Podcasts about Violin

Boyle's son had some violin R word.

The Bonfire: Big Jay gives some shout outs to your boys on The Bonfire! You love to see it.Margot Lane: Ex- Corey's Angel / Ex- Corey's Music Director Margot Lane is in studio! Margot brings it and has great insight on what it was like working with the Goblin Ghoul.Bus Driver Wade: We get a nice surprise as Wade, Corey's old bus driver also calls in to share stories of the Goblin Ghoul / Toilet Pug.COREY FELDMAN!, SHOW STOPPER!, LET'S JUST TALK!, DON CHEADLE!, BOOGIE NIGHTS!, JIM AND THEM IS POP CULTURE!, ANTI-COREY POD!, REAL ONES!, FILTH PIGS!, EPISODE 900!, CELEBRATION!, SHIRELEAF!, FORENSIC INVESTIGATION!, PO BOX!, LETTERS!, THE BONFIRE!, BIG JAY OAKERSON!, ROBERT KELLY!, SIRIUSXM!, FIRST!, HOWARD STERN!, FINGERLESS GLOVES!, HALOS!, PLASTIC!, DARK FORCES!, WHO'S LINE IS IT ANYWAY!, TODAY SHOW!, COREY'S ANGELS!, FACEBOOK!, TWITTER!, HOCKEY GAME!, AGRESSIVE!, SKIING!, FAVORITE SONG!, NEW SONGS!, COVERS!, MAN IN THE MIRROR!, DARK SIDE!, DRUGS!, RUNAWAYS!, ESCAPE!, CULT!, SET LIST!, VIOLIN!, SOLO!, MICHAEL JACKSON VOICE!, MJ!, THE WOLFPACK!, BOBBY WOLFE!, HDM!, VOICEMAIL!, COREY HAIM!, JUDY HAIM!, GIFTS!, 22 NECKLACE!, OATH!, 1 ON 1 INTERVIEW!, WADE!, VEGAN!, GRILL!, BUS DRIVER!, EDEN!, MONEY!, NEW YORK CITY!, COURTNEY!, FATHER! You can find the videos from this episode at our Discord RIGHT HERE!

Once again, the team journeys from Ilmater's Hope into the Dead Pines... Check out the PDF for ⁠Shores of the Silver Thrum⁠! Story by Travis Vengroff & K.A. Statz (Game Masters) Produced, Edited, and with Sound Design by Travis Vengroff Executive Producers: Dennis Greenhill, Carol Vengroff, AJ Punk'n, & Maico Villegas Mixing and Mastering by Finnur Nielsen Transcriptions by Travis Vengroff & Florian Seidler Cast: Narrator / Co-Game Master – Travis Vengroff Narrator / Co-Game Master – K.A. Statz Father Sindri Westpike – Eyþór Viðarsson Rowena Granitepike / Glóey Westpike – Hem Brewster Soren Arkwright – Peter Joeseph Lewis Ildrex Mystan – Russ D. More Devoir – Melchior Riemens Music: (in order of appearance) Music Director / Arranged by - Travis Vengroff Music Engineer (Musiversal) - Gergő Lá "Danse Silencieuse" – Arranged and Performed by Travis Vengroff with Cello by Sam Boase-Miller and stock media provided by avinograd/ Pond5, Written and Performed by Andrey Vinogradov "Ilmater's Hope" - Written and Mixed by Steven Melin, Orchestrated by Christopher Siu, with Additional Copyist Catherine Nguyen, Lyrics & Translations by Travis Vengroff, Violin by Matheus Garcia Souza, Budapest Strings Recorded by Musiversal, Choir Recorded by Budapest Scoring "Sun for Grandpa" - Harp Performed by Steven Melin Dark Dice art by Allen Morris with lettering by Kessir Riliniki This is a Fool and Scholar Production. For early episodes and bonus content join us at: ⁠⁠⁠⁠⁠https://www.patreon.com/FoolandScholar⁠⁠⁠⁠⁠ Check out our Merch: www.DarkDice.com Free Transcripts are also available: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/posts/dark-dice-22460850⁠⁠ Special Thanks to: Our Patreon supporters! | Hem Brewster | Our Fool & Scholar Discord Lampreys! | Carol Vengroff Content Warnings: Agency (Loss of), Death, Feelz (you may cry), Gaslighting, Loss (Familial) Learn more about your ad choices. Visit megaphone.fm/adchoices

As the darkness closes in, Soren makes a wish. Story by Travis Vengroff (Game Master) Produced, Edited, and with Sound Design by Travis Vengroff Executive Producers: Dennis Greenhill, Carol Vengroff, AJ Punk'n, & Maico Villegas Mixing and Mastering by Finnur Nielsen Transcriptions by Travis Vengroff Cast: Balmur – Jeff Goldblum Narrator / Co-Game Master – Travis Vengroff Narrator / Co-Game Master – K.A. Statz Father Sindri Westpike – Eyþór Viðarsson Rowena Granitepike – Hem Brewster Lirril – Tanja Milojevic Elias "Payne" Embertree – Drew Tillman Soren Arkwright – Peter Joeseph Lewis Ildrex Mystan – Russ D. More Glom Vogelberg – Sean Howard Gaelle Vogelberg – Holly Billinghurst Music: (in order of appearance) Music Director / Arranged by - Travis Vengroff Music Engineer (Musiversal) - Gergő Lá "The Silent Clan" - Arranged by Travis Vengroff, Performed and Written by Steven Melin "Lament" - Written and Performed by Josh Barron "Danse Silencieuse" – Arranged and Performed by Travis Vengroff with Cello by Sam Boase-Miller and stock media provided by avinograd/ Pond5, Written and Performed by Andrey Vinogradov "Eastwood in Spring" & "Ilmater's Hope" - Written and Mixed by Steven Melin, Orchestrated by Christopher Siu, with Additional Copyist Catherine Nguyen, Lyrics & Translations by Travis Vengroff, Violin by Matheus Garcia Souza, Budapest Strings Recorded by Musiversal, Choir Recorded by Budapest Scoring Dark Dice art by Allen Morris with lettering by Kessir Riliniki This is a Fool and Scholar Production. For early episodes and bonus content join us at: ⁠⁠⁠⁠⁠https://www.patreon.com/FoolandScholar⁠⁠⁠⁠⁠ Check out our Merch: www.DarkDice.com Free Transcripts are also available: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/posts/dark-dice-22460850⁠⁠ Special Thanks to: Our Patreon supporters! | Hem Brewster | Our Fool & Scholar Discord Lampreys! | Carol Vengroff Content Warnings: Agency (Loss of), Death, Feelz (you may cry), Gaslighting, Loss (Familial) Learn more about your ad choices. Visit megaphone.fm/adchoices

In her new film, Measures for a Funeral, director Sofia Bohdanowicz blends fiction with documentary to tell the forgotten true story of Canadian violin prodigy Kathleen Parlow, often billed as “The Lady of the Golden Bow” or “The Canadian Violinist.” The film explores how easily we lose cultural icons to history. Sofia sits down with guest host Talia Schlanger to talk about Kathleen's life, legacy and the once-lost opus that was composed for her.

Ohashi Trio - California Dreamin'Ohashi Trio - The Man Who Sold The WorldGlenn Gould - Quartet for Piano, Violin, Viola & Cello in E-flat Major, Op. 47:III. Andante cantabile韦启良 - When The World Let You Know Love（江湖告急）王菀之 - 那棵树开花了Craig Armstrong,Paul Buchanan - Let's Go Out TonightPalace - Heaven Up ThereArctic Monkeys - Red Right HandNick Cave & the Bad Seeds - Red Right Hand Hannes,Waterbaby - StockholmsvyJoe Jackson - Is She Really Going Out With HimJoe Jackson - Welcome to Burning-By-SeaLed Zeppelin - Rock N' RollJoe Jackson - Fools In Love

Send us a textIn light of the disturbing and seemingly relentless news surrounding child exploitation, abuse, and trafficking, we are revisiting a powerful and deeply moving conversation that feels more urgent than ever.From high-profile allegations involving public figures to devastating revelations within trusted institutions, the message is clear – this is not isolated, and it is not rare. Statistics show that 1 in 5 girls and 1 in 20 boys experience childhood sexual abuse. Experts believe the real numbers are far higher, as most cases go unreported. The most vulnerable are children between the ages of 7 and 13.Our guest, Kyeni Matee (pronounced Chain-ee), knows this reality firsthand.A professional violinist, youth orchestra teacher, and new author, Kyeni courageously shares her story of abuse that began when she was just seven or eight years old and continued for years. In her book, The Eyes Behind the Violin: Finding My True Identity, she chronicles not only the trauma, but the long road toward healing.Music became her lifeline. Therapy helped her process. Faith anchored her survival.This episode is not easy—but it is necessary.Kyeni's story is one of resilience, truth-telling, and reclaiming identity after it has been stolen. It is also a call to action. We cannot remain silent. If you see something, say something. Teach children to trust their instincts. Protect them. Believe them.This conversation honors survivors—and reminds us why accountability matters.Content Warning: This episode discusses childhood sexual abuse and may be difficult for some listeners.Support Resources This episode discusses childhood sexual abuse and may be difficult for some listeners.If you or someone you love needs support:988 Suicide & Crisis Lifeline (U.S.) – call or text 988RAINN National Sexual Assault Hotline – 800-656-hopeIf you are outside the U.S., please contact your local crisis or child advocacy center.Support the show https://buymeacoffee.com/agelessglamourgirls www.linkedin.com/in/marqueetacurtishaynes www.agelessglamourgirls.com https://www.shopltk.com/explore/AgelessGlamourGirls https://www.youtube.com/@agelessglamourgirls Instagram @agelessglamourgirls Facebook: https://www.facebook.com/agelessglamourgirls Private (AGG) FB Group: The Ageless Café: https://www.facebook.com/groups/theagelesscafe TikTok: @agelessglamourgirls Podcast Producers: Ageless Glamour Girls and Purple Tulip Media, LLC

We're launching a new season of City Ballet The Podcast with an enlightening Hear the Dance conversation on Jerome Robbins' Antique Epigraphs. Host Silas Farley is joined by former NYCB dancers and original cast members Maria Calegari and Heléne Alexopoulos, and current Repertory Director Rebecca Krohn, who performed several roles in the work and now coaches today's performers. They describe learning this lyrical ballet, following the delicate Debussy score through its unique solos and romantic passages for the cast of "eight glamorous women." (49:32)  Written by Silas Farley Edited by Emilie Silvestri Music: Concerto for Violin and Orchestra in D major (1931) by Igor Stravinsky Six Epigraphes Antiques (1915), orchestrated by Ernest Ansermet (1932) and Syrinx (1912) All music performed by New York City Ballet Orchestra Reading List: Somewhere: The Life of Jerome Robbins by Amanda Vaill Jerome Robbins, by Himself: Selections from His Letters, Journals, Drawings, Photographs, and an Unfinished Memoir by Jerome Robbins Edited by Amanda Vaill Claude Debussy: A Critical Biography by François Lesure, Translated by Marie Rolf Documenting: Lighting Design (Performing Arts Resources, Vol. 25) Jennifer Tipton, Contributing Author

Welcome to the Violin Podcast, where we help you become a better violinists. Today's guest is professor of violin at Berklee College of Music, Bengisu Gokce. She is my co-host for the next 3 episodes. Ms. Gokce and Eric go down memory lane on some of the most interesting performances they've played together and the importance of staying flexible in the violin world.

Tom's restroom mishap in Kevin's office; Woman shot dead by ICE agent; first Venezuela, now Greenland; Portage, Indiana Mayor Austin Bonta talks with Tom and Kevin about his first term as mayor, what happened between him and IN State Rep. Ed Soliday, and more.

The gang discuss Will Smith being sued, Dame Dash company being auctioned off, everything related to pop culture and much more so tune in........

Sindri and Rowena are ambushed by Soren and his team in a bloody battle for the ages. Story by Travis Vengroff (Game Master) Produced, Edited, and with Sound Design by Travis Vengroff Executive Producers: Dennis Greenhill, Carol Vengroff, AJ Punk'n, & Maico Villegas Mixing and Mastering by Finnur Nielsen Transcriptions by Travis Vengroff Cast: Narrator / Game Master – Travis Vengroff Balmur – Jeff Goldblum Father Sindri Westpike – Eyþór Viðarsson Rowena Granitepike – Hem Brewster Lirril – Tanja Milojevic Elias "Payne" Embertree – Drew Tillman Soren Arkwright – Peter Joeseph Lewis Ildrex Mystan – Russ D. More Glom Vogelberg – Sean Howard Gaelle Vogelberg – Holly Billinghurst Music: (in order of appearance) Music Director / Arranged by - Travis Vengroff Music Engineer (Musiversal) - Gergő Lá "Theme of the Realmweaver" – Written and Mixed by Steven Melin, Orchestrated by Christopher Siu, with Additional Copyist Catherine Nguyen, Violin by Matheus Garcia Souza, Budapest Strings Recorded by Musiversal, Choir Recorded by Budapest Scoring "Valor" – Written by Nobuo Uematsu & Steven Melin, Orchestrated and Mixed by Steven Melin, Lyrics & Translations by Travis Vengroff & Florian Seidler, Budapest Strings, Choir, and Brass recorded by Musiversal "Conspiracy" Written and performed by Brandon Boone, orchestrated by Christopher Siu & Catherine Nguyen, Budapest Strings (orchestra) recorded by Musiversal, Budapest Choir Recorded by Budapest Scoring, mixed by Steven Melin "Unchecked Ambition" - Co-Written by Travis Vengroff, Co-Written, Orchestrated, and Mixed by Steven Melin, Other credits match ^ "Dark Dice The Musical Excerpt" - by Steven Melin and Mike Pettry "Sufferers' Cant" Written by Hitoshi Sakimoto, Orchestrated by Steven Melin, Copyist Catherine Nguyen, Lyrics by Travis Vengroff & Florian Seidler, Feat. Matheus Souza Garcia (Violin), Kristin Kaigus (Woodwinds), Andrew Dunn (Cello), Johannes Geworkian Hellman (Hurdy), Kyle Paxton (Dulcimer), Budapest Strings, Budapest Choir, & Budapest Brass by Musiversal "The Lucky Die Intro" - Written and Performed by Neil Martin of Blighthouse Studio, Budapest Choir by Musiversal "Sheila" & "Secret Water" - Written and Performed by Dark Fantasy Studio "A Plot Most Sinister" & "Lament" - Written and Performed by Josh Barron "Sun for Grandpa" - Harp Performed by Steven Melin"Danse Sanguis" - Written and Performed by Steven Melin, and Travis Vengroff, arranged and performed by Steven Melin, with Cello by Sam Boase-Miller, and stock media provided by avinograd/ Pond5, Written and Performed by Andrey Vinogradov "The Silent Clan" - Arranged by Travis Vengroff, Performed and Written by Steven Melin "Empty Hearts" & "Danse Silencieuse" – Arranged and Performed by Travis Vengroff with Cello by Sam Boase-Miller and stock media provided by avinograd/ Pond5, Written and Performed by Andrey Vinogradov Dark Dice art by Allen Morris with lettering by Kessir Riliniki This is a Fool and Scholar Production. For early episodes and bonus content join us at: ⁠⁠⁠⁠⁠https://www.patreon.com/FoolandScholar⁠⁠⁠⁠⁠ Check out our Merch: www.DarkDice.com Free Transcripts are also available: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/posts/dark-dice-22460850⁠⁠ Special Thanks to: Our Patreon supporters! | Hem Brewster | Our Fool & Scholar Discord Lampreys! | Carol Vengroff Content Warnings: Agency (Loss of), Animal people (harm to), Death, Feelz (you may cry), Gaslighting, Loss (Familial), Mind Control, Murder Learn more about your ad choices. Visit megaphone.fm/adchoices

Jonathan Miron (violin) and Philip Sheegog (cello) are ARKAI, a Grammy nominated, award winning, electro-acoustic duo. Their stuff is a mixture of classical, contemporary and New Age. Acoustic, electric, percussive. They're total cutting edge. They say that they're like an IMax Experience and I agree. They both graduated from Juilliard. They've performed at Carnegie Hall, the Lakers NBA Playoffs, the Grammy Museum and the EMMY Awards. They've opened for Jon Batiste. They've teamed up with stars like Lindsay Stirling and Tony Ann. And their album “Brightside” has been nominated for a Grammy this year in the Best Contemporary Instrumental category. My featured song is “Sunday Slide”, my recent single featuring Eamon McLaughlin on fiddle, Paul Hanson on bassoon, and Lawrence Juber on guitar. Spotify link.—-----------------------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!Click here for All Episodes Click here for Guest List Click here for Guest Groupings Click here for Guest TestimonialsClick here to Subscribe Click here to receive our Email UpdatesClick here to Rate and Review the podcast—----------------------------------------CONNECT WITH ARKAI:www.arkaimusic.com—----------------------------------------ROBERT'S LATEST RELEASE:“MA PETITE FLEUR STRING QUARTET” is Robert's latest release. It transforms his jazz ballad into a lush classical string quartet piece. Praised by a host of classical music stars.CLICK HERE FOR YOUTUBE LINKCLICK HERE FOR ALL LINKS—---------------------------------------ROBERT'S RECENT SINGLE“MI CACHIMBER” is Robert's recent single. It's Robert's tribute to his father who played the trumpet and loved Latin music.. Featuring world class guest artists Benny Benack III and Dave Smith on flugelhornCLICK HERE FOR YOUTUBE LINKCLICK HERE FOR ALL LINKS—--------------------------------------ROBERT'S LATEST ALBUM:“WHAT'S UP!” is Robert's latest compilation album. Featuring 10 of his recent singles including all the ones listed below. Instrumentals and vocals. Jazz, Rock, Pop and Fusion. “My best work so far. (Robert)”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com  

发呆很好 - 2025Good Luck, Good Night!本期歌单藤原ヒロシ - The Faintest SignEtta Jones - Mr. BojanglesBrittany Howard - Short and SweetYosi Horikawa - In the DistanceChad Lawson / Rubin Kodheli / Judy Kang - Nocturne in E-Flat Major, Op. 9, No. 2 (Arr. By Chad Lawson for Piano, Violin, Cello)Oscar Peterson - You Look Good To MeIron & Wine - Love and Some VersesHerbert von Karajan / Maria Callas / Orchestra del Teatro alla Scala di Milano / Robert Beckett / Simon Gibson / Walter Legge - Madama Butterfly, Act 2 Scene 1__Un bel di vedremo_ (Butterfly)cero - ロープウェーBonus track:Silvana Estrada - Good Luck, Good Night

durée : 00:15:52 - Schumann & Mendelssohn : Violin Concertos - Albrecht Menzel - Après son premier album "Thoughts", le jeune violoniste allemand Albrecht Menzel interprète deux concertos pour violon de Mendelssohn et Schumann aux tons résolument opposés. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:15:52 - Schumann & Mendelssohn : Violin Concertos - Albrecht Menzel - Après son premier album "Thoughts", le jeune violoniste allemand Albrecht Menzel interprète deux concertos pour violon de Mendelssohn et Schumann aux tons résolument opposés. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:15:44 - Shostakovich, Prokofiev : Violin Concertos - Daniel Matej?a (violin), Prague Radio Symphony Orchestra, Tomáš Netopil - Après avoir remporté l'édition 2022 de l'Eurovision des jeunes musiciens, Daniel Matejca, l'un des violonistes les plus talentueux de ces dernières années, enregistre son premier album chez Supraphon, accompagné de l'Orchestre symphonique de la radio de Prague sous la direction de Tomas Netopil. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:15:44 - Shostakovich, Prokofiev : Violin Concertos - Daniel Matej?a (violin), Prague Radio Symphony Orchestra, Tomáš Netopil - Après avoir remporté l'édition 2022 de l'Eurovision des jeunes musiciens, Daniel Matejca, l'un des violonistes les plus talentueux de ces dernières années, enregistre son premier album chez Supraphon, accompagné de l'Orchestre symphonique de la radio de Prague sous la direction de Tomas Netopil. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Aquiles and Jerry interview Estafan Cortez on he and and Samantha's journey to becoming business owners. Special Guest: Estefan Cortez .

In honor of Beethoven's 225th birthday, historical recordings of some lesser-known works. Music includes excerpts from Symphony #1 by Furtangler and the Vienna Philharmonic, Romance #1 for Violin and Orchestra by Christian Ferras, Piano Sonata #16 by Yeves Nat and Bagatelles Op 126 by Arthur Schnabel. 

Send us a textChristmas is coming!  In this episode Grandpa shares how Aunt Abigail LaDean Hill developed her gift of music. He relates the part a mysterious Christmas violin played in that process. Remember, we claim joy when we use the talents our Heavenly Parents have given us to bless ourselves, our families, and others. 

What if the habits your child builds in middle school could shape their entire future?In this episode of the MindBodySpace Podcast, Dr. Juna reconnects with Noelle Naito—now a Juilliard-trained violinist and marathon runner—who began her brain training journey as a homeschooled middle schooler. With just a few simple tools like daily logging, mindfulness, movement, and mental training techniques like cognitive reappraisal, Noelle learned how to manage stress, build focus, and become the boss of her own brain.Together, they reflect on how small changes led to major transformation, from running one block at a time to crossing a marathon finish line—and how any young person can learn these same tools to set them up for lifelong resilience!Whether you're a parent, educator, or high-achiever yourself, this conversation will leave you inspired, grounded, and ready to build the kind of brain that thrives—on stage and in life.Brain Boss is the MindBodySpace program designed especially for tweens to build these exact skills—using neuroscience, visualization, and habit-building to create real, lasting confidence.

    I have a special treat for everyone with this new mix. It's a guest mix from friend of Low Light Mixes, Andy McNeill. Andy records as Maple Mountain Sunburst and has created two previous mixes for LLM and they are both excellent. You can find them here: http://lowlightmixes.blogspot.com/2024/10/a-moon-full-of-stars-and-astral-cars-by.html https://lowlightmixes.blogspot.com/2025/01/we-did-it-again-by-andy-mcneillmaple.html Andy has a new album out, under his own name, that is a little different from his other recordings. That new album is the inspiration for this new mix which is really something special. I'll let Andy tell you about it: "Mallets, gongs, tintinnabulations, things that go ping. Here we have a mix of percolating exotica to float away on for an hour. I've included three tracks from a recent collaboration with percussionist and fellow composer Bill Brennan. Our album Dreaming In Gamelan blends West Javanese gamelan traditions with contemporary ambient electronics. Recorded with traditional hand-forged bronze instruments, the tracks were then augmented and treated in the studio. Also joining us was the brilliant electric violinist and sonic explorer Hugh Marsh. The album was mixed for immersive Dolby Atmos by Ron Searles (Atmos version available on Apple Music, Tidal, Amazon)." https://lnk.to/dreamingingamelan https://brennanmcneill.bandcamp.com/album/dreaming-in-gamelan   Thanks to Andy for curating and mixing this great collection tracks. And thanks for the excellent new album.   LINKS TO ALL THE MUSIC USED IN THIS MIX:   Bill Brennan and Andy McNeill - Tunnels of Light https://lnk.to/dreamingingamelan another fine day - Child's Play https://anotherfineday.bandcamp.com/album/a-good-place-to-be Peter Gabriel - Slow Marimbas (from Birdy soundtrack) https://open.spotify.com/album/6ZTQcgutsPhQ50FRZk3BYl?si=Af0sn6YnTaq84N4kJPk1ug Thomas Newman - Bullet (from White Oleander soundtrack) https://open.spotify.com/album/76i4SD0LNBtIZtAumvcJsS?si=mAj14pOYTYqT8_QS-S8h1Q Genesis - The Waiting Room (excerpt) https://open.spotify.com/album/49BxISwAbZZfmlhqD6Vh88?si=91fRitQ_QPK6Uh5GHyNb7w Wanderwelle - An Offering of Gratitude https://silentseason.bandcamp.com/album/gathering-of-the-ancient-spirits Bill Brennan and Andy McNeill - Morning Beams https://lnk.to/dreamingingamelan Thomas Stronen - Confronting Silence https://open.spotify.com/album/6xEg7P0N3edYKhptbNxo5c?si=ZCwZBplZRdeT_vaWWooXnQ Michael Brook - Distant Village https://open.spotify.com/album/7t48EroHL8dzsBTdUS3pRp?si=Q7PfBPDGQxCfXI-wvtXv0w Connecta Quartet - Madeira River (P.Glass) https://open.spotify.com/album/4h0827roLiZ3IDt4UK6MfS?si=7hAx96RaQnSn-i42L3bUBA another fine day - green thought (in green shade) https://anotherfineday.bandcamp.com/album/life-before-land Bartosz Kruczyński - Dream 1 https://earthtraxonline.bandcamp.com/album/dreams-whispers Shuta Yasukochi - Sakura https://shutayasukochi.bandcamp.com/album/harmonies-of-flowers Marilyn Masur - Bell-Painting https://open.spotify.com/album/5HZk4QJRTXSQaauqz5SHAL?si=WbplnlyZRYydr9vaWBiTSw Four Tet - Lush https://fourtet.bandcamp.com/album/new-energy Jon Hassell - Time and Place https://open.spotify.com/album/6p97ys8xZeV60gh427TwMz?si=o8f6zwf7SNiDkBdp-IYnGw Boston Modern Orchestra Project - Suite for Violin with American Gamelan - III. Air (Lou Harrison) https://bmopsound.bandcamp.com/album/lou-harrison-la-koro-sutro Pierre Favre Ensemble - Frog Songs (excerpt) https://open.spotify.com/album/4i3JU3zB3PfVceKEq89mx7?si=GI0PfPDbRsG4pHCXpCdOgw Marilyn Masur - Spirit Of Air (excerpt) https://open.spotify.com/album/5HZk4QJRTXSQaauqz5SHAL?si=WbplnlyZRYydr9vaWBiTSw Four Tet - You Were There With Me (excerpt) https://open.spotify.com/album/2BKXRpAaq7jZStXo6A10qK?si=kfBOKOGwR_-uWyseYAk-kQ Bill Brennan and Andy McNeill - Reverie https://lnk.to/dreamingingamelan     Cheers!     T R A C K L I S T : 00:00   Bill Brennan and Andy McNeill - Tunnels of Light (Dreaming In Gamelan 2025) 02:35   another fine day - Child's Play (a good place to be 2015) 07:03   Peter Gabriel - Slow Marimbas (Birdy soundtrack 1985) 10:01   Thomas Newman - Bullet (White Oleander soundtrack 2002) 10:31   Genesis - The Waiting Room excerpt (The Lamb Lies Down On Broadway 1974) 11:15   Wanderwelle - Her Name is Vairumati (Gathering of the Ancient Spirits 2018) 16:13   Bill Brennan and Andy McNeill - Morning Beams (Dreaming In Gamelan 2025) 19:07   Thomas Stronen - Confronting Silence (Relations 2024) 19:23   Michael Brook - Distant Village (Hybrid 1985) 23:15   Connecta Quartet - Madeira River (P. Glass) (Pulse And Echoes 2024) 28:10   another fine day - green thought (in green shade) (life before land 1994) 34:18   Bartosz Kruczyński - Dream 1 (Dreams & Whispers 2024) 37:20   Shuta Yasukochi - Sakura (Harmonies of Flowers 2024) 39:47   Marilyn Masur - Bell-Painting (Elixir 2008) 40:19   Four Tet - Lush (New Energy 2017) 43:40   Jon Hassell - Time and Place (Last Night The Moon Came Dropping Its Clothes In The Street 2009) 47:17   Boston Modern Orchestra Project - Suite for Violin with American Gamelan - III. Air (Lou Harrison) (La Koro Sutro 2014) 50:37   Pierre Favre Ensemble - Frog Songs excerpt (Singing Drums 1984) overlayed with Marilyn Masur - Spirit Of Air excerpt (Elixir 2008) 52:02   Four Tet - You Were There With Me excerpt (Everything Ecstatic 2005) 55:22   Bill Brennan and Andy McNeill - Reverie (Dreaming in Gamelan 2025) 1:05:29   end

The party goes shopping... And lives are lost. This episode is dedicated to Casill. Story by Travis Vengroff (Game Master) Produced, Edited, and with Sound Design by Travis Vengroff Executive Producers: Dennis Greenhill, Carol Vengroff, AJ Punk'n, & Maico Villegas Mixing and Mastering by Finnur Nielsen Transcriptions by KC Casill & Kessir Riliniki Cast: Narrator / Game Master – Travis Vengroff Father Sindri Westpike – Eyþór Viðarsson Rowena Granitepike – Hem Brewster Lirril – Tanja Milojevic Elias "Payne" Embertree – Drew Tillman Akrill of House Kel-Tor – Kristján Atli Heimisson Armorer – Rói Einarsson Cavernsfall – Marcy Edwards Lead Guard – Russ D. More Klymoore – Robert Clotworthy Music: (in order of appearance) Music Director / Arranged by - Travis Vengroff Music Engineer (Musiversal) - Gergő Láposi "Westmann's Hold" - Written and Performed by Steven Melin, Orchestrated, and Mixed by Steven Melin, Orchestrated by Catherine Nguyen, Violin by Matheus Garcia Souza, Hurdy Gurdy by Johannes Geworkian Hellman, Hammered Dulcimer by Kyle Paxton, Budapest Choir, Brass, & Strings Recorded by Musiversal "Marketplace" - Written and Performed by Steven Melin "Sun for Grandpa" - Lyrics & Vocals by Hem Brewster, Written and Performed by Steven Melin "Harp Medley" arranged by Travis Vengroff, mostly written by Steven Melin & Brandon Boone "Verified Friendship" Written by Steven Melin, arranged and performed by Travis Vengroff "Yojo (Cultivation of Life)" written and originally performed by Nobuo Uematsu conTIKI as "Yojo from Akari Gatari", Arranged & Mixed by Steven Melin with supervision by Nobuo Uematsu, Orchestrated by Steven Melin and Catherine Nguyen (Copyist), Lyrics by Travis Vengroff, Translated by Florian Seidler, Budapest Strings, Choir, and Brass recorded by Musiversal, Accordion & Glockenspiel by Travis Vengroff, Woodwinds by Kristin Naigus, Violin by Matheus Garcia Souza, Cello by Andrew Dunn, Hammered Dulcimer by Kyle Paxton "Motus" – Arranged with Accordion by Travis Vengroff, with Cello by Studio Pros, & stock media provided by avinograd/ Pond5, Written and Performed by Andrey Vinogradov, Mixed by Finnur Nielsen "Danse Silencieuse" – Arranged and Performed by Travis Vengroff with Cello by Sam Boase-Miller and stock media provided by avinograd/ Pond5, Written and Performed by Andrey Vinogradov Dark Dice art by Allen Morris with lettering by Kessir Riliniki This is a Fool and Scholar Production. For early episodes and bonus content join us at: ⁠⁠⁠⁠⁠https://www.patreon.com/FoolandScholar⁠⁠⁠⁠⁠ Check out our Merch: www.DarkDice.com Free Transcripts are also available: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/posts/dark-dice-22460850⁠⁠ Special Thanks to: Our Patreon supporters! | Hem Brewster | Our Fool & Scholar Discord Lampreys! | Carol Vengroff Content Warnings: Child Abandonment (fatherly), Death, Drinking (alcohol), Feelz (you may cry), Gaslighting, Inheritance Issues, Loss (Familial), Murder Learn more about your ad choices. Visit megaphone.fm/adchoices

It's an emotional episode for the TFP crew, Nando T struggles to find the words and keep his emotions together when it comes to the loss of Larry the Dog!!! He does his very best to speak about this amazing dog that blessed CM Punk and AJ Lee, our hearts go out to them and we let them know they are not alone in this loss. You Just Made the List is dedicated to Larry, we get into round table of topics, cover Smackdown, Survivor Series and RAW!!! CHEERS to Larry!!! He will be missed but NEVER FORGOTTEN!!!JERKING THE CURTAINROUND TABLE OF TOPICSNEWSThe WWE family lost a great one…..RIP Larry…..hearts go out to Punk and AJ Lash and Trick get engaged Ric Flair says Hogan took street drugs No touchy Jey Uso WWE Universe TNA is moving to AMC next year “You Just Made the List” Top 5 Pets in WWE history SMACKDOWN LA Knight is not wrong Jey defeats Rusev Nick Aldis has too many balls on his handsWho do we need to call to get some protection for Chelsea……Jade trying to impeach Chelsea is bad business LA Knight moves on, is the picture getting more clear???Charlotte wins for Team AJ Fans checked out on the 5 on 5, MFT gets the win but Uncle Howdy has the last laugh RAWLiv shows Foxy Roxy no love Team Rhyo calls their shot but team CharBliss has a different idea…..crowd loves it Ivy Nile returns and wants Maxine Has the Jey train lost steam???Judgement Day is ADHD on steroids and they have problems Maxine's training montage does nothing for me……anyone else drinking the kool aid Adam Pierce is on the case The double stomp styles clash was pretty damn cool Liv and Steph move the needle??? Ladies and Gentlemen…..Bron Breaker

Did you know there's MAGIC in your Meditation Practice? Say Goodbye to Anxiety and Hello to More Peace & More Prosperity! Here Are the 5 Secrets on How to Unleash Your Meditation Magic https://womensmeditationnetwork.com/5secrets Join Premium! Ready for an ad-free meditation experience? Join Premium now and get every episode from ALL of our podcasts completely ad-free now! Just a few clicks makes it easy for you to listen on your favorite podcast player. Become a PREMIUM member today by going to --> https://WomensMeditationNetwork.com/premium Join our Premium Sleep for Women Channel on Apple Podcasts and get ALL 5 of our Sleep podcasts completely ad-free! Join Premium now on Apple here --> https://bit.ly/sleepforwomen Join our Premium Meditation for Kids Channel on Apple Podcasts and get ALL 5 of our Kids podcasts completely ad-free! Join Premium now on Apple here → https://bit.ly/meditationforkidsapple Hey, I'm so glad you're taking the time to be with us today. My team and I are dedicated to making sure you have all the meditations you need throughout all the seasons of your life. If there's a meditation you desire, but can't find, email us at Katie Krimitsos to make a request. We'd love to create what you want! Namaste, Beautiful,

After years of exile and travel, Father Westpike encounters... his family. Story by Travis Vengroff (Game Master) Produced, Edited, and with Sound Design by Travis Vengroff Executive Producers: Dennis Greenhill, Carol Vengroff, AJ Punk'n, & Maico Villegas Mixing and Mastering by Finnur Nielsen Transcriptions by KC Casill & Kessir Riliniki Cast: Balmur – Jeff Goldblum Narrator / Game Master – Travis Vengroff Father Sindri Westpike – Eyþór Viðarsson Rowena Granitepike – Hem Brewster Lirril – Tanja Milojevic Elias "Payne" Embertree – Drew Tillman Akrill of House Kel-Tor – Kristján Atli Heimisson Pia Brightsmelter – Hildur Magnúsdóttir Sólvör Brightsmelter – Hrafnhildur Orradóttir Music: (in order of appearance) Music Director / Arranged by - Travis Vengroff Music Engineer (Musiversal) - Gergő Láposi "Westmann's Hold" - Written and Performed by Steven Melin, Orchestrated, and Mixed by Steven Melin, Orchestrated by Catherine Nguyen, Violin by Matheus Garcia Souza, Hurdy Gurdy by Johannes Geworkian Hellman, Hammered Dulcimer by Kyle Paxton, Budapest Choir, Brass, & Strings Recorded by Musiversal "Of Empires Lost" (Between Time Edition) – Written by Austin Wintory & Dallas Crane, Arranged, Orchestrated & Mixed by Steven Melin, Woodwinds by Kristin Naigus, Violin by Matheus Garcia Souza, Hurdy-Gurdy by Matthias Loibner, Hammered Dulcimer by Kyle Paxton, Glockenspiel by Travis Vengroff, Budapest Strings, Choir, and Brass recorded by Musiversal "Yojo (Cultivation of Life)" written and originally performed by Nobuo Uematsu conTIKI as "Yojo from Akari Gatari", Arranged & Mixed by Steven Melin with supervision by Nobuo Uematsu, Orchestrated by Steven Melin and Catherine Nguyen (Copyist), Lyrics by Travis Vengroff, Translated by Florian Seidler, Budapest Strings, Choir, and Brass recorded by Musiversal, Accordion & Glockenspiel by Travis Vengroff, Woodwinds by Kristin Naigus, Violin by Matheus Garcia Souza, Cello by Andrew Dunn, Hammered Dulcimer by Kyle Paxton "Danse Silencieuse" – Arranged and Performed by Travis Vengroff with Cello by Sam Boase-Miller and stock media provided by avinograd/ Pond5, Written and Performed by Andrey Vinogradov Dark Dice art by Allen Morris with lettering by Kessir Riliniki This is a Fool and Scholar Production. For early episodes and bonus content join us at: ⁠⁠⁠⁠⁠https://www.patreon.com/FoolandScholar⁠⁠⁠⁠⁠ Check out our Merch: www.DarkDice.com Free Transcripts are also available: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/posts/dark-dice-22460850⁠⁠ Special Thanks to: Our Patreon supporters! | Hem Brewster | Our Fool & Scholar Discord Lampreys! | Carol Vengroff Content Warnings: Child Abandonment (fatherly), Death, Drinking (alcohol), Feelz (you may cry), Gaslighting, Inheritance Issues, Loss (Familial), Memory Loss Learn more about your ad choices. Visit megaphone.fm/adchoices

A 15-year-old violinist introduces us to his charming coastal community of Damariscotta, Maine and a talented young banjo player brings us into her musical home in the foothills of Leicester, North Carolina. Co-host/violinist Tessa Lark draws on her own childhood in Kentucky as she reflects with Peter Dugan on the stories and performances of these talented young musicians from rural communities. Don't miss the videos of each hometown visit at fromthetop.org.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Welcome to the Art, Life, Faith Podcast, and I’m your host, Roger Lowther. Today, I’m excited to share with you a project that our team has been working on for quite some time now. Our new children’s book, The Tsunami Violin, comes out on November 24, 2025. Back in 2020, I wrote my first children’s book called “Pippy the Piano and the Very Big Wave”. Based on a true story, it tells how a church finds their beloved piano upside down and covered in mud and debris. But rather than throw it out, they decide to spend the enormous amounts of time and money necessary to fix it, and they give the piano new life. And even today, the church continues to tell this story through the many concerts they host there. Now we are releasing our second children’s book, which this time tells the story about a violin. A young tree protects her town from the cold and harsh ocean winds. But when the tsunami comes, everything is washed away: family, friends, town. She's lost everything, but then a master craftsman comes, a violin maker from Tokyo, and transforms her into something beautiful. Through her music and through her story, she brings encouragement and healing to all who hear it, a story of hope out of despair, life out of death, and new beginnings. Like Pippy the Piano, this book too is based on a true story. I'm fortunate to know Nakazawa-sensei, the violin maker, and also to have had the privilege of being involved in quite a few concerts with that violin. It’s such a powerful story of redemption that I had to get it out there. This is a story worth telling. In this episode, I have a conversation with some of the members of our team who made this book possible, the beginnings of the book and the process along the way, and especially with the very talented Holly Rose Wallace, whose images and illustrations so powerfully tell this story. So anyway, I know you’re going to love the book, and I hope this conversation into some of the background will help you enjoy it even more. Roger Well, today we are excited to share with all of you about this project we’ve been working on for quite some time now called The Tsunami Violin. And we have a number of us who are key players in getting this project together with us on the podcast. Can you all introduce yourselves one by one? Maybe Diane, you served as the project manager for this. Can you tell us a little bit about yourself? Diane Yes, I’m Diane Bakelaar, and I live in Nagoya, Japan. My husband and I run an arts ministry through an art gallery and meet people through the art gallery. I served as the project manager for this book. Roger Awesome. Now, most importantly, Holly Rose Wallace as the illustrator. Can you introduce yourself? Holly I don’t know about most important, but I’m Holly. I’m from Cleveland, Ohio. I did about a two-year internship in Nagoya, Japan, working with Diane and Peter Bakelaar, and then working on this project with Roger and others. This is my first illustration project, so it was really exciting to get to add this to my resume and work with the team on this project. But I’m a self-taught illustrator, and I’ve always loved the arts, so this is an exciting project for me. Roger Awesome. And, Verity, you’re on this call. Can you tell us your role in this project? Verity Hi, I’m Verity. I’m a London-based illustrator and designer specializing in book design. And I’m also preparing to move to Tokyo next year to work with Community Arts Tokyo as an arts missionary. Roger Very cool. Last but not least, we also have Tsumugu Misugi on the call. Can you introduce yourself? Tsumugu Yeah. Hello. My name is Tsumugu. I’m a violinist and a composer living in Japan. I write music and record for Japanese animation and Korean dramas and things like that. I was happy and so privileged to be able to play on the tsunami violin with Roger a couple of years ago. Roger Now, in the introduction to this episode, I’ve given a little summary of what this book is about. But really to capture the essence of it, I wanted all of us here together because I think there’s something really special about this project, in how it all came together. There were many pieces. It wasn’t like I wrote this story and then passed it on to Holly to illustrate and then published it, but there were so many moving parts. And as each part came in, it made the book all that much more special. So why don’t we just start right at the beginning? So, Tsumugu, why don’t you tell us a little bit about how you were first introduced to the tsunami violin? Tsumugu I served as a volunteer in Ishinomaki from 2012 and went back every summer until 2016. And so I had first-hand experience helping with relief work. And then I went to the States for college, and then I decided to move to Japan after college to pursue my work. And that was when I reconnected with Roger. And within the first, I think, maybe three months of me moving back to Japan, Roger was like, “Hey, there’s this project where we want to give about 10 concerts in Japan, and it would be awesome if you could play on this tsunami violin.” And that was the first time I had heard of the violin, but it’s very famous here in Japan, and I was very honored to be asked to play on the violin. Roger Yeah, I had gotten to know it at previous concerts, and then there was this church, a group of churches actually, up in Iwaki, who asked us to come and give concerts on the violin. And it really wasn’t until that time that it came together. I was like, “this is an amazing story to be told.” I mean, everywhere the violin goes, it doesn’t just give a concert, but its story is an essential part of that concert. Just bringing that hope, bringing that idea that there’s life out of death, that all things can be redeemed, even when you’re in the pit of despair. And to continually bring that violin into any crowd of people, really, it spoke, it said something. And I was like, “How can we tell this to more people, not just those at the concerts. What would that look like?” And that was when the idea came forth about making a children’s book. Now, of course, I am not a visual artist. I don’t have the means to do that, but it just so happened that God provided Holly at just the right time to begin having this conversation. Holly, what do you remember about those early conversations about this book? Holly I remember the first time that I met you, I was showing you some of my work, and you looked really excited. You’re like, I have an idea for my next children’s book, and I’ve been looking for an illustrator. And you asked if I do that. I was like, “Well, I haven’t, but it’s always been a dream of mine.” And so it was this perfect partnership of you needed an illustrator, and I wanted to illustrate. It all came together from there. Roger It started first with the two of us working on this project, but then I think things really got special when we brought in Anna, who isn’t on this call, and Diane to be part of the process as well. Actually, Diane, just before we started recording, you said something about that, just the idea of having more people involved in the project somehow made it better. Diane Yes, I’ve always been fascinated with the idea, the wisdom of the group, and how it’s statistically shown that when people as a group, when they’re working together well, they can make better decisions than an individual, even if that individual is an expert in the area. I certainly saw that with this project. Everybody was bringing their strengths to the table, and everyone in the group was able to listen and not hold on to their parts so tightly that they weren’t able to hear suggestions and improvements. That was really impressive to me how everyone was very humble and very willing to work together, and it just made the project so much better. Roger Yeah, I really enjoyed our times together. Once every two weeks or so, we all had our roles. Mine was officially words. Holly was images. Verity was, I think, everything artistic. Verity Not at first… Roger At first, what was your role? Verity At first, I was thinking when I came in that I'd be taking on a design role of doing stuff with how the text looked and how the cover looked. Then my input grew from there, for sure. Roger Yeah, it sure did. It was fun to see this project be born out of our time together. The idea was, how do we tell this story in the best possible way? What words do we use? What images? Are there things we can do with the text? Maybe we should add a frame here or take one out here. To be talking about that creatively as a group was some of the magic of this project, I think. Verity Yeah, definitely. I think the first ever meeting we had about this project, Diane was there on Zoom, we were sitting on the floor in this apartment which had no furniture, which is why we were sitting on the floor. But we were going through some of the sketches that Holly had done and some of the writing and stuff. For a while, I’d been working in the creative industries. In the creative industries, I definitely feel like your role gets isolated from the rest of the creative process, particularly as a designer, where you do your thing that you’re told to do, but you don’t have any input in how the rest of a creative project, a book, for example, looks like. I was coming from that into this project where we were all like, you were asking my opinion on the text and stuff, and I was a little bit worried about stepping on your toes. That was a really special moment for me. It was, I think, maybe my first week or two in Japan. I was like, Oh, this is something different here. What the team is doing here is different. It was a good moment. Roger Yeah, it was. Anna said you can’t publish a book without a cat in it. And that was just so much better. So we had this cat, and there’s this yellow bird that flies through the scenes and came to represent the Holy Spirit flying through and having a presence all throughout the story. And I think we were just having fun with it. It wasn’t just about practical things, but about what we can creatively do that would be fun, not just for us, but for the reader as well. Verity For me, I feel like it is something that’s natural to the creative process, but I feel like it came together in quite a non-linear way. I remember we brought in the idea of the music as in the images of music in the text, not right at the beginning, one of the opening paragraphs of the book is about the music of nature that the tree hears, which obviously it’s a book called the Tsunami Violin, so it makes sense to have those musical images. But it wasn’t something that we came up with until we talked through the project a little bit, and then we started thinking about how we could bring in those images and make it flow more cohesively. Roger Yeah, it became a theme throughout the whole book. It was actually someone else who wasn’t on this call who came up with an idea. They said, “One of the special things about children’s books is when phrases are repeated over and over.” It has a special power when you’re reading a children’s illustrated book. And I was like, oh, that’s like choruses in songs, right? I mean, you sing the verse and then the chorus, verse, chorus, verse, chorus, and the chorus keeps getting repeated. And I think that’s one of the beauties of this book now. It didn’t start that way at all, but to have this repeating course of the music of the town. In fact, we have it on the back cover here, “The rhythm of the waves, the song of the birds, the whistling of the wind, and the hum of the town,” She has it in the beginning, and then she loses it because of the tsunami. And then how does she get that back? And it’s through the work of this master craftsman, this violin maker who makes her into this beautiful thing that she didn’t know was possible. Through her music and through her story, the people are hearing the music of her town again. Verity I think that was another thing that I found quite exciting about working on The Tsunami Violin. I've never done a kid’s book before. Community Arts is not like a publishing house that specializes in children’s books. But it was quite exciting to just be like, “Well, let’s figure out how to do this,” exploring all of these ideas. I guess, I think for me, coming into that, I felt like I was breaking new ground creatively, having to think outside of the box that I find it easy to put myself in, having to think more broadly about what could I do and what can we do as a team. Diane Two creative challenges that I remember: the one in particular was when the violin maker looks into the box and visually how to do that and how poor Holly was trying so hard to do this. Verity Yeah, we really messed her up. Diane But anyway, and I think that is an example of where the group working together really helped. The page, I think, is very successful looking. But boy, that was a lot of hard work. Then the other aspect was because this is both in English and Japanese and how when it’s translated into Japanese, the words are longer, takes that much more space. Then again, having to adjust visually for creating more room. Anyway, there are just a lot of challenges along the way. Roger Holly, what do you think about all that as the illustrator of this book? Holly It’s all true! It was hard, but it’s all part of the creative process, is the back and forth and trying to work out how to make it look best. I think for me, it was a challenge because I wouldn’t really consider myself a digital artist, primarily. That’s not really my preferred medium. So this was a new experience for me in that sense. I had done digital work before, but I have very little experience and all self-taught. So that was one learning curve for me. And then the theme of the book being with a violin, but she starts out as a tree. For me, that was another challenge because I haven’t spent much time drawing trees. And so I’m like, Okay, I need to figure out the anatomy of a tree, and not just any tree, but specifically a Japanese pine. So there was a lot of back and forth trying to figure out what style to use and how to translate that into a children’s style. And then when she becomes the violin, coming up with that character design was a lot of fun for me. I had to watch a documentary on how violins are created because that was another thing. I don’t usually draw violins for fun. So that was another challenge to overcome, but it’s so much fun to do. And I think the cat, too, was a lot of fun to incorporate. And I went back and forth a lot with thoughts and ideas of how to design the cat and the bird. But I think what I finally came down to was just designing the cat to look like my cat, especially since I was living in Japan at the time, and my cat was back in America. So it was a fun way to feel connected to my cat. Verity My favorite is at the back when the cat is actually playing the violin. Roger It’s like one of my favorite scenes in the whole book. Holly That was one of my favorites to draw. Roger Actually, to the right of the cat is a young man that looks like Tsumugu to me. I don’t know, Holly, if you were actually looking at a picture of Tsumugu at the time, but it looks really like him. So that makes me happy. Verity Your moment of fame, Tsumugu. Tsumugu Yes, just happy to make a cameo in the book. Verity Yeah, you’re not getting any commission for this, by the way. We’re just using your image. Tsumugu That’s fine. I give full consent. Verity How generous. Actually, one of the things that I really like that you did, Holly, is the illustration of the tsunami. And that was something that we went back and forth on quite a lot. But there’s a scene in the book where the tsunami first appears, and it’s quite scary. I’m holding up a picture for these guys. It’s supposed to be quite a scary moment of this huge wave towering on the horizon. We went back and forth a lot on how to… First of all, how to make it look scary, but also should this tsunami be sentient? Should it be anthropomorphic the way that the tree and the violin are? We ended up settling on a design that references the Great Wave, the Hokusai famous woodprint. I think that it’s a really effective image as a result because it’s a very clear reference. The image in the Great Wave is also tsunami, I think. But then I think it’s interesting to how that connects people who aren’t as familiar with Japan and with Japanese culture because it’s such an internationally recognized image. I was speaking in front of a church on Sunday and I showed them the cover. People came up to me at the end and they were like, Oh, yeah, the wave. We reused the image in a composite with some other illustrations on the cover. And people were like, Oh, yeah, the wave is really cool. They remembered the connection with the great wave. And I feel like it’s just an interesting way of how you can connect with different audiences through those visual references. Holly Yeah, I agree. I’m so glad that people recognized it and saw that that was the inspiration. That panel was so challenging because I didn’t want to do a direct copy of the Hokusai wave, but I definitely wanted to draw inspiration from it. And it’s also the angle that it’s at, the wave is coming right at you. And I think that adds to make it scarier, make it more frightening for readers because it’s like, Oh, the wave is coming directly at me, off the page in a sense. But typically when you see illustrations of waves, like when I was looking for references, there are no pictures of waves coming directly at you. It’s always at some angle. And so that was something that took a lot of time to figure out, Okay, how do I interpret this into a visual representation of just this? But I’m really happy with how it turned out and happy for all of your guys’ input. Roger When I’ve shown that image to beta readers, they’re like, wow. I mean, wow. They were just speechless because it’s just so effective. But my favorite image is the one where you only did the two big eyes, where she’s at the low point of her life. She’s lost everything, and now she’s been cut up, and she’s thrown in this box, and doesn’t know where she’s going. The way you’re able to express all of that in just the two eyes, I think, is so effective. When I’ve been showing it to people, that’s always the page I show first. Like, look at these eyes. They’re like, oh, it’s just so cool. In this whole medium of children’s illustrated art, how you’re not trying to be literal. You can through the medium, through the language of children’s art, you can tell something in different ways. I think just looking at the eyes tells the whole story. Holly That’s so funny that’s your favorite page because that was the easiest one to do. That was one of the things in the character design for me that it’s so important, the eyes, because that’s what people are going to look at the most and what’s really going to bring the character to life. So I spent a lot of time trying to design those eyes and the eyelashes specifically, I was inspired by the F hole on the violin, so you could see that on the eyelashes of the character. But I thought that that was a fun little thing to add. Diane Holly, I was wondering about the colors that you chose. I love the colors in the book. Just what was your hope or thinking behind how you chose your colors? Holly I feel like it was really a team effort choosing the colors. But then, of course, some of the colors just come naturally. Because this is based on a true story, I was pulling colors a lot from just the reference images, but then trying to brighten them to make it more visually pleasing and more exciting for children. And all readers. But it was really interesting how naturally a palette came to be. It was a lot of browns and blues and greens, and just looking at them all side by side, it was like, yeah, there’s definitely a clear palette. But that came about really naturally, which was cool. Roger Yeah. Verity I have the actual physical book with me now, and the colors feel very alive. So it’s really nice to see it. Very vibrant. Tsumugu Nice. Can I talk a bit about the audience? I find it really interesting that you picked a children’s book as the medium to publish this because people who are older than teenagers would have experienced or would have seen the tsunami. But children, the target audience for this book, are people who’ve never experienced. They haven’t seen the tsunami. Roger They weren’t alive when it happened. Tsumugu Yeah, exactly. I think it’s so interesting that you picked children to spread this story and this message. I feel like it’s a good way for them to learn about the tsunami as well as the aftermath of what happened. Also, especially for international audiences, I feel like it might be something that is so far away and so detached from them, but there’s still such a powerful story in the aftermath of it. Roger Yeah, the violin maker, he met with the Emperor himself, and the Emperor said, “Oh, I’m so glad that you’re doing this because people are going to forget, and they need to remember what happened.” And that is essentially what his project, the violin, tsunami violin, continues to do, and that’s what we’re trying to do through this. Diane I was telling one of my Japanese friends that this was in the middle of the project, and I’m working on this project. She’s Japanese, and she had no idea about the tsunami violin. She didn’t know what it was. So I explained the story. She just looked at me and said, This is such an important story. This is part of our history. We’ve got to keep it alive. That was her reaction to the whole thing. Verity I think that it’s interesting. Perhaps we haven’t talked about this as a group, but it’s interesting to think about how this being a real event that really shapes people’s lives, all of the tragedy. And also, I feel like shapes the Japanese consciousness as well. I feel like it’s very much something in the minds and hearts of Japanese people. When we think about going through such a traumatic event, even as children, when children go through traumatic events, then there is this process of not being able to go back to what you were before. So experiencing something that is irreversible and coming out of that as a changed person. And that’s what happens to the tsunami violin is that the story is of her, not like she’s able to go back to the way she was when she was a happy and innocent child, but that she goes through something and she becomes something beautiful and something recognized by other people, but that she’s not able to go back to the way that she was. I feel like that’s actually a realistic view of trauma. I think that that’s quite a good thing to acknowledge, even for children, that just because you go through something doesn’t mean that you’re irreversibly broken, but that you can become something else. Roger Yeah, so good. I think we better end our time here. Thank you all so much for sharing with me and with our listeners. It’s just really a special project. We are excited to be able to launch it to all of you on November 24, and I hope that you’ll be able to pass it on to your friends as well. This story of redemption in a way that I think can reach audiences in any culture, any country, is just so important and we need to be repeating this story to others as well. You’ve been listening to the Art, Life, Faith podcast. The Tsunami Violin is available for sale on November 24 wherever you buy your books online. Please pick up a copy for yourselves and tell your family and friends about it as well. In fact, maybe it will also make a great Christmas present. As we say in Japan, “Ja, mata ne!” We’ll see you next time. BUY “THE TSUNAMI VIOLIN”

Welcome to another episode of BREAKING Protocol, our ongoing mini-series where we break down key updates and design questions straight from the development of SHADE Protocol.We're diving back into the Violin Katana, one of Zura's most elegant yet devastating Instruments. What began with the World Cut's freeform slashes has now evolved into new possibilities like the Multicut — fast, cinematic bursts that hold enemies in place for stylish finishers.⁠⁠⁠⁠https://linktr.ee/LittleLegendaryGames?utm_source=linktree_profile_share⁠⁠Host: Jared Gonzalez. Executive Producer: Kendall Quinoñes. Cohost: Chaz Hawkins, Mauro Piquera. Master Chief Engineer: Jared Gonzalez. Editor: Jared Gonzalez. Graphics Editor: Jared Gonzalez. Digital Media Editor: Jared Gonzalez. Producer: Jared Gonzalez. ⁠⁠⁠⁠https://linktr.ee/razzledazzleshowpodcast⁠

Sindri, Lirril, and Elias arrive at their desired destination...⁠⁠⁠⁠⁠ Check out the podcast: Fables of Frost and Fur! Story by Travis Vengroff (Game Master) Produced, Edited, and with Sound Design by Travis Vengroff Executive Producers: Dennis Greenhill, Carol Vengroff, AJ Punk'n, & Maico Villegas Mixing and Mastering by Finnur Nielsen Transcriptions by KC Casill & Kessir Riliniki Cast: Narrator / Game Master – Travis Vengroff Father Sindri Westpike – Eyþór Viðarsson Rowena Granitepike – Hem Brewster Lirril – Tanja Milojevic Elias "Payne" Embertree – Drew Tillman Sister Andradite Cavernsfall – Marcy Edwards Akrill of House Kel-Tor – Kristján Atli Heimisson Music: (in order of appearance) Music Director / Arranged by - Travis Vengroff Music Engineer (Musiversal) - Gergő Láposi "The Allshadow" - Written and performed by Brandon Boone, Orchestrated, and Mixed by Steven Melin, Orchestrated by Catherine Nguyen, Violin by Matheus Garcia Souza, Hurdy Gurdy by Johannes Geworkian Hellman, Hammered Dulcimer by Kyle Paxton, Budapest Choir, Brass, & Strings Recorded by Musiversal "Unchecked Ambition" - Co-Written by Travis Vengroff, Co-Written, Orchestrated, and Mixed by Steven Melin, Other credits match ^ "What Lurks Beneath (Between Time Edition)" - Co-Written by Travis Vengroff, Co-Written, Orchestrated, and Mixed by Steven Melin, Other credits match ^ "Westmann's Hold" - Written by Steven Melin, Other credits match ^ "Funeral Rite of Celegon (Major Key)" - Written by Eyþór Viðarsson & Hem Cleveland, Arranged, Performed, & Produced by Steven Melin "Steel and Shadows" Written & Mixed by Steven Melin, orchestrated by Christopher Siu, Cello by Scott Semanski, Hurdy-Gurdy & Dulcimer by Enzo Puzzovio, violin by Matheus Garcia Souza, Budapest Strings by Musiversal Dark Dice art by Allen Morris with lettering by Kessir Riliniki This is a Fool and Scholar Production. For early episodes and bonus content join us at: ⁠⁠⁠⁠⁠https://www.patreon.com/FoolandScholar⁠⁠⁠⁠⁠ Check out our Merch: www.DarkDice.com Free Transcripts are also available: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/posts/dark-dice-22460850⁠⁠ Special Thanks to: Our Patreon supporters! | Hem Cleveland | Our Fool & Scholar Discord Lampreys! | Carol Vengroff Content Warnings: Blood Ritual, Body Horror (Transformation), Drinking (alcohol), Fire, Loss (Familial), Needles (Darts) Learn more about your ad choices. Visit megaphone.fm/adchoices

Jello again. In exchange for a generous reward from Jack Benny, a man returns Jack's violin and he finally plays “The Bee!”Episode 247 of The Jack Benny Show. The program originally aired on on February 28, 1937.Please email questions and comments to host@classiccomedyotr.com.Like us on Facebook at facebook.com/classiccomedyotr. Please share this podcast with your friends and family.You can also subscribe to our podcast on Spreaker.com, Spotify, iTunes, Stitcher, TuneIn, iHeartRadio, and Google podcasts.This show is supported by Spreaker Prime.

The bell of bone rings twice, heralding the arrival of the Neverborn.⁠⁠⁠ Story by Travis Vengroff (Game Master) Produced, Edited, and with Sound Design by Travis Vengroff Executive Producers: Dennis Greenhill, Carol Vengroff, AJ Punk'n, & Maico Villegas Mixing and Mastering by Finnur Nielsen Transcriptions by KC Casill & Kessir Riliniki Cast: Narrator / Game Master – Travis Vengroff Father Sindri Westpike – Eyþór Viðarsson Rowena Granitepike – Hem Brewster Lirril – Tanja Milojevic Elias "Payne" Embertree – Drew Tillman Soren Arkwright – Peter Joeseph Lewis Velen Ironshard – Ladybeard Riith – Matt Mercer The Neverborn – Finnur Nielsen The Witch Hunter – Holly Billinghurst & Sean Howard Music: (in order of appearance) Music Director / Arranged by - Travis Vengroff Music Engineer (Musiversal) - Gergő Láposi "Staring Into the Abyss"  –Written and performed by Steven Melin, with cello by Sam Boase-Miller, hurdy gurdy, hammer dulcimer, and lutes by Enzo Puzzovio, arranged with lyrics by Travis Vengroff, and vocals by the Budapest Scoring Choir. "Reprieve - Written and Performed by Neil Martin of Blighthouse Studio "Motus" – Arranged with Accordion by Travis Vengroff, with Cello by Studio Pros, & stock media provided by avinograd/ Pond5, Written and Performed by Andrey Vinogradov, Mixed by Finnur Nielsen "The Darklands" "The Neverborn" - Written and performed by Brandon Boone, Orchestrated, and Mixed by Steven Melin, Orchestrated by Catherine Nguyen, Violin by Matheus Garcia Souza, Hurdy Gurdy by Johannes Geworkian Hellman, Hammered Dulcimer by Kyle Paxton, Budapest Choir, Brass, & Strings Recorded by Musiversal "Unchecked Ambition" - Co-Written by Travis Vengroff, Co-Written, Orchestrated, and Mixed by Steven Melin, Other credits match ^ "Westmann's Hold" - Written by Steven Melin, Other credits match ^ "Realmweaver's Prelude" - Written with Lyrics by Travis Vengroff, sung by Holly Billinghurst "Of Empires Lost" – Written by Austin Wintory & Dallas Crane, Orchestrated and Mixed by Steven Melin, Lyrics & Translations by Travis Vengroff & Florian Seidler, Woodwinds by Kristin Naigus, Violin by Matheus Garcia Souza, Hurdy-Gurdy by Matthias Loibner, Hammered Dulcimer by Kyle Paxton, Glockenspiel by Travis Vengroff, Budapest Strings, Choir, and Brass recorded by Musiversal Dark Dice art by Allen Morris with lettering by Kessir Riliniki This is a Fool and Scholar Production. For early episodes and bonus content join us at: ⁠⁠⁠⁠⁠https://www.patreon.com/FoolandScholar⁠⁠⁠⁠⁠ Check out our Merch: www.DarkDice.com Free Transcripts are also available: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/posts/dark-dice-22460850⁠⁠ Special Thanks to: Our Patreon supporters! | Hem Cleveland | Our Fool & Scholar Discord Lampreys! | Carol Vengroff Content Warnings: Agency (Loss of), Blood (everywhere), Body Horror (Skin Stuff, Transformation), Disembowelment, Drinking (alcohol), Loss (Familial), Memory Loss, Mind Control, Spontaneous Combustion Learn more about your ad choices. Visit megaphone.fm/adchoices

My guest is Dr. Poppy Crum, PhD, adjunct professor at Stanford, former Chief Scientist at Dolby Laboratories and expert in neuroplasticity—our brain's ability to change in response to experience. She explains how you can learn faster and ways to leverage your smartphone, AI and even video games to do so. We also discuss “digital twins” and the future of health technology. This episode will change the way you think about and use technology and will teach you zero-cost protocols to vastly improve your learning, health and even your home environment. Read the episode show notes at hubermanlab.com. Thank you to our sponsors AGZ by AG1: https://drinkagz.com/huberman David: https://davidprotein.com/huberman Helix: https://helixsleep.com/huberman Rorra: https://rorra.com/huberman Function: https://functionhealth.com/huberman Timestamps (0:00) Poppy Crum (2:22) Neuroplasticity & Limits; Homunculus (8:06) Technology; Environment & Hearing Thresholds; Absolute Pitch (13:12) Sponsors: David & Helix Sleep (15:33) Texting, Homunculus, Mapping & Brain; Smartphones (23:06) Technology, Data Compression, Communication, Smartphones & Acronyms (30:32) Sensory Data & Bayesian Priors; Video Games & Closed Loop Training (40:51) Improve Swim Stroke, Analytics & Enhancing Performance, Digital Twin (46:17) Sponsors: AGZ by AG1 & Rorra (49:08) Digital Twin; Tool: Learning, AI & Self-Testing (53:00) AI: Increase Efficacy or Replace Task?, AI & Germane Cognitive Load (1:02:07) Bread, Process & Appreciation; AI to Optimize Physical Environments (1:09:43) Awake States & AI; Measure & Modify (1:16:37) Wearables, Sensors & Measure Internal State; Pupil Size (Pupillometry) (1:23:58) Sponsor: Function (1:25:46) Integrative Systems, Body & Environment; Cognitive State & Decision-Making (1:32:11) Gamification, Developing Good Habits (1:38:17) Implications of AI, Diminishing Cognitive Skill (1:41:11) Digital Twins & Examples, Digital Representative; Feedback Loops (1:50:59) Customize AI; Situational Intelligence, Blind Spots, Work & Health, “Hearables” (2:01:08) Career Journey, Perception & Technology; Violin, Absolute Pitch (2:09:44) Incentives & Neuroplasticity; Technology & Performance (2:13:59) Acoustic Arms Race: Moths, Bats & Echolocation (2:21:17) Singing to Spiders, Spider Web & Environment Detection; Crickets; Marmosets (2:31:44) Acknowledgements (2:33:18) Zero-Cost Support, YouTube, Spotify & Apple Follow, Reviews & Feedback, Sponsors, Protocols Book, Social Media, Neural Network Newsletter Disclaimer & Disclosures Learn more about your ad choices. Visit megaphone.fm/adchoices