Podcasts about Concerto

Le prime pagine dei principali quotidiani nazionali commentate in rassegna stampa da Davide Giacalone. I negoziati Iran-USA, i problemi di Starmer in Gran Bretagna, l'inno di Mameli e la costituzione, la cronaca nera. In collegamento la nostra squadra di cronisti mondiali. La Spagna ha vinto 4-0 contro l'Arabia Saudita. Il commento di Paolo Pacchioni. Le altre partite di ieri, commentate da Tommaso Angelini. Oggi tornano in campo Argentina e Francia. Ce ne ha parlato Nicolò Pompei. Oggi in italia c'è un altro appuntamento importante, l'elezione del presidente della federcalcio. Il commento di Paolo Pacchioni. Spazio Moto Gp. Questo weekend si correva in Repubblica Ceca. Il punto con il nostro inviato speciale, Max Biaggi. Il commento sul caso di Marco Bezzecchi, di Guido Meda. Daniele Compatangelo, corrispondente da Washington di La7, presidente dell'associazione dei corrispondenti esteri alla Casa Bianca. Gli ultimi attacchi di Donald Trump a Giorgia Meloni. Questa sera, al Circo Massimo a Roma, "Vita! Il concerto". Ci saranno anche due premi Nobel. Ne abbiamo parlato con Gianmarco Mazzi, Ministro del Turismo e Sandro Veronesi, Presidente della Fondazione Garda Valley, fondazione che ha promosso l'evento Vita! L'attualità economica, commentata dal prof. Carlo Cottarelli, economista. All'interno di Non Stop News, con Giusi Legrenzi, Lucrezia Bernardo, Enrico Galletti e Massimo Lo Nigro.

Hope you are having a lovely day! Today Ms. Caitlin has a cute kids book for you and she is very excited to read to you today! Today we have Caitlin who will be reading "Sinclair the Velociraptor who thought he was a chicken" by Douglas rees! A cute and confused little dinosaur!As always this book was selected from our library! Kids and Parents can read along with us, in this read aloud story time! Be sure to check out your local Library to check out what books they may have! If you prefer E-Books, sign into the Hoopla or Libby app using your Library Card and follow along from there!- Check out the Library Systems official website where you can find links to free resources, school and career guides, and news about our upcoming events! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.pawls.org/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ -Follow us on YouTube and enjoy our backlog of digital story hours and other great content! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.youtube.com/@pawls365⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Original background track is Concerto for Two Violins by Bach.Alterations were made by us to make it fit the length of our content.Brought to you from the Pike-Amite-Walthall Library system.#library #books #pawlskids #kidsstorytime

Mohai Bálint fagottművész kapta a Concerto Budapest Évad Zenekari Művésze díját

Em entrevista à Rádio Sideral, no programa Olho Vivo de quinta-feira, 18 de junho, a diretora de Assistência Social de Getúlio Vargas, Rita de Cássia Pessoa da Silva, e o maestro da Orquestra Sinfônica Getuliense, Gleison Wojciekowski, falaram sobre os preparativos para o tradicional Concerto de Inverno, que acontece neste sábado (20), convidando a comunidade de Getúlio Vargas e região para prestigiar o espetáculo gratuito e de repertório altamente diversificado. O evento, promovido pela Orquestra Sinfônica Getuliense (OSG) e pela Secretaria de Saúde e Assistência Social, começará às 19h no Salão de Atos da Prefeitura.

durée : 01:28:20 - par : Emilie Munera, Rodolphe Bruneau-Boulmier - Neuvième volume de l'intégrale des cantates de Bach pour le Chœur et l'Orchestre de la Gaechinger Cantorey sous la direction d'Hans-Christoph Rademannet. En écho, un Concerto de Glass écrit sur mesure pour la pianiste Simone Dinnerstein, grande interprète des œuvres de Jean Sebastien Bach. - réalisation : Pauline Boisaubert Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Uma das atrações da edição deste ano do Bachfest - o Festival Bach, o mais tradicional evento dedicado à música de Johann Sebastian Bach, que ocorre até o próximo dia 21 em Leipzig, na Alemanha - é a apresentação do iraniano Mahan Esfahani, um dos mais renomados cravistas da atualidade. Esfahani vai executar nesta segunda-feira, dia 15, às 19h30 na Alemanha (14hs30 no Brasil), obras para cravo de diferentes compositores. De Bach, ele vai exibir o segundo movimento da Suíte Francesa Número 2 (BWV 813), uma das grandes obras para cravo do compositor alemão. Essa obra é apresentada na íntegra nesta edição de Manhã com Bach, na interpretação do cravista francês Pierre Hantaï. O podcast traz ainda outras duas composições ouvidas no Bachfest: o Concerto para Órgão em Lá Menor (BWV 593) e a cantata Siehe, ich will viel Fischer aussenden, "Vede, eu enviarei muitos pescadores" (BWV 88). Nascido em Teerã em 1984, Esfahani foi criado nos Estados Unidos, onde se formou em Musicologia e em História pela Universidade de Stanford. Em Stanford, ele foi aluno de Cravo de Elaine Thornburgh e George Houle, dois especialistas em música barroca. Esfahani concluiu os estudos com a cravista tcheca Zuzana Ruzicková (1927-2017), a primeira cravista a gravar a obra completa de Bach para teclado. Naturalizado tcheco, vive em Praga. Ouça o podcast no link acima. Este podcast reproduz o programa Manhã com Bach, da Rádio USP (93,7 MHz), transmitido nos dias 13 e 14 de junho de 2026. Dedicado à divulgação da música do compositor alemão Johann Sebastian Bach (1685-1750), Manhã com Bach vai ao ar pela Rádio USP (93,7 MHz) sempre aos sábados, às 9 horas, com reapresentação no domingo, também às 9 horas, inclusive via internet, através do site da emissora. Às segundas-feiras ele é publicado em formato de podcast no site do Jornal da USP. As edições anteriores do podcast Manhã com Bach estão disponíveis neste link.

durée : 00:09:44 - par : Producteurs en alternance, Gabrielle Oliveira Guyon - Nous écoutons l'Adagio du Concerto en ré min BWV 1052, interprété au piano par Maria João Pires, accompagnée par l'Orchestre Gulbenkian de Lisbonne, dirigé par Michel Corboz. Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 00:43:23 - par : Emilie Munera, Rodolphe Bruneau-Boulmier - Deux visages de l'Amérique mis en miroir ce soir avec la 5ème symphonie - intitulée "Visions" - de George Walker écrite en hommage aux victimes de la fusillade de Charleston, et le Concerto pour deux pianos de Bryce Dessner, composé pour les soeurs Katia et Marielle Labèque. - réalisation : Lionel Quantin, Pauline Boisaubert Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 00:43:23 - par : Emilie Munera, Rodolphe Bruneau-Boulmier - Deux visages de l'Amérique mis en miroir ce soir avec la 5ème symphonie - intitulée "Visions" - de George Walker écrite en hommage aux victimes de la fusillade de Charleston, et le Concerto pour deux pianos de Bryce Dessner, composé pour les soeurs Katia et Marielle Labèque. - réalisation : Lionel Quantin, Pauline Boisaubert Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 00:09:44 - par : Producteurs en alternance, Gabrielle Oliveira Guyon - Nous écoutons l'Adagio du Concerto en ré min BWV 1052, interprété au piano par Maria João Pires, accompagnée par l'Orchestre Gulbenkian de Lisbonne, dirigé par Michel Corboz. Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 00:43:23 - par : Emilie Munera, Rodolphe Bruneau-Boulmier - Deux visages de l'Amérique mis en miroir ce soir avec la 5ème symphonie - intitulée "Visions" - de George Walker écrite en hommage aux victimes de la fusillade de Charleston, et le Concerto pour deux pianos de Bryce Dessner, composé pour les soeurs Katia et Marielle Labèque. - réalisation : Lionel Quantin, Pauline Boisaubert Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

O maestro Edilson Ventureli, diretor-executivo do Instituto Baccarelli, nova entidade homologada para gerir o Complexo Theatro Municipal de São Paulo pelos próximos cinco anos, afirmou que as futuras montagens de ópera não terão conteúdo político ou identitário.A declaração marca uma mudança de rumo na linha editorial do espaço.Papo Antagonista é o programa que explica e debate os principais acontecimentos do dia com análises críticas e aprofundadas sobre a política brasileira e seus bastidores.       O programa traz contexto e opinião sobre os temas mais quentes da atualidade.       Com foco em jornalismo, eleições e debate, é um espaço essencial para quem busca informação de qualidade.       Ao vivo de segunda a sexta-feira às 18h no nosso canal no Youtube.   https://www.youtube.com/@OAntagonista  Apoie o jornalismo independente. Assine O Antagonista e Crusoé com 10% via Pix ou Google Pay:  https://assine.oantagonista.com.br/  Siga O Antagonista no X:  https://x.com/o_antagonista   Acompanhe O Antagonista no canal do WhatsApp. Boletins diários, conteúdos exclusivos em vídeo e muito mais.  https://whatsapp.com/channel/0029Va2SurQHLHQbI5yJN344  Leia mais em www.oantagonista.com.br | www.crusoe.com.br#TheatroMunicipal #TeatroMunicipalSP #CulturaSP #GestãoCultural #PolíticaNaArte #Cultura #Arte #PodcastDeNoticias #NoticiasSP #SaoPaulo #DebateCultural #MusicaClassica #Opera #CulturaPaulista #Atualidades #Polemica #PodcastBr #BastidoresDaCultura #ArteSemPolitica #CulturaEmPauta

Du live partant d'Auvergne à la Guadeloupe, de Marseille à Bruxelles avec un stop chez Villa-Lobos !   Notre première invitée est la guitariste Gaëlle Solal pour la sortie de l'album Rio avec l'Orchestre Royal de Chambre de Wallonie sous la direction de Roberto Beltran Zavala. Pour la #SessionLive, Gaëlle Solal est en solo guitare Si la flamboyante guitariste Gaëlle Solal a compris une chose entre toutes, c'est qu'il lui fallait un détour pour arriver au but. Sa fréquentation assidue des musiciens du Brésil - à Rio ou ailleurs - lui confère la maîtrise de la langue et l'aisance des rythmes carioca qui font, depuis plus d'un siècle déjà, partie de notre paysage musical. Du Choro à la Maxixe, le choix de ces musiques, aussi nostalgiques qu'intranquilles, nous téléporte en ce coin du monde qui continue de nous fasciner parce qu'il n'a jamais fini de se transformer. Des racines du Brejeiro d'Ernesto Nazareth au Concerto du maître aux plus de mille opus, Heitor Villa-Lobos en passant par l'intuition populaire de Chiquinha Gonzaga, Gaëlle Solal nous emmène jusqu'à la célébration inspirée du mythe du Saci, esprit malin de Rio devenu par la voix de la compositrice Clarice Assad un concerto pour l'instrument roi de ce Brésil que nous avons tant rêvé d'entendre de si près. Titres interprétés au grand studio : - Une Cadence (Heitor Villa-Lobos) Live RFI - Des cadences (Clarice Assad), extrait de l'album - Andantino e andante Live2.  Line Up : Gaëlle Solal (guitare). Son : Jérémie Besset, Benoît Letirant. ► Album Rio (Fuga Libera/Outhere Music) avec l'Orchestre Royal de Chambre de Wallonie sus la direction de Roberto Beltran Zavala. Site - Instagram.   Puis #SessionLive du groupe Malaka pour la sortie de l'EP Mang MALAKA est un duo formé par les sœurs Laurina et Sacha qui mêlent folk, soul et influences afro-créoles. Leurs voix s'entrelacent dans des harmonies à la fois lumineuses et puissantes portées par une base organique où les percussions de Timothée Faure apportent relief et ancrage à leur musique. Nourries par leurs racines, elles explorent des thèmes comme l'origine, le métissage et l'intime. Révélées sur scène avec plus de 250 concerts en seulement trois ans, la complicité des deux sœurs est palpable : guitare, percussions et harmonies envoûtantes composent un moment suspendu, entre intensité et lâcher-prise.  Titres interprétés au grand studio : - Blacky blood (couplée avec Mercy en mode Medley) Live RFI   - Ulo Feat. Flavia Coelho  - Aou Live RFI.  Line Up : Laurina Moisa (guitare, voix), Sacha Moisa (guitare, voix), Timothée Faure (batterie). Son : Jérémie Besset, Benoît Letirant. ► EP Mang (InTempo Musique 2026). Instagram - Green Piste.

Du live partant d'Auvergne à la Guadeloupe, de Marseille à Bruxelles avec un stop chez Villa-Lobos !   Notre première invitée est la guitariste Gaëlle Solal pour la sortie de l'album Rio avec l'Orchestre Royal de Chambre de Wallonie sous la direction de Roberto Beltran Zavala. Pour la #SessionLive, Gaëlle Solal est en solo guitare Si la flamboyante guitariste Gaëlle Solal a compris une chose entre toutes, c'est qu'il lui fallait un détour pour arriver au but. Sa fréquentation assidue des musiciens du Brésil - à Rio ou ailleurs - lui confère la maîtrise de la langue et l'aisance des rythmes carioca qui font, depuis plus d'un siècle déjà, partie de notre paysage musical. Du Choro à la Maxixe, le choix de ces musiques, aussi nostalgiques qu'intranquilles, nous téléporte en ce coin du monde qui continue de nous fasciner parce qu'il n'a jamais fini de se transformer. Des racines du Brejeiro d'Ernesto Nazareth au Concerto du maître aux plus de mille opus, Heitor Villa-Lobos en passant par l'intuition populaire de Chiquinha Gonzaga, Gaëlle Solal nous emmène jusqu'à la célébration inspirée du mythe du Saci, esprit malin de Rio devenu par la voix de la compositrice Clarice Assad un concerto pour l'instrument roi de ce Brésil que nous avons tant rêvé d'entendre de si près. Titres interprétés au grand studio : - Une Cadence (Heitor Villa-Lobos) Live RFI - Des cadences (Clarice Assad), extrait de l'album - Andantino e andante Live2.  Line Up : Gaëlle Solal (guitare). Son : Jérémie Besset, Benoît Letirant. ► Album Rio (Fuga Libera/Outhere Music) avec l'Orchestre Royal de Chambre de Wallonie sus la direction de Roberto Beltran Zavala. Site - Instagram.   Puis #SessionLive du groupe Malaka pour la sortie de l'EP Mang MALAKA est un duo formé par les sœurs Laurina et Sacha qui mêlent folk, soul et influences afro-créoles. Leurs voix s'entrelacent dans des harmonies à la fois lumineuses et puissantes portées par une base organique où les percussions de Timothée Faure apportent relief et ancrage à leur musique. Nourries par leurs racines, elles explorent des thèmes comme l'origine, le métissage et l'intime. Révélées sur scène avec plus de 250 concerts en seulement trois ans, la complicité des deux sœurs est palpable : guitare, percussions et harmonies envoûtantes composent un moment suspendu, entre intensité et lâcher-prise.  Titres interprétés au grand studio : - Blacky blood (couplée avec Mercy en mode Medley) Live RFI   - Ulo Feat. Flavia Coelho  - Aou Live RFI.  Line Up : Laurina Moisa (guitare, voix), Sacha Moisa (guitare, voix), Timothée Faure (batterie). Son : Jérémie Besset, Benoît Letirant. ► EP Mang (InTempo Musique 2026). Instagram - Green Piste.

durée : 01:27:01 - par : Emilie Munera, Rodolphe Bruneau-Boulmier - De la musique anglaise ce matin, avec le répertoire pour clavier des virginalistes de la fin des XVIe et XVIIe siècles, mais aussi le Concerto pour violon d'Elgar dans une très belle version que l'on doit à Frank Peter Zimmermann. - réalisation : Pauline Boisaubert Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 01:27:01 - par : Emilie Munera, Rodolphe Bruneau-Boulmier - De la musique anglaise ce matin, avec le répertoire pour clavier des virginalistes de la fin des XVIe et XVIIe siècles, mais aussi le Concerto pour violon d'Elgar dans une très belle version que l'on doit à Frank Peter Zimmermann. - réalisation : Pauline Boisaubert Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 00:18:01 - par : Emilie Munera, Rodolphe Bruneau-Boulmier - Frank Peter Zimmermann est le deuxième artiste allemand seulement à enregistrer ce chef-d'œuvre anglais. - réalisation : Pauline Boisaubert Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 00:18:01 - par : Emilie Munera, Rodolphe Bruneau-Boulmier - Frank Peter Zimmermann est le deuxième artiste allemand seulement à enregistrer ce chef-d'œuvre anglais. - réalisation : Pauline Boisaubert Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 00:13:03 - par : Corinne Schneider - réalisation : Arthur Rayrole, Geneviève Cras Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Enfant prodige devenu « le violoniste du siècle », Yehudi Menuhin aura, grâce à son art, œuvré toute sa vie à la fraternité entre les peuples.Découvrez l'épopée fascinante du jeune prodige Yehudi Menuhin, devenu l'un des plus grands violonistes du XXe siècle. Prodige dès son plus jeune âge, Menuhin a su transcender les frontières et les époques troubles pour faire rayonner la musique partout où il passait.Alors qu'il n'a même pas 10 ans, le jeune Yehudi séduit Paris et le monde entier avec son interprétation du Concerto pour violon de Mendelssohn. Sous la tutelle du maestro Georges Enesco, il se forge un style intemporel, d'une profondeur et d'une sensibilité hors du commun. Ses enregistrements légendaires, notamment du Concerto pour violon d'Elgar sous la direction du compositeur lui-même, propulsent Menuhin au rang de superstar internationale. Mais son parcours est bien plus qu'une simple carrière de virtuose. Pendant la Seconde Guerre mondiale, il donne plus de 500 représentations pour remonter le moral des troupes alliées, faisant preuve d'un engagement humanitaire remarquable. Après-guerre, Menuhin se fait le passeur d'un message de réconciliation, n'hésitant pas à jouer aux côtés de figures controversées comme le chef d'orchestre Wilhelm Furtwängler. Toujours soucieux de tisser des liens entre les peuples, il explore les musiques du monde, du jazz à la musique indienne, avec une curiosité insatiable.Ambassadeur de l'humanité et de la paix, Yehudi Menuhin a marqué son époque de son empreinte chaleureuse et indélébile. Cet épisode des Grands dossiers de l'Histoire vous invite à (re)découvrir la vie et l'œuvre d'un des plus grands violonistes du siècle dernier, véritable artiste engagé et humaniste

Enfant prodige devenu « le violoniste du siècle », Yehudi Menuhin aura, grâce à son art, œuvré toute sa vie à la fraternité entre les peuples.Découvrez l'épopée fascinante du jeune prodige Yehudi Menuhin, devenu l'un des plus grands violonistes du XXe siècle. Prodige dès son plus jeune âge, Menuhin a su transcender les frontières et les époques troubles pour faire rayonner la musique partout où il passait.Alors qu'il n'a même pas 10 ans, le jeune Yehudi séduit Paris et le monde entier avec son interprétation du Concerto pour violon de Mendelssohn. Sous la tutelle du maestro Georges Enesco, il se forge un style intemporel, d'une profondeur et d'une sensibilité hors du commun. Ses enregistrements légendaires, notamment du Concerto pour violon d'Elgar sous la direction du compositeur lui-même, propulsent Menuhin au rang de superstar internationale. Mais son parcours est bien plus qu'une simple carrière de virtuose. Pendant la Seconde Guerre mondiale, il donne plus de 500 représentations pour remonter le moral des troupes alliées, faisant preuve d'un engagement humanitaire remarquable. Après-guerre, Menuhin se fait le passeur d'un message de réconciliation, n'hésitant pas à jouer aux côtés de figures controversées comme le chef d'orchestre Wilhelm Furtwängler. Toujours soucieux de tisser des liens entre les peuples, il explore les musiques du monde, du jazz à la musique indienne, avec une curiosité insatiable.Ambassadeur de l'humanité et de la paix, Yehudi Menuhin a marqué son époque de son empreinte chaleureuse et indélébile. Cet épisode des Grands dossiers de l'Histoire vous invite à (re)découvrir la vie et l'œuvre d'un des plus grands violonistes du siècle dernier, véritable artiste engagé et humaniste

Concerto for Cootie: The Life and Times of Cootie Williams, published by the University of Mississippi Press in October 2025, is this author's exploration of the legendary trumpeter and longtime member of the Duke Ellington big band. A curator and host of the Duke Ellington-themed podcast Ellington Reflections, Bowie also has presented papers on Williams and Kenny Burrell for conferences held by the Duke Ellington Society of Sweden, and his articles have appeared in DownBeat and Jazz Improv magazines. Fellow biographer and BIO member Kevin McGruder interviewed Steven Bowie.

Westerns on a FridayFirst,  a look at this day in History.Then, Frontier Town starring Reed Hadley, originally broadcast  June 5, 1953, 73 years ago, On The Prod.  Floyd Hunsacker needs a lawyer. The father of Paula, Floyd's fiancee, has accused him of cattle theft. Floyd's heading for a fall!Followed by Gunsmoke starring William Conrad, originally broadcast June 5, 1954, 72 years ago, Blacksmith.  Emil, a good-natured German blacksmith, is picked on by Gil Tallman...once too often! Then, Have Gun Will Travel starring John Dehner, originally broadcast June 5, 1960, 66 years ago,  Apache Concerto.   Paladin is sent to return a harmonium salesman and his lovely niece home, despite being captured by the bandit Chivaro.Followed by Lum and Abner, originally broadcast June 5, 1949, 77 years ago, Losing a Diamond Ring.    The case of the lost diamond ring.  Finally, Lum and Abner, originally broadcast June 5, 1935, 91 years ago, Squire Wants to be a Partner.   Selecting a picture for the opening show. How about Mickey Mouse? Uh, oh...here comes Squire Skimp! Thanks to Bill B for supporting our podcast by using the Buy Me a Coffee function at http://classicradio.streamCheck out Professor Bees Digestive Aid at profbees.com and use my promo code WYATT to save 10% when you order! 

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Natascia ChiarloRassegna Internazionale di Canto Corale "Sergio Chiarlo"Dal 5 al 7 giugno 2026 Savigliano e il territorio ospiteranno la 36a Rassegna Internazionale di Canto Corale “Sergio Chiarlo”, storico appuntamento dedicato alla musica corale che quest'anno coincide con un importante traguardo: il 51° anno di attività del Coro Milanollo di Savigliano. Tre giornate di concerti, incontri e momenti istituzionali animeranno la città e coinvolgeranno artisti provenienti dall'Italia e dall'estero, confermando la rassegna come uno degli appuntamenti culturali più significativi del territorio.Il programma si aprirà venerdì 5 giugno alle ore 21.00 presso il Teatro Milanollo di Savigliano con il concerto inaugurale “Radici e nuovi orizzonti”, serata dedicata all'incontro tra tradizione corale e nuove espressioni musicali.Il giorno successivo, sabato 6 giugno alle ore 21.00, Piazza Europa a Moretta ospiterà “Voci d'Europa in Concerto”, grande evento all'aperto che vedrà protagonisti tutti i cori partecipanti.La manifestazione si concluderà domenica 7 giugno alle ore 11:00, con la Santa Messa nella Chiesa di San Filippo Neri a Savigliano, accompagnata dalle corali ospiti, seguita alle ore 12.00 dalla cerimonia ufficiale presso il Palazzo del Comune con il saluto delle istituzioni cittadine e il tradizionale scambio dei doni.I cori partecipantiCoro Milanollo di SaviglianoFondato nel 1975, il Coro Milanollo rappresenta una delle realtà corali più attive e consolidate del territorio piemontese. In oltre cinquant'anni di attività ha promosso la cultura musicale attraverso concerti, rassegne e collaborazioni artistiche in Italia e all'estero, distinguendosi per la qualità interpretativa e per l'attenzione alla valorizzazione del repertorio corale. La formazione è oggi diretta da Natascia Chiarlo (Presidente e direttrice del coro) e Ivan Chiarlo (pianista accompagnatore) e continua a essere un importante punto di riferimento culturale per la città di Savigliano.Il Coro Misto del Teatro Nazionale dell'Opera e del Balletto di Tirana è una delle più prestigiose istituzioni musicali dell'Albania. Attivo all'interno del principale ente lirico nazionale, il coro vanta un ampio repertorio che spazia dalla musica operistica alla polifonia sacra e contemporanea. Diretto da Dritan Lumshi, il complesso si esibisce regolarmente in produzioni internazionali e rappresenta un'importante testimonianza della tradizione musicale balcanica.Il Coro Misto “Minuscolo Spazio Vocale” nasce a Roma con l'obiettivo di promuovere il repertorio corale attraverso una ricerca musicale attenta e innovativa. Diretto da Filippo Stefanelli, il gruppo affronta programmi che spaziano dalla musica antica alle composizioni contemporanee, con particolare attenzione alla qualità vocale e all'espressività interpretativa. Negli anni ha partecipato a festival e rassegne nazionali ottenendo apprezzamenti di pubblico e critica.Coro Giovanile Artemusica di Valperga (TO)Il Coro Giovanile Artemusica di Torino è una formazione composta da giovani coristi accomunati dalla passione per la musica vocale e per la sperimentazione artistica. Diretto da Debora Bria, con Carlo Beltramo al pianoforte, il coro propone un repertorio dinamico e versatile che unisce tradizione corale, arrangiamenti moderni e attenzione alla formazione musicale delle nuove generazioni.Tutti gli eventi saranno a ingresso libero su prenotazione.Programma5 giugno 2026 – ore 21.00Savigliano, Teatro Milanollo - Concerto inaugurale “Radici e nuovi orizzonti”Prenotazioni: 340.6856173 – 347.80720226 giugno 2026 – ore 21.00Moretta, Piazza Europa – concerto corale all'aperto “Voci d'Europa in Concerto”Prenotazioni: Comune di Moretta – 0172.911035 (interno 5)7 giugno 2026 – ore 11:00 e 12:00Savigliano, Chiesa San Filippo Neri ore 11.00 - Santa Messa con la partecipazione delle coraliSavigliano, Palazzo Comunale ore 12.00 - Cerimonia ufficiale con le Istituzioni e scambio dei doniPer informazioni e prenotazioni: 340.6856173 – 347.8072022Per il concerto di Moretta: Comune di Moretta – 0172.911035 (interno 5)Diventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.IL POSTO DELLE PAROLEascoltare fa pensarehttps://ilpostodelleparole.it/

durée : 01:28:48 - par : Emilie Munera, Rodolphe Bruneau-Boulmier - Ce matin, En Pistes vous fait vibrer avec le 3e Concerto de Rachmaninov dans la nouvelle version du pianiste russe Nikita Mndoyants, premier prix du Concours international de piano de Cleveland en 2016 et du concours international de piano Paderewsky en 2007. - réalisation : Pauline Boisaubert Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 01:28:48 - par : Emilie Munera, Rodolphe Bruneau-Boulmier - Ce matin, En Pistes vous fait vibrer avec le 3e Concerto de Rachmaninov dans la nouvelle version du pianiste russe Nikita Mndoyants, premier prix du Concours international de piano de Cleveland en 2016 et du concours international de piano Paderewsky en 2007. - réalisation : Pauline Boisaubert Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

"Join us for Experi-MAY-ntal music MAY!" We interview Dan and Jason of the 32-year old instrument-building band "Neptune" (minus Mark) about their new album releasing June 5, "Play Some Music," in which they fully commit to microtonality. These legends have been exploring found sound, electronics, and scrap metal for years to refine their distinctly jam-based, noise-inspired aesthetics. Among others, the xenharmonic instruments featured on this album include ~10-TET guitar, bass keyboard, feedback organ (in Glass Masque / Oarsmen), oscillators with potentiometers, untuned drum heads, amplified saw blades, bicycle crank arm xylophone, and electrical fan. This episode highlights a free approach to pitch by letting accidents and natural events shape one's tuning, while also making a purposeful effort to stray from 12-TET. It makes me think of Ivor Darreg. Music: Intro: rprii [from "Play Some Music"] - Neptune [28:43]: Glass Masque [from "Play Some Music"] - Neptune [36:41]: Mirror Side opening vamp [from "Play Some Music"] - Neptune [53:33]: Yesterday's Face [from "Play Some Music"] - Neptune [01:00:07]: #42 [from "Play Some Music"] - Neptune [01:01:35]: Glass Masque [from "Play Some Music"] - Neptune [01:03:09]: Furies [from "Play Some Music"] - Neptune [01:05:46]: Take Me to the Mardi Gras - Bob James [01:05:51]: Furies [from "Play Some Music"] - Neptune [01:12:16]: Yesterday's Face [from "Play Some Music"] - Neptune [01:14:12]: My wife's hair dryer [from emoji album] - Stephen Weigel [01:15:08]: Concerto for Horns - Stephen Montague    Outro: The Oarsmen [from "Play Some Music"] - Neptune Neptune, the band: https://www.neptune-band.com/ https://neptune-band.bandcamp.com/ Support us on Patreon! https://www.patreon.com/nowandxen Follow http://nowandxen.libsyn.com https://twitter.com/now_xen https://www.facebook.com/nowxen/ Subscribe RSS: http://nowandxen.libsyn.com/rss iTunes: https://itunes.apple.com/us/podcast/n… Spotify: https://open.spotify.com/show/1mhnGsH… Stitcher: https://www.stitcher.com/podcast/nowxen Twitter: https://twitter.com/now_xen Facebook: https://www.facebook.com/nowxen/ YouTube: https://www.youtube.com/channel/UCnmYNMpemAIq8DnK5HJ9gsA

In the fifty-sixth episode of the Inspiring Stewards podcast, Nathan Jones speaks with Duncan Szeto from New York, USA. From chasing wealth in Hong Kong to planting a thriving church next to Columbia University, Duncan's life underwent a radical transformation after devoting himself to God. After retiring from a career as an actuary, he now shepherds Manhattan Gospel Church, reaching an underserved population of Chinese-speaking diaspora young adults in Manhattan. Duncan shares how a gospel-centered approach to stewardship shapes his ministry, fuels radical hospitality, and empowers next-gen believers to live out their faith boldly.We'd love to hear your thoughts, comments, or feedback. To do so, email us at mail@gtp.org.The music is Concerto a' 4 Violini No 2 by Telemann played on classical guitar by Jon Sayles. Published by Exzel Music. Length: 11:10

durée : 00:43:36 - par : Emilie Munera, Rodolphe Bruneau-Boulmier - Nous écouterons en ouverture d'émission la pièce pour orchestre "Vaporised Tivoli", inspirée par le célèbre parc d'attractions danois, ainsi que le Concerto pour violoncelle du compositeur suédois Anders Hillborg. Autre concerto à découvrir ce soir, celui pour clarinette du sudafricain Conrad Asman. - réalisation : Lionel Quantin, Pauline Boisaubert Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Paola Peresin"Il viaggio di Slavc"Errori, bugie, falsi miti e leggende sul lupoPrefazione di Franca ZanichelliIllustrazioni interne di Tobia RavàKellermann Editorewww.kellermanneditore.itNelle Alpi orientali un lupo solitario cammina su sentieri che intere popolazioni avevano abbandonato due secoli fa. La sua storia diventa simbolo di un fenomeno più vasto: il ritorno di una specie selvatica in territori che l'avevano dimenticata.Ma Slavc non avanza solo tra boschi e pascoli alpini, attraversa anche un territorio culturale fragile e minato, dove ogni sua impronta risveglia echi di controversie ancestrali e paure mai sopite.Paola Peresin è laureata in Scienze Biologiche, lavora con Enti Locali e Università su aree afferenti alla Conservazione della Natura.Tobia Ravà (Padova, 1959), lavora a Venezia, ha frequentato la Scuola Internazionale di Grafica di Venezia ed Urbino. Si è laureato in semiologia delle arti all'Università di Bologna, allievo di Umberto Eco, Renato Barilli, Omar Calabrese, Flavio Caroli. Dipinge dal 1971 ed ha esposto dal 1977 in mostre personali e collettive in Italia, Belgio, Croazia, Francia, Germania, Spagna, Brasile, Argentina, Giappone e Stati Uniti. È presente in collezioni sia private che pubbliche, in Europa, Stati Uniti, America Latina, e in Estremo Oriente. Nel 1983 è tra i fondatori del gruppo bolognese AlcArte, attivo all'Università di Bologna (DAMS), con l'intento di coniugare il fare arte all'epistemologia. Dal 1988 si occupa di iconografia ebraica e ha svolto con Gadi Luzzatto Voghera e Paolo Navarro Dina un lavoro di ricerca e schedatura nell'ambito dell'epigrafia ebraica nel Veneto, Friuli Venezia Giulia e Trentino Alto Adige. Nel 1993 è il promotore del gruppo Triplani, che, partendo dalla semiologia biplanare di Greimas e Calabrese, prende il nome dall'ipotesi di un terzo livello di lettura simbolica, accanto a quelli del significato e del significante. Nel 1998 è tra i soci fondatori di Concerto d'Arte Contemporanea, associazione culturale che si propone di riunire artisti con le stesse affinità per riqualificare l'uomo ponendolo in sintonia con l'ambiente e rendere l'arte contemporanea conscia dei suoi rapporti con la storia e la storia dell'arte, anche interagendo espositivamente con parchi, ville, edifici storici e piazze di città d'arte. Dal 1999 ha avviato un ciclo di conferenze, invitato da università e istituti superiori d'arte, sulla sua attività nel contesto della cultura ebraica, della logica matematica e dell'arte contemporanea.Diventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.IL POSTO DELLE PAROLEascoltare fa pensarehttps://ilpostodelleparole.it/

What happens when the audition is closer than you expected and the preparation feels impossible? In this episode, I'm talking about how to handle high pressure performance situations when time is short, nerves are high, and your brain keeps telling you it's not enough. We dive into mindset, performance psychology, nervous system regulation, and the surprising ways urgency can actually work in your favor. In this episode: • Why resisting the situation drains the energy you need to perform • How to stop spiraling and start preparing effectively • What short timelines can teach you about trust, resilience, and performance under pressure   Are you ready to take your playing and career to the next level and create a life that feels purposeful and joyful? Let's connect and explore how personalized coaching can support your journey. Click here to schedule your free consultation, and let's start turning your goals into reality.   Book your FREE Music Mastery Experience Discovery call with Renée HERE Download the transcript from this episode HERE   Mind Over Finger Click www.mindoverfinger.com/coaching to book your free consultation with me. Visit MindOverFinger.com for my online courses as well as free resources on peak performance. Grab my free workshops and PDF downloads by going to www.mindoverfinger.com/resources. Connect: https://www.youtube.com/@MindOverFinger https://www.facebook.com/mindoverfinger/ https://www.facebook.com/groups/mindoverfinger https://www.instagram.com/mindoverfinger/     THANK YOU: Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme:  Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson.

About the GuestJoshua Herring is the Curriculum Program Manager for the Rafiki Foundation, Director of the Logres Institute for Classical Liberal Studies, and author of Sons of Adam, Daughters of Eve: C.S. Lewis's Images of Gender. He has taught 6-12th grade humanities, spend three years in high school administration, and built classical education programs at the college level. He loves helping teachers, leaders, and parents own their intellectual inheritance.Logres InstituteVisit https://www.logresinstitute.org/, and apply for their programs after July 1.About Joshua's Conferencehttps://theclassicalconsortium.com/southeastern-consortium/ On August 7-8, the 3rd Annual Southeastern Consortium of Classical Educators conference will gather at Christ the King Presbyterian Church (PCA) in Raleigh, NC to consider "Source of Joy" in teaching. Come hear from keynote speakers Patrick Whalen, Dale Stenberg, Scott Postma, and Josh Herring; experience joyful learning breakout sessions focusing on poetry, civics, science, theology, and more. Join other classical educators for a refreshing reminder of the truth that our God has given us joyful sources to draw from; begin the 26-27 academic year renewing your soul. Teachers and students - email Dr. Herring at jherring@logresinstitute.org for a discount code! Show Notes This interview is a candid conversation between Josh and Adrienne. As they get acquainted, they discuss classical education and share their respective contributions to the field.Some musings covered include:An in-depth discussion about their love for Till We Have Faces by LewisTeaching Homer and how students respond to the text. Holding kids accountable to reading for homeworkJosh shares the top three areas of greatest challenges faced in the classical education movement todayHow The Logres Institute aims to help teachers and home educators gain confidence in the classical pedagogyIdeas presented in Adrienne's book, Narration: The Voice of the TriviumResources MentionedC.S Lewis booksHomerQuintilianGeorge MacDonaldKaren Glass booksThoroughness and Charm by GerthThe Good Teacher by Perrin and EbenAn Essay Towards a Philosophy of Education by Charlotte Mason (Centenary Expanded Edition published by Smidgen Press)Charlotte Mason's Essay: "Two Education Ideals" (Contrasting Rousseau's Émile with John Milton's "Of Education")____________________________________This podcast is produced by Beautiful Teaching, LLC.Support this podcast: ★ Support this podcast ★ _________________________________________________________Credits:Sound Engineer: Andrew HelselLogo Art: Anastasiya CFMusic: Vivaldi's Concerto for 2 Violins in B flat major, RV529 : Lana Trotovsek, violin Sreten Krstic, violin with Chamber Orchestra of Slovenian Philharmonic © 2026 Beautiful Teaching LLC. All Rights Reserve

F.A. Hoffmeister: Concerto for 2 Horns No. 3, AllegrettoJacek Muzyk, Daniel Kerdelewicz, hornsBuffalo Philharmonic Orchestra JoAnn Falletta, conductorMore info about today's track: Naxos 8.574646Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

  If you've been listening along to our last few episodes, you've heard a lot of violin — Vivaldi wrote for it constantly, and it's easy to understand why. But the violin has a whole family of relatives, and today we're finally introducing all of them. In this episode, we meet the four members of the string family: The violin — the smallest, brightest member of the family, and the one you've been hearing in our Vivaldi series The viola — slightly larger, with a warmer and darker sound (think: a quiet, golden afternoon compared to the violin's bright, sunny morning) The cello — deep, rich, and almost voice-like in quality (you may remember it from Episode 30, when we listened to Bach's Cello Suites together!) The double bass — the largest member of the family, producing a sound so low you almost feel it as much as you hear it We also do a fun listening comparison near the end of the episode — all four instruments played back-to-back so your ears can really start to notice the differences. FREE PRINTABLE: STRING FAMILY SPOTTER SHEET I created a String Family Spotter sheet to go along with this episode. As you listen to music over the next few weeks — whether from this podcast or anything else you come across — you can use it to check off which string instruments you hear. It's a wonderful way to keep those listening ears active and engaged between episodes.

On this episode of The Bandwich Tapes, I sit down with composer Adam Schoenberg for a thoughtful and deeply human conversation about artistic identity, creative conviction, and the long arc of a life in music. Adam reflects on the early success of Finding Rothko, the orchestral work that helped put him on the map, and what it means to look back on a piece written in his twenties with both gratitude and perspective.We talk about the tension between writing to please others and writing from a place of honesty. Adam shares a formative story from his student years about reshaping a piece to fit institutional expectations, only to realize later that the version that truly sounded like him was the one that opened doors. It leads us into a wider conversation about tonality, contemporary classical music, and why he believes today's musical landscape is more open to different kinds of expression than it once was.Adam also opens up about mentorship, education, and the very different kinds of teachers who shaped him along the way. We discuss studying with John Corigliano, the emotional difficulty of feeling artistically out of place as a young composer, and how those experiences ultimately influenced the kind of teacher he wanted to become for his own students.One of the most moving parts of our conversation centers on Adam's recent health crisis and the way it has changed his relationship to composing, ambition, and time. He speaks candidly about depression, survival, recovery, and the vulnerability of returning to the page after a long silence. We also talk about his percussion concerto Losing Earth, his collaborative relationship with percussionist Jake Nissly, and a powerful new work on the horizon: a Concerto for Body that explores illness, healing, and the orchestra as a living system.Key TakeawaysAdam Schoenberg's breakout orchestral work, Finding Rothko, launched his career and continues to resonate with audiences nearly 20 years later.He learned early on that shaping music to satisfy gatekeepers can come at the expense of artistic truth.Studying with mentors like Robert Beaser and John Corigliano helped him refine both his craft and his confidence as a composer.Adam sees today's classical music world as more stylistically open, with greater room for composers to write in an authentic voice.His percussion concerto Losing Earth, written for Jake Nissly and the San Francisco Symphony, grew out of a highly collaborative process and a desire to create an immersive musical experience.A serious medical crisis took Adam away from composing for nearly two years and forced him to rethink identity, ambition, and what kind of work still matters to him.His upcoming Concerto for Body reflects a new creative chapter shaped by illness, survival, and the experience of coming back.Music from the EpisodeAdam Schoenberg - American Symphony - I. Fanfare - Kansas City Symphony (Michael Stern, Conductor)Adam Schoenberg - Finding Rothko - III. Red - Kansas City Symphony (Michael Stern, Conductor)Adam Schoenberg - Losing Earth: Concerto for Percussion & Wind Ensemble - The University of Texas Wind Ensemble (Jerry Junkin, conductor) - Jake Nissly - percussionAbout the PodcastThe Bandwich Tapes is a podcast where I sit down with musicians, composers, songwriters, and creative artists for honest conversations about craft, collaboration, career paths, and the deeper stories behind the work. It's a space for thoughtful musical dialogue, with a focus on process, perspective, and the lived experience of making art.Connect with the ShowEmail: contact@thebandwichtapes.com

What does it actually take to win a major orchestra audition? In this deeply personal episode, I take you behind the scenes of my winning audition for the Lyric Opera Orchestra at 47 years old. I'm sharing the real preparation process, the mental work, the conditioning, and the mindset shifts that carried me through 90 days of intense preparation and into the audition room. In this episode: • How I prepared mentally, physically, and musically while working full time and raising a family • Why trust under pressure matters more than "feeling confident" • The surprising gap between how a performance feels and how it actually sounds     If you're ready to step on stage with confidence, perform at your best, and win that next audition, join me inside The Music Mastery Experience. Let's connect and explore how personalized coaching can support your journey. Click here to schedule your free consultation, and let's start turning your goals into reality.   Book your FREE Music Mastery Experience Discovery call with Renée HERE Download the transcript from this episode HERE   Mind Over Finger Click www.mindoverfinger.com/coaching to book your free consultation with me. Visit MindOverFinger.com for my online courses as well as free resources on peak performance. Grab my free workshops and PDF downloads by going to www.mindoverfinger.com/resources. Connect: https://www.youtube.com/@MindOverFinger https://www.facebook.com/mindoverfinger/ https://www.facebook.com/groups/mindoverfinger https://www.instagram.com/mindoverfinger/     THANK YOU: Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme:  Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson.

durée : 01:28:21 - par : Emilie Munera, Rodolphe Bruneau-Boulmier - On se dirige vers le grand nord pour terminer la semaine, avec le Concerto pour violon de Sibelius qu'enregistrent la jeune violoniste suédoise Ava Bahari et le chef Santtu-Matias Rouvali à la tête du Gothenburg Symphony Orchestra. - réalisation : Pauline Boisaubert Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 01:28:21 - par : Emilie Munera, Rodolphe Bruneau-Boulmier - On se dirige vers le grand nord pour terminer la semaine, avec le Concerto pour violon de Sibelius qu'enregistrent la jeune violoniste suédoise Ava Bahari et le chef Santtu-Matias Rouvali à la tête du Gothenburg Symphony Orchestra. - réalisation : Pauline Boisaubert Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 00:16:29 - par : Emilie Munera, Rodolphe Bruneau-Boulmier - Ava Bahari et Santtu-Matias Rouvali partagent la même passion pour la musique de Sibelius qui, meurtri de ne pas avoir réussi à être le violoniste virtuose qu'il rêvait de devenir, a composé un concerto devenu incontournable, où soliste et orchestre sont en fusion… - réalisation : Pauline Boisaubert Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 00:16:29 - par : Emilie Munera, Rodolphe Bruneau-Boulmier - Ava Bahari et Santtu-Matias Rouvali partagent la même passion pour la musique de Sibelius qui, meurtri de ne pas avoir réussi à être le violoniste virtuose qu'il rêvait de devenir, a composé un concerto devenu incontournable, où soliste et orchestre sont en fusion… - réalisation : Pauline Boisaubert Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

What if confidence is not the absence of doubt? In this deeply honest conversation, violinist Robert Sanders shares what changed internally as he navigated auditions, pressure, comparison, and eventually won a full time position with the Bruckner Orchestra Linz. This episode is not about becoming fearless. It's about learning how to stop fighting yourself so aggressively underneath the pressure. In this episode: • Why self doubt does not disappear even at a high level • How Robert shifted from battling doubt to "dancing" with it • The surprising mindset shift that changed his audition experience • Why learning to work with yourself changes everything under pressure If you're ready to step on stage with confidence, perform at your best, and finally feel secure in your playing, let's talk! Book a free discovery call and let's create a plan to get you there. Are you ready to take your playing and career to the next level and create a life that feels purposeful and joyful? Let's connect and explore how personalized coaching can support your journey. Click here to schedule your free consultation, and let's start turning your goals into reality.   Book your FREE Music Mastery Experience Discovery call with Renée HERE Book your free consultation with Renée HERE Download the transcript from this episode HERE   Robert Sanders Website: www.robertsandersviolin.com       Mind Over Finger Click www.mindoverfinger.com/coaching to book your free consultation with me. Visit MindOverFinger.com for my online courses as well as free resources on peak performance. Grab my free workshops and PDF downloads by going to www.mindoverfinger.com/resources. Connect: https://www.youtube.com/@MindOverFinger https://www.facebook.com/mindoverfinger/ https://www.facebook.com/groups/mindoverfinger https://www.instagram.com/mindoverfinger/     THANK YOU: Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme:  Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson.

You know that feeling when you walk off stage thinking, "I can play so much better than this"? In this episode, I unpack three powerful patterns I saw during the Musicians Edge Challenge with more than 300 musicians and why so many performers lose access to themselves under pressure even when they've prepared brilliantly. In this episode: • Why your best playing can feel impossible to recreate on demand • What really happens when a different version of you shows up on stage • Why many musicians keep trying to solve the wrong problem If you're ready to close the gap between how you play in the practice room and who you become under pressure, the Music Mastery Experience is open for enrollment now. Inside MME, we work on performance preparation, self trust, mindset, nervous system regulation, and the hidden patterns that shape your performances. Enrollment closes May 20 and we begin June 1. Learn more at mindoverfinger.com/mme   Book your FREE Music Mastery Experience Discovery call with Renée HERE Book your free consultation with Renée HERE Download the transcript from this episode HERE   Mind Over Finger Click www.mindoverfinger.com/coaching to book your free consultation with me. Visit MindOverFinger.com for my online courses as well as free resources on peak performance. Grab my free workshops and PDF downloads by going to www.mindoverfinger.com/resources. Connect: https://www.youtube.com/@MindOverFinger https://www.facebook.com/mindoverfinger/ https://www.facebook.com/groups/mindoverfinger https://www.instagram.com/mindoverfinger/     THANK YOU: Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme:  Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson.

About the GuestAutumn Kern is the host of The Commonplace, a place to help new homeschooling moms get their bearings in the classical, Charlotte Mason world. She explores the Classical Tradition on her podcast, releases practical philosophy videos on YouTube, offers ongoing education for mother-teachers in Common House, and, more recently, leads directed programmes of study under Mother Academia. She and her husband are raising their four children in an old 1700s Pennsylvania farmhouse, hoping one of these wardrobes will bring them face-to-face with Aslan.  Show NotesThis episode is dedicated to homeschool mothers! Many people have asked me to share my homeschool journey and I wanted to know more about Autumn Kern's journey into the Charlotte Mason Classical homeschool world. Autumn and I share our ups and downs as homeschool moms as means of encouragement to our fellow home educators.Some topics covered include:How we got started in the homeschool movementThe classical connection to Charlotte MasonCommon challenges to homeschool momsHow to recover from burn outHow to handle crisis situationsHow to juggle management of a home while homeschoolingResources MentionedThe Lion, The Witch and The WardrobeA Thinking Love by Karen Glass (Vol 1 Charlotte Mason)An Essay Towards a Philosophy of Education by Charlotte Mason (Centenary Expanded Edition published by Smidgen Press)Previous Guest EpisodeAutumn joined my former co-host Trae Bailey in 2022. That episode was titled Autumn Kern: The Common Classical Charlotte Mason Mom. Click here for the link: https://classicaleducationpodcast.transistor.fm/episodes/autumn-kern-the-common-classical-charlotte-mason-mother____________________________________This podcast is produced by Beautiful Teaching, LLC.Support this podcast: ★ Support this podcast ★ _________________________________________________________Credits:Sound Engineer: Andrew HelselLogo Art: Anastasiya CFMusic: Vivaldi's Concerto for 2 Violins in B flat major, RV529 : Lana Trotovsek, violin Sreten Krstic, violin with Chamber Orchestra of Slovenian Philharmonic © 2026 Beautiful Teaching LLC. All Rights Reserve

Al concerto di Pupo a Melbourne lo scorso weekend c'erano tanti fan italoaustraliani che lo seguono da decenni. Ai microfoni di SBS Italian hanno raccontato cosa rappresentano per loro le sue canzoni e il ritorno dell'artista in Australia.

Johan Fasch: Concerto a 8 in D Major, III. AllegroThomas Reiner, trumpet Südwestdeutsches Kammerorchester Pforzheim Sebastian Tewinkel, conductorMore info about today's track: Naxos 8.570501Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

In today's episode, we're wrapping up our three-part series on Antonio Vivaldi with a piece that feels both intimate and expressive—the Concerto for Two Violins in A Minor. If you've been listening along with this series, you already know how much I've loved exploring Vivaldi with you. Today's piece gives us something a little different from The Four Seasons—and it invites us to listen in a whole new way.

If you've ever stood in the wings before a performance and wondered how you got there — not in a good way — this episode is for you. Marie-Michel Beauparlant is an accomplished cellist, a mom of twins, and one of the most honest guests we've had on the show. She talks about the years she spent hiding behind section playing because solo performing felt impossible, the guilt of chasing an audition with six-month-old twins at home, and what it actually took to go from dreading the spotlight to being, as she puts it herself, a little addicted to it. This is a real conversation about the inner life of a working musician — and it will stay with you. In this episode you will discover: Why perfectionism and stage fright so often go hand in hand and what Marie-Michel did to start untangling them How she went from barely advancing in auditions to winning two orchestra positions and making finals consistently The mindset shift that led her to remove the word failure from her vocabulary entirely How finding a community of musicians facing similar challenges made her feel less alone and normalized the struggles she had been carrying quietly for years The simple question she asks herself before every practice session that keeps her grounded and motivated What winning really looks like when you stop making it only about the outcome   Want to experience this kind of transformation in your own musical life? The doors to the Music Mastery Experience open June 1st. Visit mindoverfinger.com/mme to learn more and book your free call today. Spots are limited.   Book your FREE Music Mastery Experience Clarity Call with Renée HERE Download the transcript from this episode HERE       Mind Over Finger Click www.mindoverfinger.com/coaching to book your free consultation with me. Visit MindOverFinger.com for my online courses as well as free resources on peak performance. Grab my free workshops and PDF downloads by going to www.mindoverfinger.com/resources. Connect: https://www.youtube.com/@MindOverFinger https://www.facebook.com/mindoverfinger/ https://www.facebook.com/groups/mindoverfinger https://www.instagram.com/mindoverfinger/     THANK YOU: Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme:  Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson.    

President Trump has threatened to take - or make a deal for - whatever is left of the regime's highly enriched uranium stockpile - a key component to building nuclear weapons. HEU removal operations can be high stakes and dangerous, but the U.S. has successfully done it before in 1994 – safely removing 600 kilograms of weapons grade uranium from Kazakhstan after the fall of the Soviet Union. Correspondent Cecilia Vega reports on the covert operation, code named Project Sapphire, and if it could be the blueprint for how to get HEU out of Iran. Rachel Goldberg-Polin's son Hersh was taken hostage by Hamas on Oct. 7, 2023. On his 328th day in captivity, Hersh was executed in a tunnel in Gaza. Now, Rachel Goldberg-Polin is trying to figure out how to live after losing her child. Anderson Cooper interviews Goldberg-Polin about Hersh and her grief, and speaks with Or Levy, a released hostage who was in captivity with Hersh, and credits him with helping to save his life. Acclaimed drummer of The Police Stewart Copeland and celebrated British naturalist Martyn Stewart have created Wild Concerto, a pioneering album that mixes authentic animal sounds with original music. It's based on Stewart's unparalleled audio archive of the world's wild inhabitants. Correspondent Bill Whitaker joins the pair at the iconic Abbey Road Studios as Copeland and Stewart give Mother Nature's orchestra the star treatment.  To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices