Podcasts about haydn

Haydn from Price A Plan breaks down the massive operational flaw of residential builders doing their own estimating. Because owners lack the time to concentrate, they fall into the bad habit of delivering broad-brushstroke estimates just to win the job. This creates a chaotic cycle where the builder is forced to sit back down in the office and manually reprice materials while the project is already active, leading to nasty financial surprises for the client and locked-in losses for the business.To break this cycle, Hayden introduces the concept of partnering with an outsourced estimating firm like Price to Plan. By delivering highly detailed front-end estimates, the builder can immediately transition a signed contract straight into accurate purchase ordering. This system saves the owner 80 hours of weekend work per million dollars of project value and eliminates the massive risk of hiring and training an in-house estimator who might leave to start their own company.Links & Resources Price to Plan Website - priceaplan.com.au

Viviane Chassot gehört zu den renommiertesten Akkordeonistinnen überhaupt. Sie hat mitgeholfen, ihrem Instrument auch die klassische Musik zu erschliessen. Damit macht sie die klassische Musik auch jenen Menschen zugänglich, die sonst keinen Bezug zu ihr gehabt hätten. Geboren wird Viviane Chassot in Zürich. Sie wächst in Wollerau auf, wo das Akkordeon eine grosse Rolle spielt. Allerdings nicht im klassischen Bereich, sondern in Form eines Akkordeon-Orchesters, das es bis heute gibt. Viviane Chassot interessiert sich damals mehr fürs Ballett. Und zwar so sehr, dass es auch beruflich eine Option wird. Eine Ausbildung am Opernhaus Zürich wäre möglich. Da hört sie am Radio ein Stück von Johann Sebastian Bach. Gespielt auf einem Akkordeon. Das ändert alles. Vivianne Chassot ist Feuer und Flamme und entscheidet sich – weil in ihrer Familie nur ein Hobby erlaubt war – für das Akkordeon. Längst ist das Hobby Beruf. Viviane Chassot hat Werke von Haydn, Mozart und Rameau eingespielt und aufgeführt und so auch mit Grössen wie Simon Rattle oder Alfred Brendel zusammengearbeitet. Und sie verbindet Klassik, Jazz, neue Musik und Improvisation. Auch darin also eine Brückenbauerin. Von ihrer Pionierarbeit für das Instrument und ihrem differenzierten Zugang zum Klang, von ihrem Weg zum Erfolg und ihren Rückschlägen und Krisen, von ihrer Arbeit mit anderen Musikerinnen und Musikern und ihrer Liebe auch zur Rockmusik erzählt Viviane Chassot im Gespräch mit Gastgeber Michael Luisier. Die Musiktitel: - Meat Loaf: Alive - Joseph Haydn: Holde Gattin, dir zur Seite (Duett Adam&Eva), aus Die Schöpfung (Balthasar-Neumann-Ensemble; Thomas Hengelbrock, Leitung; Dorothee Mields, Eva; Locky Chung, Adam) - Aimee Mann / Rush: Time stand Still - Stefanie Heinzmann: Good - Johannes Brahms: 3. Allegro non troppo, aus Klavierkonzert Nr. 1 d-Moll op. 15 (Maurizio Pollini, Klavier; Berliner Philharmoniker; Claudio Abbado, Leitung) Der Einspieler: Josef Haydn: Presto, aus Klaviersonate e-Moll, Hob 16/34 (Viviane Chassot, Akkordeon) Erstausstrahlung: 23.11.2025

Today, July 17, 2026, is the one-hundred-and-twelfth birthday of Eleanor Steber, in the opinion of many, the finest American soprano that ever lived. Her combination of technical prowess, (which allowed her to blend vocal power with seamless coloratura facility), faultless diction, vocal beauty, musical versatility, and complete and utter sincerity of expression, were combined in one exquisite artistic entity who now is fully acknowledged and appreciated for the great artist that she was. Since I have already done numerous (nearly countless) episodes on this paragon, today I have chosen to take a slightly different approach: I am focusing on performances from the earliest years of her career. I have divided my setlist into several sections: first, a pair of stunningly-vocalized opera arias; then favorites from operettas and musicals; followed by a group of powerful performances of oratorio arias of Brahms, Bach, Mendelssohn, Haydn, and Rossini; concluding with light classical favorites such as would have been heard in her radio and television appearances on The Voice of Firestone. In keeping with the best Countermelody tradition, many of today's selections are quite rare; all of them will provide my listeners with a satisfaction that can only come from a vocalist of the very highest skilll and achievement. Countermelody is the podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and author yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.  

Beethoven als Hitverwerter: Für sein „Gassenhauer-Trio“ nimmt er einen Opern-Ohrwurm, den damals in Wien alle kennen. Heraus kommt Kammermusik mit Publikumsfaktor – leicht, witzig und trotzdem typisch Beethoven. Von Michael Lohse.

