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Bart and Coach Jones are back (a little late this week) to talk about last week's game against Moravian, chat with Wolves linebacker Justin Ingebrigtsen about his unusual journey to college football, and look ahead to this week's matchup against Susquehanna.
W Dzień Wszystkich Świętych z dr Bartłomiejem Dźwigałą opowiadamy o cmentarzu krzyżowców w Jerozolimie. Nekropolia, gdzie spoczęli polegli uczestnicy pierwszej Krucjaty znajdowała się koło Złotej Bramy, jednego z najważniejszych miejsc w Jerozolimie.
• Bart Marek Team ad; listener Mike's testimonial • Bart and Crystal's experience, communication, and professionalism • Bart fixed an underpriced listing; guided buyers in a slow market • Thanks to listeners who use sponsors; long-term client relationships • Brightline to Fort Lauderdale; checked bags due to size limits • Bags sent to Miami; staff confusion; no clear protocol • "Uber plan" to deliver bags to specific cruise ports • Doubts about entrusting unsupervised luggage to random drivers • Miscommunication on port; HR contact "Priscilla" looped in • Bag arrives three minutes before departure; board with relief • Key West stop; Sam's crawl with custom tattoos; Firehouse Museum • Bum Fardo legend; vanished firefighter/drug dealer; local merch • Torrential rain; closures; listeners helped with rides • Bimini by golf cart; beaches, local lunch, Nate's Bimini bread • Family argument inside Nate's; still bought bread • Accidentally in funeral parade; intense, awkward moment • Note on Bahamian funeral customs; "bad-luck orb" continues • Cruise trivia dispute over a cheating kid; tempers flare • Observations on cruise fights and ship disorganization • Karaoke room chaos: tech issues, unprepared host, random walk-ins • Emotional show endings; hugs; goodbyes • Ongoing Twitch: "Sipping with Sammy"; gaming with Travis • Plan to make music again using a new electronic drum kit; Sweetwater follow-ups • Dan chooses Pierce the Veil with Max; Turnstile skipped • Max sings every song; joy through his son's excitement • Concert bits: band-shirt norms, TikTok resurgence of songs • Outfit drama: black tie sent to Miami; painted nails; chain wallet • Venue bans chain wallets; security hassles; older fans react online • Personality talk: fixed traits vs growth; therapy and taking initiative • Halloween segment: define "spooky" (murder, ghost, mystery, supernatural) • "House of Horrors" (Calcutta): father Aurobinda, son Partha, sister Debjani • Neighbors report smoke; father found burned; suicide note discovered • Home in filth; nonstop Joyce Meyer sermons playing • Debjani's dressed skeleton; dogs' bones; months undiscovered • Partha dines beside her remains; claims nightly visitations • Notes everywhere; sister coherent, brother obsessive and erratic • Father plans property split; family mental-health collapse • Partha institutionalized, later self-immolation like father • Dyatlov Pass (1959): tents cut from inside; calm barefoot escape • Bodies with burns/trauma; radios/radiation; lights reported; Bigfoot-like photo • Theories: avalanche, infrasound, animals, Cold War secrecy • Pascagoula abduction (1973): Hickson & Parker; blue craft; paralyzed, examined • Hidden police recording of terrified talk; consistent stories for decades • Polygraphs/hypnosis/toxicology passed; no fame motive • Note on unreliable eyewitnesses despite multiple witnesses • Roast recap: News Junkie event at Dr. Phillips; Pinkman, Sabrina • Moe Dewitt praised; video intro highlight • Tuddle introduces C-Lane, not roasting; chaos ensues • Tuddle rants on modern radio; challenges Ryan Holmes to "stunt off" • Belt off; demands whippings; storms off; audience stunned • Radio's wilder past vs now; jokes about missing "fun" • Close: thanks to Samantha; plug "Sipping with Sammy"; tease Halloween special at Seth's; seagrass poison mishap gag ### **Social Media:** [Website](https://tomanddan.com/) | [Twitter](https://twitter.com/tomanddanlive) | [Facebook](https://facebook.com/amediocretime) | [Instagram](https://instagram.com/tomanddanlive) **Where to Find the Show:** [Apple Podcasts](https://podcasts.apple.com/us/podcast/a-mediocre-time/id334142682) | [Google Podcasts](https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkLnBvZGJlYW4uY29tL2FtZWRpb2NyZXRpbWUvcG9kY2FzdC54bWw) | [TuneIn](https://tunein.com/podcasts/Comedy/A-Mediocre-Time-p364156/) **The Tom & Dan Radio Show on Real Radio 104.1:** [Apple Podcasts](https://podcasts.apple.com/us/podcast/a-corporate-time/id975258990) | [Google Podcasts](https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkLnBvZGJlYW4uY29tL2Fjb3Jwb3JhdGV0aW1lL3BvZGNhc3QueG1s) | [TuneIn](https://tunein.com/podcasts/Comedy/A-Corporate-Time-p1038501/) **Exclusive Content:** [Join BDM](https://tomanddan.com/registration) **Merch:** [Shop Tom & Dan](https://tomanddan.myshopify.com/)
Listen in as we talk tech, AI, and data as a tool in the fight for immigrant rights.In this episode, I'm joined by Bartlomiej Skorupa, Co-Founder & COO of Mobile Pathways, a tech nonprofit using AI and mobile data tools to support immigrants navigating the U.S. court system.Bartlomiej's story - from fleeing communism in Poland, to burning out in corporate America, to almost losing his vision in Madagascar, and eventually building a mission-led tech platform - is proof that purpose and impact are not linear. They're shaped through life experience and our values.Together, we unpack:
Tous les jours, retrouvez le meilleur des archives de Laurent Gerra en podcast sur RTL.fr, l'application et toutes vos plateformes.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.
THE BEST BOOK CLUB IN THE MULTIVERSE! Join Aeric and Malcolm as they conclude Bart Allen's time as THE FLASH! Bart Allen heads west to the City of Angels, and trouble follows! With Inertia plotting the downfall of the Scarlet Speedster, Bart will need to grow up fast if he has any hope of saving his relationship AND saving the city! But when the embodiment of Death arrives in the form of the Black Flash, whose life will be claimed in the climactic showdown: Inertia or The Flash? Covers The Flash: Fastest Man Alive (2006) #7-13 by Danny Bilson, Paul Demeo, Marc Guggenheim, Ron Adrian, Art Thibert, Paco Diaz and Tony Daniel Time Stamps: 00:00:26 Intro & Whatcha' Doin? 00:14:55 Book Club Begins 01:32:30 Break 01:33:40 Speed Force Mailbag 01:54:25 Patreon Shout-outs & Wrap-Up Support us on Patreon! https://www.patreon.com/c/geeksplained Geeksplained Merch: https://www.teepublic.com/user/geeksplained Follow us! Bluesky: https://bsky.app/profile/geeksplained.bsky.social Instagram: www.instagram.com/geeksplainedpod/?hl=en Send us your questions for the Geeksplained Mailbag! Email: Geeksplained@gmail.com Check out COMIC BOOK COUPLES COUNSELING and their brand new show THE STACKS, now streaming on YouTube! https://www.comicbookcouplescounseling.com/ https://www.youtube.com/@comicbookcouplescounseling8538/videos Music Sampled: “Alive” by Warbly Jets
In this heartwarming and insightful episode of For All the Marblisms, Bart welcomes Chicago-based photographer and creative professional Will Byington. Together, they explore the intersection of creativity, resilience, entrepreneurship, and authenticity, highlighting the struggles and successes that shape a meaningful career.Will's story is not just about capturing photos—it's about capturing life, emotion, and connection while navigating the evolving demands of being a creative entrepreneur in a digital age. Will's Journey: From Film Cameras to Rock CruisesEarly spark: Will grew up with disposable cameras and one-hour photo labs, enchanted by the magic of capturing candid moments.Education & pivot: A single darkroom photography class at the University of Alabama deepened his love for the craft.Unexpected detour: He pursued marketing in Los Angeles, working briefly in film promotion—but after a disheartening year, he returned home, feeling defeated.The turning point: A chance meeting with the New Orleans band Cowboy Mouth led to a touring role managing merchandise and photographing the band—his entry into professional photography.Today: Over 21 years later, Will has photographed 172 entertainment cruises for major artists like Bon Jovi, Kesha, and Pitbull, and works with brands like Sixthman and ALG Vacations.Entrepreneurial Lessons & Insights Success Requires Failing Forward“You're not an entrepreneur if you don't fail. You have to throw things atthe wall and learn.”It's Not About the Photos—It's About the FocusWill credits his success to being part of the experience, not just documenting it. His empathy, professionalism, and genuine care make him unforgettable.“I'm not there to be paparazzi. I'm there to capture the experience without blocking someone else's joy.”The Power of Showing UpWhether introducing himself to fans before a cruise or helping someone improve their phone photos, Will emphasizes presence, humility, and joy.“Life is 80% showing up. And when you do, bring energy and curiosity.”Imposter Syndrome Is UniversalWill admits that self-doubt once kept him from teaching photography, fearinghe'd train away his own clients. He now sees teaching as empowering:“Rising tides lift all boats. Helping others doesn't take from you—it expands you.”Creativity Requires Business BalanceWill shares that being a freelancer means juggling roles—creative, legal, financial, HR, and marketing—all at once.“Being a photographer is 90% business, 10% creativity. AI tools like Marblism help us flip that balance.” AI, Efficiency & CreativityBart introduces Marblism, an AI-powered productivity assistant for entrepreneurs. Will reacts with curiosity and cautious optimism, seeing potential to regain time for creativity.“If human interaction doesn't make it better, let AI do it.” — Bart“I'm on the AI train… maybe still in the caboose—but learning.” — Will Key Themes & TakeawaysResilience: Moving from failure to reinvention.Curiosity over fear: Asking questions to connect and learn.Joy & authenticity: Leading with positivity in every environment.Focus: Erase “you” to make the experience about others.Gratitude & presence: Print your photos, share them, and celebrate moments.Closing Reflections Will and Bart reflect on how creativity and kindness intersect:“It's not about the coffee—it's about the people.”“It's not about the photos—it's about the focus.”Will reminds listeners to capture and print their memories, because physical photos hold emotional power.“Print your pictures. Hold them. Share them. You never know how much they'll mean someday.” Connect with WillWebsite: willbyington.comInstagram: @willbyingtonLinkedIn: Will ByingtonClasses: shotclubphotoclass.com Final Quote “We're never finished. We're evolving, learning, and sharing.We are living our dream while chasing our dream.” — Will Byington
In this powerful and humbling episode, Bart connects across continents with Mumbere Dieme, a 27-year-old leader from the mountains of Western Uganda whose story redefines what it means to rise, serve, and give.Mumbere grew up in a poor, war-torn region where sleeping on the ground and walking barefoot to school were not uncommon. His father—a struggling but steadfast pastor—taught him faith, kindness, and the importance of serving others, even when you have little. Through Compassion International, Mumbere was sponsored as a child, receiving not only education and medical care but also the belief that he could be more than his circumstances.That gift of opportunity became his life's mission. After earning his nursing degree, Mumbere chose not to pursue a hospital career. Instead, he returned home to rebuild a school that had once been destroyed by storms—reviving it under the shade of a single tree and growing it into the Kyarumba Joint Christian Orphanage, Nursery, and Primary School, now serving more than 100 children. Some students walk miles each day to attend. Some cannot afford shoes. But all are learning, laughing, and discovering hope because one man decided to lead with compassion instead of comfort.What makes this story extraordinary is not only the miles that separate Bart's suburban Virginia world from Mumbere's mountainous village, but how kindness—and a shared belief in possibility—bridges the distance. This is not a story of charity. It's a story of character, connection, and calling.Major TakeawaysKindness multiplies. A sponsored child becomes the sponsor of many. What we receive in grace, we can give in gratitude.Adversity is not the opposite of opportunity. Mumbere's struggles built his empathy, discipline, and leadership—traits that now anchor his community.Leadership is service in motion. His nursing background and compassion blend naturally into teaching, nurturing, and guiding young lives.Faith fuels resilience. Even after his father survived a rebel attack, Mumbere never lost hope. He learned that service is stronger than fear.Connection is powerful. Across languages, continents, and bandwidth limitations, kindness finds a way to connect—and to inspire action.Memorable Quotes“I used to sleep on the ground. Now I help children find a place to dream.”“Those who have little can still give much. Sometimes hope is the only thing we own.”“Most people don't believe kindness can change a country—but it changed mine.”“My father taught me to serve others, not to be served. That is where love begins.”Why It Matters / How to Use ItThis episode is a reminder that impact doesn't require wealth—it requires will. Every act of kindness ripples outward, touching lives you may never meet. Mumbere's story challenges us to re-examine comfort, gratitude, and purpose.Wherever you live—whether it's the suburbs of Northern Virginia or the mountains of Western Uganda—you have the power to create hope. Sometimes that begins with a single connection, a single conversation, or a single decision to do what Most People Don't… but YOU Do.
Il fait partie de la garde rouche revenue au Standard cet été, celle censée garantir l'ADN historique des années de gloire. Directeur Général lors du doublé 2008-2009, il évoque Giacomo Angelini, la pyrotechnie, Johnny Halliday, les incohérences du VAR, Benjamin Nicaise, les primes de clean-sheet, Marc Wilmots, le format des Play-Offs et Kevin Mirallas, le Club Bruges et Bart de Wever. Mais aussi Eliaqim Mangala, les lauriers du passé, Fredrik Söderström, les Clasico, Mircea Rednic, le conflit DAZN, Marc Coucke, la méthode Vincent Euvrard, la Beneligue et Luc Misson. Et bien sûr… la rengaine ‘Tous les 25 ans'. Pierre François (Directeur Général Standard) passe « Sur Le Gril ».Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.
Nizozemský populistický lídr Geert Wilders se přepočítal, když vyvolal předčasné volby. Jeho krajně pravicová Strana svobody sice docela nepropadla, ale získala v budoucím parlamentu o 12 křesel méně než před dvěma lety a skončila na druhém místě.
Nizozemský populistický lídr Geert Wilders se přepočítal, když vyvolal předčasné volby. Jeho krajně pravicová Strana svobody sice docela nepropadla, ale získala v budoucím parlamentu o 12 křesel méně než před dvěma lety a skončila na druhém místě.Všechny díly podcastu Názory a argumenty můžete pohodlně poslouchat v mobilní aplikaci mujRozhlas pro Android a iOS nebo na webu mujRozhlas.cz.
Bart Simons is braillegebruiker en -pleitbezorger, en al vele jaren lid van onze bibliotheek. Luisterpuntmedewerker Diego Anthoons ging met hem in gesprek over braille, lezen, toegankelijkheid en nog veel meer.
Presented by Heartland Catfish and EyeCare Professionals - Marcus Grant joins Bart and Charlie to look at what's ahead for men's basketball in the 2025-2026 season.
Do you believe Bart did not clips his nails in the studio? Is Karl-Anthony Towns going to be a problem for the Knicks this season? Mike Tannenbaum says there is no way he would trade a player like Dexter Lawrence. Learn more about your ad choices. Visit podcastchoices.com/adchoices
Becoming Quantum Conscious With Bart Sharp Episode #150 Wednesday 11-5–2025 2PM CST Patricia Russo "Mary Magdalene In Paris" www.sacredparis.com/about
Moim Gościem był Bartłomiej Baudler, dyrektor zarządzający z ponad 20-letnim doświadczeniem w zarządzaniu firmami produkcyjnymi, sprzedażą i operacjami międzynarodowymi. Autor książki "Strategie na niepewne czasy".Link do lekturyhttps://mtbiznes.pl/zarzadzanie-organizacja/strategie-na-niepewne-czasy?srsltid=AfmBOop9EjYzILO5QB1Ryvhx52N-VEtRY-Djtb6OesS2kYkOeiCsqPUz
Wie können Menschen ihre beruflichen und persönlichen Kompetenzen sichtbar machen – und damit zum Beispiel schneller einen Lehrabschluss erwerben?In dieser Folge sprechen Armin Ziesemer und Thomas Böhlefeld mit Franz Fuchs-Weikl, Geschäftsführer des BFI Salzburg, über die Potenziale der Validierung von Kompetenzen.
What does it take to keep your voice—and your purpose—strong through every season of life? In this episode of Unstoppable Mindset, I sit down with my friend Bill Ratner, one of Hollywood's most recognized voice actors, best known as Flint from GI Joe. Bill's voice has carried him through radio, animation, and narration, but what stands out most is how he's used that same voice to serve others through storytelling, teaching, and grief counseling. Together, we explore the heart behind his work—from bringing animated heroes to life to standing on The Moth stage and helping people find healing through poetry. Bill shares lessons from his own journey, including losing both parents early, finding family in unexpected places, and discovering how creative expression can rebuild what life breaks down. We also reflect on 9/11, preparedness, and the quiet confidence that comes from trusting your training—whether you're a first responder, a performer, or just navigating the unknown. This conversation isn't just about performance; it's about presence. It's about using your story, your craft, and your compassion to keep moving forward—unstoppable, one voice at a time. Highlights: 00:31 – Hear the Flint voice and what it takes to bring animated characters to life. 06:57 – Learn why an uneven college path still led to a lifelong acting career. 11:50 – Understand how GI Joe became a team and a toy phenomenon that shaped culture. 15:58 – See how comics and cartoons boosted classroom literacy when used well. 17:06 – Pick up simple ways parents can spark reading through shared stories. 19:29 – Discover how early, honest conversations about death can model resilience. 24:09 – Learn to critique ads and media like a pro to sharpen your own performance. 36:19 – Follow the pivot from radio to voiceover and why specialization pays. 47:48 – Hear practical editing approaches and accessible tools that keep shows tight. 49:38 – Learn how The Moth builds storytelling chops through timed, judged practice. 55:21 – See how poetry—and poetry therapy—support grief work with students. 59:39 – Take notes on memoir writing, emotional management, and one-person shows. About the Guest: Bill Ratner is one of America's best known voice actors and author of poetry collections Lamenting While Doing Laps in the Lake (Slow Lightning Lit 2024,) Fear of Fish (Alien Buddha Press 2021,) To Decorate a Casket (Finishing Line Press 2021,) and the non-fiction book Parenting For The Digital Age: The Truth Behind Media's Effect On Children and What To Do About It (Familius Books 2014.) He is a 9-time winner of the Moth StorySLAM, 2-time winner of Best of The Hollywood Fringe Extension Award for Solo Performance, Best of the Net Poetry Nominee 2023 (Lascaux Review,) and New Millennium "America One Year From Now" Writing Award Finalist. His writing appears in Best Small Fictions 2021 (Sonder Press,) Missouri Review (audio,) Baltimore Review, Chiron Review, Feminine Collective, and other journals. He is the voice of "Flint" in the TV cartoon G.I. Joe, "Donnell Udina" in the computer game Mass Effect, the voice of Air Disasters on Smithsonian Channel, NewsNation, and network TV affiliates across the country. He is a committee chair for his union, SAG-AFTRA, teaches Voiceovers for SAG-AFTRA Foundation, Media Awareness for Los Angeles Unified School District, and is a trained grief counsellor. Member: Actors Equity Association, Screen Actors Guild-AFTRA, National Storytelling Network • https://billratner.com • @billratner Ways to connect with Bill: https://soundcloud.com/bill-ratner https://www.instagram.com/billratner/ https://twitter.com/billratner https://www.threads.net/@billratner https://billratner.tumblr.com https://www.youtube.com/@billratner/videos https://www.facebook.com/billratner.voiceover.author https://bsky.app/profile/bilorat.bsky.social About the Host: Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog. Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards. https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/ accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/ https://www.facebook.com/accessibe/ Thanks for listening! Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below! Subscribe to the podcast If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset . Leave us an Apple Podcasts review Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts. Transcription Notes: Michael Hingson ** 00:00 Access Cast and accessiBe Initiative presents Unstoppable Mindset. The podcast where inclusion, diversity and the unexpected meet. Hi, I'm Michael Hingson, Chief Vision Officer for accessiBe and the author of the number one New York Times bestselling book, Thunder dog, the story of a blind man, his guide dog and the triumph of trust. Thanks for joining me on my podcast as we explore our own blinding fears of inclusion unacceptance and our resistance to change. We will discover the idea that no matter the situation, or the people we encounter, our own fears, and prejudices often are our strongest barriers to moving forward. The unstoppable mindset podcast is sponsored by accessiBe, that's a c c e s s i capital B e. Visit www.accessibe.com to learn how you can make your website accessible for persons with disabilities. And to help make the internet fully inclusive by the year 2025. Glad you dropped by we're happy to meet you and to have you here with us. Michael Hingson ** 01:21 Well on a gracious hello to you, wherever you may be, I am your host. Mike hingson, and you are listening to unstoppable mindset. Today, we get to have a voice actor, person, Bill Ratner, who you want to know who Bill Radnor is, go back and watch the old GI Joe cartoons and listen to the voice of Flint. Bill Ratner ** 01:42 All right. Lady Jay, you better get your battle gear on, because Cobra is on their way. And I can't bring up the Lacher threat weapon system. We got to get out of here. Yo, Joe, Michael Hingson ** 01:52 there you go. I rest my case Well, Bill, welcome to unstoppable mindset. Bill Ratner ** 02:00 We can't rest now. Michael, we've just begun. No, we've just begun. Michael Hingson ** 02:04 We got to keep going here. Well, I'm really glad that you're here. Bill is another person who we inveigled to get on unstoppable mindset with the help of Walden Hughes. And so that means we can talk about Walden all we want today. Bill just saying, oh goodness. And I got a lot to say. Let me tell you perfect, perfect. Bring it on. So we are really grateful to Walden, although I hope he's not listening. We don't want to give him a big head. But no, seriously, we're really grateful. Ah, good point. Bill Ratner ** 02:38 But his posture, oddly enough, is perfect. Michael Hingson ** 02:40 Well, there you go. What do you do? He practiced. Well, anyway, we're glad you're here. Tell us about the early bill, growing up and all that stuff. It's always fun to start a good beginning. Bill Ratner ** 02:54 Well, I was a very lucky little boy. I was born in Des Moines, Iowa in 1947 to two lovely people, professionals, both with master's degree out at University of Chicago. My mother was a social worker. My father had an MBA in business. He was managing editor of Better Homes and Gardens magazine. So I had the joy of living in a better home and living in a garden. Michael Hingson ** 03:21 My mother. How long were you in Des Moines? Bill Ratner ** 03:24 Five and a half years left before my sixth birthday. My dad got a fancy job at an ad agency in Minneapolis, and had a big brother named Pete and big handsome, curly haired boy with green eyes. And moved to Minneapolis, Minnesota, and was was brought up there. Michael Hingson ** 03:45 Wow. So you went to school there and and chased the girls and all that stuff. Bill Ratner ** 03:54 I went to school there at Blake School for Boys in Hopkins, Minnesota. Couldn't chase the girls day school, but the girls we are allowed to dance with certainly not chase. Michael was at woodhue dancing school, the Northrop girls from Northrop girls school and the Blake boys were put together in eighth grade and taught the Cha Cha Cha, the waltz, the Charleston, and we danced together, and the girls wore white gloves, and we sniffed their perfume, and we all learned how to be lovers when we were 45 Michael Hingson ** 04:37 There you are. Well, as long as you learned at some point, that's a good start. Bill Ratner ** 04:44 It's a weird generation. Michael, Michael Hingson ** 04:46 I've been to Des Moines before. I was born in Chicago, but moved out to California when I was five, but I did some work with the National Federation of the Blind in the mid 19. 1970s 1976 into 1978 so spent time at the Iowa Commission for the Blind in Des Moines, which became a top agency for the Blind in well, the late 50s into the to the 60s and so on. So Bill Ratner ** 05:15 both my parents are from Chicago. My father from the south side of Chicago, 44th and Kenzie, which was a Irish, Polish, Italian, Jewish, Ukrainian neighborhood. And my mother from Glencoe, which was a middle class suburb above Northwestern University in Evanston. Michael Hingson ** 05:34 I Where were you born? 57th and union, north, south side, no, South Bill Ratner ** 05:42 57th union is that? Is that west of Kenzie? Michael Hingson ** 05:46 You know, I don't remember the geography well enough to know, but I know that it was, I think, Mount Sinai Hospital where I was born. But it was, it's, it's, it's a pretty tough neighborhood today. So I understand, Bill Ratner ** 06:00 yeah, yeah, my it was tough, then it's tough now, Michael Hingson ** 06:03 yeah, I think it's tougher, supposedly, than it was. But we lived there for five years, and then we we moved to California, and I remember some things about Chicago. I remember walking down to the local candy store most days, and had no problem doing that. My parents were told they should shut me away at a home somewhere, because no blind child could ever grow up to amount to anything. And my parents said, You guys are you're totally wrong. And they brought me up with that attitude. So, you Bill Ratner ** 06:32 know who said that the school says school so that Michael Hingson ** 06:35 doctors doctors when they discovered I was blind with the Bill Ratner ** 06:38 kid, goodness gracious, horrified. Michael Hingson ** 06:44 Well, my parents said absolutely not, and they brought me up, and they actually worked with other parents of premature kids who became blind, and when kindergarten started in for us in in the age of four, they actually had a special kindergarten class for blind kids at the Perry School, which is where I went. And so I did that for a year, learn braille and some other things. Then we moved to California, but yeah, and I go back to Chicago every so often. And when I do nowadays, they I one of my favorite places to migrate in Chicago is Garrett Popcorn. Bill Ratner ** 07:21 Ah, yes, with caramel corn, regular corn, the Michael Hingson ** 07:25 Chicago blend, which is a mixture, yeah, the Chicago blend is cheese corn, well, as it is with caramel corn, and they put much other mozzarella on it as well. It's really good. Bill Ratner ** 07:39 Yeah, so we're on the air. Michael, what do you call your what do you call your program? Here I am your new friend, and I can't even announce your program because I don't know Michael Hingson ** 07:48 the name, unstoppable mindset. This Bill Ratner ** 07:51 is unstoppable mindset. Michael Hingson ** 07:56 We're back. Well, we're back already. We're fast. So you, you, you moved off elsewhere, out of Des Moines and all that. And where did you go to college? Bill Ratner ** 08:09 Well, this is like, why did you this is, this is a bit like talking about the Vietnam War. Looking back on my college career is like looking back on the Vietnam War series, a series of delusions and defeats. By the time I the time i for college, by the time I was applying for college, I was an orphan, orphan, having been born to fabulous parents who died too young of natural causes. So my grades in high school were my mediocre. I couldn't get into the Ivy Leagues. I got into the big 10 schools. My stepmother said, you're going to Michigan State in East Lansing because your cousin Eddie became a successful realtor. And Michigan State was known as mu u it was the most successful, largest agriculture college and university in the country. Kids from South Asia, China, Northern Europe, Southern Europe, South America all over the world came to Michigan State to study agricultural sciences, children of rich farmers all over the world and middle class farmers all over the world, and a huge police science department. Part of the campus was fenced off, and the young cadets, 1819, 20 years old, would practice on the rest of the student body, uniformed with hats and all right, excuse me, young man, we're just going to get some pizza at eight o'clock on Friday night. Stand against your car. Hands in your car. I said, Are you guys practicing again? Shut up and spread your legs. So that was that was Michigan State, and even though both my parents had master's degrees, I just found all the diversions available in the 1960s to be too interesting, and was not invited. Return after my sophomore year, and in order to flunk out of a big 10 University, and they're fine universities, all of them, you have to be either really determined or not so smart, not really capable of doing that level of study in undergraduate school. And I'd like to think that I was determined. I used to show up for my exams with a little blue book, and the only thing I would write is due to lack of knowledge, I am unable to complete this exam, sign Bill ranter and get up early and hand it in and go off. And so what was, what was left for a young man like that was the theater I'd seen the great Zero Mostel when I was 14 years old and on stage live, he looked just like my father, and he was funny, and if I Were a rich man, and that's the grade zero must tell. Yeah, and it took about five, no, it took about six, seven years to percolate inside my bread and my brain. In high school, I didn't want to do theater. The cheerleaders and guys who I had didn't happen to be friends with or doing theater. I took my girlfriends to see plays, but when I was 21 I started acting, and I've been an actor ever since. I'm a committee chair on the screen actors guild in Hollywood and Screen Actors Guild AFTRA, and work as a voice actor and collect my pensions and God bless the union. Michael Hingson ** 11:44 Well, hey, as long as it works and you're making progress, you know you're still with it, right? Bill Ratner ** 11:53 That's the that's the point. There's no accounting for taste in my business. Michael, you work for a few different broadcast entities at my age. And it's, you know, it's younger people. It's 18 to 3418 years to 34 years old is the ideal demographic for advertisers, Ford, Motor Company, Dove soap, Betty, Crocker, cake mixes and cereals, every conceivable product that sold online or sold on television and radio. This is my this is my meat, and I don't work for religion. However, if a religious organization calls, I call and say, I I'm not, not qualified or not have my divinity degree in order to sell your church to the public? Michael Hingson ** 12:46 Yeah, yeah. Well, I, I can understand that. But you, you obviously do a lot, and as we talked about, you were Flint and GI Joe, which is kind of cool. Bill Ratner ** 13:01 Flynn GI Joe was very cool. Hasbro Corporation, which was based in Providence, Rhode Island, had a huge success with GI Joe, the figure. The figure was about 11 and a half inches tall, like a Barbie, and was at first, was introduced to the public after the Korean War. There is a comic book that was that was also published about GI Joe. He was an individual figure. He was a figure, a sort of mythic cartoon figure during World War Two, GI Joe, generic American soldier, fighting man and but the Vietnam war dragged on for a long time, and the American buying public or buying kids toys got tired of GI Joe, got tired of a military figure in their household and stopped buying. And when Nixon ended the Vietnam War, or allotted to finish in 1974 Hasbro was in the tank. It's got its stock was cheap, and executives are getting nervous. And then came the Great George Lucas in Star Wars, who shrank all these action figures down from 11 and a half inches to three and a half inches, and went to China and had Chinese game and toy makers make Star Wars toys, and began to earn billions and billions dollars. And so Hasbro said, let's turn GI Joe into into a team. And the team began with flint and Lady J and Scarlett and Duke and Destro and cover commander, and grew to 85 different characters, because Hasbro and the toy maker partners could create 85 different sets of toys and action figures. So I was actor in this show and had a good time, and also a purveyor of a billion dollar industry of American toys. And the good news about these toys is I was at a conference where we signed autographs the voice actors, and we have supper with fans and so on. And I was sitting next to a 30 year old kid and his parents. And this kid was so knowledgeable about pop culture and every conceivable children's show and animated show that had ever been on the screen or on television. I turned to his mother and sort of being a wise acre, said, So ma'am, how do you feel about your 30 year old still playing with GI Joe action figures? And she said, Well, he and I both teach English in the Pittsburgh, Pennsylvania school system, and last year, the literacy level of my ninth graders was 50% 50% of those kids could not read in ninth grade. So I asked the principal if I could borrow my son's GI Joe, action figures, comic books and VHS tapes, recordings of the shows from TV. And he said, Sure, whatever you want to try. And so she did, and she played the video tapes, and these kids were thrilled. They'd never seen a GI Joe cartoon in class before. Passed out the comic books, let him read comics. And then she said, Okay, you guys. And passed out notebooks and pens and pencils, and said, I want you guys to make up some some shows, some GI Joe shows. And so they said, Yeah, we're ready. All right, Cobra, you better get into the barber shop, because the barber bill is no longer there and the fire engines are in the way. And wait a minute, there's a dog in the street. And so they're making this up, using their imagination, doing their schoolwork, by coming up with scenarios, imaginary fam fan fiction for GI Joe and she raised the literacy level in her classroom by 50% that year, by the end of that year, so, so that was the only story that I've ever heard about the sort of the efficacy of GI Joe, other than, you know, kids play with them. Do they? Are they shooting each other all the time? I certainly hope not. I hope not. Are they using the action figures? Do they strip their guns off and put them in a little, you know, stub over by the side and and have them do physical battle with each other, or have them hump the woods, or have them climb the stairs, or have them search the trees. Who knows what kids do? Same with same with girls and and Barbies. Barbie has been a source of fun and creativity for lots of girls, and the source of of worry and bother to a lot of parents as Michael Hingson ** 17:54 well. Well, at the same time, though, when kids start to react and relate to some of these things. It's, it's pretty cool. I mean, look what's happened with the whole Harry Potter movement and craze. Harry Potter has probably done more in the last 20 or 25 years to promote reading for kids than most anything else, and Bill Ratner ** 18:17 that's because it's such a good series of books. I read them to my daughters, yeah. And the quality of writing. She was a brilliant writer, not only just the stories and the storytelling, which is fun to watch in the movies, and you know, it's great for a parent to read. If there are any parents listening, I don't care how old your kids are. I don't care if they're 15. Offer to read to them. The 15 year old might, of course, say mom, but anybody younger than that might say either, all right, fine, which is, which means you better do it or read, read a book. To me, sure, it's fun for the parent, fun for the kid, and it makes the child a completely different kind of thinker and worker and earner. Michael Hingson ** 19:05 Well, also the people who they got to read the books for the recordings Stephen Fry and in the US here, Jim Dale did such an incredible job as well. I've, I've read the whole Harry Potter series more than once, because I just enjoy them, and I enjoy listening to the the voices. They do such a good job. Yeah. And of course, for me, one of the interesting stories that I know about Jim Dale reading Harry Potter was since it was published by Scholastic he was actually scheduled to do a reading from one of the Harry from the new Harry Potter book that was coming out in 2001 on September 11, he was going to be at Scholastic reading. And of course, that didn't happen because of of everything that did occur. So I don't know whether I'm. I'm assuming at some point a little bit later, he did, but still he was scheduled to be there and read. But it they are there. They've done so much to help promote reading, and a lot of those kinds of cartoons and so on. Have done some of that, which is, which is pretty good. So it's good to, you know, to see that continue to happen. Well, so you've written several books on poetry and so on, and I know that you you've mentioned more than once grief and loss. How come those words keep coming up? Bill Ratner ** 20:40 Well, I had an unusual childhood. Again. I mentioned earlier how, what a lucky kid I was. My parents were happy, educated, good people, not abusers. You know, I don't have a I don't have horror stories to tell about my mother or my father, until my mother grew sick with breast cancer and and it took about a year and a half or two years to die when I was seven years old. The good news is, because she was a sensitive, educated social worker, as she was actually dying, she arranged a death counseling session with me and my older brother and the Unitarian minister who was also a death counselor, and whom she was seeing to talk about, you know, what it was like to be dying of breast cancer with two young kids. And at this session, which was sort of surprised me, I was second grade, came home from school. In the living room was my mother and my brother looking a little nervous, and Dr Carl storm from the Unitarian Church, and she said, you know, Dr storm from church, but he's also my therapist. And we talk about my illness and how I feel, and we talk about how much I love you boys, and talk about how I worry about Daddy. And this is what one does when one is in crisis. That was a moment that was not traumatic for me. It's a moment I recalled hundreds of times, and one that has been a guiding light through my life. My mother's death was very difficult for my older brother, who was 13 who grew up in World War Two without without my father, it was just him and my mother when he was off in the Pacific fighting in World War Two. And then I was born after the war. And the loss of a mother in a family is like the bottom dropping out of a family. But luckily, my dad met a woman he worked with a highly placed advertising executive, which was unusual for a female in the 1950s and she became our stepmother a year later, and we had some very lovely, warm family years with her extended family and our extended family and all of us together until my brother got sick, came down with kidney disease a couple of years before kidney dialysis was invented, and a couple of years before kidney transplants were done, died at 19. Had been the captain of the swimming team at our high school, but did a year in college out in California and died on Halloween of 1960 my father was 51 years old. His eldest son had died. He had lost his wife six years earlier. He was working too hard in the advertising industry, successful man and dropped out of a heart attack 14th birthday. Gosh, I found him unconscious on the floor of our master bathroom in our house. So my life changed. I My life has taught me many, many things. It's taught me how the defense system works in trauma. It's taught me the resilience of a child. It's taught me the kindness of strangers. It's taught me the sadness of loss. Michael Hingson ** 24:09 Well, you, you seem to come through all of it pretty well. Well, thank you. A question behind that, just an observation, but, but you do seem to, you know, obviously, cope with all of it and do pretty well. So you, you've always liked to be involved in acting and so on. How did you actually end up deciding to be a voice actor? Bill Ratner ** 24:39 Well, my dad, after he was managing editor of Better Homes and Gardens magazine in Des Moines for Meredith publishing, got offered a fancy job as executive vice president of the flower and mix division for Campbell within advertising and later at General Mills Corporation. From Betty Crocker brand, and would bring me to work all the time, and would sit with me, and we'd watch the wonderful old westerns that were on prime time television, rawhide and Gunsmoke and the Virginian and sure Michael Hingson ** 25:15 and all those. Yeah, during Bill Ratner ** 25:17 the commercials, my father would make fun of the commercials. Oh, look at that guy. And number one, son, that's lousy acting. Number two, listen to that copy. It's the dumbest ad copy I've ever seen. The jingles and and then he would say, No, that's a good commercial, right there. And he wasn't always negative. He would he was just a good critic of advertising. So at a very young age, starting, you know, when we watch television, I think the first television ever, he bought us when I was five years old, I was around one of the most educated, active, funny, animated television critics I could hope to have in my life as a 56789, 1011, 12 year old. And so when I was 12, I became one of the founding members of the Brotherhood of radio stations with my friends John Waterhouse and John Barstow and Steve gray and Bill Connors in South Minneapolis. I named my five watt night kit am transmitter after my sixth grade teacher, Bob close this is wclo stereo radio. And when I was in sixth grade, I built myself a switch box, and I had a turntable and I had an intercom, and I wired my house for sound, as did all the other boys in the in the B, O, R, S, and that's brotherhood of radio stations. And we were guests on each other's shows, and we were obsessed, and we would go to the shopping malls whenever a local DJ was making an appearance and torture him and ask him dumb questions and listen obsessively to American am radio. And at the time for am radio, not FM like today, or internet on your little radio tuner, all the big old grandma and grandpa radios, the wooden ones, were AM, for amplitude modulated. You could get stations at night, once the sun went down and the later it got, the ionosphere would lift and the am radio signals would bounce higher and farther. And in Minneapolis, at age six and seven, I was able to to listen to stations out of Mexico and Texas and Chicago, and was absolutely fascinated with with what was being put out. And I would, I would switch my brother when I was about eight years old, gave me a transistor radio, which I hid under my bed covers. And at night, would turn on and listen for, who knows, hours at a time, and just tuning the dial and tuning the dial from country to rock and roll to hit parade to news to commercials to to agric agriculture reports to cow crossings in Kansas and grain harvesting and cheese making in Wisconsin, and on and on and on that made up the great medium of radio that was handing its power and its business over to television, just as I was growing As a child. Fast, fascinating transition Michael Hingson ** 28:18 and well, but as it was transitioning, how did that affect you? Bill Ratner ** 28:26 It made television the romantic, exciting, dynamic medium. It made radio seem a little limited and antiquated, and although I listened for environment and wasn't able to drag a television set under my covers. Yeah, and television became memorable with with everything from actual world war two battle footage being shown because there wasn't enough programming to 1930s Warner Brothers gangster movies with James Cagney, Edward G Michael Hingson ** 29:01 Robinson and yeah Bill Ratner ** 29:02 to all the sitcoms, Leave It to Beaver and television cartoons and on and on and on. And the most memorable elements to me were the personalities, and some of whom were invisible. Five years old, I was watching a Kids program after school, after kindergarten. We'll be back with more funny puppets, marionettes after this message and the first words that came on from an invisible voice of this D baritone voice, this commercial message will be 60 seconds long, Chrysler Dodge for 1954 blah, blah, blah, blah, blah. And I watched hypnotized, hypnotized as a 1953 dodge drove across the screen with a happy family of four waving out the window. And at the end of the commercial, I ran into the kitchen said, Mom, mom, I know what a minute. Is, and it was said, it had suddenly come into my brain in one of those very rare and memorable moments in a person's life where your brain actually speaks to you in its own private language and says, Here is something very new and very true, that 60 seconds is in fact a minute. When someone says, See you in five minutes, they mean five times that, five times as long as that. Chrysler commercial, five times 60. That's 300 seconds. And she said, Did you learn it that that on T in kindergarten? And I said, No, I learned it from kangaroo Bob on TV, his announcer, oh, kangaroo Bob, no, but this guy was invisible. And so at five years of age, I was aware of the existence of the practice of the sound, of the magic of the seemingly unlimited access to facts, figures, products, brand names that these voices had and would say on the air in This sort of majestic, patriarchal way, Michael Hingson ** 31:21 and just think 20 years later, then you had James Earl Jones, Bill Ratner ** 31:26 the great dame. James Earl Jones, father was a star on stage at that time the 1950s James Earl Jones came of age in the 60s and became Broadway and off Broadway star. Michael Hingson ** 31:38 I got to see him in Othello. He was playing Othello. What a powerful performance. It was Bill Ratner ** 31:43 wonderful performer. Yeah, yeah. I got to see him as Big Daddy in Canada, Hot Tin Roof, ah, live and in person, he got front row seats for me and my family. Michael Hingson ** 31:53 Yeah, we weren't in the front row, but we saw it. We saw it on on Broadway, Bill Ratner ** 31:58 the closest I ever got to James Earl Jones. He and I had the same voice over agent, woman named Rita vinari of southern Barth and benare company. And I came into the agency to audition for Doritos, and I hear this magnificent voice coming from behind a closed voiceover booth, saying, with a with a Spanish accent, Doritos. I thought that's James Earl Jones. Why is he saying burritos? And he came out, and he bowed to me, nodded and smiled, and I said, hello and and the agent probably in the booth and shut the door. And she said, I said, that was James Earl Jones. What a voice. What she said, Oh, he's such a nice man. And she said, but I couldn't. I was too embarrassed. I was too afraid to stop him from saying, Doritos. And it turns out he didn't get the gig. So it is some other voice actor got it because he didn't say, had he said Doritos with the agent froze it froze up. That was as close as I ever got to did you get the gig? Oh goodness no, Michael Hingson ** 33:01 no, you didn't, huh? Oh, well, well, yeah. I mean, it was a very, it was, it was wonderful. It was James Earl Jones and Christopher Plummer played Iago. Oh, goodness, oh, I know. What a what a combination. Well, so you, you did a lot of voiceover stuff. What did you do regarding radio moving forward? Or did you just go completely out of that and you were in TV? Or did you have any opportunity Bill Ratner ** 33:33 for me to go back at age 15, my brother and father, who were big supporters of my radio. My dad would read my W, C, l, o, newsletter and need an initial, an excellent journalism son and my brother would bring his teenage friends up. He'd play the elderly brothers, man, you got an Elvis record, and I did. And you know, they were, they were big supporters for me as a 13 year old, but when I turned 14, and had lost my brother and my father, I lost my enthusiasm and put all of my radio equipment in a box intended to play with it later. Never, ever, ever did again. And when I was about 30 years old and I'd done years of acting in the theater, having a great time doing fun plays and small theaters in Minneapolis and South Dakota and and Oakland, California and San Francisco. I needed money, so I looked in the want ads and saw a job for telephone sales, and I thought, Well, I used to love the telephone. I used to make phony phone calls to people all the time. Used to call funeral homes. Hi Carson, funeral I help you. Yes, I'm calling to tell you that you have a you have a dark green slate tile. Roof, isn't that correct? Yes. Well, there's, there's a corpse on your roof. Lady for goodness sake, bring it down and we laugh and we record it and and so I thought, Well, gee, I used to have a lot of fun with the phone. And so I called the number of telephone sales and got hired to sell magazine subscriptions and dinner tickets to Union dinners and all kinds of things. And then I saw a new job at a radio station, suburban radio station out in Walnut Creek, California, a lovely Metro BART train ride. And so I got on the BART train, rode out there and walked in for the interview, and was told I was going to be selling small advertising packages on radio for the station on the phone. And so I called barber shops and beauty shops and gas stations in the area, and one guy picked up the phone and said, Wait a minute, wait a minute. Wait a minute. Are you on the radio right now? And I said, No, I'm just I'm in the sales room. Well, maybe you should be. And he slams the phone on me. He didn't want to talk to me anymore. It wasn't interested in buying advertising. I thought, gee. And I told somebody at the station, and they said, Well, you want to be in the radio? And he went, Yeah, I was on the radio when I was 13. And it just so happened that an older fellow was retiring from the 10am to 2pm slot. K I S King, kiss 99 and KD FM, Pittsburgh, California. And it was a beautiful music station. It was a music station. Remember, old enough will remember music that used to play in elevators that was like violin music, the Percy faith orchestra playing a Rolling Stone song here in the elevator. Yes, well, that's exactly what we played. And it would have been harder to get a job at the local rock stations because, you know, they were popular places. And so I applied for the job, and Michael Hingson ** 37:06 could have lost your voice a lot sooner, and it would have been a lot harder if you had had to do Wolfman Jack. But that's another story. Bill Ratner ** 37:13 Yeah, I used to listen to Wolf Man Jack. I worked in a studio in Hollywood. He became a studio. Yeah, big time. Michael Hingson ** 37:22 Anyway, so you you got to work at the muzack station, got Bill Ratner ** 37:27 to work at the muzack station, and I was moving to Los Angeles to go to a bigger market, to attempt to penetrate a bigger broadcast market. And one of the sales guys, a very nice guy named Ralph pizzella said, Well, when you get to La you should study with a friend of mine down to pie Troy, he teaches voiceovers. I said, What are voice overs? He said, You know that CVS Pharmacy commercial just carted up and did 75 tags, available in San Fernando, available in San Clemente, available in Los Angeles, available in Pasadena. And I said, Yeah. He said, Well, you didn't get paid any extra. You got paid your $165 a week. The guy who did that commercial for the ad agency got paid probably 300 bucks, plus extra for the tags, that's voiceovers. And I thought, why? There's an idea, what a concept. So he gave me the name and number of old friend acquaintance of his who he'd known in radio, named Don DiPietro, alias Johnny rabbit, who worked for the Dick Clark organization, had a big rock and roll station there. He'd come to LA was doing voiceovers and teaching voiceover classes in a little second story storefront out of the San Fernando Valley in Los Angeles. So I signed up for his class, and he was an experienced guy, and he liked me, and we all had fun, and I realized I was beginning to study like an actor at 1818, who goes to New York or goes to Los Angeles or Chicago or Atlanta or St Louis to act in the big theaters, and starts acting classes and realizes, oh my goodness, these people are truly professionals. I don't know how to do what they do. And so for six years, I took voice over classes, probably 4050, nights a year, and from disc jockeys, from ex show hosts, from actors, from animated cartoon voices, and put enough time in to get a degree in neurology in medical school. And worked my way up in radio in Los Angeles and had a morning show, a lovely show with a wonderful news man named Phil Reed, and we talked about things and reviewed movies and and played a lot of music. And then I realized, wait a minute, I'm earning three times the money in voiceovers as I am on the radio, and I have to get up at 430 in the morning to be on the radio. Uh, and a wonderful guy who was Johnny Carson's staff announcer named Jack angel said, You're not still on radio, are you? And I said, Well, yeah, I'm working in the morning. And Ka big, get out of there. Man, quit. Quit. And I thought, well, how can I quit? I've always wanted to be a radio announcer. And then there was another wonderful guy on the old am station, kmpc, sweet Dick Whittington. Whittington, right? And he said at a seminar that I went to at a union voice over training class, when you wake up at four in the morning and you swing your legs over the bed and your shoes hit the floor, and you put your head in your hands, and you say to yourself, I don't want to do this anymore. That's when you quit radio. Well, that hadn't happened to me. I was just getting up early to write some comedy segments and on and on and on, and then I was driving around town all day doing auditions and rented an ex girlfriend's second bedroom so that I could nap by myself during the day, when I had an hour in and I would as I would fall asleep, I'd picture myself every single day I'm in a dark voiceover studio, a microphone Is before me, a music stand is before the microphone, and on it is a piece of paper with advertising copy on it. On the other side of the large piece of glass of the recording booth are three individuals, my employers, I begin to read, and somehow the text leaps off the page, streams into my eyes, letter for letter, word for word, into a part of my back brain that I don't understand and can't describe. It is processed in my semi conscious mind with the help of voice over training and hope and faith, and comes out my mouth, goes into the microphone, is recorded in the digital recorder, and those three men, like little monkeys, lean forward and say, Wow, how do you do that? That was my daily creative visualization. Michael, that was my daily fantasy. And I had learned that from from Dale Carnegie, and I had learned that from Olympic athletes on NBC TV in the 60s and 70s, when the announcer would say, this young man you're seeing practicing his high jump is actually standing there. He's standing stationary, and the bouncing of the head is he's actually rehearsing in his mind running and running and leaping over the seven feet two inch bar and falling into the sawdust. And now he's doing it again, and you could just barely see the man nodding his head on camera at the exact rhythm that he would be running the 25 yards toward the high bar and leaping, and he raised his head up during the imaginary lead that he was visualizing, and then he actually jumped the seven foot two inches. That's how I learned about creative visualization from NBC sports on TV. Michael Hingson ** 43:23 Channel Four in Los Angeles. There you go. Well, so you you broke into voice over, and that's what you did. Bill Ratner ** 43:38 That's what I did, darn it, I ain't stopping now, there's a wonderful old actor named Bill Irwin. There two Bill Irwin's one is a younger actor in his 50s or 60s, a brilliant actor from Broadway to film and TV. There's an older William Irwin. They also named Bill Irwin, who's probably in his 90s now. And I went to a premiere of a film, and he was always showing up in these films as The senile stock broker who answers the phone upside down, or the senile board member who always asks inappropriate questions. And I went up to him and I said, you know, I see you in everything, man. I'm 85 years old. Some friends and associates of mine tell me I should slow down. I only got cast in movies and TV when I was 65 I ain't slowing down. If I tried to slow down at 85 I'd have to stop That's my philosophy. My hero is the great Don Pardo, the late great Michael Hingson ** 44:42 for Saturday Night Live and Jeopardy Bill Ratner ** 44:45 lives starring Bill Murray, Gilder Radner, and Michael Hingson ** 44:49 he died for Jeopardy before that, Bill Ratner ** 44:52 yeah, died at 92 with I picture him, whether it probably not, with a microphone and. His hand in his in his soundproof booth, in his in his garage, and I believe he lived in Arizona, although the show was aired and taped in New York, New York, right where he worked for for decades as a successful announcer. So that's the story. Michael Hingson ** 45:16 Michael. Well, you know, I miss, very frankly, some of the the the days of radio back in the 60s and 70s and so on. We had, in LA what you mentioned, Dick Whittington, Dick whittinghill on kmpc, Gary Owens, you know, so many people who were such wonderful announcers and doing some wonderful things, and radio just isn't the same anymore. It's gone. It's Bill Ratner ** 45:47 gone to Tiktok and YouTube. And the truth is, I'm not gonna whine about Tiktok or YouTube, because some of the most creative moments on camera are being done on Tiktok and YouTube by young quote influencers who hire themselves out to advertisers, everything from lipstick. You know, Speaker 1 ** 46:09 when I went to a party last night was just wild and but this makeup look, watch me apply this lip remover and blah, blah, blah, blah, blah, no, I have no lip. Bill Ratner ** 46:20 You know, these are the people with the voices. These are the new voices. And then, of course, the faces. And so I would really advise before, before people who, in fact, use the internet. If you use the internet, you can't complain if you use the internet, if you go to Facebook or Instagram, or you get collect your email or Google, this or that, which most of us do, it's handy. You can't complain about tick tock, tick tock, tick tock. You can't complain about tick tock or YouTube, because it's what the younger generation is using, and it's what the younger generation advertisers and advertising executives and creators and musicians and actors are using to parade before us, as Gary Owens did, as Marlon Brando did, as Sarah Bernhardt did in the 19 so as all as you do, Michael, you're a parader. You're the head of the parade. You've been in on your own float for years. I read your your bio. I don't even know why you want to waste a minute talking to me for goodness sakes. Michael Hingson ** 47:26 You know, the one thing about podcasts that I like over radio, and I did radio at kuci for seven years when I was in school, what I really like about podcasts is they're not and this is also would be true for Tiktok and YouTube. Primarily Tiktok, I would would say it isn't as structured. So if we don't finish in 60 minutes, and we finish in 61 minutes, no one's gonna shoot us. Bill Ratner ** 47:53 Well, I beg to differ with you. Now. I'm gonna start a fight with you. Michael, yeah, we need conflict in this script. Is that it The Tick Tock is very structured. Six. No, Michael Hingson ** 48:03 no, I understand that. I'm talking about podcasts, Bill Ratner ** 48:07 though, but there's a problem. We gotta Tone It Up. We gotta pick it up. We gotta there's a lot of and I listen to what are otherwise really bright, wonderful personalities on screen, celebrities who have podcasts and the car sucks, and then I had meatballs for dinner, haha. And you know what my wife said? Why? You know? And there's just too much of that. And, Michael Hingson ** 48:32 oh, I understand, yeah. I mean, it's like, like anything, but I'm just saying that's one of the reasons I love podcasting. So it's my way of continuing what I used to do in radio and having a lot of fun doing it Bill Ratner ** 48:43 all right, let me ask you. Let me ask you a technical and editorial question. Let me ask you an artistic question. An artist, can you edit this podcast? Yeah. Are you? Do you plan to Nope. Michael Hingson ** 48:56 I think conversations are conversations, but there is a but, I mean, Bill Ratner ** 49:01 there have been starts and stops and I answer a question, and there's a long pause, and then, yeah, we can do you edit that stuff Michael Hingson ** 49:08 out. We do, we do, edit some of that out. And I have somebody that that that does a lot of it, because I'm doing more podcasts, and also I travel and speak, but I can edit. There's a program called Reaper, which is really a very sophisticated Bill Ratner ** 49:26 close up spaces. You Michael Hingson ** 49:28 can close up spaces with it, yes, but the neat thing about Reaper is that somebody has written scripts to make it incredibly accessible for blind people using screen readers. Bill Ratner ** 49:40 What does it do? What does it do? Give me the elevator pitch. Michael Hingson ** 49:46 You've seen some of the the programs that people use, like computer vision and other things to do editing of videos and so on. Yeah. Bill Ratner ** 49:55 Yeah. Even Apple. Apple edit. What is it called? Apple? Garage Band. No, that's audio. What's that Michael Hingson ** 50:03 audio? Oh, Bill Ratner ** 50:06 quick time is quick Michael Hingson ** 50:07 time. But whether it's video or audio, the point is that Reaper allows me to do all of that. I can edit audio. I can insert, I can remove pauses. I can do anything with Reaper that anyone else can do editing audio, because it's been made completely accessible. Bill Ratner ** 50:27 That's great. That's good. That's nice. Oh, it is. It's cool. Michael Hingson ** 50:31 So so if I want, I can edit this and just have my questions and then silence when you're talking. Bill Ratner ** 50:38 That might be best. Ladies and gentlemen, here's Bill Ratner, Michael Hingson ** 50:46 yep, exactly, exactly. Now you have won the moth stories. Slam, what? Tell me about my story. Slam, you've won it nine times. Bill Ratner ** 51:00 The Moth was started by a writer, a novelist who had lived in the South and moved to New York City, successful novelist named George Dawes green. And the inception of the moth, which many people listening are familiar with from the Moth Radio Hour. It was, I believe, either late 90s or early 2000s when he'd been in New York for a while and was was publishing as a fiction writer, and threw a party, and decided, instead of going to one of these dumb, boring parties or the same drinks being served and same cigarettes being smoked out in the veranda and the same orders. I'm going to ask people to bring a five minute story, a personal story, nature, a true story. You don't have to have one to get into the party, but I encourage you to. And so you know, the 3040, 50 people showed up, many of whom had stories, and they had a few drinks, and they had hors d'oeuvres. And then he said, Okay, ladies and gentlemen, take your seats. It's time for and then I picked names out of a hat, and person after person after person stood up in a very unusual setting, which was almost never done at parties. You How often do you see that happen? Suddenly, the room falls silent, and someone with permission being having been asked by the host to tell a personal story, some funny, some tragic, some complex, some embarrassing, some racy, some wild, some action filled. And afterward, the feedback he got from his friends was, this is the most amazing experience I've ever had in my life. And someone said, you need to do this. And he said, Well, you people left a lot of cigarette butts and beer cans around my apartment. And they said, well, let's do it at a coffee shop. Let's do it at a church basement. So slowly but surely, the moth storytelling, story slams, which were designed after the old poetry slams in the 50s and 60s, where they were judged contests like, like a dance contest. Everybody's familiar with dance contests? Well, there were, then came poetry contests with people singing and, you know, and singing and really energetically, really reading. There then came storytelling contests with people standing on a stage before a silent audience, telling a hopefully interesting, riveting story, beginning middle, end in five minutes. And so a coffee house was found. A monthly calendar was set up. Then came the internet. Then it was so popular standing room only that they had to open yet another and another, and today, some 20 years later, 20 some years later, from Austin, Texas to San Francisco, California to Minneapolis, Minnesota to New York City to Los Angeles. There are moth story slams available on online for you to schedule yourself to go live and in person at the moth.org as in the moth with wings. Friend of mine, I was in New York. He said, You can't believe it. This writer guy, a writer friend of mine who I had read, kind of an avant garde, strange, funny writer was was hosting something called the moth in New York, and we were texting each other. He said, Well, I want to go. The theme was show business. I was going to talk to my Uncle Bobby, who was the bell boy. And I Love Lucy. I'll tell a story. And I texted him that day. He said, Oh man, I'm so sorry. I had the day wrong. It's next week. Next week, I'm going to be back home. And so he said, Well, I think there's a moth in Los Angeles. So about 15 years ago, I searched it down and what? Went to a small Korean barbecue that had a tiny little stage that originally was for Korean musicians, and it was now being used for everything from stand up comedy to evenings of rock and roll to now moth storytelling once a month. And I think the theme was first time. And so I got up and told a silly story and didn't win first prize. They have judges that volunteer judges a table of three judges scoring, you like, at a swim meet or a track beat or, you know, and our gymnastics meet. So this is all sort of familiar territory for everybody, except it's storytelling and not high jumping or pull ups. And I kept going back. I was addicted to it. I would write a story and I'd memorize it, and I'd show up and try to make it four minutes and 50 seconds and try to make it sound like I was really telling a story and not reading from a script. And wish I wasn't, because I would throw the script away, and I knew the stories well enough. And then they created a radio show. And then I began to win slams and compete in the grand slams. And then I started submitting these 750 word, you know, two and a half page stories. Literary magazines got a few published and found a whole new way to spend my time and not make much Michael Hingson ** 56:25 money. Then you went into poetry. Bill Ratner ** 56:29 Then I got so bored with my prose writing that I took a poetry course from a wonderful guy in LA called Jack grapes, who had been an actor and a football player and come to Hollywood and did some TV, episodics and and some some episodic TV, and taught poetry. It was a poet in the schools, and I took his class of adults and got a poem published. And thought, wait a minute, these aren't even 750 words. They're like 75 words. I mean, you could write a 10,000 word poem if you want, but some people have, yeah, and it was complex, and there was so much to read and so much to learn and so much that was interesting and odd. And a daughter of a friend of mine is a poet, said, Mommy, are you going to read me one of those little word movies before I go to sleep? Michael Hingson ** 57:23 A little word movie, word movie out of the Bill Ratner ** 57:27 mouths of babes. Yeah, and so, so and I perform. You know, last night, I was in Orange County at a organization called ugly mug Cafe, and a bunch of us poets read from an anthology that was published, and we sold our books, and heard other young poets who were absolutely marvelous and and it's, you know, it's not for everybody, but it's one of the things I do. Michael Hingson ** 57:54 Well, you sent me pictures of book covers, so they're going to be in the show notes. And I hope people will will go out and get them Bill Ratner ** 58:01 cool. One of the one of the things that I did with poetry, in addition to wanting to get published and wanting to read before people, is wanting to see if there is a way. Because poetry was, was very satisfying, emotionally to me, intellectually very challenging and satisfying at times. And emotionally challenging and very satisfying at times, writing about things personal, writing about nature, writing about friends, writing about stories that I received some training from the National Association for poetry therapy. Poetry therapy is being used like art therapy, right? And have conducted some sessions and and participated in many and ended up working with eighth graders of kids who had lost someone to death in the past year of their lives. This is before covid in the public schools in Los Angeles. And so there's a lot of that kind of work that is being done by constable people, by writers, by poets, by playwrights, Michael Hingson ** 59:09 and you became a grief counselor, Bill Ratner ** 59:13 yes, and don't do that full time, because I do voiceovers full time, right? Write poetry and a grand. Am an active grandparent, but I do the occasional poetry session around around grief poetry. Michael Hingson ** 59:31 So you're a grandparent, so you've had kids and all that. Yes, sir, well, that's is your wife still with us? Yes? Bill Ratner ** 59:40 Oh, great, yeah, she's an artist and an art educator. Well, that Michael Hingson ** 59:46 so the two of you can criticize each other's works, then, just Bill Ratner ** 59:52 saying, we're actually pretty kind to each other. I Yeah, we have a lot of we have a lot of outside criticism. Them. So, yeah, you don't need to do it internally. We don't rely on it. What do you think of this although, although, more than occasionally, each of us will say, What do you think of this poem, honey? Or what do you think of this painting, honey? And my the favorite, favorite thing that my wife says that always thrills me and makes me very happy to be with her is, I'll come down and she's beginning a new work of a new piece of art for an exhibition somewhere. I'll say, what? Tell me about what's, what's going on with that, and she'll go, you know, I have no idea, but it'll tell me what to do. Michael Hingson ** 1:00:33 Yeah, it's, it's like a lot of authors talk about the fact that their characters write the stories right, which, which makes a lot of sense. So with all that you've done, are you writing a memoir? By any chance, I Bill Ratner ** 1:00:46 am writing a memoir, and writing has been interesting. I've been doing it for many years. I got it was my graduate thesis from University of California Riverside Palm Desert. Michael Hingson ** 1:00:57 My wife was a UC Riverside graduate. Oh, hi. Well, they Bill Ratner ** 1:01:01 have a low residency program where you go for 10 days in January, 10 days in June. The rest of it's online, which a lot of universities are doing, low residency programs for people who work and I got an MFA in creative writing nonfiction, had a book called parenting for the digital age, the truth about media's effect on children. And was halfway through it, the publisher liked it, but they said you got to double the length. So I went back to school to try to figure out how to double the length. And was was able to do it, and decided to move on to personal memoir and personal storytelling, such as goes on at the moth but a little more personal than that. Some of the material that I was reading in the memoir section of a bookstore was very, very personal and was very helpful to read about people who've gone through particular issues in their childhood. Mine not being physical abuse or sexual abuse, mine being death and loss, which is different. And so that became a focus of my graduate thesis, and many people were urging me to write a memoir. Someone said, you need to do a one man show. So I entered the Hollywood fringe and did a one man show and got good reviews and had a good time and did another one man show the next year and and so on. So But writing memoir as anybody knows, and they're probably listeners who are either taking memoir courses online or who may be actively writing memoirs or short memoir pieces, as everybody knows it, can put you through moods from absolutely ecstatic, oh my gosh, I got this done. I got this story told, and someone liked it, to oh my gosh, I'm so depressed I don't understand why. Oh, wait a minute, I was writing about such and such today. Yeah. So that's the challenge for the memoir is for the personal storyteller, it's also, you know, and it's more of a challenge than it is for the reader, unless it's bad writing and the reader can't stand that. For me as a reader, I'm fascinated by people's difficult stories, if they're well Michael Hingson ** 1:03:24 told well, I know that when in 2002 I was advised to write a book about the World Trade Center experiences and all, and it took eight years to kind of pull it all together. And then I met a woman who actually I collaborated with, Susie Florey, and we wrote thunder dog. And her agent became my agent, who loved the proposal that we sent and actually got a contract within a week. So thunder dog came out in 2011 was a New York Times bestseller, and very blessed by that, and we're working toward the day that it will become a movie still, but it'll happen. And then I wrote a children's version of it, well, not a children's version of the book, but a children's book about me growing up in Roselle, growing up the guide dog who was with me in the World Trade Center, and that's been on Amazon. We self published it. Then last year, we published a new book called Live like a guide dog, which is all about controlling fear and teaching people lessons that I learned prior to September 11. That helped me focus and remain calm. Bill Ratner ** 1:04:23 What happened to you on September 11, Michael Hingson ** 1:04:27 I was in the World Trade Center. I worked on the 78th floor of Tower One. Bill Ratner ** 1:04:32 And what happened? I mean, what happened to you? Michael Hingson ** 1:04:36 Um, nothing that day. I mean, well, I got out. How did you get out? Down the stairs? That was the only way to go. So, so the real story is not doing it, but why it worked. And the real issue is that I spent a lot of time when I first went into the World Trade Center, learning all I could about what to do in an emergency, talking to police, port authorities. Security people, emergency preparedness people, and also just walking around the world trade center and learning the whole place, because I ran an office for a company, and I wasn't going to rely on someone else to, like, lead me around if we're going to go to lunch somewhere and take people out before we negotiated contracts. So I needed to know all of that, and I learned all I could, also realizing that if there ever was an emergency, I might be the only one in the office, or we might be in an area where people couldn't read the signs to know what to do anyway. And so I had to take the responsibility of learning all that, which I did. And then when the planes hit 18 floors above us on the other side of the building, we get we had some guests in the office. Got them out, and then another colleague, who was in from our corporate office, and I and my guide dog, Roselle, went to the stairs, and we started down. And Bill Ratner ** 1:05:54 so, so what floor did the plane strike? Michael Hingson ** 1:05:58 It struck and the NOR and the North Tower, between floors 93 and 99 so I just say 96 okay, and you were 20 floors down, 78 floors 78 so we were 18 floors below, and Bill Ratner ** 1:06:09 at the moment of impact, what did you think? Michael Hingson ** 1:06:13 Had no idea we heard a muffled kind of explosion, because the plane hit on the other side of the building, 18 floors above us. There was no way to know what was going on. Did you feel? Did you feel? Oh, the building literally tipped, probably about 20 feet. It kept tipping. And then we actually said goodbye to each other, and then the building came back upright. And then we went, Bill Ratner ** 1:06:34 really you so you thought you were going to die? Michael Hingson ** 1:06:38 David, my colleague who was with me, as I said, he was from our California office, and he was there to help with some seminars we were going to be doing. We actually were saying goodbye to each other because we thought we were about to take a 78 floor plunge to the street, when the building stopped tipping and it came back. Designed to do that by the architect. It was designed to do that, which is the point, the point. Bill Ratner ** 1:07:02 Goodness, gracious. And then did you know how to get to the stairway? Michael Hingson ** 1:07:04 Oh, absolutely. And did you do it with your friend? Yeah, the first thing we did, the first thing we did is I got him to get we had some guests, and I said, get him to the stairs. Don't let him take the elevators, because I knew he had seen fire above us, but that's all we knew. And but I said, don't take the elevators. Don't let them take elevators. Get them to the stairs and then come back and we'll leave. So he did all that, and then he came back, and we went to the stairs and started down. Bill Ratner ** 1:07:33 Wow. Could you smell anything? Michael Hingson ** 1:07:36 We smelled burning jet fuel fumes on the way down. And that's how we figured out an airplane must have hit the building, but we had no idea what happened. We didn't know what happened until the until both towers had collapsed, and I actually talked to my wife, and she's the one who told us how to aircraft have been crashed into the towers, one into the Pentagon, and a fourth, at that time, was still missing over Pennsylvania. Wow. So you'll have to go pick up a copy of thunder dog. Goodness. Good. Thunder dog. The name of the book is Thunder dog, and the book I wrote last year is called Live like a guide dog. It's le
In deze aflevering van de Pantelic Podcast bespreken Jan, Wessel en Bart de recente wedstrijd tegen Twente, de problemen binnen de technische staf, en de reacties op een kritisch reconstructie van ESPN. Ook wordt er teruggeblikt op de wedstrijd tegen Chelsea en Danny Blind's uitspraken over de Raad van Commissarissen worden geanalyseerd. (00:00) Intro(01:20) Korte nabeschouwing FC Twente – Ajax(03:45) Artikel ESPN + Interview Heitinga(19:00) Blik op de organisatie(24:25) Staat de selectie achter Heitinga?(26:00) Meer over FC Twente – Ajax(37:00) Terugblik Chelsea – Ajax(43:00) Interview Blind(55:30) Kleine vooruitblik Heerenveen(57:15) Jong Ajax en Ajax onder 19(1:00:10) Hint aan Heitinga Petje Af De link voor onze Petje Af-pagina is: petjeaf.com/pantelicpodcastSee omnystudio.com/listener for privacy information.
Vandaag staat er een KINK FAST LIGHT voor jou klaar, meer muziek, minder Bart & Lesley. Jij kunt dus van een heerlijke playlist genieten. Dit keer krijg je vooral een favoriet lijstje van Bart, want het is zijn verjaardag. Daarom hoor je vandaag o.a. Silverstein, Alexisonfire, Bad Omens, Bring Me The Horizon, The Story So Far en nog veel meer. Wil je KINK FAST live beluisteren op de radio? Dat kan via DAB+ (blok 9C) op dinsdag om 17.00 op KINK DISTORTION. Kink Fast komt vanaf nu om de twee weken met een nieuwe aflevering. Playlist: 01. The Swellers – The Best I Ever Had 02. Blink-182 – Mutt 03. Bad Omens – Dying To Love 04. Saosin – Collapse 05. Paramore – Pressure 06. Silverstein – Defend You 07. The Story So Far – Empty Space 08. Holding Absence – Like A Shadow 09. Alexisonfire – Accidents 10. Caskets – Lost in Echoes 11. Comeback Kid – Balance 12. President – Fearless 13. Deftones – Be Quiet and Drive (Far Away) 14. Bring Me The Horizon – Drown
Bart remembers his team mate Nick Mangold. What did we learn about the Jets finally getting a win? What did we learn about Justin Fields? Learn more about your ad choices. Visit podcastchoices.com/adchoices
Episode Summary In this episode of the Work at Home Rockstar Podcast, Tim Melanson chats with Bart Merrell — international entrepreneur, speaker, and the creator of Monetize Your Mindset and Side Hustle Samurai. Bart brings over 30 years of self-employment experience and shares his powerful mindset of turning anything — good, bad, or ugly — into a money-making opportunity. From launching Japan's first commercial bungee jump to contracting with his prosthetist after a life-altering amputation, Bart proves that the secret to financial stability lies in monetizing what you already know. This is a masterclass in resourcefulness, mindset, and side hustle success.
Paul Herrold of the Sons of Speed sits in for Jill this week. Jill will be back for next week's show. Paul and Tom open the show by discussing consumer-battery maker Duracell's foray into electric-vehicle charging. Duracell branded car chargers are showing up now in the U.K., and are expected to arrive in the U.S. in the not-to-distant future. The hosts go on to discuss two big General Motors announcements. First, GM will be launching full level-3 semi-autonomous drive systems for the 2028 model year, beginning with the electric Cadillac Escalade IQ. An advancement of the maker's Super Cruise technology, the new system will permit drivers to look away from the road while engaged. Listen in for further details. GM also plans to drop Apple CarPlay from all its vehicles beginning in 2028. Jill is going to be angry. Still in the first segment, Paul talks about driving the high-performance McLaren GT on the race track. Paul also talks a little about the McLaren lineup and how the sports-car maker's U.S. offerings differ. In the second segment, Paul and Tom welcome Bart Sowa of GTI Energy to the show. Bart talks about fuel-cell technology, and how hydrogen-power is viable option for large over-the-road trucks. Bart also shares his thoughts on the future of hydrogen as a transportation fuel in the U.S. In the last segment, Bart joined Paul for this week's quiz. Can you guess the best-selling car in Alabama? Listen in to hear the “Best Sellers by State” quiz.
In the 59th episode of the ECM podcast we're joined by lyra player Sokratis Sinopoulos and by pianist Yann Keerim, to talk about the release of “Topos”, their new duo album. Sokratis Sinopoulos and Yann Keerim talk about their collaborative past, the music ok Béla Bartók, what the term "topos" means to them and much more.
You can find Bart's fabulous tutorial shownotes and the audio podcast at pbs.bartificer.net. Read an unedited, auto-generated transcript with chapter marks: PBS_2025_10_25 Join our Slack at podfeet.com/slack and look for the #pbs channel, and check out our pbs-student GitHub Organization. It's by invitation only but all you have to do is ask Allison! Join the Conversation: allison@podfeet.com podfeet.com/slack Support the Show: Patreon Donation Apple Pay or Credit Card one-time donation PayPal one-time donation Podfeet Podcasts Mugs at Zazzle NosillaCast 20th Anniversary Shirts Referral Links: Setapp - 1 month free for you and me PETLIBRO - 30% off for you and me Parallels Toolbox - 3 months free for you and me Learn through MacSparky Field Guides - 15% off for you and me Backblaze - One free month for me and you Eufy - $40 for me if you spend $200. Sadly nothing in it for you. PIA VPN - One month added to Paid Accounts for both of us CleanShot X - Earns me $25%, sorry nothing in it for you but my gratitude
Radio call on Z92.5 The Castle Corunna at Chesaning
In season 2 of "The Simpsons" the show gave us a halloween special with three separate stories told from Bart's treehouse. A tradition was born. For the next 30+ years "The Simpsons" has delivered a new set of stories around every Halloween.Join Ty and RD as they go over their all time favorite segments from "The Simpsons: Treehouse of Horrors"Download the episode for free.
It's a big week on Game Informer, as we've got several major releases on the docket, plus an excellent guest! Samantha Béart, the prolific voice actor for roles including Karlach (Baldur's Gate 3) and Cider (Absolum) joins the show to chat about their work.That's at the end of the show, but before all that, we've got a few games to discuss. The Outer Worlds 2 brings Obsidian back to its sci-fi consumer-driven setting, Ninja Gaiden 4 sees Platinum put a spin on Team Ninja's classic series, and Dispatch might be one for fans of Invincible, Telltale, or both to check out. All that and more await in this new episode of The Game Informer Show.The Game Informer Show is a weekly podcast covering the video game industry. Join us every Friday for chats about your favorite titles – past and present – alongside Game Informer staff and special guests from around the industry.Follow our guest and hosts on social media:Alex Van Aken (@itsVanAken)Charles Harte (@chuckduck365)Marcus Stewart (@marcusstewart7)Wesley LeBlanc (@wesleyleblanc)
On this week's episode Bart talks about the importance of noticing the position of the calling player when double barreling the turn multiway. How does this affect our overall hand reading process?
Live from IMEX America in Las Vegas, Bart sits down with Kevin Brown — Senior Manager of Go-to-Market and Editorial Strategies at Alliants. From an unexpected encounter with a hotel CEO to building a career on creativity, Kevin shares how gut checks, human connection, and breaking norms have shaped his professional journey and his philosophy on hospitality.Major Takeaways /LearningsGut Checks Lead to Growth: Kevin's career pivots from music industry to hospitality were guided bylistening to instinct and embracing change, not rigid plans.Creativity Is a Muscle: His early years experimenting with acting, painting, writing, and failingforward built resilience and problem-solving skills.No One Succeeds in Isolation: Great ideas emerge through collaboration and challenging conventional thinking.Redefining Roles: At Alliants, Kevin's hybrid position was created around his strengths and passions a model for modern organizations.Connection Through Better Questions: Asking meaningful questions like “What makes you come alive?” creates deeper, faster rapport.Technology as an Enabler: Alliants builds tools that reduce admin tasks and increase time for real guestconnection blending context with hospitality.Trust as ROI: Hospitality success is built on human trust more than on loyalty points or amenities.Happiness as a Metric: Kevin champions measuring “Happiness Per Employee” as a driver of service excellence.Competitive Socialization: Shared experiences (like F1 racing simulators) can teach workplace lessons oncollaboration, patience, and communication. Memorable Quotes“Failure's only a failure if you don't learn anything fromit.” — Kevin Brown“It's not about your idea. It's about the best idea — andthat comes from collaboration.”“Most people don't put people first… but they should.”“Technology should give time back to humans, not take itaway.” “Ask better questions, and you'll build betterconnections.” Why It Matters / How to Use It For Leaders: Create roles around people's passions, not just job descriptions.For Teams: Lead conversations with curiosity and connection not titles or logos.For Hospitality Pros: Use tech to build context, not walls. Every second saved on admin is a secondgained for real service.For Event & Sales Teams: Break formalities, ask meaningful questions, and connect on a human level.For Organizations: Measure and prioritize employee happiness to elevate guest experience.For Culture Builders: Gamified experiences (like F1 Arcade) can double as learning labs for communication and teamwork.Resources and Links:Bart Berkey: MostPeopleDont.com | LinkedIn
Let's give it up for a brand new DJ to our broadcast. Guille Van Bart from Spain is ready to make you move for 2 hours straight with the best dance music period. Turn us up nice and loud.
Are You Waiting for a Diagnosis Before You Make a Change? Most chronic health issues don't show up overnight. They build slowly while your labs still read “normal,” your energy feels okay, and life keeps moving forward. But by the time the symptoms are obvious, the damage may already be done. In this episode of The Health Made Simple Show, Dr. Bart shares: ⚠️ The #1 preventable mistake he sees in practice
The Other Side. Bart Winkler joins the show! I say that the guy that does his intro to his show sounds like an old prospector. The guys talk voiceover work with Bart. Bart gives the perspective of the Green Bay Packers.
Bart Whelan is from Ardara Co.Donegal and well known throughout the county and beyond. A witty man with great character, with many interesting stories who has experienced so much from the various jobs/roles he has had down through the years. He spent 35 years working as a teacher, for the vast majority of that, he taught woodwork. In GAA circles he was chairman of his local club Ardara for a spell and would go on to become county secretary for 10 years too. Bart is also a fellow colleague of mine on Owenea FM radio where he hosts a programme called 'The History Corner'. As well as talking about all mentioned so far, Bart also recalls building his own house in the mid 70's. I hope you enjoy the interview. Support the show
Vicki sets out to follow in her father's footsteps and swim down the River Avon from Bath to Bristol. She is joined on this adventure by her wife Oonagh. Along the way she meets up with her family for some reminiscing about her father, and talks to Johnny Palmer, a passionate swimmer and “disrupter” who inspires and enables many swims around Bristol. We also discuss swimming in the Avon with Luke and Charlie from All-Aboard Watersports who organise swimming in the Bristol docks. Vicki gets help from CK SUP and Paddle at Newbridge outside Bath, and then has a refreshing swim with Bart, one of her father's rowing friends. Becca Blease from the group Conham Bathing tells us about how much she likes her swim spot on the River Avon. To end we hear a beautiful poem about the river by Mrs Meg Avon. Find out how the swim goes….Find out more: @swimoutpodcast or swimout.net@johnny palmer@all-aboard watersports@conhambathing@CK Sup &Paddle@mrs_meg_avon
Deze week bespreken we de overname van Echo door Coinbase voor $375 miljard. Daarnaast hebben we het over handelende AI's. Zijn ze winstgevender dan mensen? Bart was in Praag en zag daar de nieuwe Trezor Safe 7. Wat maakt deze hardware wallet speciaal? Verder gaan we in op de HTTP statuscode 402 en zagen we bitcoin de Nobelprijs winnen. Veel luisterplezier!Probeer Bitcoin Alpha 2 weken gratis!Satoshi Radio wordt mede mogelijk gemaakt door: Amdax, Watson Law en onze hoofdsponsor Bitvavo.Timestamps(00:00:00) Welkom en Podcast Introductie(00:10:00) Vragen van luisteraars(00:31:00) Bookmark van Bart: Coinbase neemt Echo over voor $375 miljoen(00:36:22) Bookmark van Peter: Tether heeft 500 miljoen gebruikers!(00:46:30) Bookmark van Peter: Bitcoin wint de Nobelprijs(00:59:00) Bookmark van Bert: “If x402 takes off it will completely change the business model of the internet”(01:11:30) Bookmark van Bart: Trezor Safe 7 aangekondigd in Praag(01:20:00) Bookmark van Peter: Kan AI winstgevend handelen?(01:27:00) MarktupdateBookmarksBert:“If x402 takes off it will completely change the business model of the internet”Bart:Trezor Safe 7 aangekondigd in PraagBluetoothCoinbase neemt Echo over voor $375 miljoen+ $25 miljoen voor 8 afleveringen ‘Up Only'Een kijkje in de gevangenis van El SalvadorPeter:Tether heeft 500 miljoen gebruikers!Bitcoin wint de NobelprijsAI trading in real marketsNew York moet een cryptohub wordenDe cryptowereld wordt snel volwassen
Met vandaag: Politieke partijen maken eindsprint in campagne | Onderzoek naar stemgedrag van moslims | Soldier F hoort morgen of hij schuldig is aan Bloody Sunday | Bart Chabot schreef boek over Golden Earring | Presentatie: Winfried Baaijens
Tussen de wedstrijden tegen AZ en Chelsea in spreken Jan en Bart elkaar. Onder meer over de fase van berusting waar we in zitten, over het schrikbarende interview met Kroes afgelopen week en over de eventuele contractverlengingen van Bouwman en Mokio. (00:00) Intro (01:50) Voorspelbaar onmachtig Ajax tegen AZ (22:20) Nog even het interview van Kroes (35:28) Voorbeschouwing op Chelsea (42:21) Contractverlenging Bouwman en Mokio (48:40) Jong Ajax (51:26) Hint aan HeitingaSee omnystudio.com/listener for privacy information.
Kymberly Kind “Truth Telling” Leading To Ancestral Healing Dr KYMBERLY KIND, DACM - Shamanic Reiki Master- https://itstimeforhealing.life/ Dr. Kymberly Kind, DACM (Doctor of Acupuncture & Chinese Medicine) is a highly skilled Somatic Trauma Therapist, Educator, and Founder of Inner Harmony Therapy a transformative healing modality delivering proven and lasting results. Dr. Kymberly Kind integrates both Eastern and Western healing approaches, bridging science and spirituality to support holistic and long-term healing. Based in Austin, Texas, she offers both in-person and online sessions, specializing in Sacred Family Constellation, trauma recovery, and holistic wellness. With advanced training in somatic therapy, ancestral trauma healing, and mind-body-soul integration, Dr. Kymberly guides clients to release deep emotional wounds, heal childhood trauma, and restore nervous system balance. Through her private sessions, immersive retreats, and workshops, she creates sacred spaces for profound transformation, helping individuals reconnect with their essence and cultivate true inner harmony.
Why is public transit only safe and reliable in Europe and Asia?See omnystudio.com/listener for privacy information.
Illini OLine Coach Bart Miller & TE Cole Rusk talked with the media today. Miller had a couple of interesting quotes about how the his unit has played so far this year and expectations going forward. Plus, Cole Rusk talks about having his confidence back and being ready to go against Washington. And you know Kurtis has some Curveballs for you!
Bart and Coach Jones are joined this week by WestConn tailback Quasim Benson. They'll talk this past week's disappointing Homecoming game, Seemer's journey to WestConn from Delaware by way of Lycoming, and look ahead to next week's conference match-up back on the road at Moravian.
Fresh off a trip from Denver, the crew from Coronado Brewing Company have come back with some metal from The Great American Beer Festival! All this week Aidan, Brendan and Bart swing by to share what they've been working on, starting with their Bronze Medal winning Blonde Ale, Salty Crew.
March 16-22, 1991 This week Ken welcomes comedian Fabrizio Copano. Ken and Fabrizio discuss Barbara Walters love of TMNT, inappropriate turtle love, Chile, El Chino, Ninjas, Hero Turtles, Peru, Dragon Ball Z, Japanese content, Ramna, why The Simpsons were so massive in South America, prime time animation, things that aren't just for kids, Bart is forever, Lucha Libre, El Santo, WWF, how things from inside Latin America don't travel that well, El Chavo de Ocho, El Chapulin Colorado, Sabado Gigante, making it world wide, Paul Simon, Batman, Superman, Comics, being a huge movie freak, Pretty Woman, Who Framed Roger Rabbit, Jessica Rabbit rocketing you into puberty, hunting down obscure VHS tapes, traveling all over the country to go to video stores, hating 2010: The Year We Made Contact, being disappointed by Barry Lyndon, the 2009 film La Nana, Machuca, El Club, Catholicism, learning English ten years ago after you've already moved to the U.S.A., how there are no Spanish shows in L.A., doing comedy in a totally different language, how jokes don't quite translate, finding your voice, MTV, Lifetime's Genecology Update, Comic Strip Live, inventing the stand up scene in Chile, The Half Hour Comedy Hour, having an empty Sunday, Indiana Jones, Daughters of Privilege, Nickelodeon animated shows, how Nick shows with humans didn't do well in Latin America, Fabrizio's American wife showing him shows from her youth, Sabrina vs Clarissa, The Lion King, Frog Girl, how only in America do student dissect frogs, Divorce Court, old people running the world, Phil Donohue, Yo! MTV Raps, America's Funniest Home Videos, Video Loco, Fabrizio's brother's journalism career, the Copano boys cable show, getting recognized in public, fame in another country but not in the U.S., recognizing the power of luck, realizing how good you have it, having to put a disclaimer on your citizenship, The Wizard of Oz, Jesus of Nazareth, Titanic, and the insanity of the TV Guide cross word tip line 900 number.
ATU T-shirt https://all-things-unexplained-shop.fourthwall.com/products/all-things-unexplained-t-shirt UFO T-shirt https://all-things-unexplained-shop.fourthwall.com/en-usd/products/ufo-2 Watch Applying traditional scientific methods to the study of UAP: Dr. Stephen Bruehl: https://www.youtube.com/live/cz-pO8x8j4o?si=HktNtrlMqtwfhmXk Watch Patricia Cornwell's Sharp Force | The Phantom Slasher Returns (Premieres Tuesday, October 7th at 10 AM EST): https://www.youtube.com/live/cz-pO8x8j4o?si=HktNtrlMqtwfhmXk This episode: Could an All Things Unexplained discovery in the newly released JFK files—a Soviet scientist the CIA thought could be the assassin, had ties to radiation studies, Apollo-era space travel, and the Van Allen Belts—be a missing puzzle piece in one of history's biggest controversies?Subscribe to All Things Unexplained on YouTube: @allthingsunexplained Links: Watch this live podcast video on YouTube: https://youtube.com/live/vfeODyux-Lc YouTube: https://youtube.com/@allthingsunexplained Check out our merch! https://all-things-unexplained-shop.fourthwall.com/ Video podcast playlist: https://www.youtube.com/playlist?list=PLUBNCmjIGgJjFeGxSZgrtDeW_TjIV4XHp Dr. Mounce in Beast Games Ep. 0: https://youtu.be/gs8qfL9PNac?si=whD290YawP8WBSTH Our previous tweets on the JFK file related to space travel and much more: https://x.com/atunexplained The JFK file (with missing pages) on the Russian scientist―also suspected of being the potential JFK assassin―related to space travel, radiation, and much more: https://www.archives.gov/files/research/jfk/releases/2025/0318/104-10413-10306.pdf Bart's appearance on Joe Rogan: https://youtu.be/P7xu0t9dTbI?si=GIxnE6M0v08C8n5b Bart's website: https://www.sibrel.com/ Bart's YouTube channel: https://www.youtube.com/bartsibrel1 Bart's podcast: https://www.subscribestar.com/bartsibrel Jarrah's website: https://jarrahwhite.com/ Jarrah White trailer for Trojan SMERSH: https://www.youtube.com/watch?v=YE7PNcA1qMY Moonbase Horizon by Jarrah White: https://www.youtube.com/playlist?list=PLOFH9q50V_sdQKaMyB-mRG7CxNsUhRPo7 Powerful JRE: https://www.youtube.com/@joerogan Guest list: https://allthingsunexplained.transistor.fm/people Hosted by Dr. Tim Mounce—best-selling author, Audible narrator, and Beast Games (by @MrBeast ) Season 1 contestant #718—alongside cohosts CJ and Smitty.Featured in Patricia Cornwell's New York Times Bestselling Novel Identity Unknown:“Earth was plan B. It's where the Martians escaped thousands of years ago when their own planet was about to be destroyed,” Marino replies as if it's commonly known.No doubt he learned this and more from All Things Unexplained, Ancient Aliens or one of his other favorite podcasts and TV shows. He and my sister both tune in religiously, and it makes for lively dinner conversations when all of us are together.— Identity Unknown, p. 164Follow All Things Unexplained: Twitter https://twitter.com/atunexplained IG https://instagram.com/allthingsunexplainedpodcast TikTok https://tiktok.com/@allthingsunexplained FB https://facebook.com/allthingsunexplainedpodcast Apple Podcasts https://podcasts.apple.com/us/podcast/all-things-unexplained/id1518410497 Top 15 Science & Society Podcast.People's Choice Podcast Award Nominee.Ranked among the Top 100 UFO Podcasts and Top 60 Bigfoot Podcasts by MillionPodcasts. Email us: allthingsunexplained@yahoo.com Music Credits: 1. Sourced via YouTube Audio Library.2. Moonbase Horizon with permission by Jarrah White.3. Bart's Moon Man Song with permission by Bart Sibrel.#UFO #UAP #Paranormal #Bigfoot #Cryptids #AlienEncounters #UnexplainedPhenomena #Conspiracy #AncientAliens #SecretBases #aliens #RemoteViewing #alien #Disclosure #ParanormalPodcast #AllThingsUnexplained #Whistleblower #abductions #Science #Astrophysics #scarpetta #book #books #newbook #patriciacornwell #cornwell #patricia #forensic #mystery #serialkiller #crime #forensics #thriller #women #female #watchthis #readthis #mustread #breaking #literature #author #authors ★ Support this podcast ★
Born in Texas to Chinese immigrant parents, Nancy Zhou began the violin under the guidance of her father, who is from a family of traditional musicians. She went on to study with Miriam Fried at the New England Conservatory while pursuing her interest in literature at Harvard University.Nancy has collaborated with the Royal Stockholm Philharmonic Orchestra, Munich Symphony, Hong Kong Philharmonic, Hangzhou Philharmonic, New Jersey Symphony, Naples Philharmonic, San Diego Symphony, and Kansas City Symphony, among others.She is a regular guest educator at various international summer festivals, holding not only masterclasses but also workshops on fundamental training and well-being for musicians. Over the years, Nancy's interest in cultural heritage and the humanities manifested in a string of notable collaborations across the US and in China.Recently, she recorded her debut album, STORIES (re)TRACED, featuring four seminal and inextricably connected works for solo violin, including Béla Bartók's Sonata.
The USMNT showed encouraging progress this October with a 1–1 draw against Ecuador and a 2–1 win over Australia. Bart and Thomas break down the key performances, tactical notes, and what these matches tell us about the team's momentum heading into 2026.Support the show: buymeacoffee.com/soccerforuspod
On this week's episode Bart talks about how he leveraged a god like image at a recent 2/5/10 session allowing himself to bluff effectively and win many non showdown hands.