Podcasts about Concerto

Concerto for Cootie: The Life and Times of Cootie Williams, published by the University of Mississippi Press in October 2025, is this author's exploration of the legendary trumpeter and longtime member of the Duke Ellington big band. A curator and host of the Duke Ellington-themed podcast Ellington Reflections, Bowie also has presented papers on Williams and Kenny Burrell for conferences held by the Duke Ellington Society of Sweden, and his articles have appeared in DownBeat and Jazz Improv magazines. Fellow biographer and BIO member Kevin McGruder interviewed Steven Bowie.

Met ditmaal: Green On Red, Drivin’ N’ Cryin’, Bangs, The Three O’Clock, Dead Moon, Al Bloch, The Fans, Meat Puppets,The Dream Syndicate, Wire Train, Hüsker Dü, The Rain Parade, The Flaming Lips, The Pandoras, Red Kross en The Unclaimed. Concerto Radio, aflevering 651 (5 juni 2026): Green On Red, Death And Angels Drivin’ N’ Cryin’, […]

"Join us for Experi-MAY-ntal music MAY!" We interview Dan and Jason of the 32-year old instrument-building band "Neptune" (minus Mark) about their new album releasing June 5, "Play Some Music," in which they fully commit to microtonality. These legends have been exploring found sound, electronics, and scrap metal for years to refine their distinctly jam-based, noise-inspired aesthetics. Among others, the xenharmonic instruments featured on this album include ~10-TET guitar, bass keyboard, feedback organ (in Glass Masque / Oarsmen), oscillators with potentiometers, untuned drum heads, amplified saw blades, bicycle crank arm xylophone, and electrical fan. This episode highlights a free approach to pitch by letting accidents and natural events shape one's tuning, while also making a purposeful effort to stray from 12-TET. It makes me think of Ivor Darreg. Music: Intro: rprii [from "Play Some Music"] - Neptune [28:43]: Glass Masque [from "Play Some Music"] - Neptune [36:41]: Mirror Side opening vamp [from "Play Some Music"] - Neptune [53:33]: Yesterday's Face [from "Play Some Music"] - Neptune [01:00:07]: #42 [from "Play Some Music"] - Neptune [01:01:35]: Glass Masque [from "Play Some Music"] - Neptune [01:03:09]: Furies [from "Play Some Music"] - Neptune [01:05:46]: Take Me to the Mardi Gras - Bob James [01:05:51]: Furies [from "Play Some Music"] - Neptune [01:12:16]: Yesterday's Face [from "Play Some Music"] - Neptune [01:14:12]: My wife's hair dryer [from emoji album] - Stephen Weigel [01:15:08]: Concerto for Horns - Stephen Montague    Outro: The Oarsmen [from "Play Some Music"] - Neptune Neptune, the band: https://www.neptune-band.com/ https://neptune-band.bandcamp.com/ Support us on Patreon! https://www.patreon.com/nowandxen Follow http://nowandxen.libsyn.com https://twitter.com/now_xen https://www.facebook.com/nowxen/ Subscribe RSS: http://nowandxen.libsyn.com/rss iTunes: https://itunes.apple.com/us/podcast/n… Spotify: https://open.spotify.com/show/1mhnGsH… Stitcher: https://www.stitcher.com/podcast/nowxen Twitter: https://twitter.com/now_xen Facebook: https://www.facebook.com/nowxen/ YouTube: https://www.youtube.com/channel/UCnmYNMpemAIq8DnK5HJ9gsA

A cantora franco-portuguesa Elsinha lança a 3 de Junho o seu primeiro álbum de estúdio, Liberdade. Com 12 temas em português, espanhol e francês, o disco percorre memórias de infância, desafios pessoais e influências culturais que marcaram o percurso da artista entre França, Espanha, Brasil e Portugal. A cantora franco-portuguesa conhecida artisticamente como Elsinha lança, a 3 de Junho, o seu primeiro álbum de estúdio, “Liberdade”. Nascida em Rueil-Malmaison, na região parisiense, filha de emigrantes portugueses, Elsinha cedo sentiu o desejo de descobrir o mundo. Aos 20 anos, saiu de casa e viveu em Espanha e, mais tarde, no Brasil, onde contactou com diferentes sonoridades que viriam a contribuir para a construção da sua identidade musical. Depois de lançar vários singles e o EP “Salvação”, em 2019, a artista concretiza agora um dos seus maiores sonhos com a edição de “Liberdade”, um álbum composto por 12 temas. Um percurso atípico Após concluir os estudos, Elsinha iniciou a sua carreira profissional como professora de espanhol na Educação Nacional francesa. Contudo, o apelo da música revelou-se mais forte. Acabou por abandonar o ensino para se dedicar inteiramente à música e à dança, duas expressões artísticas que hoje marcam profundamente o seu trabalho. Uma actuação de Elsinha vai além da interpretação vocal. Os concertos da artista conjugam música, dança e a participação dos músicos que a acompanham, criando uma experiência artística completa. Em “Liberdade”, Elsinha partilha episódios marcantes da sua vida, revelando momentos de superação, sofrimento, descoberta e felicidade. O álbum assume-se como uma viagem pela infância, pela vida adulta e pelas experiências que moldaram o percurso pessoal da cantora. Musicalmente, o trabalho cruza referências afro-brasileiras com influências lusófonas e hispânicas. O resultado é um disco emocionalmente intenso, que reflecte tanto a história pessoal da artista como a sua vivência multicultural. O projecto inclui canções em português, espanhol e francês, espelhando as diferentes etapas de um percurso construído entre vários países e culturas. Para além da sua dimensão artística e cultural, “Liberdade” afirma-se como um projecto profundamente pessoal, que mergulha também na história familiar da cantora. A música não parecia um destino evidente para Elsinha. Os pais mostravam alguma reserva em relação a uma carreira artística. No entanto, à medida que foi construindo o seu caminho, a cantora descobriu uma ligação familiar à música até então pouco conhecida: uma mãe apaixonada pelo fado e um bisavô acordeonista. Mais do que o título de um álbum, “Liberdade” representa a emancipação artística de Elsinha e a celebração de uma herança familiar em que a música sempre fez vibrar os corações.  

Met ditmaal: Sungaze, The Black Crowes, Amyl And The Sniffers, Little Barrie, Telehealth, Foo Fighters, Kevin Morby, Ryan Bingham & The Texas Gentlemen, Ed O’Brien, Tröckener Kecks, Deadletter, Gurriers, Fatal Flowers, plus een exclusieve instore van Morpheus. Concerto Radio, aflevering 650 (29 mei 2026): Sungaze, New Familiar: Light In All Of It The Black Crowes, […]

What happens when the audition is closer than you expected and the preparation feels impossible? In this episode, I'm talking about how to handle high pressure performance situations when time is short, nerves are high, and your brain keeps telling you it's not enough. We dive into mindset, performance psychology, nervous system regulation, and the surprising ways urgency can actually work in your favor. In this episode: • Why resisting the situation drains the energy you need to perform • How to stop spiraling and start preparing effectively • What short timelines can teach you about trust, resilience, and performance under pressure   Are you ready to take your playing and career to the next level and create a life that feels purposeful and joyful? Let's connect and explore how personalized coaching can support your journey. Click here to schedule your free consultation, and let's start turning your goals into reality.   Book your FREE Music Mastery Experience Discovery call with Renée HERE Download the transcript from this episode HERE   Mind Over Finger Click www.mindoverfinger.com/coaching to book your free consultation with me. Visit MindOverFinger.com for my online courses as well as free resources on peak performance. Grab my free workshops and PDF downloads by going to www.mindoverfinger.com/resources. Connect: https://www.youtube.com/@MindOverFinger https://www.facebook.com/mindoverfinger/ https://www.facebook.com/groups/mindoverfinger https://www.instagram.com/mindoverfinger/     THANK YOU: Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme:  Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson.

Met ditmaal: Fatal Flowers, Ryan Bingham & The Texas Gentlemen, The Boo Radleys, Telehealth, Social Distortion, Kevin Morby, Friko, Joe Jackson, Hiding Places, Kraftwerk, The Bevis Frond, Courtney Barnett, plus een exclusieve instore van Pale Puma. Concerto Radio, aflevering 649 (22 mei 2026): Fatal Flowers, Well Baby (Part 1&2): Younger Days Ryan Bingham & The Texas […]

About the GuestJoshua Herring is the Curriculum Program Manager for the Rafiki Foundation, Director of the Logres Institute for Classical Liberal Studies, and author of Sons of Adam, Daughters of Eve: C.S. Lewis's Images of Gender. He has taught 6-12th grade humanities, spend three years in high school administration, and built classical education programs at the college level. He loves helping teachers, leaders, and parents own their intellectual inheritance.Logres InstituteVisit https://www.logresinstitute.org/, and apply for their programs after July 1.About Joshua's Conferencehttps://theclassicalconsortium.com/southeastern-consortium/ On August 7-8, the 3rd Annual Southeastern Consortium of Classical Educators conference will gather at Christ the King Presbyterian Church (PCA) in Raleigh, NC to consider "Source of Joy" in teaching. Come hear from keynote speakers Patrick Whalen, Dale Stenberg, Scott Postma, and Josh Herring; experience joyful learning breakout sessions focusing on poetry, civics, science, theology, and more. Join other classical educators for a refreshing reminder of the truth that our God has given us joyful sources to draw from; begin the 26-27 academic year renewing your soul. Teachers and students - email Dr. Herring at jherring@logresinstitute.org for a discount code! Show Notes This interview is a candid conversation between Josh and Adrienne. As they get acquainted, they discuss classical education and share their respective contributions to the field.Some musings covered include:An in-depth discussion about their love for Till We Have Faces by LewisTeaching Homer and how students respond to the text. Holding kids accountable to reading for homeworkJosh shares the top three areas of greatest challenges faced in the classical education movement todayHow The Logres Institute aims to help teachers and home educators gain confidence in the classical pedagogyIdeas presented in Adrienne's book, Narration: The Voice of the TriviumResources MentionedC.S Lewis booksHomerQuintilianGeorge MacDonaldKaren Glass booksThoroughness and Charm by GerthThe Good Teacher by Perrin and EbenAn Essay Towards a Philosophy of Education by Charlotte Mason (Centenary Expanded Edition published by Smidgen Press)Charlotte Mason's Essay: "Two Education Ideals" (Contrasting Rousseau's Émile with John Milton's "Of Education")____________________________________This podcast is produced by Beautiful Teaching, LLC.Support this podcast: ★ Support this podcast ★ _________________________________________________________Credits:Sound Engineer: Andrew HelselLogo Art: Anastasiya CFMusic: Vivaldi's Concerto for 2 Violins in B flat major, RV529 : Lana Trotovsek, violin Sreten Krstic, violin with Chamber Orchestra of Slovenian Philharmonic © 2026 Beautiful Teaching LLC. All Rights Reserve

Concerto “Laços de afeto” chega à Casa Fiat de Cultura, em Belo Horizonte, neste domingo. Saiba os detalhes com Isabela Lapa.See omnystudio.com/listener for privacy information.

Vous écoutez Dig Dig Diggers, l'émission hebdomadaire et collaborative des radios Ferarock !Cette semaine dans votre magazine Dig Dig Diggers, l'electro-Dub de R-Dug arrive jusqu'à vous grâce à Marcus de Radio Activ' qui s'entretient avec le producteur ardéchois pour parler de son nouvel album The Awakening Of The Shadows.Lucie de Ouest Track au Havre prend la suite de l'émission et tend son micro jusqu'en Pennsylvanie pour joindre le duo Fleur Bleue qui vient de sortir Question Marked Upon The World.Et enfin nous reviendrons sur la performance du Concerto en Doigt Majeure: 12 musiciens et musiciennes qui reprennent des artistes emblématiques soutenus par la radio Ferarock tourangelle, Radio Béton!Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Alessandro Marcello (1673–1747) – dai 6 Concerti "La Cetra" Concerto n. 5 in si bemolle maggiore    1.      Moderato       2.      larghetto staccato          02:46         3.      Presto, ma non molto    04:46        Concerto n. 6 in sol maggiore   1.      Allegro                              06:542.      Larghetto. con sordini    09:27         3.      Vivace                                12:16 Camerata BernThomas Füri, conductor

F.A. Hoffmeister: Concerto for 2 Horns No. 3, AllegrettoJacek Muzyk, Daniel Kerdelewicz, hornsBuffalo Philharmonic Orchestra JoAnn Falletta, conductorMore info about today's track: Naxos 8.574646Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

  If you've been listening along to our last few episodes, you've heard a lot of violin — Vivaldi wrote for it constantly, and it's easy to understand why. But the violin has a whole family of relatives, and today we're finally introducing all of them. In this episode, we meet the four members of the string family: The violin — the smallest, brightest member of the family, and the one you've been hearing in our Vivaldi series The viola — slightly larger, with a warmer and darker sound (think: a quiet, golden afternoon compared to the violin's bright, sunny morning) The cello — deep, rich, and almost voice-like in quality (you may remember it from Episode 30, when we listened to Bach's Cello Suites together!) The double bass — the largest member of the family, producing a sound so low you almost feel it as much as you hear it We also do a fun listening comparison near the end of the episode — all four instruments played back-to-back so your ears can really start to notice the differences. FREE PRINTABLE: STRING FAMILY SPOTTER SHEET I created a String Family Spotter sheet to go along with this episode. As you listen to music over the next few weeks — whether from this podcast or anything else you come across — you can use it to check off which string instruments you hear. It's a wonderful way to keep those listening ears active and engaged between episodes.

On this episode of The Bandwich Tapes, I sit down with composer Adam Schoenberg for a thoughtful and deeply human conversation about artistic identity, creative conviction, and the long arc of a life in music. Adam reflects on the early success of Finding Rothko, the orchestral work that helped put him on the map, and what it means to look back on a piece written in his twenties with both gratitude and perspective.We talk about the tension between writing to please others and writing from a place of honesty. Adam shares a formative story from his student years about reshaping a piece to fit institutional expectations, only to realize later that the version that truly sounded like him was the one that opened doors. It leads us into a wider conversation about tonality, contemporary classical music, and why he believes today's musical landscape is more open to different kinds of expression than it once was.Adam also opens up about mentorship, education, and the very different kinds of teachers who shaped him along the way. We discuss studying with John Corigliano, the emotional difficulty of feeling artistically out of place as a young composer, and how those experiences ultimately influenced the kind of teacher he wanted to become for his own students.One of the most moving parts of our conversation centers on Adam's recent health crisis and the way it has changed his relationship to composing, ambition, and time. He speaks candidly about depression, survival, recovery, and the vulnerability of returning to the page after a long silence. We also talk about his percussion concerto Losing Earth, his collaborative relationship with percussionist Jake Nissly, and a powerful new work on the horizon: a Concerto for Body that explores illness, healing, and the orchestra as a living system.Key TakeawaysAdam Schoenberg's breakout orchestral work, Finding Rothko, launched his career and continues to resonate with audiences nearly 20 years later.He learned early on that shaping music to satisfy gatekeepers can come at the expense of artistic truth.Studying with mentors like Robert Beaser and John Corigliano helped him refine both his craft and his confidence as a composer.Adam sees today's classical music world as more stylistically open, with greater room for composers to write in an authentic voice.His percussion concerto Losing Earth, written for Jake Nissly and the San Francisco Symphony, grew out of a highly collaborative process and a desire to create an immersive musical experience.A serious medical crisis took Adam away from composing for nearly two years and forced him to rethink identity, ambition, and what kind of work still matters to him.His upcoming Concerto for Body reflects a new creative chapter shaped by illness, survival, and the experience of coming back.Music from the EpisodeAdam Schoenberg - American Symphony - I. Fanfare - Kansas City Symphony (Michael Stern, Conductor)Adam Schoenberg - Finding Rothko - III. Red - Kansas City Symphony (Michael Stern, Conductor)Adam Schoenberg - Losing Earth: Concerto for Percussion & Wind Ensemble - The University of Texas Wind Ensemble (Jerry Junkin, conductor) - Jake Nissly - percussionAbout the PodcastThe Bandwich Tapes is a podcast where I sit down with musicians, composers, songwriters, and creative artists for honest conversations about craft, collaboration, career paths, and the deeper stories behind the work. It's a space for thoughtful musical dialogue, with a focus on process, perspective, and the lived experience of making art.Connect with the ShowEmail: contact@thebandwichtapes.com

What does it actually take to win a major orchestra audition? In this deeply personal episode, I take you behind the scenes of my winning audition for the Lyric Opera Orchestra at 47 years old. I'm sharing the real preparation process, the mental work, the conditioning, and the mindset shifts that carried me through 90 days of intense preparation and into the audition room. In this episode: • How I prepared mentally, physically, and musically while working full time and raising a family • Why trust under pressure matters more than "feeling confident" • The surprising gap between how a performance feels and how it actually sounds     If you're ready to step on stage with confidence, perform at your best, and win that next audition, join me inside The Music Mastery Experience. Let's connect and explore how personalized coaching can support your journey. Click here to schedule your free consultation, and let's start turning your goals into reality.   Book your FREE Music Mastery Experience Discovery call with Renée HERE Download the transcript from this episode HERE   Mind Over Finger Click www.mindoverfinger.com/coaching to book your free consultation with me. Visit MindOverFinger.com for my online courses as well as free resources on peak performance. Grab my free workshops and PDF downloads by going to www.mindoverfinger.com/resources. Connect: https://www.youtube.com/@MindOverFinger https://www.facebook.com/mindoverfinger/ https://www.facebook.com/groups/mindoverfinger https://www.instagram.com/mindoverfinger/     THANK YOU: Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme:  Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson.

durée : 00:16:29 - par : Emilie Munera, Rodolphe Bruneau-Boulmier - Ava Bahari et Santtu-Matias Rouvali partagent la même passion pour la musique de Sibelius qui, meurtri de ne pas avoir réussi à être le violoniste virtuose qu'il rêvait de devenir, a composé un concerto devenu incontournable, où soliste et orchestre sont en fusion… - réalisation : Pauline Boisaubert Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 01:28:21 - par : Emilie Munera, Rodolphe Bruneau-Boulmier - On se dirige vers le grand nord pour terminer la semaine, avec le Concerto pour violon de Sibelius qu'enregistrent la jeune violoniste suédoise Ava Bahari et le chef Santtu-Matias Rouvali à la tête du Gothenburg Symphony Orchestra. - réalisation : Pauline Boisaubert Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 01:28:21 - par : Emilie Munera, Rodolphe Bruneau-Boulmier - On se dirige vers le grand nord pour terminer la semaine, avec le Concerto pour violon de Sibelius qu'enregistrent la jeune violoniste suédoise Ava Bahari et le chef Santtu-Matias Rouvali à la tête du Gothenburg Symphony Orchestra. - réalisation : Pauline Boisaubert Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 00:16:29 - par : Emilie Munera, Rodolphe Bruneau-Boulmier - Ava Bahari et Santtu-Matias Rouvali partagent la même passion pour la musique de Sibelius qui, meurtri de ne pas avoir réussi à être le violoniste virtuose qu'il rêvait de devenir, a composé un concerto devenu incontournable, où soliste et orchestre sont en fusion… - réalisation : Pauline Boisaubert Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 01:27:18 - par : Emilie Munera, Rodolphe Bruneau-Boulmier - Nicolas Baldeyrou nous ouvre grand les portes de la musique concertante avec un deuxième album qu'il consacre à Mozart. On y découvre le jeune génie de la période parisienne et le maître absolu de la dernière année viennoise. Ce matin, nous écoutons le célèbre Concerto pour clarinette. - réalisation : Pauline Boisaubert Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 01:27:18 - par : Emilie Munera, Rodolphe Bruneau-Boulmier - Nicolas Baldeyrou nous ouvre grand les portes de la musique concertante avec un deuxième album qu'il consacre à Mozart. On y découvre le jeune génie de la période parisienne et le maître absolu de la dernière année viennoise. Ce matin, nous écoutons le célèbre Concerto pour clarinette. - réalisation : Pauline Boisaubert Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Animator Eric Goldberg

What if confidence is not the absence of doubt? In this deeply honest conversation, violinist Robert Sanders shares what changed internally as he navigated auditions, pressure, comparison, and eventually won a full time position with the Bruckner Orchestra Linz. This episode is not about becoming fearless. It's about learning how to stop fighting yourself so aggressively underneath the pressure. In this episode: • Why self doubt does not disappear even at a high level • How Robert shifted from battling doubt to "dancing" with it • The surprising mindset shift that changed his audition experience • Why learning to work with yourself changes everything under pressure If you're ready to step on stage with confidence, perform at your best, and finally feel secure in your playing, let's talk! Book a free discovery call and let's create a plan to get you there. Are you ready to take your playing and career to the next level and create a life that feels purposeful and joyful? Let's connect and explore how personalized coaching can support your journey. Click here to schedule your free consultation, and let's start turning your goals into reality.   Book your FREE Music Mastery Experience Discovery call with Renée HERE Book your free consultation with Renée HERE Download the transcript from this episode HERE   Robert Sanders Website: www.robertsandersviolin.com       Mind Over Finger Click www.mindoverfinger.com/coaching to book your free consultation with me. Visit MindOverFinger.com for my online courses as well as free resources on peak performance. Grab my free workshops and PDF downloads by going to www.mindoverfinger.com/resources. Connect: https://www.youtube.com/@MindOverFinger https://www.facebook.com/mindoverfinger/ https://www.facebook.com/groups/mindoverfinger https://www.instagram.com/mindoverfinger/     THANK YOU: Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme:  Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson.

You know that feeling when you walk off stage thinking, "I can play so much better than this"? In this episode, I unpack three powerful patterns I saw during the Musicians Edge Challenge with more than 300 musicians and why so many performers lose access to themselves under pressure even when they've prepared brilliantly. In this episode: • Why your best playing can feel impossible to recreate on demand • What really happens when a different version of you shows up on stage • Why many musicians keep trying to solve the wrong problem If you're ready to close the gap between how you play in the practice room and who you become under pressure, the Music Mastery Experience is open for enrollment now. Inside MME, we work on performance preparation, self trust, mindset, nervous system regulation, and the hidden patterns that shape your performances. Enrollment closes May 20 and we begin June 1. Learn more at mindoverfinger.com/mme   Book your FREE Music Mastery Experience Discovery call with Renée HERE Book your free consultation with Renée HERE Download the transcript from this episode HERE   Mind Over Finger Click www.mindoverfinger.com/coaching to book your free consultation with me. Visit MindOverFinger.com for my online courses as well as free resources on peak performance. Grab my free workshops and PDF downloads by going to www.mindoverfinger.com/resources. Connect: https://www.youtube.com/@MindOverFinger https://www.facebook.com/mindoverfinger/ https://www.facebook.com/groups/mindoverfinger https://www.instagram.com/mindoverfinger/     THANK YOU: Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme:  Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson.

About the GuestAutumn Kern is the host of The Commonplace, a place to help new homeschooling moms get their bearings in the classical, Charlotte Mason world. She explores the Classical Tradition on her podcast, releases practical philosophy videos on YouTube, offers ongoing education for mother-teachers in Common House, and, more recently, leads directed programmes of study under Mother Academia. She and her husband are raising their four children in an old 1700s Pennsylvania farmhouse, hoping one of these wardrobes will bring them face-to-face with Aslan.  Show NotesThis episode is dedicated to homeschool mothers! Many people have asked me to share my homeschool journey and I wanted to know more about Autumn Kern's journey into the Charlotte Mason Classical homeschool world. Autumn and I share our ups and downs as homeschool moms as means of encouragement to our fellow home educators.Some topics covered include:How we got started in the homeschool movementThe classical connection to Charlotte MasonCommon challenges to homeschool momsHow to recover from burn outHow to handle crisis situationsHow to juggle management of a home while homeschoolingResources MentionedThe Lion, The Witch and The WardrobeA Thinking Love by Karen Glass (Vol 1 Charlotte Mason)An Essay Towards a Philosophy of Education by Charlotte Mason (Centenary Expanded Edition published by Smidgen Press)Previous Guest EpisodeAutumn joined my former co-host Trae Bailey in 2022. That episode was titled Autumn Kern: The Common Classical Charlotte Mason Mom. Click here for the link: https://classicaleducationpodcast.transistor.fm/episodes/autumn-kern-the-common-classical-charlotte-mason-mother____________________________________This podcast is produced by Beautiful Teaching, LLC.Support this podcast: ★ Support this podcast ★ _________________________________________________________Credits:Sound Engineer: Andrew HelselLogo Art: Anastasiya CFMusic: Vivaldi's Concerto for 2 Violins in B flat major, RV529 : Lana Trotovsek, violin Sreten Krstic, violin with Chamber Orchestra of Slovenian Philharmonic © 2026 Beautiful Teaching LLC. All Rights Reserve

Al concerto di Pupo a Melbourne lo scorso weekend c'erano tanti fan italoaustraliani che lo seguono da decenni. Ai microfoni di SBS Italian hanno raccontato cosa rappresentano per loro le sue canzoni e il ritorno dell'artista in Australia.

Johan Fasch: Concerto a 8 in D Major, III. AllegroThomas Reiner, trumpet Südwestdeutsches Kammerorchester Pforzheim Sebastian Tewinkel, conductorMore info about today's track: Naxos 8.570501Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Cette première série des Enquêtes du Centre Pompidou vous emmène à la découverte de l'artiste Sophie Taeuber-Arp (1889-1943). Peu connue en France, elle est pourtant l'une des premières à oser l'art abstrait et à abolir les frontières entre beaux-arts et artisanat. À partir de son œuvre Tête dada, acquise par le Centre Pompidou, nous partons sur ses traces, depuis ses débuts dans l'avant-garde, en passant par la création de sa maison-atelier à Meudon-Clamart, jusqu'à sa mort tragique. CréditsÉcriture et réalisation : Clara Gouraud, Celia CrétienIntervenant.es : Cécile Bargues, Mirela Ionesco, Stéphanie Moitrel, Camille Morineau, Alfred Pacquement Mixage : Ivan GarielAssistance technique : Christophe BechterDesign musical : Antoine AssayasLecture des textes de Sophie Taueber-Arp : Hélène BressiantVoix : Junior Barona, Christophe Bechter, Delphine Coffin, Celia Crétien, Ivan Gariel, Clara Gouraud, Adrien Hoffmann-Hervé, Théo KuperholcExtraits musicaux : Épisode 3 : Franz Liszt, Concerto pour piano no. 1 Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

In today's episode, we're wrapping up our three-part series on Antonio Vivaldi with a piece that feels both intimate and expressive—the Concerto for Two Violins in A Minor. If you've been listening along with this series, you already know how much I've loved exploring Vivaldi with you. Today's piece gives us something a little different from The Four Seasons—and it invites us to listen in a whole new way.

The final round of the Bienen 2026 Concerto/Aria Competition took place on Tuesday, April 28. Twelve students, ranging from vocalists to clarinetists, performed.

If you've ever stood in the wings before a performance and wondered how you got there — not in a good way — this episode is for you. Marie-Michel Beauparlant is an accomplished cellist, a mom of twins, and one of the most honest guests we've had on the show. She talks about the years she spent hiding behind section playing because solo performing felt impossible, the guilt of chasing an audition with six-month-old twins at home, and what it actually took to go from dreading the spotlight to being, as she puts it herself, a little addicted to it. This is a real conversation about the inner life of a working musician — and it will stay with you. In this episode you will discover: Why perfectionism and stage fright so often go hand in hand and what Marie-Michel did to start untangling them How she went from barely advancing in auditions to winning two orchestra positions and making finals consistently The mindset shift that led her to remove the word failure from her vocabulary entirely How finding a community of musicians facing similar challenges made her feel less alone and normalized the struggles she had been carrying quietly for years The simple question she asks herself before every practice session that keeps her grounded and motivated What winning really looks like when you stop making it only about the outcome   Want to experience this kind of transformation in your own musical life? The doors to the Music Mastery Experience open June 1st. Visit mindoverfinger.com/mme to learn more and book your free call today. Spots are limited.   Book your FREE Music Mastery Experience Clarity Call with Renée HERE Download the transcript from this episode HERE       Mind Over Finger Click www.mindoverfinger.com/coaching to book your free consultation with me. Visit MindOverFinger.com for my online courses as well as free resources on peak performance. Grab my free workshops and PDF downloads by going to www.mindoverfinger.com/resources. Connect: https://www.youtube.com/@MindOverFinger https://www.facebook.com/mindoverfinger/ https://www.facebook.com/groups/mindoverfinger https://www.instagram.com/mindoverfinger/     THANK YOU: Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme:  Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson.    

durée : 00:05:36 - par : Producteurs en alternance - Nous écoutons ce matin l'Allegro du Concerto pour violon et hautbois en Ut mineur BWV 1060 de Jean-Sébastien Bach, interprété par Ray Still et Itzhak Perlman, avec l'Orchestre philharmonique d'Israël. Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 00:18:36 - par : Lionel Esparza - Capté à Chicago en décembre 1998, ce 2e Concerto de Bartók réunit le violoniste Gil Shaham, Pierre Boulez et le Chicago Symphony Orchestra dans une lecture rayonnante et solaire. Le mouvement lent devient une rêverie nocturne, pleine de froissements et de feulements. - réalisation : Flora Sternadel Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 00:04:45 - par : Producteurs en alternance - Nous écoutons ce matin un arrangement pour violoncelle piccolo, cordes et basse continue de l'Allegro du Concerto italien en Fa majeur BWV 971 de Jean-Sébastien Bach, interprété par Mario Brunello et l'Accademia dell'Annunciata, sous la direction de Riccardo Doni. Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 01:28:24 - par : Nicolas Lafitte - Direction l'Argentine avec le Concerto pour bandonéon d'Astor Piazzolla, intitulé "Aconcagua", nom du plus haut sommet d'Amérique du Sud. Puis nous reviendrons en France avec la musique pour piano d'Erik Satie. - réalisation : Pauline Boisaubert Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 01:28:24 - par : Nicolas Lafitte - Direction l'Argentine avec le Concerto pour bandonéon d'Astor Piazzolla, intitulé "Aconcagua", nom du plus haut sommet d'Amérique du Sud. Puis nous reviendrons en France avec la musique pour piano d'Erik Satie. - réalisation : Pauline Boisaubert Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

You know that feeling when you nail a passage in rehearsal, and then the harder you try to repeat it, the faster it falls apart? In this solo episode, Dr. Renée-Paule reveals why the desire to play well is often the very thing getting in your way. This one hits close to home for any musician who has ever spiraled mid-performance wondering why their preparation suddenly feels like it vanished. ·         The reason a passage that felt effortless on the first attempt can completely unravel by the third, and why it has nothing to do with your technique. ·         How monitoring your own performance in real time activates the wrong part of your brain and turns you into a spectator of your own playing. ·         Why high expectations belong in the practice room and become an obstacle the moment you walk on stage. ·         A simple 60-second ritual to do right before you perform that shifts your entire relationship with the moment.   Are you ready to take your playing and career to the next level and create a life that feels purposeful and joyful? If you're ready to step on stage with confidence, perform at your best, and finally feel secure in your playing, join the Musician's Edge Challenge.   Join the Musician's Edge Challenge HERE If you're ready to step on stage with confidence, perform at your best, and finally feel secure in your playing, let's talk! Book a free discovery call and let's create a plan to get you there. Are you ready to take your playing and career to the next level and create a life that feels purposeful and joyful? Let's connect and explore how personalized coaching can support your journey. Click here to schedule your free consultation, and let's start turning your goals into reality.   Book your FREE Music Mastery Experience Discovery call with Renée HERE Book your free consultation with Renée HERE Download the transcript from this episode HERE   Mind Over Finger Click www.mindoverfinger.com/coaching to book your free consultation with me. Visit MindOverFinger.com for my online courses as well as free resources on peak performance. Grab my free workshops and PDF downloads by going to www.mindoverfinger.com/resources. Connect: https://www.youtube.com/@MindOverFinger https://www.facebook.com/mindoverfinger/ https://www.facebook.com/groups/mindoverfinger https://www.instagram.com/mindoverfinger/     THANK YOU: Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme:  Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson.

About the GuestMandi Gerth is a teacher and classical education consultant who lives in Dallas, Texas, with her husband and three of their five children. She currently serves as the Administrative Director of the Cowan Center at the University of Dallas. She holds a master of humanities degree from that institution with a concentration in classical education. Her first book, Thoroughness & Charm: Cultivating the Habits of a Classical Classroom, available exclusively from CiRCE Press, has quickly become one of their best-selling titles. In her definitive guide to classroom liturgy, she offers practical advice to the classical educator seeking a truly classical classroom while reminding the teacher of their high calling. Mandi provides practical and actionable ways to embrace the classical tradition and become a thinker worthy of imitation. Mrs. Gerth attends Church of the Holy Communion (REC), and for over twenty years, she and her husband have labored to build a family culture for their five children that values books, baseball, museums, home-cooked meals, and conversation about ideas. Show NotesMandi joins Adrienne to discuss various themes in Mandi's book, Thoroughness and Charm. Adrienne noticed connections to Charlotte Mason's core principle that Education is an atmosphere, a discipline, and a life. All of these aspects merge into what an excellent and alive classroom looks like. Through anecdotes and experience, Mandi shares her passion and her story about the art of teaching. Some topics covered include:Why is it important to understand teaching as an art?-- What difference does it really make?How to create a common language in the classroomWhat are the differences between classroom liturgies and classroom catechismsHow and why integrating subjects/disciplines is importantHow to live a "classical" life and model this for your studentsResources and People MentionedThe Silver Chair by C.S. LewisUnbinding Prometheus by Donald Cowan (Essay, The Three Moments of Learning)Donald and Louise Cowan CenterThe Art of Teaching by Gilbert Highet Teach Like a Champion by Doug Lemov Tales from Shakespeare by Charles and Mary Lamb____________________________________This podcast is produced by Beautiful Teaching, LLC.Support this podcast: ★ Support this podcast ★ _________________________________________________________Credits:Sound Engineer: Andrew HelselLogo Art: Anastasiya CFMusic: Vivaldi's Concerto for 2 Violins in B flat major, RV529 : Lana Trotovsek, violin Sreten Krstic, violin with Chamber Orchestra of Slovenian Philharmonic © 2026 Beautiful Teaching LLC. All Rights Reserved

On this episode, Marc talks with Steve Bowie, author of "Concerto for Cootie: The Life and Times of Cootie Williams," released in October of 2025. It's an in-depth look at the saga of a revered trumpet player who was a vital member of Duke Ellington and Benny Goodman's groups, as well as spending 20 years as a band leader of his own. He was a massively popular artist who consistently filled venues and won jazz awards, but he never had a crossover hit and subsequently his story has been somewhat lost to history. Bowie corrects that omission skillfully, telling the tale of a man who made great art for a living.As Steve writes, "In Mr. Williams's seventy-four years on this earth, his story has a lot of territory to cover...Most of the available biographical information doesn't dive beyond the surface and consists of a handful of articles and chapters in anthology-style biographies...Willams's years as a leader and the time he spent under the baton of Mercer Ellington has received scant coverage.You can buy "Concerto for Cootie" here.We hope you enjoy Marc's conversation with Steve Bowie!

President Trump has threatened to take - or make a deal for - whatever is left of the regime's highly enriched uranium stockpile - a key component to building nuclear weapons. HEU removal operations can be high stakes and dangerous, but the U.S. has successfully done it before in 1994 – safely removing 600 kilograms of weapons grade uranium from Kazakhstan after the fall of the Soviet Union. Correspondent Cecilia Vega reports on the covert operation, code named Project Sapphire, and if it could be the blueprint for how to get HEU out of Iran. Rachel Goldberg-Polin's son Hersh was taken hostage by Hamas on Oct. 7, 2023. On his 328th day in captivity, Hersh was executed in a tunnel in Gaza. Now, Rachel Goldberg-Polin is trying to figure out how to live after losing her child. Anderson Cooper interviews Goldberg-Polin about Hersh and her grief, and speaks with Or Levy, a released hostage who was in captivity with Hersh, and credits him with helping to save his life. Acclaimed drummer of The Police Stewart Copeland and celebrated British naturalist Martyn Stewart have created Wild Concerto, a pioneering album that mixes authentic animal sounds with original music. It's based on Stewart's unparalleled audio archive of the world's wild inhabitants. Correspondent Bill Whitaker joins the pair at the iconic Abbey Road Studios as Copeland and Stewart give Mother Nature's orchestra the star treatment.  To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

You've prepared the excerpts. You've done the mock auditions. You've done everything right — and something still slips when it matters most. In this episode, Dr. Renée-Paule Gauthier gets to the heart of what's actually separating the players who walk off feeling like themselves from the ones who walk off wondering what just happened. The answer isn't what you think — and it's more within your reach than you realize. In this episode: ·         Why the problem is almost never the excerpts ·         The difference between preparing your excerpts and preparing yourself ·         What attentional narrowing does to your musicality under pressure ·         The one question that begins to change everything   Are you ready to take your playing and career to the next level and create a life that feels purposeful and joyful? If you're ready to step on stage with confidence, perform at your best, and finally feel secure in your playing, join the Musician's Edge Challenge.   Join the Musician's Edge Challenge HERE If you're ready to step on stage with confidence, perform at your best, and finally feel secure in your playing, let's talk! Book a free discovery call and let's create a plan to get you there. Are you ready to take your playing and career to the next level and create a life that feels purposeful and joyful? Let's connect and explore how personalized coaching can support your journey. Click here to schedule your free consultation, and let's start turning your goals into reality.   Book your FREE Music Mastery Experience Discovery call with Renée HERE Book your free consultation with Renée HERE Download the transcript from this episode HERE   Mind Over Finger Click www.mindoverfinger.com/coaching to book your free consultation with me. Visit MindOverFinger.com for my online courses as well as free resources on peak performance. Grab my free workshops and PDF downloads by going to www.mindoverfinger.com/resources. Connect: https://www.youtube.com/@MindOverFinger https://www.facebook.com/mindoverfinger/ https://www.facebook.com/groups/mindoverfinger https://www.instagram.com/mindoverfinger/     THANK YOU: Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme:  Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson.  

A organização social Sustenidos, que atualmente administra o Theatro Municipal de São Paulo, disputará o novo edital de gestão do local contra o Instituto Baccarelli.As duas instituições são as únicas concorrentes no processo, que prevê um contrato de 663 milhões de reais por cinco anos.A permanência da Sustenidos é questionada pelo Tribunal de Contas do Município e pela gestão do prefeito Ricardo Nunes, além de sofrer críticas de vereadores que apontam um suposto viés ideológico na direção artística do teatro. Papo Antagonista é o programa que explica e debate os principais acontecimentos do dia com análises críticas e aprofundadas sobre a política brasileira e seus bastidores.       O programa traz contexto e opinião sobre os temas mais quentes da atualidade.       Com foco em jornalismo, eleições e debate, é um espaço essencial para quem busca informação de qualidade.       Ao vivo de segunda a sexta-feira às 18h no nosso canal no Youtube.   https://www.youtube.com/@OAntagonista  Apoie o jornalismo independente. Assine O Antagonista e Crusoé com 10% via Pix ou Google Pay:   https://assine.oantagonista.com.br/  Siga O Antagonista no X:  https://x.com/o_antagonista   Acompanhe O Antagonista no canal do WhatsApp. Boletins diários, conteúdos exclusivos em vídeo e muito mais.  https://whatsapp.com/channel/0029Va2SurQHLHQbI5yJN344  Leia mais em www.oantagonista.com.br | www.crusoe.com.br #TheatroMunicipal #RicardoNunes #SaoPaulo #CulturaSP #GestaoPublica #Politica #TeatroMunicipal #PrefeituraSP #MusicaClassica #Opera #Artes #NoticiasSP #PodcastBR #GestaoCultural #Patrimonio #Renovação #Sampa #Brasil #Concerto #Cidadania

You practiced it a thousand times. You knew it cold. And then you walked on stage and something vanished. If that sounds familiar, this episode is for you. Renee breaks down one of the most frustrating and misunderstood experiences in a musician's life: the gap between how you play in the practice room and how you play under pressure. More importantly, she explains exactly why it happens and why practicing more is often not the answer. In this episode: ·         Why the practice room and the stage are literally different brain states, and what that means for how you prepare ·         The Yerkes-Dodson law and what it reveals about pressure, performance, and the sweet spot most musicians blow right past ·         Why cortisol is not your enemy but why it makes you blank on passages you know perfectly well ·         The concept of context-dependent memory and why your hard-earned skills can feel strangely out of reach the moment the context changes ·         The question most musicians never ask after a disappointing performance, and why asking the wrong one keeps the gap firmly in place ·         A simple but powerful reflection to try before your next practice session that begins to close the gap for good Are you ready to take your playing and career to the next level and create a life that feels purposeful and joyful? If you're ready to step on stage with confidence, perform at your best, and finally feel secure in your playing, join the Musician's Edge Challenge.   Join the Musician's Edge Challenge HERE If you're ready to step on stage with confidence, perform at your best, and finally feel secure in your playing, let's talk! Book a free discovery call and let's create a plan to get you there. Are you ready to take your playing and career to the next level and create a life that feels purposeful and joyful? Let's connect and explore how personalized coaching can support your journey. Click here to schedule your free consultation, and let's start turning your goals into reality.   Book your FREE Music Mastery Experience Discovery call with Renée HERE Book your free consultation with Renée HERE Download the transcript from this episode HERE   Mind Over Finger Click www.mindoverfinger.com/coaching to book your free consultation with me. Visit MindOverFinger.com for my online courses as well as free resources on peak performance. Grab my free workshops and PDF downloads by going to www.mindoverfinger.com/resources. Connect: https://www.youtube.com/@MindOverFinger https://www.facebook.com/mindoverfinger/ https://www.facebook.com/groups/mindoverfinger https://www.instagram.com/mindoverfinger/     THANK YOU: Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme:  Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson.    

What if the thing holding back your performance had nothing to do with how many hours you practice? Gunnery Sergeant Shannon Kiewitt, clarinetist with "The President's Own" United States Marine Band and fitness coach for musicians, has spent years performing at the highest level without a single performance-related injury. In this conversation, she shares exactly how fitness transforms not just your body, but your sound, your confidence, and your career. In this episode: ·         Why posture and physical imbalances affect the way you sound ·         The truth about weightlifting and musicians ·         How fitness builds endurance, focus, and mental resilience on stage ·         What a realistic fitness routine looks like for a musician's unpredictable schedule ·         How competing in a bodybuilding show helped Shannon conquer performance anxiety ·         One simple thing you can start doing today   Are you ready to take your playing and career to the next level and create a life that feels purposeful and joyful? If you're ready to step on stage with confidence, perform at your best, and finally feel secure in your playing, join the Musician's Edge Challenge.   Join the Musician's Edge Challenge HERE Book your free consultation with Renée HERE Download the transcript from this episode HERE   SHANNON KIEWITT Bio: https://www.marineband.marines.mil/About/Members/Article/2605066/gunnery-sgt-shannon-kiewitt/ Instagram: https://www.instagram.com/thefitclarinetist/ YouTube: https://www.youtube.com/@shannonfitwit Work with Shannon: https://www.trainerize.me/profile/getfitwithshannonkiewitt/Shannon.Kiewitt?fbclid=IwAR0nBm45UVE4SSUWHRaaAJVgCYpp4rmNFNkxqqTrGmUe9sd37fOreyP1P5A&utm_source=ig&utm_medium=social&utm_content=link_in_bio     Mind Over Finger Click www.mindoverfinger.com/coaching to book your free consultation with me. Visit MindOverFinger.com for my online courses as well as free resources on peak performance. Grab my free workshops and PDF downloads by going to www.mindoverfinger.com/resources. Connect: https://www.youtube.com/@MindOverFinger https://www.facebook.com/mindoverfinger/ https://www.facebook.com/groups/mindoverfinger https://www.instagram.com/mindoverfinger/     THANK YOU: Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme:  Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson.

You're putting in the hours. You're showing up. So why does it still feel like nothing is moving? This episode gets right to the heart of that frustration and offers a way out.   In this episode: ·         Why repetition without intention reinforces the problem, not the solution ·         The real difference between practicing notes and practicing performance ·         How the inner critic silently derails your practice session ·         The one thing to write down before you pick up your instrument Are you ready to take your playing and career to the next level and create a life that feels purposeful and joyful? If you're ready to step on stage with confidence, perform at your best, and finally feel secure in your playing, join the Musician's Edge Challenge.   Join the Musician's Edge Challenge HERE Book your free consultation with Renée HERE Download the transcript from this episode HERE   Mind Over Finger Click www.mindoverfinger.com/coaching to book your free consultation with me. Visit MindOverFinger.com for my online courses as well as free resources on peak performance. Grab my free workshops and PDF downloads by going to www.mindoverfinger.com/resources. Connect: https://www.youtube.com/@MindOverFinger https://www.facebook.com/mindoverfinger/ https://www.facebook.com/groups/mindoverfinger https://www.instagram.com/mindoverfinger/     THANK YOU: Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme:  Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson.

If you've ever felt your body work against you in a performance, if tension, fear, or a loss of control has crept into your playing and you don't know why, and if you've wondered whether it can actually get better, this episode is for you. Gabriel Radford, Third Horn of the Toronto Symphony Orchestra, was diagnosed with focal dystonia at the height of his career. He came back playing better than before, and co-founded the Embouchure Project to help other musicians do the same. This conversation is honest, practical, and full of things musicians rarely hear spoken out loud. What you'll take away: ·         Why fear can show up long before a playing problem becomes visible, and what that early signal means ·         What neuroscience tells us about why the body stops cooperating, and how to reverse it ·         Why rigid practice routines may be working against you ·         The one daily habit that can rewire your relationship with your instrument ·         What the Embouchure Project is ·         And much more! If you're ready to step on stage with confidence, perform at your best, and finally feel secure in your playing, let's talk! Book a free discovery call and let's create a plan to get you there. Are you ready to take your playing and career to the next level and create a life that feels purposeful and joyful? Let's connect and explore how personalized coaching can support your journey. Click here to schedule your free consultation, and let's start turning your goals into reality.   Book your FREE Music Mastery Experience Discovery call with Renée HERE Book your free consultation with Renée HERE Download the transcript from this episode HERE   GABRIEL RADFORD AND THE EMBOUCHURE PROJECT Bio: https://www.tso.ca/about/orchestra/members-of-the-orchestra/gabriel-radford Website: https://www.theembouchureproject.org/ Instagram: https://www.instagram.com/theembouchureproject/ Facebook: https://www.facebook.com/groups/881319796540674/ YouTube: https://www.youtube.com/@TheEmbouchureProject Spotify: https://open.spotify.com/show/6jOd5wjakuvJmZuiaGoKqP     Mind Over Finger Click www.mindoverfinger.com/coaching to book your free consultation with me. Visit MindOverFinger.com for my online courses as well as free resources on peak performance. Grab my free workshops and PDF downloads by going to www.mindoverfinger.com/resources. Connect: https://www.youtube.com/@MindOverFinger https://www.facebook.com/mindoverfinger/ https://www.facebook.com/groups/mindoverfinger https://www.instagram.com/mindoverfinger/     THANK YOU: Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme:  Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson.