Podcasts about Franz Liszt

This week on RITY, the Featured Five Theme is Monsters... Plus, Phil Everly, a horror film, Warren Zevon, and how a joke became a Top 40 hit!... The composer Franz Liszt and the story behind Lisztomania... The true meaning behind "All She Wants To Do Is Dance"... What was Stevie Nicks doing in Sly Stone's bed? You could say "Dreams" were made... A song by The Doors that was inspired by the great soul food at Olivia's Place in Venice Beach... Deep cuts from Thee Shams, Huey Lewis, Santana, Bowie, The Who, Nickel Creek, Bad Company, Barclay James Harvest, The Paul Butterfield Blues Band, and much more! For more info on the show, visit reelinwithryan.com

durée : 01:29:51 - Relax ! du jeudi 23 octobre 2025 - par : Lionel Esparza - Il a côtoyé les plus grands de son temps : élève de Franz Liszt dont il épouse la fille Cosima, il se rapproche de Richard Wagner et dirige les créations de "Tristan et Isolde" et "Les Maîtres Chanteurs", avant de devenir le premier chef du plus grand orchestre du monde, le Philharmonique de Berlin. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 01:29:51 - Relax ! du jeudi 23 octobre 2025 - par : Lionel Esparza - Il a côtoyé les plus grands de son temps : élève de Franz Liszt dont il épouse la fille Cosima, il se rapproche de Richard Wagner et dirige les créations de "Tristan et Isolde" et "Les Maîtres Chanteurs", avant de devenir le premier chef du plus grand orchestre du monde, le Philharmonique de Berlin. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

316 programas y estos Tres Tenores siguen dando la nota. Hoy también con la Música en los Videojuegos con Carlos Esteve. ADIVINA A LA PELÍCULA Franz Liszt. SUEÑO DE AMOR. SAN TORAL Art Blakey & The Jazz Messengers. MOANIN'. Los H.H. AQUEL AMANECER DE MAYO. CELEBRACIONES Lang Lang. LA CAMPANELLA de Franz Liszt. Horace Silver. […] The post Los Tres Tenores 22/10/2025 first appeared on Ripollet Ràdio.

ESSENTIEL – COTE JARDIN Jacques Benhamou reçoit l'écrivaine Catherine Hermary-Vieille pour son livre « Un rêve d'amour : Marie d'Agoult - Franz Liszt » aux éditions Intervalles. À propos du livre : « Un rêve d'amour : Marie d'Agoult - Franz Liszt » paru aux éditions Intervalles La brève et intense passion de Marie d'Agoult et Franz Liszt défraye la chronique des salons parisiens des années 1830. Au mépris des convenances et du qu'en dira-t-on, Marie d'Agoult décide de vivre au grand jour la folle passion qui la lie à Franz Liszt, l'un des grands génies musicaux de son époque. Entre Paris, Venise, Milan, Florence, Genève et Nohant, telle Anna Karénine, elle sacrifie tout à l'amour de cet homme qui lui-même sacrifie tout à son art et à son ascension personnelle. Évidemment, la haute société ne voit pas d'un très bon Å“il cette femme trop libre pour son temps dont le salon accueille de nombreux républicains : Grévy, Carnot, Littréâ€- et qui soutient ouvertement la première femme à devenir bachelière en France, Julie-Victoire Daubié. Deux des enfants nés de cette passion connaissent aussi des destins singuliers. Cosima épouse Richard Wagner et crée bientôt le festival de Bayreuth, tandis que Blandine épouse l'un des hommes politiques les plus singuliers du XIXe siècle, Émile Ollivier. En évoquant cette passion entre un musicien ambitieux et une aristocrate en rupture de ban, Catherine Hermary-Vieille nous entraîne dans le sillage des grandes figures de l'époque. George Sand évidemment, dont les deux amants sont proches, mais aussi Blanqui, Sainte-Beuve, Balzac, Lamartine, Théophile Gaultier, Alexandre Dumas. Elle compose surtout un roman ardent et documenté sur la passion entre une femme à qui la société ne pardonne pas sa liberté et un virtuose en quête de gloire. Un roman où dansent les grandes figures artistiques du XIXe siècle, que l'auteur nous rend familières voire intimes.

Send us a textYou know, Every generation has its superstar — the one who turns talent into legend, and performance into art.  For us, that might mean Elton John or Lady Gaga. But in the 1800s, one name ruled the musical world like a comet blazing across the sky: Franz Liszt.A man whose concerts caused hysteria, whose charm        melted hearts, and whose fingers seemed touched by lightning.So let's pull back the velvet curtain and step into the age of Lisztomania!Ghost soundMaestro Liszt, welcome.Thank you, Herr Bartley. Speaking across centuries is a strange delight — music is the bridge that time cannot burn.Let's begin at the beginning. You were born in 1811 in Raiding, Hungary, the son of a musician employed by the Esterházy family. How did music first enter your life?Ah, Monsieur Bartley, Music was like breathing. My father played cello, piano, violin — he introduced me to the piano, and I was performing publicly at nine. By eleven, I studied with Czerny in Vienna, a pupil of Beethoven himself. The training was rigorous, but awe-inspiring.Support the showThank you for experiencing Celebrate Creativity.

