Podcasts about Concerto

A Banda de Música Municipal da Estrada celebrará este sábado o Concerto de Santa Icía no Teatro Principal A Estrada prepárase para unha das citas musicais máis destacadas do ano: o Concerto de Santa Icía, que terá lugar este sábado 22 de novembro ás 20:00 horas no Teatro Principal. A actuación, organizada pola Banda de Música Municipal da Estrada e dirixida por Álvaro Varela Ferradáns, reunirá máis de setenta músicos sobre o escenario. O repertorio escollido para esta edición destaca pola súa diversidade estilística e polo equilibrio entre música clásica, contemporánea e creación galega. O público poderá gozar da brillante Overture to “Candide” de Leonard Bernstein, da potente Danza Sinfónica de James Barnes, da obra Pórtico do compositor estradense Antón Alcalde, e da espectacular Abertura 1812 de Tchaikovsky, unha das pezas sinfónicas máis populares e impoñentes do repertorio mundial. O concerto completarase con Pepe Núñez, do compositor Juan Sánchez, que achegará un toque máis cercano e festivo ao programa. A entrada será gratuíta, mais será necesaria a retirada previa de convites no Departamento de Cultura do Concello da Estrada, debido á elevada demanda que adoita acompañar esta celebración. O director da banda, Álvaro Varela, destaca que esta cita é “un momento de encontro coa veciñanza e unha oportunidade para poñer en valor o traballo e a ilusión de todos os músicos”, ao tempo que subliña a importancia de manter viva esta tradición ligada á patroa da música. O Concello da Estrada e a banda municipal convidan a toda a cidadanía a asistir e desfrutar dun concerto que promete emoción, calidade artística e unha interpretación chea de entrega por parte dos máis de setenta integrantes da formación. ️Se che gustan os contidos "SUSCRÍBETE" ao podcast MÁIS ENTREVISTAS: https://www.ivoox.com/podcast-salta-da-cama_sq_f1323089_1.html Máis Información e outros contidos: ✔️Facebook: https://www.facebook.com/PabloChichas ✔️Twitter: https://twitter.com/pablochichas ✔️Instagram: https://www.instagram.com/pablochichas/ ✔️ TikTok: https://www.tiktok.com/@pablochichas

durée : 00:05:18 - avec Greg Anderson et Elizabeth Joy Roe - Ce matin, nous écoutons l'Allegro con spirito du Concerto brandebourgeois n°3 en Sol Maj (BWV 1048) interprété par le duo de piano formé par Greg Anderson et Elizabeth Joy Roe. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:05:18 - avec Greg Anderson et Elizabeth Joy Roe - Ce matin, nous écoutons l'Allegro con spirito du Concerto brandebourgeois n°3 en Sol Maj (BWV 1048) interprété par le duo de piano formé par Greg Anderson et Elizabeth Joy Roe. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:03:55 - Les cent ans du Concerto pour piano de Gershwin - par : Max Dozolme - Ce samedi à 20 heures au Bal Blomet dans le 15e arrondissement parisien, le pianiste Guillaume Cornut et l'ensemble Saxo Voce dirigé par Johan Farjot interprètent le Concerto pour piano en fa de George Gershwin, une œuvre classique mais aussi très jazzy créée en 1925 . Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:04:49 - Le secret du Concerto de Clara Schumann - par : Max Dozolme - Max Dozolme nous livre un secret dissimulé dans quelques mesures du "Concerto pour piano en la mineur" de Clara Schumann ! À l'occasion de la sortie de l'ouvrage "Petites histoires féminines de la grande musique" d'André Peyrègne aux éditions Desclée de Brouwer. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:04:43 - Le Bach du matin du mardi 18 novembre 2025 - Au programme de ce matin, le mandoliniste Avi Avital interprète l'Allegro du Concerto en Ré mineur BWV 1060 dans un arrangement pour mandoline, flûte à bec, cordes et basse continue. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:04:43 - Le Bach du matin du mardi 18 novembre 2025 - Au programme de ce matin, le mandoliniste Avi Avital interprète l'Allegro du Concerto en Ré mineur BWV 1060 dans un arrangement pour mandoline, flûte à bec, cordes et basse continue. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

In this special episode, recorded live at New World Symphony's Wellness Week, four leading voices in musician wellness come together to share powerful strategies for navigating the mental, physical, and emotional demands of a music career. You'll learn: ·         How to recover from a tough performance without spiraling into shame or self-doubt ·         The mindset shift that separates your identity from your results ·         Why your body holds the key to emotional regulation and performance ease ·         How to build self-trust by understanding your nervous system ·         Tools to manage your inner critic and perfectionist tendencies ·         Practical ways to bring more awareness and intention into your practice ·         Why real growth requires both mental flexibility and physical freedom ·         How collaborative wellness approaches are changing the future of classical music Featuring insights from: ·         Dr. Noa Kageyama – Performance psychologist, Juilliard faculty, and creator of The Bulletproof Musician - https://bulletproofmusician.com/ ·         Lori Schiff – Master Alexander Technique teacher and long-time Juilliard faculty member - https://www.lorischiff.com/ ·         Dr. Coree Levy – Performance medicine and recovery expert working with elite musicians and athletes - https://www.drcoreelevy.com/ ·         Renée-Paule Gauthier – Violinist, performance coach, and host of the Mind Over Finger Podcast - https://www.mindoverfinger.com/ This conversation is packed with tools and insights you can start using right away to show up with more freedom, confidence, and clarity in your musical life.   If you're ready to step on stage with confidence, perform at your best, and finally feel secure in your playing, let's talk! Book a free discovery call and let's create a plan to get you there. Are you ready to take your playing and career to the next level and create a life that feels purposeful and joyful? Let's connect and explore how personalized coaching can support your journey. Click here to schedule your free consultation, and let's start turning your goals into reality.   Book your FREE Music Mastery Experience Discovery call with Renée HERE Book your free consultation with Renée HERE Download the transcript from this episode HERE   Mind Over Finger Click www.mindoverfinger.com/coaching to book your free consultation with me. Visit MindOverFinger.com for my online courses as well as free resources on peak performance. Grab my free workshops and PDF downloads by going to www.mindoverfinger.com/resources. Connect: https://www.youtube.com/@MindOverFinger https://www.facebook.com/mindoverfinger/ https://www.facebook.com/groups/mindoverfinger https://www.instagram.com/mindoverfinger/     THANK YOU: Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme:  Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson.

durée : 01:58:38 - La musique symphonique britannique I : Sir Edward Elgar - par : Christian Merlin - L'un des fils rouges de cette saison sera une exploration de la musique orchestrale britannique, trop méconnue sur le continent. D'Elgar, on connaît le Concerto pour violoncelle et la Marche "Pomp and Circumstance", mais qui sait qu'il a composé trois symphonies et des poèmes symphoniques ? - réalisé par : Marie Grout Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

STANDARS SEMANAL.-Honeysuckle rose.-VINILOSMITICOSDELJAZZ.-951.George Russell The RCA Victor Jazz Workshop.-JAZZACTUALIDAD.-STEINBERT-COBOS QUARTET Título: The Jazz Workshop. Músico: George Russell. Acompañantes: Art Farmer (tp); Barry Galbraith (g); Hal McKusick (sa); Milt Hinton & Teddy Kotick (b); Bill Evans (p); Joe Harris, Osie Johnson & Paul Motian (dm). Fecha de Grabación: 1956. Lugar de Grabación: New York. Sello Discográfico: RCA. Nº de temas: 14. Formato: CD. Instrumento: Piano. Estilo: Hardbop. Nº de Serie: 743215 91442 Año de Edición: 1998. Duración: 56:01 Calificación: 4*1/2. Comentario: Este disco, editado y grabado originalmente grabado para el sello RCA, fue el debut del compositor/arreglista George Russell como líder. Al programa original (que incluye números como «Ye Hypocrite, Ye Beelzebub», «Livingstone I Presume», «Ezz-thetic» y «Knights of the Steamtable») se le han unido segundas versiones alternativas de «Ballad of Hix Blewitt» y «Concerto for Billy the Kid». Al escuchar la música, es difícil creer que Russell sólo utilizó un septeto (compuesto por el trompetista Art Farmer, el saxo alto, Hal McKusick, el guitarrista Barry Galbraith, el pianista Bill Evans, uno de los dos bajistas y uno de los tres bateristas). Los temas son muy densos, las armonías bastante originales y lo importante de esta grabación, es que el sexteto, suena a veces como si fuese una gran orquesta. Russell se hizo acompañar por algunos de los músicos más versátiles y técnicamente hábiles de la época, varios de los cuales trabajaban regularmente en los estudios de la RCA. Recomendado. -STEINBERT-COBOS QUARTET.- Grabado, mezclado y masterizado por Curro Ureba en Trafalgar Estudios (El Palmar, Vejer, Cádiz), este primer trabajo define una clara línea de intersección que gira en torno a la personalidad individual de estos dos guitarristas y su afinidad a la hora de crear un lenguaje común. Composiciones complementarias como la dinámica Simple Things o la elegante Pictures firmadas por Steinbert y Cobos respectivamente dan muestras de la complicidad entre ambos bajo las magníficas premisas establecidas por Ander García y Nacho Megina en la sección rítmica. Alein Steinbert firma con sabor a Bossa Overthinking y la trepidante Relaxin’ at Casa Pueblo para pasar el testigo a Alex Cobos con Blue Serenade. La banda abre nuevos espacios donde cohabitan juegos rítmicos e improvisación en temas como Nothing new o Winter´s Lullaby, con el aporte esencial de Ander Garcia en esta última. Tanto Last Chance como Bossa the Breeze nos proponen una nueva dinámica cargada de color y nuevas texturas para concluir con Full House un tema original de Wes Montgomery arreglado por Steinbert y Cobos para la ocasión. Steinbert y Cobos nos descubre a dos experimentados artistas que pese a su gran bagaje y sabiduría, mantienen intacta la esencia de aquellos que simplemente juegan con los objetos que aman. Valientes y decididos, con la inocencia del niño por descubrir nuevos lenguajes, sin más propósito que disfrutar creando.

Præludium: Johann Pachelbel: Ak Gud, fra himlen se herned Davidssalme: 116,5-8 Salme: 305 "Kom, Gud Helligånd, kom brat!" Fra det N.T.: Filipperbrevet 1, 6-11 Trosbekendelsen Salme: 522 "Nåden er din dagligdag" Postludium: Johann Sebastian Bach: 5. sats fra Concerto d-mol efter Vivaldi, BWV 596

Che bello scoprire una nuova generazione di compositori provenienti dall'America. Dopo aver parlato di donne del passato, in questo episodio ci contreremo su una di loro, Jennifer Higdon, vivente, che sta componendo opere di buona qualità, belle e spesso profonde. La Higdon è nata il 31 dicembre 1962 a Brooklyn, New York. A oggi, ha vinto un Premio Pulitzer e tre Grammy. In questa biografia, sono contento di scoprire qualcosa su di lei. Biografia di Jennifer Higdon La Higdon ha iniziato a suonare il flauto all'età di 15 anni. Tre anni dopo, si è laureata in flauto alla Bowling Green State University, dove è stata incoraggiata a esplorare la composizione. A 21 anni si era affermata come compositrice. Ha poi conseguito un diploma d'artista presso il Curtis Institute, dove ha studiato con David Loeb e Ned Rorem. Sono passati alcuni decenni e ora è diventata una figura di spicco della musica classica contemporanea. Ha scritto opere per orchestra, ensemble di fiati, ensemble da camera, voce e coro. Secondo Fanfare Magazine la sua musica ha “la particolarità di essere allo stesso tempo complessa, sofisticata ma facilmente accessibile emotivamente”. Secondo il Times di Londra è “radicata, ma intrisa di integrità e freschezza”. La League of American Orchestras riferisce che è una delle compositrici d'America più eseguite. Dicevamo che ha vinto dei premi, fra cui il Premio Pulitzer 2010 per il suo Concerto per violino e 3 Grammy Awards per la Migliore Composizione Classica Contemporanea per il suo Percussion Concerto (2010), per il suo Viola Concerto (2018) e per il suo Concerto per arpa (2020). Consigli per l'ascolto Opere orchestrali e concerti Viola Concerto (2015) - Vincitore del Grammy Award 2018 per la Migliore Composizione Classica Contemporanea. Percussion Concerto (2005) - Vincitore del Grammy Award 2010 per la Migliore Composizione Classica Contemporanea. Blue Cathedral per flauto, clarinetto e orchestra (1999) - Un delizioso pezzo orchestrale che è diventato uno dei preferiti dalle orchestre americane e dal loro pubblico. All Things Majestic per orchestra (1911) – Un pezzo di 25 minuti per orchestra che descrive 3 ambientazioni all'aperto (The Tetons, String Lake e The Snake River) e si conclude con una rappresentazione sonora di cattedrali. Opere da camera Sly Quartet Amazing Grace Sonata for Viola e Piano Dark Wood String Trio Opere corali O Magnum Mysterium (2002) – Un pezzo di sette minuti per piccolo coro. Love Came Down (2022) – Un'ambientazione calda e incantevole di una poesia natalizia di Christine Rossetti. Qualcuno ha definito questo pezzo “quattro minuti di pura bellezza”. Conoscevate Jennifer Higdon?

Prepare to dive into the depths. Belfast sludge-groove trio The Boat Sank unveil their brand-new EP, Concerto of the Deep, in an exclusive feature on The Metal Cell Podcast. The Boat Sank consist of Chris (Drums), Charlie (Guitar/Mixing & Mastering), Leighton (Bass). This special episode includes a track-by-track preview, featuring guest vocals from some of the lads biggest inspirations in the Irish Metal Scene. An ep which is a tribute to creativity, friendship, and the depths we all share. Featuring exclusive interviews with guest vocalists Andy Ennis (Imperial Demonic, Domhain & Overoth), Ian Booth (Haint/Stand-Up Guy) and Ryan Adair (Solothurn) who helped bring the myths of the deep to life and the challenges and inspiration behind each collaboration. 1. Neptune's Wrath (feat. Andy Ennis) 2. The Atlantean (feat. Ryan Adair) 3. Cry Wolf (feat. Ian Booth) 4. Man, Bear, Pig (feat. Ben Graves – Triggertone) 5. Ruins (feat. Jude Milk – Acid Age) 6. Contagion (feat. The busted ass voices of The Boat Sank) TheBoatSank #ConcertoOfTheDeep #TheMetalCellPodcast #SludgeGroove #BelfastMetal #MythologyInMetal #HeavyMusic #MetalPodcast #EPLaunch Band links: https://theboatsank.bandcamp.com/ https://www.facebook.com/Theboatsank/

Programa dedicado a explorar algunas de las más notables composiciones creadas para dúos de instrumentistas de música clásica.  Producción y selección realizada por Carolina Valdés con la locución de Sergio Morales. Martes a las 12:00 hrs en el 95.1 FM y www.radioudec.cl

Met ditmaal: Guided By Voices, The Covids, Claw Boys Claw, The Lemonheads, Hüsker Dü, Psychedelic Porn Crumpets, Mavis Staples, Hatchie, zZz, Alice In Chains, Whiskey Myers, Holy Sons, plus een exclusieve instore van Tim Knol. Concerto Radio, aflevering 6212 (14 november 2025): Guided By Voices, Siren: Thick Rich And Delicious The Covids, No Kids: Pay […]

durée : 00:28:38 - La musique symphonique britannique I - Sir Edward Elgar (4/4) : de Falstaff à la Symphonie n°3 - par : Christian Merlin - L'un des fils rouges de cette saison sera une exploration de la musique orchestrale britannique, trop méconnue sur le continent. D'Elgar, on connaît le Concerto pour violoncelle et la Marche "Pomp and Circumstance", mais qui sait qu'il a composé trois symphonies et des poèmes symphoniques ? - réalisé par : Marie Grout Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

ReferencesGuerra, DJ. 2025 Unpublished LecturesFront Physiol. 2021 Jun 15;12:670977Pisendel, JG. 1730. Concerto for Violin and Orchestra D Majorhttps://music.youtube.com/watch?v=LM8OFQntSoo&si=QUbZn94z7ru_1WszHunter/ Garcia. 1972. China Cat/Know You Rider live Europe 72' Dead.https://music.youtube.com/watch?v=xCgZxrf8nrU&si=_JEOj_tFiYVoPAqf

Comments/ideas: theasiaclimatecapitalpodcast@gmail.com Explore the powerful links between climate, health, and development. Hear from Vera Siesjö how the Asia Infrastructure Investment Bank is tackling health challenges in Asia and beyond. Discover how climate change, digital innovation, and infrastructure investment shape health for millions. Learn why a healthy planet means healthier lives.REF: INFRASTRUCTURE FOR PLANETARY HEALTHABOUT VERA: Vera Siesjö is a global health leader with nearly two decades of international experience advancing planetary health, health systems transformation, and sustainable development. At the Asian Infrastructure Investment Bank (AIIB), she leads the Bank's thought leadership agenda at the nexus of health, nature, climate, and inclusion—helping shape strategies that connect human well-being with the resilience of our planet. Before joining AIIB, Vera held leadership roles across leading international organizations. As Advisor to the Swedish International Development Cooperation Agency (Sida), she oversaw health programs across Asia, North Africa, and the Middle East. She also served as Senior Program Officer and founding team member of the Defeat NCD Partnership at UNOPS in Geneva, and as Director of ACCESS Health International, a global think tank and implementation partner working to accelerate health systems reform worldwide. Throughout her career, Vera has led pioneering initiatives in health financing, climate and health integration, digital innovation, and people-centered healthcare. She has contributed to the creation and management of key global collaborations, including the Center for Health Market Innovation and the Joint Learning Network for Universal Health Coverage. An entrepreneur at heart, Vera co-founded E-Pharma and continues to advise several health sector startups driving innovation and equity in care. Vera holds a Doctor of Psychology from UP and a Master's in International Public Health from the University of Sydney.FEEDBACK: Email Host | HOST, PRODUCTION, ARTWORK: Joseph Jacobelli | MUSIC: Ep0-29 The Open Goldberg Variations, Kimiko Ishizaka Ep30-50 Orchestra Gli Armonici – Tomaso Albinoni, Op.07, Concerto 04 per archi in Sol - III. Allegro. | Ep51 – Brandenburg Concerto No. 4 in G, Movement I (Allegro), BWV 1049 Kevin MacLeod. Licensed under Creative Commons: By Attribution 4.0 License

Marco Galli presenta l'esclusivo podcast di Tutto Esaurito

durée : 00:28:39 - La musique symphonique britannique I - Sir Edward Elgar (3/4) : Symphonies n°1 et 2 - par : Christian Merlin - L'un des fils rouges de cette saison sera une exploration de la musique orchestrale britannique, trop méconnue sur le continent. D'Elgar, on connaît le Concerto pour violoncelle et la Marche "Pomp and Circumstance", mais qui sait qu'il a composé trois symphonies et des poèmes symphoniques ? - réalisé par : Marie Grout Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Classical trumpeter Mary Elizabeth Bowden joins Rick and Ron again for another episode of the Feeding the Starving Artist podcast. Mary Elizabeth is a highly in-demand soloist, praised for her “splendid, brilliant” playing (Gramophone Magazine) and her “pure, refined, and warm” tone (American Record Guide). A Gold Medal Global Music Award Winner, Opus Klassik Nominee, and Yamaha Performing Artist, Bowden works diligently to establish a new repertoire for the trumpet through creative, collaborative commissioning projects and award-winning albums.Highlights of Bowden's recent seasons include her debut with the Santa Fe Symphony, as well as prominent engagements with major international ensembles. During the 2022/2023 season, she performed as a soloist with the Busan Maru International Music Festival Orchestra in Korea and toured five cities in Argentina, performing Assad's Bohemian Queen with the Shenandoah Conservatory Orchestra. She served as faculty at the Norfolk Chamber Music Festival in summer 2022. Other recent performances include four world premiere concertos. Highlights include her debut with the Chamber Orchestra of Philadelphia, where she performs a program including Clarice Assad's Concerto for Trumpet and Orchestra and Shostakovich's Concerto in C minor for Piano, Trumpet, and String Orchestra with pianist Henry Kramer. In another key debut, Bowden appears as a soloist with the Austin Symphony Orchestra, performing Reena Esmail's Rosa de Sal and Assad's Bohemian Queen. With the DuPage Symphony, she premieres a new arrangement of Gala Flagello's Persist, newly arranged for two trumpets, and performs as soloist on Grace Williams' Trumpet Concerto. She debuts with Oregon's Rogue Valley Symphony in Henri Tomasi's Concerto for Trumpet and Orchestra before touring the Fung and Assad concertos to the Anchorage Symphony Orchestra, Seattle Metropolitan Chamber Orchestra, Akron Symphony Orchestra, Lexington Philharmonic, and Wichita Falls Symphony Orchestra.Bowden holds residencies and masterclasses at Oberlin College, Swarthmore College, the University of Michigan, Rogue Valley Symphony Orchestra, Central Michigan University, Michigan State University, Western Michigan University, Haverford College, Grand Valley State University and the Fine Arts Center of Greenville, SC. International engagements bring Bowden to the Isla Verde Bronces International Brass Festival in Argentina, Festival de Metales del Pacifico in Mexico, and Lieksa Brass Week in Finland. Bowden's Chrysalis Chamber Players embark on a U.S. tour of trumpet and string quartet repertoire, presented by Live On Stage, and with Seraph Brass, Bowden is recording an album of new compositions for brass quintet for Tower Grove Records.

durée : 00:28:42 - La musique symphonique britannique I - Sir Edward Elgar (2/4) : Pomp and Circumstance, Cockaigne, In the South - par : Christian Merlin - L'un des fils rouges de cette saison sera une exploration de la musique orchestrale britannique, trop méconnue sur le continent. D'Elgar, on connaît le Concerto pour violoncelle et la Marche "Pomp and Circumstance", mais qui sait qu'il a composé trois symphonies et des poèmes symphoniques ? - réalisé par : Marie Grout Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:28:37 - La musique symphonique britannique I - Sir Edward Elgar (1/4) : Froissart, Enigma, Gerontius - par : Christian Merlin - L'un des fils rouges de cette saison sera une exploration de la musique orchestrale britannique, trop méconnue sur le continent. D'Elgar, on connaît le Concerto pour violoncelle et la Marche "Pomp and Circumstance", mais qui sait qu'il a composé trois symphonies et des poèmes symphoniques ? - réalisé par : Marie Grout Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:04:04 - Le Bach du matin du lundi 10 novembre 2025 - Le claveciniste français Justin Taylor interprète le premier mouvement du Concerto italien en Fa majeur BWV 971. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:04:04 - Le Bach du matin du lundi 10 novembre 2025 - Le claveciniste français Justin Taylor interprète le premier mouvement du Concerto italien en Fa majeur BWV 971. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

This week, Donald Macleod explores the life and music of the often overlooked younger Haydn brother, Michael. From his early years in Vienna to his long tenure in Salzburg, Michael Haydn's career was shaped by family ties, shifting patronage, and ecclesiastical politics. His relationship with the Mozart family ranged from friendly collaboration to bitter rivalry, and his music—both sacred and secular—reflected the changing demands of the church and court. As he aged, Michael faced new opportunities and challenges, including a long-awaited reunion with his brother Joseph and a prestigious job offer that stirred unexpected doubts.Requiem in C minor pro defuncto Archiepiscopo Sigismund, MH 155 Symphony No 32 in D Major, P 23 Missa Sancti Aloysii, MH 257 Concerto for Harpsichord and Viola in C major, MH 41 Missa Sanctae Crucis, MH 56 Symphony in B flat major, MH 82 Trumpet Concerto in C major, MH 60 Die Hochzeit auf der Alm Notturno in F major, MH 185 Missa Sancti Hieronymi Symphony No 24 in A major, P 15 Tenuisti manum, MH 695 Missa Quadragesimalis, MH 552 Divertimento in C major, P 98 Ninfe inbelli Missa Sancta Theresiae Der Obersulzer Wein, MH 697 Abendlied, MH 784 Trinklied im Freien, MH 790 Flute Concerto in D Major MH 81 Divertimento in C, MH 600 Missa sub titulo Sancti Leopoldi, MH 837 Endimione: Vado per un momento Presented by Donald Macleod. Produced by Chris Taylor for BBC Audio Wales & West. For full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Michael Haydn https://www.bbc.co.uk/programmes/m002lcjr. And you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z.

Aujourd'hui, nous sommes le 9 novembre et nous fêtons la Dédicace de la Basilique du Latran.En ce dimanche où Jésus oriente nos cœurs vers l'essentiel, je prends le temps de me mettre en Sa présence, lui qui est le Temple véritable. « Seigneur donne moi d'être le Temple vivant de... Chaque jour, retrouvez 12 minutes une méditation guidée pour prier avec un texte de la messe ! A retrouver sur l'application et le site www.prieenchemin.org. Musiques : The Kingdom of God de The community of Taizé interprété par - Chants d'assemblée, vol. 1 © Communauté du Chemin Neuf ; Concerto in D Minor BWV1043 Largo de Johann Sebastian Bach interprété par Daniel Estrem - Baroque Concertos on 8 String Guitar © Creative Commons by-nc-sa license from Magnatunes.

Met ditmaal: The Lemonheads, The Charlatans, Paul Weller, Whiskey Myers, zZz, Holy Sons, The Belair Lip Bombs, St. Paul & The Broken Bones, Militarie Gun, Dead Can Dance, The Bats, Sloan, Greg Freeman, Sleaford Mods, plus een exclusieve instore van Awkward I. Concerto Radio, aflevering 621 (7 november 2025): The Lemonheads, Cell Phone Blues: Love […]

Estamos de volta para mais um episódio do SHOWCASE! Hoje temos connosco o artista luso-sueco Filipe Karlsson. Com um novo single acabadinho de sair, o Filipe contou-nos tudo sobre a preparação para o concerto no Coliseu dos Recreios e revelou alguns detalhes sobre o processo de criação do seu primeiro álbum. 00:00 - Intro00:45 - Início de carreira a solo de Filipe Karlsson01:20 - Querer fazer música desde miúdo02:21 - Lá Vem o Sol, primeiro álbum de Filipe Karlsson05:13 - Trabalhar com outros artistas na produção do álbum06:17 - Colaboração com Mishlawi 06:50 - Lançar um álbum em três partes07:41 - Impacto da música na nossa personalidade08:23 - Novo single de Filipe Karlsson09:53 - Processo criativo de Filipe Karlsson12:04 - Concerto no Coliseu dos Recreios15:57 - Perguntas Rápidas17:32 - FinalFicha Técnica:Moderação: João Almeida e Maria RochaCoordenação/Realização: Henrique FerreiraProdução: ESCS FM (Ângela Salgueiro, Bernardo Santos, Gonçalo Martinho e Matilde Ricardo)Captação: Ângela Salgueiro e Henrique FerreiraSom: António Arnaut e Tomás LourençoEdição: Henrique FerreiraDesign: Mafalda TrindadeGenérico: Pryde

durée : 00:02:55 - Le Bach du matin du jeudi 06 novembre 2025 - Le claveciniste Justin Taylor interprète le troisième mouvement "Presto" du Concerto en ré mineur BWV 974, transcrit par Bach d'après le Concerto pour hautbois et cordes en ré mineur d'Alessandro Marcello. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

In this episode, you'll learn: Why your current beliefs—not your ability—might be the real reason behind lack of motivation or progress How to spot the subtle thoughts that quietly shape your practice habits and performance results A powerful mindset shift that helps musicians move from self-doubt to self-trust The truth about where limiting beliefs come from—and how to start letting them go The difference between repeating affirmations and actually practicing belief How to use "bridge thoughts" to shift your mindset when a positive belief still feels out of reach A step-by-step exercise to anchor your new identity as a focused, confident performer Why sometimes you have to "be before you believe"—and how to start doing that today If you've been feeling stuck, distracted, or not quite like yourself in the practice room, this episode will help you uncover what's really going on—and give you the tools to shift it. If you're ready to step on stage with confidence, perform at your best, and finally feel secure in your playing, let's talk! Book a free discovery call and let's create a plan to get you there. Are you ready to take your playing and career to the next level and create a life that feels purposeful and joyful? Let's connect and explore how personalized coaching can support your journey. Click here to schedule your free consultation, and let's start turning your goals into reality.   Book your FREE Music Mastery Experience Discovery call with Renée HERE Book your free consultation with Renée HERE Download the transcript from this episode HERE   Mind Over Finger Click www.mindoverfinger.com/coaching to book your free consultation with me. Visit MindOverFinger.com for my online courses as well as free resources on peak performance. Grab my free workshops and PDF downloads by going to www.mindoverfinger.com/resources. Connect: https://www.youtube.com/@MindOverFinger https://www.facebook.com/mindoverfinger/ https://www.facebook.com/groups/mindoverfinger https://www.instagram.com/mindoverfinger/   THANK YOU: Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme:  Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson.  

durée : 01:28:38 - En pistes ! du mercredi 05 novembre 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Deux partitions que vous aimez déjà ! Et pour cause, ce sont deux chefs-d'œuvre : la Petite messe solennelle de Rossini et le Concerto pour piano de Robert Schumann ouvrent notre émission d'actualité du disque. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 01:28:38 - En pistes ! du mercredi 05 novembre 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Deux partitions que vous aimez déjà ! Et pour cause, ce sont deux chefs-d'œuvre : la Petite messe solennelle de Rossini et le Concerto pour piano de Robert Schumann ouvrent notre émission d'actualité du disque. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

In this episode, Dave and Andrew explore a concerto for orchestra that achieved great heights by, in the words of its creator Steven Stucky, "standing on the shoulders of those who have already cleared the path ahead." But will our hosts appreciate the view? And who were some of the other nominees this year? We also discuss a rule change within the Pulitzer Prize award process that took effect with this year's winner.    If you'd like more information about Steven Stucky, we recommend: "Stucky, Hartke, Crockett: Conversations in Los Angeles." Contemporary Music Review, 10, no. 1 (1994): 51–73. Franklin Crawford, "Steal this concerto, please: An interview with Steven Stucky" Cornell Chronicle, April 21, 2005. Steven Stucky, Lutosławski and his Music (Cambridge: Cambridge University Press, 1981). This Washington Post article about the changes to the music prize from June 2004.

ReferencesGuerra, DJ. 2025. Unpublished LecturesJBC 2016. Volume 291, Issue 8, 19 February:3932-3946Biomarker Res. 2021. volume 9, Article number: 1 Canadian Journal of Cardiology 2025. Volume 41, Issue 9, September:736-1752Hatdn, M. 1757. Violin Concerto in G Major and Concerto for Harpsichord and Viola.https://music.youtube.com/watch?v=WP2vXExDz5k&si=64zQRYANBuYOInZ2 https://youtu.be/rNSuP-3EYV4?si=0dOEGNF0AKxsN9cw

durée : 00:28:06 - Disques de légende du vendredi 31 octobre 2025 - Le fameux concerto pour violoncelle d'Elgar est ici sublimé par le violoncelle de Paul Tortelier, accompagné de l'Orchestre philharmonique de Londres dirigé par Adrian Boult dans une version de 1973. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Comments/ideas: theasiaclimatecapitalpodcast@gmail.com Discover how nature itself is becoming the new infrastructure shaping our future. In this episode, experts from the Asian Infrastructure Investment Bank reveal how wetlands, mangroves, and forests are not just scenery but powerful tools for climate resilience and sustainable economic growth. We discuss innovative finance solutions mobilising private capital, the challenges of valuing natural assets, and why protecting nature is critical for survival, economics, and smart planning.REF: INVESTING IN NATURE AS INFRASTRUCTUREABOUT ERIK: Erik Berglof is the Bank's inaugural Chief Economist. He sets the vision and strategy for the Economics Department and leads the planning, implementation and supervision of its work plan in support of the Bank's mandate. Prior to joining AIIB in September 2020, he was Director of the Institute of Global Affairs, London School of Economics, and Chief Economist of the European Bank for Reconstruction and Development from 2006 to 2015, where he was part of creating, and co-led, the Vienna Initiative, a European crisis response team credited with mitigating the impact of the 2008 Global Financial Crisis. He is an expert in transition economics and institutional transformation through private sector development. He holds a PhD in Financial Economics and an MA in Business and Economics, both from the Stockholm School of Economics. Berglof is from Sweden.ABOUT JP: Jang Ping Thia joined the AIIB in 2016 and is currently the Lead Economist and the Manager of the Economics Department. The department is responsible for economic analysis at AIIB, covering country macroeconomics, debt sustainability analysis, review of project economics, to support investment operations. The department is also responsible for AIIB's flagship publication, the Asian Infrastructure Finance report, which highlights infrastructure development and financing issues. He was previously with the Singapore Ministry of Finance, covering expenditures on security, sports, community and telecommunication infrastructure. With a PhD from the London School of Economics, he also held a stint as the Economics Director at the Ministry of Trade and Industry, overseeing economic forecasting, research and the development of the Economist Service. Working on trade and geography, infrastructure development and finance related issues, his research has been published in various journals.FEEDBACK: Email Host | HOST, PRODUCTION, ARTWORK: Joseph Jacobelli | MUSIC: Ep0-29 The Open Goldberg Variations, Kimiko Ishizaka Ep30-50 Orchestra Gli Armonici – Tomaso Albinoni, Op.07, Concerto 04 per archi in Sol - III. Allegro. | Ep51 – Brandenburg Concerto No. 4 in G, Movement I (Allegro), BWV 1049 Kevin MacLeod. Licensed under Creative Commons: By Attribution 4.0 License

Classical trumpeter Mary Elizabeth Bowden joins Rick and Ron in another episode of the Feeding the Starving Artist podcat. Mary Elizabeth is a highly in-demand soloist, praised for her “splendid, brilliant” playing (Gramophone Magazine) and her “pure, refined, and warm” tone (American Record Guide). A Gold Medal Global Music Award Winner, Opus Klassik Nominee, and Yamaha Performing Artist, Bowden works diligently to establish a new repertoire for the trumpet through creative, collaborative commissioning projects and award-winning albums.Highlights of Bowden's recent seasons include her debut with the Santa Fe Symphony, as well as prominent engagements with major international ensembles. During the 2022/2023 season, she performed as a soloist with the Busan Maru International Music Festival Orchestra in Korea and toured five cities in Argentina, performing Assad's Bohemian Queen with the Shenandoah Conservatory Orchestra. She served as faculty at the Norfolk Chamber Music Festival in summer 2022. Other recent performances include four world premiere concertos. Highlights include her debut with the Chamber Orchestra of Philadelphia, where she performs a program including Clarice Assad's Concerto for Trumpet and Orchestra and Shostakovich's Concerto in C minor for Piano, Trumpet, and String Orchestra with pianist Henry Kramer. In another key debut, Bowden appears as a soloist with the Austin Symphony Orchestra, performing Reena Esmail's Rosa de Sal and Assad's Bohemian Queen. With the DuPage Symphony, she premieres a new arrangement of Gala Flagello's Persist, newly arranged for two trumpets, and performs as soloist on Grace Williams' Trumpet Concerto. She debuts with Oregon's Rogue Valley Symphony in Henri Tomasi's Concerto for Trumpet and Orchestra before touring the Fung and Assad concertos to the Anchorage Symphony Orchestra, Seattle Metropolitan Chamber Orchestra, Akron Symphony Orchestra, Lexington Philharmonic, and Wichita Falls Symphony Orchestra.Bowden holds residencies and masterclasses at Oberlin College, Swarthmore College, the University of Michigan, Rogue Valley Symphony Orchestra, Central Michigan University, Michigan State University, Western Michigan University, Haverford College, Grand Valley State University and the Fine Arts Center of Greenville, SC. International engagements bring Bowden to the Isla Verde Bronces International Brass Festival in Argentina, Festival de Metales del Pacifico in Mexico, and Lieksa Brass Week in Finland. Bowden's Chrysalis Chamber Players embark on a U.S. tour of trumpet and string quartet repertoire, presented by Live On Stage, and with Seraph Brass, Bowden is recording an album of new compositions for brass quintet for Tower Grove Records.

ReferencesProc Natl Acad Sci U S A. 2023 Jan30;120(6):e2219630120.Cells. 2023 Mar 14;12(6):896Guerra, DJ. 2025. Unpublished LecturesHunter, R. 1974 Tales of the Great Rum Runnershttps://music.youtube.com/watch?v=E7Dc_cJQzKw&si=EpCSXN61dFWr5K0ZIbid. Dry Dusty Road.https://music.youtube.com/watch?v=Jj7VoM6LvVw&si=U1geVxRp_-5ZYtFRMozart, WA, 1778. Concerto for Flute Harp and Orchestra in C Major K.299https://music.youtube.com/watch?v=nheif2BuFz0&si=NKLWDFAzlA8ztX8e

In the fiftieth episode of the Inspiring Stewards podcast, Nathan Jones speaks with Sabita Thapa from Kathmandu, Nepal. Born into a non-Christian family, Sabita came to faith in Christ after her father experienced healing. Today, God has her involved in training, counselling, and mentorship with children, women, and teachers. Sabita shares that God is at work in many ways, but we must intentionally position ourselves to live out our faith. She concludes by encouraging listeners to stay attuned to the Holy Spirit and allow Him to work through their lives.We'd love to hear your thoughts, comments, or feedback. To do so, email us at mail@gtp.org.The music is Concerto a' 4 Violini No 2 by Telemann played on classical guitar by Jon Sayles. Published by Exzel Music. Length: 14:34

durée : 00:08:06 - avec Hélène Grimaud - Pour débuter notre émission ce samedi, nous écoutons le Concerto pour clavecin en ré min BWV 1052 : 1. Allegro - version pour piano et orchestre, Avec la Philharmonie de chambre allemande de Brême, à la direction : Florian Donderer, et au piano Hélène Grimaud. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:03:19 - Le Bach du matin du vendredi 24 octobre 2025 - Notre Bach du matin est un Bach arrangé : Antoine Torunczyk transforme les Sonates en trio pour orgue BWV 525 à 530 sous la forme de concertos, interprétés par le Concerto Copenhaguen. Nous écoutons le "Concerto n°7" qui nous vient de la Sonate en trio n°1 en Mi bémol Majeur. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

®La famiglia dei compositori Strauss – Johann Strauss padre, Johann Strauss figlio, Josef e Eduard – ha dominato l'Ottocento viennese ed è riuscita poi a conquistare il mondo, grazie anche al Concerto di Capodanno, che dal Musikverein di Vienna ogni primo gennaio raggiunge milioni di appassionati.Soprattutto Johann Strauss figlio ci ha lasciato centinaia di opere di successo, prime fra tutte il valzer Sul bel Danubio blu e l'operetta Il Pipistrello. Ma chi era quel figlio d'arte, nato nel 1825 e morto nel 1899? E com'era la Vienna del suo tempo? Come fu che il valzer diventò uno dei balli più amati? E quali sono gli ingredienti alla base della sua fama, che già ai suoi tempi era internazionale?Nell'anno del bicentenario della nascita di Johann Strauss figlio, che a Vienna vede un gran numero di eventi a lui dedicati, Flavia Foradini si è messa sulle sue tracce. Con l'aiuto del musicologo Thomas Aigner, della storica Lisa Noggler-Gürtler e della divulgatrice Clara Kaufmann delinea lo sfondo storico della capitale asburgica nel diciannovesimo secolo, da cui emerse il fenomeno Strauss, e disegna un ritratto di un artista che seppe essere un'icona della musica viennese e una vera e propria popstar ante litteram.Prima emissione: 22 maggio 2025undefined

®La famiglia dei compositori Strauss – Johann Strauss padre, Johann Strauss figlio, Josef e Eduard – ha dominato l'Ottocento viennese ed è riuscita poi a conquistare il mondo, grazie anche al Concerto di Capodanno, che dal Musikverein di Vienna ogni primo gennaio raggiunge milioni di appassionati.Soprattutto Johann Strauss figlio ci ha lasciato centinaia di opere di successo, prime fra tutte il valzer Sul bel Danubio blu e l'operetta Il Pipistrello. Ma chi era quel figlio d'arte, nato nel 1825 e morto nel 1899? E com'era la Vienna del suo tempo? Come fu che il valzer diventò uno dei balli più amati? E quali sono gli ingredienti alla base della sua fama, che già ai suoi tempi era internazionale?Nell'anno del bicentenario della nascita di Johann Strauss figlio, che a Vienna vede un gran numero di eventi a lui dedicati, Flavia Foradini si è messa sulle sue tracce. Con l'aiuto del musicologo Thomas Aigner, della storica Lisa Noggler-Gürtler e della divulgatrice Clara Kaufmann delinea lo sfondo storico della capitale asburgica nel diciannovesimo secolo, da cui emerse il fenomeno Strauss, e disegna un ritratto di un artista che seppe essere un'icona della musica viennese e una vera e propria popstar ante litteram.Prima emissione: 21 maggio 2025undefined

durée : 00:05:23 - Le Bach du matin du mardi 21 octobre 2025 - L'Akademie für Alte Musik de Berlin interprète le premier mouvement du Concerto brandebourgeois n°3 en Sol Majeur de Bach. Parmi les musiciens, on entend notamment Antoine Tamestit à l'alto et Isabelle Faust au violon. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

In this inspiring conversation, violinist Randall Goosby shares how he balances technical mastery with deep artistic purpose. He offers insight into the mindset, values, and strategies that have shaped his unique approach to music-making—and how you can bring more meaning into your own playing. In this episode, you'll hear about: ·         The shift from performance perfection to performance purpose ·         How Randall connects with his "why" to stay grounded and inspired ·         Lessons learned from studying with Itzhak Perlman about authenticity and expression ·         The importance of honoring underrepresented voices in classical music ·         How to cultivate intention in the practice room—even on difficult days ·         Strategies for building connection with audiences beyond the stage ·         Why vulnerability is essential to making music that matters Whether you're refining your technique or rediscovering your voice as an artist, this episode offers thoughtful takeaways to help you grow with more clarity, confidence, and connection.   Are you ready to take your playing and career to the next level and create a life that feels purposeful and joyful? Let's connect and explore how personalized coaching can support your journey. Click here to schedule your free consultation, and let's start turning your goals into reality. If you're ready to step on stage with confidence, perform at your best, and finally feel secure in your playing, let's talk!   Book your free consultation with Renée HERE Download the transcript from this episode HERE     MORE ABOUT RANDALL GOOSBY Website:  https://randallgoosby.com/ YouTube channel:  https://www.youtube.com/@RandallGoosbyViolin Facebook:  https://www.facebook.com/rmgviolin/ Instagram: https://www.instagram.com/itsgooz/   Mind Over Finger Click www.mindoverfinger.com/coaching to book your free consultation with me. Visit MindOverFinger.com for my online courses as well as free resources on peak performance. Grab my free workshops and PDF downloads by going to www.mindoverfinger.com/resources. Connect: https://www.youtube.com/@MindOverFinger https://www.facebook.com/mindoverfinger/ https://www.facebook.com/groups/mindoverfinger https://www.instagram.com/mindoverfinger/     THANK YOU: Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme:  Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson.  

Uma possível aldrabice, parabéns em loop e cogumelos artistas.

In this episode, we speak with composer and flutist Dr. Sarah Bassingthwaighte about her groundbreaking Concerto for Double Bass and Orchestra, recently recorded by the London Symphony Orchestra with soloist Stephen Schermer. We dig into Sarah's approach to composition, the experience of writing this piece, balancing a solo bass with a full orchestra, and much more. Enjoy, and check out the sheet music for this cool new piece in our store!   Subscribe to the podcast to get these interviews delivered to you automatically!   Connect With Us Join Our Newsletter - https://jason-heath-llc.ck.page/double-bass-news Double Bass Resources: https://doublebasshq.com/ Double Bass Sheet Music: https://shop.doublebasshq.com/ Double Bass Merch: https://shop.doublebasshq.com/collections/merch   Thank you to our sponsors! Upton Bass - From Grammy Award winners and Philharmonic players like Max Zeugner of the New York Philharmonic, each Upton Bass is crafted with precision in Connecticut, USA, and built to last for generations.  Discover your perfect bass with Upton Bass today!   Carnegie Mellon University Double Bass Studio is a valued part of an innovative fine arts community in a top research university. Students receive weekly private lessons and solo classes with Micah Howard, and Peter Guild teaches weekly Orchestral Literature and Repertoire. They encourage students to seek lessons and guidance from local bassists. Members of the Symphony, the Opera, and the Ballet provide annual classes and individual attention. Visit Micah's website to sign up for a free online trial lesson here. theme music by Eric Hochberg

82版银翼杀手中仿生人Roy 在生命终结前说道「 I've seen things you people wouldn't believe.我所见过之事 人类绝对无法置信Attack ships on fire off the shoulder of Orion.我目睹战船在猎户座一端起火燃烧I've watched c-beams glitter in the dark near the Tannhauser Gate.我看过C射线在唐怀瑟之门附近的黑暗中闪烁All those ... moments 所有这些时刻will be lost in time,终将流逝在时光中 like tears...in rain.如同眼泪 消失在雨中」