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8 episodes with chorus show id
10 episodes with chorus show id
10 episodes with chorus show id
Johannes Brahm's Symphony No. 3, composed in 1883, is the shortest, subtlest, and most concise of his four symphonies. Each movement demonstrates Brahms' mastery of the form as he ranges from boisterous to introspective, ending on a note of dignified restraint. Series: "La Jolla Symphony & Chorus" [Show ID: 35728]
Johannes Brahm's Symphony No. 3, composed in 1883, is the shortest, subtlest, and most concise of his four symphonies. Each movement demonstrates Brahms' mastery of the form as he ranges from boisterous to introspective, ending on a note of dignified restraint. Series: "La Jolla Symphony & Chorus" [Show ID: 35728]
Johannes Brahm's Symphony No. 3, composed in 1883, is the shortest, subtlest, and most concise of his four symphonies. Each movement demonstrates Brahms' mastery of the form as he ranges from boisterous to introspective, ending on a note of dignified restraint. Series: "La Jolla Symphony & Chorus" [Show ID: 35728]
Johannes Brahm's Symphony No. 3, composed in 1883, is the shortest, subtlest, and most concise of his four symphonies. Each movement demonstrates Brahms' mastery of the form as he ranges from boisterous to introspective, ending on a note of dignified restraint. Series: "La Jolla Symphony & Chorus" [Show ID: 35728]
Johannes Brahm's Symphony No. 3, composed in 1883, is the shortest, subtlest, and most concise of his four symphonies. Each movement demonstrates Brahms' mastery of the form as he ranges from boisterous to introspective, ending on a note of dignified restraint. Series: "La Jolla Symphony & Chorus" [Show ID: 35728]
Johannes Brahm's Symphony No. 3, composed in 1883, is the shortest, subtlest, and most concise of his four symphonies. Each movement demonstrates Brahms' mastery of the form as he ranges from boisterous to introspective, ending on a note of dignified restraint. Series: "La Jolla Symphony & Chorus" [Show ID: 35728]
Emerging composer Anahita Abbasi, recipient of a Steven and Brenda Schick Commission, premieres an adventurous work that expresses the perspectives of a diverse community through the interplay of multiple soloists and the orchestra. Series: "La Jolla Symphony & Chorus" [Show ID: 35727]
Emerging composer Anahita Abbasi, recipient of a Steven and Brenda Schick Commission, premieres an adventurous work that expresses the perspectives of a diverse community through the interplay of multiple soloists and the orchestra. Series: "La Jolla Symphony & Chorus" [Show ID: 35727]
Emerging composer Anahita Abbasi, recipient of a Steven and Brenda Schick Commission, premieres an adventurous work that expresses the perspectives of a diverse community through the interplay of multiple soloists and the orchestra. Series: "La Jolla Symphony & Chorus" [Show ID: 35727]
Emerging composer Anahita Abbasi, recipient of a Steven and Brenda Schick Commission, premieres an adventurous work that expresses the perspectives of a diverse community through the interplay of multiple soloists and the orchestra. Series: "La Jolla Symphony & Chorus" [Show ID: 35727]
Emerging composer Anahita Abbasi, recipient of a Steven and Brenda Schick Commission, premieres an adventurous work that expresses the perspectives of a diverse community through the interplay of multiple soloists and the orchestra. Series: "La Jolla Symphony & Chorus" [Show ID: 35727]
Emerging composer Anahita Abbasi, recipient of a Steven and Brenda Schick Commission, premieres an adventurous work that expresses the perspectives of a diverse community through the interplay of multiple soloists and the orchestra. Series: "La Jolla Symphony & Chorus" [Show ID: 35727]
Los Angeles-based composer Michael Pisaro's "Umbra & Penumbra" features virtuoso percussionist Greg Stuart as a soloist whose sounds function as the foundation of the piece, rather than as an ornament. The role of the orchestra is to draw out, and expand upon, the colors each sound casts. Series: "La Jolla Symphony & Chorus" [Show ID: 35726]
Los Angeles-based composer Michael Pisaro's "Umbra & Penumbra" features virtuoso percussionist Greg Stuart as a soloist whose sounds function as the foundation of the piece, rather than as an ornament. The role of the orchestra is to draw out, and expand upon, the colors each sound casts. Series: "La Jolla Symphony & Chorus" [Show ID: 35726]
Los Angeles-based composer Michael Pisaro's "Umbra & Penumbra" features virtuoso percussionist Greg Stuart as a soloist whose sounds function as the foundation of the piece, rather than as an ornament. The role of the orchestra is to draw out, and expand upon, the colors each sound casts. Series: "La Jolla Symphony & Chorus" [Show ID: 35726]
Los Angeles-based composer Michael Pisaro's "Umbra & Penumbra" features virtuoso percussionist Greg Stuart as a soloist whose sounds function as the foundation of the piece, rather than as an ornament. The role of the orchestra is to draw out, and expand upon, the colors each sound casts. Series: "La Jolla Symphony & Chorus" [Show ID: 35726]
Los Angeles-based composer Michael Pisaro's "Umbra & Penumbra" features virtuoso percussionist Greg Stuart as a soloist whose sounds function as the foundation of the piece, rather than as an ornament. The role of the orchestra is to draw out, and expand upon, the colors each sound casts. Series: "La Jolla Symphony & Chorus" [Show ID: 35726]
Los Angeles-based composer Michael Pisaro's "Umbra & Penumbra" features virtuoso percussionist Greg Stuart as a soloist whose sounds function as the foundation of the piece, rather than as an ornament. The role of the orchestra is to draw out, and expand upon, the colors each sound casts. Series: "La Jolla Symphony & Chorus" [Show ID: 35726]
Brahms' "Academic Festival Overture," which the composer offhandedly characterized as "a potpourri of student songs," features an unusual treatment of standard sonata form. What emerges is one of those rarities in classical music: a fun piece, full of antic humor, that invites the listener to laugh along with the composer. Series: "La Jolla Symphony & Chorus" [Show ID: 35725]
Brahms' "Academic Festival Overture," which the composer offhandedly characterized as "a potpourri of student songs," features an unusual treatment of standard sonata form. What emerges is one of those rarities in classical music: a fun piece, full of antic humor, that invites the listener to laugh along with the composer. Series: "La Jolla Symphony & Chorus" [Show ID: 35725]
Brahms' "Academic Festival Overture," which the composer offhandedly characterized as "a potpourri of student songs," features an unusual treatment of standard sonata form. What emerges is one of those rarities in classical music: a fun piece, full of antic humor, that invites the listener to laugh along with the composer. Series: "La Jolla Symphony & Chorus" [Show ID: 35725]
Brahms' "Academic Festival Overture," which the composer offhandedly characterized as "a potpourri of student songs," features an unusual treatment of standard sonata form. What emerges is one of those rarities in classical music: a fun piece, full of antic humor, that invites the listener to laugh along with the composer. Series: "La Jolla Symphony & Chorus" [Show ID: 35725]
Brahms' "Academic Festival Overture," which the composer offhandedly characterized as "a potpourri of student songs," features an unusual treatment of standard sonata form. What emerges is one of those rarities in classical music: a fun piece, full of antic humor, that invites the listener to laugh along with the composer. Series: "La Jolla Symphony & Chorus" [Show ID: 35725]
Brahms' "Academic Festival Overture," which the composer offhandedly characterized as "a potpourri of student songs," features an unusual treatment of standard sonata form. What emerges is one of those rarities in classical music: a fun piece, full of antic humor, that invites the listener to laugh along with the composer. Series: "La Jolla Symphony & Chorus" [Show ID: 35725]
The 1981 premiere of John Adams' "Harmonium" signaled the arrival of a major new talent. A "choral symphony" based on poems by John Donne and Emily Dickinson, this piece marked Adams' pursuit of a new path as a composer, one that employed some of the techniques of minimalism in service of a new harmonic language. Series: "La Jolla Symphony & Chorus" [Show ID: 35504]
The 1981 premiere of John Adams' "Harmonium" signaled the arrival of a major new talent. A "choral symphony" based on poems by John Donne and Emily Dickinson, this piece marked Adams' pursuit of a new path as a composer, one that employed some of the techniques of minimalism in service of a new harmonic language. Series: "La Jolla Symphony & Chorus" [Show ID: 35504]
The 1981 premiere of John Adams' "Harmonium" signaled the arrival of a major new talent. A "choral symphony" based on poems by John Donne and Emily Dickinson, this piece marked Adams' pursuit of a new path as a composer, one that employed some of the techniques of minimalism in service of a new harmonic language. Series: "La Jolla Symphony & Chorus" [Show ID: 35504]
The 1981 premiere of John Adams' "Harmonium" signaled the arrival of a major new talent. A "choral symphony" based on poems by John Donne and Emily Dickinson, this piece marked Adams' pursuit of a new path as a composer, one that employed some of the techniques of minimalism in service of a new harmonic language. Series: "La Jolla Symphony & Chorus" [Show ID: 35504]
The 1981 premiere of John Adams' "Harmonium" signaled the arrival of a major new talent. A "choral symphony" based on poems by John Donne and Emily Dickinson, this piece marked Adams' pursuit of a new path as a composer, one that employed some of the techniques of minimalism in service of a new harmonic language. Series: "La Jolla Symphony & Chorus" [Show ID: 35504]
The 1981 premiere of John Adams' "Harmonium" signaled the arrival of a major new talent. A "choral symphony" based on poems by John Donne and Emily Dickinson, this piece marked Adams' pursuit of a new path as a composer, one that employed some of the techniques of minimalism in service of a new harmonic language. Series: "La Jolla Symphony & Chorus" [Show ID: 35504]
Thomas Nee Commission recipient Celeste Oram presents a new concerto for orchestra, violin soloist Keir GoGwilt, and three offstage voices. Series: "La Jolla Symphony & Chorus" [Show ID: 35502]
Thomas Nee Commission recipient Celeste Oram presents a new concerto for orchestra, violin soloist Keir GoGwilt, and three offstage voices. Series: "La Jolla Symphony & Chorus" [Show ID: 35502]
Thomas Nee Commission recipient Celeste Oram presents a new concerto for orchestra, violin soloist Keir GoGwilt, and three offstage voices. Series: "La Jolla Symphony & Chorus" [Show ID: 35502]
Thomas Nee Commission recipient Celeste Oram presents a new concerto for orchestra, violin soloist Keir GoGwilt, and three offstage voices. Series: "La Jolla Symphony & Chorus" [Show ID: 35502]
Thomas Nee Commission recipient Celeste Oram presents a new concerto for orchestra, violin soloist Keir GoGwilt, and three offstage voices. Series: "La Jolla Symphony & Chorus" [Show ID: 35502]
Thomas Nee Commission recipient Celeste Oram presents a new concerto for orchestra, violin soloist Keir GoGwilt, and three offstage voices. Series: "La Jolla Symphony & Chorus" [Show ID: 35502]
Virtuoso violinist Keir GoGwilt is the featured soloist in Robert Schumann's vibrant "Violin Concerto in D Minor." Once rescued from an early undeserved obscurity, this piece quickly became one of the most popular in the violin repertoire. Series: "La Jolla Symphony & Chorus" [Show ID: 35503]
Virtuoso violinist Keir GoGwilt is the featured soloist in Robert Schumann's vibrant "Violin Concerto in D Minor." Once rescued from an early undeserved obscurity, this piece quickly became one of the most popular in the violin repertoire. Series: "La Jolla Symphony & Chorus" [Show ID: 35503]
Virtuoso violinist Keir GoGwilt is the featured soloist in Robert Schumann's vibrant "Violin Concerto in D Minor." Once rescued from an early undeserved obscurity, this piece quickly became one of the most popular in the violin repertoire. Series: "La Jolla Symphony & Chorus" [Show ID: 35503]
Virtuoso violinist Keir GoGwilt is the featured soloist in Robert Schumann's vibrant "Violin Concerto in D Minor." Once rescued from an early undeserved obscurity, this piece quickly became one of the most popular in the violin repertoire. Series: "La Jolla Symphony & Chorus" [Show ID: 35503]
Virtuoso violinist Keir GoGwilt is the featured soloist in Robert Schumann's vibrant "Violin Concerto in D Minor." Once rescued from an early undeserved obscurity, this piece quickly became one of the most popular in the violin repertoire. Series: "La Jolla Symphony & Chorus" [Show ID: 35503]
Virtuoso violinist Keir GoGwilt is the featured soloist in Robert Schumann's vibrant "Violin Concerto in D Minor." Once rescued from an early undeserved obscurity, this piece quickly became one of the most popular in the violin repertoire. Series: "La Jolla Symphony & Chorus" [Show ID: 35503]
Béla Bartók's "Concerto for Orchestra" is one of that composer's most accessible and popular works. Composed at a time when Bartók was terminally ill with leukemia, the Concerto is nonetheless full of energy and humor. In Bartók's words this music is intended to be "a life-assertion," and it served as a great composer's final artistic statement. Series: "La Jolla Symphony & Chorus" [Show ID: 35400]
Béla Bartók's "Concerto for Orchestra" is one of that composer's most accessible and popular works. Composed at a time when Bartók was terminally ill with leukemia, the Concerto is nonetheless full of energy and humor. In Bartók's words this music is intended to be "a life-assertion," and it served as a great composer's final artistic statement. Series: "La Jolla Symphony & Chorus" [Show ID: 35400]
Béla Bartók's "Concerto for Orchestra" is one of that composer's most accessible and popular works. Composed at a time when Bartók was terminally ill with leukemia, the Concerto is nonetheless full of energy and humor. In Bartók's words this music is intended to be "a life-assertion," and it served as a great composer's final artistic statement. Series: "La Jolla Symphony & Chorus" [Show ID: 35400]
Béla Bartók's "Concerto for Orchestra" is one of that composer's most accessible and popular works. Composed at a time when Bartók was terminally ill with leukemia, the Concerto is nonetheless full of energy and humor. In Bartók's words this music is intended to be "a life-assertion," and it served as a great composer's final artistic statement. Series: "La Jolla Symphony & Chorus" [Show ID: 35400]
Béla Bartók's "Concerto for Orchestra" is one of that composer's most accessible and popular works. Composed at a time when Bartók was terminally ill with leukemia, the Concerto is nonetheless full of energy and humor. In Bartók's words this music is intended to be "a life-assertion," and it served as a great composer's final artistic statement. Series: "La Jolla Symphony & Chorus" [Show ID: 35400]
Béla Bartók's "Concerto for Orchestra" is one of that composer's most accessible and popular works. Composed at a time when Bartók was terminally ill with leukemia, the Concerto is nonetheless full of energy and humor. In Bartók's words this music is intended to be "a life-assertion," and it served as a great composer's final artistic statement. Series: "La Jolla Symphony & Chorus" [Show ID: 35400]
Rossini's 1829 opera "William Tell" is rarely performed today, but its Overture lives on as one of the most popular works in the classical repertoire. The Overture is essentially an instrumental suite written in four parts and performed without pause. The best-known section is the last, the allegro vivace, famously used as the rousing theme music for "The Lone Ranger" radio and TV series (and notoriously so in "A Clockwork Orange). Series: "La Jolla Symphony & Chorus" [Show ID: 35398]
Rossini's 1829 opera "William Tell" is rarely performed today, but its Overture lives on as one of the most popular works in the classical repertoire. The Overture is essentially an instrumental suite written in four parts and performed without pause. The best-known section is the last, the allegro vivace, famously used as the rousing theme music for "The Lone Ranger" radio and TV series (and notoriously so in "A Clockwork Orange). Series: "La Jolla Symphony & Chorus" [Show ID: 35398]
Rossini's 1829 opera "William Tell" is rarely performed today, but its Overture lives on as one of the most popular works in the classical repertoire. The Overture is essentially an instrumental suite written in four parts and performed without pause. The best-known section is the last, the allegro vivace, famously used as the rousing theme music for "The Lone Ranger" radio and TV series (and notoriously so in "A Clockwork Orange). Series: "La Jolla Symphony & Chorus" [Show ID: 35398]
Rossini's 1829 opera "William Tell" is rarely performed today, but its Overture lives on as one of the most popular works in the classical repertoire. The Overture is essentially an instrumental suite written in four parts and performed without pause. The best-known section is the last, the allegro vivace, famously used as the rousing theme music for "The Lone Ranger" radio and TV series (and notoriously so in "A Clockwork Orange). Series: "La Jolla Symphony & Chorus" [Show ID: 35398]
In the 2018/2019 season the La Jolla Symphony performed Florence Price's "Violin Concerto No. 2," and inaugurates their 2019/20120 season with Price's "Violin Concerto No. 1 in D Major." Florence Price was the first African-American woman to have a symphonic piece performed in the 1930's by a major orchestra, but her work has been sadly neglected in the decades since. The chance discovery of several scores in 2009, including the two Violin Concertos, has sparked renewed interest in her compositions. Series: "La Jolla Symphony & Chorus" [Show ID: 35399]
In the 2018/2019 season the La Jolla Symphony performed Florence Price's "Violin Concerto No. 2," and inaugurates their 2019/20120 season with Price's "Violin Concerto No. 1 in D Major." Florence Price was the first African-American woman to have a symphonic piece performed in the 1930's by a major orchestra, but her work has been sadly neglected in the decades since. The chance discovery of several scores in 2009, including the two Violin Concertos, has sparked renewed interest in her compositions. Series: "La Jolla Symphony & Chorus" [Show ID: 35399]
In the 2018/2019 season the La Jolla Symphony performed Florence Price's "Violin Concerto No. 2," and inaugurates their 2019/20120 season with Price's "Violin Concerto No. 1 in D Major." Florence Price was the first African-American woman to have a symphonic piece performed in the 1930's by a major orchestra, but her work has been sadly neglected in the decades since. The chance discovery of several scores in 2009, including the two Violin Concertos, has sparked renewed interest in her compositions. Series: "La Jolla Symphony & Chorus" [Show ID: 35399]
In the 2018/2019 season the La Jolla Symphony performed Florence Price's "Violin Concerto No. 2," and inaugurates their 2019/20120 season with Price's "Violin Concerto No. 1 in D Major." Florence Price was the first African-American woman to have a symphonic piece performed in the 1930's by a major orchestra, but her work has been sadly neglected in the decades since. The chance discovery of several scores in 2009, including the two Violin Concertos, has sparked renewed interest in her compositions. Series: "La Jolla Symphony & Chorus" [Show ID: 35399]
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