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Intrattenimento e informazione, musica, cultura, i fatti del giorno e la rassegna stampa con i vostri messaggi in diretta: tutto questo è Radio Vaticana con Voi! Anche oggi insieme per iniziare la giornata con numerosi ospiti! Come ogni giorno, protagonisti gli ascoltatori! Intervieni in diretta tramite WhatsApp al numero 3351243722. In un tempo segnato da conflitti e profonde tensioni internazionali, la Fondazione Internazionale Don Luigi Di Liegro promuove il Concerto per la Pace, in programma domenica 15 marzo 2026, ore 16:00, nella cornice della Basilica dei Santi XII Apostoli, nel cuore di Roma. Ce ne ha parlato Alessandro Romelli Di Liegro della fondazione Di Liegro Negli ultimi vent'anni oltre 1 milione 700 mila italiani si sono iscritti all'Aire, l'anagrafe dei residenti all'estero; nello stesso periodo i rimpatri sono stati la metà. Il libro "Crescere expat. Famiglie italiane in giro per il mondo" della collana "Quaderni Migrantes" della Tau editrice, raccoglie le storie di tanti genitori italiani all'estero. Con noi l'autrice Eleonora Voltolina "Principe. Il Nottambulo del Pensiero Magmatico", progetto espositivo di Bizhan Bassiri , artista italo-iraniano tra le figure più autorevoli della ricerca contemporanea internazionale, realizzato in collaborazione con la Fondazione Musei Civici di Venezia e ospitata da Museo Correr di Venezia fino al 22 novembre 2026. Bassiri in collegamento con noi ci ha portato in questo percorso espositivo Alcuni giorni fa è scomparso l'artista Marcello Silvestri. Molto vicino alla Fondazione Migrantes ha spesso organizzato iniziative con loro come la Bottega dell'arte al Pincio durante lo scorso Earth Day. È stato protagonista del documentario “L'uomo di polvere e sabbia” della regista Lia Beltrami e Andrea Franceschini. E noi lo abbiamo ricordato con monsignor Pierpaolo Felicolo direttore di Migrantes Conducono: Marina Tomarro e Stefania Ferretti Tecnici Audio/Video, Bruno Orti
Hope you are having a lovely day! Today Ms. Andy has a cute kids book for you and she is very excited to read to you today! Today we have Ms. Andy reading "Sketty and Meatball" by Sarah Weeks with a fun story about cute dogs!As always this book was selected from our library! Kids and Parents can read along with us, in this read aloud story time! Be sure to check out your local Library to check out what books they may have! If you prefer E-Books, sign into the Hoopla or Libby app using your Library Card and follow along from there!- Check out the Library Systems official website where you can find links to free resources, school and career guides, and news about our upcoming events! https://www.pawls.org/ -Follow us on YouTube and enjoy our backlog of digital story hours and other great content! https://www.youtube.com/@pawls365Original background track is Concerto for Two Violins by Bach.Alterations were made by us to make it fit the length of our content.Brought to you from the Pike-Amite-Walthall Library system.#library #books #pawlskids #kidsstorytime
Concertmaster Juliana Athayde shares the mindset shifts and life choices that shaped her career, from betting on herself early on to leading an orchestra and building a full life beyond the practice room. In this conversation, we explore: • The leap of faith that led her to turn down a dream job and invest in herself • What great orchestral leadership actually looks like beyond playing well • Why "perfect or disaster" thinking traps so many musicians • The powerful idea that performance needs no rear view mirror • How audition panels are often rooting for you more than you think • The difference between practicing mindfully and "punching the time card" in the practice room • Why recording yourself and actually listening can transform your progress • How motherhood reshaped her priorities, practice efficiency, and perspective • Why a richer life outside music ultimately deepens your artistry • The simple but powerful question that can change everything: What if things went right? A thoughtful conversation about leadership, performance, growth, and choosing the bigger life in music. If you're ready to step on stage with confidence, perform at your best, and finally feel secure in your playing, let's talk! Book a free discovery call and let's create a plan to get you there. Are you ready to take your playing and career to the next level and create a life that feels purposeful and joyful? Let's connect and explore how personalized coaching can support your journey. Click here to schedule your free consultation, and let's start turning your goals into reality. Book your FREE Music Mastery Experience Discovery call with Renée HERE Book your free consultation with Renée HERE Download the transcript from this episode HERE JULIANA ATHAYDE Eastman: https://www.esm.rochester.edu/directory/athayde-juliana/ Chamber Music Rochester: https://www.chambermusicrochester.org/artistic-directors Mind Over Finger Click www.mindoverfinger.com/coaching to book your free consultation with me. Visit MindOverFinger.com for my online courses as well as free resources on peak performance. Grab my free workshops and PDF downloads by going to www.mindoverfinger.com/resources. Connect: https://www.youtube.com/@MindOverFinger https://www.facebook.com/mindoverfinger/ https://www.facebook.com/groups/mindoverfinger https://www.instagram.com/mindoverfinger/ THANK YOU: Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme: Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson.
Met ditmaal: Iron & Wine, Gorillaz, Chat Pile, Kula Shaker, Cardinals, Lala Lala, Stone, Bill Callahan, Paul Draper, Wild Horses, Tofusmell, Motorpsycho, plus een exclusieve instore van The People's Pleasure Ground. Concerto Radio, aflevering 637 (6 maart 2026): Iron & Wine, Robin’s Egg (feat. I’m With Her): Hen’s Teeth Gorillaz, The God Of Lying: The Mountain […]
Concerto Budapest: vasárnapi randevú Mozarttal
Today, host John Tefteller and radio historian Dr. Joe Webb uncover another rare find; a long-lost episode of the hit 1940s crime drama “Mr. District Attorney.” This one's been missing for decades until recently discovered in a private collector's stash. John and Dr. Webb go into the history behind the series and how it became one of the most popular crime shows of its time. They also talk about why so many East Coast programs from that era vanished. Jay Jostyn and the Golden Age "Mr. District Attorney" Series Need to be "Re-discovered" https://suspensearchive.wixsite.com/drjoesworkshop/post/jay-jostyn-and-the-golden-age-mr-district-attorney-series-need-to-be-re-discovered The Blockbuster Series Mr. DA Did Not Start That Way https://suspensearchive.wixsite.com/drjoesworkshop/post/the-blockbuster-series-mr-da-did-not-start-that-way Ipana toothpaste https://en.wikipedia.org/wiki/Ipana Ipana print ad https://archive.org/details/1948-advertisement-for-ipana-toothpaste_20201109 Minit-Rub print ad https://archive.org/details/MinitRub1947A Chuck Schaden interview of Jay Jostyn https://speakingofradio.com/interviews/jostyn-jay/ Visit our website: https://goodolddaysofradio.com/ Subscribe to our Facebook Group for news, discussions, and the latest podcast: https://www.facebook.com/groups/881779245938297 Our theme music is "Why Am I So Romantic?" from Animal Crackers: https://www.amazon.com/dp/B01KHJKAKS/ref=cm_sw_em_r_mt_dp_MK8MVCY4DVBAM8ZK39WD
durée : 00:06:10 - Le Bach du matin du lundi 02 mars 2026 - Ce matin, nous écoutons le troisième mouvement du Concerto en Mi majeur BWV 1053 de Jean-Sébastien Bach, dans une version pour flûte à bec et orchestre, interprétée par Maurice Steger et La Cetra Barockorchester Basel. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.
durée : 00:06:10 - Le Bach du matin du lundi 02 mars 2026 - Ce matin, nous écoutons le troisième mouvement du Concerto en Mi majeur BWV 1053 de Jean-Sébastien Bach, dans une version pour flûte à bec et orchestre, interprétée par Maurice Steger et La Cetra Barockorchester Basel. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.
Em novembro de 1720, Johann Sebastian Bach fez um concerto ao órgão como prova de admissão no cargo de organista da Sankt-Jacobi Kirche, a igreja luterana de São Tiago, em Hamburgo. Embora tenha sido escolhido entre os oito candidatos que disputaram o concurso, ele não assumiu o cargo, porque era uma exigência do Conselho daquela cidade do norte alemão que os nomeados para a função dessem uma generosa oferta em dinheiro para a igreja. Bach se recusou a pagar para trabalhar e retornou para a corte de Cöthen, onde era Kapellmeister (diretor de música). Duas músicas apresentadas por Bach no concerto em Hamburgo - que durou mais de duas horas - são exibidas nesta edição de Manhã com Bach: o prelúdio coral An Wasserflüssen Babylon, "Nos rios da Babilônia" (BWV 653), e a Fantasia e Fuga em Sol Menor (BWV 542). O podcast traz ainda a cantata Wer sich selbst erhöhet, "Quem exalta a si mesmo" (BWV 47). Ouça o podcast no link acima. Este podcast reproduz o programa Manhã com Bach, da Rádio USP (93,7 MHz), transmitido nos dias 28 de fevereiro e 1º de março de 2026. Dedicado à divulgação da música do compositor alemão Johann Sebastian Bach (1685-1750), Manhã com Bach vai ao ar pela Rádio USP (93,7 MHz) sempre aos sábados, às 9 horas, com reapresentação no domingo, também às 9 horas, inclusive via internet, através do site da emissora. Às segundas-feiras ele é publicado em formato de podcast no site do Jornal da USP. As edições anteriores do podcast Manhã com Bach estão disponíveis neste link.
In the fifty-fourth episode of the Inspiring Stewards podcast, Nathan Jones speaks with Bickram Singh from Trinidad in the Caribbean region. As a full-time pastor for over 20 years, Bickram has also been involved with transformative national events. Having felt called to pastoral ministry during his college years, he believes stewardship should be taught early in life, and that involves everything God entrusts to us, including our talents. After sharing about the power of media in spreading the gospel, he concludes by encouraging listeners to get into and be discipled by the Word of God.We'd love to hear your thoughts, comments, or feedback. To do so, email us at mail@gtp.org.The music is Concerto a' 4 Violini No 2 by Telemann played on classical guitar by Jon Sayles. Published by Exzel Music. Length: 13:33
All'interno del programma radiofonico di RadioPNR "Buongiorno PNR Weekend", Salvatore Coluccio, responsabile di "Visioni 47", ha presentato il prossimo concerto del 7 marzo al teatro Alessandrino del gruppo "Calibro 35" e ci ha regalato le anticipazioni dei progetti del suo circolo.
durée : 00:14:08 - Disques de légende du vendredi 27 février 2026 - Plutôt classique et mozartien dans l'âme, le pianiste britannique Clifford Curzon s'est tout de même essayé au répertoire romantique et post-romantique, comme avec ce Concerto pour piano d'Edvard Grieg, qu'il réussit à débarrasser de son sentimentalisme. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.
durée : 00:14:08 - Disques de légende du vendredi 27 février 2026 - Plutôt classique et mozartien dans l'âme, le pianiste britannique Clifford Curzon s'est tout de même essayé au répertoire romantique et post-romantique, comme avec ce Concerto pour piano d'Edvard Grieg, qu'il réussit à débarrasser de son sentimentalisme. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.
Met ditmaal: Kula Shaker, Tyler Ballgame, Cardinals, Stone, The Damned, Altin Gün, Lucinda Williams, Jay Buchanan, Paul Draper, Danzig, Ulrika Spacek, Melody’s Echo Chamber, Sleaford Mods, Ist Ist, plus een exclusieve instorevan Orange Skyline. Concerto Radio, aflevering 636 (27 februari 2026): Kula Shaker, Lucky Number: Wormslayer Tyler Ballgame, Matter of Taste: For The First Time, Again […]
La musica e il canto sono presenti in tutti gli ambiti della vita in Africa, in particolare nell'Africa subsahariana, ed è così anche nel culto. Dagli inni che i missionari hanno portato con sé a oggi, il canto nelle chiese africane è cambiato molto, passando dal gospel e altri stili fino a riabbracciare e rinnovare sonorità più vicine alla cultura musicale locale. La chiesa battista di Torino di via Passalacqua ha organizzato un weekend di incontro musicale su questi argomenti, sabato 28 febbraio e domenica 1° marzo, con la presenza del pastore Josias N'Gahata che presenterà il percorso della musica cristiana africana, in particolare nella Chiesa evangelica del Congo, di cui è stato responsabile del Dipartimento della musica. In un paese dove non esiste un conservatorio, il pastore N'gahata è riuscito a coinvolgere ragazzi e ragazze e a creare con loro l'Orchestre Symphonique des Enfants de Brazzaville. Con materiale video e sonoro il pastore illustrerà questa sfida musicale, che aiuta i più giovani a esprimersi e, forse, a costruire una professione. Il workshop è supportato dal Centro Culturale Protestante di Torino.Chiunque è invitato a partecipare, anche senza prenotazione, a questo momento non solo di formazione, ma anche di scoperta, come ci spiega nell'intervista Edouard Kibongui, direttore del Passalacqua Gospel Choir di Torino. Programma• Sabato 28 febbraio 2026, dalle 15:30 alle 18Workshop: Dall'innologia missionaria al Kilombo – evoluzione del canto cristiano in Congo• Domenica 1° marzo 2026, dalle 15 alle 17Workshop con Josias N'Gahata e il Passalacqua Gospel Choir• Domenica 1° marzo 2026, alle 18Canto Africa!Concerto di chiusura con Josias N'Gahata, il Passalacqua Gospel Choir e i partecipanti al workshop
When your heart is racing and your brain starts whispering "don't mess this up," it's easy to think the goal is to shut the thoughts down. But that fight is often the thing that turns normal pre performance activation into full anxiety. In this short episode, I borrow the first rule of improv, "Yes, and," and show you how to use it as a musician. Not to become fearless, but to stay in the music even when doubt is in the room. In this episode, you'll hear: · The difference between normal activation and anxiety, and how the "second layer" of thoughts creates the spiral · Why denial and forcing yourself to "stop thinking" usually backfire right before performance · How to use "Yes, and" as validation, so your nervous system feels supported instead of bullied · Real scripts for the moments musicians actually struggle with, feeling behind in practice, tight in the warmup room, or rattled by a mistake on stage · A one minute breath reset you can do anywhere, 4 count inhale, 6 count exhale, paired with "Yes" and "And" · A simple challenge for today, catch one scary thought, validate it, and keep going If you're ready to step on stage with confidence, perform at your best, and finally feel secure in your playing, let's talk! Book a free discovery call and let's create a plan to get you there. Are you ready to take your playing and career to the next level and create a life that feels purposeful and joyful? Let's connect and explore how personalized coaching can support your journey. Click here to schedule your free consultation, and let's start turning your goals into reality. Book your FREE Music Mastery Experience Discovery call with Renée HERE Book your free consultation with Renée HERE Download the transcript from this episode HERE Mind Over Finger Click www.mindoverfinger.com/coaching to book your free consultation with me. Visit MindOverFinger.com for my online courses as well as free resources on peak performance. Grab my free workshops and PDF downloads by going to www.mindoverfinger.com/resources. Connect: https://www.youtube.com/@MindOverFinger https://www.facebook.com/mindoverfinger/ https://www.facebook.com/groups/mindoverfinger https://www.instagram.com/mindoverfinger/ THANK YOU: Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme: Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson.
