Podcasts about brahms symphony no

The uplifting sound of the horn, particularly in an orchestral setting, is familiar to audiences worldwide – but how do you play this wonderful instrument? Charlotte Smith interviews former London Symphony, London Philharmonic and current Royal Opera House principal horn David Pyatt, who takes her through her first horn lesson.   This episode is sponsored by Bang & Olufsen.   Musical excerpts: Brahms Symphony No. 1 London Symphony Orchestra/Jonathan Pasternack Naxos 8.572448 (2011) https://www.naxos.com/CatalogueDetail/?id=8.572448   Franz Strauss Nocturno for Horn and Piano, Op 7 from David Pyatt Recital David Pyatt (horn); Martin Jones (piano) Erato 9029534229 (1998) https://www.warnerclassics.com/release/recital-horn-works   Interview recorded at the Royal Academy of Music, London: https://www.ram.ac.uk Student horn loaned with kind permission by Paxman Musical Instruments, London: https://www.paxman.co.uk Learn more about your ad choices. Visit podcastchoices.com/adchoices

The Symphony No. 1 in C minor, Op. 68, is a symphony written by Johannes Brahms. Brahms spent at least fourteen years completing this work, whose sketches date from 1854. Brahms himself declared that the symphony, from sketches to finishing touches, took 21 years, from 1855 to 1876. The premiere of this symphony, conducted by the composer's friend Felix Otto Dessoff, occurred on 4 November 1876, in Karlsruhe, then in the Grand Duchy of Baden. A typical performance lasts between 45 and 50 minutes.

Brahms was only 20 years old when Robert Schumann wrote his famous Neue Bahnen(New Paths) article that proclaimed Brahms as the future of music and the heir of Beethoven. Beethoven had only been dead for 26 years at this point, and his shadow still loomed large over every single composer living in Germany, and beyond. Brahms knew that the most concrete way he would be compared with Beethoven would be through a symphony, and so…he studiously avoided writing one. It's not like he didn't try. Brahms began sketching symphonies only one year after the Neue Bahnen article, but he kept revising the sketches, or more often, burning them as inferior products. This would go on for 23 more years, until 1876. Brahms was 43 when he finally completed his first symphony, and it was worth the wait. What Brahms came up with would inspire symphonists to this day, and would carry on the tradition that Beethoven laid out with both a respectful and loving look back into the past, with a clear eye forwards into the future. Today we'll dissect this piece in detail, taking it down to its foundational elements in order to see how Brahms created this masterpiece of a first symphony. Join us!

How do you see Brahms Symphony No. 4? For Scottish orchestral bassist and abstract painter Kirsty Matheson, music—like days of the week— have color. Kirsty shares how she balances her professional music life with her painting career that took flight during a 100 Day project in 2021. This fascinating conversation allows us to dip into synesthesia, a neurological condition shared by Kirsty and many other creative minds that creates a crossover between senses, in Kirsty's case allowing her to paint classical music.  Find Kirsty: Kirsty's Website: www.kirstymatheson.com Kirsty's Instagram: @kirsty_matheson_art   Kirsty's Twitter: @KirstyM_Art    Mentioned:Justin Mortimer | artist  (learn)Esperanza Spalding | American bassist, singer and composer (listen) Ju-Fang Liu | Principal Bass, Indianapolis Symphony Orchestra (learn) Kristen Bruya | Principal Bass, Minnesota Orchestra (learn) Aspen Music Festival (explore) Dido and Aeneas Overture , Henry Purcell (listen) John Butt |University of Glasgow | Director, Dunedin Consort (listen) Kirsty's 100 Day Project (explore) BBC3 Tom Service Interview, Music in the Moment, May 31, 2021 (listen) Maggie Hambling | British painter and sculptor (learn) Synesthesia | neurological condition involving an overlap of senses (learn) Famous synaesthetes, BBC article  (learn) Wassily Kandinsky (1866-1944) | Russian painter (learn) Mozart, Symphony No. 40 in G Minor (listen) Fanny Mendelssohn (1805 –1847) | composer (listen) Seonaid Aitken | Scottish jazz violinist (listen) BBCThe Afternoon Show Podcast | Kirsty's review  movie Tár (listen)  BBC Scottish Symphony Orchestra (learn)Find Me, Kristy Darnell Battani:Website:    https://www.kristybattani.comInstagram:  kristybattaniartSupport the show

Welcome to Season 9 of Sticky Notes! We're starting with a bang this season with Brahms' incomparable 4th symphony. This symphony takes the listener on a journey that unexpectedly ends in a legendarily dramatic and stormy way. What would compel a composer like Brahms to write an ending like this? Was it a requiem for his place in music? For Vienna? For Europe? Or was it the logical conclusion to a minor key bassline he stole from a Bach Cantata? This is the eternal question when it comes to Brahms - logic or emotion? Well, usually the answer is a bit of both, and today we're going to go through this remarkable piece with all of this in mind. Join us!

室內樂企劃開跑！ 今天是第一集：莫札特單簧管五重奏 來聽聽讓他又愛又恨的史塔勒吧！ 本集曲目： 莫札特：A大調單簧管五重奏，作品581 W.A.Mozart: Clarinet Quintet in A Major, K.581 補充曲目： 柴可夫斯基：第五號交響曲 (Ep.2) P.I.Tchaikovsky: Symphony No.5 布拉姆斯：第三號交響曲 (Ep.32) J.Brahms: Symphony No.3 拉赫曼尼諾夫：第二號交響曲 (Ep.14) S.Rachmaninoff: Symphony No.2 -- 本集與YouTube同步上架播出，可以去逛逛呦！ https://youtu.be/WLtPigM5Rzg 點一下就可以看到我所有平台的連結

布拉姆斯的經典之作。 點一下就可以看到我所有平台的連結

布拉姆斯跟貝多芬兩者的田園差異有多少？ 點一下就可以看到我所有平台的連結

Self-Coaching Questions: What action do you need to take this week to find more confidence? Who can you invite into your process by sharing your experience and vulnerably opening up about your creative life? What might you be missing when you are not letting yourself be fully known? Look back at a work of art you made that you are really proud of: was there a coda, or a place towards the end where all the strings were tied up together, that may have just appeared out of nowhere? Study your previous process with curiosity not judgment, and notice what magic, synchronicities, or little graces that were offered to you as you worked. Today's music is “I. Allegro non troppo” from Brahms Symphony No. 2 in D Major, Op. 73 performed by the Czech National Symphony. Read more about them on our website: https://artistsforjoy.org/pod

布拉姆斯第三號真的是小巧卻不失精緻！ 點一下就可以看到我所有平台的連結

究竟是想要致敬貝多芬？ 還是想超越他？ ------------ 記得追蹤我的社群帳號喔～ Instagram: Kimi_Clamusic Facebook: Kimi彈古典談音樂

Synopsis The REAL story behind Richard Strauss' decision to use a chamber orchestra for his opera “Ariadne on Naxos” – which premiered in Stuttgart on today's date in 1912 – is complicated and a little mundane. We prefer a more “colorful” version that some in Stuttgart have proffered. When a new opera house was being planned for that city, Strauss was asked how large the orchestral pit should be. “Oh, it should hold about 100 players,” he suggested. So, to determine the size required, the architects rather naively asked the local military band to assemble 100 players, have them stand at attention, and measured the amount of space they occupied. Now, soldiers standing at attention take up a LOT less space than an equal number of seated symphonic musicians. And so, the resulting space in the new theater could only accommodate a CHAMBER orchestra. The Stuttgart Opera also wanted to launch their new theater with a brand-new opera commissioned from Strauss. When he learned what had happened, being the eminently practical sort he was, simply wrote his new opera for chamber ensemble of about 40 players. Fact or fantasy, that's how some like to tell it in Stuttgart. Music Played in Today's Program Richard Strauss (1861 – 1949) — Ariadne auf Naxos (Vienna Philharmonic; James Levine, cond.) DG 419 225 On This Day Births 1825 - Austrian composer and conductor Johann Strauss, Jr. (aka "The Younger," or II), in Vienna; 1838 - French composer Georges Bizet, in Paris; 1864 - Russian composer Alexander Grechaninov, in Moscow (see Julian date: Oct. 13); 1923 - Australian composer Don Banks, in South Melbourne; Premieres 1823 - Weber: opera "Euryanthe," in Vienna at the Kärtnertor Theater; 1848 - Verdi: opera "Il Corsaro" (The Corsair), in Trieste at the Teatro Grande; 1875 - Tchaikovsky: Piano Concerto No. 1, Op. 23, at the Music Hall in Boston, by the orchestra of the Harvard Musical Association conducted by B.J. Lang, with Hans von Bülow as soloist; 1885 - Brahms: Symphony No. 4 in Meiningen, Germany, with the composer conducting; 1912 - R. Strauss: opera, "Ariadne auf Naxos," and incidental music to "Le Bourgeois Gentilhomme," in Stuttgart at the Hoftheater (Kleines Haus), with the composer conducting, and vocal soloists Maria Jeritza (Ariadne), Margarethe Siems (Zerbinetta), and Hermann Jadlowker (Bacchus); A revised version of this work (with a newly composed prologue) premiered at the Vienna Court Opera on Oct. 4, 1916; 1923 - Milhaud: ballet, "La Création du Monde," in Paris, by the Ballets Suédois at the Théâtre des Champs-Elysées; 1949 - Frank Martin: Concerto for Seven Wind Instruments, Timpani, Percussion, and Strings, by the orchestra of the Bern Musickgesellschaft, Luc Balmer conducting; 1958 - Janácek: opera "Fate" (1st staged performance) in Brno at the National Theater; This opera was written in 1904 and was premiered in a concert performance by the Brno Radio on September 18, 1934; 1973 - Martinu: Violin Concerto (composed in 1932), by the Chicago Symphony, Sir Georg Solti conducting, with Josef Suk as soloist; 1979 - Earl Kim: Violin Concerto, by the New York Philharmonic, conducted by Zubin Mehta, with Itzhak Perlman as soloist; 1986 - Christopher Rouse: "Phantasmata" (first complete performance of three orchestral pieces composed 1981-85: "The Evestrum of Juan de la Cruz in the Sagrada Familia, 3 A.M."; "The Infernal Machine"; and "Bump"), by the St. Louis Symphony, Leonard Slatkin conducting; Links and Resources On Richard Strauss

We interview a LOT of composers on the podcast. But many of the composers we'd like to interview are no longer with us. So we're forced to talk about them instead. Jeff and Carol discuss the creation of Brahms' Symphony No. 4 in this Deep Dive episode.

Brahms spent much of his life battling with his ambition to write great symphonies and his terror at the spectre of Beethoven looming over him. His first symphony was a success, and with immense relief, Brahms quickly turned out a second symphony in just 4 months, a bit less than the 14 tortured years it took him to craft the first. At first glance this symphony sounds pastoral and idyllic, but there are plenty of clouds in this seminal masterpiece, something we'll discuss throughout the show. Join us!

Johannes BrahmsJohannes Brahms was a German composer, pianist, and conductor of the Romantic period. Born in Hamburg into a Lutheran family, he spent much of his professional life in Vienna. He is sometimes grouped with Johann Sebastian Bach and Ludwig van Beethoven as one of the "Three Bs" of music, a comment originally made by the nineteenth-century conductor Hans von Bülow

SHOW NOTES*2:05 – The director Heather Tan Yi Ling speaks about opera audiences in Asia; social media; and making the world a better place through art*4:56 – [musical excerpt: BETTER2MOROW, music video produced by Heather Tan Yi Ling]  the conductor Elias Miller on maintaining purpose and social relevance in his chosen profession*7:46 – [musical excerpt: Brahms Symphony No. 4 in E-minor; Elias Miller conducting the Apollo Ensemble of Boston] – adapting to the digital market and tackling climate change*12:53 – [musical excerpt: “Donde lieta usci al tuo grido d'amore,” from Puccini's La Bohème; Cinzia Zanovello, soprano] – keeping opera human and maintaining conviction as a singer*15:53 – [musical excerpt: Arioso of Iolanta from Tchaikovsky's eponymous opera; Cinzia Zanovello, soprano] – on the importance of pushing the art form beyond its privileged statusExcerpts provided courtesy of Heather Tan Yi Ling, Elias Miller and Cinzia ZanovelloIntro and outro composed by Miguel Kertsman

Why We Should Expose Our Kids To Classical Music https://ourtownlive.net #herbw79The Symphony No. 3 in F major, Op. 90, is a symphony by Johannes #Brahms. The work was written in the summer of 1883 at Wiesbaden, nearly six years after he completed his Symphony No. 2. In the interim Brahms had written some of his greatest works, including the Violin Concerto, two overtures, and Piano Concerto No. 2. The premiere performance was given on 2 December 1883 by the Vienna Philharmonic Orchestra, under the direction of Hans Richter. It is the shortest of Brahms' four symphonies; a typical performance lasts between 30 and 40 minutes.Wikipedia

In gewohnt entspannter Atmosphäre reagieren wir in der ersten gemeinsamen Ausgabe des Jahres spontan auf aktuelle Kritikerlieblinge der Seiten metacritic.com (https://www.metacritic.com/browse/albums/release-date/new-releases/date) , allmusic.com (https://www.allmusic.com/newreleases) und laut.de (https://www.laut.de/) und hören rein. Alles Liebe und gute Unterhaltung! Tracks: Mega Happy | Dino Brandão, Faber und Sophie Hunger | Ich liebe Dich | 2020 Two Gentlemen Far Away in Another Town | Steve Earle & The Dukes | J.T. | 2021 New West Records Jesus Boogie | Sturgill Simpson | Cuttin' Grass, Vol. 2 (Cowboy Arms Sessions) | 2020 High Top Mountain Records Zvezda po imeni Solntse | Kino | Zvezda po imeni Solntse | 1989 Moroz Records We Will Always Love You | The Avalanches | We Will Always Love You | 2020 Modular Recordings Brahms: 5 Gesänge, Op. 71 - III. Geheimnis | Elina Garanca, Malcolm Martineau | Lieder | 2020 Deutsche Grammophon Side notes: Historisches Museum der Stadt Danzig (https://www.gdansk.pl/de/touristisch/auf-bernsteinspuren-in-danzig,a,12153) Brahms: Symphony No. 4 | Kleiber (https://www.deutschegrammophon.com/de/katalog/produkte/brahms-symphony-no-4-kleiber-8021) Third Man Records | Tennessee (https://thirdmanrecords.com/locations/nashville-storefront) The Dead Don’t Die (https://en.wikipedia.org/wiki/The_Dead_Don%27t_Die_(2019_film)) lichess.org (https://lichess.org/) Follow us on: LINKTREE (https://linktr.ee/mut_musikundtalk) E-mail: mutmusikundtalk@gmail.com 

简介 | Intro海牛电台 2.0 回来啦！上海的十一月，深秋，海牛三人组再度聚首。几乎是不谋而合地，我们都觉得是时候重新开始海牛的更新。一方面日复一日，年复一年，时隔两年多，依然还有很多听众在微博、网易云等各种平台给海牛留言、私信，这确实给了我们很大的激励和动力。另一方面我们都期待美好的事情发生，与其等待美好的降临，不如主动去寻找。内容方面，由于种种原因我们不会再完全专注于英雄联盟，而是会进行诸如泛游戏和生活向的交流，也许还会有读书栏目和情感栏目。花式安利和推广普通话这些传统活动是不会受限于内容载体的。也许未来会采用话题的形式，那么跑题的常规操作也会回归。至于播出频率，目前我们的想法是半月更。这期之后的节目我们希望未来在每月的 1 日和 16 日播出。一来不会给我们带来太大的压力，二来也可以细水长流。真的很开心一直以来很多朋友给我们留言，希望我们继续带去像朋友一般陪伴的感觉。你们温暖的留言在我们记忆中留下了特别的痕迹，因此我们也希望海牛电台可以成为听众们的特殊记忆。在风雨飘摇 2020 即将过去之时，希望海牛还可以带来一件美好的事。主播 | Podcasters谢楚聿、王冠、沉默时间线 | Timeline01:34 回归的原因04:44 这些年的我们：沉默06:26 这些年的我们：王老师17:45 这些年的我们：谢老师27:46 关于对英雄联盟的热爱39:08 关于热泪盈眶49:51 关于对音乐的热爱56:36 每个人的人生课题1:01:56 人与人的连结1:15:59 情感与理智1:20:24 听众评论1:27:36 安徒生：鞋匠之子1:36:15 结语提及作品 | Reference回笼觉电台 | Huí Lóng Jiào Podcast 博客GOG（官网：gog.com） | Good Old Game 游戏在线销售平台 哔哩哔哩：GOG_COM 新浪微博：GOG游戏心选符文之地：传说 卡牌游戏，Riot英雄联盟：符文之地的故事 官方背景故事集，英雄联盟少年说 综艺节目，湖南卫视屋顶告白大会 综艺节目，日本掘火档案 哔哩哔哩 Up 主年轻人的音乐会 音乐普及项目，伯恩斯坦哈佛六讲《未作回答的问题》 家庭音乐会系列，伯恩斯坦耶鲁大学《聆听音乐》 耶鲁公开课爱在黎明破晓前 美国电影，查德·林克莱特安徒生童话集 童话集，安徒生丑小鸭 童话，安徒生小美人鱼 童话，安徒生小红帽 童话，格林兄弟三只小猪 童话，格林兄弟 卖火柴的小女孩 童话，安徒生巫师3：狂猎 游戏， CD Projekt RED标签 | Tags海牛电台，回归，英雄联盟，热爱，音乐，安徒生配乐 | MusicCC-BY 4.0 License: http://creativecommons.org/licenses/by/4.0/00:00 Back on Track by Kevin MacLeodLink: https://incompetech.filmmusic.io/song/3407-back-on-track0:28 Space 1990-B by Kevin MacLeodLink: https://incompetech.filmmusic.io/song/4398-space-1990-b01:53 Welcome to Planet Urf by League of Legends05:21 Hot Swing by Kevin MacLeodLink: https://incompetech.filmmusic.io/song/3885-hot-swing06:08 Desert City by Kevin MacLeodLink: https://filmmusic.io/song/3639-desert-city08:07 王老师在汇报演出上演奏的钢琴曲：巴赫二部创意曲 No.409:15 Sonata 17 by Kevin MacLeodLink: https://incompetech.filmmusic.io/song/4392-sonata-1718:14 More by K/DA21:33 Legends Never Die by League of Legends (Against the Current)25:29 Phoenix by League of LegendsHeavy Heart by Kevin MacLeodLink: https://incompetech.filmmusic.io/song/3865-heavy-heart 28:44 Giants by League of Legends30:58 英雄联盟主题曲交响乐33:42 Rise by League of Legends35:06 Acid Trumpet by Kevin MacLeodLink: https://incompetech.filmmusic.io/song/3340-acid-trumpet37:40 Take Over by League of Legends40:40 Acid Trumpet by Kevin MacLeodLink: https://incompetech.filmmusic.io/song/3340-acid-trumpet41:47 夜空中最亮的星 by 厦门六中合唱团42:02 Angel Share by Kevin MacLeodLink: https://incompetech.filmmusic.io/song/3367-angel-share46:41 Brahms: Symphony No.4 in E minor, Op.98 - 1. Allegro non troppo by Herbert von Karajan、Berliner Philharmoniker46:59 Sonata 17 by Kevin MacLeod54:10 Don&`&t Look Back in Anger54:25 Suave Standpipe by Kevin MacLeodLink: https://incompetech.filmmusic.io/song/4429-suave-standpipe54:44 IRIS by Goo Goo Dolls54:59 Suave Standpipe by Kevin MacLeodLink: https://incompetech.filmmusic.io/song/4429-suave-standpipe57:05 Leaving Home by Kevin MacLeodLink: https://incompetech.filmmusic.io/song/4708-leaving-home1:02:31 Jazz Brunch by Kevin MacLeodLink: https://incompetech.filmmusic.io/song/3937-jazz-brunch-1:07:48 Slow Jam by Kevin MacLeodLink: https://incompetech.filmmusic.io/song/4374-slow-jam1:16:24 Midnight Tale by Kevin MacLeodLink: https://incompetech.filmmusic.io/song/4710-midnight-tale1:18:08 Immersed by Kevin MacLeodLink: https://incompetech.filmmusic.io/song/3900-immersed1:20:58 Leopard Print Elevator by Kevin MacLeodLink: https://incompetech.filmmusic.io/song/3974-leopard-print-elevator1:28:06 Teddy Bear Waltz by Kevin MacLeodLink: https://incompetech.filmmusic.io/song/4466-teddy-bear-waltz1:30:41 Immersed by Kevin MacLeodLink: https://incompetech.filmmusic.io/song/3900-immersed1:33:52 Teddy Bear Waltz by Kevin MacLeodLink: https://incompetech.filmmusic.io/song/4466-teddy-bear-waltz1:39:09 Welcome to Planet Urf by League of Legends文案 Intro／封面 Cover／后期 Post ProductHyaline大黄鱼

简介 | Intro海牛电台 2.0 回来啦！上海的十一月，深秋，海牛三人组再度聚首。几乎是不谋而合地，我们都觉得是时候重新开始海牛的更新。一方面日复一日，年复一年，时隔两年多，依然还有很多听众在微博、网易云等各种平台给海牛留言、私信，这确实给了我们很大的激励和动力。另一方面我们都期待美好的事情发生，与其等待美好的降临，不如主动去寻找。内容方面，由于种种原因我们不会再完全专注于英雄联盟，而是会进行诸如泛游戏和生活向的交流，也许还会有读书栏目和情感栏目。花式安利和推广普通话这些传统活动是不会受限于内容载体的。也许未来会采用话题的形式，那么跑题的常规操作也会回归。至于播出频率，目前我们的想法是半月更。这期之后的节目我们希望未来在每月的 1 日和 16 日播出。一来不会给我们带来太大的压力，二来也可以细水长流。真的很开心一直以来很多朋友给我们留言，希望我们继续带去像朋友一般陪伴的感觉。你们温暖的留言在我们记忆中留下了特别的痕迹，因此我们也希望海牛电台可以成为听众们的特殊记忆。在风雨飘摇 2020 即将过去之时，希望海牛还可以带来一件美好的事。主播 | Podcasters谢楚聿、王冠、沉默时间线 | Timeline01:34 回归的原因04:44 这些年的我们：沉默06:26 这些年的我们：王老师17:45 这些年的我们：谢老师27:46 关于对英雄联盟的热爱39:08 关于热泪盈眶49:51 关于对音乐的热爱56:36 每个人的人生课题1:01:56 人与人的连结1:15:59 情感与理智1:20:24 听众评论1:27:36 安徒生：鞋匠之子1:36:15 结语提及作品 | Reference回笼觉电台 | Huí Lóng Jiào Podcast 博客GOG（官网：gog.com） | Good Old Game 游戏在线销售平台 哔哩哔哩：GOG_COM 新浪微博：GOG游戏心选符文之地：传说 卡牌游戏，Riot英雄联盟：符文之地的故事 官方背景故事集，英雄联盟少年说 综艺节目，湖南卫视屋顶告白大会 综艺节目，日本掘火档案 哔哩哔哩 Up 主年轻人的音乐会 音乐普及项目，伯恩斯坦哈佛六讲《未作回答的问题》 家庭音乐会系列，伯恩斯坦耶鲁大学《聆听音乐》 耶鲁公开课爱在黎明破晓前 美国电影，查德·林克莱特安徒生童话集 童话集，安徒生丑小鸭 童话，安徒生小美人鱼 童话，安徒生小红帽 童话，格林兄弟三只小猪 童话，格林兄弟 卖火柴的小女孩 童话，安徒生巫师3：狂猎 游戏， CD Projekt RED标签 | Tags海牛电台，回归，英雄联盟，热爱，音乐，安徒生配乐 | MusicCC-BY 4.0 License: http://creativecommons.org/licenses/by/4.0/00:00 Back on Track by Kevin MacLeodLink: https://incompetech.filmmusic.io/song/3407-back-on-track0:28 Space 1990-B by Kevin MacLeodLink: https://incompetech.filmmusic.io/song/4398-space-1990-b01:53 Welcome to Planet Urf by League of Legends05:21 Hot Swing by Kevin MacLeodLink: https://incompetech.filmmusic.io/song/3885-hot-swing06:08 Desert City by Kevin MacLeodLink: https://filmmusic.io/song/3639-desert-city08:07 王老师在汇报演出上演奏的钢琴曲：巴赫二部创意曲 No.409:15 Sonata 17 by Kevin MacLeodLink: https://incompetech.filmmusic.io/song/4392-sonata-1718:14 More by K/DA21:33 Legends Never Die by League of Legends (Against the Current)25:29 Phoenix by League of LegendsHeavy Heart by Kevin MacLeodLink: https://incompetech.filmmusic.io/song/3865-heavy-heart 28:44 Giants by League of Legends30:58 英雄联盟主题曲交响乐33:42 Rise by League of Legends35:06 Acid Trumpet by Kevin MacLeodLink: https://incompetech.filmmusic.io/song/3340-acid-trumpet37:40 Take Over by League of Legends40:40 Acid Trumpet by Kevin MacLeodLink: https://incompetech.filmmusic.io/song/3340-acid-trumpet41:47 夜空中最亮的星 by 厦门六中合唱团42:02 Angel Share by Kevin MacLeodLink: https://incompetech.filmmusic.io/song/3367-angel-share46:41 Brahms: Symphony No.4 in E minor, Op.98 - 1. Allegro non troppo by Herbert von Karajan、Berliner Philharmoniker46:59 Sonata 17 by Kevin MacLeod54:10 Don&`&t Look Back in Anger54:25 Suave Standpipe by Kevin MacLeodLink: https://incompetech.filmmusic.io/song/4429-suave-standpipe54:44 IRIS by Goo Goo Dolls54:59 Suave Standpipe by Kevin MacLeodLink: https://incompetech.filmmusic.io/song/4429-suave-standpipe57:05 Leaving Home by Kevin MacLeodLink: https://incompetech.filmmusic.io/song/4708-leaving-home1:02:31 Jazz Brunch by Kevin MacLeodLink: https://incompetech.filmmusic.io/song/3937-jazz-brunch-1:07:48 Slow Jam by Kevin MacLeodLink: https://incompetech.filmmusic.io/song/4374-slow-jam1:16:24 Midnight Tale by Kevin MacLeodLink: https://incompetech.filmmusic.io/song/4710-midnight-tale1:18:08 Immersed by Kevin MacLeodLink: https://incompetech.filmmusic.io/song/3900-immersed1:20:58 Leopard Print Elevator by Kevin MacLeodLink: https://incompetech.filmmusic.io/song/3974-leopard-print-elevator1:28:06 Teddy Bear Waltz by Kevin MacLeodLink: https://incompetech.filmmusic.io/song/4466-teddy-bear-waltz1:30:41 Immersed by Kevin MacLeodLink: https://incompetech.filmmusic.io/song/3900-immersed1:33:52 Teddy Bear Waltz by Kevin MacLeodLink: https://incompetech.filmmusic.io/song/4466-teddy-bear-waltz1:39:09 Welcome to Planet Urf by League of Legends文案 Intro／封面 Cover／后期 Post ProductHyaline大黄鱼

This episode begins with a guided meditation and breathing exercise from Dr. Frank Clark. It is followed by a performance of the second movement in Johannes Brahms' 1st Symphony first presented in 1876. The SC Philharmonic performed this piece on March 10, 2018, at the Koger Center for the Arts. You may read more about this movement and the rest of Brahms' Symphony No. 1 here Utilizing SC Philharmonic archival recordings as well as new solo recordings by some of our musicians, InTune is a series of guided mindfulness practices with music that provides a gentle mental break to calm the spirit and refresh the mind. In these stressful, turbulent, and uncertain times, we aim to bring hope and joy to our community. This series is in collaboration with Dr. Frank Clark. Dr. Clark is a Clinical Assistant Professor at the University of South Carolina School of Medicine—Greenville and Medical Director and Division Chief for Adult Inpatient & Consultation-Liaison Services for the Department of Psychiatry and Behavioral Medicine with Prisma Health—Upstate. For more information about the SC Philharmonic, visit our website here.

Playlist: var. artists. - Beethoven Symphony No. 2 in D major, Op. 36: 3rd Mov Scherzo: AllegroCharles Gerhardt and National Philharmonic Orchestra - Mendelssohn A Midsummer Night's Dream, Op. 61: Scherzovar. artists - Brahms Symphony No. 4 in E Minor 3rd Mov-ScherzoBerlin Philharmonic and Herbert Von Karajan - Tchaikovsky Symphony No. 4 in F Minor, Op. 36: 3rd Mov: Scherzo pizzicato - ostinato - AllegroVar. Artists - Bruckner Symphony No. 7 in E Major 3rd Mov. ScherzoGeorge Solti Chicago Symohony Orchestra - Mahler Symphony No. 5 3rd Mov ScherzoJohn Williams - Scherzo for X - Wings

Johannes Brahm's Symphony No. 3, composed in 1883, is the shortest, subtlest, and most concise of his four symphonies. Each movement demonstrates Brahms' mastery of the form as he ranges from boisterous to introspective, ending on a note of dignified restraint. Series: "La Jolla Symphony & Chorus" [Show ID: 35728]

Johannes Brahm's Symphony No. 3, composed in 1883, is the shortest, subtlest, and most concise of his four symphonies. Each movement demonstrates Brahms' mastery of the form as he ranges from boisterous to introspective, ending on a note of dignified restraint. Series: "La Jolla Symphony & Chorus" [Show ID: 35728]

Johannes Brahm's Symphony No. 3, composed in 1883, is the shortest, subtlest, and most concise of his four symphonies. Each movement demonstrates Brahms' mastery of the form as he ranges from boisterous to introspective, ending on a note of dignified restraint. Series: "La Jolla Symphony & Chorus" [Show ID: 35728]

Johannes Brahm's Symphony No. 3, composed in 1883, is the shortest, subtlest, and most concise of his four symphonies. Each movement demonstrates Brahms' mastery of the form as he ranges from boisterous to introspective, ending on a note of dignified restraint. Series: "La Jolla Symphony & Chorus" [Show ID: 35728]

Johannes Brahm's Symphony No. 3, composed in 1883, is the shortest, subtlest, and most concise of his four symphonies. Each movement demonstrates Brahms' mastery of the form as he ranges from boisterous to introspective, ending on a note of dignified restraint. Series: "La Jolla Symphony & Chorus" [Show ID: 35728]

Johannes Brahm's Symphony No. 3, composed in 1883, is the shortest, subtlest, and most concise of his four symphonies. Each movement demonstrates Brahms' mastery of the form as he ranges from boisterous to introspective, ending on a note of dignified restraint. Series: "La Jolla Symphony & Chorus" [Show ID: 35728]

Scott Hambrick, founder of onlinegreatbooks.com, Karl Schudt, and Michelle Hawkins launch this podcast at the only suitable place to start— with a melody.  Before tuning in to the podcast, go listen to Brahms' Symphony No. 3.  Michelle says, "This particular melody is not repetitive, it takes you on a journey that makes sense. It’s an unfolding of his thought process." Scott adds, "The thought process of the genius is more accessible when it’s music than reading what they’ve written."  In listening to Brahms' musical journey, the trio asks questions like: What is melody? Are you able to talk about sound without metaphor? Can music itself just be its own end? If you have grown up on pop music, you may have not been exposed to these melodic sentences. This is a chance to expand your exposure and what you can delight in. Why would you not want to have more things that are beautiful in your life?

Brahms' 3rd symphony is his most underrated symphony. It is a nearly perfect piece that transcends the traditional symphonic narrative over its 40 minute journey. So why doesn't it get performed as often as the other 3 symphonies? This week we dissect the symphonies' origins(hint: it has something to do with Clara Schumann), it's unique cyclical structure, and the motto that runs through the entire work. There are few symphonic hikes more satisfying than Brahms' 3rd symphony, so let's start up together!

Gerard Schwarz in in Pittsburgh to conduct the Carnegie Mellon University Philharmonic and Chorus on Sunday February 23rd, 7:30pm at Carnegie Music Hall.  The concert includes Bernstein's Chichester Psalms, the Walton Cello Concerto with Sameer Apte, and the Brahms Symphony No. 4.  The Maestro stopped by WQED-FM to help with our fundraiser, and to have an in-depth conversation with Jim Cunningham about this weekend's concert, his time spent at the Seattle Symphony, his book "Behind the Baton" and much more.  

Brahms' beautiful fourth symphony. Accompanied by visualization, a Honey Bourbon Smash, and cats! What pictures does this music bring up in your mind's eye? Honey Bourbon Smash: 1.5 oz Barenjager honey whiskey, 5 blackberries, 3 orange slices, muddled, shaken, then topped with soda water. With special guest Roxanne Merriman

This week we take a look at a symphony that has been called both "sunny and bucolic" and "tragic and full of shadow." What accounts for these differences of opinions about such a beloved symphony? We'll explore all of the emotional ambiguity that runs throughout this symphony, as well as Brahms' remarkable thematic cohesion and creativity. How does a composer take 3 notes and create an entire symphony out of them? This week, you'll find out how. Recording recommendation: Carlos Kleiber w/ Vienna Phil.

Anarşist düşünür P. Kropotkin - Karşılıklı Yardımlaşma Üzerine Muhabbetler ... Ne Düşünmüştüm Radyo Sanat ve Sosyoloji üzerine yaptıklarım ve düşündüklerim. https://nedusunmustum.blogspot.com.tr J.Brahms - Symphony No. 3 in F major, Op. 90 - III https://youtu.be/UH324lgbxaI P. Kropotkin - Karşılıklı Yardımlaşma kitap https://www.kitapyurdu.com/kitap/kars... Robert B. Edgerton - Hasta Toplumlar kitap https://www.kitapyurdu.com/kitap/hast...

Brahms: Symphony No. 3 in F Major, Op. 90 Tchaikovsky: Symphony No. 4 in F minor, Op. 36 Dominique Beaulieu - conductor CMD Paris Philharmonic in Orleans Download at: http://www.classicalsavings.com/store/p881/Brahms%3A_Symphony_No._3_and_Tchaikovsky%3A_Symphony_No._4_%28digital_download%29.html

Brahms Symphony No. 2Brahms's Symphony No.2 is generally thought of as his most lighthearted, but it's actually built on the contrasts between light and dark, between sunshine and clouds. Kind of like life.

Produced by ricepudding

Flute 360 | Episode 44: “Competition Repertoire Guides with Jake Fridkis” (57:22) In today’s episode, Heidi talks with Jake Fridkis who is the principal flutist with the Fort Worth Symphony Orchestra. We talk about specific repertoire requirements for NFA and TFS competitions that are approaching. Repertoire includes Telemann’s Fantasie in A Major, Büsser’s Prélude et Scherzo, and Coleman’s Danza de la Mariposa! Finally, Jake gives some general tips to successfully prepare for a flute competition.    Episode 44 – Main Points: 0:28 – William S. Haynes Co. Website 1:40 – Repertoire requirements for NFA & TFS competitions. See links below. 2:19 – General suggestions for competition preparation. 3:06 – “If I was looking at the piece...the first thing I’d be focused on is how can I get all of this stuff on the page into my performance?” – Jake 4:08 – “If you go into any flute competition trying to improve your flute playing, as your first goal, you can’t lose!” – Jake 5:17 – “You don’t have control over the outcome, so don’t try to control it.” – Jake 6:33 – Telemann’s Fantasie in A Major 6:52 – “For Telemann, you are the show!” – Jake   10:14 – Jasmine Choi, James Galway, Emmanuel Pahud, Jean-Pierre Rampal 10:21 – Amy Porter’s DVD of Telemann’s 12 Fantasias 10:41 – Bärenreiter’s Publication, urtext edition 11:17 – Bach’s Partita in A minor for solo flute – BWV 1013 13:20 – Quantz’s “On Playing the Flute” 13:23 – Robert Donington’s “A Performer’s Guide to Baroque Music” 14:23 – Jed Wentz, flutist, conductor, and teacher 15:39 – Nicholas McGegan, conductor 16:57 – Kim Pineda, flutist and musicologist 18:08 – Early music experts 18:31 – Finger vibrato 19:06 – Summary of the Telemann 19:14 – Traverso flute– experiment with this instrument! 20:20 – Büsser’s Prélude et Scherzo 21:09 – Jake talks about the Prélude! 23:12 – “Be flexible with your dynamics.” – Jake 24:30 – “French music is all about flow. If you listen to Ravel and Debussy it’s this amazing wash of colors and sounds.” – Jake 24:49 – Melody at the 6/4 time signature 25:17 – Debussy’s “Prélude à l’après-midi d’un faune” 26:22 – Ravel, composer 26:46 – Conservatoire de Paris 29:25 – “Those are real notes in real time.” – Heidi quoting Dr. Sarah McKoin 31:04 – Büsser’s Scherzo 32:58 – “Don’t be afraid to have fun; this is all happy, fun music!” – Jake 33:37 – Cadenza 35:04 – Film: Matrix (1999) 36:12 – “I practice fast things extremely slowly. It’s effective because I am working on my sound. Then, when I play fast, my air knows where to go.” – Jake 37:01 – NFA’s Professional Flute Choir Competition 38:34 – Valerie Coleman’s “Danza de la Mariposa” 39:10 – Valerie Coleman, flutist and composer 39:24 – “We can show our full range and what we can do with the flute.” – Jake 40:47 – Fanfare opening! 42:44 – Singing and playing as tone exercises. 44:53 – Extended Techniques: Flutter tonguing 46:54 – Butterfly House, Dallas, TX 48:14 – Listen to Valerie play! 48:30 – Listen to “butterfly” pieces for other instruments! 48:50 – Jake’s final competition suggestions. 49:32 – Eastern Music Festival’s Application 50:00 – David Cramer, flutist 53:31 – Jake’s YouTube Channel 54:40 – Jolivet’s Chant de Linos 55:08 – Conclusion 55:37 – Brahms’ Symphony No. 2 – upcoming FWSO concert! 55:48 – Pam Adams, FWSO flutist Episode 44 – Resources Mentioned: Jake’s YouTube Channel Jake’s Instagram Jake’s Twitter FWSO – Jake’s Bio NFA’s Professional Flute Choir Competition NFA’s Convention Performers Competition Texas Flute Society’s Myrna Brown Competition William S. Haynes Co. Flutes’ Instagram William S. Haynes Co. Flutes’ Twitter William S. Haynes Co. Flutes' Facebook Heidi Kay Begay's Website Episode 44 – Sponsors: Gold Level: William S. Haynes Co. Website Silver Level: Contact Heidi for more details! Bronze Level: J&K Productions’ Website

Produced by ricepudding

About the Performance: Brahms' last completed orchestral work, his magnificent Double Concerto – featuring Pinchas Zukerman and his wife Amanda Forsyth – is followed on this program by Brahms' tragic and noble final symphony, from which Mehta will extract every iota of Romantic fervor. Mehta's Brahms: Symphony No. 4 is supported by an Edgerton Foundation grant. Program: BRAHMS : Concerto for Violin and Cello in A minor, Op. 102  Intermission BRAHMS : Symphony No. 4 in E minor, Op. 98 Artists: Los Angeles Philharmonic Zubin Mehta conductor Pinchas Zukerman violin Amanda Forsyth cello SUN / JAN 6, 2019 - 2:00PM Upcoming concerts: www.laphil.com/calendar Upbeat Live schedule, details, and speaker bios: www.laphil.com/ubl

In this episode I speak to Marcus Rudolf Axt: Chief Executive of the Bamberg Symphony (@bambergsymphony) Marcus talks about his career, from studying in Bayreuth (@unibt), to managing and overseeing a student opera production and a year in Bologna.Then working at Schleswig-Holstein Festival https://www.shmf.de and learning from and being mentored by Franz Willnauer. Listen out for some great advice: Ober sticht unter (I looked for a translation to this (originates from card games), something like Upper beats under?) Later he moved to Beethovenfest Bonn (https://www.beethovenfest.de/en/) and worked for Ilona Schmiel there too. After that he worked for the Berlin Phil and Sir Simon Rattle https://www.berliner-philharmoniker.de/en/ and is now firmly set as Intendant of the Bamberg Symphony. Some valuable insights into the German market and how to rise through the ranks in the festival and orchestral market. Enjoy! The theme music in this podcast is: Thomas Hewitt Jones @thewittjones 'Momentum' for string orchestra and as extra plus a snippet of Brahms Symphony No. 4 in E Minor, Op. 98 from Bamberg Symphony latest release https://itunes.apple.com/gb/album/brahms-symphony-no-4-dvor%C3%A1k-symphony-no-9-from-the-new-world/1441983714 Don't forget to rate, review and contact me. @kathleenalder www.wildkatpr.com

About the Performance: In this program of Brahms contrasts, the epic, many layered four-movement Second Piano Concerto is paired with the delightful and lyrical Second Symphony. Bronfman and Mehta will revel in this music. Program: BRAHMS : Piano Concerto No. 2  Intermission BRAHMS : Symphony No. 2 in D major, Op. 73 Artists: Los Angeles Philharmonic Zubin Mehta conductor Yefim Bronfman piano SAT / DEC 15, 2018 - 8:00PM Upcoming concerts: www.laphil.com/calendar Upbeat Live schedule, details, and speaker bios: www.laphil.com/ubl

About the Performance: Zubin Mehta launches his Brahms Cycle with the rich, roiling waves of power that are the First Piano Concerto and First Symphony. Joining in is enduring Philharmonic friend and pianistic dynamo Yefim Bronfman. Program: BRAHMS : Piano Concerto No. 1  Intermission BRAHMS : Symphony No. 1 Artists: Los Angeles Philharmonic Zubin Mehta conductor Yefim Bronfman piano FRI / DEC 14, 2018 - 8:00PM Upcoming concerts: www.laphil.com/calendar Upbeat Live schedule, details, and speaker bios: www.laphil.com/ubl

J. Brahms- Symphony No. 4 E Minor Op. 98 4악장 세르주 첼리비다케 / SWR 슈투트가르트 라디오 심포니 오케스트라 (1974)

Today we will hear from these artists demonstrating SYMPHONIC ROCK: 1 The Moody Blues and Days of Future Passed with the London Festival Orchestra 2 Rick Wakeman's rendition of "Cans and Brahms" the group Yes 3 "Your Time is Gonna Come" Led Zepplin 4 "I'm Free", from Tommy, as performed by the London Symphony Orchestra and Chambre Choir with Roger Daltry 5 "Cleetus Awreetus- AwrightUs"  Frank Zappa, and Grand Wazoo featuring a cast of characters…From the Grand Wazoo album 6 "I Remember Me", From the Like Children (Jan Hammer and Jerry Goodman) album M1 "The Day Begins" From the "Days  of Future Passed" album, the Moody Blues, with the London Festival Orchestra, conducted by Peter Knight. This song is side one track one of the vinyl LP. This album paints the picture of everyman's day, starting with The Day Begins, Dawn, The Morning, Lunch break, the Afternoon, Evening and the Night. One day of a man's life, on 7 tracks, on vinyl LP ! The seven tracks on Days of Future Passed spawned two hit singles: "Tuesday Afternoon"  and "Nights in White Satin" which hit No. 2… five years after the LP's original release!. The lyrics from Days  of Future Passed are true to the band's name, moody and blue  …such as this: "Cold hearted orb that rules the night, removes the colours from our sight, red is grey and yellow white. But we decide which is right. And which is an illusion?" One description of this fusion of pop and poetry and the classics is taken from album's liner notes, written by Hugh Mendl, the executive producer… he writes  …Moody Blues is "extending the range of pop music… and has found a point where it becomes one with the classics"… "Days  of Future Passed" was Produced in 1967 by Decca Record Company Ltd., using the then-state of the art DERAM sound system. The DERAM or so-called DERAMIC Sound System was an early stereo "all round sound" technique, that allowed more space between instruments. How was this achieved? This capability came from the use of, not just one four-track recording machine, but TWO four-track recording machines. Imagine - eight discrete recorded tracks. Before this, stereo was recorded from one four-track tape recorder. The doubling of recorded tracks provided the ability to put more sound "space" or "spacial realism" between performers on up to 8 recorded tracks, creating more of a soundscape when played on a "stereo", high fidelity sound system, and when you placed yourself between the two speakers. This was 1967 -- the early days of consumer audio. If you had "good" component stereo system, you must have been an audiophile, as those early component systems were very expensive indeed! A good component system included a stereo amplifier, stereo preamp, the reel-to-reel tape deck, a "good" LP turntable, tonearm, massive speakers too… This album credits the orchestral parts to "Redwave/Knight".  Well, "Knight" was conductor Peter Knight, while "Redwave" was an imaginary name representing the Moody Blues themselves. Knight built the orchestral parts around themes written by Hayward, Thomas, Pinder & Lodge, the Moody Blues.   M2 Full: Cans and Brahms  YES and their 1972 album "Fragile", Atlantic Recording Corp, . This is an extract from Brahms  Symphony No. 4 in E minor 3rd movement. A solo Rick Wakeman adaptation, on electric piano, grand piano, organ, electric harpsichord, and synthesizer. Rick Wakeman's modern instruments replace those traditional ones used in the Brahms Symphony No. 4, ---the strings, woodwind, brass, reeds, and contra bassoon, when the symphony was completed, in 1885. Some 87 years later, Rick Wakeman arranged this rendition. Even now… 126 years later….the 3rd is a catchy musical movement with left and right-hand parts for keyboard. M3 "Your Time Is Gonna Come" by Led Zeppelin, released on their 1969 debut album, titled  "Led Zeppelin". Jimmy Page played a Fender 10-string steel guitar. Bassist John Paul Jones played a church-style organ,

Ivan Hewett recommends a recorded version of Brahms' Symphony No. 1.

Beethoven’s first symphony premiered when he was 30. Schubert wrote his first at 16, and Mozart’s was composed when he was only 8. But Johannes Brahms, at 43, had yet to finish his Symphony No. 1, which he’d begun writing more than twenty years previously. A notorious perfectionist, he burned many of his early works and sketches; it was not easy living in the shadow of the giants before him. His many years of preparation were worth it—upon the work’s premiere in 1876, the Vienna press called it “Beethoven’s Tenth.”

It was a pleasure to chat with Leigh Mesh for the podcast!  Leigh is the MET Orchestra Associate Principal Bass and teaches bass at Bard College.  This is a fun and wide-ranging conversation with a ton of great advice throughout. About Leigh Mesh: Leigh Mesh, Associate Principal Bass, joined the Metropolitan Opera Orchestra in 1993. A graduate of the Curtis Institute of Music, he has taught master classes at the New World Symphony in Miami, the Cincinnati Conservatory, the Juilliard School and the Manhattan School of Music. Mr. Mesh has performed regularly at the Verbier Music Festival, and with the MET Chamber Ensemble, the Caramoor Virtuosi, and the Brentano and Tokyo String Quartets. He lives with his wife and two children in New York, and pursues cycling and skiing whenever he can. Mr. Mesh is an exclusive artist for Thomastik-Infeld Strings. Links to Check Out: Leigh Mesh teaching and performing Brahms Symphony No. 2 on the New World Symphony's MUSAIC site Leigh's MET Orchestra page more about the Bard College bass program Listen to Contrabass Conversations with our free app for iOS, Android, and Kindle! Contrabass Conversations is sponsored by: Robertson & Sons Violins For more than four decades, Robertson & Sons has specialized in providing the highest quality stringed instruments and bows to collectors, professional musicians, music educators, and students of all ages. Their modern facility is equipped with three instrument showrooms as well as a beautiful Recital Hall available to our clients to in their search for the perfect instrument and/or bow. D'Addario Strings This episode is brought to you by D'Addario Strings! Check out their Kaplan strings, which have versatility and control throughout the dynamic spectrum, rich tonal color palette, superb bow response, and beautiful balance. Upton Bass String Instrument Company Upton's Karr Model Upton Double Bass represents an evolution of our popular first Karr model, refined and enhanced with further input from Gary Karr. Since its introduction, the Karr Model with its combination of comfort and tone has gained a loyal following with jazz and roots players. The slim, long “Karr neck” has even become a favorite of crossover electric players. A440 Violin Shop An institution in the Roscoe Village neighborhood for over 20 years, A440's commitment to fairness and value means that we have many satisfied customers from the local, national, and international string playing communities. Our clients include major symphony orchestras, professional orchestra and chamber music players, aspiring students, amateur adult players, all kinds of fiddlers, jazz and commercial musicians, university music departments, and public schools. Subscribe to the podcast to get these interviews delivered to you automatically!

선곡표 1.마스카니 카발레리아 Addio alla Madre from Cavalleria 2.Schubert -Der Lindenbaum(보리수) and Der Leiermann(거리의 악사) from 겨울나그네 3. Vivaldi -바이올린과 현을 위한 협주곡 No.9 in D major RV230 - 1. Allegro 2. Larghetto 3. Allegro 4. Brahms -Symphony No 1 Op 68 C minor 4. Finale adagio – piu andante – allegro non troppo, ma con brio 5. George Gershwin -the man I love 6. Johan Svendsen -Romance Op 26 G major 7. Beethoven -Romance 2번 Op 50-2 F major 8. 하치이야기 ost - Jan A.P. Kaczmarek - goodbye

Join conductor and host Joshua Weilerstein as we take a deep dive into Brahms' massive final symphony.  We'll explore the secret messages possibly encoded into the symphony, the battle between conservatism and progressivism that marked Brahms' whole compositional life, the way Brahms was both a visionary and a traditionalist, and much much more.  Thanks so much for listening!  

About the Performance: One of the world's most honored orchestras and its revered Music Director delight the Brahms lover with the two warm, buoyant middle symphonies. Program: BRAHMS: Symphony No. 3 in F major, Op. 90  BRAHMS: Symphony No. 2 in D major, Op. 73 Artists: Chicago Symphony Orchestra musician Riccardo Muti conductor SUN / OCT 22, 2017 - 7:30PM Upcoming concerts: www.laphil.com/calendar Upbeat Live schedule, details, and speaker bios: www.laphil.com/ubl

This is a “best of” episode from three classic Contrabass Conversations episodes. Back in the early days of the podcast, John Grillo and I recorded two episodes that dissected various excerpts. He and I talked through each excerpt and then played a recording of John performing it. These have been extremely popular resources over the years, but they came out not he podcast ten years ago. With so many episodes of this podcast and so many new listeners to the show, bringing these classic offerings to light is important to me, so I’m planning on doing a few rebroadcasts of this cornerstone content every now and again. Orchestra Excerpts Covered: Beethoven Symphony No. 9 Beethoven Symphony No. 5 Brahms Symphony No. 1 and 2 Shostakovich Symphony No. 5 Mozart Symphony No. 35 and 39 Mahler Symphony No. 2 Schubert Symphony No. 9 Strauss Ein Heldenleben Britten Young Person’s Guide Verdi Otello Opera Excerpts Covered: Strauss Salome Rosenkavalier Wagner Die Meistersinger von Nürnberg Die Walküre Britten Peter Grimes Verdi Otello Rigoletto Falstaff Weber Euryanthe Mozart Magic Flute Marriage of Figaro Beethoven Fidelio Humperdinck Hansel and Gretel Thanks to our sponsors! This episode is brought to you by D’Addario Strings! Check out their Kaplan strings, which have versatility and control throughout the dynamic spectrum, rich tonal color palette, superb bow response, and beautiful balance. Enter our latest string giveaway for Kaplan strings at contrabassconversations.com/strings! Thank you also to the Bass Violin Shop, which  offers the Southeast's largest inventory of laminate, hybrid and carved double basses. Whether you are in search of the best entry-level laminate, or a fine pedigree instrument, there is always a unique selection ready for you to try. Trade-ins and consignments welcome! Subscribe to the podcast to get these interviews delivered to you automatically!

Mr. Somers shows how brilliant musical structure can disappear in the immediacy of the performance, using the fugue and the passacaglia as examples. We listen to some excerpts of powerful works by Benjamin Britten. And how to play what's not there in Brahms Symphony No. 4. contact the show at yccb@mauriceriverpress.com

Brahms's Symphony No.2 is generally thought of as his most lighthearted, but it's actually built on the contrasts between light and dark, between sunshine and clouds. Kind of like life.

Join Bernardo Miethe and Andrew Owen as they unpack information about the world of classical music. Designed for musicians and non-musicians alike, this podcast means to expand the knowledge of classical music to our listeners. On this episode we discuss the life of Johannes Brahms and his first symphony.

In today's Proms Music Guide, Andrew McGregor talks about Brahms' Symphony No. 4.

Here's a hint: Beethovenophobia? or a famous first by one of the three “B's.”

Here’s a hint: Beethovenophobia? or a famous first by one of the three “B’s.”

WPAS speaks with conductor Daniel Harding about his appearance with the Dresden Staatskapelle on November 3 at the Kennedy Center. They'll perform Brahms' Symphony No. 2, Schumann's Manfred Overture plus his Piano Concerto with Rudolf Buchbinder. Tickets at WPAS.org or 202-785-WPAS.

Jean-Jacques van Vlasselaer and Marjolaine Fournier explore the life and times of Johannes Brahms and his 4th Symphony.

This week's Contrabass Conversations episode features an in-depth analysis of the double bass orchestral excerpts most commonly requested at auditions.  Double bassist (and regular Contrabass Conversations guest and ho-host) John Grillo discusses each of these excerpts--stylistic considerations, differences in articulation and bow strokes, and suggestions for effectively learning them--and then performs them.  I believe that this project will be a highly valuable resource for bassists worldwide, and I'd love your feedback on this project! Check out all of John's previous Contrabass Conversations appearances here.   Excerpts covered: Beethoven Symphony No. 9 Beethoven Symphony No. 5 Brahms Symphony No. 1 Brahms Symphony No. 2 Shostakovich Symphony No. 5 Mozart Symphony No. 35 Mozart Symphony No. 39 Mahler Symphony No. 2 Schubert Symphony No. 9 Strauss Ein Heldenleben Britten Young Person's Guide Verdi Otello