on iTunes or Stitcher to stay in the loop on future Talkhouse Podcasts.
Neon Indian is the most successful moniker of Mexican American Alan Palomo. In this episode we discuss how Neon Indian got off the ground, his influences, and the artistic struggle.
Earlier this year, Alan Palomo of Neon Indian and Chairlift’s Caroline Polachek sat down at Samsung 837 in New York City for a live Talkhouse Music Podcast recording. As Alan played ambient self-generated sounds and Caroline spun an unreleased composition for atmosphere, the friends and mutual admirers discussed what can and can’t be co-opted in the arts, experimental and pop music, the music and arts scene in Williamsburg, collaborating with siblings, eating curried cow brains in Indonesia an hour before going onstage, and so much more. Subscribe now on iTunes or Stitcher to stay in the loop on future Talkhouse Podcasts. — Elia Einhorn, Talkhouse Podcast producer and engineer
Encore Broadcast: Allison Janney, star of the CBS sitcom “Mom,” on the humor in life’s heavy stuff… Alan Palomo, better known as Neon Indian, DJs your bomb shelter dinner party (but you’ll have to bring your own food)… Bon Appetit’s Adam Rapoport on how to pre-game for a food coma… The veteran producer behind “The Jeffersons” […]
Today we're taking on a long-awaited "listener pick" from Doug Ferguson of the Music A to Z Podcast (one of the subjects of our 150th Episode Special's "music podcast" overview). Thanks to Doug, we'll be diving into the album VEGA INTL. Night School by Neon Indian, a project of indie-electronic composer Alan Palomo. Neon Indian was also discussed in Music A to Z's episode, "N Is For Neon Indian", so give that a listen as well! Finally, we wrap up with a quick predictive experiment: The "thirty-year rule"... 2040s style! What elements of today's music could potentially make their way into cultural rotation for a thirty-year resurgence? Hopes? Fears? Let's hear 'em in the comments! And don't forget to give Music A to Z a follow! Continue reading
If you come out of the indie community and you make synth-based music, you owe a huge debt to an iconic duo called Suicide. In fact, if you come out of the indie community at all, you owe a huge debt to Suicide. Starting in New York’s East Village in the early ’70s, Suicide were confrontational, tough, and absolutely visionary, and they were one of the first punk rock bands. But they had no guitars: it was just Martin Rev on cheap electric keyboards and drum machines, and notorious singer Alan Vega. This revolutionary, very DIY approach initially influenced English synth bands from Erasure to Throbbing Gristle, and went on to become a huge influence on industrial dance music, and everything from noise to ambient. Suicide has been covered by everyone from Bruce Springsteen to Savages, and their influence extends to bands like LCD Soundsystem, Liars and MIA, who sampled them on her 2010 track “Born Free.” Neon Indian’s Alan Palomo is a big Suicide fan, and he recently commissioned Martin Rev to remix “Annie,” a track from his new album VEGA INTL. Night School. So we invited these two representatives of different, but related, musical generations to sit down for a Talkhouse Music Podcast. They talked about all sorts of things: how you know when your music is done, the economic realities of being an artist, the evolution of New York City as an artistic capitol, creative cycles and the effect of the internet, and the birth of punk rock. Palomo knows his stuff, and Rev throws down a whole lot of hard-earned knowledge and wisdom, so listen closely.
Alan Palomo and I sit and talk for almost an hour about the Tomb Raider Soundtrack. There are also side conversations about sensory deprivation tanks on tour, growing up in Monterrey, Mexico and San Antonio, and the new @NeonIndian album "Vega Intl. Night School" (out now on @momandpopmusic).
Allison Janney, star of the CBS sitcom “Mom,” on the humor in life’s heavy stuff… Alan Palomo, better known as Neon Indian, DJs your bomb shelter dinner party (but you’ll have to bring your own food)… Bon Appetit’s Adam Rapoport on how to pre-game for a food coma… The veteran producer behind “The Jeffersons” and […]