Evaristo Felice Dall'Abaco (1675 - 1742) - Concerto a più istrumenti, Op. 5 n. 6 in re maggiore Allegro - 0:05Aria cantabile - 4:02Ciaccona (Allegro e spiccato) - 5:13Rondeau (Allegro) - 7:57Allegro - 9:01 Bremer Barockorchester
durée : 00:07:12 - Le Bach du matin du mercredi 25 février 2026 - Ce matin, nous écoutons le troisième mouvement du premier Concerto pour piano en Ré mineur BWV 1052 de Jean-Sébastien Bach, interprété par Martin James Bartlett et l'Orchestre du Mozarteum de Salzbourg, dirigé par Howard Griffiths. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.
Deus Ex Machina Une sélection musicale autour de Jean Sébastien Bach, des archives sonores de Pierre Henry, Pierre Schaeffer, les débuts de la musique électronique, Kraftwerk, Daft Punk, Jacno, Django Reinhardt et le Quintet du Hot Club de France, Louis Armstrong, réunis dans un nouvel épisode de Rewind, un voyage sonore unique! Le dernier dimanche de chaque mois,20H 21h Playlist : Jesus que ma joie demeure J S Bach > Delia Derbyshire / Because (Acapella Version) > Beatles / Archive Ina Pierre Henry 50 ans de GRM > Pierre Henry / Dr Who Theme > Delia Derbyshire / Robots > Jean Michel Jarre / Unter Deinen Schimen BWV 0081 > Jean Sebastien Bach / A Certain Kind > Soft Machine / Veridis Quo > Daft Punk / Improvisation sur le 1er mouvement du Concerto in D minor de J S Bach > Django Reinhardt / Concerto pour deux violons de J. S Bach > Yehudi Menhuin & David Oistrakh - Orchestre de chambre de la RTF 1958 / Orchestral Suite No 3 > Wilhelm Furtwangler Berlin Philarmonic Orchestra 24 Octobre 1948 / Radio Music (1956) > John Cage / Marseille 2 > Christian Zanesi / Rectangle > Jacno / Go Down Moses > Louis Armstrong / Oh Happy Day > The Edwin Hawkins Singers /
Alessandro Scarlatti (1660-1725)Concerto grosso, Sinfonia No. 2 in re maggiore1. Spiritoso2. Adagio 00:00:583. Allegro 00:02:014. Adagio 00:04:015. Presto 00:05:27 Concerto grosso, Sinfonia No. 3 in re minore1. Vivace 00:07:312. Adagio 00:08:103. Andante 00:09:474. Adagio 00:11:535. Allegro 00:13:10 Capella TiberinaAlexandra Nigito, clavicembalo
durée : 00:07:12 - Le Bach du matin du mercredi 25 février 2026 - Ce matin, nous écoutons le troisième mouvement du premier Concerto pour piano en Ré mineur BWV 1052 de Jean-Sébastien Bach, interprété par Martin James Bartlett et l'Orchestre du Mozarteum de Salzbourg, dirigé par Howard Griffiths. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.
durée : 00:04:41 - Le Bach du matin du mardi 24 février 2026 - Nous écoutons ce matin le deuxième mouvement du Concerto italien en Fa majeur BWV 971, de Jean-Sébastien Bach, interprété par le pianiste ukrainien Vadym Kholodenko. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.
When the world feels heavy and your body is bracing, it is weirdly easy to start treating music like it has to justify itself. You practice anyway. You show up anyway. But inside, you are carrying pressure, tension, and that quiet question most musicians do not say out loud: how do I keep doing this without burning out or breaking down? In Episode 250, I sit down with Dr. Brianne Borden and Claire Howard, co-owners of Yoga for All Musicians, for a conversation that is equal parts grounding, honest, and immediately useful. · Why "just focus on the music" is not always possible, and what to do when the world follows you into the practice room · The simple check in skill most musicians never learn, and why it changes everything from practice choices to injury prevention · How classical music culture trains disconnection, and what trauma informed teaching and cueing can actually feel like · A reframing of expectations that sounds small, but hits hard once you try it in real life · A short centering plus neck and shoulder reset you can do before you play, especially if you live in jaw and shoulder tension If you're ready to step on stage with confidence, perform at your best, and finally feel secure in your playing, let's talk! Book a free discovery call and let's create a plan to get you there. Are you ready to take your playing and career to the next level and create a life that feels purposeful and joyful? Let's connect and explore how personalized coaching can support your journey. Click here to schedule your free consultation, and let's start turning your goals into reality. Book your FREE Music Mastery Experience Discovery call with Renée HERE Book your free consultation with Renée HERE Download the transcript from this episode HERE Yoga for All Musicians · Website: https://www.yogaforallmusicians.com/ · Instagram: https://www.instagram.com/yogaforallmusicians/ · Facebook: https://www.facebook.com/YogaforAllMusicians · Their podcast on Spotify: https://open.spotify.com/user/uif3r1ampypupkhj12tzgzpvx · Their app: o Android: https://apps.apple.com/us/app/fit-by-wix/id1552621043 o Apple: https://apps.apple.com/us/app/fit-by-wix/id1552621043 Mind Over Finger Click www.mindoverfinger.com/coaching to book your free consultation with me. Visit MindOverFinger.com for my online courses as well as free resources on peak performance. Grab my free workshops and PDF downloads by going to www.mindoverfinger.com/resources. Connect: https://www.youtube.com/@MindOverFinger https://www.facebook.com/mindoverfinger/ https://www.facebook.com/groups/mindoverfinger https://www.instagram.com/mindoverfinger/ THANK YOU: Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme: Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson.
Fabien Gabel is Music Director of the Tonkünstler-Orchester Niederösterreich, leading concerts across the orchestra's three venues in Vienna. He has established an international career with Orchestre de Paris, Chicago Symphony Orchestra, London Philharmonic, The Cleveland Orchestra, NDR Elbphilharmonie Orchester, Royal Stockholm Philharmonic Orchestra, Orchestre symphonique de Montréal, Seoul Philharmonic and Melbourne Symphony Orchestra. The 2025/2026 season is marked by important collaborations: Fabien made his debut at the Metropolitan Opera with Carmen; he lead a five-city tour of Spain with Yuja Wang and Mahler Chamber Orchestra; and he conducted premiere performances of Samy Moussa's Concerto for Flute and Orchestra (with Emmanuel Pahud) with French National Orchestra and the Detroit Symphony, as well as Donghoon Shin's viola concerto Threadsuns with Minnesota Orchestra and Tonkünstler-Orchester. Fabien works regularly with all major Parisian orchestras, having made his debut at the Opéra national de Paris during the 2022/2023 season. He recently led the recording of a new score for Abel Gance's 1927 epic film Napoléon with the Orchestre National de France and Orchestre Philharmonique de Radio France. The first part of the film was presented at the 2024 Festival de Cannes and shown in theaters, on French television, and Netflix. Born in Paris to a family of accomplished musicians, Fabien Gabel began playinghe trumpet at the age of six and honed his skills at the Conservatoire National Supérieur de Musique de Paris, and at the Hochschule für Musik Karlsruhe with Reinhold Friedrich. Fabien Gabel was named ‘Chevalier des Arts et des Lettres' by the French government in January 2020.
durée : 01:27:23 - En pistes ! du mercredi 18 février 2026 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Au programme de cette émission, un troisième volume des Concertos pour piano de Mozart par la pianiste russe Olga Paschenko et le célèbre Concerto pour orchestre de Bela Bartok sous la baguette de Gustavo Gimeno. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.
durée : 01:27:23 - En pistes ! du mercredi 18 février 2026 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Au programme de cette émission, un troisième volume des Concertos pour piano de Mozart par la pianiste russe Olga Paschenko et le célèbre Concerto pour orchestre de Bela Bartok sous la baguette de Gustavo Gimeno. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.
durée : 00:05:45 - Le Bach du matin du lundi 16 février 2026 - Ce matin, nous écoutons le premier mouvement du Concerto brandebourgeois n° 6 en si bémol majeur de Bach, dans un arrangement pour deux pianos signé Gustav Clemens Felix Krug, interprété par le Duo Tal & Groethuysen. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.
durée : 00:10:44 - "Concerto d'Aranjuez" de Joaquín Rodrigo par Kazuhito Yamashita - Épisode spécial de « Guitares de légende » consacré à Kazuhito Yamashita et à sa lecture de l'Adagio du "Concerto d'Aranjuez" (1940) de Joaquín Rodrigo. Une version à la fois souveraine et audacieuse, capable de prendre des risques tout en restant fidèle à la nature intime de la guitare. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.
In this episode, we unpack how unrealistic expectations quietly overload your brain, tighten your body, and slow your progress. And more importantly, how to reset them so they actually work for you. You'll learn: • Why high standards are not the problem but misaligned expectations are • How pressure and perfectionism interfere with learning • A simple expectation audit you can use before practice or performance • How to shift from "I should" to "What can I do today?" • A powerful on stage reframe that turns anxiety into expression If you've been pushing hard but not feeling better, this one will help you breathe, refocus, and move forward with clarity. If you're ready to step on stage with confidence, perform at your best, and finally feel secure in your playing, let's talk! Book a free discovery call and let's create a plan to get you there. Are you ready to take your playing and career to the next level and create a life that feels purposeful and joyful? Let's connect and explore how personalized coaching can support your journey. Click here to schedule your free consultation, and let's start turning your goals into reality. Book your FREE Music Mastery Experience Discovery call with Renée HERE Book your free consultation with Renée HERE Download the transcript from this episode HERE Mind Over Finger Click www.mindoverfinger.com/coaching to book your free consultation with me. Visit MindOverFinger.com for my online courses as well as free resources on peak performance. Grab my free workshops and PDF downloads by going to www.mindoverfinger.com/resources. Connect: https://www.youtube.com/@MindOverFinger https://www.facebook.com/mindoverfinger/ https://www.facebook.com/groups/mindoverfinger https://www.instagram.com/mindoverfinger/ THANK YOU: Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme: Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson.
In scena al Perth Festival il trio (più violino) di Umberto Clerici, violoncellista e direttore della Queensland Symphony Orchestra.
About the GuestDr. Keith Buhler is an entrepreneur, philosopher, and teacher. He co-founded the Saint Andrew Academy in Riverside CA, where he serves at Director of Advancement. When he is not teaching Great Books at Azusa Pacific University Honors College, he coaches other start-ups and serves in the west coast Alcuin Fellowship. His writings include Into the Light (a chapter on education); Virtue and Wisdom as Natural Ends (philosophy); and Sola Scriptura: A Dialogue (theology). He attends St Andrew Orthodox Church in Riverside, with his wife Elizabeth and their four children. Show NotesOrthodox Christian educator, Dr. Keith Buhler joins Adrienne to discuss his chapter in the new anthology compiled by David V. Hicks (author of Norms & Nobility). Some topics covered include:Education is a life, not just a pursuit of academicsThe role of the teacher as a role model and mentor in virtueOrthodox traditionsGrowing children in good habits in the classroomEducation is a lifelong pursuit that does not end upon graduationResources and People MentionedInto The Light: Classical Education and Orthodox Christianity, compiled by David V. Hicks and Anthony Gilbert The Republic by PlatoA Dish of Orts, Essays by George MacDonald (The Fantastic Imagination Essay)Sir Gibbie, George MacDonaldG.K. Chestertonpoems by C.S. LewisThe Awakening of Miss PrimNorms and Nobility by David HicksTen Traits of a Good Teacher by Chris PerrinC. S. Lewis PoetryKevin Clark and Ravi Jain The Liberal Arts TraditionPeter KreeftPoem on Oxford by C. S. LewisAfter Prayer by Malcom Guite (A Kind of Tune Poem)George HerbertSir Gibbie by George MacDonaldAristotlePodcast Episode on Nature Journaling with John Muir LawsPodcast Episode on Norms & Nobility with David V. Hicks_____________________________________This podcast is produced by Beautiful Teaching, LLC.Support this podcast: ★ Support this podcast ★ _________________________________________________________Credits:Sound Engineer: Andrew HelselLogo Art: Anastasiya CFMusic: Vivaldi's Concerto for 2 Violins in B flat major, RV529 : Lana Trotovsek, violin Sreten Krstic, violin with Chamber Orchestra of Slovenian Philharmonic © 2026 Beautiful Teaching LLC. All Rights Reserved
FALLA: Concerto per clavicémbalo (o pianoforte), flauto, oboe, clarinetto, violino e violoncello (15.07). M. de Falla (clv.), M. Moyse (fl.), G. Bonneau (fl.), E, Godeau (cl.), M. Darrieux (vl.), A. Cruque (vc.). Psyche (5.19). C. Badía (sop.), Orq. de Cámara. Dir.: M. de Falla. VICTORIA: Missa “Pro Victoria” (selec.) (Credo, Sanctus, Agnus Dei) (13.22). Ensemble Plus Ultra. A. Cea (órg.). Dir.: M. Noone.Escuchar audio
Dani Howard is originally from Hong Kong but she's now a renowned British composer and orchestrator. Her works have been performed by the London Symphony, BBC Symphony and Royal Philharmonic among others. She won a Royal Philharmonic Society Award for her Trombone Concerto. Her debut album features the Royal Liverpool Philharmonic and trombonist Peter Moore. Dani was Resident Artist with the National Youth Orchestra of Great Britain. And she was recently appointed as “Celebrated Composer” with the Bournemouth Symphony Orchestra.My featured song is my recent release, “Ma Petite Fleur String Quartet”. Spotify link.—-----------------------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!Click here for All Episodes Click here for Guest List Click here for Guest Groupings Click here for Guest TestimonialsClick here to Subscribe Click here to receive our Email UpdatesClick here to Rate and Review the podcast—----------------------------------------CONNECT WITH DANI:www.danihoward.com—----------------------------------------ROBERT'S LATEST RELEASE:“MA PETITE FLEUR STRING QUARTET” is Robert's latest release. It transforms his jazz ballad into a lush classical string quartet piece. Praised by a host of classical music stars.CLICK HERE FOR YOUTUBE LINKCLICK HERE FOR ALL LINKS—---------------------------------------ROBERT'S RECENT SINGLE“MI CACHIMBER” is Robert's recent single. It's Robert's tribute to his father who played the trumpet and loved Latin music.. Featuring world class guest artists Benny Benack III and Dave Smith on flugelhornCLICK HERE FOR YOUTUBE LINKCLICK HERE FOR ALL LINKS—--------------------------------------ROBERT'S LATEST ALBUM:“WHAT'S UP!” is Robert's latest compilation album. Featuring 10 of his recent singles including all the ones listed below. Instrumentals and vocals. Jazz, Rock, Pop and Fusion. “My best work so far. (Robert)”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com
Host Silas Farley is back with another fascinating Hear the Dance conversation, joined this week by Kay Mazzo, Christine Redpath, and Jean-Pierre Frohlich to discuss Jerome Robbins' masterpiece Dances at a Gathering. In this wide-ranging and intimate conversation, they share memories of the ballet's momentous 1969 premiere as well as time spent with Robbins in the rehearsal studio. As they discuss the various sections of Dances, they reflect on moments when Robbins' humor emerges; the "freedom" and even suspense of certain passages; and the ways in which the ballet is a gift from the choreographer as much to the dancers, who share in its rich sense of community, as to the audience. (1:09:57) Written by Silas Farley Edited by Emilie Silvestri Music: Concerto for Violin and Orchestra in D major (1931) by Igor Stravinsky Mazurka, op. 63, no. 3; Waltz, op. 69, no. 2; Mazurka, op. 33, no. 3; Mazurkas, op. 6, nos. 2 and 4, op. 7, nos. 4 and 5, op. 24, no. 2; Waltz, op. 24; Waltz, op. 34, no. 2; Mazurka, op. 56, no. 2; Etude, op. 25, no. 4; Waltz, op. 34, no. 1; Waltz, op. 70, no. 2; Etude, op. 25, no. 5; Etude, op. 10, no. 2; Scherzo, op. 20, no. 1; Nocturne, op. 15, no. 1 All music performed by New York City Ballet Orchestra Reading List: Somewhere: The Life of Jerome Robbins by Amanda Vaill Jerome Robbins, by Himself: Selections from His Letters, Journals, Drawings, Photographs, and an Unfinished Memoir Edited and with Commentary by Amanda Vaill Life of Chopin by Franz Liszt Chopin: Prince of the Romantics by Adam Zamoyski Thirty Years: Lincoln Kirstein's The New York City Ballet by Lincoln Kirstein Repertory in Review: 40 Years of the New York City Ballet by Nancy Reynolds, with an Introduction by Lincoln Kirstein
durée : 01:28:15 - En pistes ! du lundi 09 février 2026 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Pour son premier disque en soliste, le jeune violoncelliste français explore le répertoire de Dvorak, concerto et pièces de genre, accompagné par l'Orchestre National de Metz Grand Est, sous la direction de David Reiland. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.
durée : 01:28:15 - En pistes ! du lundi 09 février 2026 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Pour son premier disque en soliste, le jeune violoncelliste français explore le répertoire de Dvorak, concerto et pièces de genre, accompagné par l'Orchestre National de Metz Grand Est, sous la direction de David Reiland. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.
durée : 00:05:49 - Le Bach du matin du lundi 09 février 2026 - Ce matin, le Café Zimmermann, dirigé par le violoniste Pablo Valetti, interprète le Menuet et la Polonaise du Concerto brandebourgeois n° 1 en fa majeur (BWV 1046). Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.
durée : 00:05:32 - Le Bach du matin du samedi 07 février 2026 - Nous écoutons l'Allegro du Concerto brandebourgeois n°5 en Ré Maj BWV 1050 interprété par l'ensemble La Petite Bande et son chef Sigiswald Kuijken. Jean Sébastien Bach : Intégrale des 6 concertos brandebourgeois (ACCENT, 2010) Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.
What if your path takes longer than you thought it would? What if you don't win the job straight out of school. Or even straight out of your twenties? And what if that's not failure, but just a different kind of success? In this episode, I sit down with Bill Denton, Principal Trumpet of the Lyric Opera of Chicago, to talk about what it really means to stay in the game. Bill won his job at 50. Before that? He taught high school band, drove to gigs, kept showing up, and stayed connected to his playing through real life, not a perfect timeline. This conversation is for anyone who's ever wondered: · Am I too late? · Is it still worth it? · What if my career doesn't look like theirs? Tune in to hear what long-term commitment really looks like, how to stay ready without burning out, and why your timeline doesn't have to match anyone else's. Whether you're navigating auditions, comparison, or just the quiet pressure of being "on time," this one's for you. Find out more information about Bill on his website: https://dentonliumusicacademy.com/bios/ If you're ready to step on stage with confidence, perform at your best, and finally feel secure in your playing, let's talk! Book a free discovery call and let's create a plan to get you there. Are you ready to take your playing and career to the next level and create a life that feels purposeful and joyful? Let's connect and explore how personalized coaching can support your journey. Click here to schedule your free consultation, and let's start turning your goals into reality. Book your FREE Music Mastery Experience Discovery call with Renée HERE Book your free consultation with Renée HERE Download the transcript from this episode HERE Mind Over Finger Click www.mindoverfinger.com/coaching to book your free consultation with me. Visit MindOverFinger.com for my online courses as well as free resources on peak performance. Grab my free workshops and PDF downloads by going to www.mindoverfinger.com/resources. Connect: https://www.youtube.com/@MindOverFinger https://www.facebook.com/mindoverfinger/ https://www.facebook.com/groups/mindoverfinger https://www.instagram.com/mindoverfinger/ THANK YOU: Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme: Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson.
A preview the Valentine's weekend performances featuring Valentin Kovalev and Aiwen Zhang with Carr's Concerto for Two Saxophones, Bernstein from On the Town, and Tchaikovsky's Fifth Symphony.
SONGS in this podcast episode: M1 NUN KOMM DER HEIDEN HEILAND, JS BACH, 1714, BWV 61 (5:21) M2 TOCCATA & FUGUE in C MAJOR M.2 ADAGIO, 1710-1717, BWV 564 (4:20). M3 TWO-PART INVENTION in F MAJOR, JS BACH, 1720-1723 (0:40). M4 TWO-PART INVENTION in B-FLAT MAJOR, JS BACH, 1720-1723 (1:30) M5 TWO-PART INVENTION in D MINOR, JS BACH, 1720-1723, (0:55). M6 PRELUDE & FUGUE No. 5 “Le Clavier Bien Tempere” D-Major, JS BACH, 1722, BWV 850 (3:06). M7 JESU, JOY OF MAN'S DESIRING, JS BACH, 1723, BWV 147 (2:56) M8 CHORALE PRELUDE “WACHET AUF”, JS BACH, 1731, BWV 140 (3:37) PROGRAM NOTES Johann Sebastian Bach was a German composer and organist from the late Baroque period. He was born in Eisenach, in what is now central Germany. Bach lived from 1685 to 1750, The Baroque period was a 150-year period in music, dating from 1600 to 1750. Baroque music is Western Classical Music that followed the Renaissance period. Baroque music features drama, ornamentation, major and minor tones, and was presented in new ways – – like the Opera, Concerto, and Sonata, Baroque composers included BACH, HANDEL, VIVALDI. M9 AIR ON A G-STRING, JS BACH, 1730, BWV 1068 (2:27). Bach probably used the CLAVICHORD to compose most of his music. The Clavichord is small, lightweight and would not disturb people. The clavichord was very temperamental, because it required tuning before each play, just like a violin or guitar. The keyboard instruments of the day were referred to as a general category: the “KLAVIER”….these included HARPSICHORD, CLAVICHORD, ORGAN and PIANOFORTE. Bach's favorite KLAVIER instrument was the LAUTENWERK or LUTE HARPSICHORD with animal gut strings. The writing of music was in support of GOD and KINGS. Over time, Baroque Music evolved into what is today known as the modern Orchestra. Bach was a prolific composer, writing hundreds of pieces for solo instruments, particularly the organ. He also wrote pieces for orchestra and choir. Bach is MOST known for writing two or more melodies or voices against each other. Also called point against point, or, Counterpoint. Bit Bucket A BWV catalog number is a unique identifier for musical works composed by Johann Sebastian Bach, standing for Bach-Werke-Verzeichnis (Bach Works Catalogue). Today I will present 9 compositions, dating from 1710 to 1731, during the time Bach was about age 25 to 45. M1 TOCCATA & FUGUE in C MAJOR M.2 ADAGIO, 1710-1717, BWV 564 (4:20) Our first piece — TOCATA & FUGUE in C MAJOR , the 2nd movement (ADAGIO). an ORGAN COMPOSITION. It is taken from a 1959 album of BACH ORGAN WORKS . The movement is called ADAGIO ….which indicates “At Ease”, or “Slow and Stately”. Tempo is only 66-76 BPM. like the resting heart rate for many people. Great liner notes. HERE IS AN excerpt from the liner notes on that album – – QUOTE “OUR BACH” said the obituary notice, “was the greatest organ and clavier player that ever lived”. Though it may seem strange to us now, Bach's genius during his life was recognized only as a master of the organ—not as a composer. It was actually over a hundred years after his death that his works revealed him as a unique and mighty composer. His reputation as an organist brought many invitations to test new organs and advise on the construction of them. UNQUOTE As with most of his organ works , there is no autograph or manuscript score from Bach, his organ work manuscript copies are lost. This song has a CONCERTO style and rhythm. We will hear the 2nd or ADAGIO movement. . It is all very calm and beautiful and pastoral and serene…until Bach pulls out all the stops in the last minute of this ADAGIO movement. He is really rocking the walls and windows of that church. Without any further adieu, here is TOCATA & FUGUE in C MAJOR , the 2nd movement (ADAGIO). PLAY M2 SHOW PLUG – DON'T TOUCH THAT DIAL ! That was…M2 MUSICAL CREDIT: This Bach organ work was recorded on the Luneburg Organ at St. Johanniskirche, in the town of Luneburg, in northern Germany, the organist is Professor Michael Schneider. This LP was produced and released on the SOMERSET label here in the US in 1959 The album title is BACH The Majesty of the Luneburger Organ. M2 NUN KOMM DER HEIDEN HEILAND, JS BACH, 1714, BWV 61 (5:21) Our next piece is the most famous church cantata written in 1714 for THE FIRST SUNDAY IN ADVENT. NUN KOMM DER HEIDEN HEILAND or in English “NOW COME, SAVIOR OF THE HEATHANS” A HEATHAN is a person with no religion, i.e., a PAGAN. In this chorale, Jesus is asked to … come and save the pagans. In 1714, Bach would have been 29 years of age. It turns out that this song goes back almost two centuries before BACH's time. It's based on a LUTERAN CHORALE with words written by Martin Luther for the 1523 first Advent Sunday. For centuries, this was the first hymn for the first Sunday of ADVENT. What I will play next is an arrangement for as modern symphony orchestra (the Philadelphia Orchestra) and it is definitely JS BACH heard in those phrases. But it is a large orchestra – – Conducted by Leopold Stokowski. This is an extremely restrained, demure, and understated interpretation of a Bach piece the most restrained I have ever heard. The recording you will hear next is performed by the Philadelphia Orchestra, with conductor Leopold Stokowski. This recording is on a Vinyl LP titled THE SOUND OF GENIUS, produced by COLUMBIA MASTERWORKS, in 1960. It was one of many records that were shipped by mail to members of the Columbia Record Club. My parents were enthusiastic members. A new disc would arrive in the mail every month, such as this LP of classical music. Without further delay here is NOW COME, SAVIOR OF THE HEATHANS PLAY M1 SHOW PLUG – SHOW PLUG – DON'T TOUCH THAT DIAL ! ! That was…M1 NOW COME, SAVIOR OF THE HEATHANS” MUSICAL CREDIT: Arranger and Composer JS Bach, sometime between the years 1708-1717 Performance: Philadelphia Orchestra, conducted by Leopold Stokowski. Album: The Sound of Genius Limited Edition LP (1960) Members Only ! Label: Columbia Master Works BIT BUCKET This piece also is based on a song listed in the ZAHN Lutheran chorales catalog. ZAHN 1174 M3 TWO-PART INVENTION in F MAJOR, JS BACH, 1720-1723 (0:40) The next three pieces are called TWO PART INVENTIONS, composed by JS Bach around 1720 The inventions were composed for use in instruction of Bach's oldest son WILHELM FRIEDEMANN BACH who was 12 years old. Today, these inventions are introduced to music students in school grades 4-7. Learning the Two-Part Invention requires ROTE learning, practicing over and over until the two hands work completely independently of one another. The inventions teach, among other things, the use of COUNTERPOINT. Bach is MOST known for writing two melodies against each other. Also called point against point, or, Counterpoint. That is the feature of these inventions, in each one there are TWO PARTS, left and right hand parts. COUNTERPOINT is found mostly in Bach's FUGUES and in his INVENTIONS. Perhaps a brief demonstration is in order. Here is an excerpt from one of Bach's inventions. FIRST the right-hand part or first point – the melody SECOND the left-hand part or second point – the bass line LAST both parts played in counterpoint. In some of Bach works, the roles reverse, The left hand plays the first point – the melody And the right hand plays the second point – the bass line Could you do this by crossing hands on the keyboard – yes, but, the roles are reversed, so no cross-hand playing. I will now play WENDY CARLOS's rendition of three BACH TWO-PART INVENTIONS from her 1969 recording titled “SWITCHED ON BACH” .. I will play all three, back-to-back. Each one is short – – average length ONE MINUTE EACH! PLAY M3 PLAY M4 PLAY M5 Credits: HOLD ON READING THE CREDITS UNTIL ALL THREE INVENTIONS ARE PLAYED M4 TWO-PART INVENTION in B-FLAT MAJOR, JS BACH, 1720-1723 (1:30) And now….. PLAY M4 SHOW PLUG – DON'T TOUCH THAT DIAL ! That was…M4 MUSICAL CREDIT: HOLD ON READING THE CREDITS UNTIL ALL THREE INVENTIONS ARE PLAYED M5 TWO-PART INVENTION in D MINOR, JS BACH, 1720-1723, (0:55) PLAY M5 SHOW PLUG – DON'T TOUCH THAT DIAL ! That was…M5 We heard three inventions – – Bach's 2-PART INVENTION in F MAJOR And the 2-PART INVENTION in B-FLAT MAJOR And the 2-PART INVENTION IN D MINOR Each invention is very different than the other. Not just a key change like the work title would suggest ! Bach stated that he wrote his inventions “to be models of composition” in other words, to enable the student to form ways of developing musical ideas and “acquire a strong taste of composition” Bach wrote the inventions, one for of the notes A to G and one for each minor and major key. Today these inventions are over 300 years old ! MUSICAL CREDIT: Composer JS Bach Estimated dates between 1720-1723 Performer – Wendy Carlos – early prototype Moog Synthesizer Arranger and Recording Engineer – Wendy Carlos on MOOG SYNTHESIZER in 1968. Record and label: Switched-On Bach, Columbia/CBS BIT BUCKET M6 PRELUDE & FUGUE No. 5 “Le Clavier Bien Tempere” D-Major, JS BACH, 1722, BWV 850 (3:06) Next is Bach's “The Well-Tempered Clavier” written in 1722. He was 37. The title page to the Well-tempered Clavier song book reads : “The well-tempered Clavier, or Preludes and Fugues, through all the tones and semitones, both the [major] and [minor]. For the profit and use of the studious musical young…” Bach wrote these preludes and fugues in all keys in the chromatic scale … 12 major and 12 minor keys I have the version in D MAJOR. It's two sections – the prelude, and the fugue The Prelude is the introduction. LISTEN FOR the Stride Piano on the left hand !! It's a short 1:10. The Fugue is the second section. It's slower but with a more Bold left hand. Also short at 1:54. And now….PRELUDE & FUGUE No. 5 D-Major fromThe Well-Tempered Clavier PLAY M6 SHOW PLUG – DON'T TOUCH THAT DIAL ! That was…M6 PRELUDE & FUGUE No. 5 D-Major from The Well-Tempered Clavier MUSICAL CREDIT: Composer JS Bach and the autograph date is 1722 Pianist: Vasso Devetzi Label Festival Classique (1978) M7 JESU, JOY OF MAN'S DESIRING, JS BACH, 1723, BWV 147 (3:22) Our next song is Jesu, Joy of Man's Desiring This song was also composed by JS Bach in that same year of 1723 – – prolific at age 38. This was written for the Christian Feast of the Visitation- celebrated at the end of May in Western Christianity. The song is a Lutheran hymn. … a CANTATA and it has a CHORALE or chorus piece repeated twice within this cantata. There are many arrangements and versions because this song is one of Bach's most beautiful, well-known, and popular. The version we will hear next is arranged for SOLO PIANO. the pianist is Leon Fleisher. And Now, Here is Jesu, Joy of Man's Desiring – Bach 1723 PLAY M7 SHOW PLUG – DON'T TOUCH THAT DIAL ! That was…M7 Jesu, Joy of Man's Desiring MUSICAL CREDIT: JS Bach composer 1723 Performance: Leon Fleisher – Pianist (courtesy of EPIC records) Album THE SOUND OF GENIUS VOLUME 3 Label Columbia, 1962 (3:22) M8 CHORALE PRELUDE “WACHET AUF”, JS BACH, 1731, BWV 140 (3:37) Here is another Chorale recording titled Chorale Prelude VACKET OFF “Wachet Auf”, which translates to SLEEPERS, WAKE! This hymn was transcribed from a Lutheran hymn written in 1599 by written by Phillippe Nicolai. This Cantata is truly a work from the middle ages. In 1731, Bach took this hymn and created a 7-movement cantata, we will hear the first movement or PRELUDE”. This cantata is sung in church on the Trinity Sunday. Today this piece is very popular piece in general…it is POPULAR CLASSICAL MUSIC. J.S. Bach wrote 46 of these cantatas for church, in all. ODD FACT about this song… it was performed only once by Bach, in Leipzig that year. And now the FIRST MOVEMENT from VACKET OFF …the Prelude PLAY M8 SHOW PLUG – DON'T TOUCH THAT DIAL ! that was M4 The Chorale Prelude “Wachet Auf”, also known as SLEEPERS, WAKE! Song credits M4 Credits: Hymn by Phillippe Nicolai in 1599 Transcribed by JS Bach in 1731 Performance: Wendy Carlos – on an early prototype Moog Synthesizer Wendy Carlos arranger and recording engineer Album: Switched-On Bach Label: Columbia/CBS, 1968 M9 AIR ON A G-STRING, JS BACH, 1730, BWV 1068 (2:27) Our next AND LAST piece is from the Switched-On Bach album and s titled AIR ON A G-STRING. This title comes from Johann Sebastian Bach's Orchestral Suite No. 3 in D major, written almost 300 years ago. So what is the meaning of the song title Air on a G-String? Well, Bach composed this as an orchestral suite in 1730. 141 years later, August Wilhelm arranged the second movement for SOLO VIOLIN and he did something unique. He transposed the song down from D so that the entire piece could be played on one string of the violin, the G-String, which is the lowest register on that instrument. Here is an example of what this sounds like on the Violin G-String, thjs example with piano accompaniment—pardon the scratchy sound, is from an old 78 RPM disc in 1935. Play example – Jacques Dumont (Violin) Bach Air On The G String with Andre Collard (piano) We went from Bach's orchestral piece, to Wilhelm's transcription for solo violin, to Wendy Carlos modern interpretation with her MOOG Synthesizer. Now here is Wendy Carlos' arrangement of Air on a G String, from her debut album, SWITCHED-ON BACH, in 1968. PLAY M9 SHOW PLUG – DON'T TOUCH THAT DIAL ! That was…M9 MUSICAL CREDIT: Composer JS Bach 1730 Performance Wendy Carlos on early prototype MOOG SYNTHESIZER Arranger and Recording Engineer: Wendy Carlos Album: Switched-On Bach Label: Columbia/CBS, 1968 END OF PROGRAM VV-031
durée : 00:05:11 - Le Bach du matin du jeudi 05 février 2026 - Christophe Rousset, Rachel Beckett et Marion Scott interprètent le troisième mouvement du Concerto pour clavecin et deux flûtes à bec en Fa Majeur BWV 1057. Christopher Hogwood dirige l'Academy of Ancient Music. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.
durée : 00:12:27 - Concerto en ré mineur BWV 596 - Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.
When practicing feels impossible, it's not because you're lazy or undisciplined. In this episode, I walk you through the simple mindset shifts and practical strategies that help you stop pushing and start showing up with more ease, clarity, and self-respect. You'll learn: · Why waiting for motivation doesn't work · A five-step mental reset to ease into practice · How to reduce friction and make your routine feel lighter · A quick trick to spark momentum on low-energy days · How to leave a session feeling proud—even when it wasn't perfect If you've been feeling stuck or resistant, this episode will help you reconnect with your purpose and make practicing feel more doable again. If you're ready to step on stage with confidence, perform at your best, and finally feel secure in your playing, let's talk! Book a free discovery call and let's create a plan to get you there. Are you ready to take your playing and career to the next level and create a life that feels purposeful and joyful? Let's connect and explore how personalized coaching can support your journey. Click here to schedule your free consultation, and let's start turning your goals into reality. Book your FREE Music Mastery Experience Discovery call with Renée HERE Book your free consultation with Renée HERE Download the transcript from this episode HERE Mind Over Finger Click www.mindoverfinger.com/coaching to book your free consultation with me. Visit MindOverFinger.com for my online courses as well as free resources on peak performance. Grab my free workshops and PDF downloads by going to www.mindoverfinger.com/resources. Connect: https://www.youtube.com/@MindOverFinger https://www.facebook.com/mindoverfinger/ https://www.facebook.com/groups/mindoverfinger https://www.instagram.com/mindoverfinger/ THANK YOU: Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme: Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson.
What does it really take to grow as an artist without burning out? In this powerful conversation, I'm joined by bestselling author and performance expert Brad Stulberg to explore what excellence actually means, and how we can pursue it in a way that feels deeply fulfilling, not exhausting. Brad's new book, The Way of Excellence, offers a grounded and practical roadmap for anyone looking to sustain high-level work over time. Whether you're navigating auditions, refining your craft, or questioning how to stay connected to music in a chaotic world, this episode is for you. You'll learn how to: · Redefine excellence as a process of becoming, not a fixed destination · Align your ambition with your core values for a stronger sense of purpose · Balance self-discipline with self-kindness, especially when motivation is low · Use the "brave new world" mindset to face fear and uncertainty · Build emotional resilience so you can keep showing up when it counts · Stay consistent without getting stuck in hustle or burnout · Create progress that's sustainable, satisfying, and deeply your own This episode is a must-listen for musicians who want to stay inspired, grounded, and intentional in the way they grow. Brad brings wisdom from elite performers across fields — and his insights will help you rethink what excellence can look like in your own musical life. Tune in and take away practical tools to support your artistry, your mindset, and your well-being. Grab The Way of Excellence: A Guide to True Greatness and Deep Satisfaction in a Chaotic World HERE! If you're ready to step on stage with confidence, perform at your best, and finally feel secure in your playing, let's talk! Book a free discovery call and let's create a plan to get you there. Are you ready to take your playing and career to the next level and create a life that feels purposeful and joyful? Let's connect and explore how personalized coaching can support your journey. Click here to schedule your free consultation, and let's start turning your goals into reality. Book your FREE Music Mastery Experience Discovery call with Renée HERE Book your free consultation with Renée HERE Download the transcript from this episode HERE Brad Stulberg Grab The Way of Excellence: A Guide to True Greatness and Deep Satisfaction in a Chaotic World HERE: https://amzn.to/4jWCsd1 Website: https://www.bradstulberg.com/ Instagram: https://www.instagram.com/bradstulberg/ X: https://x.com/bstulberg LinkedIn: https://www.linkedin.com/in/brad-stulberg-009b168b/ Mind Over Finger Click www.mindoverfinger.com/coaching to book your free consultation with me. Visit MindOverFinger.com for my online courses as well as free resources on peak performance. Grab my free workshops and PDF downloads by going to www.mindoverfinger.com/resources. Connect: https://www.youtube.com/@MindOverFinger https://www.facebook.com/mindoverfinger/ https://www.facebook.com/groups/mindoverfinger https://www.instagram.com/mindoverfinger/ THANK YOU: Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme: Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson.
This Day in Legal History: League of Nations MeetsOn January 23, 1920, the League of Nations held its first official meeting, marking a major experiment in international law and collective governance. The League was created in the aftermath of World War I as part of the Treaty of Versailles. Its core mission was to prevent future wars through diplomacy, arbitration, and collective security. For the first time, nations committed themselves to resolving disputes through legal mechanisms rather than unilateral force. The League also helped develop early norms of international accountability and treaty enforcement. It established permanent institutions to oversee mandates, labor standards, and minority protections. Although the United States never joined, the League influenced how international law was discussed and practiced. Its failures, particularly its inability to prevent aggression in the 1930s, exposed the limits of voluntary compliance without enforcement power. Those weaknesses became lessons for later international institutions. Many of the League's structures and legal concepts were later incorporated into the United Nations. The League's first meeting thus represents a foundational moment in the modern law of international cooperation.U.S. President Donald Trump filed a $5 billion lawsuit in Florida state court against JPMorgan Chase and its CEO Jamie Dimon, alleging that the bank improperly closed his accounts for political reasons. Trump claims JPMorgan violated its own internal policies by singling him out as part of a broader political agenda. The bank denied the allegations, stating it does not close accounts based on political or religious views and that the lawsuit lacks merit. Trump also accused Dimon of orchestrating a “blacklist” intended to discourage other financial institutions from doing business with him, his family, and the Trump Organization. He said the account closures caused reputational harm and forced him to seek alternative banking relationships. JPMorgan countered that account closures are sometimes required to manage legal or regulatory risk. The lawsuit comes amid broader political scrutiny of banks over alleged “debanking” practices. Conservative critics have accused lenders of restricting services to certain individuals and industries. A recent report from the Office of the Comptroller of the Currency found that major banks limited services to some industries between 2020 and 2023, though it did not identify specific wrongdoing. Regulators have since moved away from using vague “reputational risk” standards in bank supervision.Trump sues JPMorgan, CEO Jamie Dimon for $5 billion over alleged debanking | ReutersFormer U.S. Special Counsel Jack Smith told the House Judiciary Committee that Donald Trump willfully violated the law in his efforts to remain in power after losing the 2020 presidential election. Smith testified that Trump was not seeking truthful information about election fraud claims but instead was searching for ways to block certification of the results. The hearing marked Smith's first extensive public testimony about the two criminal cases he brought against Trump, both of which were dropped after Trump won reelection in 2024. Republicans on the committee accused Smith of political bias and argued his investigation improperly targeted Trump and his allies. They focused on Smith's use of subpoenas for phone records of Republican lawmakers, portraying the actions as overreach. Smith defended those measures as necessary to investigate potential obstruction of justice. He said Republican witnesses who contradicted Trump's fraud claims would have been central to the election interference case. Trump responded by renewing calls for Smith to be prosecuted and accusing him of harming innocent people. Democrats on the panel defended Smith as a career prosecutor guided by evidence rather than politics.Former US prosecutor Smith says Trump ‘willfully broke' laws in bid to keep power | ReutersA federal judge expressed skepticism about whether the Trump administration has the legal authority to build a $400 million ballroom at the White House without congressional approval. U.S. District Judge Richard Leon questioned the administration's justification for demolishing the historic East Wing and replacing it with a large new structure. The lawsuit was brought by the National Trust for Historic Preservation, which argues the project violates federal laws governing construction on parkland in Washington, D.C. The group contends that Congress must expressly authorize such construction and that required environmental reviews were bypassed or improperly handled. Judge Leon sharply rejected comparisons between the ballroom and past minor renovations, signaling concern about the scale of the project. He is considering whether to issue a preliminary injunction that would halt construction while the case proceeds. The administration maintains the ballroom is necessary for state functions and part of a long tradition of presidential renovations. Government lawyers also argue that stopping construction now would serve no public benefit, especially since above-ground work is months away. Leon said he expects to rule on the injunction request in the coming weeks.White House faces skeptical judge in lawsuit over Trump ballroom | ReutersThis week's closing theme is by Édouard Lalo.This week's closing theme features music by Lalo, a composer who spent much of his career just outside the spotlight of 19th-century French music. Born in 1823, Lalo came to composition relatively late and struggled for recognition in a musical world dominated by opera and established conservatory figures. He is best remembered today for works that combine classical structure with vivid color and rhythmic vitality. The Concerto in F Major, Op. 20 reflects those strengths, balancing elegance with expressive intensity. The opening Andante – Allegro begins with a reflective, almost searching character before unfolding into a more energetic and assertive main section. Lalo uses the solo instrument to sing rather than dominate, emphasizing lyrical phrasing over virtuosic display. The movement's shifting moods showcase his gift for contrast and dramatic pacing. There is a clear sense of forward motion, but never at the expense of clarity. Lalo's orchestration remains transparent, allowing themes to breathe and develop naturally. The music feels poised between Romantic warmth and classical restraint. As a closing theme, it offers both momentum and reflection. It is a reminder of Lalo's understated influence and the enduring appeal of his finely crafted musical voice.Without further ado, Édouard Lalo's Concerto in F Major, Op. 20, the opening Andante, enjoy! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.minimumcomp.com/subscribe
Are you juggling big technique goals and an upcoming performance? Struggling to fix your vibrato while also cramming notes for an audition? You're not alone, and you're not doing it wrong. In this episode, we unpack why chasing long-term mastery and short-term perfection at the same time can leave you overwhelmed, stuck, and second-guessing everything. You'll learn: · How to separate growth work from prep work without sacrificing either · Why perfectionism in your "big goal" might be sabotaging your current deadline · A smarter way to structure your practice when everything feels important · One essential mindset shift to help you stay grounded and actually make progress This is for you if you've ever felt like no matter how hard you work, you're not getting better fast enough, or worse, like you're falling behind. Let's fix that. If you're ready to step on stage with confidence, perform at your best, and finally feel secure in your playing, let's talk! Book a free discovery call and let's create a plan to get you there. Are you ready to take your playing and career to the next level and create a life that feels purposeful and joyful? Let's connect and explore how personalized coaching can support your journey. Click here to schedule your free consultation, and let's start turning your goals into reality. Book your FREE Music Mastery Experience Discovery call with Renée HERE Book your free consultation with Renée HERE Download the transcript from this episode HERE Mind Over Finger Click www.mindoverfinger.com/coaching to book your free consultation with me. Visit MindOverFinger.com for my online courses as well as free resources on peak performance. Grab my free workshops and PDF downloads by going to www.mindoverfinger.com/resources. Connect: https://www.youtube.com/@MindOverFinger https://www.facebook.com/mindoverfinger/ https://www.facebook.com/groups/mindoverfinger https://www.instagram.com/mindoverfinger/ THANK YOU: Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme: Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson.
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