Tess Martin is a Rotterdam-based film and visual artist working across animation, installation, and expanded cinema. Her practice explores how time, memory, and place can be revealed through handcrafted animations and site-specific works.Raised across shifting cultural contexts, her work reflects an ongoing interest in how belonging and identity are formed through perception, relation, and memory. Many of her projects exist simultaneously as films and installations, often incorporating sculptural elements and soundtracks to create intimate time-based experiences.Her work has been presented internationally in both film and exhibition contexts, including festivals, museums, and artist residencies across Europe, North America, and Asia.In this episode, we discuss Tess' film 1976: Search for Life.*Errata - I mistakenly identified Holst's Jupiter as the "Surprise" symphony when it's actually Haydn's Jupiter. Holst did write a Jupiter for "The Planets," but it isn't the same piece. Mozart also wrote a Jupiter, but it's not mentioned except here for clarity.

Op 14 juli, oftewel quatorze juillet, kunnen we natuurlijk niet anders dan Parijs aandoen. Vandaag is de nationale Franse feestdag en gaat het er daar bepaald niet kalm aan toe. Behalve als je de juiste plekken weet. Wij gaan het park in. Wil je meer Kalm met Klassiek? Ga naar npoklassiek.nl/kalmmetklassiek (https://www.npoklassiek.nl/kalmmetklassiek). Alle muziek uit de podcast vind je terug in de bijbehorende speellijst (https://open.spotify.com/playlist/6YgSfm1Sux7CroiJvzeUdx?si=f0f254ee8f4048e7). 

Tune in today to an episode that speaks and jolts your hearts. Elder Angela reminds us as she reflects on the teachings of Pastor Rick Warren that all we have comes directly from God, our Source. “But God remembered Noah and all the wild animals and the livestock that were with him in the ark, and he sent a wind over the earth, and the waters receded.” Genesis 8:1 (NIV)May God remember me and you this day, whatever we put our hands to do. May you excel in the market place, may provision be at hand. God has a purpose and a plan so may you be blessed with the gifts God has entrusted you with and whatsoever miracles and blessings He bestows lift up a Hallelujah and like Haydn raised his hands skyward and said, “Not from me. From there, above, comes everything.”For enquiries about our workshop: Email intothegarden2020@outlook.com for more information. As you tune in, remember your worth today. Music by: Pixabay used with gratitude and attribution for podcast content on Spotify.We hope this message finds you today.Light & loveSalomé Jacobs & Team

durée : 00:09:23 - Les Matins de France Culture - par : Bérengère Bonte - La 26ᵉ édition du Festival des jeunes talents se tient du 5 au 25 juillet à Paris. Plus de 60 artistes se produisent aux Archives nationales, dont le Quatuor Métamorphoses. Le quatuor à cordes jouera le 9 juillet un programme consacré aux musiciens Haydn et Schubert. - équipe : Félicie Faugère, Mathilde Thon-Fourcade, Victoria Géraut-Velmont, Inès Bouffartigue Sebastia, Rodi Eken, Romain Rincon Hernandez, Salomé Erbs - invités : Mathilde Potier Violoniste, Pierre Liscia-Beaurenaut Violoniste, Jean-Baptiste Souchon Altiste, Madeleine Douçot Violoncelliste Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Anne-Maria Hölscher is a Swiss-based accordionist, professor, performer and pedagogue whose work connects contemporary music, repertoire development and a deeply structured approach to accordion education. Her artistic and teaching practice reflects a broad international path, shaped by studies and experiences across Germany, Switzerland, Canada and beyond.In this episode of Everything Accordion Podcast, host Ghenadie Rotari speaks with Anne-Maria about her early relationship with music, her path toward the accordion and the people, places and environments that shaped her development as an artist. A central part of the conversation focuses on her pedagogical thinking and the need for a more systematic understanding of the instrument.Anne-Maria shares her perspective on four important areas of accordion playing and teaching: the relationship between the body and the instrument, the geography of the accordion, finger technique, and bellows technique. Together, these areas offer a way to think about technique not as isolated exercises, but as part of a larger musical and physical system.The conversation also explores her artistic work, including chamber music, ensemble playing, her duo with piano and her recording projects. Anne-Maria discusses her Haydn project for accordion and piano, as well as a forthcoming album with newly commissioned works by Fabien Lévy, Márton Illés, and Enno Poppe. These projects reflect her interest in connecting historical repertoire, transcription, contemporary composition and the ongoing development of the accordion's artistic language.This episode is especially valuable for accordionists, teachers, students and anyone interested in music education, contemporary repertoire, and the future of the instrument.This podcast is supported by listeners and friends who believe in the project. A special thank you to Herbert Scheibenreif, a longtime friend of Everything Accordion Podcast, for his continued generosity and support.

durée : 01:26:57 - par : Emilie Munera, Rodolphe Bruneau-Boulmier - Vous aimez Haydn ? Cette émission est faite pour vous. Au programme : une de ses messes interprétée par les Arts Florissants, ainsi qu'une intégrale de ses quatuors. Rendez-vous dans En Pistes pour redécouvrir toute la richesse de son œuvre. - équipe : Aurore Mancip Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 01:26:57 - par : Emilie Munera, Rodolphe Bruneau-Boulmier - Vous aimez Haydn ? Cette émission est faite pour vous. Au programme : une de ses messes interprétée par les Arts Florissants, ainsi qu'une intégrale de ses quatuors. Rendez-vous dans En Pistes pour redécouvrir toute la richesse de son œuvre. - équipe : Aurore Mancip Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

F. J. Haydn: The Creation, Part I, No. 10 "Awake the Harp"Cologne Vocal Ensemble & Capella AugustinaAndreas Spering, conductorMore info about today's track: Naxos 8.557380-81Courtesy of Naxos of America Inc. SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Al vele eeuwen gaan in de hoofden van componisten de radertjes draaien als het gaat om hemellichamen. In zijn Zonsopgang gunt Haydn je gloedvol en poëtisch alle tijd om wakker te worden. Wil je meer Kalm met Klassiek? Ga naar npoklassiek.nl/kalmmetklassiek (https://www.npoklassiek.nl/kalmmetklassiek). Alle muziek uit de podcast vind je terug in de bijbehorende speellijst (https://open.spotify.com/playlist/6YgSfm1Sux7CroiJvzeUdx?si=f0f254ee8f4048e7). 

Fiona Farrell gives Conor Tallon a preview of two first Chapters of the latest publications in another episode of Chapter ! ...two for the price of One! Hosted on Acast. See acast.com/privacy for more information.

A powerful and intimate conversation and one of Paul's favorites (and the origin of the "Herbert's Butthole" riff). Originally aired in 2015, the then 28 year-old Syrian opens up about always being the minority wherever she lives (She was born in Syria, grew up in Brazil and now lives in the US), racism towards Arabs, recovering from sexual abuse, battling depression and anxiety and how getting help has saved her life. Her boyfriend Haydn, whose episode was rerun a few weeks ago also sits in on the interview. This episode is sponsored Quince. Go to www.Quince.com/mental for free shipping on your order and 365-day returns. Now available in Canada, too.This episode is sponsored by Alma. Search their directory of over 20,000 therapists with different specialities, life experiences, and identities, and 99% of them take insurance. Go to www.HelloAlma.com/happyhourThis episode is sponsored by Timeline. Timeline's clinically proven formula is now available at a new, lower price . Mitopure now starts at $99, with the exact same science and formula and listeners can still get 20% off when they go to www.timeline.com/MENTALThis episode is sponsored by The Jordan Harbinger Show. Learn more about the world, improve your critical thinking skills and be entertained! Listen or subscribe here: jordanharbinger.com/subscribe Apple Podcasts: jordanharbinger.com/itunesSpotify: jordanharbinger.com/spotifyHere are the two episodes Paul recommended.https://podcasts.apple.com/us/podcast/1280-cory-doctorow-why-everything-got-worse-and-what/id1344999619?i=1000747830030Andhttps://podcasts.apple.com/us/podcast/1238-ken-burns-what-if-the-american-revolution-isnt-over/id1344999619?i=1000736232557If you're interested in seeing or buying the furniture that Paul designs and makes follow his IG @ShapedFurniture or visit the website www.shapedfurniture.comWAYS TO HELP THE MIHH PODCASTSubscribe via Apple Podcasts (or whatever player you use). It costs nothing. It's extremely helpful to have your subscription set to download all episodes automatically. https://itunes.apple.com/us/podcast/mental-illness-happy-hour/id427377900?mt=2Spread the word via social media. It costs nothing.Our website is www.mentalpod.com our FB is www.Facebook.com/mentalpod and our Twitter and Instagram are both @Mentalpod Become a much-needed Patreon monthly-donor (with occasional rewards) for as little as $1/month at www.Patreon.com/mentalpod Become a one-time or monthly donor via PayPal at https://mentalpod.com/donateYou can also donate via Zelle (make payment to mentalpod@gmail.com) To donate via Venmo make payment to @Mentalpod See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

A real treat, straight from the past, the Naked sewers if you will, we have Hadyn Johnston with us. The real one, too. Low key, we talk about the live entertainment industry, music cultur, the Fender IP court cases, social media and some brading stuff... did we talk about the kinder eggs and condoms? idk Much love. 

