Podcasts about haydn

The newly renovated Troy Savings Bank Music Hall will welcome two-time Grammy Award-winning Albany Symphony for dazzling holiday performances on December 13 and 14.Audiences will enjoy Haydn's most famous work, the “Surprise” Symphony; Mozart's greatest concerto, his Piano Concerto No. 20 in d minor, Bach's joyful, virtuosic Brandenburg Concerto No. 5, and the thrilling world premiere of a work by an extraordinarily brilliant 14-year-old composer, Isaac Thomas. On December 7th, families can revel in the sparkle of Magic of the Season, the Capital Region's most beloved holiday spectacular, returning with its heartwarming blend of music, community, and festive delight. Maestro David Alan Miller is here with all the details.

durée : 01:37:07 - Radu Lupu, concerts inédits - par : Philippe Cassard - A l'occasion du 80ème anniversaire de la naissance du grand pianiste, Decca publie un coffret de concerts inédits embrassant 32 années de sa carrière. Des oeuvres de Haydn, Mozart, Beethoven, Schumann, Chopin, Moussorgsky, Bartok etc. que Radu Lupu n'a jouées qu'en public. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

We're joined for this week's Gramophone Podcast by composer Thomas Adès and two members of the Ruisi Quartet, violinist Alessandro Ruisi and viola player Luba Tunnicliffe, to talk about their recording of Növények, Adès's setting of seven Hungarian poems for mezzo-soprano and piano sextet. They explore this fascinating work with Gramophone Editor Martin Cullingford, which is newly released on the Platoon label along with Haydn's String Quartet in G Minor Op 20, No 3, and an arrangement of A legszebb Virág by Ligeti. 

durée : 01:29:09 - Une heure et plus, un compositeur : Ludwig van Beethoven - par : Aurélie Moreau - Né à Bonn en 1770, Beethoven s'installe à Vienne pour se former auprès de Haydn et s'imposer comme pianiste et compositeur. Il est très vite frappé par la surdité, mais transforme ce handicap en moteur créatif, donnant naissance à des œuvres qui révolutionnent la musique. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Viviane Chassot gehört zu den renommiertesten Akkordeonistinnen überhaupt. Sie hat mitgeholfen, ihrem Instrument auch die klassische Musik zu erschliessen. Damit macht sie die klassische Musik auch jenen Menschen zugänglich, die sonst keinen Bezug zu ihr gehabt hätten. Geboren wird Viviane Chassot in Zürich. Sie wächst in Wollerau auf, wo das Akkordeon eine grosse Rolle spielt. Allerdings nicht im klassischen Bereich, sondern in Form eines Akkordeon-Orchesters, das es bis heute gibt. Viviane Chassot interessiert sich damals mehr fürs Ballett. Und zwar so sehr, dass es auch beruflich eine Option wird. Eine Ausbildung am Opernhaus Zürich wäre möglich. Da hört sie am Radio ein Stück von Johann Sebastian Bach. Gespielt auf einem Akkordeon. Das ändert alles. Vivianne Chassot ist Feuer und Flamme und entscheidet sich – weil in ihrer Familie nur ein Hobby erlaubt war – für das Akkordeon. Längst ist das Hobby Beruf. Viviane Chassot hat Werke von Haydn, Mozart und Rameau eingespielt und aufgeführt und so auch mit Grössen wie Simon Rattle oder Alfred Brendel zusammengearbeitet. Und sie verbindet Klassik, Jazz, neue Musik und Improvisation. Auch darin also eine Brückenbauerin. Von ihrer Pionierarbeit für das Instrument und ihrem differenzierten Zugang zum Klang, von ihrem Weg zum Erfolg und ihren Rückschlägen und Krisen, von ihrer Arbeit mit anderen Musikerinnen und Musikern und ihrer Liebe auch zur Rockmusik erzählt Viviane Chassot im Gespräch mit Gastgeber Michael Luisier. Die Musiktitel: Der Einspieler: Josef Haydn: Klaviersonate e-Moll, HOB 16/34: Presto Viviane Chassot, Akkordeon 1. Meat loaf – Alive 2. Joseph Haydn – Die Schöpfung: Holde Gattin, dir zur Seite. Duett (Adam, Eva) Balthasar-Neumann-Ensemble / Thomas Hengelbrock, Leitung / Dorothee Mields, Eva / Locky Chung, Adam 3. Aimee Mann / Rush: Time stand Still 4. Stefanie Heinzmann – Good 5. Johannes Brahms - Piano Concerto no. 1, D Moll, op. 15: 3. Rondo allegro non troppo Maurizio Pollini, Piano / Berliner Philharmoniker / Claudia Abbado, Leitung https://www.srf.ch/play/tv/sternstunde-musik/video/drei-genres-ein-klang---das-srf-kultur-showcase?urn=urn:srf:video:e1e3dc7f-8af6-4474-8bd7-94add5638358

durée : 01:37:07 - En pistes ! du vendredi 21 novembre 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Sébastien Daucé et son Ensemble Correspondances redonnent vie aux premières cantates sacrées du compositeur écrites à Mühlhausen. Au programme également : le Quatuor Arod dans un disque Haydn et une intégrale Mahler par le chef Paavo Järvi. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:14:15 - Le Disque classique du jour du vendredi 21 novembre 2025 - Le Quatuor Arod dévoile un nouvel enregistrement avec les six quatuors de l'opus 76 de Haydn, qu'ils décrivent comme sommet du style classique et source d'inspiration pour Beethoven. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:14:15 - Le Disque classique du jour du vendredi 21 novembre 2025 - Le Quatuor Arod dévoile un nouvel enregistrement avec les six quatuors de l'opus 76 de Haydn, qu'ils décrivent comme sommet du style classique et source d'inspiration pour Beethoven. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 01:37:07 - En pistes ! du vendredi 21 novembre 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Sébastien Daucé et son Ensemble Correspondances redonnent vie aux premières cantates sacrées du compositeur écrites à Mühlhausen. Au programme également : le Quatuor Arod dans un disque Haydn et une intégrale Mahler par le chef Paavo Järvi. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 01:28:01 - En pistes ! du mercredi 19 novembre 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Le contre-ténor Nicolò Balducci nous plonge dans un répertoire de lieder où la finesse classique de Mozart et Haydn rencontre l'expressivité romantique naissante de Beethoven. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 01:28:01 - En pistes ! du mercredi 19 novembre 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Le contre-ténor Nicolò Balducci nous plonge dans un répertoire de lieder où la finesse classique de Mozart et Haydn rencontre l'expressivité romantique naissante de Beethoven. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:17:11 - Le Disque classique du jour du mardi 18 novembre 2025 - La présente édition réunit les enregistrements publiés par le label CPO entre 1993 et ​​2018. Frère cadet de Joseph Haydn, Michael Haydn a vu plusieurs de ses symphonies d'abord attribuées à son frère et même à Mozart. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 01:28:23 - En pistes ! du mardi 18 novembre 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Connaissez-vous la musique de Haydn ? Celle de Michael, frère de Joseph et autre modèle important pour Mozart, il est l'auteur de nombreuses symphonies à découvrir aujourd'hui dans En Pistes. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 01:28:23 - En pistes ! du mardi 18 novembre 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Connaissez-vous la musique de Haydn ? Celle de Michael, frère de Joseph et autre modèle important pour Mozart, il est l'auteur de nombreuses symphonies à découvrir aujourd'hui dans En Pistes. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:17:11 - Le Disque classique du jour du mardi 18 novembre 2025 - La présente édition réunit les enregistrements publiés par le label CPO entre 1993 et ​​2018. Frère cadet de Joseph Haydn, Michael Haydn a vu plusieurs de ses symphonies d'abord attribuées à son frère et même à Mozart. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Joseph Haydns Cäcilienmesse bildet den Auftakt einer mehrteiligen Reihe des belgischen Dirigenten René Jacobs.

Polifonia futurista entre tenebres. Crítica teatral de l'obra «Nauta», de David Costa i Franc Aleu. Intèrprets Cor de Teatre: Sara Costa, Martina Majó, Ànnia Pons (sopranos),: Sara Gómez i Natàlia Menció (mezzosopranos), Mariona Callís i Nuri Hernàndez (contralts), Jordi Forcadell, Nasi Marco i Martí Serrallonga (tenors), Gerard Capdevila i Aleix Fernàndez (barítons), Lluís Gratacós i Joan Rigat (baixos). Música: Monteverdi, Purcell, Rameau, Händel, Scarlatti, Haydn, Mozart, Grieg, Mahler i Leontòvitx. Composició de l’espai sonor i arranjaments: Dani López. Videocreacions i espai escènic: Franc Aleu. Moviment escènic i coreografies: Leo Castro. Programació i disseny tècnic: Marc Aleu. Il·luminació: August Viladomat, ‘Gutty’. So: Joan-Carles Ros, ‘Rosky’, Abdon Compta i Panxii Badii. Vestuari: TXU Studio – Joana Poulastrou i Chu Uroz. Producció tècnica: Llorenç Gómez. Producció: Somfònics, El Canal – Centre de Creació d’Arts Escèniques de Salt / Girona i Temporada Alta. Direcció musical: David Costa. Direcció: David Costa i Franc Aleu. Companyia Cor de Teatre, El Canal - Centre de Creació d'Arts Esceniques, Salt (Gironès), 8 novembre 2025. Teatre Condal, Barcelona, 14 al 16 de novembre 2025. Veu: Andreu Sotorra. Música: Schedryk. Interpretació: AlissaLytvak, Choeur Music Chain for Ukraine. Composició: Mykola Léontoytch. Àlbum: Shchedryk, 2016.

This Day in Legal History: Pennsylvania Coal Co. v. MahonOn this day in legal history, November 14, 1922, the Supreme Court heard arguments in Pennsylvania Coal Co. v. Mahon, a foundational case in American property law. At issue was a Pennsylvania statute—the Kohler Act—that prohibited coal mining beneath certain structures to prevent surface subsidence. The Pennsylvania Coal Company had previously sold the surface rights to a parcel of land but retained the right to mine the coal beneath. When the state blocked their ability to do so, the company sued, arguing that the law had effectively stripped them of valuable property rights without compensation. The case reached the Supreme Court, where Justice Oliver Wendell Holmes Jr. delivered the majority opinion.In his decision, Holmes introduced the now-famous principle that “while property may be regulated to a certain extent, if regulation goes too far it will be recognized as a taking.” This line marked the birth of the regulatory takings doctrine, which holds that government actions short of full appropriation can still require just compensation under the Fifth Amendment. Holmes emphasized that the economic impact of a regulation on the property owner must be weighed, not just the public interest it serves. In this case, the regulation was deemed too burdensome to be considered a mere exercise of police power.The Court sided with the coal company, holding that the Kohler Act, as applied, amounted to an unconstitutional taking. The dissent, penned by Justice Brandeis, warned against undermining states' ability to protect public welfare. Despite being a 5–4 decision, Mahon has had lasting influence on land use, zoning, and environmental regulation. It reframed the boundaries between public regulation and private rights, signaling that not all public-interest laws are immune from constitutional scrutiny. Today, Mahon remains a cornerstone case for litigants challenging regulations that significantly diminish property value.A Texas judge is set to hear arguments on Attorney General Ken Paxton's request to block Kenvue from issuing a $398 million dividend and from marketing Tylenol as safe during pregnancy. Paxton sued Kenvue in October, accusing the company of hiding risks linked to prenatal Tylenol use, including autism and ADHD—a claim not supported by the broader medical community. The lawsuit follows public comments by Donald Trump and Robert F. Kennedy Jr. promoting the same unproven theory. Kenvue and Johnson & Johnson, which previously owned Tylenol, maintain the drug's safety and argue the state has no authority to interfere in federal drug regulation or corporate dividends.The companies also say the dividend will not impair Kenvue's solvency and warn that Paxton's effort could undermine both the First Amendment and the credibility of Texas courts. Paxton, however, argues that the public interest justifies intervention, citing potential future liabilities from Tylenol and talc-related lawsuits. He contends that misleading commercial speech can be regulated, and that the dividend should be halted to preserve cash in the face of those risks. The case could have broader implications, particularly for Kimberly-Clark's $40 billion acquisition of Kenvue, announced shortly after the lawsuit. Kenvue has vowed to appeal any injunction.Judge to weigh if Texas AG can block Kenvue dividend over Tylenol claims | ReutersSierra Leone has reached a tentative settlement with U.S. law firm Jenner & Block to resolve a dispute over $8.1 million in unpaid legal fees. The law firm sued the West African nation in 2022, claiming it was still owed money for representing Sierra Leone in a high-stakes case against Gerald International Ltd., which had sought $1.8 billion in damages over an iron ore export ban. Jenner argued the legal work was more extensive than initially expected and said it had only been paid $3.6 million by the end of 2021.Sierra Leone pushed back, disputing the existence of a valid contract and asserting that no further payments were owed. The country also tried to claim sovereign immunity, but a federal judge rejected those arguments in January, allowing the lawsuit to proceed. U.S. Magistrate Judge G. Michael Harvey announced the settlement in principle last week, although specific terms were not disclosed. Neither party has commented publicly on the resolution.Sierra Leone, law firm Jenner & Block reach settlement over $8 million legal tab | ReutersMcDermott Will & Emery has become the first major U.S. law firm to publicly confirm that it is considering private equity investment, signaling a potential shift in how Big Law might operate. The firm's chairman acknowledged preliminary talks with outside investors, a move that stunned the legal industry, where non-lawyer ownership has long been resisted due to ethical and regulatory restrictions. McDermott is reportedly exploring a structure that would separate its legal services from administrative operations by creating a managed service organization (MSO) owned by outside investors, allowing the firm to raise capital without violating professional conduct rules.This model has gained traction among smaller firms, but McDermott's adoption could legitimize the MSO approach for large firms. Proponents argue it would free lawyers to focus on client work while upgrading support systems through external funding. Critics caution that it involves relinquishing control of critical firm functions and raises concerns about maintaining ethical standards, particularly regarding fee-sharing with non-lawyers. While still early, industry experts say other firms are beginning to explore similar paths to stay competitive, especially in jurisdictions like Arizona that allow non-lawyer ownership.McDermott's Outside Investor Talks Augur Big Law TransformationThe Trump administration has filed suit against California over its recently approved congressional redistricting maps, which were adopted through a ballot initiative known as Proposition 50. The measure, passed by voters last week, allows temporary use of new district lines that could give Democrats up to five additional U.S. House seats. The Justice Department joined a lawsuit initially filed by the California Republican Party and several voters, alleging that the redistricting plan was racially motivated and unconstitutional.U.S. Attorney General Pam Bondi called the maps a “brazen power grab,” accusing California of using race to unlawfully boost Hispanic voting power. California Governor Gavin Newsom dismissed the lawsuit, framing it as retaliation for California's resistance to Trump's broader political agenda. Newsom also argued that the new maps are a necessary corrective to Republican-led gerrymandering efforts, like those in Texas, where civil rights groups have sued over alleged dilution of minority voting power.The lawsuit claims California's map violates the U.S. Constitution by improperly using race in the redistricting process. The outcome could impact the balance of power in the House and add fuel to ongoing legal battles over partisan and racial gerrymandering nationwide.Trump administration sues California over new redistricting maps | ReutersThis week's closing theme is by Ludwig van Beethoven, a composer of some note.This week's closing theme is the first movement of Ludwig van Beethoven's Symphony No. 8 in F Major, Op. 93 – I. Allegro vivace e con brio, a work that balances classical clarity with Beethoven's unmistakable wit and rhythmic drive. Composed in 1812 during a period of personal turmoil, the Eighth is often described as a cheerful outlier among his symphonies, compact and effervescent despite being written amid deteriorating health and emotional strain. It was premiered in 1814, but it was a revival performance on November 14, 1814, in Vienna that helped solidify its reputation and gave the public a second opportunity to appreciate its lightness and humor in contrast to the more dramatic works surrounding it.Unlike the grand scale of the Seventh or Ninth, the Eighth is shorter and more classical in form, often drawing comparisons to Haydn in its wit and economy. Yet Beethoven infuses it with his unique voice—syncopations, dynamic extremes, and abrupt harmonic shifts abound, particularly in the first movement. The Allegro vivace e con brio opens with a bold, playful theme, tossing melodic fragments between the orchestra with cheerful assertiveness. It's less stormy than many of Beethoven's first movements, but no less commanding.Critics at the time were puzzled by the symphony's restraint and humor, expecting more overt heroism from Beethoven. But modern listeners often recognize the Eighth as a masterwork of compression and invention. The first movement in particular plays with rhythmic momentum, frequently disrupting expectations just as they form. There's a confidence in its restraint, a knowing smile behind the forceful accents and offbeat rhythms. It's music that's both technically impressive and viscerally enjoyable, which is perhaps why Beethoven held it in especially high regard.As we close out the week, we leave you with that November 14 revival spirit—a reminder that even a “little Symphony” can land with enduring force.Without further ado, Ludwig van Beethoven's Symphony No. 8 in F Major, Op. 93 – I. Allegro vivace e con brio, enjoy! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.minimumcomp.com/subscribe

durée : 00:15:11 - Le Disque classique du jour du vendredi 14 novembre 2025 - Si l'humour était un élément essentiel du langage musical de Haydn, comme tout grand compositeur il eut aussi une part plus sombre, en particulier dans les dernières années de sa vie. Dans cet album, la pianiste Schaghajegh Nosrati met en lumière ces phases successives de création. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:15:11 - Le Disque classique du jour du vendredi 14 novembre 2025 - Si l'humour était un élément essentiel du langage musical de Haydn, comme tout grand compositeur il eut aussi une part plus sombre, en particulier dans les dernières années de sa vie. Dans cet album, la pianiste Schaghajegh Nosrati met en lumière ces phases successives de création. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

In this episode, Hannah Käthler (RECET) talks to RECET's Founding Director Philipp Ther, whose newest book Der Klang der Monarchie (Suhrkamp, 2025) tells the history of the Austro-Hungarian Empire through the prism of the music it created and was shaped by. Haydn, Mozart, and Beethoven were instrumental in holding the empire together. "Habsburg Pop" reached the masses and became a global export. The Habsburg Empire hummed, sang, danced, drummed, and only went under when its great musical means failed in the Great War. Philipp Ther teaches Modern European and East European History at the University of Vienna. He has published five books in English, and his publications have been translated into various other languages. He has received several prizes and awards, including the 2015 Prize of the Leipzig Book Fair for Die neue Ordnung auf dem alten Kontinent, which was also shortlisted for the Prix du livre européen. Furthermore, his work has earned him the Richard G. Plaschka Prize (2006) and the Wittgenstein Prize (2019). He is the founder of the Research Center for the History of Transformations at the University of Vienna.

This week, Donald Macleod explores the life and music of the often overlooked younger Haydn brother, Michael. From his early years in Vienna to his long tenure in Salzburg, Michael Haydn's career was shaped by family ties, shifting patronage, and ecclesiastical politics. His relationship with the Mozart family ranged from friendly collaboration to bitter rivalry, and his music—both sacred and secular—reflected the changing demands of the church and court. As he aged, Michael faced new opportunities and challenges, including a long-awaited reunion with his brother Joseph and a prestigious job offer that stirred unexpected doubts.Requiem in C minor pro defuncto Archiepiscopo Sigismund, MH 155 Symphony No 32 in D Major, P 23 Missa Sancti Aloysii, MH 257 Concerto for Harpsichord and Viola in C major, MH 41 Missa Sanctae Crucis, MH 56 Symphony in B flat major, MH 82 Trumpet Concerto in C major, MH 60 Die Hochzeit auf der Alm Notturno in F major, MH 185 Missa Sancti Hieronymi Symphony No 24 in A major, P 15 Tenuisti manum, MH 695 Missa Quadragesimalis, MH 552 Divertimento in C major, P 98 Ninfe inbelli Missa Sancta Theresiae Der Obersulzer Wein, MH 697 Abendlied, MH 784 Trinklied im Freien, MH 790 Flute Concerto in D Major MH 81 Divertimento in C, MH 600 Missa sub titulo Sancti Leopoldi, MH 837 Endimione: Vado per un momento Presented by Donald Macleod. Produced by Chris Taylor for BBC Audio Wales & West. For full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Michael Haydn https://www.bbc.co.uk/programmes/m002lcjr. And you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z.

Álvaro Albiach dirige a David Barona y a la Orquesta de Extremadura en su próximo concierto. El que fuera director titular y artístico dirigirá el debut como solista invitado del actual ayuda de violonchelo en la Orquesta de Extremadura. El programa, con obras de Beethoven y Haydn, se representará en Badajoz y Plasencia.

Clássicos eternos! Aquelas obras cujo sucesso atravessa os séculos e que fazem parte da memória afetiva de muitos ouvintes. Obras primas de Beethoven, Haydn, Brahma, Dvorak e Tchaikovsky, gigantes da música clássica de todos os tempos. Este é o assunto em destaque nesta edição de Clássicos CBN, com o comentarista Helder Trefzger. Dá um play na seleção. Ouça a conversa completa!

Vandaag biedt het programma een religieus drieluik, nl. een “Credo”, een “Ora Pro Nobis”, en een “Lux Aeterna”. Aansluitend hoort u een symfonisch luik met een 4-delige symfonie en een toonschildering van “Dageraad op de Moskova” sluit symfonisch de uitzending af. Met dank aan toondichters: Haydn, Elgar, Beethoven en Moussorgsky.

We would love to hear from you, wherever you are!https://www.perfectpitchpod.com/contact/@NickHelyHutch Logo design by Robbie Mailer Howat robbiemailerhowat Thank you for listening - please do get in touch with any comments!

Swiss tenor Eric Tappy (19 May 1931 – 11 June 2024) excelled in so many different musical styles, eras, and genres, that when one considers his artistic achievement systematically, as a whole, one is positively stunned at all that he achieved, and that within a relatively short international career that extended barely 20 years. In addition, at the beginning of his career, his voice was that of a light lyric tenor, but gradually he came to sing heavier roles such as Idomeneo and Tito. The episode considers his biography and the trajectory of that career, touching upon his opera and concert work which ranged from early Baroque through contemporary. For the first ten years of his adult life, he worked as a teacher, gradually gaining enough exposure that he was able to fully devote himself to his singing career after he won several international singing competitions. Tappy is heard in the episode in concert work of Bach, Berlioz, Haydn, and contemporary Dutch composer Rudolf Escher; art songs by both Franz Schubert and Lili Boulanger; and operas by Monteverdi, Gounod, Mozart, and Debussy (his Pelléas was as legendary as his Monteverdi and Mozart impersonations). In addition, Tappy is heard in live and radio recordings of work by his fellow Swiss compatriots Arthur Honegger, Frank Martin, Constantin Régamey, and Hermann Suter. Guest singers include Countermelody favorites Ileana Cotrubaș, Rachel Yakar, Hugues Cuénod, Edda Moser, and Gino Quilico; musical collaborators include Ernest Ansermet, Michel Corboz, Nino Sanzogno, John Pritchard, Armin Jordan, Hans Münch (brother of Charles), Colin Davis, Hans Vonk, and Jean Françaix, among others. Prepare to be surprised and delighted by this great singer, who ended his active singing career at the age of only 50 but who continued as a formative and beloved teacher well into his old age. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and author yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.

Ein Abend voller musikalischer Magie. Riccardo Minasi dirigiert die Münchner Philharmoniker mit Werken von Haydn bis Klein - inspiriert von legendären Komponisten. Erleben Sie den Klangzauber aus alter und neuer Melodie.

Előhang Podcastünk legújabb epizódjában Hózsa Zsófia zenetörténész ezúttal Vashegyi Györggyel beszélgetett Michael Haydn és Antonio Salieri halotti miséiről, és keletkezésük körülményeiről.Hallgassátok szeretettel!

Mid-October is an important anniversary in the INXS world. The band released six albums during this period, with Kick being the most notable. It's this iconic release, some 38 years ago, that we commemorate in this episode. With the world at their feet following the commercial breakthrough of Listen Like Thieves, particularly in the States, the band handed over full songwriting responsibilities to both Michael and Andrew, with the results soaring above and beyond all expectations. Rather than review the album (as done previously), Bee and I take a nostalgic walk down memory lane and reminisce about this 1987 release, our feelings, impressions and how its legacy stands tall 38 years later amongst fans, peers and critics. Additionally, Haydn dives deep into his Crown Casino concert experience with JD Fortune and the band in Melbourne with song setlist deep dives and after-show meet and greets with him. Combined with a chunky news section and an iconic tribute cover song at the end of the episode, make sure you tune, shut out the world and get your needed fix of INXS: Access all Areas. Love and peace ✌️ https://www.inxsaccessallareas.com/   You can watch the YouTube Video of the play-out song here. https://youtu.be/CmQiM8MQYEI?si=Ze4JqdzXI7vlRvgW

Happy Thursday Geoffs! This week Madison has some wild ghost hoaxes she's sharing about some very problematic poltergeists! Next, Spencer is taking us on one skulls postmortem journey! We've got an obituary for a gal who wasn't finished, one for Nancy Drew…NOT THAT ONE…and a guy who achieved a whole lot in his lifetime! Oh….we almost forgot…we've also got some dumb.ass.criminalllllls! Follow us on Twitch: https://www.twitch.tv/otwitchuary Watch us on YouTube: Youtube.com/@obitchuarypodcast Buy our book: prh.com/obitchuary Get your Merch: wonderyshop.com/obitchuary Come see us live on tour: obitchuarypodcast.com Join our Patreon: Patreon.com/cultliter New episodes come out every Thursday for free, with 1-week early access for Wondery+ subscribers. Follow along online: @obitchuarypod on Twitter & Instagram @obitchuarypodcast on TikTok Check out Spencer's other podcast Cult Liter wherever you're listening! Write to us: obitpod@gmail.com  Sources:https://en.wikipedia.org/wiki/Joseph_Haydnhttps://en.wikipedia.org/wiki/Haydn%27s_skullhttps://inmozartsfootsteps.com/2227/the-strange-story-of-haydns-missing-skull/https://www.legacy.com/us/obituaries/name/nancy-drew-obituary?id=52693334https://en.wikipedia.org/wiki/Spring-heeled_Jackhttps://www.theguardian.com/books/2016/apr/30/penny-dreadfuls-victorian-equivalent-video-games-kate-summerscale-wicked-boyhttps://www.newspapers.com/image/980091531/?match=1&terms=spring%20heeled%20jackhttps://en.wikipedia.org/wiki/Hammersmith_Ghost_murder_casehttps://caasbrey.com/the-london-garrotting-panic-of-the-mid-19th-century/https://www.atlasobscura.com/articles/ghost-hoaxinghttps://www.abc.net.au/news/2020-08-21/ghost-hoaxing-on-victorias-goldfields/12571526https://www.thecourier.com.au/story/9042062/ballarats-ghostly-past-revived-in-role-playing-game/https://www.tandfonline.com/doi/abs/10.1080/0015587X.2015.1121622https://www.discoveryuk.com/mysteries/the-hammersmith-ghost-londons-paranormal-murder/ Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Professional Builders Secrets brings you an exclusive episode with Haydn Simmons from Price A Plan. In this episode, Hayden shares how builders can take the stress out of estimating by turning what's often an emotional, late-night task into a structured and supportive process. He dives deep into the emotional side of running a building business and how understanding those emotions can transform the way you approach estimating, client relationships, and leadership.This episode is sponsored by Apparatus Contractor Services, click the link below to learn more:hubs.ly/Q02mNSsG0INSIDE EPISODE 209 YOU WILL DISCOVER Why estimating is about more than just crunching numbersThe emotional pressures that affect builders day-to-dayHow understanding your emotions leads to better business decisionsPractical steps to manage stress and build self-awarenessThe benefits of partnering with a professional estimating serviceAnd much, much more.ABOUT HAYDN SIMMONS​Haydn, the director of Price A Plan, specialises in detailed quantity surveying and accurate pricing for all projects. Price-A-Plan offers comprehensive services benefiting various building industry professionals, from subcontractors to homeowners. Their expertise supports clients from job lead to final certificate, enhancing profitability and saving valuable time.Connect with Haydn: linkedin.com/in/haydn-simmons-705ba920/TIMELINE 2:35 Hayden's journey from builder to founder of Price A Plan4:56 The emotional pressures modern builders face11:12 How emotions influence estimating and business decisions16:25 Changing the public perception of builders through storytelling22:10 Practical ways to manage stress and build self-awareness29:45 Why estimating is more than just crunching numbersLINKS, RESOURCES & MOREAPB Website: associationofprofessionalbuilders.comAPB Rewards: associationofprofessionalbuilders.com/rewards/APB on Instagram: instagram.com/apbbuilders/APB on Facebook: facebook.com/associationofprofessionalbuildersAPB on YouTube: youtube.com/c/associationofprofessionalbuilders

It is Classical Thursday and we discuss some of the most legendary composers, Haydn, Mozart, and Beethoven. We hope you will join us!

“Whys unite and whats divide,” says Haydn Shaw.Haydn is the founder of People Driven Results and the author of Sticking Points: How to Get 5 Generations Working Together in the 12 Places They Come Apart. Hailed by Time Magazine as an expert on cultural differences in the workplace, Haydn focuses on helping generations work together better with a combination of clear insight, humor, and practical advice.In today's conversation, Daniel, Peter, and Haydn discuss some of the most challenging aspects of having five generations in the workplace at the same time.Tune in to learn:The new “life stage” that impacts the modern workplaceThree things leaders can do to improve generational relationships in the workplaceThe value of “leaning into the negative” when it comes to retaining employeesLeaders can bridge a lot of divides simply by being curious, says Haydn. “You go online and find a list of nine things to know about Gen Z–that's a list of whats, and whats are good, but whats divide us. Whys lead to great conversations.”Questions, comments, or topic ideas? Drop us an e-mail at podcast@stewartleadership.com.In this episode::54 – Introduction: Haydn Shaw4:04 – Life Stages vs. Generational Differences7:37 – How to Improve Generational Relationships in the Workplace11:04 – The Role of Empathy and Humility in Managing Generational Differences19:10 – How to Implement “Co-Mentoring”29:27 – How to Retain Millennial and GenZ Employees32:30 – Lightning RoundResources:Haydn Shaw LinkedInPeople Driven ResultsSticking Points: How to Get 5 Generations Working Together in the 12 Places They Come Apart“Why Half of What You Hear About Millennials is Wrong,” TEDx Talk, Haydn ShawStewart Leadership Insights and Resources:Executive Presence in Gen X LeadersHere Come the Zoomers!3 Tips in Working with Your Millennial New Hires6 Tips for Improving Your Active Listening Skills5 Retention Metrics Every Leader Should Track10 Tips to Level Up Your Mentor RelationshipsIf you liked this episode, please share it with a friend or colleague, or, better yet, leave a review to help other listeners find our show, and remember to subscribe so you never miss an episode. For more great content or to learn about how Stewart Leadership can help you grow your ability to lead effectively, please visit stewartleadership.com and follow us on LinkedIn, Instagram, and YouTube.

Musician and composer Rob Kapilow of the "What Makes it Great?" performance series is in Boston to perform and dissect Haydn's Opus 76.

durée : 00:15:15 - Le Disque classique du jour du mercredi 15 octobre 2025 - Cet enregistrement est le premier d'une collaboration entre René Jacobs, le Kammerorchester Basel, la Zürcher Sing-Akademie et le label Alpha. Entre 2025 et 2028, paraitront quatre albums : cette Missa Cellensis, puis trois volumes consacrés aux six dernières messes composées par Haydn. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:15:15 - Le Disque classique du jour du mercredi 15 octobre 2025 - Cet enregistrement est le premier d'une collaboration entre René Jacobs, le Kammerorchester Basel, la Zürcher Sing-Akademie et le label Alpha. Entre 2025 et 2028, paraitront quatre albums : cette Missa Cellensis, puis trois volumes consacrés aux six dernières messes composées par Haydn. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Hey Legends! A quick-fire episode today with kudos and compliments to JD Fortune joining Bee before going live on stage as he embarks on his first-ever Australian tour and pays homage to the songs of INXS. Forever honest, Bee captures some great moments with JD as he delves into what a privilege it is to sing the songs and lyrics of INXS and do justice to continuing the rich legacy. With a tour spanning the major capital cities and select regional areas, fans are in for a treat as JD reminds fans and pundits of his incredible stage presence and blistering energy that cannot be missed. So sit back, enjoy, and live baby live with love and peace, Haydn.    You can watch the whole interview below: https://www.inxsaccessallareas.com/post/an-exclusive-interview-backstage-with-jd-fortune-and-bee  

Send us a textAnd here, right on time is the ghost of maestro Haydn to tell us about his story - his life and his music - Maestro Haydn, why don't you start at the be ginning.Certainly, Herr Bartley. I, Joseph Haydn, vas born in 1732 in the small Austrian village of Rohrau, near the border of Hungary. My father, a humble vheelvright, could not imagine that his son vould one day travel to the grand palaces of Europe or have his music performed by orchestras in London. Yet music called me early. From my earliest years, I vas dravn to melody and harmony. I sang in the village choir, and it vas soon clear that my voice and my ear vere exceptional.From vhat I understand, Maestro Haydn, you vent to Vienna as a young lad to become a choirboy at St. Stephen's Cathedral vhen you vere only eight years of age.Support the showThank you for experiencing Celebrate Creativity.

There are so many great apocryphal stories in the long history of classical music, from the reason Tchaikovsky wrote his Sixth Symphony to what famous composers supposedly said on their deathbeds, to my favorite story: how Joseph Haydn's Symphony No. 96, The Miracle, got its name. Apparently, during the premiere of the symphony, a chandelier fell, but miraculously didn't hit anyone. Hence, The Miracle Symphony. The chandelier did, in fact, fall, but we now know it happened during the premiere of Haydn's Symphony No. 102, which has no nickname. Coincidentally, or perhaps not so coincidentally, the 96th Symphony is performed far more often than the 102nd, likely because of its nickname, even though it's the nickname of the wrong symphony. The Barber Violin Concerto has a great and true story behind it. But before certain information was revealed in 2010, the story everyone knew was quite different. The original version goes like this: Barber had completed the first two movements of his Violin Concerto and sent them to the soloist scheduled to premiere the work, Iso Briselli. Briselli didn't like the concerto, claiming it wasn't virtuosic enough, and asked Barber to write something more difficult. Barber, perhaps with an evil laugh, obliged and returned with the third movement. When Briselli received it, he realized he couldn't play it because of its extreme difficulty and ultimately withdrew from the premiere, which instead went to violinist Albert Spalding. It's a perfect “Icarus flying too close to the sun” kind of classical music story, but as it turns out, it isn't the full story. In 2010, letters were released between Barber, Briselli, and the real instigator in this little operetta, Briselli's violin teacher, Albert Meiff. I'll get into the whole story later, but it's a good one, even if it's not quite as cinematic as the legend. More important than the dispute over its last movement is the remarkable beauty and creativity of this masterful 20th-century concerto. Barber's Violin Concerto is one of my favorite pieces to play and to conduct, and it has charmed audiences ever since its premiere. It features Americana music of a kind only Copland could equal, as well as a heartbreaking oboe solo that might be one of the greatest moments in the history of American classical music. And then there's that pesky third movement, a challenge to every violinist (and orchestra) and a movement that remains controversial for many reasons.

This Day in Legal History: O.J. “Not Guilty”On October 3, 1995, a Los Angeles jury returned one of the most controversial and widely watched criminal verdicts in American history: O.J. Simpson was found not guilty of the murders of his ex-wife, Nicole Brown Simpson, and her friend Ron Goldman. The trial, which lasted more than eight months, captivated the nation with its blend of celebrity, race, police misconduct, and media spectacle. The prosecution presented DNA evidence linking Simpson to the crime scene, while the defense, led by Johnnie Cochran, argued that Simpson was framed by a racist LAPD, particularly Detective Mark Fuhrman.Cochran's now-famous line — “If it doesn't fit, you must acquit” — referred to a moment when Simpson tried on gloves allegedly worn during the murders, and they appeared not to fit. The defense used that moment to cast further doubt on the prosecution's case. The jury deliberated for less than four hours before acquitting Simpson, prompting strong reactions across racial and social lines.The case exposed deep divisions in American society, particularly around race and policing. It also helped usher in the era of the 24-hour news cycle and reality-style courtroom coverage, with networks like CNN and Court TV devoting extensive airtime to the trial. The not-guilty verdict did not end Simpson's legal troubles: in 1997, a civil jury found him liable for wrongful death and ordered him to pay $33.5 million in damages.Apple confirmed it has removed the ICEBlock app and similar tools from its App Store following pressure from the Trump administration and Attorney General Pam Bondi. ICEBlock allowed users to report and track the locations of ICE officers through crowdsourced data. Bondi stated the app endangered law enforcement officers and crossed a line by facilitating potential violence.The Department of Justice supported the move, citing safety concerns. This action followed an exposé by right-wing influencer Laura Loomer, who outed the creator of a similar app, Red Dot, and accused the platforms of enabling violence against ICE agents. Loomer also claimed that a recent deadly shooting at a Dallas ICE facility involved the use of such tracking apps.Apple defended its decision, stating it aims to keep the App Store a “safe and trusted” space, and that ICEBlock violated policies by potentially enabling harm to law enforcement. The app's developer, Joshua Aaron, criticized the removal, comparing it to how apps like Apple Maps crowdsource speed trap locations. He argued that his app was protected by the First Amendment and that Apple's action was a concession to authoritarian demands.Tech Giant Apple Bows to MAGA Demands and Removes ICE Tracking AppsOpenAI filed a motion in federal court to dismiss a trade secret lawsuit brought by Elon Musk's AI startup, xAI. The lawsuit, filed in San Francisco, accuses OpenAI of deliberately poaching xAI employees to gain access to confidential information about Grok, xAI's chatbot, which the company claims surpasses ChatGPT in performance.OpenAI rejected the allegations, calling them baseless and part of Musk's “ongoing harassment” campaign against the company. In its filing, OpenAI argued that employees are free to leave xAI and work wherever they choose, and that it is within its rights to hire them. The company suggested xAI's legal actions are designed to cover up its internal struggles and inability to retain talent.This case is one of several legal battles unfolding between Musk and OpenAI. Musk has also filed a separate suit accusing OpenAI of abandoning its original nonprofit mission. In turn, OpenAI has countersued Musk for harassment. Meanwhile, xAI has sued Apple, claiming it colluded with OpenAI to suppress competition—an accusation both companies deny and are also seeking to dismiss.OpenAI's legal response characterized xAI's complaint as a distraction from its own failings and a tactic to slow down competitors in the heated race for dominance in the AI industry.OpenAI asks court to dismiss trade-secret lawsuit from Musk's xAI | ReutersU.S. District Judge Michael Simon recused himself from a case challenging President Donald Trump's decision to deploy Oregon's National Guard to Portland. The Trump administration had raised concerns over public comments made by Simon's wife, Representative Suzanne Bonamici, criticizing the deployment as a “gross abuse of power.” To avoid any appearance of bias, Judge Simon opted to step aside, stating the case should remain focused on its core constitutional and legal questions.The lawsuit, filed by Oregon Attorney General Dan Rayfield, seeks to block Trump's use of state National Guard troops, arguing it is illegal and driven by political motives. The complaint alleges Trump is exaggerating protest threats to justify federal overreach and seize control of state forces. The case has been reassigned to Judge Karin Immergut, a Trump appointee.Bonamici, whose district includes much of Portland, made her critical remarks during a press conference with Oregon Governor Tina Kotek. The Department of Justice cited her comments in its request for Simon's recusal, arguing they could undermine public confidence in judicial impartiality.A hearing is scheduled for Friday on Oregon's request for a temporary restraining order. Similar legal challenges are underway in California and Washington, D.C., where federal troop deployments have also faced pushback. A California judge previously ruled Trump's actions unlawful, but that decision is currently on hold pending appeal. The D.C. case remains unresolved.Judge recuses himself from Oregon National Guard case | ReutersThis week's closing theme is by Ludwig van Beethoven, a composer of some note.This week, we close with Franz Liszt's transcription (S. 464) of the first movement—Allegro con brio—from Beethoven's Symphony No. 1 in C major, Op. 21. Originally premiered in 1800, this symphony marked Beethoven's formal debut in the genre, and even in its first movement, we hear the young composer testing the boundaries of the Classical form inherited from Haydn and Mozart. The opening chords start in the “wrong” key—a bold harmonic gesture that signaled Beethoven's intent to shake things up, even as he worked within a familiar structure.Liszt, the great 19th-century virtuoso and composer, took on the monumental task of transcribing all nine of Beethoven's symphonies for solo piano. The transcription of the First Symphony, catalogued as S. 464, is part of that sweeping project. These arrangements were not simply meant to showcase Liszt's pianistic brilliance (though they certainly do); they were a way to bring Beethoven's orchestral works into the drawing rooms and salons of Europe—before widespread orchestral performance or recording technology.In Liszt's hands, the Allegro con brio becomes a brilliant piano showpiece, retaining the symphony's rhythmic drive, thematic clarity, and structural ingenuity. He translates orchestral texture into ten fingers with remarkable fidelity, using tremolos, arpeggios, and dramatic dynamic shifts to recreate the energy of strings, winds, and brass. The transcription is virtuosic but never flashy for its own sake—it's an homage from one revolutionary to another.Beethoven's First Symphony bridges the Classical and Romantic eras, and Liszt's solo piano version builds a new bridge, connecting orchestral grandeur to the intimacy of a single performer. It's a reminder of both composers' commitment to pushing musical expression forward. As you listen, you may forget it's just one person at a piano—Liszt makes the entire orchestra sing.We leave you this week not only with Beethoven's bold opening statement to the symphonic world, but with Liszt's brilliant act of translation—a distillation of power, wit, and elegance, all under a single keyboard.Without further ado, Ludwig van Beethoven's Symphony No. 1 in C major, Op. 21 – the first movement. Enjoy! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.minimumcomp.com/subscribe

Send us a textDescriptionForm, Function, and Flourish: The Classical Sonata in 60 Seconds. Take a minute to get the scoop!Fun FactBeethoven's “Moonlight” Sonata wasn't named by him at all—the nickname came years later, when a critic compared its first movement to moonlight on Lake Lucerne. Beethoven might have rolled his eyes, but the title stuck, and today it's one of the most famous (and misinterpreted) sonatas ever written.About Steven, HostSteven is a Canadian composer & actor living in Toronto. Through his music, he creates a range of works, with an emphasis on the short-form genre—his muse being to offer the listener both the darker and more satiric shades of human existence. If you're interested, please check out his music website for more. Member of the Canadian League Of Composers.You can FOLLOW ME on Instagram.

durée : 00:18:26 - Le Disque classique du jour du mardi 23 septembre 2025 - Ce coffret réunit les enregistrements de Mikhail Pletnev pour Erato, témoignage de sa remarquable polyvalence et de sa capacité unique à apporter profondeur émotionnelle et perspectives nouvelles aux œuvres de Chopin, Haydn, Rachmaninov, Mozart, Tchaïkovski et Moussorgski. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:18:26 - Le Disque classique du jour du mardi 23 septembre 2025 - Ce coffret réunit les enregistrements de Mikhail Pletnev pour Erato, témoignage de sa remarquable polyvalence et de sa capacité unique à apporter profondeur émotionnelle et perspectives nouvelles aux œuvres de Chopin, Haydn, Rachmaninov, Mozart, Tchaïkovski et Moussorgski. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Forms and art are a reflection of several key aspects of society, including the amount of common grace at work in and inherited by a society, and of course the prevalent worldview in the minds of those creating the art. So what should a Christian think about classical music produced by composers like Wagner, Beethoven, Mozart, and Haydn? What does the Bible have to say about forms, and how do the principles of honor, chaos and order, and not eating things offered to idols tie into the discussion?

We would love to hear from you, wherever you are!https://www.perfectpitchpod.com/contact/@NickHelyHutch Logo design by Robbie Mailer Howat robbiemailerhowat Thank you for listening - please do get in touch with any comments!

ReferencesGuerra, DJ. 2025. Unpublished lectures Boccherini, L. 1765. Cello Concerto No. 9 in B-flat Major, G. 482,Haydn, FJ. 1792. Symphonie Concertante in B flat OP. 84.https://music.youtube.com/playlist?list=OLAK5uy_nqMsdDwKlHHVmWylw6kQsoBSwQMsCitm8&si=D23Iqly4ef6Ej1m7

Episode 114 - Haydn Vitera – Mariachi Rock Revolution Our guest today is no stranger to pushing musical boundaries. A classically trained violinist, powerhouse vocalist, and seasoned performer, Haydn Vitera has shared the stage with legends and carved out his own space with a bold new sound. He's the visionary behind Mariachi Rock Revolution, a high-energy fusion of mariachi and rock that's redefining what it means to celebrate cultural heritage through music. In this episode, Haydn talks about his musical journey, the inspiration behind blending mariachi with electrifying rock, and how this unique sound is both honoring tradition and breaking new ground. Event Spotlight Kick off Hispanic Heritage Month with a very special night at the Long Center on Sunday, September 14th: Mariachi Rock Revolution: The Electrified Experience Featuring Haydn Vitera's Mariachi Rock Revolution, The University of Texas Mariachi Paredes, and Grammy-winner Rick Treviño. Benefiting Mariachi Para Todos, part of Austin Soundwaves, which brings mariachi music education to more students across Central Texas. ✨ If you've ever wondered what Trans-Siberian Orchestra would sound like if it was born on the border—this is it! Expect a dynamic blend of tradition and modern energy that celebrates the diverse roots of Hispanic heritage while bringing together music lovers from all walks of life. Event Details: Sunday, September 14th Long Center, Austin, TX Proceeds support Austin Soundwaves' Mariachi Para Todos program Get Tickets - Sunday, September 14, 2025 5:30PM | Long Center  

This week, two string quartets from the Music Institute of Chicago Academy play Haas, Dvořák, Brahms, Prokofiev, and a double helping of C major Haydn. The post Porphyrion String Quartet and The Hemingway Quartet appeared first on WFMT.

Strap yourself in, because this week Haydn & Bee crank it up with none other than Gary Grant, INXS's powerhouse Touring Manager! From sweaty pub gigs to sold-out stadiums, Gary was the guy making sure the lights, the sound, and the chaos all came together for the ultimate INXS experience. He takes us backstage, on the buses, and across the globe with stories that are raw, loud, and unforgettable. Ever wondered what it was really like to keep up with one of the world's greatest rock bands on the road? Gary's got the tales — the triumphs, the madness, and the magic — and he doesn't hold back. This isn't just an interview… it's a front-row ticket to the wild ride that was INXS on tour.