Podcasts about F major

ludwig van beethoven c major f major sonata no piano sonata no major op

Play Episode Listen Later May 9, 2026 58:36

We'll look at the famous Waldstein Sonata in C Major, Op. 53, and the Sonata No. 22 in F Major, Op. 54.

Ep. 58 Beethoven's String Quartet No. 13 in B-flat Major, Op. 130; String Quartet No. 14 in C-sharp Minor, Op. 131; and String Quartet No. 16 in F Major, Op. 135

Play Episode Listen Later May 9, 2026 83:30

We'll look at Beethoven's final three string quartets: No. 13 in B-flat Major, No. 14 in C-sharp Minor, and No. 16 in F Major.

minor ludwig van beethoven string quartets f major string quartet no b flat major c sharp minor major op

Ep. 40 Beethoven's Symphony No. 6 in F Major (“Pastoral”), Op. 68

ludwig van beethoven pastoral symphony no f major

Play Episode Listen Later May 9, 2026 66:19

We'll talk about Beethoven's great “Pastoral” Symphony No. 6 in F Major, Op. 68.

Ep. 33 Beethoven's “Razumovsky” String Quartets, Op 59

ludwig van beethoven string quartets e minor f major

Play Episode Listen Later May 9, 2026 70:45

We'll look at String Quartet in F Major, Op. 59, No. 1, and String Quartet in E Minor, Op. 59, No. 2.

Ep. 51 Beethoven's Symphony No. 8 in F Major, Op. 93

ludwig van beethoven symphony no f major major op

Play Episode Listen Later May 9, 2026 67:16

We'll focus on Beethoven's Symphony No. 8 in F Major, Op. 93.

Ep. 26 Beethoven's Romances for Violin and Orchestra

romance ludwig van beethoven orchestras violin g major f major

Play Episode Listen Later May 9, 2026 42:45

In the two Romances for Violin and Orchestra, Op. 40 in G Major and Op. 50 in F Major, we encounter not the innovative Beethoven, but rather the creator of graceful and attractive works designed to please performer and audience alike.

Ep. 15 Beethoven's Violin Sonata No. 4 in A Minor, Op. 23 and No. 5 in F Major (“Spring”)

Play Episode Listen Later May 9, 2026 58:17

We'll look at Beethoven's Violin Sonata No. 4 in A Minor, Op. 23, and No. 5 in F Major, Op. 24, the “Spring” Sonata.

spring minor ludwig van beethoven f major violin sonata no

Ep. 12 Beethoven's Op. 18 String Quartets, part 1

ludwig van beethoven string quartets d major g major f major string quartet no

Play Episode Listen Later May 9, 2026 61:56

We'll look at String Quartet No. 1 in F Major, No. 2 in G Major and No. 3 in D Major.

Ep. 7 Beethoven's Op. 10 Piano Sonatas

piano ludwig van beethoven sonata c minor f major

Play Episode Listen Later May 9, 2026 54:11

We'll look at two sonatas from Op. 10: No. 5 in C Minor and No. 6 in F Major.

Ep. 6 Beethoven's Cello Sonatas, Op. 5 and String Trios. Op. 9

Play Episode Listen Later May 9, 2026 59:55

We'll focus on the Cello Sonata in F Major, Op. 5, No. 1 and the String Trio in G Major, Op. 9, No. 1.

ludwig van beethoven string cello sonata trios g major f major cello sonata string trio

S05E11 Persuasion, Chapters 23 to 24

Grace Covenant Recordings

Play Episode Listen Later May 3, 2026 59:48

In our final episode on Persuasion, we talk about how much more satisfactory this is than the original ending, the purpose of the discussion between Mrs Croft and Mrs Musgrove, the conversation between Anne and Captain Harville, Wentworth's letter, his feeling that he had a moral obligation to marry Louisa and the wrap-up of the story.The character we discuss is Anne Elliot. In the historical section, Michael talks about the British Navy at the end of, and after, the Napoleonic Wars, and for popular culture Harriet discusses various modernised versions of Persuasion.Things we mention:General discussion:Janet Todd and Antje Blank [Editors], The Cambridge Edition of the Works of Jane Austen: Persuasion (2006)Character discussion:YouTube video: Karolina Żebrowska, Why Does Hollywood Hate Gentle Characters? ‖ Netflix “Persuasion” Review (2022)Popular culture discussion:Melissa Nathan, Persuading Annie (2000)Sara Marks, Modern Persuasion (2017)Sonali Dev, Recipe for Persuasion (2020)Sarah Dass, Where the Rhythm Takes You (2021)Uzma Jalaluddin, Much Ado About Nada (2023)Melodie Edwards, Once Persuaded Twice Shy (2024)Rhombus Media, Slings and Arrows (2003-2006) [mentioned but not a Persuasion adaptation]Diana Peterfreund, For Darkness Shows the Stars (2012)John Wyndham, The Chrysalids (1955) [mentioned but not a Persuasion adaptation]Suzanne Collins, The Hunger Games (2008) [mentioned but not a Persuasion adaptation]Creative commons music used:Extract from Wolfgang Amadeus Mozart, Sonata No. 12 in F Major, ii. Adagio.Extract from Joseph Haydn, Piano Sonata No. 38. Performance by Ivan Ilić, recorded in Manchester in December, 2006. File originally from IMSLP.Extract from Wolfgang Amadeus Mozart, Sonata No. 13 in B-Flat Major, iii. Allegretto Grazioso. File originally from Musopen.Extract from George Frideric Handel, Suite I, No. 2 in F Major, ii. Allegro. File originally from Musopen.Extract from Ludwig van Beethoven, Piano Sonata No. 28 in A major. File originally from Musopen.

Music: Allegro (Organ Concerto in F Major), George Frideric Handel. 1685-1759

Play Episode Listen Later Apr 19, 2026 4:07

music organ concerto allegro f major george frideric handel

Allemanda from Sonata in F major Op.2 No.4 for violin and piano - Mp3 audio file

VSM: Mp3 audio files

Play Episode Listen Later Feb 25, 2026 2:30

video piano strings violin sonata corrente andante antonio vivaldi audio files scorch f major major op sarabanda fingerings

Notes from the Aisle Seat Episode 5.12 - The "Winter Be Gone" Edition

Notes From The Aisle Seat

Play Episode Listen Later Feb 25, 2026 62:37

Welcome to Season 05 Episode 5.12- the "Winter Be Gone" edition - of Notes from the Aisle Seat, the podcast featuring news and information about the arts in northern Chautauqua County NY, sponsored by the 1891 Fredonia Opera House. Your host is Tom Loughlin, SUNY Distinguished Teaching Professor and Chair Emeritus of Theatre and Dance at SUNY Fredonia. Guests on this episode include: BA Van Sise/Children of Grass; Dan Lendzian/Ruthless! - The Musical; Vernon Huff/SUNY Fredonia Choral Festival Notes from the Aisle Seat is available from most of your favorite podcast sites, as well as on the Opera House YouTube Channel. If you enjoy this podcast, please spread the word through your social media feeds, give us a link on your website, and consider becoming a follower by clicking the "Follow" button in the upper right-hand corner of our home page. If you have an arts event you'd like to publicize, hit us up at operahouse@fredopera.org and let us know what you have! Please give us at least one month's notice to facilitate timely scheduling. Time Stamps (Approximate) BA Van Sise/Children of Grass - 1:21 Dan Lendzian/Ruthless - The Musical 20:50 Arts Calendar - 40:05 Vernon Huff/SUNY Choral Festival - 42:40 Artist Links BA Van Sise Dan Lendzian Vernon Huff Media Symphony No. 6 in F Major, Opus 68 (Pastorale), Ludwig von Beethoven, composer; performed by the Frankfort Symphony Orchestra, Ariane Matiakh, conductor, October 2021 "Born to Entertain", from the musical Ruthless! - The Musical; music by Marvin Laird and book and lyrics by Joel Paley, performed by Lindsay Ridgeway from the Los Angeles production, 1994. "Desafinado", Antonio Carlos Jobim, composer; lyrics by Newton Mendonça; performed by the Stan Getz and Charlie Byrd Sextet from the album Jazz Samba; Verve Records, 1962 Wade in the Water, traditional African-American spiritual; arranged by Stacy V. Gibbs, performed by the Houston Chamber Choir, April 2023 When It's Springtime in the Rockies, music by Robert Sauer, lyrics by Mary Hale Woolsey, 1929; performed by The Sons of the Pioneers, from their album Sing Campfire Favorites, RCA Records 1967 Box Office at SUNY Fredonia Lake Shore Center for the Arts Main Street Studios Ticket Website SUNY Fredonia School of Music Events WCVF Fredonia WRFA Jamestown The 1891 Run for the Opera House, April 2026 BECOME AN OPERA HOUSE MEMBER!

Johanne Sebastian Bach - the Clavier - VV-031

Vinyl Vibrations with Brian Frederick podcast

Play Episode Listen Later Feb 5, 2026 47:17

SONGS in this podcast episode: M1 NUN KOMM DER HEIDEN HEILAND, JS BACH, 1714, BWV 61 (5:21) M2 TOCCATA & FUGUE in C MAJOR M.2 ADAGIO, 1710-1717, BWV 564 (4:20). M3 TWO-PART INVENTION in F MAJOR, JS BACH, 1720-1723 (0:40). M4 TWO-PART INVENTION in B-FLAT MAJOR, JS BACH, 1720-1723 (1:30) M5 TWO-PART INVENTION in D MINOR, JS BACH, 1720-1723, (0:55). M6 PRELUDE & FUGUE No. 5 “Le Clavier Bien Tempere” D-Major, JS BACH, 1722, BWV 850 (3:06). M7 JESU, JOY OF MAN'S DESIRING, JS BACH, 1723, BWV 147 (2:56) M8 CHORALE PRELUDE “WACHET AUF”, JS BACH, 1731, BWV 140 (3:37) PROGRAM NOTES Johann Sebastian Bach was a German composer and organist from the late Baroque period. He was born in Eisenach, in what is now central Germany. Bach lived from 1685 to 1750, The Baroque period was a 150-year period in music, dating from 1600 to 1750. Baroque music is Western Classical Music that followed the Renaissance period. Baroque music features drama, ornamentation, major and minor tones, and was presented in new ways – – like the Opera, Concerto, and Sonata, Baroque composers included BACH, HANDEL, VIVALDI. M9 AIR ON A G-STRING, JS BACH, 1730, BWV 1068 (2:27). Bach probably used the CLAVICHORD to compose most of his music. The Clavichord is small, lightweight and would not disturb people. The clavichord was very temperamental, because it required tuning before each play, just like a violin or guitar. The keyboard instruments of the day were referred to as a general category: the “KLAVIER”….these included HARPSICHORD, CLAVICHORD, ORGAN and PIANOFORTE. Bach's favorite KLAVIER instrument was the LAUTENWERK or LUTE HARPSICHORD with animal gut strings. The writing of music was in support of GOD and KINGS. Over time, Baroque Music evolved into what is today known as the modern Orchestra. Bach was a prolific composer, writing hundreds of pieces for solo instruments, particularly the organ. He also wrote pieces for orchestra and choir. Bach is MOST known for writing two or more melodies or voices against each other. Also called point against point, or, Counterpoint. Bit Bucket A BWV catalog number is a unique identifier for musical works composed by Johann Sebastian Bach, standing for Bach-Werke-Verzeichnis (Bach Works Catalogue). Today I will present 9 compositions, dating from 1710 to 1731, during the time Bach was about age 25 to 45. M1 TOCCATA & FUGUE in C MAJOR M.2 ADAGIO, 1710-1717, BWV 564 (4:20) Our first piece — TOCATA & FUGUE in C MAJOR , the 2nd movement (ADAGIO). an ORGAN COMPOSITION. It is taken from a 1959 album of BACH ORGAN WORKS . The movement is called ADAGIO ….which indicates “At Ease”, or “Slow and Stately”. Tempo is only 66-76 BPM. like the resting heart rate for many people. Great liner notes. HERE IS AN excerpt from the liner notes on that album – – QUOTE “OUR BACH” said the obituary notice, “was the greatest organ and clavier player that ever lived”. Though it may seem strange to us now, Bach's genius during his life was recognized only as a master of the organ—not as a composer. It was actually over a hundred years after his death that his works revealed him as a unique and mighty composer. His reputation as an organist brought many invitations to test new organs and advise on the construction of them. UNQUOTE As with most of his organ works , there is no autograph or manuscript score from Bach, his organ work manuscript copies are lost. This song has a CONCERTO style and rhythm. We will hear the 2nd or ADAGIO movement. . It is all very calm and beautiful and pastoral and serene…until Bach pulls out all the stops in the last minute of this ADAGIO movement. He is really rocking the walls and windows of that church. Without any further adieu, here is TOCATA & FUGUE in C MAJOR , the 2nd movement (ADAGIO). PLAY M2 SHOW PLUG – DON'T TOUCH THAT DIAL ! That was…M2 MUSICAL CREDIT: This Bach organ work was recorded on the Luneburg Organ at St. Johanniskirche, in the town of Luneburg, in northern Germany, the organist is Professor Michael Schneider. This LP was produced and released on the SOMERSET label here in the US in 1959 The album title is BACH The Majesty of the Luneburger Organ. M2 NUN KOMM DER HEIDEN HEILAND, JS BACH, 1714, BWV 61 (5:21) Our next piece is the most famous church cantata written in 1714 for THE FIRST SUNDAY IN ADVENT. NUN KOMM DER HEIDEN HEILAND or in English “NOW COME, SAVIOR OF THE HEATHANS” A HEATHAN is a person with no religion, i.e., a PAGAN. In this chorale, Jesus is asked to … come and save the pagans. In 1714, Bach would have been 29 years of age. It turns out that this song goes back almost two centuries before BACH's time. It's based on a LUTERAN CHORALE with words written by Martin Luther for the 1523 first Advent Sunday. For centuries, this was the first hymn for the first Sunday of ADVENT. What I will play next is an arrangement for as modern symphony orchestra (the Philadelphia Orchestra) and it is definitely JS BACH heard in those phrases. But it is a large orchestra – – Conducted by Leopold Stokowski. This is an extremely restrained, demure, and understated interpretation of a Bach piece the most restrained I have ever heard. The recording you will hear next is performed by the Philadelphia Orchestra, with conductor Leopold Stokowski. This recording is on a Vinyl LP titled THE SOUND OF GENIUS, produced by COLUMBIA MASTERWORKS, in 1960. It was one of many records that were shipped by mail to members of the Columbia Record Club. My parents were enthusiastic members. A new disc would arrive in the mail every month, such as this LP of classical music. Without further delay here is NOW COME, SAVIOR OF THE HEATHANS PLAY M1 SHOW PLUG – SHOW PLUG – DON'T TOUCH THAT DIAL ! ! That was…M1 NOW COME, SAVIOR OF THE HEATHANS” MUSICAL CREDIT: Arranger and Composer JS Bach, sometime between the years 1708-1717 Performance: Philadelphia Orchestra, conducted by Leopold Stokowski. Album: The Sound of Genius Limited Edition LP (1960) Members Only ! Label: Columbia Master Works BIT BUCKET This piece also is based on a song listed in the ZAHN Lutheran chorales catalog. ZAHN 1174 M3 TWO-PART INVENTION in F MAJOR, JS BACH, 1720-1723 (0:40) The next three pieces are called TWO PART INVENTIONS, composed by JS Bach around 1720 The inventions were composed for use in instruction of Bach's oldest son WILHELM FRIEDEMANN BACH who was 12 years old. Today, these inventions are introduced to music students in school grades 4-7. Learning the Two-Part Invention requires ROTE learning, practicing over and over until the two hands work completely independently of one another. The inventions teach, among other things, the use of COUNTERPOINT. Bach is MOST known for writing two melodies against each other. Also called point against point, or, Counterpoint. That is the feature of these inventions, in each one there are TWO PARTS, left and right hand parts. COUNTERPOINT is found mostly in Bach's FUGUES and in his INVENTIONS. Perhaps a brief demonstration is in order. Here is an excerpt from one of Bach's inventions. FIRST the right-hand part or first point – the melody SECOND the left-hand part or second point – the bass line LAST both parts played in counterpoint. In some of Bach works, the roles reverse, The left hand plays the first point – the melody And the right hand plays the second point – the bass line Could you do this by crossing hands on the keyboard – yes, but, the roles are reversed, so no cross-hand playing. I will now play WENDY CARLOS's rendition of three BACH TWO-PART INVENTIONS from her 1969 recording titled “SWITCHED ON BACH” .. I will play all three, back-to-back. Each one is short – – average length ONE MINUTE EACH! PLAY M3 PLAY M4 PLAY M5 Credits: HOLD ON READING THE CREDITS UNTIL ALL THREE INVENTIONS ARE PLAYED M4 TWO-PART INVENTION in B-FLAT MAJOR, JS BACH, 1720-1723 (1:30) And now….. PLAY M4 SHOW PLUG – DON'T TOUCH THAT DIAL ! That was…M4 MUSICAL CREDIT: HOLD ON READING THE CREDITS UNTIL ALL THREE INVENTIONS ARE PLAYED M5 TWO-PART INVENTION in D MINOR, JS BACH, 1720-1723, (0:55) PLAY M5 SHOW PLUG – DON'T TOUCH THAT DIAL ! That was…M5 We heard three inventions – – Bach's 2-PART INVENTION in F MAJOR And the 2-PART INVENTION in B-FLAT MAJOR And the 2-PART INVENTION IN D MINOR Each invention is very different than the other. Not just a key change like the work title would suggest ! Bach stated that he wrote his inventions “to be models of composition” in other words, to enable the student to form ways of developing musical ideas and “acquire a strong taste of composition” Bach wrote the inventions, one for of the notes A to G and one for each minor and major key. Today these inventions are over 300 years old ! MUSICAL CREDIT: Composer JS Bach Estimated dates between 1720-1723 Performer – Wendy Carlos – early prototype Moog Synthesizer Arranger and Recording Engineer – Wendy Carlos on MOOG SYNTHESIZER in 1968. Record and label: Switched-On Bach, Columbia/CBS BIT BUCKET M6 PRELUDE & FUGUE No. 5 “Le Clavier Bien Tempere” D-Major, JS BACH, 1722, BWV 850 (3:06) Next is Bach's “The Well-Tempered Clavier” written in 1722. He was 37. The title page to the Well-tempered Clavier song book reads : “The well-tempered Clavier, or Preludes and Fugues, through all the tones and semitones, both the [major] and [minor]. For the profit and use of the studious musical young…” Bach wrote these preludes and fugues in all keys in the chromatic scale … 12 major and 12 minor keys I have the version in D MAJOR. It's two sections – the prelude, and the fugue The Prelude is the introduction. LISTEN FOR the Stride Piano on the left hand !! It's a short 1:10. The Fugue is the second section. It's slower but with a more Bold left hand. Also short at 1:54. And now….PRELUDE & FUGUE No. 5 D-Major fromThe Well-Tempered Clavier PLAY M6 SHOW PLUG – DON'T TOUCH THAT DIAL ! That was…M6 PRELUDE & FUGUE No. 5 D-Major from The Well-Tempered Clavier MUSICAL CREDIT: Composer JS Bach and the autograph date is 1722 Pianist: Vasso Devetzi Label Festival Classique (1978) M7 JESU, JOY OF MAN'S DESIRING, JS BACH, 1723, BWV 147 (3:22) Our next song is Jesu, Joy of Man's Desiring This song was also composed by JS Bach in that same year of 1723 – – prolific at age 38. This was written for the Christian Feast of the Visitation- celebrated at the end of May in Western Christianity. The song is a Lutheran hymn. … a CANTATA and it has a CHORALE or chorus piece repeated twice within this cantata. There are many arrangements and versions because this song is one of Bach's most beautiful, well-known, and popular. The version we will hear next is arranged for SOLO PIANO. the pianist is Leon Fleisher. And Now, Here is Jesu, Joy of Man's Desiring – Bach 1723 PLAY M7 SHOW PLUG – DON'T TOUCH THAT DIAL ! That was…M7 Jesu, Joy of Man's Desiring MUSICAL CREDIT: JS Bach composer 1723 Performance: Leon Fleisher – Pianist (courtesy of EPIC records) Album THE SOUND OF GENIUS VOLUME 3 Label Columbia, 1962 (3:22) M8 CHORALE PRELUDE “WACHET AUF”, JS BACH, 1731, BWV 140 (3:37) Here is another Chorale recording titled Chorale Prelude VACKET OFF “Wachet Auf”, which translates to SLEEPERS, WAKE! This hymn was transcribed from a Lutheran hymn written in 1599 by written by Phillippe Nicolai. This Cantata is truly a work from the middle ages. In 1731, Bach took this hymn and created a 7-movement cantata, we will hear the first movement or PRELUDE”. This cantata is sung in church on the Trinity Sunday. Today this piece is very popular piece in general…it is POPULAR CLASSICAL MUSIC. J.S. Bach wrote 46 of these cantatas for church, in all. ODD FACT about this song… it was performed only once by Bach, in Leipzig that year. And now the FIRST MOVEMENT from VACKET OFF …the Prelude PLAY M8 SHOW PLUG – DON'T TOUCH THAT DIAL ! that was M4 The Chorale Prelude “Wachet Auf”, also known as SLEEPERS, WAKE! Song credits M4 Credits: Hymn by Phillippe Nicolai in 1599 Transcribed by JS Bach in 1731 Performance: Wendy Carlos – on an early prototype Moog Synthesizer Wendy Carlos arranger and recording engineer Album: Switched-On Bach Label: Columbia/CBS, 1968 M9 AIR ON A G-STRING, JS BACH, 1730, BWV 1068 (2:27) Our next AND LAST piece is from the Switched-On Bach album and s titled AIR ON A G-STRING. This title comes from Johann Sebastian Bach's Orchestral Suite No. 3 in D major, written almost 300 years ago. So what is the meaning of the song title Air on a G-String? Well, Bach composed this as an orchestral suite in 1730. 141 years later, August Wilhelm arranged the second movement for SOLO VIOLIN and he did something unique. He transposed the song down from D so that the entire piece could be played on one string of the violin, the G-String, which is the lowest register on that instrument. Here is an example of what this sounds like on the Violin G-String, thjs example with piano accompaniment—pardon the scratchy sound, is from an old 78 RPM disc in 1935. Play example – Jacques Dumont (Violin) Bach Air On The G String with Andre Collard (piano) We went from Bach's orchestral piece, to Wilhelm's transcription for solo violin, to Wendy Carlos modern interpretation with her MOOG Synthesizer. Now here is Wendy Carlos' arrangement of Air on a G String, from her debut album, SWITCHED-ON BACH, in 1968. PLAY M9 SHOW PLUG – DON'T TOUCH THAT DIAL ! That was…M9 MUSICAL CREDIT: Composer JS Bach 1730 Performance Wendy Carlos on early prototype MOOG SYNTHESIZER Arranger and Recording Engineer: Wendy Carlos Album: Switched-On Bach Label: Columbia/CBS, 1968 END OF PROGRAM VV-031

god jesus christ learning man germany song german kings songs record epic wake advent air renaissance tempo opera lp invention bach orchestras pagan leipzig handel martin luther organ sleepers visitation lutheran jesu somerset wilhelm bpm trinity sunday concerto baroque vivaldi rpm rote sonata johann sebastian bach fugue klavier adagio conducted cantata bwv johanne chorale counterpoint sebastian bach d minor two parts d major western christianity js bach members only philadelphia orchestra c major g string advent sunday wendy carlos recording engineer clavier eisenach f major harpsichord well tempered clavier solo piano pianoforte stately b flat major first movement fugues leopold stokowski baroque music solo violin tocata leon fleisher vinyl lp fugue no orchestral suite no moog synthesizer clavichord this lp luneburg

Legal News for Fri 1/23 - Trump Sues JPMorgan for Debanking Him, Jack Smith's Testimony, and Judge Questions WH Ballroom

Minimum Competence

Play Episode Listen Later Jan 23, 2026 18:51

This Day in Legal History: League of Nations MeetsOn January 23, 1920, the League of Nations held its first official meeting, marking a major experiment in international law and collective governance. The League was created in the aftermath of World War I as part of the Treaty of Versailles. Its core mission was to prevent future wars through diplomacy, arbitration, and collective security. For the first time, nations committed themselves to resolving disputes through legal mechanisms rather than unilateral force. The League also helped develop early norms of international accountability and treaty enforcement. It established permanent institutions to oversee mandates, labor standards, and minority protections. Although the United States never joined, the League influenced how international law was discussed and practiced. Its failures, particularly its inability to prevent aggression in the 1930s, exposed the limits of voluntary compliance without enforcement power. Those weaknesses became lessons for later international institutions. Many of the League's structures and legal concepts were later incorporated into the United Nations. The League's first meeting thus represents a foundational moment in the modern law of international cooperation.U.S. President Donald Trump filed a $5 billion lawsuit in Florida state court against JPMorgan Chase and its CEO Jamie Dimon, alleging that the bank improperly closed his accounts for political reasons. Trump claims JPMorgan violated its own internal policies by singling him out as part of a broader political agenda. The bank denied the allegations, stating it does not close accounts based on political or religious views and that the lawsuit lacks merit. Trump also accused Dimon of orchestrating a “blacklist” intended to discourage other financial institutions from doing business with him, his family, and the Trump Organization. He said the account closures caused reputational harm and forced him to seek alternative banking relationships. JPMorgan countered that account closures are sometimes required to manage legal or regulatory risk. The lawsuit comes amid broader political scrutiny of banks over alleged “debanking” practices. Conservative critics have accused lenders of restricting services to certain individuals and industries. A recent report from the Office of the Comptroller of the Currency found that major banks limited services to some industries between 2020 and 2023, though it did not identify specific wrongdoing. Regulators have since moved away from using vague “reputational risk” standards in bank supervision.Trump sues JPMorgan, CEO Jamie Dimon for $5 billion over alleged debanking | ReutersFormer U.S. Special Counsel Jack Smith told the House Judiciary Committee that Donald Trump willfully violated the law in his efforts to remain in power after losing the 2020 presidential election. Smith testified that Trump was not seeking truthful information about election fraud claims but instead was searching for ways to block certification of the results. The hearing marked Smith's first extensive public testimony about the two criminal cases he brought against Trump, both of which were dropped after Trump won reelection in 2024. Republicans on the committee accused Smith of political bias and argued his investigation improperly targeted Trump and his allies. They focused on Smith's use of subpoenas for phone records of Republican lawmakers, portraying the actions as overreach. Smith defended those measures as necessary to investigate potential obstruction of justice. He said Republican witnesses who contradicted Trump's fraud claims would have been central to the election interference case. Trump responded by renewing calls for Smith to be prosecuted and accusing him of harming innocent people. Democrats on the panel defended Smith as a career prosecutor guided by evidence rather than politics.Former US prosecutor Smith says Trump ‘willfully broke' laws in bid to keep power | ReutersA federal judge expressed skepticism about whether the Trump administration has the legal authority to build a $400 million ballroom at the White House without congressional approval. U.S. District Judge Richard Leon questioned the administration's justification for demolishing the historic East Wing and replacing it with a large new structure. The lawsuit was brought by the National Trust for Historic Preservation, which argues the project violates federal laws governing construction on parkland in Washington, D.C. The group contends that Congress must expressly authorize such construction and that required environmental reviews were bypassed or improperly handled. Judge Leon sharply rejected comparisons between the ballroom and past minor renovations, signaling concern about the scale of the project. He is considering whether to issue a preliminary injunction that would halt construction while the case proceeds. The administration maintains the ballroom is necessary for state functions and part of a long tradition of presidential renovations. Government lawyers also argue that stopping construction now would serve no public benefit, especially since above-ground work is months away. Leon said he expects to rule on the injunction request in the coming weeks.White House faces skeptical judge in lawsuit over Trump ballroom | ReutersThis week's closing theme is by Édouard Lalo.This week's closing theme features music by Lalo, a composer who spent much of his career just outside the spotlight of 19th-century French music. Born in 1823, Lalo came to composition relatively late and struggled for recognition in a musical world dominated by opera and established conservatory figures. He is best remembered today for works that combine classical structure with vivid color and rhythmic vitality. The Concerto in F Major, Op. 20 reflects those strengths, balancing elegance with expressive intensity. The opening Andante – Allegro begins with a reflective, almost searching character before unfolding into a more energetic and assertive main section. Lalo uses the solo instrument to sing rather than dominate, emphasizing lyrical phrasing over virtuosic display. The movement's shifting moods showcase his gift for contrast and dramatic pacing. There is a clear sense of forward motion, but never at the expense of clarity. Lalo's orchestration remains transparent, allowing themes to breathe and develop naturally. The music feels poised between Romantic warmth and classical restraint. As a closing theme, it offers both momentum and reflection. It is a reminder of Lalo's understated influence and the enduring appeal of his finely crafted musical voice.Without further ado, Édouard Lalo's Concerto in F Major, Op. 20, the opening Andante, enjoy! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.minimumcomp.com/subscribe

S05E10 Persuasion, Chapter 22

nostalgia sonic polish composer radiohead nonfiction expands pianists palette philip glass abbey road studios hania f major

Play Episode Listen Later Jan 19, 2026 56:55

In this episode we look at the published version of Chapter 22. We talk about how proactive Anne is in these final chapters, the arrival of Charles, Mary and the Musgrove clan, Louisa's change in personality, how the Musgroves all want Anne to be with them, and the first time Wentworth actually refers to the time he and Anne were together.The characters we discuss is are Charles and Mary Musgrove. In the historical section, Michael talks about the shooting, and for popular culture Harriet looks at two books that retell Persuasion from the point of view of another character.Things we mention:General discussion:Janet Todd and Antje Blank [Editors], The Cambridge Edition of the Works of Jane Austen: Persuasion (2006)Sheila Kaye-Smith and G.B. Stern, Talking of Jane Austen (1943) and More Talk of Jane Austen (1950)Historical discussion:E. W. Bovill, English Country Life, 1780-1830 (1962) ‘The Thing About Willoughby's Pointers with guest Dr. Stephanie Howard-Smith‘, The Thing About Austen podcast, Episode 73Popular culture discussion:Amanda Grange, Captain Wentworth's Diary (2007)Dorothea-Sofia Rossellini, Mrs Clay: The Austen Expert's Companion to ‘Persuasion' (2016) Diana Birchall, In Defense of Mrs Elton (1999) Creative commons music used:Extract from Wolfgang Amadeus Mozart, Sonata No. 12 in F Major, ii. Adagio.Extract from Joseph Haydn, Piano Sonata No. 38. Performance by Ivan Ilić, recorded in Manchester in December, 2006. File originally from IMSLP.Extract from Wolfgang Amadeus Mozart, Sonata No. 13 in B-Flat Major, iii. Allegretto Grazioso. File originally from Musopen.Extract from George Frideric Handel, Suite I, No. 2 in F Major, ii. Allegro. File originally from Musopen.Extract from Ludwig van Beethoven, Piano Sonata No. 28 in A major. File originally from Musopen.

Margaret Atwood, writer

Desert Island Discs

Play Episode Listen Later Jan 4, 2026 53:41

Margaret Atwood is a Canadian writer. She has published more than sixty books spanning novels, poetry, short stories, non-fiction, children's literature, and graphic novels, and has been called “one of the sharpest and most imaginative novelists writing in English”. She is one of only four writers to have won the Booker Prize twice: for The Blind Assassin in 2000 and for her 2019 follow-up to The Handmaid's Tale, The Testaments.Margaret was born in Ottawa in November 1939, shortly after the outbreak of World War II, the second of three children to Carl Atwood, an entomologist. During her early life, she would spend the warmer months in the remote forests of northern Quebec and Ontario where her father tracked insect infestations, and the winters in the city (first Ottawa, later Toronto). She didn't attend school for a full year until the age of twelve.Her childhood scribblings – a “novel” about an ant called Annie, a volume of rhyming poems about cats, and a play about a giant – turned into a more serious ambition to become a writer when Margaret was sixteen. After studying English at the University of Toronto, where she began publishing poems in the college magazine, her first novel, The Edible Woman, came out in 1969, following five collections of poetry. Her most famous work, The Handmaid's Tale, was published in 1985 and depicted a dystopian vision of the United States as a patriarchal and totalitarian place called Gilead. Although it was written during the Reagan era, it has become eerily relevant again in the wake of the election of Donald Trump. Margaret lost her life partner, the writer Graeme Gibson, in 2019. She lives in Toronto.DISC ONE: Anchors Aweigh - US Navy Band DISC TWO: Hearts of Stone - The Charms DISC THREE: Offenbach: Les contes d'Hoffmann, Giulietta Act: Barcarolle. Belle nuit, ô nuit d'amour. Performed by Joan Sutherland (soprano) Huguette Tourangeau (soprano), Plácido Domingo (tenor), Andre Neury (bass), Pro Arte Choir, Lausanne, Choeur Du Brassus, Choeur de la Radio Suisse Romande, Orchestre de la Suisse Romande, conducted by Richard Bonynge DISC FOUR: Four Strong Winds - Ian & Sylvia DISC FIVE: Barrett's Privateers - Stan Rogers DISC SIX: The Handmaid's Tale, Act I Scene 6: The Doctor. Composed by Poul Ruders and performed by Marianne Rorholm, Hanne Fischer (Mezzo-sopranos), Royal Danish Opera Chorus and Royal Danish Orchestra, conducted by Michael Schønwandt DISC SEVEN: We Praise the Tiny Perfect Moles - Orville Stoeber DISC EIGHT: Symphony No. 6 in F Major, Op. 68 "Pastoral": II. Scene am Bach. Andante molto moto. Composed by Beethoven and performed by Philharmonia Orchestra, conducted by Otto Klemperer BOOK CHOICE: How to Survive on a Desert Island by Samantha Bell LUXURY ITEM: A knife and matchbox CASTAWAY'S FAVOURITE: Hearts of Stone - The Charms Presenter: Lauren Laverne Producer: Sarah Taylor

Polish Pianist and Composer Hania Rani Expands Her Sonic Palette with 'Non Fiction'

Soundcheck

Play Episode Listen Later Nov 17, 2025 34:38

The now London-based Polish pianist and composer Hania Rani quickly attracted fans with her 2019 album of solo piano works in the post-classical style, a blend of classical lyricism and minimalist patterns. Her later albums expanded to include electronics, and her voice; she is equally versed in the music of composers like Philip Glass and bands like Radiohead. But her new record is something different – a four part piano concerto with orchestra, called Non Fiction, which is a reflection on the human cost of war. The work was recorded at Abbey Road Studios, with a 45-piece orchestra and experimental instrumentalists Rakhi Singh (Manchester Collective), Jack Wylie (Portico Quartet), and percussionist/composer Valentina Magaletti. Hania Rani performs the piano part of the opening movement of the piece Non Fiction, and other original works, in-studio. Set list: 1. Non-Fiction I - Sonore 2. Nostalgia 3. F Major

Legal News for Fri 11/14 - Tylenol in TX, Sierra Leone Legal Fees, Private Equity Big Law, and Trump Admin Sues CA Over Redistricting

Minimum Competence

Play Episode Listen Later Nov 14, 2025 19:25

This Day in Legal History: Pennsylvania Coal Co. v. MahonOn this day in legal history, November 14, 1922, the Supreme Court heard arguments in Pennsylvania Coal Co. v. Mahon, a foundational case in American property law. At issue was a Pennsylvania statute—the Kohler Act—that prohibited coal mining beneath certain structures to prevent surface subsidence. The Pennsylvania Coal Company had previously sold the surface rights to a parcel of land but retained the right to mine the coal beneath. When the state blocked their ability to do so, the company sued, arguing that the law had effectively stripped them of valuable property rights without compensation. The case reached the Supreme Court, where Justice Oliver Wendell Holmes Jr. delivered the majority opinion.In his decision, Holmes introduced the now-famous principle that “while property may be regulated to a certain extent, if regulation goes too far it will be recognized as a taking.” This line marked the birth of the regulatory takings doctrine, which holds that government actions short of full appropriation can still require just compensation under the Fifth Amendment. Holmes emphasized that the economic impact of a regulation on the property owner must be weighed, not just the public interest it serves. In this case, the regulation was deemed too burdensome to be considered a mere exercise of police power.The Court sided with the coal company, holding that the Kohler Act, as applied, amounted to an unconstitutional taking. The dissent, penned by Justice Brandeis, warned against undermining states' ability to protect public welfare. Despite being a 5–4 decision, Mahon has had lasting influence on land use, zoning, and environmental regulation. It reframed the boundaries between public regulation and private rights, signaling that not all public-interest laws are immune from constitutional scrutiny. Today, Mahon remains a cornerstone case for litigants challenging regulations that significantly diminish property value.A Texas judge is set to hear arguments on Attorney General Ken Paxton's request to block Kenvue from issuing a $398 million dividend and from marketing Tylenol as safe during pregnancy. Paxton sued Kenvue in October, accusing the company of hiding risks linked to prenatal Tylenol use, including autism and ADHD—a claim not supported by the broader medical community. The lawsuit follows public comments by Donald Trump and Robert F. Kennedy Jr. promoting the same unproven theory. Kenvue and Johnson & Johnson, which previously owned Tylenol, maintain the drug's safety and argue the state has no authority to interfere in federal drug regulation or corporate dividends.The companies also say the dividend will not impair Kenvue's solvency and warn that Paxton's effort could undermine both the First Amendment and the credibility of Texas courts. Paxton, however, argues that the public interest justifies intervention, citing potential future liabilities from Tylenol and talc-related lawsuits. He contends that misleading commercial speech can be regulated, and that the dividend should be halted to preserve cash in the face of those risks. The case could have broader implications, particularly for Kimberly-Clark's $40 billion acquisition of Kenvue, announced shortly after the lawsuit. Kenvue has vowed to appeal any injunction.Judge to weigh if Texas AG can block Kenvue dividend over Tylenol claims | ReutersSierra Leone has reached a tentative settlement with U.S. law firm Jenner & Block to resolve a dispute over $8.1 million in unpaid legal fees. The law firm sued the West African nation in 2022, claiming it was still owed money for representing Sierra Leone in a high-stakes case against Gerald International Ltd., which had sought $1.8 billion in damages over an iron ore export ban. Jenner argued the legal work was more extensive than initially expected and said it had only been paid $3.6 million by the end of 2021.Sierra Leone pushed back, disputing the existence of a valid contract and asserting that no further payments were owed. The country also tried to claim sovereign immunity, but a federal judge rejected those arguments in January, allowing the lawsuit to proceed. U.S. Magistrate Judge G. Michael Harvey announced the settlement in principle last week, although specific terms were not disclosed. Neither party has commented publicly on the resolution.Sierra Leone, law firm Jenner & Block reach settlement over $8 million legal tab | ReutersMcDermott Will & Emery has become the first major U.S. law firm to publicly confirm that it is considering private equity investment, signaling a potential shift in how Big Law might operate. The firm's chairman acknowledged preliminary talks with outside investors, a move that stunned the legal industry, where non-lawyer ownership has long been resisted due to ethical and regulatory restrictions. McDermott is reportedly exploring a structure that would separate its legal services from administrative operations by creating a managed service organization (MSO) owned by outside investors, allowing the firm to raise capital without violating professional conduct rules.This model has gained traction among smaller firms, but McDermott's adoption could legitimize the MSO approach for large firms. Proponents argue it would free lawyers to focus on client work while upgrading support systems through external funding. Critics caution that it involves relinquishing control of critical firm functions and raises concerns about maintaining ethical standards, particularly regarding fee-sharing with non-lawyers. While still early, industry experts say other firms are beginning to explore similar paths to stay competitive, especially in jurisdictions like Arizona that allow non-lawyer ownership.McDermott's Outside Investor Talks Augur Big Law TransformationThe Trump administration has filed suit against California over its recently approved congressional redistricting maps, which were adopted through a ballot initiative known as Proposition 50. The measure, passed by voters last week, allows temporary use of new district lines that could give Democrats up to five additional U.S. House seats. The Justice Department joined a lawsuit initially filed by the California Republican Party and several voters, alleging that the redistricting plan was racially motivated and unconstitutional.U.S. Attorney General Pam Bondi called the maps a “brazen power grab,” accusing California of using race to unlawfully boost Hispanic voting power. California Governor Gavin Newsom dismissed the lawsuit, framing it as retaliation for California's resistance to Trump's broader political agenda. Newsom also argued that the new maps are a necessary corrective to Republican-led gerrymandering efforts, like those in Texas, where civil rights groups have sued over alleged dilution of minority voting power.The lawsuit claims California's map violates the U.S. Constitution by improperly using race in the redistricting process. The outcome could impact the balance of power in the House and add fuel to ongoing legal battles over partisan and racial gerrymandering nationwide.Trump administration sues California over new redistricting maps | ReutersThis week's closing theme is by Ludwig van Beethoven, a composer of some note.This week's closing theme is the first movement of Ludwig van Beethoven's Symphony No. 8 in F Major, Op. 93 – I. Allegro vivace e con brio, a work that balances classical clarity with Beethoven's unmistakable wit and rhythmic drive. Composed in 1812 during a period of personal turmoil, the Eighth is often described as a cheerful outlier among his symphonies, compact and effervescent despite being written amid deteriorating health and emotional strain. It was premiered in 1814, but it was a revival performance on November 14, 1814, in Vienna that helped solidify its reputation and gave the public a second opportunity to appreciate its lightness and humor in contrast to the more dramatic works surrounding it.Unlike the grand scale of the Seventh or Ninth, the Eighth is shorter and more classical in form, often drawing comparisons to Haydn in its wit and economy. Yet Beethoven infuses it with his unique voice—syncopations, dynamic extremes, and abrupt harmonic shifts abound, particularly in the first movement. The Allegro vivace e con brio opens with a bold, playful theme, tossing melodic fragments between the orchestra with cheerful assertiveness. It's less stormy than many of Beethoven's first movements, but no less commanding.Critics at the time were puzzled by the symphony's restraint and humor, expecting more overt heroism from Beethoven. But modern listeners often recognize the Eighth as a masterwork of compression and invention. The first movement in particular plays with rhythmic momentum, frequently disrupting expectations just as they form. There's a confidence in its restraint, a knowing smile behind the forceful accents and offbeat rhythms. It's music that's both technically impressive and viscerally enjoyable, which is perhaps why Beethoven held it in especially high regard.As we close out the week, we leave you with that November 14 revival spirit—a reminder that even a “little Symphony” can land with enduring force.Without further ado, Ludwig van Beethoven's Symphony No. 8 in F Major, Op. 93 – I. Allegro vivace e con brio, enjoy! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.minimumcomp.com/subscribe

S05E08 Persuasion, Chapters 19 to 20

Play Episode Listen Later Oct 7, 2025 56:13 Transcription Available

In this episode, we talk about private communications in public spaces, Wentworth's possible feelings in the encounter at Mollands and in the Assembly Room, the question of whether Lady Russell was legitimately trying to identify a set of curtains, and Anne's feelings towards Mr Elliot.The character we discuss is Elizabeth Elliot. In the historical section, Michael talks about the Bath Assembly Rooms, and for popular culture Harriet discusses the 2023 independent film Persuasion.Things we mention:General discussion:Janet Todd and Antje Blank [Editors], The Cambridge Edition of the Works of Jane Austen: Persuasion (2006)Historical discussion:Blackadder the Third (1987)YouTube video: Dr Timothy Moore, ‘Change & Challenge: The History of Bath's Assembly Rooms‘, Bath Royal Literary and Scientific Institution, 30 July 2024Assembly Rooms floorplan (Source: http://www.victoriahinshaw.com/victorias-vibes—-a-blog/archives/05-2019)Popular culture discussion:Persuasion (2023, Agatha Films) – starring Skylar Pierce and Dan BrownCreative commons music used:Extract from Wolfgang Amadeus Mozart, Sonata No. 12 in F Major, ii. Adagio.Extract from Joseph Haydn, Piano Sonata No. 38. Performance by Ivan Ilić, recorded in Manchester in December, 2006. File originally from IMSLP.Extract from Wolfgang Amadeus Mozart, Sonata No. 13 in B-Flat Major, iii. Allegretto Grazioso. File originally from Musopen.Extract from George Frideric Handel, Suite I, No. 2 in F Major, ii. Allegro. File originally from Musopen.Extract from Ludwig van Beethoven, Piano Sonata No. 28 in A major. File originally from Musopen.

15 min Respiro del Alma (Unguided) - Cognitive Fitness Vibe

Play Episode Listen Later Oct 6, 2025 15:31

RESPIRO DEL ALMA: Where Ancestral Intelligence Meets Neural ScienceFor millennia, the teponaztli drums of our ancestors carried 40Hz healing frequencies—the same wavelength MIT scientists now prove clears brain toxins by 50%. Today, this ancient intelligence lives again.Composer & Sound Designer Rachel Bickley weaves indigenous instruments into a revolutionary sound therapy: Mexican guitarrón grounds you in F Major's embrace. Shakers shimmer at gamma frequencies. The sacred clave, slowed to 80 BPM, guides your nervous system home. Each güiro scrape carries the omitzicahuastli's healing legacy forward.This isn't just music—it's cultural medicine. As Latino communities face a 900% projected increase in dementia cases, Respiro del Alma offers what colonized healthcare cannot: healing that honors where we come from while protecting where we're going.Feel C# minor release generations of grief. Let familiar rhythms rewire neural pathways. This is your birthright reclaimed through frequency.A Vibes AI therapeutic experience honoring Hispanic Heritage through scientifically-validated ancestral sound medicine.Send us a textSupport the show

fitness mit mexican boost neuroscience vibe slide cognitive composer brain health bpm music therapy shakers respiro sound therapy hispanic heritage cognitive health f major dementia prevention indigenous medicine mexican music

5 min Respiro del Alma (Guided) - Cognitive Fitness Vibe

One Symphony with Devin Patrick Hughes

Play Episode Listen Later Oct 6, 2025 5:43

RESPIRO DEL ALMA: Where Ancestral Intelligence Meets Neural ScienceFor millennia, the teponaztli drums of our ancestors carried 40Hz healing frequencies—the same wavelength MIT scientists now prove clears brain toxins by 50%. Today, this ancient intelligence lives again.Composer & Sound Designer Rachel Bickley weaves indigenous instruments into a revolutionary sound therapy: Mexican guitarrón grounds you in F Major's embrace. Shakers shimmer at gamma frequencies. The sacred clave, slowed to 80 BPM, guides your nervous system home. Each güiro scrape carries the omitzicahuastli's healing legacy forward.This isn't just music—it's cultural medicine. As Latino communities face a 900% projected increase in dementia cases, Respiro del Alma offers what colonized healthcare cannot: healing that honors where we come from while protecting where we're going.Feel C# minor release generations of grief. Let familiar rhythms rewire neural pathways. This is your birthright reclaimed through frequency.A Vibes AI therapeutic experience honoring Hispanic Heritage through scientifically-validated ancestral sound medicine.Send us a textSupport the show

fitness mit mexican boost neuroscience vibe guided slide cognitive composer brain health bpm music therapy shakers respiro sound therapy hispanic heritage cognitive health f major dementia prevention indigenous medicine mexican music

Beethoven: Triumph Over Adversity with John Suchet Part 2

Play Episode Listen Later Sep 22, 2025 42:17

In the second half of a special two part conversation, conductor Devin Patrick Hughes speaks with broadcaster and author John Suchet in Part 2 of a special two-part One Symphony series on Beethoven, based on Suchet's new book In Search of Beethoven: A Personal Journey. This episode explores Beethoven's life in Vienna — his patrons, performance venues, and independence as a composer. We also dive into his personal struggles, including his court battle for custody of his nephew Karl and his gradual onset of deafness, described as the “worst fate for a musician.” Through it all, Beethoven's music speaks of resilience and triumph. Suchet reminds us: “If I can overcome what I had, the worst fate that can befall a musician, you too can overcome.” Featured Music Includes: Wolfgang Amadeus Mozart Piano Concerto No 22 in E-flat Major, K. 482 I. Allegro. Performed by the English Chamber Orchestra featuring Murray Perahia on piano. Ludwig van Beethoven composed the rest of the featured music in this episode. Cello Sonata No 3 in A, Op. 69 II. Scherzo (Allego Molto). Performed by Mstislav Rostropovich on cello and Sviatoslav Richter on piano. Symphony No 3 Eroica in E-flat Major, Op. 55. I. Allegro con brio. Performed live by the Swedish Radio Symphony Orchestra conducted by Sergiu Celibidache. Muzik zu einem Ritterballet (Music for a ballet of Knights), WoO 3. Jagdlied (Hunting Song), 6. Trinklied (Drinking Song), 4. Romanze (Romance). Performed by the Staatskapelle Berlin, conducted by Günther Herbig. Symphony No 5. I. Allegro con brio. Performed by the Weiner Philharmoniker conducted by Carlos Kleiber. Sonata No. 29 in B-flat Major, Op. 106 Hammerklavier. IV. Largo allegro resoluto. Performed live by Tatiana Nikolayeva. Symphony No. 6 in F Major, Op. 68 "Pastoral": I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande. Allegro ma non troppo Performed by the Berliner Philharmoniker conducted by Herbert von Karajan. Symphony No. 6 in F Major, Op. 68 "Pastoral": II. Szene am Bach. Andante molto mosso. Performed by the Berliner Philharmoniker conducted by Herbert von Karajan. Symphony No. 6 in F Major, Op. 68 "Pastoral": III. Lustiges Zusammensein der Landleute. Allegro. Performed by the Berliner Philharmoniker conducted by Herbert von Karajan. Symphony No. 6 in F Major, Op. 68 "Pastoral": IV. Gewitter, Sturm. Allegro. Performed by the Berliner Philharmoniker conducted by Herbert von Karajan. Symphony No. 6 in F Major, Op. 68 "Pastoral": V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm. Allegretto. Performed by the Berliner Philharmoniker conducted by Herbert von Karajan. Piano Sonata No. 26 in E-flat Major Op. 81a “Les Adiuex” I. Das Lebewohl, Adagio-Allegro. Performed by Tatiana Nikolayeva. Piano Sonata No. 14 in C-sharp minor, Op. 27 No. 2 “Moonlight:” III. Presto agitato. Performed by Emil Gilels. Piano Sonata No. 17 in D minor, Op. 31 No 2. “Tempest”: III. Allegretto. Performed by Alfred Brendel. Piano Sonata No. 28 in A Major, Op. 101. I. Etwas lebhaft, und mit der innigsten Empfindung. Performed by Emil Gilels.

gef iv knights bach ludwig van beethoven herbert etwas ludwig woo szene sturm performed largo in search lande allegro presto ankunft erwachen gewitter symphony no empfindungen andante karajan allegretto eroica f major berliner philharmoniker frohe piano sonata no empfindung suchet herbig triumph over adversity alfred brendel major op sviatoslav richter english chamber orchestra carlos kleiber mstislav rostropovich murray perahia hammerklavier sergiu celibidache staatskapelle berlin adagio allegro emil gilels

Allegro Non Tanto from Sonatina in F major Op.55 No.4 for piano solo - Mp3 audio file

VSM: Mp3 audio files

Play Episode Listen Later Sep 20, 2025 2:18

video tanto allegro downloadable audio files scorch f major sonatina piano solo major op fingerings

Wolfgang Amadeus Mozart: The Late String Masterworks

Inside the Music

Play Episode Listen Later Sep 8, 2025 52:36

On this episode of Inside the Music, Derek Delaney, Artistic Director of Capital Region Classical, takes a look into the final string works of Mozart through live CRC performances by the Artemis Quartet, Musicians from Marlboro, and Belcea Quartet.Quartet in B‐flat Major, K. 589LarghettoMenuettoAllegro assaiArtemis Quartet [2/12/2006 performance]Viola Quintet in D Major, K. 593AdagioMenuettoMusicians From Marlboro [2/23/2008 performance]Lily Francis & Yura Lee, violins; Eric Nowlin & Maiya Papach, violas; Marcy Rosen, celloQuartet in F Major, K. 590AndanteMenuettoAllegroBelcea Quartet [10/16/2014 performance]Dive deeper into this episode's repertoire by heading to our YouTube channel for a discussion with some of our audience members about the program.Follow us to stay up to date on the latest from Capital Region Classical including concerts, events, and new episodes of Inside the Music:WebsiteFacebookInstagramYouTube© Capital Region Classical

music dive musicians mozart artistic directors string quartets crc wolfgang amadeus mozart marlboro d major masterworks f major belcea quartet yura lee

Significance and Necessity of Cholesterol and All Prenyl Lipids in Human Biology. The Competitive Inhibitory Longanimity of HMG CoA Reductase . Dr. Daniel J Guerra 25AUG25 Authentic Biochemistry

Authentic Biochemistry

Play Episode Listen Later Aug 25, 2025 93:47

ReferencesThe American Journal of Geriatric Pharmacotherapy 2012. 10.5. 296-302Am J Cardiovasc Drugs 2008; 8 (6): 373-418Am J Med. 2004; 117:823– 829Nature Metabolism 2019.1.666–675Cell Metab . 2012 Apr 4;15(4):554-62Circulation Research 2019.124.2.Biber, H. 1681. Violin Sonata in F Major, https://music.youtube.com/watch?v=5zEKwJiuqfw&si=qFLl2HeRVlVt1T_ZHertel, JW. 1756. Concerto à Cinque in D Majorhttps://music.youtube.com/watch?v=zVLJ2ZGTACA&si=OgfZ2Yoy4MuXuhkKHummel. j. 1803. Trumpet Concerto in E major S49https://music.youtube.com/watch?v=AvkBitY1u3g&si=ymmGtAKxAUrGXvod

authentic significance guerra competitive necessity biochemistry cholesterol jw lipids daniel j biber human biology f major violin sonata inhibitory hmg coa reductase

S05E07 Persuasion, Chapters 16 to 18

Play Episode Listen Later Aug 25, 2025 59:47

In this episode, we talk about the upward and downward social interactions taking place, what the implications are behind the Dalrymples being Irish aristocracy, the introductions of Mrs Smith and Nurse Rooke, the comedy of Mary's letter and Admiral Croft's meeting with Anne, and the fact that in the book's timeline it is only a month before Napoleon Bonaparte will escape from Elba.The characters we discuss are Admiral and Mrs Croft. In the historical section, Ellen talks about nurses, and for popular culture Harriet discusses the 2020 television movie Modern Persuasion.Things we mention:General discussion:Janet Todd and Antje Blank [Editors], The Cambridge Edition of the Works of Jane Austen: Persuasion (2006)Maria Edgeworth, Castle Rackrent (1800)Character discussion:Walter Scott, Waverley (1814)Patrick O'Brien, Master and Commander (1969) and sequels in the Aubrey and Maturin seriesHistorical discussion:Charles Dickens, Martin Chuzzlewit (1844)Elizabeth Fry (19th century English prison reformer, social reformer, philanthropist and Quaker)Wellcome Collection in LondonPopular culture discussion:Modern Persuasion (2020, Tangerine Entertainment) – starring Alicia Witt and Shane McRaeCreative commons music used:Extract from Wolfgang Amadeus Mozart, Sonata No. 12 in F Major, ii. Adagio.Extract from Joseph Haydn, Piano Sonata No. 38. Performance by Ivan Ilić, recorded in Manchester in December, 2006. File originally from IMSLP.Extract from Wolfgang Amadeus Mozart, Sonata No. 13 in B-Flat Major, iii. Allegretto Grazioso. File originally from Musopen.Extract from George Frideric Handel, Suite I, No. 2 in F Major, ii. Allegro. File originally from Musopen.Extract from Ludwig van Beethoven, Piano Sonata No. 28 in A major. File originally from Musopen.

New Money, Old Rules: The Gilded Age Podcast (Episode 308)

Play Episode Listen Later Aug 19, 2025 244:02

Welcome to New Money, Old Rules: The Gilded Age Podcast! Join Caroline and Mike each week as they discuss HBO's period drama, The Gilded Age! Photograph by Karolina Wojtasik/HBO This week on a 4-Hour, Mega-Sized Episode of New Money, Old Rules: The Gilded Age Podcast, Caroline and Mike (finally) discuss the Season 3 Finale of The Gilded Age, Episode 8, “My Mind Is Made Up”! Join in the conversation on Twitter at @podclubhouse and our Facebook Group, The Gilded Age Fan Group (HBO Series)! Listen, rate, review, and subscribe to New Money, Old Rules: The Gilded Age Podcast on Apple Podcasts, Spotify Podcasts, or wherever you listen! Please leave a 5-Star Rating! Also, write in and leave us comments on PodClubhouse.com, we'd love to hear from you! MORE IN THIS SERIES Season 1: Trailer | 1 | 2 | 3 | Kelli O'Hara Interview | 4 | 5 | 6 | 7 | 8 | Julian Fellowes and Sonja Warfield Interview | 9 | Harry and Rupert Gregson-Williams Interview Season 2: 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 Season 3: 1 | 2 | 3 | 4 | 5 | 6 | 7 FOLLOW THE HOSTS ON X (F/K/A TWITTER) Caroline | Mike ### Credits: Music: “String Quartet No. 12 in F Major, "American", Op. 96: IV" by Antonín Dvořák. New Money, Old Rules: The Gilded Age Podcast is a Pod Clubhouse original production, recorded and produced at Pod Clubhouse studios. This episode was edited by Caroline Daley and assembled by Michael Caputo.

american finale hbo iv trailer anton photograph gilded age new money dvo spotify podcasts julian fellowes f major michael caputo pod clubhouse

5 min Think & Breathe (Guided) - Cognitive Fitness Vibe

Play Episode Listen Later Aug 18, 2025 8:07

Unlock peak mental performance with this science-backed audio that hits different. We're talking 40Hz gamma waves (your brain's focus frequency), 528Hz "love frequency" for those good vibes, plus binaural beats that literally sync your brain hemispheres. Mix in perfectly timed silence breaks and chill C Major/F Major scales = instant cognitive glow-up.Your Daily Brain Hacks:Commute Chaos → Main Character Energy (20 mins): Turn that packed subway into your personal focus lab. These frequencies literally filter out the noise pollution while prepping your brain for whatever's next.Work Mode Activated (30 mins): When Slack won't stop pinging and your focus is fried. Strategic silence hits reset while 40Hz keeps you locked in for deep work sessions.Study Grind (25 mins): Actually remember what you're cramming. C Major clarity + binaural beats = information downloads straight to long-term memory.3PM Slump Fix (15 mins): Skip the fourth coffee. F Major frequencies + gamma waves = natural energy boost that doesn't crash.Night Routine (20 mins): Smooth transition from screen time to dream time. Let silence intervals consolidate today's memories while your nervous system shifts to sleep mode.Creative Block Buster (10 mins): When the ideas won't flow. Silence creates space for those lightbulb moments to actually happen.Backed by Harvard research showing how strategic silence literally rewires your brain—switching from anxiety mode to flow state, slowing your heart rate, and creating the perfect conditions for your neurons to level up.The quiet parts aren't empty—that's where the magic happens. ✨Send us a textSupport the show

fitness silence harvard boost unlock breathe strategic mix skip vibe guided slide cognitive smooth backed neuroplasticity c major f major night routine 528hz cognitive enhancement relaxation response memory consolidation c major scale

15 min Think & Breathe (Unguided) - Cognitive Fitness Vibe

Play Episode Listen Later Aug 18, 2025 15:27

Unlock peak mental performance with this science-backed audio that hits different. We're talking 40Hz gamma waves (your brain's focus frequency), 528Hz "love frequency" for those good vibes, plus binaural beats that literally sync your brain hemispheres. Mix in perfectly timed silence breaks and chill C Major/F Major scales = instant cognitive glow-up.Your Daily Brain Hacks:Commute Chaos → Main Character Energy (20 mins): Turn that packed subway into your personal focus lab. These frequencies literally filter out the noise pollution while prepping your brain for whatever's next.Work Mode Activated (30 mins): When Slack won't stop pinging and your focus is fried. Strategic silence hits reset while 40Hz keeps you locked in for deep work sessions.Study Grind (25 mins): Actually remember what you're cramming. C Major clarity + binaural beats = information downloads straight to long-term memory.3PM Slump Fix (15 mins): Skip the fourth coffee. F Major frequencies + gamma waves = natural energy boost that doesn't crash.Night Routine (20 mins): Smooth transition from screen time to dream time. Let silence intervals consolidate today's memories while your nervous system shifts to sleep mode.Creative Block Buster (10 mins): When the ideas won't flow. Silence creates space for those lightbulb moments to actually happen.Backed by Harvard research showing how strategic silence literally rewires your brain—switching from anxiety mode to flow state, slowing your heart rate, and creating the perfect conditions for your neurons to level up.The quiet parts aren't empty—that's where the magic happens. ✨Send us a textSupport the show

fitness silence harvard boost unlock breathe strategic mix skip vibe slide cognitive smooth backed neuroplasticity c major f major night routine 528hz cognitive enhancement relaxation response memory consolidation c major scale

The Dover Quartet on recording Woodland Songs | Gramophone Podcast

The Gramophone podcast

Play Episode Listen Later Aug 15, 2025 36:06

Joel and Camden from the Dover Quartet meet Hattie Butterworth in Philadelphia to discuss their latest album, Woodland Songs, which places the music of Jerod Impichchaachaaha' Tate and Pura Fé alongside the Dvorak 'American' String Quartet in F Major. Though vastly different works in style, expression, and historical context, they share the common influence of music native to North America.

philadelphia north america songs recording quartets woodland string quartets gramophone f major dover quartet pura f

Dmitry Shostakovich (1906-1975)

Composer of the Week

Play Episode Listen Later Aug 8, 2025 71:45

Donald Macleod explores Dmitri Shostakovich's life during the years of World War II, a period indelibly linked to his most famous work – the ‘Leningrad' symphony - which became an international symbol of resistance against the Nazis when it was performed by an orchestra suffering from the effects of starvation during the siege of the city.Music Featured:Funeral march in Memory of Victims of the Revolution Piano Concerto No 2 in F Major, Op 102 (2nd mvt, Andante) Lady Macbeth of Mtsensk District (Act IV, Vstaváy! Po mestám! Zívo!) Symphony No 5 in D minor, Op 47 (4th mvt, Allegro non troppo) Piano Quintet in G minor, Op 57 (1st mvt, Prelude – Lento) Symphony no 7, Op.60 “Leningrad” (2nd mvt, Moderato) King Lear (excerpt) The tale of the priest and his servant Balda, Op 36 (Finale) Symphony No 1 in F minor, Op 10 (2nd mvt, Allegro) Rothschild's violin (excerpt) Piano Sonata No 1, Op 12 Symphony No 7 in C Major, Op 60 “Leningrad” (1st mvt, Allegretto) Counterplan, Op 33 (Song of the Counterplan) The Golden Age Suite, Op 22a (2nd mvt, Adagio) Preludes, Op 34 (Nos 9-13) Romances on English poets, Op 62 Sonata No 2 in D minor, Op 61 (3rd mvt, Moderato) Moscow-Chryomushki, Op 105 (1st mvt, A Spin through Moscow) Zoya Suite, Op 64a (1st mvt, Song about Zoya) Cello Concerto No 1 in E flat major, Op 107 (2nd mvt, Moderato) Symphony No 8, Op 65 (4th mvt, Largo) Piano Trio No 2 in E minor, Op 67 (4th mvt, Allegretto) Four Pushkin Romances (No 1, Rebirth) String Quartet No 2 in A major, Op 68 (3rd mvt, Valse Allegro) Symphony No 9 in E-flat major, Op 70 (5th mvt, Allegretto) Violin Concerto No 1 in A minor, Op 99 (1st mvt, Nocturne) From Jewish Poetry (No 8, Winter) Symphony No 13 (1st mvt, Babi Yar. Adagio)Presented by Donald Macleod Produced by Sam Phillips for BBC Audio Wales & WestFor full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Dmitry Shostakovich (1906-1975) https://www.bbc.co.uk/programmes/m002gdl6And you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

english song nos world war ii nazis memory romance victims composer allegro dmitry symphony no leningrad shostakovich c major sam phillips f major piano sonata no dmitri shostakovich babi yar balda piano quintet donald macleod

New Money, Old Rules: The Gilded Age Podcast (Episode 307)

Play Episode Listen Later Aug 5, 2025 162:37

Welcome to New Money, Old Rules: The Gilded Age Podcast! Join Caroline and Mike each week as they discuss HBO's period drama, The Gilded Age! Photograph by Karolina Wojtasik/HBO This week on New Money, Old Rules: The Gilded Age Podcast, Caroline and Mike discuss the Penultimate Episode of Season 3 of The Gilded Age, Episode 7, “Ex-Communicated”! Join in the conversation on Twitter at @podclubhouse and our Facebook Group, The Gilded Age Fan Group (HBO Series)! Listen, rate, review, and subscribe to New Money, Old Rules: The Gilded Age Podcast on Apple Podcasts, Spotify Podcasts, or wherever you listen! Please leave a 5-Star Rating! Also, write in and leave us comments on PodClubhouse.com, we'd love to hear from you! MORE IN THIS SERIES Season 1: Trailer | 1 | 2 | 3 | Kelli O'Hara Interview | 4 | 5 | 6 | 7 | 8 | Julian Fellowes and Sonja Warfield Interview | 9 | Harry and Rupert Gregson-Williams Interview Season 2: 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 Season 3: 1 | 2 | 3 | 4 | 5 | 6 FOLLOW THE HOSTS ON X (F/K/A TWITTER) Caroline | Mike ### Credits: Music: “String Quartet No. 12 in F Major, "American", Op. 96: IV" by Antonín Dvořák. New Money, Old Rules: The Gilded Age Podcast is a Pod Clubhouse original production, recorded and produced at Pod Clubhouse studios. This episode was edited by Caroline Daley and assembled by Michael Caputo.

american hbo iv trailer anton photograph gilded age new money dvo spotify podcasts julian fellowes f major michael caputo penultimate episode pod clubhouse

New Money, Old Rules: The Gilded Age Podcast (Episode 306)

Play Episode Listen Later Jul 28, 2025 141:10

Welcome to New Money, Old Rules: The Gilded Age Podcast! Join Caroline and Mike each week as they discuss HBO's period drama, The Gilded Age! Photograph by Karolina Wojtasik/HBO This week on New Money, Old Rules: The Gilded Age Podcast, Caroline and Mike discuss Episode 6 of Season 3 of The Gilded Age, “If You Want to Cook an Omelette”! Join in the conversation on Twitter at @podclubhouse and our Facebook Group, The Gilded Age Fan Group (HBO Series)! Listen, rate, review, and subscribe to New Money, Old Rules: The Gilded Age Podcast on Apple Podcasts, Spotify Podcasts, or wherever you listen! Please leave a 5-Star Rating! Also, write in and leave us comments on PodClubhouse.com, we'd love to hear from you! MORE IN THIS SERIES Season 1: Trailer | 1 | 2 | 3 | Kelli O'Hara Interview | 4 | 5 | 6 | 7 | 8 | Julian Fellowes and Sonja Warfield Interview | 9 | Harry and Rupert Gregson-Williams Interview Season 2: 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 Season 3: 1 | 2 | 3 | 4 | 5 FOLLOW THE HOSTS ON X (F/K/A TWITTER) Caroline | Mike ### Credits: Music: “String Quartet No. 12 in F Major, "American", Op. 96: IV" by Antonín Dvořák. New Money, Old Rules: The Gilded Age Podcast is a Pod Clubhouse original production, recorded and produced at Pod Clubhouse studios. This episode was edited by Caroline Daley and assembled by Michael Caputo.

american hbo cook iv trailer anton photograph gilded age new money omelettes dvo spotify podcasts if you want julian fellowes f major michael caputo pod clubhouse

New Money, Old Rules: The Gilded Age Podcast (Episode 305)

Play Episode Listen Later Jul 21, 2025 138:07

Welcome to New Money, Old Rules: The Gilded Age Podcast! Join Caroline and Mike each week as they discuss HBO's period drama, The Gilded Age! Photograph by Karolina Wojtasik/HBO This week on New Money, Old Rules: The Gilded Age Podcast, Caroline and Mike discuss Episode 5 of Season 3 of The Gilded Age, “A Different World”! Join in the conversation on Twitter at @podclubhouse and our Facebook Group, The Gilded Age Fan Group (HBO Series)! Listen, rate, review, and subscribe to New Money, Old Rules: The Gilded Age Podcast on Apple Podcasts, Spotify Podcasts, or wherever you listen! Please leave a 5-Star Rating! Also, write in and leave us comments on PodClubhouse.com, we'd love to hear from you! MORE IN THIS SERIES Season 1: Trailer | 1 | 2 | 3 | Kelli O'Hara Interview | 4 | 5 | 6 | 7 | 8 | Julian Fellowes and Sonja Warfield Interview | 9 | Harry and Rupert Gregson-Williams Interview Season 2: 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 Season 3: 1 | 2 | 3 | 4 FOLLOW THE HOSTS ON X (F/K/A TWITTER) Caroline | Mike ### Credits: Music: “String Quartet No. 12 in F Major, "American", Op. 96: IV" by Antonín Dvořák. New Money, Old Rules: The Gilded Age Podcast is a Pod Clubhouse original production, recorded and produced at Pod Clubhouse studios. This episode was edited by Caroline Daley and assembled by Michael Caputo.

american hbo iv trailer anton photograph gilded age different world new money dvo spotify podcasts julian fellowes f major michael caputo pod clubhouse

New Money, Old Rules: The Gilded Age Podcast (Episode 304)

Play Episode Listen Later Jul 19, 2025 178:00

Welcome to New Money, Old Rules: The Gilded Age Podcast! Join Caroline and Mike each week as they discuss HBO's period drama, The Gilded Age! Photograph by Karolina Wojtasik/HBO Apologies for the long wait for this episode. We are caught back up from the holiday weekend and business travel and Episode 5 will be out much more timely! This week on New Money, Old Rules: The Gilded Age Podcast, Caroline and Mike discuss Episode 4 of Season 3 of The Gilded Age, “Marriage Is A Gamble”! Join in the conversation on Twitter at @podclubhouse and our Facebook Group, The Gilded Age Fan Group (HBO Series)! Listen, rate, review, and subscribe to New Money, Old Rules: The Gilded Age Podcast on Apple Podcasts, Spotify Podcasts, or wherever you listen! Please leave a 5-Star Rating! Also, write in and leave us comments on PodClubhouse.com, we'd love to hear from you! MORE IN THIS SERIES Season 1: Trailer | 1 | 2 | 3 | Kelli O'Hara Interview | 4 | 5 | 6 | 7 | 8 | Julian Fellowes and Sonja Warfield Interview | 9 | Harry and Rupert Gregson-Williams Interview Season 2: 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 Season 3: 1 | 2 | 3 FOLLOW THE HOSTS ON X (F/K/A TWITTER) Caroline | Mike ### Credits: Music: “String Quartet No. 12 in F Major, "American", Op. 96: IV" by Antonín Dvořák. New Money, Old Rules: The Gilded Age Podcast is a Pod Clubhouse original production, recorded and produced at Pod Clubhouse studios. This episode was edited by Caroline Daley and assembled by Michael Caputo.

american hbo iv trailer anton photograph gilded age new money dvo spotify podcasts julian fellowes f major michael caputo pod clubhouse

5 min Respite Rhythm (Guided) - Cognitive Fitness Vibe

Play Episode Listen Later Jul 14, 2025 7:37

Respite Rhythm weaves together carefully calibrated therapeutic frequencies to create a sanctuary of sound that supports your mind, body, and spirit. Everyday Applications & Relevance- Morning Renewal (5-10 minutes): Start your day with mental clarity. The 40Hz frequency helps synchronize brain activity, preparing you for the cognitive demands ahead while the F Major harmonies lift your mood.- Midday Reset (10-15 minutes): Combat caregiver fatigue during lunch breaks. The 512Hz frequency helps release physical tension while 528Hz supports cellular restoration, perfect for quick rejuvenation between tasks.- Focus Enhancement: Use during administrative tasks or care planning. The gamma frequency stimulation improves concentration and decision-making abilities, helping you stay sharp even when exhausted.- Stress Response Management: When overwhelming moments arise, this frequency combination activates your parasympathetic nervous system, lowering cortisol levels and bringing you back to balance within minutes.- Sleep Preparation (15-30 minutes): The carefully layered frequencies guide your brainwaves from active beta states through calming alpha into restorative theta, preparing your mind and body for deep, healing sleep.- Immune Support: Regular listening sessions support immune function through stress reduction and improved sleep quality—critical for caregivers exposed to various health challenges.- Memory & Cognitive Protection: Daily use of 40Hz frequency therapy has shown promise in maintaining cognitive health and may help protect against age-related decline.Whether you're managing medications, coordinating care teams, or simply need a moment to breathe, Respite Rhythm transforms any space into a personal restoration chamber, giving you the resilience to continue your vital work with renewed energy and clarity.Based on peer-reviewed neuroscience research. Individual results may vary. For extended sessions and personalized soundscapes, explore our premium Restorative Audio collection.Send us a textSupport the show

fitness memory boost combat individual rhythm vibe guided slide cognitive respite caregiverburnout f major 528hz

15 min Respite Rhythm (Unguided) - Cognitive Fitness Vibe

Play Episode Listen Later Jul 14, 2025 15:27

Respite Rhythm weaves together carefully calibrated therapeutic frequencies to create a sanctuary of sound that supports your mind, body, and spirit. Everyday Applications & Relevance- Morning Renewal (5-10 minutes): Start your day with mental clarity. The 40Hz frequency helps synchronize brain activity, preparing you for the cognitive demands ahead while the F Major harmonies lift your mood.- Midday Reset (10-15 minutes): Combat caregiver fatigue during lunch breaks. The 512Hz frequency helps release physical tension while 528Hz supports cellular restoration, perfect for quick rejuvenation between tasks.- Focus Enhancement: Use during administrative tasks or care planning. The gamma frequency stimulation improves concentration and decision-making abilities, helping you stay sharp even when exhausted.- Stress Response Management: When overwhelming moments arise, this frequency combination activates your parasympathetic nervous system, lowering cortisol levels and bringing you back to balance within minutes.- Sleep Preparation (15-30 minutes): The carefully layered frequencies guide your brainwaves from active beta states through calming alpha into restorative theta, preparing your mind and body for deep, healing sleep.- Immune Support: Regular listening sessions support immune function through stress reduction and improved sleep quality—critical for caregivers exposed to various health challenges.- Memory & Cognitive Protection: Daily use of 40Hz frequency therapy has shown promise in maintaining cognitive health and may help protect against age-related decline.Whether you're managing medications, coordinating care teams, or simply need a moment to breathe, Respite Rhythm transforms any space into a personal restoration chamber, giving you the resilience to continue your vital work with renewed energy and clarity.Based on peer-reviewed neuroscience research. Individual results may vary. For extended sessions and personalized soundscapes, explore our premium Restorative Audio collection.Send us a textSupport the show

fitness memory boost combat individual rhythm vibe slide cognitive respite caregiverburnout f major 528hz

New Money, Old Rules: The Gilded Age Podcast (Episode 303)

Play Episode Listen Later Jul 11, 2025 160:40

Welcome to New Money, Old Rules: The Gilded Age Podcast! Join Caroline and Mike each week as they discuss HBO's period drama, The Gilded Age! Photograph by Karolina Wojtasik/HBO Apologies for the delay on this one, the 4th of July Weekend slowed us up; thank you for your patience! This week on New Money, Old Rules: The Gilded Age Podcast, Caroline and Mike discuss Episode 3 of Season 3 of The Gilded Age, “Love Is Never Easy”! Join in the conversation on Twitter at @podclubhouse and our Facebook Group, The Gilded Age Fan Group (HBO Series)! Listen, rate, review, and subscribe to New Money, Old Rules: The Gilded Age Podcast on Apple Podcasts, Spotify Podcasts, or wherever you listen! Please leave a 5-Star Rating! Also, write in and leave us comments on PodClubhouse.com, we'd love to hear from you! MORE IN THIS SERIES Season 1: Trailer | 1 | 2 | 3 | Kelli O'Hara Interview | 4 | 5 | 6 | 7 | 8 | Julian Fellowes and Sonja Warfield Interview | 9 | Harry and Rupert Gregson-Williams Interview Season 2: 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 Season 3: 1 | 2 FOLLOW THE HOSTS ON X (F/K/A TWITTER) Caroline | Mike ### Credits: Music: “String Quartet No. 12 in F Major, "American", Op. 96: IV" by Antonín Dvořák. New Money, Old Rules: The Gilded Age Podcast is a Pod Clubhouse original production, recorded and produced at Pod Clubhouse studios. This episode was edited by Caroline Daley and assembled by Michael Caputo.

american hbo iv trailer anton photograph gilded age new money dvo spotify podcasts julian fellowes f major michael caputo pod clubhouse

New Money, Old Rules: The Gilded Age Podcast (Episode 302)

Play Episode Listen Later Jun 30, 2025 105:39

Welcome to New Money, Old Rules: The Gilded Age Podcast! Join Caroline and Mike each week as they discuss HBO's period drama, The Gilded Age! Photograph by Karolina Wojtasik/HBO This week on New Money, Old Rules: The Gilded Age Podcast, Caroline and Mike discuss Episode 2 of Season 3 of The Gilded Age, “What the Papers Say”! Join in the conversation on Twitter at @podclubhouse and our Facebook Group, The Gilded Age Fan Group (HBO Series)! Listen, rate, review, and subscribe to New Money, Old Rules: The Gilded Age Podcast on Apple Podcasts, Spotify Podcasts, or wherever you listen! Please leave a 5-Star Rating! Also, write in and leave us comments on PodClubhouse.com, we'd love to hear from you! MORE IN THIS SERIES Season 1: Trailer | 1 | 2 | 3 | Kelli O'Hara Interview | 4 | 5 | 6 | 7 | 8 | Julian Fellowes and Sonja Warfield Interview | 9 | Harry and Rupert Gregson-Williams Interview Season 2: 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 Season 3: 1 FOLLOW THE HOSTS ON X (F/K/A TWITTER) Caroline | Mike ### Credits: Music: “String Quartet No. 12 in F Major, "American", Op. 96: IV" by Antonín Dvořák. New Money, Old Rules: The Gilded Age Podcast is a Pod Clubhouse original production, recorded and produced at Pod Clubhouse studios. This episode was edited by Caroline Daley and assembled by Michael Caputo.

american hbo iv trailer anton photograph gilded age new money dvo spotify podcasts julian fellowes f major michael caputo pod clubhouse

Wolfgang Amadeus Mozart: A Serenade of Winds

Inside the Music

Play Episode Listen Later Jun 30, 2025 51:53

Inside the Music continues exploring the music of Mozart, this time his compositions for wind instruments. Join Derek Delaney, Artistic Director of Capital Region Classical, and live CRC performances by the Nash Ensemble, wind soloists of the Chamber Orchestra of Europe, and horn player Richard Watkins.Oboe Quartet in F Major, K. 370AllegroAdagioRondeau: AllegroThe Nash Ensemble of London; Gareth Hulse, oboe [5/10/2001 performance]Horn Quintet in E‐flat Major, K. 407AllegroThe Nash Ensemble of London; Richard Watkins, horn [4/11/2003 performance]Wind Serenade in C Minor, K. 388AllegroAndanteMenuetAllegroWind Soloists of the Chamber Orchestra of Europe [3/1/1997 performance]Dive deeper into this episode's repertoire by heading to our YouTube channel for a discussion with some of our audience members about the program.Follow us to stay up to date on the latest from Capital Region Classical including concerts, events, and new episodes of Inside the Music:WebsiteFacebookInstagramYouTube© Capital Region Classical

music europe dive mozart winds artistic directors serenade crc wolfgang amadeus mozart c minor chamber orchestra f major richard watkins

New Money, Old Rules: The Gilded Age Podcast (Episode 301)

Play Episode Listen Later Jun 24, 2025 94:46

Welcome to New Money, Old Rules: The Gilded Age Podcast! Join Caroline and Mike each week as they discuss HBO's period drama, The Gilded Age! Photograph by Karolina Wojtasik/HBO After just over 18months, The Gilded Age is BACK! And so is the New Money, Old Rules: The Gilded Age Podcast! This week, Caroline and Mike discuss The Gilded Age Season 3 Premiere, Episode 1, “Who Is In Charge Here?” Join in the conversation on Twitter at @podclubhouse and our Facebook Group, The Gilded Age Fan Group (HBO Series)! Listen, rate, review, and subscribe to New Money, Old Rules: The Gilded Age Podcast on Apple Podcasts, Spotify Podcasts, or wherever you listen! Please leave a 5-Star Rating! Also, write in and leave us comments on PodClubhouse.com, we'd love to hear from you! MORE IN THIS SERIES Season 1: Trailer | 1 | 2 | 3 | Kelli O'Hara Interview | 4 | 5 | 6 | 7 | 8 | Julian Fellowes and Sonja Warfield Interview | 9 | Harry and Rupert Gregson-Williams Interview Season 2: 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 FOLLOW THE HOSTS ON X (F/K/A TWITTER) Caroline | Mike ### Credits: Music: “String Quartet No. 12 in F Major, "American", Op. 96: IV" by Antonín Dvořák. New Money, Old Rules: The Gilded Age Podcast is a Pod Clubhouse original production, recorded and produced at Pod Clubhouse studios. This episode was edited by Caroline Daley and assembled by Michael Caputo.

american hbo premiere iv trailer anton photograph gilded age new money dvo spotify podcasts julian fellowes f major michael caputo pod clubhouse

S05E06 Persuasion, Chapters 13 to 15