durée : 01:28:18 - par : Emilie Munera, Rodolphe Bruneau-Boulmier - Haydn, Mozart et Beethoven sont tous les trois au programme du nouveau disque du Fine Arts Quartet. Nous resterons avec Haydn et ses sonates pour piano, enregistrées par Denis Kozhukhin. - équipe : Pauline Boisaubert Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 01:28:18 - par : Emilie Munera, Rodolphe Bruneau-Boulmier - Haydn, Mozart et Beethoven sont tous les trois au programme du nouveau disque du Fine Arts Quartet. Nous resterons avec Haydn et ses sonates pour piano, enregistrées par Denis Kozhukhin. - équipe : Pauline Boisaubert Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Dirigentin Barbara Hannigan spannt bei den Münchner Philharmonikern einen weiten Bogen: von Haydn über Copland bis Offenbach. Ein überraschungsreicher Konzertabend zwischen Geistertanz, Operettenrausch und Melancholie.

durée : 00:17:36 - par : Emilie Munera, Rodolphe Bruneau-Boulmier - Né en Corée, Sung-Won Yang a étudié au Conservatoire de Paris et a été l'assistant du légendaire violoncelliste János Starker à l'Université de l'Indiana. Il enregistre ici Haydn avec l'Orchestre National Auvergne-Rhône-Alpes et Thomas Zehetmair. - équipe : Pauline Boisaubert Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 01:26:49 - par : Emilie Munera, Rodolphe Bruneau-Boulmier - Echange et dialogue entre soliste et orchestre : le pianiste canadien Jan Lisiecki enregistre deux concertos de Mozart avec le chef Manfred Honeck et l'Orchestre symphonique de Bamberg. Nous écouterons aussi un concerto pour violoncelle de Haydn par Sung-Won Yang. - équipe : Pauline Boisaubert Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 00:17:36 - par : Emilie Munera, Rodolphe Bruneau-Boulmier - Né en Corée, Sung-Won Yang a étudié au Conservatoire de Paris et a été l'assistant du légendaire violoncelliste János Starker à l'Université de l'Indiana. Il enregistre ici Haydn avec l'Orchestre National Auvergne-Rhône-Alpes et Thomas Zehetmair. - équipe : Pauline Boisaubert Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 01:26:49 - par : Emilie Munera, Rodolphe Bruneau-Boulmier - Echange et dialogue entre soliste et orchestre : le pianiste canadien Jan Lisiecki enregistre deux concertos de Mozart avec le chef Manfred Honeck et l'Orchestre symphonique de Bamberg. Nous écouterons aussi un concerto pour violoncelle de Haydn par Sung-Won Yang. - équipe : Pauline Boisaubert Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Rev. Jamie Franklin is back with a no-holds-barred roundup of the biggest stories in church and state.He tears into the Church of England's official “Prayer for the World Cup 2026” — calling it poorly written, theologically shallow, embarrassingly unserious, and a perfect symbol of the institution's current woes.He also reacts to Keir Starmer's plan to ban social media for under-16s, dissecting the authoritarian tone, questioning the real motives behind it, and exploring the deeper issues around parenting and technology and the spiritual battle of the internet, attention and addiction.Plus: Psalm 148, live event details, and a powerful Hymn of the Week — Praise the Lord, Ye Heavens, Adore Him set to Haydn's majestic Austria.Note: We apologise for the loud audio spike during the Starmer clip — technical issues with the new setup!JOIN US FOR IRREVEREND LIVE!

Joeph Haydn langweilt sich in Eisenstadt. Da freut es ihn sehr, dass ihn sein Schüler Ludwig van Beethoven besuchen kommt und ihm Schokolade und Kaffee mibringt. Doch Beethoven seinerseits ist mit dem Unterricht bei Haydn nicht zufrieden.

Franz Joseph Haydn (1732-1809) – Quartetto per archi Op. 76, No. 2 in D minor "Quinten" (1796-97) 1. Allegro (0:00)2. Andante o più tosto allegretto (6:50)3. Menuetto. Allegro ma non troppo (12:38)4. Vivace assai (15:56) Cleveland String Quartet

Bowser Bean Managing Director Haydn Tierney joins Dan Munford to discuss how the Australian retailer built a strong regional convenience brand around premium coffee, quality food, and customer experience. With special guest: Haydn Tierney, Managing Director, Bowser Bean/Vantage Fuels Pty Ltd Hosted by: Dan Munford

durée : 01:28:43 - par : Aurélie Moreau - Au long d'une carrière éblouissante, Antal Doráti a dirigé les plus grands orchestres internationaux. Sa discographie est impressionnante (plus de 500 disques). Aujourd'hui : Tchaïkovski, Stravinsky, Haydn, Rachmaninov, Rimski-Korsakov, Kodály… - réalisation : Cécile Bonnet des Claustres, Benjamin Orgeret - invités : Aurélie Moreau Productrice Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

