Podcasts about beethoven's ninth

This week Erin watched an absurd tale about sex trafficking. Spoiler Alert, it’s always the pretend philanthropist who wears florals.  Then Paul tells some grisly true stories about human trafficking. One of us kept to our comedic origins, and it was not Paul!  Follow Us!! Instagram: @lifetimesentence Twitter: @lifesentencepod facebook.com/lifetimesentence Email us!  lifetimesentencepodcast@gmail.com Join Us On Patreon!  patreon.com/lifetimesentence

Je pense donc je suis. (I think, therefore I am.) Huh? Who is this I? How do I know that it is thinking? What does it even mean to say that I am—that I exist, if it's this mysterious,  untrustworthy Ithat says  so? To be fair, René Descartes didn't invent these problems. but In the centuries after his death, his thought experiments sent philosophers, psychologists and later on, neuroscientists reeling and spiraling down a seemingly bottomless chasm In search of Consciousness. What is it? Where is it? How did it get there? Surely that icky grey-green stuff can't fully account for the sublime perfection of Beethoven's Ninth! If you've ever heard that there are differences between the left and the right brain, you can blame my guest today, Michael Gazzaniga, who did many of the pioneering studies in this area. Now he's after even bigger game. In his new book The Consciousness Instinct he lays a conceptual framework for closing the gap between the meat of the brain and the magic of Consciousness, and maybe saving us a lot of future headaches.  Surprise conversation-starter clips in this episode: Leonard Mlodinow on your brain and original thinking Johann Hari on inequality and depression/anxiety Learn more about your ad choices. Visit megaphone.fm/adchoices

Beethoven's Ninth powers a driving mix of incredible music for your workout. Donations, merchandise, newsletter: https://www.podrunner.com PLAYLIST: 01. Bach - Cello Suite No. 1 "Prelude" (TPRMX Remix)* 02. Joaquin Morales - For a Long Time 03. Room Nine Unlimited - Lahku Ange* 04. Sergio Sanchez - Here I Am 05. Beethoven - Symphony No. 9 "Ode to Joy""(TPRMX Remix & Arrange)* 06. Mikas - Echoes (Division 7 Mix)* 07. Darin Epsilon & Paronator - Esperanto* 08. The Hat - Border Lands (Demo)* 09. Platinum Butterfly - Amigos* 10. Hayley Parsons - In My Seoul (Mikas Remix) 11. Gai Barone - Lost In Music (Will Rees Extended Remix)* 12. Dreamy & Akku - Nefelibata (Extended Mix)* 13. Beethoven - Symphony No. 9 "Ode to Joy" (TPRMX Remix & Arrange)* 14. Shantifax - Delicate Signs* == Please support these artists == Podrunner is a registered trademark of Podrunner LLC. Music copyright c the respective artists. All other material c2006, 2018 by Podrunner LLC. For personal use only. Any unauthorized reproduction, editing, exhibition, sale, rental, exchange, public performance, or broadcast of this audio is strictly prohibited.

Plenty of composers wrote more symphonies than Beethoven, but few did more to change the way the symphony sounded. Beethoven's First Symphony reflects the fact that he learned from Mozart and Haydn. At the time he composed his Third, it was the longest symphony ever written, and Beethoven's Ninth was the first symphony to use voices. Beethoven's 5th Symphony may be the most famous piece of music ever written.

From an April 2017 concert titled, "Beethoven's Ninth." 

This week, on Music For Life...BaladinoAnna talks to Steven Linville and a pair of students about the upcoming concert by the Musical Theatre Scenes class...Orcenith Smith comes by to talk about the grand finale to the choirs' and orchestra's season, Beethoven's monumental Ninth Symphony...I chat with visiting composer Mark Applebaum, who just gave a fascinating concert with our percussion ensemble...and we catch up with ensemble in residence Fifth House and visiting ensemble Baladino, in town for our final Green Guest Artists Series concert of the year! SOURCES From the Student Recital Hour of April 22, 2015, tenor Blake Beckemeyer and pianist John Clodfelter perform Hugo Wolf's "Fussreise."From the Student Reci tal Hour of April 22, 2015, pianist Alexander Bushkin performs the Andante Cantabile in B-Minor from Sergei Rachmaninoff's Moments Musicaux, op. 16.From the Student Recital Hour of April 22, 2015, pianist Emily Chen performs the Etude no. 2 in E-flat Major, the "Octave," from the Grandes Etudes de Paganini S. 141, by Franz Liszt.From their performance of April 20, 2015, the DePauw Chamber Singers perform excerpts from Hildegard of Bingen's "Ursula Antiphons."

If you've ever looked out on an orchestra audience and marveled at all of the gray hair and empty seats, the next question that may enter your mind is, how will this picture look in 10, 20 or 30 years? And should I be alarmed? In this week's episode, Michael Kaiser, known as the arts world's "Mr. Fix-It," gives some less-than-rosy answers – as well as some advice for orchestras and opera companies. For 14 years, Kaiser was president of Washington, D.C.'s Kennedy Center, and before that, he helped rescue faltering organizations including the Royal Opera House, American Ballet Theater and Alvin Ailey American Dance Theater. Kaiser currently serves as president of the DeVos Institute of Arts Management at the University of Maryland. His new book is Curtains?: The Future of the Arts in America. Kaiser tells Naomi Lewin that the financial model of arts organizations has become unsustainable as aging audiences aren't replaced by enough younger patrons. He points to several related maladies: the lack of standard arts education, fatigued donors, and especially, cheaper online entertainment options that will continue to siphon away audiences. But Kaiser believes playing it safe is the wrong response. "As arts organizations have gotten more and more scared about the changing world, there's been a pressure to do 'what sells' and do 'the popular stuff' because that's what's going to bring in ticket buyers," said Kaiser. "The problem is, if everyone does Beethoven's Ninth or everyone does Swan Lake, a) we get very dull, and b) there are many versions of Beethoven's Ninth that you can get online. We compete less well with online entertainment and we look less interesting and surprising." Listen to the podcast to hear what Kaiser has to say about HD movie theater broadcasts – and what he would do if he were running the Metropolitan Opera.