Podcasts about Concerto

We will be taking a break from our podcasts while Sarah prepares for the Summer Reading programs! We will have our regular Friday storytimes until the rush for the Summer programs end somewhere after July 20th! Glad to have you listening with us today! Today we have Ms. Sarah reading "Sun Bird by Lindsay Moore" and this book has pretty illustrations so we recommend you to check it out!As always this book was selected from our library! Kids and Parents can read along with us, in this read aloud story time! Be sure to check out your local Library to check out what books they may have! If you prefer E-Books, sign into the Hoopla or Libby app using your Library Card and follow along from there!- Check out the Library Systems official website where you can find links to free resources, school and career guides, and news about our upcoming events! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.pawls.org/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ -Follow us on YouTube and enjoy our backlog of digital story hours and other great content! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.youtube.com/@pawls365⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Original background track is Concerto for Two Violins by Bach.Alterations were made by us to make it fit the length of our content.Brought to you from the Pike-Amite-Walthall Library system.#library #books #pawlskids #kidsstorytime

In this episode, I'm thrilled to schmooze with Sarah Landenwich, author of the gripping new novel 'The Fire Concerto'. This literary page-turner follows a brilliant female musician lost to history and another woman's quest to ensure her legacy endures. Packed with tension, surprises, and vivid portrayals of the brutal realities faced by exceptionally talented women in the 19th century, the book is a tribute to forgotten female musicians, artists, and intellectuals—many of whom Sarah, a classically trained pianist, named her characters after. Hailing from Louisville, Kentucky, where she lives with her husband and daughter, Sarah brings her love of Romantic-period music to this mesmerizing debut. Lauren Belfeer, New York Times bestselling author of And After the Fire and Ashton Hall, calls it “a mesmerizing story of passion, suspense, and heartbreak” that lingers long after the final page. So, grab a seat, and let's explore the music, history, and heart behind The Fire Concerto with Sarah Landenwich!

In this episode, I'm thrilled to schmooze with Sarah Landenwich, author of the gripping new novel 'The Fire Concerto'. This literary page-turner follows a brilliant female musician lost to history and another woman's quest to ensure her legacy endures. Packed with tension, surprises, and vivid portrayals of the brutal realities faced by exceptionally talented women in the 19th century, the book is a tribute to forgotten female musicians, artists, and intellectuals—many of whom Sarah, a classically trained pianist, named her characters after. Hailing from Louisville, Kentucky, where she lives with her husband and daughter, Sarah brings her love of Romantic-period music to this mesmerizing debut. Lauren Belfeer, New York Times bestselling author of And After the Fire and Ashton Hall, calls it “a mesmerizing story of passion, suspense, and heartbreak” that lingers long after the final page. So, grab a seat, and let's explore the music, history, and heart behind The Fire Concerto with Sarah Landenwich!

durée : 02:28:41 - France Musique est à vous du samedi 14 juin 2025 - par : Gabrielle Oliveira-Guyon - Au programme d'aujourd'hui : Un gamin de Paris de Mick Micheyl, Mont blanc d'Otto Schwarz, The Perfect Stranger de Franck Zappa par Pierre Boulez et l'Ensemble intercontemporain et le Concerto d'Aranjuez de Joaquín Rodrigo par Gabriel Feuillâtre. - réalisé par : Emmanuel Benito

Programa dedicado a explorar algunas de las más notables composiciones creadas para dúos de instrumentistas de música clásica.  Producción y selección realizada por Carolina Valdés con la locución de Sergio Morales. Martes a las 12:00 hrs en el 95.1 FM y www.radioudec.cl

Met ditmaal: Mien, Viagra Boys, Pulp, Civic, Ty Segall, The Budos Band, Alan Sparhawk, Jimmy Diamond, Arcade Fire, Throwing Muses, Mad Season, Matt Maltese, Black Lips, Shame, plus een exclusieve instore van Pale Puma. Concerto Radio, aflevering 600 (13 juni 2025): Mien, Evil People: Miien Viagra Boys, Waterboy: Viagr Aboys Pulp, Spike Island: More. Civic, […]

L'interprete toscana a Tortona per la data del suo tour, nel contesto della serata benefica per l'associazione Cucchi: Stefano Brocks l'ha incontrata prima del concerto per una chiacchierata a tema musicale

fWotD Episode 2959: Concerto delle donne Welcome to Featured Wiki of the Day, your daily dose of knowledge from Wikipedia's finest articles.The featured article for Wednesday, 11 June 2025, is Concerto delle donne.The concerto delle donne (lit. 'consort of ladies') was an ensemble of professional female singers of late Renaissance music in Italy. The term usually refers to the first and most influential group in Ferrara, which existed between 1580 and 1597. Renowned for their technical and artistic virtuosity, the Ferrarese group's core members were the sopranos Laura Peverara, Livia d'Arco and Anna Guarini.The Duke of Ferrara Alfonso II d'Este founded a group of mostly female singers for his chamber music series, musica secreta (lit. 'secret music'). These singers were exclusively noble women, such as Lucrezia and Isabella Bendidio. In 1580, Alfonso formally established the concerto delle donne for both his wife Margherita Gonzaga d'Este and reasons of prestige. The new group included professional singers of upper-class, but not noble, backgrounds, under the direction of the composers Luzzasco Luzzaschi and Ippolito Fiorini. Their signature style of florid, highly ornamented singing brought prestige to Ferrara and inspired composers of the time such as Lodovico Agostini, Carlo Gesualdo and Claudio Monteverdi.The concerto delle donne revolutionized the role of women in professional music, and continued the tradition of the Este court as a musical center. Word of the ladies' ensemble spread across Italy, inspiring imitations in the courts of the Medici and Orsini. The founding of the concerto delle donne was among the most important events in secular music in late sixteenth century Italy. The musical innovations established in the court were important in the development of the madrigal, and eventually the seconda pratica.This recording reflects the Wikipedia text as of 00:30 UTC on Wednesday, 11 June 2025.For the full current version of the article, see Concerto delle donne on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm standard Aditi.

durée : 00:19:17 - Disques de légende du mercredi 11 juin 2025 - En 1990, Pollini et Abbado gravent le concerto de Schumann ; au passage, ils mettent aussi en avant le concerto d'Arnold Schönberg, nettement moins fréquent.

durée : 00:19:17 - Disques de légende du mercredi 11 juin 2025 - En 1990, Pollini et Abbado gravent le concerto de Schumann ; au passage, ils mettent aussi en avant le concerto d'Arnold Schönberg, nettement moins fréquent.

We will be taking a break from our podcasts while Sarah prepares for the Summer Reading programs! We will have our regular Friday Storytimes until the rush for the Summer programs end somewhere after July 20th! Glad to have you listening with us today! Today we have Ms. Sarah reading "Dancing Dumplings for my one and only by Eva Wong Nava" A sweet book about loved ones and dumplings!As always this book was selected from our library! Kids and Parents can read along with us, in this read aloud story time! Be sure to check out your local Library to check out what books they may have! If you prefer E-Books, sign into the Hoopla or Libby app using your Library Card and follow along from there!- Check out the Library Systems official website where you can find links to free resources, school and career guides, and news about our upcoming events! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.pawls.org/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ -Follow us on YouTube and enjoy our backlog of digital story hours and other great content! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.youtube.com/@pawls365⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Original background track is Concerto for Two Violins by Bach.Alterations were made by us to make it fit the length of our content.Brought to you from the Pike-Amite-Walthall Library system.#library #books #pawlskids #kidsstorytime

All'Arena del Megaplex Stardust i preparativi per Love 4 Music, Music 4 Love, nuova edizione per la rassegna organizzata da Emanuele Semino ed Enzo Consgno. Quest'anno il ricavato va all'associazione Cucchi, affrettatevi all'acquisto dei biglietti, determinanti per l'acquisto di dispositivi fondamentali per l'assistenza ai pazienti delle cure palliative.

durée : 00:05:06 - Spécial Bac 2/5 : La forme rondo de Bach à Werenoi - par : Max Dozolme - Ce matin on se penche sur le finale "Allegro Assai" du Concerto pour violoncelle en la majeur de Carl Philipp Emanuel Bach. La musique au programme du bac qui peut vous paraître peut-être la plus abstraite et qui se rapproche pourtant le plus des musiques les plus écoutées en France comme le rap !

Hosts Claire and Aarón are back at the Rosin Box, joined this week by Principal Dancers Tiler Peck and Roman Mejia to talk about the relationship between choreographer and dancer in the creation of new works—especially in the case of Tiler's Concerto for Two Pianos from 2024, which featured Roman. As they share, the process is like a conversation between artists on both sides of the studio and relies heavily on trust. Tiler highlights the necessary balance between celebrating individual dancers' strengths with making a timeless work, while Roman describes feeling deeply invested in the success of her ballet's premiere. (34:11)  Edited by Emilie Silvestri Music: "Je ne t'aime plus" by Pink Martini Courtesy of Pink Martini & Heinz Records

Playlist: Tina Davidson, Jasper String Quartet, Natalie Zhu - LeapDorian Wallace, NouLou Chamber Players - Manusa, Concerto for Cello & Chamber OrchestraAnnika Socolofsky, Akropolis Reed Quintet - so much moreDavid Conte, Royal Philharmonic Orchestra - SinfoniettaThomas de Hartmann, INSO-Lviv Symphony Orchestra - Violin ConcertoAmy Brandon, Symphony Nova Scotia - Simulacra

Met ditmaal: Ty Segall, Bambara, The Budos Band, Civic, Matt Berninger, Mike Farris, Dean Wareham, MRCY, Alan Sparhawk, Mazzy Star, Foxwarren, The Ex, Sufjan Stevens, Ghost Woman, plus een exclusieve instore van Pale Puma. Concerto Radio, aflevering 599 (6 juni 2025): Ty Segall, Possession: Possession Bambara, Holy Bones: Birthmarks The Budos Band, Night Raid: VII […]

Il console genarale di Sydney Gianluca Rubagotti parla del concerto dal titolo "Bel canto" che si terrà il 5 giugno al Forum di Leichhardt.

durée : 00:18:03 - Le Disque classique du jour du mercredi 04 juin 2025 - Decca Classics publie l'interprétation du Concerto pour piano n°3 de Rachmaninov avec laquelle le pianiste Sud-Coréen Yunchan Lim s'est démarqué lors du concours Van Cliburn en 2022, remportant le premier prix et devenant le plus jeune médaillé de l'histoire du concours.

durée : 00:18:03 - Le Disque classique du jour du mercredi 04 juin 2025 - Decca Classics publie l'interprétation du Concerto pour piano n°3 de Rachmaninov avec laquelle le pianiste Sud-Coréen Yunchan Lim s'est démarqué lors du concours Van Cliburn en 2022, remportant le premier prix et devenant le plus jeune médaillé de l'histoire du concours.

durée : 01:28:23 - Elisabeth Leonskaja, le piano flamboyant - par : Aurélie Moreau - Elisabeth Leonskaja, légende vivante du piano, a enregistré le 5ème Concerto de Beethoven et son Quintette pour piano et vents avec l'Orchestre Français des Jeunes dirigé par Michael Schønwandt. Ce disque est paru le 23 mai (Warner Classics).

A artista leiriense Inês Condeço inaugurou, no passado dia 20 de Maio, o ciclo “Mardis en Musique”, na Casa de Portugal André Gouveia, na cidade Universitária de Paris. A sua performance foi mais do que um concerto: foi uma viagem sensorial onde se cruzam piano, voz e electrónica, guiada por uma forte componente de improvisação e uma procura por novas sonoridades. Natural de Leiria, Inês Condeço tem vindo a construir um percurso singular, assente na improvisação e na experimentação sonora. “A música começa nas emoções”, explica. “Tento transpor isso para o som, não só através do piano, que me é mais familiar, mas também da electrónica e da minha voz, que comecei a explorar na pandemia", acrescenta.Foi durante esse período de isolamento que Inês Condeço se aproximou da eletrónica: “Comecei a ouvir muita música electrónica e a experimentar com sintetizadores. A improvisação já fazia parte de mim desde criança, e essa curiosidade levou-me a uma sonoridade que, ao início, nem me parecia óbvia, mas que acabou por se tornar muito minha”.A fusão de linguagens; do clássico à eletrónica, não é um exercício de rótulos, mas uma forma de escuta e de expressão. A identidade artística, para Inês Condeço, não se constrói com a intenção de ser diferente, mas com autenticidade: “O mais interessante é fazermos algo com o qual nos identificamos genuinamente. Se isso nos diferencia ou não, já não é o mais importante”, defende.Essa autenticidade sente-se nos seus concertos, muitas vezes compostos por peças improvisadas, moldadas pelo ambiente e pela energia do público: “O que tenho feito nos últimos concertos é uma viagem que 90% é improvisada. Tento perceber a sala, a cidade, a atmosfera. Em Paris, levo também o que estou a absorver daqui”.Improvisar em palco é, para Inês, tanto um desafio como uma necessidade. “Gosto mesmo dessa folha em branco”, afirma. “Estar em palco já é um risco por si só, mas gosto de aproveitar estas oportunidades entre álbuns para explorar e treinar a forma de estar em cena, resolver problemas em tempo real”, descreve.Sobre a relação com o público e a perceção de que a electrónica pode parecer distante ou fria, Inês é clara: “A voz é o elemento mais humano que podemos utilizar. Cria uma ponte entre o mundo electrónico e algo mais orgânico, como o piano. Eu não vejo a eletrónica como fria, vejo-a como muito rica e expressiva”.Os seus concertos são descritos como “viagens sonoras” por quem os presencia, mesmo por quem não está habituado a ouvir música electrónica. “O importante é que haja uma disponibilidade emocional para seguir essa viagem”, diz, sem esconder o entusiasmo por um género que considera essencial ao seu caminho criativo.A actuação em Paris representou um passo importante na sua internacionalização, algo que vê com naturalidade e entusiasmo. “Tocar numa cidade como Paris é uma oportunidade incrível. Estar em contacto com outras culturas e experiências enriquece sempre: a nós e à nossa música”, explicou.O futuro inclui um segundo álbum já em desenvolvimento, que promete acentuar ainda mais o contraste e a expressividade da sua estética sonora. “Sinto que agora tenho mais recursos, mais ideias. O próximo álbum vai ter mais electrónica, mais piano e a voz manipulada de uma forma diferente. Vai ser ainda mais contrastante e, acima de tudo, ainda mais meu”, concluiu.

Kadiatu Kanneh-Mason on what it takes to keep up with her seven children — all of them gifted classical musicians (R).Kadiatu is a former English academic and the mother of seven extraordinary children.All of them are gifted classical musicians.Her eldest daughter, Isata wrote and performed her first piano concerto at the age of eleven.Her son Sheku mastered the cello and performed at the royal wedding of Harry and Megan Markle.Every day the seven Kanneh-Masons, who range from early teens to the mid-twenties, fill the family home with glorious, sometimes chaotic, music.This episode of Conversations explores music education, classical music, accessibility to music, Isata, Braimah, Sheku, Konya, Jeneba, Aminata, Mariatu, piano, violin, cello, orchestra, state school, public education, big families, motherhood, fatherhood, prejudice, mixed race families, music is for everyone, how to learn the violin, gifted children, raising gifted children, gifted and talented.Further informationHouse of Music: Raising the Kanneh-Masons is published by Oneworld.Kadiatu's newest book, also published by Oneworld, is called To Be Young Gifted And Black.

In the forty-fifth episode of the Inspiring Stewards podcast, Nathan Jones speaks with Ronald Blonk from the Netherlands. Ronald, founder of Let's Go, leads a ministry that develops curriculum for children, combining biblical teaching, environmental care, and sustainable farming practices. He shares how God called him to serve as a fundraiser and later inspired him to create a curriculum that empower children, especially in under-resourced communities. Ronald underscores the importance of stewardship, urging listeners to embrace their role in caring for both people and the environment. He closes with a powerful reminder: actions speak louder than words in advancing God's kingdom.We'd love to hear your thoughts, comments, or feedback. To do so, email us at mail@gtp.org.  The music is Concerto a' 4 Violini No 2 by Telemann played on classical guitar by Jon Sayles. Published by Exzel Music. Length: 10:51

Dr. Erik Ellis is Assistant Professor of Classical Education at the University of Dallas. After graduating from the University Scholars Program at Baylor University with concentrations in Greek and Latin, Dr. Ellis received an MA in History from the same institution and served as a middle school and high school Latin teacher for five years in Tulsa, Oklahoma. Along with Latin, Dr. Ellis was privileged to teach history, logic, and French, the last of which had a decisive effect on his teaching of Latin. Two years into his teaching career, Dr. Ellis began researching and investigating communicative language pedagogy and its application to classical languages. After attending and offering workshops with the Oklahoma Foreign Language Teachers Association, SALVI, and Fr. Reginald Foster, Dr. Ellis left secondary teaching to continue his education. He received an MA in Classics, a Master of Medieval Studies, and a Doctorate in Medieval Studies at the Medieval Institute of the University of Notre Dame and studied at the Polis Institute and the Vatican Library in Rome. One of his research specializations was the history of education with a focus on the history of classical language teaching. Upon graduation, he worked for a year at Notre Dame's Center for the Study of Languages and Cultures, where he received a certificate in Second Language Acquisition Theory and Methodology. Following this, he taught Latin, Greek, and general humanities courses at Universidad de los Andes in Santiago, Chile, and Hillsdale College before moving to his current role in the program in Classical Learning at the University of Dallas.Show NotesI had a delightful discussion with Dr. Ellis last year and invited him on to the show to discuss some really important concepts within the classical education movement. In order to rightly understand the tradition of a liberal arts education, we need to rightly define and understand the meaning of particular words. We discuss some wonderful words that are important to our understanding of the tradition which impacts how we teach. Some topics included:Expanding on how the mind works while teaching the liberal arts.Fascinating word studies on Greek and Latin as spoken languages.The inclusion of a wealth of material from Constantine VII, Historically, Philosophically, and Theologically. Explaining anamnesis ( recollection): How this recollection through dialogue, song, and habituation, brings or makes things present. Writing; Is the focus on analysis and understanding, or is the aim to be able to speak wisely with an idea or account of a story that is understood and will bring about a greater reality? The meaning of the word "Logos."UPCOMING SUMMER ANCIENT LANGUAGE WORKSHOPS AT THE UNIVERSITY OF DALLAS Join Dr. Ellis at the University of Dallas for their summer intensive courses in Latin and Greek that they are hosting in partnership with the Polis Institute in Jerusalem.More info here:https://www.polisjerusalem.org/programs/international/Resources(Dr. Ellis's dissertation)  The Historical Semantics of the Contemporary Classical Education Movement: Principia: A Journal of Classical Education, Volume 2, Issue 1, 2023- https://www.pdcnet.org/principia/content/principia_2023_0002_0001_0025_0041What is Classical Education? By: Erik Ellis - https://theimaginativeconservative.org/2023/07/what-is-classical-education-erik-ellis.htmlAre the Great Books Enough to Revive Our Education System? By: Erik Ellis - https://theimaginativeconservative.org/2020/04/great-books-enough-classical-education-erik-ellis.html_____________________________________Beautiful Teaching online courses:BT online webinars, interactive courses, and book studies registration: https://beautifulteaching.coursestorm.com/2025 Annual Online Classical Education Conference with the Beautiful Teaching Team - October 24-25, 2025Reading Josef Pieper with Dr. Fred Putnam will take place on Thursday evenings Sept-Dec. Space is very limited. This is a seminar experience. Interaction with Dr. Putnam is essential for this online course. If you are interested in having this immersive experience with him, you can enroll here: https://beautifulteaching.coursestorm.com/course/reading-josef-pieper-with-fred-putnam________________________________________________________This podcast is produced by Beautiful Teaching, LLC.Support this podcast: ★ Support this podcast ★ _________________________________________________________Credits:Sound Engineer: Andrew HelselLogo Art: Anastasiya CFMusic: Vivaldi's Concerto for 2 Violins in B flat major, RV529 : Lana Trotovsek, violin Sreten Krstic, violin with Chamber Orchestra of Slovenian Philharmonic © 2025 Beautiful Teaching LLC. All Rights Reserved.

Un dettaglio iconico. L'ultima canotta indossata in concerto da Freddy Mercury. è riuscito ad acquistarla all'asta proprio Cesare, per il quale Freddie è sempre stato una grande ispirazione. Vuoi vedere l'episodio completo? LINK IN BIO #BSMTOnTheMap https://open.spotify.com/episode/5z7PfxaSUVBTbF8HBP9zy8?si=Uq36wrOJRkuTkOMYdEn_qQ Learn more about your ad choices. Visit megaphone.fm/adchoices

durée : 00:13:30 - Le Disque classique du jour du mercredi 28 mai 2025 - Lauréate du Premier Prix du Concours Reine Élisabeth 2001, Baiba Skride interprète le Double Concerto avec l'altiste Ivan Vukcevic.

durée : 00:13:30 - Le Disque classique du jour du mercredi 28 mai 2025 - Lauréate du Premier Prix du Concours Reine Élisabeth 2001, Baiba Skride interprète le Double Concerto avec l'altiste Ivan Vukcevic.

Email comments or guest ideas (to reply, include your email address)Banle Group's Venus Zhao discusses how CBL International is revolutionising the maritime industry through sustainable biofuels. Its B24 biofuel blend reduces GHG emissions by up to 25% compared to conventional marine fuels. With operations across 60+ global ports and recent ISCC certifications, CBL is positioned to capitalise on the projected 50% growth in the green marine fuel market despite current supply constraints. Venus outlines how tightening IMO regulations are accelerating industry-wide sustainability adoption and shares CBL's vision to lead the maritime sector's transition towards net-zero emissions through diversification into biofuels, LNG and methanol.REF: CBL IR page.ABOUT VENUS: Venus Hui Zhao is the Director of Investor Relations and Public Relations of Banle Group. She is primarily responsible for investor relations, public relations and capital markets of the Group. She has more than 15 years of experience in investor relations, public relations, capital markets and ESG. Prior to joining the Group, she was the General Manager of Hong Kong Office, General Manager of Capital Markets & Corporate Communications at a Hong Kong listed company and assumed different management roles in Hong Kong and US listed companies and Fortune 500 MNCs. Ms Zhao obtained her master degree of Strategic Public Relations in Communications and Journalism School in University of Southern California, and her MBA degree concentrated in Finance in The Hong Kong University of Science & Technology. She is a certified FCMA, CGMA holder from Chartered Institute of Management Accountants (CIMA), associate member of CPA Australia (ASA) , Certified ESG Analyst (CESGA®) from The European Federation of Financial Analysts Societies (EFFAS), Executive Committee member and fellow of Hong Kong Investor Relations Association (HKIRA), and full member of HKIoD (The Hong Kong Institute of Directors).FEEDBACK: Email Host | HOST, PRODUCTION, ARTWORK: Joseph Jacobelli | MUSIC: Ep0-29 The Open Goldberg Variations, Kimiko Ishizaka Ep30-50 Orchestra Gli Armonici – Tomaso Albinoni, Op.07, Concerto 04 per archi in Sol - III. Allegro. | Ep51 – Brandenburg Concerto No. 4 in G, Movement I (Allegro), BWV 1049 Kevin MacLeod. Licensed under Creative Commons: By Attribution 4.0 License

In this episode, we explore one of the biggest mindset blocks musicians face: the belief that you're not ready. I break down why waiting for readiness keeps you stuck and how taking action before you feel 100% prepared is often the key to growth. You'll learn: ·         Why “I'm not ready” is usually fear in disguise ·         What it really looks like to take action before you feel prepared ·         How top musicians move forward despite uncertainty ·         Simple mindset shifts that lead to clarity, confidence, and momentum The Music Mastery Experience is now open for enrollment. If you're tired of waiting and ready to grow with structure, support, and strategy, head to mindoverfinger.com and book your free discovery call. Book your FREE Music Mastery Experience Discovery call with Renée HERE Download the transcript from this episode HERE   Mind Over Finger Click www.mindoverfinger.com/coaching to book your free consultation with me. Visit MindOverFinger.com for my online courses as well as free resources on peak performance. Grab my free workshops and PDF downloads by going to www.mindoverfinger.com/resources. Connect: https://www.youtube.com/@MindOverFinger https://www.facebook.com/mindoverfinger/ https://www.facebook.com/groups/mindoverfinger https://www.instagram.com/mindoverfinger/     THANK YOU: Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme:  Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson.

durée : 00:19:29 - Disques de légende du lundi 26 mai 2025 - En 1969, EMI réussit un grand coup marketing en réunissant quatre des artistes les plus célèbres de l'époque, pour le triple concerto de Beethoven : David Oistrakh au violon, Mstislav Rostropovitch au violoncelle et Sviatoslav Richter au piano – sans oublier Herbert von Karajan à la baguette.

durée : 00:09:01 - Le Bach du matin du samedi 24 mai 2025 - Commençons le week-end avec une interprétation du Concerto en la min BWV 1044 par l'Academy of Saint Martin in the Fields dirigé par Murray Perahia

第78届戛纳电影节接近尾声，本期播客我们将系统聊一聊入围本届戛纳的三部华语片：毕赣导演的《狂野时代》、麦浚龙导演的《风林火山》和周璟豪导演的《花漾少女杀人事件》。三部影片中，最受大家期待的自然是毕赣导演《狂野时代》，本片在今天完成了戛纳首映，距离毕赣震惊世界的长片首作《路边野餐》刚好过去了十年时间。《狂野时代》延续了毕赣标志性的诗意长镜头与意识流叙事风格，以“电影怪物”的意象游走于六个围绕六觉（视觉、听觉、触觉、嗅觉、味觉、心觉）展开的章节之中。易烊千玺饰演的角色横跨默片时代到现代社会，从囚犯、父亲、小混混到文物贩子的多重身份，串联起关于梦境、感知、记忆的影像碎片。在世界电影诞生130周年和中国电影诞生120周年这个重要的时间节点，这部具有强烈的“电影的电影”特质的电影十分应景。影片延续了《路边野餐》和《地球最后的夜晚》的长镜头实验，片中的第五部分是长达35分钟的“一镜到底”，也回应了毕赣想要“重新引导观众回到原始观影体验”的创作初衷。我们在本期播客中，聊到了更多关于《狂野时代》的内容和评论。除了第一时间的观感，也聊到易烊千玺、舒淇、李庚希等演员在片中的表现，以及影片的拿奖概率。朱丽叶·比诺什为首的评审团，是否会青睐这部更具迷影情怀的电影，我们拭目以待。《狂野时代》戛纳首映嘉宾：阿莫多瓦特了自由撰稿人，《坠落的审判》十级学者Your generosityconceals sth dirtier and meaner.祝新《世界日出时》导演景一《植物学家》导演车琳电影研究者，策展人。现任教中国传媒大学戏剧影视学院，从事新媒体教学与创作、电影节研究和XR类策展实践。柳莺深焦DeepFocus 联合创始人 / 国际发行视幻文化PARALLAX FILMS主理人PeterCat电影人、媒体人、深焦DeepFocus创始人《风林火山》（麦浚龙，2025）剧照时间轴：00:01:28 毕赣《狂野时代》第一时间观感00:03:08 《狂野时代》的整体架构00:13:02 《狂野时代》所呈现的视觉效果00:15:29 《狂野时代》获奖的可能性00:20:04 麦浚龙《风林火山》引起的争议00:23:29 《风林火山》中“香港下雪”的指涉00:25:47 剪辑对《风林火山》的影响00:27:14 对周景豪《花样少女杀人事件》的评价00:31:12 《花样少女杀人事件》对母女关系的呈现00:39:41 对《镜的第三乐章》的评价00:44:43 佩措尔德的导演风格00:49:04 《镜的第三乐章》与《温蒂妮》和《红色天空》的对比00:56:33 对小克莱伯·门多萨《密探》的评价00:59:48 《密探》对小克莱伯·门多萨家乡的呈现01:07:59 《去死吧，我的爱》呈现产后抑郁01:14:43 詹妮弗·劳伦斯的生育经历对表演的帮助01:18:20 《去死吧，我的爱》中的视听语言01:21:34 作为母亲参与戛纳电影节的感受Family and Rainstorm Alex Colville涉及作品：《世界日出时》（祝新，2025）《风林火山》（麦浚龙，2025）《九龙城寨之围城》（郑保瑞，2024）《五月雪》（张吉安，2023）《风在起时》（翁子光，2022）《花样少女杀人事件》（周璟豪，2025）《少年的你》（曾国祥，2019）《七月与安生》（曾国祥 ，2016）《小小的我》（杨荔钠 ，2024）《镜的第三乐章》（克里斯蒂安·佩措尔德，2025）《植物学家》（景一，2025）《温蒂妮》（克里斯蒂安·佩措尔德，2020）《红色天空》（克里斯蒂安·佩措尔德，2023）《远离天堂》（托德·海因斯，2002）《卡罗尔》（托德·海因斯，2015）《过境》（克里斯蒂安·佩措尔德，2018）《黑水》（托德·海因斯，2019）《密探》（小克莱伯·门多萨，2025）《幽灵肖像》（小克莱伯·门多萨，2023）《巴克劳》（小克莱伯·门多萨，2019）《电光魔法》（小克莱伯·门多萨，2010）《风流一代》（贾樟柯，2024）《去死吧，我的爱》（琳恩·拉姆塞，2025）《母亲》（达伦·阿伦诺夫斯基，2017）《年轻的母亲之家》（让-皮埃尔·达内，2025）《主谋》（凯莉·莱卡特，2025）《推销员》（阿斯加·法哈蒂，2016）《岛屿上的煎熬》（阿尔伯特·塞拉 ，2022）《水浇园丁》（路易斯·卢米埃尔，1895）《地球最后的夜晚》（毕赣，2018）《路边野餐》（毕赣，2015）《荒野时代》（毕赣，2024）《神圣车行》（莱奥·卡拉克斯，2012）《年轻的母亲之家》（让-皮埃尔·达内，2025）剧照本期使用音乐：开场：Nocturne No. 15 inF Minor, Op. 55, No. 1中插：Concerto in DMinor, BWV 974_2. Adagio结尾：In Spite ofOurselves —— John Prine / Iris DeMent制作团队监制：Peter Cat统筹：Peter Cat策划：Peter Cat剪辑：黄哲成编辑：黄哲成

In this episode, we explore why overthinking and fear take over in performance, even when you're fully prepared. You'll learn what's really happening in your brain under pressure, why trying to fight fear often makes it worse, and what you can do to build trust in yourself again. If you've ever felt like your own mind is your biggest obstacle on stage, this episode is for you.   And if if you're tired of second-guessing yourself and ready to start performing with confidence and calm, join us inside the Music Mastery Experience. MME is a full year of high-level coaching, structure, and support to help you retrain your performance response, build real trust in your preparation, and show up consistently, no matter the pressure. The next cohort begins June 1. Spots are limited.   Book your FREE Music Mastery Experience Discovery call with Renée HERE   Download the transcript from this episode HERE   Mind Over Finger Click www.mindoverfinger.com/coaching to book your free consultation with me. Visit MindOverFinger.com for my online courses as well as free resources on peak performance. Grab my free workshops and PDF downloads by going to www.mindoverfinger.com/resources. Connect: https://www.youtube.com/@MindOverFinger https://www.facebook.com/mindoverfinger/ https://www.facebook.com/groups/mindoverfinger https://www.instagram.com/mindoverfinger/     THANK YOU: Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme:  Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson.

