Podcasts about haydn

After 20 years of being eligible for the World Rock and Roll Hall of Fame, INXS finally, on February 25th, 2026, have been formally nominated for inclusion, leading to an outpouring of global joy and pride amongst music fans and critics. Andrew Farriss exclusively shared with Billboard how proud he, his bandmates and the late Michael Hutchence would have been to be recognised amongst their peers. "To matter musically" was more important than fads, trends and commercial success, and this nomination is an important validation of this notion. INXS were one of ten new nominees out of a field of 17 artists recognised, and were understandably faced stiff opposition from fellow nominees such as Joy Division/New Order, Billy Idol and Phil Collins insofar as the Hall's recognition of artists that peaked in the 80's. In April 2026, the final induction list shall be announced, but you can have a voice and influence this outcome by voting via the Rock Hall's fan voting portal https://vote.rockhall.com/ So do yourself a favour, share the link with everybody you do and don't know and in the words of Michael Hutchence' lyric to Kick: “Cmon, Cmon, Cmon, Cmon” and ensure justice is done in April whereby the band INXS are rightly ordained into the Rock Hall of Fame along with their many influences The Beatles, The Rolling Stones, Roxy Music etc… and we can all congregate in Cleveland and celebrate this iconic and wonderful recognition Love and peace  Haydn & Bee https://www.inxsaccessallareas.com/  

In this lively episode, conductor Adam Fischer sits down with Netty for a tea and chat during their rehearsal break of our Beethoven Symphonies Nos. 4 & 5 concert. Adam reflects on the moment he first heard Haydn's symphony at six years old, which ignited his passion for conducting. He also shares his deep enthusiasm for Haydn's music and why he champions the composer. There's a lot of laughter as they connect over sibling dynamics and musical experiences.Adam shares his journey from choral singing to becoming a stage conductor in opera. He talks about reacting to music in real time and emphasises the importance of how symphonies tell stories, just as operas do. He recounts his various musical and linguistic studies in Hungary and Austria, along with fascinating family anecdotes that have shaped his current profession. --Tea with Netty is the Orchestra of the Age of Enlightenment's podcast hosted by viola player Annette Isserlis (Netty). Over a cuppa (or something a little stronger…), Netty chats with a variety of conductors, players and other guests as she ‘spills the tea' on the side of classical music you don't normally hear. Available as Apple podcast, Google Podcast, Spotify, Stitcher, iHeart Radio, TuneIn+Alexa

Hadyn Green has been the creative force of Hear My Eyes, a sonic-visual, hybrid experience which blends film and music in creatively intriguing and boundary pushing ways. As the founder and artistic director of Hear My Eyes, Haydn reaches out to contemporary musicians to craft new scores for pre-existing cinema.Collaborations include Sampa the Great rescoring Céline Sciamma's Girlhood, The Murlocs putting their spin on Gregor Jordan's Two Hands, while Springtime and Mick Harvey explored a new sonic landscape for Andrew Dominik's Chopper.For its tenth anniversary, Hadyn Green has tapped Belgian electronic musician Peter Van Hoesen, powered by the Melbourne Electronic Sound Studio, to reimagine the music of James Cameron's iconic sci-fi classic, Terminator 2: Judgment Day (the original theatrical cut).Visit HearMyEyes.com.au for all tickets to the screenings taking place on the below dates:Melbourne: Feb 25-28, Hamer HallSydney: March 7, City Recital HallCanberra: March 18-19, Canberra TheatreSign up for the latest interviews, reviews, and more via https://www.thecurb.com.au/subscribe/ Hosted on Acast. See acast.com/privacy for more information.

Hadyn Green has been the creative force of Hear My Eyes, a sonic-visual, hybrid experience which blends film and music in creatively intriguing and boundary pushing ways. As the founder and artistic director of Hear My Eyes, Haydn reaches out to contemporary musicians to craft new scores for pre-existing cinema.Collaborations include Sampa the Great rescoring Céline Sciamma's Girlhood, The Murlocs putting their spin on Gregor Jordan's Two Hands, while Springtime and Mick Harvey explored a new sonic landscape for Andrew Dominik's Chopper.For its tenth anniversary, Hadyn Green has tapped Belgian electronic musician Peter Van Hoesen, powered by the Melbourne Electronic Sound Studio, to reimagine the music of James Cameron's iconic sci-fi classic, Terminator 2: Judgment Day (the original theatrical cut).Visit HearMyEyes.com.au for all tickets to the screenings taking place on the below dates:Melbourne: Feb 25-28, Hamer HallSydney: March 7, City Recital HallCanberra: March 18-19, Canberra TheatreSign up for the latest interviews, reviews, and more via https://www.thecurb.com.au/subscribe/ Hosted on Acast. See acast.com/privacy for more information.

Owen sits down with Haydn, founder of Price to Plan, who transitioned from running his own building company to managing a team of 25 staff and 18 estimators. Haydn shares the story of how a nine-month recovery from surgery forced him off the tools and into the office, where he realized most builders are reactive, stressed, and quoting jobs they actually hate. Haydn breaks down his "15 category" system for classifying project complexity and explains why he stopped hiring carpenters to do estimates and started hiring engineers instead. They also cover how to use "Love Letter" questions to filter out tire kickers and why getting a client to make a small time or emotional commitment upfront stops you from wasting weekends on free quotes.

In today's uplifting episode, host James Cox sits down with the wonderfully eclectic Kristen Massey—singer, guitarist, keyboardist, voice‑over artist, producer, comedy writer, and author of the newly released The Joat (Jill of All Trades).From the moment they meet, it's clear that music is the trunk of Kristen's tree—everything else branches off it.Together they explore:The healing power of music for depression and why a simple melody can change a heartbeat.Kristen's musical journey—growing up with a piano, crafting Beatles‑ and Joni‑inspired songs, front‑lining bands, and finally finding her voice after two record‑deal setbacks.Red Siren's story, including the costly name‑conflict that turned “Siren” into “Red Siren,” and the triumph of releasing their Led Siren tribute to Led Zeppelin.The Joat—a fresh paperback/Kindle release that urges everyone to become a “Jill (or Jack) of All Trades” and step out of comfort zones.Behind‑the‑scenes of audiobook creation, the challenges of recording an emotionally resonant narration, and the future audio‑book release.Thoughts on AI in music, Bandcamp's ban, and why Kristen decides song‑by‑song whether a track feels authentic.A rapid‑fire lightning round that reveals her first‑thought favorites, the posters that hung on her teenage wall, her “Mount Rushmore” of musical icons (The Beatles, Stevie Wonder, Joni Mitchell, and Jim Morrison), and the classical pieces that still stir her soul—Mozart's Sonata No. 23 and Haydn's C‑concerto.Kristen also shares heartfelt anecdotes—from playing a flute that makes jungle leaves stand at attention, to hitching a ride on Willie Nelson's tour bus—showcasing how music binds us to nature, animals, and each other.Stay tuned for a candid conversation that blends humor, nostalgia, and raw honesty—plus a glimpse into Kristen's upcoming original EP. Whether you're battling the blues or just love a good musical story, this episode proves once again that when words stumble, music speaks.

durée : 01:29:06 - Il Giardino Armonico, l'audace et le style - par : Aurélie Moreau - Fondé en 1985 et dirigé par Giovanni Antonini, l'ensemble Il Giardino Armonico est vite devenu une référence dans l'interprétation de la musique baroque, provoquant l'enthousiasme du public et de la critique. Aujourd'hui : Vivaldi, Haydn, Haendel… Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Dyrektor Teatru Klasyki Polskiej Jarosław Gajewski zaprasza na premierę spektaklu Porwanie Europy – ponadczasowej sztuki Jarosława Marka Rymkiewicza. Jak mówi, przedstawieniu towarzyszyć będzie muzyka autorstwa Antoniego Wojnara. Premiera już 22 lutego, w Scenie Stygmat na pl. Grzybowskim w Warszawie. Następnie, w kolejnej odsłonie cyklu Co w trawie piszczy? rozmawiamy z Markiem Podkalickim z Bieszczadzkiej Inicjatywy Narodowej. Gość przybliża najpierw działalność stowarzyszenia, którego głównym celem jest prowadzenie działalności edukacyjnej w zakresie inicjatyw patriotycznych na terenie Bieszczad, pomoc rodzinom w trudnej sytuacji materialnej, a także Polakom mieszkającym za granicą. W dalszej części rozmowy nasz gość podejmuje temat populacji wilków i niedźwiedzi w Bieszczadach oraz analizuje konflikty, jakie te zwierzęta wywołują w regionie. Na koniec łączymy się z Łukaszem Strusińskim, kierownikiem ds. programowych Orkiestry Sinfonia Varsovia, który zaprasza na jutrzejszy koncert Uczta Mistrzów. W programie: Wolfgang Amadeusz Mozart, Ludwig van Beethoven i Józef Haydn, dyryguje maestro Jong-Jie Yin, a w roli solisty wystąpi Jan Wachowski.

DescriptionTheme and Variations: Order vs. Imagination in 60 Seconds. Take a minute to get the scoop!Fun FactSome variation sets were written as showpieces to prove compositional skill. Brahms once joked that anyone could write a good theme, but only a real composer could write convincing variations. Beethoven agreed—he used the form repeatedly when he wanted to demonstrate both discipline and daring in equal measure.About Steven, HostSteven is a Canadian composer & actor living in Toronto. Through his music, he creates a range of works, with an emphasis on the short-form genre—his muse being to offer the listener both the darker and more satiric shades of human existence. If you're interested, please check out his music website for more. Member of the Canadian League Of Composers.Support the show

Pop Culture Gamers is back. In this first show for over six months Haydn (Herjuk) is joined by Ian from Gaming Generations and our new Co-Host Paul from the Year of Shame Podcast. We may have a new host but don't worry, due to scheduling issues, Steve (Stevoo7) wasn't able to join us for this show but he will be back soon.In this show, we welcome Paul and find out about his gaming history. Haydn, Ian and Paul discuss games they have been playing recently and we have more detours and random discussions. Enjoy the show!

Giocare col fuoco: storie, canzoni, poesie di e con Fabrizio Coppola Letture: Chiara Cruciati, Sulle macerie di Gaza nasce il club privato di Trump (il manifesto); Monica Poggi, Alzare lo sguardo (Dorothea Lange, Dario Cimorelli editore). Musica: Grant Lee Buffalo, Nirvana, Haydn, Neil Young

durée : 01:28:43 - Emanuel Ax, puissance d'expression et sensibilité - par : Aurélie Moreau - L'un des pianistes les plus admirés, Emanuel Ax, grand partenaire de musique de chambre et soliste réputé, a reçu de nombreux prix pour ses enregistrements qui forment un catalogue impressionnant. Aujourd'hui : Haydn, Chopin, Beethoven, Schumann… Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

In the first episode of 2026, OAE leader Margaret Faultless joins Netty for tea in our home at Acland Burghley School. Maggie reflects on her first OAE performance with Sir Simon Rattle in 1987 and her love for Haydn and Bach's music. They also discuss her experience as leader of the Breaking Bach tour, the OAE's dance production that connects a new generation of street dancers with the rhythmic complexities of Bach's music.Maggie passionately engages in education as the leader of the OAE's Ann and Peter Law Experience Scheme and in her roles as Head of Early Music at the Royal Academy of music and Director of Performance at Cambridge University. She shares her experiences working with young people and reflects on the remarkable continuity of Bach's music in the 21st century. Additionally, she reflects on her decade with the Amsterdam Baroque Orchestra performing Bach cantatas, and discusses the essence of being a professional musician as well as her learnings at the OAE.--Tea with Netty is the Orchestra of the Age of Enlightenment's podcast hosted by viola player Annette Isserlis (Netty). Over a cuppa (or something a little stronger…), Netty chats with a variety of conductors, players and other guests as she ‘spills the tea' on the side of classical music you don't normally hear. Available as Apple podcast, Google Podcast, Spotify, Stitcher, iHeart Radio, TuneIn+Alexa

Joseph Haydn wilde graag dat zijn werk mensen die het, om wat voor reden ook, zwaar hebben, een paar momenten kalmte zou bieden, rust van waaruit ze nieuwe krachten kunnen opbouwen. In dit deel uit zijn Trauersymphonie schijnt een bleek zonnetje waaraan de strijkers zich warmen. Wil je meer Kalm met Klassiek? Ga naar npoklassiek.nl/kalmmetklassiek (https://www.npoklassiek.nl/kalmmetklassiek). Alle muziek uit de podcast vind je terug in de bijbehorende speellijst (https://open.spotify.com/playlist/6YgSfm1Sux7CroiJvzeUdx?si=f0f254ee8f4048e7).   

My name is Corey Martin. I'm 24 years old and based on the Gold Coast, Australia. I'm fortunate to have an incredibly supportive family and partner who have backed me every step of the way. I'm currently on a significant weight-loss and health journey and am proud to say I'm down 60kg so far, with strong motivation to keep going. This journey began after listening to one of The Fasting Highway episodes in September 2024, which my aunt recommended during a very challenging period in my life. At the time, I was struggling deeply with my health and well-being and had recently been turned down for a job due to my weight (172kg). This came after a particularly low point, where a back injury left me unable to work or do much of anything for around six months. Something truly clicked after hearing your episode — a switch I had tried to flip before, but never successfully followed through on. This time was different. In October 2024, I began intermittent fasting alongside awhole-food diet. The results were remarkable, and it motivated me to push further. I started with walking and gradually introduced weight training and cardio, with guidance and support from my older brother, Haydn. I held myself strictly accountable and remained disciplined with my nutrition. During this time, I also undertook several major internationaltrips. In February, I spent three weeks in Japan with my partner, Ella, and my younger brother, Blake. In May, Ella and I embarked on a 33-day cruise from Sydney to Vancouver, with many incredible stops along the way. We then spent time in Whistler before travelling to Los Angeles and Las Vegas. While international travel can often disrupt progress, I was determined to stay consistent — and I'm proud to say I did. Today, I'm at 112kg and genuinely couldn't be happier. My life has changed in countless positive ways.Graeme's Links to connect with me directly. Come and Join Our Patreon Community At the Link Belowwww.patreon.com/thefastinghighway.Come for a month or stay for a year, check it out, and get all the content. Your first step to excellent support and accountability is right here. Make 2026 your year. To Book a Zoom Call With Graeme One-on-One, Go Here www.thefastinghighway.com Get help, get coaching.To Read My Book The Fasting Highway Amazon or all good book sellers.To Listen to My Audio Book Apple Books or many Audio Book Platforms Free on Joining The Patreon Community To be a guest on the show, please go to www.thefastinghighway.com, click on listen to the podcast, " and follow the how to be a guest prompt.Disclaimer - All views are those of the host and guest and should not be taken as medical advice. Please consult your doctor before starting any health plan.

The Phoenix Symphony begins 2026 in concert January 9-11 at Symphony Hall. The program will include Pictures at an Exhibition, Antrópolis by Gabriela Ortiz, and Joseph Haydn's Cello Concerto #2 with guest cellist Sterling Elliott. KBACH's Greg Kostraba recently chatted with Elliott about the piece, and his blossoming career, which began as the youngest member of the Elliott Family String Quartet. Tickets for the performance are available at the Phoenix Symphony website.

200 Euro für ein Konzertticket? Popstarpreise, und die gab es schon vor 200 Jahren. Haydn war damals Europas Superstar – und startet selbst im Rentenalter noch einmal richtig durch, etwa mit seiner letzten und 104. Sinfonie ... Von Christoph Vratz.

Wie haben Komponisten ihren Lebensunterhalt bestritten? Wie viel verdiente Haydn? War Johann Sebastian Bach mit seinem Einkommen zufrieden? Und hätte Mozart heute Geldprobleme? Musik ist nicht nur eine Kunst, sondern auch ein Markt, der auch früher nach spezifischen Spielregeln funktionierte. Von Markus Vanhoefer (BR 2021)

Für den Historiker Philipp Ther war Musik im Habsburgerreich Kultur und politisches Werkzeug. Im Buch „Der Klang der Monarchie“ zeigt er, wie die Musik von Strauss, Haydn, Mozart und Beethoven das Reich zusammenhielt und als Mutmacher wirkte. Timm, Ulrike www.deutschlandfunkkultur.de, Im Gespräch

Haydn Fleming is a marketing leader and currently serves as Chief Marketing Officer at 2POINT, a full-service digital agency specializing in branding, digital strategy, and social marketing. He also hosts Marketing Minds with Haydn Fleming, a podcast that explores key topics and insights in the marketing world with industry experts.

We would love to hear from you, wherever you are!https://www.perfectpitchpod.com/contact/@NickHelyHutch Logo design by Robbie Mailer Howat robbiemailerhowat Thank you for listening - please do get in touch with any comments!

The newly renovated Troy Savings Bank Music Hall will welcome two-time Grammy Award-winning Albany Symphony for dazzling holiday performances on December 13 and 14.Audiences will enjoy Haydn's most famous work, the “Surprise” Symphony; Mozart's greatest concerto, his Piano Concerto No. 20 in d minor, Bach's joyful, virtuosic Brandenburg Concerto No. 5, and the thrilling world premiere of a work by an extraordinarily brilliant 14-year-old composer, Isaac Thomas. On December 7th, families can revel in the sparkle of Magic of the Season, the Capital Region's most beloved holiday spectacular, returning with its heartwarming blend of music, community, and festive delight. Maestro David Alan Miller is here with all the details.

durée : 01:28:47 - Radu Lupu, concerts inédits - par : Philippe Cassard - A l'occasion du 80ème anniversaire de la naissance du grand pianiste, Decca publie un coffret de concerts inédits embrassant 32 années de sa carrière. Des oeuvres de Haydn, Mozart, Beethoven, Schumann, Chopin, Moussorgsky, Bartok etc. que Radu Lupu n'a jouées qu'en public. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 01:37:07 - Radu Lupu, concerts inédits - par : Philippe Cassard - A l'occasion du 80ème anniversaire de la naissance du grand pianiste, Decca publie un coffret de concerts inédits embrassant 32 années de sa carrière. Des oeuvres de Haydn, Mozart, Beethoven, Schumann, Chopin, Moussorgsky, Bartok etc. que Radu Lupu n'a jouées qu'en public. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

We're joined for this week's Gramophone Podcast by composer Thomas Adès and two members of the Ruisi Quartet, violinist Alessandro Ruisi and viola player Luba Tunnicliffe, to talk about their recording of Növények, Adès's setting of seven Hungarian poems for mezzo-soprano and piano sextet. They explore this fascinating work with Gramophone Editor Martin Cullingford, which is newly released on the Platoon label along with Haydn's String Quartet in G Minor Op 20, No 3, and an arrangement of A legszebb Virág by Ligeti. 

durée : 01:29:09 - Une heure et plus, un compositeur : Ludwig van Beethoven - par : Aurélie Moreau - Né à Bonn en 1770, Beethoven s'installe à Vienne pour se former auprès de Haydn et s'imposer comme pianiste et compositeur. Il est très vite frappé par la surdité, mais transforme ce handicap en moteur créatif, donnant naissance à des œuvres qui révolutionnent la musique. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Viviane Chassot gehört zu den renommiertesten Akkordeonistinnen überhaupt. Sie hat mitgeholfen, ihrem Instrument auch die klassische Musik zu erschliessen. Damit macht sie die klassische Musik auch jenen Menschen zugänglich, die sonst keinen Bezug zu ihr gehabt hätten. Geboren wird Viviane Chassot in Zürich. Sie wächst in Wollerau auf, wo das Akkordeon eine grosse Rolle spielt. Allerdings nicht im klassischen Bereich, sondern in Form eines Akkordeon-Orchesters, das es bis heute gibt. Viviane Chassot interessiert sich damals mehr fürs Ballett. Und zwar so sehr, dass es auch beruflich eine Option wird. Eine Ausbildung am Opernhaus Zürich wäre möglich. Da hört sie am Radio ein Stück von Johann Sebastian Bach. Gespielt auf einem Akkordeon. Das ändert alles. Vivianne Chassot ist Feuer und Flamme und entscheidet sich – weil in ihrer Familie nur ein Hobby erlaubt war – für das Akkordeon. Längst ist das Hobby Beruf. Viviane Chassot hat Werke von Haydn, Mozart und Rameau eingespielt und aufgeführt und so auch mit Grössen wie Simon Rattle oder Alfred Brendel zusammengearbeitet. Und sie verbindet Klassik, Jazz, neue Musik und Improvisation. Auch darin also eine Brückenbauerin. Von ihrer Pionierarbeit für das Instrument und ihrem differenzierten Zugang zum Klang, von ihrem Weg zum Erfolg und ihren Rückschlägen und Krisen, von ihrer Arbeit mit anderen Musikerinnen und Musikern und ihrer Liebe auch zur Rockmusik erzählt Viviane Chassot im Gespräch mit Gastgeber Michael Luisier. Die Musiktitel: Der Einspieler: Josef Haydn: Klaviersonate e-Moll, HOB 16/34: Presto Viviane Chassot, Akkordeon 1. Meat loaf – Alive 2. Joseph Haydn – Die Schöpfung: Holde Gattin, dir zur Seite. Duett (Adam, Eva) Balthasar-Neumann-Ensemble / Thomas Hengelbrock, Leitung / Dorothee Mields, Eva / Locky Chung, Adam 3. Aimee Mann / Rush: Time stand Still 4. Stefanie Heinzmann – Good 5. Johannes Brahms - Piano Concerto no. 1, D Moll, op. 15: 3. Rondo allegro non troppo Maurizio Pollini, Piano / Berliner Philharmoniker / Claudia Abbado, Leitung https://www.srf.ch/play/tv/sternstunde-musik/video/drei-genres-ein-klang---das-srf-kultur-showcase?urn=urn:srf:video:e1e3dc7f-8af6-4474-8bd7-94add5638358

durée : 01:37:07 - En pistes ! du vendredi 21 novembre 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Sébastien Daucé et son Ensemble Correspondances redonnent vie aux premières cantates sacrées du compositeur écrites à Mühlhausen. Au programme également : le Quatuor Arod dans un disque Haydn et une intégrale Mahler par le chef Paavo Järvi. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:14:15 - Le Disque classique du jour du vendredi 21 novembre 2025 - Le Quatuor Arod dévoile un nouvel enregistrement avec les six quatuors de l'opus 76 de Haydn, qu'ils décrivent comme sommet du style classique et source d'inspiration pour Beethoven. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 01:37:07 - En pistes ! du vendredi 21 novembre 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Sébastien Daucé et son Ensemble Correspondances redonnent vie aux premières cantates sacrées du compositeur écrites à Mühlhausen. Au programme également : le Quatuor Arod dans un disque Haydn et une intégrale Mahler par le chef Paavo Järvi. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:14:15 - Le Disque classique du jour du vendredi 21 novembre 2025 - Le Quatuor Arod dévoile un nouvel enregistrement avec les six quatuors de l'opus 76 de Haydn, qu'ils décrivent comme sommet du style classique et source d'inspiration pour Beethoven. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 01:28:01 - En pistes ! du mercredi 19 novembre 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Le contre-ténor Nicolò Balducci nous plonge dans un répertoire de lieder où la finesse classique de Mozart et Haydn rencontre l'expressivité romantique naissante de Beethoven. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 01:28:01 - En pistes ! du mercredi 19 novembre 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Le contre-ténor Nicolò Balducci nous plonge dans un répertoire de lieder où la finesse classique de Mozart et Haydn rencontre l'expressivité romantique naissante de Beethoven. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:17:11 - Le Disque classique du jour du mardi 18 novembre 2025 - La présente édition réunit les enregistrements publiés par le label CPO entre 1993 et ​​2018. Frère cadet de Joseph Haydn, Michael Haydn a vu plusieurs de ses symphonies d'abord attribuées à son frère et même à Mozart. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 01:28:23 - En pistes ! du mardi 18 novembre 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Connaissez-vous la musique de Haydn ? Celle de Michael, frère de Joseph et autre modèle important pour Mozart, il est l'auteur de nombreuses symphonies à découvrir aujourd'hui dans En Pistes. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:17:11 - Le Disque classique du jour du mardi 18 novembre 2025 - La présente édition réunit les enregistrements publiés par le label CPO entre 1993 et ​​2018. Frère cadet de Joseph Haydn, Michael Haydn a vu plusieurs de ses symphonies d'abord attribuées à son frère et même à Mozart. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 01:28:23 - En pistes ! du mardi 18 novembre 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Connaissez-vous la musique de Haydn ? Celle de Michael, frère de Joseph et autre modèle important pour Mozart, il est l'auteur de nombreuses symphonies à découvrir aujourd'hui dans En Pistes. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Joseph Haydns Cäcilienmesse bildet den Auftakt einer mehrteiligen Reihe des belgischen Dirigenten René Jacobs.

This Day in Legal History: Pennsylvania Coal Co. v. MahonOn this day in legal history, November 14, 1922, the Supreme Court heard arguments in Pennsylvania Coal Co. v. Mahon, a foundational case in American property law. At issue was a Pennsylvania statute—the Kohler Act—that prohibited coal mining beneath certain structures to prevent surface subsidence. The Pennsylvania Coal Company had previously sold the surface rights to a parcel of land but retained the right to mine the coal beneath. When the state blocked their ability to do so, the company sued, arguing that the law had effectively stripped them of valuable property rights without compensation. The case reached the Supreme Court, where Justice Oliver Wendell Holmes Jr. delivered the majority opinion.In his decision, Holmes introduced the now-famous principle that “while property may be regulated to a certain extent, if regulation goes too far it will be recognized as a taking.” This line marked the birth of the regulatory takings doctrine, which holds that government actions short of full appropriation can still require just compensation under the Fifth Amendment. Holmes emphasized that the economic impact of a regulation on the property owner must be weighed, not just the public interest it serves. In this case, the regulation was deemed too burdensome to be considered a mere exercise of police power.The Court sided with the coal company, holding that the Kohler Act, as applied, amounted to an unconstitutional taking. The dissent, penned by Justice Brandeis, warned against undermining states' ability to protect public welfare. Despite being a 5–4 decision, Mahon has had lasting influence on land use, zoning, and environmental regulation. It reframed the boundaries between public regulation and private rights, signaling that not all public-interest laws are immune from constitutional scrutiny. Today, Mahon remains a cornerstone case for litigants challenging regulations that significantly diminish property value.A Texas judge is set to hear arguments on Attorney General Ken Paxton's request to block Kenvue from issuing a $398 million dividend and from marketing Tylenol as safe during pregnancy. Paxton sued Kenvue in October, accusing the company of hiding risks linked to prenatal Tylenol use, including autism and ADHD—a claim not supported by the broader medical community. The lawsuit follows public comments by Donald Trump and Robert F. Kennedy Jr. promoting the same unproven theory. Kenvue and Johnson & Johnson, which previously owned Tylenol, maintain the drug's safety and argue the state has no authority to interfere in federal drug regulation or corporate dividends.The companies also say the dividend will not impair Kenvue's solvency and warn that Paxton's effort could undermine both the First Amendment and the credibility of Texas courts. Paxton, however, argues that the public interest justifies intervention, citing potential future liabilities from Tylenol and talc-related lawsuits. He contends that misleading commercial speech can be regulated, and that the dividend should be halted to preserve cash in the face of those risks. The case could have broader implications, particularly for Kimberly-Clark's $40 billion acquisition of Kenvue, announced shortly after the lawsuit. Kenvue has vowed to appeal any injunction.Judge to weigh if Texas AG can block Kenvue dividend over Tylenol claims | ReutersSierra Leone has reached a tentative settlement with U.S. law firm Jenner & Block to resolve a dispute over $8.1 million in unpaid legal fees. The law firm sued the West African nation in 2022, claiming it was still owed money for representing Sierra Leone in a high-stakes case against Gerald International Ltd., which had sought $1.8 billion in damages over an iron ore export ban. Jenner argued the legal work was more extensive than initially expected and said it had only been paid $3.6 million by the end of 2021.Sierra Leone pushed back, disputing the existence of a valid contract and asserting that no further payments were owed. The country also tried to claim sovereign immunity, but a federal judge rejected those arguments in January, allowing the lawsuit to proceed. U.S. Magistrate Judge G. Michael Harvey announced the settlement in principle last week, although specific terms were not disclosed. Neither party has commented publicly on the resolution.Sierra Leone, law firm Jenner & Block reach settlement over $8 million legal tab | ReutersMcDermott Will & Emery has become the first major U.S. law firm to publicly confirm that it is considering private equity investment, signaling a potential shift in how Big Law might operate. The firm's chairman acknowledged preliminary talks with outside investors, a move that stunned the legal industry, where non-lawyer ownership has long been resisted due to ethical and regulatory restrictions. McDermott is reportedly exploring a structure that would separate its legal services from administrative operations by creating a managed service organization (MSO) owned by outside investors, allowing the firm to raise capital without violating professional conduct rules.This model has gained traction among smaller firms, but McDermott's adoption could legitimize the MSO approach for large firms. Proponents argue it would free lawyers to focus on client work while upgrading support systems through external funding. Critics caution that it involves relinquishing control of critical firm functions and raises concerns about maintaining ethical standards, particularly regarding fee-sharing with non-lawyers. While still early, industry experts say other firms are beginning to explore similar paths to stay competitive, especially in jurisdictions like Arizona that allow non-lawyer ownership.McDermott's Outside Investor Talks Augur Big Law TransformationThe Trump administration has filed suit against California over its recently approved congressional redistricting maps, which were adopted through a ballot initiative known as Proposition 50. The measure, passed by voters last week, allows temporary use of new district lines that could give Democrats up to five additional U.S. House seats. The Justice Department joined a lawsuit initially filed by the California Republican Party and several voters, alleging that the redistricting plan was racially motivated and unconstitutional.U.S. Attorney General Pam Bondi called the maps a “brazen power grab,” accusing California of using race to unlawfully boost Hispanic voting power. California Governor Gavin Newsom dismissed the lawsuit, framing it as retaliation for California's resistance to Trump's broader political agenda. Newsom also argued that the new maps are a necessary corrective to Republican-led gerrymandering efforts, like those in Texas, where civil rights groups have sued over alleged dilution of minority voting power.The lawsuit claims California's map violates the U.S. Constitution by improperly using race in the redistricting process. The outcome could impact the balance of power in the House and add fuel to ongoing legal battles over partisan and racial gerrymandering nationwide.Trump administration sues California over new redistricting maps | ReutersThis week's closing theme is by Ludwig van Beethoven, a composer of some note.This week's closing theme is the first movement of Ludwig van Beethoven's Symphony No. 8 in F Major, Op. 93 – I. Allegro vivace e con brio, a work that balances classical clarity with Beethoven's unmistakable wit and rhythmic drive. Composed in 1812 during a period of personal turmoil, the Eighth is often described as a cheerful outlier among his symphonies, compact and effervescent despite being written amid deteriorating health and emotional strain. It was premiered in 1814, but it was a revival performance on November 14, 1814, in Vienna that helped solidify its reputation and gave the public a second opportunity to appreciate its lightness and humor in contrast to the more dramatic works surrounding it.Unlike the grand scale of the Seventh or Ninth, the Eighth is shorter and more classical in form, often drawing comparisons to Haydn in its wit and economy. Yet Beethoven infuses it with his unique voice—syncopations, dynamic extremes, and abrupt harmonic shifts abound, particularly in the first movement. The Allegro vivace e con brio opens with a bold, playful theme, tossing melodic fragments between the orchestra with cheerful assertiveness. It's less stormy than many of Beethoven's first movements, but no less commanding.Critics at the time were puzzled by the symphony's restraint and humor, expecting more overt heroism from Beethoven. But modern listeners often recognize the Eighth as a masterwork of compression and invention. The first movement in particular plays with rhythmic momentum, frequently disrupting expectations just as they form. There's a confidence in its restraint, a knowing smile behind the forceful accents and offbeat rhythms. It's music that's both technically impressive and viscerally enjoyable, which is perhaps why Beethoven held it in especially high regard.As we close out the week, we leave you with that November 14 revival spirit—a reminder that even a “little Symphony” can land with enduring force.Without further ado, Ludwig van Beethoven's Symphony No. 8 in F Major, Op. 93 – I. Allegro vivace e con brio, enjoy! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.minimumcomp.com/subscribe

durée : 00:15:11 - Le Disque classique du jour du vendredi 14 novembre 2025 - Si l'humour était un élément essentiel du langage musical de Haydn, comme tout grand compositeur il eut aussi une part plus sombre, en particulier dans les dernières années de sa vie. Dans cet album, la pianiste Schaghajegh Nosrati met en lumière ces phases successives de création. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:15:11 - Le Disque classique du jour du vendredi 14 novembre 2025 - Si l'humour était un élément essentiel du langage musical de Haydn, comme tout grand compositeur il eut aussi une part plus sombre, en particulier dans les dernières années de sa vie. Dans cet album, la pianiste Schaghajegh Nosrati met en lumière ces phases successives de création. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

This week, Donald Macleod explores the life and music of the often overlooked younger Haydn brother, Michael. From his early years in Vienna to his long tenure in Salzburg, Michael Haydn's career was shaped by family ties, shifting patronage, and ecclesiastical politics. His relationship with the Mozart family ranged from friendly collaboration to bitter rivalry, and his music—both sacred and secular—reflected the changing demands of the church and court. As he aged, Michael faced new opportunities and challenges, including a long-awaited reunion with his brother Joseph and a prestigious job offer that stirred unexpected doubts.Requiem in C minor pro defuncto Archiepiscopo Sigismund, MH 155 Symphony No 32 in D Major, P 23 Missa Sancti Aloysii, MH 257 Concerto for Harpsichord and Viola in C major, MH 41 Missa Sanctae Crucis, MH 56 Symphony in B flat major, MH 82 Trumpet Concerto in C major, MH 60 Die Hochzeit auf der Alm Notturno in F major, MH 185 Missa Sancti Hieronymi Symphony No 24 in A major, P 15 Tenuisti manum, MH 695 Missa Quadragesimalis, MH 552 Divertimento in C major, P 98 Ninfe inbelli Missa Sancta Theresiae Der Obersulzer Wein, MH 697 Abendlied, MH 784 Trinklied im Freien, MH 790 Flute Concerto in D Major MH 81 Divertimento in C, MH 600 Missa sub titulo Sancti Leopoldi, MH 837 Endimione: Vado per un momento Presented by Donald Macleod. Produced by Chris Taylor for BBC Audio Wales & West. For full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Michael Haydn https://www.bbc.co.uk/programmes/m002lcjr. And you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z.

Swiss tenor Eric Tappy (19 May 1931 – 11 June 2024) excelled in so many different musical styles, eras, and genres, that when one considers his artistic achievement systematically, as a whole, one is positively stunned at all that he achieved, and that within a relatively short international career that extended barely 20 years. In addition, at the beginning of his career, his voice was that of a light lyric tenor, but gradually he came to sing heavier roles such as Idomeneo and Tito. The episode considers his biography and the trajectory of that career, touching upon his opera and concert work which ranged from early Baroque through contemporary. For the first ten years of his adult life, he worked as a teacher, gradually gaining enough exposure that he was able to fully devote himself to his singing career after he won several international singing competitions. Tappy is heard in the episode in concert work of Bach, Berlioz, Haydn, and contemporary Dutch composer Rudolf Escher; art songs by both Franz Schubert and Lili Boulanger; and operas by Monteverdi, Gounod, Mozart, and Debussy (his Pelléas was as legendary as his Monteverdi and Mozart impersonations). In addition, Tappy is heard in live and radio recordings of work by his fellow Swiss compatriots Arthur Honegger, Frank Martin, Constantin Régamey, and Hermann Suter. Guest singers include Countermelody favorites Ileana Cotrubaș, Rachel Yakar, Hugues Cuénod, Edda Moser, and Gino Quilico; musical collaborators include Ernest Ansermet, Michel Corboz, Nino Sanzogno, John Pritchard, Armin Jordan, Hans Münch (brother of Charles), Colin Davis, Hans Vonk, and Jean Françaix, among others. Prepare to be surprised and delighted by this great singer, who ended his active singing career at the age of only 50 but who continued as a formative and beloved teacher well into his old age. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and author yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.

Mid-October is an important anniversary in the INXS world. The band released six albums during this period, with Kick being the most notable. It's this iconic release, some 38 years ago, that we commemorate in this episode. With the world at their feet following the commercial breakthrough of Listen Like Thieves, particularly in the States, the band handed over full songwriting responsibilities to both Michael and Andrew, with the results soaring above and beyond all expectations. Rather than review the album (as done previously), Bee and I take a nostalgic walk down memory lane and reminisce about this 1987 release, our feelings, impressions and how its legacy stands tall 38 years later amongst fans, peers and critics. Additionally, Haydn dives deep into his Crown Casino concert experience with JD Fortune and the band in Melbourne with song setlist deep dives and after-show meet and greets with him. Combined with a chunky news section and an iconic tribute cover song at the end of the episode, make sure you tune, shut out the world and get your needed fix of INXS: Access all Areas. Love and peace ✌️ https://www.inxsaccessallareas.com/   You can watch the YouTube Video of the play-out song here. https://youtu.be/CmQiM8MQYEI?si=Ze4JqdzXI7vlRvgW

Happy Thursday Geoffs! This week Madison has some wild ghost hoaxes she's sharing about some very problematic poltergeists! Next, Spencer is taking us on one skulls postmortem journey! We've got an obituary for a gal who wasn't finished, one for Nancy Drew…NOT THAT ONE…and a guy who achieved a whole lot in his lifetime! Oh….we almost forgot…we've also got some dumb.ass.criminalllllls! Follow us on Twitch: https://www.twitch.tv/otwitchuary Watch us on YouTube: Youtube.com/@obitchuarypodcast Buy our book: prh.com/obitchuary Get your Merch: wonderyshop.com/obitchuary Come see us live on tour: obitchuarypodcast.com Join our Patreon: Patreon.com/cultliter New episodes come out every Thursday for free, with 1-week early access for Wondery+ subscribers. Follow along online: @obitchuarypod on Twitter & Instagram @obitchuarypodcast on TikTok Check out Spencer's other podcast Cult Liter wherever you're listening! Write to us: obitpod@gmail.com  Sources:https://en.wikipedia.org/wiki/Joseph_Haydnhttps://en.wikipedia.org/wiki/Haydn%27s_skullhttps://inmozartsfootsteps.com/2227/the-strange-story-of-haydns-missing-skull/https://www.legacy.com/us/obituaries/name/nancy-drew-obituary?id=52693334https://en.wikipedia.org/wiki/Spring-heeled_Jackhttps://www.theguardian.com/books/2016/apr/30/penny-dreadfuls-victorian-equivalent-video-games-kate-summerscale-wicked-boyhttps://www.newspapers.com/image/980091531/?match=1&terms=spring%20heeled%20jackhttps://en.wikipedia.org/wiki/Hammersmith_Ghost_murder_casehttps://caasbrey.com/the-london-garrotting-panic-of-the-mid-19th-century/https://www.atlasobscura.com/articles/ghost-hoaxinghttps://www.abc.net.au/news/2020-08-21/ghost-hoaxing-on-victorias-goldfields/12571526https://www.thecourier.com.au/story/9042062/ballarats-ghostly-past-revived-in-role-playing-game/https://www.tandfonline.com/doi/abs/10.1080/0015587X.2015.1121622https://www.discoveryuk.com/mysteries/the-hammersmith-ghost-londons-paranormal-murder/ Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Professional Builders Secrets brings you an exclusive episode with Haydn Simmons from Price A Plan. In this episode, Hayden shares how builders can take the stress out of estimating by turning what's often an emotional, late-night task into a structured and supportive process. He dives deep into the emotional side of running a building business and how understanding those emotions can transform the way you approach estimating, client relationships, and leadership.This episode is sponsored by Apparatus Contractor Services, click the link below to learn more:hubs.ly/Q02mNSsG0INSIDE EPISODE 209 YOU WILL DISCOVER Why estimating is about more than just crunching numbersThe emotional pressures that affect builders day-to-dayHow understanding your emotions leads to better business decisionsPractical steps to manage stress and build self-awarenessThe benefits of partnering with a professional estimating serviceAnd much, much more.ABOUT HAYDN SIMMONS​Haydn, the director of Price A Plan, specialises in detailed quantity surveying and accurate pricing for all projects. Price-A-Plan offers comprehensive services benefiting various building industry professionals, from subcontractors to homeowners. Their expertise supports clients from job lead to final certificate, enhancing profitability and saving valuable time.Connect with Haydn: linkedin.com/in/haydn-simmons-705ba920/TIMELINE 2:35 Hayden's journey from builder to founder of Price A Plan4:56 The emotional pressures modern builders face11:12 How emotions influence estimating and business decisions16:25 Changing the public perception of builders through storytelling22:10 Practical ways to manage stress and build self-awareness29:45 Why estimating is more than just crunching numbersLINKS, RESOURCES & MOREAPB Website: associationofprofessionalbuilders.comAPB Rewards: associationofprofessionalbuilders.com/rewards/APB on Instagram: instagram.com/apbbuilders/APB on Facebook: facebook.com/associationofprofessionalbuildersAPB on YouTube: youtube.com/c/associationofprofessionalbuilders

“Whys unite and whats divide,” says Haydn Shaw.Haydn is the founder of People Driven Results and the author of Sticking Points: How to Get 5 Generations Working Together in the 12 Places They Come Apart. Hailed by Time Magazine as an expert on cultural differences in the workplace, Haydn focuses on helping generations work together better with a combination of clear insight, humor, and practical advice.In today's conversation, Daniel, Peter, and Haydn discuss some of the most challenging aspects of having five generations in the workplace at the same time.Tune in to learn:The new “life stage” that impacts the modern workplaceThree things leaders can do to improve generational relationships in the workplaceThe value of “leaning into the negative” when it comes to retaining employeesLeaders can bridge a lot of divides simply by being curious, says Haydn. “You go online and find a list of nine things to know about Gen Z–that's a list of whats, and whats are good, but whats divide us. Whys lead to great conversations.”Questions, comments, or topic ideas? Drop us an e-mail at podcast@stewartleadership.com.In this episode::54 – Introduction: Haydn Shaw4:04 – Life Stages vs. Generational Differences7:37 – How to Improve Generational Relationships in the Workplace11:04 – The Role of Empathy and Humility in Managing Generational Differences19:10 – How to Implement “Co-Mentoring”29:27 – How to Retain Millennial and GenZ Employees32:30 – Lightning RoundResources:Haydn Shaw LinkedInPeople Driven ResultsSticking Points: How to Get 5 Generations Working Together in the 12 Places They Come Apart“Why Half of What You Hear About Millennials is Wrong,” TEDx Talk, Haydn ShawStewart Leadership Insights and Resources:Executive Presence in Gen X LeadersHere Come the Zoomers!3 Tips in Working with Your Millennial New Hires6 Tips for Improving Your Active Listening Skills5 Retention Metrics Every Leader Should Track10 Tips to Level Up Your Mentor RelationshipsIf you liked this episode, please share it with a friend or colleague, or, better yet, leave a review to help other listeners find our show, and remember to subscribe so you never miss an episode. For more great content or to learn about how Stewart Leadership can help you grow your ability to lead effectively, please visit stewartleadership.com and follow us on LinkedIn, Instagram, and YouTube.

Musician and composer Rob Kapilow of the "What Makes it Great?" performance series is in Boston to perform and dissect Haydn's Opus 76.

Hey Legends! A quick-fire episode today with kudos and compliments to JD Fortune joining Bee before going live on stage as he embarks on his first-ever Australian tour and pays homage to the songs of INXS. Forever honest, Bee captures some great moments with JD as he delves into what a privilege it is to sing the songs and lyrics of INXS and do justice to continuing the rich legacy. With a tour spanning the major capital cities and select regional areas, fans are in for a treat as JD reminds fans and pundits of his incredible stage presence and blistering energy that cannot be missed. So sit back, enjoy, and live baby live with love and peace, Haydn.    You can watch the whole interview below: https://www.inxsaccessallareas.com/post/an-exclusive-interview-backstage-with-jd-fortune-and-bee  

There are so many great apocryphal stories in the long history of classical music, from the reason Tchaikovsky wrote his Sixth Symphony to what famous composers supposedly said on their deathbeds, to my favorite story: how Joseph Haydn's Symphony No. 96, The Miracle, got its name. Apparently, during the premiere of the symphony, a chandelier fell, but miraculously didn't hit anyone. Hence, The Miracle Symphony. The chandelier did, in fact, fall, but we now know it happened during the premiere of Haydn's Symphony No. 102, which has no nickname. Coincidentally, or perhaps not so coincidentally, the 96th Symphony is performed far more often than the 102nd, likely because of its nickname, even though it's the nickname of the wrong symphony. The Barber Violin Concerto has a great and true story behind it. But before certain information was revealed in 2010, the story everyone knew was quite different. The original version goes like this: Barber had completed the first two movements of his Violin Concerto and sent them to the soloist scheduled to premiere the work, Iso Briselli. Briselli didn't like the concerto, claiming it wasn't virtuosic enough, and asked Barber to write something more difficult. Barber, perhaps with an evil laugh, obliged and returned with the third movement. When Briselli received it, he realized he couldn't play it because of its extreme difficulty and ultimately withdrew from the premiere, which instead went to violinist Albert Spalding. It's a perfect “Icarus flying too close to the sun” kind of classical music story, but as it turns out, it isn't the full story. In 2010, letters were released between Barber, Briselli, and the real instigator in this little operetta, Briselli's violin teacher, Albert Meiff. I'll get into the whole story later, but it's a good one, even if it's not quite as cinematic as the legend. More important than the dispute over its last movement is the remarkable beauty and creativity of this masterful 20th-century concerto. Barber's Violin Concerto is one of my favorite pieces to play and to conduct, and it has charmed audiences ever since its premiere. It features Americana music of a kind only Copland could equal, as well as a heartbreaking oboe solo that might be one of the greatest moments in the history of American classical music. And then there's that pesky third movement, a challenge to every violinist (and orchestra) and a movement that remains controversial for many reasons.