Er zertrümmerte Klaviere, brach Herzen aller Frauen und katapultierte die Musikgeschichte in Richtung Moderne: Wer war Franz Liszt?

durée : 00:34:44 - Disques de légende du mardi 14 octobre 2025 - Pour Richard Strauss la "Sonate" est l'œuvre ultime du compositeur hongrois : « Si Liszt n'avait écrit que cette sonate en si mineur, œuvre gigantesque issue d'une seule cellule, cela aurait suffi à démontrer la force de son esprit. » La voici en intégralité dans une version de Benjamin Grosvenor. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 01:28:45 - Relax ! du mardi 14 octobre 2025 - par : Lionel Esparza - L'année 1857 mérite d'être évoquée rien que pour la Sonate de Franz Liszt, véritable aboutissement du style du compositeur. Au même moment, Wagner est épris de Mathilde Wesendonck à qui il dédie une série de lieder et Venise voit la création de "Simon Boccanegra" de Verdi dont le succès est relatif. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 01:28:45 - Relax ! du mardi 14 octobre 2025 - par : Lionel Esparza - L'année 1857 mérite d'être évoquée rien que pour la Sonate de Franz Liszt, véritable aboutissement du style du compositeur. Au même moment, Wagner est épris de Mathilde Wesendonck à qui il dédie une série de lieder et Venise voit la création de "Simon Boccanegra" de Verdi dont le succès est relatif. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:34:44 - Disques de légende du mardi 14 octobre 2025 - Pour Richard Strauss la "Sonate" est l'œuvre ultime du compositeur hongrois : « Si Liszt n'avait écrit que cette sonate en si mineur, œuvre gigantesque issue d'une seule cellule, cela aurait suffi à démontrer la force de son esprit. » La voici en intégralité dans une version de Benjamin Grosvenor. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

This week on The Sound Kitchen, you'll hear the answer to the question about the UN conference in July about a Palestine/Israel two-state solution. You'll hear from the eminent primatologist Jane Goodall, there are your answers to the bonus question on “The Listener's Corner”, and a lovely musical dessert from Erwan Rome on “Music from Erwan”. All that and the new quiz and bonus questions too, so click the “Play” button above and enjoy!  Hello everyone! Welcome to The Sound Kitchen weekly podcast, published every Saturday here on our website, or wherever you get your podcasts. You'll hear the winner's names announced and the week's quiz question, along with all the other ingredients you've grown accustomed to: your letters and essays, “On This Day”, quirky facts and news, interviews, and great music … so be sure and listen every week. Erwan and I are busy cooking up special shows with your music requests, so get them in! Send your music requests to thesoundkitchen@rfi.fr  Tell us why you like the piece of music, too – it makes it more interesting for us all! Facebook: Be sure to send your photos for the RFI English Listeners Forum banner to thesoundkitchen@rfi.fr More tech news: Did you know we have a YouTube channel? Just go to YouTube and write RFI English in the search bar, and there we are! Be sure to subscribe to see all our videos. Would you like to learn French? RFI is here to help you! Our website “Le Français facile avec rfi” has news broadcasts in slow, simple French, as well as bilingual radio dramas (with real actors!) and exercises to practice what you have heard. Go to our website and get started! At the top of the page, click on “Test level”, and you'll be counseled on the best-suited activities for your level according to your score. Do not give up! As Lidwien van Dixhoorn, the head of “Le Français facile” service, told me: “Bathe your ears in the sound of the language, and eventually, you'll get it”. She should know – Lidwien is Dutch and came to France hardly able to say “bonjour” and now she heads this key RFI department – so stick with it! Be sure you check out our wonderful podcasts! In addition to the breaking news articles on our site, with in-depth analysis of current affairs in France and across the globe, we have several podcasts that will leave you hungry for more. There's Spotlight on France, Spotlight on Africa, the International Report, and of course, The Sound Kitchen. We also have an award-winning bilingual series - an old-time radio show, with actors (!) to help you learn French, called Les voisins du 12 bis. Remember, podcasts are radio, too! As you see, sound is still quite present in the RFI English service.  Please keep checking our website for updates on the latest from our excellent staff of journalists. You never know what we'll surprise you with! To listen to our podcasts from your PC, go to our website; you'll see “Podcasts” at the top of the page. You can either listen directly or subscribe and receive them directly on your mobile phone. To listen to our podcasts from your mobile phone, slide through the tabs just under the lead article (the first tab is “Headline News”) until you see “Podcasts”, and choose your show.   Teachers take note!  I save postcards and stamps from all over the world to send to you for your students. If you would like stamps and postcards for your students, just write and let me know. The address is english.service@rfi.fr  If you would like to donate stamps and postcards, feel free! Our address is listed below.  Independent RFI English Clubs: Be sure to always include Audrey Iattoni (audrey.iattoni@rfi.fr) from our Listener Relations department in all your RFI Club correspondence. Remember to copy me (thesoundkitchen@rfi.fr) when you write to her so that I know what is going on, too. N.B.: You do not need to send her your quiz answers! Email overload! This week's quiz: On 24 July, French President Emmanuel Macron announced that France would formally recognize a State of Palestine at the UN General Assembly, which was in September. Following Macron's announcement, there was a two-day conference at the UN Headquarters in New York. Co-chaired by France and Saudi Arabia, ministers from across the world discussed fostering the Israeli and Palestinian states living peacefully side-by-side. You were to re-read our article: “UN gathers to advance two-state solution to Israel-Palestine conflict”, and send in the answer to this question: Aside from recognizing Palestinian statehood, what other three issues were discussed at the conference? The answer is, to quote our article: “Beyond facilitating conditions for the recognition of a Palestinian state, the meeting will focus on three other issues – reform of the Palestinian Authority, disarmament of Hamas and its exclusion from Palestinian public life, and normalisation of relations with Israel by Arab states.” In addition to the quiz question, there was the bonus question, suggested by Rafiq Khondaker, the president of the Source of Knowledge Club in Naogaon, Bangladesh. Rafiq's question was: “What is your favorite historical site in your country? Why?” Do you have a bonus question idea? Send it to us! The winners are: Fatematuj Zahra, the co-secretary of the Shetu RFI Listeners Club in Naogaon, Bangladesh. Fatematuj is also this week's bonus question winner. Congratulations on your double win, Fatematuj. Also on the list of lucky winners this week are Naved Raiyan, the president of the RFI Fan Club in Murshidibad, India, along with a fellow Murshidabadite, Asif Ahemmed, a member of the RFI International DX Radio Listeners Club. There are RFI Listeners Club members Rodrigo Hunrichse from Ciudad de Concepción in Chile, and last but not least, RFI English listener Miss Kausar, a member of the International Radio Fan and Youth Club in Khānewāl, Pakistan. Congratulations winners! Here's the music you heard on this week's program: “Ständchen” by Franz Schubert, arranged by Franz Liszt and performed by Vladimir Viardo; the traditional “Longa Alla”, performed by the Ensemble musical de Palestine; “The Flight of the Bumblebee” by Nicolai Rimsky-Korsakov; “The Cakewalk” from Children's Corner by Claude Debussy, performed by the composer, and the selections from the anonymous L'amour de moy, performed by Doulce Mémoire conducted by recorder player Denis Raisin Dadre with singer Jean François-Olivier. Do you have a music request? Send it to thesoundkitchen@rfi.fr This week's question ... you must listen to the show to participate. After you've listened to the show, re-read our article about the winner, which will help you with the answer. You have until 3 November to enter this week's quiz; the winners will be announced on the 8 November podcast. When you enter, be sure to send your postal address with your answer, and if you have one, your RFI Listeners Club membership number. Send your answers to: english.service@rfi.fr or Susan Owensby RFI – The Sound Kitchen 80, rue Camille Desmoulins 92130 Issy-les-Moulineaux France Click here to find out how you can win a special Sound Kitchen prize. Click here to find out how you can become a member of the RFI Listeners Club, or form your own official RFI Club. 

Charles Gounod/Franz Liszt - Les Adieux, A Reverie on a Motif from Romeo and JulietSoyeon Kate Lee, pianoMore info about today's track: Naxos 8.572589Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Franz Liszt - HamletNew Zealand Symphony OrchestraMichael Halasz, conductorMore info about today's track: Naxos 8.553355Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

durée : 01:28:46 - Relax ! du mardi 07 octobre 2025 - par : Lionel Esparza - Très en vogue dans la seconde moitié du XIXe siècle et au début du XXe, nombre de compositeurs de cette époque ont écrit dans cette forme libre empreinte de mélodies folkloriques : de Franz Liszt à Claude Debussy, d'Emmanuel Chabrier à Ernő Dohnányi... Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

This Day in Legal History: O.J. “Not Guilty”On October 3, 1995, a Los Angeles jury returned one of the most controversial and widely watched criminal verdicts in American history: O.J. Simpson was found not guilty of the murders of his ex-wife, Nicole Brown Simpson, and her friend Ron Goldman. The trial, which lasted more than eight months, captivated the nation with its blend of celebrity, race, police misconduct, and media spectacle. The prosecution presented DNA evidence linking Simpson to the crime scene, while the defense, led by Johnnie Cochran, argued that Simpson was framed by a racist LAPD, particularly Detective Mark Fuhrman.Cochran's now-famous line — “If it doesn't fit, you must acquit” — referred to a moment when Simpson tried on gloves allegedly worn during the murders, and they appeared not to fit. The defense used that moment to cast further doubt on the prosecution's case. The jury deliberated for less than four hours before acquitting Simpson, prompting strong reactions across racial and social lines.The case exposed deep divisions in American society, particularly around race and policing. It also helped usher in the era of the 24-hour news cycle and reality-style courtroom coverage, with networks like CNN and Court TV devoting extensive airtime to the trial. The not-guilty verdict did not end Simpson's legal troubles: in 1997, a civil jury found him liable for wrongful death and ordered him to pay $33.5 million in damages.Apple confirmed it has removed the ICEBlock app and similar tools from its App Store following pressure from the Trump administration and Attorney General Pam Bondi. ICEBlock allowed users to report and track the locations of ICE officers through crowdsourced data. Bondi stated the app endangered law enforcement officers and crossed a line by facilitating potential violence.The Department of Justice supported the move, citing safety concerns. This action followed an exposé by right-wing influencer Laura Loomer, who outed the creator of a similar app, Red Dot, and accused the platforms of enabling violence against ICE agents. Loomer also claimed that a recent deadly shooting at a Dallas ICE facility involved the use of such tracking apps.Apple defended its decision, stating it aims to keep the App Store a “safe and trusted” space, and that ICEBlock violated policies by potentially enabling harm to law enforcement. The app's developer, Joshua Aaron, criticized the removal, comparing it to how apps like Apple Maps crowdsource speed trap locations. He argued that his app was protected by the First Amendment and that Apple's action was a concession to authoritarian demands.Tech Giant Apple Bows to MAGA Demands and Removes ICE Tracking AppsOpenAI filed a motion in federal court to dismiss a trade secret lawsuit brought by Elon Musk's AI startup, xAI. The lawsuit, filed in San Francisco, accuses OpenAI of deliberately poaching xAI employees to gain access to confidential information about Grok, xAI's chatbot, which the company claims surpasses ChatGPT in performance.OpenAI rejected the allegations, calling them baseless and part of Musk's “ongoing harassment” campaign against the company. In its filing, OpenAI argued that employees are free to leave xAI and work wherever they choose, and that it is within its rights to hire them. The company suggested xAI's legal actions are designed to cover up its internal struggles and inability to retain talent.This case is one of several legal battles unfolding between Musk and OpenAI. Musk has also filed a separate suit accusing OpenAI of abandoning its original nonprofit mission. In turn, OpenAI has countersued Musk for harassment. Meanwhile, xAI has sued Apple, claiming it colluded with OpenAI to suppress competition—an accusation both companies deny and are also seeking to dismiss.OpenAI's legal response characterized xAI's complaint as a distraction from its own failings and a tactic to slow down competitors in the heated race for dominance in the AI industry.OpenAI asks court to dismiss trade-secret lawsuit from Musk's xAI | ReutersU.S. District Judge Michael Simon recused himself from a case challenging President Donald Trump's decision to deploy Oregon's National Guard to Portland. The Trump administration had raised concerns over public comments made by Simon's wife, Representative Suzanne Bonamici, criticizing the deployment as a “gross abuse of power.” To avoid any appearance of bias, Judge Simon opted to step aside, stating the case should remain focused on its core constitutional and legal questions.The lawsuit, filed by Oregon Attorney General Dan Rayfield, seeks to block Trump's use of state National Guard troops, arguing it is illegal and driven by political motives. The complaint alleges Trump is exaggerating protest threats to justify federal overreach and seize control of state forces. The case has been reassigned to Judge Karin Immergut, a Trump appointee.Bonamici, whose district includes much of Portland, made her critical remarks during a press conference with Oregon Governor Tina Kotek. The Department of Justice cited her comments in its request for Simon's recusal, arguing they could undermine public confidence in judicial impartiality.A hearing is scheduled for Friday on Oregon's request for a temporary restraining order. Similar legal challenges are underway in California and Washington, D.C., where federal troop deployments have also faced pushback. A California judge previously ruled Trump's actions unlawful, but that decision is currently on hold pending appeal. The D.C. case remains unresolved.Judge recuses himself from Oregon National Guard case | ReutersThis week's closing theme is by Ludwig van Beethoven, a composer of some note.This week, we close with Franz Liszt's transcription (S. 464) of the first movement—Allegro con brio—from Beethoven's Symphony No. 1 in C major, Op. 21. Originally premiered in 1800, this symphony marked Beethoven's formal debut in the genre, and even in its first movement, we hear the young composer testing the boundaries of the Classical form inherited from Haydn and Mozart. The opening chords start in the “wrong” key—a bold harmonic gesture that signaled Beethoven's intent to shake things up, even as he worked within a familiar structure.Liszt, the great 19th-century virtuoso and composer, took on the monumental task of transcribing all nine of Beethoven's symphonies for solo piano. The transcription of the First Symphony, catalogued as S. 464, is part of that sweeping project. These arrangements were not simply meant to showcase Liszt's pianistic brilliance (though they certainly do); they were a way to bring Beethoven's orchestral works into the drawing rooms and salons of Europe—before widespread orchestral performance or recording technology.In Liszt's hands, the Allegro con brio becomes a brilliant piano showpiece, retaining the symphony's rhythmic drive, thematic clarity, and structural ingenuity. He translates orchestral texture into ten fingers with remarkable fidelity, using tremolos, arpeggios, and dramatic dynamic shifts to recreate the energy of strings, winds, and brass. The transcription is virtuosic but never flashy for its own sake—it's an homage from one revolutionary to another.Beethoven's First Symphony bridges the Classical and Romantic eras, and Liszt's solo piano version builds a new bridge, connecting orchestral grandeur to the intimacy of a single performer. It's a reminder of both composers' commitment to pushing musical expression forward. As you listen, you may forget it's just one person at a piano—Liszt makes the entire orchestra sing.We leave you this week not only with Beethoven's bold opening statement to the symphonic world, but with Liszt's brilliant act of translation—a distillation of power, wit, and elegance, all under a single keyboard.Without further ado, Ludwig van Beethoven's Symphony No. 1 in C major, Op. 21 – the first movement. Enjoy! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.minimumcomp.com/subscribe

Interpreten:Benedict Kloeckner, Kai SchumacherLabel: Berlin ClassicsEAN: 885470041162Der estnischeKomponist Arvo Pärt gehört unbestritten zu den bedeutendsten Tonsetzern unsererZeit. Vor wenigen Tagen hat er seinen 90. Geburtstag gefeiert und auch unsereCD der Woche steht in engem Zusammenhang mit seiner Musik, auch wenn „nur“ einStück tatsächlich von Pärt stammt. Mehr über die CD Fratres mit BenedictKloeckner und Kai Schumacher verrät Ihnen wieder Michael Gmasz.1977, am Beginn der Entwicklung seines TintinnabuliStils, hat Arvo Pärt sein Werk Fratres komponiert. Heute gehört es neben FürAlina und Spiegel im Spiegel, ebenfalls in dieser Zeit entstanden, zu den beliebtestenund meistgespielten Werken aus seiner Feder. Cellist Benedict Kloeckner und PianistKai Schumacher haben dieses Werk nicht nur als Titel ihrer neuen CD gewählt,sondern nehmen Fratres auch als Ausgangspunkt für ein spannendes Programm mit „PärtsBrüdern und Schwestern“ im musikalischen Geiste. Auch bei den Werken von PhilipGlass, Christopher Cerrone, Gavin Bryars, Valentin Silvestrov, Olivier Messiaen,Franz Liszt, Sophia Jani und Kai Schumacher selbst steht der Klang und dieReduktion auf das Wesentliche im Mittelpunkt.Vermeintlich simple Linien, die durch Transformation undVariation zum Leben erweckt werden, prägen den Hauptteil der Musik auf dieserCD. Mein persönliches Highlight nebst A Line von Kai Schumacher selbst, ist ThePleasure at being the cause des 1984 geborenen Christopher Cerrone. Auch erscheint sich das „Tintinnabulische“ Pärts als Vorlage genommen zu haben undsetzt seine Töne einem Glockenspiel gleich. Die Musik auf dieser CD fasziniertmich auf mehreren Ebenen – Sie hat etwas absolut Beruhigendes und gleichzeitig Aufwühlendes,ist mal düster und im nächsten Moment gleich wieder erhellend, wirkt einfach imSpiel und ist doch hoch virtuos. Wunderschön auch, wie sich Franz Liszts SanctaDorothea in der Bearbeitung von Kai Schumacher zu den zeitgenössischen Werkengesellt, und doch einen harmonischen und atmosphärischen Kontrast bietet. EinAlbum, das zum uneingeschränkten Zuhören einlädt, mit Struktur, Idee undperfekter Dramaturgie. (mg)

durée : 01:28:42 - Edith Farnadi (1921-1973), une Hongroise flamboyante (2/2) - par : Philippe Cassard - Cette pianiste hongroise à la virtuosité étincelante fut la disciple de Bela Bartok avant de devenir son assistante. Une grande artiste à redécouvrir, aujourd'hui dans ses interprétations de Franz Liszt - réalisé par : Philippe Petit Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Invitée : - Catherine Hermary-Vieille pour "Un rêve d'amour - Marie d'Agoult et Franz Liszt" aux éditions Intervalles Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Invités : - Anne de Guigné, journaliste au Figaro, pour "Tout l'or du monde - de l'Antiquité à nos jours, les écrivains racontent l'économie" aux Presses de la Cité  - Catherine Hermary-Vieille pour "Un rêve d'amour - Marie d'Agoult et Franz Liszt" aux éditions Intervalles  - Bruno Fuligni, historien, pour "Mistinguett, la danseuse qui a sauvé la France" chez Buchet-Chastel Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

durée : 02:28:57 - France Musique est à vous du samedi 06 septembre 2025 - par : Gabrielle Oliveira-Guyon - Au programme d'aujourd'hui : l'organiste américaine Rhoda Scott et son Lady Quartet, le compositeur estionien Arvo Pärt, La Campanella de Franz Liszt, le Notturno K 549 de Wolfgang Amadeus Mozart et bien d'autres encore ! - réalisé par : Emmanuel Benito Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Hoje vamos mergulhar na Sinfonia de Dante, uma das obras mais visionárias e, ao mesmo tempo, desafiadoras de Franz Liszt. A estreia aconteceu em 7 de novembro de 1857, no Teatro Real de Dresden, sob regência do próprio Liszt. A recepção? Digamos… nem todos estavam preparados para tanta ousadia.Apresentado por Aroldo Glomb com Aarão Barreto na bancada. Seja nosso padrinho: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://apoia.se/conversadecamara⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ RELAÇÃO DE PADRINS Aarão Barreto, Adriano Caldas, Gustavo Klein, Fernanda Itri, Eduardo Barreto, Fernando Ricardo de Miranda, Leonardo Mezzzomo,Thiago Takeshi Venancio Ywata, Gustavo Holtzhausen, João Paulo Belfort , Arthur Muhlenberg e Rafael Hassan.Tudo começou lá em 1837, quando Liszt estava curtindo a paisagem do Lago de Como ao lado de sua companheira Marie d'Agoult. Entre um passeio e outro, ele mergulhou na leitura da Divina Comédia de Dante Alighieri. Foi aí que nasceu a ideia de transformar esse épico literário em música – mas não apenas música: Liszt queria juntar som, poesia e até artes visuais. Teve até planos malucos, como projetar imagens em lanterna mágica durante o concerto e usar uma máquina de vento experimental para simular as rajadas do Inferno. Isso em 1850 e poucos! Visionário demais, né?Em 1855, ele escreveu para o amigo e futuro genro, Richard Wagner, contando sobre a obra que estava compondo. A ideia era uma sinfonia em três movimentos: Inferno, Purgatório e Paraíso. Só que Wagner deu aquele pitaco clássico: disse que o Paraíso não podia ser representado em música. Liszt até aceitou o conselho – meio a contragosto – e deixou o último movimento em aberto, reduzindo-o a um coro feminino com trechos do Magnificat.A estreia rolou em 7 de novembro de 1857, no Teatro Real de Dresden, com o próprio Liszt regendo. E olha… foi um fiasco! Faltou ensaio, a imprensa caiu matando e até amigos próximos ficaram com o pé atrás. Mas a obra sobreviveu ao tempo e hoje é considerada uma das mais ousadas tentativas de unir literatura e música no século XIX.

Franz Liszt - Paganini Etude No. 3 “La Campanella”Goran Filipec, pianoMore info about today's track: Naxos 8.573458Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

C'est dans le cadre de l'Orangerie d'Auteuil que Philippe Bianconi se produira en récital le 5 septembre à 20h, à l'occasion de la 25ème édition d'un festival qu'il connait bien dont il est, depuis des années, l'une des fidèles. Il y jouera des pièces de Franz Liszt, Maurice Ravel ainsi qu'Eric Tanguy et parrainera l'un des nouveaux talents invités cette année, à savoir la toute jeune pianiste Arielle Beck. Mention légales : Vos données de connexion, dont votre adresse IP, sont traités par Radio Classique, responsable de traitement, sur la base de son intérêt légitime, par l'intermédiaire de son sous-traitant Ausha, à des fins de réalisation de statistiques agréées et de lutte contre la fraude. Ces données sont supprimées en temps réel pour la finalité statistique et sous cinq mois à compter de la collecte à des fins de lutte contre la fraude. Pour plus d'informations sur les traitements réalisés par Radio Classique et exercer vos droits, consultez notre Politique de confidentialité.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Sein Urururgroßvater war Moses Mendelssohn, der Großvater von Felix Mendelssohn Bartholdy. Niklas Schmidt konnte als Musiker also gar nicht anders, als sich mit diesem Namen und der Musik Mendelssohn Bartholdys zu beschäftigen. Auch Schmidt ist in Hamburg geboren, Felix Mendelssohn ging dann nach Berlin, Düsseldorf und Leipzig, und Schmidt ist mit seinem Cello durch die ganze Welt gereist, gehört seit Jahrzehnten zu den gefragtesten Cellisten und Kammermusikern. In Hamburg kommen beide Künstler immer wieder zusammen, beim International Mendelssohn Festival, dessen Künstlerischer Leiter Schmidt ebenfalls ist. In diesem September gibt es wieder zehn Tage lang Kammermusik mit Werken vom Barock bis ins 20. Jahrhundert - Musik von Komponisten, die Mendelssohn beeinflusst haben oder die er beeinflusst hat; Musik, wie sie in den Salons der Zeit erklungen ist oder sein könnte. Eine besondere Rolle spielen dabei die großen Klaviervirtuosen des 19. Jahrhunderts, allen voran Frédéric Chopin und Franz Liszt. Im "Salonkonzert" zur Eröffnung des Festivals am 10. September kann man beide von einer weniger bekannten Seite erleben.

¡Queridíchimos!Este mezcladillo maravilloso nos trae puro chisme variado- ¿qué tienen en común el templo más misterioso de India y Franz Liszt? Nada jajajaja pero aprenderemos mucho de ambos dos esta semana…Hiii hiiii

Before the hysteria of Swifties and Beatlemania, people were getting hype over the handsome pianist Franz Liszt.  Dr. Sydnee and Justin talk about what exactly about this artist made regular fandom escalate into a mania and what this medical condition actually meant.Music: "Medicines" by The Taxpayers https://taxpayers.bandcamp.com/World Central Kitchen: https://wck.org/

Franz Liszt - Years of Pilgrimage: StormJeno Jando, pianoMore info about today's track: Naxos 8.550548Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

For a while out there it looked as though Charles Leclerc and Ferrari would spoil the day of McLaren-Mercedes. As the wind blew from the west, rather than the east, Leclerc had taken the pole in the closing seconds of Q3.  And, from the start, he appeared to be in control: Oscar Piastri sat in his mirrors but Lando Norris fell back in the wake of George Russell's Mercedes.  Then, almost inevitably, it went wrong: Charles stopped early for his second set of Hard Pirellis and was thereafter never in the hunt: with floor damage, his Ferrari was over a second-a-lap off the pace.  It then became a straight fight between the two McLaren drivers, with Zak Brown allowing them to race to the finish. Piastri, on a two-stop strategy, had the performance advantage - but Norris, on a one-stopper, had the advantage of track position.  In this podcast, Peter looks back at the key elements not only of that race to the chequered flag but also of the weekend as a whole - at the amazing pole of Charles Leclerc, the dismal pace of Red Bull and the wretched weekend of Sir Lewis Hamilton.With thanks to Jetcraft, the world's largest buyer and seller of executive jets:https://jetcraft.comTo OEM Exclusive, the passionate suppliers of OEM upgrades for exotic and high-performance vehiclesTo TrackNinja, a lap-timer and data app designed to help users improve their on-track car and driver performance through analysis and an innovative Data Garage. A lite version is free; the loaded edition is US$9.99 pcm or $99.99 yearlyhttps://trackninja.appAnd to REC Watches, whose timepieces are infused with DNA and actual material from famous racing cars like the 1986 Lotus 98T-Renault. Raced for the second half of the season by Ayrton Senna - including the Hungarian GP - the 98T was the last F1 Lotus to appear in the immortal livery of black and gold. When ordering, claim your extra 10 per cent discount by adding the codeword  PETER: https://recwatches.com/next-projectImages: Pirelli, Red Bull, Scuderia Ferrari, Mercedes and Wikimedia Commons Music: Hungarian Rhapsody No. 2 - Franz Liszt; Rain Over Kyoto Station - The Mini VandalsAlpinestars:https://alpinestars.comOscar Razor: Australia's highly-rated, 5-blade razors for men and women https://oscarrazor.com.au.  Follow Peter @peterdwindsorWe support the Race Against Dementia:https://raceagainstdementia.comAnd the Alora dog rescue shelter in Malaga, Spainhttps://aloradogrescue.com#standwithukraine - now, more than everAnd #Canada!Nick: you're with us always Support the showVisit: https://youtube.com/peterwindsor for F1 videos past, present and future

Tonight, we'll read about the musical genius Franz Liszt as a child piano prodigy from the book “Life of Liszt” written by Ludwig Nohl. Liszt was a Hungarian composer, pianist and teacher of the Romantic era. He gained renown during the early nineteenth century for his virtuoso skill as a pianist. Since he often appeared three or four times a week in concert, it could be safe to assume that he appeared in public well over a thousand times during one eight year period. During his virtuoso heyday, Liszt was described by the writer Hans Christian Andersen (who has written many fairy tales featured by Snoozecast) as a "slim young man...[with] dark hair hung around his pale face". He was seen as handsome by many, with a German poet writing concerning his showmanship during concerts: "How powerful, how shattering was his mere physical appearance". — read by 'N' — Sign up for Snoozecast+ to get expanded, ad-free access by going to snoozecast.com/plus! Learn more about your ad choices. Visit megaphone.fm/adchoices

Mention légales : Vos données de connexion, dont votre adresse IP, sont traités par Radio Classique, responsable de traitement, sur la base de son intérêt légitime, par l'intermédiaire de son sous-traitant Ausha, à des fins de réalisation de statistiques agréées et de lutte contre la fraude. Ces données sont supprimées en temps réel pour la finalité statistique et sous cinq mois à compter de la collecte à des fins de lutte contre la fraude. Pour plus d'informations sur les traitements réalisés par Radio Classique et exercer vos droits, consultez notre Politique de confidentialité.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

durée : 00:18:15 - Le Disque classique du jour du vendredi 06 juin 2025 - Lise de la Salle revient à l'un de ses compositeurs de prédilection, Franz Liszt. Dans ce disque, elle propose notamment la Sonate en si mineur, en miroir des Réminiscences de Don Juan, une partition rarement fréquentée de nos jours.

durée : 01:28:06 - En pistes ! du vendredi 06 juin 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - La pianiste Lise de la Salle continue d'explorer les grandes pages du piano de Franz Liszt, son compositeur de prédilection. On écoutera également aujourd'hui des musiques de danse de la période baroque ou encore la musique de chambre du compositeur tchèque Viktor Kalabis...

durée : 00:18:15 - Le Disque classique du jour du vendredi 06 juin 2025 - Lise de la Salle revient à l'un de ses compositeurs de prédilection, Franz Liszt. Dans ce disque, elle propose notamment la Sonate en si mineur, en miroir des Réminiscences de Don Juan, une partition rarement fréquentée de nos jours.

durée : 01:28:06 - En pistes ! du vendredi 06 juin 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - La pianiste Lise de la Salle continue d'explorer les grandes pages du piano de Franz Liszt, son compositeur de prédilection. On écoutera également aujourd'hui des musiques de danse de la période baroque ou encore la musique de chambre du compositeur tchèque Viktor Kalabis...

Carlos Iribarren | Llevamos 276 programas y por fin visitamos un país donde nacieron algunos de los compositores más destacados de la historia de la música, como por ejemplo, el gran Franz Liszt. Hoy no participa, pues sus “sinfonías” son más bien poemas sinfónicos y nos centraremos en ellas más adelante, pero no le quitéis el oído a la excelente música que produjeron autores como Mosonyi, Goldmark, von Dohnányi y Kodály en sus primeras creaciones en este apasionante campo. Carlos y Mario comentan las 4 obras protagonistas del programa mientras vamos recorriendo los siglos XIX y XX en busca de nuevos tesoros que forman la mejor música del mundo: la que suena siempre en Hoy Toca, el programa de Clásica FM que te quiere sorprender.

DescriptionLisztmania: The First True Fan Frenzy in 60 Seconds. Take a minute to get the scoop!Fun FactLisztmania wasn't just poetic—it was real, and intense. Fans fought over Liszt's handkerchiefs, collected his hair, and wore cameos bearing his face. Some even claimed his music had healing powers. Critics struggled to understand the frenzy, but audiences simply couldn't get enough of the pianist who played like a storm.__________________________________________________________________About Steven, HostSteven is a Canadian composer & actor living in Toronto. Through his music, he creates a range of works, with an emphasis on the short-form genre—his muse being to offer the listener both the darker and more satiric shades of human existence. If you're interested, please check out his music website for more. Member of the Canadian League Of Composers.__________________________________________________________________You can FOLLOW ME on Instagram.

Mention légales : Vos données de connexion, dont votre adresse IP, sont traités par Radio Classique, responsable de traitement, sur la base de son intérêt légitime, par l'intermédiaire de son sous-traitant Ausha, à des fins de réalisation de statistiques agréées et de lutte contre la fraude. Ces données sont supprimées en temps réel pour la finalité statistique et sous cinq mois à compter de la collecte à des fins de lutte contre la fraude. Pour plus d'informations sur les traitements réalisés par Radio Classique et exercer vos droits, consultez notre Politique de confidentialité.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

he German poet and journalist Heinrich Heine coined the term “Lisztomania” on 25th April 1844 to describe the phenomenon of frenzied fandom in Europe where women would physically assault Franz Liszt by tearing his clothes, fighting over broken piano strings and locks of his shoulder-length hair. Heine said there was something about Liszt's performances that “raised the mood of audiences to a level of mystical ecstasy” – which seemed to be a result of the combination of his good looks, his charisma and his stage presence. In this episode, Arion, Rebecca and Olly explain how Liszt created an almost parasocial relationship with his fan base; investigate why critics are still reproving of expressive concert pianists to this day; and discuss whether the Heine was trying to extort money from performers like Liszt in exchange for better reviews…  Further Reading: • ‘The Virtuoso Liszt' (Cambridge University Press, 2002): The Virtuoso Liszt - Google Books: https://www.google.co.uk/books/edition/The_Virtuoso_Liszt/koSQAjlxeOIC?hl=en&gbpv=1&dq=lisztomania&pg=PA203&printsec=frontcover • ‘Forget the Beatles – Liszt was music's first “superstar”' (BBC Culture, 2016): https://shorturl.at/eipIP • ‘Lisztomania: the 19th-century pop phenomenon that made Beatlemania look tame' (The Telegraph, 2019): https://shorturl.at/lwNOP • ‘Before Beatlemania, There Was Lisztomania' (Great Big Story, 2020): https://www.youtube.com/watch?v=3sjCA8OPobw  Love the show? Support us!  Join 

Franz Liszt - OrpheusHungarian State Orchestra Janos Ferencsik, conductorMore info about today's track: Capriccio C51039Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Il est toujours difficile d'être l'enfant d'un génie ; le fils de Franz Liszt et de Marie d'Agoult, Daniel, aura passé sa courte vie à l'éprouver. Mention légales : Vos données de connexion, dont votre adresse IP, sont traités par Radio Classique, responsable de traitement, sur la base de son intérêt légitime, par l'intermédiaire de son sous-traitant Ausha, à des fins de réalisation de statistiques agréées et de lutte contre la fraude. Ces données sont supprimées en temps réel pour la finalité statistique et sous cinq mois à compter de la collecte à des fins de lutte contre la fraude. Pour plus d'informations sur les traitements réalisés par Radio Classique et exercer vos droits, consultez notre Politique de confidentialité.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

She prevented war and death on an immense scale, in acts that could earn the Nobel Peace Prize today. But History enshrined Sisi, Empress of Austria, as a vain beauty queen. The smear campaign was personal, not political: it started with her own tyrannical mother-in-law. Can Sisi conquer her own self-doubt, and drag draconian Austria into the modern world? Our guest is Nancy Goldstone, author of The Rebel Empresses: Elisabeth of Austria and Eugenie of France, Power and Glamor in the Struggle for Europe. _________________ Music in the episode includes works by Johann Strauss, Joseph Suk, Giuseppe Verdi, Bedrich Smetana, Johannes Brahms, Franz Schubert, Franz Liszt, and Kevin MacLeod. Join us on our women's history tours! What'sHerName listeners make the best travel buddies. Learn more about your ad choices. Visit podcastchoices.com/adchoices