«auf-hören» – so lautete das Motto der diesjährigen, 30. Ittinger Pfingstkonzerte. Die «Diskothek» war bei dieser Jubiläumsausgabe zu Gast, und beim Blindvergleich verschiedener Aufnahmen vor Publikum konnten auch die Zuhörenden vor Ort ihre Stimme abgeben. Passend zum Motto hört das besprochene Stück denn auch auf, bevor es überhaupt beginnt, so paradox das klingen mag: Zwei Akkorde, Dominante-Tonika; eine Schlusskadenz setzt Joseph Haydn, der «Vater» der Gattung Streichquartett, an den Anfang seines op. 33 Nr. 5, ein musikalischer Trugschluss quasi als Einstieg, der vom ersten Takt weg Aufmerksamkeit weckt. Überhaupt ist das gesamte Werk gespickt mit geistvollen Ideen, die Zuhörende und Interpreten und Interpretinnen herausfordern. Im langsamen Satz zeigt uns der Wiener Meister seine düstere Seite, und im abschliessenden Finale variiert er ein Siciliano-Thema dergestalt, dass sich alle vier Quartettmitglieder nacheinander an ihren Instrumenten profilieren können. Moritz Weber hört und analysiert mit dem Liedbegleiter und Komponisten Daniel Fueter und die Geigerin Agata Lazarczyk vom Carmina Quartett das Streichquartett in G-Dur von Haydn in den Gemäuern des altehrwürdigen Klosters.

Tracklist: 1. Markus Schulz, Daxson - Frantika (Extended Mix) 2. Revolution 9 - New LIfe (Extended Mix) 3. ReOrder, Sue McLaren, Alan Fullmer - You're Not Alone (Extended Mix) 4. John O'Callaghan (Feat. Audrey Gallagher) - Big Sky (Signum Vs. RAM Remix) 5. Paul Oakenfold, RAM, Daxson - RAMsterdam (Extended Mix) 6. Richard Durand - Rubicon (Extended Mix) 7. Paul Webster, Bo Bruce - Holding The Light (Extended Mix) 8. Chris Metcalfe - Playground (Extended Mix) 9. Metta & Glyde - Special Place (Extended Mix) 10. M83 - Outro (Lowi Remix) [Extended Mix] 11. Sneijder, Holly Kirby - Home (Extended Mix) 12. Alessandra Roncone - Venezia (Extended Mix) 13. Billy Gillies, Betsy - Fair [Extended Mix] (Original Mix) 14. Chvrches - Cry Little Sister (Craig Connelly Remix)

What happens when the weakest link in your technology supply chain becomes the entry point for a national security incident? In this episode of Tech Talks Daily, I welcome back Haydn Brooks, CEO and founder of Risk Ledger, to discuss why supply chain security has moved from an IT concern to a boardroom and government priority. As organizations race to adopt AI, connect more systems, and depend on increasingly complex ecosystems of vendors, partners, cloud providers, and third-party services, the attack surface continues to expand in ways many businesses still struggle to understand. Haydn explains why supply chains remain one of the largest blind spots in cybersecurity, despite years of warnings and a growing list of high-profile incidents. We explore how attackers increasingly target smaller suppliers that lack the resources and expertise of larger enterprises, using them as stepping stones to reach critical infrastructure, government agencies, and major corporations. The conversation also examines how AI is reshaping the risk equation. As organizations rapidly integrate AI tools, APIs, and third-party models into existing technology stacks, many are creating new forms of concentration risk. What happens when multiple services rely on the same AI provider? And how can businesses maintain visibility over technology dependencies that are constantly evolving? Haydn shares his perspective on why collaboration and information sharing have become far more common across the cybersecurity community, and why security leaders are beginning to recognize that defending against modern threats requires collective action rather than isolated efforts. We also discuss accountability, resilience, and why organizations must move beyond simply identifying risk and develop the ability to understand the impact of incidents when they occur. Along the way, Haydn offers practical advice for security leaders, explains why now is the time to reassess supply chain security strategies, and shares insights into Risk Ledger's international expansion as the company grows its presence in the United States. As AI accelerates innovation and organizations become increasingly interconnected, are businesses truly prepared for the risks that come with that progress? And could an overlooked supplier become the starting point for the next major cybersecurity crisis?

