Podcasts about Violin

Kadiatu Kanneh-Mason on what it takes to keep up with her seven children — all of them gifted classical musicians (R).Kadiatu is a former English academic and the mother of seven extraordinary children.All of them are gifted classical musicians.Her eldest daughter, Isata wrote and performed her first piano concerto at the age of eleven.Her son Sheku mastered the cello and performed at the royal wedding of Harry and Megan Markle.Every day the seven Kanneh-Masons, who range from early teens to the mid-twenties, fill the family home with glorious, sometimes chaotic, music.This episode of Conversations explores music education, classical music, accessibility to music, Isata, Braimah, Sheku, Konya, Jeneba, Aminata, Mariatu, piano, violin, cello, orchestra, state school, public education, big families, motherhood, fatherhood, prejudice, mixed race families, music is for everyone, how to learn the violin, gifted children, raising gifted children, gifted and talented.Further informationHouse of Music: Raising the Kanneh-Masons is published by Oneworld.Kadiatu's newest book, also published by Oneworld, is called To Be Young Gifted And Black.

Good afternoon, I'm _____ with today's episode of EZ News. Tai-Ex opening The Tai-Ex opened up 203-points this morning from yesterday's close, at 21,539, on turnover of $4.8-billion N-T. Dongyin Township in Matsu Islands joins global Cittaslow network Dongyin Township in the Matsu Islands, known officially as Lienchiang County, has become the seventh place in Taiwan to join the Cittaslow network. The Lienchiang County government says Dongyin qualified for the international Cittaslow movement, which promotes a slower pace of life through a community-centered approach that supports sustainability and counters (對抗、抵銷) the pressures of modern living to improve quality of life. Dongyin will be officially introduced to the Italy-based association on June 21st at the Cittaslow International Assembly in South Korea, with Dongyin officials invited to attend. Six places in Taiwan have received Cittaslow certification, including Hualien County's Fenglin Township in 2014, and Dalin Township in Chiayi County. CWA: Increasing Chances of Rain in Afternoon into Evening The Central Weather Administration is forecasting increasing chances of rain across the island this afternoon heading into the evening, as a frontal system approaches. The CWA says moisture is set to accumulate in the air today, leading to more clouds and sporadic (零星的) showers across northern, central areas as well as the eastern half of Taiwan. Temperatures will also feel muggy, with highs reaching 33 degrees Celsius. And according to the Ministry of the Environment, southeasterly winds may leave western Taiwan with a slightly higher level of pollutants in the air, and ozone concentratiosn are likely to rise in the afternoon. (NS) NPR Sues Trump for Federal Funding Cuts NPR has sued President Donald Trump over his executive order to end federal funding for NPR and PBS - claiming it violates the Constitution. The White House has not immediately responded to the lawsuit (訴訟). Toni Waterman has more. Turkey President Team Working on New Constitution to Remain in Power Turkey's president says he has appointed a team of legal experts to start working on a new constitution which critics say could allow him to remain in power beyond 2028, when his current (目前的) term ends. Erdogan has called for a new constitution, arguing that the current one, which was drafted following a military coup in 1980, is outdated and retains elements of military influence. He said Tuesday he had appointed 10 legal experts to draft a new charter. The effort comes months after the popular mayor of Istanbul and key Erdogan rival was arrested and jailed on corruption charges that are widely viewed as politically motivated. Netherlands Hals Paintings Returned A pair of paintings by Dutch Golden Age master Frans Hals, possibly depicting his own children, are returning to the Netherlands after more than a century overseas in the hands of private owners. “Boy Playing the Violin” and “Girl Singing,” were bought at auction Monday for $7.8 million by the Frans Hals Museum and the Mauritshuis museum, with financial support from the Dutch government and a group of foundations. Painted around 1628, the works are seen as an important part of the country's cultural heritage (遺產) and as especially interesting because Hals may have used his own children as models. The museums will alternate showing the works, but will always keep the two together. That was the I.C.R.T. EZ News, I'm _____. －－－－以下訊息由 SoundOn 動態廣告贊助商提供－－－－ 【台灣虎航 台中獨家直飛名古屋】 開航價$2,399元起，中台灣虎迷每週3班直飛名古屋，說走就走！ 立即訂購：https://sofm.pse.is/7ngsuq -- Hosting provided by SoundOn

In this episode of the Crack House Chronicles we discuss the murder of 18 year old Berit Beck from Sturtevant Wisconsin. Berit heads out of town for job training and disappears before she arrives. Two decades pass with no answers but soon after, that would change. https://www.crackhousechronicles.com/ https://linktr.ee/crackhousechronicles https://www.tiktok.com/@crackhousechronicles https://www.facebook.com/crackhousechronicles Check out our MERCH! https://www.teepublic.com/user/crackhousechronicles Sources: https://www.postcrescent.com/story/news/2016/06/10/timeline-berit-beck-murder-case/85700072/ https://www.postcrescent.com/story/news/2018/02/11/reflecting-untimely-horrifying-death-berit-beck/320899002/ https://www.postcrescent.com/videos/news/investigations/2015/04/29/25900221/  

Send us a textIn this episode Aunt Abigail LaDean Hill Boone uses her gift of music to play a beautiful bedtime medley that will put you peacefully asleep.  Thank you Abby!

Garza sits down in-person with Eddie Berg. Vocalist & violinist for the Swedish metalcore band IMMINENCE. New album "The Return of The Black" Out Now! https://imminenceswe.comSPONSORS:Garza Podcast Coffee - https://garzapodcastcoffee.comCHAPTERS:00:00 - Growing Up in Trelleborg, Sweden04:31 - Learning Violin09:19 - Self-Funding12:50 - Dreadlocks15:27 - Gateway Bands17:26 - Training Martial Arts23:10 - First Violin 25:38 - Reading Music27:45 - Playing Local w/ Orchestra32:04 - Harry Potter35:08 - Rig Rundown: Violin, Pickup & Pedalboard 42:37 - Writing47:08 - Finding Your Sound55:16 - Becoming Confident1:02:09 - Different Tunings1:04:38 - Tone: Violin Demonstration1:06:46 - Eddie & Garza Freestyle Jam #11:09:19 - Freestyle Jam #21:10:47 - God Fearing Man1:16:26 - Improv Breakdown Jam1:18:06 - Creativity1:27:20 - Rocky1:29:22 - Self-Recording1:31:18 - Video Production1:36:29 - Unlearning1:37:02 - The Violin Scream

To get live links to the music we play and resources we offer, visit www.WOSPodcast.comThis show includes the following songs:Christa Rooks - This Is Home FOLLOW ON SPOTIFYSarah Kirkland - Bloom Where I'm Planted FOLLOW ON SPOTIFYMISY - Arise My Darling FOLLOW ON SPOTIFYViolin Gospel - The Night's Soft Song FOLLOW ON SPOTIFYNatalie Grace - Grounded FOLLOW ON SPOTIFYTammy Iroku - Jesus You Are Worthy FOLLOW ON SPOTIFYNoa Sabi - When Something Changes FOLLOW ON SPOTIFYDoyin Teru x J423 Community - Awesome Wonder FOLLOW ON DEEZERRebekah Faith - All I Need Is You FOLLOW ON SPOTIFYAnneline Hugo - Promises FOLLOW ON SPOTIFYSĒN1 - Heal Anyway FOLLOW ON SPOTIFYMinyM - I Believe FOLLOW ON SPOTIFYImagopraise (feat. Shanell Alyssa) - Imago Dei FOLLOW ON APPLE MUSICSandra Nkenchor - WORTHY LORD FOLLOW ON SPOTIFYCece Worley - You Got Up FOLLOW ON SPOTIFYFor Music Biz Resources Visit www.FEMusician.com and www.ProfitableMusician.comVisit our Sponsor Profitable Musician Newsletter at profitablemusician.com/joinVisit our Sponsor Ed and Carol Nicodemi at edandcarolnicodemi.comVisit our Sponsor Mandi Macias at mandimacias.comVisit our Sponsor Susie Maddocks at susiemaddocks.comVisit www.wosradio.com for more details and to submit music to our review board for consideration.Visit our resources for Indie Artists: https://www.wosradio.com/resourcesBecome more Profitable in just 3 minutes per day. http://profitablemusician.com/join

