POPULARITY
70 episodes with F major
23 episodes with F major
18 episodes with F major
19 episodes with F major
13 episodes with F major
9 episodes with F major
10 episodes with F major
8 episodes with F major
4 episodes with F major
6 episodes with F major
14 episodes with F major
6 episodes with F major
5 episodes with F major
4 episodes with F major
4 episodes with F major
4 episodes with F major
3 episodes with F major
5 episodes with F major
6 episodes with F major
6 episodes with F major
8 episodes with F major
3 episodes with F major
4 episodes with F major
3 episodes with F major
4 episodes with F major
2 episodes with F major
2 episodes with F major
In this episode, we talk about how how Jane Austen has solved the problem of the infodump, the realism of the scene with little Walter, how she shows the relations within families, and how events on the walk to Winthrop affect Wentworth's feelings.The characters we discuss Louisa and Henrietta Musgrove. In the historical section, Ellen talks about curates, and for popular culture both Harriet discusses the 2007 ITV film adaptation of Persuasion.Things we mention:General discussion:Janet Todd and Antje Blank [Editors], The Cambridge Edition of the Works of Jane Austen: Persuasion (2006)Maria Edgeworth (reference in the Persuasion footnotes is to A Memoir of Maria Edgeworth with a Selection from her Letters (1867), vold. 2, pp. 5-6.)Character discussion:Irene Collins, Jane Austen and the Clergy (2002)Historical discussion:Anthony Trollope, The Last Chronicle of Barset (1867)Stipendiary Curate Act 1713 Popular culture discussion:Clerkenwell Films, Persuasion (2007) – starring Sally Hawkins and Rupert Penry-JonesWatch on YouTubeStairs on the Cobb (photo)Louisa's fall (this YouTube video shows the same scene from four different adaptations of Persuasion)Creative commons music used:Extract from Wolfgang Amadeus Mozart, Sonata No. 12 in F Major, ii. Adagio.Extract from Joseph Haydn, Piano Sonata No. 38. Performance by Ivan Ilić, recorded in Manchester in December, 2006. File originally from IMSLP.Extract from Wolfgang Amadeus Mozart, Sonata No. 13 in B-Flat Major, iii. Allegretto Grazioso. File originally from Musopen.Extract from George Frideric Handel, Suite I, No. 2 in F Major, ii. Allegro. File originally from Musopen.Extract from Ludwig van Beethoven, Piano Sonata No. 28 in A major. File originally from Musopen.
referencesBiochim Biophys Acta 2020.Gene Regul Mech.9;1864(2):194626. Dev Neurobiol. 2010 Jul; 70(8): 589–603EBioMedicine. 2015 Dec; 2(12): 1888–1904.Alzheimer's & Dementia:Translational Research & Clinical Interventions (TRCI) 2021Volume7, Issue1 e12217Redding ,O. 1965. "Respect" Aretha Franklin.https://music.youtube.com/watch?v=9iayJ8u4Qew&si=MQGj24vwxi-a7MA2McQuinn, R. etal. 1969. Ballad of Easy Rider" lphttps://music.youtube.com/playlist?list=OLAK5uy_lZsfylbD0QstIkEA7DR2ZE3swDbal4gN4&si=RCdD8y8qqEyzfyXEBeethoven, LV. 1808. Sixth Symphony in F Major. Op 68 "Pastorale" Karajan.https://music.youtube.com/watch?v=KIQZwXLQF0s&si=bSspMm25IvS9Tkht
Brahms and a world premiere! Experience a Grand Teton Music Festival Orchestra concert performed at Walk Festival Hall in 2024, featuring Brahms' Third Symphony and the premiere of Vexierbild, a companion piece written by German composer Detlev Glanert.This episode features:Grand Teton Music Festival OrchestraSir Donald Runnicles, conductorDetlev GlanertVexierbild (World Premiere)Johannes BrahmsSymphony No. 3 in F Major, Op. 90Live from the Grand Teton Music Festival is hosted by Music Director Sir Donald Runnicles and GTMF General Manager Jeff Counts. Episodes premiere on Wednesdays at 8 PM MT on Wyoming Public Radio and are available the next day wherever you get your podcasts.The Grand Teton Music Festival, founded in 1962, unites over 250 celebrated orchestral musicians led by Music Director Sir Donald Runnicles in Jackson Hole, Wyoming each summer. Stay connected for the latest Festival updates: Instagram Facebook Email List GTMF Website
We'll look at Beethoven's final three string quartets: No. 13 in B-flat Major, No. 14 in C-sharp Minor, and No. 16 in F Major.
On this week's episode of Inside the Music, join Derek Delaney, Artistic Director of Capital Region Classical, as he explores in depth Chopin's 'Tragic' Polonaise and his four Ballades with live CRC performance by pianists Rafal Blechacz and Emanual Ax. Polonaise in F-sharp Minor, Op. 44, TragicRafal Blechacz [10/26/2014 performance]Complete BalladesNo. 1 in G Minor, Op. 23No. 2 in F Major, Op. 38No. 3 in A-flat Major, Op. 47No. 4 in F Minor, Op. 52Emanuel Ax [12/2/2005 performance]Dive deeper into this episode's repertoire by heading to our YouTube channel for a discussion with some of our audience members about the program.Follow us to stay up to date on the latest from Capital Region Classical including concerts, events, and new episodes of Inside the Music:WebsiteFacebookInstagramYouTube© Capital Region Classical
In this week's episode of the podcast, we're diving deep into mastering one of the most challenging chords for beginner guitarists: the F major bar chord. We'll discuss why the F major bar chord is tricky, introduce some simpler alternative shapes, and go over essential techniques for building the strength and accuracy needed to play it with ease.
This is an in-between ‘extras' episode. Our episodes are normally not more than an hour in length, which means that we usually have to cut a certain amount of material in the editing. But for Episode 3, we had much more material than usual. So we kept the episode down to an hour, but decided to release an ‘extras' episode, with some of the bits we edited out.It's a bit disjointed, but we hope you enjoy it.THINGS WE MENTIONCharacter discussion:Sheila Kaye-Smith and G.B. Stern, Talking of Jane Austen (1943) and More Talk of Jane Austen (1950)Historical discussion:The Aubrey & Maturin novels of Patrick O'BrienAdmiral Thomas Cochrane (1775-1860)Popular culture discussion:BBC Film, Persuasion (1995) – starring Amanda Root and Ciarán HindsThe Bounty (1984)CREATIVE COMMONS MUSIC USEDExtract from Wolfgang Amadeus Mozart, Sonata No. 12 in F Major, ii. Adagio.Extract from Joseph Haydn, Piano Sonata No. 38. Performance by Ivan Ilić, recorded in Manchester in December, 2006. File originally from IMSLP.Extract from Wolfgang Amadeus Mozart, Sonata No. 13 in B-Flat Major, iii. Allegretto Grazioso. File originally from Musopen.Extract from George Frideric Handel, Suite I, No. 2 in F Major, ii. Allegro. File originally from Musopen.Extract from Ludwig van Beethoven, Piano Sonata No. 28 in A major. File originally from Musopen.
On this week's episode of Inside the Music, Derek continues his exploration of Chopin and the composer's evocation of night and dreams in his works with live CRC performances by pianists Emanuel Ax, Jonathan Biss, Rafal Blechacz, Ieva Jokubaviciute, and Dubravka Tomsic. Fantasie in F Minor, Op. 49Dubravka Tomsic [12/4/2003 performance]Berceuse in D-flat Major, Op. 57Dubravka Tomsic [12/4/2003 performance]Nocturne in F Major, Op. 15, No. 1Emanuel Ax [1/25/2009 performance]Nocturne in C Minor, Op. 48, No. 1Ieva Jokubaviciute [2/21/2010 performance]Nocturne in E Major, Op. 62, No. 2Rafal Blechacz [10/26/2014 performance]Nocturne in C-sharp Minor, Op. 27, No. 1Emanuel Ax [2/29/2008 performance]Nocturne in D-flat Major, Op. 27, No. 2Jonathan Biss [4/15/2009 performance]Dive deeper into this episode's repertoire by heading to our YouTube channel for a discussion with some of our audience members about the program.Follow us to stay up to date on the latest from Capital Region Classical including concerts, events, and new episodes of Inside the Music:WebsiteFacebookInstagramYouTube© Capital Region Classical
In this episode, we talk about how how Jane Austen tells us about the feelings of Anne and Captain Wentworth, and how the narrator captures Anne's emotions; the building up of the relationship between Charles and Mary, and their reaction to Little Charles' accident; Mrs Musgrove's feelings about her son; and Mrs Croft's travels.The character we discuss is Captain Wentworth. In the historical section, Harriet's partner Michael talks about the Navy, and for popular culture both Harriet and Michael discuss 1995 BBC film adaptation of Persuasion.Things we mention:General discussion:Janet Todd and Antje Blank [Editors], The Cambridge Edition of the Works of Jane Austen: Persuasion (2006)Character discussion:First Impressions podcast, ‘Ep 17: Persuading Kristin to Like Persuasion‘, 22 January 2017.Historical discussion:Security to Merchant Ships Act 1707 (6 Ann. c. 65), generally known as the Cruisers and Convoys Act 1708Distribution of prize money: see table on our websitePopular culture discussion:BBC Film, Persuasion (1995) – starring Amanda Root and Ciarán HindsWatch on YouTubeStairs on the Cobb (photo)Louisa's fall (this YouTube video shows the same scene from four different adaptations of Persuasion)Creative commons music used:Extract from Wolfgang Amadeus Mozart, Sonata No. 12 in F Major, ii. Adagio.Extract from Joseph Haydn, Piano Sonata No. 38. Performance by Ivan Ilić, recorded in Manchester in December, 2006. File originally from IMSLP.Extract from Wolfgang Amadeus Mozart, Sonata No. 13 in B-Flat Major, iii. Allegretto Grazioso. File originally from Musopen.Extract from George Frideric Handel, Suite I, No. 2 in F Major, ii. Allegro. File originally from Musopen.Extract from Christoph Willibald Gluck, Orfeo ed Euridice. File from IMSLP.Extract from Ludwig van Beethoven, Piano Sonata No. 28 in A major. File originally from Musopen.
Donald Macleod explores Vienna in the company of Franz SchubertOf all Europe's major cities, perhaps Vienna is the one with the reputation as the most comfortable, the most sophisticated, and the most musical. In fact, has any other city been home to so many great composers as Vienna? Mozart, Beethoven, Haydn, and Salieri all spent their best years working there. Yet none of those starry names was born in the city, none were true Viennese. This week, Donald Macleod explores Vienna through the lens of arguably the greatest home grown composer the city has ever produced – Franz Schubert – a man whose short life spanned a crucial period in Austrian history, a time of crisis and much change. In his company we'll explore Vienna's churches and theatres, its parks, coffee houses and taverns, and also glimpse the darker side of the city too – the excesses of Europe's aristocracy and the all seeing eyes of Vienna's secret police.Music Featured: “Kupelwieser” Waltz in G flat Major, D Anh I/14 Symphony No 9 in C Major “The Great”, D944 (3rd mvt, Scherzo) String Quintet in C Major, D 956 (2nd mvt, Adagio) Beitrag zur fünfzigjährigen Jubelfeier des Herrn von Salieri, D407 Marches Militaires, D733 (No 1 in D Major) Gretchen am Spinnrade, D118 6 Moment Musicaux, Op 94, D780 (No 3 in F min) Mass No 1 in F Major, D105 (Gloria) Grande Marche Funebre, D859 Symphony No 2 in B flat Major, D125 (4th mvt,Presto) Rosamunde, D797 (No 5 ,Entracte No 3 in B flat Major: Andantino) Licht und Liebe, D352 Quartettsatz Lazarus, Act 2 (unfinished) Schwanengesang, D744 4 Impromptus, D899, Op90 (No 3 in G Flat Major) Symphony No 8 in B minor, D759 “Unfinished” (1st mvt, Allegro moderato) Symphony No 5 in B flat Major, D485 (1st mvt, Allegro) Winterreise, D911 (No 24, Der Leiermann) Der Wanderer, D489 Piano Quintet in A Major, D667 “The Trout” (3rd mvt, Scherzo) 38 Waltzes, D145, Op 18 (Nos 6, 8 & 9 ) An Sylvia, D891, Op 6 (No 4) Fantasy in F minor, D940, Op 103 Ave Maria, D839, Op 52, No 6 Mass No 6 in E Flat Major, D950 (Credo) Rosemunde incidental music, D797 (Nos 7-9) Alfonso and Estrella, D732 (Act I, Aria “Sei mir gegrusst, o Sonne!”) An die MusikPresented by Donald Macleod Produced by Sam Phillips for BBC Audio Wales & WestFor full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Schubert and Vienna https://www.bbc.co.uk/programmes/m0026800 And you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z
In this episode, we talk about how the backstory of Anne and Wentworth is presented without comedy, and yet is absolutely enjoyable. We then move on to the introduction of Mary, and why she is the way she is, the generational change we see in the Musgrove family, and the very unsympathetic portrayal of Dick Musgrove.The character we discuss is Lady Russell. In the historical section, Ellen talks about social precedence, and for popular culture Harriet has watched the 1972 Spanish television adaptation of Persuasion.Things we mention:General discussion:Janet Todd and Antje Blank [Editors], The Cambridge Edition of the Works of Jane Austen: Persuasion (2006)George Eliot, Middlemarch(1872)Maria Edgeworth, The Good French Governess (1801)Charlotte M. Yonge, The Daisy Chain (1856)Ethel Turner, Seven Little Australians(1894)Historical discussion:Anthony Powell, The Acceptance World (1955)The Right Hon. the Countess of *******, Mixing in Society: A Complete Manual of Manners (1870)Debrett's Tables of PrecedencePopular culture discussion:TVE, Novela: Persuasión (1972) – starring Maite Blasco and Juan DiegoWatch on YouTube: PlaylistCreative commons music used:Extract from Wolfgang Amadeus Mozart, Sonata No. 12 in F Major, ii. Adagio.Extract from Joseph Haydn, Piano Sonata No. 38. Performance by Ivan Ilić, recorded in Manchester in December, 2006. File originally from IMSLP.Extract from Wolfgang Amadeus Mozart, Sonata No. 13 in B-Flat Major, iii. Allegretto Grazioso. File originally from Musopen.Extract from George Frideric Handel, Suite I, No. 2 in F Major, ii. Allegro. File originally from Musopen.Extract from Christoph Willibald Gluck, Orfeo ed Euridice. File from IMSLP.Extract from Ludwig van Beethoven, Piano Sonata No. 28 in A major. File originally from Musopen.
And you thought YOU were gonna have a lot of holiday company! Poor Mary, who's only given birth a week or so ago, now faces this onslaught of unexpected visitors in today's episode. We'll find out who exactly all those folks are, their connection to one of the most powerful families in Europe, and what's up with the peacock. Pretty sure that wasn't one of the animals at the Nativity... SHOW NOTES “A Long Look” themes are "Easy" by Ron Gelinas https://youtu.be/2QGe6skVzSs and “At the Cafe with You” by Onion All Stars https://pixabay.com/users/onion_all_stars-33331904/ Episode music “Joy to the World” and “We Three Kings” performed by John Sayles http://www.jsayles.com/familypages/holidaymusic.htm “Mass for 4 Voices,” composed by William Byrd, performed by Ensemble Morale. Courtesy of musopen.org https://musopen.org/music/44138-mass-for-4-voices “Suite in F Major” composed by Michael Praetorius. Performed by Michel Rondeau. Courtesy of musopen.org https://musopen.org/music/43633-suite-in-f-major Artwork information https://www.nga.gov/collection/art-object-page.41581.html https://www.nga.gov/collection/highlights/angelico-lippi-the-adoration-of-the-magi.html https://en.wikipedia.org/wiki/Adoration_of_the_Magi_(Fra_Angelico_and_Filippo_Lippi) https://www-jstor-org.dclibrary.idm.oclc.org/stable/20074684?seq=6 (JSTOR article, may need to log in through your library) Magi gifts https://uscatholic.org/articles/202212/why-did-the-magi-bring-jesus-gold-frankincense-and-myrrh https://www.biblicalarchaeology.org/daily/people-cultures-in-the-bible/jesus-historical-jesus/why-did-the-magi-bring-gold-frankincense-and-myrrh/ Medici information https://www.britannica.com/topic/Medici-family Karen's favorite illuminated manuscript “The Hours of Catherine of Cleves” https://www.themorgan.org/collection/Hours-of-Catherine-of-Cleves Recommended Reading: “Fra Angelico” by Laurence Kanter and Pia Palladino. Published by the Metropolitan Museum of Art and Yale University Press, 2005. Pgs 278-283. Explains Magi's visitation. (Free PDF) https://cdn.sanity.io/files/cctd4ker/production/f9c70388da067f22ea0e43e5e512fb5f8d2b0d33.pdf Transcript available at https://alonglookpodcast.com/adoration-magi-angelico-lippi/
In this episode, we talk about the publishing history of Persuasion, the precise dates we are given in the book, the fact that we learn very little about Anne in the first chapters, and how well Mr Shepherd is managing Sir Walter.The character we discuss is Sir Walter Elliot. In the historical section, Ellen talks about baronets, and for popular culture Harriet gives an overview of the screen adaptations of Persuasion, and then talks in more detail about the about the 1971 BBC adaptation.Things we mention:Historical discussion:John Debrett, The Baronetage of England, containing their Descent and Present State (1808)William Dugdale, The antient usage in bearing of such ensigns of honour as are commonly called arms (1682)Thomas Wotton, The English Baronetage : containing a genealogical and historical account of all the English baronets, now existing (1741)John Burke, A Genealogical and Heraldic History of the Landed Gentry (1838)Popular culture discussion:BBC, Persuasion (1960) – starring Daphne Slater and Paul DanemanBBC, Persuasion (1971) – starring Ann Firbank and Bryan MarshallWatch on YouTube: Part 1 and Part 2Stairs on the CobbTVE, Novela: Persuasión (1972) – starring Maite Blasco and Juan DiegoBBC Film, Persuasion (1995) – starring Amanda Root and Ciarán HindsClerkenwell Films, Persuasion (2007) – starring Sally Hawkins and Rupert Penry-JonesNetflix, Persuasion (2022) – starring Dakota Johnson and Cosmo JarvisCreative commons music used:Extract from Wolfgang Amadeus Mozart, Sonata No. 12 in F Major, ii. Adagio.Extract from Joseph Haydn, Piano Sonata No. 38. Performance by Ivan Ilić, recorded in Manchester in December, 2006. File originally from IMSLP.Extract from Wolfgang Amadeus Mozart, Sonata No. 13 in B-Flat Major, iii. Allegretto Grazioso. File originally from Musopen.Extract from George Frideric Handel, Suite I, No. 2 in F Major, ii. Allegro. File originally from Musopen.Extract from Ludwig van Beethoven, Piano Sonata No. 28 in A major. File originally from Musopen.
Hoy profundizamos en la traducción cultural y el rescate de voces históricas junto a Alba Rodríguez Saavedra (https://paratraduccion.com/doctorado/alba-rodriguez-saavedra/), traductora e investigadora. Alba nos cuenta cómo utiliza la traducción para reinterpretar y preservar figuras marginalizadas, especialmente aquellas en la memoria cultural y tradiciones populares. Con una mirada personal y académica, Alba conecta su trabajo en la Universidad de Vigo, donde estudia a personajes femeninos como la Moura en Galicia y la Kajyaj en Irlanda, con su deseo de rescatar y dar voz a las historias de mujeres que han sido olvidadas o subestimadas. Además, Alba investiga la obra de Ruth Matilda Anderson, primera traductora de Rosalía de Castro al inglés, quien en su tiempo desafió la imagen estereotipada de Rosalía, ofreciendo una perspectiva feminista y socialmente comprometida. Durante la conversación, otros investigadores suman perspectivas sobre el impacto de la traducción como medio de reinterpretación cultural y sobre la importancia de la tradición oral en la transmisión de historias y saberes. Compartiendo experiencias personales, los participantes revelan cómo los relatos transmitidos en sus propias familias influyen en sus investigaciones, especialmente en aquellos aspectos de la cultura popular y femenina que han sido menospreciados. A través de este enfoque, el episodio destaca cómo el compromiso personal y el rigor académico pueden entrelazarse para rescatar lo que quedó al margen de las narrativas dominantes. Los retos de la investigación académica son otro eje de este episodio. Se aborda la precariedad laboral, la dificultad para financiar proyectos y el impacto de la sobreproducción académica en la calidad de la investigación. Alba y los participantes discuten cómo, a pesar de estas dificultades, el interés por visibilizar historias culturales olvidadas sigue siendo una motivación potente. También reflexionan sobre la importancia de crear puentes entre la academia y la sociedad, destacando iniciativas como el “Pint of Science” y formatos accesibles como los podcasts, que permiten que el conocimiento académico llegue a un público más amplio. En el cierre, Alba recapacita sobre el papel fundamental de la divulgación para democratizar el conocimiento y cómo la traducción permite redescubrir realidades históricas que de otro modo permanecerían ocultas. Nos recuerda que investigar y traducir no son solo actos de transmisión, sino formas de compromiso con la memoria y el futuro, y que la traducción puede servir como puente para conectar voces y culturas, enriquecer nuestra comprensión de la historia y, en última instancia, promover una sociedad más inclusiva. Podéis contactar a Alba a través de albarodriguez@uvigo.gal Si este tema te ha resonado, te invito a unirte de manera gratuita a nuestra comunidad de investigadores en WhatsApp. Allí hablamos de todo tipo de temas relacionados con la investigación y la creación de contenido. Puedes unirte gratuitamente a través de: https://chat.whatsapp.com/BIfSH9QFEiK9hiS83fw2am Por último, si te ha gustado el episodio, la mejor manera de apoyarme es compartiéndolo con alguien que creas que pueda disfrutarlo. ¡Muchas gracias por escuchar! P.D.: Música, Sonata No. 22 in F Major, Op. 54 - I. In tempo dun Menuetto de Daniel Veesey (https://freemusicarchive.org/music/Daniel_Veesey/Beethovens_Sonata_No_22_in_F_Major/Sonata_No_22_in_F_Major_Op_54_-_I_In_tempo_dun_Menuetto/).
“Orgelstuck in F Major” by J.C.H. Rinck. Presented by Maggie Tran as the prelude to worship on 3 November 2024 at First UMC - Gainesville, FL.
Tasmin Little selects her favourite version of Franz Schubert's Octet in F Major D.803.
We often think of composers as solitary geniuses, scribbling away at their masterpieces, working alone. But this isn't always the case. Gustav Holst, most famous for composing The Planets, struggled all his life with neuritis, a condition that made his arms feel like “jelly overcharged with electricity.” It was frequently impossible for him to play or even write, so, to bring his vision of our solar system to life, he needed help. This week, Donald Macleod charts Holst's interplanetary expedition and discovers the unsung heroes who placed him amongst the stars.Music Featured: The Planets, Op 32 Toccata, H 153 Symphony in F Major, Op 8, H 47 “The Cotswolds” (2nd mvt, Elegy, Molto adagio & 3rd mvt, Scherzo, Presto - Allegretto) Sita, Op 23, H 89 (Interlude) The Mystic Trumpeter, Op 18 Choral Hymns from the Rig Veda, Op 26 (3rd Group, H99) The Hymn of Jesus, Op37 / H 140 (Hymn II, Hymn III, Hymn IV) 5 Partsongs, Op 12, H 61 St Paul's Suite, Op 29, No 2 Ballet music from 'The Perfect Fool' H150 (Op 39) Sāvitri, Op 25 (I - VI) Ode to Death, Op 38, H 144 Suite No 2 for Military Band in F major, Op 28 No 2, H106 Choral Symphony, Op 41 (2nd mvt, Song and Bacchanal) Scherzo for Orchestra, H192 Hammersmith - Prelude and Scherzo, H178, Op 52 Egdon Heath Op 47 (1st mvt, Adagio - Poco Allegro - Andante maestoso) Brook Green Suite The Planets, Op 32 (Jupiter, the Bringer of Jollity) arr. for two pianosPresented by Donald Macleod Produced by Alice McKee for BBC Audio Wales & WestFor full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Gustav Holst (1874-1934) https://www.bbc.co.uk/programmes/m0022sj0 And you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z
Inside the Music explores works from Ludwig van Beethoven's later period as he struggled with hearing loss and other personal issues. Join Derek Delaney, Artistic Director of Capital Region Classical, as he dives into these works of Beethoven through live CRC performances by pianist Jeremy Denk; the Emerson Quartet; and the Quatuor Ebène; and Musicians from Marlboro.Sonata in B-flat Major, Op. 106Adagio sostenutoJeremy Denk [12/11/2007 performance]Selections from 25 Scottish Songs, Op. 108The Sweetest Lad was JamieThe Lovely Lass of InvernessMusicians from Marlboro [2/3/2008 performance]Tamara Mumford, mezzo-soprano; Lily Francis, violin; Marcy Rosen, cello; Yeva Yukovabatutte, pianoQuartet in C-sharp Minor, Op. 131Allegro molto vivaceAllegro moderato – AdagioEbène Quartet [3/10/2016 performance]Quartet in F Major, Op. 135Lento assai, cantante e tranquilloGrave ma non troppo tratto—AllegroEmerson Quartet [2/4/2007 performance]Dive deeper into this episode's repertoire by heading to our YouTube channel for a discussion with some of our audience members about the program.Follow us to stay up to date on the latest from Capital Region Classical including concerts, events, and new episodes of Inside the Music:WebsiteFacebookInstagramYouTube© Capital Region Classical
我们都应该听听古典音乐！音乐修养、生活品味和审美趣味，都是可以通过古典音乐来培养的；而且浩如烟海的作品，本身就充满了美的趣味和享受。很多人觉得古典乐的欣赏充满门槛，似乎不懂乐理就很难听懂。但其实不是，不懂乐理，并不妨碍我们欣赏，也不妨碍我们被它的美和独特所感动。今天这期节目，想跟你分享我是如何入门，以及如何去欣赏古典音乐。尽管我算不上骨灰级、学术型的厉害古典乐迷，但我非常愿意和你一起享受古典音乐的美。我将尽量不去说艰深晦涩的东西，并尽可能地播放好的作品与你来听，希望能让你产生一些些接触古典音乐的兴趣，通过这期节目也能入门~
Jenn Fessler joins us this week - she is authentic, real, and answers the hard questions. We got a preview of her new song. She reveals something surprising - there is a surprising piece of information that all of the RHONJ housewives knew going into filming and throughout filming the season. Jenn's favorite and least favorite parts of being a housewife, plus where she stands with each of the women. And, best of all, she shares a little preview of her new song. Jenn also graciously gave Cocktailers an exclusive discount on her sexy yet comfortable line of stiletto heels, F Major. Go to shopfmajor.com and enter code COCKTAILS for 25% off!
We'll focus on Beethoven's Symphony No. 8 in F Major, Op. 93. composed in 1812.
Renee Fleming, Chopin's Nocturne in F Major, Bishop Barron, Rush Limbaugh, conclusion
Inside The Music delves into Ludwig van Beethoven's ability to turn a single musical idea into countless melodies. Join Derek Delaney, Artistic Director of Capital Region Classical, as he examines theme and variation works of Beethoven with live CRC performances by pianists Arnaldo Cohen, Emanuel Ax, Jonathan Biss, and Paul Lewis.32 Variations in C Minor, WoO 80Arnaldo Cohen, piano [10/23/2004 performance]6 Variations on a Theme in F Major, Op. 34Emanuel Ax [4/24/2016 performance]Piano Sonata in F Minor, Op. 57, AppassionataAndante con motoJonathan Biss, piano [4/12/2015 performance]Piano Sonata in E Major, Op. 109Gesangvoll, mit innigster Empfindung. Andante molto cantabile ed espressivoPaul Lewis [3/22/2015 [performance]Dive deeper into this episode's repertoire by heading to our YouTube channel for a discussion with some of our audience members about the program.Follow us to stay up to date on the latest from Capital Region Classical including concerts, events, and new episodes of Inside the Music:WebsiteFacebookInstagramYouTube© Capital Region Classical
Inside The Music continues its exploration of Ludwig van Beethoven's early works which would lead to his monumental career. Join Derek Delaney, Artistic Director of Capital Region Classical, as he explores these impactful works of Beethoven with live CRC performances by pianist Rafał Blechacz, the Brentano Quartet, Pamela Frank, violin and Claude Frank, piano, and Musicians from Marlboro.Piano Sonata in C Minor, Op. 13, PathétiqueAdagio cantabileRondo: AllegroRafał Blechacz, piano [10/26/2014 performance]Quartet in F Major, Op. 18, No. 1Adagio affettuoso ed appassionatoBrentano Quartet [1/24/2010 performance]Violin Sonata in A Minor, Op. 23PrestoPamela Frank, violin and Claude Frank, piano [1/30/2000 performance]Quintet for Piano and Winds in E-flat Major, Op. 16Rondo: Allegro ma non troppoMusicians From Marlboro – Gilbert Kalish, piano; Rudy Vrbsky, oboe; Alexander Fiterstein, clarinet; Shinyee Na, bassoon; Paul LaFollette [3/2/2006 performance]Dive deeper into this episode's repertoire by heading to our YouTube channel for a discussion with some of our audience members about the program.Follow us to stay up to date on the latest from Capital Region Classical including concerts, events, and new episodes of Inside the Music:WebsiteFacebookInstagramYouTube© Capital Region Classical
In 1773, Carl Philipp Emanuel Bach sat down to record his life story. He'd been asked to write it down for a new book on German music and it made him one of the first composers to produce an autobiography. This week, Donald Macleod follows the composer's story, using Bach's own account as his guide. Bach's words provide fascinating insights into the things he considered most important but it's possible that what he chose to leave out is even more revealing.Music Featured: L'Aly Rupalich, Wq 117 No 27 Symphony for Strings and Continuo in G major, Wq 182 No 1 Fantasia for keyboard in C major, Wq 61 No 6 Trio Sonata in B minor, Wq 143 Keyboard Concerto in G major, Wq 3 Symphony in G major, Wq 173 (1st mvt) Trio Sonata in A Minor, Wq 148 Sonata in A minor, Wq 132 (1st mvt) Cello Concerto No 3 in A major, Wq 172 (2nd & 3rd mvts) Sonata in E minor, Wq 49 No 3 Magnificat in D, Wq 215 (1, Magnificat anima mea Dominum; 5, Fecit potentiam; 10. Sicut erat in principio) Keyboard Sonata in E flat major, Wq 52 No 1( 2nd & 3rd mvts) Sonata in C minor ‘Sanguineus and Melancholicus' Wq 161 No 1 Phyllis and Thirsis, Wq 232 (excerpt) Sinfonia in B-Flat Major, Wq 182 No 2 (3rd mvt) 30 Geistliche Gesänge mit Melodien, Book 2, Wq 198: (Nos 2 & 8) Die Israeliten in der Wüste, Wq 238 (extract from Part 1) Symphony in B minor, Wq 182 No 5 Rondo in E Major, Wq 58 No 3 Rondo in F Major, Wq 57 No 5 Sonata in D Minor, Wq 57 No 4 (2nd mvt) Quartet in G Major, Wq 95 (3rd mvt) Heilig, Wq 217 Keyboard Sonatina in D Major, Wq 109 Freye Fantasie in F sharp minor, Wq 80Presented by Donald Macleod Produced by Chris Taylor for BBC Audio Wales and WestFor full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for CPE Bach (1714-1788) https://www.bbc.co.uk/programmes/m001yr0r And you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z
微信公众号：「365读书」（dus365)，有不定期赠书福利；微博：365读书v。主播：潮羽&云公子，365天每天更新一期。 文字版已在微信公众号【365读书】发布 。QQ：647519872 背景音乐：1.Kevin Kern - Remembering the Light；2.Vladimir Ashkenazy,Itzhak Perlman - Sonata for Violin and Piano No.5 in F major, op.24 'Spring'：1. Allegro；3.Maria Joao Pires - Piano Sonata No. 12 in F Major, K. 332：II. Adagio；4.Vladimir Ashkenazy - Beethoven： Piano Sonata No.14 in C sharp minor, Op.27 No.2 -＂Moonlight＂ - 1. Adagio sostenuto；5.Jim Brickman - Free to Fly。
Inside The Music explores works of composers Joseph Haydn and Ludwig van Beethoven following the connection between the two. Join Derek Delaney, Artistic Director of Capital Region Classical, as he explores the path from Haydn to Beethoven through live CRC performances by the Jupiter and Brentano quartets featuring an interview with Misha Amory, violist of the Brentano Quartet.Haydn: String Quartet in F Major, Op. 77, No. 2Allegro moderatoAndanteJupiter Quartet [10/2/2008]Beethoven: String Quartet in F Major, Op. 18, No. 1Allegro con brioAdagio affettuoso ed appassionatoBrentano Quartet [1/24/2010]Featuring an interview with Misha Amory, violist of the Brentano QuartetDive deeper into this episode's repertoire by heading to our YouTube channel for a discussion with some of our audience members about the program.Follow us to stay up to date on the latest from Capital Region Classical including concerts, events, and new episodes of Inside the Music:WebsiteFacebookInstagramYouTube© Capital Region Classical
Pro tip: please watch the short video version of this post that I link to www.GuitarSuccess4U.com/10AlternateTuningMyths. It will give you a much clearer grasp of what I'm sharing here.Abbreviated transcript and table included below…Have you always wanted to play in alternate tunings, but felt a little intimidated by the process? Not anymore.Let's dispel 10 myths together and find some hidden treasures when it comes to alternate tunings.The 6 machine heads on our guitars are like a 6-digit combination lock, and the alternate tunings we can access with them can be incredibly enjoyable. Here are 10 myths I'm going to dispel about alternate tunings. You ready?Myth #1 – “Alternate tunings are too difficult to get into.”By definition, an alternate tuning is any tuning that's different from standard tuning, so even Drop-D can fall into this category. This is the best place to start. All you do is start with a standard-tuned guitar and then tune one string down – your 6th string, until the 12th fret harmonic matches the open 4th string D (watch the video to see how.)Myth #2 – “Alternate tunings can be achieved with a partial capo.” If were to take a standard tuned guitar and place a partial capo on strings 5, 4, and 3 on the second fret, and play those notes open, they would sound an Esus4.If I tune another guitar to DADGAD and place the capo on the second fret, I'll have access to the same open notes that sound an Esus4. And although some of the chords might sound similar on both guitars (see the video), that's where the similarity between the partial capo and the alternate tuning end.Look at this closed voicing A Major scale on a standard-tuned guitar with a partial capo, and contrast it to a DADGAD capo 2 guitar.Myth #3 – “You can figure out the tuning of a guitar from an audio recording.” Sometimes. Not always. I wrote a song in DADGAD and recorded it on an album with my capo on the 3rd fret. Later, a friend liked the song so much that he taught it to himself from the recording, and played it in standard tuning, but with a lot more fretted notes. Myth #4 – “The tuning dictates the key.” Not necessarily. I actually learned a beautiful fingerstyle song by Pierre Bensusan in DADGAD while studying with him in France called “L'Alchimiste,” and that song was in DADGAD but in the keys of C and F Major…without a capo. Pretty wild.Myth #5 – “Alternate tunings require a dedicated guitar.” I think it depend on how quickly you can re-tune. I caught Michael Hedges in concert a couple times and he had two 6-string guitars for the whole show – one he played onstage, while his technician re-tuned the other one offstage. He must have played in upwards of two dozen tunings with just those two guitars. At my concerts and when I lead worship, I use at most, three guitars. I try to keep my guitars in neighboring tunings as well, and to plan my sets accordingly.Myth #6 – “Each tuning takes a long time to learn to play in.” Actually, once you've re-tuned, you can be creating great music in minutes. There's something sweet about exploring a new tuning for the first time, and finding chord voicings that are just not possible in standard tuning or even partial capo positions.Myth #7 – “Once you re-tune, you have to re-learn the instrument.” As I mentioned, you don't have to re-learn everything in a new tuning. Some strings, if they remain in their original pitches, can allow for some of the same figures we know, like three-string chord voicings or melodic fragments. Some tunings are nice for specific textures, drones, or certain keys. But a new tuning doesn't necessitate re-learning the entire guitar from square one. Myth #8 – “Alternate tunings require special string gauges.” If we keep the same strings proprietary to their standard locations on the guitar, I recommend medium gauge – 13 to 56, from high to low, because a set of these strings splits the difference between the heavy gauge strings and light gauge strings.Myth #9 – “Your tunings drastically affect your collaborators' choices.”As long as you're in concert pitch and playing chords or melodies, this really doesn't affect your collaborators in a major way.You might have a little fun mystifying your bass player who thinks they know which notes you're playing, especially on your low strings, but no, tunings don't affect other musicians, at least not logistically. They may actually inspire your collaborators artistically, which could be really cool. Lastly…Myth #10 – “There are only a limited number of alternate tunings out there.” Think about my analogy of a combination lock for a moment. There are lots of possibilities, especially if there are six digits on your lock. If we were to compute each string as having a combined range of an octave (in other words, each string could theoretically be tuned down a Perfect 5th and up a Major 3rd), how many alternate tuning possibilities could there be on a 6-string guitar? Answer: 2,985,984 tunings! A six-string acoustic guitar in good shape is primed and ready for exploring alternate tunings, so I encourage you to step out and take the risk. Who knows? You might write an arrangement or a brand-new song in a new tuning…today. Maybe you'll find a way to arrange a worship song you love, in an alternate tuning, perhaps combined with a capo across all 6 strings for the key where it works best for your voice, your band, or both. I hope you do.As we wrap up, without going too deep into a discussion about gear, I will say that there are automated tuners, tuning levers and pegs that can be added to a guitar to customize the precision and speed with which someone can re-tune their guitar. Guitarist Adrian Legg is a prime example of someone who has leveraged these kinds of tools. But a six-string acoustic guitar in good shape is primed and ready for exploring alternate tunings, so I encourage you to step out and take the risk. Who knows? You might write an arrangement or a brand new song in a new tuning…today. Maybe you'll find a way to arrange a worship song you love, in an alternate tuning, perhaps combined with a capo across all 6 strings for the key where it works best for your song, your band, or both. I hope you do.And if you're looking for more insights into discovering some hidden treasures that the guitar and music have to offer, I would be honored to be your guide in a one-of-a-kind online experience called GuitarSuccess4U. I've never seen anything like what we have, therefore, I had to create it. We have a 6-stage Success Path, proven strategies for multi-modal learning, a collection of hand-picked guest experts, and a community of like-minded Christian guitarists who just might be on a similar journey to you. Will you discover what we've worked so diligently to create? Please take a moment to visit GuitarSuccess4U.com and see what we're up to. It could change your guitar world, and transform your musical world.I hope to see you inside GuitarSuccess4U. Keep showing up, have serious fun as you play your guitar, and I'll see you next time.Thanks for reading Guitar Serious Fun! Subscribe for free to receive new posts and support my work. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit guitarseriousfun.substack.com
This Day in Legal History: The Trial of GalileoOn April 12, 1633, a pivotal moment in the annals of legal and scientific history unfolded as Galileo Galilei faced the Roman Catholic Church's formal inquisition on charges of heresy. This trial was not merely a religious condemnation but a significant clash between emerging scientific ideas and established ecclesiastical doctrine. Galileo, by advocating the heliocentric theory that posited the sun at the center of the universe—a view first propagated by Copernicus—directly challenged the Church's geocentric model, which placed Earth and, by extension, humanity, at the cosmos' core.The inquisition's core accusation was that Galileo held "as true the false doctrine taught by some that the sun is the center of the world," in stark contradiction to the theological view that emphasized Earth's central position. This confrontation was not just about celestial mechanics; it was fundamentally about the authority to define truth. The trial, therefore, was as much a legal battle over doctrinal correctness as it was a referendum on intellectual freedom and the role of evidence in shaping belief.Found "vehemently suspect of heresy," Galileo's conviction was a foregone conclusion given the Church's powerful influence over societal norms and scientific discourse at the time. His sentence to life imprisonment was a stark message to the intellectual community about the limits of inquiry. However, perhaps recognizing the harshness of this penalty or the potential for backlash, his punishment was later commuted to house arrest.During his house arrest, Galileo continued his scientific work, demonstrating a resilience and commitment to knowledge that would posthumously vindicate his theories. It wasn't until centuries later, however, that the Church would formally acknowledge the error in its judgment against Galileo. In 1992, Pope John Paul II officially conceded that the Church had erred in condemning Galileo's support for heliocentric theories.This episode serves as a critical reflection point on the interplay between law, power, and knowledge. Galileo's trial underscores the dangers of legal systems enmeshed with doctrinal control and highlights the enduring struggle between innovation and orthodoxy. It remains a poignant example of the need for legal frameworks that protect and promote intellectual freedom, emphasizing that the pursuit of truth should guide both scientific inquiry and legal principles.The $20 billion allocated from the White House to fight climate change through the Greenhouse Gas Reduction Fund aims to enhance the nation's clean financing capabilities while managing financial risks carefully. This fund is intended to catalyze up to $150 billion in private investments for clean energy projects and other initiatives to decarbonize the economy, prioritizing both greenhouse gas reduction and benefits to disadvantaged communities. However, these investments carry inherent risks, which have garnered scrutiny from congressional Republicans, who are vigilant for any signs of failure or financial missteps to politicize the issue.Sophie Purdom from Planeteer Capital notes the low threshold for political controversy, even if only a few investments do not perform as expected. Meanwhile, Beth Bafford of the Climate United Fund, which received the largest grant, emphasizes her organization's long-standing expertise in distinguishing between real and perceived risks and structuring financial transactions accordingly. This approach is aimed at enabling aggressive action towards achieving net zero emissions without jeopardizing financial sustainability.The discussion extends beyond financial returns, highlighting the potential for broader economic benefits, especially in underserved communities. For instance, investments are planned in areas like on-site solar, building decarbonization, and bringing electric vehicles to disadvantaged areas. The Climate United Fund alone plans to deploy significant capital towards these ends, leveraging their extensive experience in financing similar projects.Comparisons are drawn with other federal initiatives like the Paycheck Protection Program, where community development financial institutions played a crucial role with minimal risk of loss, suggesting a blueprint for successful deployment of the climate funds. Despite concerns about fraud which affected previous federal programs, advocates like Jessie Buendia from Dream.org suggest bolstering EPA staffing and education on using blended capital to mitigate risks and maximize the impact of investments.The political landscape remains contentious, with Republicans actively opposing the fund, citing concerns over waste and the influence of foreign supply chains. Yet, there is a call for bipartisan support to foster clean, thriving communities across all states, pointing towards a need for collaborative efforts between the government and the private sector for transformative market changes.Climate Lenders With $20 Billion in Grants Weigh Risk and RewardWinston & Strawn emerged as the top legal biller for the Major League Baseball Players Association (MLBPA), which significantly reduced its legal expenses to $1.7 million in 2023 after finalizing a new collective bargaining agreement. This figure marks a substantial decrease from the $3.7 million spent in the previous year during intense negotiations following a three-month league lockout. The legal fees covered a range of services, with Winston earning approximately $264,000 for salary arbitration work, signaling its longstanding role as a key advisor to the MLBPA.Following Winston in billing were several other prominent firms, including Latham & Watkins and Boston-based Hemenway & Barnes, with respective payments of $176,000 and $147,000. Additional significant contributions came from Weil, Gotshal & Manges and Sidley Austin, highlighting the diverse array of legal expertise enlisted by the MLBPA.The reduction in legal costs coincided with a major expansion of the MLBPA, which saw its membership grow from 1,200 to about 6,000 as minor league players were incorporated. This expansion suggests a broadening of the union's scope and responsibilities, potentially influencing its legal and operational strategies.Internally, the MLBPA faced discontent from some players critical of the union's direction and leadership under Executive Director Tony Clark and Chief Labor Negotiator Bruce Meyer. Clark's compensation nearly doubled over the past year, which, coupled with the union's strategic decisions, has fueled some unrest among members.The legal team at the MLBPA also saw changes, with significant salaries for roles such as the new general counsel and other senior positions, reflecting the union's complex legal and operational environment. Moreover, the MLBPA engaged other legal and advisory services, including risk analysis and lobbying efforts, to support its broadening agenda.Overall, the MLBPA's legal expenditures reflect its strategic navigation through labor negotiations, membership expansion, and internal challenges. The focus on managing both high-profile and routine legal matters underscores the critical role of legal counsel in supporting the union's evolving needs and ambitions in the dynamic landscape of professional sports.Winston, Latham Top Big Law Billers for Fractious Baseball UnionThe influence of U.S. News & World Report's law school rankings appears to be diminishing, evidenced by a significant decrease in web traffic for leaks of the rankings and a widespread boycott by law schools. Mike Spivey, a law school admissions consultant, noted a 50% drop in traffic when he published the top 25 law schools a week ahead of U.S. News' official release. This decline in interest is linked to recent controversies, including data errors in the previous year's rankings and a boycott that started in 2022, with 53 out of 197 American Bar Association-accredited schools refusing to submit data.Despite these challenges, the rankings still generate considerable attention, as noted by Staci Zaretsky from Above the Law, although the level of interest has waned compared to past years. A survey conducted by Kaplan Test Prep revealed mixed sentiments among law school admissions officers regarding the prestige of the rankings, with a majority acknowledging a loss in prestige over recent years.U.S. News has responded by adjusting its ranking methodology to de-emphasize LSAT scores and grades in favor of employment outcomes and bar pass rates. This change reflects broader concerns within the legal academy about the impact of ranking methodologies on financial aid distribution and academic priorities.The discussion around the rankings highlights a shift in priorities among law school applicants, with more emphasis being placed on employment outcomes rather than ranking positions. Spivey's own firm, which conducts rankings analysis, benefits from the ongoing relevance of the rankings, yet he advocates for greater transparency and meaningfulness in how the rankings are formulated and presented. This evolving perspective among stakeholders suggests that while the U.S. News rankings continue to influence applicant decisions to some extent, their dominance and credibility are increasingly being questioned within the legal education community.After setbacks, U.S. News law school rankings show signs of waning influence | ReutersEpic Games has called for significant reforms to Google's Play Store, following a jury's decision that Google had abused its dominant position in the Android app market. In a recent court filing, Epic suggested that the Play Store should allow third-party app stores and limit Google's agreements with device makers that prevent the preloading of alternative stores. These recommendations were part of a proposed injunction submitted to U.S. District Judge James Donato in San Francisco, who oversaw the antitrust trial concluding with a verdict against Google in December.Epic's proposal does not seek monetary damages but aims to alter Google's practices to foster greater competition. Specifically, Epic wants to prohibit Google from restricting how apps inform users about purchasing options outside of the Google Play Store. This move is part of a broader challenge against major tech companies' control over app distribution and transaction processes.While Google has denied any wrongdoing and defended its app store policies, it has been compelled to make concessions in the face of legal pressures. In December, alongside the jury verdict, Google agreed to a $700 million settlement addressing allegations related to its Play Store restrictions. Moreover, Google introduced "choice billing" as an alternative for in-app purchases in the U.S., allowing developers more flexibility.The case against Google could extend for years, especially as Google plans to appeal the December verdict and potentially challenge any reforms mandated by Judge Donato. This legal battle mirrors a similar ongoing dispute between Epic Games and Apple, emphasizing Epic's broader strategy to challenge the app distribution monopolies held by tech giants. The outcomes of these cases could have significant implications for the app development industry and consumer choice in digital marketplaces.Epic Games proposes Google app store reforms after antitrust win | ReutersThis week's closing theme is by Ludwig van Beethoven.Ludwig van Beethoven, born in 1770 in Bonn, Germany, stands as a monumental figure in the history of Western music. His works span the transition from the Classical period to the Romantic era in music and continue to be revered for their depth and innovative qualities. Beethoven was a virtuosic pianist and composer who was known for his profound ability to convey emotion and intellectual depth through his compositions. Despite suffering from progressive hearing loss that eventually led to complete deafness, Beethoven's relentless dedication to music allowed him to compose some of the most celebrated pieces of all time.Among his extensive body of works, Beethoven's symphonies particularly stand out, with each contributing uniquely to the evolution of the genre. His Symphony No. 6 in F Major, Op. 68, known as the "Pastoral Symphony," is an exemplary piece that depicts the composer's love for nature. Unlike many of his other symphonies, which are driven by dramatic heroism, the Pastoral Symphony is filled with warmth and expressions of the joy and peace Beethoven found in the countryside. This symphony is programmatic, meaning it intentionally evokes scenes or nature images, showcasing Beethoven's deep reverence for the natural world.The "Pastoral Symphony" is divided into five movements, each describing a different element of rural life. Of particular note is the first movement, marked "Allegro ma non troppo," which translates to "Lively, but not too much." This movement, titled "Awakening of cheerful feelings on arrival in the countryside," beautifully sets the stage for a symphonic expression of a day in the countryside. It starts with a leisurely pace that suggests the gentle unfolding of a landscape bathed in the rejuvenating light of spring. The melody is simple yet expressive, with flowing lines that mimic the tranquility of nature, perfectly capturing the essence of spring's awakening.In this movement, Beethoven uses a sonata form to explore musical themes that suggest the freshness of the season, the rustling of leaves, and the bubbling of streams. The development section weaves these elements together, creating a rich tapestry of sound that feels both vivid and idyllic. This movement not only sets the tone for the entire symphony but also offers listeners a sonic escape into the peacefulness and renewal that characterizes spring. Through the "Pastoral Symphony," particularly in the allegro of the first movement, Beethoven invites us to share in his reverence for nature and experience the restorative powers of the natural world.Without further ado, Ludwig van Beethoven's Pastoral Symphony, Allegro movement. Get full access to Minimum Competence - Daily Legal News Podcast at www.minimumcomp.com/subscribe
In this episode, we are joined by Harriet's partner, Michael, and read chapters 46 to 50 of Emma. We talk about Emma's emotional roller coaster, reactions to the Frank-Jane revelation, the proposal scene and Emma's commitment to her father.The character we discuss is Frank Churchill, and then Michael talks about the changing lifestyle of Regency gentleman. In the popular culture section, Harriet talks about three books that are modernised versions of Emma.Things we mention:Character discussion: Serene, The Piano Scene: through Jane's eyes (11 December 2023) – and some other posts about EmmaPopular culture discussion:Alexander McCall Smith, Emma: A modern retelling (2014)Sonali Dev, The Emma Project(2022)Audrey Bellezza and Emily Harding, Emma of 83rd Street(2023)Mäda Primavesi by Gustav KlimtCreative commons music used:Extract from Wolfgang Amadeus Mozart, Sonata No. 12 in F Major, ii. Adagio.Extract from Joseph Haydn, Piano Sonata No. 38. Performance by Ivan Ilić, recorded in Manchester in December, 2006. File originally from IMSLP.Extract from Wolfgang Amadeus Mozart, Sonata No. 13 in B-Flat Major, iii. Allegretto Grazioso. File originally from Musopen.Extract from George Frideric Handel, Suite I, No. 2 in F Major, ii. Allegro. File originally from Musopen.Extract from Ludwig van Beethoven, Piano Sonata No. 28 in A major. File originally from Musopen.
Donald Macleod follows Mozart and his family on an ambitious European adventure.When Wolfgang Amadeus Mozart was just seven years old, he and his family set out on an epic journey. Their goal: to travel through Europe and become famous; bringing their awesomely talented children to concert halls, homes and royal palaces across Germany, Belgium, France, Britain, the Netherlands and Switzerland. At the start of their trip, young Wolfgang could already perform and improvise better than most adults. By the time they returned home, three and a half years later, he'd grown into a fully-fledged composer of sonatas, symphonies and arias. This week, Donald Macleod accompanies the Mozart family on their musical marathon and invites us to follow their many scrapes and adventures.Music Featured:Allegro in F major, K 1c Exsultate, jubilate, K 165, 1. Exsultate, jubilate Quartet for Oboe, Violin, Viola and Cello in F Major, K 370 Misericordias Domini in D Minor, K 222 Violin Concerto No 4 in D major, K 218 Symphony in C, K 208/102, (1st mvt) Allegro in C Major, K 6 Piano Concerto No 17 in G major, K 453 (2nd mvt) Mass in C, K 317 'Coronation Mass' (Credo & Agnus Dei) Violin Sonata No 1 in C Major, K 6 Sonata No 14, K 29 (1st mvt) Divertimento in F, K 138 Va, dal furor portata, K 21 Symphony No 1 in E flat major, K 16 Flute Sonata in C major, K 14 Violin Sonata No 8 in F major, K 13 (1st mvt) String Quartet No. 3 in G major, K 156 (2nd mvt) Sonata for Piano duet in C major, K 521 (2nd & 3rd mvts) Symphony No 4 in D major, K 19 Mass in C minor, K 427 'Great': (VI Qui tollis; VII Quoniam; VIII Jesu Christe) Symphony No 7a in G, K Anh 221 (K45a) 'Alte Lambacher': (3rd mvt) Gallimathias musicum K 32 (excerpts) Piano Sonata No 16 in C, K 545 Violin Sonata in C, K 28 Symphony No 5 in B flat, K 22 Clarinet Concerto in A, K 622 (2nd & 3rd mvts)Presented by Donald Macleod Produced by Chris Taylor for BBC Audio Wales and WestFor full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Mozart's Grand Tour https://www.bbc.co.uk/programmes/m001xmlrAnd you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z
Lenral gets recruited to impersonate royalty. Paatarak and Ash help him get through the famed Festival of Fof until the bona fide Frince is found. Episode transcript End of season Q&A submission form: https://forms.gle/xQpoTXS5M2rBA4Gg6 Follow Dear Liisphyra on social media Join the Chattering Grove Discord Lenral's Character Sheet Ash's Character Sheet Paatarak's Character Sheet Thomas Pflanz (they/he) Website Instagram Talya Shatzky (she/her) Twitter Katie Siegel (she/they) Links Samkit Siyal (he/him) Instagram Twitter "Tales From Grevelon Theme" by Katie Siegel "Festival of Fof Fugue in F Major" by Katie Siegel "This Job Just Got Sticky" by Katie Siegel "On the Steps of the Falace" by Katie Siegel "The Hydra Song" by Samkit Siyal and Katie Siegel
Inside The Music continues its exploration of composer Johannes Brahms. Derek Delaney, Artistic Director of Capital Region Classical, explores the composer's work and complex emotional makeup through live CRC performances by pianist Pei‐Yao Wang, violinist Tai Murray, violist Eric Nowlin, and cellist Sophie Shao; Musicians From Marlboro featuring horn player Radovan Vlatković, violinist Soovin Kim, and pianist Anna Polonsky; the Modigliani String Quartet; pianist Paul Lewis; violinist Alexi Kenney and pianist Renana Gutman; and clarinetist Anthony McGill, and the Dover String Quartet.Brahms: Piano Quartet in C Minor, Op. 60 – AndantePei‐Yao Wang, piano; Tai Murray, violin; Eric Nowlin, viola; Sophie Shao, cello [1/11/2009 performance]Brahms: Horn Trio in E‐flat Major, Op. 40 – Adagio mestoMusicians From Marlboro [3/25/2007 performance]Radovan Vlatković, horn; Soovin Kim, violin; Anna Polonsky, pianoBrahms: Quartet in C Minor, Op. 51, No. 1 – Romanze: Poco adagioModigliani String Quartet [11/19/2017 performance]Brahms: Romanze in F Major, Op. 118, No. 5Paul Lewis [11/12/2017 performance]Brahms: Violin Sonata in D Minor, Op. 108 – AdagioAlexi Kenney, violin; Renana Gutman, piano [10/21/2018 performance]Brahms: Clarinet Quintet in B Minor, Op. 115 – AdagioAnthony McGill, clarinet; Dover String Quartet [2/28/2016 performance]Dive deeper into this episode's repertoire by heading to our YouTube channel for a discussion with some of our audience members about the program.Follow us to stay up to date on the latest from Capital Region Classical including concerts, events, and new episodes of Inside the Music:WebsiteFacebookInstagramYouTube© Capital Region Classical
Welcome to New Money, Old Rules: The Gilded Age Podcast! Join Caroline and Mike each week as they discuss HBO's period drama, The Gilded Age! Photograph by Barbara Nitke/HBO This week on New Money, Old Rules: The Gilded Age Podcast, Caroline and Mike (finally) discuss The Gilded Age Season 2 Finale, Episode 8, "In Terms of Winning and Losing"! Join in the conversation on Twitter at @podclubhouse and our Facebook Group, The Gilded Age Fan Group (HBO Series)! Listen, rate, review, and subscribe to New Money, Old Rules: The Gilded Age Podcast on Apple Podcasts, Spotify Podcasts, or wherever you listen! Please leave a 5-Star Rating! Also, write in and leave us comments on PodClubhouse.com, we'd love to hear from you! MORE IN THIS SERIES Season 1: Trailer | 1 | 2 | 3 | Kelli O'Hara Interview | 4 | 5 | 6 | 7 | 8 | Julian Fellowes and Sonja Warfield Interview | 9 | Harry and Rupert Gregson-Williams Interview Season 2: 1 | 2 | 3 | 4 | 5 | 6 | 7 FOLLOW THE HOSTS ON X (F/K/A TWITTER) Caroline | Mike ### Credits: Music: “String Quartet No. 12 in F Major, "American", Op. 96: IV" by Antonín Dvořák. New Money, Old Rules: The Gilded Age Podcast is a Pod Clubhouse original production, recorded and produced at Pod Clubhouse studios. This episode was edited by Caroline Daley and assembled by Michael Caputo.
References Immunol.2017 Aug 1; 199(3): 1096–1104. British J of Pharmacology. 2015. Volume172, Issue17: 4319-4330 Beethoven, L. 1826. String Quartet Op. 135 in F Major (#16) https://youtu.be/1hxpIQ3XhXA?si=65eTt7TlOZYCNsG8 --- Send in a voice message: https://podcasters.spotify.com/pod/show/dr-daniel-j-guerra/message Support this podcast: https://podcasters.spotify.com/pod/show/dr-daniel-j-guerra/support
We're going to focus on Piano Sonata No. 24 in F# Major, Op. 78, and Piano Sonata No. 25 in G Major, Op 79, but we'll also take a quick look at the two piano sonatinas of Op. 49.
In this episode, we read chapters 37 to 41 of Emma. We talk about the parallel narratives, the ball at the Crown, Emma's awareness of Mr Knightley, the section from Mr Knightley's point of view and the tension between Jane and Frank.The character we discuss is Mr Knightley, and in the historical section Ellen talks about poverty and the labouring classes. In the popular culture section, Harriet talks about the 2017 YouTube series The Emma Agenda.Things we mention:General and character discussion:Pod and Prejudice podcastTea with Cassiane YouTube videos about Regency dancingSomerset MaughamHistorical discussion:The Speenhamland systemAnthony Trollope, The Warden (1855)Robert RaikesHannah MorePopular culture discussion:Main version considered:YouTube, Quip Modest Productions, The Emma Agenda (2017) – starring Selis Maria Vargas and Angela Wong CarboneOther referencesYouTube, Pemberley Digital, Emma Approved (2013) – starring Joanna Sotomura and Brent BaileyITV, Emma (1996) – starring Kate Beckinsale and Mark StrongWorking Title Films, Emma (2020) – starring Anya Taylor-Joy and Johnny FlynnCreative commons music used:Extract from Wolfgang Amadeus Mozart, Sonata No. 12 in F Major, ii. Adagio.Extract from Joseph Haydn, Piano Sonata No. 38. Performance by Ivan Ilić, recorded in Manchester in December, 2006. File originally from IMSLP.Extract from Wolfgang Amadeus Mozart, Sonata No. 13 in B-Flat Major, iii. Allegretto Grazioso. File originally from Musopen.Extract from George Frideric Handel, Suite I, No. 2 in F Major, ii. Allegro. File originally from Musopen.Extract from Ludwig van Beethoven, Piano Sonata No. 28 in A major. File originally from Musopen.
Welcome to New Money, Old Rules: The Gilded Age Podcast! Join Caroline and Mike each week as they discuss HBO's period drama, The Gilded Age! Photograph by Barbara Nitke/HBO This week on New Money, Old Rules: The Gilded Age Podcast, Caroline and Mike discuss Episode 7 of Season 2, "Wonders Never Cease"! Join in the conversation on Twitter at @podclubhouse and our Facebook Group, The Gilded Age Fan Group (HBO Series)! Listen, rate, review, and subscribe to New Money, Old Rules: The Gilded Age Podcast on Apple Podcasts, Spotify Podcasts, or wherever you listen! Please leave a 5-Star Rating! Also, write in and leave us comments on PodClubhouse.com, we'd love to hear from you! MORE IN THIS SERIES Season 1: Trailer | 1 | 2 | 3 | Kelli O'Hara Interview | 4 | 5 | 6 | 7 | 8 | Julian Fellowes and Sonja Warfield Interview | 9 | Harry and Rupert Gregson-Williams Interview Season 2: 1 | 2 | 3 | 4 | 5 | 6 FOLLOW THE HOSTS ON X (F/K/A TWITTER) Caroline | Mike ### Credits: Music: “String Quartet No. 12 in F Major, "American", Op. 96: IV" by Antonín Dvořák. New Money, Old Rules: The Gilded Age Podcast is a Pod Clubhouse original production, recorded and produced at Pod Clubhouse studios. This episode was edited by Caroline Daley and assembled by Michael Caputo.
Welcome to New Money, Old Rules: The Gilded Age Podcast! Join Caroline and Mike each week as they discuss HBO's period drama, The Gilded Age! Photograph by Barbara Nitke/HBO This week on New Money, Old Rules: The Gilded Age Podcast, Caroline and Mike discuss Episode 6 of Season 2, "Warning Shots"! Join in the conversation on Twitter at @podclubhouse and our Facebook Group, The Gilded Age Fan Group (HBO Series)! Listen, rate, review, and subscribe to New Money, Old Rules: The Gilded Age Podcast on Apple Podcasts, Spotify Podcasts, or wherever you listen! Please leave a 5-Star Rating! Also, write in and leave us comments on PodClubhouse.com, we'd love to hear from you! MORE IN THIS SERIES Season 1: Trailer | 1 | 2 | 3 | Kelli O'Hara Interview | 4 | 5 | 6 | 7 | 8 | Julian Fellowes and Sonja Warfield Interview | 9 | Harry and Rupert Gregson-Williams Interview Season 2: 1 | 2 | 3 | 4 | 5 FOLLOW THE HOSTS ON X (F/K/A TWITTER) Caroline | Mike ### Credits: Music: “String Quartet No. 12 in F Major, "American", Op. 96: IV" by Antonín Dvořák. New Money, Old Rules: The Gilded Age Podcast is a Pod Clubhouse original production, recorded and produced at Pod Clubhouse studios. This episode was edited by Caroline Daley and assembled by Michael Caputo.
【主播的话】十月下旬，一年一度的宝珀理想国文学奖落下帷幕。今年的主题叫做“必须保卫复杂”。文学奖组委会这样写道：在一切趋于简化和同构的当下，寄望每位倾心文学的青年创作者，勇于捍卫复杂之结构和叙事、感受和视野，最终抵达真实。颁奖典礼结束的几周之后，我在美国拜访了知名华裔作家李翊云老师，她也是今年文学奖的评委之一。我好奇的核心问题是，她会如何理解文学当下所面临的复杂性，我们需要保卫的究竟是什么。在当今的世界文坛中，李翊云拥有非常独特的位置。上世纪七十年代，她出生于北京，毕业于北大生物系。九十年代，她赴美国留学，攻读免疫专业的博士。但在博士毕业的前夕，她突然决定，放弃成为一名科学家，而要成为一名全职作家。她入选了著名的爱荷华作家工作坊，开始发表英文小说，并在美国文坛声名鹊起。如今，她是美国文坛最知名、成就最高的华裔作家之一，斩获了包括麦克阿瑟天才奖学金、美国笔会海明威奖、福克纳文学奖在内的多项大奖，也不时出现在诺贝尔文学奖的热门候选人名单上。值得一提的还有，尽管她在中国出生长大，母语也是中文，但她所有的作品均用英文完成。如今，李翊云除了写英文小说，也教英文写作。她目前是普林斯顿大学创意写作项目的主任，给一群聪明又富有野心的美国年轻人教授写作。我在普林斯顿大学见到她的时候，她刚刚结束了一天的教学。我们约在她的办公楼见面，隔壁不时传来学生们上下课的声音。在这一个多小时的聊天中，我们探讨了关于文学、语言、创作母题、身份认同、时代复杂性等诸多议题。对我来说，也像是上了一场精彩的写作课。本期节目由宝珀理想国文学奖赞助播出。【本期主播】王磬：微博@王磬【本期嘉宾】李翊云：知名华裔作家，美国普林斯顿大学创意写作项目主任【本期剧透】3:25 担任宝珀理想国文学奖评委的感受与观察07:33 这一代的青年华语作家似乎都喜欢写生计问题10:31 同时代的美国青年作家，他们的问题意识会是什么？12:43 当下的世界文坛里是否也有“复杂性”需要保卫？15:13 在思考和创作的时候，中文英文分别占据什么位置？17:00 “中文是一种模糊的语言”18:31 拿过来就能用的语言，虽然有价值，但它是”像钞票一样的价值，没有原创的价值，不fresh，很dirty“。写作还是需要”找到属于自己的语言“21:34 “kill time“的说法其实隐含了一个violent action，但人们用惯了就不会去细想了23:35 写作是无限接近完美、但永远无法抵达的过程25:47 语言大师托尔斯泰，用”transparent“来形容马蹄过桥的声音28:00 Qing受到的启发：”你每天都在干什么？“其实是最核心的采访问题30:51 写小说就是在写时间，时间是最民主的元素，时间面前人人平等33:59 ”我不相信灵感，也不相信真的有writer's block“38:05 写一本书不难，要写一辈子的书才比较难。我的挑战就是要一直写下去43:54 莎士比亚如何描写人的感情45:00 区分story（故事）与situation（情境）46:34 好故事的标准是什么？50:23 写作是可以教会的吗？不能教写作，但可以教学生怎么“写句子”。写作课上还要花大量时间教阅读55:58 在美国大学的写作课上遇到的中国学生，喜欢给老师解释“我为什么要这么写”59:00 如何看待美国文坛的移民作家与移民文学？1:00:04写完了一部作品的时候我反而会不开心，因为写作过程的太快乐了1:01:38 我对学生说，你每读了一个在世的作家的作品，就得也读一个已经死去的作家的作品1:03:00 传道、授业、解惑，这三件事中，我只做”解惑“1:14:43 华语文学是否具有世界性？以沈从文为例【相关阅读】本期提及的李翊云作品：- Dear Friend, from My Life I Write to You in Your Life- Where Reasons End- Must I Go（已译成中文：《我该走了吗》）- The Book of GooseWilliam Trevor托尔斯泰《战争与和平》莎士比亚《查理二世》Marilynne Robinson里尔克沈从文【本期音乐】Arthur Rubinstein - Nocturne No. 4 in F Major, Op. 15, No. 1【Logo设计】刘刘（ins: imjanuary)【后期制作】方改则【互动方式】微博@不合时宜TheWeirdo【商务合作】可发邮件至hibuheshiyi@126.com或微博私信
Welcome to New Money, Old Rules: The Gilded Age Podcast! Join Caroline and Mike each week as they discuss HBO's period drama, The Gilded Age! Photograph by Barbra Nitke/HBO This week on New Money, Old Rules: The Gilded Age Podcast, Caroline and Mike discuss Episode 5 of Season 2, "Close Enough to Touch"! Join in the conversation on Twitter at @podclubhouse and our Facebook Group, The Gilded Age Fan Group (HBO Series)! Listen, rate, review, and subscribe to New Money, Old Rules: The Gilded Age Podcast on Apple Podcasts, Spotify Podcasts, or wherever you listen! Please leave a 5-Star Rating! Also, write in and leave us comments on PodClubhouse.com, we'd love to hear from you! MORE IN THIS SERIES Season 1: Trailer | 1 | 2 | 3 | Kelli O'Hara Interview | 4 | 5 | 6 | 7 | 8 | Julian Fellowes and Sonja Warfield Interview | 9 | Harry and Rupert Gregson-Williams Interview Season 2: 1 | 2 | 3 | 4 FOLLOW THE HOSTS ON X (F/K/A TWITTER) Caroline | Mike ### Credits: Music: “String Quartet No. 12 in F Major, "American", Op. 96: IV" by Antonín Dvořák. New Money, Old Rules: The Gilded Age Podcast is a Pod Clubhouse original production, recorded and produced at Pod Clubhouse studios. This episode was edited by Caroline Daley and assembled by Michael Caputo.
Welcome to New Money, Old Rules: The Gilded Age Podcast! Join Caroline and Mike each week as they discuss HBO's period drama, The Gilded Age! Photograph by Barbra Nitke/HBO This week on New Money, Old Rules: The Gilded Age Podcast, Caroline and Mike discuss Episode 4 of Season 2, "His Grace the Duke"! Join in the conversation on Twitter at @podclubhouse and our Facebook Group, The Gilded Age Fan Group (HBO Series)! Listen, rate, review, and subscribe to New Money, Old Rules: The Gilded Age Podcast on Apple Podcasts, Spotify Podcasts, or wherever you listen! Please leave a 5-Star Rating! Also, write in and leave us comments on PodClubhouse.com, we'd love to hear from you! MORE IN THIS SERIES Season 1: Trailer | 1 | 2 | 3 | Kelli O'Hara Interview | 4 | 5 | 6 | 7 | 8 | Julian Fellowes and Sonja Warfield Interview | 9 | Harry and Rupert Gregson-Williams Interview Season 2: 1 | 2 | 3 FOLLOW THE HOSTS ON X (F/K/A TWITTER) Caroline | Mike ### Credits: Music: “String Quartet No. 12 in F Major, "American", Op. 96: IV" by Antonín Dvořák. New Money, Old Rules: The Gilded Age Podcast is a Pod Clubhouse original production, recorded and produced at Pod Clubhouse studios. This episode was edited by Caroline Daley and assembled by Michael Caputo.
Welcome to New Money, Old Rules: The Gilded Age Podcast! Join Caroline and Mike each week as they discuss HBO's period drama, The Gilded Age! Photograph by Barbara Nitke/HBO This week on New Money, Old Rules: The Gilded Age Podcast, Caroline and Mike discuss Episode 3 of Season 2, "Head to Head"! Join in the conversation on Twitter at @podclubhouse and our Facebook Group, The Gilded Age Fan Group (HBO Series)! Listen, rate, review, and subscribe to New Money, Old Rules: The Gilded Age Podcast on Apple Podcasts, Spotify Podcasts, or wherever you listen! Please leave a 5-Star Rating! Also, write in and leave us comments on PodClubhouse.com, we'd love to hear from you! MORE IN THIS SERIES Season 1: Trailer | 1 | 2 | 3 | Kelli O'Hara Interview | 4 | 5 | 6 | 7 | 8 | Julian Fellowes and Sonja Warfield Interview | 9 | Harry and Rupert Gregson-Williams Interview Season 2: 1 | 2 FOLLOW THE HOSTS ON X (F/K/A TWITTER) Caroline | Mike ### Credits: Music: “String Quartet No. 12 in F Major, "American", Op. 96: IV" by Antonín Dvořák. New Money, Old Rules: The Gilded Age Podcast is a Pod Clubhouse original production, recorded and produced at Pod Clubhouse studios. This episode was edited by Caroline Daley and assembled by Michael Caputo.
Welcome to New Money, Old Rules: The Gilded Age Podcast! Join Caroline and Mike each week as they discuss HBO's period drama, The Gilded Age! Photograph by Barbara Nitke/HBO This week on a very late (we explain in the episode) and super-sized episode of New Money, Old Rules: The Gilded Age Podcast, Caroline and Mike are back to discuss the Season 2 Premiere, "You Don't Even Like Opera"! Join in the conversation on Twitter at @podclubhouse and our Facebook Group, The Gilded Age Fan Group (HBO Series)! Listen, rate, review, and subscribe to New Money, Old Rules: The Gilded Age Podcast on Apple Podcasts, Spotify Podcasts, or wherever you listen! Please leave a 5-Star Rating! Also, write in and leave us comments on PodClubhouse.com, we'd love to hear from you! MORE IN THIS SERIES Season 1: Trailer | 1 | 2 | 3 | Kelli O'Hara Interview | 4 | 5 | 6 | 7 | 8 | Julian Fellowes and Sonja Warfield Interview | 9 | Harry and Rupert Gregson-Williams Interview FOLLOW THE HOSTS ON X (F/K/A TWITTER) Caroline | Mike ### Credits: Music: “String Quartet No. 12 in F Major, "American", Op. 96: IV" by Antonín Dvořák. New Money, Old Rules: The Gilded Age Podcast is a Pod Clubhouse original production, recorded and produced at Pod Clubhouse studios. This episode was edited by Caroline Daley and assembled by Michael Caputo.
Welcome to New Money, Old Rules: The Gilded Age Podcast! Join Caroline and Mike each week as they discuss HBO's period drama, The Gilded Age! Photograph by Barbra Nitke/HBO This week on a super-sized episode of New Money, Old Rules: The Gilded Age Podcast (yes, every week is super-sized as of late - we've missed talking about the show), Caroline and Mike discuss Episode 2 of Season 2, "Some Sort of Trick"! Join in the conversation on Twitter at @podclubhouse and our Facebook Group, The Gilded Age Fan Group (HBO Series)! Listen, rate, review, and subscribe to New Money, Old Rules: The Gilded Age Podcast on Apple Podcasts, Spotify Podcasts, or wherever you listen! Please leave a 5-Star Rating! Also, write in and leave us comments on PodClubhouse.com, we'd love to hear from you! MORE IN THIS SERIES Season 1: Trailer | 1 | 2 | 3 | Kelli O'Hara Interview | 4 | 5 | 6 | 7 | 8 | Julian Fellowes and Sonja Warfield Interview | 9 | Harry and Rupert Gregson-Williams Interview Season 2: 1 FOLLOW THE HOSTS ON X (F/K/A TWITTER) Caroline | Mike ### Credits: Music: “String Quartet No. 12 in F Major, "American", Op. 96: IV" by Antonín Dvořák. New Money, Old Rules: The Gilded Age Podcast is a Pod Clubhouse original production, recorded and produced at Pod Clubhouse studios. This episode was edited by Caroline Daley and assembled by Michael Caputo.
Pianist Isata Kanneh-Mason and musician and silent movie score composer Neil Brand launch a new playlist. With presenters Cerys Matthews and Jeffrey Boakye, they choose the first five tracks which take us from a celebratory anthem chanted in football stadiums to a live, mischievous performance by a 12-year-old Stevie Wonder. Producer Jerome Weatherald Presented, with music direction, by Cerys Matthews and Jeffrey Boakye The five tracks in this week's playlist: Freed from Desire by Gala Piano Concerto in F Major: 3rd Movement by George Gershwin Bohemian Rhapsody by Queen Piano Quartet in A minor by Gustav Mahler Fingertips pt 2: Live by Stevie Wonder Other music in this episode: Welcome to My World by Ezra Collective Piano Concerto No. 3 by Sergei Prokofiev
© 2020-2025 Ivy Podcast Discovery LLC