durée : 00:10:40 - Les émissions culturelles de France Culture - par : Marie Labory - "Haydn2032, Vol. 19: Trauer" est le dernier opus d'un ambitieux projet : enregistrer toutes les symphonies de Josep Haydn. - réalisation : Laurence Malonda, Boris Pineau, Aïssatou N'Doye, Jules Barbier, Zohra Vignais, Lise Ripoche, Mathi Adjinsoff - invités : Emmanuelle Giuliani Journaliste à La Croix, Emmanuel Dupuy Rédacteur en chef du magazine Diapason Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 01:26:14 - par : Emilie Munera, Rodolphe Bruneau-Boulmier - L'année 2032 marquera la fin du grand du projet Haydn d'Il Giardino Armonico et ce nouveau volume de l'intégrale des symphonies coïncide avec le 40ème anniversaire de l'ensemble. - réalisation : Pauline Boisaubert Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 01:26:14 - par : Emilie Munera, Rodolphe Bruneau-Boulmier - L'année 2032 marquera la fin du grand du projet Haydn d'Il Giardino Armonico et ce nouveau volume de l'intégrale des symphonies coïncide avec le 40ème anniversaire de l'ensemble. - réalisation : Pauline Boisaubert Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Előhangunk legújabb epizódja ezúttal Víkingur Ólafsson, Várdai István és a Liszt Ferenc Kamarazenekar koncertjéhez kapcsolódik. Izgalmas információk és kulisszatitkok, ezúttal Haydn, Beethoven és Olli Mustonen zenei világából.Hallgassátok szeretettel!

Es ist nicht nur der Konzertmitschnitt von Brahms' Werk festgehalten, sondern auch die Probenarbeit mit Blomstedt.

For this Out Takes, we turned our spotlight on to one of the retrospective highlights in a new Aussie focused cinema celebration screening right through May at Cinema Nova, plus we reviewed Jodie Foster’s latest film that is one for the Francophiles. First up, we took a look at ‘Going Down’ from the early 80’s, a film about four young women living in a share house in Sydney that after its initial release was deemed a cult classic but all but disappeared until a copy showed up in the US a few years ago which started a chain reaction that has lead to it being restored, resurrected and back in cinemas across Melbourne this May. This film is bold, brash and an incredible time capsule of the uncontrolled excess in inner-city Sydney for many young people during the early 1980s and who better to discuss it in-depth than its director Haydn Keenan who provided some great insight into the making of the film and the importance of preserving our local cinematic history. We also took the opportunity to review  the latest film from Jodie Foster. ‘A Private Life’ (Vie Privée) premiered to great acclaim at the 2025 Cannes Film Festival and is described as a frisky, feminine, film noir about psychoanalysis, sex and more. The post ‘Going Down’ with special guest Haydn Keenan and ‘A Private Life’ review appeared first on Out Takes.

Originally aired in 2015, in this “Best Of” episode the 27 year-old Colombian native shares about his recent hospitalization for Bipolar I psychosis. His girlfriend Rama (who was on the following week) sits in to share what it was like for her, trying to support him.Check out Haydn's music hereThis episode is sponsored Quince. Go to www.Quince.com/mental for free shipping on your order and 365-day returns. Now available in Canada, too.This episode is sponsored by Alma. Search their directory of over 20,000 therapists with different specialities, life experiences, and identities, and 99% of them take insurance. Go to www.HelloAlma.com/happyhourThis episode is sponsored by Timeline. Timeline's clinically proven formula is now available at a new, lower price . Mitopure now starts at $99, with the exact same science and formula and listeners can still get 20% off when they go to www.timeline.com/MENTALThis episode is sponsored by The Jordan Harbinger Show. Learn more about the world, improve your critical thinking skills and be entertained! Listen or subscribe here: jordanharbinger.com/subscribe Apple Podcasts: jordanharbinger.com/itunesSpotify: jordanharbinger.com/spotifyHere are the two episodes Paul recommended.https://podcasts.apple.com/us/podcast/1280-cory-doctorow-why-everything-got-worse-and-what/id1344999619?i=1000747830030Andhttps://podcasts.apple.com/us/podcast/1238-ken-burns-what-if-the-american-revolution-isnt-over/id1344999619?i=1000736232557If you're interested in seeing or buying the furniture that Paul designs and makes follow his IG @ShapedFurniture or visit the website www.shapedfurniture.comWAYS TO HELP THE MIHH PODCASTSubscribe via Apple Podcasts (or whatever player you use). It costs nothing. It's extremely helpful to have your subscription set to download all episodes automatically. https://itunes.apple.com/us/podcast/mental-illness-happy-hour/id427377900?mt=2Spread the word via social media. It costs nothing.Our website is www.mentalpod.com our FB is www.Facebook.com/mentalpod and our Twitter and Instagram are both @Mentalpod Become a much-needed Patreon monthly-donor (with occasional rewards) for as little as $1/month at www.Patreon.com/mentalpod Become a one-time or monthly donor via PayPal at https://mentalpod.com/donateYou can also donate via Zelle (make payment to mentalpod@gmail.com) To donate via Venmo make payment to @Mentalpod See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Fanny Vicens is a French accordionist, researcher and innovative performer whose work explores the boundaries of sound, tuning, and contemporary music. From her early fascination with the accordion as a child to her dual training in piano and accordion, Fanny has developed a unique artistic voice that bridges tradition and experimentation. Her work with microtonal accordions and new repertoire is helping to redefine what the instrument can be.In this episode of Everything Accordion, host Ghenadie Rotari speaks with Fanny about her musical journey, her work with the duo XAMP (Extended Accordion and Music Project) and her research into instrument development and alternative tuning systems. They explore how microtonality expands the expressive possibilities of the accordion, how the physical relationship between player and instrument influences sound and why the history of the accordion remains deeply emotional and relevant today.The conversation also touches on Fanny's upcoming CD project featuring works by Mozart and Haydn, her teaching philosophy and the balance between artistic life, research and family. This episode offers a fascinating insight into the future of the accordion and the creative possibilities that lie beyond traditional boundaries.Whether you're a musician, a researcher or simply curious about new sound worlds, this episode will open your ears to what the accordion can become.

En este episodio de El Café de la Lluvia nos adentramos en la historia detrás del documental Au Revoir Kabul, impulsado por el periodista Antonio Pampliega, que relata la huida de las jugadoras del equipo afgano de baloncesto en silla de ruedas tras la llegada de los talibanes. La conversación pone el foco en su poderosa banda sonora, Abigate, compuesta por José Manuel Gil de Gálvez junto a Carlos Celis, una elegía para violín y cuerdas inspirada en la tradición musical afgana. La pieza, interpretada por la Orquesta Concierto Málaga, toma como referencia el rubab y se construye sobre formas como el ghazal o el rast-e-panjgah, evocando el drama humano vivido en Kabul. Reflexionamos también sobre el contexto cultural: la prohibición de la música por parte de los talibanes y lo que supone como herramienta de control y deshumanización. Además, repasamos los futuros proyectos de la Fundación Hispania Música, incluyendo su nueva sede en Málaga y la grabación de una obra histórica de Haydn. Un episodio sobre memoria, arte y resistencia a través de la música. ☕ Hazte socio/a de El Café de la Lluvia y forma parte de nuestra comunidad: https://elcafedelalluvia.com/hazte-socio-a-de-el-cafe-de-la-lluvia/ Escúchanos y léenos en nuestra web: https://elcafedelalluvia.com/ ▶️ Suscríbete a nuestro canal de YouTube: https://www.youtube.com/c/ElCafédelaLluvia Recibe nuestros contenidos en tu correo: https://elcafedelalluvia.com/suscripcion-newsletter/ Síguenos en redes sociales: Twitter: https://twitter.com/cafelluvia Instagram: https://www.instagram.com/elcafedelalluvia/ Facebook: https://www.facebook.com/Cafedelalluvia Tu apoyo nos ayuda a seguir dando voz a la cultura, la literatura y el pensamiento crítico. Gracias por acompañarnos ☕✨

Joseph Haydn war in London in vielen adeligen und bürgerlichen Häusern ein gern gesehener Gast. In einem lebte die Witwe des "Master of the King's Musick", Rebecca Schroeter. Zu dieser hatte Haydn ein ganz besonderes Verhältnis...

This week, Donald Macleod traces the making of Joseph Haydn – from his long years of service to the Eszterházy princes on a remote Hungarian estate to his emergence as one of the most celebrated composers in Europe. Working in relative isolation, Haydn developed a distinctive musical voice while managing opera houses, orchestras and singers, gradually attracting attention far beyond the court. As new freedoms allowed him to publish and sell his music more widely, commissions came from Paris, Spain and London, and friendships in Vienna – most notably with Mozart – reshaped his artistic world. The programmes follow Haydn at a moment of transition, as growing fame sits alongside frustration, ambition and a readiness for change that would soon alter his life completely.Music featured includes: Baryton Trio No. 126: Finale Philemon und Baucis: Triumph, dem Gott der Götter! Il mondo della luna: Overture; Non aver di me sospetto Symphony No. 59 in A major ‘Fire' Armida: Se pietade avete, oh numi L'isola disabitata: Fra un dolce deliro Symphony No. 60 ‘Il distratto': Presto Piano Sonata No. 20 in C minor, Hob. XVI:20 Missa Cellensis, Hob. XXII:8: Gloria Il ritorno di Tobia: Anna, m'ascolta Symphony No. 81: Vivace Piano Sonata No. 56, Hob. XVI:42 String Quartet Op. 33 No. 4: Finale Piano Concerto No. 11 in D major Symphony No. 98: Adagio Stabat Mater: Sancta Mater istud agas Symphony No. 85 in B flat major ‘La Reine' String Quartet Op. 33 No. 5: Largo The Seven Last Words of Our Saviour on the Cross: Nos. 8 & 9 Symphony No. 77 in B flat major: Vivace Three Pieces for Musical Clock: Tempo di minuetto London Trio No. 3: Spirituoso Arianna a Naxos Symphony No. 92 ‘Oxford': Finale Libera me Symphony No. 45 in F sharp minor ‘Farewell': FinalePresented by Donald Macleod Produced by Sam Phillips for BBC Audio Wales and WestFor full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Joseph Haydn (1732-1809) https://www.bbc.co.uk/programmes/m002typ2.And you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z.

Nicolas Fleury, le cor solo du Melbourne Symphony Orchestra nous parle des concerts qui auront lieu prochainement au Iwaki auditorium, au Frankston Arts Centre, au Hamer Hall du Arts Centre et au Melbourne Recital Centre. Au programme musique pour harpe et instruments à vent, et aussi un repertoire des oeuvres de Beethoven, Mozart, Bach, Haydn, Locke, Brahms et Mendelssohn.

My guest in this week's Book Club podcast is Mason Currey, author of the new book Making Art and Making a Living: Adventures in Funding a Creative Life. He tells me how artists, writers and composers have wrangled through history with the challenge of scraping by, and how that has affected their art, from Baudelaire's lifelong outrage at being forced to live on an allowance and John Berryman's disastrous stint as a door-to-door encyclopaedia salesman to Haydn reinventing the musical idiom of his time because he was so far in the boondocks with his day job that he didn't know what the musical idiom of his time was, exactly. Hosted on Acast. See acast.com/privacy for more information.

Insgesamt 83 Werke hat Joseph Haydn, der "Vater des Streichquartetts", für diese Gattung komponiert. Unter anderem die "Sonnenquartette" op. 20. BR Klassik hat mit dem Quatuor Mosaïques über das Quartett in g-Moll gesprochen.

Cuban journalist Daniel Montero Zooms in from Havana to talk about the humanitarian crisis there. At the library, we talk with Sylvia Rozwadowska-Shah, the owner of Colibri travel company which leads tours to Cuba, and Michelle Wojcik, Owner of Galeria Cubana, Provincetown, MA.And, it's Live Music Friday – the Handel and Haydn society perform some of Handel's Water Music, ahead of two shows this weekend at Symphony Hall.Then, NPR's Pentagon Reporter Tom Bowman zooms in for "Press Play" to discuss covering the war in Iran, Pete Hegseth's disdain for journalists and more.

Episode: 1551 In which Gary Larson tells us the piano was invented earlier than we thought.  oday, a lesson in invention from the Far Side.

My guest in this week's Book Club podcast is Mason Currey, author of the new book Making Art and Making a Living: Adventures in Funding a Creative Life. He tells me how artists, writers and composers have wrangled through history with the challenge of scraping by, and how that has affected their art, from Baudelaire's lifelong outrage at being forced to live on an allowance and John Berryman's disastrous stint as a door-to-door encyclopaedia salesman to Haydn reinventing the musical idiom of his time because he was so far in the boondocks with his day job that he didn't know what the musical idiom of his time was, exactly.Become a Spectator subscriber today to access this podcast without adverts. Go to spectator.co.uk/adfree to find out more.For more Spectator podcasts, go to spectator.co.uk/podcastsContact us: podcast@spectator.co.uk Hosted on Acast. See acast.com/privacy for more information.

Hace doscientos años un compositor de solo 20 años exhumó la figura musical de otro alemán que hoy resulta inevitable y omnipresente. Bach no había sido especialmente célebre en vida y después de ella cayó bajo el peso monumental de Haydn, Mozart y Bach. Fue algo después, en 1829, cuando Félix Mendelssohn, con solo 20 años, comienza a representar de nuevo al autor de 'La Pasión según San Mateo'. Su obra va tomando posesión, entonces, del lugar imprescindible que hoy posee por derecho. Todo esto, y mucho más, se cuenta en el libro 'Bach: La música infinita', de Regino Mateo, que han leído esta semana Carlos Alsina, Rubén Amón, Rosa Belmonte, Guillermo Altares, Sergio del Molino y Nacho Vigalondo. Además, Nacho reseña la película 'Altas capacidades'.

Podcasters Bee France & Haydn Murdoch (INXS: Access All Areas) join Joe & Kristen to discuss the Rock Hall merits of '80s Australian rock gods, INXS. This show is part of ⁠⁠⁠⁠Pantheon Podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices