Podcasts about haydn

Mariam Batsashvili zeigt, wie Komponisten wie Haydn und Beethoven, die einander gekannt haben, die Klaviersonate immer weiter entwickelten.

In deze aflevering van Kalm met Klassiek is het de beurt aan een tweede wereldberoemde componist uit de Klassieke tijd: Joseph Haydn. In het tweede deel uit zijn 'Pianoconcert in G-groot' kun je goed luisteren naar één van de ontwikkelingen in de Klassieke periode: de komst van de fortepiano. Presentator Ab Nieuwdorp vertelt je meer over dit instrument. En vervolgens mag je je oren spitsen. Hoor jij het verschil met de moderne piano?  Wil je meer Kalm met Klassiek? Ga naar npoklassiek.nl/kalmmetklassiek (https://www.npoklassiek.nl/thema/kalm-met-klassiek). Alle muziek uit de podcast vind je terug in de bijbehorende speellijst (https://open.spotify.com/playlist/6YgSfm1Sux7CroiJvzeUdx?si=be36463468d84e37). 

The MusicaNova Orchestra presents its "Laughing with Prokofiev, Stravinsky & Haydn" concert May 18th at the Musical Instrument Museum....

In a special edition of the podcast, Dre Harrison sits down with F1 writer Jake Boxall-Legge and News Editor Haydn Cobb to break down two shock stories from Alpine's F1 Team. Last night, Oliver Oakes has resigned as Alpine team principal with immediate effect, with executive advisor Flavio Briatore taking his duties on an interim basis. Flavio released a statement earlier today dismissing rumours that there was a rift between the pair and instead cited "personal reasons" for Oakes departure. Also announced this morning was that Alpine reserve driver Franco Colapinto will be taking Jack Doohan's seat for at least the next five races, starting with next weekend's Emilia-Romagna Grand Prix. Dre, Jake and Haydn discuss whether Doohan was unfairly dropped from the team after a rocky start to life in F1, whether Colapinto will be an improvement in the short-term at Alpine, the managerial merry-go-around from Enstone after hiring their sixth team principal in five years, and ponder what could be coming next for a team that seemingly cannot avoid drama. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Michael Haydn - Divertimento: RondoAlessandro Baccini, cor anglais Sandro Simoncini, violin Luca Simoncini, cello Luca Stevanato, double bassMore info about today's track: Naxos 8.570178Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

durée : 00:03:46 - Pokémon, musique classique et évolutions - par : Max Dozolme - Les Pokémon et la musique classique ne se limitent pas à l'existence d'Haydaim et de Vivaldaim, une référence aux compositeurs Haydn et Vivaldi. Les musiques cultes des versions Rouge et Bleu sur Game Boy peuvent aussi faire penser à des airs classiques plus ou mois célèbres !

Dr. Dave speaks with Professor Jeffrey S. Sposato, Chair and Professor of the Department of Music at Wayne State University. He will be doing the Pre-Talk for Fort Street Chorale's Concert on May 4, 2025. The concert will feature Haydn's Lord Nelson Mass performed by the Chorale as well as the Nardin Park Church Choir and the Michigan Sinfonietta Orchestra under the baton of Ann Marie Koukios.

Acclaimed worldwide for his profound musicianship and technical mastery, British cellist Steven Isserlis enjoys a unique and distinguished career as a soloist, chamber musician, educator, author and broadcaster.As a concerto soloist he appears regularly with the world's leading orchestras and conductors, including the Berlin Philharmonic, National Symphony Orchestra Washington, London Philharmonic and Zurich Tonhalle orchestras. He gives recitals every season in major musical centres, and plays with many of the world's foremost chamber orchestras, including the Australian, Mahler, Norwegian, Scottish, Zurich and St Paul Chamber Orchestras, as well as period-instrument ensembles such as the Orchestra of the Age of Enlightenment and Philharmonia Baroque Orchestra. Unusually, he also directs chamber orchestras from the cello in classical programmes.Recent and upcoming highlights include performances with the Gewandhausorchester Leipzig, Vienna Philharmonic Orchestra at the Salzburg Mozartwoche; the US premiere of Thomas Adès's Lieux retrouvés with the Los Angeles Philharmonic, following world and UK premieres in Lucerne and at the BBC Proms, and a further performance of the work in Amsterdam with the Britten Sinfonia, conducted by the composer; Prokofiev's Concerto Op. 58 with the London Philharmonic Orchestra under Vladimir Jurowski, in London and at the Dresden Music Festival; and Haydn's C major Concerto with the Orchestra of the Age of Enlightenment under Adam Fischer.As a chamber musician, he has curated series for many of the world's most famous festivals and venues, including the Wigmore Hall, the 92nd St Y in New York, and the Salzburg Festival. These specially devised programmes have included ‘In the Shadow of War', a major four-part series for the Wigmore Hall to mark the centenary of the First World War and the 75th anniversary of the Second World War; explorations of Czech music; the teacher-pupil line of Saint-Saëns, Fauré and Ravel; the affinity of the cello and the human voice; varied aspects of Robert Schumann's life and music; and the music of Sergei Taneyev (teacher of Steven's grandfather, Julius Isserlis) and his students. For these concerts Steven is joined by a regular group of friends which includes the violinists Joshua Bell, Isabelle Faust, Pamela Frank, and Janine Jansen, violist Tabea Zimmermann, and pianists Jeremy Denk, Stephen Hough, Alexander Melnikov, Olli Mustonen, Connie Shih, and Dénes Várjon.He also takes a strong interest in authentic performance. This season's projects include a recording of the Chopin Cello Sonata and other works with Dénes Várjon for Hyperion, using ones of Chopin's own piano; and a recital of Russian sonatas with Olli Mustonen. In recital, he gives frequent concerts with harpsichord and fortepiano. Recent seasons have featured a special performance with Sir Andras Schiff at the Beethovenhaus in Bonn, using Beethoven's own cello; and performances and recordings (selected for the Deutsche SchallplattenPreis) of Beethoven's complete music for cello and piano with Robert Levin, using original or replica fortepianos from the early nineteenth century. With harpsichordist Richard Egarr, he has performed and recorded the viola da gamba sonatas of J.S. Bach as well as sonatas by Handel and Scarlatti. This season, they tour together in the US.He is also a keen exponent of contemporary music and has premiered many new works including John Tavener's The Protecting Veil (as well as several other pieces by Tavener), Thomas Adès's Lieux retrouvés, Stephen Hough's Sonata for Cello and Piano, Left Hand (Les Adieux), Wolfgang Rihm's Concerto in One Movement, David Matthews' Concerto in Azzurro, and For Steven and Hilary's Jig by György Kurtág. In 2016, he gave the UK premiere of Olli Mustonen's of Frei, aber einsam for solo cello at the Wigmore Hall.

The writer Colum McCann isn't afraid to take on big subjects – and his ambition has delivered a shelf full of awards, from both sides of the Atlantic. He grew up in Dublin but moved to the United States in the mid-1980s and now lives in New York. That city is the setting for his international bestseller Let the Great World Spin, in which Philippe Petit's tightrope walk between the Twin Towers in 1974 plays a key role. He's also written a novel about both sides of the conflict between Israel and the Palestinian people, from the perspectives of two fathers.He collaborated with Diane Foley, whose son James was executed by Islamic State militants, to create a memoir, American Mother, which was published last year. Most recently his novel Twist focuses on the vulnerability of the undersea cables carrying the world's internet data. Colum's music includes Gorecki, Prokofiev, Brahms and Haydn.

Het Negende strijkkwartet van de Brit Robert Simpson vult vandaag het gehele programma! Dit werk ontstond in 1982 met als titel 32 variaties en een fuga op een thema van Haydn, van wie in dat jaar zijn 250e geboortejaar gevierd werd. Het thema is een menuet van Haydn. In het Negende strijkkwartet zijn de 32 […]

durée : 01:28:34 - En pistes ! du jeudi 24 avril 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Arabella Steinbacher n'en est pas à son premier coup d'essai et offre sa seconde lecture de l'œuvre ! En Pistes part aussi ce matin à la découverte de l'œuvre du compositeur et théoricien Vicente Lusitano et poursuit l'écoute des grands concertos pour violoncelle par Jacqueline Du Pré avec Haydn. - réalisé par : Antoine Courtin

durée : 01:28:34 - En pistes ! du jeudi 24 avril 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Arabella Steinbacher n'en est pas à son premier coup d'essai et offre sa seconde lecture de l'œuvre ! En Pistes part aussi ce matin à la découverte de l'œuvre du compositeur et théoricien Vicente Lusitano et poursuit l'écoute des grands concertos pour violoncelle par Jacqueline Du Pré avec Haydn. - réalisé par : Antoine Courtin

durée : 01:29:24 - Gundula Janowitz - par : Aurélie Moreau - Pour Gundula Janowitz, sublime soprano : « Chanter est vraiment la chose la plus belle et la plus monstrueuse qu'on puisse faire. Et c'est l'évasion la plus merveilleuse qui soit en ce bas monde !... » Aujourd'hui, Mozart, Wagner, Schubert, Haydn…

Javier Gastón explora los sonidos de la Semana Santa en la música clásica. Suenan Liszt, Haydn, Miklós Rózsa, Vivaldi o Pergolesi, entre otros.

We would love to hear from you, wherever you are!https://www.perfectpitchpod.com/contact/@NickHelyHutchThank you for listening - please do get in touch with any comments!

"You could spill vast rivers of blue Danube ink try to encapsulate the enduring brilliance of Vienna and all that it has lavished on the world. It's the city that vaulted Mozart, Beethoven, Haydn, Strauss and his waltz into the world's consciousness. The city that unleashed the genius of Freud, published the world's first newspaper, conceived the delicious Torte, and was the powerbase for the imperial Hapsburgs. Vienna remains a city of culture, class and beauty; of churches, castles and concert halls." Read Mike's full article here. LISTEN ABOVE See omnystudio.com/listener for privacy information.

durée : 01:28:24 - Relax ! du vendredi 18 avril 2025 - par : Lionel Esparza - Toutes les facettes du mot passion et de ses mises en musique, de Lotti à Wagner en passant par Haydn ou Schumann.

durée : 01:28:24 - Relax ! du vendredi 18 avril 2025 - par : Lionel Esparza - Toutes les facettes du mot passion et de ses mises en musique, de Lotti à Wagner en passant par Haydn ou Schumann.

In deze aflevering van Kalm met Klassiek is het tijd voor pianomuziek. Componist Joseph Hadyn is de hekkensluiter van deze paasweek. Hij schreef zeven sonates voor Goede Vrijdag, waar je de laatste van gaat horen. Onder het genot van Haydn's pianoklanken mag je vast een voorsprong nemen op de paasdagen, en je inbeelden welke positiviteit je te wachten staat. Het kan iets héél kleins zijn. Waar kijk jij naar uit? Via deze weg alvast een heel fijn Pasen gewenst! Wil je meer Kalm met Klassiek? Ga naar npoklassiek.nl/kalmmetklassiek (https://www.npoklassiek.nl/kalmmetklassiek). Alle muziek uit de podcast vind je terug in de bijbehorende speellijst (https://open.spotify.com/playlist/6YgSfm1Sux7CroiJvzeUdx?si=f0f254ee8f4048e7).

Houston, we have a problem with the audio this show, but with the exception of a lot of reverb on Haydn's voice we still bring you the latest news and reviews, this time covering Assassin's Creed Shadows, Severance, Captain America: Brave New World, Hans Zimmer: Diamon in the Desert and Bridget Jones: About a Boy. All this plus our usual chat, news and listener questions.

I've already done a Lententide episode devoted to contraltos singing the music of Bach, but it seemed to me that in the upheaval of today's vengeful and war-hungry world, we could use another contemplative episode to provide us with meditative (and even tuneful!) music to calm our spirits. The tunefulness comes especially from recordings of favorite religious music by Gounod, Franck, and other 19th-century French composers sung by Camille Maurane, Marcel Journet, Richard Verreau, and Françoise Pollet. Also included are a live excerpt from Parsifal with Jon Vickers and Hans Knappertsbusch; the miraculous yet voiceless Hugues Cuénod performing an excerpt from the first of Couperin's Leçons de Ténèbres; the unsung German-British soprano Ilse Wolf in a live performance of the Bach Johannes-Passion conducted by Pablo Casals; Gundula Janowitz in a searing but brief aria from Mendelssohn's Paulus; excerpts from settings of the Stabat Maters of Haydn and Dvorák, sung by Alfreda Hodgson, Sena Jurinac, and Heinz Hoppe; the original version of Hendrik Andriessen's exquisite Miroir de Peine cycle for voice and organ featuring our beloved Elly Ameling; and Jennie Tourel in an excerpt from her ultra-rare recording of Hindemith's Das Marienleben preceded by Lotte Lehmanns's recitation of the same Rilke poem. The episode begins and ends with realizations by Benjamin Britten and Michael Tippett of Baroque masters Henry Purcell and Pelham Humfrey sung, respectively, by Peter Pears and John Shirley-Quirk. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.

durée : 00:06:36 - Le Bach du matin du mercredi 09 avril 2025 - Notre Bach du matin est un Bach pour quatuor à cordes. Non pas qu'on vienne découvrir que le compositeur ait écrit pour cette formation née après sa mort avec Boccherini, Haydn, Mozart, mais l'altiste du Quatuor Brodsky a eu l'idée d'arranger pour lui et ses camarades.

Dancers from Chicago's world-renowned Joffrey Ballet join the CSO with newly commissioned choreographies. Symphonies by Haydn and the Chevalier de Saint-Georges abound in witty and joyful melodies while two 20th-century works are full of popular influences: Perkinson's jazz-tinted Sinfonietta No. 1 and Milhaud's rollicking Brazilian postcard, The Ox on the Roof. Learn more: cso.org/performances/24-25/cso-classical/cso-and-the-joffrey-ballet

durée : 00:18:25 - Disques de légende du vendredi 04 avril 2025 - En 18 ans à la tête de l'orchestre de la radio bavaroise, à Münich, Rafael Kubelik a accompli quelques merveilles.

Debussy and Ravel are often described as the prototypical musical impressionists. It is often said that the two composers are the closest equivalents to the artistic world of Monet, Renoir, Pisarro, Degas, and others. But both Ravel and Debussy (like Monet for that matter), vehemently rejected the term Impressionism, and they both felt that they were striking out on their own individual paths in their msuic. That didn't stop the public and critics from constantly comparing the music of these two shining lights of French music, despite the fact that Ravel and Debussy are actually quite different. Comparing Ravel and Debussy is a bit like comparing Haydn and Mozart. At first glance, there are many similarities, but if you look and listen more closely, Ravel and Debussy(like Mozart and Haydn) had totally different approaches, goals, and styles. All of the constant comparisons and attempts at making the composers compete with each other had a real impact on Debussy and Ravel. Initially they were friends and mutual admirers of each others work, but they slowly drifted apart over time until they stopped speaking to each other altogether. We'll talk about this complicated personal relationship, as well as looking at these differences in their music, not from a critical standpoint, but from the perspective of bringing out what is so wonderfully unique about their music. We'll also talk about Ravel's arrangements of two Debussy's greatest orchestral works: his two piano arrangement of Debussy's Nocturnes, and his piano 4 hands arrangement of the legendary Prelude to the Afternoon of a Faun. Join us on another collaboration with G Henle Publishers! Recordings: Nocturnes Claudio Abbado with London Symphony Anne Shasby, Richard McMahon, Piano Prelude to the Afternoon of a Faun Ravel arrangement: Jean-Pierre Armengaud and Olivier Chauzu Debussy Arrangement: Charles Badami and Anthony Olson 

Today:U.S. Representative Ayanna Pressley calls into the show to discuss the detention of Tufts University grad student Rumeysa Ozturk.And, the Handel and Haydn Society join ahead of a show celebrating Boston's LGBT community. We talk with violinist Carmen Levita Johnson-Pájaro and Alexandria Ebernhardt from the state's LGBT Chamber of Commerce.

durée : 01:28:23 - En pistes ! du jeudi 27 mars 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Vous n'aurez pas à choisir ! De la Création de Haydn aux Ruines d'Athènes de Beethoven, nous voyagerons entre baroque et classique ce matin.. Avec tout de même une petite incursion dans le répertoire romantique grâce à Chopin et Schubert.

durée : 01:28:23 - En pistes ! du jeudi 27 mars 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Vous n'aurez pas à choisir ! De la Création de Haydn aux Ruines d'Athènes de Beethoven, nous voyagerons entre baroque et classique ce matin.. Avec tout de même une petite incursion dans le répertoire romantique grâce à Chopin et Schubert.

Will I dare ask myself if greed is an issue in my life? Will I dare ask myself if greed is an issue in my life? What is keeping me away from God today? Could greed be a problem? There's a French saying: some people are so poor, all they have is money. Today we are talking about replacing greed, and all forms of idolatry, with joy. Greed. What does the Bible say about it?  Proverbs 1:19 - Such are the ways of everyone who is greedy for unjust gain; it takes away the life of its possessors. Proverbs 11:28  -Whoever trusts in his riches will fall, but the righteous will flourish like a green leaf. Greed doesn't give. Greed robs. Greed robs YOU of joy. Make sure to check out the optional-but-oh-so-helpful mini e-book to go along with the series at gospelspice.com/wisdom To start us off, Stephanie challenges us--and herself--with seven questions to self-diagnose if we have unknowingly fallen victim to greed, in one form or another: 1.     Is it MY money or God's? 2.    What would I do differently if I knew I would be dead in a year? 3.     WHY do I want more money? 4.     How do I spend my time? thinking of ways to earn more, or of ways to advance God's Kingdom? 5.     How would I behave if I lost everything? 6.     Am I truly generous? 7.     Do I compromise character to make more money? Then we ponder the link between joy and righteousness and the only true cure against greed. Idolatry is misplaced worship.  Proverbs describes where joy cannot be found. The summary of the entire book of Proverbs can be found in Mark 8:36: "For what does it profit a man to gain the whole world and forfeit his soul?" That's the definition of unrighteousness. Joy "must be sharply distinguished both from happiness and from pleasure" - CS Lewis Joy is “unsatisfied desire, which is itself more desirable than any other satisfaction.” – CS Lewis again. God promises to give us a joy that surpasses anything this world has to offer. Here's the question: how much of your life to do you spend experiencing this joy, vs looking for joy elsewhere? Psalm 35:27 - Let those who delight in my righteousness shout for joy and be glad and say evermore, “Great is the Lord, who delights in the welfare of his servant!” Haydn, the great musician, was once asked why his church music was so cheerful, and he replied: "When I think upon God, my heart is so full of joy that the notes dance and leap, as it were, from my pen ; and since God has given me a cheerful heart, it will be pardoned me that I serve Him with a cheerful spirit." Joy is the juice of gladness that comes from the fruit of peace, itself springing up from the ground of righteousness – our righteousness in Christ. Matthew Henry defines joy as "a constant delight in God." Who does the work of transforming our hearts to find satisfaction in God? God Himself is the One who transforms our heart to increasingly see Christ as our supreme treasure, even as we seek to find our satisfaction in Him. Cyprian was a third-century North African. As he was anticipating death, he penned these last words to his friend Donatus in 258AD: “It's a bad world, an incredibly bad world. But I have discovered in the midst of it a quiet and holy people who have learned a great secret. They have found a joy which is a thousand times better than any pleasure of our sinful life. They are despised and persecuted, but they care not. They are masters of their souls. They have overcome the world. These people are the Christians—and I am one of them.” This is an episode you do not want to miss. We look forward to serving you through it this week! MEET OUR CHARACTER OF THE WEEK  It had been a good year for John. He had managed to obtain a bonus packet worth a small fortune. It would go towards the purchase of his new beach house. Despite this formidable win, it bothered him that others in his industry made more. After all, he deserved every Benjamin, and then some. Sure, his recent promotion had come by a lot of backstabbing. Good for him. The corporate pie was only big enough to share among the most ruthless sharks, and he wants the biggest slice he could get his teeth on. John was determined to keep his focus on multiplying his assets this year, and fast. Today is all that matters. Faster, stronger, better. Last week, in the middle of a heated discussion about a takeover bid that was going to earn him that next nice bundle, John had a stroke. He is now on his hospital bed, slowly recovering. For the first time since he can remember, he has time to think. He is wondering if big money really is all that it is cracked up to be. He loves life with money, but what would money be without life? Hum. Would you say that John has reaped joy from the money he is accumulating? There's a French saying: “some people are so poor, all they have is money.” John is plagued with a self-imposed case of greed. Greed is idolatry: it is valuing something—anything—more than God. It's the “just-a-bit-more” mentality: “if only I had this, then…” The problem is, it is a moving target that never satisfies. Greed is the agony of “never enough.” It makes us ignore or forget God in our pursuit of “more.” Eventually, it slowly brainwashes us to believe that God, like everything else we've tried, is “never enough.” Greed makes us forget about eternity; it replaces our God-given perspective of Heaven with a world-centered focus on today. The change can be so subtle, though, that it is almost never self-diagnosed. Let's be the exception! Whether the Holy Spirit whispers it to us through our time in prayer, or in the study of His word, or through a true friend, let's identify any seed of idolatry in our heart. Greed, like any form of idolatry, never gives. Greed robs. It robs us of joy. The alternative to greed is joy—joy in God Himself. It is joy in our relationship with Him, not for what He can give us, but for the sheet delight of relationship. As C.S. Lewis puts it, joy in God is “unsatisfied desire, which is itself more desirable than any other satisfaction.” This is what I would wish to tell John: God promises to give us a joy that surpasses anything this world has to offer. Scripture challenges us to embrace the universe through the lens of faith. This perspective from Heaven promises us hope and joy. And yet, how often do we look for joy elsewhere? As Christians, we easily acknowledge that God is the almighty, living, ruling Lord of all. He is one God, Father, Son, and Holy Spirit, who dwells in heaven, a place of eternal joy. The psalmist says, "You make known to me the path of life; you will fill me with joy in your presence, with eternal pleasures at your right hand.” (Psalm 16:1, NIV). But do we really experience this? Joy has been God's ambition since Day One—literally. God created the universe for His own pleasure and enjoyed doing it. He created planet earth as our breathtaking dwelling place. He fashioned man and woman in His image to glorify Him, to live and rule in peace and joy. The totality of His creation made Him smile and He called it "very good." Then something went very wrong. Iniquity appeared, and earth became a place of sorrow, a troubled segment of the universe where idolatry and greed now reign in humans' hearts. God knew it would unfold so. The plan was already in place: at the appointed time, His Son Jesus came on a pre-planned mission to free the earth from its curse and return its people to an abundant life of hope, joy, and faith. Nothing could be further from puny greed. "For the joy set before Him," Jesus endured the cross. It means that He took our sin from us, accomplished our salvation, died, and rose again to everlasting life in the kingdom of heaven. To those who receive Him as Lord and acknowledge Him as Savior, Jesus Christ promises forgiveness, redemption from sin, a new birth, answers to prayer, the outpouring of His Holy Spirit of love, victory over death, and the everlasting joy of heaven. Jesus lives today at the Father's right hand in resurrected glory and fullness of joy; He has promised to come back for His church and to take us where He is. That is the essence of joy in God, and it is ours to cling to. We invite you to listen to this week's episode of the Gospel Spice Podcast to find out what happened to John, and to unpack the deeper truth of abiding in God's joy today. Make sure to check out the optional-but-oh-so-helpful mini e-book to go along with the series at gospelspice.com/wisdom We invite you to check out the first episode of each of our series, and decide which one you will want to start with. Go to gospelspice.com for more, and go especially to gospelspice.com/podcast to enjoy our guests! Interested in our blog? Click here: gospelspice.com/blog Identity in the battle | Ephesians https://www.podcastics.com/episode/74762/link/ Centering on Christ | The Tabernacle experience https://www.podcastics.com/episode/94182/link/ Shades of Red | Against human oppression https://www.podcastics.com/episode/115017/link/ God's glory, our delight  https://www.podcastics.com/episode/126051/link/   Support us on Gospel Spice, PayPal and Venmo!

Hi friends! Have you ever wondered what makes a sonata different from other pieces of music? In today's episode, we're diving into the world of sonatas—one of the most important forms in classical music! You'll learn: ✅ What the word "sonata" means and where it comes from ✅ How composers like Mozart, Beethoven, and Haydn used a special structure called sonata form ✅ How to listen for the exposition, development, and recapitulation in famous sonatas

durée : 01:27:55 - Marc-André Hamelin, compositeur et pianiste au répertoire très étendu - par : Aurélie Moreau - Marc-André Hamelin est connu dans le monde entier pour sa musicalité accomplie et sa maîtrise du piano, celle d'un « interprète aux prouesses techniques quasi surhumaines ». (New York Times). Aujourd'hui : Albéniz, Strauss/Godowsky, Haydn, Schubert…

With the pending May 9th release of the 40th anniversary Deluxe Edition of Listen Like Thieves, Bee and Haydn couldn't wait to provide their listeners around the globe a deep dive preview into the formats, track listings, special features and bonus material. But before we do, we revisit and discuss the original 1985 album release in all of its glory as the album represented INXS' first genuine international commercial success spearheaded by the infectious funk groove of “What you Need” that soared up the charts providing the musical template of things to come. Listen Like Thieves seemed like a guitar tour-de-force response to the perceived over- produced but iconic and brilliant The Swing album, re-creating the “live sound” that Producer, Chris Thomas, wanted to encapsulate. With tracks like Good & Bad Times, This Time and the eponymous title track, this mission was achieved. The 40th anniversary Deluxe Edition release features the brilliant Giles Martin and Paul Hicks on production, remixing and engineering duties utilize the modern Atmos Dolby Mix, brilliant liner notes by famed music journalist Paul Sexton and a remastering of the forgotten but famed Royal Albert Hall gig INXS performed in unison with the BBC. With pre- orders on vinyl and CD's available, get in early and place your orders to avoid missing out. Order via the INXS Website https://www.inxs.com Catch up on all our episodes https://www.inxsaccessallareas.com/ Email us if you would like more info about the “On A Bus” Tour and or “The Strangest Party” which will be on the 10th May, in Sydney Australia. We would love to meet you

Worship service given March 16, 2025 Prayer by Mary Breen, Worship Associate https://firstparish.info/ First Parish A liberal religious community, welcoming to all First gathered 1739 In a world that often rewards the loudest voices, what does it mean to embrace being little—to be soft-spoken, to move gently, to love quietly? True strength is not always found in grand gestures but in the quiet persistence of kindness, in the humility of service, in the grace of listening. Music Sunday selections —Haydn's “Little Organ Mass, Missa brevis sancti Joannis de Deo” and Pederson's “Choose Love”—remind us that small acts are actually transformative. In being little, we find the space to be fully present and to engage with each other without anxiety, pretension, or fear. Music pieces featured in this video, in order of appearance: "I Choose Love," Kyle Pederson, performed by the First Parish Choir Musical Reflection Missa brevis Sancti Joannis de Deo ("Little Organ Mass"), Franz Joseph Haydn I.    Kyrie II.    Gloria III.    Credo IV.    Sanctus  V.    Benedictus VI.    Agnus Dei The First Parish Choir, featuring: Mark Dirksen, organ Erin Matthews, soprano Sabine Gross, violin An Chi Lin, violin Jenna Wang, cello   Offering and Giving First For March 2025, the Giving First recipient is the Resilient Sisterhood Project. Cambridge-based Resilient Sisterhood Project's mission is to educate and empower women of African descent regarding common, yet rarely discussed, diseases of the reproductive system that disproportionately affect them. They approach these diseases and associated issues through a cultural and social justice lens since they understand that poor knowledge of reproductive health is primarily related to health, racial, and socioeconomic disparities. RSP brings an expansive definition to and understanding of the word “women” to include transgender women, cisgender women, gender queer, and gender non-conforming people who have a female reproductive system. The remaining half of your offering supports the life and work of this Parish. To donate using your smartphone, you may text “fpuu” to 73256. Then follow the directions in the texts you receive. About our Lead Minister: Rev. Marta Flanagan began her ministry as our twentieth called minister at First Parish in the fall of 2009. She is a genuine and forthright preacher. In conversation she is direct and engaging. She speaks of prayer with as much ease as she laughs at human foibles. We call her “Marta.” Marta is a religious liberal, a theist, a feminist, and a lover of the woods. As a student of American history at Smith College she was captivated by the stories of social reformers who were motivated and sustained by their faith. That led her to consider the ministry and to study at Harvard Divinity School from where she was graduated in 1986. She was the first woman minister in the city of Salem, Massachusetts, serving at the First Universalist Church there (1987-1997). She served in a co-ministry at South Church (Unitarian Universalist) in Portsmouth, New Hampshire, (1997-2005) from where she is minister emerita. Marta served as interim minister in Montpelier, Vermont (2008-2009). She is trained as a spiritual director. For three years she lived in the Vermont woods practicing voluntary simplicity and the spiritual life. Marta enjoys the vitality of First Parish and our strong sense of community. She celebrates the yearning for depth and the desire to make a difference in the world that she finds here.

durée : 00:19:26 - Disques de légende du lundi 17 mars 2025 - Haydn crée son oratorio, les Saisons, en 1801. Un pur chef-d'œuvre, que René Jacobs porte au disque, dans sa version originale, deux siècles plus tard.

Listen like Thieves vs Elegantly Wasted Time to get back to the music that filled our heads, hearts & eardrums over the years with our song showdown episode. With the 28th anniversary of Elegantly Wasted single upon us, the Bee contends that it's the greatest INXS song that namesakes an album title. Haydn, takes the contrary view that Listen Like Thieves is the greatest single release that namesakes an actual album release. “So Houston, we have a problem” that requires a deep dive debate with opposing thoughts, views and opinions. Etched in pour collective minds and souls, both tracks managed to traverse INXS' recording career at starkly different times. Listen like Thieves, the last ever single released that was a full band songwriting compilation and Elegantly Wasted, recorded uniquely in Ireland at a time post a Michael & Andrew night out on the town with Bono from U2. Either way, both songs serve as a signpost of INXS' incredible versatility in musicianship and songwriting. With a jam packed news section to add, there is no other place to be this week than with the INXS: Access all Areas Podcast team! Love and peace Make you vote below and lets see who you agree with. Obviously we love them both but this is just a bit of fun. check out our facebook page to make your votes plus email the podcast if you would like to know more about the event on the 10th May  INXSAAA@gmail.com   https://www.inxsaccessallareas.com  

What's a derivative, and how can they help your investment strategy? In the latest episode, I sit down with Haydn Froggatt, Director and Head of Desk at iInvest Trading and Advisory, to unravel the mysteries of options and reflect on the evolution of markets. With 35 years in the game, Haydn brings a wealth of wisdom—from the chaotic days of open outcry trading floors to today's sleek screen-based systems.Blog post available at: https://www.sharesforbeginners.com/blog/haydn-froggatt-iinvestPortfolio tracker Sharesight tracks your trades, shows your true performance, and saves you time and money at tax time. Sharesight automatically tracks price, performance and dividends from 240,000+ global stocks, crypto, ETFs and funds. Add cash accounts and property to get the full picture of your portfolio – all in one place. Get 4 months free at https://www.sharesight.com/sharesforbeginnersTony Kynaston is a multi-millionaire professional investor thanks to his QAV checklist. Tony's knowledge and calm analysis takes the guesswork out of share market investing. Use the coupon code SFB for a 20% discount on QAV Club plans or SFBLIGHT for a free month of QAV Light. Here's the link to sign up: https://qavpodcast.com.au/register-3/Disclosure: The links provided are affiliate links. I will be paid a commission if you use this link to make a purchase. You will receive a discount by using these links/coupon codes. I only recommend products and services that I use and trust myself or where I have interviewed and/or met the founders and have assured myself that they're offering something of value.Shares for Beginners is a production of Finpods Pty Ltd. The advice shared on Shares for Beginners is general in nature and does not consider your individual circumstances. Shares for Beginners exists purely for educational and entertainment purposes and should not be relied upon to make an investment or financial decision. If you do choose to buy a financial product, read the PDS, TMD and obtain appropriate financial advice tailored towards your needs. Philip Muscatello and Finpods Pty Ltd are authorised representatives of Money Sherpa PTY LTD ABN - 321649 27708, AFSL - 451289. Hosted on Acast. See acast.com/privacy for more information.

Composed as Napoleon's forces were threatening Austria, Haydn's Mass in Time of War features an extraordinarily ominous use of timpani and ends with a plea for peace. Beethoven's spirited First Symphony bears the influence of Haydn but also foreshadows the development of his own compositional style. MacMillan's eloquent Larghetto is based on his choral setting of Psalm 51. Learn more: cso.org/performances/24-25/cso-classical/haydn-mass-in-time-of-war

In this episode at PDAC 2025, we interact with Power Metals' Chairman Johnathan More, CEO Haydn Daxter and Winsome Resources' Managing Director, Chris Evans. The discussion covers Power Metals' recent high-grade cesium discoveries, significant market growth from a 40 million to 200 million market cap, and its impact on the cesium market dominated by China. Johnathan and Haydn also address the strategic initiatives, potential for billion-dollar valuation, and plans for North American cesium industry growth. Additionally, the episode delves into cesium applications, unique mineral properties, and partnerships, including with Canaccord Genuity, aimed at advancing the company's goals. The conversation highlights the collaborative efforts with the Ontario government, indigenous partners, the future path to production as well as Winsome's investment thesis in Power Metals. CHAPTERS

durée : 00:13:45 - Le Disque classique du jour du lundi 10 mars 2025 - Souvenir d'un concert donné en septembre 2023 à Munich, ce nouvel enregistrement de La Création de Haydn est mené par la baguette agile de Simon Rattle, avec les forces de la Radio Bavaroise mais aussi les voix de Lucy Crowe, Benjamin Bruns et Christian Gerhaher

durée : 01:28:09 - En pistes ! du lundi 10 mars 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Le monde prend vie sous nos oreilles ce matin avec une Création de Haydn de grande classe signée Simon Rattle. Mais aussi : la musique de Vivaldi par l'ensemble Hexaton, des cantates du jeune Bach ou le piano Charles Richard-Hamelin !

durée : 00:13:45 - Le Disque classique du jour du lundi 10 mars 2025 - Souvenir d'un concert donné en septembre 2023 à Munich, ce nouvel enregistrement de La Création de Haydn est mené par la baguette agile de Simon Rattle, avec les forces de la Radio Bavaroise mais aussi les voix de Lucy Crowe, Benjamin Bruns et Christian Gerhaher

durée : 01:28:09 - En pistes ! du lundi 10 mars 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Le monde prend vie sous nos oreilles ce matin avec une Création de Haydn de grande classe signée Simon Rattle. Mais aussi : la musique de Vivaldi par l'ensemble Hexaton, des cantates du jeune Bach ou le piano Charles Richard-Hamelin !

durée : 01:28:53 - Le Quatuor de Jérusalem, la tradition de l'excellence - par : Aurélie Moreau - 2025 marque les 30 ans du Quatuor de Jérusalem qui a très vite acquis une renommée mondiale, jouant avec passion, précision et chaleur un large répertoire. Aujourd'hui : Chostakovitch, Brahms, Haydn, Dvořák, Schubert, Debussy, Schumann et Korngold.

durée : 01:28:11 - En pistes ! du mardi 04 mars 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Au programme ce matin : des partitas Bach par Francesco Tristano, des concerts inédits du chef Frans Brüggen autour de Haydn ou les concertos pour violon de Barber et de Sibelius par Renaud Capuçon

durée : 01:28:11 - En pistes ! du mardi 04 mars 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Au programme ce matin : des partitas Bach par Francesco Tristano, des concerts inédits du chef Frans Brüggen autour de Haydn ou les concertos pour violon de Barber et de Sibelius par Renaud Capuçon

durée : 01:28:24 - Augustin Hadelich, l'élan et la profondeur - par : Aurélie Moreau - Violoniste subtil et convaincant, Augustin Hadelich a pour objectif de découvrir et faire constamment découvrir de nouvelles œuvres majeures, et de réinventer les anciennes. Aujourd'hui : Previn, Schumann, Bach, Sarasate, Haydn, Paganini, Beach…

Mixing ceremonial pomp with pastoral splendor, this survey of British classics features Haydn's last and grandest symphonic statement, the London Symphony; exquisite gems by Elgar and Britten, and the soaring beauty of Vaughan Williams' The Lark Ascending with violinist Stella Chen, winner of the prestigious Queen Elisabeth Competition and Gramophone's 2023 Young Artist of the Year. Marking the 150th anniversary of Ravel's birth, the program crosses the English Channel for the composer's beguiling Tzigane. CSO Concertmaster Robert Chen has withdrawn from his planned solo appearances in these performances due to rotator cuff tendinitis symptoms. Learn more: cso.org/performances/24-25/cso-classical/glover-and-english-classics

In this episode, Haydn and Nigel discuss Power Metal's (TSXV: PWM | OTCQB: PWRMF) rare high-grade cesium discoveries, specifically the Case Lake project. They delve into the cost, timelines, and permitting processes compared to other critical minerals like lithium. The conversation includes updates on cesium carbonate market size (2,200 tons per year) and OPEX costs, exploration updates like cesium oxide intercepts greater than 20% in phase three drilling, and test work progress at SGS and Nagrom. The discussion also covers structural mapping exercises, upcoming exploration plans starting in March, and engagement with Canaccord for strategic guidance. They aim to fast-track mining operations and place Power Metals among the top four producers of high-grade cesium, with milestones such as the mineral resource estimate due by the end of Q1 and the PEA by the end of Q2. CHAPTERS

To mark his inauguration as Chief Conductor of the Bavarian Radio Chorus and Symphony Orchestra, Sir Simon Rattle chose Joseph Haydn's oratorio The Creation. After two concerts on September 21 and 22, 2023 in Munich's Herkulessaal, the work was performed on September 24 in the historic basilica of Ottobeuren in Upper Swabia, together with the three outstanding soloists Lucy Crowe (soprano), Benjamin Bruns (tenor) and Christian Gerhaher (baritone). This album comes from these inaugural concerts.  

Ludwig Van Beethoven, like his precursor and possible acquaintance Mozart, is one of the most famous figures in Western musical history. With his wild hair and furrowed brow, his was a genius marked not by flamboyance and flare, but dark, bombastic gravity. Like Mozart, though, his musical talents also emerged at a young age. Born in Bonn, Germany, in 1770, he was initially taught by his father. Finding his home life dysfunctional however, he eventually moved to Vienna at the age of twenty-one. There he would study musical composition under the great composer Haydn, and garnered a reputation for being a talented pianist. By 1800, his symphonies were being performed to much acclaim. But, as music's first true star and with the world seemingly before his feet, a terrible shadow was hanging over Beethoven - his encroaching deafness, which saw him becoming more and more anti-social. How was it, then, that in spite of this terrible affliction, he came to write some of his best known works during the height of his deafness? And what became of him? Join Tom and Dominic at the Royal Albert Hall, featuring the Academy of St Martin in the Fields and the Philharmonia Chorus, conducted by Oliver Zeffman, as they delve into the life of Beethoven, one of the most venerated figures in the history of music. With his unkempt appearance, ferocious reputation, and famously ill-fated deafness, what was the truth behind the legends of this extraordinary man? And how did he come to write some of the most iconic pieces of classical music of all time?  _______ Academy of St Martin in the Fields Orchestra Philharmonia Chorus Chorus Oliver Zeffman Conductor Stephanie Gonley Leader & Violin Soloist Mishka Rushdie Momen Pianist Nardus Williams Soprano Katie Stevenson Mezzo Andrew Staples Tenor William Thomas Bass _______ Twitter: @TheRestHistory @holland_tom @dcsandbrook Producer: Theo Young-Smith Assistant Producers: Tabby Syrett + Anouska Lewis + Aaliyah Akude Executive Producers: Jack Davenport + Tony Pastor Learn more about your ad choices. Visit podcastchoices.com/adchoices