2025 University of Missouri Master of Music in Percussion Performance graduate Luke Haymon stops by to talk about his final master's recital (03:55), studying outside of percussion at Mizzou, including conducting with Dr. Christian Noon and piano tuning from Lucy Urlacher (14:15), his overall percussion activities here, including his role as assistant director of the Marching Mizzou drumline, teaching, and performing (23:45), his upcoming job as Assistant Band Director and Percussion Specialist at Rome High School in Georgia (34:00), growing up near Huntsville, Alabama, his years in drum corps, and his early years on percussion and piano (43:20), going to Jacksonville State University (AL) for undergrad and finding his way to Mizzou (01:01:00), and finishing with the Random Ass Questions, including segments on moving one's body to music, great books, the NBA playoffs, and the anime series One Piece (01:27:55).Finishing with a Rave on the 2025 National Conference on Percussion Pedagogy, including a performance of one of Pete's compositions! (02:00:55).Luke Haymon Links:Luke Haymon's Master's Recital ProgramPrevious Podcast Guests Mentioned:Megan Arns in 2017Julia Gaines in 2016Clif Walker in 2021Andrew Lynge in 2025Matthew Jordan in 2022Omar Carmenates in 2018Andrea Venet in 2018Tracy Wiggins in 2022Lauren Teel in 2017Miles Bohlman in 2024Other Links:“Merlin” - Andrew Thomas“Velocities” - Joseph Schwantner“Khan Variations” - Alejandro Viñao“Concerto for Vibraphone” - Emmanuel Sejourné“Side by Side” - Michio Kitazume“Rooted” -Brian BlumeTom Andes“Armando's Rhumba” - Chick Corea“I'm Old Fashioned” - Chet Baker“Ritmicas 5 and 6” - Amadeo Roldán“Color Fields in Vector Space” - Omar Carmenates“REFRAKT” - Andrea Venet“Vespertine Formations” - Christopher Deane“Fantaisie-Impromptu” - Frederic Chopin“Take the “A” Train” - Duke EllingtonRick BeatoCarolina Crown 2024Santa Clara Vanguard 2024Dan AllenJoshua FoustClint Gillespie“Come Sunday: Shout” - Omar Thomas“Adoracion” - Eddie PalmiereThe Sixth Sense trailerShawshank Redemption trailerThe Shining trailerThe Night Circus - Erin MorgensternSteph Curry's top 35 plays“Insomnia” - Cody HolmesOne PieceRaves:National Conference on Percussion Pedagogy

durée : 00:14:35 - Le Disque classique du jour du jeudi 22 mai 2025 - L'Orchestre Philharmonique du Wurtemberg de Reutlingen enregistre avec deux invités suisses, le chef d'orchestre Christian Erny et le pianiste Hans-Jurg Straub, un programme Mozart plein de contrastes : la festive Symphonie Haffner et le sombre Concerto pour piano en do mineur K. 491.

durée : 00:14:35 - Le Disque classique du jour du jeudi 22 mai 2025 - L'Orchestre Philharmonique du Wurtemberg de Reutlingen enregistre avec deux invités suisses, le chef d'orchestre Christian Erny et le pianiste Hans-Jurg Straub, un programme Mozart plein de contrastes : la festive Symphonie Haffner et le sombre Concerto pour piano en do mineur K. 491.

La famiglia dei compositori Strauss – Johann Strauss padre, Johann Strauss figlio, Josef e Eduard – ha dominato l'Ottocento viennese ed è riuscita poi a conquistare il mondo, grazie anche al Concerto di Capodanno, che dal Musikverein di Vienna ogni primo gennaio raggiunge milioni di appassionati.Soprattutto Johann Strauss figlio ci ha lasciato centinaia di opere di successo, prime fra tutte il valzer Sul bel Danubio blu e l'operetta Il Pipistrello. Ma chi era quel figlio d'arte, nato nel 1825 e morto nel 1899? E com'era la Vienna del suo tempo? Come fu che il valzer diventò uno dei balli più amati? E quali sono gli ingredienti alla base della sua fama, che già ai suoi tempi era internazionale?Nell'anno del bicentenario della nascita di Johann Strauss figlio, che a Vienna vede un gran numero di eventi a lui dedicati, Flavia Foradini si è messa sulle sue tracce. Con l'aiuto del musicologo Thomas Aigner, della storica Lisa Noggler-Gürtler e della divulgatrice Clara Kaufmann delinea lo sfondo storico della capitale asburgica nel diciannovesimo secolo, da cui emerse il fenomeno Strauss, e disegna un ritratto di un artista che seppe essere un'icona della musica viennese e una vera e propria popstar ante litteram.undefined

La famiglia dei compositori Strauss – Johann Strauss padre, Johann Strauss figlio, Josef e Eduard – ha dominato l'Ottocento viennese ed è riuscita poi a conquistare il mondo, grazie anche al Concerto di Capodanno, che dal Musikverein di Vienna ogni primo gennaio raggiunge milioni di appassionati.Soprattutto Johann Strauss figlio ci ha lasciato centinaia di opere di successo, prime fra tutte il valzer Sul bel Danubio blu e l'operetta Il Pipistrello. Ma chi era quel figlio d'arte, nato nel 1825 e morto nel 1899? E com'era la Vienna del suo tempo? Come fu che il valzer diventò uno dei balli più amati? E quali sono gli ingredienti alla base della sua fama, che già ai suoi tempi era internazionale?Nell'anno del bicentenario della nascita di Johann Strauss figlio, che a Vienna vede un gran numero di eventi a lui dedicati, Flavia Foradini si è messa sulle sue tracce. Con l'aiuto del musicologo Thomas Aigner, della storica Lisa Noggler-Gürtler e della divulgatrice Clara Kaufmann delinea lo sfondo storico della capitale asburgica nel diciannovesimo secolo, da cui emerse il fenomeno Strauss, e disegna un ritratto di un artista che seppe essere un'icona della musica viennese e una vera e propria popstar ante litteram.undefined

In this episode, I explore one of the most important (and most avoided) questions musicians face: Is investing in yourself really worth it? You'll hear: How to tell the difference between an expense and an investment The hidden cost of staying stuck Why self-investment often leads to faster, deeper growth Real stories from clients who hesitated and what changed when they said yes The mindset shift that helps musicians build lasting progress If you've been feeling like you're doing everything you can but still not moving forward, this episode offers a fresh perspective and a path toward momentum. Enrollment is now open for The Music Mastery Experience, my signature yearlong coaching program. If this episode resonated with you, MME is designed to give you the exact support, structure, and strategy to stop spinning your wheels and start growing with clarity and confidence. Learn more and apply at www.mindoverfinger.com/mme25.     Book your FREE Music Mastery Experience Discovery call with Renée HERE Book your free consultation with Renée HERE Download the transcript from this episode HERE   Mind Over Finger Click www.mindoverfinger.com/coaching to book your free consultation with me. Visit MindOverFinger.com for my online courses as well as free resources on peak performance. Grab my free workshops and PDF downloads by going to www.mindoverfinger.com/resources. Connect: https://www.youtube.com/@MindOverFinger https://www.facebook.com/mindoverfinger/ https://www.facebook.com/groups/mindoverfinger https://www.instagram.com/mindoverfinger/     THANK YOU: Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme:  Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson.

In this episode, violinist Nikki Chooi shares how he rebuilt trust in his playing after formal training, refined his approach to practicing, and found balance between precision and expression in performance. We talk about: How to blend slow and fast practice effectively The role of “adversity training” in audition preparation Practicing musicality with intention What changes when you stop chasing perfection and start trusting your process Why adaptability and balance are essential to long-term growth If you're in a season of transition or looking to reconnect with your artistry, this conversation offers valuable insights and inspiration. The Music Mastery Experience is where we take ideas like these and turn them into transformation. It's a full year of coaching, structure, and deep support designed to help you perform with clarity, confidence, and joy. If this episode speaks to you, I invite you to apply today at mindoverfinger.com/mme25.  JOIN THE MUSIC MASTERY EXPERIENCE HERE Download the transcript from this episode HERE     MORE ABOUT NIKKI CHOOI Website:  https://www.nikkichooi.com/ YouTube channel:  https://www.youtube.com/@nikkichooi Facebook: https://www.facebook.com/nikkichooi89/ Instagram: https://www.instagram.com/nikkichooi/   Mind Over Finger Click www.mindoverfinger.com/coaching to book your free consultation with me. Visit MindOverFinger.com for my online courses as well as free resources on peak performance. Grab my free workshops and PDF downloads by going to www.mindoverfinger.com/resources. Connect: https://www.youtube.com/@MindOverFinger https://www.facebook.com/mindoverfinger/ https://www.facebook.com/groups/mindoverfinger https://www.instagram.com/mindoverfinger/     THANK YOU: Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme:  Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson.

Axelle Thiry et Marina Chiche nous emmènent sur les pas de Camilla Wicks, une prodigieuse violoniste née en 1928. Très vite, elle fait une carrière flamboyante. Les orchestres se l'arrachent, le public est conquis et la presse, unanime. Quand Camilla Wicks pose l'archet sur la corde, tout le monde retient son souffle. Alors qu'elle est au sommet de la gloire, elle décide de renoncer à sa vie de concertiste pour se consacrer à sa famille et à ses cinq enfants. Les hasards de la vie lui feront renouer avec la scène et reprendre sa carrière des années plus tard. Camilla Wicks était aussi une excellente pédagogue, d'un talent et d'une générosité sans faille. Elle nous a laissé des enregistrements de légende, notamment du Concerto de Sibelius. L'invitée d'Axelle Thiry est Marina Chiche, violoniste, célèbre depuis sa nomination remarquée aux Victoires de la musique classique. Elle est aussi musicologue et productrice d'émissions sur France Musique. Merci pour votre écoute Un Jour dans l'Histoire, c'est également en direct tous les jours de la semaine de 13h15 à 14h30 sur www.rtbf.be/lapremiere Retrouvez tous les épisodes d'Un Jour dans l'Histoire sur notre plateforme Auvio.be :https://auvio.rtbf.be/emission/5936 Intéressés par l'histoire ? Vous pourriez également aimer nos autres podcasts : L'Histoire Continue: https://audmns.com/kSbpELwL'heure H : https://audmns.com/YagLLiKEt sa version à écouter en famille : La Mini Heure H https://audmns.com/YagLLiKAinsi que nos séries historiques :Chili, le Pays de mes Histoires : https://audmns.com/XHbnevhD-Day : https://audmns.com/JWRdPYIJoséphine Baker : https://audmns.com/wCfhoEwLa folle histoire de l'aviation : https://audmns.com/xAWjyWCLes Jeux Olympiques, l'étonnant miroir de notre Histoire : https://audmns.com/ZEIihzZMarguerite, la Voix d'une Résistante : https://audmns.com/zFDehnENapoléon, le crépuscule de l'Aigle : https://audmns.com/DcdnIUnUn Jour dans le Sport : https://audmns.com/xXlkHMHSous le sable des Pyramides : https://audmns.com/rXfVppvN'oubliez pas de vous y abonner pour ne rien manquer.Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement. Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

durée : 00:09:46 - Concerto en fa majeur BWV 978 -

You've practiced the techniques. You've done the mindset work. But when it's time to perform, everything seems to disappear. In this episode, I explore why musicians often struggle to access what they know under pressure and what to do about it. You'll learn: Why your tools vanish in performance, even when you know they work How over-focusing on control can disconnect you from the music The real difference between skill prep and pressure prep One small, practical shift to help you reconnect with your strengths on stage If you're done guessing, spinning your wheels, or second-guessing your ability on stage, I'd love to support you. The Music Mastery Experience is where we turn these insights into lasting transformation. It's a full year of high-level coaching, structure, and community designed to help you go from inconsistent and overwhelmed to grounded, prepared, and confident every time you play. If this episode resonated with you, I invite you to apply today at mindoverfinger.com/mme25.   Book your FREE Music Mastery Experience Discovery call with Renée HERE Download the transcript from this episode HERE   Mind Over Finger Click www.mindoverfinger.com/coaching to book your free consultation with me. Visit MindOverFinger.com for my online courses as well as free resources on peak performance. Grab my free workshops and PDF downloads by going to www.mindoverfinger.com/resources. Connect: https://www.youtube.com/@MindOverFinger https://www.facebook.com/mindoverfinger/ https://www.facebook.com/groups/mindoverfinger https://www.instagram.com/mindoverfinger/     THANK YOU: Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme:  Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson.

If you've ever felt stuck, even though you know what to do, this episode is for you. I'm sharing the five key prompts from The Musician's Edge Challenge that have helped hundreds of musicians gain clarity, uncover what's holding them back, and perform with more confidence. In this episode, you'll explore: A moment when your playing felt effortless and what it reveals about your potential A strength you've been underestimating and how to lead with it The real challenge that keeps showing up under pressure A pattern that's been running in the background and how to change it A simple blueprint for building the musician you want to be If you're ready to perform with more trust, freedom, and intention, start here. Are you ready to take your playing and career to the next level and create a life that feels purposeful and joyful? The Music Mastery Experience is now open for enrollment through May 30. This is your opportunity to stop spinning your wheels and start building a practice and performance system that actually works. Apply now at mindoverfinger.com - I'd love to see your name come through.   Book your FREE Music Mastery Experience Discovery call with Renée HERE   Download the transcript from this episode HERE   Mind Over Finger Click www.mindoverfinger.com/coaching to book your free consultation with me. Visit MindOverFinger.com for my online courses as well as free resources on peak performance. Grab my free workshops and PDF downloads by going to www.mindoverfinger.com/resources. Connect: https://www.youtube.com/@MindOverFinger https://www.facebook.com/mindoverfinger/ https://www.facebook.com/groups/mindoverfinger https://www.instagram.com/mindoverfinger/     THANK YOU: Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme:  Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson.    

About the Guest: Dr. Fred PutnamFred Putnam retired after forty years of teaching high school, college, and graduate school; for twelve of those years he was Professor of Bible & Liberal Studies in the Templeton Honors College at Eastern University (2012-2024), where he helped to design, and taught in, the program leading to the MA in Teaching [MAT] in classical education. Beginning as a seminary professor of Biblical Hebrew and Koiné Greek, his teaching expanded to include not only the languages and interpretation of the Bible, but also linguistics, translation theory and practice, English literature, philosophy, etc. During those years of teaching, experiences with students led him from being a fairly conventional teacher (lectures, quizzes, tests, grades, attendance, etc.) to a text- (or subject-) and student-centered pedagogy that others have identified as “classical”. The main thrust of his teaching has always been helping students learn to read-learning to attend to, reflect on, and respond to texts, whatever those texts may be (including poems, novels, Scripture, works of art and music, etc.). In the Templeton Honors College, he led undergrad courses on the Old and New Testaments, Hebrew, Greek, and seminars on Joseph Pieper, The Count of Monte Christo, and philosophy of education, and five masters-level courses in the MAT: "Classical Pedagogy I: The Culture of the Classroom", "Philosophy & History of Education II: The American Public School System", "The Ethos of a School", "Drama in the Classical School (With an Emphasis on Shakespeare)", and "Teaching the Bible as a Classic Text" (online through the Templeton Honors College). While homeschooling their daughters, Fred and his wife met weekly with homeschooled high-schoolers; he taught Shakespeare, poetry, literature, philosophy, Hebrew, and Greek, while his wife tutored individual students in reading and creative writing. Born in New Hampshire, he grew up on farms in northeast Connecticut, emigrated to PA in 1970, and insists that he is a New Englander on "southern assignment". He knows that hills are made of granite, Guernseys give the best milk, and continues to await a real northern-style winter. An ordained minister, he preaches in various churches in southeastern Pennsylvania, where he and his wife live near their daughters and grandchildren, and where he also reads, translates and analyzes the Hebrew and Greek Bible, and putters. Show NotesIn this episode, Adrienne and Dr. Putnam discuss the seminal works of Josef Pieper. They also do a deep dive into what a beautiful way of teaching really looks like. Some highlights include:How Dr. Putnam teaches (What is classical pedagogy?)Teaching & learning are relational activities-- the teacher's view of a student is central to the pedagogyHis course: The Ethos of a School-- how a school can establish and maintain a humane identity even during major changesHow Pieper can help teachers understand virtues and their applications in teachingHow Pieper can help us understand what it really means to learn and how it affects being a teacherUnderstanding the nature of being a person and its implications for teachingResources MentionedAn Anthology by Josef PieperOnly the Lover Sings by Josef PieperLeisure, The Basis of Culture by Josef PieperThe Courage to Teach: The Inner Landscape of a Teacher's Life by Parker J. PalmerHow Children Learn by John HoltTeaching with Your Mouth Shutby Donald L. Finkel TedTalk: Kathryn Shultz on Being Wrong https://www.ted.com/talks/kathryn_schulz_on_being_wrong?language=en________________________________________________________Beautiful Teaching online courses:BT online webinars, interactive courses, and book studies registration: https://beautifulteaching.coursestorm.com/Reading Josef Pieper with Dr. Fred Putnam will take place on Thursday evenings Sept-Dec. Space is very limited. This is a seminar experience. Interaction with Dr. Putnam is essential for this online course. If you are interested in having this immersive experience with him, you can enroll here: https://beautifulteaching.coursestorm.com/course/reading-josef-pieper-with-fred-putnam________________________________________________________This podcast is produced by Beautiful Teaching, LLC.Support this podcast: ★ Support this podcast ★ _________________________________________________________Credits:Sound Engineer: Andrew HelselLogo Art: Anastasiya CFMusic: Vivaldi's Concerto for 2 Violins in B flat major, RV529 : Lana Trotovsek, violin Sreten Krstic, violin with Chamber Orchestra of Slovenian Philharmonic © 2025 Beautiful Teaching LLC. All Rights Reserve

durée : 00:16:06 - Le Disque classique du jour du jeudi 08 mai 2025 - Avec son douzième album pour Decca Classics, la violoniste italo-écossaise Nicola Benedetti présente une œuvre majeure du répertoire pour violon : le monumental concerto pour violon de Beethoven.

durée : 00:16:06 - Le Disque classique du jour du jeudi 08 mai 2025 - Avec son douzième album pour Decca Classics, la violoniste italo-écossaise Nicola Benedetti présente une œuvre majeure du répertoire pour violon : le monumental concerto pour violon de Beethoven.

Lainey Schooltree is a musician, comedian, streamer, and former half of the musical comedy duo The Steamy Bohemians. She then formed the solo art rock project Schooltree. When the pandemic hit, she began performing on Twitch and found that live-streaming offered the interdisciplinary playground she'd been after. What began as a temporary pivot became a long-term transformation and these days she captains a spaceship on Lainey Schooltree TV - a live show where she’s an “astro-streamer” assigned to deliver packages while improvising music with analog synthesizers, electronic drums, and layered vocals in a show that blends surreal comedy, retro-futurist visuals, and themes of corporate absurdity and creative resistance. SONG 1: Kashmir by Led Zeppelin from their 1975 album Physical Graffiti.https://www.youtube.com/watch?v=tzVJPgCn-Z8 SONG 2: Bartók: Concerto for Orchestra, Sz. 116: IV. Intermezzo interrotto. Allegretto performed by the Chicago Symphony Orchestra in 1993.https://www.youtube.com/watch?v=kUZ83BzCQNM SONG 3: Hammer Horror by Kate Bush off her album Lionheart released in 1978.https://www.youtube.com/watch?v=XR4KnfcgLm0 PARTING TUNE: Cat Centipede by Schooltree from the album Heterotopia released in 2017.https://www.youtube.com/watch?v=PF14v_qeVu8See omnystudio.com/listener for privacy information.