Tunes: Fitzmaurice: A Connaught Air, Spatter the Dew, Moggy Will you Come Again, Billy O'Rourke, I'm Asleep and Don't Wake Me, Mount the Stage, Donald Bran, Loose the Belt, Fitzmaurice's Trip to Rosline Castle, The Munster Lassie, The Lads of Fingall, Turn the Pig from the Tea Pot, Jigg, Mrs. Garden Campbell's Jigg, The Tore Retreat, Kick the World Before You, Fitzmaurice's Hornpipe, Hamilton: Berlin Waltz O'Farrell: Pay the Reckoning For my earlier playthroughs which include a lot of concordances check out: No. 1: https://www.wetootwaag.com/s5e14 No. 2: https://www.wetootwaag.com/s5e18 No. 3: https://www.wetootwaag.com/s5e30 No. 4: https://www.wetootwaag.com/s6e06 +X+X+ 1807: A Connaught Air, Spatter the Dew, Moggy Will you Come Again, Billy O'Rourke, I'm Asleep and Don't Wake Me, Mount the Stage, Donald Bran, Loose the Belt, Fitzmaurice's Trip to Rosline Castle, The Munster Lassie, The Lads of Fingall, Turn the Pig from the Tea Pot, Jigg, Mrs. Garden Campbell's Jigg, The Tore Retreat, Kick the World Before You, Fitzmaurice's Hornpipe, from Fitzmaurice's New Collection of Irish Tunes nos. 1-4 https://books.google.com/books?id=vq4Fb5TyTK4C&newbks=0&pg=PP2#v=onepage&q&f=false +X+X+ For the Trip to Rosline Castle set see Bannocks of Barley Meal: https://jeremykingsbury.bandcamp.com/track/the-berlin-waltz-fitzmaurices-trip-to-roslin-castle-pay-the-reckoning (1853) The Berlin Waltz from Hamilton's Universal Tune-Book digital.nls.uk/special-collections-of-printed-music/archive/94521216 (1805) Fitzmaurice's Trip to Roslin Castle: from Fitzmaurice's New Collection of Irish Tunes. Adapted for the Piano Forte, Union Pipe, Flute,&Violin: www.google.com/books/edition/FitzmauricesNewCollectionofIrishTu/vq4Fb5TyTK4C?hl=en&gbpv=0&kptab=overview (1806) O'Farrell's Pay the Reckoning (Bobbing for Eels/ Jackson's Bottle of Brandy) digital.nls.uk/special-collections-of-printed-music/archive/87779834 FIN Here are some ways you can support the show: You can support the Podcast by joining the Patreon page at https://www.patreon.com/wetootwaag You can also take a minute to leave a review of the podcast if you listen on Itunes! Tell your piping and history friends about the podcast! Checkout my Merch Store on Bagpipeswag: https://www.bagpipeswag.com/wetootwaag You can also support me by Buying my Albums on Bandcamp: https://jeremykingsbury.bandcamp.com/ You can now buy physical CDs of my albums using this Kunaki link: https://kunaki.com/msales.asp?PublisherId=166528&pp=1 You can just send me an email at wetootwaag@gmail.com letting me know what you thought of the episode! Listener mail keeps me going! Finally I have some other support options here: https://www.wetootwaag.com/support Thanks! Listen on Itunes/Apple Podcasts: https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677 Listen on Spotify: https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA

Donald Macleod colours in Bruch's life story and reveals the breadth of his output“Only true melody outlasts all changes and shifts of time” – so said this week's composer, Max Bruch, the creator of what may be the world's best-loved violin concerto. But Bruch would hate us to think of him as a one hit wonder. He even came to resent the very sound of his first Violin concerto, the only piece by which he's often remembered. This week, Donald Macleod colours in Bruch's life story and reveals the breadth of his output, including some of his lesser-heard music.Music Featured: Frühlingslied, Op 7 No 5 (arr. for violin and piano) Septet, Op Posth (3rd mvt, Scherzo) Klavierstücke, Op 12 (excerpt) Piano Trio, Op 5 Die Loreley Overture String Quartet No 2 in E major, Op 10 (1st mvt, Allegro maestoso) Swedish Dances (No 10, Frisch, nicht zu schnell) Musicaklang, Op 71 No 5 Symphony No 1 (5th mvt, Finale) Schön Ellen, Op 24 Violin Concerto No 1 in G minor 12 Scottish Folksongs (No 2, Johnie und Jenny) Songs, Op 49 No 4 – Serenade Piano Quintet in G minor (3rd & 4th mvts) Gruss an die Heilige Nacht (Greeting to the Holy Night) Kol Nidrei Scottish Fantasy for violin and orchestra (4th mvt, Allegro guerriero) 8 Pieces for Clarinet, viola and piano, Op 83 No 2 In der Nacht, Op 72 4 Pieces, Op 70 (No 1, Aria) Concerto for Two Pianos (4th mvt) Double Concerto for clarinet and viola Sommerlust im Walde, Op 71 No 1 String Quartet No 1 (3rd mvt) Das Lied von der Glocke (final movements) Odysseus Prelude In Memoriam, Op 65Presented by Donald Macleod Produced by Amelia Parker for BBC Audio Wales & WestFor full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Max Bruch (1839-1920) https://www.bbc.co.uk/programmes/m002br0dAnd you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

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It's entirely possible that we would not know the name of Johannes Brahms very well if Brahms hadn't met Joseph Joachim as a very young man. Joachim, who was one of the greatest violinists of all time, had already established himself as touring soloist and recitalist, and he happened to know the musical power couple of Robert and Clara Schumann quite well. Joachim encouraged Brahms to go to Dusseldorf to meet the Schumann's, and the rest is history. I've talked about the Brahms-Schumann relationship dozens of times on the show before, but to keep it very brief, Robert Schumann's rhapsodic article Neue Bahnen(new paths) launched Brahms' career, and until Schumann's deterioration from mental illness he acted as a valued friend and mentor for Brahms. Clara Schumann, as a performer, was a powerful advocate for Brahms' music as well as a devoted and loving friend throughout the rest of their lives. Almost constantly present in this relationship was the sound of Joseph Joachim's violin. Brahms did not have a huge circle of friends, but for the often difficult to get along with composer, Joachim was a musical and spiritual companion. Brahms' legendary violin concerto was written for him, and the two collaborated closely for the entire course of their musical lives, except for one significant break. Brahms and Joachim were estranged for 7 years, until Brahms reached out with a remarkable conciliatory gesture: a concerto for Violin and Cello and that would be dedicated to Joachim. Brahms and Joachim(as well as Brahms and Clara Schumann) had often resolved disputes through music, and this was no exception. Clara Schumann gleefully wrote in her diary after Joachim had read through the piece with cellist Robert Hausmann: "This concerto is a work of reconciliation - Joachim and Brahms have spoken to each other again for the first time in years.” One would expect that a work like this would be beloved, but the Double Concerto has had a checkered history, which we'll also get into later. Clara herself wrote that it lacked "the warmth and freshness which are so often found to be in his works,” It would turn out to be Brahms' last work for orchestra, and one of the few in his later style, which makes It fascinating to look at from a compositional perspective. Partly because of the cool reception it got in its first few performances, and the practical challenges of finding two spectacular soloists who can meet its challenges, the piece is not performed all that often, though I have always adored this piece and am very grateful to Avi who sponsored this week's show from my fundraiser last year before the US election. So let's dive into this gorgeous concerto, discussing the reasons for Joachim and Brahms' break, their reconciliation, the reception this piece got, and then of course, the music itself! Join us!

Don investigates an aged instrument's epic history, uncovers the roots of the Salem Witch Trials and examines a plane linked to a man who would stop at nothing to win a bet. Hosted on Acast. See acast.com/privacy for more information.

Episode 173 Chapter 32, Other Analog Synthesizers. Works Recommended from my book, Electronic and Experimental Music  Welcome to the Archive of Electronic Music. This is Thom Holmes. This podcast is produced as a companion to my book, Electronic and Experimental Music, published by Routledge. Each of these episodes corresponds to a chapter in the text and an associated list of recommended works, also called Listen in the text. They provide listening examples of vintage electronic works featured in the text. The works themselves can be enjoyed without the book and I hope that they stand as a chronological survey of important works in the history of electronic music. Be sure to tune-in to other episodes of the podcast where we explore a wide range of electronic music in many styles and genres, all drawn from my archive of vintage recordings. There is a complete playlist for this episode on the website for the podcast. Let's get started with the listening guide to Chapter 32, Other Analog Synthesizers from my book Electronic and Experimental music.   Playlist: OTHER EARLY SYNTHESIZER RECORDINGS (PRE-MIDI AND NOT MOOG)   Time Track Time Start Introduction –Thom Holmes 01:36 00:00 1.     Raymond Scott, “Space Mystery” (1963). Used Scott's Electronium, a custom-made analog synthesizer/sequencer. 05:08 01:42 2.     Pauline Oliveros, “Alien Bog” (1967). Used a prototype Buchla 100 modular synthesizer at Mills College. 33:13 06:53 3.     John Eaton, “Soliloquy For Syn-Ket” (1973) from Electro-Vibrations (The Music Of John Eaton). Used the Synket, an Italian-made modular synthesizer of which only six were ever made. 06:38 40:06 4.     John Keating, “Earthshine” (1975) from Space Experience 2. Featured the ARP 2600 and Pro- Soloist. 04:09 46:46 5.     Patrick Gleeson, “Saturn, The Bringer Of Old Age” (1976) from Beyond The Sun: An Electronic Portrait Of Holst's The Planets. Used Eµ Systems Polyphonic synthesizer. 09:31 51:02 6.     Jean Michel Jarre, “Oxygene, Part IV” (1976) from Oxygene. Used the ARP Odyssey, EMS Synthi AKS, EMS Synthi VCS3, and RMI Harmonic Synthesizer and Keyboard Computer. 03:07 01:00:34 7.     Bennie Maupin, “Crystals” (1978) from Moonscapes. Featured the E-mu Modular Synthesizer programmed by Patrick Gleeson, who owned Different Fur Studios in the San Francisco area and owned E-mu synthesizers (see previous track for an example of the E-mu Systems Polyphonic synthesizer). Here, we have a different treatment of the same instrument by jazz woodwind player Maupin, who played Soprano Saxophone, Tenor Saxophone, Bass Clarinet, Flute, Marimba, Glockenspiel, E-mu Synthesizer, and Computone Synthesizer Winddriver on this album. I picked this track because this is most stripped-down arrangement featuring only Maupin playing the E-mu synthesizer and other instruments. 01:18 01:03:44 8.     Pere Ubu, “On the Surface” (1978) from Dub Housing. Allen Ravenstein used the EML Electrocomp 101 modular synthesizer as a member of this band. 02:37 01:05:02 9.     Sylvester, “You Make Me Feel (Mighty Real)” (1978) from Step II. One of the few albums to feature EML (Electronic Music Laboratories) Modular Synthesizer plus String synthesizer, Electro-comp 101 synthesizer and 200 expander unit, Oberheim DS-2 Sequencer, Effects, Pat Cowley; organ, Electric piano, Clavinet, Michael C. Finden; Percussion, David Frazier; Producer, Lead Vocals, Piano, Sylvester. EML was a Connecticut-based synth maker that was around from about 1970 to 1984. They were best-known for their Electro-comp modular synths. The 101 was a duophonic semi-modular 44-note synth and the model 200 was an expander unit that added ring modulation, spring reverb, and high and low filters to the setup. It was interesting to hear this Moroder-like pulsating synth sound coming from something other than a Moog. 06:34 01:07:40 10.   Isao Tomita, “The Sea Named Solaris” (1978) from Kosmos. Used the Roland System 700, Roland Strings RS- 202, Roland Revo 30, in addition to Moog Modular III, Moog System 55, and Polymoog synthesizers. 12:28 01:14:11 11.   Moebius, “Song For Lya” (1979) from Moebius. Serge, Oberheim, and Minimoog synthesizers, vocals, Bryce Robbley; Serge, Oberheim synthesizers, Doug Lynner; Violin, John Stubbs. Listen closely to tune-out the parts by the Odyssey and Minimoog and you will experience a lovely bed laid down by the Serge. Moebius had three members, one a violinist, heard in this tune blending with the Serge. Although the group used a Sennheiser vocoder on another track, the vocal distortion on this track may have actually been the voice processed with the Serge. 03:15 01:26:42 12.   Pascal Languirand, “O Nos Omnes” (1980) from De Harmonia Universalia. Features the Farfisa Synthorchestra, the famous Italian's company entry into the string synthesizer fray. The Syntorchestra was split into two keyboard sections, strings (polyphonic), and mono synth voices. It was a hybrid organ and synthesizer and used much by Klaus Schulze and other German electronic musicians for the short time that it was available from 1975 to 1978. Nine slider controls were positioned next to a 3-octave keyboard and provided some “chaotic” control episodes for this much beloved and rare keyboard. 07:15 01:29:56 13.   Henry Kucharzyk, “Play Dot Sam” (1981) from Walk The Line - Three New Works By Henry Kucharzyk. This work is performed at the Samson Box at the Center for Computer Research in Music and Acoustics (CCRMA), Stanford University, Palo Alto, California. This track is an escapee from the 1970s but nonetheless fills a void in that period when commercial synthesizers were moving to digital technology and were quite expensive. The Samson Box was a computer-based digital synthesizer created in 1977 by Peter Samson, who worked at the university. “Samson” was formally known as the “Systems Concepts Digital Synthesizer. It was a one-off special-purpose dedicated audio computer designed for use by student composers at Center for Computer Research in Musical and Acoustics (CCRMA) at Stanford University. 03:05 01:37:08 14.   Terry Riley, “The Ethereal Time Shadow” (1981-82) from Music from Mills. Used two Prophet V synthesizers, tuned to just intonation and employing sequencing. 08:51 01:40:12   Additional opening, closing, and other incidental music by Thom Holmes. My Books/eBooks: Electronic and Experimental Music, sixth edition, Routledge 2020. Also, Sound Art: Concepts and Practices, first edition, Routledge 2022. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations. Original music by Thom Holmes can be found on iTunes and Bandcamp.  

Or on the types of prioritization, their strengths, pitfalls, and how EA should balance them The cause prioritization landscape in EA is changing. Prominent groups have shut down, others have been founded, and everyone is trying to figure out how to prepare for AI. This is the first in a series of posts examining the state of cause prioritization and proposing strategies for moving forward. Executive Summary Performing prioritization work has been one of the main tasks, and arguably achievements, of EA. We highlight three types of prioritization: Cause Prioritization, Within-Cause (Intervention) Prioritization, and Cross-Cause (Intervention) Prioritization. We ask how much of EA prioritization work falls in each of these categories: Our estimates suggest that, for the organizations we investigated, the current split is 89% within-cause work, 2% cross-cause, and 9% cause prioritization. We then explore strengths and potential pitfalls of each level: Cause [...] ---Outline:(00:37) Executive Summary(03:09) Introduction: Why prioritize? Have we got it right?(05:18) The types of prioritization(06:54) A snapshot of EA(16:45) The Types of Prioritization Evaluated(16:57) Cause Prioritization(20:56) Within-Cause Prioritization(25:12) Cross-Cause Prioritization(30:07) Summary Table(30:53) What factors should push us towards one or another?(37:27) Possible Next Steps(39:44) Conclusion(40:58) Acknowledgements(41:01) en-US-AvaMultilingualNeural__ Modern geometric logo design with text RETHINK PRIORITIES(41:55) Appendix: Strengths and Pitfalls of Each Type(42:07) Within-Cause Prioritization Strengths(42:12) Decision-Making Support(42:37) Comparability of Outputs(44:18) Disciplinarity Advantages(45:45) Responsiveness to Evidence(46:48) Movement Building(48:06) Within-Cause Prioritization Weaknesses and Potential Pitfalls(48:12) Responsiveness to Evidence(50:54) Decision-Making Support(52:45) Cross-Cause Prioritization Strengths:(53:06) Decision-Making Support(54:49) Responsiveness to Evidence(56:08) Movement Building(56:22) Comparability of Outputs(56:45) Decision-Making Support(57:14) Cross-Cause Prioritization Weaknesses and Potential Pitfalls(57:20) Comparability of Outputs(58:01) Disciplinarity Advantages(58:41) Movement Building(59:09) Decision-Making Support(01:00:27) Cause Prioritization Strengths(01:00:32) Decision-Making Support(01:02:01) Responsiveness to Evidence(01:02:52) Movement Building(01:03:28) Cause Prioritization Weaknesses and Potential Pitfalls(01:04:28) Decision-Making Support(01:06:08) Responsiveness to EvidenceThe original text contained 23 footnotes which were omitted from this narration. --- First published: April 16th, 2025 Source: https://forum.effectivealtruism.org/posts/ZPdZv8sHuYndD8xhJ/doing-prioritization-better-2 --- Narrated by TYPE III AUDIO. ---Images from the article:

KID JOKES: Why did the Killer Whale Play Violin? full 288 Wed, 07 May 2025 15:16:03 +0000 3f42286zzuZnYF9mto5FqktalBgPP2eB kid jokes,jokes from kids,kid humor,music,society & culture,news Kramer & Jess On Demand Podcast kid jokes,jokes from kids,kid humor,music,society & culture,news KID JOKES: Why did the Killer Whale Play Violin? Highlights from the Kramer & Jess Show. 2024 © 2021 Audacy, Inc. Music Society & Culture News False https://player.amperwavepodcasting.com?feed-

LADIES AND GERMS - do you know how to access the dark web?? NEITHER DO WE!!!! Please text us detailed instructions to access the dark web and a front and back photo of your credit card.  We've got a RETURN TO FORM in this episode--aka gag stories up the wazoo! A wedding proposal in Central Park gone wrong! A commute with the undead! A private gig for a tech overlord! Buckle up, get your notebooks out, class is in session at Gag University.  This episode is sponsored by hangnail and used kleenex.  CHECK OUT THIS EPISODE ON YOUTUBE: https://youtu.be/yJAGx8vYsS8   

Today we hear from violinist Leo Zupko. He performs concerto movements by Sibelius and Mozart, and finishes with music by his father Mischa Zupko, who also plays piano for the recital. The post Leo Zupko, 17, violin appeared first on WFMT.

Prolific author, Jonathan Maberry, joins us to chat about his new book, the Joe Ledger universe and if we can make Violin a Disney princess.

I met Jonathan at the Wintergrass Music Festival some years ago where he was exhibiting some of his instruments. Mark O'Connor was performing at the festival and was playing one of Jonathan's violins. Mark loved the violin and he made sure I interviewed Jonathan for the Rosin the Bow project. Here is that interview.

Silas Farley returns with another Hear the Dance conversation, focusing this week on the George Balanchine pas de deux Sonatine, choreographed in 1975 as the opening ballet for the company's Ravel Festival. Repertory Director Christine Redpath shares memories of performing in that festival and of watching Sonatine's original dancers Violette Verdy and the late Jean-Pierre Bonnefoux, commemorated in this episode by former Principal Dancer Peter Boal, while Principal Dancer Megan Fairchild describes the ways in which this ballet taught her that a single piece can have "many textures." (56:31) Written by Silas Farley  Edited by Emilie Silvestri Music: Concerto for Violin and Orchestra in D major (1931) by Igor Stravinsky Sonatine for Piano (1905) by Maurice Ravel All music performed by the New York City Ballet Orchestra, All Sonatine excerpts played by NYCB Solo Pianist Elaine Chelton Reading List:  Thirty Years: The New York City Ballet by Lincoln Kirstein Repertory in Review: Forty Years of The New York City Ballet by Nancy Reynolds, with an Introduction by Lincoln Kirstein Balanchine Then and Now Edited by Anne Hogan Mr. B: George Balanchine's 20th Century by Jennifer Homans Ravel by Roger Nichols Maurice Ravel: A Life by Benjamin Ivry The Cambridge Companion to Ravel by Deborah Mawer Ballerina: A Biography of Violette Verdy by Victoria Huckenpahler Violette Verdy by Dominique Delouche and Florence Poudrou

Silas Farley returns with another Hear the Dance conversation, focusing this week on the George Balanchine pas de deux Sonatine, choreographed in 1975 as the opening ballet for the company's Ravel Festival. Repertory Director Christine Redpath shares memories of performing in that festival and of watching Sonatine's original dancers Violette Verdy and the late Jean-Pierre Bonnefoux, commemorated in this episode by former Principal Dancer Peter Boal, while Principal Dancer Megan Fairchild describes the ways in which this ballet taught her that a single piece can have "many textures." (56:31) Written by Silas Farley  Edited by Emilie Silvestri Music: Concerto for Violin and Orchestra in D major (1931) by Igor Stravinsky Sonatine for Piano (1905) by Maurice Ravel All music performed by the New York City Ballet Orchestra, All Sonatine excerpts played by NYCB Solo Pianist Elaine Chelton Reading List:  Thirty Years: The New York City Ballet by Lincoln Kirstein Repertory in Review: Forty Years of The New York City Ballet by Nancy Reynolds, with an Introduction by Lincoln Kirstein Balanchine Then and Now Edited by Anne Hogan Mr. B: George Balanchine's 20th Century by Jennifer Homans Ravel by Roger Nichols Maurice Ravel: A Life by Benjamin Ivry The Cambridge Companion to Ravel by Deborah Mawer Ballerina: A Biography of Violette Verdy by Victoria Huckenpahler Violette Verdy by Dominique Delouche and Florence Poudrou

AP correspondent Charles de Ledesma reports a violin with a hidden message inside, crafted in a World War 2 concentration camp, has been discovered in Hungary.

Lindsey Hilsum is a multi-award-winning journalist who has been a foreign correspondent for the past four decades. She has been Channel 4's international editor for the past 22 years and has reported on every continent except Antarctica. After studying French and Spanish at University, she worked as an aid worker in Mexico and Kenya before becoming the East Africa stringer for the BBC World Service. After realising her calling was journalism she devoted her career to covering events around the world including the 1994 genocide in Rwanda and the 2003/4 war in Iraq.She also spent two years in Beijing as the China correspondent for Channel 4 News.Among her many awards for her work, she has been named Amnesty International Journalist of the Year, RTS Specialist Journalist of the Year and has received the Charles Wheeler Award in recognition of her outstanding contribution to broadcast journalism. She is also the author of three books. When she is not abroad reporting, Lindsey lives in London.Presenter: Lauren Laverne Producer: Sarah Taylor .DISC ONE: Dancing in the Dark - Bruce Springsteen DISC TWO: Carey - Joni Mitchell DISC THREE: Shauri Yako - Orchestra Super Mazembe DISC FOUR: Summertime - Billie Holiday and her Orchestra DISC FIVE: Hurricane - Bob Dylan DISC SIX: The Butterfly Lovers' Violin Concerto (Arr. for Violin & Chinese Orchestra): Andante cantabile "Transformation" Composed by He Zhanhao and Chen Gang and performed by Lü Siqing and the Taipei Orchestra, conducted by Yiu-kwong Chung DISC SEVEN: Piece of My Heart - Big Brother and the Holding Company and Janis Joplin DISC EIGHT: Who Knows Where the Time Goes - Fairport ConventionBOOK CHOICE: Collected Poems by W H Auden LUXURY ITEM: A Tang Dynasty horse CASTAWAY'S FAVOURITE: Carey - Joni Mitchell

SPONSORS: Sign up for a $1 per month trial period at https://shopify.com/dannyb See what Poppy's up to at http://www.impoppy.com On this episode of The Danny Brown Show, the one-and-only Poppy stops by to talk about making music, inspiration, getting nervous for shows, and surviving toxic work environments. Her and Danny answer questions about being an outcast, hanging backstage, hygiene, and saving the monkey. They also watch Weird Web Videos featuring stage falls, a violin to the face, dog pee in the mouth, amusement park rides, and a guy getting his balls stuck in a chair. Other topics include: Jenga, Costco, cats, Harry Nilsson, and Dolly Parton nudes. Enjoy! Have a question for Danny? Hit us up at danny@thedannybrownshow.com The Danny Brown Show Ep. 153 https://xdannyxbrownx.com https://store.ymhstudios.com Chapters 00:00:00 - Intro 00:01:45 - Intro Poppy 00:04:26 - Making Music 00:09:24 - Ask Danny: Backstage & Eating on Tour 00:12:40 - Serbian Outcast & Dolly Parton Nudes 00:15:39 - Hygiene & Saving the Monkey 00:18:32 - Mean Boss 00:21:29 - Weird Web Videos: Stage Falls & Getting Nervous Before Shows 00:25:08 - Violin to the Face, Dog Pee to the Mouth, & Cats 00:27:23 - Ride Spinners & Stuck Balls 00:31:05 - Crypto Russians 00:33:52 - Making Music & Musical Inspiration 00:39:32 - Spin the Wheel: Jenga, Video Games, & Costco Learn more about your ad choices. Visit megaphone.fm/adchoices

Nina Bernat is a double bass performer and educator based in New York City. In 2023, Nina was honored as a recipient of the Avery Fisher Career Grant and winner of the CAG Elmaleh Competition. Her recent first-prize awards include the Barbash J.S. Bach String Competition, the Minnesota Orchestra Young Artist Competition, the Juilliard Double Bass Competition, and the 2019 International Society of Bassists Solo Competition. In this episode, recorded live in San Francisco in 2025, Nina shares her background and discusses the program she performed at the 2025 San Francisco Winter Bass Bash. Enjoy! Recital program: Nina Bernat, double bass Keisuke Nakagoshi, piano Bach Suite No. 5 in C Minor, BV 1011 Prelude, Allemande, Courante Pantomime by Sofia Gubaidulina Prayer by Enrst Bloch Sonata for Violin by Aaron Copland photo credit: Titilayo Ayangade Subscribe to the podcast to get these interviews delivered to you automatically! Connect with us: all things double bass double bass merch double bass sheet music Thank you to our sponsor! Upton Bass - From Grammy Award winners and Philharmonic players like ME Max Zeugner of the New York Philharmonic, each Upton Bass is crafted with precision in Connecticut, USA, and built to last for generations.  Discover your perfect bass with Upton Bass today! theme music by Eric Hochberg

This week, Hear the Dance host Silas Farley leads us on a wide-ranging exploration of Jerome Robbins' 1994 ballet A Suite of Dances. First, he's joined by Repertory Director Jean-Pierre Frohlich, who coaches the work; Principal Dancer Daniel Ulbricht, who initially learned the tour-de-force role in 2019; and former Principal Dancer Peter Boal, who worked with Robbins on the development of the ballet. They walk through the creation and performance of the four movements, highlighting the ways in which A Suite of Dances teaches the performer about themselves—particularly as they grow with and age alongside the piece. (1:05:11) Written by Silas Farley  Edited by Emilie Silvestri Music: Concerto for Violin and Orchestra in D major (1931) by Igor Stravinsky 6 Suites for Solo Cello: Prelude & Gigue from Suite 1 in G major, BMV 1007 Sarabande from Suite V in C minor, BMV 1011 Prelude from VI in D major, BMV 1012 by Johann Sebastian Bach All music performed by the New York City Ballet Orchestra Reading List:  Somewhere: The Life of Jerome Robbins by Amanda Vaill Jerome Robbins, By Himself: Selections from His Letters, Journals, Drawings, Photographs, and an Unfinished Memoir Edited and with Commentary by Amanda Vaill Misha: The Mikhail Baryshnikov Story by Barbara Aria Illusions of Camelot: A Memoir by Peter Boal Bach: Music in the Castle of Heaven by John Eliot Gardiner

In this second part of our Hear the Dance journey into Jerome Robbins' A Suite of Dances, Cellist Hannah Holman joins host Silas Farley to provide a deep-dive introduction to the Bach Cello Suites that provide the ballet's exquisite score. As Holman explains, the music is a seminal work for every cellist, with complex challenges and varied delights throughout—all of which are complicated and enriched when performed onstage with the work's solo dancer. (42:48) Written by Silas Farley  Edited by Emilie Silvestri Music: Concerto for Violin and Orchestra in D major (1931) by Igor Stravinsky 6 Suites for Solo Cello: Prelude & Gigue from Suite 1 in G major, BMV 1007 Sarabande from Suite V in C minor, BMV 1011 Prelude from VI in D major, BMV 1012 by Johann Sebastian Bach Symphony No.4 in E Minor, op.98 (I. Allegro non troppo, II.Andante moderato, III. Allegro giocoso, IV. Allegro energico e passionato) by Johann Sebastian Bach All music performed by the New York City Ballet Orchestra, Yo-Yo Ma and Herbert von Karajan Reading List:  Somewhere: The Life of Jerome Robbins by Amanda Vaill Jerome Robbins, By Himself: Selections from His Letters, Journals, Drawings, Photographs, and an Unfinished Memoir Edited and with Commentary by Amanda Vaill Misha: The Mikhail Baryshnikov Story by Barbara Aria Illusions of Camelot: A Memoir by Peter Boal Bach: Music in the Castle of Heaven by John Eliot Gardiner

Show SummaryOn today's episode, we're featuring a conversation about a new film, SHEEPDOG, with the actors Steven Grayhm and Matt Dallas.Together, they worked on the movie, which is a film that explores the physical and psychological repercussions of trauma with a focus on Posttraumatic Growth. Provide FeedbackAs a dedicated member of the audience, we would like to hear from you about the show. Please take a few minutes to share your thoughts about the show in this short feedback survey. By doing so, you will be entered to receive a signed copy of one of our host's three books on military and veteran mental health. About Today's GuestSteven Grayhm was born in London, Ontario Canada, to a Polish German mother and Canadian father whose family lineage descends from the Weskarini Algonquin First Nation people of La Petite Nation (Little Nation) from Western Quebec, Canada. A graduate of the Royal Academy of Dramatic Art in the UK, Steven was nominated for a Hollywood Film Award at the Hollywood Film Awards for his short film, Vodka, Winter and The Cry of Violin, for which he starred, wrote, directed and produced. The film, based on a true story about his Polish grandparents' perilous twilight plight to save their only son from a Nazi German POW camp during the last winter of WWII, was nominated at Raindance UK and was awarded 'Best International Short' at the New York International Film Festival.Steven received critical acclaim for his performance as Young Eddie in the film adaptation of Mitch Albom's best-selling novel, “The Five People You Meet In Heaven”, starring Academy Award Winner Jon Voight, Academy Award Nominee's Jeff Daniels and Ellen Burstyn and Emmy Winner Michael Imperioli. Steven also appeared as series lead Liam Cullen, in Netflix's post-apocalyptic drama “Between”, and Robert Zemeckis' big budget documentary-drama, “Medal of Honor”. Steven has performed on stage including multiple stints in the title role of “Hamlet”, and in the LA theater production of August Strindberg's “The Father”, directed by Academy Award Winner Estelle Parsons, and starring Academy Winner's Al Pacino, Dianne Wiest, and Jessica Chastain. Steven recently returned behind the camera to direct himself in the upcoming Veterans feature film SHEEPDOG, for which he also wrote and produced. The film is Executive Produced by Joe Newcomb (Dallas Buyers Club), and co-stars Academy Award Nominee Virginia Madsen, Emmy Nominee Vondie Curtis Hall, SAG Nominee Dominic Fusuma, Tony Nominee Lilli Cooper and Matt Dallas. The film will be released In Theaters in the Fall 2025.Matt Dallas has starred in several films, and has played the title character in the ABC Family television series Kyle XY for three seasons. Dallas also appeared in Camp Slaughter (2005), Living The Dream (2006), and Babysitter Wanted (2008). He has been a guest on the TV show Entourage. In 2005, Dallas starred with Mischa Barton in James Blunt's music video for Goodbye My Lover and in 2008 he starred in Katy Perry's music video for "Thinking of You".Dallas was cast in ABC's Eastwick, playing Roxie's (Rebecca Romijn) love interest. In 2009, it was announced that Dallas would be appearing in the movie Beauty and the Briefcase with Hilary Duff. Dallas was in an indie western film called The First Ride of Wyatt Earp as Bat Masterson, which was released on March 6, 2012.In 2012, Dallas starred as Max in the musical love story movie You, Me, & the Circus. He played the role of Bat Masterson in an action packed western movie Wyatt Earp's Revenge with Val Kilmer. He also starred as Lance Leigh in the Hallmark movie Naughty or Nice with Hilarie Burton.  Dallas played the role of Scott Orenhauser in the indie sci-fi thriller film Life Tracker. Dallas had a recurring role in ABC Family show Baby Daddy, where he played Riley's (Chelsea Kane) love interest.In 2014, Dallas starred in the horror comedy movie Ghost of Goodnight Lane. In 2015, Dallas starred as Jake in the web series Anne & Jake. The series was released on YouTube on November 11, 2015. In 2017, Dallas starred as Declan in the drama film Alaska is a Drag, written and directed by Shaz Bennett. He also starred as Frank Dean in the western film Painted Woman directed by James Cotten.In 2018, Dallas starred as pastor John in supernatural horror film Along Came the Devil. In 2019, Dallas played the role of Greg Carlyle in the Lifetime thriller film A Daughter's Plan to Kill alongside Claire Coffee. He also co-starred as Bobby Browning in the romantic comedy Nearly Married starring Cassi Thomson.Links Mentioned in this Episode SHEEPDOG the Movie Web SiteSHEEPDOG on InstagramSHEEPDOG on FacebookPsychArmor Resource of the WeekThis week's resource of the week is the PsychArmor course, Posttraumatic Growth After Loss. In this course, Dr. Shauna Springer represents the Tragedy Assistance Program for Survivors as she discusses how the TAPS Suicide Prevention Model's third phase, posttraumatic growth, has affected one particular survivor. You can find the resource here:  https://learn.psycharmor.org/courses/Posttraumatic-Growth-after-Loss Episode Partner: This week's episode is brought to you by Humana, a leading health and well-being company that has joined forces with PsychArmor to develop campaigns and courses that support veterans and their families in achieving their best health. To learn more about how Humana honors and serves veterans visit healthequity.humana.com/veterans” Contact Us and Join Us on Social Media Email PsychArmorPsychArmor on TwitterPsychArmor on FacebookPsychArmor on YouTubePsychArmor on LinkedInPsychArmor on InstagramTheme MusicOur theme music Don't Kill the Messenger was written and performed by Navy Veteran Jerry Maniscalco, in cooperation with Operation Encore, a non profit committed to supporting singer/songwriter and musicians across the military and Veteran communities.Producer and Host Duane France is a retired Army Noncommissioned Officer, combat veteran, and clinical mental health counselor for service members, veterans, and their families.  You can find more about the work that he is doing at www.veteranmentalhealth.com  

As Melody finds ways to make the chateau feel more like home, she is confronted by strange and possibly dangerous happenings. Take Home a Limited Edition Sealskin Rock Coin: https://www.patreon.com/posts/120674944 Credits: Written by K. A. Statz Produced & Directed, with Additional Sound Design by Travis Vengroff Assistant Direction, Dialogue Editing, Editing, Sound Design, Mixing and Mastering by Finnur Nielsen Executive Producers Dennis Greenhill, Carol Vengroff, AJ Punk'n, & Maico Villegas Recording Engineer (LA Unit) - Paul Hurtubise Script Editing by W. K. Statz & Travis Vengroff Cast: Melody Morris – Marcy Edwards Maxine Morris – LilyPichu Samson Morris – Ewan Chung Lucas Broadrock – Mark Meer Julia Sauveterre – Carolyn Saint-Pé Ian Paulson – Russ D. More Whispers – Stephane Cornicard Music: "Missing Persons" - Written and Performed by Steven Melin "Dance with the Ghosts" - Written and Performed by Scott Arc "In the Silver Sleeps" Written and Performed by Brandon Boone, with Violin by Matheus Souza Cover Art by Abigail Spence Special Thanks to: Our Patreon supporters! | Lisa Rainsong (Listening in nature) | Meadow Gladiator Kathydids Recordings | Cori Lausen (Wildlife Conservation Society Canada) for the amazing Silver Haired Bats Recordings This is a Fool and Scholar Production We are a two person creative team and we can only create this show because of fan support! Please support us on Patreon: https://www.patreon.com/FoolandScholar Free Transcripts are available: https://www.patreon.com/posts/100731585 Check out our Merch: https://streamlabs.com/foolandscholar/merch Content Warnings: Fugue, Gaslighting Learn more about your ad choices. Visit megaphone.fm/adchoices

The same weekend that Sean Baker won a shelf-full of Oscars, Filmspotting was screening his 2015 breakout TANGERINE as part of Filmspotting Fest. Following that screening, Vulture's Alison Willmore joined Adam and Josh to discuss the film. That conversation, plus reviews of THE BALLAD OF WALLIS ISLAND and THE FISHING PLACE, the Filmspotting Madness Final 4, and the start of the Andrei Tarkovsky Marathon. This episode is presented by Regal Unlimited, the all-you-can-watch movie subscription pass that pays for itself in just two visits. (Timecodes will not be precise with ads; chapters may start early.) Intro (00:00:00-00:06:49) Review (JL): “The Fishing Place” (00:06:50-00:14:15) Review (AK): “The Ballad of Wallis Island” (00:14:16-00:18:28) Filmspotting Fest: “Tangerine” (00:18:29-00:52:44) Filmspotting Family (00:52:45-00:57:08) Next Week / Notes (00:57:09-01:03:53) Filmspotting Madness: Final 4 (01:03:54-01:14:00) Tarkovsky #1: “Steamroller and the Violin,” “Ivan's Childhood” (01:14:01-01:47:28) Credits / New Releases (01:47:29-01:50:45) Notes/Links: -Alison Willmore at Vulture https://www.vulture.com/author/alison-willmore/ -Filmspotting Madness https://www.filmspotting.net/madness -Chicago Critics Film Fest https://www.chicagocriticsfilmfestival.com/ -Facets 50 https://facets.org/anniversary/ Feedback: -Email us at feedback@filmspotting.net. -Ask Us Anything and we might answer your question in bonus content. Support: -Join the Filmspotting Family for bonus episodes and complete archive access. http://filmspottingfamily.com -T-shirts (and more) on sale at the Filmspotting Shop. https://filmspotting.net/shop Follow: https://www.instagram.com/filmspotting https://letterboxd.com/filmspotting https://twitter.com/filmspotting https://facebook.com/filmspotting https://letterboxd.com/larsenonfilm https://twitter.com/larsenonfilm https://facebook.com/larsenonfilm Learn more about your ad choices. Visit megaphone.fm/adchoices

Brian and Kenzie debate whether or not Brian can learn violin and discuss weird ways people use their garages. Chicago’s best morning radio show now has a podcast! Don’t forget to rate, review, and subscribe wherever you listen to podcasts and remember that the conversation always lives on the Q101 Facebook page. Brian & Kenzie are live every morning from 6a-10a on Q101. Subscribe to our channel HERE: https://www.youtube.com/@Q101 Like Q101 on Facebook HERE: https://www.facebook.com/q101chicago Follow Q101 on Twitter HERE: https://twitter.com/Q101Chicago Follow Q101 on Instagram HERE: https://www.instagram.com/q101chicago/?hl=en Follow Q101 on TikTok HERE: https://www.tiktok.com/@q101chicago?lang=enSee omnystudio.com/listener for privacy information.

Join Premium! Ready for an ad-free meditation experience? Join Premium now and get every episode from ALL of our podcasts completely ad-free now! Just a few clicks makes it easy for you to listen on your favorite podcast player.  Become a PREMIUM member today by going to --> https://WomensMeditationNetwork.com/premium Join our Premium Sleep for Women Channel on Apple Podcasts and get ALL 5 of our Sleep podcasts completely ad-free! Join Premium now on Apple here --> https://bit.ly/sleepforwomen  Join our Premium Meditation for Kids Channel on Apple Podcasts and get ALL 5 of our Kids podcasts completely ad-free! Join Premium now on Apple here → https://bit.ly/meditationforkidsapple Hey, I'm so glad you're taking the time to be with us today. My team and I are dedicated to making sure you have all the meditations you need throughout all the seasons of your life.  If there's a meditation you desire, but can't find, email us at Katie Krimitsos to make a request. We'd love to create what you want!  Namaste, Beautiful,

Join Premium! Ready for an ad-free meditation experience? Join Premium now and get every episode from ALL of our podcasts completely ad-free now! Just a few clicks makes it easy for you to listen on your favorite podcast player.  Become a PREMIUM member today by going to --> https://WomensMeditationNetwork.com/premium Join our Premium Sleep for Women Channel on Apple Podcasts and get ALL 5 of our Sleep podcasts completely ad-free! Join Premium now on Apple here --> https://bit.ly/sleepforwomen  Join our Premium Meditation for Kids Channel on Apple Podcasts and get ALL 5 of our Kids podcasts completely ad-free! Join Premium now on Apple here → https://bit.ly/meditationforkidsapple Hey, I'm so glad you're taking the time to be with us today. My team and I are dedicated to making sure you have all the meditations you need throughout all the seasons of your life.  If there's a meditation you desire, but can't find, email us at Katie Krimitsos to make a request. We'd love to create what you want!  Namaste, Beautiful,

LADIES AND GENTLEMEN - (trigger warning) it's one day until tax day! We know your freelance taxes are a nightmare! You're so close to giving up and filing an extension! We get it! BEEN THERE - DONE THAT! This year, however, we managed to sneak in right before the deadline so that we could have your tax questions ANSWERED. In this pod, we tell you what it's like to be free of gig FOMO, we tell you what it's like to encounter a hoard of carefree boomers in a train on the way to a travel gig and, finally, we end with some priceless tax advice. 

Ciao and Welcome to Life in Lucca with Andrea…My guest today is Debra Fast; her story is the stuff of dreams. When Debra graduated from Music School, she embraced the opportunity to play Violin with a string quartet on Cruise ships where she met the Italian pianist, Sandro Ivo Bartoli, whom she married, and started a new life in Italy. Debra speaks about her dedication to music, and in particular, her professional career as a solo violinist. She tells a mesmerising story; I particularly found her Suono Solo project, with its links to the 18th century Lucchese composer, Geminiani, fascinating. Debra is a very talented and creative musician and her enthusiasm and encouragement extends beyond her own career to that of others, for example, you will hear about her research into female musicians from her birth country, Canada. **Debra Fast will be performing in "Lucca Classica" on the 24th of April 2025, at 3.pm at the Museo Nazionale di Villa Guinigi, Lucca.**Connect with DebraYouTube Channel: Debra Fast, Violinist https://www.youtube.com/channel/UCNx_eSIve99gUKQH9In6lKgFacebook: Debra Fast, violinist: https://www.facebook.com/debrafast.violinist/LinkedIn: Debra Fast, violinist

In this episode we talk about AJR, their invention of a synthesizing process for morphing instrument sounds into different instrument sounds (idk, I don't understand it to be honest), and synesthesia. Did you know there are a bunch of different types of synesthesia? You will know after you listen. And possibly see colors while you're listening? Synesthetes, write in and tell us what colors our voices are.We look at trends and misuses of mental health buzz words. Self care. Trigger. Gas light. Etc. Everyone's using these words, but do they mean what they think they mean?In Eurovision, we talk about Australia 2024's offering - One Milkali by Electric Fields, and we talk about the indigenous culture of Australia.Find us on instagram here: https://www.instagram.com/gettingdownandwordy/And email us at gettingdownandwordy@gmail.comHuge thanks to Patsy Walker for the use of our theme song “Who's Wordy Now”!This week's promoted podcast is Crime & Spirits. Find them anywhere you get podcasts or at this link: https://linktr.ee/crimeandspiritspodcastFind them, us, and lots of other great podcasts on our podcast network podmoth.network

Support the showThis podcast was edited by Black Flag Podcast Productions.A Want the uncensored "Grapes After Dark" cut? Then join us on Patreon!https://www.patreon.com/NerdGrapevine?utm_campaign=creatorshare_creatorWe have merch now?! Come get some!https://redbubble.com/shop/?query=nerd%20grapevine&ref=search_boxhttps://best-friends-tiny-inc.creator-spring.com/Come join the Backyard Bonanza in our Discord:https://discord.gg/QND8pNasHAnd remember, when life gives you grapes...

This is Episode No. 100 of “Music for a While.” To mark the occasion, Jay presents music associated with that number: 100. So, we can consider this a centennial celebration. Bach, “Darum wir billig loben dich,” from the Cantata BVW 130 Dvořák, Scherzo from Sonatina for Violin and Piano, Op. 100 Bach, “Er ist mein Licht, mein Leben,” from the Cantata BVW 100 Haydn, Presto, from Symphony No. 100 in G major, “Military” Beethoven, “Merkenstein” Prokofiev, Allegro marcato, from Symphony No. 5 Mozart, Serenade No. 1 in D Brahms, Sonata for Violin and Piano No. 2 in A major Schumann, “The Bride of Messina,” Overture in C minor Shostakovich, “Little Stars” from “Spanish Songs” arr. Vaughan Williams, “Old Hundredth Psalm”

TRANSCRIPT (there may be some errors): Dear songwriter, if you are someone who is starting to produce  your songs from your own home, from your bedroom,  and you're struggling to finish your projects,  it's because, probably because you aren't asking this one question.  And I know this because I didn't know the answer to this question or the question itself  for a long time, which led to feeling confused, frustrated, and having no idea where to go with the song. But then I realized that knowing the question and knowing the answer to that question  was important,  and it came down to having one clear system.  And the question is, what role does this sound, I'm about to add play in the development of this song  and the clear system is what I call the production palette. So with the production palette, essentially there are five main categories  and each sound you add can occupy one of.  Those categories.  So I'll give you an example for my song Real Friends, which I released back in December of 2024.  I'll kind of break down the category and then the sound. So the category  is main melody,  the sound  is vocals. The second category is what I call melody support.  The sound for that might be a vocal harmony. Um, for this song, I had like a little bells synth  that  helped the melody.  Violin was also another one, right? So it was more  melodic rather than harmonic, and it was more in line with the main melody.  The third category is what I call accompaniment support. So for this song, it was the sound was, the sounds were guitar, violin, and cello.  Basically providing that extra layer of accompaniment. Now the main accompaniment,  that is the fourth category.  That was organ and synthesizer.  So that kind of provided the, the chord progression, the bed for everything else to sit upon. And then the fifth category is rhythm slash bass. So for this song, the sounds were synth bass, electric bass, and electronic drums.  So let me give you those five categories going from the bottom up now. So category one from the bottom up, rhythm slash base, category two, main accompaniment,  category three, accompaniment support,  category four, melody support,  category five, main melody. So this way. There's a clear role and understanding for each new sound that you add, and you can decide how and when you want to introduce each of those sounds over the course of a song  rather than your song sounding like a big wall of sound, like minded before I started using this.  Cool. Hopefully you found this to be helpful. Um, if you are a songwriter who's starting to produce from your bedroom and you feel like your songs are taking forever to complete, I want to send you an invitation.  And that invitation is to  my online community of songwriters and producers called the Songwriter's Vault.  And inside the vault, you will get access to even more in-depth resources and you'll be connected.Most importantly, with the community of fellow songwriters, I'm making it completely free for the first 50 members, so depending on when you listen to this, it may not be free, but it is worth checking.  Okay. That is it for today. Thank you so much. Happy writing.

Renovations begin at Sealskin Rock, as Julia helps the girls settle into their new home. Take Home a Limited Edition Sealskin Rock Coin: https://www.patreon.com/posts/120674944 Credits: Written by K. A. Statz Produced & Directed, with Additional Sound Design by Travis Vengroff Assistant Direction, Dialogue Editing, Editing, Sound Design, Mixing and Mastering by Finnur Nielsen Executive Producers Dennis Greenhill, Carol Vengroff, AJ Punk'n, & Maico Villegas Recording Engineer (LA Unit) - Paul Hurtubise Script Editing by W. K. Statz & Travis Vengroff Cast: Melody Morris – Marcy Edwards Maxine Morris – LilyPichu Samson Morris – Ewan Chung Julia Sauveterre – Carolyn Saint-Pé Ian Paulson – Russ D. More Whispers – Stephane Cornicard Music: "Dance with the Ghosts" - Written and Performed by Scott Arc "In the Silver Sleeps" Written and Performed by Brandon Boone, with Violin by Matheus Souza "Nighttime Farmin'" - Written and Performed by Finnur Nielsen Cover Art by Abigail Spence Special Thanks to: Our Patreon supporters! | Lisa Rainsong (Listening in nature) | Meadow Gladiator Kathydids Recordings | Cori Lausen (Wildlife Conservation Society Canada) for the amazing Silver Haired Bats Recordings This is a Fool and Scholar Production We are a two person creative team and we can only create this show because of fan support! Please support us on Patreon: https://www.patreon.com/FoolandScholar Free Transcripts are available: https://www.patreon.com/posts/100731585 Check out our Merch: https://streamlabs.com/foolandscholar/merch Content Warnings: Gaslighting Learn more about your ad choices. Visit megaphone.fm/adchoices

HAPPY WEDNESDAY, GAGGERS! Congratulations on making it this far into 2025. FYI, in case your body has crusted over in that basement urban hovel of yours, it's almost spring! And you know what that means??? WEDDING SEASON! Wedding season is nigh and it's coming for you. So commiserate with us as we conjure up that great third thing that will free us all. But first, two write-in gags. LOVE U! XOXOXO

主播｜李志明 嘉宾｜马家辉本期节目的嘉宾是知名作家，文化评论者马家辉先生，这是一次关于自我和家庭的对谈。《你不必着急成为一个大人》是马家辉与太太张家瑜的亲情散文之书，集结了三十年间二人写给女儿的文章。即便写作对象是女儿，创作的实质却是“为自己”，核心仍是探索自我与生命的关系。而字里行间流露出的温柔，则是他借用康德的“无上律令”对自己提出的要求和期待，但更是一种自我训诫。提到女儿时，马家辉的语调总会柔软几分，他回忆女儿幼时戒奶嘴的独立瞬间，也反思自己在冲突时的情绪失控，同时也因家庭的“语言治疗”习惯而庆幸着。谈及当下的原生家庭困境，马家辉拒绝简化善恶，两代人的痛苦，往往因社会支撑缺失而被放大，原谅或者不原谅，都是个体的命运选择。所谓亲子关系，终究是一场向内探索的旅程，父母与子女互为镜鉴，而后在漫长的岁月里与不完美的自己温柔和解。马家辉先生今天带着新书来做客，也有一段话要送给各位：你手里的这本书并不只是一父一母为孩子而写的文章。它更是自我叩问之书。之于我，“高中生”只是个象征符号，“过期的”则是个不太重要的年龄数字。高中生，其实也可以改头成小学生、大学生，或者社会人，而无论贴上什么标签，关键只在于是否仍对世界和生命抱持着探索的热情和探奇的欲望。｜song list｜片头曲：Sonata for Piano and Violin in E minor K. 304: 2. Tempo di minuetto片尾曲：12 Variations on "Ah, vous dirai-je, Maman", K.265 (300c)｜timeline｜01:53 《你不必着急成为一个大人》是自我叩问之书05:24 我希望女儿不要读我的文章，同样我也不敢读她的文章11:22 温柔是基于康德的“无上律令”，对自己提出的要求和期待18:07 接受自己是个“不完美”父亲，遗憾常有，有些事情就let go吧26:02 面对原生家庭问题，和解或是斗争都是个体的命运选择30:10 成长并非一个瞬间，而是点点滴滴的积累39:55 孩子的自由与管教如何平衡？44:37 乐观也是一种人生策略48:26 你是谁的父亲不重要，你是谁才最重要57:37 原生家庭的困境往往因社会支撑缺失而被放大1:02:10 对任何人都可以有期待，但永远无法控制1:06:32 成为父亲和丈夫以来最大的变化，是学会站在别人的角度看自己1:11:19 “家辉”背后的家族记忆与责任传承｜本期嘉宾｜马家辉，曾任职于广告公司、报社、杂志社，后赴美留学，先后取得美国芝加哥大学社会科学硕士、美国威斯康星大学社会学博士学位。曾担任《明报》副总编辑。出版散文集《大叔》《死在这里也不错》等。长篇小说《龙头凤尾》和《鸳鸯六七四》获多个文学奖项，有韩文及法文译本。现正撰写“香港三部曲”第三部《双天至尊》。｜相关链接｜本书是著名作家马家辉、张家瑜合著的散文集。自女儿出生之日起的成长轨迹与亲子互动片段，父母在女儿不断成长、转变过程中的喜悦、烦恼、惶惑和反省，在或轻快或深情的笔端一一呈现。父母心情熔铸一体，将温暖朴素的爱藏在日常岁月中，立体地展现了在孩子成长中，父母如何成为现在的父母。在整个过程中，他们一同经历了挫败并获得成长满足、失望，以及笑声和泪水促成了他们生命的惊喜与灵魂的更新。每个人都有自己的花期按照自己的节奏开花长大就好。｜节目中提到的书籍和电影｜《你不必着急成为一个大人物》作者：马家辉《大叔：我们终于可以聊聊走过的路》作者：马家辉《我是开豆腐店的，我只做豆腐》作者：小津安二郎《父亲的道歉信》作者：向田邦子《宛如阿修罗》导演：是枝裕和《年轻气盛》导演：索伦蒂诺《封神第一部：朝歌风云》导演：乌尔善｜相关图片｜逛模型店秋叶原李小龙模型61岁正是拼的年纪环球影城马老师爱扭蛋和抓娃娃机【收听平台】小宇宙｜喜马拉雅｜苹果播客｜网易云音乐｜荔枝｜蜻蜓FM｜QQ音乐｜酷我音乐｜酷狗音乐｜懒人听书｜微博音频｜三联中读｜听听FM｜猫耳FM｜Spotify｜YouTube｜关注我们｜移步点击日谈公园品牌官网（链接：https://www.ritanbbpark.com），了解更多微信公众号：日谈公园微博：@日谈公园小红书：日谈公园即刻：日谈李小日B站：日谈公园｜商务合作｜欢迎发送邮件至 bbpark@ritanbbpark.com

Righteous fiddling friend of the band, Allie Kral jumps on mic to get real deep in the shallow end with Andy & Nick. Don't miss electric reveals of who-kissed-who's and an honest discussion on the repercussions of chucking heavy objects at smarmy bandmates whilst driving on the road in the tour van. Plus! All sorts of updates relevant to your musical interests. Now you can see these rock n' roll ding-dongs in color, should you choose to watch this episode *exclusively* on Volume.com We're psyched to partner up with our buddies at Volume.com! Check out their roster of upcoming live events and on-demand shows to enrich that sweet life of yours. Call, leave a message, and tell us who you think the essential American rock band is today: (720) 996-2403  Check out our new album!, L'Optimist on all platforms Follow us on Instagram @worldsavingpodcast For more information on Andy Frasco, the band and/or the blog, go to: AndyFrasco.com Produced by Andy Frasco, Nick Gerlach, Joe Angelhow, & Chris Lorentz Audio mix by Chris Lorentz Featuring: Mara Davis